All language subtitles for Pepe.1960.1080p.BluRay.x264.AAC-[YTS.MX]

[ENGLISH]
[SOME SPANISH TOO]

Pepe!
That's me!

Ahora, muchachos.
Venganse todos para ca abajo.

Y no se metan espajando.
Todos juntos que les voy hablar.

Es algo muy importante.

Quieto burrito,
quieto hombre.

Porque no avisas, hombre.
Quieto, quieto, quieto.

Todos para abajo y que
no me falte ninguno.

Donde esta Guillemon?
Donde esta Pancho?

Gracias.

Ah, Senor Rodriguez. I knew,
of course, that Don Juan was

a great stud horse, but I
had no idea he was so talented.

Muchas gracias, senora.

Speaking of talent, Greer, when are
you going to make a picture for me?

Oh, Eddie, that's a lovely idea.

But you know, today I'm not
Greer Garcen, the actress.

I'm just Mrs. Budy Fogelson,
private citizen.

Something tells me we may be
competing for the same horse.

He'll make a wonderful
present for my husband.

Well, I hated to spoil the colonel,

but I've got Don Juan
earmarked for my stable.

Senor Rodriguez.
Does Don Juan have any

special characteristics
that I should know about?

You both have to
ask my foreman, Pepe.

He raised him from the cot.

Hello, you old coot. What are you
doing so far away from home?

What does an old
coot usually do?

I can answer that, but
there's a lady present. Hi, Greer.

- Hi, Ted. Good to see you again.
- Good to see you.

You know, it's a lucky
thing I bumped into you.

- Lucky for whom?
- I've got a great proposition.

I'm going to let you in
on the ground floor.

Well, don't strain yourself.

Let's not be difficult. This is
a very nice little package.

Last time we met, you had
a nice little package too.

Look, this is not only my idea,
but I wrote the whole thing myself.

The title is right is fouling
me Up. You know.

Good for you. Other directors do it.
Why not you?

Whole picture laid right in Mexico.
All Mexican cast one American girl.

- Mexico's been down.
- Not my way.

Well, I've tried it your
way and I don't like it.

What's more, I don't like being
button holed outside the office.

Right now I'm interested
in only one thing.

That magnificent hunk of
horse flesh I'm buying.

Well, you know, it's too bad you
lost your vision and no horse yet.

Hope you're not too sorry
when I sell it somewhere else.

- Cross my heart.
- Bye, Greg.

- Give my lover to Budy.
- Bye, Dave. Thanks.

Pepe get out the ring.
You'll be killed.

Pepe!

Ay, mamacita!
Ay, quico.

Go on, Pepe.
Get out that ring!

Quieto!
Quieto!

Well, I tell you something, sir.

My grandfather was a very famous
Mexican matador, you know that?

And he gave me this.
You know what is this?

- No, what is that?
- It's a brave bull's ear.

- What?
- Brave bull's ear.

Oh, an ear.
Bull's ear. Oh, I see.

Always bring me
good luck. Always.

Excuse me. That hocus pocus
of yours better work, Pancho.

There's a greedy bunch out there just
waiting to get their hot hands on your boy.

Maybe they buy another horse.

Stop grieving.
Lover Boy they want.

He's got a big reputation.
When you got that, you're in demand.

When you louse it up,
you're through. Washed up.

You can believe
me because I know.

Well, so long, pal.
Ah, Pepe. Huh?

- Pepe.
- Good luck, Pepe.

So long, Pancho.

Forgive me, my son.
I must ruin your reputation.

Look sick. Look sick.
Look sick.

Pepe. I am Mrs. Fogleson.
I am very much

interested in your
horse, Don Juan. Pepe.

And Senor Rodriguez said that
you could tell me all about him.

- Will you?
- I'm very happy to tell you.

Muchas gracias.

Does he have
any little peculiarities?

Peculiarities?
What is this?

Any unusual habits?
You know.

He bites? Well, only
people he doesn't like.

No. Does hit.

- He does?
- Yes.

Oh, he's such a beauty.

Don Juan? He looks
a bit tired, doesn't he?

He needs another shot of tequila.

- Tequila?
- Yes.

You mean you give
this horse stimulants?

He's no stimulant.
He have much pain.

To forget pain, he need
tequila all day, all night?

Yes. He just drink
and drink and drink.

Oh, he does? You mean to
tell me he's an alcoholic?

Oh, no, senora.
Don Juan is not alcoholic.

Don Juan is just a drunk.

Poor creature. Why haven't
they put him out of his misery?

That's what I thought.
But who would buy that horse?

Well, you got a point there.

Muchas gracias, Pepe.

And this is for
your alcoholic friend.

All right. Buster to
the next court's on me.

- Hasta la vista, Pepe.
- Hasta la vista, senora.

Thank you very much.

Oh, Don Juan.
My dear son. We are happy.

Mrs. Fogelson.
Not beat, not beat.

Somebody's coming.
Be sick again. Don Juan be sick.

Come on, come on, come on, come on.
Don Juan, my son. Come on.

- What's the matter with Don Juan?
- Nothing, senor.

He always lie down
when he have dizzy spells.

- Dizzy spells?
- Yes, sir.

Does he get them often?

No, only when he gets
too near the lady horse.

What?
I don't get it.

A great sire like Don Juan.

Where did he get
the big reputation?

Well, you know, sir, the
reputation is very important, sir.

Well, I'm glad I saw the
great lover in this boudoir.

My mares are looking forward
to something with a little more zip.

Don't Juan have plenty zip.

- Oh, yes, I can see that.
- Excuse me, sir, but it's time for pill.

- Pill?
- Yes, sir.

What, you mean he's sick too?

It's nothing.
All he do is...

Oh, please, don't.
I'm a hypochondriac.

- Do you want a pill?
- No, thanks. I got my own.

- Because it's very good for you too.
- Never mind.

One step ahead
of the glue factory.

I hope he don't
died before save,

But as far as I am concerned,
he's dead already.

Thanks for the tip.
I'll pass it along.

No one puts
anything over on me.

Certainly not.

Maybe he's wrong.

Come on.

Ladies and gentlemen,
the auction will start in ten minutes.

- All handlers kindly bring...
- Get my beatbag.

Hurry up.
Get my beatbag.

"Pronto!"

My grandfather,
please, don't let me alone.

Thank you. My son. Don't be afraid.
Don't be afraid my son.

Trust your father.
Trust your father.

My son. My son.
Hear me, limp. Please, limp.

Like your father. Look.
Look at me. Look at me.

Limp.
You have to limp.

Limp. Limp like me.
Walk sick.

Walk sick.
My son. Good. My son.

"A que se le permite".
Come on.

My friends, we now come
to the last animal in the sale.

Our most magnificent
stallion, Don Juan.

Ladies and gentlemen, what am I
being for this unusual specimen.

Remember, my friends, Don Juan was
sired from many notable offspring.

Senor Casanova, Romeo boy.
Don Casanova.

Senor Romeo and many others.

- I personally gather...
- What's the sonny, looks sick.

He does?

It was all right ten minutes ago.
What happened?

Ten minutes ago? But you know,
the sickness come on very fast.

Yeah, didn't it?

My friend?
Why do you hesitate?

Speak out. Speak out.

This is the horse
you've been waiting for.

What am I fee?

Three thousand three
hundred, one peso

77 centavos and two
American Soback.

- Cash!
- Pepe.

Is there any higher bid?

Going once,

Going twice,

4,000.

Four thousand.

Do you think Ted knows that
Don Juan's an alcoholic?

They should be
very happy together.

4,000 once,
4,000 twice.

4000 for the third and last time.

Sold to the
gentleman on the fence.

Sorry, Pablo, I need that
horse more than you do.

Le condenado. Estas viendo
lo que estas pasando y se rie.

- Pepe?
- Yes.

- You deceived me.
- I know.

I did something wrong.

So I come this.
I lost everything.

My son, my master.
Everything.

Your son?

Yes, Don Juan.

Oh, Don Juan.

I raised him from a baby
when his mother break her leg.

I nursed him through the influenza.

And it's a secret.
Don't tell anybody.

But I introduced him
to his first sweetheart.

I do. And now when he's
sold my heart is broke.

No Pepe, don't,
you're making me cry.

Listen, how would you
like to come to the

United States to New Mexico
and work at our ranch?

We've got lots of
wonderful horses then.

No, it's no use.
I am one horseman.

You're right.
I must go find one.

Work too hard and make lot
of money to buy back my son.

Well, yes,
I think you're right, Pepe.

You do belong together.
A father's place is with his son.

You're right.

Please, can you tell me where I find
the men who put fleece and my low?

- You'll find him in Hollywood.
- Hollywood?

Hollywood, USA. Look,
I'll write it down for you. Here.

- This is his name.
- Thank you.

I have to find...

Ted Holt. And that's the
studio seat in Hollywood.

And on this side that's
my address in Hollywood

in case you need any
help when you get there.

Thank you.

Pepe, let me give you
a little good luck piece.

I have a good luck piece.
I have a good luck piece.

- Here.
- Here?

Brave bull.

- Oh, yes.
- Look at that.

Oh, yes, I'm sure
that's most effective.

It is.
Now, I trust you again.

I trust you again.
Forgive me, grandfather.

Forgive me.
Please, forgive me.

Well, who knows?

But now listen, Pepe,
tomorrow I'll send the

tickets and all the other papers
here to you at the Hacienda, see?

- Manana.
- And then you'll be in your way.

On my way.

This is my picture.

Don't looks like me
because everyone in

my family looks like
my mother but me.

- Where are you born?
- In the "hacienda".

In the very small bed.
Because I was very small too.

I like your uniform.
He's very pretty.

Why are you going to California?

- To be with my son.
- He works there.

I don't call it work.
It's more like a play.

- Do you want some?
- No. Onion.

- It's a very good.
- No, thanks.

- Does he go to school?
- Does what?

Does he go to school?
"Escuela", school.

Escuela? Why? He had
to go to the school?

- Maybe he could learn English.
- Learn English?

Tell me, what is the difference
between English and Spanish?

For example, if you don't speak English
and somebody don't speak Spanish...

Forget my question.

This his mother with him?

No. She broke a leg,
and I shot her.

Broke leg and you shoot...
You shot your wife?

No, my son's mother.
I'm not married.

Then your son is illegitimate.

- What?
- Illegitimate.

Illegitimate?
No. He's a stallion.

- Stallion?
- Yeah.

- His son's a horse.
- I mean, a horse. He's very strong.

Sure should be.

You look very unhappy.
You have some trouble in your home?

No, my trouble is here.

While you stay here? Let's go to your
home and you don't have any trouble.

- Can I do something for you?
- Yeah.

Eat lunch across the border.

Okay.

In case you change your mind.
It really is very good.

Bye.

Who's that character?

His son is...

Well, he's the father of the...

You wouldn't understand that.

I like to see "senor' Holt.

- Ted Holt?
- Yes.

- He just went in.
- He make a picture?

No, he's having a haircut.

He hasn't made a
picture here in years.

It's very important
to me to see him, sir.

- What about?
- He stole my son.

- Stole your son?
- Yes.

Look, you gotta
wait over there. Go on.

Okay.

Stole his son.

Through for the day.
Miss Gabor?

Yes. I'm going home and I'm
reading this wonderful book.

It's all about men.
About the interesting men.

Get her.
Big movie star.

You are movie
star, "senorita"?

Me. I would be cut
dead in this racket.

Ever hear Susie Murphy?
See my picture up there?

Don't look.
You never will.

Hey, you're new here,
aren't you?

- Yes, I came today.
- Welcome to Smogville.

- What do you think?
- Well, I think you need new shoes.

Can the wisecrack fix it?

- It's a pretty big hole.
- So plug it.

Plug it.

Why you don't like
to be in movies?

Because I've had this rat race.
My mother was an extra.

Extra? What is extra?

It's the lowest rung
on the movie ladder.

She started as an extra and
worked her way to a stand in.

My old man was a prop man
and ended up a night watchman.

Some progress.

I come from a long line of failures.

It's not nice way
to talk of parents.

What do you mean?
I love my parents.

They gave up everything.

Starved themselves to
give me lessons. Me!

Oh, boy, they had blind spots as
big as saucers about this business.

But I got my eyes wide open.

Why a very nice young
girl like you talk so tough?

Because I am tough, Buster.

I don't think so, Buster.

What? It's plug it.

- Okay. What's the bite?
- Bite?

- The tariff?
- What do you mean?

- How much do I owe you?
- How much you have to pay me?

- It's nothing, is free.
- Who do you think you're kidding?

You're wrong, lady.
It was pleasure to fix it.

Okay.

That's the way
you get your kicks.

I work at Kelly's Alley on Sunset.

Drop over some night
and I'll buy you a belt.

A belt?

As a matter of fact,
I think you need one.

- So long.
- So long.

She needs new shoes, but
most of all, she need a friend.

She's very pretty.

Hey, buddy, what was that crack you
made about Mr. Holt stealing your son?

I know he's been in trouble
before, but kidnapping?

I think maybe you
call it "horse napping".

What kind of napping?

Ah, leaving already, Mr. Crosby?

Yeah, I gotta go down and
record some of my old favorites.

Hope I can still remember.

I have some messages
for you. I'll get them.

Okay.

And every time it rains,
it rains Pennies from Heaven

Don't you know each cloud
contains Pennies from Heaven?

You'll find your fortune falling...
all over town

Who's this character leaning on my
buggy with his breeches hanging down?

Must be an autograph under her.

Let's fall in love
why shouldn't we fall?

Come in, have it.

Our hearts were made
of it let's take a chance.

Why be afraid of it?

It was the first time
I ever signed a tortilla.

There you are.
Let's close our eyes

- and make our own...
- What you put ink on my lunch?

We should take home.
Why be afraid of it.

- On your lunch?
- Yes.

- Where are you from, son?
- My country is...

South of the border.
Down Mexico way.

- How you know?
- One of my top favorites.

That's where I fell in love while
stars above came out to play.

I see you got another call here
from Bob Hope. He calls anymore.

Tell him I got a bit for
him in my next picture.

He's going to play
the part of my father.

And now when I wander
my thoughts ever stray

south of the border,
down Mexico way

Down Mexico way

Linda. Linda. Linda.
Thanks, pal. Happy tortilla.

Thank you.
Listen, you work here?

Yeah.

Can you tell me where
I find my son?

- Your son?
- Yes.

I'm still trying to
catch up to mine.

Listen, just to eat around
the signature, will you?

- Yeah.
- Save the rest for your son.

Okay. Adios.
You seem very good, brother.

I don't want to tell you again.
You'll have to wait across the street.

What is the difference
if I waiting here and...

It's okay, General.
Don't be exciting.

En la frontera.

de Mexico fue

Y en la frontera.

You did it.
Why'd you do that, little boy?

Because I'm a mischievous little boy.
I'm Dennis a menace.

I'm Pepe.

- I fool you, didn't I?
- You fool me, condenado juerito.

- Bye!
- Bye!

Tut! Tut! Tut!

And a grown man.
Give me that.

That little thing.

I'm... I'm so sorry.
You take this.

Say, what are you,
juvenile delinquent?

No, I'm a Mexican.

Down to the border
the Mexican way

A bad day, ain't?
I was attacked from the rear.

My car stopped out
on the street.

- Will you help me get it rolling?
- Surely, Mr. Colbert.

- Blue Tbird.
- What bird?

The Tbird blue.
Where is it?

Maybe it fly back to nest.

There it is.
The blue car in the last row.

- Nest?
- Oh, it's a car.

- Yeah!
- A blue one.

It's a nice color.
I like very much.

Oh, well, that's very
nice and thank you.

But could you hurry because
I've got a dentist appointment.

You know how
dentists are. I'm late.

I know a doctor Lopez.
He is a very good doctor.

He take out my son's tooth
when he bite on a stone in the hay.

A stone in the hay.

Would you please
hurry up and get the car?

Yes...

Tenga calma no sea
precipitosa, chula.

Ahorita le trago
su carro, senorita.

Thanks ever so.
He's a nut.

All the pain. Has got to be a better
way of making a living than this.

I don't know how they stand.

Thank you.

Eh, what happened
to the pretty girl?

- Oh, pretty girl? That's me.
- You?

Are you kidding?
I don't believe you.

You are a bad man who tried
to steal the lady�s car.

I tell you, this is my car.
Please, please.

Okay. Okay.

Well, I'm not going to look.
Is that flat?

No, only the bottom.

- Yeah, there it is. The jag.
- Jag?

The yellow jaguar.

Oh, you wrong.
The jaguar is not yellow.

The Jaguar is a very fierce animal.

I don't mean kind of Jaguar.
I mean this kind.

Then away we go.
That one. The yellow jaguar.

- The Jaguar is car too?
- It's a car. My girl's car.

There.

The car you use when
you dress like girl?

No, I mean the car
that I use when I

dress like a man and
I take out the girl.

- How does the girl dress?
- Well, what is the difference...

Please get the car.
Hurry, please.

Sure, sure, sir, lady.
I mean... I mean...

- Ahy esta su porcaria.
- Hurry up.

Will you hurry, because
the dentist won't wait.

Hey Jack!
Thank goodness I caught you.

- Billy needs one more shot.
- No, he doesn't.

- I can't help it.
- I'm on the way to the dentist.

I've got a hole...

Here's your car, senor...

I mean, lady...

I don't know
what you are.

I'm sorry but I'm have
to change my planes.

I should take back.

There goes my dental appointment.
There goes my teeth.

- There goes your car.
- There goes my girl's car.

There goes my girl.

A quico.
A que empurron, hombre.

- Mr. Holt?
- Pancho?

- You remember me?
- How did you find me?

A very nice lady told me.

Oh, boy, am I glad to see you.

I don't think you like to
see me after double cross.

That was no double cross.
That was a double double cross.

When you told me Don Juan was
no good, you told me the truth.

Please.
You insult my son.

Look, your son is a dud. You show
him a classy philly, he turns his head.

He looks back to
Mexico for his father.

He's very lonesome.

Who made love when
the heart is breaking?

With me it's different.

Well, I don't know about you,
senor, but I know about my son.

All right, let's get these bumpers
apart and we'll test out your theory.

It's the servants day off.
In fact, they've been off all year.

Fan mail from the bill collectors.

There's a juger
martinis in the deep freeze.

I'm on the wagon myself, but by
the time it thaws, I'll probably be off.

Muchas gracias, senor.
But I don't drink.

Except on my birthday.
My brother's birthday.

Fiesta days, labor Day and Sundays.

And a very special occasion.
I don't do much.

Excuse me, please.
Where is my son?

Oh, he's around
here someplace.

Usually sleeps in the
billiard room on the pool table.

You don't have a stable?

No, I never had a horse
for a house guest before.

My son. Here you father.
Here I am.

My son.
Is wonderful to see you again.

It's wonderful... What happened?
You lose weight?

He eats better than I do,
but he won't eat.

My son.
Mr. Holt, you are a dude.

But that is not true.
He's wrong.

You know something, my son?

Your lady friend from
Mexico send their love.

And I bring for you something
surprise for you, my son.

A care from the Didale
of Strawberry Row.

Remember her?

Yes, you remember her.
She missed you very much.

Very much.

You know, when he sees father,
he is okay. He is happy.

And I thought I
had seen everything.

Your father get job here, work too
hard and I buy you from Mr. Holt.

I'm sorry, Pepe, but
Don Juan is not for sale.

I got some big dates for him.

I'm figuring him supporting
me now that he's back in action.

I should have let you
think he's a bomb.

But I have harm my son enough.

Goodbye, Don Juan.

Be good. Be good.

And forgive me.

Mr. Holt. If the sun is very strong,
be sure he wore this hat.

Pepe. Pepe, you can't leave.
He'll lapse back into his coma.

You mean I stay work for you
and I stay here with my son?

Well, I wouldn't insult
you by offering money but I

can give you bed board and
all the martinis you don't drink.

Mr. Holt you are
a very kind man.

Susie!
Susie Murphy!

Heft come by for that belt.

Two cafe espresso and
a chocolate surprise.

- Surprise Is it's vanilla?
- You are the waitress?

Among other things.

- Showtime, Susie. Pop it up.
- Okay, boss.

- You are the boss.
- Yes, I am the boss. What about?

Hurry up, here a couple of lives.

- Time for the floor show.
- The floor show? What is that?

Just one of my odd jobs.
If I don't dance, I don't eat.

Target there and watch the rumble.

Listen all you, people

Listen, though it's hard

I'm going to give you
a word of advice.

I ain't going to
say it twice.

Because it's
definitely not nice.

Okay? Okay.

But all I got to say is

stay in your own backyard.

Now, put your drinks
on the table

While I spin you a fable

to straight my point.

It once was a girl
with traveling eyes.

Fell out of love with
a hundred guys.

Once was a guy who
swore he'd get her.

Swore on the very
day he met her

She was a gas.
She was a groove,

but she had to be
on the move

The more she strained,
the more he tried

To hold her order
and keep her tight

Would not let her
get out of sight

Watched her day
and watched her night

And that's how it went,
all right, all right

That's how it went,
all right, all right

That's how it went,
all right, all right

That's how it went,
all right

She didn't want to stick to the letter.
She had eyes for anything better.

Any old place where
the grass was greener

Any old place where
the air was cleaner

she got bored and
he got meaner

Watched her day and night
that's how it went all right, all right.

That's how it went
all right. All right.

That's how it went
all right. All right.

That's how it went

all right.

Then came a guy
across the street,

head of a gang with
a different beat.

Then came a day
when he looked over.

Man in a minute,
something drove her.

She had to go.
She had to get.

But her lover said no, not yet.

She tried to run.

She saw the night.

He lost his head and
don't you know?

She lost her life.

He brought her down.
Just like a paper kite.

Watched her dress
turn red from white

That's how it went,
all right, all right

That's how it went,
all right, all right

That's how it went,
all right, all right

That's how it went,

all right

Hey, where do you
think you're going?

You want to kill Her.
No?

What you doing?
It's my number.

Put me down!
Put me down!

And that's how it
went all wrong, wrong.

And that's how it
went all wrong, wrong.

And that's how it
went all wrong, all wrong.

And that's how it went...

all wrong

I'm so sorry. Because
of me you lost the job.

Forget it. It was a
crummy joint anyway.

- You forgive me?
- Sure, I forgive you.

You know, it was the nicest
thing anyone ever did for me.

When I saw the knife, I thought
your life was in danger.

- It is.
- What?

I may starve to death.

My meals went with that job.

You dance very good, Susie.

Maybe you get the
job dancing in movie.

Listen, buster, I told you before,
the movie bit is not for me.

Besides, who wants a hoofer?

Now, if I were a belly dancer,
that's something else.

All they dig today
are legs and bosoms.

- You don't have.
- Sure I have.

But they want him king size.

It's a big mistake.

In my country we have a saying
a small pad get hot quick.

Why'd you have
to mention food?

If you come home with me,
I fix for you, Susie.

- Where do you live?
- Beverly Hills.

- Beverly Hills?
- Yes.

- You work there?
- No, but my son work.

I keep him company
on the pool table,

so he can make
money for my boss.

Say that again.

- My son...
- No, don't bother.

I think you better
take me to the bus.

What about you
empty stomach?

I just lost my appetite.

Listen, it's a fine house.

Mr. Holt lived there
alone with no relatives.

- Mr. Holt?
- Yes.

- Is that Ted Holt, the director?
- I think he's director.

Maybe I could force a
little something down.

Maybe, buster.

I have a surprise.
I bring you a girl.

It's very generous of you.
Might pick my own girls.

Listen, Susie is a very
good dancer and

I think maybe she can
dance in your picture.

- You think or Susie think?
- I think.

Susie does not want
to be Lousy Rocket.

So this is Susie who doesn't
want to be in pictures.

Takes a pretty smart
operator to talk her way

into a strange ice box in
the middle of the night.

You're wrong, Mr. Holt.
He talked me into it.

Where did you two unlikely characters
stumble across each other?

- She's shining pilot at the studio.
- Where?

- I fixed her heel. At the studio?
- What's wrong with that?

I wouldn't know. I've been
shining my own shoes lately.

Very funny. You're a real
comedian, aren't you?

Mother always said you
were a scream on the set.

Don't tell me I
dated your mother.

Don't flatter yourself.

She worked extra on
one of your pictures.

- An extra?
- What's wrong with being an extra?

Nothing, if you don't mind sitting
around in your keyster all day.

Some people don't
have any choice.

Everybody has a choice.

The trouble with most people is
they don't take the right one.

Honey, don't get sore at me just
because your mother had no talent.

My mother never had a chance.

In this business you
make your own chance.

Luck. There's only opportunities,
so backwards.

Who are you trying to kid?

In this racket It's who you know.
And what do you do for?

Oh, I get it. Somebody
made a pass at you,

so now the whole business stinks.

Honey, a guy can make
a pass at you when

he comes to your door to
sell you a vacuum cleaner.

So what? Shut the door.
Don't make a federal case out of it.

When it comes to passes,
brother, you should know.

You can bet I'm an authority.

You're so mad I beat you there.

- Why?
- I'll tell you why.

Because I know what Susie's
after, and she knows it.

So you want to be in pictures.
But let's take a look at you now.

What makes you think
the public is going to

plunk down good money to
look at a mess like you?

The public wants glamour,
charm, talent.

You look like something fell off
the back end of a motorcycle.

- Mr. Holt. Why you talk so mean?
- Because she's got it coming, that's why.

Taking advantage of a nice
little guy like Pepe.

Busting in here in the
middle of the night.

Pretending to despise the
thing that you really like the most.

If there's anything I hate,
it's a hypocrite.

You should talk.
You had your chance.

You blew it.

You were on top
and you lost it up.

Well, for your information,
Mr. Holt.

I'd rather be a beat up nobody
than a drunken has been like you.

Susie, please.

You may hear cry.

Well, it's a good sign.
I didn't think she could do it.

Susie, get excited.
She said a bad thing.

No, Pepe.
Every word she said was true.

Go after and tell her I'm sorry.

I'll take a look and
see what you can do.

Thanks, boss.

Well, Susie is not king size,
but I think she is very good.

Susie, where you go?

Susie? He gives you job.
Why you don't try?

- I can't.
- But why?

Because I'm afraid.
Afraid!

Don't be afraid, Susie.
Listen to me.

If you look like bump outside,
you feel like bump inside.

When the feeling is wash,
curried, with ribbon and tail

she hold head high,
she prance.

It's true. I know. In my
heart's eye I can see it.

Your hair is soft and lovely.

You wear a dress
floating like a cloud.

On your feet there are slippers.

Small, golden with no hole to plug.

You really see me this way?

Yes, Susie.
In my ear is music.

Soft music for you to dance.

It's funny.
I hear it too.

Lonely. She roamed
through the city

The buildings seemed
barren and brown

She was lost in the
light of the distance

In a faraway part of town

Far away
Far Away

Might just as well
be a sorrow way

Over there
where she long to be

When would she go?
What would she see?

Slowly she walked
and she wonder

The river reflected
her brown

She was certain that
someone was waiting

In a far away part of town

Far away
Far away

How many strangers
there are away

Over there,
where she longed to run

How would she know

who was the one?

The far away heart

The far away heart

In the far away

part of town

That was Judy Garland recording
"Of the faraway part of town".

This is KFWB Color
Channel 98, Los Angeles

and along with Judy KFWB
is signing off the air.

And we'll return
tomorrow morning.

Mr. Holt. I'm so sorry.
I forgot to turn off the radio.

Mr. Holt, do you like?

I like.

She might do okay
in this business.

Without that chip on her shoulder.
She had just a little touch of magic.

- Then you give her a job?
- I might.

Well, let's go inside,
thaw out a brace of martinis.

It's a little late for martinis.

If you don't mind,
I think I'll take a rain check.

Oh, it's never late for martinis.

But it is a little late for you to
be traveling back to Burbank alone.

Alone? I'm all right.
It's a company I worry about.

Why don't you stay here?

We have plenty of empty bedrooms,
don't we, Pepe?

Nice bedroom right
next to Mr. Holt.

Sure, and we'll talk about
the job in the morning.

Thanks, but I can't sleep
anywhere but my own little pad.

You mean, can't or won't?

Both.

Now, if you have no
objection, Mr. Holt.

I think I'll start
my trek to Burbank.

- Mr. Holt is a very nice man.
- Is he?

- He gave you a job?
- He said he might.

- He offered you bed too.
- That was more definite.

Hi, Sexpot, when you and
I got a tie the knot?

Flattery will get you no place, Mr. Holt,
especially without an appointment.

I got something better than appointments.
She'll see I've got a horse.

Oh, a horse.
Oh, that's different.

You tell your leader
that I'm here to

talk about the greatest
stud in the business.

Excuse me, sir. Mr. Ted Holt is here.

Says he wants to talk to you about
the greatest stud in the business.

I already have.

Not one named Don Juan.
You haven't?

Have Mr. Holt come in.

I'll read the script and
call you tomorrow, Eddie.

Hi, Donna.

- Ted. Oh, it's so good to see you.
- Good to see you too.

I'm watching your television show.
I like it. How's the family?

- Which one? My own or my TV family?
- Oh, both.

They're both fine.

From what I heard
and what I see.

Is that a new script you're
going to direct for Eddie?

- I hope so.
- Oh, I hope so too.

- Keep your fingers crossed, will you?
- I will. I'll do better than that.

The family and I'll say
a good luck prayer for you.

Which family?

Both of them.

Pretty smart deal
you pulled in Mexico.

Rodriguez got me.
The whole thing was a frame.

That's right. Lover
boy is better than ever.

No, the way I hear it,
part of the frame came true.

My spies tell me Don Juan
is still getting dizzy spells.

That was before
his father arrived.

- Father?
- Pepe.

Oh, now you remember Pepe.
Little Mexican handler.

Oh, yes, Pepe.

He treated me to quite an
Academy Awards performance.

Well, since he arrived,

Don Juan's performance
is just as brilliant.

All right, what'll cost me?

This.

I won't put up a dime in
anything you're connected with.

Why not?

Now, don't make it
tough on yourself, old.

You know damn well why.

Oh, come on. I haven't had anything
stronger than Dr. Pepper in months.

You've climbed on
the wagon before.

Oh, come on. You're a
big talent in this business.

Actor, producer. You know a
good thing when you see it.

Do yourself a favor.
Just read it.

Okay, I'll read it. But if I spark,
someone else will have to direct.

Oh, no.
This is my baby.

Nobody touches
this but daddy o.

Well, this may come as a shock
to you, Daddy o, but I like you.

If it was up to me, I'd take
a chance on your talent.

But fortunately, my associates
won't permit me to be so altruistic.

Look, Eddie.

I mean...

I don't think you
quite understand.

Look, I have got to do this.
Hear me? I've got to.

- I'm sorry. I'm getting hokey.
- Forget it, Holt. I wish you luck.

Thanks.

You know, money's
pretty tight these days.

Unless you've got a sure
thing and you're not.

- Well, don't spoil me.
- You spoil things for yourself.

If you change
your mind, come back.

I won't change my mind.
I won't be back.

Care to make a bet?

I got news for you.
I gave up gambling too.

You feel like giving up women,
better call your psychiatrist.

Happy little smog maker, you.

Hey, boss, here we are.

You like to swim?

Well, if it isn't little Miss
Hollywood hater herself.

You're up bright and early.
What's on your mind?

Job. Mr. Holt.

You said we'd talk
about it this morning,

- or don't you remember?
- Should have stayed all night.

Oh, should I?

Listen, Don Juan get
you what you want, boss?

Yep, everything
turned out just great.

You talked to that
man about Susie?

Well, no, I didn't
get around to Susie.

No, I didn't think you would.

I told you he was
handing me a snow job.

Now, listen, nobody
tells Ted Holt what

to do once he
makes up his mind.

I'm putting you under
personal contract.

- What's this personal bit?
- Nothing. You're not my type.

We'll talk about your salary later,
but here's a little advance.

You look like you could use it.

Thanks.

You know, my landlady locked me
out of that closet she calls a room.

- Spend the weekend here.
- This is where I came in.

Relax, Red Riding Hood.
The wolf is going to Las Vegas.

Courtesy of Don Juan.

Thank Lover Boy for
the dough, will you?

Your son is more
than a horse, Pepe.

He's a fairy godfather.

He's given me this.

And a wonderful friend.

Don Juan like you
very much, You see?

Oh, he Don Juan.
Don Juan, where are you?

It's time for your siesta.

You like swim?
It's very refreshment.

Ahora, hombre.
Vengase, hijo.

Now what to take siesta.

Un momento.
Un momento.

Just a minute.

Sleep, my son.
I answered the door. Sleep.

Un momento.
Senor?

- Pepe.
- Mr. Robinson.

- I'm glad to see you again.
- I'm glad to see you...

What's Don Juan
doing on the table?

He take a siesta.

Now don't you tell me.

Don't you start any tricks
like that with me again.

No. Is it true,
he is sleep.

What do you mean?
On the billiard table.

- Why?
- Because he's green like the grass.

Why doesn't he
sleep on the grass?

Because the grass is brown,
the water is shut off.

I see.
Figures.

We don't have nothing
in this house, except bills.

Mr. Holt is not here.
He's going to Las Vegas.

Yes, I know, I know. Pepe,
I came here to see you.

- What a specimen.
- Me?

No, no, your son.

I should never have
let you talk me out of it.

That's what I get for listening
to words instead of instinct.

- I tell you something.
- Yeah?

He's little tired because
this morning he had a big date.

- Well, that explains.
- Shh!

Now, Pepe, come here.
I want to talk to you.

What does Mr. Holt pay you?

Mr. Holt don't pay me nothing.

As I thought as much.

You come with me and
I'll double your salary.

What?

No, no, I mean the one
you got in Mexico.

I want you to work for me.

Why, senor,
I do bad thing for you.

- I lie about Don Juan.
- Yes, you did, Pepe.

But I can understand it.
Maybe that is the reason.

Don Juan meant more
to you than your job.

I like that. My horses
could use a little devotion.

- Don Juan needs me.
- Yes. And I need Don Juan.

But for the present,
I'll have to settle for his father.

Mr. Holt needs me too.

You mean you won't leave him?

Loyalty is a rare
commodity in today's market.

I hope he appreciates it.

Mr. Holt is a very fine man.
You too, Mr. Robinson.

Thank you.

He say you'll give it to him
a lot of money to make a picture.

- He did, eh?
- Yes.

Well, don't let him kid you.
I wouldn't waste a nickel on him.

That's why he went
down to Las Vegas.

Tried to raise a bankroll
from those money boys.

They'll laugh in his face.

He'll lose whatever money
he has and come staggering

home with nothing in his
pocket but a hangover.

Is what you think?

Look, Pepe,
I know this man inside out.

He's a lovable, talented,
good for nothing bum.

- Mr. Robinson. You don't like Mr. Holt.
- No, you're wrong.

I just can't stand waste the talent.
And he's the biggest spent I know.

- Well, goodbye, Pepe.
- Adios, Mr. Robinson.

Adios.

Oh, by this way.

Whenever he throws you out,
you can always come to me.

- I appreciate a little loyalty.
- Thank you, Mr. Robinson.

Goodbye.

Mr. Holt is a bum?

Hey. Wake up!
You're here!

Wake up!

- Good luck, sucker.
- Gracias, Mr. Sucker.

Adios jovencito.

You're not going to believe this,
but I made a nine the hard way.

- How'd you do that?
- Three threes?

Are you kidding?

Excuse me, sir.
Do you see my boss?

- Who? Pancho Villa?
- What do you mean, Pancho Villa? Sonso.

I'm looking for
my boss, Mr. Holt.

- Ted Holt?
- Si?

- Have you seen Ted?
- No, I haven't.

Haven't seen Ted tonight.
He may be in a little later.

Why don't you sit and watch the show?
I think you'll enjoy it very much.

Gracias.

Hey, you got a live one there?

Yeah, I think so.
He's got a piggy bank with him.

My life's a swinging thing.

From dust to dawn

It's ring a ding ding ding

Right next to Frankie boy

You'll find oldino ibaz Levino

on Dino vino lou de gully

Uh, maggola safar let my
spleen here a minute there.

Hooray!

Hooray!

Hep, hep, hep, horray!

For Holly...

Hooray for Hollywood.

I'm kidding.
I was.

It's better I can taste
the troubles does on me.

Boss, why you
throughout out all martins?

Pepe.
How'd you get here?

By...

I bring to you
good luck, boss.

- I think maybe you need it.
- Get away from me. That stinking air.

Besides, It's too late.

They turn me down flat.
I blew down one, though.

How much money you need?

Tell me. 250,000 cash.
Give me a million of credit.

I thought lettuce happen
to have it on you.

I have my pig bang full to
belly button. It's yours.

With this stinky bull's ear
You win. Believe me.

- I couldn't take your money.
- What do you mean you can't?

You think my money is not good
or you want to insult me?

Are you kidding?
I love you.

If you were a dame,
I'd marry you.

Well, very nice from you,
but I prefer to be your partner.

Do you play for me?
Play for me.

- Okay, partner, put it there.
- That's all right.

We'll take this over the cashier.

We'll swap up for some
good old American lettuce.

- Vamos a ganar, jefe.
- Same for you.

What happened?
Boss?

Are you all right?

I don't think so.

Oh!
You drink too much.

You can't play tonight.

Anyway. I do.

I play for you
now, Partner.

I play for you.

We win and
everything is alright.

I trust you.

To luck me.
Little for you.

Too much for me.

We win and
everything is all right.

Partner, I see you later.

For you.
That for you.

I like to change this
money for American lettuce.

Hey, Frankie,
you've been around.

What's the score on turning
35 pesos into lettuce?

I don't know much about lettuce,
but I'll give you a rundown of tomatoes.

Let's see, 35 pesos. That's just
about two and a half pesos shy of $3.

Here you are,
my good man.

As a gesture of international
goodwill, here's the $3.

I'm one of the owners here.

You are the owner here.

You don't look like owner.

You crave a little action here.

I like the wind, but fast.

Well, you'll find a
tandem machine over

there that'll pay off eight
grand in one foul swoop.

I don't need eight
grand, just 250.

I'd like your moderation.

You put a buck in each
machine to see what happens.

Thank you, sir.
I mean, my honor.

- Not, here and here.
- Thank you.

That's all right.

No.

You mean if I pull handle
and the one come out?

Oh!
It has happened? Yes.

Yes, one second.

No me vayas a fallar
cuando necesitamos.

Voodoo?

No, I don't with my bull ear,
I do everything.

Andale chiquita.

- I do.
- Hey, Big Jack.

Pancho Villa just
hit a double header.

Oh, boy. That's another eight.
The big ones.

Forget it. Just start
cutting out the eight grand.

- Amigo.
- Que traes, que traes?

You must have made a killing.
How about a little game of Cards?

Que clase de juego?
No entiendo yo...

Very simple.
Very simple.

All you do, all you do,
lift the card.

Ah nomas com quien dise.
Corta las cartas ya.

No, it's very simple.

No, it's very simple.
I know what you mean.

- Try.
- Try.

- Que estas diciendo, chato?
- First the little money.

- Litle money...
- Little money put hat.

Just a minute,
you got your cut.

Ya gane.
Ya gane.

Cut the card.

- Ahora si�.
- Just a minute.

- The winner.
- Pues ya gane.

- Se le duena.
- I win.

- Gane, verdad?
- Just a second.

- Just a second.
- No me hagas trampa.

Este se aca.
Ya meteste aqui.

Ya viste aqui.
Don't fool me.

You sure you never
played this game before?

No, nunca.
Da primera vez.

All right.

Uno vente a vitalo.

Lift the card.

Entras, entras chato.
Entras canon.

Esta dando cochinho
con la narices, viejo.

Ahora si�.

Perdite no?
Ay es tu.

Ya se le dice.
Porque se pongas a jugar asi�.

I see you later.

Just a minute.

Usted no tienes nadie.
Ya te perdiste todo.

No seas tonto.
A que te pondes comigo, hombre.

Que es eso?

What do you pick?
Head of tails?

- Head of tails?
- Head of tails?

Head of tails?

Pick what do you want,
head or tails?

You want heads?

All right.

Ay, chiquito.

See you later.

How humiliating stupid.

Would you care for a sandwich?

- Can I have one?
- Certainly.

Thank you.

A little...
Thank you.

Would you like a little action?

I like to be in action
all the time, my dear friend.

Good. I'll just keep it
in practice.

This used to be my old
racket back in Steubenville.

- You know the territory.
- As know who?

I'll forget it.
I'll be a little blackjack.

- What Jack?
- No, Jack, I hope.

Your partner, too.

Yeah. I have a small piece
which is fast. Getting small.

- I know.
- All right. Shall I hit you?

Why? My dear friend,
I did something

wrong or you don't like me?
What happened?

You don't understand.
I'm going to hit you.

What do you mean, I don't understand?
I understand you.

But you mean I hit you.

Viejo, no. Yo no creo que seas tan
sonso que nomas me de asi nomas.

If you hit me, I hit you.
My dear friend.

Yeah, you're all right.
Why didn't I meet you before?

- Hey, Dino.
- What?

Your friend's number hit.

Shall he pick it up,
or would you like to ride?

I love to ride, don't you?

No, but I'm glad you do.
Let it go.

- Hey, you got a blackjack.
- It's a lie.

It's no lie.
I'm a lousy dealer.

- Hey, Dino.
- Yes?

Your friend won again.

- Still like the ride?
- Always.

Let it go. You know,
you've got a lot of guts.

And half of the
cotton pick and joint.

- Let's try a change of scenery.
- Let's try.

You know something?

You are very nice to me.
What can I do for you? Tell me.

Lose.

- Excellent
- Excuses, would you please?

There we go. The house limit
is raised for my friend here.

Refreshments?
Compliments of the Sand.

- Well, thank you.
- Lay it on a line now.

Oh, no!
My friend, no.

$500. Go.

- I beg your pardon?
- It's chicken.

The very idea.

Say, the square cubes.
Now see with the round numbers.

Put them in your hand.
Throw.

- What?
- Just throw.

Just... I know what
you mean. Just throw.

Throw.

- I do good?
- You sure did.

You just contributed to the
community of the chest.

Let's get out of here.

Son of the gun.

I do.

- How are we doing?
- Pancho Villa is murdering us.

You know how much
money I win right now?

250 G's and 6 bucks.

I think it's enough.
I'm a very tired.

You're not going to quit now.

There goes the last of my piece.

You keep Six bucks,
then I take the rest.

- I'll get you a check.
- No check, my friend.

Money "al contado".
You know what I mean "al contado"?

You mean folding?
I mean biting.

You are very nice man.

You help me very much.
I love you.

He loves you.
Whose side are you on?

- I give you a tip.
- You know who that is?

Sure I know who is.
The man who lost the money.

So I am no good partner,
but I'm very nice man. He loved me.

"Ole".

250 grant
and I slept sure.

Now we go home and tell Susie.
She have job for sure.

- It's not wonderful?
- Yeah, sure.

You know something?
You're a very good person, boss.

Now cut out that boss.
We're partners.

Milk of humankind has
soured me. Years ago.

I even tried to sell Don Juan.
The guy wouldn't go for it.

What? The Don Juan
is still yours, don't you?

Don Juan is still ours.
We're partners, remember?

- I only own half.
- Of which half?

All aboard, please.
Good morning, Miss Hopper.

Good morning.

- We are ready.
- Look, when we get back to Hollywood.

Yes?

Anyone asks you anything,
you tell them you're my producer, okay?

- Okay. I am your producer.
- Right.

- What is producer?
- Well, a producer is a man...

Well, you see, in the picture
business, there has to be one man.

Yes, yes.

There always is one
man in every picture. See?

I got a better idea. Just keep
your mouth shut. I think that'll work.

Susie Murphy.
What a name for a marquee.

- She will be big success, partner.
- Will she.

Yes.

Around a swimming
pool in the moonlight.

But carrying a whole picture?
I must look nuts.

What I need is a star like Marilyn
or Shirley or an Audrey.

Or Kim or a Debbie Reynolds.
That's what I need. A Debbie Reynolds.

You have Susie.

Why don't you just get out
of here and leave me alone?

It's okay, boss.
It's okay.

I put the Mexican
Martinez back and just...

Go on to bed.
You're always getting my hair.

Hair of dog that
bites you is betting.

Partner. If you notice, the cork
is still in the bottle. I got it licked.

But you got a pair of
pants that don't fall down.

I tried to do before, but I
don't feel comfortable, partner.

Well, anyway, I try.

Hey, Gabe. You ought
to be ashamed of yourself?

Taking it out on a
nice little guy like Pepe.

You're yelling because you're
scared. That's your trouble.

Tequila!

Debbie?

Pepe?

Tequila!

Debbie!

- Hello Debbie.
- Yohoo, Debbie.

Que paso?

Que paso?!

Tequila!

Okay, you going at
my signal, all right?

I've fine.

Now, ladies and gentlemen,
I'll give you a highlight for your vacation.

Please be my guest and see
how the movies are made.

Just move down,
take any seat at any table.

When you get there, sit back,
relax and enjoy the show.

And if you'll do me just
one favor, please be very quiet.

Thank you very much.
Muchas gracias.

Good morning, Ted.

I like the dress.
All right.

You know where
you're supposed to be?

Balcony. Let's go.

- Hello, Partner.
- Hello, Pepe.

- Good morning, Pepe.
- Good morning, Susie.

Excuse me, I'm very busy.
I'm a producer.

All right, Carlos,
get those musicians in

position where they belong
with the rest of them.

Hey, Gloria. Come on.

Agarrate para que no
sepas la siesta.

Permitame verte
en este angulo aca.

All right, let's get that
standing here. Carlos.

Por favor.

I've held good.

Muevase por favor
Yo soy "the standing",

Then, take a sit.

- Trae la cinta.
- Get the divers.

...quiede bien ahogado.

A ver, los chavalitos
acerquense, muchachos.

Now, you tell them that.
We're only going to do this once.

I'm paying them 4000 pesos.
I want it right the first time.

Right, sir.
Bien, muchachos...

Let me talk to them.

Partner! they do
it for 5000.

There's thousand more
than I'm paying for them.

- Let me talk to.
- Come over here.

Why don't you go
and visit Don Juan?

He have a date
with the Dapper Gray.

- Senor Holt?
- Already. Yeah.

- I don't see nothing, partner.
- I don't see nothing either, partner.

Something wrong with the...

Come here. I want to
tell you something.

I got a surprise for you.
You like it.

- I do? Hey, that surprise.
- You'll like this?

Yes.

You've seen the actor's
marks, have you?

- Yeah.
- All right.

This is the producer's line.
You stay on this side of the line, see?

Don't step over, huh?

You stay on this side of
the line and don't move.

Don't move?

All right, let's go, everybody.
Come on, let's jump a little bit here.

We're running
behind a schedule.

I only got one day
to shoot this thing.

All right, get that makeup.
Fix that girl's hair, will you, please?

And get those musicians in you.
Come on, somebody help me out here.

Now, when I wave my arm
like this, that's it. Then you dive.

All right, Carlos, let's get
him quiet. Let's get him back.

Yes, mister Holt.

Deprendela.

Un poquito mas.

Ahi esta bien.
Inclinelo un poquito mas.

Muy bien.

All right.
Rolling!

Had it!
Great.

I look like a Producer?

You look wonderful. Pepe.

Secondhand.

- Maurice chevalier.
- Who is he?

Great artist, Pepe. Probably the
world's foremost authority on love.

And all this time I
thought you held that title.

He's European theater,
of course.

He doesn't know, but he is
going to be in my picture.

You mean in our picture.

Our picture.

My left shoes
on my right foot.

My right shoes on my left.

Oh, listen to me, Mimi.

Of reason I bereft the
buttons of my trousers

are buttoned to my vest.

Oh, listen to me, Mimi.
There's passion in my breast.

Mimi, you funny little
good for nothing

Mimi am I the guy?

Mimi you sunny
little honey of a Mimi

I'm a Mimi in high

Mimi you've got me
sad and dreamy

you could free me if
you'd see me, Mimi

You know I'd like to have
a little son of a Mimi by on by.

Mimi you've got me
sad and dreamy

you could free me if
you'd see me, Mimi

You know I'd like to have
a little son of a Mimi by on by.

When I was a young man,
courting the girl.

I played me a waiting game.

If you may refused me
with tossing curls

I let the old earth
take a couple of word

While I plied her with
tears in place of pearls.

And as time came around
she came my way

As time came
around she came

But it's a long,
long while,

from May to December

And the desk grow short

when you reach September

And the autumn weather

turns the leafes to flame

I haven't got time

for the waiting game

And the destiny to gold

as they grow few

September

November

And these few
golden days

I share with you

And these few
golden days

I share with you

September

November

And these few
vintage years

I share with you

And these few
vintage years

I share with you

Gracias ladies and gentlemen.

It was a great honor to be
here for such a worthy cause.

In the audience tonight,
I see an old friend from

Hollywood who is directing
a picture in your city.

Ladies and gentlemen,
Mr. Ted Holt.

This is like shooting
barracuda in a barrel.

Out of season.

When I ask you for
this, bringing them.

Ladies and gentlemen,

I'd like to donate $2,500
to Mr. Chevalier's

favorite Mexican charity.

If he'll sing that same
song once again.

- You're most generous.
- Is it a deal?

Naturally.

And all you wonderful
people are

invited to appear
with Mr. Chevalier

when he sings that
song in my picture

tomorrow afternoon
here at 03:00.

"Cachorro".

I know what that meant.
I'd resent it.

It has four legs, a jolly
tail and it lives in a style.

Anything else you
want, Mr. Holt?

Not unless you'd care
to dance, Mr. Chevalier.

Not so fast, mister.

Since you've
interrupted my act,

I think you should
help me to finish.

Oh, no. Besides, I don't
even know your song.

Oh, that's ridiculous.
You know, Mimi.

- No.
- See, you know him.

See, I know him,
but I don't know Mimi.

You know him,
but you don't know you.

You do not understand,
mon tigron.

Mimi is the name of a
pretty girl, like Fifi or Chichi.

- Si. Si.
- Repeat after me.

- Do, re, mi.
- Do, re, mi.

- Good, now. Do, do...
- Do, do.

- Re, re.
- Re, re.

- (speaking french)
- (speaking spanish)

- Do, do...
- Do, do.

- Re, re.
- Re, re.

- Mi, mi.
- Mi, mi.

- Bravo. You've got it.
- You got it.

- I got it. What I got?
- Mimi.

Mimi?

Do, do, re, re, mi, mi.

Do, do, re, re, mi, mi.

- Mimi.
- Mimi.

Si.

You funny little good
for nothing, Mimi.

Si! Si! Si!

Am I the guy?

Si. Do, do, re, re, Mimi.

- Mimi.
- Mimi.

You sunny little
honey lover, Mimi.

Oui, oui, oui.

- Am I the guy?
- No, no, no.

- No, not you. You but Mimi.
- Mimi.

Si!

- You got me sad and dreamy.
- Mimi.

- You could bring me.
- Mimi.

- If you see me
- Mimi.

You know I'd like to have
a little Do. Do, re, mi.

Do, re, Mimi.

By and by!

Una vez mas, si�?

Todos, verent, Mimi.

Should made me sick.

Men make me sick. With no effort,
I could hate them all.

You mean you hate Pepe?

You? Of course not.

I never even think
of you as a man.

What I mean is you're so
kind and considerate,

like all men should be.

I couldn't hate you, Pepe.
I love you.

If rover boy comes back,
which I doubt,

thank him for a wonderful evening.

She said she love me.

- Hey. Excuse me, Mr. Mimi.
- Mimi?

I mean, Mr. Chevalier.

- Can I ask you something?
- Certainly.

- Sit down, please.
- Yes.

What is it?

I know you are a
great authority in love.

I'm a Frenchman.

I don't want to bother you, but
that question is very important to me.

If a woman tell you she loves you,
how you know it's true?

Quoi qu'il en chose, c'est
tres difficile. Je dirais...

- You don't.
- I don't?

You don't that if
you're doing that, well.

- What's the difference?
- Well, it's a big difference to me.

- You mean you love her too?
- And how.

Ever since I fixed
hold in sure, tonight,

when she kissed.
I... I...

Ay hijito que
duro es esto, hermano.

- She's here?
- No, she leave.

- Not the contortionist?
- Oh, no. Are you kidding?

The one who was
sitting right there.

Don't tell anybody, please.

Oh! She's beautiful.

She's beautiful.

Does she know how
you feel about her?

It's secret.

- I bet.
- Yeah?

I see.
I see.

Vous avez, Pepe.
E tant la difference...

- Oui, oui.
- Fa ca de me...

I mean there are many
different ways of love, you see?

Yes.

There is the love of a friend
for a friend for a friend.

For a friend, you're right.

The love of a
mother for a baby.

- A mother for a baby...
- Of a daughter for a father.

- Father for his son.
- Right.

I am a father of one horse.

Oh, congratulations.

Now, You know,
Pepe, it is not enough.

- It's not?
- When a woman says she loves you.

- No?
- No.

- Women say so many things.
- Yes.

You must wait. You must
wait until bells ring out.

- Until bell ring out?
- Yes. Yes.

Until she says it with her
arm around your neck.

Until she swears with
tears in her eyes.

Until she swears that she
loves you and you alone

because you are different
from any other man.

And when that happen,
I can be sure?

As sure as a man
can be about a woman.

Gracias, viejito.

Palabras que tu eres
un real hermano.

Thank you very much. I will remember you.

- You made me so happy.
- Avec a plaisir.

And also, Pepe, never put all
your eggs in the same basket.

- Even if it's a very pretty basket.
- I know.

- Right.
- Right.

- Not all the eggs.
- Right.

- Au revoir, Pepe.
- Au revoir, monsieur.

- Good luck.
- Au revoir, monsieur.

And thank you very much.

I never put even
if it's pretty basket...

Au revoir, monsieur.
Gracias viejito.

All right, cut.
Quarter last.

Cortalo, por favor.
Ya fuera!

- Que les parecio, muchachas?
- Muy bien.

Very good, Carlos.
Very good.

Susie is very good too.
Why you don't tell her?

Well, I want your opinion.
I'll ask for it.

Let's see.

You don't have to ask
for my opinion, partner.

I give it to you anyway.

Yes, I know it, and
I am getting sick of it.

Now, will you just
keep your mouth shut

about everything or
is that impossible?

Quit the last one roll on

before we match the last one,
let's move over here.

De ca para alla, muchachos.
Move the camera.

Set up, Carlos.

Your excuse, Ms. Murphy.
I'll send for you when I want you.

Let's use a three.
No, put the four into.

Pepe!
Pepe, wait!

Wait, Pepe.

- Cual es su nombre?
- Pepe.

Pepe?

Who has the face
as funny as Pepe?

Who has the smile
as sunny as Pepe?

Who's the comical
little clown

there with the
trousers falling down?

Skipping hippity-hop,
like a busy bee.

I ask you

Who has the heart
happiest Pepe?

Who has a strut as
snappy as Pepe?

Who's the fellow
that rings the bell?

I know him well.
I'll even spell it for you.

- P-E-P-E.
- P-E-P-E.

- What does it spell?
- What does it spell?

- Pepe.
- Pepe.

- What does it mean?
- What does it mean?

What does Pepe mean?

What does Pepe mean?

Well?

Proud and happy with
his burro by his side!

Who has a face as
funny as Pepe?

He's no higher than a turkey,

but his smile is 2ft long.

Who has a smile as
sunny as Pepe?

And he always
makes a habit

out of helping
one and all.

About as sweet a
honey is Pepe.

He's no bigger than a rabbit,

but his heart is 10ft tall.

No bigger than a
bunny is Pepe.

No bigger than
a bunny is Pepe!

About as sweet as
honey is Pepe.

About as sweet as honey is he

Who has the face
as funny as Pepe?

Funny as Pepe.

Who has a smile
as sunny as Pepe?

Funny as Pepe.

Who's the pixie in baggy clothes?
There with the cute mustachios.

Skipping hipty-hop
What a sight to see!

Funny, sunny

Who has a heart
as happy a Pepe?

Happy as Pepe?

Who has a strut
as snappy as Pepe?

Snappy as Pepe?

The fella that rings the bell.
I know him well.

I'll even spell it for P-E-P-E.

P-E-P-E.

- Pepe!
- Pepe, that's me!

P-E-P-E.
Pepe!

That's me.

Who has the face
as funny as Pepe?

Who has the smile
as sunny as Pepe?

Who's the pixie
in baggy clothes?

There with the cute mustachios

- Skippin'hippity hop...
- It's like to see.

Who has the heart
happiest Pepe?

Who has the strawest
snappiest Pepe?

Who's the fellow
that rings the bell?

You know him well,

- I'll even spell it for
- P-E-P-E.

P-E-P-E.

Pepe!

Pepe!
That's me!

That's me!

That's me!

- Pepe!
- That's me!

That's me!

That's me!
That's me!

Pepe!
That's me!

That's me!

Pepe.

I'm going to give you
one more chance, Pepe.

- Another chance.
- Right.

- I'm a producer.
- You're a producer.

Janet Leigh and Tony Curtis are
down here for the film festival.

Yes.

I'd like to get them to
do a spot in my picture.

I want you to go to the florist.

I want you to get a
box of white violets.

- White violets?
- Right.

- Janet loves white violet.
- Yes?

I want you to take
them to bungalow ten.

- Bungalow Ten?
- Right.

You deliver them to
Janet Leigh personally.

When close my card.

I'll drop around after shooting.
We'll talk about the picture.

- You like the brush?
- No, thanks. I'm a lunch hour.

My son, go for swim.
But don't go too far out.

Take your hat.

Go swimming.
Go swimming.

Make a practice
your Australian crawl.

Pepe!

Remember white violets.
Deliver them personally.

Remember? I remember.
Bungalow ten. Personality.

Miss Janet Leigh.

Bueno. Oh, hi, darling.
Yes, I can hear you just fine.

Why are you still in Mexico City?

Janet? Things took just a little
bit longer than I expected.

There'll be a Senor Sanchez.

Sanchez? Yes, he's the chairman
of the censorship board.

He'll be coming by to
have cocktails with us.

- What for?
- Motion picture passion.

- Passion?
- Passion?

Yes, I think it's
going to be the

American entry in a
Mexican film festival.

Oh, honey, that's marvelous.

Now you'll be a good sport
and cement good relations.

You take care of
him until I get there.

Okay? Will you be here
in time for the party?

Janet? The plane's leaving
now and if I can make it,

I'll be there in about an hour.
I'm all dressed. Everything's set.

Okay, goodbye.

Excuse me, sir. You know
where is the bungalow ten?

- It is on top of the hill.
- Top of the hill?

Top of the hill.
You just followed that jeep.

Oh, thank you, sir. I have a flowers.
Yes, follow the jeep.

Right.

Hey, hombre.

Bungalow ten, joven.

Hijole!

Turista!
The bungalow ten.

Hey, hombre, ya palo le tantito.
No hay respeto con turista.

Que no vas de
Bungalow ten?

Bungalow ten.

Delivery personality.

Hello?
Nobody in home?

Hi?

Hi?

It's very good.

She's not very neat.

Delivery personally.

What are you doing here?

I bring you flowers.

What ride has a delivery boy
to come into my bathroom?

I am not delivery boy.

I bring the violets to you,
but I am not a delivery boy.

I think you like to
talk about picture.

Oh, picture?
Senor.

I am not delivery boy.

Senor, senor.

- Senor.
- Yes?

- Please forgive me.
- Excuse me. It's my fault.

No, it's my fault.
I wasn't expecting you so soon.

Yes.

Why don't you wait in the living
room and I'll join you in a few minutes.

Thank you.
In the living room?

- Yes, right over there.
- What for?

- Well, you can't wait here.
- I don't mind.

Well, that's very sweet of you,

but right in the living room

and help yourself to some

champagne and bit of caviar.

Thank you very much.
Champagne and cavi...

Caviar?
What is caviar?

- Fish eggs.
- Fish eggs?

Huevos de pescado.
Fuchi, que porqueria.

I beg your pardon?

I mean, in my country, when we
clean the fish, we throw inside away.

- No, really?
- Yes.

Now, what do you know?

In my country,
we prefer to keep

the caviar and
throw the fish away.

- In your country?
- Yes. Isn't that strange?

- It's strange, but it this.
- Yes.

- I wait for you in the living room.
- The living room.

- Thank you.
- The living room...

- is the next of this room,
- Right next to that room.

- And I'll be there in a minute.
- I see you later.

Yes. Excuse me.
Sorry.

Your flowers.

Oh, no! Thank you.
Thank you.

- Hurry up, please.
- Yes. See you in a minute.

As delicious.

It's delicious.

I hope I didn't keep
you waiting too long.

- A quico!
- Something wrong?

Why you wear so many diamonds,
you don't be afraid somebody steal you.

These aren't diamonds.
Just bugle beads.

- Bugle beans?
- Bugle beads.

- Beads.
- Beads. There we are.

Yes.

- Now, should we have some champagne?
- I have some already.

Yes, there you have.
Well, let's have some more.

Thank you. Don't sit there.
He's wet. Excuse me. It's too late.

- Well, we'll try again.
- You feel better now?

- That's very...
- Good.

There we are.
I know the purpose of your visits.

And my husband called
me from Mexico City.

Oh, he must have a loud voice.

- I see you have a sense of humor.
- Salute.

- Oh, cheers.
- Cheers. What is that?

Cheers. In my
country we say cheers.

- In my country we say salute.
- Well.

And when the people is very happy in
a special occasion, we drink like that.

Crusadita, un crusadita.

- Now, salute.
- Sure.

This drink is very funny.
Make me tickles in my nose.

In your nose? The first time
I had it in me too, with a tickles.

Well, I'm aware that you
must be a very busy man.

So, should we talk about
what's on your mind?

Fish eggs?

Passion.

Passion?

You can speak freely
with me, senor.

I really want to know
how you feel about it.

- I don't.
- You don't?

Oh, I was hoping
that you liked it.

Well, I don't against it.

Oh, well, that's good.
Would you please?

- Please what?
- Light my cigarette.

- For sure. Really? Pleasure.
- Thank you.

It's a really pleasure.

I don't smoke,
but this is good.

I'm glad you like it.

Thank you very much.

Now, does that mean
you're going to show us?

- Passion?
- Yes.

Here?

Right now?

There's that sense
of humor again.

No, I mean the usual way.
With a search license in a big theater.

Lots of people, you know.

- You do this in your country?
- Of course, don't you?

In front of all those people?

After all, senor, I'm an artist.

Well, after all, I have a
son who is also an artist.

- Your son's an actor?
- It's a horse.

You're speaking figuratively.
Of course.

- I am.
- Just how big is your son?

Well, let me see.
He's about twice as big as me.

- Really?
- Really.

- Well, how old is he?
- He's four, going on five.

- No wonder.
- Good heavens, what do you feed him?

- Oats.
- Oats?

Oats.

I must remember
that when I go home.

Why, you don't need that.
You are big enough.

- And very pretty too.
- Thank you.

- With nice withers.
- Thank you.

And very fancy fat lock.

Oh, what sweet.

Como te tras para el?

- There we are.
- You put music, eh?

- Yes. You like music?
- I love music.

Well, good.
Shall we dance?

I'd rather show passion.
Passion.

Oh, that's marvelous.
Oh, I can't wait to tell my husband.

He will not mind?

Mind? Are you kidding?
He'll be delighted.

- Delighted?
- Oh, yes. Let's celebrate and dance.

- Celebrate. Your right.
- You can come right up over here.

Yes, of course.

Well, yeah. I think maybe
it's better up here, don't you?

Yeah, I think so.

You dance vey well.

Very good.

- Very good.
- I'm glad you like it.

"Oye" the diamond is very cold.

- Bugle beads.
- Your bugles are cold too.

I'm very comfortable.
Very comfortable.

- Hi.
- Oh, he's asleep.

- Who's asleep?
- Senor "who's",

chairman of the
censorship board.

Janet, this is not Senor Sanchez.
Senor Sanchez is six foot two.

Yes?

What's this fella doing in your...
doing in my arms?

- I was doing what you told me to do.
- Doing what?

Talking him into showing passion.

Janet, I tell you, this
is not Senor Sanchez.

- Well, then who is he?
- Well, how should I know?

Shh!

Well, if you don't know,
I don't know.

First time I saw him
was in the bathtub.

- What bathtub?
- Mine.

Out here.
Will you cut in?

- He was in it.
- No, I was.

Would you start
from scratch, please?

Now, look, he came
into my bathroom.

Yes?

He took one look at me,
ran right into the bedroom.

Oh, no, not again.
Here we go.

Right on?

I see him came in the bathroom,
took a look, ran into the bedroom.

Then what happened?

Look. And I asked him
to come in the living room.

Wait until I put some
clothes on, of course.

The bedroom, the bathroom,
then the living room.

What's he doing
here in the first place?

I don't know. He just
brought me some white violet.

Oh, then you do know?

No, I don't know him.
I never saw him before in my whole life.

And I must say he paid me
some rather nice compliments.

You never told me I had fancy
fetlocks and pretty withers.

Janet, fetlocks and pretty
withers are parts of a horse.

- A horse?
- A horse.

A horse?

- What do we do with him?
- Pepe?

- Hi, Ted.
- Hi, Janet, hi Tony.

Who's he?

Well, I sent him over with
some flowers for you, Janet, see.

- I down here making a picture.
- Who's the producer?

I thought you to do
be in the picture.

- Hello, partner.
- Who's going to be the producer?

I'm the producer?
It's true, partner?

Yeah. Well, not actually the producer.

Will you see what happens?
Tell you what really happened.

I'm very happy tonight.
Let's go dance.

Let's go dance.

Oh, not again!

That's the producer.

There, feel better?

- I have very bad overhang.
- Hangover.

- And you've really got one.
- I feel lousy.

Not half lousy enough.
And stop coddling him.

Let him suffer the lush.

Now I've heard everything.

How many hangovers
have you had?

Never should have let you taught me
to bring him down here in the first place.

- So, now it's my fault?
- No, is my...

No. They'd turned down anything
Mr. Holt was connected with.

Look, Miss Murphy,
I'm trying to make a picture.

And it's not getting any
easier between your

constant needling and
this moron's bungling.

Moron?
I am Catholic.

Well, you better say your beads
because I'm flying to Hollywood tonight.

Weekend with one
of your girlfriends?

No. I'm going to try and dig up
enough money to finish this picture.

- You mean money.
- We've run out ahead of schedule.

And while I'm gone,
I suggest you stop fussing

around with him like a mother
hen and work on your part.

You're supposed to be an actress,
not Florence Nightingale.

You could have put a lot more
feeling into that love scene.

Just so happens I know
you can do it better.

Got a very good memory, Miss Murphy.
It's important in director.

He have many trouble.

I am worth.

Pepe, don't say that.
You're the best thing about him.

Don't make excuses for him,
Pepe. He isn't worth it.

You stand up for him no matter
what he does, and it's wrong.

- But I love you for it.
- You do?

Of course I do.
How could I help it?

There's only one Pepe.

You're different from any
man in the whole wide world.

You think I'm different?

Yes.

You must wait
until bells ring out.

- Till she says it?
- With her arm around your neck.

Until she swears with
tears in her eyes.

Until she swears that she
loves you and you alone.

Because you are different
from any other man.

My son.

She tell me she love me.

You are about to have mother.
Are you happy?

Pepe!

Pepe!

- Can we have a little talk?
- Sure, partner.

You must go to rest, my son.
No more swimming today. Let's go.

Don Juan.
Keep out of the sun.

Right.

- You got the money, partner?
- Yeah, I got the money.

It's wonderful.
That is wonderful news.

Yeah, I'm a great guy.

Listen, partner, I have a secret
to tell you, as a big secret.

Nobody know but me.

Partner, I got a secret
to tell you too.

I'm afraid you're
not going to like it.

- Oh, don't say that.
- Everything...

I sold Don Juan.

Oh, it's not possible.
You mean your half?

No, the whole works.
Who buys half a horse?

Well, I had to.
I couldn't help it.

I had to have the money.
There just was no other way out, Pepe.

Don't just stand there,
say something.

Call me a louse or a heel,
but just say something, will you?

You are not a louse, Mr. Holt.

You are just a businessman.

- Yeah!
- That's all.

When do they take my son away?

Now look, Pepe.
Don Juan is not your son.

He's a horse, that's all.
Just a horse.

Just a horse.
Just a horse.

When do they take him?

Well, Mr. Robinson's going
to pick him up next week.

I am glad it's Mr. Robinson.
He is a very good man.

Yeah, he's a regular prince.

He would be kind to my son.

I mean, with my horse.
His horse.

Excuse me, please. I have to go
to tell the news to Don Juan.

I don't know how.
It will not be easy.

Pepe?

Yes?

Tell your son I'm very sorry.

I will miss him very much.

But I will not be lonely.
I have Susie.

- Susie?
- Yes.

- Our Susie. Susie Murphy?
- Yes.

We'll be married together.
Today I go to

Mexico City to find a big
church and make the arrangement.

- For you and Susie?
- Yes, it's true.

When you are gone, she told
me how much she loves me.

That is the secret.

Boy, that's some secret.

Well, congratulations.

I knew you'd be happy.

Excuse me, sir,
do you have rings?

We have rings, yes.

Excuse me again.
I would like to see one.

- What kind?
- Round.

Now, look, what I mean is
engagement, friendship, college.

I want a ring which
promised marriage.

Engagement.

How much would you like to pay?

I don't like to pay nothing.
But I guess it is not free.

No, not here.
What's your ceiling?

What?

I mean, how much
can you spend?

Oh, spend? My pig bank
is full to Adam's apple.

Not really. I...

Would you please have your
cashier total the bank.

And show the gentleman
your engagement rings.

Yes, madam.

Be careful, please.
Muchas gracias, senorita.

It's all right.

What would you like?
Gold, silver, platinum?

Part whom?

- Gold?
- Just gold.

- How many carates?
- Carrots?

I am buying for girl, not horse.

Show them the tray, please.

- But they are all pretty.
- How about a birthstone?

- When's your birthday?
- April.

- Diamond?
- Yes, it would be.

But, If I were your girl,

I'd pick this one.

- You think it's the best ring?
- Definitely.

Then I take.
Susie must�s happy best.

- You'll being married in church.
- What else?

Yes, that's the nicest way.

With a veil and all
the trimming, isn't?

No veil. No veil.
I don't wish to hide her face.

Because she is the most
beautiful girl in the world.

You are very pretty too.

Thank you.

I'm afraid you have to
select a less expensive ring.

You are 2000 pesos short.

It looks so pretty.

Yes.

"Let him have it"

Oh, I think I misread the tag.

Oh, yes. This is the
right price after all.

It's the right price?

Got bad eyesight.

You need more carrot, my friend.

Then you keep the
money and I take my pick.

I save for the baby.

And thank you very much. Muchas gracias.

You are very kind.
You are so sweet.

I never forget you.
Help Pepe very much.

You're welcome, Pepe.

And you tell your Susie for me.

I think she's getting
a wonderful guy.

Thank you very much.
I tell her... who you are?

My name's Kim Novak.

I try to remember.
Miss Kim Novak.

Goodbye.
Miss Kim Novak.

Well, there it is.

That's it.

Nothing to worry about.
Picture is great and so is the girl.

- Just like I said.
- Just like who said?

Okay, so I was wrong.

This will clean up for us.

You're back in stride again,
Daddy-o, better than ever.

And you called it right?
Yes. Susie is a star.

You would have been a fool to let
me take her out of the picture.

I must have been
crazy to even suggest.

Suggested? You had
my tail in a ringer.

- As what you said?
- What?

Rid of that girl and
that one dime. See?

- And that's the way you said it.
- Now, wait a minute. Wait a minute.

But you too.

How else do you think
you got Don Juan?

Don Juan?
Is that why you sold him?

Because of me?

What are you doing up there?

All this time
I've been fighting you,

making trouble,
acting like a witch.

Well, he usually gets sweet on his leading
ladies but it never lasts to the 6th treal.

I knew he was hooked.

Why didn't you listen to Mr. Robinson?

Why didn't you kick me out?

I'll tell you why.

Because I believed in you.

I believed in myself.

Then you're not hooked.

You just did it to show him.

Sure, he is hooked.
Reeled in and on the griddle.

You know something?
You talk too much.

But he's telling you the truth.

Then why don't you?

Miss Murphy, when a man has said I love
you as many times as Holt didn't mean it.

Pretty hard to
say it when he does.

Especially in front of an audience.

I think I feel like a cigar.

- Te gusta?
- Si, senor.

- Mr. Robinson.
- Pepe.

Mr. Robinson, I know
you comfort on Juan.

Yes, among other things.

I saw the picture.
I'm quite excited about it.

- How you like Susie?
- Susie was wonderful.

It's good news to me.

- I have a secret to tell you.
- Yes?

Susie and I to be married.
I buy a ring.

- You and Susie?
- Yes, Mr. Robinson.

You can see.

Well, that's very nice.

It's the best.

- Susie told you she'd marry you?
- Not yet. But she tells she loved me.

- She did, eh?
- Yes.

Well, look, Pepe, there are
many different kinds of love.

You're right.
You're right, Mr. Robinson.

Mr. Chevalier tell me
the same thing.

- Well, he should know.
- Sure.

Now, you see, a person
can love many people.

- Yes.
- Now, you love Susie.

You love Don Juan.
You love your mother.

- Mr. Holt too.
- That's right.

But it takes a very special kind
of love to make a marriage.

That is the kind
I have for Susie.

Well, I don't think that Susie
has that kind of love for you.

- You don't?
- No. Pepe.

Susie feels that kind of love
for Mr. Holt and he for her.

Oh, it's not possible.
Are you kidding?

- No.
- Always they fight.

Sometimes you only fight
with those you love best.

- What do you mean?
- Well, I'll let you in on a secret.

My wife and I,
we fight all the time.

You mean your wife and you?

That's right.
And I with her.

- And you love her?
- Yes, very much.

- You would not fool me?
- No, Pepe, I wouldn't fool you.

I make a big mistake.

I asked San Antony, please. Por favor,
bring Mr. Holt and Susie together.

He answered me too
soon and too good.

And too good.

Oh, Pepe?

The Bible says:
"The Lord knows best".

And I'm sure that your friend
St. Anthony is a good friend of the Lord.

After all, they are happy.

I'm happy too.

Please, Mr. Robinson,

give this ring to
Susie and say...

it's a wedding gift
from Pepe.

- I'll tell her.
- Thank you.

Pepe.

Come back to the States with me.

Stay with your son.

He's no longer my son.

He's yours.

I stay here in my own
country where I belong.

Adios, Mr. Robinson.

Adios.

Please. When
Don Juan to be old,

ready for pasture.

Don't send him alone.

Let him take a Strawberry
Row with him.

He don't like to be alone.

I know him very well.

Thank you, Mr. Robinson.

Well, can we ditch the love
stuff and talk business?

We've got to find Pepe first.
Something we have to tell him.

That won't be necessary.
He already knows I told him.

You? Where is he?

He just left me.

He asked me to give
you this wedding present.

Oh, Pepe.

Oh Pepe, what have
I done to you?

What have we
both done to him?

- How do he take it?
- He's got plenty of character.

- That's all he's got.
- What do you mean, that's all?

Pepe owns a half interest
of his half in my picture.

What do you mean,
your picture?

- Ted?
- Wait a minute.

- What do you mean...
- Ted? We've got to get Don Juan back.

You're so right. Are you
listening to me? This is my turn.

- It is still my picture.
- Now you listen to me.

Don Juan happens to be my son.

Now, nobody tells me
what to do with my son.

What I do with him when I do it and
if I do it is strictly my own business.

Hello!

The story have a happy ending.

Mr. Robinson get pictures.
Susie, get Mr. Holt.

And I get my son.

He made grandfather.
Don Juan Jr. Twin chestnut.

Strawberry Roam.

Don Juan. Don Juan.
It's no secret. It's no secret.

You have to tell me.
Don Juan. Talk to me. Yes?

Now I know.
That's all right.

Well, in that�s frame
that is different.

Go on, my son.

Who has the face
as funny as Pepe?

Who has the smile
as sunny as Pepe?

Who's the fellow
that rings the bell?

I'll even spell
it for P-E-P-E.

Pepe, that's me!

Subtitles: Kilo

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