All language subtitles for tianjiang

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Elsie Carlisle:
* SOMEWHERE THE SUN IS SHINING *

* SO, HONEY,
DON'T YOU CRY *

* WE'LL FIND
OUR SILVER LINING *

* THE CLOUDS
WILL SOON ROLL BY *

* I HEAR
A ROBIN SINGING *

* UPON A TREETOP HIGH *

* TO YOU AND ME HE'S SINGING *

* THE CLOUDS
WILL SOON ROLL BY *

* EACH LITTLE TEAR
AND SORROW *

* ONLY BRINGS YOU
CLOSER TO ME *

* JUST WAIT
UNTIL TOMORROW *

* WHAT A HAPPY DAY
THAT WILL BE *

* DOWN LOVERS LANE
TOGETHER *

* WE'LL WANDER,
YOU AND I *

* GOOD-BYE
TO STORMY WEATHER *

* THE CLOUDS
WILL SOON ROLL BY *

[ALARM RINGS]

[ALARM STOPS]

JOAN.

JOANIE, SUGAR.

COME ON, JOAN.
SUGAR.

WAKE UP, BABY.

NO, ARTHUR, DON'T.

OH, BABY.
COME ON, SUGAR.

NO. IT'S
TOO EARLY, ARTHUR.

OH, JOANIE,
WAKE UP.

OH, ARTHUR,
THERE ISN'T TIME.

THERE'S ALWAYS TIME
FOR THIS, JOAN.

NO. STOP IT.
ARTHUR, NO. DON'T.

I SAID NO!

WHY NOT?
WHY NOT, JOAN?

YOU SAID YOU WANTED
TO GET AWAY EARLY.

THAT'S WHAT YOU SAID.

YOU NEVER WANT TO,
DO YOU?

NEVER.

FIX THE COFFEE,
WILL YOU, DARLING?

GODDAMN COFFEE.

ARTHUR.

LISTEN, JOAN, DON'T
YOU UNDERSTAND?

I'M GOING TO BE
AWAY FROM HOME

FOR 4 DAYS
AND NIGHTS.

THERE'S NO NEED
TO SWEAR, IS THERE?

THAT'S NOT MUCH
OF A CUSS.

I DON'T THINK
IT'S VERY NICE, ARTHUR,

ESPECIALLY
IN YOUR OWN HOME.

YOU DON'T
GIVE ME A CHANCE.

YOU'VE GOT TO
GIVE ME A CHANCE.

I DON'T KNOW
WHAT YOU MEAN, ARTHUR.

Connie Boswell:
* IF I SHOULD WAKE *

* AND FIND YOUR ARMS
AROUND ME *

* I KNOW I'LL NEVER
HAVE TO DREAM AGAIN *

* IF I SHOULD WAKE
AND FEEL YOUR LIPS *

* SURRENDER TO MINE *

* I'D JUST BE WASTING
TIME IN DREAMING *

* IN ALL MY DREAMS, IT SEEMS
THAT YOU ARE NEAR, DEAR *

* BUT WHEN I WAKE,
YOU ALWAYS DISAPPEAR *

* IF I SHOULD WAKE
TO HEAR YOU SAY *

* YOU'LL ALWAYS REMAIN... *

I WOULDN'T GO
ALL THAT WAY

WITHOUT BREAKFAST,
ARTHUR.

YOU MUST EAT,
SWEETIE.

I LIKE
FEELING EMPTY.

NOW, YOU KNOW
YOU DON'T.

WHAT FUNNY
THINGS YOU SAY

IN ONE
OF YOUR MOODS.

I'M EMPTY, JOAN.

NOTHING INSIDE ME.
NOTHING AT ALL.

OH, WHAT, ARTHUR?
NOT EVEN A SONG?

NOT A TEENY-WEENY
LITTLE TUNE?

I KEEP THEM SONGS
IN MY BAG,

NOT IN MY HEART.

AND IN
YOUR HEAD.

YOU KNOW THAT FELLA
AT THE BANK YESTERDAY?

HE SAID HE DIDN'T RECKON
THERE WAS A FELLA IN ALL CHICAGO

WHO KNEW MORE ABOUT
SONGS THAT SELL THAN ME.

DID HE SAY THAT?

HE SAID, "BORROW
WHAT YOU LIKE.

A FELLA LIKE YOU IS NO RISK,
NO RISK AT ALL."

IS THAT TRUE,
ARTHUR?

AND I SAID,
"I DON'T WANT IT.

"MY WIFE'S
GOT SOME CASH,

AND SHE'LL SUPPORT ME."

WE NEED
THAT MONEY, ARTHUR,

FOR OUR OLD AGE.

NO.

WE NEED IT NOW, JOAN.

HONEY, I'M
A GOOD SALESMAN.

I CAN PICK
THE RIGHT SONGS.

JESUS CHRIST ALMIGHTY.

DON'T BLASPHEME,
ARTHUR.

CORN TO THE LEFT OF YOU,
CORN TO THE RIGHT,

AND THE STOREKEEPERS
ARE DUMB AND WINDY

AS MY OLD GRANNY'S ASSHOLE.

ARTHUR.

WELL, YOUR HICK STOREKEEPER
CUSSES A LOT, BELIEVE ME.

MY DADDY DIDN'T,
NOT EVER.

YEAH, BUT YOUR DADDY
USED TO SING

IN THE CHURCH CHOIR.

HE WAS MORE A CHRISTIAN
THAN A STOREKEEPER.

HE MIGHT
OVERCHARGE YOU,

BUT HE SAID
HIS PRAYERS.

HONEY...
HE WOULD WANT YOU

TO USE THAT MONEY
HE LEFT YOU.

MONEY HE WORKED
HARD FOR ALL HIS LIFE

TO SAVE
FOR A RAINY DAY?

IT'S RAINING,
POURING.

OH, CHEER UP,
ARTHUR.

YOU WON'T SELL ANYTHING
WITHOUT A SMILE.

WHOO-HOO!

OH, ARTHUR!

MAKE ME HAPPY, JOAN.

IT WOULD REALLY
BE NICE, HUH?

DOWN HERE
ON THE FLOOR.

ARTHUR!

JOAN, LOOK. I WANT TO
SHOW YOU SOMETHING, JOAN.

STOP! ARTHUR!

BIRDS DO IT.
BEES DO IT.

LITTLE BIRDIES
IN THE TREES DO IT.

WELL...IT WAS
JUST A THOUGHT.

A VERY PECULIAR
THOUGHT, ARTHUR.

DON'T YOU EVER
LISTEN TO THE WORDS

IN THE SONGS,
IN THESE SONGS?

THAT'S NOT REAL LIFE.

REAL LIFE?

YOU TELL ME
WHAT REAL LIFE IS.

IT'S A BOWL
OF DOG BISCUITS.

THERE'S NOTHING
WRONG WITH THAT...

IF YOU'RE A DOG.

[LAUGHS SOFTLY]

THAT'S WHAT YOU WANT.
YOU WANT A GODDAMN POODLE.

NOT A MAN.
NOT A REAL MAN!

DON'T BE SILLY,
ARTHUR.

WELL, I'LL
TELL YOU THIS...

THIS IS ONE OLD DOG

WHO AIN'T COMING BACK
TO THE KENNEL.

WHAT DO YOU MEAN,
ARTHUR?

3 GUESSES.

ARTHUR?

Man: $1,000.

WHAT ON EARTH
DO YOU WANT

WITH $1,000,
MR., UH, PARKER?

I WANT MORE CAPITAL
FOR MY BUSINESS.

SELLING SHEET MUSIC?

YEAH, SONGS...
ON COMMISSION.

I GOT
A BAD TERRITORY, SEE--

EAST CENTRAL ILLINOIS.

GOD HELP ME.

I WANT TO MUSCLE IN
ON INDIANAPOLIS AS WELL.

YOU GET ME?

YES. WELL, WITH ALL
SUCH LARGE SUMS OF MONEY,

THE QUESTION OF ADEQUATE
COLLATERAL CANNOT BE EVADED.

PARDON?

WELL, YOU SEE HERE,
YOUR WIFE HAS

A DEPOSIT ACCOUNT
AT THIS BRANCH.

THAT'S HERS.

THAT IS SOMETHING
QUITE SEPARATE.

HER DAD
WILLED HER THAT.

YES, BUT IF THAT COULD
BE PUT UP AS COLLATERAL--

DON'T YOU GOD DAMN WELL
UNDERSTAND?

REALLY, MR. PARKER,

THAT SORT OF LANGUAGE
WON'T HELP ONE LITTLE BIT.

WHAT WILL HELP, THEN?
YOU TELL ME.

WELL, THAT'S WHAT I'VE
BEEN TRYING TO TELL YOU.

WITHOUT DRAGGING IN
MY WIFE'S CASH.

WHICH REPRESENTS THE ONLY
CHANCE OF YOUR GETTING

A LOAN OF THE SIZE
OF WHICH YOU ARE PROPOSING.

WHAT ABOUT THIS, THEN?

THIS IS WHAT YOU SELL
THINGS WITH, BROTHER.

IT'S WHAT'S UP HERE
THAT MATTERS.

I KNOW THE KIND
OF SONGS THAT SELL.

I GOT AN INSTINCT
FOR IT,

AND I GET 30%
OF EVERY SONG SHEET

I PUSH TO
THE RETAILER...NEARLY.

WELL...NEARLY 30%
OF 10 CENTS.

WHAT'S THE USE?

WHAT'S THE GOOD
OF SETTING UP

YOUR OWN BUSINESS
IN AMERICA TODAY?

THE TIMES ARE HARD.

THE DEPRESSION
IS STILL WITH US.

AND WHY?

BECAUSE OF DRY ROT,
THAT'S WHY.

IT WAS SALESMANSHIP
THAT MADE THIS COUNTRY GREAT,

AND IT WILL BE
SALESMANSHIP

THAT WILL
KEEP US GREAT.

DRY ROT. THAT'S WHAT'S
DOING THE DAMAGE--DRY ROT.

THAT'S THE STUFF YOU'VE
GOT BETWEEN YOUR EARS, PAL.

GOOD DAY, PARKER.

Sam Browne and The Carlyle
Cousins: * DO WAH DO WAH *

* DO WAH DO WAH
DO WAH DO WALLA DO *

* YES, YES, MY BABY
SAID YES, YES *

* I'M GLAD
SHE SAID YES, YES *

* INSTEAD OF NO, NO *

* NEXT SUNDAY *

* I DIDN'T SAY
MONDAY *

* IT'S GOT TO
BE SUNDAY *

* WE'RE READY TO GO *

* SO TA-TA,
WE'RE GONNA GO GAGA *

* MY BABY LOVES GAGA *

* SHE TOLD ME SO *

* YES, YES *

* MY BABY
SAID YES, YES *

* I'M GLAD
SHE SAID YES, YES *

* INSTEAD OF NO, NO *

* YES, YES *

* MY BABY SAID YES, YES *

* I'M GLAD
SHE SAID YES, YES *

* INSTEAD OF NO, NO *

* YES, YES *

* MY BABY SAID YES, YES *

* I'M GLAD
SHE SAID YES, YES *

* INSTEAD OF NO, NO *

* INSTEAD OF NO-- *

HEY, WHAT
DID YOU YELL?

M-M-ME?

I D-D-DIDN'T
HOLLER NOTHING, SIR.

ANYTHING. I DIDN'T
HOLLER ANYTHING.

NO. N-N-NOR ME, SIR.

COME ON.
GET IN.

BRING YOUR CASE.

OH, THANK YOU.

NO EXTRA CHARGE.

THANKS
A M-M-MILLION.

TOO FAST
FOR YOU, BUDDY?

N-N-NICE, THIS...

VEHICLE.

NOT BAD.

I WISH...

WISH WHAT?

I W-W-WISH I HAD ONE.

HEY, WHAT'S
IN THAT CASE?

P-P-PIANO.

OH, RIGHT, I SHOULD
HAVE KNOWN. A PIANO.

P-P-PIANO A-A-ACCORDION.

YEAH?
YOU CAN PLAY IT?

IT'S MY LIVING.

OH, NO.
I THINK I KNOW

WHAT I CAN AND CAN'T SELL
IN MY OWN STORE, MR. PARKER.

YOU SURE DO,
MR. BARRETT.

I WOULDN'T TRY TO TELL YOU
WHAT YOU COULD SELL--

AND IF THERE IS
A DEMAND FOR DESERT MOON--

PRAIRIE MOON.
PRAIRIE MOON, SIR.

THIS IS A GREAT,
GREAT SONG, SIR.

WELL, IF...

I CAN JUST CALL
THE WHOLESALER, RIGHT?

AND WAIT
A WEEK OR MORE?

WHEREAS IF YOU TAKE
A DOZEN NOW, SIR,

YOU'LL BE READY WHEN THEY
COME IN OUT OF THAT DOOR

ASKING
FOR THE SHEET MUSIC--

ONE MOMENT, PLEASE.

CAN I HELP YOU,
MA'AM?

I WONDER--YOU SEE,
I'M LOOKING FOR PART SONGS

FOR A CHILDREN'S CHOIR.

Mr. Barrett: YES, I BELIEVE
I HAVE ONE BACK HERE.

Bing Crosby:
* DID YOU EVER SEE
A DREAM WALKIN'? *

* WELL, I DID *

* DID YOU EVER HEAR
A DREAM TALKIN'? *

* WELL, I DID *

* DID YOU EVER HAVE
A DREAM THRILL YOU *

* WITH "WILL YOU
BE MINE?" *

* OH, IT'S SO GRAND *

* AND IT'S TOO, TOO DIVINE *

* DID YOU EVER SEE
A DREAM DANCIN'? *

* WELL, I DID *

* DID YOU EVER SEE
A DREAM ROMANCIN'? *

* WELL, I DID *

* DID YOU EVER SEE HEAVEN
RIGHT IN YOUR ARMS? *

* SAYING, "I LOVE YOU,
I DO"? *

* WELL, THE DREAM
THAT WAS WALKIN' *

* AND THE DREAM
THAT WAS TALKIN' *

* AND THE HEAVEN
IN MY ARMS WAS YOU *

* DID YOU EVER SEE HEAVEN
RIGHT IN YOUR ARMS? *

* SAYING, "I LOVE YOU,
I DO?" *

* WELL, THE DREAM
THAT WAS WALKIN' *

* AND THE DREAM
THAT WAS TALKIN' *

* AND THE HEAVEN
IN MY ARMS WAS YOU *

AH, IT'S NOT HERE,
I'M AFRAID,

BUT I'M SURE I CAN
GET IT FOR YOU, MRS...

MISS.
MISS EVERSON.

I WANT IT FOR THE CHILDREN
IN MY CLASS.

Mr. Barrett: COULD YOU GIVE ME
AN ADDRESS, PLEASE?

[SOFTLY]
MISS EILEEN EVERSON,

CARE OF LINCOLN
JUNIOR SCHOOL.

VERY GOOD,
MISS EVERSON.

I'LL SEE
WHAT I CAN DO.

HAVE A NICE DAY.

[DOORBELL JINGLES]

YOU KNOW WHAT SHE NEEDS,
DON'T YOU?

JUST SIGN FOR WHAT
YOU HAVE ORDERED.

DON'T TALK ABOUT
A LADY LIKE THAT.

Accordion man:
* ROCK OF AGES,
CLEFT FOR ME *

* LET ME HIDE
MYSELF IN THEE *

THANK YOU.
THANK YOU VERY,
VERY MUCH, FOLKS.

THANK YOU.
THANK YOU, FOLKS.

THANK YOU
VERY, VERY MUCH.
THANK YOU, FOLKS.

THANK YOU
VERY, VERY MUCH.

IT WAS VERY NICE.

P-P-PARDON, LADY?

IT WAS NICE.

[COIN CLINKS]

A NICE HYMN.

OH, S-S-SHALL I
P-P-PLAY YOU ANOTHER ONE?

THE OLD
RUGGED C-C-CROSS?

[HORN HONKS]

NO, THANK YOU
VERY MUCH.

I'LL PLAY
THE OLD RUGGED CROSS.

NO.

[PLAYING ACCORDION]

* ON A HILL *

HELLO, FATHER.

COME ON,
EILEEN.

YES, FATHER.

LET'S GO,
BOY.

* ...AN OLD RUGGED CROSS *

* THE EMBLEM
OF SUFFERING AND SHAME *

SHUT UP, YOU FOOL.

[STOPS PLAYING]

[THUNDER]

HOW LONG IS IT
SINCE YOU ATE?

I EAT HERE
AND...THERE.

NOW AND THEN'S
MORE LIKE IT.

AIN'T YOU HUNGRY,
MISTER?

OH, I'M HUNGRY,
ALL RIGHT.

DIDN'T...

D-D-DIDN'T YOU
LIKE IT?

WHEN YOU THINK
ABOUT THINGS...

BEFORE YOU GO
TO SLEEP AT NIGHT...

WHEN YOUR HEAD
IS STILL...

NO, I DON'T WANT IT.

YOU CAN HAVE IT.

AND GOOD LUCK
TO YOU, BUDDY.

Arthur Tracy:
* A LONG TIME AGO *

* A MILLION YEARS B.C. *

* THE BEST THINGS IN LIFE
WERE ABSOLUTELY FREE *

* BUT NO ONE
APPRECIATED *

* A SKY THAT WAS
ALWAYS BLUE *

* AND NO ONE
CONGRATULATED *

* A MOON THAT WAS
ALWAYS NEW *

* SO IT WAS PLANNED *

* THAT THEY WOULD
VANISH NOW AND THEN *

* AND YOU MUST PAY *

* BEFORE YOU GET
THEM BACK AGAIN *

* THAT'S WHAT STORMS
WERE MADE FOR *

* AND YOU SHOULDN'T BE
AFRAID, FOR... *

* EVERY TIME IT RAINS,
IT RAINS *

* PENNIES FROM HEAVEN *

* DON'T YOU KNOW
EACH CLOUD CONTAINS *

* PENNIES FROM HEAVEN? *

* YOU'LL FIND
YOUR FORTUNE FALLING *

* ALL OVER TOWN *

* BE SURE
THAT YOUR UMBRELLA *

* IS UPSIDE DOWN *

* TRADE THEM FOR A PACKAGE
OF SUNSHINE AND FLOWERS *

* IF YOU WANT
THE THINGS YOU LOVE *

* YOU MUST HAVE SHOWERS *

* SO, WHEN YOU HEAR
IT THUNDER *

* DON'T RUN
UNDER A TREE *

* THERE'LL BE
PENNIES FROM HEAVEN *

* FOR YOU AND ME *

[THUNDER]

* SO, WHEN YOU
HEAR IT THUNDER *

* DON'T RUN
UNDER A TREE *

* THERE'LL BE
PENNIES FROM HEAVEN *

* FOR YOU AND ME *

WHERE DO YOU SLEEP
TONIGHT, BUDDY?

DID YOU HEAR
WHAT I SAID?

ALLEY.

WHAT?

WHERE I WAS
PLAYING...

THERE...
WAS AN ALLEY.

THERE WAS A GIRL...
WASN'T THERE?

GAVE YOU SOME MONEY

JUST BEFORE WE CAME
IN HERE.

YEAH.

SHE WAS BEAUTIFUL--

THE WAY
SHE HELD HER HEAD,

THE WAY SHE WALKED.

IT'S FUNNY
HOW ONE LOOK CAN...

WHAT ARE YOU
GRINNING AT?

SHE...GAVE ME
A DIME.

IS THAT ALL YOU GOT?

DIDN'T NOBODY ELSE
PUT NOTHING IN THE HAT?

NO.

YOU CAN'T LIVE
ON A DIME.

YOU'RE DOING
WORSE THAN ME.

HERE.
HERE'S A QUARTER.

GO ON, TAKE IT,
ROCKEFELLER.

FEEL RICH.

GOD BLESS YOU.

BLESS YOU.

CUT IT OUT!

WHAT ARE YOU,
A GODDAMN PANSY?

I'M SORRY, MISTER.

SLEEP ON THE SIDEWALK,
FOR ALL I CARE.

MISTER--

DON'T BE SCARED.

WHO ARE YOU?

WHAT ARE YOU DOING?

EILEEN.

WHAT DO YOU WANT?

HOW DO YOU
KNOW MY NAME?

EILEEN--

GO AWAY.
LEAVE ME ALONE.

OH, DON'T.
OH, PLEASE, PLEASE.

I'VE SEEN YOU...

IN THE MUSIC STORE.

THERE'S A SONG...

LIKE IN THE SONG.

WHAT?

THEY TELL THE TRUTH.

SONGS DO.

STAY WHERE
YOU ARE, PLEASE.

I OVERHEARD YOU SAY
YOU WERE A TEACHER,

AND I ASKED
SOME OF THE KIDS

WHERE YOU LIVED.

WHY?

I'VE BEEN LOOKING
FOR YOU.

ALL MY LIFE,
I'VE BEEN LOOKING

FOR YOU,
MISS EVERSON.

I DON'T UNDERSTAND.

YOU'VE BEEN
IN MY HEAD, EILEEN,

AND IN MY HEART...

IN MY SOUL.

I WANT TO TALK
TO YOU.

PLEASE, LET ME
TALK WITH YOU.

Man: EILEEN.

WHO'S THAT?

MY BROTHER.

I GOT TO TALK
TO YOU.

Man: EILEEN, COME HERE.

I DON'T EVEN KNOW
WHO YOU ARE.

ARTHUR.

I'M ARTHUR...

AND I LOVE YOU.

[BASEBALL GAME ON RADIO]

WE'RE NEVER GOING TO GET
OUT OF THIS DEPRESSION.

THE HOURS I'VE PUT IN,
DOOR TO DOOR,

FOR NOTHING, PEANUTS,

SELLING WHAT IS,
IN FACT,

A VERY GOOD
SET OF BRUSHES.

IT'S THE GODDAMN
TERRITORY, AIN'T IT?

THEY JUST SLAM
THE DOOR IN YOUR FACE.

YEAH, IT'S
THE TERRITORY.

THERE'S NO DOUBT
ABOUT IT.

WE'D ALL BE SMARTER
BUMMING THE ROADS.

WHAT DO YOU SAY,
ARTHUR?

HARD TIMES,
AIN'T IT, ARTHUR?

I'M SORRY.
WHAT DID YOU SAY?

I DON'T SUPPOSE YOU'RE DOING
TOO WELL EITHER, HUH, ARTHUR?

NOT DOING VERY WELL?

HEY, WAKE UP,
OLD BUDDY.

OH. OH, I'M DOING
VERY WELL.

VERY, VERY WELL, INDEEDY.

YOU HEADING FOR
THE CUCKOO HOUSE,

ARE YOU, ARTHUR?

ME? NO CHANCE.

I'LL TELL YOU GUYS
SOMETHING.

EVERYBODY
WHO EVER LIVED

IN THE ENTIRE HISTORY
OF THESE HERE UNITED STATES

WOULD WANT TO BE ME IF THEY KNEW
WHAT I FELT LIKE INSIDE.

WHAT'S WRONG,
ARTHUR?

THAT'S THE TROUBLE
WITH YOU GUYS.

YOU WALK AROUND WITH DIRT
AND ASH IN YOUR EYEBALLS.

HEY.
HEY.

YOU JUST CAN'T
BEGIN TO SEE

WHAT A FANTASTIC WORLD
IT IS WE LIVE IN.

COME ON, GET YOUR GODDAMN
CHINS UP OFF THE FLOOR.

IT'S BEAUTIFUL. IT IS.

SHINING. THE WHOLE PLACE
IS SHINING.

CAN'T YOU SEE IT?

DON'T YOU FEEL IT?

SOUNDS LIKE A CRATE
OF EGGS TO ME.

SLICED BALONEY,
MORE LIKE IT.

YEAH, IT WOULD TO YOU,
ED, WOULDN'T IT?

WHAT DO YOU MEAN?

BECAUSE
YOU DON'T KNOW

THE YOUNG LADY
IN QUESTION, DO YOU?

AHA!
AHA!

IT'S IMPOSSIBLE
TO EXPLAIN.

NOT THE SORT
OF THING

YOU CAN
PUT INTO WORDS.

[TOGETHER]
OH, YES, IT IS.

The Boswell Sisters
* IT ISN'T THE PADDLE *

* IT'S NOT THE CANOE *

* IT ISN'T THE RIVER *

* OR SKIES THAT ARE BLUE *

* IT ISN'T THE LOVE DREAMS
THAT BRING JOY TO YOU *

* IT'S A GIRL, OH *

* IT'S A GIRL
IN THE BROOKLET *

* THAT YOU ALWAYS
WANDER TO *

* IT ISN'T THE MOUNTAIN,
FLOWERS, OR THE MORNING DEW *

* IT ISN'T THE LOVE NEST
THAT BRINGS LOVE TO YOU *

* IT'S A GIRL
THAT MAKES YOU HAPPY *

* AND IT'S A GIRL
THAT MAKES YOU BLUE *

* YOU OPENED UP AND *

* WHAT A LONELY WORLD
IT WOULD BE WITHOUT THEM *

* IT ISN'T THE SONGBIRDS
OR SONGS THAT THEY SING *

* IT ISN'T THE SUNSHINE
THAT MAKES YOU LIKE SPRING *

* SO WHAT IS THIS MAGIC
THAT MAKES ALL US SING? *

* IT'S A GIRL *

* OH, IT'S A GIRL *

YEAH!
YEAH!

DID YOU GET YOUR HAND
UP HER SKIRT, ARTHUR?

YOU LAY HER
IN THE BACKSEAT?

HAS SHE GOT BIG TITS?

SON OF A BITCH!

HEY! EASY! HEY!
HE WAS KIDDING!

EVERYTHING I'VE
EVER DREAMED OF,

HOPED FOR,
OR LONGED FOR...

EVERYTHING
DEEP INSIDE ME...

HERE IN MY HEART...

SHE'S EVERYTHING.

Eileen: AND SO
THE HANDSOME PRINCE

STEPPED OUT
FROM THE TREES

AND LOOKED UP
AT THE TINY WINDOW

AT THE TOP OF THE TALL,
TALL TOWER THAT HAD NO DOOR.

"RAPUNZEL, RAPUNZEL,"
HE CALLED,

"LET DOWN YOUR HAIR."

AND THINKING
IT WAS THE OLD WITCH,

RAPUNZEL LET DOWN
HER HAIR,

LONG, SHINING,
GOLDEN HAIR,

ALL THE WAY DOWN, DOWN,
DOWN TO THE GROUND,

AND...

AND THEN...

Students: THE PRINCE
CLIMBED UP.

JUST AS HE HAD SEEN
THE OLD WITCH DO,

BUT WHEN HE CAME
TO THE WINDOW,

RAPUNZEL STEPPED BACK
IN FEAR.

OH, MY, SHE WAS SCARED.

SHE HAD NEVER SEEN
A MAN BEFORE.

[STUDENTS LAUGHING]

OH, YES, SOME OF YOU BOYS
CAN LAUGH,

BUT HIS FACE
WAS SO NICE,

AND HIS EYES
WERE SO KIND...

AND HIS VOICE
WAS SO GENTLE...

[STUDENTS LAUGHING]

QUIET!

[LAUGHTER STOPS]

[MUSIC PLAYING]

Phyllis Robbins: * LOVE IS GOOD
FOR ANYTHING THAT AILS YOU *

* BABY, THERE IS NOTHING
LOVE CAN'T DO *

* LOVE IS GOOD
FOR ANYTHING THAT AILS YOU *

* HOW'S ABOUT
A SWEET ROMANCE OR 2? *

* A KISS
WILL PEP YOU UP *

* A LITTLE HUG
WILL STEP YOU UP *

* IF DREAMS
HAVE KEPT YOU UP *

* YOU DON'T NEED PILLS,
YOU NEED THRILLS *

* LOVE'S A PRECIOUS THING
THAT NEVER FAILS YOU *

* LOVE IS GOOD
FOR ANYTHING THAT AILS YOU *

YEAH!

* LOVE IS GOOD
FOR ANYTHING *

* BABY, I SAID ANYTHING *

* LOVE IS GOOD
FOR ANYTHING THAT AILS YOU *

[STUDENTS LAUGHING]

Boy: OH, NO.
IT'S MR. WARNER.

NEVER HAVE I HEARD
SUCH A COMMOTION.

WHERE ON EARTH
DO YOU THINK YOU ARE,

A FAIRGROUND?

[BOY LAUGHS]

COME HERE, BOY.

PUT OUT YOUR HANDS.

MR. WARNER.

ONE WORD...

ONE SOUND,
THAT'S ALL.

ONE FURTHER SOUND
FROM ANY ONE OF YOU...

AND...

[CRYING SOFTLY]

Eileen: AND TONIGHT I WANT YOU
TO STUDY YOUR SPELLING

BECAUSE YOU MISSED
THAT WORD. SPELL "BLUE."

B-L-U-E.

ALL RIGHT, NOW YOU STUDY.
HAVE A GOOD AFTERNOON.

BYE.

HELLO.

HELLO.

I HOPE
YOU DON'T MIND,

BUT I HAD TO SEE YOU
AGAIN, MISS EVERSON.

I DON'T MIND.

I THOUGHT MAYBE
A LITTLE DRIVE?

I COULD
TAKE YOU HOME.

THAT WOULD BE
VERY NICE.

YOUR CARRIAGE
AWAITS, MADAM.

I HAVEN'T OFFENDED
YOU, I HOPE.

I'M NOT VERY
AT EASE WITH PEOPLE.

MEN, I MEAN.

THAT'S ALL RIGHT,
HONEY.

I GOT ENOUGH MOXIE
FOR BOTH OF US.

WHOO-HOO!

YOU WON'T TELL LIES,
WILL YOU...

ARTHUR?

NOT IF I CAN
HELP IT.

[STARTS ENGINE]

[CAR DRIVES AWAY]

AND YOU'RE NOT
MARRIED, ARE YOU?

DO I LOOK LIKE
A MARRIED MAN?

I EVEN GOT A HOLE
IN MY SOCK.

SOMETIMES...

WHAT'S THE MATTER?

SOMETIMES
I FEEL AS THOUGH

I'M SUFFOCATING
IN THIS HOUSE.

I DON'T FEEL I CAN
STICK IT OUT MUCH LONGER.

I KNOW
WHAT YOU MEAN.

OH, THEY'RE GOOD,
MY FAMILY, REALLY.

THEY'RE GOOD.
IT'S JUST THAT...

SINCE
MY MOTHER DIED,

THINGS AREN'T
THE SAME ANYMORE,

AND WE'RE ALL
VERY DIFFERENT

FROM EACH OTHER.

IT'S HARD TO BELIEVE
THAT FELLA'S YOUR BROTHER.

REALLY?
IN WHAT WAY?

WELL, THERE'S SOMETHING
DELICATE ABOUT YOU, EILEEN.

I MEAN, IT'S NOT...

IT'S...

I DON'T KNOW
HOW TO SAY IT.

IT'S SOMETHING
HESITATING.

NOT IN THAT WAY.

IT'S MORE LIKE...
I DON'T KNOW.

IT'S NOT
ANY ONE THING.

IT'S EVERYTHING
ALL TOGETHER...

ESPECIALLY WHEN
YOU LOOK SIDEWAYS.

DO I LOOK
SIDEWAYS?

OH, NO. I MEAN,
NOT EXACTLY SIDEWAYS.

NO, I MEAN...

YOU AIN'T GOT A SQUINT
OR ANYTHING LIKE THAT.

I MEAN, YOU DON'T
SEE 2 OF ME,

BUT I WOULDN'T MIND
SEEING 2 OF YOU.

MY WIFE SAYS--

ARTHUR.

GOD REST HER SOUL.

ARTHUR.

THAT'S WHY
I HATE MOTORCYCLES.

YOU MEAN...

OH, GOD. WHEN I
THINK ABOUT IT...

IT WAS 3 YEARS AGO
LAST...TUESDAY.

THE SENSELESS WASTE!

HER BROKEN
YOUNG BODY.

ARTHUR.
DON'T CRY, ARTHUR.

DON'T. DON'T,
ARTHUR. DON'T.

SHE WAS LOOKING
IN A BUTCHER SHOP'S WINDOW.

SHE KNEW HOW I LIKED
LAMB CHOPS,

AND THEN...

THIS MOTORCYCLE
OUT OF CONTROL.

ARTHUR.

EILEEN.

OH, EILEEN.

NO, ARTHUR.

OH, EILEEN,
THIS IS THE FIRST TIME

I'VE FELT ANYTHING
SINCE THAT DAY.

NO. I'M SCARED.

I'VE NEVER--
ARTHUR, I NEVER--

UH!

OH...

OH, EILEEN,
TAKE THE PAIN AWAY.

OH, PLEASE. OH.

TAKE THE PAIN AWAY,
EILEEN, PLEASE.

PLEASE.

OH, I'LL TRY.
I'LL TRY.

I'LL TRY,
ARTHUR.

I'LL TRY.

ARTHUR.
OH...

POOR ARTHUR.
POOR ARTHUR.

Joan: ARTHUR?

NO. IT'S DRACULA.

OH, THANK GOD
YOU'VE COME BACK.

YOU TRYING TO BE FUNNY?

I THOUGHT YOU'D
GONE FOREVER.

I HAVE.
I'VE GONE.

WHAT DO I GET HERE
IN THAT BED OF NAILS?

I'LL TRY AGAIN, ARTHUR.
I'LL TRY HARDER.

I'VE EVEN...I'VE EVEN
PUT LIPSTICK ON.

WHAT DO YOU MEAN?

YOU ALWAYS PUT
LIPSTICK ON.

NO, I MEAN, I...

I PUT IT ON MY...

WHAT? ON YOUR--

ON YOUR NIPPLE, JOANIE?

HAVE YOU?

YOU SAID
YOU WANTED ME TO.

HOW'D YOU KNOW I WAS
COMING BACK TONIGHT?

I'VE BEEN PUTTING IN ON
EVERY NIGHT, ARTHUR,

HOPING, PRAYING THAT
YOU'D COME BACK TO ME.

LET ME SEE.

SHOW ME, ANGEL.

OH, I SEE. STILL
THE SAME AFTER ALL.

NO, ARTHUR.
NO, NOT THE SAME.

BUT...

I'M SHY.

JESUS CHRIST.
I'M YOUR HUSBAND, JOAN.

YOU WAS LISTENING...

ALL THE TIME.

OH...WELL,
JEEPERS, JOANIE.

WHAT LOVELY...
LOVELY LITTLE ROSEBUDS.

ARE THEY...

ARE THEY
AS NICE AS HERS?

WHAT DO YOU MEAN?

IT'S JUST SOMETHING...
I FELT IT, ARTHUR.

WELL, YOU'RE WRONG.

ARTHUR.

WRONG. WRONG.

MAY ALMIGHTY GOD STRIKE ME
DEAD ON THIS SPOT.

BUT YOU HAVE
WANTED TO?

WANTING TO IS NOT
THE SAME AS DOING IT.

TELL ME WHY YOU
WANT TO, ARTHUR.

YOU KNOW, I HEARD
A TRUE STORY THE OTHER DAY.

IN A BAND,
A DANCE BAND THEY WERE,

THIS MAN AND
THIS WOMAN SINGER, THEY--

ARTHUR.

WELL, THEY GAVE
THE ELEVATOR OPERATOR

A $20 BILL TO STOP
THE ELEVATOR BETWEEN FLOORS

AND TURN HIS BACK.

WHY?

SO THEY COULD MAKE LOVE
IN THE ELEVATOR.

WELL, THEN THEY'RE
ANIMALS, ARTHUR,

AND YOU KNOW
THEY ARE.

ARE THEY, JOAN?

ARE THEY?

IT'S DISGUSTING.

I WISH...

YOU WISH WHAT,
ARTHUR?

[MUSIC PLAYING ON RADIO]

Rudy Vallee:
* NO MORE COMPANY TO FEED *

I WISH...

* NO MORE PAPERS
LEFT TO READ *

* SO, WHAT'S TO DO ABOUT? *

* LET'S PUT OUT THE LIGHTS
AND GO TO BED *

Arthur: I WISH
I COULD PLAY THE SAXOPHONE.

WHAT, ARTHUR?

SHH.

* LEAVE THOSE DISHES
IN THE SINK *

* WHAT'S TO DO
ABOUT IT? *

WHAT ARE YOU
DOING, ARTHUR?

[MUSIC STOPS]

I WAS PRETENDING.

BUT WHAT?

AND WHY?

THAT I GOT
MY OWN DANCE BAND.

GO AND WASH IT OFF,
WILL YOU?

WHAT?

THE LIPSTICK.

NO, I WON'T
WASH IT OFF.

[ARTHUR SINGING HAPPILY]

SEE, JOAN? A LITTLE CAPITAL
AND A LITTLE AFFECTION--

THAT'S ALL A GUY NEEDS.
THAT'S ALL AMERICA NEEDS--

SOME CAPITAL
AND SOME CARING.

MY OWN STORE
SELLING RECORDS.

THAT'S WHERE
THE MONEY IS TODAY.

BUT IT'LL BE
RISKY, ARTHUR.

WOULDN'T IT MAKE
MORE SENSE--

YOU WON'T LET ME
DOWN, WILL YOU?

YOU SAID.
YOU PROMISED.

OH, NO.
I'VE AGREED.

YOU CAN USE
DADDY'S MONEY.

IT'S AMAZING
WHAT A BIT OF LIPSTICK

WILL DO IN THE RIGHT
PLACE, EH, JOANIE?

YES.

YOU WON'T
REGRET IT, HONEY.

I WON'T WALK OUT
ON YOU AGAIN, HONEST.

I LOVE YOU, JOAN.

I REALLY DO
LOVE YOU, DOLL.

[SINGING SOFTLY]

Dolly Dawn:
* BE SURE IT'S TRUE *

* WHEN YOU SAY,
"I LOVE YOU" *

* IT'S A SIN *

* TO TELL A LIE *

* MILLIONS
OF HEARTS *

* HAVE BEEN BROKEN *

* JUST BECAUSE THESE
WORDS WERE SPOKEN *

* I LOVE YOU,
YES, I DO *

* I LOVE YOU *

* IF YOU BREAK
MY HEART *

* I'LL DIE *

* SO BE SURE
IT'S TRUE *

* WHEN YOU SAY,
"I LOVE YOU" *

WHAT DID YOU SAY?

NOTHING, ARTHUR.

[SCHOOL BELL RINGS]

[CHILDREN TALKING]

HAPPY THANKSGIVING.

HAPPY THANKSGIVING.

BYE, MISS EVERSON.
I'LL SEE YOU ON MONDAY.

STEADY THERE.

SORRY, SIR. I--

LOOK WHERE YOU'RE
GOING, BOY.

Boy: SIR.

[DOOR CLOSES]

THAT ONE.

I HAVEN'T
LOOKED AT IT...

I MEAN,
LOOKED AT IT

FOR ALMOST
30 YEARS,

WHEN I TAUGHT
THIS CLASS.

JANUARY, SNOWING;
FEBRUARY, RAIN;

MARCH, WITH WINDS
A-BLOWING;

APRIL, SUN AGAIN...

MAY, A WORLD
OF FLOWERS;

JUNE, WITH
DANCING LEAVES;

JULY,
LONG, LAZY HOURS--

DR. BARTHOLOMEN IS
ON THE SCHOOL BOARD, ISN'T HE?

HE'S TOLD YOU ABOUT
MY CONDITION, HASN'T HE?

HE ASKED ME
TO CONTEMPLATE

THE PICTURE OF MISS EVERSON
THE TEACHER

AND HER
ILLEGITIMATE BABY.

HE HAS?

I AM NOT, I HOPE,
A BLASPHEMOUS MAN, EILEEN,

BUT I OFTEN THINK
THE PICTURE OF EVE

WE ARE GIVEN
IN GENESIS

IS NOT ALTOGETHER
A FAIR ONE.

INDEED,
WHEN I LOOK ABOUT...

AND EVEN
INTO MY OWN HEART,

I THINK IT IS MUCH,
MUCH MORE LIKELY

IT WAS ADAM WHO OFFERED
THE FRUIT TO EVE.

YES.

PLEASE, DO YOU THINK
I COULD STAY

UNTIL THE END
OF THE MONTH?

PLEASE DON'T BE
OFFENDED.

NO, DON'T DO THAT.

IT'S A VERY HARD
WORLD OUT THERE.

YOU'LL NEED MORE
THAN YOU THINK.

NOW, PLEASE, PLEASE,
BE SENSIBLE.

TAKE IT.

MR. WARNER.

I'LL ALWAYS
REMEMBER THIS.

GOOD AFTERNOON,
MY DEAR.

[DOOR CLOSES]

OH, ARTHUR.

WHERE ARE YOU?

[JACKHAMMER]

[HORN HONKS]

COME ON, COME ON.
WHERE ARE THEY ALL?

Phyllis Robbins: * LOVE IS GOOD
FOR ANYTHING THAT AILS YOU *

* HOW'S ABOUT
A CHEAP ROMANCE OR 2? *

* A KISS
WILL PEP YOU UP *

* A LITTLE HUG
WILL STEP YOU UP *

* IF DREAMS
HAVE KEPT YOU UP *

* YOU DON'T NEED PILLS,
YOU NEED THRILLS *

* LOVE'S A PRECIOUS THING
THAT NEVER FAILS YOU *

* LOVE IS GOOD
FOR ANYTHING THAT AILS YOU *

WHAT AM I DOING?

WHAT AM I DOING?

Arthur: GOOD
AFTERNOON, MISS.

WHO'S THERE?

NO, YOU DON'T
KNOW ME. I--

IS ANYTHING
THE MATTER?

NOTHING'S THE MATTER.
WHAT DO YOU WANT?

MY CAR'S JUST
DOWN THE ROAD THERE.

SEE IT?

I JUST STOPPED
FOR A REST.

YOU CAN'T SEE,

CAN YOU?

NOT REALLY.

NO.

ISN'T IT
DANGEROUS...

WALKING
LIKE THIS?

I MEAN,
THIS GROUND IS--

NO. I COME HERE
EVERY DAY.

I KNOW MY WAY.

OH, YOU LIVE NEAR,
DO YOU, MISS?

THE HOUSE OVER THERE
BEHIND THE BRIDGE.

DO YOU NEED SOMEONE
TO WALK WITH YOU, MISS?

THAT'S VERY KIND--

IT'S NO BOTHER.

I'M DRIVING FROM CHICAGO
TO GALENA,

AND I COULD DO WITH
A STRETCH OF THE LEGS.

IT WOULD BE
A PRIVILEGE.

NO, THANK YOU.
GOOD-BYE.

I'LL NEVER FORGET THIS.

NOT EVER.

I THINK YOU'RE
THE MOST BEAUTIFUL YOUNG LADY

I'VE EVER SEEN.

PLEASE EXCUSE ME
SAYING THAT.

I COULDN'T
HELP IT.

TAKE CARE.

TAKE GOOD CARE
OF YOURSELF.

Arthur: WELL,
I HAVEN'T BEEN ABLE

TO GET DOWN THIS WAY.
BUSINESS, YOU KNOW.

WHY NOT, ARTHUR?

DON'T LET'S TALK
LIKE THIS, EILEEN.

WHAT WAY SHALL WE
TALK, THEN, ARTHUR?

I DON'T WANT
TO TALK AT ALL.

WHAT DO YOU WANT
TO DO, ARTHUR?

KISS YOU.

IS THAT ALL?

TO TELL YOU THE TRUTH,
I HAVEN'T STOPPED--

YES, THE TRUTH,
THE TRUTH.

PLEASE TELL ME
THE TRUTH.

ARE YOU MARRIED,
ARTHUR?

WHAT DO YOU WANT TO GO
AND ASK ME THAT FOR?

DO YOU THINK YOU COULD
MAKE US A CUP OF--

OH, DON'T YOU DO THAT,
OR YOU'LL SET ME OFF.

WHAT HAVE YOU GOT
TO CRY ABOUT, ARTHUR?

I DON'T KNOW,

BUT IT FEELS
LIKE EVERYTHING.

I'M GOING TO
HAVE A BABY.

HOW DO YOU KNOW?

I MEAN,
IS THAT DEFINITE?

QUITE DEFINITE.

WHAT ARE YOU
GOING TO DO?

THERE'S NOTHING
VERY MUCH I CAN DO.

WHAT ARE YOU
GOING TO DO?

ME?

WHAT THE HELL
AM I GOING TO DO?

YOU CAN WRITE DOWN
YOUR ADDRESS.

WHAT?

DON'T WORRY.
I WON'T MESS YOU UP.

I'VE LOST MY JOB,

AND I'VE GOT TO
LEAVE HOME.

OH, GOD.

OH, CHRIST.

AND IF I REALLY DO
NEED HELP...

ARTHUR, WON'T YOU?

I'LL DO WHAT
I CAN, EILEEN.

I BELIEVED YOU,
ARTHUR.

SILLY ME.

I BELIEVED MYSELF.

YES,
I KNOW YOU DID.

YOU MEAN,
YOU UNDERSTAND?

MY GOD, I THINK
YOU REALLY DO.

I WANTED YOU,
YOU SEE.

DID YOU?

OH, YES.

YOU STILL DO,
DON'T YOU?

YOU STILL DO.

I STILL DO.

I NEVER IN ALL MY LIFE.

I'VE NEVER HEARD
A WOMAN TALK LIKE THAT,

JUST LIKE THAT.

IT'S NOT DECENT,
IS IT?

IT'S...IT'S MARVELOUS.

BUT...

BUT WHAT?
BUT WHAT, EILEEN?

BUT YOU WENT AWAY.

YEAH.

SO...

THAT'S THAT, THEN,
ISN'T IT?

SAY WE WAS MARRIED,
ME AND YOU.

IF PIGS HAD WINGS.

NO, NO, NO,
JUST SAY WE WAS.

WELL?

THERE'S A STORY.
MIND IF I SMOKE?

NO.

WANT ONE?

NO.

IN A BAND, THIS MAN
AND THIS WOMAN SINGER, THEY--

ARTHUR, WHAT HAS THIS GOT
TO DO WITH BEING MARRIED?

JUST A MINUTE,
A MINUTE.

AT THE HOTEL WHERE
THEY WERE PLAYING, SEE,

THEY GAVE THE ELEVATOR
OPERATOR A $20 BILL

TO STOP THE ELEVATOR
BETWEEN FLOORS...

AND TURN HIS BACK.

DO PEOPLE DO
THINGS LIKE THAT?

LIKE WHAT, EILEEN?

WELL...MAKE LOVE
IN AN ELEVATOR.

OH, YOU MEAN,
LIKE KISSING, DO YOU?

OH, IS THAT ALL?

OH, EILEEN! EILEEN!
THAT'S A GOOD GIRL!

YOU KNEW WHAT
I WAS TALKING ABOUT.

WOULD YOU
EVER DO THAT?

WHAT THEY DID?

BETWEEN WHICH
FLOORS, ARTHUR?

[MUSIC PLAYING]

Helen Kane:
* IF IT'S NAUGHTY *

* TO ROUGE YOUR LIPS *

* SHAKE YOUR SHOULDERS
AND SHAKE YOUR HIPS *

* LET A LADY CONFESS,
I WANT TO BE BAD *

* BOOP BOOP BE DOOP *

* AND IF IT'S NAUGHTY
TO DANCE FOR MEN *

* SLEEP EACH MORNING
TILL AFTER TEN *

* THEN THE ANSWER IS YES,
I WANT TO BE BAD *

* THIS THING OF BEING
A GOOD LITTLE GOODIE *

* IS ALL VERY WELL *

* WHAT CAN YOU DO
WHEN YOU'RE LOADED *

* WITH PLENTY
OF HE-E-EALTH AND VIGOR? *

* WHEN YOU'RE LEARNING
WHAT LIPS ARE FOR *

* AND IT'S NAUGHTY
TO ASK FOR MORE *

* LET A LADY CONFESS,
I WANT TO BE BAD *

[ELEVATOR BELL
DINGS MELODICALLY]

* LET A LADY CONFESS,
I WANT TO BE BAD *

* LA DA DA
DA DA DA DA, BAD *

W-W-WHAT
ARE YOU DOING?

WHO'S THERE?

IT'S ONLY ME...LADY.

ARE YOU HUNGRY?

DO YOU WANT
SOME F-FOOD? HERE.

YOU CAN HAVE IT.

LEAVE ME ALONE.

HERE. YOU CAN--
YOU CAN...

I WAS--I WAS--

LEAVE ME ALONE!

HAS ANYBODY NOTIFIED
THE RELATIVES?

SHOULD WE GET
THE AMBULANCE, LIEUTENANT?

NO COMMENT, BOYS.
NO COMMENT.

WE GOT TO GO TO PRESS
IN HALF AN HOUR.

IS THERE
A SUSPECT, SIR?

WHAT WAS HER NAME,
LIEUTENANT?

YOU SAY NOBODY
SAW THE CRIME?

WHAT WAS
THE CAUSE OF DEATH?

COME ON, LIEUTENANT,
GIVE US AN ANSWER.

OVER HERE WITH
THE CAMERAS, BOYS.

[CONVERSATION CONTINUES]

ILLINOIS 937568.

[SIREN]

937568.

HEY, LIEUTENANT.

Elsie Carlisle: * SOMEWHERE
THE SUN IS SHINING *

* SO, HONEY,
DON'T YOU CRY *

* WE'LL FIND
OUR SILVER LINING *

* THE CLOUDS
WILL SOON ROLL BY *

* I HEAR A ROBIN... *

AAH!

* UPON A TREETOP HIGH *

JESUS CHRIST!

[STARTS ENGINE]

* THE CLOUDS
WILL SOON ROLL BY *

* EACH LITTLE TEAR
AND SORROW *

* ONLY BRINGS YOU
CLOSER TO ME *

* JUST WAIT
UNTIL TOMORROW... *

ARTHUR, WHAT IS IT?
WHAT'S HAPPENED?

I'VE SEEN A MESSAGE.

WHAT ARE YOU
TALKING ABOUT?

WHERE HAVE YOU BEEN?

I GOT TO CHANGE.

I GOT TO BE GOOD.

ARTHUR.

PUT YOUR ARMS
AROUND ME, JOAN.

OH, GOD, PLEASE PUT
YOUR ARMS AROUND ME.

* THE CLOUDS
WILL SOON ROLL BY *

EXCUSE ME.

YES?

HOW MUCH IS A GLASS
OF LEMONADE?

IT'S BEEN SO LONG
SINCE I SOLD ONE,

I DON'T KNOW, UH...

FOR YOU, 2 CENTS.

YES. I'LL HAVE
A GLASS OF LEMONADE...

PLEASE.

YOU SURE YOU CAME

TO THE RIGHT PLACE,
SWEETIE?

HAVE A DROP OF GIN
IN THAT, HONEY.

PARDON?

THAT'S A VERY NICE DRINK
FOR A LADY--

GIN AND LEMONADE.

LEAVE HER
ALONE, TOM.

I'M ONLY OFFERING
TO PAY FOR IT, AIN'T I?

THE ONE'S
ON THE HOUSE, HONEY.

JUST DRINK IT DOWN

AND GO HOME LIKE
A GOOD LITTLE GIRL.

UH! IT TASTES
LIKE POISON.

THEN DON'T
HAVE ANOTHER.

SOME GIRLS
IT DOESN'T SUIT.

NEVER KNOW WHAT YOU LIKE
TILL YOU TRY IT.

THAT'S TRUE.

[CLINKS GLASSES]

WHAT DO YOU WANT
TO DO TO ME?

YOU MUST BE KIDDING.

THEN CAN YOU
LEND ME $5.00?

LEND YOU?
YOU ARE KIDDING.

NO. I'LL GIVE IT
TO YOU BACK.

WE'LL THINK ABOUT IT.

THERE'S NO HURRY,
RIGHT?

NO.

CAUGHT
A LITTLE SHORT?

SORT OF.

YES.

THAT'S NOTHING TO BE
ASHAMED OF, BABY,

NOT NOWADAYS.

WHAT'S YOUR NAME?

LULU.

THAT'S
A VERY NICE NAME.

I DON'T LIKE IT
VERY MUCH.

IT MAKES ME
SOUND CHEAP.

NAH. NOBODY WOULD EVER
SAY THAT...LULU.

COME HERE.
COME HERE.

NOW, LOOK AT THAT BIG,
FAT WHORE OVER THERE.

THAT'S WHAT
I CALL CHEAP.

WHO ARE YOU
LOOKING AT?

YOU OK?

I FEEL
A LITTLE SICK.

HERE, TAKE A CHAIR.

HOW MUCH YOU HAD
TO EAT TODAY?

NOTHING.

A GIRL LOOKS LIKE YOU
SHOULDN'T GO HUNGRY.

YOU KNOW, YOU'RE
VERY NICE-LOOKING, LULU.

THANK YOU.

[MUSIC PLAYING]

Irving Aaronson: * YOU COULD
HAVE A GREAT CAREER *

* AND YOU SHOULD *

YES, YOU SHOULD.

* ONLY ONE THING STOPS YOU,
DEAR, YOU'RE TOO GOOD *

TOO DAMN GOOD.

* IF YOU WANT
A FUTURE, DARLING *

* WHY DON'T YOU
GET A PAST? *

* 'CAUSE THAT FATED MOMENT'S
COMING AT LAST *

* WE'RE ALL ALONE *

* NO CHAPERONE
CAN GET OUR NUMBER *

* THE WORLD'S IN SLUMBER,
LET'S MISBEHAVE *

* THERE'S SOMETHING WILD
ABOUT YOU, CHILD *

* THAT'S SO CONTAGIOUS *

* LET'S BE OUTRAGEOUS *

* LET'S MISBEHAVE *

* WHEN ADAM WON
EVE'S HAND *

* HE WOULDN'T STAND
FOR TEASIN' *

* HE DIDN'T CARE ABOUT
THOSE APPLES OUT OF SEASON *

* THEY SAY THE SPRING

* MEANS JUST ONE THING
TO LITTLE LOVEBIRDS *

* WE'RE NOT ABOVE BIRDS *

* LET'S MISBEHAVE *

[SINGING SCAT]

* LET'S MISBEHAVE *

* LET'S MISBEHAVE *

* IF YOU'D BE JUST SO SWEET
AND ONLY MEET YOUR FATE, DEAR *

* 'TWOULD BE THE GREAT EVENT
OF 1928, DEAR *

* WAH *

OK!

YEAH!

WHOA!

WHOA!

YEAH!

WHOA!

WHAT DID YOU COME
IN THIS PLACE FOR?

DID YOU THINK SOME GUY'S
GOING TO GIVE YOU

A FIN JUST LIKE THAT,
FOR NOTHING?

NO.

NOWADAYS?

THAT'S ALMOST A WEEK'S PAY
FOR SOME GIRLS.

YES.

I MEAN, YOU GOT TO
GIVE SOMETHING BACK

IN RETURN, DON'T YOU?

YES.

I MEAN--
YES!

I KNOW
HOW YOU FEEL.

DO YOU?

I CAN IMAGINE.

I'M NOT SUCH A BAD GUY

WHEN YOU COME
RIGHT DOWN TO IT.

ARE YOU MARRIED?

YES, I THOUGHT
YOU WERE.

BEEN AROUND,
HAVEN'T YOU?

I'VE HAD DOZENS.

SO, WHAT'S
ALL THE FUSS ABOUT?

IT'S NO FUSS...

BABY.

YEAH.
GET ME ANOTHER.

YOU'RE NOT A TEASE,
ARE YOU?

UH...

A TEASE?

'CAUSE I'LL
CUT YOUR FACE.

I'D LIKE
ANOTHER DRINK.

HMM?

PLEASE?

CERTAINLY, DARLING.

SAME AGAIN?

YES, PLEASE.

OH, ARTHUR. OH...

JOAN.

JOAN?

NOBODY'S BUYING, JOAN.
NOBODY.

I MADE A MISTAKE.

I LOST ALL--

Men: * BUM BUM BUM BUM *

* BUM BUM BUM
BUM BUM BUM BUM BUM *

* BUM BUM BUM BUM BUM *

* WAH *

* PEOPLE ARE QUEER,
THEY'RE ALWAYS CROWIN' *

* SCRAMBLING
AND RUSHING ABOUT *

* WHY DON'T THEY
STOP SOMEDAY *

* BUM BA
BUM BA BUM *

* ADDRESS THEMSELVES
THIS WAY? *

* WA DA DA DA DA *

* WHY ARE WE HERE?
WHERE ARE WE GOING? *

* IT'S TIME
THAT WE FOUND OUT *

* BUM BA
BUM BA BUM *

* WE'RE NOT HERE
TO STAY *

* WE'RE ON A SHORT
HOLIDAY *

* BUM BA BUM BA
BUM BA BUM *

* LIFE IS JUST
A BOWL OF CHERRIES *

* DON'T MAKE IT SERIOUS,
LIFE'S TOO MYSTERIOUS *

* YOU WORK, YOU SAVE,
YOU WORRY SO *

* BUT YOU CAN'T TAKE YOUR DOUGH
WHEN YOU GO, GO, GO *

* SO KEEP REPEATING,
IT'S THE BERRIES *

* THE STRONGEST OAK
MUST FALL *

* MUST FALL *

* THE BEST THINGS IN LIFE
TO YOU ARE JUST LOANED *

* SO TELL ME, HOW CAN YOU EVER
LOSE WHAT YOU NEVER OWNED? *

* LIFE IS JUST
A BOWL OF CHERRIES *

* SO LIVE AND LAUGH
AT IT ALL *

* WAH *

* LAUGH AT IT ALL *

HI, SWEETIE.

WANT A NICE TIME,
HONEY?

NO. I LIKE FEELING
MISERABLE.

JUST AROUND
THE CORNER, HONEY.

SHOW YOU
A REAL GOOD TIME.

[WOMAN GIGGLING]

Man:
COME ON, BABY.

[WOMAN LAUGHING]

ALL RIGHT. OK.

Arthur's voice:
EILEEN, MY GOD,

WHAT
ARE YOU DOING HERE?

Eileen's voice:
ARTHUR. OH, ARTHUR,

YOU ARE
SUCH A BASTARD.

PUT YOURSELF
IN MY SHOES, EILEEN.

OH, I HAVE,

AND I KNOW I CAN'T
RELY ON YOU, ARTHUR,

NOT FOR ANYTHING.

THAT'S RIGHT.
BLAME IT ALL ON ME.

OH, ARTHUR--

I KNOW, I KNOW.

I CAN HEAR MYSELF
SAY THINGS SOMETIMES.

GOD, I'M A WASHOUT.

WHAT ABOUT THE BABY?

WHAT'S HAPPENED?

IT'S BEEN
GOTTEN RID OF.

THIS GUY...PAID
TO GET RID OF IT.

HE BOUGHT ME
CLOTHES,

AND NOW HE SAYS
I OWE HIM $200,

AND IF I DON'T
GET IT--

GOD, WHY IS IT
SO HARD?

WHY CAN'T
THE WORLD...

BECAUSE THAT'S
THE WAY IT IS.

BUT I WANT TO
LIVE IN A WORLD

WHERE THE SONGS
COME TRUE.

THERE MUST BE
SOMEPLACE

WHERE THEM SONGS
ARE FOR REAL.

HAPPY DAYS
ARE HERE AGAIN.

IS THAT IT,
ARTHUR?

Eileen: WHERE THE HELL
IS THIS PLACE?

Arthur:
IT'S RIGHT HERE.

[UNLOCKING DOOR]

PHONOGRAPH
RECORDS.

HUNDREDS AND HUNDREDS.

ANY DANCE TUNE
YOU CAN NAME.

ANY GOOD DANCE TUNE.

I'LL TELL YOU--

DANCE TUNES
DON'T HELP, ARTHUR.

WHAT AM I
GOING TO DO?

CAN'T YOU GO
BACK HOME?

NO.

I WAS ALREADY
DEAD THERE.

THIS WAY FEELS
LIKE DYING,

BUT I CAN SEE
EVERYTHING,

FEEL EVERYTHING.

DO YOU UNDERSTAND?

DID YOU...

DID YOU LIKE
DOING IT...

FOR MONEY?

IT WASN'T AS BAD

AS I THOUGHT
IT WAS GOING TO BE.

OH, MY GOD,
YOU'RE SOMETHING.

WE'RE THE SAME SORT,
YOU AND ME.

WE GOT TO
STICK TOGETHER.

BUT I CAN'T RELY
ON YOU, ARTHUR.

LISTEN TO ME.

I AM. I AM,
VERY CAREFULLY.

I'LL TELL YOU,
I'M CHOKING TO DEATH.

I SHOULD HAVE
HUNG ONTO YOU,

NO MATTER WHAT.

I WANTED MY OWN
RECORD STORE.

HA HA HA!

I KNOW. I KNOW.

IT'S ENOUGH TO MAKE
A GODDAMN CAT LAUGH.

ARTHUR, YOU'LL NEVER
BE SATISFIED,

NOT SOMEBODY
LIKE YOU.

DON'T SAY THAT.

YOU'RE LIKE THE CHILDREN
IN MY CLASS.

BUT YOU'RE STILL
SWEET ON ME, AIN'T YOU?

YOU STILL WANT ME...

HUH, EILEEN?

TELL THE TRUTH.

YES, I DO.

AND I'LL GO
ANYWHERE WITH YOU

OR DO ANYTHING
WITH YOU.

I'VE BURNED ALL
MY BRIDGES, ARTHUR.

I'M NOT GOING HOME.

I'M NOT GOING TO
WALK THE STREET EITHER,

AND I'LL BE DAMNED IF
I'M GOING TO GO HUNGRY.

LULU I AM.
LULU I STAY.

SO, WHAT ARE WE
GOING TO DO?

THE TROUBLE IS,
I'M HARD UP.

I CAN ALWAYS
PICK UP SOME MONEY.

NOW I KNOW HOW.

I HAVEN'T EVEN GOT
MY CAR ANYMORE.

WE'LL GET
ANOTHER ONE ONE DAY.

WHAT?

JUST GO?

JUST GO AND LEAVE
EVERYTHING?

JUST LIKE THAT?

JUST LIKE THAT.

ALL RIGHT.

HA HA HA!

THEN LET'S GET OUT
OF HERE, SHALL WE?

YEAH!

OH!

WAIT. HANG ON
A MINUTE.

WHAT ARE YOU
DOING?

YABBA DABBA HONEYMOON!

ME AND MY SHADOW!

DANCING WITH MY SHADOW!

AAH! WHAT
ARE YOU DOING?!

SUNNY SIDE OF THE STREET!

WHAT ARE YOU DOING?!

OOH! OH! AAH!

DANCING WITH TEARS
IN MY EYES!

PENNIES FROM HEAVEN!

WAIT!
NOT THAT ONE!

NO! NOT THAT ONE!

YES! HA HA HA!

WHAT'S THAT?

DON'T--

HA HA HA!

[EILEEN LAUGHING]

HE'S DEAD, ISN'T HE?
MURDERED.

Lieutenant: NOTHING
LIKE THAT, MRS. PARKER.

PLEASE, LISTEN TO ME.

YOUR HUSBAND LEFT
HIS STORE

AT CLOSE OF BUSINESS,

WENT TO A BAR
IN THE NEIGHBORHOOD.

NOW, HE WAS LATER SEEN
BY A RELIABLE WITNESS

TO RETURN
TO HIS STORE.

WAS SOMEBODY WITH HIM?

HE WAS WITH
A YOUNG LADY.

WELL, WHEN I
SAY LADY...

GO ON.

WE'VE BEEN PIECING THINGS
TOGETHER, MRS. PARKER,

AND I'M SORRY, BUT
THIS WOMAN WAS A PROSTITUTE.

YOU MEAN,
SHE WENT THERE TO--

YES, MA'AM.

HE WAS LIKE THAT?

HE...

HOW DO YOU MEAN?

I MEAN,
WAS HE DISTURBED

IN ANY WAY
ABOUT ANYTHING?

WAS HE ODD,
RESTLESS...NUTS?

HAS ARTHUR DONE
SOMETHING ELSE?

IS THAT WHY YOU
TOOK HIS SHOE?

PLEASE, THINK.

WAS HE ACTING
STRANGE IN ANY WAY?

HE MADE ME...

WEAR...LIPSTICK.

SO?

NO. UH...

ON THE...

ON THE...

POINTS OF MY BOSOM.

OH, WELL...
WELL, THAT'S, UH...

AND...

HUH?

HE ASKED ME
IF I WOULD...

NO, NO, NO,
MRS. PARKER.

PLEASE, PLEASE,
GO ON.

IF I WOULD STOP WEARING
A CERTAIN...GARMENT,

A CERTAIN...
ITEM OF UNDERWEAR.

WAS THIS AN UPPER...

OR A LOWER GARMENT?

A, UM...LOWER.

WHAT?

LOWER.

OH.

MRS. PARKER...

ABOUT 6 WEEKS AGO--
CAN YOU THINK BACK?

YOUR HUSBAND TRAVELED
BACK TO CHICAGO

ALONG ILLINOIS
ROUTE ONE.

HE...

OH, THAT MUST HAVE
BEEN THE NIGHT...

OH...I REMEMBER IT NOW.

HE SAID, "I GOT TO CHANGE.
I GOT TO BE GOOD."

HE'S GOT TO
BE GOOD, HUH?

THE HELL.

CUT HIS THING OFF.

I WANT THEM TO CUT
HIS THING OFF AND BURY IT.

I'M SICK OF BEING POOR.

HEY, I'LL FIND
SOMETHING SOON.

MAYBE TOMORROW, HUH?

YEAH.

MAYBE.

JESUS CHRIST, EILEEN.

YOU'RE BEGINNING
TO SOUND LIKE MY WIFE.

I'M NOT SURPRISED.
POOR WOMAN.

WHAT IS IT
ABOUT WOMEN?

DO YOUR MOTHERS
TEACH IT TO YOU OR WHAT?

I HARDLY EVER KNEW
MY MOTHER, POOR SOUL.

SHE WORKED HER
FINGERS TO THE BONE,

AND FOR WHAT?

LIFE WITH A STOVE
AND A WASHTUB AND--

OH, WHAT'S THE USE?

SHE WAS DEAD AT 45.

WE ONLY GOT
ONE LIFE, ARTHUR.

AND I WAS CONTENT
WITH MINE.

I DIDN'T EVEN
THINK ABOUT IT,

JUST ACCEPTED IT,

BUT YOU CHANGED
ALL THAT.

YOU KILLED OFF
MY OLD LIFE.

THAT'S RIGHT,
BLAME ME.

NO, NO.

I'M GLAD YOU DID.

WHEN YOU
MADE LOVE TO ME...

I SAW THINGS
DIFFERENTLY.

I HAD TO GET AWAY.

I HAD TO SEE
SOMETHING ELSE...

SOMETHING MORE.

I WANT NICE THINGS,
ARTHUR.

[TRAIN PASSING]

AND YOU'LL
HAVE THEM, HONEY.

BUT I DON'T
WANT TO WAIT.

THERE ISN'T TIME.

DON'T SAY THAT.

NO, THERE ISN'T.

I KNOW THERE ISN'T.

DON'T ASK ME HOW.
I JUST KNOW.

WHAT'S HAPPENING?

WHERE ARE YOU GOING?

ARE THE SEAMS ON
MY STOCKINGS STRAIGHT?

YOU GOT
TERRIFIC LEGS, BABY.

LET'S HOPE SO.

HEY. WHAT ARE YOU
GOING TO DO?

GET SOME DOUGH.

EILEEN!

LOOK, WILL YOU
LISTEN TO ME?

THERE'S ENOUGH TO
GET AN INDICTMENT.

HIS SHOE FITS THE PRINT
MADE AT THE SCENE.

HIS FINGERPRINTS
ARE ON

THE CIGARETTE PACK
FOUND AT THE SCENE.

HE SAID HE HAD SEEN
A MESSAGE THAT NIGHT,

AND HE'S ON THE RUN
WITH THIS, THIS...

THIS TRAMP.

[MOVIE SOUNDTRACK PLAYING]

I'D LIKE THAT
BABY ONE DAY.

I'D LIKE TO HAVE
THAT BABY, AND THEN...

AND THEN WHAT?

I DON'T KNOW.

NO, COME ON.

WHAT WERE YOU
GOING TO SAY?

I DON'T KNOW,
EXCEPT...

HEY, YOU'RE NOT
GOING TO CRY, ARE YOU?

LISTEN, THERE'S
GOT TO BE SOMETHING

ON THE OTHER SIDE
OF THE RAINBOW.

THERE ALWAYS IS.

* THERE MAY BE
TRAUMA AHEAD *

* BUT WHILE
THERE'S MOONLIGHT

* AND MUSIC *

* AND LOVE
AND ROMANCE *

* LET'S FACE THE MUSIC
AND DANCE *

* BEFORE THE FIDDLERS
HAVE FLED *

* BEFORE THEY ASK US
TO PAY THE BILL *

* AND WHILE WE STILL
HAVE THE CHANCE *

* LET'S FACE THE MUSIC
AND DANCE *

* SOON, WE'LL BE
WITHOUT THE MOON *

* HUMMING
A DIFFERENT TUNE *

* AND THEN *

* THERE MAY BE
TEARDROPS TO SHED *

* SO WHILE THERE'S
MOONLIGHT AND MUSIC *

* AND LOVE AND ROMANCE *

* LET'S FACE THE MUSIC
AND DANCE *

* DANCE *

* LET'S FACE THE MUSIC
AND DANCE *

Arthur:
ALWAYS THE SAME.

Eileen: WHAT IS?

COME OUT OF THE MOVIES,

THE GODDAMN WORLD
HAS CHANGED.

GODDAMN RAIN.

FORGET IT.

* WE'LL BE SINGING
IN THE RAIN *

Newsboy: EXTRA! EXTRA!
READ ALL ABOUT IT!

CHICAGO SONG SALESMAN HUNTED
IN BLIND GIRL MURDER!

CHICAGO SONG SALESMAN HUNTED
IN BLIND GIRL MURDER!

SONG SALESMAN HUNTED
IN BLIND GIRL MURDER!

WOULD YOU LIKE A PAPER?

CHICAGO SONG SALESMAN HUNTED
IN BLIND GIRL MURDER!

EXTRA! EXTRA!
READ ALL ABOUT IT!

CHICAGO SONG SALESMAN HUNTED
IN BLIND GIRL MURDER!

EXTRA! EXTRA!
READ ALL ABOUT IT!

CHICAGO SONG SALESMAN HUNTED
IN BLIND GIRL MURDER!

Woman: I'LL TAKE
A PAPER, BOY.

[THUNDER]

YOU DON'T THINK
I DID IT?

NO. YOU COULDN'T.

WHAT AM I
GOING TO DO?

GO TO THE POLICE?

ARE YOU CRAZY?!

YOU'RE INNOCENT.

THEY'LL HANG ME.

I KNOW
WHAT TO DO.

I'M GOING TO
GET OUT OF HERE.

WHERE TO?

I'LL THINK
OF SOMETHING.

[THUMP]

GOD, A CAT!

[TIRES SCREECHING]

GOD DAMN!
IT WAS A CAT!

IT WAS A BLACK CAT!

[CRYING] GOD DAMN.
IT WAS A BLACK CAT.

I DIDN'T SEE IT.

[CRYING SOFTLY]

MAYBE IT WAS A RAT.

I'M SCARED,
EILEEN.

SEE YOU, BIG BOY.

I ALWAYS KNEW
SOMETHING TERRIBLE

WAS GOING TO
HAPPEN TO ME.

ALL MY LIFE,
I'VE BEEN WAITING.

EILEEN.

[HONKS HORN]

ARE YOU RUNNING
OUT ON ME?!

WELL, IT'S NO FUN,
IS IT? NO LAUGHS?

BUT DON'T YOU
LOVE ME?

THAT QUESTION...

WHAT ABOUT IT?

WHAT WOULD YOU
LIKE ME TO SAY?

DO YOU, EILEEN?

NOT WHEN YOU
ARE SO SCARED.

YOU MEAN, YOU'LL
STICK BY ME

IF I JUST
KEEP SMILING,

EVEN WITH THE ROPE
AROUND MY NECK?

WE'VE ONLY GOT
ONE LIFE, ARTHUR.

WE BOTH KNOW WE MADE
A MESS OF OURS.

IT DOESN'T SEEM
TO MATTER MUCH

HOW IT ENDS,
DOES IT?

DOESN'T IT?

NO.

I'LL LOVE YOU.

YES.

I'LL WANT YOU.

I WANT YOU NOW.

WHAT? HERE?

IT'S THE ONLY WAY
I CAN KEEP GOING.

BESIDES, WE AIN'T NEVER
DONE IT IN A CAR, HAVE WE?

WE MUST BE
CRAZY.

HA HA HA!
PUT ME DOWN!

[ENGINE STARTS
AND SPUTTERS]

Arthur: COME ON!

COME ON!

[ENGINE STOPS]

"BARGAIN," HE SAID.
"BEST CAR ON THE LOT," HE SAID.

I TELL YOU, EILEEN,

SALESMEN GOT
NO GODDAMN MORALS!

[EILEEN LAUGHING]

YOU HAVE ANY IDEA
WHERE WE ARE?

WE'RE IN THE MIDDLE
OF NOTHING,

JUST WHERE I
ALWAYS WANTED TO BE.

WE'LL JUST HAVE TO
STAY HERE...

JUST STAY HERE
TILL THEY FIND US.

GODDAMN CAR! OW!

HA!

KICK IT AGAIN,
ARTHUR.

IT DIDN'T
HEAR YOU.

* I GET NO KICK
FROM CHAMPAGNE *

GET HIM!
HALT!

ARTHUR, DON'T!

HALT!

[GUNSHOT]

AAH!

ONE MOVE
AND YOU'RE DEAD!

I DIDN'T DO IT!

I SWEAR TO GOD
I DIDN'T DO IT!

I'M INNOCENT!

INNOCENT! I WOULDN'T
HURT A FLY!

Man: ARTHUR PARKER,
DO YOU HAVE ANYTHING TO SAY?

Arthur:
A LONG TIME AGO...

A MILLION YEARS B.C...

THE BEST THINGS IN LIFE
WAS ABSOLUTELY FREE.

NO ONE APPRECIATED
A SKY THAT WAS ALWAYS BLUE.

AND NO ONE CONGRATULATED
A MOON THAT WAS ALWAYS NEW.

SO IT WAS PLANNED THAT
THEY WOULD VANISH NOW AND THEN.

AND YOU MUST PAY
BEFORE YOU GET THEM BACK AGAIN.

AND THAT'S WHAT STORMS
ARE MADE FOR.

AND YOU SHOULDN'T
BE AFRAID...

FOR...

* EVERY TIME IT RAINS,
IT RAINS *

* PENNIES FROM HEAVEN *

* DON'T YOU KNOW
EACH CLOUD CONTAINS *

* PENNIES FROM HEAVEN? *

* YOU'LL FIND
YOUR FORTUNE FALLING *

* ALL OVER TOWN *

* BE SURE
THAT YOUR UMBRELLA *

* IS UPSIDE DOWN *

* TRADE THEM
FOR A PACKAGE OF *

* SUNSHINE AND FLOWERS *

* IF YOU WANT
THE THINGS YOU LOVE *

* YOU MUST HAVE SHOWERS *

* SO WHEN YOU
HEAR IT THUNDER *

* DON'T RUN
UNDER A TREE *

* THERE'LL BE
PENNIES FROM HEAVEN *

* FOR YOU *

* AND ME *

Arthur: EILEEN!
EILEEN! WAIT!

EILEEN! WAIT!

EILEEN!

ARTHUR.

ARTHUR, WHAT
ARE YOU DOING HERE?

WHOEVER SAID
YOU COULD STOP A DREAM?

WE COULDN'T HAVE
GONE THROUGH ALL THAT

WITHOUT A HAPPY ENDING.

SONGS AIN'T
LIKE THAT, ARE THEY?

NO.

NO, THEY'RE NOT.

[WOMEN SINGING]

* THAT'S THE STORY OF *

* THAT'S THE GLORY OF LOVE *

* YOU GOT TO LAUGH A LITTLE,
CRY A LITTLE *

* BEFORE THE CLOUDS
ROLL BY A LITTLE *

* THAT'S THE STORY OF *

* THAT'S THE GLORY OF LOVE *

* AS LONG AS THERE'S
THE 2 OF US *

* WE'VE GOT THE WORLD
AND ALL ITS CHARMS *

* AND WHEN THE WORLD
IS THROUGH WITH US *

* WE'VE GOT
EACH OTHER'S ARMS *

* YOU'VE GOT TO LIVE A LITTLE,
LOSE A LITTLE *

* AND THOUGH YOU'LL HAVE
THE BLUES A LITTLE *

* THAT'S THE STORY OF,
THAT'S THE GLORY OF *

* THAT'S THE STORY OF,
THAT'S THE GLORY OF *

I'M ARTHUR...

AND I LOVE YOU.

Arthur Tracy: * EVERY TIME
IT RAINS, IT RAINS *

* PENNIES FROM HEAVEN *

* DON'T YOU KNOW
EACH CLOUD CONTAINS *

* PENNIES FROM HEAVEN? *

* YOU'LL FIND
YOUR FORTUNE FALLING *

* ALL OVER TOWN *

* BE SURE
THAT YOUR UMBRELLA *

* IS UPSIDE DOWN *

* TRADE THEM
FOR A PACKAGE OF *

* SUNSHINE AND FLOWERS *

* IF YOU WANT
THE THINGS YOU LOVE *

* YOU MUST HAVE SHOWERS *

* SO WHEN YOU HEAR
IT THUNDER *

* DON'T RUN
UNDER A TREE *

* THERE'LL BE PENNIES
FROM HEAVEN *

* FOR YOU *

* AND *

* ME *

[SONG CHANGES]

Phyllis Robbins: * LOVE IS GOOD
FOR ANYTHING THAT AILS YOU *

* BABY, THERE IS NOTHING
LOVE CAN'T DO *

* LOVE IS GOOD
FOR ANYTHING THAT AILS YOU *

* HOW'S ABOUT
A SWEET ROMANCE OR 2? *

* A KISS WILL PEP YOU UP *

* A LITTLE HUG
WILL STEP YOU UP *

* IF DREAMS
HAVE KEPT YOU UP *

* YOU DON'T NEED PILLS,
YOU NEED THRILLS *

* LOVE'S A PRECIOUS THING
THAT NEVER FAILS YOU *

* LOVE IS GOOD
FOR ANYTHING THAT AILS YOU *

CAPTIONING MADE POSSIBLE BY
WARNER BROS.

CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--

* LOVE'S A PRECIOUS THING
THAT NEVER FAILS YOU *

* LOVE IS GOOD
FOR ANYTHING THAT AILS YOU *