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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:05,004 --> 00:00:06,940 {\an8}>> Announcer: LIVE FROM THE BEVERLY HILTON IN BEVERLY HILLS, 3 00:00:07,006 --> 00:00:11,745 {\an8}CALIFORNIA, IT'S THE 81st GOLDEN GLOBES! 4 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 5 00:00:11,811 --> 00:00:13,813 {\an8}THE CHAMPAGNE IS FLOWING AS ALL YOUR FAVORITE STARS ARE 6 00:00:13,880 --> 00:00:17,951 {\an8}ARRIVING, THRIVING, AND BUBBLING WITH EXCITEMENT TO SEE WHO WILL 7 00:00:18,017 --> 00:00:20,620 {\an8}WALK AWAY WITH TONIGHT'S BIGGEST AWARDS. 8 00:00:20,687 --> 00:00:24,491 {\an8}IT'S A WHO'S WHO OF HOLLYWOOD AS WE KICK OFF THE BIGGEST LIVE 9 00:00:24,557 --> 00:00:27,861 {\an8}PARTY OF THE YEAR, WHERE ANYTHING CAN HAPPEN. 10 00:00:27,927 --> 00:00:31,564 {\an8}SEE WHICH A-LISTERS WILL WIN, LET LOOSE, AND HAVE A GOOD 11 00:00:31,631 --> 00:00:34,968 {\an8}TIME -- SOME OF THEM, A REALLY GOOD TIME. 12 00:00:35,034 --> 00:00:38,004 {\an8}CENSORS WILL BE STANDING BY. AS WE HONOR THE MOST 13 00:00:38,071 --> 00:00:42,008 {\an8}TALKED-ABOUT MOVIES AND SHOWS OF THE YEAR, WE'LL ALSO INTRODUCE 14 00:00:42,075 --> 00:00:46,379 {\an8}A NEW CATEGORY FOR BOX OFFICE HITS THAT WERE SEEN BY BASICALLY 15 00:00:46,446 --> 00:00:49,115 {\an8}THE WHOLE WORLD, AND AN AWARD FOR THE VERY BEST IN STAND-UP 16 00:00:49,182 --> 00:00:51,851 {\an8}COMEDY. WHO'S GOING TO WIN THE FIRST 17 00:00:51,918 --> 00:00:55,622 {\an8}ONE? IT'S ALL STARTING RIGHT NOW. 18 00:00:55,688 --> 00:01:04,931 {\an8}PLEASE WELCOME YOUR HOST, HERE'S JO KOY! 19 00:01:04,998 --> 00:01:08,001 {\an8}[APPLAUSE] >> Jo: HEY! 20 00:01:11,004 --> 00:01:12,772 {\an8}WELCOME TO THE 81t ANNUAL GOLDEN GLOBES. 21 00:01:12,839 --> 00:01:20,880 {\an8}I'M YOUR HOST, JO KOY. [APPLAUSE] 22 00:01:20,947 --> 00:01:22,482 {\an8}LOOK, I'M JUST TAKING THIS ALL IN. 23 00:01:22,549 --> 00:01:23,950 {\an8}LET ME LOOK AROUND, I'M TAKING THIS ALL IN. 24 00:01:24,017 --> 00:01:27,220 {\an8}I'M SO EXCITED TO BE HERE. THIS IS A DREAM COME TRUE. 25 00:01:27,287 --> 00:01:29,823 {\an8}NOT JUST FOR ME, BUT FOR EVERYBODY IN HERE. 26 00:01:29,889 --> 00:01:33,993 {\an8}WE ALL JUMPED OF THIS MOMENT. AND LOOK AT THIS, LOOK AT THIS 27 00:01:34,060 --> 00:01:35,762 {\an8}ROOM. LOOK AROUND. 28 00:01:35,829 --> 00:01:40,433 {\an8}LOOK, KEVIN COSTNER IS HERE. [APPLAUSE] 29 00:01:40,500 --> 00:01:42,635 {\an8}KEVIN COSTNER IS NEVER HERE! [LAUGHTER] 30 00:01:42,702 --> 00:01:47,006 {\an8}KEVIN IS, LIKE, IN A MOUNTAIN WITH A COW OR SOMETHING, BUT 31 00:01:47,073 --> 00:01:49,409 {\an8}TODAY HE'S HERE. DON CHEADLE IS HERE. 32 00:01:49,476 --> 00:01:51,044 {\an8}I'M JUST LOOKING AROUND, EVERYBODY IS HERE. 33 00:01:51,110 --> 00:01:54,380 {\an8}THIS IS A GOOD NIGHT! AND I'VE GOT THE BEST SEAT IN 34 00:01:54,447 --> 00:01:56,749 {\an8}THE HOUSE. WHEN I WAS A KID GROWING UP, I 35 00:01:56,816 --> 00:01:59,185 {\an8}USED TO WATCH THIS SHOW. I WOULD STAY UP LATE WITH MY 36 00:01:59,252 --> 00:02:02,589 {\an8}FAMILY JUST TRYING TO GUESS WHO WOULD WIN, AND EVERY TIME, MY 37 00:02:02,655 --> 00:02:07,594 {\an8}MOM WOULD SAY, "IT'S MERYL STREEP, STUPID. 38 00:02:07,660 --> 00:02:10,797 {\an8}WHO ELSE IS GOING TO WIN? SHE WINS EVERY TIME." 39 00:02:10,864 --> 00:02:14,367 {\an8}AND SHE WAS RIGHT! YOU DO, YOU WIN ALL THE TIME. 40 00:02:14,434 --> 00:02:16,236 {\an8}THAT'S WHY, WHEN THE GOLDEN GLOBES CALLED AND ASKED 41 00:02:16,302 --> 00:02:21,341 {\an8}ME IF I WANTED TO HOST, I JUMPED AT THE CHANCE, AND I SAID YES. 42 00:02:21,407 --> 00:02:22,976 {\an8}YES! THEN THEY ASKED ME IF I SAW 43 00:02:23,042 --> 00:02:25,778 {\an8}EVERY MOVIE IN EVERY TV SHOW, AND I SAID, YES! 44 00:02:25,845 --> 00:02:28,948 {\an8}I LIED. [LAUGHTER] 45 00:02:29,015 --> 00:02:39,292 {\an8}I ONLY WATCHED THE "BEEF." I LOVE YOU, L. 46 00:02:39,359 --> 00:02:39,659 {\an8}IT'S MANDATORY 47 00:02:40,126 --> 00:02:45,431 {\an8}, I'M ASIAN. YOU KILLED IT, L. 48 00:02:45,498 --> 00:02:45,598 {\an8}I 49 00:02:46,332 --> 00:02:48,535 {\an8}STARTED TO BINGE WATCH EVERYTHING. 50 00:02:48,601 --> 00:02:52,205 {\an8}I WATCHED EVERYTHING. WHILE MY FAMILY WAS OUT THERE 51 00:02:52,272 --> 00:02:56,576 {\an8}CLANKING CHAMPAGNE GLASSES, BRINGING IN THE NEW YEAR, I WAS 52 00:02:56,643 --> 00:03:01,180 {\an8}WATCHING "OPPENHEIMER." I LOVED "OPPENHEIMER." 53 00:03:01,247 --> 00:03:05,351 {\an8}I'VE JUST GOT ONE COMPLAINT. IT NEEDED ANOTHER HOUR. 54 00:03:05,418 --> 00:03:08,388 {\an8}[LAUGHTER] I FELT LIKE IT NEEDED SOME MORE 55 00:03:08,454 --> 00:03:12,125 {\an8}BACK STORY. MY NEW YEAR'S RESOLUTION FOR 56 00:03:12,191 --> 00:03:16,329 {\an8}2024 IS TO FINISH "OPPENHEIMER" IN 2025. 57 00:03:16,396 --> 00:03:18,631 {\an8}SERIOUSLY! I'M ALMOST THERE! 58 00:03:18,698 --> 00:03:23,770 {\an8}I LOVE'S "OPPENHEIMER." ESPECIALLY THE FIRST SEASON. 59 00:03:23,836 --> 00:03:28,942 {\an8}[LAUGHTER] THAT'S SO STUPID. 60 00:03:29,008 --> 00:03:30,043 {\an8}[LAUGHS] "OPPENHEIMER" ANSWERED A 61 00:03:30,109 --> 00:03:33,780 {\an8}LIFELONG QUESTION THAT'S BEEN IN MY MIND FOR YEARS. 62 00:03:33,846 --> 00:03:38,718 {\an8}YES, SCIENTISTS DO GET LAID, AS LONG AS THEY LOOK LIKE CILLIAN 63 00:03:38,785 --> 00:03:44,724 {\an8}MURPHY. "OPPENHEIMER" AND "BARBIE" ARE 64 00:03:44,791 --> 00:03:49,596 {\an8}COMPETING FOR CINEMATIC OFFICE BOX ACHIEVEMENTS. 65 00:03:49,662 --> 00:03:53,533 {\an8}"OPPENHEIMER" IS BASED ON A 720 ONE-PAGE PULITZER PRIZE WINNING 66 00:03:53,600 --> 00:03:59,072 {\an8}BOOK ABOUT MANHATTAN PROJECT. AND "BARBIE" IS ON A PLASTIC 67 00:03:59,138 --> 00:04:05,645 {\an8}DOLL WITH BIG SPEESIXTEEN. I WATCHED "BARBIE," I LOVED IT. 68 00:04:05,712 --> 00:04:08,748 {\an8}I REALLY DID LOVE IT. I DON'T WANT YOU GUYS TO THIK 69 00:04:08,815 --> 00:04:12,251 {\an8}AND AGREED, BUT IT WAS WEIRD BEING ATTRACTED TO A PLASTIC 70 00:04:12,318 --> 00:04:13,186 {\an8}DOLL. IT'S SOMETHING ABOUT YOUR EYES, 71 00:04:13,252 --> 00:04:17,924 {\an8}RYAN. [LAUGHTER] 72 00:04:17,991 --> 00:04:21,194 {\an8}THE WHOLE SHOW, JUST CLOSE YOUR EYES FOR ME. 73 00:04:21,260 --> 00:04:25,398 {\an8}MARGOT, IT'S NOT ALWAYS ABOUT YOU. 74 00:04:25,465 --> 00:04:27,934 {\an8}THE KEY MOMENT IN "BARBIE" IS WHEN SHE GOES FROM PERFECT 75 00:04:28,001 --> 00:04:30,603 {\an8}BEAUTY TO BAD BREATH, CELLULITE, AND FLAT FEET. 76 00:04:30,670 --> 00:04:37,510 {\an8}OR, WHAT CASTING DIRECTORS CALL A CHARACTER ACTOR. 77 00:04:37,577 --> 00:04:42,015 {\an8}[LAUGHTER] SEMI WROTE, SOME OTHER PEOPLE 78 00:04:42,081 --> 00:04:47,987 {\an8}WROTE. ROBERT de NIRO IS HERE! 79 00:04:48,054 --> 00:04:50,957 {\an8}YO, I GOT THE GIG TEN DAYS AGO! YOU WANT A PERFECT MONOLOGUE? 80 00:04:51,024 --> 00:04:54,560 {\an8}SHUT UP! YOU ARE KIDDING ME, RIGHT? 81 00:04:54,627 --> 00:04:56,329 {\an8}SLOW DOWN. I WROTE SOME OF THESE AND 82 00:04:56,396 --> 00:04:58,898 {\an8}THEY'RE THE ONES YOU'RE LAUGHING AT. 83 00:04:58,965 --> 00:05:01,801 {\an8}[APPLAUSE] ROBERT de NIRO IS HERE! 84 00:05:01,868 --> 00:05:06,372 {\an8}SORRY, I'M A FAN. I'M FANNING OUT. 85 00:05:06,439 --> 00:05:09,308 {\an8}I LOVE YOU, ROBERT. IF IT'S AWKWARD, I'M SORRY. 86 00:05:09,375 --> 00:05:10,543 {\an8}I HAD TO DO THAT IN FRONT OF YOU. 87 00:05:10,610 --> 00:05:15,014 {\an8}I KNOW IT SUCKS. I'M A BIT AWESTRUCK. 88 00:05:15,081 --> 00:05:17,550 {\an8}DECADE AFTER DECADE, HE KILLS THAT EVERY SINGLE TIME. 89 00:05:17,617 --> 00:05:20,753 {\an8}I DON'T KNOW HOW YOU DO IT, MAN. I SWEAR TO GOD. 90 00:05:20,820 --> 00:05:24,557 {\an8}YOUR LAST PERFORMANCE HAS GOT TO BE YOUR GREATEST PERFORMANCE 91 00:05:24,624 --> 00:05:25,391 {\an8}EVER. HOW DID YOU GET HER PREGNANT AT 92 00:05:25,458 --> 00:05:29,095 {\an8}80? [LAUGHTER] 93 00:05:29,162 --> 00:05:34,867 {\an8}CGI? IS HE LOOKING? 94 00:05:34,934 --> 00:05:38,204 {\an8}IS HE LOOKING? YOU TALKING TO ME? 95 00:05:38,271 --> 00:05:42,942 {\an8}BY THE WAY, "KILLERS OF THE FLOWER MOON" IS SO GREAT, SEVEN 96 00:05:43,009 --> 00:05:46,512 {\an8}THE CAST IS HERE. [APPLAUSE] 97 00:05:46,579 --> 00:05:51,951 {\an8}ROBERT de NIRO, LEONARDO DiCAPRIO, 98 00:05:52,018 --> 00:05:57,290 {\an8}LILY GLADSTONE. YOU GUYS CRUSHED IT! 99 00:05:57,356 --> 00:05:59,459 {\an8}CHRISTIAN! THE ONE THING I LEARNED ABOUT 100 00:05:59,525 --> 00:06:03,696 {\an8}THAT MOVIE IS THAT WHITE PEOPLE STOLE EVERYTHING! 101 00:06:03,763 --> 00:06:06,899 {\an8}YOU GUYS STOLE EVERYTHING! NOT, LIKE, 97%. 102 00:06:06,966 --> 00:06:09,102 {\an8}YOU GUYS STILL 100% OF EVERYTHING. 103 00:06:09,168 --> 00:06:13,740 {\an8}YOU TOOK THE LAND, YOU TOOK THE OIL -- YOU TOOK THE PREMISE FOR 104 00:06:13,806 --> 00:06:18,144 {\an8}THE MOVIE. [LAUGHTER] 105 00:06:18,211 --> 00:06:23,616 {\an8}WHAT, THAT WAS YOUR PREMISE? THAT'S HILARIOUS, I DON'T CARE. 106 00:06:23,683 --> 00:06:25,852 {\an8}IT'S JUST THAT THE ROOM IS REALLY WHITE. 107 00:06:25,918 --> 00:06:29,188 {\an8}THE ROOM IS LIKE, "YEAH, WE DID TAKE IT. 108 00:06:29,255 --> 00:06:40,933 {\an8}AND?" I WATCHED "SALTBURN." 109 00:06:41,000 --> 00:06:44,170 {\an8}YOU KNOW WHAT I LOVED ABOUT "SALTBURN?" 110 00:06:44,237 --> 00:06:46,606 {\an8}SATANIC FAMILIES HAVE FEELINGS, TOO. 111 00:06:46,672 --> 00:06:52,612 {\an8}IS BARRY KEOGHAN HERE? WHERE IS HE SEATED? 112 00:06:52,678 --> 00:06:56,516 {\an8}WHERE IS YOUR PENIS SEATED, DOWN FRONT? 113 00:06:56,582 --> 00:06:59,352 {\an8}THAT WAS THE REAL STAR OF THE MOVIE. 114 00:06:59,418 --> 00:07:02,121 {\an8}HIS PENIS. IF YOU HAVEN'T SEEN "SALTBURN," 115 00:07:02,188 --> 00:07:06,058 {\an8}YOU PROBABLY HAVE NO IDEA WHAT I'M TALKING ABOUT, SO WATCH IT. 116 00:07:06,125 --> 00:07:08,194 {\an8}THEN YOU UNDERSTAND WHAT I WAS TALKING ABOUT. 117 00:07:08,261 --> 00:07:10,897 {\an8}THEN, RIGHT AFTER THAT, WATCH "BARBIE." 118 00:07:10,963 --> 00:07:15,735 {\an8}AND THEN YOU'RE GOING TO BE LIKE, "SOMETHING'S MISSING." 119 00:07:15,802 --> 00:07:17,303 {\an8}THEN, AFTER THAT, WATCH "MAESTRO," AND YOU'RE GONNA BE 120 00:07:17,370 --> 00:07:21,941 {\an8}LIKE, "OH, THERE IT IS -- IT'S ON BRADLEY COOPER'S FACE." 121 00:07:22,008 --> 00:07:24,544 {\an8}WHAT? THAT'S HILARIOUS! 122 00:07:24,610 --> 00:07:29,215 {\an8}I WAS WATCHING "MAESTRO," LIKE, THAT THING WAS DANCING IN 123 00:07:29,282 --> 00:07:36,923 {\an8}"SALTBURN." DANIELLE BROOKS IS HERE! 124 00:07:36,989 --> 00:07:42,795 {\an8}[APPLAUSE] FANTASIA IS HERE! 125 00:07:42,862 --> 00:07:46,933 {\an8}WHERE IS ALI? COLMAN DOMINGO! 126 00:07:46,999 --> 00:07:50,937 {\an8}ALL IN "THE COLOR PURPLE." BY THE WAY, "THE COLOR PURPLE" 127 00:07:51,003 --> 00:07:55,641 {\an8}IS ALSO WHAT HAPPENS TO YOUR BUTT WHEN YOU TAKE OZEMPIC. 128 00:07:55,708 --> 00:07:57,944 {\an8}[LAUGHTER] HALF THE REMAINS CRINGING AND 129 00:07:58,010 --> 00:08:01,147 {\an8}THE OTHER HALF IS LIKE, I'VE GOT TO GET HOME AND GRABBED MY 130 00:08:01,214 --> 00:08:04,550 {\an8}SELFIE STICK. AND STILL BE HOME AFTER THE 131 00:08:04,617 --> 00:08:08,020 {\an8}GLOBES. MAN, HE WAS LYING. 132 00:08:08,087 --> 00:08:13,659 {\an8}IT'S MORE OF A MAGENTA. I LOVE THIS YEAR'S NOMINATED TV 133 00:08:13,726 --> 00:08:19,098 {\an8}SHOWS, LIKE "SUCCESSION." COMING TO AN END AFTER FOUR 134 00:08:19,165 --> 00:08:21,467 {\an8}BEAUTIFUL SEASONS. úI LOVED EVERYTHING ABOUT IT. 135 00:08:21,534 --> 00:08:27,974 {\an8}THE ONE THING THIS SHOW TAUGHT ME IS, IF YOU ARE A BILLIONAIRE, 136 00:08:28,040 --> 00:08:30,743 {\an8}PULL OUT. [LAUGHTER] 137 00:08:30,810 --> 00:08:33,546 {\an8}NONE OF THEM ARE GOING TO BE LIKE YOU. 138 00:08:33,613 --> 00:08:37,149 {\an8}THEY'RE GOING TO BE A BAD VERSION OF YOU. 139 00:08:37,216 --> 00:08:39,185 {\an8}JUST PULL OUT. THERE'S BILLIONAIRES IN HERE. 140 00:08:39,252 --> 00:08:49,462 {\an8}PULL OUT. LEAVE IT IN, WHATEVER. 141 00:08:49,528 --> 00:08:54,867 {\an8}"SUCCESSION" HAS NINE NOMINATIONS, AND I JUST WANT 142 00:08:54,934 --> 00:08:57,370 {\an8}TO -- WOW, I REALLY? THAT'S IT? 143 00:08:57,436 --> 00:09:01,140 {\an8}[APPLAUSE] WHAT, YOU GOT MORE? 144 00:09:01,207 --> 00:09:03,576 {\an8}"NINE, REALLY?" JUST A GREAT SERIES ABOUT A 145 00:09:03,643 --> 00:09:05,945 {\an8}RICH, WHITE, DYSFUNCTIONAL FAMILY, ALL SCHEMING -- 146 00:09:06,012 --> 00:09:10,917 {\an8}OH, WAIT, THAT'S "THE CROWN." I'M SORRY. 147 00:09:10,983 --> 00:09:12,551 {\an8}[LAUGHTER] HOW GREAT WAS IMELDA STAUNTON IN 148 00:09:12,618 --> 00:09:15,988 {\an8}"THE CROWN?" WASN'T SHE AMAZING? 149 00:09:16,055 --> 00:09:17,990 {\an8}HER PORTRAYAL OF THE QUEEN WAS SO GOOD, PRINCE HARRY CALLED HER 150 00:09:18,057 --> 00:09:22,094 {\an8}AND ASKED HER FOR MONEY. [LAUGHTER] 151 00:09:22,161 --> 00:09:23,996 {\an8}LIKE I SAID, I DIDN'T WRITE ALL OF THESE. 152 00:09:24,063 --> 00:09:26,198 {\an8}THAT ONE IS NOT MINE. TURNS OUT PRINCE HARRY AND 153 00:09:26,265 --> 00:09:29,936 {\an8}MEGHAN MARKLE WILL STILL GET PAID MILLIONS OF DOLLARS FOR 154 00:09:30,002 --> 00:09:35,908 {\an8}DOING ABSOLUTELY NOTHING, AND THAT'S JUST BY NETFLIX. 155 00:09:35,975 --> 00:09:42,114 {\an8}[LAUGHTER] I HAVE A DEAL, TOO. 156 00:09:42,181 --> 00:09:45,785 {\an8}CHILL. YOU GUYS ARE ACTING LIKE -- 157 00:09:45,851 --> 00:09:49,655 {\an8}"ONLY MURDERS IN THE BUILDING!" [APPLAUSE] 158 00:09:49,722 --> 00:09:52,325 {\an8}FIVE NOMINATIONS TONIGHT. ON THAT SHOW, YOU DON'T KNOW 159 00:09:52,391 --> 00:09:58,531 {\an8}WHOSE SIDE TO BE ON. THAT'S HOW I FEEL ABOUT DARYL 160 00:09:58,597 --> 00:10:06,272 {\an8}HALL AND JOHN OATES. WHICH ONE IS OATES? 161 00:10:06,339 --> 00:10:08,307 {\an8}IS IT THE ONE WITH THE THICK MUSTACHE, OR THE HOT BLONDE 162 00:10:08,374 --> 00:10:14,480 {\an8}GIRL? SPEAKING OF BLONDES, 163 00:10:14,547 --> 00:10:19,518 {\an8}MERYL STREEP. [APPLAUSE] 164 00:10:19,585 --> 00:10:21,787 {\an8}MY MOM'S FAVORITE RIGHT THERE. MERYL STREEP IS NOMINATED 165 00:10:21,854 --> 00:10:29,495 {\an8}FOR A GOLDEN GLOBE TONIGHT! [APPLAUSE] 166 00:10:29,562 --> 00:10:33,532 {\an8}DUH! [LAUGHTER] 167 00:10:33,599 --> 00:10:37,036 {\an8}SHE'S NOT COMING TO AN AWARDS SHOW UNLESS YOU GIVE HER 168 00:10:37,103 --> 00:10:39,238 {\an8}NOMINATION. SHE'S GOT 34 NOMINATIONS. 169 00:10:39,305 --> 00:10:41,540 {\an8}THIS WOMAN, THERE'S NOTHING SHE CAN'T DO. 170 00:10:41,607 --> 00:10:44,944 {\an8}SHE'S THE GREATEST OF ALL TIME, THAT'S THE GOAT RIGHT THERE. 171 00:10:45,011 --> 00:10:48,514 {\an8}IT DOESN'T MATTER WHAT SHE PLAYS, SHE KILLS IT. 172 00:10:48,581 --> 00:10:50,850 {\an8}[APPLAUSE] MY MOM LOVES YOU, EVERYBODY 173 00:10:50,916 --> 00:10:53,919 {\an8}LOVES YOU. MY FAVORITE LINE FROM YOU, 174 00:10:53,986 --> 00:10:56,055 {\an8}LEGENDARY. THIS ONE, I HOLD IN MY HEART. 175 00:10:56,122 --> 00:11:00,493 {\an8}EVERY TIME, THE WAY YOU SAID IT, IT JUST STUCK WITH ME. 176 00:11:00,559 --> 00:11:05,664 {\an8}THE WAY YOU SAID -- "WAKANDA FOREVER." 177 00:11:05,731 --> 00:11:06,432 {\an8}[LAUGHTER] IT'S BRILLIANT. 178 00:11:06,499 --> 00:11:10,636 {\an8}DO IT AGAIN. CROSS COME ACROSS 179 00:11:11,337 --> 00:11:14,707 {\an8}"WAKANDA FOREVER." YES! 180 00:11:14,774 --> 00:11:17,009 {\an8}THAT'S IT! SPEAKING OF "WAKANDA FOREVER," 181 00:11:17,076 --> 00:11:21,247 {\an8}HERE ARE SOME HINTS ABOUT OUR FIRST PRESENTER. 182 00:11:21,313 --> 00:11:22,615 {\an8}I GIVE YOU SOME HINTS, YOU READY? 183 00:11:22,681 --> 00:11:27,953 {\an8}THINK ALL POWERFUL, BELOVED BY THE PEOPLE SHE RULES OVER, A 184 00:11:28,020 --> 00:11:33,959 {\an8}REGAL QUEEN. OPRAH, IT'S NOT YOU. 185 00:11:34,026 --> 00:11:36,996 {\an8}IT'S A DIFFERENT QUEEN. IT'S ANGELA BASSETT. 186 00:11:37,063 --> 00:11:39,965 {\an8}PLEASE WELCOME GOLDEN GLOBE WINNER AND STAR OF "9-1-1," 187 00:11:40,032 --> 00:11:43,736 {\an8}ANGELA BASSETT, AND A GOLDEN GLOBE WINNER WHO I LIKE 188 00:11:43,803 --> 00:11:48,808 {\an8}TO CALL "HOT JESUS," JARED LETO. [APPLAUSE] 189 00:11:48,874 --> 00:12:03,756 {\an8}♪ ♪ ♪ ♪ 190 00:12:03,823 --> 00:12:06,092 {\an8}♪ ♪ ♪ ♪ 191 00:12:06,158 --> 00:12:11,931 {\an8}>> WE ARE SO EXCITED TO BE HERE TO KICK OFF THE GOLDEN GLOBES, 192 00:12:11,997 --> 00:12:15,634 {\an8}AND I HAVE TO SAY THAT YOU WOULDN'T BELIEVE HOW JERRY HAD 193 00:12:15,701 --> 00:12:17,103 {\an8}PREPARED FOR HIS PRESENTING ROLE TONIGHT. 194 00:12:17,169 --> 00:12:20,306 {\an8}>> THANK YOU, ANGELA. I APPRECIATE THAT. 195 00:12:20,372 --> 00:12:24,009 {\an8}THANK YOU FOR ACKNOWLEDGING THAT. 196 00:12:24,076 --> 00:12:26,679 {\an8}ANGELA BASSETT, EVERYBODY. ANGELA BASSETT. 197 00:12:26,745 --> 00:12:29,815 {\an8}[APPLAUSE] EVERYBODY LOVES ANGELA BASSETT. 198 00:12:29,882 --> 00:12:34,086 {\an8}>> AWW. >> I HAVE BEEN IN PRESENTER MODE 199 00:12:34,153 --> 00:12:39,024 {\an8}FOR WEEKS NOW, I HAVE TO SAY. >> WEEKS. 200 00:12:39,091 --> 00:12:41,861 {\an8}>> I DON'T KNOW IT'S BEEN SO FUNNY. 201 00:12:41,927 --> 00:12:45,030 {\an8}I'VE BEEN DOING RESEARCH DEVELOPING MY CHARACTER, 202 00:12:45,097 --> 00:12:46,432 {\an8}INCESSANTLY REMINDING EVERYONE AROUND ME TO PLEASE CALL ME BY 203 00:12:46,499 --> 00:12:54,840 {\an8}MY CHARACTER NAME, DAMMIT. >> YOU MEAN "JARED LETO?" 204 00:12:54,907 --> 00:12:57,610 {\an8}>> EXACTLY. I'VE ALSO LEARNED THE ART OF 205 00:12:57,676 --> 00:13:00,479 {\an8}HOLDING AN ENVELOPE. >> REALLY, JARED? 206 00:13:00,546 --> 00:13:03,449 {\an8}THE ART OF HOLDING AN ENVELOPE? >> ABSOLUTELY. 207 00:13:03,516 --> 00:13:09,021 {\an8}IT'S ABOUT THE ANGLE, THE GRIP. IT'S ABOUT THE SUBTLETY, THE 208 00:13:09,088 --> 00:13:11,991 {\an8}MEANINGFUL CONNECTION BETWEEN PRESENTER PARTNER AND PAPER. 209 00:13:12,057 --> 00:13:13,826 {\an8}IT IS A DEEPLY -- [LAUGHTER] 210 00:13:13,893 --> 00:13:16,695 {\an8}IT IS A DEEPLY EMOTIONAL JOUR JOURNEY. 211 00:13:16,762 --> 00:13:20,833 {\an8}>> I HAD NO IDEA! I JUST THOUGHT YOU READ THE 212 00:13:20,900 --> 00:13:23,202 {\an8}LINES. >> NO, NO, NO. 213 00:13:23,269 --> 00:13:28,140 {\an8}NO, NO, NO, ANGELA, IT'S SO MUCH MORE THAN THAT! 214 00:13:28,207 --> 00:13:31,443 {\an8}THIS IS EMBODYING THE SPIRIT OF THE GOLDEN GLOBES. 215 00:13:31,510 --> 00:13:34,113 {\an8}FEELING EACH NOMINEE'S HOPES AND DREAMS AND YOUR FINGERTIPS AS 216 00:13:34,180 --> 00:13:41,587 {\an8}YOU HOLD THEIR DESTINY AND THEIR AGENT'S BONUSES/BALLS IN YOUR 217 00:13:41,654 --> 00:13:45,224 {\an8}HANDS. >> OKAY, WELL, I STAND 218 00:13:45,291 --> 00:13:46,825 {\an8}CORRECTED. LET'S JUST PUT ALL THAT PRACTICE 219 00:13:46,892 --> 00:13:49,895 {\an8}INTO GOOD USE. >> HERE ARE THE NOMINEES FOR 220 00:13:49,962 --> 00:13:52,331 {\an8}FEMALE SUPPORTING ACTOR, MOTION PICTURE. 221 00:13:52,398 --> 00:13:56,802 {\an8}>> Announcer: EMILY BLUNT, "OPPENHEIMER." 222 00:13:56,869 --> 00:14:02,107 {\an8}DANIELLE BROOKS, "THE COLOR PURPLE." 223 00:14:02,174 --> 00:14:14,920 {\an8}JODIE FOSTER, "NYAD." JULIANNE MOORE, "MAY DECEMBER." 224 00:14:14,987 --> 00:14:21,560 {\an8}ROSAMUND PIKE, "SALTBURN." DA'VINE JOY RANDOLPH, 225 00:14:21,627 --> 00:14:30,302 {\an8}"THE HOLDOVERS." [APPLAUSE] 226 00:14:30,369 --> 00:14:40,446 {\an8}>> AND THE GOLDEN GLOBE GOES TO... 227 00:14:40,512 --> 00:14:43,549 {\an8}DA'VINE JOY RANDOLPH! [APPLAUSE] 228 00:14:43,616 --> 00:14:49,255 {\an8}♪ ♪ >> THIS IS DA'VINE JOY 229 00:14:49,321 --> 00:14:50,756 {\an8}RANDOLPH'S FIRST NOMINATION, HER VERY FIRST WIN. 230 00:14:50,823 --> 00:14:57,529 {\an8}SHE WINS HER GOLDEN GLOBE TONIGHT FOR HER ROLE OF MARY 231 00:14:57,596 --> 00:15:12,011 {\an8}LAMB IN "THE HOLDOVERS." ♪ ♪ 232 00:15:12,077 --> 00:15:26,959 {\an8}♪ ♪ >> CAN SOMEONE HOLD IT, PLEASE? 233 00:15:27,026 --> 00:15:29,128 {\an8}♪ ♪ >> CAN SOMEONE HOLD IT, PLEASE? 234 00:15:29,194 --> 00:15:35,968 {\an8}SORRY, SORRY. OH! 235 00:15:36,035 --> 00:15:37,936 {\an8}[APPLAUSE] WHEW. 236 00:15:38,003 --> 00:15:39,938 {\an8}I WOULD LIKE TO THANK THE HOLLYWOOD FOREIGN PRESS FOR THIS 237 00:15:40,005 --> 00:15:44,043 {\an8}AWARD. THANK YOU TO BRIAN ROBERTS, MIKE 238 00:15:44,109 --> 00:15:45,044 {\an8}CAVANAGH, DONNA LANGLEY, CUJO, AND THE ENTIRE FOCUS FAMILY FOR 239 00:15:45,110 --> 00:15:51,950 {\an8}THEIR ENDLESS SUPPORT THROUGHOUT THIS JOURNEY. 240 00:15:52,017 --> 00:15:55,954 {\an8}TO ALEXANDER PAYNE, THANK YOU FOR GIVING ME THE OPPORTUNITY TO 241 00:15:56,021 --> 00:15:58,957 {\an8}PORTRAY THIS BEAUTIFUL AND FLAWED WOMAN. 242 00:15:59,024 --> 00:16:04,296 {\an8}TO MY TWO BURNERS IN CRIME, PAUL AND DOMINIC, YOU HAVE BEEN AN 243 00:16:04,363 --> 00:16:06,699 {\an8}ABSOLUTE DREAM TO WORK WITH, AND I THANK YOU FOR MAKING ME A 244 00:16:06,765 --> 00:16:13,272 {\an8}BETTER ARTIST BECAUSE OF IT. I WOULD LIKE TO GIVE A SPECIAL 245 00:16:13,339 --> 00:16:15,307 {\an8}THANKS TO -- [LISTING NAMES] 246 00:16:15,374 --> 00:16:17,810 {\an8}THANK YOU TO MY FAMILY AND FRIENDS WERE HOLDING ME UP, AND 247 00:16:17,876 --> 00:16:22,715 {\an8}TO THE CHARACTER, MARY. YOU HAVE CHANGED MY LIFE, YOU 248 00:16:22,781 --> 00:16:26,018 {\an8}HAVE MADE ME FEEL SEEN IN SO MANY WAYS I'VE NEVER IMAGINED, 249 00:16:26,085 --> 00:16:30,823 {\an8}AND I HOPE I HELPED YOU ALL FIND YOUR INNER MARY, BECAUSE THERE'S 250 00:16:30,889 --> 00:16:32,191 {\an8}A LITTLE BIT OF HER IN ALL OF US. 251 00:16:32,257 --> 00:16:37,663 {\an8}WE DID IT! [APPLAUSE] 252 00:16:37,730 --> 00:16:49,041 {\an8}♪ ♪ >> HERE WE ARE. 253 00:16:49,108 --> 00:16:50,843 {\an8}AND NOW, HERE ARE THE NOMINEES FOR BEST MALE 254 00:16:50,909 --> 00:16:55,180 {\an8}SUPPORTING ACTOR IN ANY MOTION PICTURE. 255 00:16:55,247 --> 00:16:59,284 {\an8}>> Announcer: WILLEM DAFOE, "POOR THINGS." 256 00:16:59,351 --> 00:17:04,289 {\an8}ROBERT de NIRO, "KILLERS OF THE FLOWER MOON." 257 00:17:04,356 --> 00:17:09,428 {\an8}ROBERT DOWNEY, JR., "OPPENHEIMER." 258 00:17:09,495 --> 00:17:19,338 {\an8}RYAN GOSLING, "BARBIE." CHARLES MELTON, "MAY DECEMBER." 259 00:17:19,405 --> 00:17:28,580 {\an8}MARK RUFFALO, "POOR THINGS." >> AND THE GOLDEN GLOBE GOES 260 00:17:28,647 --> 00:17:38,824 {\an8}TO... ROBERT DOWNEY JR.! 261 00:17:38,891 --> 00:17:42,861 {\an8}[APPLAUSE] ♪ ♪ 262 00:17:42,928 --> 00:17:46,165 {\an8}>> Announcer: THIS IS ROBERT DOWNEY JR.'S FIFTH 263 00:17:46,231 --> 00:17:49,368 {\an8}NOMINATION ANSWERED WIN. HE WINS HIS GOLDEN GLOBE TONIGHT 264 00:17:49,435 --> 00:18:00,646 {\an8}FOR HIS ROLE OF LOUIS STRAUSS IN "OPPENHEIMER." 265 00:18:00,712 --> 00:18:05,984 {\an8}>> YEAH, YEAH. I TOOK A BETA BLOCKER, SO THIS 266 00:18:06,051 --> 00:18:12,157 {\an8}IS GOING TO BE A BREEZE. [LAUGHTER] 267 00:18:12,224 --> 00:18:15,694 {\an8}A SWEEPING STORY ABOUT THE ETHICAL DILEMMA OF NUCLEAR 268 00:18:15,761 --> 00:18:18,931 {\an8}WEAPONS GROSSES $1 BILLION. DOES THAT TRACK? 269 00:18:18,997 --> 00:18:24,269 {\an8}NO. UNLESS, AND BUT, BECAUSE, 270 00:18:24,336 --> 00:18:28,807 {\an8}UNIVERSAL WENT ALL IN ON CHRISTOPHER NOLAN TO DIRECT 271 00:18:28,874 --> 00:18:35,914 {\an8}CILLIAN MURPHY, WITH EMMA THOMAS PRODUCING, WITH EMILY AND 272 00:18:35,981 --> 00:18:38,917 {\an8}FLORENCE AND THIS CAST AND CREW, AND HELPED THEM RENDER A GODDAMN 273 00:18:38,984 --> 00:18:40,519 {\an8}MASTERPIECE. [APPLAUSE] 274 00:18:40,586 --> 00:18:48,927 {\an8}SEE, THAT'S NOT SUCH A LEAP. DOZENS OF FOLKS HAVE COME UP TO 275 00:18:48,994 --> 00:18:51,930 {\an8}ME SINCE THE SUMMERTIME SAYING THAT I WAS "AN RECOGNIZABLY 276 00:18:51,997 --> 00:18:57,970 {\an8}SUBTLE" AS LEWIS STRAUSS. TO MY FELLOW NOMINEES, LET'S NOT 277 00:18:58,036 --> 00:19:00,539 {\an8}PRETEND THIS IS A COMPLIMENT. THIS IS A FIRST TIME, IT'S MORE 278 00:19:00,606 --> 00:19:09,882 {\an8}OF A MOST IMPROVED PLAYER THING. FOR MY DUELING CAREER COUNSELS, 279 00:19:09,948 --> 00:19:12,951 {\an8}THEY HAD THE GALL TO SAY I NEEDED TO RESTART MY CAREER. 280 00:19:13,018 --> 00:19:15,687 {\an8}IT IS SELF IMPROVING AGENTS RIGHT. 281 00:19:15,754 --> 00:19:20,092 {\an8}SPEAKING OF MOTIVATORS, MY PRIMARY CAREGIVER RIGHT THERE, 282 00:19:20,158 --> 00:19:26,932 {\an8}SUSAN DOWNEY, SHE HAS LITERALLY MADE AN ART OUT OF EXTRACTING ME 283 00:19:26,999 --> 00:19:28,934 {\an8}FROM MY COMFORT ZONES, THAT I NEED TO FEEL SAFE! 284 00:19:29,001 --> 00:19:32,838 {\an8}[LAUGHTER] BUT SHE'S EASY ON THE EYES, SO 285 00:19:32,905 --> 00:19:36,375 {\an8}WHATEVS. LASTLY, GOLDEN GLOBES 286 00:19:36,441 --> 00:19:39,978 {\an8}JOURNALISTS, THANKS FOR CHANGING YOUR GAME, THEREFORE CHANGING 287 00:19:40,045 --> 00:19:42,814 {\an8}YOUR NAME. SALUTE. 288 00:19:42,881 --> 00:19:50,055 {\an8}[APPLAUSE] ♪ ♪ 289 00:19:50,122 --> 00:19:54,626 {\an8}♪ ♪ >> Announcer: LOOKS LIKE 290 00:19:54,693 --> 00:19:59,932 {\an8}KERI RUSSELL IS IN PARTY MODE! COMING UP, MORE WINNERS, MORE 291 00:19:59,998 --> 00:20:04,503 {\an8}TROPHIES, AND MORE SPEECHES. ♪ ♪ 292 00:20:07,306 --> 00:20:10,042 {\an8}>> Announcer: CBS'S TELECAST OF THE 81st GOLDEN GLOBE AWARDS IS 293 00:20:10,108 --> 00:20:10,609 {\an8}SPONSORED BY PFIZER. 294 00:20:27,025 --> 00:20:28,961 {\an8}>> Jo: WELCOME BACK. AS YOU KNOW, WE CAME ON AFTER A 295 00:20:29,027 --> 00:20:30,562 {\an8}FOOTBALL DOUBLEHEADER. THE BIG DIFFERENCE BETWEEN 296 00:20:30,629 --> 00:20:35,968 {\an8}THE GOLDEN GLOBES AND THE NFL -- ON THE GOLDEN GLOBES, FEWER 297 00:20:36,034 --> 00:20:42,341 {\an8}CAMERA SHOTS OF TAYLOR SWIFT. I SWEAR, THERE'S MORE TO GO TO 298 00:20:42,407 --> 00:20:43,642 {\an8}HERE. SORRY ABOUT THAT. 299 00:20:43,709 --> 00:20:46,578 {\an8}PLEASE WELCOME THE STAR OF THE UPCOMING FILM, "TO THE EDGE," 300 00:20:46,645 --> 00:20:48,380 {\an8}ORLANDO BLOOM, AND LAST YEAR'S GOLDEN GLOBE WINNER FOR 301 00:20:48,447 --> 00:20:51,450 {\an8}"THE DROPOUT," AMANDA SEYFRIED. [APPLAUSE] 302 00:21:08,000 --> 00:21:10,936 {\an8}♪ ♪ >> LIMITED SERIES, ANTHOLOGY 303 00:21:11,003 --> 00:21:13,405 {\an8}FOR TV ARE NOT FORM ALL THEIR OWN. 304 00:21:13,472 --> 00:21:16,742 {\an8}>> THESE ARE THE PERFORMANCES THAT WE WANT TO DISCUSS WITH THE 305 00:21:16,808 --> 00:21:19,144 {\an8}PEOPLE AROUND US, THE PERFORMANCES THAT WARRANT YOUR 306 00:21:19,211 --> 00:21:22,648 {\an8}BEST FRIEND TO SAY TO YOU, "DON'T TALK TO YOU UNTIL YOU 307 00:21:22,714 --> 00:21:24,650 {\an8}FINISHED." >> SHOWS HAT YOU STAY UP ALL 308 00:21:24,716 --> 00:21:28,487 {\an8}NIGHT WATCHING BECAUSE YOU CAN'T WAIT TO KNOW WHAT'S GOING HAPPEN 309 00:21:28,553 --> 00:21:31,356 {\an8}NEXT. >> HERE ARE THE NOMINEES FOR 310 00:21:31,423 --> 00:21:32,791 {\an8}SOME OF THE TOP PERFORMANCES THIS YEAR. 311 00:21:32,858 --> 00:21:35,527 {\an8}>> Announcer: RILEY KEOUGH, "DAISY JONES & THE SIX." 312 00:21:35,594 --> 00:21:40,966 {\an8}BRIE LARSON, "LESSONS IN CHEMISTRY." 313 00:21:41,033 --> 00:21:50,609 {\an8}ELIZABETH OLSEN, "LOVE & DEATH." JUNO TEMPLE, "FARGO." 314 00:21:50,676 --> 00:22:05,557 {\an8}RACHEL WEISZ, "DEAD RINGERS." ALI WONG, "BEEF." 315 00:22:05,624 --> 00:22:06,925 {\an8}RACHEL WEISZ, "DEAD RINGERS." ALI WONG, "BEEF." 316 00:22:06,992 --> 00:22:07,759 {\an8}[APPLAUSE] >> AND THE GOLDEN GLOBE GOES 317 00:22:07,826 --> 00:22:11,830 {\an8}TO... ALI WONG. 318 00:22:18,870 --> 00:22:21,506 {\an8}[APPLAUSE] ♪ ♪ 319 00:22:21,573 --> 00:22:25,310 {\an8}>> Announcer: THIS IS ALI WONG'S FIRST NOMINATION, AND SHE 320 00:22:25,377 --> 00:22:29,715 {\an8}GETS HER FIRST WIN. ALI WINS HER GOLDEN GLOBE 321 00:22:29,781 --> 00:22:31,783 {\an8}TONIGHT FOR HER ROLE OF AMY. ♪ ♪ 322 00:22:48,366 --> 00:23:03,248 {\an8}♪ ♪ 323 00:23:03,315 --> 00:23:04,716 {\an8}♪ ♪ 324 00:23:06,918 --> 00:23:11,923 {\an8}>> OH, MY GOD! I REALLY NEED TO THANK SONNY SO 325 00:23:11,990 --> 00:23:16,194 {\an8}MUCH FOR CREATING SUCH A BEAUTIFUL SHOW, AND INVITING ME 326 00:23:16,261 --> 00:23:21,099 {\an8}TO BE PART OF IT, AND THE FRIENDSHIP THAT I MADE WITH YOU 327 00:23:21,166 --> 00:23:24,870 {\an8}AND STEVEN AND JAKE AND THE REST OF THE CAST AND CREW WILL ALWAYS 328 00:23:24,936 --> 00:23:28,640 {\an8}BE THE BEST THING THAT CAME OUT OF "BEEF." 329 00:23:28,707 --> 00:23:33,712 {\an8}I REALLY NEED TO THANK THE FATHER OF MY CHILDREN AND MY 330 00:23:33,779 --> 00:23:36,448 {\an8}BEST FRIEND, JUSTIN, FOR ALL YOUR LOVE AND SUPPORT. 331 00:23:36,515 --> 00:23:41,920 {\an8}IT'S BECAUSE OF YOU THAT I'M ABLE TO BE A WORKING MOTHER. 332 00:23:41,987 --> 00:23:42,754 {\an8}OKAY, THANKS. [APPLAUSE] 333 00:23:42,821 --> 00:23:47,793 {\an8}♪ ♪ >> Announcer: PLEASE WELCOME, 334 00:23:47,859 --> 00:23:50,128 {\an8}STAR OF "THE HUNGER GAMES: THE BALLAD OF SONGBIRDS AND 335 00:23:50,195 --> 00:23:52,597 {\an8}SNAKES," HUNTER SCHAFER, AND STAR OF THE SERIES "TRACKER," 336 00:23:52,664 --> 00:23:58,637 {\an8}JUSTIN HARTLEY. [APPLAUSE] 337 00:23:58,703 --> 00:24:05,510 {\an8}♪ ♪ >> THESE NEXT NOMINEES WERE IN 338 00:24:05,577 --> 00:24:10,916 {\an8}SOME OF MY FAVORITE THINGS I BINGED THIS YEAR. 339 00:24:10,982 --> 00:24:13,285 {\an8}>> YES, THEY WERE. THEY GAVE US EVERYTHING -- 340 00:24:13,351 --> 00:24:15,053 {\an8}DRAMA, COMEDY, HISTORY, REVISIONIST HISTORY. 341 00:24:15,120 --> 00:24:16,988 {\an8}I WAS INTO ALL OF IT. >> THE ONLY BUMMER ABOUT ANY OF 342 00:24:17,055 --> 00:24:20,926 {\an8}THEM IS THAT I WISH THERE WAS EVEN MORE TO WATCH. 343 00:24:20,992 --> 00:24:24,095 {\an8}I DIDN'T WANT ANY OF THEM TO END. 344 00:24:24,162 --> 00:24:25,297 {\an8}>> THAT'S VERY TRUE. ME, NEITHER. 345 00:24:25,363 --> 00:24:27,165 {\an8}WELL, THINK ABOUT IT THIS WAY: WE'RE KIND OF GETTING A BONUS 346 00:24:27,232 --> 00:24:29,234 {\an8}SCENE TONIGHT FROM THE WINNER. >> I'LL TAKE IT. 347 00:24:29,301 --> 00:24:31,570 {\an8}HERE ARE THE NOMINEES FOR MALE ACTOR IN A LIMITED SERIES, 348 00:24:31,636 --> 00:24:35,240 {\an8}ANTHOLOGY SERIES, OR MADE FOR TELEVISION MOVIE. 349 00:24:35,307 --> 00:24:40,478 {\an8}>> Announcer: MATT BOMER, "FELLOW TRAVELERS." 350 00:24:40,545 --> 00:24:45,083 {\an8}SAM CLAFLIN, "DAISY JONES & THE SIX." 351 00:24:45,150 --> 00:24:50,388 {\an8}JON HAMM, "FARGO." WOODY HARRELSON, 352 00:24:50,455 --> 00:24:56,761 {\an8}"WHITE HOUSE PLUMBERS." DAVID OYELOWO, 353 00:24:56,828 --> 00:25:07,472 {\an8}"LAWMEN: BASS REEVES." STEVEN YEUN, "BEEF." 354 00:25:07,539 --> 00:25:15,914 {\an8}>> AND THE GOLDEN GLOBE GOES TO... 355 00:25:15,981 --> 00:25:23,421 {\an8}STEVEN YEUN, "BEEF." [APPLAUSE] 356 00:25:23,488 --> 00:25:25,557 {\an8}♪ ♪ >> Announcer: THIS IS STEVEN 357 00:25:25,624 --> 00:25:29,828 {\an8}YEUN'S FIRST NOMINATION IN FIRST WIN, AS WELL. 358 00:25:29,895 --> 00:25:35,267 {\an8}HE WINS HIS GOLDEN GLOBE TONIGHT FOR HIS ROLE AS DANNY CHO IN 359 00:25:35,333 --> 00:25:37,335 {\an8}"BEEF." ♪ ♪ 360 00:25:49,681 --> 00:25:53,685 {\an8}♪ ♪ [CHEERS AND APPLAUSE] 361 00:26:07,332 --> 00:26:12,837 {\an8}>> WOW. THANK YOU SO MUCH FOR THIS. 362 00:26:12,904 --> 00:26:15,907 {\an8}THANK YOU TO THE GOLDEN GLOBES. IT'S SO WEIRD, THE STORY I 363 00:26:15,974 --> 00:26:21,913 {\an8}USUALLY TELL OF MYSELF TO MYSELF IS ONE OF ISOLATION AND, LIKE, 364 00:26:21,980 --> 00:26:24,582 {\an8}SEPARATENESS, THEN YOU COME UP HERE AND YOU HAVE THIS MOMENT 365 00:26:24,649 --> 00:26:31,923 {\an8}AND YOU CAN ONLY JUST THINK ABOUT EVERYONE ELSE. 366 00:26:31,990 --> 00:26:34,993 {\an8}AND THAT FEELS LIKE THE PLOT OF "FROZEN," I JUST NOTICED. 367 00:26:40,999 --> 00:26:41,967 {\an8}[LAUGHTER] SHOUT OUT TO MY DAUGHTER, RUT 368 00:26:42,033 --> 00:26:47,939 {\an8}RUTHIE. FAMILY MOVIE NIGHT. 369 00:26:48,006 --> 00:26:54,946 {\an8}YEAH, I'M JUST SO THANKFUL. I'M JUST THE RECIPIENT OF A LONG 370 00:26:55,013 --> 00:27:02,020 {\an8}LINE OF COMPASSION AND LOVE, AND PROTECTION, AND GOODWILL. 371 00:27:02,087 --> 00:27:07,359 {\an8}SO I APPRECIATE THIS. JOANNA, I LOVE YOU. 372 00:27:07,425 --> 00:27:12,897 {\an8}YOU ARE MY STRENGTH. THANK YOU TO JUDY AND RUTHIE. 373 00:27:12,964 --> 00:27:17,335 {\an8}SUNNY, J, CAST AND CREW, LETTER A 24. 374 00:27:17,402 --> 00:27:20,939 {\an8}GOD BLESS YOU, THANK YOU SO MU MUCH. 375 00:27:28,980 --> 00:27:31,016 {\an8}>> Announcer: THE GOSSIP AND THE ACCOLADES SEEM TO BE FLOWING 376 00:27:31,082 --> 00:27:32,951 {\an8}DOWN THERE. AFTER THE BREAK, MORE "BESTS" 377 00:27:33,018 --> 00:27:35,020 {\an8}WILL WALK AWAY WITH A GOLDEN GLOBE. 378 00:27:53,004 --> 00:27:54,172 {\an8}♪ ♪ >> Announcer: PLEASE WELCOME, 379 00:27:54,239 --> 00:27:56,341 {\an8}EXECUTIVE PRODUCER AND STAR OF "THE ROYAL HOTEL," GOLDEN GLOBE 380 00:27:56,408 --> 00:28:00,378 {\an8}WINNER JULIA GARNER, AND STAR OF "FELLOW TRAVELERS" AND UPCOMING 381 00:28:00,445 --> 00:28:04,449 {\an8}MOVIE, "WICKED," JONATHAN BAILEY. 382 00:28:07,752 --> 00:28:10,622 {\an8}[APPLAUSE] >> IT'S THE FIRST BIG HOLLYWOOD 383 00:28:10,688 --> 00:28:14,426 {\an8}PARTY SINCE THE STRIKES, AND I'M SO THRILLED TO BE HERE! 384 00:28:14,492 --> 00:28:16,895 {\an8}>> YOU KNOW, THIS IS MY FIRST GOLDEN GLOBES. 385 00:28:16,961 --> 00:28:18,897 {\an8}SO, JULIA, WHAT DO I HAVE TO KNOW? 386 00:28:18,963 --> 00:28:29,908 {\an8}>> HMM... DO NOT LISTEN TO JASON BATEMAN. 387 00:28:29,974 --> 00:28:34,245 {\an8}[LAUGHTER] SHHHH. 388 00:28:34,312 --> 00:28:39,851 {\an8}TURN IT DOWN, TURN IT DOWN. UNLESS IT'S ON A PODCAST. 389 00:28:39,918 --> 00:28:41,519 {\an8}>> OH, YEAH. SMART. 390 00:28:41,586 --> 00:28:44,589 {\an8}LET'S LOOK AT THE NOMINEES. >> YEAH. 391 00:28:44,656 --> 00:28:49,327 {\an8}THE NOMINEES FOR BEST PERFORMANCE -- 392 00:28:49,394 --> 00:28:51,896 {\an8}>> Announcer: ELIZABETH DEBICKI, "THE CROWN." 393 00:28:51,963 --> 00:28:55,300 {\an8}ABBY ELLIOTT, "THE BEAR." CHRISTINA RICCI, 394 00:28:55,366 --> 00:29:03,208 {\an8}"YELLOWJACKETS." J. SMITH-CAMERON, "SUCCESSION." 395 00:29:03,274 --> 00:29:10,882 {\an8}MERYL STREEP, "ONLY MURDERS IN THE BUILDING." 396 00:29:10,949 --> 00:29:20,091 {\an8}HANNAH WADDINGHAM, "TED LASSO." >> AND THE GOLDEN GLOBE GOES 397 00:29:20,158 --> 00:29:23,161 {\an8}TO... ELIZABETH DEBICKI. 398 00:29:31,002 --> 00:29:34,172 {\an8}>> Announcer: THIS IS ELIZABETH DEBICKI'S SECOND 399 00:29:34,239 --> 00:29:36,574 {\an8}NOMINATION AND FIRST WIN. SHE WINDSOR GOLDEN GLOBE TONIGHT 400 00:29:36,908 --> 00:29:39,911 {\an8}FOR HER ROLE OF PRINCESS DIANA IN "THE CROWN." 401 00:29:55,460 --> 00:29:58,863 {\an8}♪ ♪ >> I HAVE TO TAKE IT. 402 00:29:58,930 --> 00:30:02,967 {\an8}I HAVE TO TAKE IT. OKAY, THANK YOU SO MUCH. 403 00:30:03,034 --> 00:30:06,704 {\an8}THANK YOU TO THE CREATIVE CREATORS OF THIS SHOW FOR 404 00:30:06,771 --> 00:30:12,977 {\an8}TRUSTING ME WITH THIS PART, TO OUR CAST AND CR 405 00:30:13,044 --> 00:30:17,749 {\an8}CREW, TO MY BEAUTIFUL PRETEND CHILDREN WHO I JUST ADORE, TO MY 406 00:30:17,815 --> 00:30:25,823 {\an8}MOM AND MY DAD, AND THOSE WHO ARE IN AUSTRALIA IN THEIR 407 00:30:25,890 --> 00:30:27,325 {\an8}PAJAMAS, HOPEFULLY, WATCHING THIS. 408 00:30:27,392 --> 00:30:31,262 {\an8}TO MY PARTNER, CHRISTIAN, WHO SAID, "DON'T THANK ME SO I'M NOT 409 00:30:31,329 --> 00:30:34,666 {\an8}ON TELEVISION," BUT I'M GOING TO THANK YOU ANYWAY. 410 00:30:34,732 --> 00:30:38,937 {\an8}WHO ELSE? GOODNESS. 411 00:30:39,003 --> 00:30:43,441 {\an8}MAYBE THAT'S IT. [LAUGHTER] 412 00:30:43,508 --> 00:30:47,845 {\an8}THIS IS JUST ASTONISHING TO ME. MY AGENT, AND MY PUBLICIST, AND 413 00:30:47,912 --> 00:30:52,884 {\an8}I JUST WANT TO SAY THANK YOU TO MY BELOVED AND DEAR GODMOTHER 414 00:30:52,951 --> 00:30:57,255 {\an8}WHO LEFT US TOO QUICKLY, TOO SOON. 415 00:30:57,322 --> 00:30:59,857 {\an8}THIS ONE'S FOR YOU, BABY. THANKS. 416 00:30:59,924 --> 00:31:03,528 {\an8}[APPLAUSE] ♪ ♪ 417 00:31:03,595 --> 00:31:05,430 {\an8}>> Announcer: PLEASE WELCOME, WRITER, DIRECTOR, AND STAR OF 418 00:31:05,496 --> 00:31:07,398 {\an8}THE FILM "SOMEWHERE IN QUEENS," RAY ROMANO, AND NOMINATED 419 00:31:07,465 --> 00:31:12,704 {\an8}TONIGHT FOR "THE DIPLOMAT," KERI RUSSELL. 420 00:31:12,770 --> 00:31:18,243 {\an8}[APPLAUSE] ♪ ♪ 421 00:31:18,309 --> 00:31:20,945 {\an8}>> THANK YOU. HAPPY NEW YEAR, EVERYBODY! 422 00:31:21,012 --> 00:31:25,783 {\an8}>> YES, HAPPY NEW YEAR. BY THE WAY, I DON'T KNOW ABOUT 423 00:31:25,850 --> 00:31:27,685 {\an8}YOU, KERI, MY RESOLUTION IS JUST TO BE TRUTHFUL. 424 00:31:27,752 --> 00:31:30,989 {\an8}IT IS SO HARD TO HEAR THE TRUTH NOWADAYS. 425 00:31:31,055 --> 00:31:35,727 {\an8}I KNOW THAT'S HARD TO DO IN THIS TOWN, BUT WE ARE ONLY HERE FOR A 426 00:31:35,793 --> 00:31:36,694 {\an8}SHORT TIME. WHY NOT? 427 00:31:36,761 --> 00:31:43,001 {\an8}WHY NOT THE TRUTH? >> THAT'S SUCH A BEAUTIFUL 428 00:31:43,067 --> 00:31:44,269 {\an8}STATEMENT, RAY. 429 00:31:44,335 --> 00:31:47,605 {\an8}I'M GONNA DO THE SAME. ABSOLUTELY. 430 00:31:47,672 --> 00:31:52,176 {\an8}>> WHY NOT? HERE IS MY TRUTH. 431 00:31:52,243 --> 00:31:56,147 {\an8}I'VE BEEN A FAN OF YOURS FOR A LONG TIME, BUT WHEN I SAW YOU ON 432 00:31:56,214 --> 00:32:01,452 {\an8}"THE AMERICANS," BLOWN AWAY. HOW STRONG THE PERFORMANCE WAS, 433 00:32:01,519 --> 00:32:02,353 {\an8}YES. BRILLIANT. 434 00:32:02,420 --> 00:32:05,923 {\an8}[APPLAUSE] JUST REMARKABLE. 435 00:32:05,990 --> 00:32:15,633 {\an8}>> THANK YOU VERY MUCH, RAY. AND I LOVED... 436 00:32:15,700 --> 00:32:20,638 {\an8}[LAUGHTER] EVERYTHING YOU JUST SAID. 437 00:32:20,705 --> 00:32:25,910 {\an8}>> OKAY! OKAY. 438 00:32:25,977 --> 00:32:32,116 {\an8}WE ARE HERE -- HOLD ON, HOLD ON, HOLD ON. 439 00:32:32,183 --> 00:32:36,220 {\an8}THAT'S IT? >> SORRY, JUST THE WHOLE THING 440 00:32:36,287 --> 00:32:39,424 {\an8}YOU SAID, THE TELLING THE TRUTH THING, I JUST GOT NERVOUS, 441 00:32:39,490 --> 00:32:41,225 {\an8}AND -- >> I GET IT. 442 00:32:41,292 --> 00:32:43,594 {\an8}THE TRUTH IS NOT EASY. BUT NOTHING? 443 00:32:43,661 --> 00:32:48,266 {\an8}HOW ABOUT MY MOVIE? DID YOU SEE 444 00:32:48,333 --> 00:32:53,938 {\an8}"SOMEWHERE IN QUEENS?" >> UM... 445 00:32:54,005 --> 00:32:56,174 {\an8}>> YOU KNOW WHAT? THE TRUTH IS STUPID. 446 00:32:56,240 --> 00:32:59,210 {\an8}WE ARE IN HOLLYWOOD. LET'S JUST DO WHAT WE DO. 447 00:32:59,277 --> 00:33:02,213 {\an8}>> THANK YOU. YEAH. 448 00:33:02,280 --> 00:33:05,450 {\an8}GREAT, I AGREE. I SAW YOUR MOVIE AND I LOVED IT. 449 00:33:05,516 --> 00:33:06,517 {\an8}[LAUGHTER] >> THANK YOU. 450 00:33:06,584 --> 00:33:11,589 {\an8}AND YOU ARE GOING TO WIN. YOU ARE TO WIN TONIGHT! 451 00:33:11,656 --> 00:33:16,794 {\an8}[LAUGHTER] LET ME TELL YOU SOMETHING, I'VE 452 00:33:16,861 --> 00:33:24,902 {\an8}SEEN -- I'M ALMOST UP TO DATE ON "THE LAUNDROMAT." 453 00:33:24,969 --> 00:33:26,304 {\an8}IT'S BRILLIANT. >> DIPLOMAT. 454 00:33:26,371 --> 00:33:30,641 {\an8}>> CORRECT. CORRECT. 455 00:33:30,708 --> 00:33:33,044 {\an8}ALL RIGHT, LET'S GO. THE NOMINEES FOR BEST 456 00:33:33,111 --> 00:33:34,946 {\an8}PERFORMANCE BY A MALE ACTOR N A SUPPORTING ROLE ON TELEVISION 457 00:33:35,012 --> 00:33:39,183 {\an8}ARE... >> Announcer: BILLY CRUDUP, 458 00:33:39,250 --> 00:33:47,258 {\an8}"THE MORNING SHOW." MATTHEW MACFADYEN, "SUCCESSION." 459 00:33:47,325 --> 00:33:56,768 {\an8}JAMES MARSDEN, "JURY DUTY." EBON MOSS-BACHRACH, "THE BEAR." 460 00:33:56,834 --> 00:34:05,910 {\an8}ALAN RUCK, "SUCCESSION." ALEXANDER SKARSGARD, 461 00:34:05,977 --> 00:34:13,985 {\an8}"SUCCESSION." >> AND THE GOLDEN GLOBE GOES 462 00:34:14,051 --> 00:34:18,055 {\an8}TO... MATTHEW MACFADYEN, "SUCCESSION." 463 00:34:26,998 --> 00:34:29,300 {\an8}>> Announcer: THIS IS MATTHEW MACFADYEN'S FIRST NOMINATION AND 464 00:34:29,367 --> 00:34:31,669 {\an8}FIRST WIN. MATTHEW WINS HIS GOLDEN GLOBE 465 00:34:31,736 --> 00:34:35,373 {\an8}TONIGHT FOR THE ROLE OF TOM IN "SUCCESSION." 466 00:34:35,440 --> 00:34:46,617 {\an8}[APPLAUSE] ♪ ♪ 467 00:34:46,684 --> 00:35:01,566 {\an8}♪ ♪ [CHEERS AND APPLAUSE] 468 00:35:01,632 --> 00:35:03,434 {\an8}♪ ♪ [CHEERS AND APPLAUSE] 469 00:35:03,501 --> 00:35:09,674 {\an8}>> THANK YOU SO MUCH. THANK YOU SO MUCH. 470 00:35:09,740 --> 00:35:13,911 {\an8}I JUST ADORED EVERY SECOND PLAYING THE WEIRD AND WONDERFUL 471 00:35:13,978 --> 00:35:20,518 {\an8}HUMAN GREASE STAIN THAT IS TOM WAMBSGANS. 472 00:35:20,585 --> 00:35:22,453 {\an8}TOM WAMBSGANS, CEO, I SHOULD SAY. 473 00:35:22,520 --> 00:35:27,692 {\an8}GOD HELP US. MY LOVE AND THANKS AND 474 00:35:27,758 --> 00:35:32,063 {\an8}ADMIRATION TO JESSE ARMSTRONG, AS ALWAYS. 475 00:35:32,129 --> 00:35:33,664 {\an8}[APPLAUSE] AND TO ALL ERIC'S ORDINARY 476 00:35:33,731 --> 00:35:36,467 {\an8}WRITERS. I'M TOO SCARED TO NAME THEM ALL, 477 00:35:36,534 --> 00:35:39,303 {\an8}BECAUSE I'LL FORGET SOMEONE AND I WANT SLEEP. 478 00:35:39,370 --> 00:35:44,775 {\an8}TO ADAM McKAY, FRANCIE MAZELIKE, HBO, WONDERFUL 479 00:35:44,842 --> 00:35:49,247 {\an8}DIRECTORS AND PRODUCERS, AND OF COURSE ARE GORGEOUS CREW AND 480 00:35:49,313 --> 00:35:54,385 {\an8}CAST WHO I MISS VERY MUCH. THANK YOU. 481 00:35:54,452 --> 00:36:00,424 {\an8}[APPLAUSE] ♪ ♪ 482 00:36:00,491 --> 00:36:05,897 {\an8}>> Announcer: OOH, LOOKS LIKE SOME STARS ARE MINGLING WITH THE 483 00:36:05,963 --> 00:36:07,899 {\an8}COMPETITION. STILL TO COME -- SPIDERMAN, 484 00:36:07,965 --> 00:36:10,134 {\an8}PRESIDENT BARBIE, AND A BRAND NEW CATEGORY GETS A WINNER 485 00:36:10,201 --> 00:36:11,202 {\an8}FOR THE FIRST TIME! ♪ ♪ 486 00:36:22,980 --> 00:36:25,049 {\an8}>> Jo: WELCOME BACK. THIS YEAR THE GOLDEN GLOBES 487 00:36:25,116 --> 00:36:28,920 {\an8}WANTED TO HONOR MY CULTURE, SO, FOR THE FIRST TIME, 488 00:36:28,986 --> 00:36:34,225 {\an8}THEY SERVED SUSHI. I JUST WANT TO SAY, I'M 489 00:36:34,292 --> 00:36:39,931 {\an8}FILIPINO. WE COOK OUR FISH. 490 00:36:39,997 --> 00:36:42,199 {\an8}EVERY YEAR, THE GOLDEN GLOBE FOUNDATION GIVES GRANTS TO 491 00:36:42,266 --> 00:36:44,835 {\an8}IMPORTANT ORGANIZATIONS THAT FOCUS ON THE ARTS. 492 00:36:44,902 --> 00:36:47,405 {\an8}AT FRIDAY NIGHT'S FOUNDATION DINNER, THE GOLDEN GLOBES 493 00:36:47,471 --> 00:36:53,878 {\an8}CONTINUED ITS GENEROSITY BY AWARDING $5 MILLION. 494 00:36:53,945 --> 00:36:55,413 {\an8}[APPLAUSE] THIS YEAR, TWO ASPIRING 495 00:36:55,479 --> 00:36:58,215 {\an8}FILMMAKERS HAVE BEEN SELECTED TO BE TROPHY PRESENTERS. 496 00:36:58,282 --> 00:37:03,654 {\an8}PLEASE WELCOME GOLDEN GLOBE FELLOWSHIP RECIPIENT 497 00:37:03,721 --> 00:37:06,624 {\an8}MARENEMIKO ELARDO, AND GOLDEN GLOBE SCHOLAR RECIPIENT, 498 00:37:06,691 --> 00:37:16,000 {\an8}DAKOTA MARSHALL. [APPLAUSE] 499 00:37:16,067 --> 00:37:18,536 {\an8}AND NOW, FROM THE GOLDEN GLOBE NOMINATED FILM 500 00:37:18,603 --> 00:37:20,471 {\an8}"SPIDER-MAN: ACROSS THE SPIDER-VERSE," 501 00:37:20,538 --> 00:37:22,340 {\an8}DANIEL KALUUYA, HAILEE STEINFELD, AND 502 00:37:22,406 --> 00:37:27,244 {\an8}SHAMEIK MOORE. [APPLAUSE] 503 00:37:27,311 --> 00:37:42,193 {\an8}♪ ♪ ♪ ♪ 504 00:37:42,259 --> 00:37:43,227 {\an8}♪ ♪ ♪ ♪ 505 00:37:43,294 --> 00:37:44,228 {\an8}>> THIS YEAR WE WERE ALL REMINDED OF THE CRITICAL 506 00:37:44,295 --> 00:37:46,764 {\an8}IMPORTANCE OF WRITERS TO THE CREATIVE PROCESS. 507 00:37:46,831 --> 00:37:49,400 {\an8}>> TO DEMONSTRATE THE IMPORTANCE OF WRITERS AND WRITING, WE ASKED 508 00:37:49,467 --> 00:37:51,969 {\an8}THAT THIS SEGMENT BE WRITTEN NOT BY WRITERS, BUT BY STUDIO 509 00:37:52,036 --> 00:37:58,242 {\an8}EXECUTIVES. [LAUGHTER] 510 00:37:58,309 --> 00:38:01,278 {\an8}[CLEARS THROAT] WHAT IS UP, SHAMEIK? 511 00:38:01,345 --> 00:38:03,781 {\an8}>> NOT MUCH, DANIEL. HOW ARE YOU, HAILEE? 512 00:38:03,848 --> 00:38:09,353 {\an8}>> I AM RELATABLE. I AM ENJOY THE "GOLDEN GLOBS." 513 00:38:09,420 --> 00:38:11,822 {\an8}DO YOU AGREE? >> I DO AGREE. 514 00:38:11,889 --> 00:38:17,228 {\an8}>> AS DO I. [LAUGHTER] 515 00:38:17,294 --> 00:38:19,597 {\an8}WE ARE HERE WITH MY FELLOW ACTORS FOR THE AWARDS SHOW THAT 516 00:38:19,664 --> 00:38:21,599 {\an8}WE ARE HAVING TOGETHER TO PRESENT THE CATEGORY OF THE 517 00:38:21,666 --> 00:38:25,336 {\an8}WRITING. >> SCREENPLAYS ARE FOR WRITING 518 00:38:25,403 --> 00:38:29,607 {\an8}AND TO MAKE ACTORS SAY WORDS FOR THE AUDIENCE. 519 00:38:29,674 --> 00:38:32,643 {\an8}>> HERE ARE THESE NOMINATIONS FOR MOVIE WRITING FOR THE 520 00:38:32,710 --> 00:38:38,849 {\an8}MOVIES. [LAUGHTER] 521 00:38:38,916 --> 00:38:44,922 {\an8}>> Announcer: GRETA GERWIG, NOAH BAUMBACH, "BARBIE." 522 00:38:44,989 --> 00:38:48,025 {\an8}>> WE ARE GIRLFRIEND BOYFRIEND. >> Announcer: TONY McNAMARA, 523 00:38:48,092 --> 00:38:53,931 {\an8}"POOR THINGS." >> THE MAN OVER THERE BLINKED AT 524 00:38:53,998 --> 00:38:55,466 {\an8}POLITE, I WOULD THINK. >> Announcer: CHRISTOPHER NOLAN, 525 00:38:55,533 --> 00:38:59,837 {\an8}"OPPENHEIMER." >> HOW ABOUT BECAUSE THIS IS THE 526 00:38:59,904 --> 00:39:01,572 {\an8}MOST IMPORTANT THING TO HAPPEN IN THE HISTORY OF THE WORLD? 527 00:39:01,639 --> 00:39:03,441 {\an8}>> Announcer: ERIC ROTH, MARTIN SCORSESE, 528 00:39:03,507 --> 00:39:15,286 {\an8}"KILLERS OF THE FLOWER MOON." CELINE SONG, "PAST LIVES." 529 00:39:15,352 --> 00:39:19,957 {\an8}>> [SPEAKING IN A GLOBAL LANGUAGE] 530 00:39:20,024 --> 00:39:21,859 {\an8}>> Announcer: JUSTINE TRIET, ARTHUR HARARI, 531 00:39:21,926 --> 00:39:31,502 {\an8}"ANATOMY OF A FALL." >> SOMETIMES A COUPLE -- 532 00:39:31,569 --> 00:39:44,849 {\an8}>> AND THE GOLDEN GLOBE GOES TO... 533 00:39:44,915 --> 00:39:49,553 {\an8}JUSTINE TRIET AND ARTHUR HARARI. >> Announcer: THIS IS THE 534 00:39:49,620 --> 00:39:52,323 {\an8}WRITING TEAM'S FIRST NOMINATION AND WIN. 535 00:39:52,389 --> 00:40:05,102 {\an8}ACCEPTING THE AWARD IS JUSTINE TRIET. 536 00:40:05,169 --> 00:40:18,048 {\an8}♪ ♪ >> OKAY, SORRY. 537 00:40:18,115 --> 00:40:19,950 {\an8}WOW, WOW, WOW. OKAY. 538 00:40:20,017 --> 00:40:23,020 {\an8}THANK YOU SO MUCH. LOOKING BACK TO WHEN I STARTED 539 00:40:23,087 --> 00:40:24,922 {\an8}THIS PROJECT -- SORRY FOR MY ENGLISH. 540 00:40:24,989 --> 00:40:33,297 {\an8}WE WERE IN THE CHAOS, AND MY LIFE PARTNER AND I SPENT OUR 541 00:40:33,364 --> 00:40:36,700 {\an8}DAYS COWRITING THE SCREENPLAY OF "ANATOMY OF A FALL," STUCK IN 542 00:40:36,767 --> 00:40:40,704 {\an8}OUR APARTMENT, AND STRANGELY, NOBODY DIED. 543 00:40:40,771 --> 00:40:44,208 {\an8}[LAUGHTER] I REMEMBER WE KEPT ON SAYING, 544 00:40:44,275 --> 00:40:49,046 {\an8}OKAY, WELL, WE ARE HAVING A LOT OF FUN, BUT NOBODY IS GOING SEE 545 00:40:49,113 --> 00:40:51,816 {\an8}THIS MOVIE. IT IS TOO ALONG, THEY TALK ALL 546 00:40:51,882 --> 00:40:57,288 {\an8}THE TIME, THERE'S NO SCORE. A COUPLE FIGHTING, SUICIDE, A 547 00:40:57,354 --> 00:41:00,524 {\an8}DOG VOMITING. I MEAN, COME ON. 548 00:41:00,591 --> 00:41:04,895 {\an8}BUT I WANT TO MAKE THIS FILM. SO I WILL MAKE A FILM AND 549 00:41:04,962 --> 00:41:10,034 {\an8}AFTERWARDS I WILL MAKE A SERIES. SO I DON'T KNOW EXACTLY HOW 550 00:41:10,100 --> 00:41:15,840 {\an8}THINGS WENT, BUT THANK YOU VERY MUCH FOR ENCOURAGING ME TO GO ON 551 00:41:15,906 --> 00:41:18,375 {\an8}EXACTLY WHAT I LOVE. THANK YOU SO MUCH. 552 00:41:18,442 --> 00:41:23,681 {\an8}[APPLAUSE] ♪ ♪ 553 00:41:23,747 --> 00:41:27,952 {\an8}♪ ♪ >> Announcer: PLEASE WELCOME, 554 00:41:28,018 --> 00:41:30,988 {\an8}STAR OF "LOPEZ vs. LOPEZ," GEORGE LOPEZ, AND COMEDIAN AND 555 00:41:31,055 --> 00:41:35,993 {\an8}ACTOR GABRIEL "FLUFFY" IGLESIAS. [APPLAUSE] 556 00:41:36,060 --> 00:41:50,941 {\an8}♪ ♪ [LAUGHTER] 557 00:41:51,008 --> 00:41:51,909 {\an8}♪ ♪ [LAUGHTER] 558 00:41:51,976 --> 00:41:54,812 {\an8}>> THAT'S BETTER. >> THEY LOOK GOOD, MAN. 559 00:41:54,879 --> 00:42:00,317 {\an8}[LAUGHS] >> WE ARE TWO GUYS WHO HAVE BEEN 560 00:42:00,384 --> 00:42:03,153 {\an8}IN THIS INDUSTRY FOR A LONG, LONG TIME, SO WE KNOW WHEN 561 00:42:03,220 --> 00:42:05,422 {\an8}SOMEONE'S GOT THAT SPECIAL "IT" FACTOR. 562 00:42:05,489 --> 00:42:07,558 {\an8}YOU KNOW, LIKE US. >> AND WE'VE BEEN ASKED TO MAKE 563 00:42:07,625 --> 00:42:14,098 {\an8}SURE ALL THE NOMINEES IN THIS CATEGORY ALSO HAVE "IT" FACTOR. 564 00:42:14,164 --> 00:42:16,033 {\an8}STARTING WITH... BILL HADER? 565 00:42:16,100 --> 00:42:17,768 {\an8}>> GOT "IT." JASON SEGEL? 566 00:42:17,835 --> 00:42:20,137 {\an8}JASON SUDEIKIS? >> THE JSes? 567 00:42:20,204 --> 00:42:22,873 {\an8}GOT IT, AND GOT IT. JEREMY ALLEN WHITE? 568 00:42:22,940 --> 00:42:26,744 {\an8}>> YEAH, DEFINITELY. HE'S DEFINITELY GOT IT. 569 00:42:26,810 --> 00:42:31,282 {\an8}STEVE MARTIN? MARTIN SHORT? 570 00:42:31,348 --> 00:42:34,051 {\an8}>> THEY'VE GOT IT. >> PEDRO PASCAL? 571 00:42:34,118 --> 00:42:38,923 {\an8}>> HE'S GOT IT. HE GOT GOOD PARKING, TOO. 572 00:42:38,989 --> 00:42:41,258 {\an8}THEY INVENTED "IT." LET'S CHECK AND SEE WHO WINS. 573 00:42:41,325 --> 00:42:43,961 {\an8}>> HERE ARE THE NOMINEES FOR BEST PERFORMANCE BY A MALE ACTOR 574 00:42:44,028 --> 00:42:49,967 {\an8}IN A TELEVISION SERIES, MUSICAL OR COMEDY. 575 00:42:50,034 --> 00:42:54,471 {\an8}>> Announcer: BILL HADER, "BARRY." 576 00:42:54,538 --> 00:42:59,243 {\an8}STEVE MARTIN, "ONLY MURDERS IN THE BUILDING." 577 00:42:59,310 --> 00:43:04,515 {\an8}JASON SEGEL, "SHRINKING." MARTIN SHORT, 578 00:43:04,581 --> 00:43:14,124 {\an8}"ONLY MURDERS IN THE BUILDING." JASON SUDEIKIS, "TED LASSO." 579 00:43:14,191 --> 00:43:26,070 {\an8}JEREMY ALLEN WHITE, "THE BEAR." [APPLAUSE] 580 00:43:26,136 --> 00:43:33,110 {\an8}>> AND THE WINNER IS... JEREMY ALLEN WHITE! 581 00:43:33,177 --> 00:43:41,385 {\an8}[APPLAUSE] ♪ ♪ 582 00:43:41,452 --> 00:43:43,153 {\an8}>> Announcer: THIS IS JEREMY ALLEN WHITE'S SECOND 583 00:43:43,220 --> 00:43:47,992 {\an8}NOMINATION AND SECOND WIN. HE IS 2 FOR 2 AND HE WINS HIS 584 00:43:48,058 --> 00:43:58,969 {\an8}GOLDEN GLOBE TONIGHT FOR HIS ROLE OF CARMEN "CARMY" BERZATTO 585 00:43:59,036 --> 00:44:04,775 {\an8}IN "THE BEAR." ♪ ♪ 586 00:44:04,842 --> 00:44:10,614 {\an8}>> WOW, WOW, WOW, WOW. I CAN'T BELIEVE I'M IN THIS ROOM 587 00:44:10,681 --> 00:44:14,785 {\an8}WITH ALL THESE PEOPLE I'VE LOVED SO MUCH, ADMIRED SO MUCH, FOR SO 588 00:44:14,852 --> 00:44:19,023 {\an8}LONG. IT IS UNREAL. 589 00:44:19,089 --> 00:44:23,160 {\an8}I LOVE THIS SHOW. I NEED TO THANK EVERYBODY AT FX. 590 00:44:23,227 --> 00:44:30,567 {\an8}I NEED TO THANK -- [LISTING NAMES] 591 00:44:30,634 --> 00:44:39,943 {\an8}AND OUR LOVELY CREW, AND CAST. AYO, EBON -- 592 00:44:40,010 --> 00:44:41,812 {\an8}[LISTIN NAMES] I LOVE YOU GUYS SO MUCH. 593 00:44:41,879 --> 00:44:44,348 {\an8}I MUST HAVE DONE SOMETHING RIGHT IN THIS LIFE TO BE IN YOUR 594 00:44:44,415 --> 00:44:46,483 {\an8}COMPANY. THANK YOU GUYS SO MUCH. 595 00:44:46,550 --> 00:44:50,754 {\an8}WHAT ELSE? I GUYS. 596 00:44:50,821 --> 00:44:52,456 {\an8}ANDREW. THANK YOU, MAN. 597 00:44:52,523 --> 00:44:58,362 {\an8}MAX, JILLIAN, JUSTIN. WRAP IT UP, OKAY. 598 00:44:58,429 --> 00:45:01,899 {\an8}[LAUGHTER] EZRA AND LOUIS, YOU ARE MY 599 00:45:01,965 --> 00:45:04,101 {\an8}HEART. I FEEL SO LUCKY I GET TO DO 600 00:45:04,168 --> 00:45:08,405 {\an8}THIS. THANK YOU GUYS. 601 00:45:08,472 --> 00:45:13,310 {\an8}[APPLAUSE] ♪ ♪ 602 00:45:13,377 --> 00:45:18,916 {\an8}>> Announcer: PLEASE WELCOME, ACTOR AND COMEDIAN FROM UPCOMING 603 00:45:18,982 --> 00:45:20,784 {\an8}NETFLIX FILM, "UNFROSTED: THE POP TART STORY," 604 00:45:20,851 --> 00:45:26,356 {\an8}JIM GAFFIGAN. [APPLAUSE] 605 00:45:26,423 --> 00:45:33,330 {\an8}>> THANK YOU, THANK YOU. THANK YOU SO MUCH. 606 00:45:33,397 --> 00:45:36,133 {\an8}THANK YOU. YOU KNOW, THIS IS SO EXCITING 607 00:45:36,200 --> 00:45:42,406 {\an8}FOR ME. THE GOLDEN GLOBES. 608 00:45:42,473 --> 00:45:46,310 {\an8}I MEAN, I CAN'T EVEN BELIEVE I'M IN THE ENTERTAINMENT INDUSTRY. 609 00:45:46,376 --> 00:45:48,946 {\an8}I CAN'T. IT IS SO UNLIKELY. 610 00:45:49,012 --> 00:45:51,582 {\an8}I'M FROM A SMALL TOWN IN INDIANA. 611 00:45:51,648 --> 00:45:57,421 {\an8}I'M NOT A PEDOPHILE. [LAUGHTER] 612 00:45:57,488 --> 00:45:59,656 {\an8}YOU KNOW? I JUST... 613 00:45:59,723 --> 00:46:04,661 {\an8}I DON'T KNOW IF THAT'S A NEW CATEGORY HERE, BUT I'M HERE TO 614 00:46:04,728 --> 00:46:08,899 {\an8}PRESENT AN ALL NEW CATEGORY. ALL RIGHT? 615 00:46:08,966 --> 00:46:12,503 {\an8}[APPLAUSE] AND ALL NEW CATEGORY. 616 00:46:12,569 --> 00:46:18,041 {\an8}THIS IS GOING TO BE THE FIRST TIME STAND-UP COMEDIANS ARE 617 00:46:18,108 --> 00:46:23,213 {\an8}GOING TO BE ACKNOWLEDGED AT A MAJOR AWARD SHOW, OKAY? 618 00:46:23,280 --> 00:46:29,620 {\an8}[APPLAUSE] AND, IN A WAY, IT'S LIKE -- THE 619 00:46:29,686 --> 00:46:33,023 {\an8}GOLDEN GLOBES, 80 YEARS. FOR 80 YEARS, GOOD-LOOKING 620 00:46:33,090 --> 00:46:34,892 {\an8}PEOPLE PEOPLE THROUGH A 621 00:46:39,129 --> 00:46:43,233 {\an8}THREW A PARTY, ANDYOU GUYS FINAO INVITE THE TALETED PEOPLE. 622 00:46:43,300 --> 00:46:48,805 {\an8}[LAUGHTER] I MEAN THAT. 623 00:46:48,872 --> 00:46:53,177 {\an8}ANYWAY, I AM HONORED TO PRESENT THIS AWARD. 624 00:46:53,243 --> 00:46:57,281 {\an8}STAND-UP COMEDY IS A BRUTAL BUSINESS. 625 00:46:57,347 --> 00:47:01,752 {\an8}AND THANKS TO NETFLIX, PEOPLE GET OVERPAID FOR IT. 626 00:47:01,818 --> 00:47:08,392 {\an8}[LAUGHTER] BUT THE NOMINEES FOR BEST 627 00:47:08,458 --> 00:47:14,431 {\an8}PERFORMANCE IN STAND-UP COMEDY ON TELEVISION ARE... 628 00:47:14,498 --> 00:47:17,935 {\an8}>> MY LAST SHOW DROPPED ON NETFLIX LAST YEAR. 629 00:47:18,001 --> 00:47:22,105 {\an8}BIG BACKLASH, WASN'T IT? BIG BACKLASH. 630 00:47:22,172 --> 00:47:24,541 {\an8}PEOPLE GOING, "YOU CAN'T SAY THAT." 631 00:47:24,608 --> 00:47:27,611 {\an8}YOU CAN. [LAUGHTER] 632 00:47:27,678 --> 00:47:31,215 {\an8}I DID. [CHEERS AND APPLAUSE] 633 00:47:31,281 --> 00:47:38,455 {\an8}>> I'M ENJOYING AMERICA MORE NOW THAN I EVER, EVER ENJOYED IT. 634 00:47:38,522 --> 00:47:43,493 {\an8}EVERY DAY. I DON'T EVEN KNOW WHAT IT IS. 635 00:47:43,560 --> 00:47:46,463 {\an8}YOU KNOW, I THINK YOU ENJOY A PLACE DIFFERENTLY WHEN IT MIGHT 636 00:47:46,530 --> 00:47:49,399 {\an8}BE ENDING, YOU KNOW? [LAUGHTER] 637 00:47:49,466 --> 00:47:52,035 {\an8}THERE'S LIKE A DIFFERENT FEELING TO IT. 638 00:47:52,102 --> 00:47:55,672 {\an8}IT'S JUST LIKE, MMM, WHAT IS THAT TASTE? 639 00:47:55,739 --> 00:47:59,810 {\an8}THE FINAL SEASON? >> BEYONCE IS SO FINE, IF SHE 640 00:47:59,876 --> 00:48:07,517 {\an8}WORKED AT BURGER KING, SHE COULD STILL MARRY JAY-Z. 641 00:48:07,584 --> 00:48:09,419 {\an8}[LAUGHTER] THAT'S HOW FINE SHE IS. 642 00:48:09,486 --> 00:48:15,359 {\an8}NOW, IF JAY-Z WORKED AT BURGER KING... 643 00:48:15,425 --> 00:48:17,661 {\an8}[LAUGHTER] >> MY HUSBAND IS AMAZING. 644 00:48:17,728 --> 00:48:22,299 {\an8}HE ALWAYS TURNS THE LIGHTS ON RIGHT BEFORE WE HAVE SEX. 645 00:48:22,366 --> 00:48:26,803 {\an8}I'M LIKE, "SHUT 'EM OFF," AND HE PUTS THEM ON. 646 00:48:26,870 --> 00:48:28,739 {\an8}FINALLY HE'S LIKE, "ARE YOU SO SHY? 647 00:48:28,805 --> 00:48:32,075 {\an8}I LOVE YOUR BODY. ALL YOUR SCARS, YOU'RE 648 00:48:32,142 --> 00:48:36,246 {\an8}BEAUTIFUL." I WAS LIKE, AWW, YOU THINK I 649 00:48:36,313 --> 00:48:38,315 {\an8}DON'T WANT YOU TO SEE MADE?" 650 00:48:49,760 --> 00:48:52,696 {\an8}[LAUGHTER] >> I HAVE PEOPLE IN MY LIFE, MY 651 00:48:52,763 --> 00:48:55,699 {\an8}SISTER IS A RABBI. I SEXTED WITH A JESUIT PRIEST 652 00:48:55,766 --> 00:49:00,637 {\an8}FOR THREE YEARS. SO HOT. 653 00:49:00,704 --> 00:49:15,385 {\an8}AND IT IS JESUIT. BECAUSE I SAID "JESUIT." 654 00:49:15,452 --> 00:49:17,521 {\an8}I'M NOT SURE IF THE SPEECH IMPEDIMENT. 655 00:49:17,587 --> 00:49:24,328 {\an8}>> MY LAST SPECIAL WASN'T 2019. IT WAS CALLED "NOT NORMAL." 656 00:49:24,394 --> 00:49:26,663 {\an8}YEAH. SINCE THEN WE'VE HAD A PANDEMIC, 657 00:49:26,730 --> 00:49:31,268 {\an8}AND INSURRECTION, ROE v. WADE GOT OVERTURNED. 658 00:49:31,335 --> 00:49:36,673 {\an8}I SHOULD'VE CALLED THAT SPECIAL "THE GOOD OL' DAYS!" 659 00:49:36,740 --> 00:49:40,510 {\an8}[APPLAUSE] >> ALL RIGHT. 660 00:49:40,577 --> 00:49:45,282 {\an8}>> AND THE GOLDEN GLOBE GOES TO... 661 00:49:45,349 --> 00:49:55,092 {\an8}RICKY GERVAIS. [APPLAUSE] 662 00:49:55,158 --> 00:50:01,565 {\an8}YOU ARE NOT RICKY GERVAIS'. RICKY COULDN'T BE HERE TONIGHT. 663 00:50:01,631 --> 00:50:03,934 {\an8}I WILL ACCEPT THIS AWARD ON HIS BEHALF. 664 00:50:04,000 --> 00:50:09,005 {\an8}GIMME IT. THANK YOU. 665 00:50:09,072 --> 00:50:15,011 {\an8}[APPLAUSE] ♪ ♪ 666 00:50:15,078 --> 00:50:20,951 {\an8}>> Announcer: THE ROOM IS BUZZING WITH EXCITEMENT AND FUN. 667 00:50:21,017 --> 00:50:24,554 {\an8}COMING UP, MORE STARS SERVING LOOKS AND GOLDEN GLOBES. 668 00:50:24,621 --> 00:50:25,122 {\an8}AND LATER, ONE WORD -- OPRAH! 669 00:50:42,038 --> 00:50:43,507 {\an8}>> Announcer: PLEASE WELCOME THE STARS OF "GHOSTS," 670 00:50:43,573 --> 00:50:53,450 {\an8}UTKARSH AMBUDKAR AND ROSE McIVER. 671 00:50:53,517 --> 00:50:56,520 {\an8}[APPLAUSE] ♪ ♪ 672 00:50:56,586 --> 00:51:00,991 {\an8}>> WE'RE HERE TO HAND OUT THE AWARD FOR BEST MOTION PICTURE, 673 00:51:01,057 --> 00:51:03,994 {\an8}NON-ENGLISH LANGUAGE. >> WOOHOO! 674 00:51:04,060 --> 00:51:07,097 {\an8}THESE FILMS FEATURED ALL KINDS OF LANGUAGES, RANGING FROM 675 00:51:07,164 --> 00:51:12,002 {\an8}EVERYTHING SUCH AS FRENCH AND GERMAN, TO FINNISH AND GERMAN, 676 00:51:12,068 --> 00:51:14,371 {\an8}TO EVEN POLISH AND GERMAN. >> AND, IN SOME INSTANCES, THE 677 00:51:14,438 --> 00:51:18,008 {\an8}NON-ENGLISH LANGUAGE, OF... WELL, ENGLISH. 678 00:51:18,074 --> 00:51:21,845 {\an8}>> YEP, THERE'S A LOT OF DIFFERENT KINDS OF WHITE PEOPLE, 679 00:51:21,912 --> 00:51:25,248 {\an8}AND GRETA LEE. OKAY, HERE ARE THE NOMINEES. 680 00:51:25,315 --> 00:51:30,220 {\an8}>> Announcer: "ANATOMY OF A FALL," FRANCE. 681 00:51:30,287 --> 00:51:35,926 {\an8}>> IT'S NOT REALITY. IT'S A PART OF IT, MAYBE. 682 00:51:35,992 --> 00:51:40,363 {\an8}>> Announcer: "FALLEN LEAVES," FINLAND. 683 00:51:40,430 --> 00:51:42,732 {\an8}>> [SPEAKING FINISH] 684 00:51:43,967 --> 00:51:47,304 {\an8}>> Announcer: "IO CAPITANO," ITALY. 685 00:51:47,370 --> 00:52:02,252 {\an8}"PAST LIVES," USA. "SOCIETY OF THE SNOW," SPAIN. 686 00:52:02,319 --> 00:52:02,586 {\an8}"PAST LIVES," USA. "SOCIETY OF THE SNOW," SPAIN. 687 00:52:02,652 --> 00:52:02,786 {\an8}>> VES? 688 00:52:06,089 --> 00:52:13,463 {\an8}"THE ZONE OF INTEREST," UNITED KINGDOM/USA. 689 00:52:13,530 --> 00:52:20,704 {\an8}>> AND THE GOLDEN GLOBE GOES TO... 690 00:52:20,770 --> 00:52:29,145 {\an8}>> OH, BOY. >> "ANATOMY OF A FALL." 691 00:52:29,212 --> 00:52:31,882 {\an8}[APPLAUSE] ♪ ♪ 692 00:52:31,948 --> 00:52:35,785 {\an8}>> Announcer: COMING TO THE STAGE TONIGHT AND ACCEPTING THE 693 00:52:35,852 --> 00:52:39,890 {\an8}GOLDEN GLOBE FOR "ANATOMY OF A FALL" IS COWRITER AND DIRECTOR 694 00:52:39,956 --> 00:52:41,958 {\an8}JUSTINE TRIET. ♪ ♪ 695 00:52:59,042 --> 00:53:00,977 {\an8}♪ ♪ >> SORRY. 696 00:53:01,044 --> 00:53:08,518 {\an8}THANK YOU SO MUCH. OKAY, THIS MOVIE IS ABOUT THE 697 00:53:08,585 --> 00:53:14,224 {\an8}TRUTH, THE IMPOSSIBILITY OF CATCHING IT. 698 00:53:14,291 --> 00:53:18,228 {\an8}I WANTED IT TO BE THE OBSESSION OF A CHILD. 699 00:53:18,295 --> 00:53:26,269 {\an8}THIS CHILD IS HERE TONIGHT. THANK YOU, MILO, FOR GIVING US 700 00:53:26,336 --> 00:53:33,443 {\an8}WAY MORE THAN YOUR 13-YEAR-OLD. THANK YOU FOR NEVER TRYING TO 701 00:53:33,510 --> 00:53:35,979 {\an8}MAKE THIS CHARACTER A PERFECT HEROINE. 702 00:53:36,046 --> 00:53:39,683 {\an8}THANK YOU FOR CREATING A COMPLEX WOMAN WHO NEVER APOLOGIZES FOR 703 00:53:39,749 --> 00:53:46,456 {\an8}SAYING WHAT SHE THINKS. ANTOINE, THANK YOU FOR BEING THE 704 00:53:46,523 --> 00:53:55,231 {\an8}NASTIEST PROSECUTOR OF THE YEAR. SWANN, THE SEXIEST LAWYER OF THE 705 00:53:55,298 --> 00:53:59,235 {\an8}FRENCH ALPS, AND SNOOPY FOR BEING YOURSELF, JUST A DOG. 706 00:53:59,302 --> 00:54:05,308 {\an8}THANK YOU, MY INCREDIBLE PRODUCER. 707 00:54:05,375 --> 00:54:10,013 {\an8}THANK YOU, WHERE EVERYTHING BEGAN. 708 00:54:10,080 --> 00:54:13,049 {\an8}[LISTING NAMES] AND THANK YOU TO MY DAUGHTERS. 709 00:54:13,116 --> 00:54:15,118 {\an8}I LOVE YOU. [APPLAUSE] 710 00:54:25,061 --> 00:54:25,996 {\an8}♪ ♪ >> Announcer: PLEASE WELCOME, 711 00:54:26,062 --> 00:54:27,631 {\an8}GOLDEN GLOBE WINNER AND DIRECTOR AND STAR OF 712 00:54:27,697 --> 00:54:31,935 {\an8}"HORIZON: AN AMERICAN SAGA," KEVIN COSTNER, AND GOLDEN GLOBE 713 00:54:32,002 --> 00:54:36,006 {\an8}WINNER AND STAR OF THE NOMINATED FILM, "BARBIE," AMERICA FERRERA. 714 00:54:48,018 --> 00:54:51,588 {\an8}SAY, AND SUCH A FAN OF YOURS. LIKE, "THE BODYGUARD." 715 00:54:51,655 --> 00:54:52,422 {\an8}THE SCENE WHEN SAY "GOODBYE, RACHEL," AND 716 00:54:52,489 --> 00:54:56,092 {\an8}SHE LEAVES, AND YOU RUN TO EACH OTHER? 717 00:54:56,159 --> 00:54:58,328 {\an8}A CHILLS! >> AWW. 718 00:54:58,395 --> 00:55:00,563 {\an8}[LAUGHTER] WELL, YOU KNOW, YOU HAVE A SCENE 719 00:55:00,630 --> 00:55:03,099 {\an8}THAT I REALLY LOVE. I THINK A LOT OF PEOPLE REALLY 720 00:55:03,166 --> 00:55:05,402 {\an8}LOVE THAT SCENE. >> REALLY? 721 00:55:05,468 --> 00:55:13,977 {\an8}WHICH SCENE IS THAT? >> THE "BARBIE" MOVIE. 722 00:55:14,044 --> 00:55:16,646 {\an8}WHERE IT'S LITERALLY IMPOSSIBLE TO BE A WOMAN. 723 00:55:16,713 --> 00:55:19,949 {\an8}YOU KNOW THAT? "YOU ARE SO BEAUTIFUL, YOU'RE SO 724 00:55:20,016 --> 00:55:22,552 {\an8}SMART, IT KILLS ME YOU DON'T THINK YOU'RE GOOD ENOUGH." 725 00:55:22,619 --> 00:55:27,524 {\an8}THAT WAS PRETTY GOOD. [LAUGHTER] 726 00:55:27,590 --> 00:55:30,093 {\an8}>> DID YOU, KEVIN COSTNER, MEMORIZE MY MONOLOGUE ABOUT 727 00:55:30,160 --> 00:55:36,933 {\an8}WOMANHOOD FROM "BARBIE?" >> NO. 728 00:55:37,000 --> 00:55:41,104 {\an8}[LAUGHTER] >> OKAY. 729 00:55:41,171 --> 00:55:43,440 {\an8}>> BUT IT'S AN IMPORTANT MESSAGE, REALLY. 730 00:55:43,506 --> 00:55:49,846 {\an8}AND IT ALWAYS SERVES TO REMIND ME OF WHAT'S POSSIBLE IN FILM. 731 00:55:49,913 --> 00:55:52,082 {\an8}>> AWW. >> YOU KNOW, IT JUST REMIND ME 732 00:55:52,148 --> 00:55:58,088 {\an8}THAT, WHEN WE TAKE OUR TIME, WHEN WE MANAGED TO GET IT RIGHT, 733 00:55:58,154 --> 00:56:01,458 {\an8}WHEN FILM IS WORKING AT ITS VERY BEST, IT CAN BE ABOUT MOMENTS 734 00:56:01,524 --> 00:56:06,229 {\an8}YOU NEVER, EVER FORGET. A LOOK, A TOUCH, A KISS. 735 00:56:06,296 --> 00:56:11,835 {\an8}THE SPEECH. AND YOU JUST HAD ON ONE OF THOSE 736 00:56:11,901 --> 00:56:13,069 {\an8}MOMENTS. >> AWW! 737 00:56:13,136 --> 00:56:20,744 {\an8}>> AND ALL THE ACTORS NOMINATED TONIGHT, THEY KNOW SO WELL THE 738 00:56:20,810 --> 00:56:22,912 {\an8}POWER OF WRITING THEY'VE BEEN GIFTED, AND A CHANCE TO LIVE 739 00:56:22,979 --> 00:56:24,781 {\an8}FOREVER. >> WOW! 740 00:56:24,848 --> 00:56:32,756 {\an8}SO, YOU'RE NOT GONNA DO THE REST OF THE MONOLOGUE, RIGHT NOW, ON 741 00:56:32,822 --> 00:56:37,393 {\an8}NATIONAL TELEVISION?! >> MAYBE LATER. 742 00:56:37,460 --> 00:56:38,995 {\an8}LET'S INTRODUCE THE NOMINEES. >> FAIR ENOUGH. 743 00:56:39,062 --> 00:56:40,630 {\an8}HERE ARE THE NOMINEES FOR FEMALE ACTOR, TELEVISION SERIES, 744 00:56:40,697 --> 00:56:44,934 {\an8}MUSICAL OR COMEDY. >> Announcer: RACHEL BROSNAHAN, 745 00:56:45,001 --> 00:56:49,939 {\an8}"THE MARVELOUS MRS. MAISEL." QUINTA BRUNSON, 746 00:56:50,006 --> 00:56:58,114 {\an8}"ABBOTT ELEMENTARY." AYO EDEBIRI, "THE BEAR." 747 00:56:58,181 --> 00:57:04,521 {\an8}ELLE FANNING, "THE GREAT." SELENA GOMEZ, 748 00:57:04,587 --> 00:57:16,332 {\an8}"ONLY MURDERS IN THE BUILDING." NATASHA LYONNE, "POKER FACE." 749 00:57:16,399 --> 00:57:17,834 {\an8}[APPLAUSE] >> AND THE GOLDEN GLOBE GOES 750 00:57:17,901 --> 00:57:28,311 {\an8}TO... AYO EDEBIRI! 751 00:57:28,378 --> 00:57:35,451 {\an8}[APPLAUSE] ♪ ♪ 752 00:57:35,518 --> 00:57:38,454 {\an8}>> Announcer: THIS IS AYO EDEBIRI'S FIRST NOMINATION ON 753 00:57:38,521 --> 00:57:41,090 {\an8}FIRST WIN. SHE WINS OR GOLDEN GLOBE TONIGHT 754 00:57:41,157 --> 00:57:43,159 {\an8}FOR HER ROLE OF SYDNEY IN "THE BEAR." 755 00:57:49,199 --> 00:57:59,609 {\an8}[APPLAUSE] ♪ ♪ 756 00:57:59,676 --> 00:58:08,952 {\an8}♪ ♪ >> OKAY, HELLO. 757 00:58:09,018 --> 00:58:13,489 {\an8}I'M SO VERY GRATEFUL FOR THIS. I'M IN A ROOM FULL OF SO MANY 758 00:58:13,556 --> 00:58:17,427 {\an8}PEOPLE WHO I ADMIRE, AND WHOSE WORK HAS LIFTED ME UP. 759 00:58:17,493 --> 00:58:20,230 {\an8}I'M AN ARTIST, AND I'M VERY LUCKY TO BE AN ARTIST, AND I 760 00:58:20,296 --> 00:58:23,867 {\an8}KNOW WE ALL FEEL THAT WAY, SO I REALLY WANT TO ACKNOWLEDGE THAT. 761 00:58:23,933 --> 00:58:32,175 {\an8}I'M SO GRATEFUL TO THE HOLLYWOOD FOREIGN PRESS, AND TO MY FAMILY. 762 00:58:32,242 --> 00:58:36,546 {\an8}MY FAMILY, MY FAMILY, MY FAMILY. EVERYBODY AT "THE BEAR." 763 00:58:36,613 --> 00:58:38,014 {\an8}THAT'S MY FAMILY. I LOVE YOU SO MUCH. 764 00:58:38,081 --> 00:58:41,117 {\an8}IT'S AN HONOR TO WORK WITH YOU AND GROW ALONGSIDE YOU. 765 00:58:41,184 --> 00:58:46,823 {\an8}OH, MY GOSH, THE ACTORS I WAS NOMINATED ALONGSIDE, ALSO. 766 00:58:46,890 --> 00:58:49,058 {\an8}AAH! AND MY REAL FAMILY, ALSO. 767 00:58:49,125 --> 00:58:53,096 {\an8}I LOVE YOU GUYS, TOO. [LAUGHTER] 768 00:58:53,162 --> 00:58:54,731 {\an8}AND, YEAH, THIS JUST REALLY MEANS A LOT. 769 00:58:54,797 --> 00:58:58,034 {\an8}THERE ARE SO MANY PEOPLE I PROBABLY FORGOT TO THANK. 770 00:58:58,101 --> 00:59:02,872 {\an8}OH, MY GOD, ALL OF MY AGENTS AND MANAGERS' ASSISTANCE! 771 00:59:02,939 --> 00:59:03,539 {\an8}TO THE 772 00:59:04,474 --> 00:59:10,013 {\an8}PEOPLE WHO ANSWER MY EMAILS. [CHEERS AND APPLAUSE] 773 00:59:10,079 --> 00:59:14,117 {\an8}Y'ALL ARE REAL ONES. THANK YOU FOR ANSWERING MY 774 00:59:14,183 --> 00:59:16,653 {\an8}CRAZY, CRAZY EMAILS. YEAH, I'M REALLY, REALLY 775 00:59:16,719 --> 00:59:19,222 {\an8}GRATEFUL. IF I FORGOT TO THANK YOU, I'M 776 00:59:19,289 --> 00:59:20,890 {\an8}SORRY. UNLESS YOU ARE MEAN OR 777 00:59:20,957 --> 00:59:25,194 {\an8}SOMETHING. OKAY, BYE, THANK YOU. 778 00:59:25,261 --> 00:59:33,770 {\an8}[APPLAUSE] ♪ ♪ 779 00:59:33,836 --> 00:59:35,638 {\an8}>> AND NOW, HERE ARE THE NOMINEES FOR BEST PERFORMANCE BY 780 00:59:35,705 --> 00:59:42,912 {\an8}A MALE ACTOR IN A TELEVISION SERIES, DRAMA. 781 00:59:42,979 --> 00:59:47,583 {\an8}>> Announcer: BRIAN COX, "SUCCESSION." 782 00:59:47,650 --> 00:59:57,493 {\an8}KIERAN CULKIN, "SUCCESSION." GARY OLDMAN, "SLOW HORSES." 783 00:59:57,560 --> 01:00:07,971 {\an8}PEDRO PASCAL, "THE LAST OF US." JEREMY STRONG, "SUCCESSION." 784 01:00:08,037 --> 01:00:16,346 {\an8}DOMINIC WEST, "THE CROWN." [APPLAUSE] 785 01:00:16,412 --> 01:00:26,956 {\an8}>> AND THE GOLDEN GLOBE GOES TO... 786 01:00:27,023 --> 01:00:34,430 {\an8}KIERAN CULKIN. [APPLAUSE] 787 01:00:34,497 --> 01:00:37,967 {\an8}♪ ♪ >> Announcer: THIS IS KIERAN 788 01:00:38,034 --> 01:00:39,969 {\an8}CULKIN'S FIFTH NOMINATION, BUT HIS FIRST WIN. 789 01:00:40,036 --> 01:00:42,972 {\an8}HE WINS HIS GOLDEN GLOBE TONIGHT FOR HIS ROLE OF ROMAN ROY IN 790 01:00:43,039 --> 01:00:44,007 {\an8}"SUCCESSION." [APPLAUSE] 791 01:00:55,051 --> 01:01:00,690 {\an8}>> OH, NIGHTMARE! UGH! 792 01:01:00,757 --> 01:01:04,527 {\an8}SIT DOWN! BOY, THANK YOU. 793 01:01:04,594 --> 01:01:05,128 {\an8}SORRY, I'M BURPING 794 01:01:06,229 --> 01:01:06,963 {\an8}INDIGESTION. [APPLAUSE] 795 01:01:07,030 --> 01:01:07,930 {\an8}[LAUGHTER] DIDN'T NEED TO SAY THAT. 796 01:01:07,997 --> 01:01:12,368 {\an8}OTHERWISE, THIS IS A NICE MOMENT FOR ME. 797 01:01:12,435 --> 01:01:14,337 {\an8}I'VE BLOWN IT ALREADY. YOU ARE RIGHT. 798 01:01:14,404 --> 01:01:17,573 {\an8}YOU SAID "JUST SAY THANKS AND LEAVE." 799 01:01:17,640 --> 01:01:19,809 {\an8}YOU ARE RIGHT. I WAS NOMINATED FOR A 800 01:01:19,876 --> 01:01:23,546 {\an8}GOLDEN GLOBE LIKE 20 YEARS AGO, AND WHEN THAT MOMENT PASSED, I 801 01:01:23,613 --> 01:01:25,715 {\an8}STILL REMEMBER THINKING, I'M NEVER GOING TO BE BACK IN THIS 802 01:01:25,782 --> 01:01:30,186 {\an8}ROOM AGAIN. WHICH IS FINE, WHATEVER. 803 01:01:30,253 --> 01:01:32,755 {\an8}[LAUGHTER] BUT THANKS TO "SUCCESSION" I'VE 804 01:01:32,822 --> 01:01:35,958 {\an8}BEEN IN HERE A COUPLE TIMES. IT'S NICE, BUT I EXCEPTED I 805 01:01:36,025 --> 01:01:41,664 {\an8}WOULD NEVER BE ON THE STAGE, SO THIS IS A NICE MOMENT. 806 01:01:41,731 --> 01:01:43,132 {\an8}SUCK IT, PEDRO. SORRY. 807 01:01:43,199 --> 01:01:47,970 {\an8}[LAUGHTER] MINE! 808 01:01:48,037 --> 01:01:52,542 {\an8}REALLY QUICKLY, I'D LIKE TO THANK EVERYBODY ON "SUCCESSION." 809 01:01:52,608 --> 01:01:55,978 {\an8}OUR WRITERS, THE AMAZING CAST, EVERYBODY THAT SHOWED UP THAT 810 01:01:56,045 --> 01:02:02,285 {\an8}BELIEVED IN THIS THING AND THAT IT WAS VERY COOL. 811 01:02:02,351 --> 01:02:04,487 {\an8}THIS ISN'T MINE, THIS IS ONE FOR THE TEAM. 812 01:02:04,554 --> 01:02:05,354 {\an8}I KNOW, WRAP IT UP. I WANT TO REALLY QUICKLY JUST 813 01:02:05,421 --> 01:02:06,556 {\an8}THANK THREE AMAZING WOMEN IN MY LIFE. 814 01:02:06,622 --> 01:02:11,060 {\an8}MY MANAGER, WITHOUT WHOM I WOULDN'T HAVE A CAREER, MY WIFE, 815 01:02:11,127 --> 01:02:14,864 {\an8}JAZZ, FOR PUTTING UP WITH THIS AND ALL THAT COMES WITH IT, AND 816 01:02:14,931 --> 01:02:16,632 {\an8}MY WONDERFUL MOM. MOM, THANK YOU SO MUCH FOR DOING 817 01:02:16,699 --> 01:02:20,470 {\an8}EVERYTHING YOU DID FOR US. YOU ARE AN AMAZING WOMAN. 818 01:02:20,536 --> 01:02:22,271 {\an8}OKAY, THAT'S IT. THANK YOU. 819 01:02:22,338 --> 01:02:24,340 {\an8}[APPLAUSE] ♪ ♪ 820 01:02:32,415 --> 01:02:33,583 {\an8}♪ ♪ >> Announcer: LOOKS LIKE 821 01:02:33,649 --> 01:02:35,451 {\an8}MARTIN SCORSESE CAN'T SIT STILL! PROBABLY BECAUSE, COMING UP, 822 01:02:35,518 --> 01:02:37,520 {\an8}THE GOLDEN GLOBE FOR BEST DIRECTOR WILL BE HANDED OUT. 823 01:02:51,434 --> 01:02:56,172 {\an8}>> Jo: WELCOME BACK, YOU GUYS. THERE'S 150 COUNTRIES WATCHING 824 01:02:56,239 --> 01:02:57,974 {\an8}RIGHT NOW, AND YOU LOOK BEAUTIFUL. 825 01:02:58,040 --> 01:03:01,911 {\an8}EVERY SINGLE ONE OF YOU LOOKS GORGEOUS. 826 01:03:01,978 --> 01:03:04,614 {\an8}I JUST WANT TO SHOUT OUT MY SUIT. 827 01:03:04,680 --> 01:03:06,916 {\an8}IT'S VELVET. I TOLD MY STYLIST I DON'T WEAR A 828 01:03:06,983 --> 01:03:10,720 {\an8}VELVET, AND HE GAVE IT TO ME, AND I'M LIKE, OH, MY GOD, THAT 829 01:03:10,786 --> 01:03:15,324 {\an8}LOOKS GOOD. I'MA KEEP IT. 830 01:03:15,391 --> 01:03:18,761 {\an8}THE USED TO BE A COUCH, NOW IT'S A SUIT. 831 01:03:18,828 --> 01:03:23,266 {\an8}PLEASE WELCOME, FROM THE NOMINATED FILM "OPPENHEIMER," 832 01:03:23,332 --> 01:03:26,435 {\an8}FLORENCE PUGH, AND NOMINATED TONIGHT FOR HER ROLE IN 833 01:03:26,502 --> 01:03:30,339 {\an8}"MAY DECEMBER," NATALIE PORTMAN. [APPLAUSE] 834 01:03:30,406 --> 01:03:39,382 {\an8}♪ ♪ ♪ ♪ 835 01:03:39,448 --> 01:03:41,884 {\an8}>> THERE ARE DEFINITELY SOME PERKS TO WORKING IN ANIMATION. 836 01:03:41,951 --> 01:03:43,920 {\an8}LIKE WEARING YOUR PAJAMAS TO WORK. 837 01:03:43,986 --> 01:03:48,891 {\an8}>> YEAH, AND YOU DON'T HAVE TO SPEND 8 HOURS IN A TRAILER 838 01:03:48,958 --> 01:03:52,195 {\an8}GETTING HAIR AND MAKEUP DONE. >> BUT ANIMATION ALSO OPENS UP A 839 01:03:52,261 --> 01:03:54,163 {\an8}WHOLE NEW WORLD OF POSSIBILITIES. 840 01:03:54,230 --> 01:03:56,799 {\an8}YOU DON'T HAVE TO PLAY BY THE RULES OF GRAVITY, OR ANY RULES, 841 01:03:56,866 --> 01:04:03,172 {\an8}REALLY. >> BUT, TO BE ABLE TO CREATE A 842 01:04:03,239 --> 01:04:05,708 {\an8}WHOLE NEW WORLD FROM SCRATCH AND TELL A STORY IN ANY GENRE TAKES 843 01:04:05,775 --> 01:04:08,778 {\an8}A BRILLIANT SKILL. >> HERE ARE THE NOMINEES FOR 844 01:04:08,844 --> 01:04:11,847 {\an8}BEST MOTION PICTURE, ANIMATED. >> Announcer: "THE BOY AND THE 845 01:04:11,914 --> 01:04:22,158 {\an8}HERON." "ELEMENTAL." 846 01:04:22,225 --> 01:04:26,862 {\an8}"SPIDER-MAN: ACROSS THE SPIDER-VERSE." 847 01:04:26,929 --> 01:04:34,403 {\an8}"THE SUPER MARIO BROS. MOVIE." >> THIS IS FUN! 848 01:04:34,470 --> 01:04:36,472 {\an8}>> Announcer: "SUZUME." "WISH." 849 01:04:44,947 --> 01:04:54,223 {\an8}AND THE GOLDEN GLOBE GOES TO... "THE BOY AND THE HERON." 850 01:04:54,290 --> 01:04:58,261 {\an8}YAY! [APPLAUSE] 851 01:04:58,327 --> 01:05:01,297 {\an8}THE PRODUCERS OF "THE OF "THE BOY AND THE HERON" COULD NOT BE 852 01:05:01,364 --> 01:05:05,334 {\an8}HERE TONIGHT. WE ACCEPT THIS AWARD ON THEIR 853 01:05:05,401 --> 01:05:07,536 {\an8}BEHALF. >> HAPPILY. 854 01:05:07,603 --> 01:05:08,971 {\an8}[APPLAUSE] ♪ ♪ 855 01:05:09,038 --> 01:05:11,140 {\an8}>> Announcer: PLEASE WELCOME GOLDEN GLOBE WINNER MATT DAMON, 856 01:05:11,207 --> 01:05:16,612 {\an8}AND GOLDEN GLOBE WINNER BEN AFFLECK. 857 01:05:16,679 --> 01:05:24,720 {\an8}[APPLAUSE] ♪ ♪ 858 01:05:24,787 --> 01:05:29,925 {\an8}>> I KNOW I SPEAK FOR BOTH OF US WHEN I SAY THE DIRECTORS 859 01:05:29,992 --> 01:05:32,228 {\an8}NOMINATED TONIGHT HAVE PAVED THE WAY FOR FUTURE FILMMAKERS 860 01:05:32,295 --> 01:05:35,931 {\an8}EVERYWHERE. >> THERE IS NO ALGORITHM ON 861 01:05:35,998 --> 01:05:38,334 {\an8}EARTH THAT COULD HAVE PREDICTED JUST HOW GOOD THESE MOVIES WOULD 862 01:05:38,401 --> 01:05:39,935 {\an8}BE. THEY WERE MADE WITH THE HARD 863 01:05:40,002 --> 01:05:42,672 {\an8}WORK AND CRAFTSMANSHIP OF HUNDREDS AND HUNDREDS OF CREW 864 01:05:42,738 --> 01:05:45,408 {\an8}MEMBERS. AND EACH HAD AN EXTRAORDINARY 865 01:05:45,474 --> 01:05:48,678 {\an8}VISIONARY DIRECTOR AT THE HELM. >> HERE ARE THE NOMINEES FOR 866 01:05:48,744 --> 01:05:51,881 {\an8}BEST DIRECTOR OF THE MOTION PICTURE. 867 01:05:51,947 --> 01:05:56,585 {\an8}>> Announcer: BRADLEY COOPER, "MAESTRO." 868 01:05:56,652 --> 01:06:05,127 {\an8}GRETA GERWIG, "BARBIE." YORGOS LANTHIMOS, "POOR THINGS." 869 01:06:05,194 --> 01:06:09,198 {\an8}CHRISTOPHER NOLAN, "OPPENHEIMER." 870 01:06:09,265 --> 01:06:14,770 {\an8}MARTIN SCORSESE, "KILLERS OF THE FLOWER MOON." 871 01:06:14,837 --> 01:06:25,348 {\an8}CELINE SONG, "PAST LIVES." >> AND THE GOLDEN GLOBE GOES 872 01:06:25,414 --> 01:06:35,758 {\an8}TO... CHRISTOPHER NOLAN. 873 01:06:35,825 --> 01:06:42,398 {\an8}[APPLAUSE] ♪ ♪ 874 01:06:42,465 --> 01:06:44,734 {\an8}>> Announcer: THIS IS CHRISTOPHER NOLAN'S SIXTH 875 01:06:44,800 --> 01:06:52,341 {\an8}NOMINATION AND FIRST WIN. [APPLAUSE] 876 01:06:52,408 --> 01:07:05,855 {\an8}♪ ♪ ♪ ♪ 877 01:07:05,921 --> 01:07:15,831 {\an8}>> THANK YOU. THANK YOU, GOLDEN GLOBES. 878 01:07:15,898 --> 01:07:19,368 {\an8}THE ONLY TIME I'VE EVER BEEN ON THIS STAGE BEFORE WAS ACCEPTING 879 01:07:19,435 --> 01:07:25,674 {\an8}ONE OF THESE ON BEHALF OF OUR DEAR FRIEND, HEATH LEDGER, AND 880 01:07:25,741 --> 01:07:28,644 {\an8}THAT WAS COMPLICATED AND CHALLENGING FOR ME. 881 01:07:28,711 --> 01:07:33,582 {\an8}AND IN THE MIDDLE OF SPEAKING I GOT ALL STUCK, AND 882 01:07:33,649 --> 01:07:36,419 {\an8}ROBERT DOWNEY JR. CAUGHT MY EYE AND GAVE ME A LOOK OF LOVE AND 883 01:07:36,485 --> 01:07:39,588 {\an8}SUPPORT, THE SAME LOOK HE'S GIVING ME NOW. 884 01:07:39,655 --> 01:07:42,992 {\an8}THE SAME LOVE AND SUPPORT HE'S SHOWN SO MANY PEOPLE IN OUR 885 01:07:43,058 --> 01:07:50,132 {\an8}COMMUNITY OVER SO MANY YEARS. I THOUGHT IT WOULD BE SIMPLER 886 01:07:50,199 --> 01:07:53,836 {\an8}ACCEPTING FOR MYSELF. BUT, AS A DIRECTOR, I REALIZE I 887 01:07:53,903 --> 01:07:55,471 {\an8}CAN ONLY ACCEPT THIS ON BEHALF OF PEOPLE. 888 01:07:55,538 --> 01:07:57,973 {\an8}AS DIRECTORS, WE BRING PEOPLE TOGETHER AND WE TRY TO GET THEM 889 01:07:58,040 --> 01:08:08,017 {\an8}TO GIVE THEIR BEST. ROBERT, CILLIAN, THAT 890 01:08:08,083 --> 01:08:10,219 {\an8}PARTNER IN CRIME FOR 20 YEARS, MATT, WHEREVER YOU WENT, 891 01:08:10,286 --> 01:08:14,390 {\an8}FLORENCE, EMILY, AND THE INCREDIBLE WORK OF OUR AMAZING 892 01:08:14,457 --> 01:08:17,226 {\an8}CREW. SO MANY TO THANK YOU. 893 01:08:17,293 --> 01:08:22,431 {\an8}PLEASE WRAP UP, HERE WE GO. DONNA LANGLEY, AND UNIVERSAL, 894 01:08:22,498 --> 01:08:30,172 {\an8}FOR SEEING POTENTIAL IN VERY CHALLENGING MATERIAL. 895 01:08:30,239 --> 01:08:36,679 {\an8}CHUCK, FOR GIVING ME THE BOOK AND URGING ME ONWARD, AND SO 896 01:08:36,745 --> 01:08:41,417 {\an8}MANY OTHER PEOPLE TO THINK. BUT EMMA THOMAS, MY PARTNER IN 897 01:08:41,484 --> 01:08:44,987 {\an8}LIFE AND AN ART. I LOVE YOU. 898 01:08:45,054 --> 01:08:46,689 {\an8}THANK YOU VERY MUCH. [APPLAUSE] 899 01:08:46,755 --> 01:08:57,666 {\an8}♪ ♪ ♪ ♪ 900 01:08:57,733 --> 01:09:01,003 {\an8}>> Announcer: LOVE SEEING CELEBS FANNING OUT OVER OTHER CELEBS? 901 01:09:01,070 --> 01:09:04,874 {\an8}THERE'S PLENTY MORE OF THAT WITH MICHELLE YEOH AND NAOMI WATTS 902 01:09:04,940 --> 01:09:05,441 {\an8}TAKING THE STAGE, COMING UP SOON. 903 01:09:22,858 --> 01:09:25,027 {\an8}GOLDEN GLOBE NOMINEE NAOMI WATTS, AND FROM THE SERIE% 904 01:09:25,094 --> 01:09:29,565 {\an8}"THE BROTHERS SUN," GOLDEN GLOBE WINNER MICHELLE YEOH. 905 01:09:29,632 --> 01:09:38,741 {\an8}[APPLAUSE] ♪ ♪ 906 01:09:38,807 --> 01:09:42,811 {\an8}>> I KNOW LAST YEAR I THREATENED TO BEAT UP THE PIANO PLAYER IF 907 01:09:42,878 --> 01:09:48,551 {\an8}THEY TRIED TO PLAY ME OFF DURING MY ACCEPTANCE SPEECH... 908 01:09:48,617 --> 01:09:53,389 {\an8}♪ ♪ [LAUGHTER] 909 01:09:53,455 --> 01:10:01,664 {\an8}BUT, YOU WILL BE HAPPY TO KNOW THAT I'M VERY CHILL THIS YEAR. 910 01:10:01,730 --> 01:10:06,769 {\an8}>> CHILL, AND VERY MUSCULAR. SO WHOEVER'S IN CHARGE OF MUSIC, 911 01:10:06,835 --> 01:10:12,641 {\an8}YOU'VE BEEN WARNED. >> AND WHILE I WON'T DO ANYTHING 912 01:10:12,708 --> 01:10:17,046 {\an8}IF YOU CUT ME OFF THIS YEAR, I WILL KICK YOUR ASS IF YOU CUT 913 01:10:17,112 --> 01:10:22,551 {\an8}OFF WHOEVER'S ABOUT TO WIN THIS AWARD RIGHT NOW. 914 01:10:22,618 --> 01:10:26,789 {\an8}>> MM, I LOVE A LADY IN HER PRIME. 915 01:10:26,855 --> 01:10:31,260 {\an8}>> SO DO I. >> AND HERE ARE THE NOMINEES FOR 916 01:10:31,327 --> 01:10:34,163 {\an8}BEST PERFORMANCE BY A FEMALE ACTOR IN A MOTION PICTURE, 917 01:10:34,229 --> 01:10:38,801 {\an8}MUSICAL OR COMEDY. >> Announcer: FANTASIA BARRINO, 918 01:10:38,867 --> 01:10:44,807 {\an8}"THE COLOR PURPLE." JENNIFER LAWRENCE, 919 01:10:44,873 --> 01:10:55,150 {\an8}"NO HARD FEELINGS." NATALIE PORTMAN, "MAY DECEMBER." 920 01:10:55,217 --> 01:11:04,126 {\an8}ALMA POYSTI, "FALLEN LEAVES." MARGOT ROBBIE, "BARBIE." 921 01:11:04,193 --> 01:11:14,570 {\an8}EMMA STONE, "POOR THINGS." >> AND THE GOLDEN GLOBE GOES 922 01:11:14,637 --> 01:11:25,447 {\an8}TO... EMMA STONE. 923 01:11:25,514 --> 01:11:31,787 {\an8}[APPLAUSE] ♪ ♪ 924 01:11:31,854 --> 01:11:35,391 {\an8}>> Announcer: THIS IS EMMA STONE'S EIGHTH NOMINATION 925 01:11:35,457 --> 01:11:38,527 {\an8}AND HER SECOND WIN. EMMA WINS HER GOLDEN GLOBE 926 01:11:38,594 --> 01:11:40,596 {\an8}TONIGHT FOR HER ROLE OF BELA BAXTER IN "POOR THINGS." 927 01:11:47,670 --> 01:12:02,551 {\an8}[APPLAUSE] ♪ ♪ 928 01:12:02,618 --> 01:12:03,819 {\an8}[APPLAUSE] ♪ ♪ 929 01:12:03,886 --> 01:12:04,753 {\an8}>> THANK YOU. [CHEERS AND APPLAUSE] 930 01:12:04,820 --> 01:12:09,825 {\an8}OH, BOY. THANK YOU VERY MUCH. 931 01:12:09,892 --> 01:12:11,827 {\an8}DAVE, I HAVE TO START WITH YOU REALLY QUICKLY. 932 01:12:11,894 --> 01:12:20,335 {\an8}I LOVE YOU SO MUCH. THANK YOU FOR EVERYTHING. 933 01:12:20,402 --> 01:12:25,841 {\an8}WILLEM, MARK, RAMY, HE MADE EVERY DAY A JOY AND SO DID OUR 934 01:12:25,908 --> 01:12:26,208 {\an8}CREDIBLE CAST 935 01:12:26,875 --> 01:12:29,778 {\an8}OH, MY GOD, THERE'S ONLY 18 SECONDS LEFT. 936 01:12:29,845 --> 01:12:32,781 {\an8}THE CREW, INCREDIBLE. TONY, THIS IS OUR THIRD TIME 937 01:12:32,848 --> 01:12:36,351 {\an8}WORKING TOGETHER. TONY, OUR WRITER. 938 01:12:36,418 --> 01:12:39,888 {\an8}I LOVE GETTING TO SAY THIS DIALOGUE, AND I LOVE GETTING TO 939 01:12:39,955 --> 01:12:42,558 {\an8}HORRIFY YOU WITH MY AUSTRALIAN ACCENT. 940 01:12:42,624 --> 01:12:46,462 {\an8}YOU'RE THE BEST, TONY. [AUSTRALIAN ACCENT] 941 01:12:46,528 --> 01:12:51,700 {\an8}I'M WORKING ON IT ALL THE TIME. YORGOS, I DON'T KNOW WHAT I 942 01:12:51,767 --> 01:12:54,837 {\an8}COULD SAY TO YOU THAT I HAVEN'T SET ALREADY, THAT I WILL FOREVER 943 01:12:54,903 --> 01:13:00,275 {\an8}BE GRATEFUL THAT WE MET, FORE FOREVER. 944 01:13:00,342 --> 01:13:02,978 {\an8}AND PLAYING BELLA WAS UNBELIEVABLE. 945 01:13:03,045 --> 01:13:07,182 {\an8}I THINK THIS IS A ROM-COM. I SEE THIS AS A ROM-COM, BUT IN 946 01:13:07,249 --> 01:13:10,252 {\an8}THE SENSE THAT BELLA FALLS IN LOVE WITH LIFE ITSELF, RATHER 947 01:13:10,319 --> 01:13:15,390 {\an8}THAN A PERSON, AND SHE ACCEPTS THE GOOD AND THE BAD IN EQUAL 948 01:13:15,457 --> 01:13:20,195 {\an8}MEASURE, AND THAT REALLY MADE ME LOOK AT LIFE DIFFERENTLY. 949 01:13:20,262 --> 01:13:22,498 {\an8}NOT ALL OF IT COUNTS, AND ALL OF IT IS IMPORTANT. 950 01:13:22,564 --> 01:13:26,201 {\an8}SHE HAS STAYED WITH ME DEEPLY. SO THIS MEANS THE WORLD TO ME. 951 01:13:26,268 --> 01:13:33,509 {\an8}THANK YOU SO MUCH, AND, OKAY, BYE. 952 01:13:33,575 --> 01:13:35,577 {\an8}THANK YOU. [APPLAUSE] 953 01:13:47,856 --> 01:13:51,794 {\an8}♪ ♪ >> AND NOW, HERE ARE THE 954 01:13:51,860 --> 01:13:54,263 {\an8}NOMINEES FOR BEST PERFORMANCE BY A MALE ACTOR IN A MOTION 955 01:13:54,329 --> 01:13:58,367 {\an8}PICTURE, DRAMA. >> Announcer: BRADLEY COOPER, 956 01:13:58,433 --> 01:14:03,071 {\an8}"MAESTRO." LEONARDO DiCAPRIO, 957 01:14:03,138 --> 01:14:11,647 {\an8}"KILLERS OF THE FLOWER MOON." COLMAN DOMINGO, "RUSTIN." 958 01:14:11,713 --> 01:14:21,256 {\an8}BARRY KEOGHAN, "SALTBURN." CILLIAN MURPHY, "OPPENHEIMER." 959 01:14:21,323 --> 01:14:29,865 {\an8}ANDREW SCOTT, "ALL OF US STRANGERS." 960 01:14:29,932 --> 01:14:36,572 {\an8}>> AND THE GOLDEN GLOBE GOES TO... 961 01:14:36,638 --> 01:14:40,309 {\an8}CILLIAN MURPHY. [APPLAUSE] 962 01:14:40,375 --> 01:14:47,482 {\an8}♪ ♪ >> Announcer: THIS IS CILLIAN 963 01:14:47,549 --> 01:14:49,518 {\an8}MURPHY'S SECOND NOMINATION AND FIRST WIN. 964 01:14:49,585 --> 01:14:58,427 {\an8}HE WINS HIS GOLDEN GLOBE TONIGHT FOR HIS ROLE OF J. ROBERT 965 01:14:58,493 --> 01:15:00,495 {\an8}OPPENHEIMER IN "OPPENHEIMER." ♪ ♪ 966 01:15:13,876 --> 01:15:15,811 {\an8}>> OH, BOY. FIRST QUESTION, DO I HAVE 967 01:15:15,878 --> 01:15:18,413 {\an8}LIPSTICK ALL OVER MY NOSE? [AUDIENCE REACTS] 968 01:15:18,480 --> 01:15:25,187 {\an8}I'M JUST GOING TO LEAVE IT. I KNEW THE FIRST TIME I WALKED 969 01:15:25,254 --> 01:15:27,155 {\an8}ON A CHRISTOPHER NOLAN SET THAT IT WAS DIFFERENT. 970 01:15:27,222 --> 01:15:32,995 {\an8}I COULD TELL BY THE LEVEL OF RIGOR, THE LEVEL OF FOCUS, THE 971 01:15:33,061 --> 01:15:36,098 {\an8}LEVEL OF DEDICATION, THE COMPLETE LACK OF ANY SEATING 972 01:15:36,164 --> 01:15:39,701 {\an8}OPTIONS FOR ACTORS. [LAUGHTER] 973 01:15:39,768 --> 01:15:44,506 {\an8}THAT I WAS IN THE HANDS OF THE VISIONARY DIRECTOR AND MASTER. 974 01:15:44,573 --> 01:15:49,845 {\an8}I WANT TO THANK CHRIS AND EMMA FOR HAVING THE FAITH IN ME FOR 975 01:15:49,912 --> 01:15:53,248 {\an8}20 YEARS. THANKS SO MUCH. 976 01:15:53,315 --> 01:15:55,083 {\an8}ONE OF THE MOST BEAUTIFUL AND VULNERABLE THINGS ABOUT BEING AN 977 01:15:55,150 --> 01:15:59,721 {\an8}ACTOR IS THAT YOU CAN'T DO IT ON YOUR OWN, REALLY. 978 01:15:59,788 --> 01:16:01,323 {\an8}WE HAD THE MOST INCREDIBLE ENSEMBLE CAST IN THIS MOVIE. 979 01:16:01,390 --> 01:16:05,827 {\an8}IT WAS MAGIC AND SOME OF THEM ARE HERE TODAY. 980 01:16:05,894 --> 01:16:08,830 {\an8}EMILY BLUNT, ROBERT DOWNEY JR., MATT DAMON, GARY OLDMAN. 981 01:16:08,897 --> 01:16:13,335 {\an8}THANK YOU FOR CARRYING ME AND HOLDING ME THROUGH THIS MOVIE. 982 01:16:13,402 --> 01:16:18,573 {\an8}[APPLAUSE] THANK YOU. 983 01:16:18,640 --> 01:16:21,743 {\an8}THANK YOU TO DONNA LANGLEY AND EVERYONE AT UNIVERSAL FOR 984 01:16:21,810 --> 01:16:24,780 {\an8}BELIEVING IN THIS MOVIE FROM THE VERY BEGINNING. 985 01:16:24,846 --> 01:16:28,884 {\an8}OH, TO ALL MY FELLOW NOMINEES. IF YOU'RE IRISH OR NOT, YOU ARE 986 01:16:28,951 --> 01:16:31,920 {\an8}ALL LEGENDS. STUNNING WORK. 987 01:16:31,987 --> 01:16:36,725 {\an8}I SALUTE YOU. TO ALL MY REPS, ON MY TEAM, 988 01:16:36,792 --> 01:16:38,493 {\an8}THANK YOU SO MUCH. YOU ARE THE BEST. 989 01:16:38,560 --> 01:16:44,299 {\an8}TO MY FAMILY, AND THE LUCKIEST MAN AND I LOVE YOU. 990 01:16:44,366 --> 01:16:52,708 {\an8}♪ ♪ ♪ ♪ 991 01:16:52,774 --> 01:16:57,379 {\an8}>> Announcer: FOR THE FIRST TIME EVER, MARK HAMILL WILL HAND OUT 992 01:16:57,446 --> 01:17:00,015 {\an8}THE GOLDEN GLOBE FOR CINEMATIC AND BOX OFFICE ACHIEVEMENT, WHEN 993 01:17:00,082 --> 01:17:00,582 {\an8}WE RETURN. 994 01:17:18,467 --> 01:17:21,703 {\an8}>> Jo: WELCOME BACK, YOU GUYS. PLEASE WELCOME GOLDEN GLOBE 995 01:17:21,770 --> 01:17:26,308 {\an8}WINNER ANDRA DAY, AND JON BATISTE. 996 01:17:26,375 --> 01:17:41,256 {\an8}[APPLAUSE] ♪ ♪ 997 01:17:41,323 --> 01:17:42,391 {\an8}[APPLAUSE] ♪ ♪ 998 01:17:42,457 --> 01:17:45,927 {\an8}>> WE ARE OVER HERE? >> I THINK FIGURED OUT WHY ALL 999 01:17:45,994 --> 01:17:47,696 {\an8}THESE AWARDS SHOWS RUN SO LONG. >> OH, YEAH? 1000 01:17:47,763 --> 01:17:55,337 {\an8}>> IT'S THESE CATEGORY NAMES. >> OH, MY GOODNESS, THEM THANGS 1001 01:17:55,404 --> 01:17:56,938 {\an8}BE SO LONG, BRUH. "BEST PERFORMANCE BY A 1002 01:17:57,005 --> 01:18:02,944 {\an8}MALE ACTOR IN A TELEVISION SERIES, MUSICAL OR COMEDY." 1003 01:18:03,011 --> 01:18:04,946 {\an8}LISTEN TO THIS ONE -- "BEST PERFORMANCE BY A FEMALE 1004 01:18:05,013 --> 01:18:08,950 {\an8}ACTOR IN A LIMITED SERIES, ANTHOLOGY SERIES, OR A MOTION 1005 01:18:09,017 --> 01:18:12,654 {\an8}PICTURE." I'M EXHAUSTED ALREADY. 1006 01:18:12,721 --> 01:18:13,955 {\an8}>> YEAH, SAME. LIKE, WHAT ARE WE DOING HERE? 1007 01:18:14,022 --> 01:18:16,892 {\an8}"BEST ORIGINAL SCORE." LIKE, THAT'S IT? 1008 01:18:16,958 --> 01:18:18,860 {\an8}NOT "BEST PERFORMANCE BY A MUSICAL NOTE PREPARED BY A 1009 01:18:18,927 --> 01:18:23,465 {\an8}MUSICIAN TO ELICIT FEELINGS, MOTION PICTURE?" 1010 01:18:23,532 --> 01:18:27,402 {\an8}>> [LAUGHS] >> I DON'T KNOW. 1011 01:18:27,469 --> 01:18:31,139 {\an8}MAYBE NEXT YEAR. >> WE HAVE TO SAVE THAT ONE. 1012 01:18:31,206 --> 01:18:34,009 {\an8}THAT'S FIRE. UNTIL THEN, WE'LL KEEP IT 1013 01:18:34,076 --> 01:18:35,644 {\an8}SHORT AND SWEET. HERE ARE THE NOMINEES FOR BEST 1014 01:18:35,710 --> 01:18:38,246 {\an8}ORIGINAL SCORE, MOTION PICTURE. >> Announcer: "POOR THINGS," 1015 01:18:38,313 --> 01:18:43,452 {\an8}JERSKIN FENDRIX. ♪ ♪ 1016 01:18:43,518 --> 01:18:47,289 {\an8}"OPPENHEIMER," LUDWIG GORANSSON. ♪ ♪ 1017 01:18:47,355 --> 01:18:51,660 {\an8}"THE BOY AND THE HERON," JOE HISAISHI. 1018 01:18:51,726 --> 01:18:53,295 {\an8}♪ ♪ "THE ZONE OF INTEREST," 1019 01:18:53,361 --> 01:18:57,199 {\an8}MICA LEVI. ♪ ♪ 1020 01:18:57,265 --> 01:19:01,570 {\an8}"SPIDER-MAN: ACROSS THE SPIDER-VERSE," DANIEL PEMBERTON. 1021 01:19:01,636 --> 01:19:05,941 {\an8}♪ ♪ "KILLERS OF THE FLOWER MOON," 1022 01:19:06,007 --> 01:19:16,184 {\an8}ROBBIE ROBERTSON. >> [LAUGHS] 1023 01:19:16,251 --> 01:19:22,257 {\an8}>> AND THE GOLDEN GLOBE GOES TO... 1024 01:19:22,324 --> 01:19:28,196 {\an8}>> [HUMMING] OH, LOOK. 1025 01:19:28,263 --> 01:19:33,902 {\an8}>> LUDWIG GORANSSON. [APPLAUSE] 1026 01:19:33,969 --> 01:19:34,970 {\an8}♪ ♪ >> Announcer: THIS IS LUDWIG 1027 01:19:35,237 --> 01:19:36,304 {\an8}GORANSSON'S FOURTH NOMINATION FIRST WIN. 1028 01:19:36,371 --> 01:19:43,745 {\an8}HIS PREVIOUS CREDITS INCLUDE "BLACK PANTHER" AND "TENET." 1029 01:19:43,812 --> 01:19:58,193 {\an8}♪ ♪ >> THANK YOU TO THE HFPA, AND 1030 01:19:58,260 --> 01:20:01,630 {\an8}THANK YOU TO CHRIS NOLAN AND EMMA THOMAS FOR INVITING ME ON 1031 01:20:01,696 --> 01:20:06,801 {\an8}THIS JOURNEY, AND FOR CREATING THIS MASTERPIECE. 1032 01:20:06,868 --> 01:20:12,774 {\an8}WORKING WITH CHRISTOPHER NOLAN HAS BEEN AN INCREDIBLE 1033 01:20:12,841 --> 01:20:20,949 {\an8}EXPERIENCE AND I THINK THE WAY YOU USE MUSIC IN YOUR FILMS AND 1034 01:20:21,016 --> 01:20:26,087 {\an8}YOUR STORYTELLING HAS INSPIRED A LOT OF PEOPLE. 1035 01:20:26,154 --> 01:20:28,390 {\an8}I ALSO WANT TO THANK CILLIAN MURPHY. 1036 01:20:28,456 --> 01:20:31,693 {\an8}I'VE BEEN WATCHING YOUR FACE OVER AND OVER AND OVER AGAIN. 1037 01:20:31,760 --> 01:20:33,728 {\an8}[LAUGHTER] IT'S BEEN AN INCREDIBLE 1038 01:20:33,795 --> 01:20:35,063 {\an8}EXPERIENCE, AND THANK YOU FOR INSPIRING ME. 1039 01:20:35,130 --> 01:20:39,334 {\an8}I WANT TO THANK ALL THE MUSICIANS WHO PLAYED ON THIS 1040 01:20:39,401 --> 01:20:42,003 {\an8}THEY'VE MADE AN INCREDIBLE EFFORT. 1041 01:20:42,070 --> 01:20:48,877 {\an8}AND I ALSO WANT TO THANK MY PARTNER IN LIFE AND PARTNER IN 1042 01:20:48,944 --> 01:20:52,881 {\an8}MUSIC, SERENA, FOR HELPING ME REALIZE THIS MUSIC. 1043 01:20:52,948 --> 01:20:54,950 {\an8}I LOVE YOU. [APPLAUSE] 1044 01:21:05,961 --> 01:21:14,903 {\an8}♪ ♪ >> LOOK, IT'S THE CHOREO. 1045 01:21:14,970 --> 01:21:16,638 {\an8}[LAUGHS] >> MUSIC CAN TAKE YOU ANYWHERE. 1046 01:21:16,705 --> 01:21:21,910 {\an8}IT TOOK ME FROM SINGING IN A STRIP -- 1047 01:21:21,977 --> 01:21:29,484 {\an8}MALL. YES, MALO, SORRY. 1048 01:21:29,551 --> 01:21:33,088 {\an8}[LAUGHTER] STRIP MALL, TO WINNING A GRAMMY. 1049 01:21:33,154 --> 01:21:40,528 {\an8}>> GO AHEAD, GET YOUR GRAMMY! GET IT! 1050 01:21:40,595 --> 01:21:43,465 {\an8}AND IT CAN INSPIRE YOU FROM ANYWHERE, TOO. 1051 01:21:43,531 --> 01:21:46,234 {\an8}I GREW UP IN THE BIRTHPLACE OF JAZZ, LEARNING FROM LEGENDS, BUT 1052 01:21:46,301 --> 01:21:53,541 {\an8}SOME OF MY EARLIEST LESSONS CAME FROM THE SONIC THE HEDGEHOG 1053 01:21:53,608 --> 01:21:56,645 {\an8}VIDEO GAME TRUE STORY. >> MINE WAS MARIO BROS. 1054 01:21:56,711 --> 01:22:05,687 {\an8}YOU EVER MAKE IT -- >> [HUMMING A SONG] 1055 01:22:05,754 --> 01:22:08,690 {\an8}YEAH, THAT'S FIRE! I LIKE THAT ONE A LOT. 1056 01:22:08,757 --> 01:22:12,160 {\an8}>> AS MUSICIANS, WE WOULD LIKE TO ARGUE THAT YOU CANNOT HAVE 1057 01:22:12,861 --> 01:22:16,398 {\an8}AA MOVIE WITHOUT MUSIC. THESE ARE SOME OF THE BEST SONGS 1058 01:22:16,464 --> 01:22:19,701 {\an8}ON SCREEN THIS YEAR. HERE ARE THE NOMINEES FOR BEST 1059 01:22:19,768 --> 01:22:22,337 {\an8}ORIGINAL SONG, MOTION PICTURE. >> Announcer: From 1060 01:22:22,404 --> 01:22:25,974 {\an8}"SHE CAME TO ME," "ADDICTED TO ROMANCE." 1061 01:22:26,041 --> 01:22:32,981 {\an8}FROM "BARBIE," "DANCE THE NIGHT." 1062 01:22:33,048 --> 01:22:37,852 {\an8}♪ WATCH ME DANCE ♪ ♪ DANCE THE NIGHT AWAY ♪ 1063 01:22:37,919 --> 01:22:42,190 {\an8}FROM "BARBIE," "I'M JUST KEN." "THE SUPER MARIO BROS. MOVIE," 1064 01:22:42,257 --> 01:22:47,495 {\an8}"PEACHES." FROM "RUSTIN," 1065 01:22:47,562 --> 01:22:51,633 {\an8}"ROAD TO FREEDOM." ♪ ♪ 1066 01:22:51,700 --> 01:22:57,806 {\an8}FROM "BARBIE," "WHAT WAS I MADE FOR?" 1067 01:22:57,872 --> 01:23:04,979 {\an8}♪ ♪ >> EVE JUST GOT TO LIVE IT UP 1068 01:23:05,046 --> 01:23:08,183 {\an8}ALL THE WAY. ALL THE WAY. 1069 01:23:08,249 --> 01:23:13,555 {\an8}OKAY. AND THE GOLDEN GLOBE GOES TO... 1070 01:23:13,621 --> 01:23:18,526 {\an8}ALL RIGHT. OH, YES! 1071 01:23:18,593 --> 01:23:23,665 {\an8}"WHAT WAS I MADE FOR?" FROM BARBIE. 1072 01:23:23,732 --> 01:23:26,501 {\an8}MUSIC AND LYRICS BY BILLIE EILISH O'CONNELL, PHINEAS 1073 01:23:28,803 --> 01:23:31,706 {\an8}O'CONNELL. >> Announcer: THIS IS THE 1074 01:23:31,773 --> 01:23:34,776 {\an8}SECOND NOMINATION AND SECOND WIN FOR THIS WRITING TEAM. 1075 01:23:34,843 --> 01:23:38,513 {\an8}THEY WIN THE GOLDEN GLOBE TONIGHT FOR THEIR MUSIC AND 1076 01:23:38,580 --> 01:23:44,853 {\an8}LYRICS OF "WHAT WAS I MADE FOR?" AND "BARBIE." 1077 01:23:44,919 --> 01:23:47,922 {\an8}ACCEPTING THE AWARD IS BILLIE EILISH O'CONNELL. 1078 01:24:02,937 --> 01:24:05,807 {\an8}GOLDEN GLOBES! I WAS NOT EXPECTING THIS IN THIS 1079 01:24:05,874 --> 01:24:07,976 {\an8}MOMENT. THANK YOU TO MY BROTHER, 1080 01:24:08,042 --> 01:24:09,911 {\an8}FINNEAS. YOU ARE THE REASON I AM WHO I 1081 01:24:09,978 --> 01:24:16,117 {\an8}AM. I WANT TO THANK GRETA AND NOAH 1082 01:24:16,184 --> 01:24:19,821 {\an8}FOR MAKING THIS INCREDIBLE FILM. I WANT TO THANK MARGOT FOR BEING 1083 01:24:19,888 --> 01:24:24,058 {\an8}THE MARGOT WE KNOW AND LOVE. I WANT TO THANK MATTEL, AND 1084 01:24:24,125 --> 01:24:27,896 {\an8}INTERSCOPE, MY LABEL, AND DARK ROOM, AND MY INCREDIBLE TEAM, MY 1085 01:24:27,962 --> 01:24:33,735 {\an8}MANAGERS, AND MY MOM. MY MOM, AND MY DAD, AND MY 1086 01:24:33,802 --> 01:24:36,237 {\an8}BROTHER AGAIN. IT WAS EXACTLY A YEAR AGO ALMOST 1087 01:24:36,304 --> 01:24:39,340 {\an8}THAT WE WERE SHOWN THE MOVIE, AND I WAS VERY, VERY MISERABLE 1088 01:24:39,407 --> 01:24:43,912 {\an8}AND DEPRESSED AT THE TIME, AND WRITING THAT SONG KIND OF SAVED 1089 01:24:43,978 --> 01:24:48,650 {\an8}ME A LITTLE BIT. A YEAR LATER, HERE WE ARE, AND 1090 01:24:48,716 --> 01:24:52,253 {\an8}IT IS REALLY SURREAL. I FEEL INCREDIBLY LUCKY, 1091 01:24:52,320 --> 01:24:56,658 {\an8}INCREDIBLY LUCKY AND GRATEFUL. AND YOU GUYS SCARE THE LIVING 1092 01:24:56,724 --> 01:24:58,827 {\an8}HELL OUT OF ME, EVERYONE IN THIS ROOM. 1093 01:24:58,893 --> 01:25:01,029 {\an8}BUT THANK YOU, THIS MEANS SO MUCH. 1094 01:25:01,095 --> 01:25:08,403 {\an8}[APPLAUSE] ♪ ♪ 1095 01:25:08,470 --> 01:25:10,572 {\an8}>> Announcer: PLEASE WELCOME, FROM THE "STAR WARS" FRANCHISE 1096 01:25:10,638 --> 01:25:12,273 {\an8}AND STAR OF THE NOMINATED FILM TONIGHT, 1097 01:25:12,340 --> 01:25:18,213 {\an8}"THE BOY AND THE HERON," MARK HAMILL. 1098 01:25:18,279 --> 01:25:22,283 {\an8}[APPLAUSE] ♪ ♪ 1099 01:25:22,350 --> 01:25:24,652 {\an8}>> THANK YOU. THANK YOU SO MUCH. 1100 01:25:24,719 --> 01:25:27,088 {\an8}IT'S GREAT TO BE AT THE GOLDEN GLOBES. 1101 01:25:27,155 --> 01:25:30,358 {\an8}THE ONLY AWARDS SHOW WITH AN OPEN BAR. 1102 01:25:30,425 --> 01:25:32,994 {\an8}SO, CHEERS. [LAUGHS] 1103 01:25:33,061 --> 01:25:35,330 {\an8}ALL OF US HERE KNOW THAT GETTING A MOVIE ACTUALLY MADE IS A 1104 01:25:35,396 --> 01:25:37,866 {\an8}MIRACLE. BUT TO MAKE SOMETHING THAT 1105 01:25:37,932 --> 01:25:39,801 {\an8}CONNECTS WITH ALL DIFFERENT TYPES OF PEOPLE ALL AROUND THE 1106 01:25:39,868 --> 01:25:47,842 {\an8}WORLD, THAT GETS YOU EXCITED TO GO TO THE MOVIES -- THAT'S TRULY 1107 01:25:47,909 --> 01:25:49,844 {\an8}WORTH CELEBRATING. THESE FILMS WERE NOMINATED NOT 1108 01:25:49,911 --> 01:25:51,913 {\an8}JUST FOR THEIR POPULARITY, BUT FOR THE HIGH CALIBER OF THEIR 1109 01:25:51,980 --> 01:25:55,950 {\an8}FILMMAKING. SO I'M VERY EXCITED TO BRING 1110 01:25:56,017 --> 01:25:58,319 {\an8}YOU, FOR THE FIRST TIME EVER, THE NOMINEES FOR CINEMATIC AND 1111 01:25:58,386 --> 01:26:06,027 {\an8}BOX OFFICE ACHIEVEMENT. >> Announcer: "BARBIE." 1112 01:26:06,094 --> 01:26:10,698 {\an8}>> TAKE MY HANDS. CLOSE YOUR EYES. 1113 01:26:10,765 --> 01:26:13,134 {\an8}NOW, STEEL. >> I'M NOT SMART ENOUGH TO BE 1114 01:26:13,201 --> 01:26:15,603 {\an8}INTERESTING. I'M NOT THE PRESIDENT. 1115 01:26:15,670 --> 01:26:18,973 {\an8}NO ONE ON THE SUPREME COURT IS ME. 1116 01:26:19,040 --> 01:26:23,211 {\an8}I'M NOT GOOD ENOUGH. ♪ WHAT WAS I MADE FOR ♪ 1117 01:26:23,278 --> 01:26:27,048 {\an8}>> Announcer: "GUARDIANS OF THE GALAXY, VOL. 3." 1118 01:26:27,115 --> 01:26:31,619 {\an8}>> WE WERE GONE QUITE A WHILE. NO MATTER WHAT HAPPENS NEXT, THE 1119 01:26:31,686 --> 01:26:32,887 {\an8}GALAXY STILL NEEDS ITS GUARDIANS. 1120 01:26:32,954 --> 01:26:36,591 {\an8}ARE YOU READY FOR ONE LAST RIDE? >> I WANT YOU ALL TO KNOW THAT 1121 01:26:36,658 --> 01:26:40,395 {\an8}I'M GRATEFUL TO FIGHT BESIDE MY FRIENDS. 1122 01:26:40,461 --> 01:26:43,364 {\an8}>> I'M DONE RUNNING. >> I'LL KILL ANYONE WHO GETS IN 1123 01:26:43,431 --> 01:26:45,033 {\an8}OUR WAY! >> NOT KILL ANYONE. 1124 01:26:45,099 --> 01:26:48,736 {\an8}>> YOU ARE ONE STUPID GUY WHO KNOWS DOMINIC NO ONE LOVES. 1125 01:26:48,803 --> 01:26:50,038 {\an8}>> NOW YOU'RE MAKING IT SAD. >> Announcer: "JOHN WICK: 1126 01:26:50,104 --> 01:26:54,742 {\an8}CHAPTER 4." >> 42 REGULAR, WASN'T IT? 1127 01:26:54,809 --> 01:26:58,179 {\an8}>> AND SO IT BEGINS. >> CHALLENGING TO SINGLE COMBAT. 1128 01:26:58,246 --> 01:27:00,815 {\an8}IF YOU WIN, YOU HAVE YOUR FREEDOM. 1129 01:27:00,882 --> 01:27:05,486 {\an8}>> THE ONLY WAY JOHN WEIKEL EVER HAVE FREEDOM AND PEACE IS IN 1130 01:27:05,553 --> 01:27:06,154 {\an8}DEATH. >> YEAH. 1131 01:27:06,220 --> 01:27:07,789 {\an8}NOT REALLY. >> Announcer: 1132 01:27:07,855 --> 01:27:12,427 {\an8}"MISSION: IMPOSSIBLE - DEAD RECKONING, PART 1." 1133 01:27:12,493 --> 01:27:17,365 {\an8}>> ETHAN, THIS MISSION OF YOURS IS GOING TO COST YOU DEARLY. 1134 01:27:17,432 --> 01:27:20,902 {\an8}>> IT'S BEEN A LONG TIME, FRIEND. 1135 01:27:20,969 --> 01:27:25,740 {\an8}>> HIS FATE IS WRITTEN. SHALL WE WRITE YOURS, TOO? 1136 01:27:25,807 --> 01:27:28,943 {\an8}>> THERE'S NO PLACE I WON'T KILL YOU. 1137 01:27:29,010 --> 01:27:33,848 {\an8}>> Announcer: "OPPENHEIMER." >> THIS IS A MATTER OF LIFE AND 1138 01:27:33,915 --> 01:27:35,850 {\an8}DEATH. >> THE WORLD WILL REMEMBER THIS 1139 01:27:35,917 --> 01:27:37,518 {\an8}DAY. >> I WOULD BE GO TO THE MIDDLE 1140 01:27:37,585 --> 01:27:38,820 {\an8}OF NOWHERE FOR WHO KNOWS HOW LONG? 1141 01:27:38,886 --> 01:27:39,821 {\an8}>> HOW ABOUT BECAUSE THIS IS THE MOST IMPORTANT THING TO EVER 1142 01:27:39,887 --> 01:27:42,824 {\an8}HAPPEN IN THE HISTORY OF THE WORLD? 1143 01:27:42,890 --> 01:27:46,194 {\an8}>> YOU ARE THE MEN WHO GAVE THEM THE POWER TO DESTROY THEMSELVES, 1144 01:27:46,260 --> 01:27:48,896 {\an8}AND THE WORLD IS NOT PREPARED. >> Announcer: "SPIDER-MAN: 1145 01:27:48,963 --> 01:27:53,968 {\an8}ACROSS THE SPIDER-VERSE." >> MY NAME IS MILES MORALES. 1146 01:27:54,035 --> 01:27:55,903 {\an8}I'M BROOKLYN'S ONE AND ONLY SPIDER-MAN. 1147 01:27:55,970 --> 01:27:59,173 {\an8}>> WANT TO GET OUT OF HERE? >> WAIT A MINUTE, THERE'S AN 1148 01:27:59,240 --> 01:28:01,376 {\an8}ELITE CREW WITH ALL THE BEST SPIDER-PEOPLE IN IT? 1149 01:28:01,442 --> 01:28:03,411 {\an8}>> YOU CAN NEVER BE PART OF THIS. 1150 01:28:03,478 --> 01:28:08,182 {\an8}>> EVERYONE KEEPS TELLING ME HOW MY STORY IS SUPPOSED TO GO. 1151 01:28:08,249 --> 01:28:10,418 {\an8}NAH, I'MA DO MY OWN THING. >> Announcer: "THE SUPER MARIO% 1152 01:28:10,485 --> 01:28:14,989 {\an8}BROS. MOVIE." >> WE WILL DESTROY THE MUSHROOM 1153 01:28:15,056 --> 01:28:19,994 {\an8}KINGDOM! >> BOWSER IS COMING. 1154 01:28:20,061 --> 01:28:23,197 {\an8}>> I'M NOT AFRAID. I'LL DO ANYTHING FOR MY BROTHER. 1155 01:28:23,264 --> 01:28:26,267 {\an8}>> TOGETHER, WE ARE GOING TO STOP THAT MONSTER. 1156 01:28:26,334 --> 01:28:27,301 {\an8}>> HOW? LOOK AT US. 1157 01:28:27,368 --> 01:28:29,504 {\an8}WE ARE ADORABLE! >> Announcer: "TAYLOR SWIFT: THE 1158 01:28:29,570 --> 01:28:34,108 {\an8}ERAS TOUR." >> WE ARE ABOUT TO GO ON A 1159 01:28:34,175 --> 01:28:36,978 {\an8}LITTLE ADVENTURE TOGETHER, AND THAT'S GOING TO SPEND 17 YEARS 1160 01:28:37,045 --> 01:28:40,415 {\an8}OF MUSIC. HOW DOES THAT SOUND? 1161 01:28:40,481 --> 01:28:45,787 {\an8}WELCOME TO THE ACOUSTIC SET! PEOPLE COME UP TO ME LIKE, DO A 1162 01:28:45,853 --> 01:28:49,791 {\an8}SHOW WITH ALL THE ALBUMS IN IT. I WAS LIKE, YEAH, IT'S GOING TO 1163 01:28:49,857 --> 01:28:54,629 {\an8}BE CALLED THE ERAS TOUR. SEE YOU THERE. 1164 01:28:54,696 --> 01:28:58,833 {\an8}[APPLAUSE] >> AND THE GOLDEN GLOBE GOES 1165 01:28:58,900 --> 01:29:06,841 {\an8}TO... "BARBIE." 1166 01:29:06,908 --> 01:29:13,848 {\an8}[APPLAUSE] ♪ ♪ 1167 01:29:13,915 --> 01:29:15,850 {\an8}>> Announcer: COMING TO THE STAGE TONIGHT FOR "BARBIE" IS 1168 01:29:15,917 --> 01:29:18,519 {\an8}ACTIVE AND DIRECTOR MARGOT ROBBIE 1169 01:29:20,288 --> 01:29:34,669 {\an8}, AND ACCEPTING THE GOLDEN GLOBE IS MARGOT ROBBIE. 1170 01:29:34,736 --> 01:29:38,072 {\an8}>> THANK YOU. WE WOULD LIKE TO DEDICATE THIS 1171 01:29:38,139 --> 01:29:42,877 {\an8}TO EVERY SINGLE PERSON ON THE PLANET WHO DRESSED UP AND WENT 1172 01:29:42,944 --> 01:29:48,850 {\an8}TO THE GREATEST PLACE ON EARTH, THE MOVIE THEATERS. 1173 01:29:48,916 --> 01:29:55,523 {\an8}THANK YOU, AND THANK YOU TO EVERYBODY, ALL THE BARBIES AND 1174 01:29:55,590 --> 01:29:58,092 {\an8}KENS IN FRONT OF AND BEHIND THE SCREEN. 1175 01:29:58,159 --> 01:30:00,928 {\an8}IT WAS THE GREATEST MOST JOYFUL SHOW OF CRAFTSMANSHIP AND 1176 01:30:00,995 --> 01:30:06,033 {\an8}PASSION I'VE EVER SEEN. >> AND ON BEHALF OF TOM AND 1177 01:30:06,100 --> 01:30:11,005 {\an8}DAVID AND ROBBIE AND I, WE WANT TO THANK THE BRAVE INDIVIDUALS 1178 01:30:11,072 --> 01:30:17,178 {\an8}AT WARNER AND MATTEL FOR TAKING AN EXTRAORDINARY RISK IN 1179 01:30:17,245 --> 01:30:20,014 {\an8}LITERALLY INVENTING NUMBERS TO JUSTIFY GREEN LIGHTING THIS, AND 1180 01:30:20,081 --> 01:30:24,485 {\an8}THEN STANDING BY AT EVERY STEP OF THE WAY. 1181 01:30:24,552 --> 01:30:30,958 {\an8}>> THANK YOU TO NOAH BAUMBACH FOR SHOWING HIS INNER BARBIE 1182 01:30:31,025 --> 01:30:31,893 {\an8}GIRL. >> THANK YOU TO RYAN GOSLING FOR 1183 01:30:31,959 --> 01:30:37,098 {\an8}GOING FULL BEACH. >> AND AMERICA FERRERA FOR 1184 01:30:37,165 --> 01:30:39,801 {\an8}SHOWING HER SOUL. >> LAST BUT NOT LEAST, THANK YOU 1185 01:30:39,867 --> 01:30:43,871 {\an8}SO MUCH TO THE GOLDEN GLOBES FOR CREATING AN AWARD THAT 1186 01:30:43,938 --> 01:30:47,975 {\an8}CELEBRATES MOVIE FANS. THIS IS A MOVIE ABOUT BARBIE, 1187 01:30:48,042 --> 01:30:53,181 {\an8}BUT IT'S ALSO A MOVIE ABOUT HUMANS. 1188 01:30:53,247 --> 01:30:55,983 {\an8}WE MADE IT -- IT'S ABOUT YOU. WE MADE IT FOR YOU, AND WE MADE 1189 01:30:56,050 --> 01:30:59,821 {\an8}IT WITH LOVE. THANK YOU FOR LOVING IT BACK. 1190 01:30:59,887 --> 01:31:14,769 {\an8}[APPLAUSE] ♪ ♪ 1191 01:31:14,836 --> 01:31:16,103 {\an8}[APPLAUSE] ♪ ♪ 1192 01:31:16,170 --> 01:31:17,138 {\an8}♪ ♪ >> Announcer: AWARDS FOR THE 1193 01:31:17,205 --> 01:31:20,608 {\an8}BEST OF TV, ON TV? WHAT IS THIS, THE MULTIVERSE? 1194 01:31:20,675 --> 01:31:23,110 {\an8}NOPE, IT'S JUST THE GOLDEN GLOBE FOR BEST TV SERIES, MUSICAL OR 1195 01:31:23,177 --> 01:31:23,678 {\an8}COMEDY, WHEN WE RETURN. 1196 01:31:34,021 --> 01:31:35,957 {\an8}>> Announcer: PLEASE WELCOME, FROM THE NOMINATED FILM 1197 01:31:36,023 --> 01:31:38,326 {\an8}"BARBIE," SIMU LIU, AND ALSO FROM "BARBIE" AND THE NOMINATED 1198 01:31:38,392 --> 01:31:44,565 {\an8}FILM "AMERICAN FICTION," ISSA RAE. 1199 01:31:44,632 --> 01:31:53,774 {\an8}[APPLAUSE] ♪ ♪ 1200 01:31:53,841 --> 01:31:56,310 {\an8}>> GOOD EVENING, EVERYONE. ISSA AND I RECENTLY HAD THE 1201 01:31:56,377 --> 01:31:58,412 {\an8}PRIVILEGE OF PLAYING BARBIE AND KEN IN THE "BARBIE" MOVIE, WHICH 1202 01:31:58,479 --> 01:32:01,282 {\an8}IS PRETTY IMPACTFUL FOR PEOPLE WHO LOOK LIKE US. 1203 01:32:01,349 --> 01:32:03,017 {\an8}>> YEAH. WE MAY NOT HAVE BEEN WHAT 1204 01:32:03,084 --> 01:32:05,152 {\an8}FIRST POPPED UP IN PEOPLE'S MINDS WHEN THEY THOUGHT OF 1205 01:32:05,219 --> 01:32:09,390 {\an8}BARBIE OR KEN, BUT THAT'S CHANGED, AND WE'RE HOPING TO 1206 01:32:09,457 --> 01:32:10,791 {\an8}CONTINUE TO PUSH THE BOUNDARIES OF THE ROLES WE CAN PLAY. 1207 01:32:10,858 --> 01:32:14,462 {\an8}>> BY THAT, OF COURSE, WE MEAN WHITE PEOPLE ROLES. 1208 01:32:14,528 --> 01:32:17,098 {\an8}>> OH, MY GOD, I'D LOVE TO PLAY WHITE PEOPLE ROLES. 1209 01:32:17,164 --> 01:32:20,368 {\an8}>> OH, YEAH. ME, TOO. 1210 01:32:20,434 --> 01:32:22,303 {\an8}WHITE PEOPLE ROLES ARE THE BEST. AN ALCOHOLIC, DIVORCED, SINGLE 1211 01:32:22,370 --> 01:32:25,273 {\an8}FATHER FIGHTING FOR CUSTODY... >> AN ALCOHOLIC HOUSEWIFE WHOSE 1212 01:32:25,339 --> 01:32:29,911 {\an8}HUSBAND'S AFFAIR DRIVES HER DEEPER INTO ALCOHOL... 1213 01:32:29,977 --> 01:32:31,812 {\an8}>> HOW ABOUT THIS? AN ALCOHOLIC SCHOOLTEACHER 1214 01:32:31,879 --> 01:32:33,547 {\an8}WHO MUST PUT THEIR LOVE OF ALCOHOL ASIDE TO INSPIRE 1215 01:32:33,614 --> 01:32:40,321 {\an8}THEIR CLASS OF INNER-CITY YOUTHS... 1216 01:32:40,388 --> 01:32:42,790 {\an8}WHITE PEOPLE ARE AWESOME. >> YEAH. 1217 01:32:42,857 --> 01:32:46,294 {\an8}ANYWAY, HERE ARE THE NOMINEES FOR BEST TELEVISION LIMITED 1218 01:32:46,360 --> 01:32:49,230 {\an8}SERIES, ANTHOLOGY SERIES, OR MOTION PICTURE MADE FOR 1219 01:32:49,297 --> 01:32:50,131 {\an8}TELEVISION. >> Announcer: 1220 01:32:50,197 --> 01:32:57,538 {\an8}"ALL THE LIGHT WE CANNOT SEE." "BEEF." 1221 01:32:57,605 --> 01:33:05,579 {\an8}"DAISY JONES & THE SIX." >> I WAS JUST GOING TO SAY I 1222 01:33:05,646 --> 01:33:09,083 {\an8}LOVE THE SOUND OF YOUR VOICE. >> Announcer: "FARGO." 1223 01:33:09,150 --> 01:33:12,253 {\an8}>> IF YOU WANT TO TEST IT WITH ME, YOU BETTER SLEEP WITH BOTH 1224 01:33:12,320 --> 01:33:13,254 {\an8}EYES OPEN. >> Announcer: 1225 01:33:13,321 --> 01:33:17,091 {\an8}"FELLOW TRAVELERS." >> YOU'RE EVERYTHING TO ME. 1226 01:33:17,158 --> 01:33:21,228 {\an8}>> IF I WAS EVERYTHING, YOU WOULDN'T BE GOING WHERE YOU'RE 1227 01:33:21,295 --> 01:33:22,196 {\an8}GOING. >> Announcer: "LESSONS IN 1228 01:33:22,263 --> 01:33:27,702 {\an8}CHEMISTRY." >> YOU LOVE ME, AND I LOVE YOU. 1229 01:33:27,768 --> 01:33:30,938 {\an8}>> AND THE GOLDEN GLOBE GOES TO... 1230 01:33:31,005 --> 01:33:37,445 {\an8}"BEEF!" [APPLAUSE] 1231 01:33:37,511 --> 01:33:40,781 {\an8}♪ ♪ >> Announcer: COMING TO THE 1232 01:33:40,848 --> 01:33:45,086 {\an8}STAGE TONIGHT FOR "BEEF" IS CREATOR AND EXECUTIVE PRODUCER, 1233 01:33:45,152 --> 01:33:51,125 {\an8}LEE SUNG JIN, AND ALI WONG AND STEVEN YEUN. 1234 01:33:51,192 --> 01:33:57,698 {\an8}ACCEPTING THE GOLDEN GLOBE IS LEE SUNG JIN. 1235 01:33:57,765 --> 01:34:11,445 {\an8}[APPLAUSE] ♪ ♪ 1236 01:34:11,512 --> 01:34:26,394 {\an8}♪ ♪ 1237 01:34:26,460 --> 01:34:29,563 {\an8}♪ ♪ 1238 01:34:30,031 --> 01:34:31,499 {\an8}>> WOW. THANK YOU TO THE GLOBE'S 1239 01:34:31,565 --> 01:34:36,771 {\an8}JOURNALISTS THIS AMAZING HONOR. YOU KNOW, OUR SHOW IS ACTUALLY 1240 01:34:36,837 --> 01:34:39,440 {\an8}BASED ON A REAL ROAD RAGE INCIDENT THAT ACTUALLY HAPPENED 1241 01:34:39,507 --> 01:34:47,948 {\an8}TO ME, SO I WOULD BE REMISS NOT TO THINK THAT DRIVER. 1242 01:34:48,015 --> 01:34:49,950 {\an8}[LAUGHTER] SIR, I HOPE YOU HONK AND YELL 1243 01:34:50,017 --> 01:34:53,120 {\an8}AND INSPIRE OTHERS FOR YEARS TO COME. 1244 01:34:53,187 --> 01:35:03,230 {\an8}MORE IMPORTANTLY, THANKS TO STEVEN AND ALI, OUR AMAZING 1245 01:35:03,297 --> 01:35:10,805 {\an8}CAST, OUR AMAZING CREW, AND THANK YOU TO -- 1246 01:35:10,871 --> 01:35:15,142 {\an8}[LISTING NAMES] AND EVERYONE AT NETFLIX. 1247 01:35:15,209 --> 01:35:17,912 {\an8}OF COURSE MY MOM, DAD, SISTER, AND KATIE, I LOVE YOU. 1248 01:35:17,978 --> 01:35:18,779 {\an8}THANK YOU SO MUCH. [APPLAUSE] 1249 01:35:18,846 --> 01:35:31,892 {\an8}♪ ♪ >> I THINK IT'S THIS -- HERE WE 1250 01:35:31,959 --> 01:35:36,430 {\an8}NOMINEES FOR BEST TELEVISION SERIES, MUSICAL OR COMEDY. 1251 01:35:36,497 --> 01:35:38,299 {\an8}>> Announcer: 1252 01:35:40,734 --> 01:35:44,772 {\an8}>> WE DON'T HAVE ENOUGH KIDS FOR A FULL CLASS SO NOW THEY GO TO 1253 01:35:44,839 --> 01:35:47,842 {\an8}YOU. >> HOW MANY EXTRA KIDS? 1254 01:35:47,908 --> 01:35:49,076 {\an8}>> TEN. >> [BLEEP]. 1255 01:35:49,143 --> 01:35:52,079 {\an8}I MEAN, GREAT. >> ARE YOU OKAY? 1256 01:35:52,146 --> 01:35:55,950 {\an8}>> I'M REALLY SORRY. I DIDN'T THINK IT WOULD END UP 1257 01:35:56,016 --> 01:35:57,518 {\an8}LIKE THIS. I'M A GOOD PERSON. 1258 01:35:57,585 --> 01:36:05,960 {\an8}THAT IS WHO I AM. >> HAS YOUR LIFE BEEN, BREZZATO? 1259 01:36:06,026 --> 01:36:10,498 {\an8}>> OPENING A RESTAURANT. GOT TO GO HARD EVERY DAY. 1260 01:36:10,564 --> 01:36:13,667 {\an8}>> YOU ARE SURE IT SAYS ORIGINAL BERF. 1261 01:36:13,734 --> 01:36:16,237 {\an8}>> IT'S A PRINTING MISTAKE. COLLECTOR'S ITEM. 1262 01:36:16,303 --> 01:36:19,840 {\an8}>> YOU ARE NOW IN THE MATTER OF HILGER VERSUS MORRIS. 1263 01:36:19,907 --> 01:36:22,776 {\an8}>> JURY OF YOUR PEERS, I THINK THAT'S ACCURATE. 1264 01:36:22,843 --> 01:36:26,180 {\an8}>> IT'S OPENING NIGHT, AND A BIG STAR DROPPED DEAD ON STAGE? 1265 01:36:26,247 --> 01:36:29,717 {\an8}>> OH, MY GOD, MY LEADING MAN IS DEAD. 1266 01:36:29,783 --> 01:36:34,522 {\an8}>> IS THIS REALLY HAPPENING? >> I LOVE YOU GUYS SO VERY MUCH. 1267 01:36:34,588 --> 01:36:37,625 {\an8}>> ON THREE. ONE, TWO, THREE. 1268 01:36:37,691 --> 01:36:39,393 {\an8}I LOVE YOU ALSO VERY MUCH 1269 01:36:44,565 --> 01:36:46,267 {\an8}! >> AND THE GOLDEN GLOBE GOES 1270 01:36:46,333 --> 01:36:48,335 {\an8}TO... "THE BEAR." 1271 01:36:57,211 --> 01:36:59,547 {\an8}[APPLAUSE] ♪ ♪ 1272 01:36:59,613 --> 01:37:05,319 {\an8}GOLDEN GLOBE FOR "THE BEAR" IS ACTOR LIONEL BOYCE. 1273 01:37:05,386 --> 01:37:20,267 {\an8}[APPLAUSE] ♪ ♪ 1274 01:37:20,334 --> 01:37:21,769 {\an8}[APPLAUSE] ♪ ♪ 1275 01:37:21,835 --> 01:37:33,714 {\an8}♪ ♪ ♪ ♪ 1276 01:37:33,781 --> 01:37:35,749 {\an8}>> I DON'T KNOW WHY THEY CHOSE ME TO SPEAK. 1277 01:37:35,816 --> 01:37:39,286 {\an8}I DON'T KNOW IF THEY BELIEVED WE WOULD WIN. 1278 01:37:39,353 --> 01:37:42,890 {\an8}BUT WE ARE HERE NOW. FIRST OFF I WANT TO THANK THE 1279 01:37:42,957 --> 01:37:47,294 {\an8}CREATOR OF THIS INCREDIBLE SHOW, ALONGSIDE ALL OF OUR GREAT 1280 01:37:47,361 --> 01:37:49,863 {\an8}WRITERS. [LISTING NAMES] 1281 01:37:49,930 --> 01:37:53,300 {\an8}EVERY SINGLE PRODUCTION PERSON IN EVERY DEPARTMENT FOR NOT ONLY 1282 01:37:53,367 --> 01:37:56,670 {\an8}BEING ABLE TO DO WHAT YOU DO, BUT BEING PEOPLE WHO DON'T SUCK. 1283 01:37:56,737 --> 01:38:02,710 {\an8}SHOUT OUT AT EVERYONE AT FX, HULU, DISNEY -- 1284 01:38:02,776 --> 01:38:04,445 {\an8}[LISTING NAMES] EVERYBODY, AND I ALSO JUST WANT 1285 01:38:04,511 --> 01:38:07,514 {\an8}TO SAY, MOST IMPORTANTLY, THANK YOU TO THE ENTIRE 1286 01:38:07,581 --> 01:38:09,683 {\an8}RESTAURANT COMMUNITY. WE PLAY THESE CHARACTERS FOR A 1287 01:38:09,750 --> 01:38:13,087 {\an8}COUPLE HOURS A DAY, FOR A COUPLE MONTHS OUT OF THE YEAR, BUT THIS 1288 01:38:13,153 --> 01:38:16,323 {\an8}IS Y'ALL'S REALITY, THE HIGHS AND THE LIVES, SO THANK YOU FOR 1289 01:38:16,390 --> 01:38:18,025 {\an8}EMBRACING US WHILE WE TELL THE STORY. 1290 01:38:18,092 --> 01:38:21,528 {\an8}I THINK THAT'S ALL I'VE GOT. [APPLAUSE] 1291 01:38:21,595 --> 01:38:36,477 {\an8}♪ ♪ ♪ ♪ 1292 01:38:36,543 --> 01:38:39,913 {\an8}♪ ♪ ♪ ♪ 1293 01:38:39,980 --> 01:38:41,882 {\an8}>> Announcer: IT'S A BIG NIGHT IN HOLLYWOOD, AND AN EVEN BIGGER 1294 01:38:41,949 --> 01:38:46,620 {\an8}NIGHT FOR THE ACCOUNTANTS AT ERNST & YOUNG, WHO TABULATED THE 1295 01:38:46,687 --> 01:38:48,422 {\an8}VOTES. THIS IS WHY THEY GOT INTO 1296 01:38:48,489 --> 01:38:50,791 {\an8}ACCOUNTING. AFTER TONIGHT, IT'S JUST TAX 1297 01:38:50,858 --> 01:38:51,859 {\an8}SEASON. COMING UP, THE STARS OF "SUITS." 1298 01:39:13,514 --> 01:39:18,285 {\an8}>> Jo: WELCOME BACK, EVERYBODY. QUICK ANNOUNCEMENT -- YOU GUYS 1299 01:39:18,352 --> 01:39:22,890 {\an8}ARE SO SELFISH. IT'S NICOLAS CAGE'S BIRTHDAY 1300 01:39:22,956 --> 01:39:25,192 {\an8}TODAY. HOW DARE YOU JUST THINK ABOUT 1301 01:39:25,259 --> 01:39:27,995 {\an8}YOURSELVES? [APPLAUSE] 1302 01:39:28,062 --> 01:39:34,568 {\an8}THIS IS MY GIFT TO YOU. I INVITED EVERYBODY HERE FOR YO 1303 01:39:34,635 --> 01:39:36,003 {\an8}YOU, NICOLAS. PLEASE WELCOME A GOLDEN GLOBE 1304 01:39:36,070 --> 01:39:37,237 {\an8}NOMINEE TONIGHT, DUA LIPA, AND THE DIRECTOR 1305 01:39:37,304 --> 01:39:41,075 {\an8}OF "COCAINE BEAR," ELIZABETH BANKS. 1306 01:39:41,141 --> 01:39:56,023 {\an8}[APPLAUSE] ♪ ♪ 1307 01:39:56,090 --> 01:39:56,824 {\an8}[APPLAUSE] ♪ ♪ 1308 01:39:56,890 --> 01:39:58,092 {\an8}♪ ♪ >> I'VE GOT TO SAY, BEING 1309 01:39:58,158 --> 01:40:01,128 {\an8}APPEARS KIND OF INTIMIDATING. YOU ARE VERY YOUNG AND TALL AND 1310 01:40:01,195 --> 01:40:02,463 {\an8}STATUESQUE. >> OH, THANK YOU. 1311 01:40:02,529 --> 01:40:06,400 {\an8}>> AND BRITISH! I HAVE A REAL THING FOR THE 1312 01:40:06,467 --> 01:40:08,469 {\an8}ACCENT. YOU GUYS CAN MAKE EVERYTHING 1313 01:40:08,535 --> 01:40:10,404 {\an8}SOUND SO CLASSY! ALL OF THE BRITS -- 1314 01:40:10,471 --> 01:40:14,641 {\an8}BELLA RAMSEY, HELEN MIRREN -- THEY ARE IN THIS CATEGORY. 1315 01:40:14,708 --> 01:40:22,983 {\an8}I WOULD LOVE TO HEAR THEM SAY "VITAMINS." 1316 01:40:23,050 --> 01:40:27,421 {\an8}>> WHY "VITAMINS?" 1317 01:40:27,488 --> 01:40:28,389 {\an8}I MEAN, THE AMERICAN ACCENT IS >> THAT'S WHY. 1318 01:40:28,455 --> 01:40:30,190 {\an8}JUST SO... BULKY? 1319 01:40:30,257 --> 01:40:35,496 {\an8}I MEAN, EMMA STONE, KERI RUSSELL -- LOVE YOU GUYS -- 1320 01:40:35,562 --> 01:40:37,064 {\an8}THEY HAVE LOVELY VOICES, BUT THEY ARE SO -- 1321 01:40:37,131 --> 01:40:41,101 {\an8}>> CONCORDANT? >> I DON'T KNOW WHAT THAT MEANS 1322 01:40:41,168 --> 01:40:43,370 {\an8}BUT IT SOUNDS UNBELIEVABLE. THAT'S LIKE THE MOST BEAUTIFUL 1323 01:40:43,437 --> 01:40:51,311 {\an8}THING I'VE EVER HEARD. AUSTRALIAN IS KIND OF THE ACCENT 1324 01:40:51,378 --> 01:40:55,082 {\an8}EVERYONE WANTS. IT'S A WHIMSICAL MISTS OF HIGH 1325 01:40:55,149 --> 01:40:57,451 {\an8}AND LOW CLASS. >> ALL RIGHT, ALL RIGHT. 1326 01:40:57,518 --> 01:41:02,055 {\an8}I CAN'T WAIT TO HEAR WHICH ACCENT ACCEPTS THIS AWARD. 1327 01:41:02,122 --> 01:41:04,057 {\an8}>> LITERAL MUSIC TO MY EARS, YOU ARE. 1328 01:41:04,124 --> 01:41:07,161 {\an8}HERE ARE THE NOMINEES FOR FEMALE ACTOR, TELEVISION SERIES, DRAMA. 1329 01:41:07,227 --> 01:41:13,267 {\an8}>> Announcer: HELEN MIRREN, "1923." 1330 01:41:13,333 --> 01:41:22,109 {\an8}BELLA RAMSEY, "THE LAST OF US." KERI RUSSELL, "THE DIPLOMAT." 1331 01:41:22,176 --> 01:41:32,085 {\an8}SARAH SNOOK, "SUCCESSION." IMELDA STAUNTON, "THE CROWN." 1332 01:41:32,152 --> 01:41:42,696 {\an8}EMMA STONE, "THE CURSE." [APPLAUSE] 1333 01:41:42,763 --> 01:41:49,937 {\an8}>> AND THE GOLDEN GLOBE GOES TO... 1334 01:41:50,003 --> 01:41:52,005 {\an8}SARAH SNOOK! [APPLAUSE] 1335 01:42:05,385 --> 01:42:06,320 {\an8}♪ ♪ >> Announcer: THIS IS SARAH 1336 01:42:06,386 --> 01:42:07,788 {\an8}SNOOK'S SECOND NOMINATION AND SECOND WIN. 1337 01:42:07,855 --> 01:42:11,325 {\an8}SHE WINS HER GOLDEN GLOBE TONIGHT FOR HER ROLE AS SHIV ROY 1338 01:42:11,391 --> 01:42:16,797 {\an8}IN "SUCCESSION." [APPLAUSE] 1339 01:42:16,864 --> 01:42:21,034 {\an8}♪ ♪ >> OH! 1340 01:42:21,101 --> 01:42:27,374 {\an8}I WAS KIND OF HOPING I DIDN'T HAVE TO GET UP! 1341 01:42:27,441 --> 01:42:28,509 {\an8}KIERAN IS USUALLY BETTER AT THE SPEECHES. 1342 01:42:28,575 --> 01:42:32,980 {\an8}DO YOU WANT TO GET UP INSTEAD? YOU TAKE IT INSTEAD. 1343 01:42:33,046 --> 01:42:36,283 {\an8}THANKS TO THE GOLDEN GLOBES. THIS IS REALLY HEAVY. 1344 01:42:36,350 --> 01:42:39,553 {\an8}THANK YOU, JESSIE, FOR CASTING IN THIS, AND FRANCINE FOR 1345 01:42:39,620 --> 01:42:44,958 {\an8}PUTTING ME IN FRONT OF JESSE. THIS SHOW HAS CHANGED MY LIFE. 1346 01:42:45,025 --> 01:42:50,297 {\an8}AND EVERYBODY IN IT WAS AMAZING. THE CAST, THE CREW WERE 1347 01:42:50,364 --> 01:42:52,399 {\an8}FANTASTIC. THIS WAS A TEAM EFFORT. 1348 01:42:52,466 --> 01:42:55,969 {\an8}IT WAS ALWAYS A TEAM AND THAT'S WHAT MADE THE SHOW AMAZING, I 1349 01:42:56,036 --> 01:42:57,838 {\an8}THINK, TO BE PART OF. THANK YOU TO MY HUSBAND FOR 1350 01:42:57,905 --> 01:43:03,277 {\an8}HOLDING MY HAND, AND THANK YOU TO GEORGE AND MY DAUGHTER FOR 1351 01:43:03,343 --> 01:43:06,780 {\an8}ALSO CHANGING MY LIFE IN DIFFERENT WAYS. 1352 01:43:06,847 --> 01:43:11,585 {\an8}JENNY, FOR ALWAYS BEING THERE, BILLY, SCOTT, LIZ AND HEIDI, 1353 01:43:11,652 --> 01:43:14,788 {\an8}EVERYONE AT HBO. [LISTING NAMES] 1354 01:43:14,855 --> 01:43:19,593 {\an8}IT'S A TEAM EFFORT ALL AROUND. THANKS! 1355 01:43:19,660 --> 01:43:23,363 {\an8}THIS ROOM IS SO INTIMIDATING! [LAUGHS] 1356 01:43:23,430 --> 01:43:35,142 {\an8}[APPLAUSE] ♪ ♪ 1357 01:43:35,208 --> 01:43:41,048 {\an8}♪ ♪ >> Announcer: PLEASE WELCOME, 1358 01:43:41,114 --> 01:43:55,295 {\an8}FROM THE TV SHOW "SUITS," GABRIEL MACHT AND PATRICK ADAMS. 1359 01:43:55,362 --> 01:43:59,666 {\an8}>> WE ARE HERE TO PRESENT BEST TV SERIES, DRAMA. 1360 01:43:59,733 --> 01:44:03,370 {\an8}>> AND THERE IS NOTHING MORE DRAMATIC AND ANXIETY-INDUCING 1361 01:44:03,437 --> 01:44:12,846 {\an8}THAN WAITING ALL NIGHT TO HEAR THAT YOUR CATEGORY FINALLY 1362 01:44:12,913 --> 01:44:17,851 {\an8}ARRIVED. >> AGREE. 1363 01:44:17,918 --> 01:44:21,288 {\an8}IT'S HARD TO IMAGINE WAITING THAT LONG FOR YOUR SHOW TO GET 1364 01:44:21,355 --> 01:44:25,058 {\an8}RECOGNITION. >> WHAT ARE YOU TALKING ABOUT? 1365 01:44:25,125 --> 01:44:27,794 {\an8}>> DON'T WORRY. I'LL EXPLAIN IT LATER. 1366 01:44:27,861 --> 01:44:32,165 {\an8}>> HEY, GUYS! DON'T FORGET ABOUT US! 1367 01:44:32,232 --> 01:44:36,470 {\an8}>> DID YOU FORGET ABOUT US? >> NO, NO, NO. 1368 01:44:36,536 --> 01:44:39,673 {\an8}>> SORRY, NOT SORRY, TO INTERRUPT. 1369 01:44:39,740 --> 01:44:42,576 {\an8}>> I DO THINK THEY FORGOT ABOUT THE NOMINEES. 1370 01:44:42,643 --> 01:44:47,547 {\an8}>> RIGHT, NOMINEES, YES. >> LET'S GO TO THE NOMINEES. 1371 01:44:47,614 --> 01:44:50,617 {\an8}>> OKAY. THE NOMINEES FOR BEST TELEVISION 1372 01:44:50,684 --> 01:44:55,789 {\an8}SERIES, DRAMA, ARE... >> Announcer: "1923." 1373 01:44:55,856 --> 01:45:00,460 {\an8}>> TELL THE WORLD WHAT HAPPENS WHEN THEY CROSS ME. 1374 01:45:00,527 --> 01:45:02,796 {\an8}♪ ♪ >> GREED WILL BE THE THING THAT 1375 01:45:02,863 --> 01:45:12,305 {\an8}KILLS US ALL. >> COME WITH ME. 1376 01:45:12,372 --> 01:45:16,977 {\an8}>> YOU ARE NO GOOD, JACOB DUT DUTTON! 1377 01:45:17,044 --> 01:45:21,248 {\an8}>> MEN KILLED QUICK WITH A BULLET OR A NOOSE, BUT THEIR 1378 01:45:21,314 --> 01:45:23,750 {\an8}FIGHT IS WITH ME, AND I KILL MUCH SLOWER. 1379 01:45:23,817 --> 01:45:30,257 {\an8}>> Announcer: "THE CROWN." >> I'M AFRAID, YOUR MAJESTY, 1380 01:45:30,323 --> 01:45:33,860 {\an8}INTEREST IN THE PRINCESS'S PRIVATE LIFE IS UNLIKELY TO DIE 1381 01:45:33,927 --> 01:45:35,529 {\an8}DOWN ANYTIME SOON. >> WHAT DO PEOPLE WANT FROM YOU? 1382 01:45:35,595 --> 01:45:40,300 {\an8}>> FOR YOU TO BE MOTHER TO THE NATION. 1383 01:45:40,367 --> 01:45:44,871 {\an8}>> YOU'VE SEEN THE IMAGES ON THE TELEVISION. 1384 01:45:44,938 --> 01:45:45,706 {\an8}DIANA GAVE THE PEOPLE WHAT THEY NEEDED. 1385 01:45:45,772 --> 01:45:46,907 {\an8}ALL OVER THE WORLD, IN THEIR HOUSES. 1386 01:45:46,973 --> 01:45:53,280 {\an8}THEY ADORED HER FOR IT. >> THIS IS GOING TO BE THE 1387 01:45:53,346 --> 01:45:54,981 {\an8}BIGGEST THING THAT ANY OF US HAS EVER SEEN. 1388 01:45:55,048 --> 01:46:00,821 {\an8}>> Announcer: "THE DIPLOMAT." >> WELCOME TO LONDON. 1389 01:46:00,887 --> 01:46:04,658 {\an8}>> MY HUSBAND WAS AN AMBASSADOR FOR A LONG TIME. 1390 01:46:04,725 --> 01:46:07,060 {\an8}THIS WILL BE AN ADJUSTMENT. >> YOU WANT MY HELP? 1391 01:46:07,127 --> 01:46:11,531 {\an8}YOU DON'T WANT MY HELP. ON THE SMARTEST MAN YOU EVER 1392 01:46:11,598 --> 01:46:16,503 {\an8}CAN'T WE ADMIT THAT I AM NOT THE ONLY PROBLEM? 1393 01:46:16,570 --> 01:46:21,341 {\an8}>> IT'S THE BEST TOOL WE HAVE TO DE-ESCALATE A SITUATION THAT IS 1394 01:46:21,408 --> 01:46:22,776 {\an8}SPINNING OUT OF CONTROL. YOU DON'T WORK FOR THE U.S. 1395 01:46:22,843 --> 01:46:25,779 {\an8}GOVERNMENT. THIS IS NEW TO ME. 1396 01:46:25,846 --> 01:46:29,816 {\an8}BOTH OF YOU, AT THE SAME TIME. I COULD USE LESS OF IT. 1397 01:46:29,883 --> 01:46:34,087 {\an8}>> Announcer: "THE LAST OF US." >> GOT ANY ADVICE ON THE BEST 1398 01:46:34,154 --> 01:46:34,955 {\an8}WAY WEST? >> YEAH. 1399 01:46:35,021 --> 01:46:40,460 {\an8}GO EAST. YOU'VE COME THIS FAR, THEN YOU 1400 01:46:40,527 --> 01:46:47,134 {\an8}KNOW WHAT'S OUT THERE. >> YOU'RE NOT GOING TO SCARE US. 1401 01:46:47,200 --> 01:46:49,436 {\an8}>> SCARED HIM. ♪ ♪ 1402 01:46:49,503 --> 01:46:54,241 {\an8}>> BE CAREFUL WHO YOU PUT YOUR FAITH IN. 1403 01:46:54,307 --> 01:46:59,146 {\an8}>> DO YOU TRUST ME? >> Announcer: "THE MORNING 1404 01:46:59,212 --> 01:47:04,251 {\an8}SHOW." >> UBA HAS BECOME THE TARGET OF 1405 01:47:04,317 --> 01:47:06,553 {\an8}A CYBER ATTACK. CERTAIN THINGS MAY COME TO 1406 01:47:06,620 --> 01:47:08,588 {\an8}LIGHT. >> THAT YOU EVER TELL ANYBODY? 1407 01:47:08,655 --> 01:47:11,424 {\an8}>> PERSONAL THINGS THAT WERE NOT MEANT TO BE SHARED. 1408 01:47:11,491 --> 01:47:15,629 {\an8}>> THEY DIDN'T PROTECT ME. >> THEY DIDN'T PROTECT YOU, BUT 1409 01:47:15,695 --> 01:47:18,031 {\an8}I DID. >> WE ARE FLIRTING WITH 1410 01:47:18,098 --> 01:47:22,602 {\an8}FINANCIAL DISASTER. >> WE NEED SOMEONE WITH MORE 1411 01:47:22,669 --> 01:47:25,539 {\an8}MONEY THAN GOD. >> I'M OFFERING YOU A LIFELINE. 1412 01:47:25,605 --> 01:47:28,642 {\an8}TAKE THE MONEY. >> Announcer: "SUCCESSION." 1413 01:47:28,708 --> 01:47:33,580 {\an8}>> HE'S ON THE FLOOR, THOMAS. >> EXPLAINED TO ME WHAT HE'S 1414 01:47:33,647 --> 01:47:34,681 {\an8}DOING. >> HE MOSEYING. 1415 01:47:34,748 --> 01:47:38,618 {\an8}IT'S LIKE IF SANTA CLAUS WAS A HIT MAN. 1416 01:47:38,685 --> 01:47:45,058 {\an8}>> I NEED A FIRE BREATHER. >> WE HAVE BEEN SCHOOLED BY A 1417 01:47:45,125 --> 01:47:48,261 {\an8}BARBARIAN THAT GOES BY THE NAME OF LOGAN ROY. 1418 01:47:48,328 --> 01:47:51,832 {\an8}>> SOMETHING BIGGER, WHILE THE THERE. 1419 01:47:51,898 --> 01:47:54,501 {\an8}I WANT TO KILL THE OPPOSITION, CUT THEIR THROATS! 1420 01:47:54,568 --> 01:48:02,475 {\an8}WE ARE PIRATES! [APPLAUSE] 1421 01:48:02,542 --> 01:48:08,181 {\an8}>> AND THE GOLDEN GLOBE GOES TO... 1422 01:48:08,248 --> 01:48:10,951 {\an8}"SUCCESSION." [APPLAUSE] 1423 01:48:11,017 --> 01:48:25,899 {\an8}♪ ♪ ♪ ♪ 1424 01:48:25,966 --> 01:48:29,236 {\an8}♪ ♪ ♪ ♪ 1425 01:48:29,302 --> 01:48:32,772 {\an8}>> Announcer: COMING TO THE STAGE FOR "SUCCESSION" IS THE 1426 01:48:32,839 --> 01:48:38,178 {\an8}CAST AND CREATOR, EXECUTIVE PRODUCER, AND WRITER, 1427 01:48:38,245 --> 01:48:41,581 {\an8}JESSE ARMSTRONG, PLUS EXECUTIVE PRODUCERS. 1428 01:48:41,648 --> 01:48:45,585 {\an8}ACCEPTING THE GOLDEN GLOBE IS JESSE ARMSTRONG. 1429 01:48:45,652 --> 01:48:53,326 {\an8}[APPLAUSE] ♪ ♪ 1430 01:48:53,393 --> 01:49:08,275 {\an8}♪ ♪ >> THANK YOU. 1431 01:49:08,341 --> 01:49:09,142 {\an8}♪ ♪ >> THANK YOU. 1432 01:49:09,209 --> 01:49:16,082 {\an8}THANK YOU VERY MUCH INDEED. [LAUGHS] 1433 01:49:16,149 --> 01:49:19,552 {\an8}SO, IT'S BEEN SAID THAT IT'S A TEAM EFFORT, THIS SHOW, WHICH IS 1434 01:49:19,619 --> 01:49:23,189 {\an8}ONE OF THE REASONS IT IS SO LOVELY TO DO, AND I WOULD LIKE 1435 01:49:23,256 --> 01:49:28,128 {\an8}TO ACCEPT THIS ON BEHALF OF THE WHOLE "SUCCESSION" WRITERS ROOM, 1436 01:49:28,194 --> 01:49:32,732 {\an8}THE DIRECTORIES LED BY MARK, MY FELLOW PRODUCERS, THE 1437 01:49:32,799 --> 01:49:39,239 {\an8}EXTRAORDINARY SUBTLE CAST. [LAUGHS] 1438 01:49:39,306 --> 01:49:43,910 {\an8}AND THE CREW WHO HAVE WORKED SO DEDICATEDLY AND BRILLIANTLY ON 1439 01:49:43,977 --> 01:49:48,648 {\an8}FOUR SEASONS OF THE SHOW. I'VE BEEN SUPPORTED ALL THE WAY 1440 01:49:48,715 --> 01:49:53,920 {\an8}THROUGH BY HBO. [LISTING NAMES] 1441 01:49:53,987 --> 01:49:56,556 {\an8}SO IT HAS BEEN SUCH A WONDERFUL TEAM TO WORK WITH. 1442 01:49:56,623 --> 01:49:59,626 {\an8}WE DECIDED THIS WAS THE RIGHT TIME TO END THE SHOW, AND THAT 1443 01:49:59,693 --> 01:50:04,064 {\an8}WAS VERY BITTERSWEET, PARTICULARLY FOR ME, BECAUSE I 1444 01:50:04,130 --> 01:50:08,902 {\an8}FINALLY BOUGHT SOME SHOES THAT ARE APPROPRIATE FOR AWARDS, AND 1445 01:50:08,969 --> 01:50:13,340 {\an8}THIS MIGHT BE THE LAST TIME I EVER GET TO WEAR THEM, IT SEEMS. 1446 01:50:13,406 --> 01:50:16,509 {\an8}IT IS BITTERSWEET. BUT THINGS LIKE THIS MAKE IT 1447 01:50:16,576 --> 01:50:19,312 {\an8}RATHER SWEETER, SO THANK YOU VERY MUCH, INDEED. 1448 01:50:19,379 --> 01:50:33,893 {\an8}[APPLAUSE] ♪ ♪ 1449 01:50:33,960 --> 01:50:34,961 {\an8}♪ ♪ >> Announcer: EVERYONE IN THIS 1450 01:50:35,028 --> 01:50:38,031 {\an8}BALLROOM IS GETTING LOOSE AS THE PARTY KEEPS GOING. 1451 01:50:38,098 --> 01:50:40,100 {\an8}WILL FERRELL AND KRISTEN WIIG TAKE THE STAGE RIGHT AFTER THIS. 1452 01:50:57,984 --> 01:50:59,753 {\an8}>> Announcer: PLEASE WELCOME, FROM THE UPCOMING SERIES 1453 01:50:59,819 --> 01:51:03,923 {\an8}"PALM ROYALE," KRISTEN WIIG, AND PRODUCER OF GOLDEN GLOBE NOMINEE 1454 01:51:03,990 --> 01:51:15,935 {\an8}"MAY DECEMBER," WILL FERRELL. [APPLAUSE] 1455 01:51:16,002 --> 01:51:16,936 {\an8}♪ ♪ >> GOOD EVENING. 1456 01:51:17,003 --> 01:51:20,940 {\an8}>> HELLO. >> EVERYONE LOOKS BEAUTIFUL 1457 01:51:21,007 --> 01:51:23,877 {\an8}TONIGHT. AND WHAT A SPECIAL NIGHT IT IS. 1458 01:51:23,943 --> 01:51:28,381 {\an8}>> WE ARE HONORED TO BE HERE AND RECOGNIZE THE FEARLESS AND 1459 01:51:28,448 --> 01:51:33,720 {\an8}INSPIRED PERFORMANCES BY A MALE ACTOR IN A MOTION PICTURE, 1460 01:51:33,787 --> 01:51:38,124 {\an8}MUSICAL OR COMEDY. >> IT'S TRULY AMAZING -- 1461 01:51:38,191 --> 01:51:43,830 {\an8}>> INCREDIBLE. >> HOW MUCH A LAUGH -- 1462 01:51:43,897 --> 01:51:54,441 {\an8}[SILLY MUSIC PLAYING] ♪ ♪ 1463 01:51:54,507 --> 01:52:00,780 {\an8}>> NOT SURE WHAT THAT WAS. >> SORRY ABOUT THAT. 1464 01:52:00,847 --> 01:52:04,150 {\an8}[LAUGHTER] >> UM, TONIGHT WE APPLAUD THE 1465 01:52:04,217 --> 01:52:06,519 {\an8}OUTSTANDING NOMINEES. LEGENDS LIKE NICOLAS CAGE, 1466 01:52:06,586 --> 01:52:21,468 {\an8}MATT DAMON -- [MUSIC RESUMES PLAYING] 1467 01:52:21,534 --> 01:52:22,802 {\an8}MATT DAMON -- [MUSIC RESUMES PLAYING] 1468 01:52:22,869 --> 01:52:25,572 {\an8}>> JUST KEEP GOING. KEEP GOING. 1469 01:52:25,638 --> 01:52:27,507 {\an8}>> UH, JEFFREY WRIGHT, PAUL GIAMATTI, 1470 01:52:27,574 --> 01:52:31,111 {\an8}TIMOTHEE CHALAMET. AND, OF COURSE, JOAQUIN -- 1471 01:52:31,177 --> 01:52:46,059 {\an8}[MUSIC RESUMES AGAIN] ♪ ♪ 1472 01:52:46,126 --> 01:52:54,767 {\an8}[MUSIC RESUMES AGAIN] ♪ ♪ 1473 01:52:54,834 --> 01:53:00,940 {\an8}♪ ♪ [CHEERS AND APPLAUSE] 1474 01:53:01,007 --> 01:53:06,446 {\an8}>> WHAT IS GOING ON?! [LAUGHTER] 1475 01:53:06,513 --> 01:53:09,415 {\an8}>> OKAY, WILL, LET'S JUST BE HONEST WITH EVERYONE. 1476 01:53:09,482 --> 01:53:13,253 {\an8}GO AHEAD. >> ALL RIGHT. 1477 01:53:13,319 --> 01:53:14,954 {\an8}GUYS, THIS SONG DOES SOMETHING TO US. 1478 01:53:15,021 --> 01:53:17,524 {\an8}AS YOU CAN SEE. >> AND IT ALWAYS HAS. 1479 01:53:17,590 --> 01:53:20,560 {\an8}FOR DECADES. >> AND WHOEVER IS PUTTING ON 1480 01:53:20,627 --> 01:53:24,164 {\an8}THIS SHOW TONIGHT KNOWS IT! [LAUGHTER] 1481 01:53:24,230 --> 01:53:26,232 {\an8}>> THEY WANTED US TO COME OUT HERE, MAKE A BUNCH OF JOKES, AND 1482 01:53:26,299 --> 01:53:30,170 {\an8}WE SAID NO. >> WE SAID NO! 1483 01:53:30,236 --> 01:53:31,771 {\an8}WE WANNA BE SERIOUS TONIGHT. WHY? 1484 01:53:31,838 --> 01:53:34,874 {\an8}BECAUSE IT'S A SERIOUS NIGHT. >> AND THEY KNEW JUST WHAT TO DO 1485 01:53:34,941 --> 01:53:36,843 {\an8}TO GET WHAT THEY WANTED -- PLAY OUR FAVORITE SONG. 1486 01:53:36,910 --> 01:53:42,982 {\an8}WE LOOK RIDICULOUS. >> LIKE A COUPLE OF J-HOLES. 1487 01:53:43,049 --> 01:53:45,985 {\an8}>> I'M EMBARRASSED. >> THE GOLDEN GLOBES HAVE NOT 1488 01:53:46,052 --> 01:53:50,023 {\an8}CHANGED! [LAUGHTER] 1489 01:53:50,089 --> 01:53:55,461 {\an8}>> HERE ARE THE NOMINEES. >> HERE ARE THE NOMINEES. 1490 01:53:55,528 --> 01:54:00,733 {\an8}>> Announcer: NICOLAS CAGE, "DREAM SCENARIO." 1491 01:54:00,800 --> 01:54:10,777 {\an8}TIMOTHEE CHALAMET, "WONKA." MATT DAMON, "AIR." 1492 01:54:10,843 --> 01:54:16,416 {\an8}PAUL GIAMATTI, "THE HOLDOVERS." JOAQUIN PHOENIX, 1493 01:54:16,482 --> 01:54:21,254 {\an8}"BEAU IS AFRAID." JEFFREY WRIGHT, 1494 01:54:21,321 --> 01:54:31,364 {\an8}"AMERICAN FICTION." [APPLAUSE] 1495 01:54:31,431 --> 01:54:35,435 {\an8}>> SMELLS LIKE HOT SUSHI IN HERE. 1496 01:54:35,501 --> 01:54:39,606 {\an8}[LAUGHTER] AM I THE ONLY ONE? 1497 01:54:39,672 --> 01:54:41,241 {\an8}RIGHT? >> IT DOES. 1498 01:54:41,307 --> 01:54:44,143 {\an8}>> IT'S LIKE HOT SUSHI. >> AND THE GOLDEN GLOBE GOES 1499 01:54:44,210 --> 01:54:52,185 {\an8}TO... PAUL GIAMATTI, "THE HOLDOVERS!" 1500 01:54:52,252 --> 01:55:01,794 {\an8}[APPLAUSE] ♪ ♪ 1501 01:55:01,861 --> 01:55:06,899 {\an8}♪ ♪ >> Announcer: THIS IS PAUL 1502 01:55:06,966 --> 01:55:09,235 {\an8}GIAMATTI'S SIXTH NOMINATION AND HIS THIRD WIN. 1503 01:55:09,302 --> 01:55:12,905 {\an8}PAUL WINS HIS BYE TONIGHT FOR HIS ROLE AS PAUL HUNHAM IN "THE 1504 01:55:12,972 --> 01:55:14,974 {\an8}HOLDOVERS." >> OH, MY GOSH. 1505 01:55:25,985 --> 01:55:31,658 {\an8}SO MANY STAIRS. MY KNEES ARE SHOT, I'M TELLING 1506 01:55:31,724 --> 01:55:34,594 {\an8}YOU. UP AND DOWN, ALL NIGHT, STANDING 1507 01:55:34,661 --> 01:55:37,964 {\an8}UP AND SITTING DOWN ALL NIGHT. I'M NEVER GOING TO BE IN "JOHN 1508 01:55:38,031 --> 01:55:40,266 {\an8}"AT THIS RATE. SURELY THIS IS THE FIRST TIME 1509 01:55:40,333 --> 01:55:46,939 {\an8}THIS AWARD HAS BEEN GIVEN TO AN ACTOR WHO HAS PLAYED A MAN WHO 1510 01:55:47,006 --> 01:55:50,877 {\an8}SMELLS LIKE FISH. [LAUGHTER] 1511 01:55:50,943 --> 01:55:55,815 {\an8}THANK YOU, GOLDEN GLOBES. AND THANK YOU TO ALEXANDER 1512 01:55:55,882 --> 01:55:58,451 {\an8}PAYNE. ALEXANDER THE GREAT. 1513 01:55:58,518 --> 01:56:03,323 {\an8}[APPLAUSE] WHO, FOR SOME MYSTERIOUS REASON, 1514 01:56:03,389 --> 01:56:05,325 {\an8}CONTINUES TO HAVE ENORMOUS FAITH IN ME. 1515 01:56:05,391 --> 01:56:09,829 {\an8}AND WHY? I DON'T KNOW WHY. 1516 01:56:09,896 --> 01:56:17,270 {\an8}AND DA'VINE JOY RANDOLPH, DOMINIC SESSA, I LOVE YOU VERY 1517 01:56:17,337 --> 01:56:19,238 {\an8}MUCH. DAVID, FOCUS FEATURES, THE 1518 01:56:19,305 --> 01:56:24,711 {\an8}ENTIRE CAST AND CREW, AND BOS BOSTON, BEANTOWN. 1519 01:56:24,777 --> 01:56:31,417 {\an8}FANTASTIC PEOPLE, ONE AND ALL. I WANT TO SAY I LOVE MY 1520 01:56:31,484 --> 01:56:33,786 {\an8}BEAUTIFUL GIRLFRIEND, CLARA WONG. 1521 01:56:33,853 --> 01:56:36,756 {\an8}WHY YOU WOULD BOTHER WITH ME, I DON'T KNOW. 1522 01:56:36,823 --> 01:56:42,161 {\an8}AND I GUESS I WANT TO GIVE A SHOUT OUT TO MY SON, SAMUEL, WHO 1523 01:56:42,228 --> 01:56:46,399 {\an8}RECENTLY GRADUATED FROM COLLEGE. THANK YOU. 1524 01:56:46,466 --> 01:56:48,167 {\an8}[APPLAUSE] IT'S A MOVIE ABOUT A TEACHER. 1525 01:56:48,234 --> 01:56:51,304 {\an8}I PLAY A TEACHER IN IT. MY WHOLE FAMILY, THEY ARE 1526 01:56:51,371 --> 01:56:53,973 {\an8}TEACHERS. ALL OF THEM, GOING BACK 1527 01:56:54,040 --> 01:56:57,377 {\an8}GENERATIONS. TEACHERS ARE GOOD PEOPLE. 1528 01:56:57,443 --> 01:57:00,012 {\an8}WE'VE GOT TO RESPECT THEM. THEY DO A GOOD THING. 1529 01:57:00,079 --> 01:57:05,318 {\an8}IT'S A TOUGH JOB. SO THIS IS FOR TEACHERS, AS WE 1530 01:57:05,385 --> 01:57:07,720 {\an8}WELL. THANKS, YOU GUYS. 1531 01:57:07,787 --> 01:57:10,523 {\an8}THANK YOU. [APPLAUSE] 1532 01:57:10,590 --> 01:57:15,695 {\an8}♪ ♪ >> Announcer: PLEASE WELCOME THE 1533 01:57:15,762 --> 01:57:18,865 {\an8}STARS OF THE FILM "NYAD," GOLDEN GLOBE WINNER ANNETTE BENING, 1534 01:57:18,931 --> 01:57:23,035 {\an8}AND PAST RECIPIENT OF THE CECIL B. DeMILLE AWARD, 1535 01:57:23,102 --> 01:57:34,781 {\an8}JODIE FOSTER. [APPLAUSE] 1536 01:57:34,847 --> 01:57:36,783 {\an8}♪ ♪ >> FROM THE TRUE STORY ABOUT AN 1537 01:57:36,849 --> 01:57:41,788 {\an8}ATHLETE AND AN ICONIC SHOE -- >> TO A MOVIE ABOUT A DOLL AND 1538 01:57:41,854 --> 01:57:44,257 {\an8}HER POWER IN THIS WORLD. >> THE NOMINATED FILMS IN THIS 1539 01:57:44,323 --> 01:57:46,959 {\an8}NEXT CATEGORY PORTRAYED IMPORTANT AND ENGAGING STORIES, 1540 01:57:47,026 --> 01:57:51,631 {\an8}WHILE ALSO MAKING A HUGE CULTURAL IMPACT. 1541 01:57:51,697 --> 01:57:53,866 {\an8}>> IT'S OUR TRUE HONOR TO BE A PART OF GIVING ONE OF THESE 1542 01:57:53,933 --> 01:57:57,637 {\an8}FILMS AN AWARD TONIGHT. >> I COULDN'T AGREE MORE. 1543 01:57:57,703 --> 01:58:00,840 {\an8}THE NOMINEES FOR BEST MOTION PICTURE, MUSICAL OR COMEDY, 1544 01:58:00,907 --> 01:58:07,146 {\an8}ARE... >> Announcer: "AIR." 1545 01:58:07,213 --> 01:58:10,183 {\an8}>> I'M WILLING TO BET MY CAREER ON ONE GUY. 1546 01:58:10,249 --> 01:58:13,553 {\an8}>> FOR A ROOKIE? WAS NEVER SET FOOT ON AN NBA 1547 01:58:13,619 --> 01:58:15,855 {\an8}COURT? >> THAT'S THE LITERAL DEFINITION 1548 01:58:15,922 --> 01:58:16,722 {\an8}OF ROOKIE, YEAH. >> Announcer: "AMERICAN 1549 01:58:16,789 --> 01:58:20,460 {\an8}FICTION." >> WE BELIEVE HE'S WRITTEN A 1550 01:58:20,526 --> 01:58:22,462 {\an8}BEST SELLER. >> THE MOST LUCRATIVE JOKE 1551 01:58:22,528 --> 01:58:25,498 {\an8}YOU'VE EVER TOLD. THEY ARE OFFERING $4 MILLION FOR 1552 01:58:25,565 --> 01:58:29,235 {\an8}THE MOVIE RIGHTS. >> Announcer: "BARBIE." 1553 01:58:29,302 --> 01:58:33,439 {\an8}>> TAKE MY HANDS. NOW FEEL. 1554 01:58:33,506 --> 01:58:36,075 {\an8}>> IT'S LITERALLY IMPOSSIBLE TO BE A WOMAN, AND IT KILLS ME THAT 1555 01:58:36,142 --> 01:58:37,844 {\an8}YOU DON'T THINK YOU'RE GOOD ENOUGH. 1556 01:58:37,910 --> 01:58:45,117 {\an8}>> Announcer: "THE HOLDOVERS." >> MR. HUNHAM, I HEARD HE GOT 1557 01:58:45,184 --> 01:58:46,619 {\an8}STUCK WITH BABYSITTING DUTY THIS YEAR. 1558 01:58:46,686 --> 01:58:50,089 {\an8}HOW DO YOU MANAGE THAT? >> HE'S TO BE A STUDENT. 1559 01:58:50,156 --> 01:58:52,258 {\an8}THAT'S WHY HE INFLICT MAXIMUM PAIN ON US. 1560 01:58:52,325 --> 01:58:58,097 {\an8}>> Announcer: "MAY DECEMBER." >> WHAT WOULD MAKE A 36-YEAR-OLD 1561 01:58:58,164 --> 01:59:00,032 {\an8}WOMAN HAVE AN AFFAIR WITH A SEVENTH GRADER? 1562 01:59:00,099 --> 01:59:03,903 {\an8}>> PEOPLE SEE ME AS A VICTIM. I WANTED IT. 1563 01:59:03,970 --> 01:59:11,277 {\an8}>> Announcer: "POOR THINGS." >> I'M BELLA BAXTER AND THERE'S 1564 01:59:11,344 --> 01:59:13,646 {\an8}A WORLD TO ENJOY, CIRCUMNAVIGATE. 1565 01:59:13,713 --> 01:59:17,149 {\an8}>> TELL ME, WHERE DO YOU COME FROM? 1566 01:59:17,216 --> 01:59:21,988 {\an8}BELLA. >> WHY KEEP IT IN MY MOUTH IF IT 1567 01:59:22,054 --> 01:59:22,788 {\an8}IS REVOLTING? [APPLAUSE] 1568 01:59:22,855 --> 01:59:27,894 {\an8}>> AND THE GOLDEN GLOBE GOES TO... 1569 01:59:27,960 --> 01:59:31,898 {\an8}"POOR THINGS." [APPLAUSE] 1570 01:59:31,964 --> 01:59:37,603 {\an8}♪ ♪ >> Announcer: COMING TO THE 1571 01:59:37,670 --> 01:59:42,008 {\an8}STAGE TONIGHT FOR "POOR THINGS" IS DIRECTOR YORGOS LANTHIMOS, 1572 01:59:42,074 --> 01:59:45,645 {\an8}PRODUCER AND ACTOR EMMA STONE, AND PRODUCERS 1573 01:59:47,780 --> 01:59:49,782 {\an8}ACCEPTING THE GOLDEN GLOBEIS EM. [APPLAUSE] 1574 02:00:15,575 --> 02:00:18,778 {\an8}>> WE ARE FIGHTING WHO IS GOING TO SPEAK. 1575 02:00:18,844 --> 02:00:20,947 {\an8}I JUST WANTED TO SPEAK TO BRUCE SPRINGSTEEN THE WHOLE 1576 02:00:21,013 --> 02:00:22,648 {\an8}NIGHT. [LAUGHTER] 1577 02:00:22,715 --> 02:00:26,452 {\an8}WE HAVE THE SAME BIRTHDAY, THE 23RD OF SEPTEMBER. 1578 02:00:26,519 --> 02:00:28,888 {\an8}HE'S BEEN MY HERO SINCE I GREW UP. 1579 02:00:28,955 --> 02:00:34,393 {\an8}ANYWAY, I'M WASTING MY TIME. THANK YOU, EVERYBODY. 1580 02:00:34,460 --> 02:00:40,099 {\an8}EVERYBODY WHO WORKED ON THE FILM, THE PEOPLE AT SEARCHLIGHT, 1581 02:00:40,166 --> 02:00:43,936 {\an8}FILM 4 ELEMENT, THAT PRODUCED THE FILM AND MADE IT HAPPEN. 1582 02:00:44,003 --> 02:00:48,708 {\an8}THE ACTORS, WONDERFUL ACTORS. BRUCE SPRINGSTEEN, FOR MAKING ME 1583 02:00:48,774 --> 02:00:55,414 {\an8}GROW UP THE WAY I DID. AND EMMA, OF COURSE. 1584 02:00:55,481 --> 02:00:57,583 {\an8}SHE WON, YOU KNOW IT. SHE'S THE BEST. 1585 02:00:57,650 --> 02:00:59,652 {\an8}THANK YOU SO MUCH. AND YORGOS. 1586 02:01:03,689 --> 02:01:07,660 {\an8}[APPLAUSE] ♪ ♪ 1587 02:01:07,727 --> 02:01:20,940 {\an8}♪ ♪ ♪ ♪ 1588 02:01:21,007 --> 02:01:24,944 {\an8}>> Announcer: IS IT REALLY A HOLLYWOOD PARTY WITHOUT OPRAH? 1589 02:01:25,011 --> 02:01:27,346 {\an8}LUCKILY SHE'S HANDING OUT THE LAST AWARD OF THE NIGHT, WHEN 1590 02:01:27,413 --> 02:01:27,913 {\an8}THE GOLDEN GLOBES RETURN. 1591 02:01:37,690 --> 02:01:38,991 {\an8}WE'RE COMING UP TO THE FINAL AWARDS. 1592 02:01:39,058 --> 02:01:48,100 {\an8}PLEASE WELCOME KATE BECKINSALE, AND DON CHEADLE. 1593 02:01:48,167 --> 02:01:56,342 {\an8}[APPLAUSE] ♪ ♪ 1594 02:01:56,409 --> 02:02:02,915 {\an8}>> EVERYONE HAS A STORY ABOUT HOW THEY GOT A ROLE. 1595 02:02:02,982 --> 02:02:06,419 {\an8}I FOUND OUT I GOT MY FIRST BIG BREAK WHILE I WAS STILL A 1596 02:02:06,485 --> 02:02:07,920 {\an8}STUDENT AT OXFORD. >> OH, I LOVE THAT STORY. 1597 02:02:07,987 --> 02:02:09,288 {\an8}>> ME, TOO. I GET TO REMIND EVERYONE I WENT 1598 02:02:09,355 --> 02:02:12,925 {\an8}TO OXFORD. >> YOU GOT THAT IN THERE, THAT'S 1599 02:02:12,992 --> 02:02:14,694 {\an8}GOOD. I WOULDN'T HAVE GOTTEN THE 1600 02:02:14,760 --> 02:02:27,440 {\an8}ROLE OF MOUSE IN "DEVIL IN A BLUE DRESS" HAD I 1601 02:02:27,506 --> 02:02:28,708 {\an8}NOT DUMPED INTO THE DIRECTOR AT A DOCTOR'S OFFICE. 1602 02:02:28,774 --> 02:02:30,376 {\an8}WHERE I PHYSICALLY THREATENED HIM INTO CASTING ME AS MOUSE IN 1603 02:02:30,443 --> 02:02:31,877 {\an8}"DEVIL IN A BLUE DRESS." >> LILY GLADSTONE WAS WAITING TO 1604 02:02:31,944 --> 02:02:33,012 {\an8}HEAR ABOUT A JOB TRACKING GIANT HORNETS, AND THEN GOT A CALL 1605 02:02:33,079 --> 02:02:35,948 {\an8}FROM MARTIN SCORSESE. >> DID YOU SAY "GIANT HORNETS?" 1606 02:02:36,015 --> 02:02:37,650 {\an8}>> FOR THE FIRST TIME IN MY LIFE, YES. 1607 02:02:37,717 --> 02:02:42,955 {\an8}GRETA LEE FIRST HEARD ABOUT "PAST LIVES" FROM AN EMAIL 1608 02:02:43,022 --> 02:02:44,790 {\an8}TITLED "KOREAN: DO YOU SPEAK IT?" 1609 02:02:44,857 --> 02:02:48,961 {\an8}>> WELL, ONE OF THESE ACTORS IS ABOUT TO HAVE ANOTHER VERY COOL 1610 02:02:49,028 --> 02:02:50,763 {\an8}STORY TO TELL. HERE ARE THE NOMINEES FOR BEST 1611 02:02:50,830 --> 02:02:56,469 {\an8}PERFORMANCE BY A FEMALE ACTOR IN A MOTION PICTURE, DRAMA. 1612 02:02:56,535 --> 02:03:00,573 {\an8}>> Announcer: ANNETTE BENING, "NYAD." 1613 02:03:00,639 --> 02:03:05,411 {\an8}LILY GLADSTONE, "KILLERS OF THE FLOWER MOON." 1614 02:03:05,478 --> 02:03:10,382 {\an8}SANDRA HULLER, "ANATOMY OF A FALL." 1615 02:03:10,449 --> 02:03:19,859 {\an8}GRETA LEE, "PAST LIVES." CAREY MULLIGAN, "MAESTRO." 1616 02:03:19,925 --> 02:03:29,068 {\an8}CAILEE SPAENY, "PRISCILLA." [APPLAUSE] 1617 02:03:29,135 --> 02:03:35,708 {\an8}>> AND THE GOLDEN GLOBE GOES TO... 1618 02:03:35,775 --> 02:03:38,444 {\an8}LILY GLADSTONE! [APPLAUSE] 1619 02:03:38,511 --> 02:03:53,225 {\an8}♪ ♪ >> THIS IS LILY GLADSTONE'S 1620 02:03:53,292 --> 02:03:56,695 {\an8}FIRST NOMINATION AND FIRST WIN. SHE WINS OR GOLDEN GLOBE TONIGHT 1621 02:03:56,762 --> 02:04:00,332 {\an8}FOR HER ROLE OF MOLLIE BURKHART AND "KILLERS OF THE FLOWER 1622 02:04:00,399 --> 02:04:06,305 {\an8}MOON." [APPLAUSE] 1623 02:04:06,372 --> 02:04:21,253 {\an8}♪ ♪ >> [LAUGHS] 1624 02:04:21,320 --> 02:04:25,991 {\an8}♪ ♪ >> [LAUGHS] 1625 02:04:26,058 --> 02:04:40,940 {\an8}[CHEERS AND APPLAUSE] 1626 02:04:41,006 --> 02:04:45,811 {\an8}[CHEERS AND APPLAUSE] 1627 02:04:46,412 --> 02:04:57,656 {\an8}[SPEAKING IN A GLOBAL LANGUAGE] I LOVE EVERYONE IN THIS ROOM 1628 02:04:57,723 --> 02:05:05,664 {\an8}I DON'T HAVE WORDS. I JUST SPOKE A BIT OF BLACKFEET 1629 02:05:05,731 --> 02:05:08,834 {\an8}LANGUAGE, A BEAUTIFUL COMMUNITY NATION THAT RAISED ME AND 1630 02:05:08,901 --> 02:05:12,238 {\an8}ENCOURAGED ME TO KEEP GOING, KEEP DOING THIS. 1631 02:05:12,304 --> 02:05:17,376 {\an8}MY MOM, WHO, EVEN THOUGH SHE'S NOT BLACKFEET, WORKED TIRELESSLY 1632 02:05:17,443 --> 02:05:20,479 {\an8}TO GET OUR LANGUAGE INTO OUR CLASSROOM SO I HAD A BLACKFEET 1633 02:05:20,546 --> 02:05:29,421 {\an8}LANGUAGE TEACHER GROWING UP. [APPLAUSE] 1634 02:05:29,488 --> 02:05:35,761 {\an8}THIS AWARD BELONGS TO -- I HOPE I DON'T GET COUNTED DOWN TOO 1635 02:05:35,828 --> 02:05:39,531 {\an8}FAST, BECAUSE THIS IS AN HISTORIC ONE. 1636 02:05:39,598 --> 02:05:42,568 {\an8}I'M SO GRATEFUL I CAN SPEAK EVEN A LITTLE BIT OF MY LANGUAGE, 1637 02:05:42,635 --> 02:05:45,404 {\an8}WHICH I'M NOT FLUENT IN, UP HERE. 1638 02:05:45,471 --> 02:05:49,575 {\an8}BECAUSE, IN THIS BUSINESS, NATIVE ACTORS USED TO SPEAK 1639 02:05:49,642 --> 02:05:53,145 {\an8}THEIR LINES IN ENGLISH, AND THE SOUND MIXER IS RUN THEM 1640 02:05:54,179 --> 02:05:58,584 {\an8}BACKWARDS TO ACCOMPLISH NATIVE LANGUAGES ON CAMERA. 1641 02:05:58,651 --> 02:06:02,154 {\an8}THIS IS AN HISTORIC WIN. IT DOESN'T BELONG TO JUST ME. 1642 02:06:02,221 --> 02:06:05,424 {\an8}I'M HOLDING IT RIGHT NOW. I'M HOLDING WITH ALL OF MY 1643 02:06:05,491 --> 02:06:12,197 {\an8}BEAUTIFUL SISTERS IN THE FILM AT THE TABLE OVER HERE, AND MY 1644 02:06:12,264 --> 02:06:15,401 {\an8}MOTHER, STANDING ON ALL OF YOUR SHOULDERS. 1645 02:06:15,467 --> 02:06:17,803 {\an8}THANK YOU. THANK YOU, MARTY. 1646 02:06:17,870 --> 02:06:23,575 {\an8}THANK YOU, LEO. THANK YOU, BOB. 1647 02:06:23,642 --> 02:06:28,614 {\an8}YOU ARE ALL CHANGING THINGS. THANK YOU FOR BEING SUCH ALLIES. 1648 02:06:28,681 --> 02:06:33,552 {\an8}THANK YOU, ERIC. THANK YOU, CHIEF STANDING BEAR, 1649 02:06:33,619 --> 02:06:41,393 {\an8}AND TO THE OSAGE NATION. I'M AT A LOSS FOR WHAT ELSE TO 1650 02:06:41,460 --> 02:06:43,329 {\an8}SAY. THANK YOU, APPLE. 1651 02:06:43,395 --> 02:06:47,566 {\an8}THANK YOU MY MANAGER, MY AGENT, JOEL AND SASHA. 1652 02:06:47,633 --> 02:06:53,038 {\an8}THANK YOU TO ALL OF YOU. AND THIS IS FOR EVERY LITTLE REZ 1653 02:06:53,105 --> 02:06:55,474 {\an8}KID COME EVERY LITTLE URBAN KID, EVERY LITTLE NATIVE KID OUT 1654 02:06:55,541 --> 02:06:59,178 {\an8}THERE WHO HAS A DREAM AND IS SEEING THEMSELVES REPRESENTED 1655 02:06:59,244 --> 02:07:05,417 {\an8}AND ARE STORIES TOLD BY OURSELVES, IN OUR OWN WORDS, WIH 1656 02:07:05,484 --> 02:07:07,519 {\an8}TREMENDOUS ALLIES AND TREMENDOUS TRUST FROM WITHIN, 1657 02:07:07,586 --> 02:07:19,631 {\an8}FROM EACH OTHER. THANK YOU ALL SO MUCH. 1658 02:07:19,698 --> 02:07:26,905 {\an8}[SPEAKING BLACKFEET LANGUAGE] ♪ ♪ 1659 02:07:26,972 --> 02:07:35,614 {\an8}[APPLAUSE] ♪ ♪ 1660 02:07:35,681 --> 02:07:36,615 {\an8}>> Announcer: PLEASE WELCOME, RECIPIENT OF THE GOLDEN GLOBES' 1661 02:07:36,682 --> 02:07:40,619 {\an8}CECIL B. DEMILLE AWARD, AND PRODUCER OF "THE 1662 02:07:40,686 --> 02:07:44,690 {\an8}COLOR PURPLE," OPRAH WINFREY. [APPLAUSE] 1663 02:07:53,699 --> 02:07:57,136 {\an8}♪ ♪ >> HI, EVERYBODY. 1664 02:07:57,202 --> 02:08:03,609 {\an8}MOVIES HAVE THE ABILITY TO TRANSFORM HOW WE SEE THE WORLD. 1665 02:08:03,675 --> 02:08:08,280 {\an8}THEY CAN HELP US ESCAPE, OR MAKE US FEEL LIKE WE BELONG, 1666 02:08:08,347 --> 02:08:10,649 {\an8}AND, AT THE END OF THE DAY, ENTERTAIN US. 1667 02:08:10,716 --> 02:08:12,484 {\an8}WHILE COMEDIES MAKE US LAUGH, DRAMAS CAN INSPIRE US TO MAKE A 1668 02:08:12,551 --> 02:08:14,953 {\an8}CHANGE, EVEN IF THAT CHANGE IS SMALL. 1669 02:08:15,020 --> 02:08:17,823 {\an8}AND THAT IS WHY IT IS MY HONOR TO PRESENT BEST MOTION PICTURE, 1670 02:08:17,890 --> 02:08:22,761 {\an8}DRAMA. >> Announcer: "ANATOMY OF A 1671 02:08:22,828 --> 02:08:28,267 {\an8}FALL." >> STOPPED. 1672 02:08:28,333 --> 02:08:31,670 {\an8}I DID NOT KILL HIM. >> THAT'S NOT THE POINT. 1673 02:08:31,737 --> 02:08:35,107 {\an8}>> Announcer: "KILLERS OF THE FLOWER MOON." 1674 02:08:35,174 --> 02:08:38,143 {\an8}>> HOW DO I KNOW IF YOU LOVE ME ANYMORE? 1675 02:08:38,210 --> 02:08:41,246 {\an8}>> OF COURSE I LOVE YOU. >> THEN KILL THESE MEN YOU 1676 02:08:41,313 --> 02:08:44,516 {\an8}KILLED MY FAMILY. >> Announcer: "MAESTRO." 1677 02:08:44,583 --> 02:08:47,920 {\an8}>> IF SOMETHING DOESN'T SING AND YOU, THEN NOTHING SEEMS NEW. 1678 02:08:47,986 --> 02:08:49,621 {\an8}IF NOTHING SEEMS NEW, THEN YOU CAN'T MAKE MUSIC. 1679 02:08:49,688 --> 02:08:55,561 {\an8}>> Announcer: "OPPENHEIMER." >> THIS IS A NATIONAL EMERGENCY. 1680 02:08:55,627 --> 02:08:59,064 {\an8}WE ARE IN A RACE AGAINST THE SPEEFIFTEEN AND I KNOW WHAT IT 1681 02:08:59,131 --> 02:09:04,603 {\an8}MEANS IF THE NAZIS HAVE A BOMB. >> Announcer: "PAST LIVES." 1682 02:09:04,670 --> 02:09:07,039 {\an8}>> CHILDHOOD SWEETHEART TO RECONNECT 20 YEARS LATER AND 1683 02:09:07,106 --> 02:09:08,006 {\an8}REALIZE THEY ARE MEANT FOR EACH OTHER. 1684 02:09:08,073 --> 02:09:10,008 {\an8}>> SHUT UP! >> Announcer: "THE ZONE OF 1685 02:09:10,075 --> 02:09:19,651 {\an8}INTEREST." >> [SPEAKING IN A GLOBAL 1686 02:09:19,718 --> 02:09:25,157 {\an8}LANGUAGE] [APPLAUSE] 1687 02:09:25,224 --> 02:09:30,496 {\an8}>> AND THE GOLDEN GLOBE GOES TO... 1688 02:09:30,562 --> 02:09:36,902 {\an8}"OPPENHEIMER!" [APPLAUSE] 1689 02:09:36,969 --> 02:09:51,850 {\an8}♪ ♪ ♪ ♪ 1690 02:09:51,917 --> 02:09:53,118 {\an8}♪ ♪ ♪ ♪ 1691 02:09:53,185 --> 02:09:56,622 {\an8}>> Announcer: COMING TO THE STAGE TONIGHT FOR "OPPENHEIMER" 1692 02:09:56,688 --> 02:10:02,661 {\an8}IS A WRITER, PRODUCER, AND DIRECTOR, CHRISTOPHER NOLAN, AND 1693 02:10:02,728 --> 02:10:03,629 {\an8}PRODUCERS EMMA THOMAS AND CHARLES ROVEN. 1694 02:10:03,695 --> 02:10:09,902 {\an8}ACCEPTING THE GOLDEN GLOBE IS EMMA THOMAS. 1695 02:10:09,968 --> 02:10:18,277 {\an8}[APPLAUSE] ♪ ♪ 1696 02:10:18,343 --> 02:10:24,483 {\an8}>> THIS IS CRAZY! OH, MY GOD. 1697 02:10:24,550 --> 02:10:29,254 {\an8}OKAY, THAT'S CRAZY. FROM OPRAH! 1698 02:10:29,321 --> 02:10:36,595 {\an8}THEY WEREN'T KIDDING, THIS IS A REALLY INTIMIDATING ROOM. 1699 02:10:36,662 --> 02:10:39,498 {\an8}THANK YOU SO MUCH TO THE GOLDEN GLOBES. 1700 02:10:39,565 --> 02:10:42,601 {\an8}CAN YOU HEAR MY HEART BEATING? BECAUSE IT'S GOING CRAZY! 1701 02:10:42,668 --> 02:10:45,537 {\an8}THIS WAS JUST AN INCREDIBLE EXPERIENCE MAKING THIS FILM, AND 1702 02:10:45,604 --> 02:10:51,610 {\an8}THIS IS JUST THE SMALLEST PORTION OF THE MANY PEOPLE THAT 1703 02:10:51,677 --> 02:10:57,516 {\an8}MADE THE FILM WHAT IT IS. I HAVE LOVED SITTING HERE, 1704 02:10:57,583 --> 02:10:59,284 {\an8}HEARING EVERYONE TALK ABOUT THEIR WORK. 1705 02:10:59,351 --> 02:11:03,055 {\an8}WHAT IS SO CLEAR IS THAT WHAT WE DO IS COLLABORATION. 1706 02:11:03,121 --> 02:11:06,358 {\an8}THAT'S AMAZING AND IT'S EXCITING, AND I FIND THAT TO BE 1707 02:11:06,425 --> 02:11:11,997 {\an8}COMPLETELY MAGICAL. I HAVE TO SAY, I AM SO PLEASED 1708 02:11:12,064 --> 02:11:14,299 {\an8}THAT CHRIS HAS BEEN ACKNOWLEDGED, BECAUSE I JUST 1709 02:11:14,366 --> 02:11:18,203 {\an8}THINK THAT WHAT HE DOES IS UNLIKE ANYTHING ANYONE ELSE IS 1710 02:11:18,270 --> 02:11:22,241 {\an8}DOING. [APPLAUSE] 1711 02:11:22,307 --> 02:11:31,116 {\an8}ALL OF THIS TALENT, AND THESE AMAZING ACTORS BUT ALSO ALL OF 1712 02:11:31,183 --> 02:11:35,053 {\an8}OUR HODs. THE P.A.S, CAMERA ASSISTANTS, 1713 02:11:35,120 --> 02:11:36,488 {\an8}EVERYBODY DID THEIR BEST ON THIS FILM. 1714 02:11:36,555 --> 02:11:40,125 {\an8}CHRIS BRINGS THE BEST OUT AND PEOPLE BY BEING THE VERY BEST 1715 02:11:40,192 --> 02:11:42,327 {\an8}HIMSELF. I WOULD LOVE TO THANK DONNA 1716 02:11:42,394 --> 02:11:47,933 {\an8}LANGLEY AND EVERYBODY AT UNIVERSAL. 1717 02:11:48,000 --> 02:11:50,002 {\an8}[APPLAUSE] WHEN I SORT OF LOOK BACK ON THAT 1718 02:11:50,068 --> 02:11:53,338 {\an8}MOMENT WHEN WE SAT DOWN WITH YOU, I DON'T THINK IT WAS A 1719 02:11:53,405 --> 02:11:57,943 {\an8}NO-BRAINER BY ANY STRETCH OF THE IMAGINATION TO MAKE A THREE HOUR 1720 02:11:58,010 --> 02:12:02,414 {\an8}TALKY MOVIE ABOUT -- R-RATED, BY THE WAY, ABOUT ONE OF THE 1721 02:12:02,481 --> 02:12:05,183 {\an8}DARKEST DEVELOPMENTS IN OUR HISTORY. 1722 02:12:05,250 --> 02:12:09,087 {\an8}I'M REALLY GRATEFUL THAT YOUR FAITH IN US HAS BEEN REWARDED 1723 02:12:09,154 --> 02:12:13,325 {\an8}TONIGHT. [APPLAUSE] 1724 02:12:13,392 --> 02:12:26,371 {\an8}♪ ♪ ♪ ♪ 1725 02:12:26,438 --> 02:12:28,240 {\an8}>> Jo: THAT WRAPS OUR SHOW, EVERYBODY. 1726 02:12:28,307 --> 02:12:31,076 {\an8}I HOPE EVERYBODY HAS A GOOD NIGHT. 1727 02:12:31,143 --> 02:12:34,713 {\an8}HOLLYWOOD IS BACK! IT'S A BEAUTIFUL CELEBRATION TO 1728 02:12:34,780 --> 02:12:36,815 {\an8}ALL 150 COUNTRIES OUT THERE THAT TUNED IN TO WATCH. 1729 02:12:36,882 --> 02:12:40,652 {\an8}WE LOVE YOU GUYS. [SPEAKING IN A FILIPINO DIALECT] 1730 02:12:40,719 --> 02:12:41,720 {\an8}GOOD NIGHT. ♪ ♪ 1731 02:12:47,159 --> 02:13:02,040 {\an8}♪ ♪ ♪ ♪ 1732 02:13:02,107 --> 02:13:13,685 {\an8}♪ ♪ ♪ ♪ 1733 02:13:13,752 --> 02:13:16,288 {\an8}>> Announcer: THE NOMINATION BALLOTS ARE SENT TO ALL ELIGIBLE 1734 02:13:16,355 --> 02:13:18,256 {\an8}GOLDEN GLOBES VOTERS, WHO CHOOSE NOMINEES IN EACH CATEGORY. 1735 02:13:18,323 --> 02:13:20,359 {\an8}ON THE FINAL BALLOT, THE SAME VOTERS VOTE FOR A WINNER IN EACH 1736 02:13:20,425 --> 02:13:22,227 {\an8}CATEGORY. INFORMATION CONCERNING THE FINAL 1737 02:13:22,294 --> 02:13:24,663 {\an8}RESULTS IS KNOWN ONLY TO THE ACCOUNTING FIRM OF 1738 02:13:24,730 --> 02:13:27,833 {\an8}ERNST & YOUNG, L.L.P., PRIOR TO TONIGHT'S OPENING OF THE SEALED 1739 02:13:27,899 --> 02:13:28,400 {\an8}ENVELOPES. ♪ ♪ 148384