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1
00:00:15,688 --> 00:00:16,722
NATE FORD.
2
00:00:23,129 --> 00:00:26,099
AAH!
[ GUN COCKS ]
3
00:00:26,132 --> 00:00:27,333
YOU KNOW, YOU COULD HAVE --
4
00:00:27,366 --> 00:00:28,767
CALLED FIRST?
5
00:00:28,801 --> 00:00:31,437
YES, MR. FORD.
6
00:00:31,470 --> 00:00:33,372
I COULD HAVE CALLED FIRST.
7
00:00:33,406 --> 00:00:35,808
CHAZ...PUT IT AWAY.
8
00:00:39,312 --> 00:00:40,679
[ GROANS ]
9
00:00:41,814 --> 00:00:44,383
[ DOOR CLOSES ]
10
00:00:44,417 --> 00:00:46,352
MY NAME IS WALT --
11
00:00:46,385 --> 00:00:47,686
WHITMAN WELLESLEY IV.
12
00:00:47,720 --> 00:00:49,388
WELL-FUNDED, ON THE BOARD
13
00:00:49,422 --> 00:00:51,790
OF SEVERAL CORPORATIONS,
FOUNDATIONS.
14
00:00:51,824 --> 00:00:53,326
I KNOW WHO YOU ARE.
15
00:00:53,359 --> 00:00:54,527
GOOD.
16
00:00:54,560 --> 00:00:57,696
THEN YOU KNOW EXACTLY
WHAT'S AT RISK
17
00:00:57,730 --> 00:00:59,365
IF YOU REFUSE TO HELP ME.
18
00:01:01,400 --> 00:01:03,436
LET ME BE VERY CLEAR
ABOUT SOMETHING.
19
00:01:03,469 --> 00:01:05,671
I HELP PEOPLE WHO HAVE
NOWHERE ELSE TO GO.
20
00:01:05,704 --> 00:01:08,574
I HELP THEM
AGAINST PEOPLE LIKE YOU.
21
00:01:08,607 --> 00:01:09,842
THANKS FOR COMING.
22
00:01:11,510 --> 00:01:13,746
[ Voice breaking ]
BUT YOU MUST...
23
00:01:13,779 --> 00:01:15,348
HELP ME.
24
00:01:15,381 --> 00:01:16,482
[ SOBBING ]
25
00:01:19,885 --> 00:01:21,220
-UH...
-I'M GONNA...
26
00:01:21,254 --> 00:01:22,855
-MAYBE...
-I'M GONNA GO GET SOPHIE.
27
00:01:22,888 --> 00:01:24,623
SOPHIE, YEAH.
28
00:01:30,529 --> 00:01:33,899
MY WIFE HAS BEEN KIDNAPPED --
29
00:01:33,932 --> 00:01:36,502
MISSING FOR FOUR DAYS NOW.
30
00:01:36,535 --> 00:01:39,205
-BUT THERE'S BEEN NO RANSOM.
-NOT A WORD.
31
00:01:39,238 --> 00:01:41,740
SHE'S JUST...GONE.
32
00:01:41,774 --> 00:01:43,342
YOU POOR MAN.
33
00:01:43,376 --> 00:01:44,477
SHE'S BEEN MISSING
FOR FOUR DAYS,
34
00:01:44,510 --> 00:01:46,145
AND THERE'S NO EVIDENCE
OF FOUL PLAY.
35
00:01:46,179 --> 00:01:47,480
THE FBI HAS GIVEN UP
ON THE CASE.
36
00:01:47,513 --> 00:01:49,748
THAT'S WHY YOU'RE HERE.
SHE LEFT YOU, WELLESLEY.
37
00:01:49,782 --> 00:01:51,617
-NATE, THAT'S A BIT HARSH.
-WHAT?
38
00:01:51,650 --> 00:01:54,320
NO, IT ISN'T. LACEY WOULD
NEVER DELIBERATELY...
39
00:01:56,522 --> 00:01:59,425
I KNOW EXACTLY
WHAT THIS LOOKS LIKE.
40
00:01:59,458 --> 00:02:01,560
RICH MAN MARRIES
A WOMAN HALF HIS AGE,
41
00:02:01,594 --> 00:02:03,529
GETS JUST WHAT
HE DESERVES, BUT --
42
00:02:03,562 --> 00:02:05,898
-SHE WAS SPECIAL.
-IS.
43
00:02:05,931 --> 00:02:07,900
I WAS MARRIED FOR 37 YEARS.
44
00:02:07,933 --> 00:02:10,569
MY SONS ARE GROWN --
GRANDKIDS, TOO.
45
00:02:10,603 --> 00:02:14,207
WHEN DOT DIED --
MY FIRST WIFE --
46
00:02:14,240 --> 00:02:17,776
I WAS...BEREFT.
47
00:02:17,810 --> 00:02:21,680
FOR TWO YEARS, I JUST...
WENT THROUGH THE MOTIONS.
48
00:02:21,714 --> 00:02:25,518
I WAS JUST WAITING
TILL I...STOPPED.
49
00:02:25,551 --> 00:02:27,920
AND THEN YOU MET LACEY
AND FELL IN LOVE.
50
00:02:27,953 --> 00:02:31,657
SHE CHANGED ME...
51
00:02:31,690 --> 00:02:32,958
RESTORED ME.
52
00:02:32,991 --> 00:02:34,660
IF YOU SAY SO.
53
00:02:34,693 --> 00:02:36,829
WHATEVER YOU WANT...
54
00:02:36,862 --> 00:02:38,631
IT'S YOURS.
55
00:02:38,664 --> 00:02:42,835
JUST...FIND MY WIFE.
56
00:02:45,304 --> 00:02:47,406
PLEASE.
57
00:02:50,743 --> 00:02:52,478
I CAN FIND YOUR WIFE.
58
00:02:52,511 --> 00:02:53,946
BUT YOU'RE GONNA HAVE
TO DO SOMETHING FOR ME --
59
00:02:53,979 --> 00:02:56,515
A FAVOR, IN THE FUTURE.
60
00:02:56,549 --> 00:02:59,285
YOU HAVE POWER, INFLUENCE --
SOMETHING I MIGHT FIND USEFUL.
61
00:02:59,318 --> 00:03:00,719
DONE.
62
00:03:04,857 --> 00:03:07,693
THE RICH AND POWERFUL
TAKE WHAT THEY WANT.
63
00:03:07,726 --> 00:03:09,728
WE STEAL IT BACK FOR YOU.
64
00:03:16,569 --> 00:03:20,673
SOMETIMES, BAD GUYS
MAKE THE BEST GOOD GUYS.
65
00:03:22,408 --> 00:03:23,642
WE PROVIDE...
66
00:03:24,877 --> 00:03:26,044
GO AHEAD, SAY IT.
GO AHEAD.
67
00:03:26,078 --> 00:03:27,646
-I-I'M JUST SAYING HE LOVES HER.
-SAYING WHAT? OH, COME ON.
68
00:03:27,680 --> 00:03:29,282
MEN LIKE THAT TREAT PEOPLE
LIKE POSSESSIONS.
69
00:03:29,315 --> 00:03:31,417
-OH, JUST BECAUSE HE'S RICH
DOESN'T MEAN HE'S HEARTLESS.
-YOU SHOULD KNOW THAT.
70
00:03:31,450 --> 00:03:32,918
-OF ALL PEOPLE,
YOU'RE ACTUALLY --
-HE WAS WRECKED.
71
00:03:32,951 --> 00:03:34,987
-NO, WRECKED. I MEAN --
-YOU DON'T HAVE A ROMANTIC BONE
IN YOUR BODY.
72
00:03:35,020 --> 00:03:36,021
[ CHUCKLES ]
73
00:03:36,054 --> 00:03:36,955
-OH.
-OH, REALLY?
74
00:03:36,989 --> 00:03:37,956
AND YOU'RE ONE TO LAUGH.
75
00:03:37,990 --> 00:03:39,925
YOU DON'T EVEN BOTHER
TO LEARN THEIR NAMES.
76
00:03:39,958 --> 00:03:41,727
THEY'RE JUST WAITRESS,
NURSE, STEWARDESS.
77
00:03:41,760 --> 00:03:43,429
FIRST OF ALL, IT'S
FLIGHT ATTENDANT, ALL RIGHT?
78
00:03:43,462 --> 00:03:44,730
THEY DON'T LIKE
BEING CALLED STEWARDESS.
79
00:03:44,763 --> 00:03:46,732
AND, SECOND, I KNOW THEIR NAMES.
80
00:03:46,765 --> 00:03:48,601
YOU GUYS HAVING A THREE-WAY?
81
00:03:48,634 --> 00:03:49,968
-WHAT?
-WHAT?
82
00:03:50,002 --> 00:03:52,638
THREE-WAY FIGHT? HMM?
83
00:03:52,671 --> 00:03:55,474
ALL RIGHT, GUYS.
84
00:03:55,508 --> 00:03:57,343
WALT WHITMAN WELLESLEY IV.
85
00:03:57,376 --> 00:03:58,477
NOW, HE DOES LOOK
86
00:03:58,511 --> 00:04:00,946
LIKE EVERY OTHER SOULLESS C.E.O.
WE'VE TAKEN DOWN BEFORE,
87
00:04:00,979 --> 00:04:03,516
BUT TO BE HONEST, THIS GUY
GAVE AWAY MORE DOLLARS LAST YEAR
88
00:04:03,549 --> 00:04:04,983
THAN BILL AND MELINDA GATES.
89
00:04:05,017 --> 00:04:06,485
HE COMES FROM OLD MONEY.
90
00:04:06,519 --> 00:04:08,987
I'M TALKING LIKE "HIS ANCESTORS
INVESTED IN IBM
91
00:04:09,021 --> 00:04:10,856
WHILE COMING OVER
ON THE MAYFLOWER" OLD.
92
00:04:10,889 --> 00:04:12,891
OKAY. NOW, WHAT ABOUT
THE LOVELY WIFE, LACEY?
93
00:04:12,925 --> 00:04:15,628
LOVELY? SHE AIN'T LOVELY.
94
00:04:15,661 --> 00:04:17,763
LACEY BEAUMONT --
SHE MET HER FUTURE HUSBAND
95
00:04:17,796 --> 00:04:19,365
AT A CHARITY FUNCTION
IN THE HAMPTONS.
96
00:04:19,398 --> 00:04:21,434
BUT GET THIS --
SHE BOUGHT OLD BOY
97
00:04:21,467 --> 00:04:22,768
AT ONE OF THOSE
BACHELOR AUCTIONS.
98
00:04:22,801 --> 00:04:24,470
THEY GET MARRIED
LESS THAN A MONTH LATER.
99
00:04:24,503 --> 00:04:26,739
SEE? LOVE AT FIRST SIGHT.
100
00:04:26,772 --> 00:04:28,073
YEAH, OR SHE WANTED
TO GET HITCHED
101
00:04:28,106 --> 00:04:29,808
BEFORE THE BACKGROUND CHECK
WENT THROUGH.
102
00:04:29,842 --> 00:04:31,644
YEAH, THANK YOU. OKAY. SO SHE'S
BEEN MISSING FOR FOUR DAYS.
103
00:04:31,677 --> 00:04:33,646
WHAT CAN YOU TELL ME
ABOUT THAT TIME PERIOD?
104
00:04:33,679 --> 00:04:34,613
WELL, THERE'S NO ACTIVITY
105
00:04:34,647 --> 00:04:36,649
ON THE CREDIT CARDS
OR THE BANK ACCOUNTS,
106
00:04:36,682 --> 00:04:38,884
BUT GOING BACK TO...
107
00:04:38,917 --> 00:04:40,118
GOT A LOT OF CASH WITHDRAWALS,
OVER $2 MILLION-PLUS,
108
00:04:40,152 --> 00:04:42,655
ALL TRANSFERRED
TO THE SAME ACCOUNT.
FIND ME THAT BANK.
109
00:04:42,688 --> 00:04:45,491
BANK'S IN THE HAMPTONS, BUT...
110
00:04:45,524 --> 00:04:49,428
OH, THAT ACCOUNT WAS EMPTIED
AND CLOSED FOUR DAYS AGO.
111
00:04:49,462 --> 00:04:51,764
ALL RIGHT, ALL RIGHT, ALL RIGHT.
SHE'S A GRIFTER.
112
00:04:51,797 --> 00:04:54,833
BUT IT DOESN'T MEAN THAT
WELLESLEY'S FEELINGS
AREN'T GENUINE.
113
00:04:54,867 --> 00:04:56,101
OH, COME ON.
114
00:04:56,134 --> 00:04:57,836
LOOK, GUYS,
SWEETHEART SCAMS LIKE THIS
115
00:04:57,870 --> 00:04:59,938
USUALLY TAKE, WHAT,
SIX MONTHS, RIGHT, TO PULL OFF?
116
00:04:59,972 --> 00:05:01,374
THIS IS A LAND-SPEED RECORD.
117
00:05:01,407 --> 00:05:03,075
HERE'S A LIST
OF OTHER WEALTHY MEN
118
00:05:03,108 --> 00:05:05,678
WHO MARRIED WITHIN A MONTH
OF MEETING THEIR SPOUSES.
119
00:05:05,711 --> 00:05:07,813
THAT'S A LOT
OF MYSTERIOUS ACCIDENTS.
120
00:05:07,846 --> 00:05:10,783
AND THEY EACH SEEM TO HAVE MET
AT ONE OF THESE FUNCTIONS.
121
00:05:10,816 --> 00:05:12,951
WELL, THAT'S LACEY'S PATTERN.
122
00:05:12,985 --> 00:05:15,020
YEAH, WELL, IT LOOKS LIKE LACEY
MIGHT BE A BLACK WIDOW.
I'M JUST SAYING.
123
00:05:15,053 --> 00:05:17,423
YEAH, SHE MAY NOT
HAVE KILLED WELLESLEY,
124
00:05:17,456 --> 00:05:18,691
BUT SHE'S OUT THERE,
SPINNING HER WEB.
125
00:05:18,724 --> 00:05:19,958
MM-HMM.
126
00:05:19,992 --> 00:05:21,427
NOW, THERE'S
ANOTHER CHARITY FUNCTION
127
00:05:21,460 --> 00:05:22,294
TOMORROW IN THE HAMPTONS.
128
00:05:22,327 --> 00:05:24,730
SAME DEAL --
LIVE AND SILENT AUCTIONS,
129
00:05:24,763 --> 00:05:25,931
REAL HIGH-END VENDORS.
130
00:05:25,964 --> 00:05:27,833
AND WHEN YOU COMPARE IT
TO YOUR OTHERS...
131
00:05:27,866 --> 00:05:30,002
EVERYBODY, PACK YOUR BAGS.
WE'RE GOING TO A PARTY.
132
00:05:30,035 --> 00:05:32,571
LET'S GO STEAL A SWEETHEART.
133
00:05:32,605 --> 00:05:34,707
NO? A WIDOW.
134
00:05:34,740 --> 00:05:36,675
-UNH-UNH.
-NO? SPIDER?
135
00:05:36,709 --> 00:05:38,577
SPIDER.
136
00:05:48,721 --> 00:05:50,923
LACEY WILL HAVE CHANGED
HER NAME AND APPEARANCE --
137
00:05:50,956 --> 00:05:52,758
DIFFERENT HAIR,
COLORED CONTACTS.
138
00:05:54,960 --> 00:05:57,763
MORE THAN THAT -- IF SHE'S
AS GOOD AS WE THINK SHE IS,
139
00:05:57,796 --> 00:06:00,132
THEN SHE CAN CHANGE
HER SKIN TYPE WITH MAKEUP,
140
00:06:00,165 --> 00:06:03,569
HER BODY SHAPE WITH CLOTHING,
CREATE A WHOLE NEW PERSON.
141
00:06:03,602 --> 00:06:05,504
PARKER, ANY LUCK?
142
00:06:08,607 --> 00:06:11,610
NO MATCHES
ON HARDISON'S SOFTWARE YET.
143
00:06:11,644 --> 00:06:14,713
OOH. SPARKLY.
144
00:06:14,747 --> 00:06:15,748
PARKER, NO BURGLING.
145
00:06:15,781 --> 00:06:17,483
BUT THESE JEWELS --
146
00:06:17,516 --> 00:06:19,418
THEY'RE JUST ASKING
TO BE TAKEN.
147
00:06:19,452 --> 00:06:21,119
[ SIGHS ]
148
00:06:21,153 --> 00:06:22,821
[ INDISTINCT CONVERSATIONS ]
149
00:06:31,664 --> 00:06:33,732
LADIES AND GENTLEMEN,
150
00:06:33,766 --> 00:06:36,769
OUR ANNUAL BACHELOR AUCTION
IS ABOUT TO BEGIN!
151
00:06:36,802 --> 00:06:39,037
[ APPLAUSE ]
I KNOW, I KNOW. YOU'RE EXCITED.
152
00:06:39,071 --> 00:06:42,775
NOW LET'S DIG DEEP
INTO THOSE UNALLOCATED FUNDS.
153
00:06:42,808 --> 00:06:45,177
REMEMBER, IT'S FOR CHARITY.
154
00:06:46,779 --> 00:06:49,181
STEAK DINNER TO WHOEVER GETS
THE HIGHEST BID?
155
00:06:49,214 --> 00:06:51,584
I'M IN.
156
00:06:57,956 --> 00:06:59,992
ALL RIGHT, LADIES!
157
00:07:00,025 --> 00:07:02,060
ARE WE READY
FOR OUR NEXT BACHELOR?
[ WOMEN CHEERING ]
158
00:07:02,094 --> 00:07:04,630
LACEY SHOULD BE AMONG
THE HIGH BIDDERS.
159
00:07:04,663 --> 00:07:07,232
PARKER AND I WILL DRIVE THE BIDS
HIGHER BY COUNTERING.
160
00:07:07,265 --> 00:07:09,535
ELIOT, PICK A BIDDER
AND MAINTAIN EYE CONTACT.
161
00:07:09,568 --> 00:07:11,504
PAYING ATTENTION TO ONE
WILL CEMENT THE BID
162
00:07:11,537 --> 00:07:12,671
AND PUT ALL THE OTHERS OFF.
163
00:07:12,705 --> 00:07:14,139
YEAH, I GOT IT.
164
00:07:14,172 --> 00:07:19,244
THEN LET'S MEET AUSTIN, TEXAS,
NATIVE JACKSON COOPER!
165
00:07:19,277 --> 00:07:20,879
AUSTIN, TEXAS?
[ CHEERS AND APPLAUSE ]
166
00:07:20,913 --> 00:07:22,681
DID YOU WRITE THAT?
167
00:07:22,715 --> 00:07:24,249
ALL RIGHT.
168
00:07:24,282 --> 00:07:28,120
NOW, NOT ONLY IS JACKSON
THE FOUNDER OF BARON OIL,
169
00:07:28,153 --> 00:07:29,888
HE ALSO LED THE UNDERWATER TEAM
170
00:07:29,922 --> 00:07:31,156
THAT CAPPED THE WELL
IN THE GULF.
171
00:07:31,189 --> 00:07:32,825
[ AUDIENCE MURMURS ]
OH, YES.
172
00:07:32,858 --> 00:07:36,094
SO WE ARE GONNA START
THIS AUCTION OFF AT $1,000.
173
00:07:36,128 --> 00:07:37,262
DO I HEAR $1,000?
174
00:07:37,295 --> 00:07:38,831
$1,000 RIGHT AWAY.
VERY GOOD.
175
00:07:38,864 --> 00:07:40,933
$1,500.
LOOKING FOR $1,500.
176
00:07:40,966 --> 00:07:42,835
$1,500.
$1,500 IN THE BACK THERE!
177
00:07:42,868 --> 00:07:45,137
$2,000, $2,000. $2,000.
178
00:07:45,170 --> 00:07:47,506
$2,500. ANYONE, $2,500?
$2,500 RIGHT THERE.
179
00:07:47,540 --> 00:07:49,041
WE HAVE $3,000.
DO I HEAR $3,000?
180
00:07:49,074 --> 00:07:51,076
$3,000 TO THE LOVELY LADY
IN THE FRONT.
181
00:07:51,109 --> 00:07:54,246
LOOKING FOR $3,500.
COME ON, LADIES, DON'T BE SHY.
182
00:07:54,279 --> 00:07:55,748
ME, ME!
183
00:07:55,781 --> 00:07:57,916
-$3,500 RIGHT THERE
IN THE BACK! DO I HAVE $4,000?
-Thank you, Sophie.
184
00:07:57,950 --> 00:07:59,985
$4,000. $4,000 IN FRONT.
185
00:08:00,018 --> 00:08:02,655
DO I HAVE $4,500, ANYONE?
$4,500 OVER THERE!
186
00:08:02,688 --> 00:08:05,724
$4,500. GOING FOR $5,000.
$5,000 RIGHT IN FRONT.
187
00:08:05,758 --> 00:08:08,794
$5,500 IN THE BACK THERE.
WE HAVE $5,500.
188
00:08:08,827 --> 00:08:10,228
$6,000 OVER THERE.
189
00:08:10,262 --> 00:08:11,930
$6,500. THANK YOU. $7,000.
190
00:08:11,964 --> 00:08:13,766
$7,000 IN THE BACK.
DARE WE GO $7,500?
191
00:08:13,799 --> 00:08:15,167
$7,500, GOOD. $8,000.
192
00:08:15,200 --> 00:08:18,937
$8,500.
$8-- WAIT. HOLD ON. HOLD ON.
193
00:08:18,971 --> 00:08:20,573
WE GOT $10,000 RIGHT HERE.
194
00:08:20,606 --> 00:08:23,876
THAT'S $10,000 GOING ONCE.
$10,000 GOING TWICE.
195
00:08:23,909 --> 00:08:26,178
AND SOLD TO THIS LOVELY LADY
UP FRONT.
196
00:08:26,211 --> 00:08:27,646
[ APPLAUSE ]
197
00:08:29,748 --> 00:08:31,049
[ French accent ] ENCHANTé.
198
00:08:31,083 --> 00:08:32,885
-OOH. FRENCH.
-PHOTO FOR THE SOCIETY PAGE?
199
00:08:32,918 --> 00:08:34,252
YOU WANT TO TAKE A PICTURE?
200
00:08:34,286 --> 00:08:35,554
[ CAMERA SHUTTER CLICKS ]
[ GASPS ]
201
00:08:35,588 --> 00:08:37,155
I GOT YOU.
202
00:08:37,189 --> 00:08:38,757
OOH. KLUTZ.
203
00:08:38,791 --> 00:08:40,593
PARKER, ANY LUCK?
204
00:08:40,626 --> 00:08:42,761
GOT PHOTOS OF EVERY GIRL
LACEY'S AGE. STILL NO MATCH.
205
00:08:42,795 --> 00:08:44,296
OOH. LOVELY.
206
00:08:44,329 --> 00:08:46,799
THAT'S RIGHT, LADIES.
207
00:08:46,832 --> 00:08:50,335
LET'S GIVE IT UP
FOR OUR LAST ELIGIBLE BACHELOR,
208
00:08:50,368 --> 00:08:52,738
MR. STEVEN MELCHING.
209
00:08:52,771 --> 00:08:55,708
[ APPLAUSE ]
COME ON, STEVEN.
210
00:08:55,741 --> 00:08:57,943
STEVEN COMES TO US
211
00:08:57,976 --> 00:08:59,845
STRAIGHT FROM HIS COMPOUND
IN SILICON VALLEY.
212
00:08:59,878 --> 00:09:01,580
WHOA, WHOA, WHOA!
213
00:09:01,614 --> 00:09:05,584
SO, WE'RE GONNA START
THIS AUCTION OFF AT $1,000.
214
00:09:05,618 --> 00:09:07,119
$1,000 FROM THE ENTHUSIASTIC
LADY IN THE FRONT.
215
00:09:07,152 --> 00:09:08,754
WE'RE LOOKING FOR $1,500.
216
00:09:08,787 --> 00:09:11,624
$1,500 UP BACK THERE. $1,500.
LOOKING FOR $2,000.
217
00:09:11,657 --> 00:09:13,692
$2,000, THANK YOU.
LOOKING FOR $2,500.
218
00:09:13,726 --> 00:09:14,960
GOING FOR -- $2,500 OVER THERE.
219
00:09:14,993 --> 00:09:16,328
-OOH.
-$3,000. LOOKING FOR $3,000.
220
00:09:16,361 --> 00:09:20,032
$3,000 RIGHT HERE.
$3,500 OVER HERE.
221
00:09:20,065 --> 00:09:21,199
-THANK YOU. LOOKING FOR $4,000.
-Parker.
222
00:09:21,233 --> 00:09:22,400
Parker, Parker.
223
00:09:22,434 --> 00:09:24,069
-Parker, put your hand up.
-LOOKING FOR $4,000, ANYBODY.
224
00:09:24,102 --> 00:09:25,370
-YOU -- YOU --
-ANYBODY.
225
00:09:25,403 --> 00:09:26,271
-You better bid.
-ANYONE, ANYONE.
226
00:09:26,304 --> 00:09:28,707
WHAT? I'M UP. IT'S UP.
JUST WATCH HER.
227
00:09:28,741 --> 00:09:29,474
KEEP YOUR EYES ON HER.
THERE'S A STEAK.
228
00:09:29,507 --> 00:09:30,876
MMM. [ GROWLS ]
STEAK FOR YOU.
229
00:09:30,909 --> 00:09:32,678
$4,000 RIGHT THERE.
THERE WE GO.
230
00:09:32,711 --> 00:09:34,046
$4,000. $4,500, ANYONE?
ANYONE?
231
00:09:34,079 --> 00:09:36,314
$4,500 RIGHT HERE.
LOOKING FOR $5,000.
232
00:09:36,348 --> 00:09:38,984
WHERE'S $5,000?
DO I HEAR $5,000, ANYONE?
233
00:09:39,017 --> 00:09:40,919
ANYONE, $5,000?
$6,000, RIGHT HERE.
234
00:09:40,953 --> 00:09:42,320
$6,000. $6,500 RIGHT HERE.
235
00:09:42,354 --> 00:09:44,923
-OOH!
-$7,000. $7,000. THANK YOU.
236
00:09:44,957 --> 00:09:46,692
$7,500 UP FRONT HERE.
237
00:09:46,725 --> 00:09:49,127
$8,000 IN THE BACK THERE.
LOOKING FOR $8,500.
238
00:09:49,161 --> 00:09:50,696
$8,500 RIGHT --
239
00:09:50,729 --> 00:09:54,199
LADIES AND GENTLEMEN,
WE HAVE A BID FOR $15,000.
240
00:09:54,232 --> 00:09:56,835
[ CHEERS AND APPLAUSE ]
OOH!
241
00:09:57,770 --> 00:09:59,938
YOU SAY $15,000?
242
00:09:59,972 --> 00:10:01,707
I'M GONNA SAY SOLD RIGHT HERE!
243
00:10:01,740 --> 00:10:04,209
-AAH! [ GIGGLING ]
-WELL DONE, BROTHER.
244
00:10:04,242 --> 00:10:05,243
I'LL BE DAMNED.
245
00:10:05,277 --> 00:10:06,712
-HOW YOU DOING?
-HI!
246
00:10:06,745 --> 00:10:09,915
I'M GETTING ME A STEAK DINNER.
STEAK-UMMS.
247
00:10:09,948 --> 00:10:11,349
[ SIGHS ]
248
00:10:11,383 --> 00:10:12,751
[ CHUCKLES ]
249
00:10:12,785 --> 00:10:14,252
REMEMBER WHEN WOMEN HAD DIGNITY?
250
00:10:14,286 --> 00:10:15,353
AH, YES.
251
00:10:15,387 --> 00:10:16,855
MYSTERY AND ALLURE, TOO --
252
00:10:16,889 --> 00:10:18,724
THINGS OF THE PAST, I'M AFRAID.
253
00:10:18,757 --> 00:10:20,693
I'M MEREDITH.
254
00:10:20,726 --> 00:10:22,661
AH. LADY CHARLOTTE PRENTICE.
255
00:10:22,695 --> 00:10:25,230
-OH, DUCHESS, MAY I,
FOR THE SOCIETY PAGE?
-OF COURSE.
256
00:10:25,263 --> 00:10:26,865
[ COUGHING ]
[ CAMERA SHUTTER CLICKING ]
257
00:10:26,899 --> 00:10:29,768
OH, WELL, I -- I SHOULD, UH,
GO TAKE A PHOTO
258
00:10:29,802 --> 00:10:32,004
OF THE HIGHEST BIDDER
WITH HER PRIZE.
259
00:10:32,037 --> 00:10:33,138
NICE MEETING YOU.
260
00:10:33,171 --> 00:10:36,074
You bid $15,000? Wow.
261
00:10:36,108 --> 00:10:37,142
THAT SURE IS A LOT.
262
00:10:37,175 --> 00:10:38,811
-MAY I?
-YOU SURE? $15,000?
263
00:10:38,844 --> 00:10:40,212
-OH! [ GIGGLES ]
-WHOA.
264
00:10:40,245 --> 00:10:41,847
OH. THEY'RE ALL KLUTZES.
265
00:10:41,880 --> 00:10:43,448
-[ GIGGLES ] EXCUSE ME.
-OH.
266
00:10:43,481 --> 00:10:45,417
-THANK YOU. YOU'RE SO STRONG.
-OH.
267
00:10:45,450 --> 00:10:46,952
WAIT. THEY'RE ALL KLUTZES.
268
00:10:46,985 --> 00:10:49,187
SHE TRIPPED, TOO. THAT'S ODD.
269
00:10:49,221 --> 00:10:52,224
YOU HAVE...THE BLUEST EYES.
270
00:10:52,257 --> 00:10:54,092
WHAT?
271
00:10:54,126 --> 00:10:55,460
[ CAMERA SHUTTER CLICKING ]
272
00:10:55,493 --> 00:10:57,429
-OHH!
-OHH!
273
00:10:57,462 --> 00:10:59,131
HEY. HOW YOU DOING?
YOU OKAY?
274
00:10:59,164 --> 00:11:02,034
I'M -- I'M SO SORRY.
I-I JUST WASN'T LOOKING.
275
00:11:02,067 --> 00:11:04,269
AH, LOOKS LIKE THE WORKING GIRL
COULD USE A DRINK.
276
00:11:04,302 --> 00:11:05,804
WORKING GIRL?
277
00:11:05,838 --> 00:11:08,206
I'M SORRY. I-I DIDN'T MEAN IT
LIKE THAT. I WAS...
278
00:11:10,208 --> 00:11:11,744
50-YEAR-OLD BALMOOR. MMM.
279
00:11:11,777 --> 00:11:14,146
YES, IT IS, INDEED.
CASK STRENGTH.
280
00:11:14,179 --> 00:11:15,480
YOU KNOW, YOU'RE A LOUSY VENDOR.
281
00:11:15,513 --> 00:11:17,115
YOU COULD HAVE SAVED
A LOT OF MONEY DILUTING THIS
282
00:11:17,149 --> 00:11:19,217
WITHOUT ANYONE THE WISER.
283
00:11:19,251 --> 00:11:20,853
MONEY'S NOT ONE OF MY WORRIES.
284
00:11:20,886 --> 00:11:22,220
REALLY?
285
00:11:25,924 --> 00:11:27,459
OUTRAGEOUS.
286
00:11:27,492 --> 00:11:28,794
HMM?
287
00:11:28,827 --> 00:11:30,729
A LOVELY LADY LIKE YOU
GOING THIRSTY.
288
00:11:30,763 --> 00:11:32,164
-OH.
-UNACCEPTABLE.
289
00:11:32,197 --> 00:11:33,131
-OH? [ CHUCKLES ]
-CHAMPAGNE?
290
00:11:33,165 --> 00:11:34,199
LOOK AT THAT.
291
00:11:36,434 --> 00:11:38,003
LADY CHARLOTTE PRENTICE.
292
00:11:38,036 --> 00:11:39,905
OSCAR SAN GUILLERMO.
293
00:11:39,938 --> 00:11:43,942
I ORGANIZE THESE FUNDRAISERS
FOR THE LOCAL CHARITIES.
294
00:11:43,976 --> 00:11:45,077
NOT A FAN?
295
00:11:45,110 --> 00:11:46,478
OH, IT'S NOT THAT.
I JUST -- [ SCOFFS ]
296
00:11:46,511 --> 00:11:48,346
I KNOW, I KNOW.
IT'S A LITTLE OVER THE TOP,
297
00:11:48,380 --> 00:11:50,482
BUT SEPARATING ALL THESE
RICH PEOPLE FROM THEIR MONEY
298
00:11:50,515 --> 00:11:52,484
FOR A GOOD CAUSE --
THAT'S FORGIVABLE, ISN'T IT?
299
00:11:52,517 --> 00:11:54,452
I'D SAY.
300
00:11:54,486 --> 00:11:56,354
TO OLD FRIENDS AND NEW.
301
00:11:56,388 --> 00:11:58,390
HA.
302
00:12:00,158 --> 00:12:02,294
-OOH.
-AHH.
303
00:12:02,327 --> 00:12:04,362
YOUR EYES ARE SO DEEP.
304
00:12:06,832 --> 00:12:11,303
E-EXCUSE ME ONE MOMENT,
PLEASE. SORRY.
305
00:12:11,336 --> 00:12:13,105
EVERYONE, LISTEN UP.
306
00:12:13,138 --> 00:12:16,141
THIS TECHNIQUE, THE STARING --
IT'S CALLED SOUL-GAZING.
307
00:12:16,174 --> 00:12:19,144
JUST TWO MINUTES OF IT CAN
CREATE REAL FEELINGS OF LOVE.
308
00:12:19,177 --> 00:12:20,512
-OOH!
-IT'S OAKY.
309
00:12:20,545 --> 00:12:23,215
Nate, the tripping,
the soul-gazing --
310
00:12:23,248 --> 00:12:25,951
it's every seduction technique
in the book.
311
00:12:25,984 --> 00:12:30,889
THEY'RE ALL ON SCRIPT --
EVERY SINGLE ONE OF THEM.
312
00:12:30,923 --> 00:12:32,357
SO TRUE.
313
00:12:32,390 --> 00:12:34,292
THAT'S RIGHT.
314
00:12:39,464 --> 00:12:41,867
NOT BAD.
315
00:12:41,900 --> 00:12:44,002
[ GIGGLES ]
316
00:12:44,036 --> 00:12:46,805
THE WOMEN --
THEY'RE ALL GRIFTERS.
317
00:12:48,073 --> 00:12:50,075
WE CAME HERE LOOKING
FOR ONE LACEY.
318
00:12:50,108 --> 00:12:52,811
WE STUMBLED ACROSS
AN ENTIRE RING OF LACEYS.
319
00:12:52,845 --> 00:12:54,512
NO WONDER THE MEET-TO-MARRY TIME
IS SO QUICK.
320
00:12:54,546 --> 00:12:56,915
ANYONE WOULD BE
SUSCEPTIBLE TO THIS.
321
00:12:56,949 --> 00:12:59,818
IT'S LIKE AN ASSEMBLY LINE
OF GRIFT.
322
00:12:59,852 --> 00:13:00,718
I HAVE NEVER TRIED THAT.
323
00:13:00,752 --> 00:13:02,454
-OH, I'M GONNA GET YOU -- OKAY.
-THANKS.
324
00:13:02,487 --> 00:13:04,156
SOPHIE, OKAY.
I CAN'T TALK RIGHT NOW.
325
00:13:04,189 --> 00:13:05,423
YOU GOT TO TAKE POINT, OKAY,
326
00:13:05,457 --> 00:13:07,059
and try to get us
some information.
327
00:13:07,092 --> 00:13:07,860
PARKER?
328
00:13:07,893 --> 00:13:08,827
HUH?
329
00:13:08,861 --> 00:13:09,928
Are you up to doing some lifts?
330
00:13:09,962 --> 00:13:11,163
OH, GOODY.
331
00:13:13,598 --> 00:13:16,168
Just phones.
We're only gonna clone them.
332
00:13:16,201 --> 00:13:19,537
-FINE.
-I'll meet you
in the lobby in five minutes.
333
00:13:19,571 --> 00:13:21,606
GUYS, DISTRACT THE WOMEN.
GET CLOSE TO THEM.
334
00:13:21,639 --> 00:13:23,175
CREATE SOME HEAT.
335
00:13:23,208 --> 00:13:25,878
-[ GIGGLING ]
HOW'D YOU SWING THAT?
-YEAH.
336
00:13:25,911 --> 00:13:27,412
[ CELLPHONE BEEPING ]
Y-YOU KNOW...
337
00:13:27,445 --> 00:13:31,349
LET ME GET TO KNOW YOU
REAL QUICK.
338
00:13:34,019 --> 00:13:35,387
-ALL RIGHT...
-OH. OH, YEAH.
339
00:13:35,420 --> 00:13:36,521
[ BOTH LAUGH ]
340
00:13:36,554 --> 00:13:37,589
-YEAH.
-ALL RIGHT.
341
00:13:37,622 --> 00:13:39,557
OKAY.
342
00:13:39,591 --> 00:13:42,327
[ CELLPHONE BEEPING ]
343
00:13:42,360 --> 00:13:46,198
JUST VERY, VERY...
344
00:13:46,231 --> 00:13:49,434
LET ME TELL YOU SOMETHING.
345
00:13:49,467 --> 00:13:52,170
I OWN A VINEYARD
IN THE SOUTH OF FRANCE.
346
00:13:52,204 --> 00:13:53,571
[ CELLPHONE BEEPING ]
347
00:13:53,605 --> 00:13:56,641
[ WHISPERING INDISTINCTLY ]
348
00:13:56,674 --> 00:13:58,443
NATE, NO NAMES, NO ADDRESSES,
349
00:13:58,476 --> 00:13:59,477
NOTHING TO LEAD US TO LACEY,
350
00:13:59,511 --> 00:14:00,645
AND ALL THE CALLS
ARE FROM TODAY.
351
00:14:00,678 --> 00:14:02,280
YEAH, NOT EVEN GPS.
THEY'RE BURNERS.
352
00:14:02,314 --> 00:14:03,882
IT'S DEFINITELY A RING.
353
00:14:03,916 --> 00:14:05,383
LET'S THINK ABOUT THIS.
354
00:14:05,417 --> 00:14:07,619
EVERY RING HAS A LEADER,
SOMEONE CALLING THE SHOTS.
355
00:14:07,652 --> 00:14:09,121
AND TO GRIFT ON THIS SCALE,
356
00:14:09,154 --> 00:14:11,056
THAT LEADER'S
GONNA BE HERE TO SUPERVISE.
357
00:14:11,089 --> 00:14:12,124
I KNOW I WOULD.
358
00:14:12,157 --> 00:14:14,159
YOU KNOW, THESE WOMEN SOMETIMES
KILL THEIR MARKS.
359
00:14:14,192 --> 00:14:16,628
I KNOW,
BUT FIRST THINGS FIRST --
360
00:14:16,661 --> 00:14:19,597
WE NEED TO FIND OUT
WHO THAT LEADER IS.
361
00:14:19,631 --> 00:14:21,399
NATE, WE NEED A DISRUPTION,
362
00:14:21,433 --> 00:14:23,668
give us a chance
to see how they interact.
363
00:14:23,701 --> 00:14:25,904
-JUST A SECOND. BE RIGHT BACK.
-MM.
364
00:14:25,938 --> 00:14:27,906
I MEAN, IT COULD GIVE US A CLUE.
365
00:14:27,940 --> 00:14:29,474
PARKER, PICK A FIGHT
WITH HARDISON'S DATE.
366
00:14:29,507 --> 00:14:32,477
-YEAH. YEAH.
-YEAH, SURE.
367
00:14:33,278 --> 00:14:35,513
[ INDISTINCT SHOUTING ]
368
00:14:38,350 --> 00:14:39,584
ARE YOU KIDDING ME?
369
00:14:39,617 --> 00:14:41,086
[ CLATTERING ]
370
00:14:41,119 --> 00:14:42,988
PARKER! HE DIDN'T MEAN
A LITERAL FIGHT.
371
00:14:43,021 --> 00:14:46,024
HE MEANT START AN ARGUMENT.
372
00:14:51,997 --> 00:14:53,198
WHAT?!
373
00:14:53,231 --> 00:14:54,632
HEY! HE SAID DISTRACT HER,
NOT BEAT HER ASS.
374
00:14:54,666 --> 00:14:55,767
-WHAT ARE YOU --
-LET'S GO, MISS.
375
00:14:55,800 --> 00:14:57,902
YOU GONNA STAND THERE AND LET
HER GET HER ASS WHUPPED?
376
00:15:00,205 --> 00:15:02,307
WHERE'S YOUR NEW LADY FRIEND?
377
00:15:04,076 --> 00:15:08,680
-[ CRYING ]
-COME HERE, SWEETIE.
THAT WAS TERRIBLE.
378
00:15:08,713 --> 00:15:10,648
I CAN'T BELIEVE
SHE DID THAT HERE.
379
00:15:10,682 --> 00:15:13,318
NICE JOB OF FLUSHING OUT
THE LEADER.
380
00:15:13,351 --> 00:15:15,053
MM.
381
00:15:19,057 --> 00:15:21,193
MEREDITH'S THE RINGLEADER.
I SHOULD HAVE SEEN IT.
382
00:15:21,226 --> 00:15:22,260
THE CAMERA'S THE PERFECT COVER
383
00:15:22,294 --> 00:15:23,528
FOR WATCHING HER GIRLS
IN ACTION.
384
00:15:23,561 --> 00:15:24,396
AND SHE'S GONNA HAVE FILES.
385
00:15:24,429 --> 00:15:26,264
WE FIND THOSE,
WE TAKE DOWN THE RING.
386
00:15:26,298 --> 00:15:28,433
-AND LACEY.
-YEAH.
387
00:15:28,466 --> 00:15:30,035
I'M THINKING
A HOHE MINNE VARIANT.
388
00:15:30,068 --> 00:15:32,670
I LIKE YOUR THINKING.
389
00:15:36,208 --> 00:15:39,511
YOU'RE NOT A SOCIETY
PHOTOGRAPHER, ARE YOU?
390
00:15:39,544 --> 00:15:42,514
AND YOU'RE NOT A PURVEYOR
OF FINE SPIRITS.
391
00:15:42,547 --> 00:15:44,216
HEY, WHY DON'T WE THINK OF THIS
AS A HAPPY ACCIDENT?
392
00:15:44,249 --> 00:15:45,450
YOU DIDN'T KNOW
WE WERE GONNA BE HERE.
393
00:15:45,483 --> 00:15:46,584
WE DIDN'T KNOW
YOU WERE GONNA BE HERE.
394
00:15:46,618 --> 00:15:48,520
ALL RIGHT? BUT THERE'S PLENTY
TO GO AROUND. COME ON.
395
00:15:48,553 --> 00:15:50,255
-YOU WANT TO PARTNER UP?
-NOT A BAD IDEA.
396
00:15:50,288 --> 00:15:53,025
YOU KNOW, YOU'RE OBVIOUSLY GREAT
WITH THE GENTLEMEN,
397
00:15:53,058 --> 00:15:55,193
AND WE CAN HANDLE
THE LADIES, SO...WIN-WIN.
398
00:15:55,227 --> 00:15:56,728
I DON'T KNOW YOU
OR WHAT YOU'RE CAPABLE OF.
399
00:15:56,761 --> 00:15:58,630
LISTEN, YOU MIGHT BE QUEEN
OF THE HAMPTONS,
400
00:15:58,663 --> 00:16:00,498
BUT I HAVE FLEECED
MORE DIVORCéES AND WIDOWS
401
00:16:00,532 --> 00:16:02,034
THAN YOU COULD SHAKE
A STICK AT, HUH?
402
00:16:02,067 --> 00:16:03,035
THAT'S ME, OKAY? YEAH.
403
00:16:03,068 --> 00:16:05,570
SO, UH, I COULD GET ANY LADY
I WANT -- ANYONE.
404
00:16:05,603 --> 00:16:07,272
PROVE IT.
405
00:16:09,341 --> 00:16:10,742
HERE'S YOUR COAT, MA'AM.
406
00:16:10,775 --> 00:16:12,610
NO, UM...THAT'S NOT MINE.
407
00:16:12,644 --> 00:16:15,413
MINE'S A-A SILK SHAWL.
408
00:16:15,447 --> 00:16:16,781
I'M MEREDITH.
409
00:16:16,814 --> 00:16:18,683
OH. LADY CHARLOTTE PRENTICE.
410
00:16:18,716 --> 00:16:21,553
-OH, DUCHESS, MAY I,
FOR THE SOCIETY PAGE?
-OF COURSE.
411
00:16:21,586 --> 00:16:24,622
THAT WOMAN AT COAT CHECK --
SHE'S A REAL DUCHESS.
412
00:16:24,656 --> 00:16:28,226
YOU GET HER TO GO OUT WITH YOU
WITHIN THE NEXT 24 HOURS,
413
00:16:28,260 --> 00:16:30,462
I'LL WATCH YOU WORK
AND MAKE A DETERMINATION.
414
00:16:30,495 --> 00:16:33,031
NO TIME LIKE THE PRESENT.
415
00:16:35,433 --> 00:16:37,169
DUCHESS.
416
00:16:37,202 --> 00:16:38,570
HUH.
417
00:16:38,603 --> 00:16:41,106
NOW, AT LEAST HAVE
A DRINK WITH ME.
418
00:16:41,139 --> 00:16:42,674
OH, THANK YOU.
419
00:16:42,707 --> 00:16:46,444
GONNA HAVE TO TRY A BIT HARDER
THAN THAT.
420
00:16:46,478 --> 00:16:48,580
LOOKS LIKE SOMEONE GOT
A HEAD START.
421
00:16:48,613 --> 00:16:50,048
TOMORROW, CALL THAT NUMBER.
422
00:16:50,082 --> 00:16:54,386
ONCE YOU'VE MADE YOUR MOVE,
I'LL BE THERE.
423
00:16:54,419 --> 00:16:56,621
ELIOT, I WANT YOU
TO FOLLOW SOPHIE.
424
00:16:56,654 --> 00:16:58,390
HARDISON, YOU TRACK MEREDITH.
425
00:16:58,423 --> 00:17:02,127
THEY WENT OUT THE EAST DOOR,
BOTH OF THEM. NOW.
426
00:17:02,160 --> 00:17:03,395
[ SIGHS ]
427
00:17:03,428 --> 00:17:04,729
ALL RIGHT, LACEY'S IN THE SYSTEM
428
00:17:04,762 --> 00:17:06,298
BECAUSE SHE WAS
REPORTED MISSING,
429
00:17:06,331 --> 00:17:08,500
BUT THE OTHERS ARE NOT.
430
00:17:08,533 --> 00:17:10,635
SO I THINK IF...
431
00:17:10,668 --> 00:17:11,703
UH...
432
00:17:11,736 --> 00:17:13,138
ALL RIGHT, ALL RIGHT.
433
00:17:13,171 --> 00:17:14,772
LISTEN, NEXT TIME, I PROMISE,
434
00:17:14,806 --> 00:17:17,075
I'LL USE THE WORD "ARGUMENT"
INSTEAD OF "FIGHT."
435
00:17:17,109 --> 00:17:19,344
-PROMISE.
-OKAY.
436
00:17:19,377 --> 00:17:20,312
[ DOOR CLOSES ]
437
00:17:20,345 --> 00:17:21,613
-HEY.
-HEY.
438
00:17:23,181 --> 00:17:24,282
SO...
439
00:17:24,316 --> 00:17:27,752
I-I LOST MEREDITH'S TOWN CAR,
BUT I HACKED THE GPS.
440
00:17:27,785 --> 00:17:29,654
ASSUMING THAT SHE KEEPS FILES,
441
00:17:29,687 --> 00:17:32,490
THEY'RE PROBABLY AT HER HOME
OR HER OFFICE, IF SHE USES ONE.
442
00:17:32,524 --> 00:17:34,292
WE FIND THOSE RECORDS,
WE COULD TAKE DOWN
443
00:17:34,326 --> 00:17:35,793
MEREDITH, LACEY,
AND THE WHOLE RING.
444
00:17:35,827 --> 00:17:38,796
NOW, BASED
ON RECURRENCE OF LOCATION
445
00:17:38,830 --> 00:17:41,366
AND CALCULATING
DURATION OF STAY,
446
00:17:41,399 --> 00:17:44,469
ACCORDING TO TIME CODES,
I HAVE FOR YOU TWO ADDRESSES.
447
00:17:44,502 --> 00:17:45,703
OKAY, PARKER, LISTEN.
448
00:17:45,737 --> 00:17:47,539
TOMORROW, WHILE I'M
RUNNING THE HOHE MINNE SCAM,
449
00:17:47,572 --> 00:17:49,507
I WANT YOU TO CHECK OUT
THESE ADDRESSES.
450
00:17:49,541 --> 00:17:50,708
WHAT'S A HOHE MINNE?
451
00:17:50,742 --> 00:17:53,378
OH, GERMAN --
MEANS HIGH COURTLY LOVE.
452
00:17:53,411 --> 00:17:55,113
IN THE MIDDLE AGES,
453
00:17:55,147 --> 00:17:57,349
A KNIGHT WOULD
UNDERGO CHALLENGES
454
00:17:57,382 --> 00:18:00,385
TO PROVE HIMSELF WORTHY
OF A NOBLEWOMAN'S LOVE.
455
00:18:00,418 --> 00:18:03,855
SURE SEEMS LIKE A LOT OF WORK.
I'M JUST SAYING.
456
00:18:03,888 --> 00:18:05,523
[ COMPUTER BEEPING ]
457
00:18:05,557 --> 00:18:07,359
HEY, MAN, WHY DO YOU HAVE
SOPHIE'S COMM MUTED?
458
00:18:07,392 --> 00:18:08,726
DON'T YOU WANT TO HEAR
HOW SHE'S DOING?
459
00:18:08,760 --> 00:18:10,828
[ LAUGHING ]
460
00:18:10,862 --> 00:18:13,198
-THAT'S FUNNY.
-UH, NOT REALLY.
461
00:18:13,231 --> 00:18:15,500
[ CLEARS THROAT ]
462
00:18:16,901 --> 00:18:18,536
WHAT?
463
00:18:18,570 --> 00:18:20,572
SOPHIE'S REAL LAUGH.
464
00:18:20,605 --> 00:18:22,340
-MM.
-OH, I GET IT.
465
00:18:22,374 --> 00:18:25,443
SHE'S NOT THE NOBLEWOMAN.
SHE'S THE CHALLENGE.
466
00:18:25,477 --> 00:18:28,513
[ CHUCKLES ]
467
00:18:38,856 --> 00:18:40,358
HMM?
468
00:18:40,392 --> 00:18:43,495
OH! AWAKE! I'M AWAKE.
469
00:18:43,528 --> 00:18:44,762
[ GRUNTS ]
470
00:18:44,796 --> 00:18:47,165
THAT WAS...
471
00:18:47,199 --> 00:18:48,900
KIND OF A LONG TIME THERE.
472
00:18:48,933 --> 00:18:50,568
WELL, SAN GUILLERMO
ASKED ME OUT.
473
00:18:50,602 --> 00:18:55,373
I HAD TO MAKE IT LOOK REAL.
474
00:18:55,407 --> 00:18:57,442
IF I HAD TURNED HIM DOWN,
475
00:18:57,475 --> 00:18:59,811
MEREDITH MIGHT HAVE SUSPECTED
THAT I WAS IN YOUR CREW,
476
00:18:59,844 --> 00:19:01,779
OR SHE COULD HAVE HAD
SOMEONE WATCHING ME
477
00:19:01,813 --> 00:19:03,915
FROM THE MOMENT SHE PICKED ME
OUT AS YOUR MARK.
478
00:19:03,948 --> 00:19:07,785
ANYWAY, OSCAR GIVES YOU
SOME HEALTHY COMPETITION...
479
00:19:07,819 --> 00:19:09,454
-OSCAR?
-...HELPS SELL THE CON.
480
00:19:09,487 --> 00:19:10,755
[ GRUNTS ]
481
00:19:10,788 --> 00:19:12,490
WHAT? ARE YOU JEALOUS?
482
00:19:12,524 --> 00:19:14,426
HMM? JUST A LITTLE BIT?
483
00:19:14,459 --> 00:19:15,693
-[ STAMMERING ]
-HMM?
484
00:19:15,727 --> 00:19:17,094
I WAS BUSY.
485
00:19:17,128 --> 00:19:19,431
-WHAT'S WITH ALL THIS LAUGHING
AND STUFF THAT WAS GOING ON?
-HMM?
486
00:19:19,464 --> 00:19:22,434
WHAT, MM? BUSY LISTENING IN
ON COMMS, I HOPE.
487
00:19:22,467 --> 00:19:23,935
-NO, BUT I -- YOU WERE --
-HMM?
488
00:19:23,968 --> 00:19:26,271
YOU HAD THAT KIND OF LIKE
[IMITATES SOPHIE'S LAUGH]
489
00:19:26,304 --> 00:19:29,807
GETTING A FEW TIPS AND IDEAS
FROM OSCAR?
490
00:19:29,841 --> 00:19:30,708
WHAT IDEAS?
491
00:19:30,742 --> 00:19:32,544
WELL, IDEAS ABOUT ROMANCE
492
00:19:32,577 --> 00:19:34,346
AND SETTING THE MOOD
493
00:19:34,379 --> 00:19:37,715
AND SEDUCTION AND COMPLIMENTS
494
00:19:37,749 --> 00:19:41,486
AND...MM, DATING STUFF.
495
00:19:41,519 --> 00:19:43,255
OKAY. FIRST OF ALL, I KNOW
HOW TO DO ALL THAT STUFF.
496
00:19:43,288 --> 00:19:44,789
I KNOW WHAT ALL THAT'S ABOUT.
AND I KNOW HOW TO DATE.
497
00:19:44,822 --> 00:19:46,358
I'VE DATED BEFORE, SOPHIE.
I -- IT'S HOW WE --
498
00:19:46,391 --> 00:19:48,926
NO. I MEAN, WE HAVEN'T
DEFINED WHAT WE ARE.
499
00:19:48,960 --> 00:19:50,995
BUT WE'RE
DEFINITELY NOT DATING.
500
00:19:51,028 --> 00:19:53,565
-OKAY, BUT --
-LISTEN, YOU WANT
TO GET CLOSE TO MEREDITH,
501
00:19:53,598 --> 00:19:56,501
THEN YOU DON'T HAVE TO ACTUALLY,
YOU KNOW, SEDUCE ME.
502
00:19:56,534 --> 00:19:58,303
YOU JUST HAVE TO CONVINCE HER
503
00:19:58,336 --> 00:20:01,306
THAT YOU'RE CAPABLE OF SEDUCING
ME, MAKE IT BELIEVABLE.
504
00:20:01,339 --> 00:20:03,508
OKAY. HERE'S WHAT --
HERE'S WHAT WE'RE GONNA DO.
505
00:20:03,541 --> 00:20:06,844
WE'RE GONNA SET UP A --
A MEET CUTE, ALL RIGHT?
506
00:20:06,878 --> 00:20:09,747
AND, UM -- AND I'M GONNA
START BY SAYING, "HEY" --
507
00:20:09,781 --> 00:20:11,816
NO, NATE, NATE, NATE.
NO, NO, NO, NO, NO.
508
00:20:11,849 --> 00:20:13,818
-YOU CAN'T SCRIPT THIS. NO.
-WHAT? WHY NOT?
509
00:20:13,851 --> 00:20:16,921
I -- WELL, IF -- IF I KNOW
WHAT YOUR APPROACH IS,
510
00:20:16,954 --> 00:20:19,991
THEN MY REACTIONS --
THEY'RE NOT GONNA BE GENUINE.
511
00:20:20,024 --> 00:20:22,294
NO, NO, NO, NO, NO,
NO, NO, NO, NO, NO.
512
00:20:22,327 --> 00:20:24,396
IT HAS TO BE A REAL DATE,
513
00:20:24,429 --> 00:20:26,764
AND YOU, MY FRIEND,
514
00:20:26,798 --> 00:20:29,634
HAVE TO BE VERY...
515
00:20:29,667 --> 00:20:32,837
VERY...
516
00:20:32,870 --> 00:20:34,872
CHARMING.
517
00:20:34,906 --> 00:20:36,040
AH.
518
00:20:36,073 --> 00:20:38,643
-HOW DO YOU GET THIS --
-MNH-MNH-MNH-MNH-MNH-MNH-MNH.
519
00:20:38,676 --> 00:20:41,346
NO. I'M SORRY.
520
00:20:41,379 --> 00:20:43,981
I HAVE TO GET MY BEAUTY SLEEP.
521
00:20:44,015 --> 00:20:47,919
I HAVE A VERY HOT DATE
WITH OSCAR TOMORROW.
522
00:20:47,952 --> 00:20:49,787
TICK, TOCK.
523
00:20:49,821 --> 00:20:53,925
[ SIGHS ]
524
00:21:00,498 --> 00:21:03,601
ALL RIGHT, THIS EMCEE GUY'S
NAME'S OSCAR SAN GUILLERMO.
525
00:21:03,635 --> 00:21:04,536
NO PRIORS.
526
00:21:04,569 --> 00:21:06,504
HE PICKED SOPHIE UP AT 7:20,
527
00:21:06,538 --> 00:21:07,639
AND THEY WENT TO A, UH...
528
00:21:07,672 --> 00:21:08,940
SWANK BAR ON THIRD.
529
00:21:08,973 --> 00:21:10,442
HE HAD TWO MOJITOS.
530
00:21:10,475 --> 00:21:13,778
SHE HAD A 2008 POUILLY-FUISSé.
WHAT?
531
00:21:13,811 --> 00:21:15,547
DID YOU GET THE NAME
OF THE RESTAURANT?
532
00:21:15,580 --> 00:21:18,683
-I JUST SAID IT WAS SWANK.
-WHY DO YOU HAVE
TO EDITORIALIZE?
533
00:21:18,716 --> 00:21:19,651
THEY LEFT SWANK AT 8:15.
534
00:21:19,684 --> 00:21:21,486
THEY WENT TO A PLACE
CALLED LA DOLCE VITA.
535
00:21:21,519 --> 00:21:23,655
THEY GOT SEATED IMMEDIATELY,
WHICH IS PRETTY OUTSTANDING,
536
00:21:23,688 --> 00:21:25,523
CONSIDERING IT'S A TWO-WEEK WAIT
JUST TO GET IN THERE.
537
00:21:25,557 --> 00:21:26,758
AT 11:30, THEY LEFT.
538
00:21:26,791 --> 00:21:28,593
THEY SCHEDULED A BRUNCH, AND HE
BROUGHT HER STRAIGHT HOME.
539
00:21:28,626 --> 00:21:30,395
THAT'S THE END.
540
00:21:30,428 --> 00:21:33,398
RESERVATIONS TODAY ARE
AT LA CHATEAU LYON.
541
00:21:33,431 --> 00:21:34,699
OH, GEEZ.
IT'S LA CHâTILLON.
542
00:21:34,732 --> 00:21:35,733
CHâTILLON.
543
00:21:35,767 --> 00:21:37,402
THREE-STAR MICHELIN RATING.
544
00:21:37,435 --> 00:21:38,603
IT'S GOT A SOLID 29 ZAGAT.
545
00:21:38,636 --> 00:21:41,373
I MEAN, THIS SAN GUI, HE'S
GOT -- HE'S GOT GOOD TASTE, MAN.
546
00:21:41,406 --> 00:21:42,807
SAN GUI?
547
00:21:42,840 --> 00:21:44,609
YEAH, SHORT FOR SAN GUILLERMO.
548
00:21:44,642 --> 00:21:45,643
[ SIGHS ]
549
00:21:45,677 --> 00:21:47,912
HE PREFERS IT TO OSCAR.
550
00:21:47,945 --> 00:21:50,915
[ SIGHS ]
551
00:21:55,487 --> 00:21:57,955
AHH. WHAT A DAY.
552
00:21:57,989 --> 00:22:01,826
YES. WHAT A DAY.
553
00:22:01,859 --> 00:22:04,862
SOMETIMES IT'S FUN TO KICK A MAN
WHEN HE'S DOWN. WE SET?
554
00:22:04,896 --> 00:22:06,030
OH, SURE, RIGHT.
555
00:22:06,063 --> 00:22:09,133
SPEAKING OF WHICH, DID YOU
EVER FIND THAT STEAK PLACE?
556
00:22:09,166 --> 00:22:11,869
-THE BET'S OFF.
-WHAT YOU MEAN THE BET'S OFF?
557
00:22:11,903 --> 00:22:13,971
THE SECOND THAT WE
FOUND OUT THEY WERE
GRIFTERS, THE BET'S OFF.
558
00:22:14,005 --> 00:22:14,972
THAT DOESN'T COUNT.
YOU DIDN'T SET --
559
00:22:15,006 --> 00:22:17,074
PAGE 189, RULE NUMBER 7
IN THE BRO HANDBOOK.
560
00:22:17,108 --> 00:22:18,876
WHAT? THERE WASN'T NO RULES.
YOU DIDN'T SET ANY RULES.
561
00:22:18,910 --> 00:22:20,111
THE BET IS OFF
IN A SITUATION WHERE --
562
00:22:20,144 --> 00:22:21,746
-I'LL BE DAMNED IF IT'S OFF.
-ALL RIGHT, THEN!
563
00:22:21,779 --> 00:22:23,448
I'LL MAKE YOU SOME PRIME RIB
WHEN THIS IS OVER.
564
00:22:23,481 --> 00:22:25,149
BONE IN, WELL-DONE?
565
00:22:25,182 --> 00:22:27,519
-WELL-DONE, BONE IN.
-ALL RIGHT.
566
00:22:27,552 --> 00:22:30,121
MAN, I LOVE IT WHEN RESTAURANTS
GET ALL CORPORATEY ON ME.
567
00:22:30,154 --> 00:22:33,458
HACKING INTO LA CHâTILLON'S
RESERVATION AND EMPLOYEE
SCHEDULE LIST
568
00:22:33,491 --> 00:22:36,661
WAS A MORCEAU OF GâTEAU.
569
00:22:36,694 --> 00:22:37,995
WE ARE IN.
570
00:22:38,029 --> 00:22:40,064
ALL RIGHT, MAN,
WORK STARTS IN AN HOUR.
571
00:22:40,097 --> 00:22:41,733
YOU ARE THE SOUS CHEF.
572
00:22:41,766 --> 00:22:45,136
[ South African accent ]
I AM THE SOMMELIER VISITING
FROM THE SOUTH AFRICAN WINERY.
573
00:22:45,169 --> 00:22:46,838
-SOMMELIER?
-[ Normal voice ] SOMMELIER.
574
00:22:46,871 --> 00:22:49,574
-AGAIN?
-YES.
575
00:22:49,607 --> 00:22:51,643
DO YOU WANT ME TO TEACH YOU
ABOUT THE WINES AGAIN?
576
00:22:51,676 --> 00:22:52,710
THAT'S JUST HURTFUL.
577
00:22:52,744 --> 00:22:55,880
JUST -- JUST MAKING
ASSUMPTIONS AND PRESUMPTIONS
578
00:22:55,913 --> 00:22:57,549
THAT I DON'T KNOW WHAT I'M --
579
00:22:57,582 --> 00:23:00,051
YES, I NEED YOU TO TEACH ME
ABOUT THE WINES AGAIN, YES.
580
00:23:03,187 --> 00:23:05,790
OH.
581
00:23:05,823 --> 00:23:08,192
YOUR SOMMELIER WILL BE WITH YOU
SHORTLY TO POUR THE MALBEC.
582
00:23:08,225 --> 00:23:11,162
-ENJOY.
-THANK YOU.
-MMM. SO LOVELY.
583
00:23:11,195 --> 00:23:13,665
-BON APPéTIT.
-THANK YOU.
584
00:23:15,633 --> 00:23:18,903
[ SIGHS ]
585
00:23:18,936 --> 00:23:21,439
YOU LOOK LIKE YOU'RE
ENJOYING YOURSELF.
586
00:23:21,473 --> 00:23:23,107
[ CHUCKLE ]
587
00:23:27,812 --> 00:23:29,814
[ CHUCKLES ]
588
00:23:32,784 --> 00:23:34,952
I assume this little gift
is from you, Meredith.
589
00:23:34,986 --> 00:23:36,821
THAT'S A TWO-WAY TRANSMITTER.
590
00:23:36,854 --> 00:23:38,656
I CAN HEAR EVERYTHING YOU SAY
591
00:23:38,690 --> 00:23:40,958
AND EVERYTHING SHE SAYS,
SO NO CHEATING.
592
00:23:40,992 --> 00:23:42,093
Now impress me.
593
00:23:42,126 --> 00:23:44,829
WILL YOU BE HAVING ONE OF
THE BRUNCH SELECTIONS, SIR?
594
00:23:44,862 --> 00:23:47,431
I WILL.
FLIGHT OF REDS, PLEASE.
595
00:23:49,000 --> 00:23:51,603
[ CLEARS THROAT ]
596
00:23:55,840 --> 00:23:57,809
[ SIGHS ]
597
00:23:57,842 --> 00:23:59,176
HAVE YOU CHANGED YOUR MIND?
598
00:23:59,210 --> 00:24:00,244
NO, NO! NO, NO.
599
00:24:00,277 --> 00:24:02,647
I WAS JUST WONDERING, ALSO,
IF I COULD MAYBE GET
600
00:24:02,680 --> 00:24:03,915
A FIVE-LETTER WORD FROM YOU
601
00:24:03,948 --> 00:24:06,083
FOR "MAKES ONE'S HAIR
STAND ON END."
602
00:24:06,117 --> 00:24:07,218
IT'S...
603
00:24:07,251 --> 00:24:10,988
LA CHâTILLON DOES NOT HAVE
WORDS ON THE MENU, SIR.
604
00:24:11,022 --> 00:24:11,956
ENJOY.
605
00:24:11,989 --> 00:24:13,958
-YOU SEEM A LITTLE DISTRACTED.
-[ LAUGHS ]
606
00:24:16,728 --> 00:24:17,929
OH.
607
00:24:17,962 --> 00:24:20,532
[ South African accent ]
HELLO. HELLO.
608
00:24:20,565 --> 00:24:22,199
THIS IS THE ARGENTINE MALBEC.
609
00:24:22,233 --> 00:24:23,267
IT IS CHARACTERIZED
610
00:24:23,300 --> 00:24:26,571
BY ITS INTENSE FRUITY FLAVOR
AND DEEP PLUM COLOR,
611
00:24:26,604 --> 00:24:28,973
WHILE IT DOES NOT HAVE
612
00:24:29,006 --> 00:24:30,241
tan-tan-tan...
613
00:24:30,274 --> 00:24:32,810
T-TANNIC --
TANNIC STRUCTURE.
614
00:24:32,844 --> 00:24:37,782
...TANNIC STRUCTURE
OF A FRENCH MALBEC...
615
00:24:37,815 --> 00:24:39,717
...whose texture is more plush,
616
00:24:39,751 --> 00:24:42,119
THEY HAVE BEEN KNOWN TO SHOW
A SIMILAR AGING POTENTIAL.
617
00:24:42,153 --> 00:24:44,155
YOU DIDN'T EVEN SAY
THE WHOLE THING, HARDISON.
618
00:24:44,188 --> 00:24:47,992
HEY, COME HERE. STOP.
619
00:24:48,025 --> 00:24:50,027
THAT'S -- NO. NO, GO.
620
00:24:50,061 --> 00:24:52,997
PUT -- SPRINKLE SOME SEA SALT.
JUST A LITTLE SALT.
621
00:24:53,030 --> 00:24:56,267
GUYS, THE FIRST ADDRESS --
IT'S A MARINA.
622
00:24:56,300 --> 00:24:58,970
I CAN'T SEARCH EVERY BOAT
FOR MEREDITH'S FILES.
623
00:24:59,003 --> 00:25:00,972
I'M HEADING
TO THE SECOND ADDRESS.
624
00:25:01,005 --> 00:25:03,541
[ ENGINE TURNS OVER ]
625
00:25:03,575 --> 00:25:04,976
PARKER, WE'RE COUNTING ON YOU.
626
00:25:05,009 --> 00:25:07,111
THE WHOLE DATE SIDE OF THIS CON
CAN GO EITHER WAY.
627
00:25:07,144 --> 00:25:09,213
ENJOY.
628
00:25:09,246 --> 00:25:10,615
-OH! OH!
-OH!
-OH.
629
00:25:10,648 --> 00:25:12,550
OH, I'M SORRY.
I'M SO -- I'M SO SORRY.
630
00:25:12,584 --> 00:25:14,185
-OH, MY GOSH.
-NO, IT'S RIGHT.
-YEAH, THAT'S --
631
00:25:14,218 --> 00:25:16,688
OH, THAT'S A GOOD IDEA.
THAT WORKS. THAT WORKS.
I'VE TRIED THAT.
632
00:25:16,721 --> 00:25:18,155
-NO, NO, NO.
THAT'S ENOUGH, ENOUGH.
-LET ME -- LET ME TAKE THIS.
633
00:25:18,189 --> 00:25:20,024
-MAY I --
-LET ME --
-I SAID ENOUGH!
634
00:25:20,057 --> 00:25:21,993
YOU'VE DONE ENOUGH. THANK YOU.
635
00:25:22,026 --> 00:25:23,728
SORRY.
636
00:25:23,761 --> 00:25:26,798
I...
637
00:25:26,831 --> 00:25:29,734
[ SIGHS ]
UH, EXCUSE ME, DUCHESS.
638
00:25:29,767 --> 00:25:32,069
I, UH...THINK I'LL BE A WHILE.
639
00:25:32,103 --> 00:25:33,605
STAY RIGHT THERE.
640
00:25:33,638 --> 00:25:35,206
I -- I...
641
00:25:40,211 --> 00:25:42,780
UGH! WHAT AN IDIOT.
642
00:25:44,015 --> 00:25:45,282
AAH!
643
00:25:49,987 --> 00:25:52,890
-ALLOW ME.
-THANK YOU, SIR.
644
00:25:52,924 --> 00:25:54,592
OH. THANK YOU.
645
00:25:54,626 --> 00:25:55,660
I'M SO EMBARRASSED.
646
00:25:55,693 --> 00:25:58,963
I, UM -- I DIDN'T...PREPARE
FOR THIS SITUATION.
647
00:25:58,996 --> 00:26:00,131
YEAH, IT'S ALL RIGHT.
648
00:26:00,164 --> 00:26:02,233
I DON'T OFTEN GET TO PLAY
THE WHITE KNIGHT.
649
00:26:02,266 --> 00:26:05,036
GUS McAVOY, DISTRIBUTOR.
650
00:26:05,069 --> 00:26:06,671
OH. SCOTTISH?
651
00:26:06,704 --> 00:26:09,040
Eh, on my father's
father's side.
652
00:26:09,073 --> 00:26:11,175
OH. PLEASE, JOIN ME.
653
00:26:11,208 --> 00:26:12,209
OH, THANK YOU VERY MUCH.
654
00:26:12,243 --> 00:26:13,377
LADY CHARLOTTE PRENTICE.
655
00:26:13,410 --> 00:26:15,913
LADY CHARLOTTE PRENTICE.
THAT'S LOVELY.
656
00:26:15,947 --> 00:26:17,181
TEASE.
657
00:26:17,214 --> 00:26:18,750
EXCUSE ME?
658
00:26:18,783 --> 00:26:21,653
FIVE-LETTER WORD,
MAKES YOUR HAIR STAND UP.
659
00:26:21,686 --> 00:26:23,988
OH, RIGHT.
WELL, LOOK AT THAT.
660
00:26:24,021 --> 00:26:26,323
IT'S THE KEY TO THE WHOLE THING.
661
00:26:26,357 --> 00:26:29,393
LISTEN, WOULD YOU LIKE TO,
UM...GET SOME DESSERT?
662
00:26:29,426 --> 00:26:30,995
THERE'S THIS WONDERFUL
ITALIAN-ICE PLACE
663
00:26:31,028 --> 00:26:32,063
DOWN BY THE WATER.
664
00:26:32,096 --> 00:26:34,666
I HEAR IT PUTS
LA CHâTILLON'S SORBET TO SHAME.
665
00:26:34,699 --> 00:26:35,800
SOUNDS GOOD.
666
00:26:35,833 --> 00:26:37,301
YEAH?
667
00:26:40,371 --> 00:26:42,239
[ CHUCKLES ] NICE HOOK.
668
00:26:42,273 --> 00:26:43,908
NOW LET'S SEE
IF YOU CAN LAND HER.
669
00:26:45,877 --> 00:26:48,980
HEY, BROTHER, HERE'S A $20, MAN.
CAN YOU PLAY SOMETHING ROMANTIC?
670
00:26:49,013 --> 00:26:51,082
SOMETHING TO KIND OF
MIX IT UP A LITTLE?
671
00:26:51,115 --> 00:26:53,350
MM-HMM. YEAH.
672
00:26:53,384 --> 00:26:55,252
[ SOFT GUITAR MUSIC PLAYING ]
673
00:27:01,158 --> 00:27:04,095
HE'S ONE OF YOURS.
VERY NICE. SETTING THE MOOD.
674
00:27:04,128 --> 00:27:07,732
All right, Parker,
you got that second address yet?
675
00:27:07,765 --> 00:27:10,001
YEAH, I'M IN.
676
00:27:17,041 --> 00:27:19,176
THERE'S NOT MUCH HERE.
677
00:27:19,210 --> 00:27:21,679
NO WALL SAFE.
678
00:27:21,713 --> 00:27:24,115
I'LL CHECK THE COMPUTER
AND THE HARD-COPY FILES.
679
00:27:25,016 --> 00:27:27,084
[ CHUCKLES ]
680
00:27:27,118 --> 00:27:28,352
LET'S JUST SIT RIGHT OVER HERE.
681
00:27:28,385 --> 00:27:29,721
OH.
682
00:27:40,331 --> 00:27:41,999
That was a mistake.
683
00:27:42,033 --> 00:27:43,935
THE ICE PLUS THE SHADE
WILL GIVE HER A CHILL.
684
00:27:43,968 --> 00:27:45,202
GAME OVER.
NICE MEETING YOU.
685
00:27:45,236 --> 00:27:46,904
[ SHIVERS ]
686
00:27:46,938 --> 00:27:48,940
OH, HERE, LET ME, UH...
687
00:28:01,786 --> 00:28:04,722
CLEVER BOY. ALWAYS THINKING
AHEAD, AREN'T YOU?
688
00:28:07,358 --> 00:28:09,761
ELIOT, THERE'S NOTHING HERE.
IT'S JUST A FRONT.
689
00:28:09,794 --> 00:28:12,296
THERE'S NOT EVEN A COMPUTER
TO HOOK UP TO THE MONITOR.
690
00:28:14,999 --> 00:28:17,869
HANG ON A SECOND.
THERE'S A PORTRAIT.
691
00:28:17,902 --> 00:28:20,404
IT'S LACEY.
692
00:28:20,437 --> 00:28:21,538
[ CAMERA SHUTTER CLICKS ]
693
00:28:21,572 --> 00:28:24,075
SHE SIGNED IT, "THANKS FOR
EVERYTHING. HEART, JULIE."
694
00:28:24,108 --> 00:28:27,311
BUT...
695
00:28:27,344 --> 00:28:29,313
FACIAL-RECOGNITION APP
CONFIRMS IT'S HER.
696
00:28:29,346 --> 00:28:32,183
ELIOT, THAT IS
OUR FIRST SOLID LEAD.
697
00:28:32,216 --> 00:28:34,952
LOOK, IF LACEY SIGNED
THAT PHOTO, SHE'S TOUCHED IT.
698
00:28:34,986 --> 00:28:36,888
THAT'S MY THINKING, TOO.
PARKER, GRAB THE PHOTO.
699
00:28:36,921 --> 00:28:38,890
WE MIGHT BE ABLE TO TELL
SOMETHING FROM IT.
700
00:28:38,923 --> 00:28:40,925
-We're close to being done here.
-YEAH, I GOT IT.
701
00:28:40,958 --> 00:28:43,795
IT STILL ONLY SAYS, "THANKS
FOR EVERYTHING. HEART, JULIE."
702
00:28:49,867 --> 00:28:50,902
OH.
703
00:28:53,104 --> 00:28:56,307
AH. HERE YOU GO.
704
00:28:56,340 --> 00:28:57,875
HEY, IT'S BEST TO KEEP THE BALL
705
00:28:57,909 --> 00:29:00,778
RIGHT IN FRONT OF YOU, ALWAYS.
706
00:29:00,812 --> 00:29:03,214
SWEET.
707
00:29:03,247 --> 00:29:05,516
HOW DID YOU ARRANGE THAT?
708
00:29:05,549 --> 00:29:08,252
DID YOU EVER PLAY CATCH
WITH YOUR FATHER?
709
00:29:08,285 --> 00:29:09,954
NAH. NO.
710
00:29:09,987 --> 00:29:13,457
NO, WE WENT TO, UH, FENWAY
PRETTY MUCH EVERY YEAR,
711
00:29:13,490 --> 00:29:15,226
WENT TO A LOT OF GAMES.
712
00:29:15,259 --> 00:29:16,794
HE LOVED BASEBALL.
713
00:29:16,828 --> 00:29:19,096
YOU HAD THAT, AT LEAST.
714
00:29:19,130 --> 00:29:22,233
WE SAT THERE IN THE STANDS
WITH OUR GLOVES,
715
00:29:22,266 --> 00:29:23,935
WAITING FOR A FOUL BALL.
716
00:29:23,968 --> 00:29:26,838
THEN HE WAS JUST --
WASN'T JIMMY.
717
00:29:26,871 --> 00:29:29,106
YOU KNOW, HE WAS --
HE WAS MY DAD.
718
00:29:29,140 --> 00:29:32,977
I MEAN, HE DIDN'T GIVE ME MUCH,
BUT HE --
719
00:29:33,010 --> 00:29:34,478
HE GAVE ME THAT.
720
00:29:34,511 --> 00:29:38,115
WELL, IT CAN'T HAVE BEEN ALL BAD
IF HE PASSED ON HIS PASSION,
721
00:29:38,149 --> 00:29:40,051
EVEN IF THAT PASSION'S
FOR A SPORT
722
00:29:40,084 --> 00:29:41,385
THAT'S NOT QUITE CRICKET.
723
00:29:41,418 --> 00:29:44,956
-[ SCOFFS ] CRICKET?
-WHAT? I KNOW MY CRICKET.
724
00:29:44,989 --> 00:29:47,458
GIVE ME A BATSMAN,
A COUPLE OF BALLS,
725
00:29:47,491 --> 00:29:51,128
AND...YOU'LL SEE
IF I CAN'T OUTSTUMP HIM.
726
00:29:55,299 --> 00:29:58,002
YOU REALLY ARE BEAUTIFUL.
727
00:29:58,035 --> 00:30:00,404
[ CHUCKLES ]
728
00:30:11,482 --> 00:30:13,584
HMM.
729
00:30:17,288 --> 00:30:19,223
-LET'S GO.
-MM-HMM.
730
00:30:19,256 --> 00:30:20,925
[ ENGINE TURNS OVER ]
731
00:30:20,958 --> 00:30:24,361
OKAY. MEREDITH IS
OFF COMMS. PARKER?
732
00:30:24,395 --> 00:30:26,397
I'M HERE. IS SOPHIE READY?
733
00:30:26,430 --> 00:30:29,400
ELIOT, HARDISON, WE NEED
TO ANALYZE THAT PORTRAIT.
734
00:30:29,433 --> 00:30:32,303
MEET ME AT THE CAR.
TIME TO GET A MOVE ON.
735
00:30:32,336 --> 00:30:36,307
I THOUGHT THAT'S WHAT YOU
HAVE BEEN DOING.
736
00:30:36,340 --> 00:30:37,942
LISTEN.
737
00:30:37,975 --> 00:30:39,176
I PICKED YOU.
738
00:30:39,210 --> 00:30:41,312
I DIDN'T PICK THE OTHERS.
739
00:30:41,345 --> 00:30:44,281
HARDISON, PARKER, ELIOT --
I PICKED YOU.
740
00:30:44,315 --> 00:30:46,217
ALL RIGHT?
741
00:31:03,667 --> 00:31:05,937
[ ENGINE TURNS OVER ]
742
00:31:21,552 --> 00:31:22,954
I AM IMPRESSED.
743
00:31:22,987 --> 00:31:24,088
OH.
[ CHUCKLES ]
744
00:31:24,121 --> 00:31:26,457
SEEMS WE HAVE TERMS TO DISCUSS.
745
00:31:26,490 --> 00:31:28,325
A NEW PARTNERSHIP TO CELEBRATE.
746
00:31:28,359 --> 00:31:30,627
EXCELLENT.
UH...WHERE SHOULD WE MEET?
747
00:31:30,661 --> 00:31:32,496
MY CAR'S JUST RIGHT OVER --
748
00:31:32,529 --> 00:31:33,664
GET IN.
749
00:31:38,469 --> 00:31:40,337
OKAY.
750
00:31:44,541 --> 00:31:46,710
LOOKS LIKE MEREDITH'S TOWN CAR
IS HEADED TO THE MARINA.
751
00:31:46,743 --> 00:31:49,113
I CAN TRACK THE GPS,
BUT NATE'S STILL OFF COMMS.
752
00:31:49,146 --> 00:31:51,648
I DON'T LIKE IT.
THIS WOMAN'S LEFT A LOT
OF BODIES IN THE ROAD.
753
00:31:51,682 --> 00:31:53,985
YEAH, BUT NATE'S NOT A MARK.
NO, IT'S PERFECT.
754
00:31:54,018 --> 00:31:56,087
HE GETS CLOSE TO MEREDITH,
GETS ACCESS TO HER FILES,
755
00:31:56,120 --> 00:31:58,489
-WHILE WE ALL --
-GET ALL "CSI" ON THE PICTURE.
756
00:31:59,523 --> 00:32:02,393
TRY THAT ONE.
757
00:32:02,426 --> 00:32:04,728
[ CAMERA SHUTTER CLICKS ]
758
00:32:04,761 --> 00:32:05,963
NO.
759
00:32:05,997 --> 00:32:07,598
TRY THAT ONE.
760
00:32:07,631 --> 00:32:09,600
[ CAMERA SHUTTER CLICKS ]
IT'S LACEY.
761
00:32:09,633 --> 00:32:13,637
OKAY, IT MATCHES
A CHRISTINE VALADA.
762
00:32:15,639 --> 00:32:18,242
NOW, LOOK, IT SAYS
LACEY/CHRISTINE'S ADDRESS
763
00:32:18,275 --> 00:32:19,476
IS JUST A FEW MINUTES FROM HERE.
764
00:32:19,510 --> 00:32:21,445
IT'S SUNDAY.
I BET SHE'S HOME.
765
00:32:21,478 --> 00:32:26,083
YEAH. LET'S PAY CHRISTINE VALADA
A VISIT, SHALL WE?
766
00:32:26,117 --> 00:32:27,251
[ TIRES SCREECHING ]
767
00:32:27,284 --> 00:32:30,021
WHOA, WHOA, WHOA,
WHOA, WHOA, WHOA!
PARKER, SLOW DOWN!
768
00:32:30,054 --> 00:32:32,389
PARKER!
769
00:32:36,460 --> 00:32:39,163
SO, COME ON, 75/25 --
THAT YOUR BEST OFFER?
770
00:32:39,196 --> 00:32:40,297
TAKE IT OR LEAVE IT.
771
00:32:40,331 --> 00:32:43,000
YEAH, WELL, YOU KNOW, YOU PUT IT
LIKE THAT, I'M ALL-IN.
772
00:32:43,034 --> 00:32:44,768
THIS IS IT.
773
00:32:44,801 --> 00:32:45,769
NICE BOAT.
774
00:32:45,802 --> 00:32:47,538
IT WAS MY LATE HUSBAND'S.
775
00:32:47,571 --> 00:32:49,540
PERMISSION TO COME ABOARD.
776
00:32:49,573 --> 00:32:52,076
GRANTED.
777
00:32:55,812 --> 00:32:57,414
THIS IS NOT WHAT I EXPECTED.
778
00:32:57,448 --> 00:32:58,549
ME NEITHER.
779
00:32:58,582 --> 00:33:01,518
HELLO? HELLO?
780
00:33:01,552 --> 00:33:03,354
HI, THERE.
781
00:33:03,387 --> 00:33:05,722
HI.
782
00:33:05,756 --> 00:33:07,424
HI. CHRISTINE VALADA?
783
00:33:07,458 --> 00:33:09,260
YES, THAT'S ME.
WHAT CAN I DO FOR YOU?
784
00:33:09,293 --> 00:33:11,428
ALSO
LACEY BEAUMONT WELLESLEY?
785
00:33:12,596 --> 00:33:14,331
NO.
786
00:33:14,365 --> 00:33:16,333
I DIDN'T -- PLEASE!
787
00:33:16,367 --> 00:33:18,469
I DIDN'T CONTACT HIM, I SWEAR.
788
00:33:18,502 --> 00:33:19,603
OH, PLEASE.
789
00:33:19,636 --> 00:33:23,040
PLEASE TELL ME
YOU HAVEN'T HURT WALT.
790
00:33:23,074 --> 00:33:25,542
WE'RE NOT HERE TO HURT ANYBODY.
791
00:33:25,576 --> 00:33:29,413
WE'RE HERE TO FIND YOU.
WELLESLEY SENT US.
792
00:33:29,446 --> 00:33:31,682
[ SOBBING ]
793
00:33:46,863 --> 00:33:48,665
DON'T YOU THINK
WE SHOULD GET A PHOTO
794
00:33:48,699 --> 00:33:50,567
TO COMMEMORATE
THIS MOMENTOUS OCCASION?
795
00:33:50,601 --> 00:33:52,536
PLENTY OF TIME FOR THAT LATER.
796
00:33:52,569 --> 00:33:54,205
[ CHUCKLES ]
797
00:33:54,238 --> 00:33:56,740
HO!
798
00:33:56,773 --> 00:33:59,176
NOW, I HAVE A FEELING
THAT YOU KNOW
799
00:33:59,210 --> 00:34:00,744
AS MUCH ABOUT YOUR CHAMPAGNE
AS YOU DO YOUR WHISKEY.
800
00:34:00,777 --> 00:34:01,845
[ CHUCKLES ]
801
00:34:01,878 --> 00:34:04,148
I FIND IT USEFUL
TO BE CONVERSANT.
802
00:34:04,181 --> 00:34:06,450
AH, YES.
803
00:34:06,483 --> 00:34:10,321
I SUPPOSE IT WOULD BE
REMISS OF ME NOT TO MENTION
804
00:34:10,354 --> 00:34:11,755
THAT I ALREADY HAVE A PARTNER.
805
00:34:11,788 --> 00:34:14,225
SAN GUI. YES, I HEAR YOU
PREFER THAT TO OSCAR.
806
00:34:14,258 --> 00:34:15,526
YEAH.
807
00:34:15,559 --> 00:34:16,660
WELL, WELL.
808
00:34:16,693 --> 00:34:18,695
SO, YOU TOLD MEREDITH
YOU WERE DONE.
809
00:34:18,729 --> 00:34:20,397
YOU WANTED OUT.
810
00:34:20,431 --> 00:34:21,798
ONCE I'D SENT HER $2 MILLION,
811
00:34:21,832 --> 00:34:25,469
I -- I FIGURED SHE'D ALLOW ME
TO GO MY OWN WAY.
812
00:34:25,502 --> 00:34:28,539
YOU UNDERESTIMATED HER GREED.
813
00:34:28,572 --> 00:34:31,142
I UNDERESTIMATED HER FEAR.
814
00:34:31,175 --> 00:34:33,744
MY FALLING IN LOVE WITH A MARK
815
00:34:33,777 --> 00:34:36,847
MEANT SHE COULD
NO LONGER TRUST ME.
816
00:34:36,880 --> 00:34:39,550
OH. SHE THOUGHT YOU WERE GONNA
TELL YOUR HUSBAND EVERYTHING.
817
00:34:39,583 --> 00:34:42,319
IF I SO MUCH
AS CONTACTED WALT,
818
00:34:42,353 --> 00:34:45,156
HE'D MEET WITH
SOME TERRIBLE ACCIDENT...
819
00:34:45,189 --> 00:34:47,724
JUST LIKE HER LATE HUSBANDS DID.
820
00:34:47,758 --> 00:34:49,693
SHE WAS RIGHT.
821
00:34:49,726 --> 00:34:52,696
I WOULD HAVE TOLD HIM THE TRUTH.
822
00:34:52,729 --> 00:34:56,200
I JUST HADN'T GOTTEN UP
THE COURAGE YET.
823
00:34:56,233 --> 00:35:00,571
DO YOU LET THEM
HATE THE REAL YOU
824
00:35:00,604 --> 00:35:01,738
OR LOVE THE FAKE YOU?
825
00:35:01,772 --> 00:35:03,874
YOU'RE SAYING
YOU DIDN'T KNOW ANYTHING
826
00:35:03,907 --> 00:35:06,210
ABOUT HER KILLING THESE GUYS
GOING IN.
827
00:35:06,243 --> 00:35:07,578
NO.
828
00:35:07,611 --> 00:35:09,213
I DIDN'T PUT IT ALL TOGETHER
829
00:35:09,246 --> 00:35:12,349
UNTIL THEY THREATENED ME
WITH WALT.
830
00:35:12,383 --> 00:35:16,353
I'D NEVER HAVE JOINED HER CREW
IF I'D KNOWN.
831
00:35:18,689 --> 00:35:20,657
HAND THEM OVER.
832
00:35:20,691 --> 00:35:21,925
WHAT...
833
00:35:21,958 --> 00:35:25,496
THERE YOU GO.
834
00:35:25,529 --> 00:35:26,697
WHAT?
835
00:35:26,730 --> 00:35:28,732
[ GUN COCKS ]
OH.
836
00:35:28,765 --> 00:35:31,268
THERE. HERE WE ARE.
837
00:35:33,404 --> 00:35:35,706
GUYS, WE HAVE
A MAYDAY SITUATION.
838
00:35:35,739 --> 00:35:37,941
NATE'S COMM JUST WENT ONLINE
AND OFF AGAIN.
839
00:35:37,974 --> 00:35:39,676
HIS GPS IS DEAD, TOO.
840
00:35:41,378 --> 00:35:42,279
YOU FBI?
841
00:35:42,313 --> 00:35:44,648
NO. NO, NO.
I'M NOT A -- I'M NOT A FED.
842
00:35:44,681 --> 00:35:46,283
I'M A THIEF.
843
00:35:46,317 --> 00:35:48,452
THOUGHT IF I COULD GET CLOSE
ENOUGH TO YOUR FILES,
844
00:35:48,485 --> 00:35:50,254
I COULD MAYBE, YOU KNOW,
USE YOUR MARKS
845
00:35:50,287 --> 00:35:52,456
OR ONE OR TWO OF YOUR GIRLS
TO START MY OWN SCHEME.
846
00:35:52,489 --> 00:35:54,725
HIS LAST-KNOWN COORDINATES
WERE THE MARINA.
847
00:35:54,758 --> 00:35:56,793
YEAH, AND I STILL NEVER SOLVED
THE WATERPROOFING PROBLEM.
848
00:35:56,827 --> 00:35:59,730
LOOK, THE COMMS STILL GO OUT
WHEN THEY'RE SUBMERGED IN WATER.
849
00:35:59,763 --> 00:36:03,367
[ ENGINE REVVING ]
850
00:36:03,400 --> 00:36:05,569
[ TIRES SCREECH ]
851
00:36:08,405 --> 00:36:10,207
PARKER, YOU'RE WITH ME.
852
00:36:17,948 --> 00:36:18,949
AS GOOD AS YOU ARE,
853
00:36:18,982 --> 00:36:21,685
YOU'RE NOT NEARLY AS GOOD
AS YOU THINK YOU ARE.
854
00:36:21,718 --> 00:36:25,356
IT'S OBVIOUS YOU DON'T HAVE
WHAT IT TAKES TO DO WHAT I DO.
855
00:36:25,389 --> 00:36:27,224
WHAT -- WHAT IS IT, EXACTLY,
YOU THINK I'M LACKING?
856
00:36:27,258 --> 00:36:29,226
RUTHLESSNESS.
857
00:36:29,260 --> 00:36:31,762
YOU'RE FAR TOO VULNERABLE
AND OPEN.
858
00:36:31,795 --> 00:36:33,564
I'VE WATCHED YOU
WITH THE DUCHESS.
859
00:36:33,597 --> 00:36:35,266
YOU'RE HALF IN LOVE
WITH HER ALREADY,
860
00:36:35,299 --> 00:36:37,401
FALLING PREY TO
THE VERY TECHNIQUES YOU EMPLOY.
861
00:36:37,434 --> 00:36:39,236
HEY, YOU MEAN FALLING IN LOVE.
862
00:36:40,771 --> 00:36:42,706
THERE'S NO SUCH THING AS LOVE.
863
00:36:50,881 --> 00:36:53,350
SORRY, BUDDY.
864
00:36:56,320 --> 00:36:57,888
[ GUNSHOT ]
865
00:37:03,460 --> 00:37:05,596
[ WATER SPLASHES ]
866
00:37:11,402 --> 00:37:13,404
OLLY OLLY OXEN FREE.
867
00:37:18,909 --> 00:37:20,644
OH, YOU'RE GOOD.
868
00:37:20,677 --> 00:37:22,279
SO I'VE BEEN TOLD.
869
00:37:22,313 --> 00:37:25,382
I NEVER SUSPECTED YOU AT ALL,
NOT FOR A MOMENT.
870
00:37:25,416 --> 00:37:26,417
OF COURSE NOT.
871
00:37:26,450 --> 00:37:27,684
AS GOOD AS YOU ARE,
872
00:37:27,718 --> 00:37:30,787
YOU'RE NOT NEARLY AS GOOD
AS YOU THINK YOU ARE.
873
00:37:30,821 --> 00:37:32,823
I DESTROYED HIS EAR BUD
BEFORE I SAID THAT.
874
00:37:32,856 --> 00:37:34,358
HOW DID YOU...
875
00:37:39,996 --> 00:37:42,566
I HEARD YOU GO OVER.
876
00:37:44,100 --> 00:37:46,036
IF NOT YOU, THEN WH--
877
00:37:46,069 --> 00:37:47,604
YEAH.
878
00:37:58,081 --> 00:37:59,082
COME ON.
879
00:37:59,115 --> 00:38:00,884
FISTICUFFS? REALLY?
880
00:38:02,453 --> 00:38:04,421
ALL RIGHT.
881
00:38:08,058 --> 00:38:09,593
LET'S GO.
882
00:38:33,417 --> 00:38:36,420
WHAT DO YOU WANT, 50/50?
60/40?
883
00:38:36,453 --> 00:38:38,655
I WASN'T LYING WHEN I SAID
I WAS AFTER YOUR RECORDS.
884
00:38:38,689 --> 00:38:40,457
I'LL NEVER GIVE THEM UP.
885
00:38:40,491 --> 00:38:41,992
AH.
886
00:38:42,025 --> 00:38:44,094
BUT YOU ALREADY HAVE.
887
00:38:46,129 --> 00:38:47,564
AS GOOD AS YOU ARE,
888
00:38:47,598 --> 00:38:51,034
YOU'RE NOT NEARLY AS GOOD
AS YOU THINK YOU ARE.
889
00:38:55,138 --> 00:38:58,675
OKAY, GOOD. IT'S THERE.
IT'S ALL THERE.
890
00:38:58,709 --> 00:39:00,477
ALL THE DATA --
I'M E-MAILING IT NOW TO NATE.
891
00:39:00,511 --> 00:39:02,846
RIGHT NOW, ALL YOUR DETAILS
ARE BEING SENT
892
00:39:02,879 --> 00:39:05,916
TO EVERY RICH AND POWERFUL MARK
YOU HAVE ON FILE.
893
00:39:05,949 --> 00:39:07,851
OH, AND YOUR FINGERPRINTS --
894
00:39:07,884 --> 00:39:09,653
ALREADY BEEN FORWARDED
TO THE AUTHORITIES,
895
00:39:09,686 --> 00:39:11,822
JUST IN CASE THEY WANT
TO LOOK INTO THE DEATHS
896
00:39:11,855 --> 00:39:14,758
OF ALL THOSE LATE HUSBANDS.
897
00:39:14,791 --> 00:39:16,627
IF I WERE YOU,
I'D START RUNNING.
898
00:39:16,660 --> 00:39:17,928
NOW.
899
00:39:21,665 --> 00:39:22,799
HA!
900
00:39:22,833 --> 00:39:23,934
SHALL WE?
901
00:39:34,778 --> 00:39:36,012
THANK YOU.
902
00:39:36,046 --> 00:39:37,648
MMM!
903
00:39:37,681 --> 00:39:40,517
LET'S GET OUT OF HERE.
904
00:39:42,052 --> 00:39:44,488
TRUE LOVE DOES EXIST.
905
00:39:44,521 --> 00:39:45,656
MAY IT ALWAYS PREVAIL.
906
00:39:46,623 --> 00:39:48,091
-HEAR, HEAR.
-SLAINTE.
907
00:39:50,226 --> 00:39:51,828
LOOKING FOR A MISS DEVEREAUX.
908
00:39:51,862 --> 00:39:53,029
MM. THAT'S ME.
909
00:39:53,063 --> 00:39:54,531
AND A PARKER.
910
00:39:54,565 --> 00:39:56,433
-OOH.
-OOH. THESE ONES?
911
00:39:56,467 --> 00:39:57,468
YEAH.
THAT'S FOR YOU.
912
00:39:57,501 --> 00:40:00,437
-THERE YOU ARE.
-THANKS.
913
00:40:00,471 --> 00:40:02,439
I TAKE IT ALL BACK.
914
00:40:02,473 --> 00:40:04,475
MWAH. EVERY WORD.
915
00:40:04,508 --> 00:40:05,942
-YOU ARE ROMANTIC.
-OOH.
916
00:40:07,210 --> 00:40:10,481
OH. THEY'RE BEAUTIFUL.
917
00:40:10,514 --> 00:40:11,682
[ SNIFFS ]
918
00:40:11,715 --> 00:40:13,183
IT EATS FLIES.
919
00:40:13,216 --> 00:40:15,719
HUH. A PLANT
THAT DOES SOMETHING.
920
00:40:15,752 --> 00:40:17,988
-THAT'S NICE.
-THANKS.
921
00:40:18,021 --> 00:40:19,623
SHOULD I FEED IT MICE,
LIKE A SNAKE?
922
00:40:19,656 --> 00:40:21,157
YEAH, YEAH. YEAH, YEAH, YEAH.
923
00:40:21,191 --> 00:40:23,460
-THEY'RE MY FAVORITE.
-IT'S GOT TEETH.
924
00:40:24,828 --> 00:40:27,531
SMELL.
[ GROWLS ]
925
00:40:27,564 --> 00:40:30,066
UH, THEY SMELL NICE?
926
00:40:30,100 --> 00:40:32,002
IT DOESN'T REALLY SMELL.
927
00:40:34,605 --> 00:40:36,673
[ CELLPHONE RINGS ]
928
00:40:36,707 --> 00:40:39,075
[ CELLPHONE BEEPS ]
929
00:40:39,109 --> 00:40:41,011
I DON'T RECOGNIZE THIS NUMBER,
930
00:40:41,044 --> 00:40:42,779
WHICH MEANS YOU SHOULDN'T BE
TALKING TO ME.
931
00:40:42,813 --> 00:40:46,082
[ LAUGHING ]
A CALL TO ARMS, MR. FORD.
932
00:40:46,116 --> 00:40:47,150
In my dealings,
933
00:40:47,183 --> 00:40:49,786
I've discovered an innocent
who's been wronged.
934
00:40:49,820 --> 00:40:51,722
An engineer's invention
was stolen
935
00:40:51,755 --> 00:40:53,223
BY A CORPORATION.
936
00:40:53,256 --> 00:40:55,258
IF YOU AND YOUR TEAM
ACQUIRE THE PATENT,
937
00:40:55,291 --> 00:40:57,594
YOU CAN PROVE THE COMPANY
OWES HIM MILLIONS.
938
00:40:57,628 --> 00:40:58,529
[ SCOFFS ]
939
00:40:58,562 --> 00:41:00,196
YOU MAKE A FEW INVESTMENTS
AHEAD OF TIME,
940
00:41:00,230 --> 00:41:01,097
BET AGAINST OUR OPPONENTS.
941
00:41:01,131 --> 00:41:04,668
A FINDER'S FEE.
YOU PUNISH. I PROFIT.
942
00:41:04,701 --> 00:41:06,870
Well, it sounds tempting,
Latimer, I'll give you that.
943
00:41:06,903 --> 00:41:08,271
SOMETHING I WANT, NO DOWNSIDE.
944
00:41:08,304 --> 00:41:10,707
PROBLEM IS, I'VE MADE THAT OFFER
945
00:41:10,741 --> 00:41:12,776
A HUNDRED TIMES
TO A HUNDRED MARKS.
946
00:41:12,809 --> 00:41:14,645
I KNOW A CON WHEN I SPIN ONE.
947
00:41:14,678 --> 00:41:15,512
No, thanks.
948
00:41:15,546 --> 00:41:17,714
WE COULD HAVE BEEN FRIENDS,
MR. FORD.
949
00:41:17,748 --> 00:41:19,750
I DON'T NEED ANY FRIENDS,
LATIMER.
950
00:41:19,783 --> 00:41:21,117
[ CELLPHONE BEEPS ]
951
00:41:22,886 --> 00:41:24,855
AH.
952
00:41:24,888 --> 00:41:29,626
[ Cellphone speed-dialing,
ringing ]
953
00:41:29,660 --> 00:41:33,163
HE WOULDN'T TAKE THE JOB.
954
00:41:33,196 --> 00:41:35,632
YOU DO THAT, IT'S WAR.
955
00:41:38,769 --> 00:41:40,804
WELL, WAR IT IS, THEN.
63691
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