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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,004 --> 00:00:06,940 LIVE FROM THE BEVERLY HILTON IN BEVERLY HILLS, 2 00:00:07,006 --> 00:00:11,745 CALIFORNIA, IT'S THE 81st GOLDEN GLOBES! 3 00:00:11,811 --> 00:00:13,813 THE CHAMPAGNE IS FLOWING AS ALL YOUR FAVORITE STARS ARE 4 00:00:13,880 --> 00:00:17,951 ARRIVING, THRIVING, AND BUBBLING WITH EXCITEMENT TO SEE WHO WILL 5 00:00:18,017 --> 00:00:20,620 WALK AWAY WITH TONIGHT'S BIGGEST AWARDS. 6 00:00:20,687 --> 00:00:24,491 IT'S A WHO'S WHO OF HOLLYWOOD AS WE KICK OFF THE BIGGEST LIVE 7 00:00:24,557 --> 00:00:27,861 PARTY OF THE YEAR, WHERE ANYTHING CAN HAPPEN. 8 00:00:27,927 --> 00:00:31,564 SEE WHICH A-LISTERS WILL WIN, LET LOOSE, AND HAVE A GOOD 9 00:00:31,631 --> 00:00:34,968 TIME... SOME OF THEM, A REALLY GOOD TIME. 10 00:00:35,034 --> 00:00:38,004 CENSORS WILL BE STANDING BY. AS WE HONOR THE MOST 11 00:00:38,071 --> 00:00:42,008 TALKED-ABOUT MOVIES AND SHOWS OF THE YEAR, WE'LL ALSO INTRODUCE 12 00:00:42,075 --> 00:00:46,379 A NEW CATEGORY FOR BOX OFFICE HITS THAT WERE SEEN BY BASICALLY 13 00:00:46,446 --> 00:00:49,115 THE WHOLE WORLD, AND AN AWARD FOR THE VERY BEST IN STAND-UP 14 00:00:49,182 --> 00:00:51,851 COMEDY. WHO'S GOING TO WIN THE FIRST 15 00:00:51,918 --> 00:00:55,622 ONE? IT'S ALL STARTING RIGHT NOW. 16 00:00:55,688 --> 00:01:03,688 PLEASE WELCOME YOUR HOST, HERE'S JO KOY! 17 00:01:04,998 --> 00:01:08,001 HEY! 18 00:01:11,004 --> 00:01:12,772 WELCOME TO THE 81t ANNUAL GOLDEN GLOBES. 19 00:01:12,839 --> 00:01:20,839 I'M YOUR HOST, JO KOY. 20 00:01:20,947 --> 00:01:22,482 LOOK, I'M JUST TAKING THIS ALL IN. 21 00:01:22,549 --> 00:01:23,950 LET ME LOOK AROUND, I'M TAKING THIS ALL IN. 22 00:01:24,017 --> 00:01:27,220 I'M SO EXCITED TO BE HERE. THIS IS A DREAM COME TRUE. 23 00:01:27,287 --> 00:01:29,823 NOT JUST FOR ME, BUT FOR EVERYBODY IN HERE. 24 00:01:29,889 --> 00:01:33,993 WE ALL JUMPED OF THIS MOMENT. AND LOOK AT THIS, LOOK AT THIS 25 00:01:34,060 --> 00:01:35,762 ROOM. LOOK AROUND. 26 00:01:35,829 --> 00:01:40,433 LOOK, KEVIN COSTNER IS HERE. 27 00:01:40,500 --> 00:01:42,635 KEVIN COSTNER IS NEVER HERE! 28 00:01:42,702 --> 00:01:47,006 KEVIN IS, LIKE, IN A MOUNTAIN WITH A COW OR SOMETHING, BUT 29 00:01:47,073 --> 00:01:49,409 TODAY HE'S HERE. DON CHEADLE IS HERE. 30 00:01:49,476 --> 00:01:51,044 I'M JUST LOOKING AROUND, EVERYBODY IS HERE. 31 00:01:51,110 --> 00:01:54,380 THIS IS A GOOD NIGHT! AND I'VE GOT THE BEST SEAT IN 32 00:01:54,447 --> 00:01:56,749 THE HOUSE. WHEN I WAS A KID GROWING UP, I 33 00:01:56,816 --> 00:01:59,185 USED TO WATCH THIS SHOW. I WOULD STAY UP LATE WITH MY 34 00:01:59,252 --> 00:02:02,589 FAMILY JUST TRYING TO GUESS WHO WOULD WIN, AND EVERY TIME, MY 35 00:02:02,655 --> 00:02:07,594 MOM WOULD SAY, "IT'S MERYL STREEP, STUPID. 36 00:02:07,660 --> 00:02:10,797 WHO ELSE IS GOING TO WIN? SHE WINS EVERY TIME." 37 00:02:10,864 --> 00:02:14,367 AND SHE WAS RIGHT! YOU DO, YOU WIN ALL THE TIME. 38 00:02:14,434 --> 00:02:16,236 THAT'S WHY, WHEN THE GOLDEN GLOBES CALLED AND ASKED 39 00:02:16,302 --> 00:02:21,341 ME IF I WANTED TO HOST, I JUMPED AT THE CHANCE, AND I SAID YES. 40 00:02:21,407 --> 00:02:22,976 YES! THEN THEY ASKED ME IF I SAW 41 00:02:23,042 --> 00:02:25,778 EVERY MOVIE IN EVERY TV SHOW, AND I SAID, YES! 42 00:02:25,845 --> 00:02:28,948 I LIED. 43 00:02:29,015 --> 00:02:37,015 I ONLY WATCHED THE "BEEF." I LOVE YOU, L. 44 00:02:39,359 --> 00:02:39,659 IT'S MANDATORY 45 00:02:40,126 --> 00:02:45,431 , I'M ASIAN. YOU KILLED IT, L. 46 00:02:45,498 --> 00:02:45,598 I 47 00:02:46,332 --> 00:02:48,535 STARTED TO BINGE WATCH EVERYTHING. 48 00:02:48,601 --> 00:02:52,205 I WATCHED EVERYTHING. WHILE MY FAMILY WAS OUT THERE 49 00:02:52,272 --> 00:02:56,576 CLANKING CHAMPAGNE GLASSES, BRINGING IN THE NEW YEAR, I WAS 50 00:02:56,643 --> 00:03:01,180 WATCHING "OPPENHEIMER." I LOVED "OPPENHEIMER." 51 00:03:01,247 --> 00:03:05,351 I'VE JUST GOT ONE COMPLAINT. IT NEEDED ANOTHER HOUR. 52 00:03:05,418 --> 00:03:08,388 I FELT LIKE IT NEEDED SOME MORE 53 00:03:08,454 --> 00:03:12,125 BACK STORY. MY NEW YEAR'S RESOLUTION FOR 54 00:03:12,191 --> 00:03:16,329 2024 IS TO FINISH "OPPENHEIMER" IN 2025. 55 00:03:16,396 --> 00:03:18,631 SERIOUSLY! I'M ALMOST THERE! 56 00:03:18,698 --> 00:03:23,770 I LOVE'S "OPPENHEIMER." ESPECIALLY THE FIRST SEASON. 57 00:03:23,836 --> 00:03:28,942 THAT'S SO STUPID. 58 00:03:29,008 --> 00:03:30,043 "OPPENHEIMER" ANSWERED A 59 00:03:30,109 --> 00:03:33,780 LIFELONG QUESTION THAT'S BEEN IN MY MIND FOR YEARS. 60 00:03:33,846 --> 00:03:38,718 YES, SCIENTISTS DO GET LAID, AS LONG AS THEY LOOK LIKE CILLIAN 61 00:03:38,785 --> 00:03:44,724 MURPHY. "OPPENHEIMER" AND "BARBIE" ARE 62 00:03:44,791 --> 00:03:49,596 COMPETING FOR CINEMATIC OFFICE BOX ACHIEVEMENTS. 63 00:03:49,662 --> 00:03:53,533 "OPPENHEIMER" IS BASED ON A 720 ONE-PAGE PULITZER PRIZE WINNING 64 00:03:53,600 --> 00:03:59,072 BOOK ABOUT MANHATTAN PROJECT. AND "BARBIE" IS ON A PLASTIC 65 00:03:59,138 --> 00:04:05,645 DOLL WITH BIG SPEESIXTEEN. I WATCHED "BARBIE," I LOVED IT. 66 00:04:05,712 --> 00:04:08,748 I REALLY DID LOVE IT. I DON'T WANT YOU GUYS TO THIK 67 00:04:08,815 --> 00:04:12,251 AND AGREED, BUT IT WAS WEIRD BEING ATTRACTED TO A PLASTIC 68 00:04:12,318 --> 00:04:13,186 DOLL. IT'S SOMETHING ABOUT YOUR EYES, 69 00:04:13,252 --> 00:04:17,924 RYAN. 70 00:04:17,991 --> 00:04:21,194 THE WHOLE SHOW, JUST CLOSE YOUR EYES FOR ME. 71 00:04:21,260 --> 00:04:25,398 MARGOT, IT'S NOT ALWAYS ABOUT YOU. 72 00:04:25,465 --> 00:04:27,934 THE KEY MOMENT IN "BARBIE" IS WHEN SHE GOES FROM PERFECT 73 00:04:28,001 --> 00:04:30,603 BEAUTY TO BAD BREATH, CELLULITE, AND FLAT FEET. 74 00:04:30,670 --> 00:04:37,510 OR, WHAT CASTING DIRECTORS CALL A CHARACTER ACTOR. 75 00:04:37,577 --> 00:04:42,015 SEMI WROTE, SOME OTHER PEOPLE 76 00:04:42,081 --> 00:04:47,987 WROTE. ROBERT de NIRO IS HERE! 77 00:04:48,054 --> 00:04:50,957 YO, I GOT THE GIG TEN DAYS AGO! YOU WANT A PERFECT MONOLOGUE? 78 00:04:51,024 --> 00:04:54,560 SHUT UP! YOU ARE KIDDING ME, RIGHT? 79 00:04:54,627 --> 00:04:56,329 SLOW DOWN. I WROTE SOME OF THESE AND 80 00:04:56,396 --> 00:04:58,898 THEY'RE THE ONES YOU'RE LAUGHING AT. 81 00:04:58,965 --> 00:05:01,801 ROBERT de NIRO IS HERE! 82 00:05:01,868 --> 00:05:06,372 SORRY, I'M A FAN. I'M FANNING OUT. 83 00:05:06,439 --> 00:05:09,308 I LOVE YOU, ROBERT. IF IT'S AWKWARD, I'M SORRY. 84 00:05:09,375 --> 00:05:10,543 I HAD TO DO THAT IN FRONT OF YOU. 85 00:05:10,610 --> 00:05:15,014 I KNOW IT SUCKS. I'M A BIT AWESTRUCK. 86 00:05:15,081 --> 00:05:17,550 DECADE AFTER DECADE, HE KILLS THAT EVERY SINGLE TIME. 87 00:05:17,617 --> 00:05:20,753 I DON'T KNOW HOW YOU DO IT, MAN. I SWEAR TO GOD. 88 00:05:20,820 --> 00:05:24,557 YOUR LAST PERFORMANCE HAS GOT TO BE YOUR GREATEST PERFORMANCE 89 00:05:24,624 --> 00:05:25,391 EVER. HOW DID YOU GET HER PREGNANT AT 90 00:05:25,458 --> 00:05:29,095 80? 91 00:05:29,162 --> 00:05:34,867 CGI? IS HE LOOKING? 92 00:05:34,934 --> 00:05:38,204 IS HE LOOKING? YOU TALKING TO ME? 93 00:05:38,271 --> 00:05:42,942 BY THE WAY, "KILLERS OF THE FLOWER MOON" IS SO GREAT, SEVEN 94 00:05:43,009 --> 00:05:46,512 THE CAST IS HERE. 95 00:05:46,579 --> 00:05:51,951 ROBERT de NIRO, LEONARDO DiCAPRIO, 96 00:05:52,018 --> 00:05:57,290 LILY GLADSTONE. YOU GUYS CRUSHED IT! 97 00:05:57,356 --> 00:05:59,459 CHRISTIAN! THE ONE THING I LEARNED ABOUT 98 00:05:59,525 --> 00:06:03,696 THAT MOVIE IS THAT WHITE PEOPLE STOLE EVERYTHING! 99 00:06:03,763 --> 00:06:06,899 YOU GUYS STOLE EVERYTHING! NOT, LIKE, 97%. 100 00:06:06,966 --> 00:06:09,102 YOU GUYS STILL 100% OF EVERYTHING. 101 00:06:09,168 --> 00:06:13,740 YOU TOOK THE LAND, YOU TOOK THE OIL... YOU TOOK THE PREMISE FOR 102 00:06:13,806 --> 00:06:18,144 THE MOVIE. 103 00:06:18,211 --> 00:06:23,616 WHAT, THAT WAS YOUR PREMISE? THAT'S HILARIOUS, I DON'T CARE. 104 00:06:23,683 --> 00:06:25,852 IT'S JUST THAT THE ROOM IS REALLY WHITE. 105 00:06:25,918 --> 00:06:29,188 THE ROOM IS LIKE, "YEAH, WE DID TAKE IT. 106 00:06:29,255 --> 00:06:37,255 AND?" I WATCHED "SALTBURN." 107 00:06:41,000 --> 00:06:44,170 YOU KNOW WHAT I LOVED ABOUT "SALTBURN?" 108 00:06:44,237 --> 00:06:46,606 SATANIC FAMILIES HAVE FEELINGS, TOO. 109 00:06:46,672 --> 00:06:52,612 IS BARRY KEOGHAN HERE? WHERE IS HE SEATED? 110 00:06:52,678 --> 00:06:56,516 WHERE IS YOUR PENIS SEATED, DOWN FRONT? 111 00:06:56,582 --> 00:06:59,352 THAT WAS THE REAL STAR OF THE MOVIE. 112 00:06:59,418 --> 00:07:02,121 HIS PENIS. IF YOU HAVEN'T SEEN "SALTBURN," 113 00:07:02,188 --> 00:07:06,058 YOU PROBABLY HAVE NO IDEA WHAT I'M TALKING ABOUT, SO WATCH IT. 114 00:07:06,125 --> 00:07:08,194 THEN YOU UNDERSTAND WHAT I WAS TALKING ABOUT. 115 00:07:08,261 --> 00:07:10,897 THEN, RIGHT AFTER THAT, WATCH "BARBIE." 116 00:07:10,963 --> 00:07:15,735 AND THEN YOU'RE GOING TO BE LIKE, "SOMETHING'S MISSING." 117 00:07:15,802 --> 00:07:17,303 THEN, AFTER THAT, WATCH "MAESTRO," AND YOU'RE GONNA BE 118 00:07:17,370 --> 00:07:21,941 LIKE, "THERE IT IS... IT'S ON BRADLEY COOPER'S FACE." 119 00:07:22,008 --> 00:07:24,544 WHAT? THAT'S HILARIOUS! 120 00:07:24,610 --> 00:07:29,215 I WAS WATCHING "MAESTRO," LIKE, THAT THING WAS DANCING IN 121 00:07:29,282 --> 00:07:36,923 "SALTBURN." DANIELLE BROOKS IS HERE! 122 00:07:36,989 --> 00:07:42,795 FANTASIA IS HERE! 123 00:07:42,862 --> 00:07:46,933 WHERE IS ALI? COLMAN DOMINGO! 124 00:07:46,999 --> 00:07:50,937 ALL IN "THE COLOR PURPLE." BY THE WAY, "THE COLOR PURPLE" 125 00:07:51,003 --> 00:07:55,641 IS ALSO WHAT HAPPENS TO YOUR BUTT WHEN YOU TAKE OZEMPIC. 126 00:07:55,708 --> 00:07:57,944 HALF THE REMAINS CRINGING AND 127 00:07:58,010 --> 00:08:01,147 THE OTHER HALF IS LIKE, I'VE GOT TO GET HOME AND GRABBED MY 128 00:08:01,214 --> 00:08:04,550 SELFIE STICK. AND STILL BE HOME AFTER THE 129 00:08:04,617 --> 00:08:08,020 GLOBES. MAN, HE WAS LYING. 130 00:08:08,087 --> 00:08:13,659 IT'S MORE OF A MAGENTA. I LOVE THIS YEAR'S NOMINATED TV 131 00:08:13,726 --> 00:08:19,098 SHOWS, LIKE "SUCCESSION." COMING TO AN END AFTER FOUR 132 00:08:19,165 --> 00:08:21,467 BEAUTIFUL SEASONS. ÚI LOVED EVERYTHING ABOUT IT. 133 00:08:21,534 --> 00:08:27,974 THE ONE THING THIS SHOW TAUGHT ME IS, IF YOU ARE A BILLIONAIRE, 134 00:08:28,040 --> 00:08:30,743 PULL OUT. 135 00:08:30,810 --> 00:08:33,546 NONE OF THEM ARE GOING TO BE LIKE YOU. 136 00:08:33,613 --> 00:08:37,149 THEY'RE GOING TO BE A BAD VERSION OF YOU. 137 00:08:37,216 --> 00:08:39,185 JUST PULL OUT. THERE'S BILLIONAIRES IN HERE. 138 00:08:39,252 --> 00:08:47,252 PULL OUT. LEAVE IT IN, WHATEVER. 139 00:08:49,528 --> 00:08:54,867 "SUCCESSION" HAS NINE NOMINATIONS, AND I JUST WANT 140 00:08:54,934 --> 00:08:57,370 TO... WOW, I REALLY? THAT'S IT? 141 00:08:57,436 --> 00:09:01,140 WHAT, YOU GOT MORE? 142 00:09:01,207 --> 00:09:03,576 "NINE, REALLY?" JUST A GREAT SERIES ABOUT A 143 00:09:03,643 --> 00:09:05,945 RICH, WHITE, DYSFUNCTIONAL FAMILY, ALL SCHEMING... 144 00:09:06,012 --> 00:09:10,917 WAIT, THAT'S "THE CROWN." I'M SORRY. 145 00:09:10,983 --> 00:09:12,551 HOW GREAT WAS IMELDA STAUNTON IN 146 00:09:12,618 --> 00:09:15,988 "THE CROWN?" WASN'T SHE AMAZING? 147 00:09:16,055 --> 00:09:17,990 HER PORTRAYAL OF THE QUEEN WAS SO GOOD, PRINCE HARRY CALLED HER 148 00:09:18,057 --> 00:09:22,094 AND ASKED HER FOR MONEY. 149 00:09:22,161 --> 00:09:23,996 LIKE I SAID, I DIDN'T WRITE ALL OF THESE. 150 00:09:24,063 --> 00:09:26,198 THAT ONE IS NOT MINE. TURNS OUT PRINCE HARRY AND 151 00:09:26,265 --> 00:09:29,936 MEGHAN MARKLE WILL STILL GET PAID MILLIONS OF DOLLARS FOR 152 00:09:30,002 --> 00:09:35,908 DOING ABSOLUTELY NOTHING, AND THAT'S JUST BY NETFLIX. 153 00:09:35,975 --> 00:09:42,114 I HAVE A DEAL, TOO. 154 00:09:42,181 --> 00:09:45,785 CHILL. YOU GUYS ARE ACTING LIKE... 155 00:09:45,851 --> 00:09:49,655 "ONLY MURDERS IN THE BUILDING!" 156 00:09:49,722 --> 00:09:52,325 FIVE NOMINATIONS TONIGHT. ON THAT SHOW, YOU DON'T KNOW 157 00:09:52,391 --> 00:09:58,531 WHOSE SIDE TO BE ON. THAT'S HOW I FEEL ABOUT DARYL 158 00:09:58,597 --> 00:10:06,272 HALL AND JOHN OATES. WHICH ONE IS OATES? 159 00:10:06,339 --> 00:10:08,307 IS IT THE ONE WITH THE THICK MUSTACHE, OR THE HOT BLONDE 160 00:10:08,374 --> 00:10:14,480 GIRL? SPEAKING OF BLONDES, 161 00:10:14,547 --> 00:10:19,518 MERYL STREEP. 162 00:10:19,585 --> 00:10:21,787 MY MOM'S FAVORITE RIGHT THERE. MERYL STREEP IS NOMINATED 163 00:10:21,854 --> 00:10:29,495 FOR A GOLDEN GLOBE TONIGHT! 164 00:10:29,562 --> 00:10:33,532 DUH! 165 00:10:33,599 --> 00:10:37,036 SHE'S NOT COMING TO AN AWARDS SHOW UNLESS YOU GIVE HER 166 00:10:37,103 --> 00:10:39,238 NOMINATION. SHE'S GOT 34 NOMINATIONS. 167 00:10:39,305 --> 00:10:41,540 THIS WOMAN, THERE'S NOTHING SHE CAN'T DO. 168 00:10:41,607 --> 00:10:44,944 SHE'S THE GREATEST OF ALL TIME, THAT'S THE GOAT RIGHT THERE. 169 00:10:45,011 --> 00:10:48,514 IT DOESN'T MATTER WHAT SHE PLAYS, SHE KILLS IT. 170 00:10:48,581 --> 00:10:50,850 MY MOM LOVES YOU, EVERYBODY 171 00:10:50,916 --> 00:10:53,919 LOVES YOU. MY FAVORITE LINE FROM YOU, 172 00:10:53,986 --> 00:10:56,055 LEGENDARY. THIS ONE, I HOLD IN MY HEART. 173 00:10:56,122 --> 00:11:00,493 EVERY TIME, THE WAY YOU SAID IT, IT JUST STUCK WITH ME. 174 00:11:00,559 --> 00:11:05,664 THE WAY YOU SAID... "WAKANDA FOREVER." 175 00:11:05,731 --> 00:11:06,432 IT'S BRILLIANT. 176 00:11:06,499 --> 00:11:10,636 DO IT AGAIN. CROSS COME ACROSS 177 00:11:11,337 --> 00:11:14,707 "WAKANDA FOREVER." YES! 178 00:11:14,774 --> 00:11:17,009 THAT'S IT! SPEAKING OF "WAKANDA FOREVER," 179 00:11:17,076 --> 00:11:21,247 HERE ARE SOME HINTS ABOUT OUR FIRST PRESENTER. 180 00:11:21,313 --> 00:11:22,615 I GIVE YOU SOME HINTS, YOU READY? 181 00:11:22,681 --> 00:11:27,953 THINK ALL POWERFUL, BELOVED BY THE PEOPLE SHE RULES OVER, A 182 00:11:28,020 --> 00:11:33,959 REGAL QUEEN. OPRAH, IT'S NOT YOU. 183 00:11:34,026 --> 00:11:36,996 IT'S A DIFFERENT QUEEN. IT'S ANGELA BASSETT. 184 00:11:37,063 --> 00:11:39,965 PLEASE WELCOME GOLDEN GLOBE WINNER AND STAR OF "9-1-1," 185 00:11:40,032 --> 00:11:43,736 ANGELA BASSETT, AND A GOLDEN GLOBE WINNER WHO I LIKE 186 00:11:43,803 --> 00:11:48,808 TO CALL "HOT JESUS," JARED LETO. 187 00:12:06,158 --> 00:12:11,931 WE ARE SO EXCITED TO BE HERE TO KICK OFF THE GOLDEN GLOBES, 188 00:12:11,997 --> 00:12:15,634 AND I HAVE TO SAY THAT YOU WOULDN'T BELIEVE HOW JERRY HAD 189 00:12:15,701 --> 00:12:17,103 PREPARED FOR HIS PRESENTING ROLE TONIGHT. 190 00:12:17,169 --> 00:12:20,306 THANK YOU, ANGELA. I APPRECIATE THAT. 191 00:12:20,372 --> 00:12:24,009 THANK YOU FOR ACKNOWLEDGING THAT. 192 00:12:24,076 --> 00:12:26,679 ANGELA BASSETT, EVERYBODY. ANGELA BASSETT. 193 00:12:26,745 --> 00:12:29,815 EVERYBODY LOVES ANGELA BASSETT. 194 00:12:29,882 --> 00:12:34,086 AWW. I HAVE BEEN IN PRESENTER MODE 195 00:12:34,153 --> 00:12:39,024 FOR WEEKS NOW, I HAVE TO SAY. WEEKS. 196 00:12:39,091 --> 00:12:41,861 I DON'T KNOW IT'S BEEN SO FUNNY. 197 00:12:41,927 --> 00:12:45,030 I'VE BEEN DOING RESEARCH DEVELOPING MY CHARACTER, 198 00:12:45,097 --> 00:12:46,432 INCESSANTLY REMINDING EVERYONE AROUND ME TO PLEASE CALL ME BY 199 00:12:46,499 --> 00:12:54,499 MY CHARACTER NAME, DAMMIT. YOU MEAN "JARED LETO?" 200 00:12:54,907 --> 00:12:57,610 EXACTLY. I'VE ALSO LEARNED THE ART OF 201 00:12:57,676 --> 00:13:00,479 HOLDING AN ENVELOPE. REALLY, JARED? 202 00:13:00,546 --> 00:13:03,449 THE ART OF HOLDING AN ENVELOPE? ABSOLUTELY. 203 00:13:03,516 --> 00:13:09,021 IT'S ABOUT THE ANGLE, THE GRIP. IT'S ABOUT THE SUBTLETY, THE 204 00:13:09,088 --> 00:13:11,991 MEANINGFUL CONNECTION BETWEEN PRESENTER PARTNER AND PAPER. 205 00:13:12,057 --> 00:13:13,826 IT IS A DEEPLY... 206 00:13:13,893 --> 00:13:16,695 IT IS A DEEPLY EMOTIONAL JOUR JOURNEY. 207 00:13:16,762 --> 00:13:20,833 I HAD NO IDEA! I JUST THOUGHT YOU READ THE 208 00:13:20,900 --> 00:13:23,202 LINES. NO, NO, NO. 209 00:13:23,269 --> 00:13:28,140 NO, NO, NO, ANGELA, IT'S SO MUCH MORE THAN THAT! 210 00:13:28,207 --> 00:13:31,443 THIS IS EMBODYING THE SPIRIT OF THE GOLDEN GLOBES. 211 00:13:31,510 --> 00:13:34,113 FEELING EACH NOMINEE'S HOPES AND DREAMS AND YOUR FINGERTIPS AS 212 00:13:34,180 --> 00:13:41,587 YOU HOLD THEIR DESTINY AND THEIR AGENT'S BONUSES/BALLS IN YOUR 213 00:13:41,654 --> 00:13:45,224 HANDS. OKAY, WELL, I STAND 214 00:13:45,291 --> 00:13:46,825 CORRECTED. LET'S JUST PUT ALL THAT PRACTICE 215 00:13:46,892 --> 00:13:49,895 INTO GOOD USE. HERE ARE THE NOMINEES FOR 216 00:13:49,962 --> 00:13:52,331 FEMALE SUPPORTING ACTOR, MOTION PICTURE. 217 00:13:52,398 --> 00:13:56,802 EMILY BLUNT, "OPPENHEIMER." 218 00:13:56,869 --> 00:14:02,107 DANIELLE BROOKS, "THE COLOR PURPLE." 219 00:14:02,174 --> 00:14:10,174 JODIE FOSTER, "NYAD." JULIANNE MOORE, "MAY DECEMBER." 220 00:14:14,987 --> 00:14:21,560 ROSAMUND PIKE, "SALTBURN." DA'VINE JOY RANDOLPH, 221 00:14:21,627 --> 00:14:29,627 "THE HOLDOVERS." 222 00:14:30,369 --> 00:14:38,369 AND THE GOLDEN GLOBE GOES TO... 223 00:14:40,512 --> 00:14:43,549 DA'VINE JOY RANDOLPH! 224 00:14:43,616 --> 00:14:49,255 ♪ ♪THIS IS DA'VINE JOY 225 00:14:49,321 --> 00:14:50,756 RANDOLPH'S FIRST NOMINATION, HER VERY FIRST WIN. 226 00:14:50,823 --> 00:14:57,529 SHE WINS HER GOLDEN GLOBE TONIGHT FOR HER ROLE OF MARY 227 00:14:57,596 --> 00:15:05,596 LAMB IN "THE HOLDOVERS." ♪ ♪ 228 00:15:12,077 --> 00:15:20,077 ♪ ♪CAN SOMEONE HOLD IT, PLEASE? 229 00:15:27,026 --> 00:15:29,128 ♪ ♪CAN SOMEONE HOLD IT, PLEASE? 230 00:15:29,194 --> 00:15:35,968 SORRY, SORRY. 231 00:15:38,003 --> 00:15:39,938 I WOULD LIKE TO THANK THE HOLLYWOOD FOREIGN PRESS FOR THIS 232 00:15:40,005 --> 00:15:44,043 AWARD. THANK YOU TO BRIAN ROBERTS, MIKE 233 00:15:44,109 --> 00:15:45,044 CAVANAGH, DONNA LANGLEY, CUJO, AND THE ENTIRE FOCUS FAMILY FOR 234 00:15:45,110 --> 00:15:51,950 THEIR ENDLESS SUPPORT THROUGHOUT THIS JOURNEY. 235 00:15:52,017 --> 00:15:55,954 TO ALEXANDER PAYNE, THANK YOU FOR GIVING ME THE OPPORTUNITY TO 236 00:15:56,021 --> 00:15:58,957 PORTRAY THIS BEAUTIFUL AND FLAWED WOMAN. 237 00:15:59,024 --> 00:16:04,296 TO MY TWO BURNERS IN CRIME, PAUL AND DOMINIC, YOU HAVE BEEN AN 238 00:16:04,363 --> 00:16:06,699 ABSOLUTE DREAM TO WORK WITH, AND I THANK YOU FOR MAKING ME A 239 00:16:06,765 --> 00:16:13,272 BETTER ARTIST BECAUSE OF IT. I WOULD LIKE TO GIVE A SPECIAL 240 00:16:13,339 --> 00:16:15,307 THANKS TO... 241 00:16:15,374 --> 00:16:17,810 THANK YOU TO MY FAMILY AND FRIENDS WERE HOLDING ME UP, AND 242 00:16:17,876 --> 00:16:22,715 TO THE CHARACTER, MARY. YOU HAVE CHANGED MY LIFE, YOU 243 00:16:22,781 --> 00:16:26,018 HAVE MADE ME FEEL SEEN IN SO MANY WAYS I'VE NEVER IMAGINED, 244 00:16:26,085 --> 00:16:30,823 AND I HOPE I HELPED YOU ALL FIND YOUR INNER MARY, BECAUSE THERE'S 245 00:16:30,889 --> 00:16:32,191 A LITTLE BIT OF HER IN ALL OF US. 246 00:16:32,257 --> 00:16:37,663 WE DID IT! 247 00:16:37,730 --> 00:16:45,730 ♪ ♪HERE WE ARE. 248 00:16:49,108 --> 00:16:50,843 AND NOW, HERE ARE THE NOMINEES FOR BEST MALE 249 00:16:50,909 --> 00:16:55,180 SUPPORTING ACTOR IN ANY MOTION PICTURE. 250 00:16:55,247 --> 00:16:59,284 WILLEM DAFOE, "POOR THINGS." 251 00:16:59,351 --> 00:17:04,289 ROBERT de NIRO, "KILLERS OF THE FLOWER MOON." 252 00:17:04,356 --> 00:17:09,428 ROBERT DOWNEY, JR., "OPPENHEIMER." 253 00:17:09,495 --> 00:17:17,495 RYAN GOSLING, "BARBIE." CHARLES MELTON, "MAY DECEMBER." 254 00:17:19,405 --> 00:17:27,405 MARK RUFFALO, "POOR THINGS." AND THE GOLDEN GLOBE GOES 255 00:17:28,647 --> 00:17:36,647 TO... ROBERT DOWNEY JR.! 256 00:17:42,928 --> 00:17:46,165 THIS IS ROBERT DOWNEY JR.'S FIFTH 257 00:17:46,231 --> 00:17:49,368 NOMINATION ANSWERED WIN. HE WINS HIS GOLDEN GLOBE TONIGHT 258 00:17:49,435 --> 00:17:57,435 FOR HIS ROLE OF LOUIS STRAUSS IN "OPPENHEIMER." 259 00:18:00,712 --> 00:18:05,984 YEAH, YEAH. I TOOK A BETA BLOCKER, SO THIS 260 00:18:06,051 --> 00:18:12,157 IS GOING TO BE A BREEZE. 261 00:18:12,224 --> 00:18:15,694 A SWEEPING STORY ABOUT THE ETHICAL DILEMMA OF NUCLEAR 262 00:18:15,761 --> 00:18:18,931 WEAPONS GROSSES $1 BILLION. DOES THAT TRACK? 263 00:18:18,997 --> 00:18:24,269 NO. UNLESS, AND BUT, BECAUSE, 264 00:18:24,336 --> 00:18:28,807 UNIVERSAL WENT ALL IN ON CHRISTOPHER NOLAN TO DIRECT 265 00:18:28,874 --> 00:18:35,914 CILLIAN MURPHY, WITH EMMA THOMAS PRODUCING, WITH EMILY AND 266 00:18:35,981 --> 00:18:38,917 FLORENCE AND THIS CAST AND CREW, AND HELPED THEM RENDER A GODDAMN 267 00:18:38,984 --> 00:18:40,519 MASTERPIECE. 268 00:18:40,586 --> 00:18:48,586 SEE, THAT'S NOT SUCH A LEAP. DOZENS OF FOLKS HAVE COME UP TO 269 00:18:48,994 --> 00:18:51,930 ME SINCE THE SUMMERTIME SAYING THAT I WAS "AN RECOGNIZABLY 270 00:18:51,997 --> 00:18:57,970 SUBTLE" AS LEWIS STRAUSS. TO MY FELLOW NOMINEES, LET'S NOT 271 00:18:58,036 --> 00:19:00,539 PRETEND THIS IS A COMPLIMENT. THIS IS A FIRST TIME, IT'S MORE 272 00:19:00,606 --> 00:19:08,606 OF A MOST IMPROVED PLAYER THING. FOR MY DUELING CAREER COUNSELS, 273 00:19:09,948 --> 00:19:12,951 THEY HAD THE GALL TO SAY I NEEDED TO RESTART MY CAREER. 274 00:19:13,018 --> 00:19:15,687 IT IS SELF IMPROVING AGENTS RIGHT. 275 00:19:15,754 --> 00:19:20,092 SPEAKING OF MOTIVATORS, MY PRIMARY CAREGIVER RIGHT THERE, 276 00:19:20,158 --> 00:19:26,932 SUSAN DOWNEY, SHE HAS LITERALLY MADE AN ART OUT OF EXTRACTING ME 277 00:19:26,999 --> 00:19:28,934 FROM MY COMFORT ZONES, THAT I NEED TO FEEL SAFE! 278 00:19:29,001 --> 00:19:32,838 BUT SHE'S EASY ON THE EYES, SO 279 00:19:32,905 --> 00:19:36,375 WHATEVS. LASTLY, GOLDEN GLOBES 280 00:19:36,441 --> 00:19:39,978 JOURNALISTS, THANKS FOR CHANGING YOUR GAME, THEREFORE CHANGING 281 00:19:40,045 --> 00:19:42,814 YOUR NAME. SALUTE. 282 00:19:50,122 --> 00:19:54,626 ♪ ♪ LOOKS LIKE 283 00:19:54,693 --> 00:19:59,932 KERI RUSSELL IS IN PARTY MODE! COMING UP, MORE WINNERS, MORE 284 00:19:59,998 --> 00:20:04,503 TROPHIES, AND MORE SPEECHES. ♪ ♪ 285 00:20:07,306 --> 00:20:10,042 CBS'S TELECAST OF THE 81st GOLDEN GLOBE AWARDS IS 286 00:20:10,108 --> 00:20:11,108 SPONSORED BY PFIZER. 287 00:20:27,025 --> 00:20:28,961 WELCOME BACK. AS YOU KNOW, WE CAME ON AFTER A 288 00:20:29,027 --> 00:20:30,562 FOOTBALL DOUBLEHEADER. THE BIG DIFFERENCE BETWEEN 289 00:20:30,629 --> 00:20:35,968 THE GOLDEN GLOBES AND THE NFL... ON THE GOLDEN GLOBES, FEWER 290 00:20:36,034 --> 00:20:42,341 CAMERA SHOTS OF TAYLOR SWIFT. I SWEAR, THERE'S MORE TO GO TO 291 00:20:42,407 --> 00:20:43,642 HERE. SORRY ABOUT THAT. 292 00:20:43,709 --> 00:20:46,578 PLEASE WELCOME THE STAR OF THE UPCOMING FILM, "TO THE EDGE," 293 00:20:46,645 --> 00:20:48,380 ORLANDO BLOOM, AND LAST YEAR'S GOLDEN GLOBE WINNER FOR 294 00:20:48,447 --> 00:20:51,450 "THE DROPOUT," AMANDA SEYFRIED. 295 00:21:08,000 --> 00:21:10,936 ♪ ♪LIMITED SERIES, ANTHOLOGY 296 00:21:11,003 --> 00:21:13,405 FOR TV ARE NOT FORM ALL THEIR OWN. 297 00:21:13,472 --> 00:21:16,742 THESE ARE THE PERFORMANCES THAT WE WANT TO DISCUSS WITH THE 298 00:21:16,808 --> 00:21:19,144 PEOPLE AROUND US, THE PERFORMANCES THAT WARRANT YOUR 299 00:21:19,211 --> 00:21:22,648 BEST FRIEND TO SAY TO YOU, "DON'T TALK TO YOU UNTIL YOU 300 00:21:22,714 --> 00:21:24,650 FINISHED." SHOWS HAT YOU STAY UP ALL 301 00:21:24,716 --> 00:21:28,487 NIGHT WATCHING BECAUSE YOU CAN'T WAIT TO KNOW WHAT'S GOING HAPPEN 302 00:21:28,553 --> 00:21:31,356 NEXT. HERE ARE THE NOMINEES FOR 303 00:21:31,423 --> 00:21:32,791 SOME OF THE TOP PERFORMANCES THIS YEAR. 304 00:21:32,858 --> 00:21:35,527 RILEY KEOUGH, "DAISY JONES & THE SIX." 305 00:21:35,594 --> 00:21:40,966 BRIE LARSON, "LESSONS IN CHEMISTRY." 306 00:21:41,033 --> 00:21:49,033 ELIZABETH OLSEN, "LOVE & DEATH." JUNO TEMPLE, "FARGO." 307 00:21:50,676 --> 00:21:58,676 RACHEL WEISZ, "DEAD RINGERS." ALI WONG, "BEEF." 308 00:22:05,624 --> 00:22:06,925 RACHEL WEISZ, "DEAD RINGERS." ALI WONG, "BEEF." 309 00:22:06,992 --> 00:22:07,759 AND THE GOLDEN GLOBE GOES 310 00:22:07,826 --> 00:22:11,830 TO... ALI WONG. 311 00:22:21,573 --> 00:22:25,310 THIS IS ALI WONG'S FIRST NOMINATION, AND SHE 312 00:22:25,377 --> 00:22:29,715 GETS HER FIRST WIN. ALI WINS HER GOLDEN GLOBE 313 00:22:29,781 --> 00:22:31,783 TONIGHT FOR HER ROLE OF AMY. ♪ ♪ 314 00:23:06,918 --> 00:23:11,923 MY GOD! I REALLY NEED TO THANK SONNY SO 315 00:23:11,990 --> 00:23:16,194 MUCH FOR CREATING SUCH A BEAUTIFUL SHOW, AND INVITING ME 316 00:23:16,261 --> 00:23:21,099 TO BE PART OF IT, AND THE FRIENDSHIP THAT I MADE WITH YOU 317 00:23:21,166 --> 00:23:24,870 AND STEVEN AND JAKE AND THE REST OF THE CAST AND CREW WILL ALWAYS 318 00:23:24,936 --> 00:23:28,640 BE THE BEST THING THAT CAME OUT OF "BEEF." 319 00:23:28,707 --> 00:23:33,712 I REALLY NEED TO THANK THE FATHER OF MY CHILDREN AND MY 320 00:23:33,779 --> 00:23:36,448 BEST FRIEND, JUSTIN, FOR ALL YOUR LOVE AND SUPPORT. 321 00:23:36,515 --> 00:23:41,920 IT'S BECAUSE OF YOU THAT I'M ABLE TO BE A WORKING MOTHER. 322 00:23:41,987 --> 00:23:42,754 OKAY, THANKS. 323 00:23:42,821 --> 00:23:47,793 ♪ ♪ PLEASE WELCOME, 324 00:23:47,859 --> 00:23:50,128 THE BALLAD OF SONGBIRDS AND 325 00:23:50,195 --> 00:23:52,597 SNAKES," HUNTER SCHAFER, AND STAR OF THE SERIES "TRACKER," 326 00:23:52,664 --> 00:23:58,637 JUSTIN HARTLEY. 327 00:23:58,703 --> 00:24:05,510 ♪ ♪THESE NEXT NOMINEES WERE IN 328 00:24:05,577 --> 00:24:10,916 SOME OF MY FAVORITE THINGS I BINGED THIS YEAR. 329 00:24:10,982 --> 00:24:13,285 YES, THEY WERE. THEY GAVE US EVERYTHING... 330 00:24:13,351 --> 00:24:15,053 DRAMA, COMEDY, HISTORY, REVISIONIST HISTORY. 331 00:24:15,120 --> 00:24:16,988 I WAS INTO ALL OF IT. THE ONLY BUMMER ABOUT ANY OF 332 00:24:17,055 --> 00:24:20,926 THEM IS THAT I WISH THERE WAS EVEN MORE TO WATCH. 333 00:24:20,992 --> 00:24:24,095 I DIDN'T WANT ANY OF THEM TO END. 334 00:24:24,162 --> 00:24:25,297 THAT'S VERY TRUE. ME, NEITHER. 335 00:24:25,363 --> 00:24:27,165 WELL, THINK ABOUT IT THIS WAY: WE'RE KIND OF GETTING A BONUS 336 00:24:27,232 --> 00:24:29,234 SCENE TONIGHT FROM THE WINNER. I'LL TAKE IT. 337 00:24:29,301 --> 00:24:31,570 HERE ARE THE NOMINEES FOR MALE ACTOR IN A LIMITED SERIES, 338 00:24:31,636 --> 00:24:35,240 ANTHOLOGY SERIES, OR MADE FOR TELEVISION MOVIE. 339 00:24:35,307 --> 00:24:40,478 MATT BOMER, "FELLOW TRAVELERS." 340 00:24:40,545 --> 00:24:45,083 SAM CLAFLIN, "DAISY JONES & THE SIX." 341 00:24:45,150 --> 00:24:50,388 JON HAMM, "FARGO." WOODY HARRELSON, 342 00:24:50,455 --> 00:24:56,761 "WHITE HOUSE PLUMBERS." DAVID OYELOWO, 343 00:24:56,828 --> 00:25:04,828 BASS REEVES." STEVEN YEUN, "BEEF." 344 00:25:07,539 --> 00:25:15,539 AND THE GOLDEN GLOBE GOES TO... 345 00:25:15,981 --> 00:25:23,421 STEVEN YEUN, "BEEF." 346 00:25:23,488 --> 00:25:25,557 ♪ ♪ THIS IS STEVEN 347 00:25:25,624 --> 00:25:29,828 YEUN'S FIRST NOMINATION IN FIRST WIN, AS WELL. 348 00:25:29,895 --> 00:25:35,267 HE WINS HIS GOLDEN GLOBE TONIGHT FOR HIS ROLE AS DANNY CHO IN 349 00:25:35,333 --> 00:25:37,335 "BEEF." ♪ ♪ 350 00:26:07,332 --> 00:26:12,837 WOW. THANK YOU SO MUCH FOR THIS. 351 00:26:12,904 --> 00:26:15,907 THANK YOU TO THE GOLDEN GLOBES. IT'S SO WEIRD, THE STORY I 352 00:26:15,974 --> 00:26:21,913 USUALLY TELL OF MYSELF TO MYSELF IS ONE OF ISOLATION AND, LIKE, 353 00:26:21,980 --> 00:26:24,582 SEPARATENESS, THEN YOU COME UP HERE AND YOU HAVE THIS MOMENT 354 00:26:24,649 --> 00:26:31,923 AND YOU CAN ONLY JUST THINK ABOUT EVERYONE ELSE. 355 00:26:31,990 --> 00:26:34,993 AND THAT FEELS LIKE THE PLOT OF "FROZEN," I JUST NOTICED. 356 00:26:40,999 --> 00:26:41,967 SHOUT OUT TO MY DAUGHTER, RUT 357 00:26:42,033 --> 00:26:47,939 RUTHIE. FAMILY MOVIE NIGHT. 358 00:26:48,006 --> 00:26:54,946 YEAH, I'M JUST SO THANKFUL. I'M JUST THE RECIPIENT OF A LONG 359 00:26:55,013 --> 00:27:02,020 LINE OF COMPASSION AND LOVE, AND PROTECTION, AND GOODWILL. 360 00:27:02,087 --> 00:27:07,359 SO I APPRECIATE THIS. JOANNA, I LOVE YOU. 361 00:27:07,425 --> 00:27:12,897 YOU ARE MY STRENGTH. THANK YOU TO JUDY AND RUTHIE. 362 00:27:12,964 --> 00:27:17,335 SUNNY, J, CAST AND CREW, LETTER A 24. 363 00:27:17,402 --> 00:27:20,939 GOD BLESS YOU, THANK YOU SO MU MUCH. 364 00:27:28,980 --> 00:27:31,016 THE GOSSIP AND THE ACCOLADES SEEM TO BE FLOWING 365 00:27:31,082 --> 00:27:32,951 DOWN THERE. AFTER THE BREAK, MORE "BESTS" 366 00:27:33,018 --> 00:27:35,020 WILL WALK AWAY WITH A GOLDEN GLOBE. 367 00:27:53,004 --> 00:27:54,172 ♪ ♪ PLEASE WELCOME, 368 00:27:54,239 --> 00:27:56,341 EXECUTIVE PRODUCER AND STAR OF "THE ROYAL HOTEL," GOLDEN GLOBE 369 00:27:56,408 --> 00:28:00,378 WINNER JULIA GARNER, AND STAR OF "FELLOW TRAVELERS" AND UPCOMING 370 00:28:00,445 --> 00:28:04,449 MOVIE, "WICKED," JONATHAN BAILEY. 371 00:28:07,752 --> 00:28:10,622 IT'S THE FIRST BIG HOLLYWOOD 372 00:28:10,688 --> 00:28:14,426 PARTY SINCE THE STRIKES, AND I'M SO THRILLED TO BE HERE! 373 00:28:14,492 --> 00:28:16,895 YOU KNOW, THIS IS MY FIRST GOLDEN GLOBES. 374 00:28:16,961 --> 00:28:18,897 SO, JULIA, WHAT DO I HAVE TO KNOW? 375 00:28:18,963 --> 00:28:26,963 DO NOT LISTEN TO JASON BATEMAN. 376 00:28:29,974 --> 00:28:34,245 SHHHH. 377 00:28:34,312 --> 00:28:39,851 TURN IT DOWN, TURN IT DOWN. UNLESS IT'S ON A PODCAST. 378 00:28:39,918 --> 00:28:41,519 YEAH. SMART. 379 00:28:41,586 --> 00:28:44,589 LET'S LOOK AT THE NOMINEES. YEAH. 380 00:28:44,656 --> 00:28:49,327 THE NOMINEES FOR BEST PERFORMANCE... 381 00:28:49,394 --> 00:28:51,896 ELIZABETH DEBICKI, "THE CROWN." 382 00:28:51,963 --> 00:28:55,300 ABBY ELLIOTT, "THE BEAR." CHRISTINA RICCI, 383 00:28:55,366 --> 00:29:03,208 "YELLOWJACKETS." J. SMITH-CAMERON, "SUCCESSION." 384 00:29:03,274 --> 00:29:10,882 MERYL STREEP, "ONLY MURDERS IN THE BUILDING." 385 00:29:10,949 --> 00:29:18,949 HANNAH WADDINGHAM, "TED LASSO." AND THE GOLDEN GLOBE GOES 386 00:29:20,158 --> 00:29:23,161 TO... ELIZABETH DEBICKI. 387 00:29:31,002 --> 00:29:34,172 THIS IS ELIZABETH DEBICKI'S SECOND 388 00:29:34,239 --> 00:29:36,574 NOMINATION AND FIRST WIN. SHE WINDSOR GOLDEN GLOBE TONIGHT 389 00:29:36,908 --> 00:29:39,911 FOR HER ROLE OF PRINCESS DIANA IN "THE CROWN." 390 00:29:55,460 --> 00:29:58,863 ♪ ♪I HAVE TO TAKE IT. 391 00:29:58,930 --> 00:30:02,967 I HAVE TO TAKE IT. OKAY, THANK YOU SO MUCH. 392 00:30:03,034 --> 00:30:06,704 THANK YOU TO THE CREATIVE CREATORS OF THIS SHOW FOR 393 00:30:06,771 --> 00:30:12,977 TRUSTING ME WITH THIS PART, TO OUR CAST AND CR 394 00:30:13,044 --> 00:30:17,749 CREW, TO MY BEAUTIFUL PRETEND CHILDREN WHO I JUST ADORE, TO MY 395 00:30:17,815 --> 00:30:25,815 MOM AND MY DAD, AND THOSE WHO ARE IN AUSTRALIA IN THEIR 396 00:30:25,890 --> 00:30:27,325 PAJAMAS, HOPEFULLY, WATCHING THIS. 397 00:30:27,392 --> 00:30:31,262 TO MY PARTNER, CHRISTIAN, WHO SAID, "DON'T THANK ME SO I'M NOT 398 00:30:31,329 --> 00:30:34,666 ON TELEVISION," BUT I'M GOING TO THANK YOU ANYWAY. 399 00:30:34,732 --> 00:30:38,937 WHO ELSE? GOODNESS. 400 00:30:39,003 --> 00:30:43,441 MAYBE THAT'S IT. 401 00:30:43,508 --> 00:30:47,845 THIS IS JUST ASTONISHING TO ME. MY AGENT, AND MY PUBLICIST, AND 402 00:30:47,912 --> 00:30:52,884 I JUST WANT TO SAY THANK YOU TO MY BELOVED AND DEAR GODMOTHER 403 00:30:52,951 --> 00:30:57,255 WHO LEFT US TOO QUICKLY, TOO SOON. 404 00:30:57,322 --> 00:30:59,857 THIS ONE'S FOR YOU, BABY. THANKS. 405 00:31:03,595 --> 00:31:05,430 PLEASE WELCOME, WRITER, DIRECTOR, AND STAR OF 406 00:31:05,496 --> 00:31:07,398 THE FILM "SOMEWHERE IN QUEENS," RAY ROMANO, AND NOMINATED 407 00:31:07,465 --> 00:31:12,704 TONIGHT FOR "THE DIPLOMAT," KERI RUSSELL. 408 00:31:18,309 --> 00:31:20,945 THANK YOU. HAPPY NEW YEAR, EVERYBODY! 409 00:31:21,012 --> 00:31:25,783 YES, HAPPY NEW YEAR. BY THE WAY, I DON'T KNOW ABOUT 410 00:31:25,850 --> 00:31:27,685 YOU, KERI, MY RESOLUTION IS JUST TO BE TRUTHFUL. 411 00:31:27,752 --> 00:31:30,989 IT IS SO HARD TO HEAR THE TRUTH NOWADAYS. 412 00:31:31,055 --> 00:31:35,727 I KNOW THAT'S HARD TO DO IN THIS TOWN, BUT WE ARE ONLY HERE FOR A 413 00:31:35,793 --> 00:31:36,694 SHORT TIME. WHY NOT? 414 00:31:36,761 --> 00:31:43,001 WHY NOT THE TRUTH? THAT'S SUCH A BEAUTIFUL 415 00:31:43,067 --> 00:31:44,269 STATEMENT, RAY. 416 00:31:44,335 --> 00:31:47,605 I'M GONNA DO THE SAME. ABSOLUTELY. 417 00:31:47,672 --> 00:31:52,176 WHY NOT? HERE IS MY TRUTH. 418 00:31:52,243 --> 00:31:56,147 I'VE BEEN A FAN OF YOURS FOR A LONG TIME, BUT WHEN I SAW YOU ON 419 00:31:56,214 --> 00:32:01,452 "THE AMERICANS," BLOWN AWAY. HOW STRONG THE PERFORMANCE WAS, 420 00:32:01,519 --> 00:32:02,353 YES. BRILLIANT. 421 00:32:02,420 --> 00:32:05,923 JUST REMARKABLE. 422 00:32:05,990 --> 00:32:13,990 THANK YOU VERY MUCH, RAY. AND I LOVED... 423 00:32:15,700 --> 00:32:20,638 EVERYTHING YOU JUST SAID. 424 00:32:20,705 --> 00:32:25,910 OKAY! OKAY. 425 00:32:25,977 --> 00:32:32,116 WE ARE HERE... HOLD ON, HOLD ON, HOLD ON. 426 00:32:32,183 --> 00:32:36,220 THAT'S IT? SORRY, JUST THE WHOLE THING 427 00:32:36,287 --> 00:32:39,424 YOU SAID, THE TELLING THE TRUTH THING, I JUST GOT NERVOUS, 428 00:32:39,490 --> 00:32:41,225 AND... I GET IT. 429 00:32:41,292 --> 00:32:43,594 THE TRUTH IS NOT EASY. BUT NOTHING? 430 00:32:43,661 --> 00:32:48,266 HOW ABOUT MY MOVIE? DID YOU SEE 431 00:32:48,333 --> 00:32:53,938 "SOMEWHERE IN QUEENS?" UM... 432 00:32:54,005 --> 00:32:56,174 YOU KNOW WHAT? THE TRUTH IS STUPID. 433 00:32:56,240 --> 00:32:59,210 WE ARE IN HOLLYWOOD. LET'S JUST DO WHAT WE DO. 434 00:32:59,277 --> 00:33:02,213 THANK YOU. YEAH. 435 00:33:02,280 --> 00:33:05,450 GREAT, I AGREE. I SAW YOUR MOVIE AND I LOVED IT. 436 00:33:05,516 --> 00:33:06,517 THANK YOU. 437 00:33:06,584 --> 00:33:11,589 AND YOU ARE GOING TO WIN. YOU ARE TO WIN TONIGHT! 438 00:33:11,656 --> 00:33:16,794 LET ME TELL YOU SOMETHING, I'VE 439 00:33:16,861 --> 00:33:24,861 SEEN... I'M ALMOST UP TO DATE ON "THE LAUNDROMAT." 440 00:33:24,969 --> 00:33:26,304 IT'S BRILLIANT. DIPLOMAT. 441 00:33:26,371 --> 00:33:30,641 CORRECT. CORRECT. 442 00:33:30,708 --> 00:33:33,044 ALL RIGHT, LET'S GO. THE NOMINEES FOR BEST 443 00:33:33,111 --> 00:33:34,946 PERFORMANCE BY A MALE ACTOR N A SUPPORTING ROLE ON TELEVISION 444 00:33:35,012 --> 00:33:39,183 - ARE... - BILLY CRUDUP, 445 00:33:39,250 --> 00:33:47,250 "THE MORNING SHOW." MATTHEW MACFADYEN, "SUCCESSION." 446 00:33:47,325 --> 00:33:55,325 JAMES MARSDEN, "JURY DUTY." EBON MOSS-BACHRACH, "THE BEAR." 447 00:33:56,834 --> 00:34:04,834 ALAN RUCK, "SUCCESSION." ALEXANDER SKARSGARD, 448 00:34:05,977 --> 00:34:13,977 "SUCCESSION." AND THE GOLDEN GLOBE GOES 449 00:34:14,051 --> 00:34:18,055 TO... MATTHEW MACFADYEN, "SUCCESSION." 450 00:34:26,998 --> 00:34:29,300 THIS IS MATTHEW MACFADYEN'S FIRST NOMINATION AND 451 00:34:29,367 --> 00:34:31,669 FIRST WIN. MATTHEW WINS HIS GOLDEN GLOBE 452 00:34:31,736 --> 00:34:35,373 TONIGHT FOR THE ROLE OF TOM IN "SUCCESSION." 453 00:35:03,501 --> 00:35:09,674 THANK YOU SO MUCH. THANK YOU SO MUCH. 454 00:35:09,740 --> 00:35:13,911 I JUST ADORED EVERY SECOND PLAYING THE WEIRD AND WONDERFUL 455 00:35:13,978 --> 00:35:20,518 HUMAN GREASE STAIN THAT IS TOM WAMBSGANS. 456 00:35:20,585 --> 00:35:22,453 TOM WAMBSGANS, CEO, I SHOULD SAY. 457 00:35:22,520 --> 00:35:27,692 GOD HELP US. MY LOVE AND THANKS AND 458 00:35:27,758 --> 00:35:32,063 ADMIRATION TO JESSE ARMSTRONG, AS ALWAYS. 459 00:35:32,129 --> 00:35:33,664 AND TO ALL ERIC'S ORDINARY 460 00:35:33,731 --> 00:35:36,467 WRITERS. I'M TOO SCARED TO NAME THEM ALL, 461 00:35:36,534 --> 00:35:39,303 BECAUSE I'LL FORGET SOMEONE AND I WANT SLEEP. 462 00:35:39,370 --> 00:35:44,775 TO ADAM McKAY, FRANCIE MAZELIKE, HBO, WONDERFUL 463 00:35:44,842 --> 00:35:49,247 DIRECTORS AND PRODUCERS, AND OF COURSE ARE GORGEOUS CREW AND 464 00:35:49,313 --> 00:35:54,385 CAST WHO I MISS VERY MUCH. THANK YOU. 465 00:36:00,491 --> 00:36:05,897 OOH, LOOKS LIKE SOME STARS ARE MINGLING WITH THE 466 00:36:05,963 --> 00:36:07,899 COMPETITION. STILL TO COME... SPIDERMAN, 467 00:36:07,965 --> 00:36:10,134 PRESIDENT BARBIE, AND A BRAND NEW CATEGORY GETS A WINNER 468 00:36:10,201 --> 00:36:11,202 FOR THE FIRST TIME! ♪ ♪ 469 00:36:22,980 --> 00:36:25,049 WELCOME BACK. THIS YEAR THE GOLDEN GLOBES 470 00:36:25,116 --> 00:36:28,920 WANTED TO HONOR MY CULTURE, SO, FOR THE FIRST TIME, 471 00:36:28,986 --> 00:36:34,225 THEY SERVED SUSHI. I JUST WANT TO SAY, I'M 472 00:36:34,292 --> 00:36:39,931 FILIPINO. WE COOK OUR FISH. 473 00:36:39,997 --> 00:36:42,199 EVERY YEAR, THE GOLDEN GLOBE FOUNDATION GIVES GRANTS TO 474 00:36:42,266 --> 00:36:44,835 IMPORTANT ORGANIZATIONS THAT FOCUS ON THE ARTS. 475 00:36:44,902 --> 00:36:47,405 AT FRIDAY NIGHT'S FOUNDATION DINNER, THE GOLDEN GLOBES 476 00:36:47,471 --> 00:36:53,878 CONTINUED ITS GENEROSITY BY AWARDING $5 MILLION. 477 00:36:53,945 --> 00:36:55,413 THIS YEAR, TWO ASPIRING 478 00:36:55,479 --> 00:36:58,215 FILMMAKERS HAVE BEEN SELECTED TO BE TROPHY PRESENTERS. 479 00:36:58,282 --> 00:37:03,654 PLEASE WELCOME GOLDEN GLOBE FELLOWSHIP RECIPIENT 480 00:37:03,721 --> 00:37:06,624 MARENEMIKO ELARDO, AND GOLDEN GLOBE SCHOLAR RECIPIENT, 481 00:37:06,691 --> 00:37:14,691 DAKOTA MARSHALL. 482 00:37:16,067 --> 00:37:18,536 AND NOW, FROM THE GOLDEN GLOBE NOMINATED FILM 483 00:37:18,603 --> 00:37:20,471 ACROSS THE SPIDER-VERSE," 484 00:37:20,538 --> 00:37:22,340 DANIEL KALUUYA, HAILEE STEINFELD, AND 485 00:37:22,406 --> 00:37:27,244 SHAMEIK MOORE. 486 00:37:43,294 --> 00:37:44,228 THIS YEAR WE WERE ALL REMINDED OF THE CRITICAL 487 00:37:44,295 --> 00:37:46,764 IMPORTANCE OF WRITERS TO THE CREATIVE PROCESS. 488 00:37:46,831 --> 00:37:49,400 TO DEMONSTRATE THE IMPORTANCE OF WRITERS AND WRITING, WE ASKED 489 00:37:49,467 --> 00:37:51,969 THAT THIS SEGMENT BE WRITTEN NOT BY WRITERS, BUT BY STUDIO 490 00:37:52,036 --> 00:37:58,242 EXECUTIVES. 491 00:37:58,309 --> 00:38:01,278 WHAT IS UP, SHAMEIK? 492 00:38:01,345 --> 00:38:03,781 NOT MUCH, DANIEL. HOW ARE YOU, HAILEE? 493 00:38:03,848 --> 00:38:09,353 I AM RELATABLE. I AM ENJOY THE "GOLDEN GLOBS." 494 00:38:09,420 --> 00:38:11,822 DO YOU AGREE? I DO AGREE. 495 00:38:11,889 --> 00:38:17,228 AS DO I. 496 00:38:17,294 --> 00:38:19,597 WE ARE HERE WITH MY FELLOW ACTORS FOR THE AWARDS SHOW THAT 497 00:38:19,664 --> 00:38:21,599 WE ARE HAVING TOGETHER TO PRESENT THE CATEGORY OF THE 498 00:38:21,666 --> 00:38:25,336 WRITING. SCREENPLAYS ARE FOR WRITING 499 00:38:25,403 --> 00:38:29,607 AND TO MAKE ACTORS SAY WORDS FOR THE AUDIENCE. 500 00:38:29,674 --> 00:38:32,643 HERE ARE THESE NOMINATIONS FOR MOVIE WRITING FOR THE 501 00:38:32,710 --> 00:38:38,849 MOVIES. 502 00:38:38,916 --> 00:38:44,922 GRETA GERWIG, NOAH BAUMBACH, "BARBIE." 503 00:38:44,989 --> 00:38:48,025 - WE ARE GIRLFRIEND BOYFRIEND. - TONY McNAMARA, 504 00:38:48,092 --> 00:38:53,931 "POOR THINGS." THE MAN OVER THERE BLINKED AT 505 00:38:53,998 --> 00:38:55,466 - POLITE, I WOULD THINK. - CHRISTOPHER NOLAN, 506 00:38:55,533 --> 00:38:59,837 "OPPENHEIMER." HOW ABOUT BECAUSE THIS IS THE 507 00:38:59,904 --> 00:39:01,572 MOST IMPORTANT THING TO HAPPEN IN THE HISTORY OF THE WORLD? 508 00:39:01,639 --> 00:39:03,441 ERIC ROTH, MARTIN SCORSESE, 509 00:39:03,507 --> 00:39:11,507 "KILLERS OF THE FLOWER MOON." CELINE SONG, "PAST LIVES." 510 00:39:20,024 --> 00:39:21,859 JUSTINE TRIET, ARTHUR HARARI, 511 00:39:21,926 --> 00:39:29,926 "ANATOMY OF A FALL." SOMETIMES A COUPLE... 512 00:39:31,569 --> 00:39:39,569 AND THE GOLDEN GLOBE GOES TO... 513 00:39:44,915 --> 00:39:49,553 - JUSTINE TRIET AND ARTHUR HARARI. - THIS IS THE 514 00:39:49,620 --> 00:39:52,323 WRITING TEAM'S FIRST NOMINATION AND WIN. 515 00:39:52,389 --> 00:40:00,389 ACCEPTING THE AWARD IS JUSTINE TRIET. 516 00:40:05,169 --> 00:40:13,169 ♪ ♪OKAY, SORRY. 517 00:40:18,115 --> 00:40:19,950 WOW, WOW, WOW. OKAY. 518 00:40:20,017 --> 00:40:23,020 THANK YOU SO MUCH. LOOKING BACK TO WHEN I STARTED 519 00:40:23,087 --> 00:40:24,922 THIS PROJECT... SORRY FOR MY ENGLISH. 520 00:40:24,989 --> 00:40:32,989 WE WERE IN THE CHAOS, AND MY LIFE PARTNER AND I SPENT OUR 521 00:40:33,364 --> 00:40:36,700 DAYS COWRITING THE SCREENPLAY OF "ANATOMY OF A FALL," STUCK IN 522 00:40:36,767 --> 00:40:40,704 OUR APARTMENT, AND STRANGELY, NOBODY DIED. 523 00:40:40,771 --> 00:40:44,208 I REMEMBER WE KEPT ON SAYING, 524 00:40:44,275 --> 00:40:49,046 OKAY, WELL, WE ARE HAVING A LOT OF FUN, BUT NOBODY IS GOING SEE 525 00:40:49,113 --> 00:40:51,816 THIS MOVIE. IT IS TOO ALONG, THEY TALK ALL 526 00:40:51,882 --> 00:40:57,288 THE TIME, THERE'S NO SCORE. A COUPLE FIGHTING, SUICIDE, A 527 00:40:57,354 --> 00:41:00,524 DOG VOMITING. I MEAN, COME ON. 528 00:41:00,591 --> 00:41:04,895 BUT I WANT TO MAKE THIS FILM. SO I WILL MAKE A FILM AND 529 00:41:04,962 --> 00:41:10,034 AFTERWARDS I WILL MAKE A SERIES. SO I DON'T KNOW EXACTLY HOW 530 00:41:10,100 --> 00:41:15,840 THINGS WENT, BUT THANK YOU VERY MUCH FOR ENCOURAGING ME TO GO ON 531 00:41:15,906 --> 00:41:18,375 EXACTLY WHAT I LOVE. THANK YOU SO MUCH. 532 00:41:23,747 --> 00:41:27,952 ♪ ♪ PLEASE WELCOME, 533 00:41:28,018 --> 00:41:30,988 STAR OF "LOPEZ vs. LOPEZ," GEORGE LOPEZ, AND COMEDIAN AND 534 00:41:31,055 --> 00:41:35,993 ACTOR GABRIEL "FLUFFY" IGLESIAS. 535 00:41:51,976 --> 00:41:54,812 THAT'S BETTER. THEY LOOK GOOD, MAN. 536 00:41:54,879 --> 00:42:00,317 WE ARE TWO GUYS WHO HAVE BEEN 537 00:42:00,384 --> 00:42:03,153 IN THIS INDUSTRY FOR A LONG, LONG TIME, SO WE KNOW WHEN 538 00:42:03,220 --> 00:42:05,422 SOMEONE'S GOT THAT SPECIAL "IT" FACTOR. 539 00:42:05,489 --> 00:42:07,558 YOU KNOW, LIKE US. AND WE'VE BEEN ASKED TO MAKE 540 00:42:07,625 --> 00:42:14,098 SURE ALL THE NOMINEES IN THIS CATEGORY ALSO HAVE "IT" FACTOR. 541 00:42:14,164 --> 00:42:16,033 STARTING WITH... BILL HADER? 542 00:42:16,100 --> 00:42:17,768 GOT "IT." JASON SEGEL? 543 00:42:17,835 --> 00:42:20,137 JASON SUDEIKIS? THE JSes? 544 00:42:20,204 --> 00:42:22,873 GOT IT, AND GOT IT. JEREMY ALLEN WHITE? 545 00:42:22,940 --> 00:42:26,744 YEAH, DEFINITELY. HE'S DEFINITELY GOT IT. 546 00:42:26,810 --> 00:42:31,282 STEVE MARTIN? MARTIN SHORT? 547 00:42:31,348 --> 00:42:34,051 THEY'VE GOT IT. PEDRO PASCAL? 548 00:42:34,118 --> 00:42:38,923 HE'S GOT IT. HE GOT GOOD PARKING, TOO. 549 00:42:38,989 --> 00:42:41,258 THEY INVENTED "IT." LET'S CHECK AND SEE WHO WINS. 550 00:42:41,325 --> 00:42:43,961 HERE ARE THE NOMINEES FOR BEST PERFORMANCE BY A MALE ACTOR 551 00:42:44,028 --> 00:42:49,967 IN A TELEVISION SERIES, MUSICAL OR COMEDY. 552 00:42:50,034 --> 00:42:54,471 BILL HADER, "BARRY." 553 00:42:54,538 --> 00:42:59,243 STEVE MARTIN, "ONLY MURDERS IN THE BUILDING." 554 00:42:59,310 --> 00:43:04,515 JASON SEGEL, "SHRINKING." MARTIN SHORT, 555 00:43:04,581 --> 00:43:12,581 "ONLY MURDERS IN THE BUILDING." JASON SUDEIKIS, "TED LASSO." 556 00:43:14,191 --> 00:43:22,191 JEREMY ALLEN WHITE, "THE BEAR." 557 00:43:26,136 --> 00:43:33,110 AND THE WINNER IS... JEREMY ALLEN WHITE! 558 00:43:41,452 --> 00:43:43,153 THIS IS JEREMY ALLEN WHITE'S SECOND 559 00:43:43,220 --> 00:43:47,992 NOMINATION AND SECOND WIN. HE IS 2 FOR 2 AND HE WINS HIS 560 00:43:48,058 --> 00:43:56,058 GOLDEN GLOBE TONIGHT FOR HIS ROLE OF CARMEN "CARMY" BERZATTO 561 00:43:59,036 --> 00:44:04,775 IN "THE BEAR." ♪ ♪ 562 00:44:04,842 --> 00:44:10,614 WOW, WOW, WOW, WOW. I CAN'T BELIEVE I'M IN THIS ROOM 563 00:44:10,681 --> 00:44:14,785 WITH ALL THESE PEOPLE I'VE LOVED SO MUCH, ADMIRED SO MUCH, FOR SO 564 00:44:14,852 --> 00:44:19,023 LONG. IT IS UNREAL. 565 00:44:19,089 --> 00:44:23,160 I LOVE THIS SHOW. I NEED TO THANK EVERYBODY AT FX. 566 00:44:23,227 --> 00:44:30,567 I NEED TO THANK... 567 00:44:30,634 --> 00:44:38,634 AND OUR LOVELY CREW, AND CAST. AYO, EBON... 568 00:44:40,010 --> 00:44:41,812 I LOVE YOU GUYS SO MUCH. 569 00:44:41,879 --> 00:44:44,348 I MUST HAVE DONE SOMETHING RIGHT IN THIS LIFE TO BE IN YOUR 570 00:44:44,415 --> 00:44:46,483 COMPANY. THANK YOU GUYS SO MUCH. 571 00:44:46,550 --> 00:44:50,754 WHAT ELSE? I GUYS. 572 00:44:50,821 --> 00:44:52,456 ANDREW. THANK YOU, MAN. 573 00:44:52,523 --> 00:44:58,362 MAX, JILLIAN, JUSTIN. WRAP IT UP, OKAY. 574 00:44:58,429 --> 00:45:01,899 EZRA AND LOUIS, YOU ARE MY 575 00:45:01,965 --> 00:45:04,101 HEART. I FEEL SO LUCKY I GET TO DO 576 00:45:04,168 --> 00:45:08,405 THIS. THANK YOU GUYS. 577 00:45:13,377 --> 00:45:18,916 PLEASE WELCOME, ACTOR AND COMEDIAN FROM UPCOMING 578 00:45:18,982 --> 00:45:20,784 NETFLIX FILM, "UNFROSTED: THE POP TART STORY," 579 00:45:20,851 --> 00:45:26,356 JIM GAFFIGAN. 580 00:45:26,423 --> 00:45:33,330 THANK YOU, THANK YOU. THANK YOU SO MUCH. 581 00:45:33,397 --> 00:45:36,133 THANK YOU. YOU KNOW, THIS IS SO EXCITING 582 00:45:36,200 --> 00:45:42,406 FOR ME. THE GOLDEN GLOBES. 583 00:45:42,473 --> 00:45:46,310 I MEAN, I CAN'T EVEN BELIEVE I'M IN THE ENTERTAINMENT INDUSTRY. 584 00:45:46,376 --> 00:45:48,946 I CAN'T. IT IS SO UNLIKELY. 585 00:45:49,012 --> 00:45:51,582 I'M FROM A SMALL TOWN IN INDIANA. 586 00:45:51,648 --> 00:45:57,421 I'M NOT A PEDOPHILE. 587 00:45:57,488 --> 00:45:59,656 YOU KNOW? I JUST... 588 00:45:59,723 --> 00:46:04,661 I DON'T KNOW IF THAT'S A NEW CATEGORY HERE, BUT I'M HERE TO 589 00:46:04,728 --> 00:46:08,899 PRESENT AN ALL NEW CATEGORY. ALL RIGHT? 590 00:46:08,966 --> 00:46:12,503 AND ALL NEW CATEGORY. 591 00:46:12,569 --> 00:46:18,041 THIS IS GOING TO BE THE FIRST TIME STAND-UP COMEDIANS ARE 592 00:46:18,108 --> 00:46:23,213 GOING TO BE ACKNOWLEDGED AT A MAJOR AWARD SHOW, OKAY? 593 00:46:23,280 --> 00:46:29,620 AND, IN A WAY, IT'S LIKE... THE 594 00:46:29,686 --> 00:46:33,023 GOLDEN GLOBES, 80 YEARS. FOR 80 YEARS, GOOD-LOOKING 595 00:46:33,090 --> 00:46:34,892 PEOPLE PEOPLE THROUGH A 596 00:46:39,129 --> 00:46:43,233 THREW A PARTY, ANDYOU GUYS FINAO INVITE THE TALETED PEOPLE. 597 00:46:43,300 --> 00:46:48,805 I MEAN THAT. 598 00:46:48,872 --> 00:46:53,177 ANYWAY, I AM HONORED TO PRESENT THIS AWARD. 599 00:46:53,243 --> 00:46:57,281 STAND-UP COMEDY IS A BRUTAL BUSINESS. 600 00:46:57,347 --> 00:47:01,752 AND THANKS TO NETFLIX, PEOPLE GET OVERPAID FOR IT. 601 00:47:01,818 --> 00:47:08,392 BUT THE NOMINEES FOR BEST 602 00:47:08,458 --> 00:47:14,431 PERFORMANCE IN STAND-UP COMEDY ON TELEVISION ARE... 603 00:47:14,498 --> 00:47:17,935 MY LAST SHOW DROPPED ON NETFLIX LAST YEAR. 604 00:47:18,001 --> 00:47:22,105 BIG BACKLASH, WASN'T IT? BIG BACKLASH. 605 00:47:22,172 --> 00:47:24,541 PEOPLE GOING, "YOU CAN'T SAY THAT." 606 00:47:24,608 --> 00:47:27,611 YOU CAN. 607 00:47:27,678 --> 00:47:31,215 I DID. 608 00:47:31,281 --> 00:47:38,455 I'M ENJOYING AMERICA MORE NOW THAN I EVER, EVER ENJOYED IT. 609 00:47:38,522 --> 00:47:43,493 EVERY DAY. I DON'T EVEN KNOW WHAT IT IS. 610 00:47:43,560 --> 00:47:46,463 YOU KNOW, I THINK YOU ENJOY A PLACE DIFFERENTLY WHEN IT MIGHT 611 00:47:46,530 --> 00:47:49,399 BE ENDING, YOU KNOW? 612 00:47:49,466 --> 00:47:52,035 THERE'S LIKE A DIFFERENT FEELING TO IT. 613 00:47:52,102 --> 00:47:55,672 IT'S JUST LIKE, WHAT IS THAT TASTE? 614 00:47:55,739 --> 00:47:59,810 THE FINAL SEASON? BEYONCE IS SO FINE, IF SHE 615 00:47:59,876 --> 00:48:07,517 WORKED AT BURGER KING, SHE COULD STILL MARRY JAY-Z. 616 00:48:07,584 --> 00:48:09,419 THAT'S HOW FINE SHE IS. 617 00:48:09,486 --> 00:48:15,359 NOW, IF JAY-Z WORKED AT BURGER KING... 618 00:48:15,425 --> 00:48:17,661 MY HUSBAND IS AMAZING. 619 00:48:17,728 --> 00:48:22,299 HE ALWAYS TURNS THE LIGHTS ON RIGHT BEFORE WE HAVE SEX. 620 00:48:22,366 --> 00:48:26,803 I'M LIKE, "SHUT 'EM OFF," AND HE PUTS THEM ON. 621 00:48:26,870 --> 00:48:28,739 FINALLY HE'S LIKE, "ARE YOU SO SHY? 622 00:48:28,805 --> 00:48:32,075 I LOVE YOUR BODY. ALL YOUR SCARS, YOU'RE 623 00:48:32,142 --> 00:48:36,246 BEAUTIFUL." I WAS LIKE, AWW, YOU THINK I 624 00:48:36,313 --> 00:48:38,315 DON'T WANT YOU TO SEE MADE?" 625 00:48:49,760 --> 00:48:52,696 I HAVE PEOPLE IN MY LIFE, MY 626 00:48:52,763 --> 00:48:55,699 SISTER IS A RABBI. I SEXTED WITH A JESUIT PRIEST 627 00:48:55,766 --> 00:49:00,637 FOR THREE YEARS. SO HOT. 628 00:49:00,704 --> 00:49:08,704 AND IT IS JESUIT. BECAUSE I SAID "JESUIT." 629 00:49:15,452 --> 00:49:17,521 I'M NOT SURE IF THE SPEECH IMPEDIMENT. 630 00:49:17,587 --> 00:49:24,328 MY LAST SPECIAL WASN'T 2019. IT WAS CALLED "NOT NORMAL." 631 00:49:24,394 --> 00:49:26,663 YEAH. SINCE THEN WE'VE HAD A PANDEMIC, 632 00:49:26,730 --> 00:49:31,268 AND INSURRECTION, ROE v. WADE GOT OVERTURNED. 633 00:49:31,335 --> 00:49:36,673 I SHOULD'VE CALLED THAT SPECIAL "THE GOOD OL' DAYS!" 634 00:49:36,740 --> 00:49:40,510 ALL RIGHT. 635 00:49:40,577 --> 00:49:45,282 AND THE GOLDEN GLOBE GOES TO... 636 00:49:45,349 --> 00:49:53,349 RICKY GERVAIS. 637 00:49:55,158 --> 00:50:01,565 YOU ARE NOT RICKY GERVAIS'. RICKY COULDN'T BE HERE TONIGHT. 638 00:50:01,631 --> 00:50:03,934 I WILL ACCEPT THIS AWARD ON HIS BEHALF. 639 00:50:04,000 --> 00:50:09,005 GIMME IT. THANK YOU. 640 00:50:15,078 --> 00:50:20,951 THE ROOM IS BUZZING WITH EXCITEMENT AND FUN. 641 00:50:21,017 --> 00:50:24,554 COMING UP, MORE STARS SERVING LOOKS AND GOLDEN GLOBES. 642 00:50:24,621 --> 00:50:25,781 AND LATER, ONE WORD... OPRAH! 643 00:50:42,038 --> 00:50:43,507 PLEASE WELCOME THE STARS OF "GHOSTS," 644 00:50:43,573 --> 00:50:51,573 UTKARSH AMBUDKAR AND ROSE McIVER. 645 00:50:56,586 --> 00:51:00,991 WE'RE HERE TO HAND OUT THE AWARD FOR BEST MOTION PICTURE, 646 00:51:01,057 --> 00:51:03,994 NON-ENGLISH LANGUAGE. WOOHOO! 647 00:51:04,060 --> 00:51:07,097 THESE FILMS FEATURED ALL KINDS OF LANGUAGES, RANGING FROM 648 00:51:07,164 --> 00:51:12,002 EVERYTHING SUCH AS FRENCH AND GERMAN, TO FINNISH AND GERMAN, 649 00:51:12,068 --> 00:51:14,371 TO EVEN POLISH AND GERMAN. AND, IN SOME INSTANCES, THE 650 00:51:14,438 --> 00:51:18,008 NON-ENGLISH LANGUAGE, OF... WELL, ENGLISH. 651 00:51:18,074 --> 00:51:21,845 YEP, THERE'S A LOT OF DIFFERENT KINDS OF WHITE PEOPLE, 652 00:51:21,912 --> 00:51:25,248 AND GRETA LEE. OKAY, HERE ARE THE NOMINEES. 653 00:51:25,315 --> 00:51:30,220 "ANATOMY OF A FALL," FRANCE. 654 00:51:30,287 --> 00:51:35,926 IT'S NOT REALITY. IT'S A PART OF IT, MAYBE. 655 00:51:35,992 --> 00:51:40,363 "FALLEN LEAVES," FINLAND. 656 00:51:43,967 --> 00:51:47,304 "IO CAPITANO," ITALY. 657 00:51:47,370 --> 00:51:55,370 "PAST LIVES," USA. "SOCIETY OF THE SNOW," SPAIN. 658 00:52:02,319 --> 00:52:02,586 "PAST LIVES," USA. "SOCIETY OF THE SNOW," SPAIN. 659 00:52:02,652 --> 00:52:03,652 VES? 660 00:52:06,089 --> 00:52:13,463 "THE ZONE OF INTEREST," UNITED KINGDOM/USA. 661 00:52:13,530 --> 00:52:20,704 AND THE GOLDEN GLOBE GOES TO... 662 00:52:20,770 --> 00:52:28,770 BOY. "ANATOMY OF A FALL." 663 00:52:31,948 --> 00:52:35,785 COMING TO THE STAGE TONIGHT AND ACCEPTING THE 664 00:52:35,852 --> 00:52:39,890 GOLDEN GLOBE FOR "ANATOMY OF A FALL" IS COWRITER AND DIRECTOR 665 00:52:39,956 --> 00:52:41,958 JUSTINE TRIET. ♪ ♪ 666 00:52:59,042 --> 00:53:00,977 ♪ ♪SORRY. 667 00:53:01,044 --> 00:53:08,518 THANK YOU SO MUCH. OKAY, THIS MOVIE IS ABOUT THE 668 00:53:08,585 --> 00:53:14,224 TRUTH, THE IMPOSSIBILITY OF CATCHING IT. 669 00:53:14,291 --> 00:53:18,228 I WANTED IT TO BE THE OBSESSION OF A CHILD. 670 00:53:18,295 --> 00:53:26,269 THIS CHILD IS HERE TONIGHT. THANK YOU, MILO, FOR GIVING US 671 00:53:26,336 --> 00:53:33,443 WAY MORE THAN YOUR 13-YEAR-OLD. THANK YOU FOR NEVER TRYING TO 672 00:53:33,510 --> 00:53:35,979 MAKE THIS CHARACTER A PERFECT HEROINE. 673 00:53:36,046 --> 00:53:39,683 THANK YOU FOR CREATING A COMPLEX WOMAN WHO NEVER APOLOGIZES FOR 674 00:53:39,749 --> 00:53:46,456 SAYING WHAT SHE THINKS. ANTOINE, THANK YOU FOR BEING THE 675 00:53:46,523 --> 00:53:54,523 NASTIEST PROSECUTOR OF THE YEAR. SWANN, THE SEXIEST LAWYER OF THE 676 00:53:55,298 --> 00:53:59,235 FRENCH ALPS, AND SNOOPY FOR BEING YOURSELF, JUST A DOG. 677 00:53:59,302 --> 00:54:05,308 THANK YOU, MY INCREDIBLE PRODUCER. 678 00:54:05,375 --> 00:54:10,013 THANK YOU, WHERE EVERYTHING BEGAN. 679 00:54:10,080 --> 00:54:13,049 AND THANK YOU TO MY DAUGHTERS. 680 00:54:13,116 --> 00:54:15,118 I LOVE YOU. 681 00:54:25,061 --> 00:54:25,996 ♪ ♪ PLEASE WELCOME, 682 00:54:26,062 --> 00:54:27,631 GOLDEN GLOBE WINNER AND DIRECTOR AND STAR OF 683 00:54:27,697 --> 00:54:31,935 AN AMERICAN SAGA," KEVIN COSTNER, AND GOLDEN GLOBE 684 00:54:32,002 --> 00:54:36,006 WINNER AND STAR OF THE NOMINATED FILM, "BARBIE," AMERICA FERRERA. 685 00:54:48,018 --> 00:54:51,588 SAY, AND SUCH A FAN OF YOURS. LIKE, "THE BODYGUARD." 686 00:54:51,655 --> 00:54:52,422 THE SCENE WHEN SAY "GOODBYE, RACHEL," AND 687 00:54:52,489 --> 00:54:56,092 SHE LEAVES, AND YOU RUN TO EACH OTHER? 688 00:54:56,159 --> 00:54:58,328 A CHILLS! AWW. 689 00:54:58,395 --> 00:55:00,563 WELL, YOU KNOW, YOU HAVE A SCENE 690 00:55:00,630 --> 00:55:03,099 THAT I REALLY LOVE. I THINK A LOT OF PEOPLE REALLY 691 00:55:03,166 --> 00:55:05,402 LOVE THAT SCENE. REALLY? 692 00:55:05,468 --> 00:55:13,468 WHICH SCENE IS THAT? THE "BARBIE" MOVIE. 693 00:55:14,044 --> 00:55:16,646 WHERE IT'S LITERALLY IMPOSSIBLE TO BE A WOMAN. 694 00:55:16,713 --> 00:55:19,949 YOU KNOW THAT? "YOU ARE SO BEAUTIFUL, YOU'RE SO 695 00:55:20,016 --> 00:55:22,552 SMART, IT KILLS ME YOU DON'T THINK YOU'RE GOOD ENOUGH." 696 00:55:22,619 --> 00:55:27,524 THAT WAS PRETTY GOOD. 697 00:55:27,590 --> 00:55:30,093 DID YOU, KEVIN COSTNER, MEMORIZE MY MONOLOGUE ABOUT 698 00:55:30,160 --> 00:55:36,933 WOMANHOOD FROM "BARBIE?" NO. 699 00:55:37,000 --> 00:55:41,104 OKAY. 700 00:55:41,171 --> 00:55:43,440 BUT IT'S AN IMPORTANT MESSAGE, REALLY. 701 00:55:43,506 --> 00:55:49,846 AND IT ALWAYS SERVES TO REMIND ME OF WHAT'S POSSIBLE IN FILM. 702 00:55:49,913 --> 00:55:52,082 AWW. YOU KNOW, IT JUST REMIND ME 703 00:55:52,148 --> 00:55:58,088 THAT, WHEN WE TAKE OUR TIME, WHEN WE MANAGED TO GET IT RIGHT, 704 00:55:58,154 --> 00:56:01,458 WHEN FILM IS WORKING AT ITS VERY BEST, IT CAN BE ABOUT MOMENTS 705 00:56:01,524 --> 00:56:06,229 YOU NEVER, EVER FORGET. A LOOK, A TOUCH, A KISS. 706 00:56:06,296 --> 00:56:11,835 THE SPEECH. AND YOU JUST HAD ON ONE OF THOSE 707 00:56:11,901 --> 00:56:13,069 MOMENTS. AWW! 708 00:56:13,136 --> 00:56:20,744 AND ALL THE ACTORS NOMINATED TONIGHT, THEY KNOW SO WELL THE 709 00:56:20,810 --> 00:56:22,912 POWER OF WRITING THEY'VE BEEN GIFTED, AND A CHANCE TO LIVE 710 00:56:22,979 --> 00:56:24,781 FOREVER. WOW! 711 00:56:24,848 --> 00:56:32,756 SO, YOU'RE NOT GONNA DO THE REST OF THE MONOLOGUE, RIGHT NOW, ON 712 00:56:32,822 --> 00:56:37,393 NATIONAL TELEVISION?! MAYBE LATER. 713 00:56:37,460 --> 00:56:38,995 LET'S INTRODUCE THE NOMINEES. FAIR ENOUGH. 714 00:56:39,062 --> 00:56:40,630 HERE ARE THE NOMINEES FOR FEMALE ACTOR, TELEVISION SERIES, 715 00:56:40,697 --> 00:56:44,934 - MUSICAL OR COMEDY. - RACHEL BROSNAHAN, 716 00:56:45,001 --> 00:56:49,939 "THE MARVELOUS MRS. MAISEL." QUINTA BRUNSON, 717 00:56:50,006 --> 00:56:58,006 "ABBOTT ELEMENTARY." AYO EDEBIRI, "THE BEAR." 718 00:56:58,181 --> 00:57:04,521 ELLE FANNING, "THE GREAT." SELENA GOMEZ, 719 00:57:04,587 --> 00:57:12,587 "ONLY MURDERS IN THE BUILDING." NATASHA LYONNE, "POKER FACE." 720 00:57:16,399 --> 00:57:17,834 AND THE GOLDEN GLOBE GOES 721 00:57:17,901 --> 00:57:25,901 TO... AYO EDEBIRI! 722 00:57:35,518 --> 00:57:38,454 THIS IS AYO EDEBIRI'S FIRST NOMINATION ON 723 00:57:38,521 --> 00:57:41,090 FIRST WIN. SHE WINS OR GOLDEN GLOBE TONIGHT 724 00:57:41,157 --> 00:57:43,159 FOR HER ROLE OF SYDNEY IN "THE BEAR." 725 00:57:59,676 --> 00:58:07,676 ♪ ♪OKAY, HELLO. 726 00:58:09,018 --> 00:58:13,489 I'M SO VERY GRATEFUL FOR THIS. I'M IN A ROOM FULL OF SO MANY 727 00:58:13,556 --> 00:58:17,427 PEOPLE WHO I ADMIRE, AND WHOSE WORK HAS LIFTED ME UP. 728 00:58:17,493 --> 00:58:20,230 I'M AN ARTIST, AND I'M VERY LUCKY TO BE AN ARTIST, AND I 729 00:58:20,296 --> 00:58:23,867 KNOW WE ALL FEEL THAT WAY, SO I REALLY WANT TO ACKNOWLEDGE THAT. 730 00:58:23,933 --> 00:58:31,933 I'M SO GRATEFUL TO THE HOLLYWOOD FOREIGN PRESS, AND TO MY FAMILY. 731 00:58:32,242 --> 00:58:36,546 MY FAMILY, MY FAMILY, MY FAMILY. EVERYBODY AT "THE BEAR." 732 00:58:36,613 --> 00:58:38,014 THAT'S MY FAMILY. I LOVE YOU SO MUCH. 733 00:58:38,081 --> 00:58:41,117 IT'S AN HONOR TO WORK WITH YOU AND GROW ALONGSIDE YOU. 734 00:58:41,184 --> 00:58:46,823 MY GOSH, THE ACTORS I WAS NOMINATED ALONGSIDE, ALSO. 735 00:58:46,890 --> 00:58:49,058 AAH! AND MY REAL FAMILY, ALSO. 736 00:58:49,125 --> 00:58:53,096 I LOVE YOU GUYS, TOO. 737 00:58:53,162 --> 00:58:54,731 AND, YEAH, THIS JUST REALLY MEANS A LOT. 738 00:58:54,797 --> 00:58:58,034 THERE ARE SO MANY PEOPLE I PROBABLY FORGOT TO THANK. 739 00:58:58,101 --> 00:59:02,872 MY GOD, ALL OF MY AGENTS AND MANAGERS' ASSISTANCE! 740 00:59:02,939 --> 00:59:03,939 TO THE 741 00:59:04,474 --> 00:59:10,013 PEOPLE WHO ANSWER MY EMAILS. 742 00:59:10,079 --> 00:59:14,117 Y'ALL ARE REAL ONES. THANK YOU FOR ANSWERING MY 743 00:59:14,183 --> 00:59:16,653 CRAZY, CRAZY EMAILS. YEAH, I'M REALLY, REALLY 744 00:59:16,719 --> 00:59:19,222 GRATEFUL. IF I FORGOT TO THANK YOU, I'M 745 00:59:19,289 --> 00:59:20,890 SORRY. UNLESS YOU ARE MEAN OR 746 00:59:20,957 --> 00:59:25,194 SOMETHING. OKAY, BYE, THANK YOU. 747 00:59:33,836 --> 00:59:35,638 AND NOW, HERE ARE THE NOMINEES FOR BEST PERFORMANCE BY 748 00:59:35,705 --> 00:59:42,912 A MALE ACTOR IN A TELEVISION SERIES, DRAMA. 749 00:59:42,979 --> 00:59:47,583 BRIAN COX, "SUCCESSION." 750 00:59:47,650 --> 00:59:55,650 KIERAN CULKIN, "SUCCESSION." GARY OLDMAN, "SLOW HORSES." 751 00:59:57,560 --> 01:00:05,560 PEDRO PASCAL, "THE LAST OF US." JEREMY STRONG, "SUCCESSION." 752 01:00:08,037 --> 01:00:16,037 DOMINIC WEST, "THE CROWN." 753 01:00:16,412 --> 01:00:24,412 AND THE GOLDEN GLOBE GOES TO... 754 01:00:27,023 --> 01:00:34,430 KIERAN CULKIN. 755 01:00:34,497 --> 01:00:37,967 ♪ ♪ THIS IS KIERAN 756 01:00:38,034 --> 01:00:39,969 CULKIN'S FIFTH NOMINATION, BUT HIS FIRST WIN. 757 01:00:40,036 --> 01:00:42,972 HE WINS HIS GOLDEN GLOBE TONIGHT FOR HIS ROLE OF ROMAN ROY IN 758 01:00:43,039 --> 01:00:44,039 "SUCCESSION." 759 01:00:55,051 --> 01:01:00,690 NIGHTMARE! 760 01:01:00,757 --> 01:01:04,527 SIT DOWN! BOY, THANK YOU. 761 01:01:04,594 --> 01:01:05,594 SORRY, I'M BURPING 762 01:01:06,229 --> 01:01:06,963 INDIGESTION. 763 01:01:07,030 --> 01:01:07,930 DIDN'T NEED TO SAY THAT. 764 01:01:07,997 --> 01:01:12,368 OTHERWISE, THIS IS A NICE MOMENT FOR ME. 765 01:01:12,435 --> 01:01:14,337 I'VE BLOWN IT ALREADY. YOU ARE RIGHT. 766 01:01:14,404 --> 01:01:17,573 YOU SAID "JUST SAY THANKS AND LEAVE." 767 01:01:17,640 --> 01:01:19,809 YOU ARE RIGHT. I WAS NOMINATED FOR A 768 01:01:19,876 --> 01:01:23,546 GOLDEN GLOBE LIKE 20 YEARS AGO, AND WHEN THAT MOMENT PASSED, I 769 01:01:23,613 --> 01:01:25,715 STILL REMEMBER THINKING, I'M NEVER GOING TO BE BACK IN THIS 770 01:01:25,782 --> 01:01:30,186 ROOM AGAIN. WHICH IS FINE, WHATEVER. 771 01:01:30,253 --> 01:01:32,755 BUT THANKS TO "SUCCESSION" I'VE 772 01:01:32,822 --> 01:01:35,958 BEEN IN HERE A COUPLE TIMES. IT'S NICE, BUT I EXCEPTED I 773 01:01:36,025 --> 01:01:41,664 WOULD NEVER BE ON THE STAGE, SO THIS IS A NICE MOMENT. 774 01:01:41,731 --> 01:01:43,132 SUCK IT, PEDRO. SORRY. 775 01:01:43,199 --> 01:01:47,970 MINE! 776 01:01:48,037 --> 01:01:52,542 REALLY QUICKLY, I'D LIKE TO THANK EVERYBODY ON "SUCCESSION." 777 01:01:52,608 --> 01:01:55,978 OUR WRITERS, THE AMAZING CAST, EVERYBODY THAT SHOWED UP THAT 778 01:01:56,045 --> 01:02:02,285 BELIEVED IN THIS THING AND THAT IT WAS VERY COOL. 779 01:02:02,351 --> 01:02:04,487 THIS ISN'T MINE, THIS IS ONE FOR THE TEAM. 780 01:02:04,554 --> 01:02:05,354 I KNOW, WRAP IT UP. I WANT TO REALLY QUICKLY JUST 781 01:02:05,421 --> 01:02:06,556 THANK THREE AMAZING WOMEN IN MY LIFE. 782 01:02:06,622 --> 01:02:11,060 MY MANAGER, WITHOUT WHOM I WOULDN'T HAVE A CAREER, MY WIFE, 783 01:02:11,127 --> 01:02:14,864 JAZZ, FOR PUTTING UP WITH THIS AND ALL THAT COMES WITH IT, AND 784 01:02:14,931 --> 01:02:16,632 MY WONDERFUL MOM. MOM, THANK YOU SO MUCH FOR DOING 785 01:02:16,699 --> 01:02:20,470 EVERYTHING YOU DID FOR US. YOU ARE AN AMAZING WOMAN. 786 01:02:20,536 --> 01:02:22,271 OKAY, THAT'S IT. THANK YOU. 787 01:02:32,415 --> 01:02:33,583 ♪ ♪ LOOKS LIKE 788 01:02:33,649 --> 01:02:35,451 MARTIN SCORSESE CAN'T SIT STILL! PROBABLY BECAUSE, COMING UP, 789 01:02:35,518 --> 01:02:37,638 THE GOLDEN GLOBE FOR BEST DIRECTOR WILL BE HANDED OUT. 790 01:02:51,434 --> 01:02:56,172 WELCOME BACK, YOU GUYS. THERE'S 150 COUNTRIES WATCHING 791 01:02:56,239 --> 01:02:57,974 RIGHT NOW, AND YOU LOOK BEAUTIFUL. 792 01:02:58,040 --> 01:03:01,911 EVERY SINGLE ONE OF YOU LOOKS GORGEOUS. 793 01:03:01,978 --> 01:03:04,614 I JUST WANT TO SHOUT OUT MY SUIT. 794 01:03:04,680 --> 01:03:06,916 IT'S VELVET. I TOLD MY STYLIST I DON'T WEAR A 795 01:03:06,983 --> 01:03:10,720 VELVET, AND HE GAVE IT TO ME, AND I'M LIKE, MY GOD, THAT 796 01:03:10,786 --> 01:03:15,324 LOOKS GOOD. I'MA KEEP IT. 797 01:03:15,391 --> 01:03:18,761 THE USED TO BE A COUCH, NOW IT'S A SUIT. 798 01:03:18,828 --> 01:03:23,266 PLEASE WELCOME, FROM THE NOMINATED FILM "OPPENHEIMER," 799 01:03:23,332 --> 01:03:26,435 FLORENCE PUGH, AND NOMINATED TONIGHT FOR HER ROLE IN 800 01:03:26,502 --> 01:03:30,339 "MAY DECEMBER," NATALIE PORTMAN. 801 01:03:39,448 --> 01:03:41,884 THERE ARE DEFINITELY SOME PERKS TO WORKING IN ANIMATION. 802 01:03:41,951 --> 01:03:43,920 LIKE WEARING YOUR PAJAMAS TO WORK. 803 01:03:43,986 --> 01:03:48,891 YEAH, AND YOU DON'T HAVE TO SPEND 8 HOURS IN A TRAILER 804 01:03:48,958 --> 01:03:52,195 GETTING HAIR AND MAKEUP DONE. BUT ANIMATION ALSO OPENS UP A 805 01:03:52,261 --> 01:03:54,163 WHOLE NEW WORLD OF POSSIBILITIES. 806 01:03:54,230 --> 01:03:56,799 YOU DON'T HAVE TO PLAY BY THE RULES OF GRAVITY, OR ANY RULES, 807 01:03:56,866 --> 01:04:03,172 REALLY. BUT, TO BE ABLE TO CREATE A 808 01:04:03,239 --> 01:04:05,708 WHOLE NEW WORLD FROM SCRATCH AND TELL A STORY IN ANY GENRE TAKES 809 01:04:05,775 --> 01:04:08,778 A BRILLIANT SKILL. HERE ARE THE NOMINEES FOR 810 01:04:08,844 --> 01:04:11,847 - BEST MOTION PICTURE, ANIMATED. - "THE BOY AND THE 811 01:04:11,914 --> 01:04:19,914 HERON." "ELEMENTAL." 812 01:04:22,225 --> 01:04:26,862 ACROSS THE SPIDER-VERSE." 813 01:04:26,929 --> 01:04:34,403 "THE SUPER MARIO BROS. MOVIE." THIS IS FUN! 814 01:04:34,470 --> 01:04:36,472 "SUZUME." "WISH." 815 01:04:44,947 --> 01:04:52,947 AND THE GOLDEN GLOBE GOES TO... "THE BOY AND THE HERON." 816 01:04:54,290 --> 01:04:58,261 YAY! 817 01:04:58,327 --> 01:05:01,297 THE PRODUCERS OF "THE OF "THE BOY AND THE HERON" COULD NOT BE 818 01:05:01,364 --> 01:05:05,334 HERE TONIGHT. WE ACCEPT THIS AWARD ON THEIR 819 01:05:05,401 --> 01:05:07,536 BEHALF. HAPPILY. 820 01:05:09,038 --> 01:05:11,140 PLEASE WELCOME GOLDEN GLOBE WINNER MATT DAMON, 821 01:05:11,207 --> 01:05:16,612 AND GOLDEN GLOBE WINNER BEN AFFLECK. 822 01:05:24,787 --> 01:05:29,925 I KNOW I SPEAK FOR BOTH OF US WHEN I SAY THE DIRECTORS 823 01:05:29,992 --> 01:05:32,228 NOMINATED TONIGHT HAVE PAVED THE WAY FOR FUTURE FILMMAKERS 824 01:05:32,295 --> 01:05:35,931 EVERYWHERE. THERE IS NO ALGORITHM ON 825 01:05:35,998 --> 01:05:38,334 EARTH THAT COULD HAVE PREDICTED JUST HOW GOOD THESE MOVIES WOULD 826 01:05:38,401 --> 01:05:39,935 BE. THEY WERE MADE WITH THE HARD 827 01:05:40,002 --> 01:05:42,672 WORK AND CRAFTSMANSHIP OF HUNDREDS AND HUNDREDS OF CREW 828 01:05:42,738 --> 01:05:45,408 MEMBERS. AND EACH HAD AN EXTRAORDINARY 829 01:05:45,474 --> 01:05:48,678 VISIONARY DIRECTOR AT THE HELM. HERE ARE THE NOMINEES FOR 830 01:05:48,744 --> 01:05:51,881 BEST DIRECTOR OF THE MOTION PICTURE. 831 01:05:51,947 --> 01:05:56,585 BRADLEY COOPER, "MAESTRO." 832 01:05:56,652 --> 01:06:04,652 GRETA GERWIG, "BARBIE." YORGOS LANTHIMOS, "POOR THINGS." 833 01:06:05,194 --> 01:06:09,198 CHRISTOPHER NOLAN, "OPPENHEIMER." 834 01:06:09,265 --> 01:06:14,770 MARTIN SCORSESE, "KILLERS OF THE FLOWER MOON." 835 01:06:14,837 --> 01:06:22,837 CELINE SONG, "PAST LIVES." AND THE GOLDEN GLOBE GOES 836 01:06:25,414 --> 01:06:33,414 TO... CHRISTOPHER NOLAN. 837 01:06:42,465 --> 01:06:44,734 THIS IS CHRISTOPHER NOLAN'S SIXTH 838 01:06:44,800 --> 01:06:52,341 NOMINATION AND FIRST WIN. 839 01:07:05,921 --> 01:07:13,921 THANK YOU. THANK YOU, GOLDEN GLOBES. 840 01:07:15,898 --> 01:07:19,368 THE ONLY TIME I'VE EVER BEEN ON THIS STAGE BEFORE WAS ACCEPTING 841 01:07:19,435 --> 01:07:25,674 ONE OF THESE ON BEHALF OF OUR DEAR FRIEND, HEATH LEDGER, AND 842 01:07:25,741 --> 01:07:28,644 THAT WAS COMPLICATED AND CHALLENGING FOR ME. 843 01:07:28,711 --> 01:07:33,582 AND IN THE MIDDLE OF SPEAKING I GOT ALL STUCK, AND 844 01:07:33,649 --> 01:07:36,419 ROBERT DOWNEY JR. CAUGHT MY EYE AND GAVE ME A LOOK OF LOVE AND 845 01:07:36,485 --> 01:07:39,588 SUPPORT, THE SAME LOOK HE'S GIVING ME NOW. 846 01:07:39,655 --> 01:07:42,992 THE SAME LOVE AND SUPPORT HE'S SHOWN SO MANY PEOPLE IN OUR 847 01:07:43,058 --> 01:07:50,132 COMMUNITY OVER SO MANY YEARS. I THOUGHT IT WOULD BE SIMPLER 848 01:07:50,199 --> 01:07:53,836 ACCEPTING FOR MYSELF. BUT, AS A DIRECTOR, I REALIZE I 849 01:07:53,903 --> 01:07:55,471 CAN ONLY ACCEPT THIS ON BEHALF OF PEOPLE. 850 01:07:55,538 --> 01:07:57,973 AS DIRECTORS, WE BRING PEOPLE TOGETHER AND WE TRY TO GET THEM 851 01:07:58,040 --> 01:08:06,040 TO GIVE THEIR BEST. ROBERT, CILLIAN, THAT 852 01:08:08,083 --> 01:08:10,219 PARTNER IN CRIME FOR 20 YEARS, MATT, WHEREVER YOU WENT, 853 01:08:10,286 --> 01:08:14,390 FLORENCE, EMILY, AND THE INCREDIBLE WORK OF OUR AMAZING 854 01:08:14,457 --> 01:08:17,226 CREW. SO MANY TO THANK YOU. 855 01:08:17,293 --> 01:08:22,431 PLEASE WRAP UP, HERE WE GO. DONNA LANGLEY, AND UNIVERSAL, 856 01:08:22,498 --> 01:08:30,172 FOR SEEING POTENTIAL IN VERY CHALLENGING MATERIAL. 857 01:08:30,239 --> 01:08:36,679 CHUCK, FOR GIVING ME THE BOOK AND URGING ME ONWARD, AND SO 858 01:08:36,745 --> 01:08:41,417 MANY OTHER PEOPLE TO THINK. BUT EMMA THOMAS, MY PARTNER IN 859 01:08:41,484 --> 01:08:44,987 LIFE AND AN ART. I LOVE YOU. 860 01:08:45,054 --> 01:08:46,689 THANK YOU VERY MUCH. 861 01:08:57,733 --> 01:09:01,003 LOVE SEEING CELEBS FANNING OUT OVER OTHER CELEBS? 862 01:09:01,070 --> 01:09:04,874 THERE'S PLENTY MORE OF THAT WITH MICHELLE YEOH AND NAOMI WATTS 863 01:09:04,940 --> 01:09:06,220 TAKING THE STAGE, COMING UP SOON. 864 01:09:22,858 --> 01:09:25,027 GOLDEN GLOBE NOMINEE NAOMI WATTS, AND FROM THE SERIE% 865 01:09:25,094 --> 01:09:29,565 "THE BROTHERS SUN," GOLDEN GLOBE WINNER MICHELLE YEOH. 866 01:09:38,807 --> 01:09:42,811 I KNOW LAST YEAR I THREATENED TO BEAT UP THE PIANO PLAYER IF 867 01:09:42,878 --> 01:09:48,551 THEY TRIED TO PLAY ME OFF DURING MY ACCEPTANCE SPEECH... 868 01:09:53,455 --> 01:10:01,455 BUT, YOU WILL BE HAPPY TO KNOW THAT I'M VERY CHILL THIS YEAR. 869 01:10:01,730 --> 01:10:06,769 CHILL, AND VERY MUSCULAR. SO WHOEVER'S IN CHARGE OF MUSIC, 870 01:10:06,835 --> 01:10:12,641 YOU'VE BEEN WARNED. AND WHILE I WON'T DO ANYTHING 871 01:10:12,708 --> 01:10:17,046 IF YOU CUT ME OFF THIS YEAR, I WILL KICK YOUR ASS IF YOU CUT 872 01:10:17,112 --> 01:10:22,551 OFF WHOEVER'S ABOUT TO WIN THIS AWARD RIGHT NOW. 873 01:10:22,618 --> 01:10:26,789 I LOVE A LADY IN HER PRIME. 874 01:10:26,855 --> 01:10:31,260 SO DO I. AND HERE ARE THE NOMINEES FOR 875 01:10:31,327 --> 01:10:34,163 BEST PERFORMANCE BY A FEMALE ACTOR IN A MOTION PICTURE, 876 01:10:34,229 --> 01:10:38,801 - MUSICAL OR COMEDY. - FANTASIA BARRINO, 877 01:10:38,867 --> 01:10:44,807 "THE COLOR PURPLE." JENNIFER LAWRENCE, 878 01:10:44,873 --> 01:10:52,873 "NO HARD FEELINGS." NATALIE PORTMAN, "MAY DECEMBER." 879 01:10:55,217 --> 01:11:03,217 ALMA POYSTI, "FALLEN LEAVES." MARGOT ROBBIE, "BARBIE." 880 01:11:04,193 --> 01:11:12,193 EMMA STONE, "POOR THINGS." AND THE GOLDEN GLOBE GOES 881 01:11:14,637 --> 01:11:22,637 TO... EMMA STONE. 882 01:11:31,854 --> 01:11:35,391 THIS IS EMMA STONE'S EIGHTH NOMINATION 883 01:11:35,457 --> 01:11:38,527 AND HER SECOND WIN. EMMA WINS HER GOLDEN GLOBE 884 01:11:38,594 --> 01:11:40,674 TONIGHT FOR HER ROLE OF BELA BAXTER IN "POOR THINGS." 885 01:12:03,886 --> 01:12:04,753 THANK YOU. 886 01:12:04,820 --> 01:12:09,825 BOY. THANK YOU VERY MUCH. 887 01:12:09,892 --> 01:12:11,827 DAVE, I HAVE TO START WITH YOU REALLY QUICKLY. 888 01:12:11,894 --> 01:12:19,894 I LOVE YOU SO MUCH. THANK YOU FOR EVERYTHING. 889 01:12:20,402 --> 01:12:25,841 WILLEM, MARK, RAMY, HE MADE EVERY DAY A JOY AND SO DID OUR 890 01:12:25,908 --> 01:12:26,208 CREDIBLE CAST 891 01:12:26,875 --> 01:12:29,778 MY GOD, THERE'S ONLY 18 SECONDS LEFT. 892 01:12:29,845 --> 01:12:32,781 THE CREW, INCREDIBLE. TONY, THIS IS OUR THIRD TIME 893 01:12:32,848 --> 01:12:36,351 WORKING TOGETHER. TONY, OUR WRITER. 894 01:12:36,418 --> 01:12:39,888 I LOVE GETTING TO SAY THIS DIALOGUE, AND I LOVE GETTING TO 895 01:12:39,955 --> 01:12:42,558 HORRIFY YOU WITH MY AUSTRALIAN ACCENT. 896 01:12:42,624 --> 01:12:46,462 YOU'RE THE BEST, TONY. 897 01:12:46,528 --> 01:12:51,700 I'M WORKING ON IT ALL THE TIME. YORGOS, I DON'T KNOW WHAT I 898 01:12:51,767 --> 01:12:54,837 COULD SAY TO YOU THAT I HAVEN'T SET ALREADY, THAT I WILL FOREVER 899 01:12:54,903 --> 01:13:00,275 BE GRATEFUL THAT WE MET, FORE FOREVER. 900 01:13:00,342 --> 01:13:02,978 AND PLAYING BELLA WAS UNBELIEVABLE. 901 01:13:03,045 --> 01:13:07,182 I THINK THIS IS A ROM-COM. I SEE THIS AS A ROM-COM, BUT IN 902 01:13:07,249 --> 01:13:10,252 THE SENSE THAT BELLA FALLS IN LOVE WITH LIFE ITSELF, RATHER 903 01:13:10,319 --> 01:13:15,390 THAN A PERSON, AND SHE ACCEPTS THE GOOD AND THE BAD IN EQUAL 904 01:13:15,457 --> 01:13:20,195 MEASURE, AND THAT REALLY MADE ME LOOK AT LIFE DIFFERENTLY. 905 01:13:20,262 --> 01:13:22,498 NOT ALL OF IT COUNTS, AND ALL OF IT IS IMPORTANT. 906 01:13:22,564 --> 01:13:26,201 SHE HAS STAYED WITH ME DEEPLY. SO THIS MEANS THE WORLD TO ME. 907 01:13:26,268 --> 01:13:33,509 THANK YOU SO MUCH, AND, OKAY, BYE. 908 01:13:33,575 --> 01:13:35,577 THANK YOU. 909 01:13:47,856 --> 01:13:51,794 ♪ ♪AND NOW, HERE ARE THE 910 01:13:51,860 --> 01:13:54,263 NOMINEES FOR BEST PERFORMANCE BY A MALE ACTOR IN A MOTION 911 01:13:54,329 --> 01:13:58,367 - PICTURE, DRAMA. - BRADLEY COOPER, 912 01:13:58,433 --> 01:14:03,071 "MAESTRO." LEONARDO DiCAPRIO, 913 01:14:03,138 --> 01:14:11,138 "KILLERS OF THE FLOWER MOON." COLMAN DOMINGO, "RUSTIN." 914 01:14:11,713 --> 01:14:19,713 BARRY KEOGHAN, "SALTBURN." CILLIAN MURPHY, "OPPENHEIMER." 915 01:14:21,323 --> 01:14:29,323 ANDREW SCOTT, "ALL OF US STRANGERS." 916 01:14:29,932 --> 01:14:36,572 AND THE GOLDEN GLOBE GOES TO... 917 01:14:36,638 --> 01:14:40,309 CILLIAN MURPHY. 918 01:14:40,375 --> 01:14:47,482 ♪ ♪ THIS IS CILLIAN 919 01:14:47,549 --> 01:14:49,518 MURPHY'S SECOND NOMINATION AND FIRST WIN. 920 01:14:49,585 --> 01:14:57,585 HE WINS HIS GOLDEN GLOBE TONIGHT FOR HIS ROLE OF J. ROBERT 921 01:14:58,493 --> 01:15:00,495 OPPENHEIMER IN "OPPENHEIMER." 922 01:15:13,876 --> 01:15:15,811 BOY. FIRST QUESTION, DO I HAVE 923 01:15:15,878 --> 01:15:18,413 LIPSTICK ALL OVER MY NOSE? 924 01:15:18,480 --> 01:15:25,187 I'M JUST GOING TO LEAVE IT. I KNEW THE FIRST TIME I WALKED 925 01:15:25,254 --> 01:15:27,155 ON A CHRISTOPHER NOLAN SET THAT IT WAS DIFFERENT. 926 01:15:27,222 --> 01:15:32,995 I COULD TELL BY THE LEVEL OF RIGOR, THE LEVEL OF FOCUS, THE 927 01:15:33,061 --> 01:15:36,098 LEVEL OF DEDICATION, THE COMPLETE LACK OF ANY SEATING 928 01:15:36,164 --> 01:15:39,701 OPTIONS FOR ACTORS. 929 01:15:39,768 --> 01:15:44,506 THAT I WAS IN THE HANDS OF THE VISIONARY DIRECTOR AND MASTER. 930 01:15:44,573 --> 01:15:49,845 I WANT TO THANK CHRIS AND EMMA FOR HAVING THE FAITH IN ME FOR 931 01:15:49,912 --> 01:15:53,248 20 YEARS. THANKS SO MUCH. 932 01:15:53,315 --> 01:15:55,083 ONE OF THE MOST BEAUTIFUL AND VULNERABLE THINGS ABOUT BEING AN 933 01:15:55,150 --> 01:15:59,721 ACTOR IS THAT YOU CAN'T DO IT ON YOUR OWN, REALLY. 934 01:15:59,788 --> 01:16:01,323 WE HAD THE MOST INCREDIBLE ENSEMBLE CAST IN THIS MOVIE. 935 01:16:01,390 --> 01:16:05,827 IT WAS MAGIC AND SOME OF THEM ARE HERE TODAY. 936 01:16:05,894 --> 01:16:08,830 EMILY BLUNT, ROBERT DOWNEY JR., MATT DAMON, GARY OLDMAN. 937 01:16:08,897 --> 01:16:13,335 THANK YOU FOR CARRYING ME AND HOLDING ME THROUGH THIS MOVIE. 938 01:16:13,402 --> 01:16:18,573 THANK YOU. 939 01:16:18,640 --> 01:16:21,743 THANK YOU TO DONNA LANGLEY AND EVERYONE AT UNIVERSAL FOR 940 01:16:21,810 --> 01:16:24,780 BELIEVING IN THIS MOVIE FROM THE VERY BEGINNING. 941 01:16:24,846 --> 01:16:28,884 TO ALL MY FELLOW NOMINEES. IF YOU'RE IRISH OR NOT, YOU ARE 942 01:16:28,951 --> 01:16:31,920 ALL LEGENDS. STUNNING WORK. 943 01:16:31,987 --> 01:16:36,725 I SALUTE YOU. TO ALL MY REPS, ON MY TEAM, 944 01:16:36,792 --> 01:16:38,493 THANK YOU SO MUCH. YOU ARE THE BEST. 945 01:16:38,560 --> 01:16:44,299 TO MY FAMILY, AND THE LUCKIEST MAN AND I LOVE YOU. 946 01:16:52,774 --> 01:16:57,379 FOR THE FIRST TIME EVER, MARK HAMILL WILL HAND OUT 947 01:16:57,446 --> 01:17:00,015 THE GOLDEN GLOBE FOR CINEMATIC AND BOX OFFICE ACHIEVEMENT, WHEN 948 01:17:00,082 --> 01:17:01,082 WE RETURN. 949 01:17:18,467 --> 01:17:21,703 WELCOME BACK, YOU GUYS. PLEASE WELCOME GOLDEN GLOBE 950 01:17:21,770 --> 01:17:26,308 WINNER ANDRA DAY, AND JON BATISTE. 951 01:17:42,457 --> 01:17:45,927 WE ARE OVER HERE? I THINK FIGURED OUT WHY ALL 952 01:17:45,994 --> 01:17:47,696 THESE AWARDS SHOWS RUN SO LONG. YEAH? 953 01:17:47,763 --> 01:17:55,337 IT'S THESE CATEGORY NAMES. MY GOODNESS, THEM THANGS 954 01:17:55,404 --> 01:17:56,938 BE SO LONG, BRUH. "BEST PERFORMANCE BY A 955 01:17:57,005 --> 01:18:02,944 MALE ACTOR IN A TELEVISION SERIES, MUSICAL OR COMEDY." 956 01:18:03,011 --> 01:18:04,946 LISTEN TO THIS ONE... "BEST PERFORMANCE BY A FEMALE 957 01:18:05,013 --> 01:18:08,950 ACTOR IN A LIMITED SERIES, ANTHOLOGY SERIES, OR A MOTION 958 01:18:09,017 --> 01:18:12,654 PICTURE." I'M EXHAUSTED ALREADY. 959 01:18:12,721 --> 01:18:13,955 YEAH, SAME. LIKE, WHAT ARE WE DOING HERE? 960 01:18:14,022 --> 01:18:16,892 "BEST ORIGINAL SCORE." LIKE, THAT'S IT? 961 01:18:16,958 --> 01:18:18,860 NOT "BEST PERFORMANCE BY A MUSICAL NOTE PREPARED BY A 962 01:18:18,927 --> 01:18:23,465 MUSICIAN TO ELICIT FEELINGS, MOTION PICTURE?" 963 01:18:23,532 --> 01:18:27,402 I DON'T KNOW. 964 01:18:27,469 --> 01:18:31,139 MAYBE NEXT YEAR. WE HAVE TO SAVE THAT ONE. 965 01:18:31,206 --> 01:18:34,009 THAT'S FIRE. UNTIL THEN, WE'LL KEEP IT 966 01:18:34,076 --> 01:18:35,644 SHORT AND SWEET. HERE ARE THE NOMINEES FOR BEST 967 01:18:35,710 --> 01:18:38,246 - ORIGINAL SCORE, MOTION PICTURE. - "POOR THINGS," 968 01:18:38,313 --> 01:18:43,452 JERSKIN FENDRIX. ♪ ♪ 969 01:18:43,518 --> 01:18:47,289 "OPPENHEIMER," LUDWIG GORANSSON. ♪ ♪ 970 01:18:47,355 --> 01:18:51,660 "THE BOY AND THE HERON," JOE HISAISHI. 971 01:18:51,726 --> 01:18:53,295 ♪ ♪"THE ZONE OF INTEREST," 972 01:18:53,361 --> 01:18:57,199 MICA LEVI. ♪ ♪ 973 01:18:57,265 --> 01:19:01,570 ACROSS THE SPIDER-VERSE," DANIEL PEMBERTON. 974 01:19:01,636 --> 01:19:05,941 ♪ ♪"KILLERS OF THE FLOWER MOON," 975 01:19:06,007 --> 01:19:14,007 ROBBIE ROBERTSON. 976 01:19:16,251 --> 01:19:22,257 AND THE GOLDEN GLOBE GOES TO... 977 01:19:22,324 --> 01:19:28,196 LOOK. 978 01:19:28,263 --> 01:19:33,902 LUDWIG GORANSSON. 979 01:19:33,969 --> 01:19:34,970 ♪ ♪ THIS IS LUDWIG 980 01:19:35,237 --> 01:19:36,304 GORANSSON'S FOURTH NOMINATION FIRST WIN. 981 01:19:36,371 --> 01:19:43,745 HIS PREVIOUS CREDITS INCLUDE "BLACK PANTHER" AND "TENET." 982 01:19:43,812 --> 01:19:51,812 ♪ ♪THANK YOU TO THE HFPA, AND 983 01:19:58,260 --> 01:20:01,630 THANK YOU TO CHRIS NOLAN AND EMMA THOMAS FOR INVITING ME ON 984 01:20:01,696 --> 01:20:06,801 THIS JOURNEY, AND FOR CREATING THIS MASTERPIECE. 985 01:20:06,868 --> 01:20:12,774 WORKING WITH CHRISTOPHER NOLAN HAS BEEN AN INCREDIBLE 986 01:20:12,841 --> 01:20:20,841 EXPERIENCE AND I THINK THE WAY YOU USE MUSIC IN YOUR FILMS AND 987 01:20:21,016 --> 01:20:26,087 YOUR STORYTELLING HAS INSPIRED A LOT OF PEOPLE. 988 01:20:26,154 --> 01:20:28,390 I ALSO WANT TO THANK CILLIAN MURPHY. 989 01:20:28,456 --> 01:20:31,693 I'VE BEEN WATCHING YOUR FACE OVER AND OVER AND OVER AGAIN. 990 01:20:31,760 --> 01:20:33,728 IT'S BEEN AN INCREDIBLE 991 01:20:33,795 --> 01:20:35,063 EXPERIENCE, AND THANK YOU FOR INSPIRING ME. 992 01:20:35,130 --> 01:20:39,334 I WANT TO THANK ALL THE MUSICIANS WHO PLAYED ON THIS 993 01:20:39,401 --> 01:20:42,003 THEY'VE MADE AN INCREDIBLE EFFORT. 994 01:20:42,070 --> 01:20:48,877 AND I ALSO WANT TO THANK MY PARTNER IN LIFE AND PARTNER IN 995 01:20:48,944 --> 01:20:52,881 MUSIC, SERENA, FOR HELPING ME REALIZE THIS MUSIC. 996 01:20:52,948 --> 01:20:54,950 I LOVE YOU. 997 01:21:05,961 --> 01:21:13,961 ♪ ♪LOOK, IT'S THE CHOREO. 998 01:21:14,970 --> 01:21:16,638 MUSIC CAN TAKE YOU ANYWHERE. 999 01:21:16,705 --> 01:21:21,910 IT TOOK ME FROM SINGING IN A STRIP... 1000 01:21:21,977 --> 01:21:29,484 MALL. YES, MALO, SORRY. 1001 01:21:29,551 --> 01:21:33,088 STRIP MALL, TO WINNING A GRAMMY. 1002 01:21:33,154 --> 01:21:40,528 GO AHEAD, GET YOUR GRAMMY! GET IT! 1003 01:21:40,595 --> 01:21:43,465 AND IT CAN INSPIRE YOU FROM ANYWHERE, TOO. 1004 01:21:43,531 --> 01:21:46,234 I GREW UP IN THE BIRTHPLACE OF JAZZ, LEARNING FROM LEGENDS, BUT 1005 01:21:46,301 --> 01:21:53,541 SOME OF MY EARLIEST LESSONS CAME FROM THE SONIC THE HEDGEHOG 1006 01:21:53,608 --> 01:21:56,645 VIDEO GAME TRUE STORY. MINE WAS MARIO BROS. 1007 01:21:56,711 --> 01:22:04,711 YOU EVER MAKE IT... 1008 01:22:05,754 --> 01:22:08,690 YEAH, THAT'S FIRE! I LIKE THAT ONE A LOT. 1009 01:22:08,757 --> 01:22:12,160 AS MUSICIANS, WE WOULD LIKE TO ARGUE THAT YOU CANNOT HAVE 1010 01:22:12,861 --> 01:22:16,398 AA MOVIE WITHOUT MUSIC. THESE ARE SOME OF THE BEST SONGS 1011 01:22:16,464 --> 01:22:19,701 ON SCREEN THIS YEAR. HERE ARE THE NOMINEES FOR BEST 1012 01:22:19,768 --> 01:22:22,337 - ORIGINAL SONG, MOTION PICTURE. - From 1013 01:22:22,404 --> 01:22:25,974 "SHE CAME TO ME," "ADDICTED TO ROMANCE." 1014 01:22:26,041 --> 01:22:32,981 FROM "BARBIE," "DANCE THE NIGHT." 1015 01:22:33,048 --> 01:22:37,852 ♪ WATCH ME DANCE ♪ ♪ DANCE THE NIGHT AWAY ♪ 1016 01:22:37,919 --> 01:22:42,190 FROM "BARBIE," "I'M JUST KEN." "THE SUPER MARIO BROS. MOVIE," 1017 01:22:42,257 --> 01:22:47,495 "PEACHES." FROM "RUSTIN," 1018 01:22:47,562 --> 01:22:51,633 "ROAD TO FREEDOM." ♪ ♪ 1019 01:22:51,700 --> 01:22:57,806 FROM "BARBIE," "WHAT WAS I MADE FOR?" 1020 01:22:57,872 --> 01:23:04,979 ♪ ♪EVE JUST GOT TO LIVE IT UP 1021 01:23:05,046 --> 01:23:08,183 ALL THE WAY. ALL THE WAY. 1022 01:23:08,249 --> 01:23:13,555 OKAY. AND THE GOLDEN GLOBE GOES TO... 1023 01:23:13,621 --> 01:23:18,526 ALL RIGHT. YES! 1024 01:23:18,593 --> 01:23:23,665 "WHAT WAS I MADE FOR?" FROM BARBIE. 1025 01:23:23,732 --> 01:23:26,501 MUSIC AND LYRICS BY BILLIE EILISH O'CONNELL, PHINEAS 1026 01:23:28,803 --> 01:23:31,706 - O'CONNELL. - THIS IS THE 1027 01:23:31,773 --> 01:23:34,776 SECOND NOMINATION AND SECOND WIN FOR THIS WRITING TEAM. 1028 01:23:34,843 --> 01:23:38,513 THEY WIN THE GOLDEN GLOBE TONIGHT FOR THEIR MUSIC AND 1029 01:23:38,580 --> 01:23:44,853 LYRICS OF "WHAT WAS I MADE FOR?" AND "BARBIE." 1030 01:23:44,919 --> 01:23:47,922 ACCEPTING THE AWARD IS BILLIE EILISH O'CONNELL. 1031 01:24:02,937 --> 01:24:05,807 GOLDEN GLOBES! I WAS NOT EXPECTING THIS IN THIS 1032 01:24:05,874 --> 01:24:07,976 MOMENT. THANK YOU TO MY BROTHER, 1033 01:24:08,042 --> 01:24:09,911 FINNEAS. YOU ARE THE REASON I AM WHO I 1034 01:24:09,978 --> 01:24:16,117 AM. I WANT TO THANK GRETA AND NOAH 1035 01:24:16,184 --> 01:24:19,821 FOR MAKING THIS INCREDIBLE FILM. I WANT TO THANK MARGOT FOR BEING 1036 01:24:19,888 --> 01:24:24,058 THE MARGOT WE KNOW AND LOVE. I WANT TO THANK MATTEL, AND 1037 01:24:24,125 --> 01:24:27,896 INTERSCOPE, MY LABEL, AND DARK ROOM, AND MY INCREDIBLE TEAM, MY 1038 01:24:27,962 --> 01:24:33,735 MANAGERS, AND MY MOM. MY MOM, AND MY DAD, AND MY 1039 01:24:33,802 --> 01:24:36,237 BROTHER AGAIN. IT WAS EXACTLY A YEAR AGO ALMOST 1040 01:24:36,304 --> 01:24:39,340 THAT WE WERE SHOWN THE MOVIE, AND I WAS VERY, VERY MISERABLE 1041 01:24:39,407 --> 01:24:43,912 AND DEPRESSED AT THE TIME, AND WRITING THAT SONG KIND OF SAVED 1042 01:24:43,978 --> 01:24:48,650 ME A LITTLE BIT. A YEAR LATER, HERE WE ARE, AND 1043 01:24:48,716 --> 01:24:52,253 IT IS REALLY SURREAL. I FEEL INCREDIBLY LUCKY, 1044 01:24:52,320 --> 01:24:56,658 INCREDIBLY LUCKY AND GRATEFUL. AND YOU GUYS SCARE THE LIVING 1045 01:24:56,724 --> 01:24:58,827 HELL OUT OF ME, EVERYONE IN THIS ROOM. 1046 01:24:58,893 --> 01:25:01,029 BUT THANK YOU, THIS MEANS SO MUCH. 1047 01:25:08,470 --> 01:25:10,572 PLEASE WELCOME, FROM THE "STAR WARS" FRANCHISE 1048 01:25:10,638 --> 01:25:12,273 AND STAR OF THE NOMINATED FILM TONIGHT, 1049 01:25:12,340 --> 01:25:18,213 "THE BOY AND THE HERON," MARK HAMILL. 1050 01:25:22,350 --> 01:25:24,652 THANK YOU. THANK YOU SO MUCH. 1051 01:25:24,719 --> 01:25:27,088 IT'S GREAT TO BE AT THE GOLDEN GLOBES. 1052 01:25:27,155 --> 01:25:30,358 THE ONLY AWARDS SHOW WITH AN OPEN BAR. 1053 01:25:30,425 --> 01:25:32,994 SO, CHEERS. 1054 01:25:33,061 --> 01:25:35,330 ALL OF US HERE KNOW THAT GETTING A MOVIE ACTUALLY MADE IS A 1055 01:25:35,396 --> 01:25:37,866 MIRACLE. BUT TO MAKE SOMETHING THAT 1056 01:25:37,932 --> 01:25:39,801 CONNECTS WITH ALL DIFFERENT TYPES OF PEOPLE ALL AROUND THE 1057 01:25:39,868 --> 01:25:47,842 WORLD, THAT GETS YOU EXCITED TO GO TO THE MOVIES... THAT'S TRULY 1058 01:25:47,909 --> 01:25:49,844 WORTH CELEBRATING. THESE FILMS WERE NOMINATED NOT 1059 01:25:49,911 --> 01:25:51,913 JUST FOR THEIR POPULARITY, BUT FOR THE HIGH CALIBER OF THEIR 1060 01:25:51,980 --> 01:25:55,950 FILMMAKING. SO I'M VERY EXCITED TO BRING 1061 01:25:56,017 --> 01:25:58,319 YOU, FOR THE FIRST TIME EVER, THE NOMINEES FOR CINEMATIC AND 1062 01:25:58,386 --> 01:26:06,027 - BOX OFFICE ACHIEVEMENT. - "BARBIE." 1063 01:26:06,094 --> 01:26:10,698 TAKE MY HANDS. CLOSE YOUR EYES. 1064 01:26:10,765 --> 01:26:13,134 NOW, STEEL. I'M NOT SMART ENOUGH TO BE 1065 01:26:13,201 --> 01:26:15,603 INTERESTING. I'M NOT THE PRESIDENT. 1066 01:26:15,670 --> 01:26:18,973 NO ONE ON THE SUPREME COURT IS ME. 1067 01:26:19,040 --> 01:26:23,211 I'M NOT GOOD ENOUGH. ♪ WHAT WAS I MADE FOR ♪ 1068 01:26:23,278 --> 01:26:27,048 "GUARDIANS OF THE GALAXY, VOL. 3." 1069 01:26:27,115 --> 01:26:31,619 WE WERE GONE QUITE A WHILE. NO MATTER WHAT HAPPENS NEXT, THE 1070 01:26:31,686 --> 01:26:32,887 GALAXY STILL NEEDS ITS GUARDIANS. 1071 01:26:32,954 --> 01:26:36,591 ARE YOU READY FOR ONE LAST RIDE? I WANT YOU ALL TO KNOW THAT 1072 01:26:36,658 --> 01:26:40,395 I'M GRATEFUL TO FIGHT BESIDE MY FRIENDS. 1073 01:26:40,461 --> 01:26:43,364 I'M DONE RUNNING. I'LL KILL ANYONE WHO GETS IN 1074 01:26:43,431 --> 01:26:45,033 OUR WAY! NOT KILL ANYONE. 1075 01:26:45,099 --> 01:26:48,736 YOU ARE ONE STUPID GUY WHO KNOWS DOMINIC NO ONE LOVES. 1076 01:26:48,803 --> 01:26:50,038 NOW YOU'RE MAKING IT SAD. 1077 01:26:50,104 --> 01:26:54,742 CHAPTER 4." 42 REGULAR, WASN'T IT? 1078 01:26:54,809 --> 01:26:58,179 AND SO IT BEGINS. CHALLENGING TO SINGLE COMBAT. 1079 01:26:58,246 --> 01:27:00,815 IF YOU WIN, YOU HAVE YOUR FREEDOM. 1080 01:27:00,882 --> 01:27:05,486 THE ONLY WAY JOHN WEIKEL EVER HAVE FREEDOM AND PEACE IS IN 1081 01:27:05,553 --> 01:27:06,154 DEATH. YEAH. 1082 01:27:06,220 --> 01:27:07,789 NOT REALLY. Announcer: 1083 01:27:07,855 --> 01:27:12,427 IMPOSSIBLE - DEAD RECKONING, PART 1." 1084 01:27:12,493 --> 01:27:17,365 ETHAN, THIS MISSION OF YOURS IS GOING TO COST YOU DEARLY. 1085 01:27:17,432 --> 01:27:20,902 IT'S BEEN A LONG TIME, FRIEND. 1086 01:27:20,969 --> 01:27:25,740 HIS FATE IS WRITTEN. SHALL WE WRITE YOURS, TOO? 1087 01:27:25,807 --> 01:27:28,943 THERE'S NO PLACE I WON'T KILL YOU. 1088 01:27:29,010 --> 01:27:33,848 "OPPENHEIMER." THIS IS A MATTER OF LIFE AND 1089 01:27:33,915 --> 01:27:35,850 DEATH. THE WORLD WILL REMEMBER THIS 1090 01:27:35,917 --> 01:27:37,518 DAY. I WOULD BE GO TO THE MIDDLE 1091 01:27:37,585 --> 01:27:38,820 OF NOWHERE FOR WHO KNOWS HOW LONG? 1092 01:27:38,886 --> 01:27:39,821 HOW ABOUT BECAUSE THIS IS THE MOST IMPORTANT THING TO EVER 1093 01:27:39,887 --> 01:27:42,824 HAPPEN IN THE HISTORY OF THE WORLD? 1094 01:27:42,890 --> 01:27:46,194 YOU ARE THE MEN WHO GAVE THEM THE POWER TO DESTROY THEMSELVES, 1095 01:27:46,260 --> 01:27:48,896 AND THE WORLD IS NOT PREPARED. 1096 01:27:48,963 --> 01:27:53,968 ACROSS THE SPIDER-VERSE." MY NAME IS MILES MORALES. 1097 01:27:54,035 --> 01:27:55,903 I'M BROOKLYN'S ONE AND ONLY SPIDER-MAN. 1098 01:27:55,970 --> 01:27:59,173 WANT TO GET OUT OF HERE? WAIT A MINUTE, THERE'S AN 1099 01:27:59,240 --> 01:28:01,376 ELITE CREW WITH ALL THE BEST SPIDER-PEOPLE IN IT? 1100 01:28:01,442 --> 01:28:03,411 YOU CAN NEVER BE PART OF THIS. 1101 01:28:03,478 --> 01:28:08,182 EVERYONE KEEPS TELLING ME HOW MY STORY IS SUPPOSED TO GO. 1102 01:28:08,249 --> 01:28:10,418 - NAH, I'MA DO MY OWN THING. - "THE SUPER MARIO% 1103 01:28:10,485 --> 01:28:14,989 BROS. MOVIE." WE WILL DESTROY THE MUSHROOM 1104 01:28:15,056 --> 01:28:19,994 KINGDOM! BOWSER IS COMING. 1105 01:28:20,061 --> 01:28:23,197 I'M NOT AFRAID. I'LL DO ANYTHING FOR MY BROTHER. 1106 01:28:23,264 --> 01:28:26,267 TOGETHER, WE ARE GOING TO STOP THAT MONSTER. 1107 01:28:26,334 --> 01:28:27,301 HOW? LOOK AT US. 1108 01:28:27,368 --> 01:28:29,504 WE ARE ADORABLE! THE 1109 01:28:29,570 --> 01:28:34,108 ERAS TOUR." WE ARE ABOUT TO GO ON A 1110 01:28:34,175 --> 01:28:36,978 LITTLE ADVENTURE TOGETHER, AND THAT'S GOING TO SPEND 17 YEARS 1111 01:28:37,045 --> 01:28:40,415 OF MUSIC. HOW DOES THAT SOUND? 1112 01:28:40,481 --> 01:28:45,787 WELCOME TO THE ACOUSTIC SET! PEOPLE COME UP TO ME LIKE, DO A 1113 01:28:45,853 --> 01:28:49,791 SHOW WITH ALL THE ALBUMS IN IT. I WAS LIKE, YEAH, IT'S GOING TO 1114 01:28:49,857 --> 01:28:54,629 BE CALLED THE ERAS TOUR. SEE YOU THERE. 1115 01:28:54,696 --> 01:28:58,833 AND THE GOLDEN GLOBE GOES 1116 01:28:58,900 --> 01:29:06,841 TO... "BARBIE." 1117 01:29:13,915 --> 01:29:15,850 COMING TO THE STAGE TONIGHT FOR "BARBIE" IS 1118 01:29:15,917 --> 01:29:18,519 ACTIVE AND DIRECTOR MARGOT ROBBIE 1119 01:29:20,288 --> 01:29:28,288 , AND ACCEPTING THE GOLDEN GLOBE IS MARGOT ROBBIE. 1120 01:29:34,736 --> 01:29:38,072 THANK YOU. WE WOULD LIKE TO DEDICATE THIS 1121 01:29:38,139 --> 01:29:42,877 TO EVERY SINGLE PERSON ON THE PLANET WHO DRESSED UP AND WENT 1122 01:29:42,944 --> 01:29:48,850 TO THE GREATEST PLACE ON EARTH, THE MOVIE THEATERS. 1123 01:29:48,916 --> 01:29:55,523 THANK YOU, AND THANK YOU TO EVERYBODY, ALL THE BARBIES AND 1124 01:29:55,590 --> 01:29:58,092 KENS IN FRONT OF AND BEHIND THE SCREEN. 1125 01:29:58,159 --> 01:30:00,928 IT WAS THE GREATEST MOST JOYFUL SHOW OF CRAFTSMANSHIP AND 1126 01:30:00,995 --> 01:30:06,033 PASSION I'VE EVER SEEN. AND ON BEHALF OF TOM AND 1127 01:30:06,100 --> 01:30:11,005 DAVID AND ROBBIE AND I, WE WANT TO THANK THE BRAVE INDIVIDUALS 1128 01:30:11,072 --> 01:30:17,178 AT WARNER AND MATTEL FOR TAKING AN EXTRAORDINARY RISK IN 1129 01:30:17,245 --> 01:30:20,014 LITERALLY INVENTING NUMBERS TO JUSTIFY GREEN LIGHTING THIS, AND 1130 01:30:20,081 --> 01:30:24,485 THEN STANDING BY AT EVERY STEP OF THE WAY. 1131 01:30:24,552 --> 01:30:30,958 THANK YOU TO NOAH BAUMBACH FOR SHOWING HIS INNER BARBIE 1132 01:30:31,025 --> 01:30:31,893 GIRL. THANK YOU TO RYAN GOSLING FOR 1133 01:30:31,959 --> 01:30:37,098 GOING FULL BEACH. AND AMERICA FERRERA FOR 1134 01:30:37,165 --> 01:30:39,801 SHOWING HER SOUL. LAST BUT NOT LEAST, THANK YOU 1135 01:30:39,867 --> 01:30:43,871 SO MUCH TO THE GOLDEN GLOBES FOR CREATING AN AWARD THAT 1136 01:30:43,938 --> 01:30:47,975 CELEBRATES MOVIE FANS. THIS IS A MOVIE ABOUT BARBIE, 1137 01:30:48,042 --> 01:30:53,181 BUT IT'S ALSO A MOVIE ABOUT HUMANS. 1138 01:30:53,247 --> 01:30:55,983 WE MADE IT... IT'S ABOUT YOU. WE MADE IT FOR YOU, AND WE MADE 1139 01:30:56,050 --> 01:30:59,821 IT WITH LOVE. THANK YOU FOR LOVING IT BACK. 1140 01:31:16,170 --> 01:31:17,138 ♪ ♪ AWARDS FOR THE 1141 01:31:17,205 --> 01:31:20,608 BEST OF TV, ON TV? WHAT IS THIS, THE MULTIVERSE? 1142 01:31:20,675 --> 01:31:23,110 NOPE, IT'S JUST THE GOLDEN GLOBE FOR BEST TV SERIES, MUSICAL OR 1143 01:31:23,177 --> 01:31:24,177 COMEDY, WHEN WE RETURN. 1144 01:31:34,021 --> 01:31:35,957 PLEASE WELCOME, FROM THE NOMINATED FILM 1145 01:31:36,023 --> 01:31:38,326 "BARBIE," SIMU LIU, AND ALSO FROM "BARBIE" AND THE NOMINATED 1146 01:31:38,392 --> 01:31:44,565 FILM "AMERICAN FICTION," ISSA RAE. 1147 01:31:53,841 --> 01:31:56,310 GOOD EVENING, EVERYONE. ISSA AND I RECENTLY HAD THE 1148 01:31:56,377 --> 01:31:58,412 PRIVILEGE OF PLAYING BARBIE AND KEN IN THE "BARBIE" MOVIE, WHICH 1149 01:31:58,479 --> 01:32:01,282 IS PRETTY IMPACTFUL FOR PEOPLE WHO LOOK LIKE US. 1150 01:32:01,349 --> 01:32:03,017 YEAH. WE MAY NOT HAVE BEEN WHAT 1151 01:32:03,084 --> 01:32:05,152 FIRST POPPED UP IN PEOPLE'S MINDS WHEN THEY THOUGHT OF 1152 01:32:05,219 --> 01:32:09,390 BARBIE OR KEN, BUT THAT'S CHANGED, AND WE'RE HOPING TO 1153 01:32:09,457 --> 01:32:10,791 CONTINUE TO PUSH THE BOUNDARIES OF THE ROLES WE CAN PLAY. 1154 01:32:10,858 --> 01:32:14,462 BY THAT, OF COURSE, WE MEAN WHITE PEOPLE ROLES. 1155 01:32:14,528 --> 01:32:17,098 MY GOD, I'D LOVE TO PLAY WHITE PEOPLE ROLES. 1156 01:32:17,164 --> 01:32:20,368 YEAH. ME, TOO. 1157 01:32:20,434 --> 01:32:22,303 WHITE PEOPLE ROLES ARE THE BEST. AN ALCOHOLIC, DIVORCED, SINGLE 1158 01:32:22,370 --> 01:32:25,273 FATHER FIGHTING FOR CUSTODY... AN ALCOHOLIC HOUSEWIFE WHOSE 1159 01:32:25,339 --> 01:32:29,911 HUSBAND'S AFFAIR DRIVES HER DEEPER INTO ALCOHOL... 1160 01:32:29,977 --> 01:32:31,812 HOW ABOUT THIS? AN ALCOHOLIC SCHOOLTEACHER 1161 01:32:31,879 --> 01:32:33,547 WHO MUST PUT THEIR LOVE OF ALCOHOL ASIDE TO INSPIRE 1162 01:32:33,614 --> 01:32:40,321 THEIR CLASS OF INNER-CITY YOUTHS... 1163 01:32:40,388 --> 01:32:42,790 WHITE PEOPLE ARE AWESOME. YEAH. 1164 01:32:42,857 --> 01:32:46,294 ANYWAY, HERE ARE THE NOMINEES FOR BEST TELEVISION LIMITED 1165 01:32:46,360 --> 01:32:49,230 SERIES, ANTHOLOGY SERIES, OR MOTION PICTURE MADE FOR 1166 01:32:49,297 --> 01:32:50,131 TELEVISION. Announcer: 1167 01:32:50,197 --> 01:32:57,538 "ALL THE LIGHT WE CANNOT SEE." "BEEF." 1168 01:32:57,605 --> 01:33:05,579 "DAISY JONES & THE SIX." I WAS JUST GOING TO SAY I 1169 01:33:05,646 --> 01:33:09,083 - LOVE THE SOUND OF YOUR VOICE. - "FARGO." 1170 01:33:09,150 --> 01:33:12,253 IF YOU WANT TO TEST IT WITH ME, YOU BETTER SLEEP WITH BOTH 1171 01:33:12,320 --> 01:33:13,254 EYES OPEN. Announcer: 1172 01:33:13,321 --> 01:33:17,091 "FELLOW TRAVELERS." YOU'RE EVERYTHING TO ME. 1173 01:33:17,158 --> 01:33:21,228 IF I WAS EVERYTHING, YOU WOULDN'T BE GOING WHERE YOU'RE 1174 01:33:21,295 --> 01:33:22,196 - GOING. - "LESSONS IN 1175 01:33:22,263 --> 01:33:27,702 CHEMISTRY." YOU LOVE ME, AND I LOVE YOU. 1176 01:33:27,768 --> 01:33:30,938 AND THE GOLDEN GLOBE GOES TO... 1177 01:33:31,005 --> 01:33:37,445 "BEEF!" 1178 01:33:37,511 --> 01:33:40,781 ♪ ♪ COMING TO THE 1179 01:33:40,848 --> 01:33:45,086 STAGE TONIGHT FOR "BEEF" IS CREATOR AND EXECUTIVE PRODUCER, 1180 01:33:45,152 --> 01:33:51,125 LEE SUNG JIN, AND ALI WONG AND STEVEN YEUN. 1181 01:33:51,192 --> 01:33:57,698 ACCEPTING THE GOLDEN GLOBE IS LEE SUNG JIN. 1182 01:34:30,031 --> 01:34:31,499 WOW. THANK YOU TO THE GLOBE'S 1183 01:34:31,565 --> 01:34:36,771 JOURNALISTS THIS AMAZING HONOR. YOU KNOW, OUR SHOW IS ACTUALLY 1184 01:34:36,837 --> 01:34:39,440 BASED ON A REAL ROAD RAGE INCIDENT THAT ACTUALLY HAPPENED 1185 01:34:39,507 --> 01:34:47,507 TO ME, SO I WOULD BE REMISS NOT TO THINK THAT DRIVER. 1186 01:34:48,015 --> 01:34:49,950 SIR, I HOPE YOU HONK AND YELL 1187 01:34:50,017 --> 01:34:53,120 AND INSPIRE OTHERS FOR YEARS TO COME. 1188 01:34:53,187 --> 01:35:01,187 MORE IMPORTANTLY, THANKS TO STEVEN AND ALI, OUR AMAZING 1189 01:35:03,297 --> 01:35:10,805 CAST, OUR AMAZING CREW, AND THANK YOU TO... 1190 01:35:10,871 --> 01:35:15,142 AND EVERYONE AT NETFLIX. 1191 01:35:15,209 --> 01:35:17,912 OF COURSE MY MOM, DAD, SISTER, AND KATIE, I LOVE YOU. 1192 01:35:17,978 --> 01:35:18,779 THANK YOU SO MUCH. 1193 01:35:18,846 --> 01:35:26,846 ♪ ♪I THINK IT'S THIS... HERE WE 1194 01:35:31,959 --> 01:35:36,430 NOMINEES FOR BEST TELEVISION SERIES, MUSICAL OR COMEDY. 1195 01:35:40,734 --> 01:35:44,772 WE DON'T HAVE ENOUGH KIDS FOR A FULL CLASS SO NOW THEY GO TO 1196 01:35:44,839 --> 01:35:47,842 YOU. HOW MANY EXTRA KIDS? 1197 01:35:47,908 --> 01:35:49,076 TEN.. 1198 01:35:49,143 --> 01:35:52,079 I MEAN, GREAT. ARE YOU OKAY? 1199 01:35:52,146 --> 01:35:55,950 I'M REALLY SORRY. I DIDN'T THINK IT WOULD END UP 1200 01:35:56,016 --> 01:35:57,518 LIKE THIS. I'M A GOOD PERSON. 1201 01:35:57,585 --> 01:36:05,585 THAT IS WHO I AM. HAS YOUR LIFE BEEN, BREZZATO? 1202 01:36:06,026 --> 01:36:10,498 OPENING A RESTAURANT. GOT TO GO HARD EVERY DAY. 1203 01:36:10,564 --> 01:36:13,667 YOU ARE SURE IT SAYS ORIGINAL BERF. 1204 01:36:13,734 --> 01:36:16,237 IT'S A PRINTING MISTAKE. COLLECTOR'S ITEM. 1205 01:36:16,303 --> 01:36:19,840 YOU ARE NOW IN THE MATTER OF HILGER VERSUS MORRIS. 1206 01:36:19,907 --> 01:36:22,776 JURY OF YOUR PEERS, I THINK THAT'S ACCURATE. 1207 01:36:22,843 --> 01:36:26,180 IT'S OPENING NIGHT, AND A BIG STAR DROPPED DEAD ON STAGE? 1208 01:36:26,247 --> 01:36:29,717 MY GOD, MY LEADING MAN IS DEAD. 1209 01:36:29,783 --> 01:36:34,522 IS THIS REALLY HAPPENING? I LOVE YOU GUYS SO VERY MUCH. 1210 01:36:34,588 --> 01:36:37,625 ON THREE. ONE, TWO, THREE. 1211 01:36:37,691 --> 01:36:39,393 I LOVE YOU ALSO VERY MUCH 1212 01:36:44,565 --> 01:36:46,267 AND THE GOLDEN GLOBE GOES 1213 01:36:46,333 --> 01:36:48,335 TO... "THE BEAR." 1214 01:36:59,613 --> 01:37:05,319 GOLDEN GLOBE FOR "THE BEAR" IS ACTOR LIONEL BOYCE. 1215 01:37:33,781 --> 01:37:35,749 I DON'T KNOW WHY THEY CHOSE ME TO SPEAK. 1216 01:37:35,816 --> 01:37:39,286 I DON'T KNOW IF THEY BELIEVED WE WOULD WIN. 1217 01:37:39,353 --> 01:37:42,890 BUT WE ARE HERE NOW. FIRST OFF I WANT TO THANK THE 1218 01:37:42,957 --> 01:37:47,294 CREATOR OF THIS INCREDIBLE SHOW, ALONGSIDE ALL OF OUR GREAT 1219 01:37:47,361 --> 01:37:49,863 WRITERS. 1220 01:37:49,930 --> 01:37:53,300 EVERY SINGLE PRODUCTION PERSON IN EVERY DEPARTMENT FOR NOT ONLY 1221 01:37:53,367 --> 01:37:56,670 BEING ABLE TO DO WHAT YOU DO, BUT BEING PEOPLE WHO DON'T SUCK. 1222 01:37:56,737 --> 01:38:02,710 SHOUT OUT AT EVERYONE AT FX, HULU, DISNEY... 1223 01:38:02,776 --> 01:38:04,445 EVERYBODY, AND I ALSO JUST WANT 1224 01:38:04,511 --> 01:38:07,514 TO SAY, MOST IMPORTANTLY, THANK YOU TO THE ENTIRE 1225 01:38:07,581 --> 01:38:09,683 RESTAURANT COMMUNITY. WE PLAY THESE CHARACTERS FOR A 1226 01:38:09,750 --> 01:38:13,087 COUPLE HOURS A DAY, FOR A COUPLE MONTHS OUT OF THE YEAR, BUT THIS 1227 01:38:13,153 --> 01:38:16,323 IS Y'ALL'S REALITY, THE HIGHS AND THE LIVES, SO THANK YOU FOR 1228 01:38:16,390 --> 01:38:18,025 EMBRACING US WHILE WE TELL THE STORY. 1229 01:38:18,092 --> 01:38:21,528 I THINK THAT'S ALL I'VE GOT. 1230 01:38:39,980 --> 01:38:41,882 IT'S A BIG NIGHT IN HOLLYWOOD, AND AN EVEN BIGGER 1231 01:38:41,949 --> 01:38:46,620 NIGHT FOR THE ACCOUNTANTS AT ERNST & YOUNG, WHO TABULATED THE 1232 01:38:46,687 --> 01:38:48,422 VOTES. THIS IS WHY THEY GOT INTO 1233 01:38:48,489 --> 01:38:50,791 ACCOUNTING. AFTER TONIGHT, IT'S JUST TAX 1234 01:38:50,858 --> 01:38:52,418 SEASON. COMING UP, THE STARS OF "SUITS." 1235 01:39:13,514 --> 01:39:18,285 WELCOME BACK, EVERYBODY. QUICK ANNOUNCEMENT... YOU GUYS 1236 01:39:18,352 --> 01:39:22,890 ARE SO SELFISH. IT'S NICOLAS CAGE'S BIRTHDAY 1237 01:39:22,956 --> 01:39:25,192 TODAY. HOW DARE YOU JUST THINK ABOUT 1238 01:39:25,259 --> 01:39:27,995 YOURSELVES? 1239 01:39:28,062 --> 01:39:34,568 THIS IS MY GIFT TO YOU. I INVITED EVERYBODY HERE FOR YO 1240 01:39:34,635 --> 01:39:36,003 YOU, NICOLAS. PLEASE WELCOME A GOLDEN GLOBE 1241 01:39:36,070 --> 01:39:37,237 NOMINEE TONIGHT, DUA LIPA, AND THE DIRECTOR 1242 01:39:37,304 --> 01:39:41,075 OF "COCAINE BEAR," ELIZABETH BANKS. 1243 01:39:56,890 --> 01:39:58,092 ♪ ♪I'VE GOT TO SAY, BEING 1244 01:39:58,158 --> 01:40:01,128 APPEARS KIND OF INTIMIDATING. YOU ARE VERY YOUNG AND TALL AND 1245 01:40:01,195 --> 01:40:02,463 STATUESQUE. THANK YOU. 1246 01:40:02,529 --> 01:40:06,400 AND BRITISH! I HAVE A REAL THING FOR THE 1247 01:40:06,467 --> 01:40:08,469 ACCENT. YOU GUYS CAN MAKE EVERYTHING 1248 01:40:08,535 --> 01:40:10,404 SOUND SO CLASSY! ALL OF THE BRITS... 1249 01:40:10,471 --> 01:40:14,641 BELLA RAMSEY, HELEN MIRREN... THEY ARE IN THIS CATEGORY. 1250 01:40:14,708 --> 01:40:22,708 I WOULD LOVE TO HEAR THEM SAY "VITAMINS." 1251 01:40:23,050 --> 01:40:27,421 WHY "VITAMINS?" 1252 01:40:27,488 --> 01:40:28,389 I MEAN, THE AMERICAN ACCENT IS THAT'S WHY. 1253 01:40:28,455 --> 01:40:30,190 JUST SO... BULKY? 1254 01:40:30,257 --> 01:40:35,496 I MEAN, EMMA STONE, KERI RUSSELL... LOVE YOU GUYS... 1255 01:40:35,562 --> 01:40:37,064 THEY HAVE LOVELY VOICES, BUT THEY ARE SO... 1256 01:40:37,131 --> 01:40:41,101 CONCORDANT? I DON'T KNOW WHAT THAT MEANS 1257 01:40:41,168 --> 01:40:43,370 BUT IT SOUNDS UNBELIEVABLE. THAT'S LIKE THE MOST BEAUTIFUL 1258 01:40:43,437 --> 01:40:51,311 THING I'VE EVER HEARD. AUSTRALIAN IS KIND OF THE ACCENT 1259 01:40:51,378 --> 01:40:55,082 EVERYONE WANTS. IT'S A WHIMSICAL MISTS OF HIGH 1260 01:40:55,149 --> 01:40:57,451 AND LOW CLASS. ALL RIGHT, ALL RIGHT. 1261 01:40:57,518 --> 01:41:02,055 I CAN'T WAIT TO HEAR WHICH ACCENT ACCEPTS THIS AWARD. 1262 01:41:02,122 --> 01:41:04,057 LITERAL MUSIC TO MY EARS, YOU ARE. 1263 01:41:04,124 --> 01:41:07,161 HERE ARE THE NOMINEES FOR FEMALE ACTOR, TELEVISION SERIES, DRAMA. 1264 01:41:07,227 --> 01:41:13,267 HELEN MIRREN, "1923." 1265 01:41:13,333 --> 01:41:21,333 BELLA RAMSEY, "THE LAST OF US." KERI RUSSELL, "THE DIPLOMAT." 1266 01:41:22,176 --> 01:41:30,176 SARAH SNOOK, "SUCCESSION." IMELDA STAUNTON, "THE CROWN." 1267 01:41:32,152 --> 01:41:40,152 EMMA STONE, "THE CURSE." 1268 01:41:42,763 --> 01:41:49,937 AND THE GOLDEN GLOBE GOES TO... 1269 01:41:50,003 --> 01:41:52,005 SARAH SNOOK! 1270 01:42:05,385 --> 01:42:06,320 ♪ ♪ THIS IS SARAH 1271 01:42:06,386 --> 01:42:07,788 SNOOK'S SECOND NOMINATION AND SECOND WIN. 1272 01:42:07,855 --> 01:42:11,325 SHE WINS HER GOLDEN GLOBE TONIGHT FOR HER ROLE AS SHIV ROY 1273 01:42:11,391 --> 01:42:16,797 IN "SUCCESSION." 1274 01:42:21,101 --> 01:42:27,374 I WAS KIND OF HOPING I DIDN'T HAVE TO GET UP! 1275 01:42:27,441 --> 01:42:28,509 KIERAN IS USUALLY BETTER AT THE SPEECHES. 1276 01:42:28,575 --> 01:42:32,980 DO YOU WANT TO GET UP INSTEAD? YOU TAKE IT INSTEAD. 1277 01:42:33,046 --> 01:42:36,283 THANKS TO THE GOLDEN GLOBES. THIS IS REALLY HEAVY. 1278 01:42:36,350 --> 01:42:39,553 THANK YOU, JESSIE, FOR CASTING IN THIS, AND FRANCINE FOR 1279 01:42:39,620 --> 01:42:44,958 PUTTING ME IN FRONT OF JESSE. THIS SHOW HAS CHANGED MY LIFE. 1280 01:42:45,025 --> 01:42:50,297 AND EVERYBODY IN IT WAS AMAZING. THE CAST, THE CREW WERE 1281 01:42:50,364 --> 01:42:52,399 FANTASTIC. THIS WAS A TEAM EFFORT. 1282 01:42:52,466 --> 01:42:55,969 IT WAS ALWAYS A TEAM AND THAT'S WHAT MADE THE SHOW AMAZING, I 1283 01:42:56,036 --> 01:42:57,838 THINK, TO BE PART OF. THANK YOU TO MY HUSBAND FOR 1284 01:42:57,905 --> 01:43:03,277 HOLDING MY HAND, AND THANK YOU TO GEORGE AND MY DAUGHTER FOR 1285 01:43:03,343 --> 01:43:06,780 ALSO CHANGING MY LIFE IN DIFFERENT WAYS. 1286 01:43:06,847 --> 01:43:11,585 JENNY, FOR ALWAYS BEING THERE, BILLY, SCOTT, LIZ AND HEIDI, 1287 01:43:11,652 --> 01:43:14,788 EVERYONE AT HBO. 1288 01:43:14,855 --> 01:43:19,593 IT'S A TEAM EFFORT ALL AROUND. THANKS! 1289 01:43:19,660 --> 01:43:23,363 THIS ROOM IS SO INTIMIDATING! 1290 01:43:35,208 --> 01:43:41,048 ♪ ♪ PLEASE WELCOME, 1291 01:43:41,114 --> 01:43:49,114 FROM THE TV SHOW "SUITS," GABRIEL MACHT AND PATRICK ADAMS. 1292 01:43:55,362 --> 01:43:59,666 WE ARE HERE TO PRESENT BEST TV SERIES, DRAMA. 1293 01:43:59,733 --> 01:44:03,370 AND THERE IS NOTHING MORE DRAMATIC AND ANXIETY-INDUCING 1294 01:44:03,437 --> 01:44:11,437 THAN WAITING ALL NIGHT TO HEAR THAT YOUR CATEGORY FINALLY 1295 01:44:12,913 --> 01:44:17,851 ARRIVED. AGREE. 1296 01:44:17,918 --> 01:44:21,288 IT'S HARD TO IMAGINE WAITING THAT LONG FOR YOUR SHOW TO GET 1297 01:44:21,355 --> 01:44:25,058 RECOGNITION. WHAT ARE YOU TALKING ABOUT? 1298 01:44:25,125 --> 01:44:27,794 DON'T WORRY. I'LL EXPLAIN IT LATER. 1299 01:44:27,861 --> 01:44:32,165 HEY, GUYS! DON'T FORGET ABOUT US! 1300 01:44:32,232 --> 01:44:36,470 DID YOU FORGET ABOUT US? NO, NO, NO. 1301 01:44:36,536 --> 01:44:39,673 SORRY, NOT SORRY, TO INTERRUPT. 1302 01:44:39,740 --> 01:44:42,576 I DO THINK THEY FORGOT ABOUT THE NOMINEES. 1303 01:44:42,643 --> 01:44:47,547 RIGHT, NOMINEES, YES. LET'S GO TO THE NOMINEES. 1304 01:44:47,614 --> 01:44:50,617 OKAY. THE NOMINEES FOR BEST TELEVISION 1305 01:44:50,684 --> 01:44:55,789 - SERIES, DRAMA, ARE... - "1923." 1306 01:44:55,856 --> 01:45:00,460 TELL THE WORLD WHAT HAPPENS WHEN THEY CROSS ME. 1307 01:45:00,527 --> 01:45:02,796 ♪ ♪GREED WILL BE THE THING THAT 1308 01:45:02,863 --> 01:45:10,863 KILLS US ALL. COME WITH ME. 1309 01:45:12,372 --> 01:45:16,977 YOU ARE NO GOOD, JACOB DUT DUTTON! 1310 01:45:17,044 --> 01:45:21,248 MEN KILLED QUICK WITH A BULLET OR A NOOSE, BUT THEIR 1311 01:45:21,314 --> 01:45:23,750 FIGHT IS WITH ME, AND I KILL MUCH SLOWER. 1312 01:45:23,817 --> 01:45:30,257 "THE CROWN." I'M AFRAID, YOUR MAJESTY, 1313 01:45:30,323 --> 01:45:33,860 INTEREST IN THE PRINCESS'S PRIVATE LIFE IS UNLIKELY TO DIE 1314 01:45:33,927 --> 01:45:35,529 DOWN ANYTIME SOON. WHAT DO PEOPLE WANT FROM YOU? 1315 01:45:35,595 --> 01:45:40,300 FOR YOU TO BE MOTHER TO THE NATION. 1316 01:45:40,367 --> 01:45:44,871 YOU'VE SEEN THE IMAGES ON THE TELEVISION. 1317 01:45:44,938 --> 01:45:45,706 DIANA GAVE THE PEOPLE WHAT THEY NEEDED. 1318 01:45:45,772 --> 01:45:46,907 ALL OVER THE WORLD, IN THEIR HOUSES. 1319 01:45:46,973 --> 01:45:53,280 THEY ADORED HER FOR IT. THIS IS GOING TO BE THE 1320 01:45:53,346 --> 01:45:54,981 BIGGEST THING THAT ANY OF US HAS EVER SEEN. 1321 01:45:55,048 --> 01:46:00,821 "THE DIPLOMAT." WELCOME TO LONDON. 1322 01:46:00,887 --> 01:46:04,658 MY HUSBAND WAS AN AMBASSADOR FOR A LONG TIME. 1323 01:46:04,725 --> 01:46:07,060 THIS WILL BE AN ADJUSTMENT. YOU WANT MY HELP? 1324 01:46:07,127 --> 01:46:11,531 YOU DON'T WANT MY HELP. ON THE SMARTEST MAN YOU EVER 1325 01:46:11,598 --> 01:46:16,503 CAN'T WE ADMIT THAT I AM NOT THE ONLY PROBLEM? 1326 01:46:16,570 --> 01:46:21,341 IT'S THE BEST TOOL WE HAVE TO DE-ESCALATE A SITUATION THAT IS 1327 01:46:21,408 --> 01:46:22,776 SPINNING OUT OF CONTROL. YOU DON'T WORK FOR THE U.S. 1328 01:46:22,843 --> 01:46:25,779 GOVERNMENT. THIS IS NEW TO ME. 1329 01:46:25,846 --> 01:46:29,816 BOTH OF YOU, AT THE SAME TIME. I COULD USE LESS OF IT. 1330 01:46:29,883 --> 01:46:34,087 "THE LAST OF US." GOT ANY ADVICE ON THE BEST 1331 01:46:34,154 --> 01:46:34,955 WAY WEST? YEAH. 1332 01:46:35,021 --> 01:46:40,460 GO EAST. YOU'VE COME THIS FAR, THEN YOU 1333 01:46:40,527 --> 01:46:47,134 KNOW WHAT'S OUT THERE. YOU'RE NOT GOING TO SCARE US. 1334 01:46:47,200 --> 01:46:49,436 SCARED HIM. ♪ ♪ 1335 01:46:49,503 --> 01:46:54,241 BE CAREFUL WHO YOU PUT YOUR FAITH IN. 1336 01:46:54,307 --> 01:46:59,146 - DO YOU TRUST ME? - "THE MORNING 1337 01:46:59,212 --> 01:47:04,251 SHOW." UBA HAS BECOME THE TARGET OF 1338 01:47:04,317 --> 01:47:06,553 A CYBER ATTACK. CERTAIN THINGS MAY COME TO 1339 01:47:06,620 --> 01:47:08,588 LIGHT. THAT YOU EVER TELL ANYBODY? 1340 01:47:08,655 --> 01:47:11,424 PERSONAL THINGS THAT WERE NOT MEANT TO BE SHARED. 1341 01:47:11,491 --> 01:47:15,629 THEY DIDN'T PROTECT ME. THEY DIDN'T PROTECT YOU, BUT 1342 01:47:15,695 --> 01:47:18,031 I DID. WE ARE FLIRTING WITH 1343 01:47:18,098 --> 01:47:22,602 FINANCIAL DISASTER. WE NEED SOMEONE WITH MORE 1344 01:47:22,669 --> 01:47:25,539 MONEY THAN GOD. I'M OFFERING YOU A LIFELINE. 1345 01:47:25,605 --> 01:47:28,642 - TAKE THE MONEY. - "SUCCESSION." 1346 01:47:28,708 --> 01:47:33,580 HE'S ON THE FLOOR, THOMAS. EXPLAINED TO ME WHAT HE'S 1347 01:47:33,647 --> 01:47:34,681 DOING. HE MOSEYING. 1348 01:47:34,748 --> 01:47:38,618 IT'S LIKE IF SANTA CLAUS WAS A HIT MAN. 1349 01:47:38,685 --> 01:47:45,058 I NEED A FIRE BREATHER. WE HAVE BEEN SCHOOLED BY A 1350 01:47:45,125 --> 01:47:48,261 BARBARIAN THAT GOES BY THE NAME OF LOGAN ROY. 1351 01:47:48,328 --> 01:47:51,832 SOMETHING BIGGER, WHILE THE THERE. 1352 01:47:51,898 --> 01:47:54,501 I WANT TO KILL THE OPPOSITION, CUT THEIR THROATS! 1353 01:47:54,568 --> 01:48:02,475 WE ARE PIRATES! 1354 01:48:02,542 --> 01:48:08,181 AND THE GOLDEN GLOBE GOES TO... 1355 01:48:08,248 --> 01:48:10,951 "SUCCESSION." 1356 01:48:29,302 --> 01:48:32,772 COMING TO THE STAGE FOR "SUCCESSION" IS THE 1357 01:48:32,839 --> 01:48:38,178 CAST AND CREATOR, EXECUTIVE PRODUCER, AND WRITER, 1358 01:48:38,245 --> 01:48:41,581 JESSE ARMSTRONG, PLUS EXECUTIVE PRODUCERS. 1359 01:48:41,648 --> 01:48:45,585 ACCEPTING THE GOLDEN GLOBE IS JESSE ARMSTRONG. 1360 01:48:53,393 --> 01:49:01,393 ♪ ♪THANK YOU. 1361 01:49:08,341 --> 01:49:09,142 ♪ ♪THANK YOU. 1362 01:49:09,209 --> 01:49:16,082 THANK YOU VERY MUCH INDEED. 1363 01:49:16,149 --> 01:49:19,552 SO, IT'S BEEN SAID THAT IT'S A TEAM EFFORT, THIS SHOW, WHICH IS 1364 01:49:19,619 --> 01:49:23,189 ONE OF THE REASONS IT IS SO LOVELY TO DO, AND I WOULD LIKE 1365 01:49:23,256 --> 01:49:28,128 TO ACCEPT THIS ON BEHALF OF THE WHOLE "SUCCESSION" WRITERS ROOM, 1366 01:49:28,194 --> 01:49:32,732 THE DIRECTORIES LED BY MARK, MY FELLOW PRODUCERS, THE 1367 01:49:32,799 --> 01:49:39,239 EXTRAORDINARY SUBTLE CAST. 1368 01:49:39,306 --> 01:49:43,910 AND THE CREW WHO HAVE WORKED SO DEDICATEDLY AND BRILLIANTLY ON 1369 01:49:43,977 --> 01:49:48,648 FOUR SEASONS OF THE SHOW. I'VE BEEN SUPPORTED ALL THE WAY 1370 01:49:48,715 --> 01:49:53,920 THROUGH BY HBO. 1371 01:49:53,987 --> 01:49:56,556 SO IT HAS BEEN SUCH A WONDERFUL TEAM TO WORK WITH. 1372 01:49:56,623 --> 01:49:59,626 WE DECIDED THIS WAS THE RIGHT TIME TO END THE SHOW, AND THAT 1373 01:49:59,693 --> 01:50:04,064 WAS VERY BITTERSWEET, PARTICULARLY FOR ME, BECAUSE I 1374 01:50:04,130 --> 01:50:08,902 FINALLY BOUGHT SOME SHOES THAT ARE APPROPRIATE FOR AWARDS, AND 1375 01:50:08,969 --> 01:50:13,340 THIS MIGHT BE THE LAST TIME I EVER GET TO WEAR THEM, IT SEEMS. 1376 01:50:13,406 --> 01:50:16,509 IT IS BITTERSWEET. BUT THINGS LIKE THIS MAKE IT 1377 01:50:16,576 --> 01:50:19,312 RATHER SWEETER, SO THANK YOU VERY MUCH, INDEED. 1378 01:50:33,960 --> 01:50:34,961 ♪ ♪ EVERYONE IN THIS 1379 01:50:35,028 --> 01:50:38,031 BALLROOM IS GETTING LOOSE AS THE PARTY KEEPS GOING. 1380 01:50:38,098 --> 01:50:40,538 WILL FERRELL AND KRISTEN WIIG TAKE THE STAGE RIGHT AFTER THIS. 1381 01:50:57,984 --> 01:50:59,753 PLEASE WELCOME, FROM THE UPCOMING SERIES 1382 01:50:59,819 --> 01:51:03,923 "PALM ROYALE," KRISTEN WIIG, AND PRODUCER OF GOLDEN GLOBE NOMINEE 1383 01:51:03,990 --> 01:51:11,990 "MAY DECEMBER," WILL FERRELL. 1384 01:51:16,002 --> 01:51:16,936 GOOD EVENING. 1385 01:51:17,003 --> 01:51:20,940 HELLO. EVERYONE LOOKS BEAUTIFUL 1386 01:51:21,007 --> 01:51:23,877 TONIGHT. AND WHAT A SPECIAL NIGHT IT IS. 1387 01:51:23,943 --> 01:51:28,381 WE ARE HONORED TO BE HERE AND RECOGNIZE THE FEARLESS AND 1388 01:51:28,448 --> 01:51:33,720 INSPIRED PERFORMANCES BY A MALE ACTOR IN A MOTION PICTURE, 1389 01:51:33,787 --> 01:51:38,124 MUSICAL OR COMEDY. IT'S TRULY AMAZING... 1390 01:51:38,191 --> 01:51:43,830 INCREDIBLE. HOW MUCH A LAUGH... 1391 01:51:54,507 --> 01:52:00,780 NOT SURE WHAT THAT WAS. SORRY ABOUT THAT. 1392 01:52:00,847 --> 01:52:04,150 UM, TONIGHT WE APPLAUD THE 1393 01:52:04,217 --> 01:52:06,519 OUTSTANDING NOMINEES. LEGENDS LIKE NICOLAS CAGE, 1394 01:52:06,586 --> 01:52:14,586 MATT DAMON... 1395 01:52:21,534 --> 01:52:22,802 MATT DAMON... 1396 01:52:22,869 --> 01:52:25,572 JUST KEEP GOING. KEEP GOING. 1397 01:52:25,638 --> 01:52:27,507 JEFFREY WRIGHT, PAUL GIAMATTI, 1398 01:52:27,574 --> 01:52:31,111 TIMOTHEE CHALAMET. AND, OF COURSE, JOAQUIN... 1399 01:53:01,007 --> 01:53:06,446 WHAT IS GOING ON?! 1400 01:53:06,513 --> 01:53:09,415 OKAY, WILL, LET'S JUST BE HONEST WITH EVERYONE. 1401 01:53:09,482 --> 01:53:13,253 GO AHEAD. ALL RIGHT. 1402 01:53:13,319 --> 01:53:14,954 GUYS, THIS SONG DOES SOMETHING TO US. 1403 01:53:15,021 --> 01:53:17,524 AS YOU CAN SEE. AND IT ALWAYS HAS. 1404 01:53:17,590 --> 01:53:20,560 FOR DECADES. AND WHOEVER IS PUTTING ON 1405 01:53:20,627 --> 01:53:24,164 THIS SHOW TONIGHT KNOWS IT! 1406 01:53:24,230 --> 01:53:26,232 THEY WANTED US TO COME OUT HERE, MAKE A BUNCH OF JOKES, AND 1407 01:53:26,299 --> 01:53:30,170 WE SAID NO. WE SAID NO! 1408 01:53:30,236 --> 01:53:31,771 WE WANNA BE SERIOUS TONIGHT. WHY? 1409 01:53:31,838 --> 01:53:34,874 BECAUSE IT'S A SERIOUS NIGHT. AND THEY KNEW JUST WHAT TO DO 1410 01:53:34,941 --> 01:53:36,843 TO GET WHAT THEY WANTED... PLAY OUR FAVORITE SONG. 1411 01:53:36,910 --> 01:53:42,982 WE LOOK RIDICULOUS. LIKE A COUPLE OF J-HOLES. 1412 01:53:43,049 --> 01:53:45,985 I'M EMBARRASSED. THE GOLDEN GLOBES HAVE NOT 1413 01:53:46,052 --> 01:53:50,023 CHANGED! 1414 01:53:50,089 --> 01:53:55,461 HERE ARE THE NOMINEES. HERE ARE THE NOMINEES. 1415 01:53:55,528 --> 01:54:00,733 NICOLAS CAGE, "DREAM SCENARIO." 1416 01:54:00,800 --> 01:54:08,800 TIMOTHEE CHALAMET, "WONKA." MATT DAMON, "AIR." 1417 01:54:10,843 --> 01:54:16,416 PAUL GIAMATTI, "THE HOLDOVERS." JOAQUIN PHOENIX, 1418 01:54:16,482 --> 01:54:21,254 "BEAU IS AFRAID." JEFFREY WRIGHT, 1419 01:54:21,321 --> 01:54:29,321 "AMERICAN FICTION." 1420 01:54:31,431 --> 01:54:35,435 SMELLS LIKE HOT SUSHI IN HERE. 1421 01:54:35,501 --> 01:54:39,606 AM I THE ONLY ONE? 1422 01:54:39,672 --> 01:54:41,241 RIGHT? IT DOES. 1423 01:54:41,307 --> 01:54:44,143 IT'S LIKE HOT SUSHI. AND THE GOLDEN GLOBE GOES 1424 01:54:44,210 --> 01:54:52,185 TO... PAUL GIAMATTI, "THE HOLDOVERS!" 1425 01:55:01,861 --> 01:55:06,899 THIS IS PAUL 1426 01:55:06,966 --> 01:55:09,235 GIAMATTI'S SIXTH NOMINATION AND HIS THIRD WIN. 1427 01:55:09,302 --> 01:55:12,905 PAUL WINS HIS BYE TONIGHT FOR HIS ROLE AS PAUL HUNHAM IN "THE 1428 01:55:12,972 --> 01:55:14,974 HOLDOVERS." MY GOSH. 1429 01:55:25,985 --> 01:55:31,658 SO MANY STAIRS. MY KNEES ARE SHOT, I'M TELLING 1430 01:55:31,724 --> 01:55:34,594 YOU. UP AND DOWN, ALL NIGHT, STANDING 1431 01:55:34,661 --> 01:55:37,964 UP AND SITTING DOWN ALL NIGHT. I'M NEVER GOING TO BE IN "JOHN 1432 01:55:38,031 --> 01:55:40,266 "AT THIS RATE. SURELY THIS IS THE FIRST TIME 1433 01:55:40,333 --> 01:55:46,939 THIS AWARD HAS BEEN GIVEN TO AN ACTOR WHO HAS PLAYED A MAN WHO 1434 01:55:47,006 --> 01:55:50,877 SMELLS LIKE FISH. 1435 01:55:50,943 --> 01:55:55,815 THANK YOU, GOLDEN GLOBES. AND THANK YOU TO ALEXANDER 1436 01:55:55,882 --> 01:55:58,451 PAYNE. ALEXANDER THE GREAT. 1437 01:55:58,518 --> 01:56:03,323 WHO, FOR SOME MYSTERIOUS REASON, 1438 01:56:03,389 --> 01:56:05,325 CONTINUES TO HAVE ENORMOUS FAITH IN ME. 1439 01:56:05,391 --> 01:56:09,829 AND WHY? I DON'T KNOW WHY. 1440 01:56:09,896 --> 01:56:17,270 AND DA'VINE JOY RANDOLPH, DOMINIC SESSA, I LOVE YOU VERY 1441 01:56:17,337 --> 01:56:19,238 MUCH. DAVID, FOCUS FEATURES, THE 1442 01:56:19,305 --> 01:56:24,711 ENTIRE CAST AND CREW, AND BOS BOSTON, BEANTOWN. 1443 01:56:24,777 --> 01:56:31,417 FANTASTIC PEOPLE, ONE AND ALL. I WANT TO SAY I LOVE MY 1444 01:56:31,484 --> 01:56:33,786 BEAUTIFUL GIRLFRIEND, CLARA WONG. 1445 01:56:33,853 --> 01:56:36,756 WHY YOU WOULD BOTHER WITH ME, I DON'T KNOW. 1446 01:56:36,823 --> 01:56:42,161 AND I GUESS I WANT TO GIVE A SHOUT OUT TO MY SON, SAMUEL, WHO 1447 01:56:42,228 --> 01:56:46,399 RECENTLY GRADUATED FROM COLLEGE. THANK YOU. 1448 01:56:46,466 --> 01:56:48,167 IT'S A MOVIE ABOUT A TEACHER. 1449 01:56:48,234 --> 01:56:51,304 I PLAY A TEACHER IN IT. MY WHOLE FAMILY, THEY ARE 1450 01:56:51,371 --> 01:56:53,973 TEACHERS. ALL OF THEM, GOING BACK 1451 01:56:54,040 --> 01:56:57,377 GENERATIONS. TEACHERS ARE GOOD PEOPLE. 1452 01:56:57,443 --> 01:57:00,012 WE'VE GOT TO RESPECT THEM. THEY DO A GOOD THING. 1453 01:57:00,079 --> 01:57:05,318 IT'S A TOUGH JOB. SO THIS IS FOR TEACHERS, AS WE 1454 01:57:05,385 --> 01:57:07,720 WELL. THANKS, YOU GUYS. 1455 01:57:07,787 --> 01:57:10,523 THANK YOU. 1456 01:57:10,590 --> 01:57:15,695 PLEASE WELCOME THE 1457 01:57:15,762 --> 01:57:18,865 STARS OF THE FILM "NYAD," GOLDEN GLOBE WINNER ANNETTE BENING, 1458 01:57:18,931 --> 01:57:23,035 AND PAST RECIPIENT OF THE CECIL B. DeMILLE AWARD, 1459 01:57:23,102 --> 01:57:31,102 JODIE FOSTER. 1460 01:57:34,847 --> 01:57:36,783 FROM THE TRUE STORY ABOUT AN 1461 01:57:36,849 --> 01:57:41,788 ATHLETE AND AN ICONIC SHOE... TO A MOVIE ABOUT A DOLL AND 1462 01:57:41,854 --> 01:57:44,257 HER POWER IN THIS WORLD. THE NOMINATED FILMS IN THIS 1463 01:57:44,323 --> 01:57:46,959 NEXT CATEGORY PORTRAYED IMPORTANT AND ENGAGING STORIES, 1464 01:57:47,026 --> 01:57:51,631 WHILE ALSO MAKING A HUGE CULTURAL IMPACT. 1465 01:57:51,697 --> 01:57:53,866 IT'S OUR TRUE HONOR TO BE A PART OF GIVING ONE OF THESE 1466 01:57:53,933 --> 01:57:57,637 FILMS AN AWARD TONIGHT. I COULDN'T AGREE MORE. 1467 01:57:57,703 --> 01:58:00,840 THE NOMINEES FOR BEST MOTION PICTURE, MUSICAL OR COMEDY, 1468 01:58:00,907 --> 01:58:07,146 - ARE... - "AIR." 1469 01:58:07,213 --> 01:58:10,183 I'M WILLING TO BET MY CAREER ON ONE GUY. 1470 01:58:10,249 --> 01:58:13,553 FOR A ROOKIE? WAS NEVER SET FOOT ON AN NBA 1471 01:58:13,619 --> 01:58:15,855 COURT? THAT'S THE LITERAL DEFINITION 1472 01:58:15,922 --> 01:58:16,722 - OF ROOKIE, YEAH. - "AMERICAN 1473 01:58:16,789 --> 01:58:20,460 FICTION." WE BELIEVE HE'S WRITTEN A 1474 01:58:20,526 --> 01:58:22,462 BEST SELLER. THE MOST LUCRATIVE JOKE 1475 01:58:22,528 --> 01:58:25,498 YOU'VE EVER TOLD. THEY ARE OFFERING $4 MILLION FOR 1476 01:58:25,565 --> 01:58:29,235 - THE MOVIE RIGHTS. - "BARBIE." 1477 01:58:29,302 --> 01:58:33,439 TAKE MY HANDS. NOW FEEL. 1478 01:58:33,506 --> 01:58:36,075 IT'S LITERALLY IMPOSSIBLE TO BE A WOMAN, AND IT KILLS ME THAT 1479 01:58:36,142 --> 01:58:37,844 YOU DON'T THINK YOU'RE GOOD ENOUGH. 1480 01:58:37,910 --> 01:58:45,117 "THE HOLDOVERS." MR. HUNHAM, I HEARD HE GOT 1481 01:58:45,184 --> 01:58:46,619 STUCK WITH BABYSITTING DUTY THIS YEAR. 1482 01:58:46,686 --> 01:58:50,089 HOW DO YOU MANAGE THAT? HE'S TO BE A STUDENT. 1483 01:58:50,156 --> 01:58:52,258 THAT'S WHY HE INFLICT MAXIMUM PAIN ON US. 1484 01:58:52,325 --> 01:58:58,097 "MAY DECEMBER." WHAT WOULD MAKE A 36-YEAR-OLD 1485 01:58:58,164 --> 01:59:00,032 WOMAN HAVE AN AFFAIR WITH A SEVENTH GRADER? 1486 01:59:00,099 --> 01:59:03,903 PEOPLE SEE ME AS A VICTIM. I WANTED IT. 1487 01:59:03,970 --> 01:59:11,277 "POOR THINGS." I'M BELLA BAXTER AND THERE'S 1488 01:59:11,344 --> 01:59:13,646 A WORLD TO ENJOY, CIRCUMNAVIGATE. 1489 01:59:13,713 --> 01:59:17,149 TELL ME, WHERE DO YOU COME FROM? 1490 01:59:17,216 --> 01:59:21,988 BELLA. WHY KEEP IT IN MY MOUTH IF IT 1491 01:59:22,054 --> 01:59:22,788 IS REVOLTING? 1492 01:59:22,855 --> 01:59:27,894 AND THE GOLDEN GLOBE GOES TO... 1493 01:59:27,960 --> 01:59:31,898 "POOR THINGS." 1494 01:59:31,964 --> 01:59:37,603 COMING TO THE 1495 01:59:37,670 --> 01:59:42,008 STAGE TONIGHT FOR "POOR THINGS" IS DIRECTOR YORGOS LANTHIMOS, 1496 01:59:42,074 --> 01:59:45,645 PRODUCER AND ACTOR EMMA STONE, AND PRODUCERS 1497 01:59:47,780 --> 01:59:49,782 ACCEPTING THE GOLDEN GLOBEIS EM. 1498 02:00:15,575 --> 02:00:18,778 WE ARE FIGHTING WHO IS GOING TO SPEAK. 1499 02:00:18,844 --> 02:00:20,947 I JUST WANTED TO SPEAK TO BRUCE SPRINGSTEEN THE WHOLE 1500 02:00:21,013 --> 02:00:22,648 NIGHT. 1501 02:00:22,715 --> 02:00:26,452 WE HAVE THE SAME BIRTHDAY, THE 23RD OF SEPTEMBER. 1502 02:00:26,519 --> 02:00:28,888 HE'S BEEN MY HERO SINCE I GREW UP. 1503 02:00:28,955 --> 02:00:34,393 ANYWAY, I'M WASTING MY TIME. THANK YOU, EVERYBODY. 1504 02:00:34,460 --> 02:00:40,099 EVERYBODY WHO WORKED ON THE FILM, THE PEOPLE AT SEARCHLIGHT, 1505 02:00:40,166 --> 02:00:43,936 FILM 4 ELEMENT, THAT PRODUCED THE FILM AND MADE IT HAPPEN. 1506 02:00:44,003 --> 02:00:48,708 THE ACTORS, WONDERFUL ACTORS. BRUCE SPRINGSTEEN, FOR MAKING ME 1507 02:00:48,774 --> 02:00:55,414 GROW UP THE WAY I DID. AND EMMA, OF COURSE. 1508 02:00:55,481 --> 02:00:57,583 SHE WON, YOU KNOW IT. SHE'S THE BEST. 1509 02:00:57,650 --> 02:00:59,652 THANK YOU SO MUCH. AND YORGOS. 1510 02:01:21,007 --> 02:01:24,944 IS IT REALLY A HOLLYWOOD PARTY WITHOUT OPRAH? 1511 02:01:25,011 --> 02:01:27,346 LUCKILY SHE'S HANDING OUT THE LAST AWARD OF THE NIGHT, WHEN 1512 02:01:27,413 --> 02:01:28,413 THE GOLDEN GLOBES RETURN. 1513 02:01:37,690 --> 02:01:38,991 WE'RE COMING UP TO THE FINAL AWARDS. 1514 02:01:39,058 --> 02:01:47,058 PLEASE WELCOME KATE BECKINSALE, AND DON CHEADLE. 1515 02:01:56,409 --> 02:02:02,915 EVERYONE HAS A STORY ABOUT HOW THEY GOT A ROLE. 1516 02:02:02,982 --> 02:02:06,419 I FOUND OUT I GOT MY FIRST BIG BREAK WHILE I WAS STILL A 1517 02:02:06,485 --> 02:02:07,920 STUDENT AT OXFORD. I LOVE THAT STORY. 1518 02:02:07,987 --> 02:02:09,288 ME, TOO. I GET TO REMIND EVERYONE I WENT 1519 02:02:09,355 --> 02:02:12,925 TO OXFORD. YOU GOT THAT IN THERE, THAT'S 1520 02:02:12,992 --> 02:02:14,694 GOOD. I WOULDN'T HAVE GOTTEN THE 1521 02:02:14,760 --> 02:02:22,760 ROLE OF MOUSE IN "DEVIL IN A BLUE DRESS" HAD I 1522 02:02:27,506 --> 02:02:28,708 NOT DUMPED INTO THE DIRECTOR AT A DOCTOR'S OFFICE. 1523 02:02:28,774 --> 02:02:30,376 WHERE I PHYSICALLY THREATENED HIM INTO CASTING ME AS MOUSE IN 1524 02:02:30,443 --> 02:02:31,877 "DEVIL IN A BLUE DRESS." LILY GLADSTONE WAS WAITING TO 1525 02:02:31,944 --> 02:02:33,012 HEAR ABOUT A JOB TRACKING GIANT HORNETS, AND THEN GOT A CALL 1526 02:02:33,079 --> 02:02:35,948 FROM MARTIN SCORSESE. DID YOU SAY "GIANT HORNETS?" 1527 02:02:36,015 --> 02:02:37,650 FOR THE FIRST TIME IN MY LIFE, YES. 1528 02:02:37,717 --> 02:02:42,955 GRETA LEE FIRST HEARD ABOUT "PAST LIVES" FROM AN EMAIL 1529 02:02:43,022 --> 02:02:44,790 DO YOU SPEAK IT?" 1530 02:02:44,857 --> 02:02:48,961 WELL, ONE OF THESE ACTORS IS ABOUT TO HAVE ANOTHER VERY COOL 1531 02:02:49,028 --> 02:02:50,763 STORY TO TELL. HERE ARE THE NOMINEES FOR BEST 1532 02:02:50,830 --> 02:02:56,469 PERFORMANCE BY A FEMALE ACTOR IN A MOTION PICTURE, DRAMA. 1533 02:02:56,535 --> 02:03:00,573 ANNETTE BENING, "NYAD." 1534 02:03:00,639 --> 02:03:05,411 LILY GLADSTONE, "KILLERS OF THE FLOWER MOON." 1535 02:03:05,478 --> 02:03:10,382 SANDRA HULLER, "ANATOMY OF A FALL." 1536 02:03:10,449 --> 02:03:18,449 GRETA LEE, "PAST LIVES." CAREY MULLIGAN, "MAESTRO." 1537 02:03:19,925 --> 02:03:27,925 CAILEE SPAENY, "PRISCILLA." 1538 02:03:29,135 --> 02:03:35,708 AND THE GOLDEN GLOBE GOES TO... 1539 02:03:35,775 --> 02:03:38,444 LILY GLADSTONE! 1540 02:03:38,511 --> 02:03:46,511 THIS IS LILY GLADSTONE'S 1541 02:03:53,292 --> 02:03:56,695 FIRST NOMINATION AND FIRST WIN. SHE WINS OR GOLDEN GLOBE TONIGHT 1542 02:03:56,762 --> 02:04:00,332 FOR HER ROLE OF MOLLIE BURKHART AND "KILLERS OF THE FLOWER 1543 02:04:00,399 --> 02:04:06,305 MOON." 1544 02:04:46,412 --> 02:04:54,412 I LOVE EVERYONE IN THIS ROOM 1545 02:04:57,723 --> 02:05:05,664 I DON'T HAVE WORDS. I JUST SPOKE A BIT OF BLACKFEET 1546 02:05:05,731 --> 02:05:08,834 LANGUAGE, A BEAUTIFUL COMMUNITY NATION THAT RAISED ME AND 1547 02:05:08,901 --> 02:05:12,238 ENCOURAGED ME TO KEEP GOING, KEEP DOING THIS. 1548 02:05:12,304 --> 02:05:17,376 MY MOM, WHO, EVEN THOUGH SHE'S NOT BLACKFEET, WORKED TIRELESSLY 1549 02:05:17,443 --> 02:05:20,479 TO GET OUR LANGUAGE INTO OUR CLASSROOM SO I HAD A BLACKFEET 1550 02:05:20,546 --> 02:05:28,546 LANGUAGE TEACHER GROWING UP. 1551 02:05:29,488 --> 02:05:35,761 THIS AWARD BELONGS TO... I HOPE I DON'T GET COUNTED DOWN TOO 1552 02:05:35,828 --> 02:05:39,531 FAST, BECAUSE THIS IS AN HISTORIC ONE. 1553 02:05:39,598 --> 02:05:42,568 I'M SO GRATEFUL I CAN SPEAK EVEN A LITTLE BIT OF MY LANGUAGE, 1554 02:05:42,635 --> 02:05:45,404 WHICH I'M NOT FLUENT IN, UP HERE. 1555 02:05:45,471 --> 02:05:49,575 BECAUSE, IN THIS BUSINESS, NATIVE ACTORS USED TO SPEAK 1556 02:05:49,642 --> 02:05:53,145 THEIR LINES IN ENGLISH, AND THE SOUND MIXER IS RUN THEM 1557 02:05:54,179 --> 02:05:58,584 BACKWARDS TO ACCOMPLISH NATIVE LANGUAGES ON CAMERA. 1558 02:05:58,651 --> 02:06:02,154 THIS IS AN HISTORIC WIN. IT DOESN'T BELONG TO JUST ME. 1559 02:06:02,221 --> 02:06:05,424 I'M HOLDING IT RIGHT NOW. I'M HOLDING WITH ALL OF MY 1560 02:06:05,491 --> 02:06:12,197 BEAUTIFUL SISTERS IN THE FILM AT THE TABLE OVER HERE, AND MY 1561 02:06:12,264 --> 02:06:15,401 MOTHER, STANDING ON ALL OF YOUR SHOULDERS. 1562 02:06:15,467 --> 02:06:17,803 THANK YOU. THANK YOU, MARTY. 1563 02:06:17,870 --> 02:06:23,575 THANK YOU, LEO. THANK YOU, BOB. 1564 02:06:23,642 --> 02:06:28,614 YOU ARE ALL CHANGING THINGS. THANK YOU FOR BEING SUCH ALLIES. 1565 02:06:28,681 --> 02:06:33,552 THANK YOU, ERIC. THANK YOU, CHIEF STANDING BEAR, 1566 02:06:33,619 --> 02:06:41,393 AND TO THE OSAGE NATION. I'M AT A LOSS FOR WHAT ELSE TO 1567 02:06:41,460 --> 02:06:43,329 SAY. THANK YOU, APPLE. 1568 02:06:43,395 --> 02:06:47,566 THANK YOU MY MANAGER, MY AGENT, JOEL AND SASHA. 1569 02:06:47,633 --> 02:06:53,038 THANK YOU TO ALL OF YOU. AND THIS IS FOR EVERY LITTLE REZ 1570 02:06:53,105 --> 02:06:55,474 KID COME EVERY LITTLE URBAN KID, EVERY LITTLE NATIVE KID OUT 1571 02:06:55,541 --> 02:06:59,178 THERE WHO HAS A DREAM AND IS SEEING THEMSELVES REPRESENTED 1572 02:06:59,244 --> 02:07:05,417 AND ARE STORIES TOLD BY OURSELVES, IN OUR OWN WORDS, WIH 1573 02:07:05,484 --> 02:07:07,519 TREMENDOUS ALLIES AND TREMENDOUS TRUST FROM WITHIN, 1574 02:07:07,586 --> 02:07:15,586 FROM EACH OTHER. THANK YOU ALL SO MUCH. 1575 02:07:35,681 --> 02:07:36,615 PLEASE WELCOME, RECIPIENT OF THE GOLDEN GLOBES' 1576 02:07:36,682 --> 02:07:40,619 CECIL B. DEMILLE AWARD, AND PRODUCER OF "THE 1577 02:07:40,686 --> 02:07:44,690 COLOR PURPLE," OPRAH WINFREY. 1578 02:07:53,699 --> 02:07:57,136 ♪ ♪HI, EVERYBODY. 1579 02:07:57,202 --> 02:08:03,609 MOVIES HAVE THE ABILITY TO TRANSFORM HOW WE SEE THE WORLD. 1580 02:08:03,675 --> 02:08:08,280 THEY CAN HELP US ESCAPE, OR MAKE US FEEL LIKE WE BELONG, 1581 02:08:08,347 --> 02:08:10,649 AND, AT THE END OF THE DAY, ENTERTAIN US. 1582 02:08:10,716 --> 02:08:12,484 WHILE COMEDIES MAKE US LAUGH, DRAMAS CAN INSPIRE US TO MAKE A 1583 02:08:12,551 --> 02:08:14,953 CHANGE, EVEN IF THAT CHANGE IS SMALL. 1584 02:08:15,020 --> 02:08:17,823 AND THAT IS WHY IT IS MY HONOR TO PRESENT BEST MOTION PICTURE, 1585 02:08:17,890 --> 02:08:22,761 - DRAMA. - "ANATOMY OF A 1586 02:08:22,828 --> 02:08:28,267 FALL." STOPPED. 1587 02:08:28,333 --> 02:08:31,670 I DID NOT KILL HIM. THAT'S NOT THE POINT. 1588 02:08:31,737 --> 02:08:35,107 "KILLERS OF THE FLOWER MOON." 1589 02:08:35,174 --> 02:08:38,143 HOW DO I KNOW IF YOU LOVE ME ANYMORE? 1590 02:08:38,210 --> 02:08:41,246 OF COURSE I LOVE YOU. THEN KILL THESE MEN YOU 1591 02:08:41,313 --> 02:08:44,516 - KILLED MY FAMILY. - "MAESTRO." 1592 02:08:44,583 --> 02:08:47,920 IF SOMETHING DOESN'T SING AND YOU, THEN NOTHING SEEMS NEW. 1593 02:08:47,986 --> 02:08:49,621 IF NOTHING SEEMS NEW, THEN YOU CAN'T MAKE MUSIC. 1594 02:08:49,688 --> 02:08:55,561 "OPPENHEIMER." THIS IS A NATIONAL EMERGENCY. 1595 02:08:55,627 --> 02:08:59,064 WE ARE IN A RACE AGAINST THE SPEEFIFTEEN AND I KNOW WHAT IT 1596 02:08:59,131 --> 02:09:04,603 - MEANS IF THE NAZIS HAVE A BOMB. - "PAST LIVES." 1597 02:09:04,670 --> 02:09:07,039 CHILDHOOD SWEETHEART TO RECONNECT 20 YEARS LATER AND 1598 02:09:07,106 --> 02:09:08,006 REALIZE THEY ARE MEANT FOR EACH OTHER. 1599 02:09:08,073 --> 02:09:10,008 - SHUT UP! - "THE ZONE OF 1600 02:09:10,075 --> 02:09:18,075 INTEREST." [SPEAKING IN A GLOBAL 1601 02:09:19,718 --> 02:09:25,157 [LANGUAGE] 1602 02:09:25,224 --> 02:09:30,496 AND THE GOLDEN GLOBE GOES TO... 1603 02:09:30,562 --> 02:09:36,902 "OPPENHEIMER!" 1604 02:09:53,185 --> 02:09:56,622 COMING TO THE STAGE TONIGHT FOR "OPPENHEIMER" 1605 02:09:56,688 --> 02:10:02,661 IS A WRITER, PRODUCER, AND DIRECTOR, CHRISTOPHER NOLAN, AND 1606 02:10:02,728 --> 02:10:03,629 PRODUCERS EMMA THOMAS AND CHARLES ROVEN. 1607 02:10:03,695 --> 02:10:09,902 ACCEPTING THE GOLDEN GLOBE IS EMMA THOMAS. 1608 02:10:18,343 --> 02:10:24,483 THIS IS CRAZY! MY GOD. 1609 02:10:24,550 --> 02:10:29,254 OKAY, THAT'S CRAZY. FROM OPRAH! 1610 02:10:29,321 --> 02:10:36,595 THEY WEREN'T KIDDING, THIS IS A REALLY INTIMIDATING ROOM. 1611 02:10:36,662 --> 02:10:39,498 THANK YOU SO MUCH TO THE GOLDEN GLOBES. 1612 02:10:39,565 --> 02:10:42,601 CAN YOU HEAR MY HEART BEATING? BECAUSE IT'S GOING CRAZY! 1613 02:10:42,668 --> 02:10:45,537 THIS WAS JUST AN INCREDIBLE EXPERIENCE MAKING THIS FILM, AND 1614 02:10:45,604 --> 02:10:51,610 THIS IS JUST THE SMALLEST PORTION OF THE MANY PEOPLE THAT 1615 02:10:51,677 --> 02:10:57,516 MADE THE FILM WHAT IT IS. I HAVE LOVED SITTING HERE, 1616 02:10:57,583 --> 02:10:59,284 HEARING EVERYONE TALK ABOUT THEIR WORK. 1617 02:10:59,351 --> 02:11:03,055 WHAT IS SO CLEAR IS THAT WHAT WE DO IS COLLABORATION. 1618 02:11:03,121 --> 02:11:06,358 THAT'S AMAZING AND IT'S EXCITING, AND I FIND THAT TO BE 1619 02:11:06,425 --> 02:11:11,997 COMPLETELY MAGICAL. I HAVE TO SAY, I AM SO PLEASED 1620 02:11:12,064 --> 02:11:14,299 THAT CHRIS HAS BEEN ACKNOWLEDGED, BECAUSE I JUST 1621 02:11:14,366 --> 02:11:18,203 THINK THAT WHAT HE DOES IS UNLIKE ANYTHING ANYONE ELSE IS 1622 02:11:18,270 --> 02:11:22,241 DOING. 1623 02:11:22,307 --> 02:11:30,307 ALL OF THIS TALENT, AND THESE AMAZING ACTORS BUT ALSO ALL OF 1624 02:11:31,183 --> 02:11:35,053 OUR HODs. THE P.A.S, CAMERA ASSISTANTS, 1625 02:11:35,120 --> 02:11:36,488 EVERYBODY DID THEIR BEST ON THIS FILM. 1626 02:11:36,555 --> 02:11:40,125 CHRIS BRINGS THE BEST OUT AND PEOPLE BY BEING THE VERY BEST 1627 02:11:40,192 --> 02:11:42,327 HIMSELF. I WOULD LOVE TO THANK DONNA 1628 02:11:42,394 --> 02:11:47,933 LANGLEY AND EVERYBODY AT UNIVERSAL. 1629 02:11:48,000 --> 02:11:50,002 WHEN I SORT OF LOOK BACK ON THAT 1630 02:11:50,068 --> 02:11:53,338 MOMENT WHEN WE SAT DOWN WITH YOU, I DON'T THINK IT WAS A 1631 02:11:53,405 --> 02:11:57,943 NO-BRAINER BY ANY STRETCH OF THE IMAGINATION TO MAKE A THREE HOUR 1632 02:11:58,010 --> 02:12:02,414 TALKY MOVIE ABOUT... R-RATED, BY THE WAY, ABOUT ONE OF THE 1633 02:12:02,481 --> 02:12:05,183 DARKEST DEVELOPMENTS IN OUR HISTORY. 1634 02:12:05,250 --> 02:12:09,087 I'M REALLY GRATEFUL THAT YOUR FAITH IN US HAS BEEN REWARDED 1635 02:12:09,154 --> 02:12:13,325 TONIGHT. 1636 02:12:26,438 --> 02:12:28,240 THAT WRAPS OUR SHOW, EVERYBODY. 1637 02:12:28,307 --> 02:12:31,076 I HOPE EVERYBODY HAS A GOOD NIGHT. 1638 02:12:31,143 --> 02:12:34,713 HOLLYWOOD IS BACK! IT'S A BEAUTIFUL CELEBRATION TO 1639 02:12:34,780 --> 02:12:36,815 ALL 150 COUNTRIES OUT THERE THAT TUNED IN TO WATCH. 1640 02:12:36,882 --> 02:12:40,652 WE LOVE YOU GUYS. 1641 02:12:40,719 --> 02:12:41,720 GOOD NIGHT. ♪ ♪ 1642 02:13:13,752 --> 02:13:16,288 THE NOMINATION BALLOTS ARE SENT TO ALL ELIGIBLE 1643 02:13:16,355 --> 02:13:18,256 GOLDEN GLOBES VOTERS, WHO CHOOSE NOMINEES IN EACH CATEGORY. 1644 02:13:18,323 --> 02:13:20,359 ON THE FINAL BALLOT, THE SAME VOTERS VOTE FOR A WINNER IN EACH 1645 02:13:20,425 --> 02:13:22,227 CATEGORY. INFORMATION CONCERNING THE FINAL 1646 02:13:22,294 --> 02:13:24,663 RESULTS IS KNOWN ONLY TO THE ACCOUNTING FIRM OF 1647 02:13:24,730 --> 02:13:27,833 ERNST & YOUNG, L.L.P., PRIOR TO TONIGHT'S OPENING OF THE SEALED 1648 02:13:27,899 --> 02:13:28,400 ENVELOPES. ♪ ♪ 1649 02:13:28,480 --> 02:13:30,480 >>>>oakislandtk<<<<< www.opensubtitles.org 136198