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1
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[indistinct chatter]
2
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[Cassie] You've got ten seconds. Let's go!
3
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[indistinct chatter continues]
4
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[Cassie] From the top, here we go.
5
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Spread out, it's four slow, eight quick.
Let's do it!
6
00:00:31,480 --> 00:00:33,480
[upbeat music plays]
7
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One!
8
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[bass drops]
9
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And out and up, go.
10
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[groans]
11
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And double. [groans]
12
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I think I put my shoulder out.
13
00:01:01,920 --> 00:01:04,400
Single strut. It's all right, keep going.
14
00:01:05,239 --> 00:01:06,280
Double.
15
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Double. Keep going!
16
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[upbeat music continues]
17
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[moans] And forward.
18
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I can't feel my arm.
19
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Most people think the dance world is
pretty and sequinned,
20
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and like a fun hobby.
21
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It… That's not what it is.
22
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[Stephen] Sell it!
23
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[Lucas] It's injuries and blood
and ripped apart feet.
24
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I've broken my foot, my leg.
I've torn some ligaments in my knees.
25
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It's physically and mentally and
emotionally demanding.
26
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There's a lot of dancers that have
injuries that you don't know about.
27
00:01:44,200 --> 00:01:46,880
We love it so much,
we're gonna dance on it.
28
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If you wanna be in the industry,
there aren't any excuses.
29
00:01:53,120 --> 00:01:55,120
Up, three!
30
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And down, go.
31
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[music stops]
32
00:02:00,200 --> 00:02:02,200
[solitary beat]
33
00:02:07,480 --> 00:02:10,320
[indistinct chatter]
34
00:02:10,919 --> 00:02:12,920
[Michael] All right, come on in, please.
35
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[indistinct chatter continues]
36
00:02:26,360 --> 00:02:28,360
[Emily] I don't want to be at the front.
37
00:02:29,760 --> 00:02:31,079
[Michael clears throat]
38
00:02:31,400 --> 00:02:35,960
When it comes to grading, we only have a
certain amount of spots for each class.
39
00:02:36,000 --> 00:02:40,520
Um, and we have 30 places
for the advanced top one class.
40
00:02:40,800 --> 00:02:44,120
All right? So for the first class we have:
41
00:02:44,120 --> 00:02:46,040
Abby Chappell,
42
00:02:46,079 --> 00:02:48,200
Arabella Meleo,
43
00:02:48,840 --> 00:02:51,240
Archer Howland-Rose,
44
00:02:51,280 --> 00:02:52,960
Ava Couston,
45
00:02:52,960 --> 00:02:54,560
Brooke Beaven,
46
00:02:54,600 --> 00:02:56,440
Conor Bann-Murray,
47
00:02:56,480 --> 00:02:58,680
Curie Kim,
48
00:02:58,680 --> 00:03:00,680
Daniel Cooke,
49
00:03:01,680 --> 00:03:03,520
Emily Smith,
50
00:03:03,520 --> 00:03:05,600
Eva Baonza,
51
00:03:05,640 --> 00:03:07,520
Max Ostler,
52
00:03:07,560 --> 00:03:09,520
Max Simmons,
53
00:03:09,560 --> 00:03:11,320
Tiana Vassallo,
54
00:03:11,360 --> 00:03:12,800
Tom Young.
55
00:03:12,800 --> 00:03:15,160
Okay? Congratulations.
56
00:03:15,160 --> 00:03:17,480
[applause]
57
00:03:17,520 --> 00:03:19,640
Thank God. [nervous laughter]
58
00:03:19,640 --> 00:03:21,800
That's all I was just hoping for.
59
00:03:21,800 --> 00:03:24,280
To prove myself to Cassie.
60
00:03:24,280 --> 00:03:28,680
And just being called out, it really meant
a lot, because it showed that…
61
00:03:29,360 --> 00:03:32,600
she not only cared for me,
but saw potential in me.
62
00:03:33,320 --> 00:03:36,320
[Michael] Just because you get a place
in this top one class
63
00:03:36,320 --> 00:03:38,480
does not mean that you
get to hold onto that spot.
64
00:03:38,480 --> 00:03:41,920
You need to work hard,
cause there are people right on your tail
65
00:03:41,920 --> 00:03:45,280
who would happily be, um,
ready and willing to replace.
66
00:03:45,320 --> 00:03:46,680
[Erin] I'm sorry, that's fucked.
67
00:03:46,680 --> 00:03:48,840
[Kim] In the grading I got into Jazz two.
68
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There's a lot of people saying, like…
69
00:03:52,520 --> 00:03:54,040
there's no need to be stressed about it,
70
00:03:54,040 --> 00:03:57,320
and there isn't any reason for me to be
stressed about it, but…
71
00:03:57,320 --> 00:04:00,600
I said to Cassie, I was like, I don't know
why I'm crying, I'm sorry.
72
00:04:00,600 --> 00:04:02,560
Um, I just care, do you know what I mean?
73
00:04:02,560 --> 00:04:05,440
I just want it… bad, so…
74
00:04:05,440 --> 00:04:08,040
That's why I'm obviously
having a meltdown about it.
75
00:04:08,040 --> 00:04:11,480
But, yeah… That is why I look upset,
because I am upset.
76
00:04:11,920 --> 00:04:13,520
- Breathe.
- I was just so stressed…
77
00:04:13,520 --> 00:04:15,560
Everyone I feel like, is like…
78
00:04:15,560 --> 00:04:17,360
- Yeah!
- Energy, at the drop of a hat
79
00:04:17,360 --> 00:04:18,240
- someone's gonna cry.
- Yeah
80
00:04:18,240 --> 00:04:20,680
- Like I just feel like, everyone…
- Well…
81
00:04:20,680 --> 00:04:23,360
- Will cry. Like…
- Breathe, breathe.
82
00:04:23,360 --> 00:04:25,160
[Erin] When I found out
that I was in Jazz two,
83
00:04:25,160 --> 00:04:27,320
I was like, what the fuck is going on?
84
00:04:27,320 --> 00:04:28,760
Like, it was like anger, upset.
85
00:04:28,760 --> 00:04:31,360
Like, it's not like, I wasn't sad like
someone had died.
86
00:04:31,360 --> 00:04:33,800
I was more like sad, like, disappointed,
87
00:04:33,800 --> 00:04:36,240
and like, you know when like,
when someone, like, is put in jail
88
00:04:36,240 --> 00:04:38,120
for, like, a crime,
like they didn't commit.
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Like, that sad.
90
00:04:39,320 --> 00:04:41,320
[indistinct chatter]
91
00:04:47,760 --> 00:04:49,440
[Cassie] Hurry up, guys!
92
00:04:49,480 --> 00:04:52,000
[indistinct chatter]
93
00:04:54,440 --> 00:04:55,600
Here we go.
94
00:04:57,240 --> 00:04:59,240
Take a deep breath, let's go.
95
00:05:01,320 --> 00:05:04,240
[Madeaux: "Mon Cher" playing]
96
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Arabella, this way, this way. Shoo, shoom.
97
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Foom.
98
00:05:34,159 --> 00:05:35,760
[Cassie] One, three, hut, hut!
99
00:05:44,360 --> 00:05:46,360
C'mon, guys! It's a mess.
100
00:05:47,200 --> 00:05:48,760
Whoa, whoa.
101
00:05:50,480 --> 00:05:51,920
[music fades]
102
00:05:51,920 --> 00:05:53,320
Guys…
103
00:05:53,320 --> 00:05:54,640
Get up!
104
00:05:56,320 --> 00:05:58,840
Now I know this is like, really hard,
105
00:05:58,840 --> 00:06:00,760
but that is the whole point.
106
00:06:00,800 --> 00:06:03,400
Yeah. We're not at
Debbie's Dance School anymore.
107
00:06:03,400 --> 00:06:05,480
C'mon. Work hard.
108
00:06:05,480 --> 00:06:07,920
If you don't, I will swap you out
with someone else.
109
00:06:07,920 --> 00:06:09,200
Yes?
110
00:06:13,520 --> 00:06:15,520
[dance music plays]
111
00:06:26,240 --> 00:06:28,240
[bass drops]
112
00:06:38,200 --> 00:06:40,200
[beat fades]
113
00:06:44,640 --> 00:06:48,520
Kim. A lot of people, like, think that
she's like, not a good dancer,
114
00:06:48,520 --> 00:06:50,400
and think that she's just pretty.
115
00:06:50,840 --> 00:06:53,200
But, she actually like, could back it
up with her dancing as well.
116
00:06:53,200 --> 00:06:54,800
Like, a lot of people just underestimate,
117
00:06:54,800 --> 00:06:56,520
but she, but she actually is
a really good dancer.
118
00:06:56,800 --> 00:06:59,280
And then obviously we were put into,
like, both into Jazz two,
119
00:06:59,280 --> 00:07:01,240
so we just like, really need to step up.
120
00:07:01,680 --> 00:07:05,040
[Kim] My relationship with Erin…
Yeah, I feel like we're…
121
00:07:06,520 --> 00:07:11,320
I don't know what she would think,
but I'd probably say we're kind of close.
122
00:07:11,320 --> 00:07:13,320
Um, we talk a lot about…
123
00:07:14,840 --> 00:07:17,920
not other people,
but we talk a lot about things,
124
00:07:17,920 --> 00:07:19,920
just in general, and…
125
00:07:21,400 --> 00:07:25,880
Yeah, I've got a good bond with her,
I like that woman, she's very funny.
126
00:07:25,880 --> 00:07:28,920
And I like how she's so honest.
127
00:07:30,800 --> 00:07:35,800
I feel like people misinterpret me and
just often describe me as like, a bitch.
128
00:07:35,840 --> 00:07:38,159
So many people
when they speak to me, they're like,
129
00:07:38,159 --> 00:07:39,880
oh my god, I thought you were so scary,
130
00:07:39,880 --> 00:07:42,240
but like, I feel like
that's your fault for not…
131
00:07:42,240 --> 00:07:43,760
getting to know me
than the other way round,
132
00:07:43,760 --> 00:07:46,640
because I'm not gonna change and…
Wow they look so good,
133
00:07:46,640 --> 00:07:50,320
um, and make an effort
when I'm happy with the way I am.
134
00:07:50,720 --> 00:07:52,080
- How you doin'?
- I'm good, how are you?
135
00:07:52,080 --> 00:07:53,640
Good.
136
00:07:53,920 --> 00:07:57,680
I just wanna get some
feedback on the grading, because…
137
00:07:57,680 --> 00:08:00,240
um, I didn't hear anything back
when we were in the auditions.
138
00:08:00,280 --> 00:08:05,320
Did you, um, feel that class
was fair for you to be put in or…?
139
00:08:05,320 --> 00:08:07,040
Well…
140
00:08:07,040 --> 00:08:08,880
- Yes and no, because…
- Yeah.
141
00:08:08,880 --> 00:08:11,440
when you were saying, like, people who are
comfortable with the Brent Street style,
142
00:08:11,440 --> 00:08:13,880
I was like, well, I kinda have been here.
143
00:08:13,920 --> 00:08:16,520
My emotions are really easy to read,
I would say, like,
144
00:08:16,520 --> 00:08:18,200
and I don't have to,
like, put them like, on.
145
00:08:18,600 --> 00:08:21,480
I think it's very suited for a performer.
146
00:08:21,480 --> 00:08:24,800
People would probably describe me,
like, very loud.
147
00:08:24,800 --> 00:08:27,520
I think they would say they're scared
they don't know what I'm gonna say.
148
00:08:29,360 --> 00:08:32,679
A lot of people
think I'm funny, but I am. [chuckles]
149
00:08:32,720 --> 00:08:36,280
[Michael] I just posted a link
on your wall, and it's a survey.
150
00:08:36,280 --> 00:08:40,440
It's so we can feel where you're at and
what we want to do from here on in,
151
00:08:40,480 --> 00:08:43,200
slash, how we can make it better.
152
00:08:43,200 --> 00:08:44,880
[Erin] Is it anonymous?
153
00:08:44,880 --> 00:08:45,880
[Michael] Yeah.
154
00:08:45,880 --> 00:08:47,880
[all laugh]
155
00:08:49,440 --> 00:08:52,640
When I've seen you,
even on the grading for me,
156
00:08:52,640 --> 00:08:54,520
read to me a little lazy, to be fair.
157
00:08:54,520 --> 00:08:55,640
- Really?
- Yes.
158
00:08:55,640 --> 00:08:58,520
That's how it came across to me,
and I was like…
159
00:08:58,520 --> 00:09:03,200
I didn't know if I thought, like, the
advanced class was a little expected.
160
00:09:03,240 --> 00:09:05,640
I think as well, it's a challenge for you,
161
00:09:05,640 --> 00:09:07,960
and I'm curious to see
if you will step up,
162
00:09:07,960 --> 00:09:09,440
- Yeah, yeah.
- to be, to be honest.
163
00:09:09,440 --> 00:09:10,440
Do you think you would?
164
00:09:10,440 --> 00:09:11,720
Well, I hope… I want to.
165
00:09:11,720 --> 00:09:13,240
- Like, that's my aim, yeah.
- Okay, great.
166
00:09:13,280 --> 00:09:15,400
[upbeat music plays]
167
00:09:20,320 --> 00:09:23,440
[Cassie] You've gotta know this choreo,
like, inside out and back to front.
168
00:09:23,440 --> 00:09:25,480
No mistakes, here we go.
169
00:09:25,480 --> 00:09:27,760
Five, six, seven, eight.
170
00:09:27,760 --> 00:09:30,960
[Cobrah: "Debut" playing]
171
00:09:52,760 --> 00:09:54,480
[music stops]
172
00:09:54,480 --> 00:09:55,760
Arabella?
173
00:09:58,160 --> 00:10:00,000
- What was it?
- Oh, I just…
174
00:10:00,000 --> 00:10:01,000
- slipped.
- Slipped?
175
00:10:01,360 --> 00:10:03,640
[Cassie] Imagine that was, like, on stage.
176
00:10:03,640 --> 00:10:06,240
What would you do?
You'd keep going, you gotta to fake it.
177
00:10:06,280 --> 00:10:10,960
What I'm drawn to about
performing arts is, it's entertainment.
178
00:10:11,000 --> 00:10:13,160
You know, I'm on show.
179
00:10:13,640 --> 00:10:15,960
[Cassie] You cannot crack
when the pressures up, let's go.
180
00:10:16,000 --> 00:10:19,320
[Arabella] Yes, it's tiring,
it's stressful, it's hard.
181
00:10:19,320 --> 00:10:22,600
Sometimes I feel like quitting
and setting the building on fire,
182
00:10:22,600 --> 00:10:26,080
but it's what I love.
183
00:10:26,080 --> 00:10:28,640
I love feeling like
I want to set the building on fire.
184
00:10:29,040 --> 00:10:31,120
[Cassie] Five, six, seven, eight!
185
00:10:31,120 --> 00:10:33,520
Go one, two, and three and four,
186
00:10:33,520 --> 00:10:35,760
and five and six, and seven and eight,
187
00:10:35,760 --> 00:10:38,160
and one and two, and three and four,
188
00:10:38,160 --> 00:10:40,760
and five and six, go seven and stop!
189
00:10:40,760 --> 00:10:43,000
Hut, two, three, four,
190
00:10:43,000 --> 00:10:45,400
and five and six, and seven and eight.
191
00:10:45,400 --> 00:10:48,160
Go breathe, two, go three and four,
192
00:10:48,160 --> 00:10:50,520
five and six, and seven, and hut, hut,
193
00:10:50,520 --> 00:10:52,880
boom, and a two and a three, and a four!
194
00:10:52,880 --> 00:10:56,320
Five, six, seven, eight, bud-up!
195
00:10:56,320 --> 00:10:57,920
Hey! Ahhh.
196
00:10:57,920 --> 00:10:59,520
[clapping]
197
00:11:00,080 --> 00:11:02,080
[synth music plays]
198
00:11:04,280 --> 00:11:06,840
[Arabella singing operatically]
199
00:11:10,000 --> 00:11:12,640
This is my Brent Street triple threat.
200
00:11:12,640 --> 00:11:15,040
Senior 2020.
201
00:11:15,040 --> 00:11:19,200
One award. It's my greatest accolade.
202
00:11:19,200 --> 00:11:23,360
It's not quite an Oscar, yet.
203
00:11:23,360 --> 00:11:25,880
But, it will be one day.
204
00:11:25,880 --> 00:11:30,760
And, um, I just thought it'd be
a little bit funny if I put it here.
205
00:11:30,760 --> 00:11:32,440
Like, no disrespect
206
00:11:32,440 --> 00:11:34,840
or anything, I just thought
it would be funny when people walk in
207
00:11:34,840 --> 00:11:36,920
and they see a trophy on a toilet.
208
00:11:36,960 --> 00:11:40,840
We do specialise in dance,
but it is a performing arts space.
209
00:11:40,840 --> 00:11:43,480
So, we teach people to be triple threats.
210
00:11:43,480 --> 00:11:46,200
Which means they can sing,
they can dance, they can act.
211
00:11:46,200 --> 00:11:47,440
They can do it all.
212
00:11:47,440 --> 00:11:50,120
[Arabella] With commercial dance
and just the dance world,
213
00:11:50,520 --> 00:11:53,320
it's very select and…
214
00:11:53,320 --> 00:11:58,640
you've gotta be one of the lucky ones
to really get your place in that world.
215
00:11:58,640 --> 00:12:01,520
But with musical theatre,
there's so many different
216
00:12:01,520 --> 00:12:03,360
routes and roads you could go down.
217
00:12:04,000 --> 00:12:06,200
I'd like to be the star of the show.
218
00:12:06,200 --> 00:12:08,200
When you get selected for a main role
219
00:12:08,800 --> 00:12:10,680
you… it's…
220
00:12:10,680 --> 00:12:15,400
It's like when you're trying, you
want to laugh so hard,
221
00:12:15,400 --> 00:12:16,840
but you have to hold it in.
222
00:12:16,840 --> 00:12:18,920
So, it's just this feeling
of where you just wanna go…
223
00:12:18,920 --> 00:12:21,760
[soft squeal] And you just wanna
scream and shout, and like, whoo!
224
00:12:21,760 --> 00:12:27,200
But, you need to still be professional,
and like, yep that's cool, thank you.
225
00:12:27,200 --> 00:12:29,200
So grateful for this opportunity.
226
00:12:30,200 --> 00:12:31,280
You know what I mean?
227
00:12:31,320 --> 00:12:33,480
Ooh, it's torrential.
228
00:12:33,480 --> 00:12:34,960
Help!
229
00:12:34,960 --> 00:12:37,320
I feel like I'm in Mary Poppins,
being blown away.
230
00:12:38,640 --> 00:12:40,920
Wait. With my suitcase.
231
00:12:42,080 --> 00:12:43,200
[chuckles]
232
00:12:44,840 --> 00:12:48,040
[Lucas] Across all the genres at
Brent Street, not all of them are graded.
233
00:12:48,320 --> 00:12:51,040
We grade specific genres
based on technical ability,
234
00:12:51,040 --> 00:12:54,840
and other ones are a mix
of all different abilities in there,
235
00:12:54,840 --> 00:12:56,400
because it's the best way to learn.
236
00:12:56,440 --> 00:12:58,960
- [students singing scales]
- [piano playing]
237
00:13:03,400 --> 00:13:04,960
[Ben] Back down.
238
00:13:09,240 --> 00:13:11,520
My singing voice is not a singing voice.
239
00:13:11,520 --> 00:13:13,640
It's… [stammers] I just don't sing.
240
00:13:13,640 --> 00:13:17,840
But, I know that I need
to be able to sing to be a singer, so…
241
00:13:17,840 --> 00:13:19,680
I try and work on it.
242
00:13:19,680 --> 00:13:21,920
You are a good singer,
I've heard you sing.
243
00:13:21,920 --> 00:13:24,200
No, you've heard me sing two years ago,
and you haven't heard it
244
00:13:24,200 --> 00:13:26,400
- recently.
- I have heard you sing.
245
00:13:26,400 --> 00:13:28,240
Recently… ish.
246
00:13:28,240 --> 00:13:30,320
See, it's people like this
making false claims
247
00:13:30,320 --> 00:13:31,400
- that freaks me out.
- People like this?
248
00:13:31,400 --> 00:13:33,040
I'm not saying that you're a good singer.
249
00:13:33,040 --> 00:13:34,920
- Thank you.
- I'm just standing here silently.
250
00:13:34,920 --> 00:13:36,920
I'm saying that you can sing.
251
00:13:36,920 --> 00:13:38,920
Like, you, maybe you're not as…
252
00:13:38,920 --> 00:13:40,440
- Good as I used to be?
- Yeah, see now…
253
00:13:40,440 --> 00:13:41,920
- Now she's telling the truth.
- The truth.
254
00:13:41,920 --> 00:13:43,720
[all chuckle]
255
00:13:43,760 --> 00:13:45,760
[students doing breathing exercises]
256
00:13:48,320 --> 00:13:49,120
[Ben] Good…
257
00:13:49,120 --> 00:13:51,320
[Archer] People who are here have been
dancing their whole lives
258
00:13:51,320 --> 00:13:53,320
and so it's just like,
they're used to that,
259
00:13:53,320 --> 00:13:55,520
but singing is so different
and so vulnerable,
260
00:13:55,520 --> 00:13:58,480
and so outside of their comfort zone
that I feel like they,
261
00:13:58,480 --> 00:13:59,520
they freak out a bit.
262
00:13:59,560 --> 00:14:00,720
[indistinct chatter]
263
00:14:00,720 --> 00:14:01,800
[Ben] Good morning everyone.
264
00:14:01,800 --> 00:14:03,480
- Good morning, Ben.
- Hi.
265
00:14:03,760 --> 00:14:04,680
So…
266
00:14:04,680 --> 00:14:05,640
[clears throat]
267
00:14:05,640 --> 00:14:09,120
Um, great. A couple of things
before we get started.
268
00:14:09,120 --> 00:14:12,320
This term we're focusing
on solo repertoire.
269
00:14:13,000 --> 00:14:16,040
So, you'll be singing on your own,
in front of each other.
270
00:14:16,960 --> 00:14:18,920
[Max S] I care a lot
about what people think.
271
00:14:18,920 --> 00:14:21,920
People think I don't, but…
272
00:14:22,480 --> 00:14:26,120
I'm very insecure in that way, like,
people just don't see it.
273
00:14:26,400 --> 00:14:31,200
Most people think Max is,
like, he doesn't give a shit, he's like…
274
00:14:32,000 --> 00:14:36,000
he's so sure of himself, but like,
I see his vulnerable side.
275
00:14:36,640 --> 00:14:41,600
Deep down he, he does have
a really pure and like, strong heart.
276
00:14:41,600 --> 00:14:43,720
[Max S] Ava, really cute, love it.
277
00:14:43,760 --> 00:14:46,440
I feel like people think I can sing
really high, because
278
00:14:46,440 --> 00:14:48,760
I have a really
high pitch voice when I speak.
279
00:14:48,760 --> 00:14:50,600
- But, like, I…
- You don't really.
280
00:14:50,600 --> 00:14:52,000
No, it's like whiny high.
281
00:14:52,000 --> 00:14:53,560
- Yeah.
- It's like bitchy high, you know.
282
00:14:53,560 --> 00:14:55,520
- But like, when I…
- It's still got, like, a low bass to it.
283
00:14:55,520 --> 00:14:56,520
Like, there's still like a…
284
00:14:56,520 --> 00:14:58,360
- When I sing, like my range…
- My ear's so itchy.
285
00:14:58,360 --> 00:15:00,880
I probably have the worst range
out of all the boys.
286
00:15:00,880 --> 00:15:03,880
[both doing scales]
287
00:15:07,360 --> 00:15:09,480
- So am I allowed to be nervous?
- Yeah.
288
00:15:09,480 --> 00:15:11,480
But nerves are good.
289
00:15:12,200 --> 00:15:15,880
Okay, babe. Nerves are not good when
you're singing, you need to be calm.
290
00:15:15,920 --> 00:15:17,920
[shower running]
291
00:15:18,800 --> 00:15:20,800
[Max S singing scales]
292
00:15:22,720 --> 00:15:23,840
[Conor scoffs]
293
00:15:23,880 --> 00:15:25,600
- Max. [chuckles]
- [Max S] Yes.
294
00:15:25,600 --> 00:15:27,720
Last minute practice
for the singing assessment?
295
00:15:27,720 --> 00:15:28,520
[Max S] What?
296
00:15:28,520 --> 00:15:30,840
Last minute practice
for the singing assessment?
297
00:15:30,840 --> 00:15:31,840
[Max S] Yes.
298
00:15:33,320 --> 00:15:35,520
What a voice of an angel.
299
00:15:36,720 --> 00:15:38,280
[Ben] Good morning everyone.
300
00:15:38,960 --> 00:15:40,720
I'm treating it just like the audition.
301
00:15:40,720 --> 00:15:41,520
So you're gonna come up,
302
00:15:41,520 --> 00:15:44,080
you're going to tell me where you're
starting and stopping in your piece.
303
00:15:44,080 --> 00:15:46,000
You'll introduce yourself to everyone,
304
00:15:46,000 --> 00:15:49,160
your name, what you're singing,
who you're auditioning for,
305
00:15:49,160 --> 00:15:51,080
and then we'll sing your piece.
306
00:15:51,080 --> 00:15:52,840
All right, um, Arabella.
307
00:15:52,880 --> 00:15:53,720
Do you wanna come up?
308
00:15:53,720 --> 00:15:54,920
[piano notes play]
309
00:15:54,920 --> 00:15:56,480
Okay, cool.
310
00:15:56,480 --> 00:15:57,880
- [Arabella] Okay.
- [student] Whoo.
311
00:15:57,880 --> 00:15:59,600
- [student] Yay, let's go.
- [student] Let's go.
312
00:15:59,640 --> 00:16:01,040
[soft applause]
313
00:16:01,640 --> 00:16:03,600
- [Arabella tests pitch]
- [Ben chuckles]
314
00:16:04,040 --> 00:16:05,720
[Ben] Okay, are you ready?
315
00:16:05,720 --> 00:16:07,040
[piano plays note]
316
00:16:09,400 --> 00:16:12,880
♪ If they could ♪
317
00:16:13,880 --> 00:16:17,680
♪ See me now, that little gang of mine ♪
318
00:16:17,680 --> 00:16:21,160
♪ I'm eating fancy chow
And drinking fancy wine ♪
319
00:16:21,160 --> 00:16:25,160
♪ I'd like those stumble bums
To see for a fact ♪
320
00:16:25,160 --> 00:16:29,120
♪ The kind of top drawer
First rate chums I attract ♪
321
00:16:29,120 --> 00:16:33,000
♪ All I can say is, wow
Will you look at where I am ♪
322
00:16:33,000 --> 00:16:36,920
♪ Tonight I landed, Pow!
Right in a pot of jam ♪
323
00:16:36,920 --> 00:16:39,600
♪ What a setup, holy cow ♪
324
00:16:39,640 --> 00:16:45,560
♪ They'd never believe it
If my friends could see me ♪
325
00:16:45,560 --> 00:16:49,720
♪ Now ♪♪
326
00:16:49,760 --> 00:16:52,520
[cheering and applause]
327
00:16:55,320 --> 00:16:56,320
[Ben] Great.
328
00:16:57,440 --> 00:16:59,400
- [Ben] Well done.
- It was a bit yelly. It was a bit yelly.
329
00:16:59,400 --> 00:17:00,520
- [Ben] Practice guys?
- [Max S] Yep.
330
00:17:00,520 --> 00:17:02,520
It wasn't really singy, it was yelly.
331
00:17:03,640 --> 00:17:06,920
I mean, I can't judge because I have
no idea what I'm fucking doing.
332
00:17:06,920 --> 00:17:08,599
- Nah, I yelled.
- [Ben] Max Simmons.
333
00:17:08,599 --> 00:17:11,200
[audience] Yeah!
334
00:17:13,440 --> 00:17:14,800
Hi, I just…
335
00:17:16,800 --> 00:17:18,800
[indistinct chatter]
336
00:17:19,640 --> 00:17:21,319
[Ben] All right, what are you singing?
337
00:17:21,319 --> 00:17:24,040
Um, sorry, just need a second.
338
00:17:24,040 --> 00:17:25,480
[Ben] Okay, you're right.
339
00:17:25,480 --> 00:17:26,480
Um…
340
00:17:28,560 --> 00:17:30,320
Sorry, I just get nervous, it's fine.
341
00:17:30,320 --> 00:17:32,320
- [Ben] Deep breaths, through your nose.
- Yep.
342
00:17:33,800 --> 00:17:35,040
Um…
343
00:17:37,560 --> 00:17:40,160
- Just wait, just need a second.
- [Ben] Yeah, it's okay.
344
00:17:42,080 --> 00:17:43,240
Um…
345
00:17:44,320 --> 00:17:46,320
Just can't, all right.
346
00:17:47,160 --> 00:17:48,880
- [Ben] So?
- Um…
347
00:17:48,880 --> 00:17:50,800
I'm singing "Neverland",
from Finding Neverland.
348
00:17:50,800 --> 00:17:51,560
[Ben] Cool.
349
00:17:51,560 --> 00:17:52,560
[audience encouragement]
350
00:17:52,560 --> 00:17:53,760
All right, so remember.
351
00:17:53,760 --> 00:17:55,080
- Yep. Yep.
- Forward placement
352
00:17:55,080 --> 00:17:56,080
Every thing’s really forward.
353
00:17:56,080 --> 00:17:57,200
- Great, stand on the dot.
- Mm-hm.
354
00:17:57,240 --> 00:17:58,240
[Ben] Introduce yourself.
355
00:17:58,240 --> 00:18:00,200
- [soft claps and cheers]
- [Ben] All right?
356
00:18:00,520 --> 00:18:02,520
- Yep.
- [piano plays]
357
00:18:05,960 --> 00:18:09,760
♪ Whenever I was frightened ♪
358
00:18:09,760 --> 00:18:14,040
♪ If I ever felt alone ♪
359
00:18:14,040 --> 00:18:17,880
♪ I turned to the night sky ♪
360
00:18:17,880 --> 00:18:21,800
♪ And a star I call my own ♪
361
00:18:21,800 --> 00:18:25,960
♪ Somewhere I could run to ♪
362
00:18:25,960 --> 00:18:30,160
♪ Just across the Milky Way ♪
363
00:18:30,160 --> 00:18:33,880
♪ If you like I could take you ♪
364
00:18:33,880 --> 00:18:37,280
♪ It's just a lightyear and a day ♪
365
00:18:38,720 --> 00:18:42,480
♪ Every wish is our command ♪
366
00:18:42,480 --> 00:18:46,160
♪ When we find ourselves in never ♪
367
00:18:46,200 --> 00:18:50,320
♪ Neverland ♪♪
368
00:18:50,320 --> 00:18:53,640
[crowd cheers and applauds]
369
00:18:56,240 --> 00:18:57,320
I had to hold back the tears.
370
00:18:57,320 --> 00:18:58,800
- I was fully about to cry.
- That was really good.
371
00:18:58,800 --> 00:19:00,800
- You looked like you were about to cry.
- I was about to cry.
372
00:19:00,800 --> 00:19:01,960
[Conor] But, Max, that was really good.
373
00:19:01,960 --> 00:19:04,000
- Why were you about to cry?
- I don't know.
374
00:19:04,040 --> 00:19:05,280
[keys jingling]
375
00:19:05,280 --> 00:19:06,760
[Conor] These stairs…
376
00:19:09,280 --> 00:19:11,160
[Max S] Okay, I'm putting the oven on.
377
00:19:11,160 --> 00:19:12,520
[Conor] I need a pee.
378
00:19:12,520 --> 00:19:15,920
Me, Max, we started, like,
talking on Snapchat,
379
00:19:16,200 --> 00:19:19,720
and I, kind of like, had
a little crush on him.
380
00:19:19,720 --> 00:19:22,400
No one knew about it,
and then, yeah, we just kind of…
381
00:19:22,400 --> 00:19:25,560
naturally came together,
and became boyfriends.
382
00:19:25,560 --> 00:19:29,560
It's kind of hard, because, like, we were
competing against each other in a way.
383
00:19:29,640 --> 00:19:33,560
Like, he was my competition,
not in, like, an unhealthy way, but like…
384
00:19:33,560 --> 00:19:36,200
I was obviously not as good
as him when I first came,
385
00:19:36,200 --> 00:19:38,000
so like, he was pushing me
to be my best.
386
00:19:38,000 --> 00:19:40,080
- Should I do a little jumper?
- …and keys.
387
00:19:40,080 --> 00:19:41,480
What about, do you have a zip jumper?
388
00:19:41,480 --> 00:19:42,280
- Yeah, I do.
- Like that.
389
00:19:42,280 --> 00:19:44,080
Where's that black version of that?
390
00:19:44,080 --> 00:19:46,040
Oh, we're gonna twin. That's kind of cute.
391
00:19:46,040 --> 00:19:46,880
It's there.
392
00:19:47,440 --> 00:19:50,280
[Max S] Like, my dream after Full Time,
like, for both of us is
393
00:19:50,280 --> 00:19:53,280
both of us to, like,
get a contract straight away,
394
00:19:53,280 --> 00:19:54,800
but obviously that's very rare.
395
00:19:54,800 --> 00:19:58,280
But you know what would even be better?
Like, a musical or just a gig or anything,
396
00:19:58,280 --> 00:20:00,200
that could be, like,
a movie or anything, but we're in it
397
00:20:00,200 --> 00:20:01,520
- [unison] together!
- [Conor] Yeah.
398
00:20:02,040 --> 00:20:04,520
Well, I hope the same for me as you, like
399
00:20:04,520 --> 00:20:07,040
there's nothing I, that I wish for
myself that I don't wish for you,
400
00:20:07,040 --> 00:20:08,480
- if you know what I mean?
- Yeah.
401
00:20:08,480 --> 00:20:11,560
Dance, and the people at dance,
brings out…
402
00:20:12,680 --> 00:20:15,880
that fun, energetic, like,
happy side of me, like,
403
00:20:15,880 --> 00:20:18,880
I don't think I'd be as confident,
I think I'd be a bit more shy
404
00:20:18,880 --> 00:20:20,880
and reserved, and I wouldn't be as like…
405
00:20:21,440 --> 00:20:24,240
out there and comfortable
with who I am without dance.
406
00:20:24,280 --> 00:20:26,720
Hey, every time I get home from work
I just want to go to bed.
407
00:20:26,720 --> 00:20:29,040
[yawning] I wanna go to bed right now.
408
00:20:29,040 --> 00:20:29,920
Mm.
409
00:20:30,320 --> 00:20:32,320
[Conor] We have a
really good day tomorrow.
410
00:20:33,760 --> 00:20:35,960
[indistinct chatter]
411
00:20:36,000 --> 00:20:37,040
[student 1] …flowers to Mark
412
00:20:37,040 --> 00:20:39,960
[student 2] Ooh, yeah, we've got
Marky Mark, where's Marky Mark's card?
413
00:20:39,960 --> 00:20:41,960
[indistinct chatter]
414
00:20:45,080 --> 00:20:46,800
- Hi! [laughs nervously]
- [Michael] Hi, Kimmy.
415
00:20:46,800 --> 00:20:48,080
[Cassie] Take a seat.
416
00:20:48,920 --> 00:20:50,000
[chair bangs]
417
00:20:50,000 --> 00:20:51,680
Ooh, god, was that me?
418
00:20:53,800 --> 00:20:55,320
So, why do you think you're here?
419
00:20:55,320 --> 00:20:56,520
- I don't know.
- [laughter]
420
00:20:56,520 --> 00:20:58,520
- I'm really scared, low key.
- No, don't be.
421
00:20:58,520 --> 00:21:00,320
- Don't be?
- No, no, no, no.
422
00:21:00,320 --> 00:21:02,320
How do you think you're going,
first of all?
423
00:21:03,440 --> 00:21:06,240
I feel like it's really
hard to tell how I'm going, cause…
424
00:21:06,240 --> 00:21:08,760
you said it the other day,
and like, I said it, um…
425
00:21:09,280 --> 00:21:12,200
to someone else. 'Cause, like, I'm seeing
myself every day, I don't know
426
00:21:12,200 --> 00:21:13,560
- if I'm improving or not.
- Mm.
427
00:21:13,560 --> 00:21:16,080
I feel like I might be on the same level,
or if I'm getting,
428
00:21:16,080 --> 00:21:17,240
- I don't know.
- Yep.
429
00:21:17,240 --> 00:21:18,160
But…
430
00:21:18,160 --> 00:21:22,320
Well, I would like to
move you up to Jazz One.
431
00:21:22,320 --> 00:21:24,960
[Cassie] Because I think
you are killing it.
432
00:21:24,960 --> 00:21:27,720
- How do you feel about that? Good?
- So excited. Yes, yes.
433
00:21:27,720 --> 00:21:28,880
I'm so excited. Oh my gosh.
434
00:21:28,880 --> 00:21:30,040
[Michael] So your hard work's paying off.
435
00:21:30,040 --> 00:21:31,720
- [Cassie] Seriously, it is.
- Yeah. Okay.
436
00:21:31,720 --> 00:21:34,000
- [Michael] But now we work even more.
- It, it… Oh, yeah.
437
00:21:34,000 --> 00:21:36,880
And, like, I… I feel like
I really wanted that.
438
00:21:36,880 --> 00:21:38,400
- Like, I wanted to be in that space.
- [Cassie] Yeah.
439
00:21:38,400 --> 00:21:39,520
- So I can, like…
- [Michael] Totally.
440
00:21:39,520 --> 00:21:41,520
- push myself even further, cause like…
- [Michael] Yeah. Yeah.
441
00:21:42,200 --> 00:21:43,480
- Yeah, I don't know.
- [Michael] Yeah.
442
00:21:43,480 --> 00:21:45,800
Everyone in there's insane,
so I'm like, I want to be like that.
443
00:21:45,800 --> 00:21:47,040
- [Michael] Yeah.
- If you know what I mean.
444
00:21:47,080 --> 00:21:50,000
Being around this,
like, the level of people here,
445
00:21:50,000 --> 00:21:53,640
I just would've never have thought
I'd be compared to them.
446
00:21:53,640 --> 00:21:57,280
Especially when, like,
within the first term I wasn't, like,
447
00:21:57,280 --> 00:21:58,560
even put near them.
448
00:21:58,600 --> 00:22:00,240
[Cassie] If you keep
working at the rate you are,
449
00:22:00,240 --> 00:22:02,840
you could be one of the most
working commercial dancers.
450
00:22:02,840 --> 00:22:05,640
- Yeah.
- So, it's, it's, it's there.
451
00:22:05,640 --> 00:22:07,320
- Okay. Thank you.
- So it's up to you. Yeah?
452
00:22:07,320 --> 00:22:08,600
Thank you, so much.
453
00:22:08,600 --> 00:22:10,200
[Michael] Cool. All right,
keep working then.
454
00:22:10,240 --> 00:22:12,240
[indistinct chatter]
455
00:22:16,440 --> 00:22:18,440
[Lucas] This isn't, like, serious.
456
00:22:19,000 --> 00:22:20,920
Like, everyone's looks like it's serious.
457
00:22:20,920 --> 00:22:22,720
Um, no, we just wanted
to have a quick chat
458
00:22:22,720 --> 00:22:24,400
through this Light the Way stuff.
459
00:22:24,400 --> 00:22:27,800
Cause I know that not everyone
knows exactly what's going on.
460
00:22:27,800 --> 00:22:31,240
Top Australian choreograph…
choreographers, agents, casting directors,
461
00:22:31,280 --> 00:22:34,160
producers and teachers
will all be at the event,
462
00:22:34,160 --> 00:22:35,800
as well as international guests.
463
00:22:35,840 --> 00:22:40,040
All of those people are there
to watch you guys.
464
00:22:43,080 --> 00:22:44,920
All the Full Time studios across Australia
465
00:22:44,920 --> 00:22:47,440
have been invited
to do this major dance convention.
466
00:22:47,440 --> 00:22:51,400
The organisers have asked us
to put on a ten minute group piece,
467
00:22:51,400 --> 00:22:54,240
that really just shows
what Brent Street can do.
468
00:22:54,280 --> 00:22:57,400
Cassie's a choreographer,
that's what she is in her core.
469
00:22:57,400 --> 00:22:59,000
So it's important for her as well.
470
00:22:59,000 --> 00:23:00,680
All of her peers
are going to be sitting there,
471
00:23:00,720 --> 00:23:04,000
and she's nervous
to put her work in front of them.
472
00:23:04,520 --> 00:23:07,760
I've like, put this creative together,
and my name's on it.
473
00:23:07,760 --> 00:23:10,040
If you've been sitting down for an hour
474
00:23:10,040 --> 00:23:13,080
and don't know the section
you've just learnt, I'm gonna be pissed.
475
00:23:13,120 --> 00:23:15,120
[indistinct chatter]
476
00:23:17,680 --> 00:23:20,360
I've broken the routine into parts.
477
00:23:20,360 --> 00:23:22,800
Within each section,
I really wanna feature
478
00:23:22,800 --> 00:23:25,520
someone that is
the strongest within that style.
479
00:23:26,200 --> 00:23:29,760
Max Ostler, he's the perfect person
to open this whole thing.
480
00:23:30,520 --> 00:23:31,800
Tiana has a little part.
481
00:23:31,840 --> 00:23:34,040
Max Simmons, Conor,
482
00:23:34,040 --> 00:23:35,840
will be featured heavily.
483
00:23:37,080 --> 00:23:40,600
[Archer] The opportunity to be seen,
that's what got me really, like…
484
00:23:40,640 --> 00:23:44,080
excited to, like, take part in it.
485
00:23:44,120 --> 00:23:45,840
That's it so far, oh, Kim!
486
00:23:45,880 --> 00:23:48,880
I will probably have to
work with Kim one on one,
487
00:23:48,880 --> 00:23:52,200
to make sure that
she has that section… solid.
488
00:23:52,240 --> 00:23:54,800
[Max S] If I don't have to move any prop,
'cause that's what will freak me out,
489
00:23:54,800 --> 00:23:57,800
- [Max S] like when you move a prop.
- [Cassie] All right, girls. Outside.
490
00:23:58,240 --> 00:23:59,360
Let's go. Boys.
491
00:23:59,720 --> 00:24:01,400
[Archer] Cassie, do you
want me outside or in?
492
00:24:01,400 --> 00:24:02,520
[Cassie] Um…
493
00:24:02,520 --> 00:24:05,440
- You're gonna do male energy one time,
- So true.
494
00:24:05,440 --> 00:24:07,080
- girl energy the other, so…
- Yeah, yeah.
495
00:24:07,080 --> 00:24:09,200
- jump on in. Yes, exactly right.
- Let's raise the bar.
496
00:24:10,760 --> 00:24:12,520
- [Max O] Maybe you do it like that.
- [Cassie] Ready?
497
00:24:12,520 --> 00:24:13,320
[Cassie] Yeah.
498
00:24:13,320 --> 00:24:15,200
- [Cassie whooshes] Oh, anyway.
- [Max O] You're what?
499
00:24:15,200 --> 00:24:16,720
[Cassie] Five, I'm getting out,
I'm getting out of hand.
500
00:24:16,720 --> 00:24:18,280
Five, six, seven, eight.
501
00:24:18,280 --> 00:24:19,800
Go shoom, two…
502
00:24:19,800 --> 00:24:20,600
[Student] That big?
503
00:24:20,600 --> 00:24:22,240
Yeah. Okay.
504
00:24:22,280 --> 00:24:24,960
Things that could go wrong
is definitely Max.
505
00:24:24,960 --> 00:24:28,600
Either one, not getting
his feet on the top of the flats
506
00:24:28,600 --> 00:24:32,200
and then like, crushing and falling,
or the girls not catching him on the back.
507
00:24:32,200 --> 00:24:33,480
[Max O] Girls.
508
00:24:33,520 --> 00:24:36,320
If someone's not thinking back there,
509
00:24:36,320 --> 00:24:38,720
like, they honestly have
Max's life in their hands.
510
00:24:38,720 --> 00:24:40,240
[Cassie] One, two…
511
00:24:40,240 --> 00:24:42,120
[indistinct chatter]
512
00:24:42,120 --> 00:24:42,920
[Cassie] I reckon…
513
00:24:42,920 --> 00:24:44,440
[Max S] I reckon the first one
was honestly better.
514
00:24:44,440 --> 00:24:45,760
- [Cassie] Yeah.
- [Conor] We could hold the door.
515
00:24:45,760 --> 00:24:47,800
[Cassie] What, what happens,
what happens if like,
516
00:24:47,800 --> 00:24:49,800
we get his feet to…
517
00:24:50,400 --> 00:24:54,120
[stamps foot] to stand on it,
he stands and, like, falls back that way.
518
00:24:54,120 --> 00:24:56,000
Oh, that, that, that, that!
519
00:24:56,000 --> 00:24:58,760
If he, if he doesn't get caught
and he lands on his back,
520
00:24:58,800 --> 00:24:59,840
God help me.
521
00:24:59,840 --> 00:25:03,520
So, like, the girls have massive
pressure to make sure that that happens.
522
00:25:03,520 --> 00:25:05,480
Five, six, seven, eight.
523
00:25:05,480 --> 00:25:08,480
Just go up, two, and then walk it forward,
524
00:25:08,480 --> 00:25:10,560
and then, so it's like…
525
00:25:10,560 --> 00:25:11,960
[Marcus] Your arm should do that.
526
00:25:11,960 --> 00:25:15,880
[Cassie] There, that's where it needs to
be, like, from there. See those arms?
527
00:25:15,880 --> 00:25:18,400
That arm, that should be
the arm grip from the start.
528
00:25:18,400 --> 00:25:22,320
[Michael] Max Ostler, obviously his
ability is better than other kids
529
00:25:22,320 --> 00:25:24,120
within the space.
530
00:25:24,720 --> 00:25:30,360
I worry that he kind of dulls himself
sometimes as a person
531
00:25:30,400 --> 00:25:34,400
to not become a target of jealousy or…
532
00:25:34,400 --> 00:25:36,600
or, um, people trying to pull him down.
533
00:25:37,640 --> 00:25:40,600
[Max O] Anyone could do that.
It may not be the same as me,
534
00:25:40,600 --> 00:25:42,320
it would be something different,
535
00:25:42,320 --> 00:25:46,760
but I'm just as valuable
as everyone else in this group.
536
00:25:47,600 --> 00:25:51,320
I just won't ever let myself get injured.
537
00:25:52,120 --> 00:25:56,800
I will do whatever's needed
so that I don't let the team down.
538
00:25:58,520 --> 00:26:00,040
[girls exclaim]
539
00:26:00,560 --> 00:26:02,560
[birds chirping]
540
00:26:04,440 --> 00:26:06,480
[Tiana] Is 25 fine?
541
00:26:07,520 --> 00:26:09,680
[Carla] No, 21's probably
a bit cold, isn't it, Jamie?
542
00:26:09,680 --> 00:26:10,880
[Tiana] 25!
543
00:26:10,880 --> 00:26:12,600
[Carla] No, too hot.
544
00:26:13,360 --> 00:26:18,400
I would describe her personality
as a perfectionist.
545
00:26:18,440 --> 00:26:20,640
Very hard on herself.
546
00:26:22,480 --> 00:26:24,480
If that makes sense.
547
00:26:24,960 --> 00:26:26,440
Yeah, so…
548
00:26:26,440 --> 00:26:27,960
Cassie says that as well.
549
00:26:28,000 --> 00:26:31,560
Unless anyone's really
at Full Time every day,
550
00:26:31,560 --> 00:26:34,360
you don't really understand
what the training consists of.
551
00:26:34,400 --> 00:26:35,840
[soft music]
552
00:26:35,840 --> 00:26:37,840
[Tiana] And it's very intense.
553
00:26:38,960 --> 00:26:42,760
I think about how many people
I've seen, like, give up.
554
00:26:43,720 --> 00:26:46,520
I don't know if anyone really
understands how badly I want it.
555
00:26:47,400 --> 00:26:49,560
Even myself sometimes.
556
00:26:49,560 --> 00:26:52,280
It's instilled into us,
you need to look good at all times.
557
00:26:52,280 --> 00:26:53,920
But, I don't know,
just being in that building
558
00:26:53,920 --> 00:26:55,280
I feel like there's a lot of pressure,
559
00:26:55,320 --> 00:26:57,160
to not stuff it up.
560
00:26:58,720 --> 00:27:00,360
[soft music continues]
561
00:27:00,360 --> 00:27:05,240
I started in the back.
I was not good, I was terrible.
562
00:27:05,960 --> 00:27:09,520
As a kid I was never the 'it' girl.
563
00:27:09,560 --> 00:27:11,400
You know, down in the little group.
564
00:27:11,440 --> 00:27:13,720
Like, nah, I was always
in the back corner.
565
00:27:13,720 --> 00:27:18,520
I feel like I wasn't appreciated
for a human being,
566
00:27:18,520 --> 00:27:22,360
because of where I was in a position.
567
00:27:24,080 --> 00:27:26,720
Which is not right. [scoffs]
568
00:27:26,760 --> 00:27:28,920
I knew whenever they did the placings
569
00:27:28,920 --> 00:27:31,520
for a concert, cause she'd come back
and, and she'd be upset,
570
00:27:31,520 --> 00:27:33,080
and I'd be like, "What's wrong now?"
571
00:27:33,480 --> 00:27:36,320
"I'm at the back again",
and I'm like, "Well, try harder,
572
00:27:36,320 --> 00:27:38,560
keep trying harder, keep practising,
573
00:27:38,560 --> 00:27:40,160
keep doing what you know you've gotta do."
574
00:27:40,160 --> 00:27:43,240
So… and she did it,
like, it's taken years.
575
00:27:43,240 --> 00:27:45,080
It didn't happen overnight.
576
00:27:45,120 --> 00:27:50,680
In year seven, I reckon that
she probably went to school…
577
00:27:52,080 --> 00:27:54,480
A full day of school
would've happened for about a week,
578
00:27:55,000 --> 00:27:57,040
'cause she was being bullied.
579
00:27:57,040 --> 00:27:59,600
I think for me, when I said to Jamie
580
00:27:59,600 --> 00:28:03,320
we need to take her out of there, was when
I found out that she was actually
581
00:28:03,320 --> 00:28:08,520
sitting in the toilet
before the bell went, to go into class,
582
00:28:08,520 --> 00:28:12,400
because the girls, who weren't just one or
two girls, like, I'm talking about
583
00:28:12,400 --> 00:28:17,360
a group of 20 girls
sitting together and picking on her.
584
00:28:17,880 --> 00:28:20,880
So she would sit in the toilet to hide
from these girls.
585
00:28:20,880 --> 00:28:22,800
[Jamie] Yeah, girls were really mean,
586
00:28:22,840 --> 00:28:27,320
I didn't realise how mean they could be
until we heard a phone call.
587
00:28:28,040 --> 00:28:29,480
- [Jamie stammers]
- [Carla] Of girls ringing her.
588
00:28:29,480 --> 00:28:31,840
Ringing her, telling her to kill herself.
589
00:28:31,840 --> 00:28:34,680
That they didn't like her,
and you should go and kill yourself.
590
00:28:36,040 --> 00:28:37,640
[Tiana] I was affected by it.
591
00:28:37,640 --> 00:28:39,040
Obviously the anxiety got really bad,
592
00:28:39,040 --> 00:28:41,600
I didn't go to school
for three terms of year seven.
593
00:28:42,320 --> 00:28:48,280
I spent that term just stretching
and, like, training at home.
594
00:28:48,280 --> 00:28:50,360
And, like, making, like,
fun little videos,
595
00:28:50,360 --> 00:28:52,560
and like, this is how
you use your stretch products.
596
00:28:53,400 --> 00:28:57,960
Hi guys, so it's me again, Tiana,
and today
597
00:28:58,000 --> 00:29:01,440
I'm just, I'm just
gonna show you some exercises
598
00:29:01,440 --> 00:29:03,920
- They're like… [gasp]
- [band snaps]
599
00:29:04,840 --> 00:29:07,920
But, that actually helped me so much,
because when I came back
600
00:29:08,560 --> 00:29:12,800
my legs were all of a sudden up here and
my split jumps were like this, and I could
601
00:29:12,800 --> 00:29:14,800
dance all of a sudden, and…
602
00:29:14,800 --> 00:29:18,280
then the person front, centre of every
routine starting talking to me,
603
00:29:18,280 --> 00:29:19,280
and I was like…
604
00:29:20,040 --> 00:29:23,760
this is very interesting
that this is how it works.
605
00:29:25,040 --> 00:29:27,840
All of a sudden I had
so many more friends,
606
00:29:27,840 --> 00:29:30,120
which is… interesting.
607
00:29:31,360 --> 00:29:33,920
And I was getting better positions.
608
00:29:33,920 --> 00:29:37,920
It's kinda like, the social, like,
hierarchy of…
609
00:29:37,920 --> 00:29:39,320
the lines.
610
00:29:39,320 --> 00:29:43,080
Everyone wants to be the star of the show,
that's why we're here.
611
00:29:43,680 --> 00:29:45,120
But, um…
612
00:29:45,120 --> 00:29:47,280
not having that was…
613
00:29:48,920 --> 00:29:52,400
I think it makes it more exciting
that it happens now.
614
00:29:52,440 --> 00:29:54,440
[birds chirping]
615
00:29:55,320 --> 00:29:57,320
[blender whirring]
616
00:29:58,680 --> 00:30:04,280
[Cassie] My life, kind of, revolves around
putting routines together 24/7, but…
617
00:30:04,280 --> 00:30:07,360
I still have somewhat of a social life.
618
00:30:08,080 --> 00:30:10,160
I am getting married this year.
619
00:30:10,200 --> 00:30:12,000
Which is crazy.
620
00:30:13,160 --> 00:30:16,040
I don't know, like,
I can't believe I'm getting married.
621
00:30:16,040 --> 00:30:18,880
I mean, like, imagine being married to me.
622
00:30:18,920 --> 00:30:20,920
[chuckles] I'm never home.
623
00:30:22,080 --> 00:30:25,160
- [Paris] Hi, bubby. You look good.
- [Cassie] I'm excited. I'm so hurt.
624
00:30:26,080 --> 00:30:29,280
I feel like you could go a thousand
different ways as a dancer.
625
00:30:29,280 --> 00:30:33,040
Like, do you go costume and you go glitter
and sequins, or do you go plain?
626
00:30:33,040 --> 00:30:34,760
I'm not a sequinsy kinda gal.
627
00:30:34,760 --> 00:30:37,040
[Paris] I reckon like, I reckon
as a dancer you go opposite.
628
00:30:37,040 --> 00:30:39,800
'Cause you, I would see sequin and
think, that's a dance costume.
629
00:30:39,800 --> 00:30:41,680
- So you'd go…
- Yeah, well, I think that's what it is.
630
00:30:41,680 --> 00:30:43,280
- Yeah.
- Like, I see glitz and glamour go,
631
00:30:43,280 --> 00:30:45,600
- everyone will expect me to wear that.
- Yeah.
632
00:30:45,640 --> 00:30:46,720
[Paris] Can we do a countdown?
633
00:30:46,720 --> 00:30:48,280
[all laugh]
634
00:30:48,280 --> 00:30:50,760
- Three, five, six…
- [all] …seven, eight.
635
00:30:50,760 --> 00:30:53,600
[laughter, whooping]
636
00:30:53,600 --> 00:30:54,800
[all exclaim]
637
00:30:54,800 --> 00:30:55,880
[Cassie] Oh my god, I can't move.
638
00:30:55,880 --> 00:30:57,320
- [laughter]
- [woman] On the step.
639
00:30:58,200 --> 00:30:59,800
Can't walk in this one.
640
00:31:01,160 --> 00:31:03,840
- [Paris] That is quite nice.
- [Kate] I like the boob tube, but.
641
00:31:03,840 --> 00:31:05,360
- [Cassie] You do like the boob tube?
- [Kate] Yeah, yeah.
642
00:31:05,360 --> 00:31:06,440
[Sophie] Oh my god, I love it.
643
00:31:06,440 --> 00:31:07,560
So this can come off here.
644
00:31:07,560 --> 00:31:09,760
[indistinct chatter]
645
00:31:10,560 --> 00:31:12,800
You can, you can like jeté in it.
646
00:31:12,800 --> 00:31:14,320
…whatever else you
want to do, pirouettes.
647
00:31:14,320 --> 00:31:15,600
[laughter]
648
00:31:15,600 --> 00:31:17,080
[Cassie] I wouldn't be
caught dead doing pirouettes.
649
00:31:17,080 --> 00:31:18,880
[all laugh]
650
00:31:19,680 --> 00:31:20,920
[all] Ooh!
651
00:31:20,920 --> 00:31:23,560
[laughter]
652
00:31:23,560 --> 00:31:25,400
[Maddy] That top though.
653
00:31:25,400 --> 00:31:28,160
[woman] I feel like I wanna go this way,
turn to the… [chuckles]
654
00:31:28,160 --> 00:31:30,280
- [Paris] Oh cool, I like the big…
- [all] Wow.
655
00:31:30,280 --> 00:31:32,280
- [Cassie] I love this top.
- [Maddy] I love the top.
656
00:31:33,080 --> 00:31:34,400
[soft music]
657
00:31:34,400 --> 00:31:37,000
[sighs] Oh god, it's so hard.
658
00:31:37,000 --> 00:31:38,360
- Such a commitment.
- [Maddy] They all do look good.
659
00:31:38,360 --> 00:31:39,880
It's more of a commitment
than getting married.
660
00:31:39,880 --> 00:31:41,200
[all laugh]
661
00:31:41,520 --> 00:31:43,840
[Paris] Yeah, that is Cassie Bartho's
wedding right there.
662
00:31:43,840 --> 00:31:45,400
- [woman] It's absolutely stunning.
- [Paris] Yep.
663
00:31:45,800 --> 00:31:48,000
[Cassie] In our industry,
when things are happening,
664
00:31:48,000 --> 00:31:51,320
it's so hard to put your life
and your career on pause.
665
00:31:51,320 --> 00:31:54,640
For me personally,
my career is my priority.
666
00:31:55,960 --> 00:31:58,360
[upbeat music]
667
00:32:02,480 --> 00:32:06,640
[Lucas] All right, let's do it.
I want no bags, no phones.
668
00:32:06,680 --> 00:32:08,720
- [Jasmin] Okay.
- [Lucas] No bad attitudes.
669
00:32:08,720 --> 00:32:10,080
Oh, yeah.
670
00:32:10,080 --> 00:32:13,720
Being seen, and being able to be in a room
in front of a choreographer is rare.
671
00:32:14,200 --> 00:32:17,760
For this Light the Way that's coming up,
they're gonna be in a space where
672
00:32:17,760 --> 00:32:20,200
all of these choreographers
are gonna be there.
673
00:32:20,200 --> 00:32:22,680
[Lucas] No phones, no food. What's this?
674
00:32:22,680 --> 00:32:23,800
Coffee.
675
00:32:23,800 --> 00:32:25,320
- Please?
- No, get out!
676
00:32:25,320 --> 00:32:28,520
Now, it's a scary thing. This is happening
early in their Full Time year.
677
00:32:28,520 --> 00:32:32,280
It's not when they've finished training,
it's after one term of training.
678
00:32:32,280 --> 00:32:34,040
So…
679
00:32:34,040 --> 00:32:36,560
They're not necessarily ready for it.
680
00:32:36,600 --> 00:32:40,040
One, two, three, four,
five, six, and seven, and…
681
00:32:40,040 --> 00:32:41,360
You need to go… [inhales]
682
00:32:41,360 --> 00:32:42,400
Hut, breathe.
683
00:32:42,400 --> 00:32:45,280
Breathe, hit. Five, six, seven, go!
684
00:32:45,280 --> 00:32:49,040
One, two, three, four, star dropkick…
685
00:32:49,040 --> 00:32:50,240
Boom, hut. [stamps]
686
00:32:50,240 --> 00:32:51,720
I want your feet to come out of nowhere.
687
00:32:51,720 --> 00:32:54,320
[Cassie] The group piece
is our main focus for Light the Way.
688
00:32:54,360 --> 00:32:57,240
But the hardest thing
is keeping the audience
689
00:32:57,240 --> 00:32:59,520
from curtain up to that final position.
690
00:32:59,520 --> 00:33:02,680
They need to be seating at the edge
of their seats being like, I want more.
691
00:33:02,680 --> 00:33:04,600
Ten minutes should feel like two.
692
00:33:05,720 --> 00:33:07,920
The beginning of the
routine needs a strong start
693
00:33:07,920 --> 00:33:10,840
and I'm relying on the male energy
in the room to do this for us.
694
00:33:11,600 --> 00:33:15,520
After that, the girls take the stage,
and there are so many more girls,
695
00:33:15,520 --> 00:33:17,400
so they kind of flood the stage.
696
00:33:18,080 --> 00:33:21,920
The only way to make this pop
is through super intricate choreography,
697
00:33:21,920 --> 00:33:23,800
formations and levels.
698
00:33:25,080 --> 00:33:28,480
As we build to the finale
we need a bit of a lift of energy.
699
00:33:28,520 --> 00:33:31,960
I'm going to get our hip-hop choreographer
to put this together.
700
00:33:31,960 --> 00:33:34,440
He knows all the best hip-hop dances.
701
00:33:36,120 --> 00:33:38,040
[beat booms]
702
00:33:38,040 --> 00:33:40,760
When you're talking about
having a mass of dancers,
703
00:33:40,760 --> 00:33:42,680
and like, a big group of dancers, like,
704
00:33:42,680 --> 00:33:46,480
the number one thing you wanna get
across is this feeling of like, unity
705
00:33:46,480 --> 00:33:49,760
and like, an army like,
like, all together.
706
00:33:49,800 --> 00:33:51,800
[Cassie] Fivey and a sixy,
and a seven and a eight.
707
00:33:51,800 --> 00:33:52,720
There we go.
708
00:33:52,720 --> 00:33:56,560
One, two, three, four.
Fivey and a sixy, and a seven and a eight.
709
00:33:56,600 --> 00:33:59,600
One thing goes wrong,
one person makes the wrong move,
710
00:33:59,600 --> 00:34:01,400
or doesn't get something on, on time,
711
00:34:01,400 --> 00:34:04,200
then that next person's affected, and then
that carries over to the next person,
712
00:34:04,200 --> 00:34:06,720
to the next person,
to the next person. It's a disaster.
713
00:34:06,760 --> 00:34:08,960
[Cassie] And boom, hand, up, down,
714
00:34:08,960 --> 00:34:10,719
up, down, down.
715
00:34:10,719 --> 00:34:11,880
This…
716
00:34:12,320 --> 00:34:13,199
is not what I want.
717
00:34:13,199 --> 00:34:17,520
[Stephen] You want every single person
to be on that same wave together.
718
00:34:17,520 --> 00:34:23,120
Dancing is such a team sport, but all of
the players on that team need to also be…
719
00:34:23,120 --> 00:34:25,320
a one man show
in their own right, as well.
720
00:34:25,320 --> 00:34:28,480
So your kinda wearing
two or three different hats at once.
721
00:34:28,480 --> 00:34:30,440
And your just flicking between those hats.
722
00:34:30,440 --> 00:34:32,360
And you need to be able
to do it on a dime.
723
00:34:33,560 --> 00:34:35,560
[light music plays]
724
00:34:38,080 --> 00:34:43,080
[Cassie] People say it's lonely
at the top, and Max is so talented.
725
00:34:43,080 --> 00:34:45,120
That does put him on a pedestal.
726
00:34:45,560 --> 00:34:51,360
So the students would see him up here,
and then potentially separate themselves.
727
00:34:52,040 --> 00:34:55,080
Which can affect someone,
especially at such a young age.
728
00:34:55,080 --> 00:34:57,080
[piano music plays]
729
00:34:58,160 --> 00:34:59,680
[Max O] In ways…
730
00:35:00,800 --> 00:35:03,040
I know that I'm a good dancer,
731
00:35:04,080 --> 00:35:07,280
and I know that I can do some stuff that…
732
00:35:07,280 --> 00:35:09,400
not everyone in the course can do.
733
00:35:11,640 --> 00:35:15,640
My ultimate fear is that I be perceived as
734
00:35:16,000 --> 00:35:18,000
cocky, or…
735
00:35:18,880 --> 00:35:20,880
not having humility.
736
00:35:21,360 --> 00:35:24,080
I… I keep to myself.
737
00:35:25,120 --> 00:35:26,640
[piano music fades]
738
00:35:27,160 --> 00:35:30,160
I know that it's not healthy.
739
00:35:31,760 --> 00:35:33,320
But…
740
00:35:34,280 --> 00:35:38,520
there's not much
I really know how to do to fix it.
741
00:35:38,520 --> 00:35:39,640
So…
742
00:35:41,040 --> 00:35:45,600
It's just what I have to do,
well not what I have to do, but…
743
00:35:45,600 --> 00:35:49,040
what I end up doing, all the time.
744
00:35:52,400 --> 00:35:54,400
[soft string music plays]
745
00:35:55,680 --> 00:35:57,680
[indistinct chatter]
746
00:36:07,400 --> 00:36:09,160
All right, let's go, let's have some fun.
747
00:36:09,160 --> 00:36:10,640
Um…
748
00:36:11,400 --> 00:36:13,880
I think I've worked with
quite a lot of you guys before.
749
00:36:13,880 --> 00:36:16,560
So you guys, or most of you
will know my processes.
750
00:36:16,560 --> 00:36:18,760
All right, I'm just gonna teach
a few little choreo blocks.
751
00:36:18,760 --> 00:36:21,760
I need everyone to dance,
like, their centre.
752
00:36:21,760 --> 00:36:22,760
You know what I mean?
753
00:36:22,800 --> 00:36:25,120
[feet stomping]
754
00:36:25,120 --> 00:36:26,640
Fist…
755
00:36:27,560 --> 00:36:29,760
Doop, doop, doop, doop.
756
00:36:29,760 --> 00:36:31,920
Five, six, seven, and we're going,
757
00:36:31,920 --> 00:36:33,920
doop, doop, doop.
758
00:36:34,480 --> 00:36:36,960
- Yeah, opposite.
- [Emilia] Is that a question or a…
759
00:36:37,000 --> 00:36:41,400
Yeah, so… boom, boom, boom, bah.
760
00:36:41,400 --> 00:36:43,640
Five, six, seven, and go.
761
00:36:43,640 --> 00:36:45,560
[stomping feet]
762
00:36:46,120 --> 00:36:47,520
Push, yep.
763
00:36:47,520 --> 00:36:49,360
Six, seven and doom…
764
00:36:49,360 --> 00:36:51,000
[Jacob sounding out]
765
00:36:51,280 --> 00:36:54,120
[Jacob] Good, good, good, good.
Six, seven and…
766
00:36:54,120 --> 00:36:56,640
Bah, bah, bah, bah… bah.
767
00:36:56,640 --> 00:36:59,080
Yep. Make it like,
a little bit more looser.
768
00:36:59,080 --> 00:37:01,160
[Jacob sounding out]
769
00:37:03,840 --> 00:37:05,160
- Okay.
- [Jacob] Make sense?
770
00:37:05,160 --> 00:37:06,120
- [Emily] Yep.
- [Jacob] Yep, cool.
771
00:37:06,120 --> 00:37:08,200
[Erin] Emily, it doesn't matter
what style she's doing
772
00:37:08,200 --> 00:37:09,600
she's actually really good at all of them.
773
00:37:09,600 --> 00:37:13,440
That's like, ours is kinda like jazz
dancers doing hip-hop, I'd say, sometimes.
774
00:37:13,440 --> 00:37:16,960
Whereas she's like, full got like that,
I don't know, groove and everything.
775
00:37:19,000 --> 00:37:20,800
[Jacob quietly] How many do I need?
776
00:37:20,800 --> 00:37:22,400
[Jacob vocalising]
777
00:37:22,400 --> 00:37:24,400
[indistinct chatter]
778
00:37:29,000 --> 00:37:31,160
All will be revealed, Emily.
779
00:37:32,040 --> 00:37:35,200
And when we say all,
you are all and you will be revealed.
780
00:37:36,880 --> 00:37:38,640
[Emily] As much as…
781
00:37:38,640 --> 00:37:42,400
it is important to, you know, be seen too.
782
00:37:42,400 --> 00:37:44,440
There is a cohesive group, you know,
783
00:37:44,440 --> 00:37:46,520
you're there as
the Brent Street Full Time.
784
00:37:46,520 --> 00:37:50,600
So you're kinda there
as like a family, like as a team.
785
00:37:50,600 --> 00:37:54,880
So I see it as that, but also,
there is also the other factor of,
786
00:37:54,880 --> 00:37:59,200
you know, if you are given
a centre part or a leading role
787
00:37:59,200 --> 00:38:03,160
it's always, you know, great
because you might just get that extra eye.
788
00:38:03,160 --> 00:38:08,000
[Jacob] Five, six, seven, and a strong,
two, three, four,
789
00:38:08,000 --> 00:38:12,920
and line and tick, up, boom.
Two, three and four.
790
00:38:12,920 --> 00:38:15,160
Ta, te, ta, ta, da, and da.
791
00:38:15,160 --> 00:38:19,640
Zoom, ta steps, ta, ta,
te, te, diddy, diddy, da… da.
792
00:38:19,640 --> 00:38:21,640
Ta, ta, ta, ta, ta, ta, ta,
793
00:38:21,640 --> 00:38:24,120
and diddy, diddy, da, ah, ah, ah, ah.
794
00:38:24,120 --> 00:38:25,400
Okay, cool, cool, cool.
795
00:38:25,400 --> 00:38:28,640
Traffic, traffic. Evan and Santiana
got taken out. Yep.
796
00:38:28,640 --> 00:38:33,160
So with this whole routine, there's a lot
of different styles and that going on.
797
00:38:33,160 --> 00:38:34,320
- Yep.
- Um…
798
00:38:34,320 --> 00:38:37,800
Obviously, my style is like, quite strong
and that, and the song is like…
799
00:38:37,800 --> 00:38:39,160
really heavy hits
800
00:38:39,160 --> 00:38:42,760
and that's why we put you in the middle,
because you've got so much strength.
801
00:38:43,320 --> 00:38:46,160
Okay, nice and strong, five, [claps]
802
00:38:46,160 --> 00:38:47,280
six, [claps]
803
00:38:47,280 --> 00:38:48,920
five, six, seven, eight,
804
00:38:48,920 --> 00:38:51,320
and one, two, three, four.
805
00:38:51,320 --> 00:38:53,160
Bup, bup, and ta,
806
00:38:53,160 --> 00:38:56,040
and one, two, three, ga, ga.
807
00:38:56,040 --> 00:38:58,160
Da, de, da, and a eh, eh.
808
00:38:58,160 --> 00:39:02,160
One, two and, eh, eh,
five and six, and seven, eh.
809
00:39:02,560 --> 00:39:03,640
[Jacob] Yeah!
810
00:39:03,640 --> 00:39:06,080
Yay, that looks nice.
811
00:39:06,080 --> 00:39:07,160
Okay, phew.
812
00:39:08,160 --> 00:39:10,160
[Emily panting]
813
00:39:11,000 --> 00:39:13,000
[indistinct chatter]
814
00:39:16,160 --> 00:39:19,840
That looked so good, what the actual hell.
815
00:39:19,840 --> 00:39:22,280
- [Emily panting]
- [Charlotte shrieks]
816
00:39:23,000 --> 00:39:26,920
- [Charlotte] Oh my god, that's so good.
- [Emily laughs] Thank you.
817
00:39:27,960 --> 00:39:29,960
[soft music plays]
818
00:39:34,760 --> 00:39:37,680
[rain on rooftop, thunder]
819
00:39:40,320 --> 00:39:42,320
[indistinct chatter]
820
00:39:44,280 --> 00:39:46,520
[Cassie] Woo, it's cold.
821
00:39:47,280 --> 00:39:50,360
All right, let's do it.
First positions, let's go.
822
00:39:51,160 --> 00:39:54,920
I think we're about halfway through
the process, and…
823
00:39:55,880 --> 00:39:57,440
I feel like we're on a good trajectory,
824
00:39:57,440 --> 00:40:00,600
it's just that I know that,
like, by the time…
825
00:40:00,600 --> 00:40:03,600
we get to, like, the next thing,
everyone will have forgotten the old thing
826
00:40:03,600 --> 00:40:05,440
'Cause everyone,
no one ever, like, practices.
827
00:40:05,440 --> 00:40:07,800
They're all like, "I'm gonna go home and
practice", but no one ever does.
828
00:40:08,160 --> 00:40:13,880
[Cassie] Go one, and two, and three, and
four, and five, six, seven, and eight,
829
00:40:13,880 --> 00:40:17,200
and one, and two, and three, and four.
830
00:40:17,200 --> 00:40:20,360
♪ Emily is killing it
It's really very good ♪
831
00:40:20,400 --> 00:40:23,440
Boom, clap, clap. Okay, go again.
832
00:40:23,440 --> 00:40:25,760
- [Roland] Boom.
- [Cassie] One, two…
833
00:40:25,760 --> 00:40:30,400
You can never feel too secure
in your place as a dancer.
834
00:40:30,400 --> 00:40:33,040
But, I'm feeling pretty okay.
835
00:40:33,040 --> 00:40:35,160
I feel like it will look good.
836
00:40:35,160 --> 00:40:37,400
Not yet, but it will happen eventually.
837
00:40:38,360 --> 00:40:40,360
Um, where is Erin?
838
00:40:40,360 --> 00:40:42,520
[indistinct chatter]
839
00:40:42,520 --> 00:40:44,640
Yes, you're in trouble. [chuckles]
840
00:40:44,640 --> 00:40:49,000
Um, can you stand in for Kim today?
841
00:40:49,000 --> 00:40:51,480
- Yep.
- For that, that section, 'cause…
842
00:40:52,320 --> 00:40:54,600
apparently she's just not coming in
today and doing something else.
843
00:40:54,600 --> 00:40:56,600
She's not sick anymore.
844
00:40:56,600 --> 00:40:58,920
- Oh, okay.
- So, I'm just like, I need someone I can…
845
00:40:58,920 --> 00:40:59,680
trust.
846
00:40:59,680 --> 00:41:01,440
- Oh, okay, sure.
- Yep. Go. Love it.
847
00:41:01,480 --> 00:41:03,000
[Cassie laughs]
848
00:41:03,000 --> 00:41:04,800
Five, six, seven, eight.
849
00:41:04,800 --> 00:41:07,280
Go, one, two, three… [screams]
850
00:41:07,280 --> 00:41:09,280
- [shrieks and laughter]
- [Cassie] Go, seven, eight…
851
00:41:09,280 --> 00:41:10,400
[student] What's she doing?
852
00:41:10,400 --> 00:41:13,160
- I don't know, I was just like…
- [student] Great face.
853
00:41:13,160 --> 00:41:16,480
Um, Michael told me
this morning that Kim's better.
854
00:41:17,760 --> 00:41:21,640
But she's just not coming today
because she's doing something else.
855
00:41:21,640 --> 00:41:24,480
- She's doing something with her, um…
- [both] Agency.
856
00:41:24,480 --> 00:41:26,280
- Like a work… I think she's doing
- She's pursuing all acting work.
857
00:41:26,280 --> 00:41:28,760
a workshop or something like that.
858
00:41:28,800 --> 00:41:32,640
[sighs] I would love to still have her,
but I just don't think it's fair.
859
00:41:32,640 --> 00:41:34,040
Yep. No, a hundred percent.
860
00:41:34,040 --> 00:41:37,480
I think honestly it's gonna send a
better message to everyone else.
861
00:41:37,480 --> 00:41:39,000
- Like, you can't just be away and…
- Totally.
862
00:41:39,000 --> 00:41:40,600
- [both] and still get the part.
- [Cassie] I know.
863
00:41:40,600 --> 00:41:42,600
- People are busting their arses.
- Because then people get lazy,
864
00:41:42,600 --> 00:41:43,760
and people get complacent,
865
00:41:43,760 --> 00:41:45,600
- so it makes a lot of sense.
- Yeah.
866
00:41:45,600 --> 00:41:47,960
It sucks, but like, that's…
867
00:41:47,960 --> 00:41:49,680
- You wouldn't be put on a job,
- Totally.
868
00:41:49,680 --> 00:41:51,000
- and then put at the front.
- Yeah.
869
00:41:51,000 --> 00:41:53,040
You can't not come to rehearsals
and still book the job.
870
00:41:53,040 --> 00:41:54,400
Yeah, no.
871
00:41:55,160 --> 00:41:56,360
- Mmm.
- That's rough.
872
00:41:57,200 --> 00:41:59,440
You need to go… and eight, and one.
873
00:41:59,440 --> 00:42:01,000
To go, two.
874
00:42:01,040 --> 00:42:04,880
So walk, two, three, four,
five, six, seven, eight,
875
00:42:04,880 --> 00:42:07,600
and a one, tap, tap, tap,
boom, boom, boom, and shoom…
876
00:42:08,920 --> 00:42:09,680
Foom.
877
00:42:09,680 --> 00:42:12,480
[both counting beats]
878
00:42:12,480 --> 00:42:16,280
[Cassie] Uh, uh, uh, uh, uh, uh, uh, uh.
879
00:42:16,680 --> 00:42:19,680
[producer] So Erin, what are you going
to do with your opportunity?
880
00:42:19,680 --> 00:42:21,000
Slay the house down.
881
00:42:21,000 --> 00:42:23,520
[all laugh]
882
00:42:26,840 --> 00:42:28,840
[fast piano music plays]
883
00:42:39,320 --> 00:42:41,320
[beat drops]
884
00:42:42,640 --> 00:42:46,320
Arch. So start back,
and then think voom, voom.
885
00:42:46,360 --> 00:42:48,360
[upbeat music plays]
886
00:42:50,800 --> 00:42:52,640
I think, like, don't go too big.
887
00:43:07,120 --> 00:43:10,800
[Erin] If there was someone who you had
tension with and they took your position,
888
00:43:11,840 --> 00:43:14,840
yes, there would be, um…
889
00:43:14,840 --> 00:43:17,840
a bit of tension, but I feel like me and
Kim have, like, a bit of understanding
890
00:43:17,840 --> 00:43:20,640
because we were both in, like,
the two class together.
891
00:43:20,680 --> 00:43:22,400
- [Erin] Do you know what I mean?
- It wouldn't be personal.
892
00:43:22,400 --> 00:43:23,480
[Erin] Yeah, I completely agree with that.
893
00:43:23,480 --> 00:43:26,960
As much as we, like, as a collective,
like to lift each other up,
894
00:43:26,960 --> 00:43:28,680
in the back of everyone's head
895
00:43:28,680 --> 00:43:31,880
everyone is each other's
competition in the industry.
896
00:43:33,560 --> 00:43:35,560
[piano music continues]
897
00:43:38,600 --> 00:43:42,480
[Maddi] That was a huge moment for her
and she was the focus point of that.
898
00:43:42,520 --> 00:43:45,320
So, yeah, that's a hundred percent
gonna decrease her opportunity
899
00:43:45,320 --> 00:43:46,520
of being seen at Light the Way.
900
00:43:47,400 --> 00:43:49,640
[thunder cracks]
901
00:43:51,440 --> 00:43:53,440
[water running]
902
00:43:55,640 --> 00:43:58,480
[Kim] I felt sick
and I just slept the night,
903
00:43:58,520 --> 00:44:01,200
and then I woke up
the next day, like, even worse.
904
00:44:01,200 --> 00:44:04,360
I was like vomiting and, like,
my mum took my temperature,
905
00:44:04,360 --> 00:44:07,960
and my temperature was like,
39 or something. Like, it was really high.
906
00:44:07,960 --> 00:44:10,480
So I just went to, like,
the emergency room.
907
00:44:11,360 --> 00:44:13,080
My fever, like, ended up dropping,
908
00:44:13,080 --> 00:44:18,040
and then the day I was meant to come back
I double-booked myself.
909
00:44:19,480 --> 00:44:22,440
Oh my god, I felt terrible.
910
00:44:23,640 --> 00:44:27,120
I was up the night before
stressing about it.
911
00:44:27,120 --> 00:44:30,240
I called Cara, and I was like,
"I don't know what to do."
912
00:44:30,240 --> 00:44:34,880
I just don't know. I think I probably have
missed my chance at Light the Way.
913
00:44:35,320 --> 00:44:38,160
I don't hate myself for that,
but in a way I do.
914
00:44:40,520 --> 00:44:43,800
I act as though I'm like,
a really happy person.
915
00:44:43,800 --> 00:44:48,960
But, when things affect me,
916
00:44:48,960 --> 00:44:50,960
they affect me.
917
00:44:51,880 --> 00:44:53,040
But, I just don't show it.
918
00:44:53,040 --> 00:44:57,720
I don't like to show it, because it just
shows a weaker side of me. [sniffs]
919
00:44:57,720 --> 00:45:00,560
And, really…
920
00:45:00,560 --> 00:45:04,160
in any scenario you don't want
people to think that you're weak.
921
00:45:05,160 --> 00:45:07,160
[soft music plays]
922
00:45:07,960 --> 00:45:10,360
I don't like to show that I'm sensitive,
923
00:45:10,360 --> 00:45:15,280
because why would you want a weak player
on your team, you know. [sniffs]
924
00:45:17,800 --> 00:45:19,800
[indistinct chatter]
925
00:45:23,760 --> 00:45:26,720
I've had a bit of a stiff neck all week,
926
00:45:26,720 --> 00:45:29,040
but yesterday I had a rehearsal
927
00:45:29,040 --> 00:45:31,240
and, like, it was feeling fine,
but after I got home
928
00:45:31,240 --> 00:45:34,720
and I woke up this morning I
just couldn't really move my neck.
929
00:45:34,720 --> 00:45:36,760
So I went to, um, a dance physio
930
00:45:36,760 --> 00:45:41,080
and he said there is a possibility of
having a bulging disc in my neck.
931
00:45:41,080 --> 00:45:42,680
[Cassie] What's wrong with you?
932
00:45:42,680 --> 00:45:44,160
I'm fine.
933
00:45:44,160 --> 00:45:45,160
You don't look fine.
934
00:45:45,160 --> 00:45:46,320
I'm fine.
935
00:45:47,000 --> 00:45:51,200
Her body has been damaged for sure.
936
00:45:51,200 --> 00:45:54,480
But she just pushes through.
She'll just do what she has to do.
937
00:45:54,480 --> 00:45:58,200
She'll go to a physio just to
get her through the…
938
00:45:58,200 --> 00:45:59,800
the performance, like…
939
00:45:59,800 --> 00:46:01,000
[Carla] Yeah, she doesn't care.
940
00:46:03,000 --> 00:46:04,440
- [moans]
- [Physio] Sorry, mate.
941
00:46:04,440 --> 00:46:05,920
- [Physio] Just that one, yep,
- It's all right.
942
00:46:05,920 --> 00:46:07,600
[Physio]
and there's one more to come in.
943
00:46:07,600 --> 00:46:09,440
Whatever it takes. [laughs]
944
00:46:10,720 --> 00:46:12,720
It's a setback, but…
945
00:46:13,640 --> 00:46:16,560
so what, you'll get through it.
Toughen up, you'll be right.
946
00:46:17,480 --> 00:46:20,720
It's just this weekend.
After this weekend, it's fine.
947
00:46:20,720 --> 00:46:23,720
Like, then I can start
getting better, but…
948
00:46:24,640 --> 00:46:26,840
Yeah. Yep, it's fine.
949
00:46:27,560 --> 00:46:29,560
[ominous music plays]
950
00:46:32,040 --> 00:46:34,040
[indistinct chatter]
951
00:46:38,680 --> 00:46:40,000
[Cassie] Go again, ready.
From the flashes.
952
00:46:40,000 --> 00:46:42,000
Five, six, seven, go!
953
00:46:42,000 --> 00:46:45,720
One, two, three, four,
five, six, seven, eight.
954
00:46:45,720 --> 00:46:47,280
Shoom. Stop there.
955
00:46:50,280 --> 00:46:51,440
No good.
956
00:46:53,720 --> 00:46:58,720
Yeah. Things that we have
gone through time and time again,
957
00:46:58,720 --> 00:47:01,400
we are still doing the wrong things.
958
00:47:01,400 --> 00:47:03,320
[Tiana] I feel guilty for sitting out.
959
00:47:03,320 --> 00:47:06,760
If I'm in a wheelchair I will be standing
up for that performance, I don't care.
960
00:47:07,920 --> 00:47:09,520
[Cassie] You know when you
freshly learn something,
961
00:47:09,520 --> 00:47:12,080
you're excited about it, you go hard?
962
00:47:12,640 --> 00:47:13,720
I'm missing that.
963
00:47:14,720 --> 00:47:19,200
Yeah? Flat out every single time.
If you weren't warm, that's on you.
964
00:47:19,840 --> 00:47:21,640
- [upbeat music plays]
- All right, first position, go.
965
00:47:24,360 --> 00:47:26,840
Here we go. Yep, up. Ready?
966
00:47:29,800 --> 00:47:32,080
I know I'm so tough, I'm so tough.
967
00:47:32,120 --> 00:47:36,240
But our bodies won't do what we
need them to do for the rest of our lives.
968
00:47:36,240 --> 00:47:38,360
It might end at any moment.
969
00:47:39,480 --> 00:47:42,880
Unfortunately, there's trends
within dancing as well.
970
00:47:42,880 --> 00:47:44,560
It's just like fashion.
971
00:47:44,560 --> 00:47:48,440
Someone might be really hot at one time
as a choreographer or a dancer,
972
00:47:48,440 --> 00:47:53,280
and then it might take a turn, and it
might not be you anymore, so…
973
00:47:53,320 --> 00:47:55,440
The time is now, as well.
974
00:47:55,480 --> 00:47:57,800
[clock ticking]
975
00:47:57,840 --> 00:47:58,800
And go!
976
00:47:58,800 --> 00:48:00,800
[Gwen Stefani: "What You
Waiting For?" playing]
977
00:48:00,800 --> 00:48:04,360
C'mon, big. Use your face. Flat out!
978
00:48:55,320 --> 00:48:57,320
[song fades]
979
00:48:58,880 --> 00:49:00,880
[upbeat music plays]
980
00:49:53,040 --> 00:49:55,040
[music fades]
77652
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