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1
00:00:08,675 --> 00:00:09,676
Yeah, everything!
2
00:00:09,718 --> 00:00:10,468
No, it's all good. It's all good.
3
00:00:10,510 --> 00:00:11,636
Phyllis!
4
00:00:11,678 --> 00:00:12,470
Dancing babies!
5
00:00:12,512 --> 00:00:13,346
Dancing babies.
6
00:00:13,388 --> 00:00:14,264
I love it. I love it.
7
00:00:14,305 --> 00:00:15,473
We are making a commercial
8
00:00:15,515 --> 00:00:16,725
for Dunder Mifflin today.
9
00:00:16,766 --> 00:00:18,393
Our first ad ever.
10
00:00:18,435 --> 00:00:20,812
Corporate purchased some
airtime in local markets
11
00:00:20,854 --> 00:00:22,814
to spread the word about
Dunder Mifflin Infinity,
12
00:00:22,856 --> 00:00:26,317
and they are even sending
up a professional ad company
13
00:00:26,359 --> 00:00:27,986
to help us make it later. So,
14
00:00:29,279 --> 00:00:31,197
it's uh, not too shabby.
15
00:00:31,239 --> 00:00:32,615
Best ad ever,
16
00:00:32,657 --> 00:00:36,036
♪ Gimme a break, gimme a break ♪
17
00:00:36,077 --> 00:00:40,081
♪ Break me off a piece of that ♪
18
00:00:41,791 --> 00:00:43,501
(chuckling) I am totally blanking.
19
00:00:43,543 --> 00:00:44,377
What is the thing?
20
00:00:44,419 --> 00:00:45,587
Nobody tell him.
21
00:00:45,628 --> 00:00:47,380
What? No, why?
22
00:00:47,422 --> 00:00:48,965
You got it. You're so close.
23
00:00:49,007 --> 00:00:50,508
♪ Break me off a piece of that ♪
24
00:00:50,550 --> 00:00:53,345
(hums out the rest of melody)
25
00:00:53,386 --> 00:00:55,055
♪ Break, ap-ple sauce. ♪
26
00:00:55,096 --> 00:00:56,806
Break me off a piece
of that apple sauce,
27
00:00:56,848 --> 00:00:58,016
I don't think that.
28
00:00:58,058 --> 00:00:59,642
♪ - Piece of that
Chry-sler car. ♪
29
00:00:59,684 --> 00:01:00,977
Nope.
30
00:01:01,019 --> 00:01:01,853
♪ - Foot-ball cream
(makes frustrated sound) ♪
31
00:01:01,895 --> 00:01:03,063
[Michael] Okay.
32
00:01:03,104 --> 00:01:04,564
It's football cream.
It's football cream.
33
00:01:04,606 --> 00:01:05,482
All right, so!
34
00:01:05,523 --> 00:01:07,067
Anybody else? No bad ideas.
35
00:01:07,108 --> 00:01:07,817
Everybody.
36
00:01:07,859 --> 00:01:08,860
Let's keep them coming.
37
00:01:08,902 --> 00:01:10,070
Oh God. Okay. Toby.
38
00:01:10,111 --> 00:01:11,446
Well you know how everyone
fast-forwards
39
00:01:11,488 --> 00:01:12,989
through ads ads these
days? Well what about an ad
40
00:01:13,031 --> 00:01:15,241
in slow motion? You know, if
they fast forward through it,
41
00:01:15,283 --> 00:01:17,911
it'll just seem normal and
and it'll catch your eye.
42
00:01:17,952 --> 00:01:21,164
Plus, uh, the slogan
can be, 'Dunder Mifflin,
43
00:01:21,206 --> 00:01:23,708
We adapt to the pace of your
business.'
44
00:01:23,750 --> 00:01:24,918
[Phyllis] Yeah.
(group agreeing)
45
00:01:24,959 --> 00:01:27,379
There are no bad ideas, but
for an idea,
46
00:01:27,420 --> 00:01:29,464
that was really, really bad.
47
00:01:29,506 --> 00:01:32,300
I spent three years in
advertising before I came here.
48
00:01:32,342 --> 00:01:35,178
And that is probably why
most ads suck. Pam, yes?
49
00:01:35,220 --> 00:01:36,554
I'm taking a computer
animation class
50
00:01:36,596 --> 00:01:38,556
so I could try to do a logo.
51
00:01:38,598 --> 00:01:39,974
Look at that.
52
00:01:40,016 --> 00:01:41,893
Even the receptionist is
getting in on the creativity.
53
00:01:41,935 --> 00:01:43,144
Very good! Very good.
54
00:01:43,186 --> 00:01:44,771
I'm going to commit to this.
55
00:01:44,813 --> 00:01:47,315
I'm going to work really
hard on my little,
56
00:01:47,357 --> 00:01:50,360
five-second animation for
this paper company logo.
57
00:01:51,861 --> 00:01:53,530
Same way Monet got his start.
58
00:01:54,614 --> 00:01:56,449
He worked at a Waterlily factory.
59
00:01:58,451 --> 00:01:59,285
[Kevin] Michael.
60
00:01:59,327 --> 00:02:00,829
Oh, that's them.
61
00:02:00,870 --> 00:02:03,540
Those are the ad guys
right there. All right.
62
00:02:03,581 --> 00:02:07,043
My very fortunate and creative
group, go back to your desks
63
00:02:07,085 --> 00:02:09,754
and I will let you know
when it is time to film.
64
00:02:09,796 --> 00:02:11,423
(whispering) Pam! Pam,
come here for a second.
65
00:02:11,464 --> 00:02:13,675
Did you get the memo
about dressing your best?
66
00:02:13,717 --> 00:02:14,676
Yeah.
67
00:02:14,718 --> 00:02:16,136
About dressing your best
today?
68
00:02:16,177 --> 00:02:18,304
Yeah I distribute, so I get all
the memos.
69
00:02:18,346 --> 00:02:21,433
Cool. Cool. I just want
to make sure you got it.
70
00:02:21,474 --> 00:02:22,308
Yeah, I get all the memos.
71
00:02:22,350 --> 00:02:24,436
Okay, good. Good.
72
00:02:24,477 --> 00:02:25,603
Hello, hello.
73
00:02:25,645 --> 00:02:26,563
Hey, how you doing?
74
00:02:26,604 --> 00:02:27,814
Michael Scott, Regional Manager.
75
00:02:27,856 --> 00:02:28,773
Hey, Michael.
76
00:02:28,815 --> 00:02:29,607
Hi, Michael nice to meet you.
77
00:02:29,649 --> 00:02:30,442
Excited to talk ideas.
78
00:02:30,483 --> 00:02:31,735
Us too man.
79
00:02:31,776 --> 00:02:32,986
You know what? I want
this to be cutting edge.
80
00:02:33,028 --> 00:02:36,114
I want it to be fast,
quick cuts, you know,
81
00:02:36,156 --> 00:02:39,743
youthful sort of um, MTV
on crack kind of thing.
82
00:02:39,784 --> 00:02:40,618
That sounds great.
83
00:02:40,660 --> 00:02:41,786
All right. Good.
84
00:02:41,828 --> 00:02:42,912
Well, this is what we have to
work with.
85
00:02:42,954 --> 00:02:45,623
Advertising is about big ideas.
86
00:02:45,665 --> 00:02:47,667
If you want to sell a can of Coke,
87
00:02:47,709 --> 00:02:50,962
you don't just show a can of
damn Coke.
88
00:02:51,004 --> 00:02:55,383
You show, a baby, picking
flowers on the moon.
89
00:02:55,425 --> 00:02:58,553
And then people are like,
'Whoa! I'm thirsty.'
90
00:02:58,595 --> 00:03:00,847
You know? It's not rocket science.
91
00:03:02,015 --> 00:03:06,519
This, is Pam Beasley
representing our girl-next-door.
92
00:03:06,561 --> 00:03:09,230
Pretty, but nothing special.
You know, but she sort of
93
00:03:09,272 --> 00:03:10,607
keeps it real.
94
00:03:10,648 --> 00:03:13,651
What you might want to do,
is if you could zoom in
95
00:03:13,693 --> 00:03:17,072
like really quick zooms on
her, that would be great.
96
00:03:17,113 --> 00:03:18,156
And if you can't do that,
97
00:03:18,198 --> 00:03:20,200
just lurch in with the camera.
98
00:03:20,950 --> 00:03:21,993
Might be good.
99
00:03:23,411 --> 00:03:26,498
I would like you to meet
Andrew Bernard, the NARD-dog.
100
00:03:26,539 --> 00:03:28,333
Who let the NARD-dog out?
101
00:03:28,375 --> 00:03:29,834
(woofs like a dog)
102
00:03:29,876 --> 00:03:31,670
He gives the best back rubs in
the office.
103
00:03:31,711 --> 00:03:33,588
That's true, I give a
mean back rub. Also do good
104
00:03:33,630 --> 00:03:35,006
aroma therapy.
105
00:03:35,048 --> 00:03:36,675
(blows raspberry and laughs)
106
00:03:36,716 --> 00:03:38,551
You just got NARD-dogged!
107
00:03:38,593 --> 00:03:43,223
Now, this gentleman right
here, is the key to our
108
00:03:43,264 --> 00:03:44,307
urban vibe.
109
00:03:44,349 --> 00:03:45,892
Urban?
110
00:03:45,934 --> 00:03:49,187
I grew up in a small town, what
about me seems urban to you?
111
00:03:49,229 --> 00:03:50,355
Stanley is hilarious.
112
00:03:50,397 --> 00:03:53,316
Phyllis is like our Mrs. Butterworth,
113
00:03:53,358 --> 00:03:55,110
kind of a less urban Aunt Jemima.
114
00:03:56,945 --> 00:03:59,155
These are our accountants.
115
00:03:59,197 --> 00:04:04,160
And as you can see, they
are very different sizes.
116
00:04:04,202 --> 00:04:06,871
What you might want to do is
kind of a,
117
00:04:06,913 --> 00:04:09,874
a Papa bear, Mama bear, Baby
bear thing.
118
00:04:09,916 --> 00:04:10,875
That might be kind of fun.
119
00:04:10,917 --> 00:04:12,419
[Kevin] Mama bear.
120
00:04:12,460 --> 00:04:16,548
[Michael] Who else? Oh, Creed
is the old guy over there.
121
00:04:16,589 --> 00:04:18,049
Don't look at him.
122
00:04:18,091 --> 00:04:20,385
You might wanna, use him to sort of
123
00:04:20,427 --> 00:04:23,513
get that Orville Redenbacher dynamic.
124
00:04:23,555 --> 00:04:24,389
Sure.
125
00:04:24,431 --> 00:04:25,557
Right.
126
00:04:25,598 --> 00:04:26,683
And if not, we just make him disappear.
127
00:04:28,059 --> 00:04:30,979
This is Jim Halpert. Jim
has a very expressive face.
128
00:04:31,021 --> 00:04:32,564
Don't you, Jim?
129
00:04:32,605 --> 00:04:34,441
He is like our Mr. Bean.
130
00:04:34,482 --> 00:04:35,567
(Jim chuckles)
131
00:04:35,608 --> 00:04:37,485
So do um, do sad. Do, the sad face.
132
00:04:38,903 --> 00:04:39,738
I don't know, what?
133
00:04:39,779 --> 00:04:41,031
That's skeptical. Do sad.
134
00:04:42,323 --> 00:04:42,991
Mmm.
135
00:04:43,033 --> 00:04:43,992
Thaat's pencil pirate.
136
00:04:44,826 --> 00:04:46,036
That's annoyed.
137
00:04:46,077 --> 00:04:47,620
Well, he doesn't do very
well under pressure.
138
00:04:47,662 --> 00:04:48,747
No.
139
00:04:48,788 --> 00:04:51,708
(Michael signs audibly)
140
00:04:51,750 --> 00:04:56,254
And anybody else, we can
just hire an actor to replace.
141
00:04:56,296 --> 00:04:57,005
Follow me.
142
00:04:57,047 --> 00:04:58,548
Let's get this moving.
143
00:05:03,762 --> 00:05:06,097
I think it's great that the
company is making commercial
144
00:05:06,139 --> 00:05:09,392
because, not very many
people have heard of us.
145
00:05:09,434 --> 00:05:11,728
I mean, when I tell people
that I work at Dunder Mifflin,
146
00:05:11,770 --> 00:05:13,855
they think that we sell mufflers,
147
00:05:13,897 --> 00:05:16,608
or muffins, or mittens or,
148
00:05:18,568 --> 00:05:20,862
and frankly, all of those
sound better than paper, so,
149
00:05:20,904 --> 00:05:21,988
I let it slide.
150
00:05:22,822 --> 00:05:26,701
(upbeat theme song)
151
00:05:55,480 --> 00:06:00,527
{\an8}(keyboard noises)
(distant phones ringing)
152
00:06:01,695 --> 00:06:02,487
{\an8}Playing that game again?
153
00:06:02,529 --> 00:06:04,280
{\an8}Second Life is not a game.
154
00:06:04,322 --> 00:06:06,991
{\an8}It is a multi-user virtual environment.
155
00:06:07,033 --> 00:06:08,910
{\an8}It doesn't have points or scores.
156
00:06:08,952 --> 00:06:10,704
{\an8}It doesn't have winners or losers.
157
00:06:10,745 --> 00:06:12,205
Oh, it has losers.
158
00:06:12,247 --> 00:06:15,208
{\an8}I signed up for Second
Life about a year ago.
159
00:06:15,250 --> 00:06:17,502
{\an8}Back then, my life was
so great that I literally
160
00:06:17,544 --> 00:06:18,753
wanted a second one.
161
00:06:18,795 --> 00:06:21,673
In my second life, I was
also a paper salesman
162
00:06:21,715 --> 00:06:23,508
and I was also named Dwight.
163
00:06:23,550 --> 00:06:27,387
Absolutely everything was
the same, except I could fly.
164
00:06:28,555 --> 00:06:31,349
{\an8}Dwight Schrute played paintball.
So played second Dwight.
165
00:06:31,391 --> 00:06:34,185
{\an8}Dwight Schrute milked a cow,
so milked second Dwight.
166
00:06:34,227 --> 00:06:35,645
{\an8}Dwight Schrute fell in love,
167
00:06:37,272 --> 00:06:38,690
{\an8}so fell second Dwight.
168
00:06:41,735 --> 00:06:42,736
{\an8}How things change.
169
00:06:44,904 --> 00:06:46,698
{\an8}Now I wouldn't wish my real life
170
00:06:46,740 --> 00:06:49,034
{\an8}on my worst second enemy.
171
00:06:49,075 --> 00:06:52,704
{\an8}Little girl in a
field, holding a flower.
172
00:06:52,746 --> 00:06:56,499
{\an8}We zoom back to find
the she's in the desert,
173
00:06:57,625 --> 00:07:00,587
{\an8}and the field is an oasis.
We zoom back further,
174
00:07:01,838 --> 00:07:06,301
{\an8}the desert is a sandbox in the
world's largest resort hotel.
175
00:07:06,343 --> 00:07:11,348
{\an8}Zoom back further. The hotel
is actually the playground,
176
00:07:12,307 --> 00:07:15,602
{\an8}the world's largest prison,
but we zoom back further.
177
00:07:15,643 --> 00:07:17,896
Okay, I can, I can tell
that your time is valuable.
178
00:07:17,937 --> 00:07:21,066
Actually, I don't get
paid by the hour anymore,
179
00:07:21,107 --> 00:07:24,069
but thank you. I get paid by the
year, so.
180
00:07:24,110 --> 00:07:25,820
That all sounds
really, really ambitious.
181
00:07:25,862 --> 00:07:27,447
Yeah, I know.
182
00:07:27,489 --> 00:07:29,866
Why don't we show you what we
did with the national branch.
183
00:07:29,908 --> 00:07:31,368
Mmm.
184
00:07:31,409 --> 00:07:32,160
Okay.
185
00:07:32,202 --> 00:07:34,829
(lively music)
186
00:08:03,733 --> 00:08:06,945
That's what we came up with?
That sucks.
187
00:08:06,986 --> 00:08:08,363
(laughing) Wow.
188
00:08:08,405 --> 00:08:10,115
That's what we came up with.
189
00:08:10,156 --> 00:08:11,700
Well, we can do better than that.
190
00:08:11,741 --> 00:08:13,827
Well the main part of the ad
has to stay the same, actually.
191
00:08:13,868 --> 00:08:15,537
Yeah. It's the last
five seconds where we have
192
00:08:15,578 --> 00:08:16,371
some leeway.
193
00:08:18,707 --> 00:08:20,291
The waving?
194
00:08:20,333 --> 00:08:21,710
Well, no, no, you
don't have to be waving.
195
00:08:21,751 --> 00:08:24,713
That was just what they did.
You guys can be clapping.
196
00:08:24,754 --> 00:08:27,757
Or sitting, standing
outside, inside, whatever,
197
00:08:27,799 --> 00:08:30,176
and this is where you
really get to be creative.
198
00:08:34,347 --> 00:08:36,474
(phone ringing)
199
00:08:36,516 --> 00:08:37,726
Damn it!
200
00:08:37,767 --> 00:08:40,979
I'm taking a computer
animation class, and,
201
00:08:41,021 --> 00:08:43,732
I can draw right into the
program using this tablet,
202
00:08:43,773 --> 00:08:47,110
but whenever I plug it
in the computer crashes.
203
00:08:47,152 --> 00:08:49,070
It's like, the company knows I'm
204
00:08:49,112 --> 00:08:51,197
doing something to expand myself.
205
00:08:56,077 --> 00:08:57,829
Hello, McFly?
206
00:08:57,871 --> 00:08:59,456
McFly.
207
00:08:59,497 --> 00:09:01,207
Need your help on something.
208
00:09:01,249 --> 00:09:03,543
A little bit of advice. Bro to bro.
209
00:09:04,419 --> 00:09:06,838
(sighs) Break room.
210
00:09:10,216 --> 00:09:11,843
So how's Moe's?
211
00:09:11,885 --> 00:09:13,970
Enough small talk. What's the
advice?
212
00:09:14,012 --> 00:09:15,180
All right.
213
00:09:15,221 --> 00:09:16,181
I've been spending a
lot of time making out
214
00:09:16,222 --> 00:09:18,183
with Angela lately.
215
00:09:18,224 --> 00:09:21,770
We've been necking, but
only necking, right?
216
00:09:21,811 --> 00:09:24,856
Not actually kissing,
217
00:09:24,898 --> 00:09:27,984
our mouths, just a neck on neck.
218
00:09:28,026 --> 00:09:32,489
It's just like rubbing slash
nuzzling our necks together.
219
00:09:32,530 --> 00:09:34,032
It's hot, I'm not going to lie
to you,
220
00:09:34,074 --> 00:09:35,742
but it's a little weird,
221
00:09:35,784 --> 00:09:38,203
but you seem like a guy with answers.
222
00:09:38,244 --> 00:09:41,373
So, how do I fast track
this? Get to first base?
223
00:09:41,414 --> 00:09:43,625
We cannot talk about this
224
00:09:44,959 --> 00:09:45,794
because
225
00:09:47,045 --> 00:09:48,380
someone might hear us.
226
00:09:49,923 --> 00:09:51,007
We'll use code names.
227
00:09:52,759 --> 00:09:57,722
Angela can stay the same, but
we'll change Andy to Dwight.
228
00:09:59,474 --> 00:10:01,267
That's not different enough.
229
00:10:02,769 --> 00:10:03,561
Dwike?
230
00:10:08,525 --> 00:10:11,945
(subtle computer noises)
231
00:10:22,122 --> 00:10:26,960
What is the highest form
of art? Literature? Ballet?
232
00:10:28,169 --> 00:10:30,630
No, impressions.
233
00:10:30,672 --> 00:10:35,427
Because you are taking someone
creative, and you are adding
234
00:10:35,468 --> 00:10:39,055
even more creativity by copying them.
235
00:10:41,433 --> 00:10:43,309
You have a call from Eddie Murphy.
236
00:10:48,648 --> 00:10:49,983
Hello?
237
00:10:50,025 --> 00:10:53,486
Shrek! Shrek, I'm a
donkey! I'm a donkey, Shrek!
238
00:10:54,487 --> 00:10:55,321
(Michael laughing)
239
00:10:55,363 --> 00:10:57,157
I'm just kidding. It's me.
240
00:10:57,198 --> 00:10:58,825
Hey-o Ry.
241
00:10:58,867 --> 00:10:59,534
What?
242
00:10:59,576 --> 00:11:01,202
Oh, okay. Calm down.
243
00:11:01,244 --> 00:11:02,454
I just have a small problem.
244
00:11:02,495 --> 00:11:04,330
I told her not to call
about small problems.
245
00:11:04,372 --> 00:11:06,666
Yeah. Well, when I
call about big problems,
246
00:11:06,708 --> 00:11:10,003
you don't like that either.
So, make up your mind kiddo.
247
00:11:10,045 --> 00:11:11,588
Here is the deal.
248
00:11:11,629 --> 00:11:16,259
The ad guys that you sent are
locking me in a creative box,
249
00:11:16,301 --> 00:11:18,011
and sort of ignoring my ideas.
250
00:11:18,053 --> 00:11:20,805
That's good. They're
creative. You're not.
251
00:11:20,847 --> 00:11:23,391
You know what, here's
the thing about you.
252
00:11:23,433 --> 00:11:26,353
You're so dry that
sometimes it's hard to tell
253
00:11:26,394 --> 00:11:27,228
when you're kidding.
254
00:11:27,270 --> 00:11:28,063
Here's how you tell,
255
00:11:29,230 --> 00:11:30,106
I'm never kidding.
256
00:11:31,191 --> 00:11:32,942
I'm creative, Ryan.
257
00:11:32,984 --> 00:11:36,404
It's not part of your job.
It's like, maybe you can cook
258
00:11:36,446 --> 00:11:38,656
but that doesn't mean you
should start a restaurant.
259
00:11:38,698 --> 00:11:41,117
Well actually I can't cook
and I am starting a restaurant,
260
00:11:41,159 --> 00:11:42,369
Mike's Cereal Shack.
261
00:11:43,370 --> 00:11:45,330
I'm thinking, we'll have as many varieties
262
00:11:45,372 --> 00:11:46,831
as you can buy in the store.
263
00:11:46,873 --> 00:11:48,833
Okay, I'm not really
interested in that right now.
264
00:11:48,875 --> 00:11:51,252
I'm delegating creativity
to creative professionals.
265
00:11:51,294 --> 00:11:53,963
It's a different skillset.
Look, I wasn't good at sales.
266
00:11:54,005 --> 00:11:54,964
Right?
267
00:11:55,006 --> 00:11:56,257
Yeah!
268
00:11:56,299 --> 00:11:57,842
But I'm good at managing
people who do sales.
269
00:11:57,884 --> 00:12:00,178
Are you? I don't think you're
doing such a great job here,
270
00:12:00,220 --> 00:12:02,514
suppressing ideas and creativity.
271
00:12:03,390 --> 00:12:04,516
All right. Let me ask you this.
272
00:12:04,557 --> 00:12:06,351
Tell me if you think this is creative.
273
00:12:06,393 --> 00:12:07,727
When I was five,
274
00:12:08,853 --> 00:12:13,149
I imagined that there was
such a thing as a unicorn.
275
00:12:13,191 --> 00:12:17,654
And this is before I had even
heard of one or seen one.
276
00:12:17,696 --> 00:12:21,574
I just, drew a picture of a horse
277
00:12:21,616 --> 00:12:25,286
that could fly over rainbows,
and had a huge spike
278
00:12:25,328 --> 00:12:28,248
in it's head. I was five.
279
00:12:28,289 --> 00:12:29,582
Five years old.
280
00:12:31,001 --> 00:12:32,002
Couldn't even talk yet.
281
00:12:34,754 --> 00:12:39,426
Hey guys, um, you know what,
we can not shoot this ad today.
282
00:12:40,593 --> 00:12:41,720
Okay. When should we come
back?
283
00:12:41,761 --> 00:12:44,848
How about never a hundred
hours, sir?
284
00:12:45,765 --> 00:12:47,308
Well, we were sent here to help
285
00:12:47,350 --> 00:12:48,727
I'm not gonna argue with this guy.
286
00:12:48,768 --> 00:12:50,562
Let's go. Good luck, dude.
287
00:12:50,603 --> 00:12:51,813
Hey, thanks.
288
00:12:51,855 --> 00:12:52,480
Thank you.
289
00:12:52,522 --> 00:12:53,523
Thank you.
290
00:12:55,108 --> 00:12:55,984
Are you watching?
291
00:12:56,026 --> 00:12:56,818
Yup.
292
00:12:59,863 --> 00:13:00,530
(Pam laughs)
293
00:13:00,572 --> 00:13:02,657
Wow! Beasley.
294
00:13:02,699 --> 00:13:04,492
Watch it and reverse, his head reformed
295
00:13:04,534 --> 00:13:05,618
like Humpty Dumpty.
296
00:13:07,120 --> 00:13:09,205
And that's why computers
weren't meant to,
297
00:13:09,247 --> 00:13:10,290
how long did it take you?
298
00:13:10,331 --> 00:13:11,249
Half an hour.
299
00:13:11,291 --> 00:13:12,584
Really?
300
00:13:12,625 --> 00:13:13,918
That is true talent.
301
00:13:13,960 --> 00:13:16,212
I mean, making Dwight's
head explode like that.
302
00:13:16,254 --> 00:13:17,422
Shh. He'll hear you.
303
00:13:17,464 --> 00:13:19,549
No, he's in a total trance.
304
00:13:19,591 --> 00:13:21,593
Doesn't he always look like
that?
305
00:13:21,634 --> 00:13:22,635
Watch this.
306
00:13:23,928 --> 00:13:25,555
Hey Dwight, there's a
bear wrestling a cyborg
307
00:13:25,597 --> 00:13:26,806
out in the parking lot.
308
00:13:28,141 --> 00:13:29,184
Who is that?
309
00:13:29,225 --> 00:13:30,894
Who's the bear or who's the
cyborg?
310
00:13:33,313 --> 00:13:34,147
Yeah.
311
00:13:35,482 --> 00:13:36,816
I stand corrected.
312
00:13:36,858 --> 00:13:37,942
Yeah.
313
00:13:37,984 --> 00:13:39,527
Hit it again.
314
00:13:39,569 --> 00:13:40,987
When I was little,
315
00:13:41,029 --> 00:13:44,115
I used to make up these fake
ads for my favorite dolls.
316
00:13:44,157 --> 00:13:46,368
And later I thought about
going into advertising,
317
00:13:46,409 --> 00:13:49,120
but that seemed kind of like
selling out.
318
00:13:49,162 --> 00:13:51,081
And then, I don't know.
319
00:13:51,122 --> 00:13:55,669
I just sort of blinked
and, six years went by and
320
00:13:58,421 --> 00:14:00,006
I'm going to go work on my thing.
321
00:14:04,427 --> 00:14:05,929
All right, I think you've had enough.
322
00:14:05,970 --> 00:14:08,515
Whatever. This whole
world is fake anyway.
323
00:14:08,556 --> 00:14:10,558
Whoa, whoa, whoa. Don't go there.
324
00:14:12,143 --> 00:14:15,230
Michael, David Wallace.
What is this about dismissing
325
00:14:15,271 --> 00:14:16,147
the ad people?
326
00:14:16,189 --> 00:14:17,524
Yeah. I'm glad you called.
327
00:14:17,565 --> 00:14:20,193
Ryan is being a little bitch again.
328
00:14:20,235 --> 00:14:21,403
[Ryan] I'm on Michael.
329
00:14:21,444 --> 00:14:23,238
What's up, my brother?
330
00:14:23,279 --> 00:14:24,823
Listen,
331
00:14:24,864 --> 00:14:27,867
David, I would like to
do this ad in-house.
332
00:14:27,909 --> 00:14:31,496
I want to use only the creativity
that we have right here
333
00:14:31,538 --> 00:14:35,208
in the office and, I will send
it to you tomorrow morning.
334
00:14:35,250 --> 00:14:36,459
Take a look at it.
335
00:14:36,501 --> 00:14:38,628
If you do not think
that it's ready to air,
336
00:14:38,670 --> 00:14:41,256
send the ad agency back down here
337
00:14:41,297 --> 00:14:43,550
and we'll do it on my dime.
338
00:14:45,385 --> 00:14:46,636
[David] This is weird.
339
00:14:46,678 --> 00:14:48,930
I'm willing to stake my
entire reputation on it.
340
00:14:50,348 --> 00:14:52,058
[David] Okay. I'll,
341
00:14:52,100 --> 00:14:53,143
see it tomorrow.
342
00:14:53,184 --> 00:14:54,019
Okay.
343
00:14:54,060 --> 00:14:54,894
Okay.
344
00:14:56,229 --> 00:15:00,066
And thus, Michael Scott
sealed his own destiny,
345
00:15:02,736 --> 00:15:03,737
in a good way.
346
00:15:06,448 --> 00:15:11,369
My favorite genre of ad would
probably be comedy because
347
00:15:11,411 --> 00:15:14,372
there are a lot of very, very talented
348
00:15:14,414 --> 00:15:18,001
writers and directors who
are working in the ad game.
349
00:15:18,043 --> 00:15:22,630
And uh, I think within a
subcategory within that
350
00:15:22,672 --> 00:15:24,841
would be the talking animals
sort of ad.
351
00:15:24,883 --> 00:15:28,303
The frogs or the dogs,
352
00:15:28,345 --> 00:15:30,180
or the,
353
00:15:33,433 --> 00:15:34,267
duck.
354
00:15:35,101 --> 00:15:36,644
I like that. I don't know why.
355
00:15:36,686 --> 00:15:38,188
I just think that's funny.
356
00:15:38,229 --> 00:15:41,232
Hey everybody, I just got off
the phone with David Wallace
357
00:15:41,274 --> 00:15:46,071
and he has given us the
go-ahead to make the first-ever
358
00:15:46,112 --> 00:15:49,491
Dunder Mifflin television commercial.
359
00:15:49,532 --> 00:15:50,408
Huh?!
360
00:15:50,450 --> 00:15:51,242
(applauding)
361
00:15:51,284 --> 00:15:51,910
[Dwight] Yeah!
362
00:15:51,951 --> 00:15:52,786
All right! Woo!
363
00:15:52,827 --> 00:15:54,913
I can't hear you!
364
00:15:54,954 --> 00:15:56,998
I heard you a little bit less
that time.
365
00:15:57,040 --> 00:15:57,832
We'd already applauded.
366
00:15:57,874 --> 00:15:59,876
Must be, okay. Okay.
367
00:15:59,918 --> 00:16:02,420
Michael is on a mission
to prove that he's creative,
368
00:16:02,462 --> 00:16:06,633
which I think is odd because
Michael actually might be the
369
00:16:06,675 --> 00:16:09,344
most creative person I've ever known.
370
00:16:09,386 --> 00:16:13,014
Every day, Michael says
and thinks things that
371
00:16:13,056 --> 00:16:17,894
no one has ever said or thought before.
372
00:16:17,936 --> 00:16:20,271
I am a creative person
and I can not have
373
00:16:20,313 --> 00:16:23,191
corporate thinking that I'm not creative.
374
00:16:24,818 --> 00:16:26,986
Sorry, Michael, you
can't host the Dundees.
375
00:16:27,028 --> 00:16:29,989
We have Chevy Chase and
he is a professional.
376
00:16:30,824 --> 00:16:33,034
As cool as that would be, no,
377
00:16:34,077 --> 00:16:34,911
no.
378
00:16:39,708 --> 00:16:41,918
I'd co-host with Chevy Chase.
379
00:16:41,960 --> 00:16:44,754
Has anyone ever come up to you
and said,
380
00:16:44,796 --> 00:16:46,798
'You're not creative'?
381
00:16:46,840 --> 00:16:47,799
Yes.
382
00:16:47,841 --> 00:16:49,384
Well, they're wrong.
383
00:16:49,426 --> 00:16:50,844
You are creative.
384
00:16:50,885 --> 00:16:53,638
You are damn creative.
Each and every one of you.
385
00:16:53,680 --> 00:16:57,642
You are so much more creative
than all of the other dry,
386
00:16:57,684 --> 00:16:59,227
boring morons that you work with.
387
00:17:01,021 --> 00:17:02,522
Who are you talking to, specifically?
388
00:17:02,564 --> 00:17:06,276
I kinda know what it's
like to be in commercials.
389
00:17:06,317 --> 00:17:09,612
My nickname in high school
used to be Kool-Aid Man.
390
00:17:11,948 --> 00:17:13,158
When I was younger,
391
00:17:13,199 --> 00:17:14,242
I always want it to be
an actor in commercials.
392
00:17:14,284 --> 00:17:16,578
Then I realized I had a brain.
393
00:17:16,619 --> 00:17:19,873
This will not be my first
time in a television commercial.
394
00:17:19,914 --> 00:17:21,207
When I was in high school,
395
00:17:21,249 --> 00:17:24,044
I played a six-year-old,
in an electronic store ad.
396
00:17:26,379 --> 00:17:28,214
It was humiliating.
397
00:17:28,256 --> 00:17:30,300
I'm excited about doing the
ad, but,
398
00:17:30,342 --> 00:17:32,427
I'm not really used to doing
videos with
399
00:17:32,469 --> 00:17:33,970
so many people around.
400
00:17:34,971 --> 00:17:37,223
We have three scenes
to film, big scenes.
401
00:17:37,265 --> 00:17:39,559
We have a song to write.
So let's get cracking.
402
00:17:39,601 --> 00:17:41,436
Kelly, I want you to do makeup.
403
00:17:41,478 --> 00:17:45,315
Oscar, I would like you to
do costume design, obviously.
404
00:17:45,357 --> 00:17:47,525
Meredith, I would like you to do catering.
405
00:17:47,567 --> 00:17:48,985
Andy, special effects.
406
00:17:49,027 --> 00:17:50,945
Angela, animal wrangler.
407
00:17:50,987 --> 00:17:52,530
Creed, sound.
408
00:17:52,572 --> 00:17:53,490
Kevin,
409
00:17:54,574 --> 00:17:56,368
grip.
410
00:17:56,409 --> 00:17:57,077
Who can do music?
411
00:17:57,118 --> 00:17:58,411
How about Daryl?
412
00:17:58,453 --> 00:17:59,996
He brought his keyboard
to the Christmas party
413
00:18:00,038 --> 00:18:01,039
and he was really very good.
414
00:18:01,081 --> 00:18:02,457
Okay. Okay. All right. All right.
415
00:18:02,499 --> 00:18:03,667
We'll have Daryl do it.
416
00:18:03,708 --> 00:18:05,293
Phyllis, I'd like you to look
around town
417
00:18:05,335 --> 00:18:08,713
and see if we have any
celebrities in our local area.
418
00:18:08,755 --> 00:18:09,881
Do you have an assignment for
me?
419
00:18:09,923 --> 00:18:11,091
I do.
420
00:18:11,132 --> 00:18:12,467
I would like you to sit at your desk,
421
00:18:12,509 --> 00:18:14,719
because you are not a creative person.
422
00:18:14,761 --> 00:18:16,054
Thank you, Michael.
423
00:18:16,096 --> 00:18:19,057
All right. Well, let's
get this thing in the can,
424
00:18:19,099 --> 00:18:20,058
as they say.
425
00:18:21,893 --> 00:18:23,520
Part of me,
426
00:18:23,561 --> 00:18:27,649
hopes Stacy will see this
commercial and come crawling back.
427
00:18:28,775 --> 00:18:30,193
The other part of me,
428
00:18:31,528 --> 00:18:34,406
just wishes that I hadn't
forgotten to pick her up
429
00:18:34,447 --> 00:18:35,573
from the airport.
430
00:18:37,117 --> 00:18:39,953
Oh, I've fallen for the ol'
'take off your clothes ploy
431
00:18:39,994 --> 00:18:41,538
and be in this commercial'.
432
00:18:42,789 --> 00:18:43,623
But not this time.
433
00:18:44,624 --> 00:18:46,001
Not this time.
434
00:18:46,042 --> 00:18:47,293
Can you hear me now?
435
00:18:48,461 --> 00:18:49,462
Can you hear me now?
436
00:18:50,672 --> 00:18:52,799
Can you hear me saying that I
don't care?
437
00:18:52,841 --> 00:18:53,633
Good.
438
00:18:55,301 --> 00:18:56,678
All right, so let's start.
439
00:18:56,720 --> 00:18:58,013
All right.
440
00:18:58,054 --> 00:19:00,098
I'm not sure what I'm
supposed to be doing, but.
441
00:19:00,140 --> 00:19:02,183
You are my producer. You are a suit.
442
00:19:02,225 --> 00:19:03,727
I am the creative genius.
443
00:19:03,768 --> 00:19:06,438
You take care of all the boring
stuff and let my mind just
444
00:19:06,479 --> 00:19:07,439
run free.
445
00:19:07,480 --> 00:19:08,815
Yup.
446
00:19:08,857 --> 00:19:10,567
Now, we have $85 and a Sam
Goody gift certificate,
447
00:19:10,608 --> 00:19:11,776
Nice.
448
00:19:11,818 --> 00:19:12,777
And we need to be done
by 9:00 AM tomorrow.
449
00:19:12,819 --> 00:19:14,070
Mhmm.
450
00:19:14,112 --> 00:19:15,363
Why don't you start by
telling me what you got?
451
00:19:15,405 --> 00:19:16,823
We start
452
00:19:16,865 --> 00:19:19,451
on a single blank sheet of paper.
453
00:19:19,492 --> 00:19:20,535
Love it.
454
00:19:20,577 --> 00:19:22,871
And we widen to reveal ancient Rome.
455
00:19:22,912 --> 00:19:23,663
Can't do that.
456
00:19:24,664 --> 00:19:26,291
Okay. We,
457
00:19:26,332 --> 00:19:29,961
widen to reveal a spaceship
458
00:19:30,003 --> 00:19:31,963
blasting out of a woman's womb.
459
00:19:32,005 --> 00:19:33,465
Definitely can't do that.
460
00:19:33,506 --> 00:19:34,632
(bleep), man!
461
00:19:34,674 --> 00:19:35,675
You know what?!
462
00:19:35,717 --> 00:19:36,509
This is (bleep)!
463
00:19:36,551 --> 00:19:37,802
Okay. Scott,
464
00:19:37,844 --> 00:19:38,928
why don't you take your
head out of the clouds
465
00:19:38,970 --> 00:19:40,013
and come back down to planet earth
466
00:19:40,055 --> 00:19:40,972
so we can make a commercial.
467
00:19:41,014 --> 00:19:42,015
Ah!
468
00:19:45,852 --> 00:19:47,145
I'm just doing my job, man.
469
00:19:47,187 --> 00:19:50,231
If you don't let me
pursue my artistic vision,
470
00:19:50,273 --> 00:19:51,649
I'm going to walk.
471
00:19:51,691 --> 00:19:54,152
Good, fine. I've got one Andy Bernard
472
00:19:54,194 --> 00:19:56,237
that will direct this
puppy for half your fee.
473
00:19:56,279 --> 00:19:58,073
No, no. Jim, Jim. Don't,
don't, no.
474
00:19:58,114 --> 00:19:59,407
What? What?
475
00:19:59,449 --> 00:20:00,742
I can do it. I can do
it. I can do it good.
476
00:20:00,784 --> 00:20:01,618
I can do it good.
477
00:20:01,659 --> 00:20:02,577
Please, don't.
478
00:20:05,038 --> 00:20:07,040
(mumbling) Please give me
another chance.
479
00:20:07,082 --> 00:20:08,041
Okay.
480
00:20:08,083 --> 00:20:09,209
Go make a commercial.
481
00:20:14,964 --> 00:20:15,840
Do you want this open or
closed?
482
00:20:15,882 --> 00:20:17,092
Closed.
483
00:20:17,133 --> 00:20:20,470
(door closes)
484
00:20:20,512 --> 00:20:22,972
The thing about being
a creative type is that,
485
00:20:23,014 --> 00:20:24,265
you throw tantrums.
486
00:20:25,684 --> 00:20:28,436
Who are the most creative
people on earth, besides me?
487
00:20:28,478 --> 00:20:29,270
Three-year-olds.
488
00:20:31,564 --> 00:20:34,859
(keyboard clicking)
489
00:20:34,901 --> 00:20:35,652
Is this okay with me?
490
00:20:35,694 --> 00:20:36,569
Yes.
491
00:20:36,611 --> 00:20:37,946
Alright.
492
00:20:37,987 --> 00:20:40,156
(gasping) Sue Grafton
is at the Steam Town Mall,
493
00:20:40,198 --> 00:20:41,574
she's doing a book signing right now.
494
00:20:41,616 --> 00:20:43,952
Okay. Okay. Phyllis, this
is what I want you to do.
495
00:20:43,993 --> 00:20:45,370
I want you to go down to the mall.
496
00:20:45,412 --> 00:20:46,788
I want you to get in line.
497
00:20:46,830 --> 00:20:50,291
I want you to get her to
be in this commercial.
498
00:20:51,292 --> 00:20:54,421
This would be a huge
coup, people. All right.
499
00:20:54,462 --> 00:20:56,047
Do not take no for an answer!
500
00:20:56,089 --> 00:20:57,549
Okay.
501
00:20:57,590 --> 00:20:59,175
Does anyone actually know
what Sue Grafton looks like?
502
00:20:59,217 --> 00:21:00,635
I mean is she hot or?
503
00:21:00,677 --> 00:21:02,345
She's crazy hot.
504
00:21:02,387 --> 00:21:04,556
Well then maybe we
should just use Angela
505
00:21:04,597 --> 00:21:07,267
and say she Sue Grafton.
Would anyone notice?
506
00:21:07,308 --> 00:21:08,560
That's not happening.
507
00:21:08,601 --> 00:21:11,396
I find the mystery genre disgusting.
508
00:21:11,438 --> 00:21:13,106
I hate being titillated.
509
00:21:13,940 --> 00:21:14,774
Bye everyone.
510
00:21:14,816 --> 00:21:15,775
Light it up, Phyllis!
511
00:21:15,817 --> 00:21:17,736
[Creed] Get her, Phyl.
512
00:21:25,452 --> 00:21:28,538
* Out of paper, out of stock ♪
513
00:21:28,580 --> 00:21:31,583
♪ There's friendly
faces around the block ♪
514
00:21:31,624 --> 00:21:33,793
♪ Break loose from the chains ♪
515
00:21:33,835 --> 00:21:36,463
♪ That are causing your pain ♪
516
00:21:36,504 --> 00:21:37,922
♪ Call Michael and Stanley, ♪
517
00:21:37,964 --> 00:21:39,341
♪ Jim, Dwight, Creed ♪
518
00:21:39,382 --> 00:21:40,967
♪ Call Andy and Kelly ♪
519
00:21:41,009 --> 00:21:42,927
♪ For your business
paper needs ♪
520
00:21:42,969 --> 00:21:44,429
♪ Dunder Mifflin ♪
521
00:21:44,471 --> 00:21:46,014
♪ The people person's paper
people ♪
522
00:21:46,056 --> 00:21:47,515
♪ Dunder Mifflin ♪
523
00:21:47,557 --> 00:21:48,975
♪ The people person's paper
people ♪
524
00:21:49,017 --> 00:21:50,435
Timeout, timeout, timeout,
timeout, timeout, timeout.
525
00:21:50,477 --> 00:21:53,772
I thought. I was under
the impression that this
526
00:21:53,813 --> 00:21:55,940
was going to be a rap.
527
00:21:55,982 --> 00:21:57,359
What's rap?
528
00:21:57,400 --> 00:21:59,694
(blows raspberry) Okay. Daryl. Wow.
529
00:21:59,736 --> 00:22:01,654
You need to learn a lot
about your own culture.
530
00:22:01,696 --> 00:22:02,822
I'll make you a mix.
531
00:22:02,864 --> 00:22:03,656
Great
532
00:22:09,037 --> 00:22:10,747
News flash.
533
00:22:10,789 --> 00:22:14,542
I got some juicy updates
on operation Fallen Angel.
534
00:22:14,584 --> 00:22:16,169
Remind me to tell you later.
535
00:22:22,550 --> 00:22:23,927
Hey.
536
00:22:23,968 --> 00:22:25,512
No talk. I'm animating.
537
00:22:25,553 --> 00:22:27,681
Why don't we take a quick
ten second break from that,
538
00:22:27,722 --> 00:22:29,683
so can show you what's going on here.
539
00:22:29,724 --> 00:22:31,976
Okay. This is Dwight's Second Life.
540
00:22:32,018 --> 00:22:33,978
He's on it all the time.
541
00:22:34,020 --> 00:22:36,147
So much so, that his little guy here
542
00:22:36,189 --> 00:22:37,440
has created his own world.
543
00:22:37,482 --> 00:22:39,359
It's called Second Second Life,
544
00:22:39,401 --> 00:22:41,569
for those people who want
to be removed even further
545
00:22:41,611 --> 00:22:42,654
from reality.
546
00:22:42,696 --> 00:22:43,488
Are you serious?
547
00:22:43,530 --> 00:22:44,531
Yeah.
548
00:22:44,572 --> 00:22:45,699
Oh my God. He's really in pain.
549
00:22:46,991 --> 00:22:48,451
Who's that?
550
00:22:48,493 --> 00:22:50,870
Oh, that's just my avatar guy. Whatever.
551
00:22:50,912 --> 00:22:52,539
He looks a lot like you.
552
00:22:53,456 --> 00:22:55,542
How much time did you spend on
that?
553
00:22:55,583 --> 00:22:56,584
Not much.
554
00:22:56,626 --> 00:22:58,628
It's just for, tracking Dwight so.
555
00:22:58,670 --> 00:22:59,838
Right.
556
00:22:59,879 --> 00:23:02,340
You're a sports writer in
Philadelphia?
557
00:23:02,382 --> 00:23:03,675
Nice build, too.
558
00:23:04,884 --> 00:23:06,011
Yep.
559
00:23:06,052 --> 00:23:07,595
You have a guitar, slung on
your back.
560
00:23:07,637 --> 00:23:09,389
I did not know you played guitar.
561
00:23:11,057 --> 00:23:14,269
I, why don't we go back to the
562
00:23:14,310 --> 00:23:15,603
the animation.
563
00:23:15,645 --> 00:23:17,689
No, no, no! I want to
see more of Philly Jim.
564
00:23:17,731 --> 00:23:18,523
Show me how this,
565
00:23:18,565 --> 00:23:20,608
Na! Show me how this works.
566
00:23:20,650 --> 00:23:22,068
Oh, boy.
567
00:23:22,110 --> 00:23:24,571
(piano riff)
568
00:23:27,699 --> 00:23:29,868
♪ Out of paper ♪
569
00:23:29,909 --> 00:23:31,369
♪ Out of stock ♪
570
00:23:31,411 --> 00:23:35,415
♪ There's friendly
faces around the block ♪
571
00:23:35,457 --> 00:23:39,919
♪ Break loose from the chains
that are causing you pain ♪
572
00:23:39,961 --> 00:23:42,380
♪ Call Michael, Stanley,
Jim, Dwight, and Creed ♪
573
00:23:42,422 --> 00:23:44,549
♪ Call Indian Kelly for
your business paper needs ♪
574
00:23:44,591 --> 00:23:46,926
♪ Call Dunder Mifflin ♪
575
00:23:46,968 --> 00:23:49,054
♪ People person's paper people ♪
576
00:23:49,095 --> 00:23:51,306
♪ Dunder Mifflin ♪
577
00:23:51,348 --> 00:23:52,891
♪ People person's paper people ♪
578
00:23:52,932 --> 00:23:54,976
Stop, stop, stop, stop,
stop, stop, stop, stop,
579
00:23:55,018 --> 00:23:56,394
(hitting piano keys)
stop, stop, stop, stop.
580
00:23:56,436 --> 00:23:58,146
This is not me. This is
not, it's not my music.
581
00:23:58,188 --> 00:23:59,773
You're right. It's better than you.
582
00:23:59,814 --> 00:24:01,024
It's us.
583
00:24:01,066 --> 00:24:03,193
♪ Dunder Mifflin ♪
584
00:24:03,234 --> 00:24:04,361
♪ People person's paper people ♪
585
00:24:04,402 --> 00:24:05,945
No, no, no, I hate it! I hate it.
586
00:24:07,614 --> 00:24:09,908
I don't hate it. I just
don't like it, at all.
587
00:24:09,949 --> 00:24:10,784
And it's terrible.
588
00:24:13,995 --> 00:24:15,246
You're on your own, Mike.
589
00:24:15,288 --> 00:24:16,915
Okay. You know what? Um.
590
00:24:16,956 --> 00:24:18,333
Hold on. Hold on, Daryl.
591
00:24:18,375 --> 00:24:19,167
You just said you hate it.
592
00:24:19,209 --> 00:24:20,085
No. I said I,
593
00:24:20,126 --> 00:24:21,086
You said you hate it.
594
00:24:21,127 --> 00:24:22,420
I said I I I hate the style.
595
00:24:22,462 --> 00:24:26,007
♪ Break me off a piece
of that lumber tar. ♪
596
00:24:26,049 --> 00:24:26,925
♪ Snickers bar. ♪
597
00:24:26,966 --> 00:24:28,093
Oh, okay (claps).
598
00:24:28,134 --> 00:24:29,052
Wow. Wow.
599
00:24:29,094 --> 00:24:31,096
This looks uh, terrible.
600
00:24:31,137 --> 00:24:33,807
That's supposed to be a
finish line, that looks like
601
00:24:33,848 --> 00:24:35,517
tape on black top.
602
00:24:35,558 --> 00:24:38,395
I wanted photographers all
around here.
603
00:24:38,436 --> 00:24:40,438
I don't see anybody with cameras.
604
00:24:40,480 --> 00:24:41,481
I want a break.
605
00:24:41,523 --> 00:24:43,358
No, no. Just the opposite.
606
00:24:43,400 --> 00:24:46,027
The sun is going down
and we have no extras.
607
00:24:46,069 --> 00:24:49,572
We need atmosphere here
and we don't have any.
608
00:24:49,614 --> 00:24:51,616
Remember that woman who was kind
of weird,
609
00:24:51,658 --> 00:24:54,160
had the curly hair, used
to be hanging around?
610
00:24:54,202 --> 00:24:55,662
Who?
611
00:24:55,704 --> 00:24:58,123
Does anybody have any
idea what I'm talking about?
612
00:24:58,164 --> 00:25:00,333
* Break me off a that
piece of that grey poupon ♪
613
00:25:00,375 --> 00:25:02,127
Andy, Andy, shut it!
614
00:25:02,168 --> 00:25:03,837
This is a pivotal scene of the ad.
615
00:25:03,878 --> 00:25:05,005
Let's focus here.
616
00:25:05,046 --> 00:25:06,464
This is important.
617
00:25:06,506 --> 00:25:09,050
I wanted to see bleachers
against this wall and a track!
618
00:25:09,092 --> 00:25:11,469
A running, we should have
shot it at a running track.
619
00:25:11,511 --> 00:25:13,805
This is a very important part of
our ad.
620
00:25:13,847 --> 00:25:16,516
And if we don't get this,
if we don't nail it,
621
00:25:16,558 --> 00:25:18,977
we're going to lose the
whole triumph of the moment.
622
00:25:19,019 --> 00:25:20,478
The triumph of the will.
623
00:25:20,520 --> 00:25:23,898
Now, God. What, what Phyllis?
624
00:25:23,940 --> 00:25:27,819
(sad) Well, I got it in line
to buy Sue Grafton's book and
625
00:25:27,861 --> 00:25:29,696
when it came to my turn I
asked her if she wanted to be
626
00:25:29,738 --> 00:25:31,740
in the ad and she said, no,
thank you.
627
00:25:31,781 --> 00:25:34,075
But I wasn't supposed to
take no for an answer.
628
00:25:34,117 --> 00:25:35,493
That'ta girl.
629
00:25:35,535 --> 00:25:36,578
So I kept on asking and
they finally threw me out of
630
00:25:36,619 --> 00:25:39,414
the store in front of all my friends.
631
00:25:39,456 --> 00:25:41,791
(sniffles)
632
00:25:42,834 --> 00:25:44,919
Did you, or did you not get
Sue Grafton?
633
00:25:44,961 --> 00:25:47,130
(Phyllis whimpering)
634
00:25:47,172 --> 00:25:48,006
No.
635
00:25:48,048 --> 00:25:50,342
Oh. You're a.
636
00:25:50,383 --> 00:25:52,677
Can somebody give her a tissue, please?
637
00:25:55,555 --> 00:25:58,767
Creative people have to face obstacles.
638
00:25:58,808 --> 00:26:00,602
Do you know how long
it took Martin Scorsese
639
00:26:00,643 --> 00:26:01,895
to shoot The Godfather?
640
00:26:04,189 --> 00:26:06,024
Neither do I, but
641
00:26:06,066 --> 00:26:06,900
(elevator dings)
642
00:26:06,941 --> 00:26:07,734
it got done.
643
00:26:08,735 --> 00:26:09,736
So.
644
00:26:18,119 --> 00:26:19,579
You ready for dinner?
645
00:26:19,621 --> 00:26:21,873
Oh, I can't go. I'm not done yet.
646
00:26:21,915 --> 00:26:23,833
I hope you're not
killing yourself on this
647
00:26:23,875 --> 00:26:25,585
because I'm sure it's good
enough for Michael's ad,
648
00:26:25,627 --> 00:26:28,380
that will probably be seen by no one.
649
00:26:28,421 --> 00:26:31,132
Maybe, but, it's not
good enough for me yet.
650
00:26:31,174 --> 00:26:32,175
Okay.
651
00:26:32,217 --> 00:26:33,218
Do you want me to stay?
652
00:26:33,259 --> 00:26:34,761
No, no. You can go home.
653
00:26:34,803 --> 00:26:35,595
I'm good.
654
00:26:36,930 --> 00:26:40,058
Really? 'Cause I feel a little weird
655
00:26:40,100 --> 00:26:43,478
leaving you with these
particular people.
656
00:26:49,275 --> 00:26:50,151
I have headphones.
657
00:26:51,444 --> 00:26:54,906
Aw, and you think
that's enough. Alright.
658
00:26:55,740 --> 00:26:57,409
[Pam And Jim] Goodnight.
659
00:26:57,450 --> 00:26:59,661
Everyone has to start
somewhere, right?
660
00:26:59,703 --> 00:27:03,289
I mean maybe designing an
animated logo for a TV commercial
661
00:27:03,331 --> 00:27:05,417
that will never see the
light of day will rocket me
662
00:27:05,458 --> 00:27:07,961
to stardom. Stranger things have happened.
663
00:27:09,629 --> 00:27:10,588
Somewhere, right?
664
00:27:11,506 --> 00:27:12,966
Somewhere where that's happened?
665
00:27:14,384 --> 00:27:18,179
Pam is staying late tonight
to uh, achieve her dreams.
666
00:27:18,221 --> 00:27:19,639
So I'm pretty proud of her.
667
00:27:20,598 --> 00:27:22,350
Unfortunately, she was my ride home.
668
00:27:22,392 --> 00:27:23,560
You coming?
669
00:27:24,936 --> 00:27:25,729
I, uh.
670
00:27:25,770 --> 00:27:27,856
Piss or get off the pot.
671
00:27:34,279 --> 00:27:35,697
The seatbelt's no good.
672
00:27:52,797 --> 00:27:53,757
Late night?
673
00:27:57,510 --> 00:27:59,429
(phone rings)
674
00:27:59,471 --> 00:28:01,431
Dunder Mifflin, this is Pam.
675
00:28:01,473 --> 00:28:03,850
(phone ringing)
676
00:28:03,892 --> 00:28:05,352
Dunder Miflin, this is Pam.
677
00:28:05,393 --> 00:28:06,144
Good morning.
678
00:28:10,190 --> 00:28:11,399
Yeah. I'm sorry.
679
00:28:11,441 --> 00:28:13,234
I looked away for a
second and Creed snatched
680
00:28:13,276 --> 00:28:15,028
your hash browns.
681
00:28:15,070 --> 00:28:15,779
Thank you.
682
00:28:15,820 --> 00:28:16,696
[Jim] You're welcome.
683
00:28:16,738 --> 00:28:18,948
I worked until about 2:45 AM.
684
00:28:18,990 --> 00:28:21,201
And then I had to decide if
I wanted to spend the night
685
00:28:21,242 --> 00:28:24,746
with Michael, editing in
his office and Dwight,
686
00:28:24,788 --> 00:28:26,956
watching Michael edit in his office,
687
00:28:26,998 --> 00:28:29,459
or drive home and probably
fall asleep at the wheel
688
00:28:29,501 --> 00:28:31,169
and die in a fiery car wreck.
689
00:28:31,211 --> 00:28:33,421
I passed out on my
keyboard trying to decide.
690
00:28:34,673 --> 00:28:38,802
(Second Second Life game noises)
691
00:28:44,933 --> 00:28:46,393
Hey, where did you get that?
692
00:28:49,020 --> 00:28:50,397
Aaah!
693
00:28:50,438 --> 00:28:51,815
(explosion)
694
00:28:51,856 --> 00:28:54,359
Hey, not fair!
695
00:28:54,401 --> 00:28:55,193
Aah!
696
00:28:56,611 --> 00:28:58,029
Life's not fair.
697
00:29:04,077 --> 00:29:05,453
Let me pour you some bubbly
698
00:29:05,495 --> 00:29:09,082
because somebody got to a
whole new level last night.
699
00:29:09,124 --> 00:29:11,167
Andy, I can't hear this right now.
700
00:29:11,209 --> 00:29:12,210
No, no, no, no.
701
00:29:12,252 --> 00:29:13,503
This is good.
702
00:29:13,545 --> 00:29:14,546
You know how we haven't
really gotten anywhere
703
00:29:14,587 --> 00:29:16,506
that I want to get to physically
yet?
704
00:29:16,548 --> 00:29:19,676
Well last night, that changed.
705
00:29:19,718 --> 00:29:21,011
We're making out,
706
00:29:21,052 --> 00:29:24,806
I'm kissing her neck and
her cheek and her earlobe.
707
00:29:24,848 --> 00:29:26,850
And she's not really kissing me back,
708
00:29:26,891 --> 00:29:29,352
but she closes her eyes and
she's like,
709
00:29:31,104 --> 00:29:31,730
'Oh, D,'
710
00:29:31,771 --> 00:29:33,898
'Oh, D'.
711
00:29:36,317 --> 00:29:37,736
She called you, 'D'?
712
00:29:39,237 --> 00:29:40,739
Yeah.
713
00:29:40,780 --> 00:29:42,073
'D' for 'Andy'.
714
00:29:43,199 --> 00:29:44,159
Oh,
715
00:29:44,200 --> 00:29:44,993
D.
716
00:29:46,077 --> 00:29:47,412
Oh, D.
717
00:29:47,454 --> 00:29:48,288
Oh,
718
00:29:48,329 --> 00:29:49,164
D.
719
00:29:49,205 --> 00:29:49,998
Oh, D.
720
00:29:51,750 --> 00:29:53,543
[Dwight and Andy] Oh, D.
721
00:29:53,585 --> 00:29:55,879
(laughing)
722
00:29:56,755 --> 00:29:58,798
[Dwight and Andy] Oh, D.
723
00:30:01,676 --> 00:30:06,473
I'm about to send the ad
to corporate. And it is sent.
724
00:30:08,308 --> 00:30:10,226
They'll probably watch it right away.
725
00:30:10,268 --> 00:30:11,061
I, I would.
726
00:30:12,604 --> 00:30:13,563
Okay.
727
00:30:13,605 --> 00:30:16,983
(dialing, line ringing)
728
00:30:18,276 --> 00:30:19,277
Yes?
729
00:30:19,319 --> 00:30:20,653
Pam, please clear my phone lines.
730
00:30:20,695 --> 00:30:22,113
Certainly.
731
00:30:22,155 --> 00:30:25,784
Beep boop, beep beep boop,
beep, beep beep, beep, beep.
732
00:30:25,825 --> 00:30:26,785
Okay, clear.
733
00:30:28,787 --> 00:30:30,288
The could call any second now.
734
00:30:35,168 --> 00:30:35,960
Oh, god.
735
00:30:43,468 --> 00:30:44,469
I better call.
736
00:30:51,226 --> 00:30:53,186
Well, it's been tough.
737
00:30:53,228 --> 00:30:56,147
The uh, geniuses at corporate
rejected my commercial
738
00:30:56,189 --> 00:30:58,900
and tonight they are airing
the brain-dead version.
739
00:30:58,942 --> 00:31:02,987
So, welcome one and all,
to the world premier
740
00:31:03,029 --> 00:31:04,447
of Corporate Crap Fest.
741
00:31:07,409 --> 00:31:09,953
(lively music)
742
00:31:17,377 --> 00:31:20,714
(applause and cheering)
743
00:31:24,426 --> 00:31:25,593
Hey, seemed like a big hit.
744
00:31:25,635 --> 00:31:29,472
No, people are stupid.
People like waving,
745
00:31:29,514 --> 00:31:31,474
waving cells, not art.
746
00:31:32,475 --> 00:31:36,563
The ad we made, our ad, the real
one, was,
747
00:31:36,604 --> 00:31:38,523
full of humor and full of depth
748
00:31:38,565 --> 00:31:40,108
and full of heart.
749
00:31:40,150 --> 00:31:41,109
And it was real.
750
00:31:42,777 --> 00:31:44,988
Hey, could do me a
favor? Could you put that
751
00:31:45,030 --> 00:31:45,905
in the DVD player?
752
00:31:47,323 --> 00:31:49,451
Hey, everybody. I just want
to welcome you all to the
753
00:31:49,492 --> 00:31:52,620
premier of the real
Dunder Mifflin commercial,
754
00:31:52,662 --> 00:31:54,205
the Michael Scott Director's
Cut.
755
00:31:55,206 --> 00:31:56,082
I hope you like it.
756
00:31:57,542 --> 00:31:59,127
('Chariots of Fire' playing)
757
00:31:59,169 --> 00:32:00,670
It all starts with an idea.
758
00:32:02,672 --> 00:32:05,216
But you can never tell
where an idea will end up.
759
00:32:10,722 --> 00:32:14,100
Because ideas spread, they change,
760
00:32:14,142 --> 00:32:14,934
grow.
761
00:32:16,519 --> 00:32:18,021
They connect us with the world.
762
00:32:24,235 --> 00:32:25,987
And in a fast-moving world,
763
00:32:27,572 --> 00:32:29,699
where good news moves
at the speed of time,
764
00:32:36,206 --> 00:32:38,166
and bad news,
765
00:32:38,208 --> 00:32:40,085
isn't always what it seems.
766
00:32:51,805 --> 00:32:53,556
Because, when push comes to shove,
767
00:33:00,563 --> 00:33:02,565
we all deserve a second chance,
768
00:33:07,278 --> 00:33:08,071
to score.
769
00:33:15,745 --> 00:33:16,705
Dunder Mifflin.
770
00:33:17,789 --> 00:33:20,250
Limitless paper in a paperless world.
771
00:33:23,920 --> 00:33:24,546
Oh!
772
00:33:24,587 --> 00:33:27,048
(applauding)
773
00:33:31,761 --> 00:33:33,638
Animation? All her, by the way.
774
00:33:33,680 --> 00:33:34,556
Really?
775
00:33:34,597 --> 00:33:35,390
Yeah just thought she
776
00:33:35,432 --> 00:33:36,224
The animation was cool.
777
00:33:36,266 --> 00:33:37,475
Thanks.
778
00:33:37,517 --> 00:33:38,601
Listen you ever been on a
motorcycle?
779
00:33:38,643 --> 00:33:39,769
Naw.
780
00:33:39,811 --> 00:33:41,354
Michael, that was fun.
781
00:33:42,439 --> 00:33:43,606
That was fun.
782
00:33:44,899 --> 00:33:47,235
Next round of drinks is on me,
people!
783
00:33:47,277 --> 00:33:50,071
(everyone cheers)
784
00:33:51,031 --> 00:33:55,076
There was a series of advertisements
785
00:33:55,118 --> 00:33:58,913
about a group of guys who would
call each other all the time
786
00:33:58,955 --> 00:34:02,792
and they would bond
over football and beer.
787
00:34:03,918 --> 00:34:07,255
And, it was funny, but it
was also really charming.
788
00:34:07,297 --> 00:34:11,009
And there was one key word
they'd always say, 'Wazzup',
789
00:34:11,051 --> 00:34:15,055
to each other and, and we
followed them.
790
00:34:15,096 --> 00:34:17,807
And this was through a number
of months, maybe years.
791
00:34:17,849 --> 00:34:20,393
And you know, you, I think,
792
00:34:20,435 --> 00:34:23,688
I think the hardest part is you
start to kind of get to know
793
00:34:23,730 --> 00:34:26,274
these characters and then
they just pull the plug.
794
00:34:26,316 --> 00:34:30,737
And, I don't know why.
I don't know why, um.
795
00:34:32,697 --> 00:34:34,115
That was one of my faves.
796
00:34:35,658 --> 00:34:39,788
♪ Claude Van Damme ♪
797
00:34:39,829 --> 00:34:41,623
♪ Hair for men ♪
798
00:34:41,664 --> 00:34:43,416
♪ Poison gas ♪
799
00:34:43,458 --> 00:34:44,334
♪ Nutra sweet ♪
800
00:34:44,376 --> 00:34:46,294
It's got a rhyme with peace.
801
00:34:46,336 --> 00:34:48,088
Fancy feast!
802
00:34:48,129 --> 00:34:51,466
♪ Break me off a piece
of that fancy feast! ♪
803
00:34:51,508 --> 00:34:53,051
It's a cat food.
804
00:34:53,093 --> 00:34:53,885
Nailed it.
805
00:35:00,517 --> 00:35:02,977
(door opening sounds)
806
00:35:03,019 --> 00:35:06,690
What the? Someone put
my bazooka in jello.
807
00:35:13,655 --> 00:35:16,700
(upbeat music)
56650
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