All language subtitles for Leverage.S02E05.1080p.WEBRip.x265-HiQVE

AND TONIGHT
ON "HUNT FOR THE TRUTH,"

A SHOCKING DEVELOPMENT
IN THE SCHOOL-BUS SCANDAL

THAT COST TWO CHILDREN
THEIR LIVES.

I HAVE UNCOVERED NEW INFORMATION

ABOUT THE LOWLIFE RESPONSIBLE
FOR THIS HORRIBLE ACCIDENT --

SCHOOL-BUS DRIVER
RAY PENNINGTON.

MR. PENNINGTON, HOW DO YOU
RESPOND TO THE ALLEGATIONS

THAT YOU WERE DRIVING
ERRATICALLY

THE MORNING OF THE ACCIDENT?

I DROVE THE WAY I NORMALLY DO.

I-I DIDN'T DO ANYTHING IMPROPER.

THAT MAN, RAY PENNINGTON,

WAS BEING TREATED
FOR SEVERE MENTAL ILLNESS

AT THE TIME OF THE ACCIDENT.

FRIENDS, YOU HAVE
TO ASK YOURSELF --

DO YOU KNOW WHO'S DRIVING
YOUR KIDS TO SCHOOL?

JOINING US
IS PSYCHIATRIST DR. BILL PRATT.

DR. PRATT,

ISN'T IT TRUE
THAT PSYCHIATRIC MEDICATIONS

GREATLY IMPAIR
A PERSON'S DRIVING ABILITY?

DAD...

I THOUGHT WE AGREED YOU WEREN'T
GONNA WATCH THIS WHACK JOB

ANY MORE.

DAD?

DAD?

[ ENGINE RUNNING IN DISTANCE ]

DADDY?!

DADDY! DAD!

DADDY! DAD!

DAD, CAN YOU HEAR ME?! DAD!

DAD, DAD, DAD!

DAD, CAN YOU HEAR ME!

NO! DAD, WAKE UP! DAD!

THE DOCTOR SAID
I GOT TO HIM JUST IN TIME.

NO CHARGES WERE BROUGHT
AGAINST YOUR FATHER?

NO, IT WAS RULED
MECHANICAL FAILURE.

THE POLICE
COMPLETELY CLEARED HIM.

RIGHT, BUT, OF COURSE,
THAT WOULDN'T MAKE

FOR A VERY GOOD STORY, WOULD IT?

WELL, THE ACCIDENT
WAS A TRAGEDY,

AND EVERYONE WAS DEVASTATED.

BUT NOBODY POINTED
A FINGER AT DAD

UNTIL MONICA HUNTER DECIDED
TO MAKE HIM HER LATEST VILLAIN.

LOOK, I'M SORRY TO BRING THIS
UP, BUT WE NEED TO KNOW.

WHAT ABOUT THE MENTAL ILLNESS?

WHEN MY DAD GOT OUT
OF THE FIRST GULF WAR,

HE WAS GIVEN ANTIDEPRESSANTS
FOR POST-TRAUMATIC STRESS.

HE HASN'T TAKEN THEM
IN 14 YEARS.

-SHE MADE UP LIE AFTER LIE.
-WOW.

HERE'S WHAT WE CAN DO --
WE CAN PROBABLY GET YOU

ENOUGH MONEY TO SAVE THE HOUSE
AND PAY FOR MEDICAL BILLS.

WE AREN'T INTERESTED IN MONEY,
MR. FORD.

THIS WOMAN TOOK
MY FATHER'S SELF-ESTEEM.

SHE TOOK HIS REPUTATION.
SHE TOOK HIS GOOD NAME.

THAT'S WHAT HE NEEDS BACK.

ALL RIGHT, YEAH.

WE'LL SEE WHAT WE CAN DO.

THANK YOU.
THANK YOU VERY MUCH.

SURE.

I WANT TO TAKE THE LEAD
ON THIS ONE.

I WANT TO DO WHAT YOU DO.

-YEAH, LISTEN, I KNOW BREAK-UPS
CAN BE VERY DIFFICULT, SOPHIE.
-WHOA.

NO, THAT'S NOT
WHAT THIS IS ABOUT.

AND I KNOW
THAT YOU HAVE THIS NEED

TO BE IN CONTROL RIGHT NOW,
YOU KNOW.

I DON'T HAVE ANY SUCH NEED.

BUT YOU CAN'T PROJECT THAT
ONTO THE CON.

EXCUSE ME?

THIS COMING FROM THE MAN
WHO SPENT AN ENTIRE YEAR DRUNK,

WORKING OUT
HIS OBSESSIVE VENGEANCE

ON EVERY SINGLE DIMWIT
IN A SUIT

WHO HAPPENED TO CROSS
OUR LINE OF VISION?

YOU PUT SOME THOUGHT
INTO THAT ONE, DIDN'T YOU?

YOU KNOW, I'M NOT TRYING
TO CONTROL THE UNIVERSE

JUST BECAUSE
SOME GUY DUMPED ME.

I -- I --

I APPRECIATE THE CONCERN.
I JUST...

I NEED A NEW CHALLENGE.

OKAY.

THIS IS YOUR JOB.

THANKS.

YEAH.

LET'S GO GET THIS BITCH.

OH, BOY.

THE RICH AND POWERFUL,
THEY TAKE WHAT THEY WANT.

WE STEAL IT BACK FOR YOU.

AND SOMETIMES, BAD GUYS
MAKE THE BEST GOOD GUYS.

WE PROVIDE...

LEVERAGE.

[ SIREN WAILING IN DISTANCE ]

NOW, WE'VE STOLEN
A LOT OF ODD THINGS BEFORE,

BUT HOW DO WE STEAL BACK
A MAN'S REPUTATION?

WE GET THE NETWORK
TO ISSUE A COMPLETE APOLOGY

AND UTTERLY DISAVOW
MONICA HUNTER'S STORY.

WHAT?

YEAH, SOPHIE'S GONNA BE
DOING THIS ONE.

-[ CLEARS THROAT ]
-WHAT?

-YEAH.
-YEAH.

I'M GONNA BE NATE ON THIS ONE,
ONLY, YOU KNOW, NICER.

BUT IF YOU'RE GONNA BE NATE,
THEN WHO'S GONNA BE YOU?

-YOU.
-ME?

I-I DON'T MEAN TO OBSESS ABOUT
THE LAST TIME SOPHIE RAN A CON,

BUT, I'M SORRY, WHERE
WE HAD TO BLOW UP THE OFFICES.

REALLY?
BECAUSE I DON'T REMEMBER THAT.

I DO.

UM, HARDISON, JUST RUN IT.

IF YOU DON'T MIND,
I THOUGHT I WOULD STILL DO

THE "HARDISON, RUN IT" THING.

HARDISON, RUN IT.

[ SIGHS ]

MONICA HUNTER'S
"HUNT FOR THE TRUTH"

HAS BEEN THE TOP SHOW
IN HER TIME SLOT

FOR THE LAST EIGHT YEARS.

SHE CALLS IT AN EXPOSé SHOW.

EACH EPISODE
INCLUDES THREE ELEMENTS --

INCRIMINATING DOCUMENTS,

EMBARRASSING FOOTAGE
OF THE SUBJECT,

AND AN EXPERT TO MAKE IT LEGIT.

NOW, SHE MIXES THIS
ALL INTO ONE HATCHET JOB

ON SOME POOR CITIZEN, TURNING
THEM INTO THE BOOGEYMAN --

DOESN'T MATTER WHETHER OR NOT
THEY'RE GUILTY.

IF THE VICTIM TRIES TO SUE,

THE NETWORK
JUST BURIES THEM IN LAWYERS.

YEAH, SHE DEMONIZES PERFECTLY
INNOCENT PEOPLE FOR RATINGS

AND THEN STANDS
BEHIND THE NETWORK,

THINKING THEY'RE
GONNA PROTECT HER.

-WE'RE GONNA SEVER
THAT RELATIONSHIP.
-HOW?

WE'RE GONNA GET HER
TO GO ON AIR

WITH A FAKE STORY THAT
JUST DESTROYS HER REPUTATION.

IT'S LIKE WHEN YOU FIND
A CROOKED COP, YOU KNOW?

-A-ALL HIS CASES
GO RIGHT OUT THE WINDOW.
-EXACTLY.

AND THEN, TO PROTECT THEMSELVES,

THEY ISSUE AN APOLOGY
TO MR. PENNINGTON,

AND THEN THEY THROW
MONICA HUNTER

INTO THE JAWS
OF THE VERY MEDIA MACHINE

THAT SHE BENT
TO HER OWN MALICIOUS WILL!

WOW.

I GOT TO SAY, SOPHIE'S BRIEFINGS
ARE MUCH MORE DRAMATIC.

AND POETIC.

YOU SEE, WHAT WE NEED TO DO,
THOUGH -- WHAT WE NEED IS --

WE GOT TO SELL HER
A FAKE NEWS STORY

THAT SHE -- SHE CAN'T REFUSE.

THAT'S WHAT WE GOT TO DO,
BECAUSE WHAT DOES SHE HAVE?

SHE HAS FAME. SHE HAS MONEY.

-WHAT DOES SHE NEED?
-[ CLEARS THROAT ]

-SHE --
-[ CLEARS THROAT ]

SORRY.

WHAT DOES SHE HAVE?

SHE HAS FAME. SHE HAS MONEY.
WHAT DOES SHE NEED?

RESPECT.

YEAH, SHE'S A JOKE
AMONG SERIOUS JOURNALISTS.

LOOK, HERE'S E-MAILS
FROM HER AGENT

AND INTERNAL MEMOS
FROM THE NETWORK.

SEE, EVERY TIME
HER CONTRACT'S UP,

SHE TRIES TO GO AND GET A JOB
ON A SERIOUS NEWS SHOW,

BUT SHE GETS LAUGHED
OUT OF THE ROOM EVERY TIME.

YEAH, WELL,
WE CAN'T SELL HER RESPECT.

BUT WE CAN SELL HER A STORY
THAT COMMANDS RESPECT --

A STORY THAT SHE'S GONNA CHASE
TO GET THE RESPECT SHE CRAVES.

HMM?
PACK YOUR BAGS, EVERYONE.

WE'RE GOING TO D.C.
TO MAKE NEWS.

THAT'S WHEN YOU WANT TO...

I'M GONNA DO THAT BIT AGAIN.
[ SNIFFS ]

PACK YOUR BAGS, EVERYONE.

WE'RE GOING TO D.C.
TO MAKE NEWS.

[ DOOR OPENS ]

[ CLEARS THROAT ]
SHE'S WALKING INTO THE CLOSET.

[ DOOR CLOSES ]

FRIENDS, JOIN ME TOMORROW

AS WE HUNT FOR THE TRUTH
IN YOUR OWN HOME.

WHICH OF YOUR HOUSEHOLD
APPLIANCES IS KILLING YOU?

IT'S NOT THE ONE YOU THINK.

AND WE'RE...

OUT.

- NICE SHOW, EVERYONE.
-[ GROANS ]

-ALL RIGHT...
-[ GROANS ]

GONNA HAVE TO BUMP UP
THIS PART HERE, JIM.

WHAT IDIOT MADE THIS COFFEE?

I GOT THE PASS -- EASY.

Parker, we went over this.

YOU'RE NOT SUPPOSED TO TAKE IT.
YOU'RE SUPPOSED TO GET CAUGHT
WITH IT.

I don't know how to get caught.

YEAH, I KNOW IT'S DIFFICULT
TO STEAL BADLY.

JUST --

Just try.

[ SIGHS ]

[ SIGHS ]
I NEED THIS YESTERDAY.

WHAT AM I PAYING YOU FOR?

YOU CAN'T MAKE A CUP OF COFFEE.

INCOMPETENCE --
I'M SURROUNDED BY INCOMPETENCE.

[ SIGHS ]

[ DRAWER SLAMS ]

WHAT THE HELL ARE YOU DOING?

CINDY MacALLEN --
CASPERKILL NIGHTLY NEWS.

CASPERKILL?
HOW'D YOU GET IN HERE?

That's your cue.
Go on, leave now.

APPARENTLY, I HAVE TO GO.

HEY!

HEY, I WILL HAVE YOU ARRESTED
FOR TRESPASSING

IF YOU DO NOT TELL ME
WHAT YOU ARE DOING HERE.

WELL, TECHNICALLY, YOU CAN'T
HAVE ME ARRESTED FOR TRESPASSING

BECAUSE YOU DON'T OWN
THE STATION.

Parker, just tell her the story.

I HAVE A STORY -- A HUGE STORY.

-Pentagon.
-RIGHT.

THERE'S A HIGH-LEVEL SOURCE
AT THE PENTAGON

THAT'S BEEN EVADING ME.

SO YOU WERE GONNA SNEAK IN
USING MY PRESS CREDENTIALS?

YES.

TELL ME THE STORY.

NO, I CAN'T.

TELL ME OR TELL THE POLICE.

[ SIGHS ]

I HAVE A STORY
THAT WILL BRING DOWN...

THE PRESIDENT
OF THE UNITED STATES.

I HAVE TO WARN YOU
ABOUT MY SOURCE.

HE DOESN'T LIKE STRANGERS.

STRANGERS? I'M MONICA HUNTER.

I'M IN 41 MARKETS.

[ DOOR CLOSES ]

[ GASPS ]

MONICA HUNTER,
MEET WADE PERKINS.

I TOLD YOU,
DON'T BRING NOBODY HERE.

-THEY CAN'T KNOW THAT WE KNOW --

NOT NOW.
-I'M OUT.

NO, I KNOW HOW THIS LOOKS.
JUST HEAR HIM OUT.

OKAY. THREE MINUTES.

TELL ME A STORY THAT'LL
BRING DOWN THE PRESIDENT.

T-THE PRE-- THE PRESIDENT?

MAN, THE PRESIDENT SAID HE WAS
GONNA CLOSE DOWN GUANTANAMO BAY.

HE LIED.

GUANTANAMO IS BEING REPLACED
BY A NETWORK OF SECRET PRISONS

RIGHT HERE
IN THE UNITED STATES, MAN.

THESE ARE SATELLITE PHOTOS OF
VACANT MILITARY INSTALLATIONS

ACROSS THE COUNTRY --

EMPTY MISSILE SILOS,
CLOSED BASES --

PLACES WE'VE ABANDONED
SINCE THE END OF THE COLD WAR.

THEN, SUDDENLY,
THREE MONTHS AGO,

THE PHOTOS WERE TAKEN OFFLINE
AND CLASSIFIED.

U-U-UNTIL I CRACKED
THE ENCRYPTION.

SEE, THIS H-HERE --

HERE'S WHAT THE GOVERNMENT
DOESN'T WANT YOU TO SEE, MAN.

COME LOOK. THIS --

CONSTRUCTION SITES,
WORKING AROUND THE CLOCK,

INSTALLING GENERATORS
AND WATER-FILTRATION SYSTEMS

AND -- AND -- AND --
AND -- AND --

AND FULLY STOCKED KITCHENS, MAN.

THERE'S A WORD FOR THAT.
IT'S CALLED GOVERNMENT PORK.

NO, NO.

A-ALL THIS CONSTRUCTION
IS GOING ON UNDERGROUND,

UNDER-- BENEATH THE EYES --
THE EYES OF THE WORLD, MAN.

THEY DON'T WANT YOU TO SEE.

CONGRESS DOESN'T KNOW.
GOVERNORS DON'T KNOW.

RED CROSS, A.C.L.U.,
NATIONAL GEOGRAPHIC --

NOBODY KNOWS, MAN --
NOBODY, MAN.

THEY'RE PUTTING TERRORISTS
IN YOUR BACKYARD --

TERRORISTS
UNDER YOUR BACKYARD.

"HEY, LITTLE BILLY, GO OUTSIDE.
DIG IN THE SANDBOX."

"OH!" CLANK!

"WHAT DID YOU FIND, LITTLE
BILLY? WHAT DID YOU FIND?"

"IT'S A TERRORIST! IT'S A BUNKER
FULL OF TERRORISTS, MAN!"

BUNKER, MAN.

WHAT OTHER SOURCES DO YOU HAVE
BESIDES TINFOIL HAT OVER HERE?

HEY, HEY, HEY, MAN!

BEING A TINFOIL HAT IS BETTER
THAN BEING A LAP DOG

FOR THE FOUR CORPORATIONS THAT
CONTROL THE GLOBAL MEDIA, MAN.

GENERAL MARK CHESLER
AT THE PENTAGON

IS RUNNING THIS PROGRAM.

HE'S BEEN DUCKING ME.

THAT'S WHY I NEEDED
YOUR CREDENTIALS.

OKAY.

CALL ME TOMORROW.

WE'LL HIT THE GENERAL
IN THE MORNING.

[ DOOR OPENS, CLOSES ]

-THAT'S WHAT I'M TALKING ABOUT.
-ALL RIGHT.

AND THE CAMERAMAN --
THE USUAL SETUP.

I must say, Monica,
I'm proud of you,

HELPING OUT THIS YOUNG REPORTER.

DON'T BE SILLY, STEVE.

ONCE I'VE GOT HER SOURCES,

I'M KICKING STRAWBERRY SHORTCAKE
TO THE CURB.

THE STORY IS ALL MINE.

HUNTER'S HOOKED.

OUR MARK HAS A STORY
AND A SOURCE.

WE'RE HALFWAY HOME.

NOW FOR THE HARD PART.

WE NEED TO STEAL A GENERAL.

NO, IT'S "LET'S GO STEAL
A GENERAL," YOU KNOW?

-IT'S A RALLYING CRY.
-YEAH.

"WE NEED TO STEAL A GENERAL" --
IT'S A LITTLE NAGGY.

IT'S KIND OF LIKE,
"WE NEED EGGS," YOU KNOW?

"WE NEED EGGS."

"WE NEED EGGS!" YOU KNOW?

[ SIGHS ]

NO, I'M JUST TRYING
TO GIVE YOU A LITTLE...

YOU -- YOU SEE WHAT YOU DID?

ELIOT, THESE CONSPIRACIES
AREN'T REAL, RIGHT?

WHAT DO YOU MEAN?

LIKE THAT ONE OVER THERE THAT
SAYS ALL THE MAJOR WARS

OF THE PAST 50 YEARS
WERE ORDERED BY MEMBERS

OF "THE COUNCIL"?

PARKER, I'M NOT AT LIBERTY
TO DISCUSS THAT WITH YOU.

[ SCOFFS ]

WELL, YOU'RE NOT A MEMBER
OF THE COUNCIL, ARE YOU?

ELIOT?

IS HE?

OH, I DON'T KNOW.

HUH?

UH, NATE, IS HE?

[ GAVEL BANGS ]
MEETING ADJOURNED.

[ INDISTINCT TALKING ]

GENERAL CHESLER,
I'M FROM SENATOR RUDEN'S OFFICE,

AND HE NEEDS TO SPEAK
WITH YOU IMMEDIATELY.

UH, THEY ARE
ABOUT TO PUT A SPIKE

IN THE XJ-12
ARMORED-VEHICLE PROJECT.

I'M JUST RELAYING THE MESSAGE.

I DON'T EVEN KNOW
THAT THAT IS, SIR.

IT'S THE LAST EIGHT YEARS
OF MY LIFE.

THAT'S WHAT IT IS!

YES, SIR.

UH, THE SENATOR WOULD LIKE YOU
TO MEET HIM IN HIS OFFICE
A.S.A.P

AND BRING
THE LATEST XJ-12 FILES.

I DON'T HAVE THEM ON ME!

DON'T HAVE THEM ON --
YEAH, RIGHT HERE.

"CALL YOUR SECRETARY AND
HAVE HER MEET YOU THERE,
PRONTO," AND AGAIN, SIR,

I'M JUST RELAYING THE SENATOR'S
WORDS.

-THEY'RE NOT MINE.
-[ SIGHS ]

[ DIALING ]

PAMELA, STOP
WHAT YOU'RE DOING RIGHT NOW

AND GRAB THE FOLLOWING FILES.

-SIR.
-SIR.

Is she gonna buy this?

Hardison changed
the general's profile online.

When she's on camera,
Monica only looks at Monica.

PARKER, WHAT'S YOUR 20?

Seconds away.

SHOULDN'T WE HAVE CALLED FIRST
TO SCHEDULE AN INTERVIEW?

SCHEDULE A -- AH, SKIPPER,

YOU'RE NOT COVERING
THE TULIP FESTIVAL

FOR THE ACTION NEWS ANYMORE.

THIS IS THE REAL WORLD.

BUT WHAT IF
HE WON'T TALK TO US?

-THEN WE CELEBRATE.
-CELEBRATE?

DENIAL MEANS GUILT.
REFUSAL MEANS MORE GUILT.

PUNCH OUT MY CAMERAMAN,
AND I'LL KISS YOU ON THE MOUTH.

MM-HMM.

I KNEW IT.

-WE'VE GOT A SHADOW.
-WHAT?

IT MEANS YOU'RE BEING FOLLOWED.

IT MEANS THERE'S SOME MEAT
ON THIS BONE.

OH.

ALL RIGHT, WE'RE ROLLING.

MY FRIENDS, WE ARE
OUTSIDE THE OFFICE

OF GENERAL MARK CHESLER
TO DISCOVER THE TRUTH

ABOUT AMERICA'S SECRET PRISONS.

WHAT'S GOING ON HERE?

WHO -- WHO THE HELL LET YOU
IN THIS BUILDING?

GENERAL, WHO IS BEING HELD IN
THE SECRET UNDERGROUND BUNKERS?

[ CLEARS THROAT ]
I AM LATE TO A MEETING.

THEN YOU DON'T DENY
THAT THESE PRISONS EXIST?

I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.

SO, HOW LONG HAVE YOU BEEN IN
CHARGE OF THE PRISONS, GENERAL?

[ SIGHS ]

HERE, TAKE THIS. [ SNIFFS ]

WATCH THE DOOR.

THIS IS IT -- CONSTRUCTION MEMOS
FOR THE SITES

IN THE SATELLITE PHOTOS,
ALL CLASSIFIED.

"CELL REQUIREMENTS ARE
8 SQUARE FEET PER BED."

THEY ARE PRISONS.

WE'VE GOT OUR PROOF.

YES.

FAIR ENOUGH.

YOU BRING THAT CRACKPOT SOURCE
OF YOURS

DOWN TO MY STUDIO RIGHT NOW.

I'M GONNA OBSCURE HIS FACE,
DISGUISE HIS VOICE,

REFER TO HIM
AS MY SECRET INFORMANT.

DO YOU HAVE ANY IDEA WHAT THIS
STORY MIGHT MEAN FOR DEMOCRACY?

WHATEVER.

I JUST WISH I COULD SEE
THE FACES OF THOSE BASTARDS

AT THE TIMES AND THE POST

WHEN THEY FIND OUT THEY'VE GOT
TO CHASE A MONICA HUNTER STORY.

MY STORY, TOO, RIGHT?

HEY, MAKE SURE TO SET THE TiVo.

I WANT TO SEE HOW I LOOK
WITH THE FUZZY DOT ON MY FACE.

ALL RIGHT,
JUST DON'T PUSH TOO HARD.

[ CLEARS THROAT ]

WHAT? I'M...

BURY HER.

THREE, TWO, ONE, MONICA.

FRIENDS, IS YOUR BABYSITTER

RUNNING A CALL-GIRL RING
WHILE YOU'RE AT WORK?

WATCH THE SHOCKING
NANNY-CAM FOOTAGE

TONIGHT ON "HUNT FOR THE TRUTH."

AND CUT. NICE SHOW, EVERYONE.

Hardison! Hardison!

-Go in!
-GOT IT, GOT IT.

-[ CLEARS THROAT ]
-HEY, HEY, HEY, HEY, CHIEF.

WHAT HAPPENED
TO THE PRISON STORY, MAN?

RENFIELD, BETSY WETSY.

I'LL ADMIT I WAS TEMPTED.

I FIGURED HERE'S MY CHANCE

TO FINALLY STICK IT
TO THE D.C. PRESS CORPS.

BUT THEN I GOT TO WORK,
AND I READ THESE.

NIELSEN MEDIA --
THESE ARE YOUR RATINGS.

ON MONDAY, I HAD "SUBURBAN TEENS
IN SECRET PREGNANCY PACT" --

NUMBER ONE IN THE TIME SLOT.

THEN WEDNESDAY WAS
MY SOCIAL-SECURITY SHOW --

"WILL YOUR SAFETY NET BE THERE
WHEN YOU RETIRE?"

I LOST TO THE DISCOVERY
AND HISTORY CHANNELS --

SHARKS AND NAZIS.

NOW, GRANTED, SHARKS AND NAZIS
ARE CABLE TV's HEAVY HITTERS,

BUT THAT'S NO EXCUSE.

BUT THIS IS A NATIONAL SCANDAL!

NO, A SCANDAL IS WHATEVER SCARES
MONICA HUNTER'S VIEWERS.

NOW, WHO ARE THEY GONNA PUT
IN THOSE SECRET PRISONS?

MY VIEWERS? NO.

THEY'RE GONNA PUT
BAD PEOPLE IN THERE.

SECRET GOVERNMENT PRISONS

MAKE MONICA HUNTER'S VIEWERS
FEEL SAFER.

MY JOB IS TO SELL THE MORONS
A STEADY DIET OF SCARY.

THEY WANT A REASON
TO LOCK THEIR DOORS.

FEAR SELLS,

AND MONICA HUNTER
IS IN THE FEAR BUSINESS.

-THAT'S NOT COOL.
-DON'T YOU UNDERSTAND?

IF YOU DON'T GET THIS,
SOMEONE ELSE WILL.

YOU'RE MISSING OUT ON
THE BIGGEST OPPORTUNITY
OF YOUR LIFE!

LISTEN TO US!
EVERYTHING'S AT STAKE!

THANK YOU.

WHAT ARE WE GONNA DO NOW?

ALL RIGHT.

SHE WANTS FEAR?

THAT'S WHAT WE'LL GIVE HER.

THIS IS HOW IT STARTS.

[ CELLPHONE RINGS ]

[ SIGHS ]

GO FOR HUNTER.

Monica,
it's Cindy MacAllen.

There's more to this thing
than we thought.

-The general called me.
-LARGE LATTE?

LOOK, CINDY, I TOLD YOU,

THERE'S NO "HUNT FOR THE TRUTH"
STORY HERE.

Please,
I'm right outside!

GIVE ME JUST TWO MINUTES.

IT'S BIG, MONICA.
IT'S BIGGER THAN WE THOUGHT.

AAH!

[ GROANS ]

[ GASPS ]

SOMEBODY CALL 911!

[ INDISTINCT SHOUTING ]

OH.

WHOA.

DON'T STOP.
COME ON.

THEY RAN HER OVER!

I KNOW, I KNOW.
BUT WE GOT TO GO.

THE SECURITY CAMERAS, THE ATM
CAMERAS, THE TRAFFIC CAMERAS --
WE'RE ALWAYS BEING WATCHED.

JUST PUT YOUR HEAD DOWN
AND ACT NATURAL.

WAIT, WHY ARE YOU DRESSED
LIKE A MAILMAN?

I'M INVISIBLE, MAN.

MAILMAN --
NOBODY NOTICES THE MAILMAN.

HE BLENDS RIGHT IN
JUST LIKE A-A CIRCUS CLOWN.

WAIT, WAIT --
DID SHE TELL YOU?

THE GENERAL CALLED.

YES.
HE CALLED LAST NIGHT.

HE WANTS TO MEET --

HAD A BAD CASE OF THE SWEATS
AND A GUILTY CONSCIENCE.

WHAT'S THIS ALL ABOUT?

SOMETHING WORTH
KILLING HER OVER.

IS IT A BIG ENOUGH STORY
FOR YOU NOW?

[ CROWD GASPS ]

[ INDISTINCT CONVERSATIONS ]

WHERE THE HELL ARE WE?

NO WINDOWS, NO CAMERAS,
NO CROWDS --

IT'S THE PERFECT PLACE
TO MEET.

NOW, LOOK -- LOOK -- LOOK, DO
YOU WANT THE TRUTH OR NOT, MAN?

MISS HUNTER!
WHERE'S MacALLEN?

MacALLEN HAD AN ACCIDENT...
RIGHT IN FRONT OF ME.

THEY'RE CLEANING UP
THE LOOSE ENDS.

NOT THE ENDS, MAN,
NOT THE ENDS, MAN.

TRIMETHYLXANTHINE --

I'LL TRY AND SEE
IF I CAN GET YOU SOME.

TRIMETHYL WHAT?

IT'S AN ANTIDOTE
THE C.I.A. CAME UP WITH IN '73

DURING THE TOKYO
INTERVENTION.

ANTIDOTE TO WHAT?

WELL, THERE'S BEEN
AN INCIDENT.

AN INCIDENT?

DON'T SPIN ME, GENERAL.

I'M MONICA FRICKIN' HUNTER,

AND I AM
ON A HUNT FOR THE TRUTH.

THREE WEEKS AGO,
THERE WAS A BREACH

AT ONE OF OUR WEAPONS-RESEARCH
LABS OUTSIDE OF D.C.

SOMETHING GOT
INSIDE THE WATER.

IT'S IN THE WATER? I ALWAYS KNEW
IT WAS IN THE WATER.

WILL YOU SHUT UP?!

A VIRALLY REPLICATING
CHEMICAL NERVE AGENT --

A NERVE GAS.

DISSOLVES IN THE WATER,
SPREADS LIKE A DISEASE.

NO.

NO, WE WOULD'VE HEARD
FROM THE HOSPITALS,

PEOPLE COMING IN
WITH SYMPTOMS.

IT TAKES A WHILE

FOR IT TO RISE TO TOXIC LEVEL
IN THE HUMAN SYSTEM.

PEOPLE SHOULD START GETTING SICK
ANY DAY NOW.

I DON'T UNDERSTAND.

WHAT DOES THIS HAVE TO DO
WITH THE SECRET PRISONS?

[ SCOFFS ]
SHE THINKS THEY'RE PRISONS!

OUT HERE'S THE PRISON.

THEY'RE SHELTERS
FOR THE ELITE --

ENVIRONMENTALLY SOUND
SAFE HOUSES

WITH THEIR OWN REFILTERING
WATER SUPPLY --

GOOD FOR TWO YEARS
OF UNDERGROUND LIVING,

EVEN THOUGH I THINK WE'LL
ONLY NEED ABOUT SIX MONTHS.

IF YOU THINK THE AMERICAN PEOPLE
ARE GONNA STAND BY AND WATCH

WHILE THOUSANDS OF D.C.
RESIDENTS GET SICK AND --

T-T-THOUSANDS?
THOUSANDS?

YOU -- YOU DON'T GET IT, MAN!
IT'S -- IT'S IN THE WATER!

ONCE IT'S
IN THE CONDENSATION CYCLE,

IT STARTS GETTING IN RAIN CLOUDS
AND RAIN DROPS.

RAIN --
IT KEEPS FALLING, MAN!

IT'S NOT RAINING MEN, MAN,
IT'S RAINING DEATH!

IT'S RAINING DEATH, MAN!

IN A COUPLE OF DAYS,
BEING IN ONE OF THOSE BUNKERS

WILL BE THE ONLY SAFE PLACE
IN THE ENTIRE COUNTRY.

I STILL NEED MORE PROOF.

IT'S ALL IN THE FILE THAT
MacALLEN TOOK -- THE RED FILE.

THEY STOLE THAT FILE
OFF OF HER BODY.

YOU HAVE OTHER SOURCES.
USE THEM.

PROJECT IS
CODE-NAMED DESTINY.

IT'S UP TO YOU, HUNTER.

IT'S UP TO YOU TO WARN
THE AMERICAN PEOPLE.

NOW GO HUNT
FOR THE TRUTH!

WE TOTALLY WENT
TO THE MOON.

MOVIE SETS.
I'VE SEEN THEM.

THEY'RE OUTSIDE
OF ALBUQUERQUE.

WHY WOULD THERE
STILL BE SETS THERE?

BECAUSE THEY'RE GONNA REUSE THEM
FOR THE MARS MISSION --

REPAINT IT ALL RED.

OH, PEPPERMINT!

ARE YOU SURE IT'S COOL
TO LET HER LOOSE?

SHE HAS TO HAVE CORROBORATION
FROM HER OWN SOURCES.

SHE HAS TO CRAFT
THE NARRATIVE.

MONICA HUNTER
HAS TO BE THE AUTHOR

OF HER OWN
PERSONAL NIGHTMARE.

DO I SOUND THAT CREEPY
WHEN I --

-HELL YES.
-MM-HMM.

-REALLY?
-YOU DO.

THE ONLY QUESTION

IS WHETHER HARDISON GUESSED
HER SOURCES RIGHT.

-G-G-GUESS? GUESS?
-WELL, YOU KNOW...

WOMAN,
MY NAME'S ALEC HARDISON.

I DO NOT GUESS, OKAY?

LOOK, JOURNALISTS --
THEY'RE LAZY.

THEY ALWAYS GO BACK
TO THE SAME SOURCES.

I COMPARED MONICA HUNTER STORIES
FOR THE LAST 10 YEARS

AND CREATED A HEURISTIC MODEL
BASED ON HER SOURCES.

I FILTERED BY STORY TYPE,
PRIORITY, AND EVIDENTIARY CHAIN.

LOOK.

SEX SCANDAL -- 87% CHANCE
SHE GOES TO THESE SOURCES.

SERIAL-KILLER SCARE --

90%, SHE CONTACTS THESE SOURCES
FOR CONFIRMATION.

GOVERNMENT SECRETS
AND HEALTH SCARE INTERSECTS --

95% CHANCE SHE GOES
TO THESE SOURCES.

LOOK, LOOK. YOU --

RIGHT THERE, SHE'S E-MAILING
THEM RIGHT NOW. LOOK.

I...AM ANSWERING...
FOR THEM.

[ Dialing ]

[ Ringing ]

SEE, NOW ALL OF HER CELLPHONE
CALLS TO THESE SOURCES

GO STRAIGHT
TO VOICE MAIL.

LEAVING HER NO CHOICE
BUT TO CONTACT

THE ONE AND ONLY SOURCE
THAT WE LET HER SPEAK TO.

-YEAH, I CAN DO THAT. SURE.
-IT'S A LOCK.

CONGRESSMAN!

AH, MONICA,
MY FAVORITE JOURNALIST.

WHAT CAN I DO FOR YOU?

-I NEED YOU TO TELL ME
THE TRUTH...
-OF COURSE.

...ABOUT DESTINY.

NOW, HERE ON THE MAIN STAGE,

LET'S GIVE IT UP
FOR DESTINY.

I BOUGHT YOU A CAR,
BABY!

THANK YOU, BABY.

OOH!

GIVE ME THAT!
WHO TOLD YOU ABOUT DESTINY?

YOU CAN'T TELL ANYONE!

THAT WOULD BE THE END --
THE END OF EVERYTHING!

IT'S TRUE.

OH.

[ INDISTINCT CONVERSATIONS ]

[ BREATHING HEAVILY ]

OH...

[ WHIMPERS ]

NO.

MONICA, WE'RE SHOOTING PROMOS.
GET MADE UP.

[ GASPS ]

MONICA.

NO, IT'S EVERYWHERE.

IT REALLY IS EVERYWHERE.

THIS IS THE STUDIO
SECURITY FOOTAGE

FROM THREE HOURS AGO.

NOW, THAT'S
WHAT I CALL CONTROL.

YEAH, WE MIGHT'VE
PUSHED TOO HARD.

-PLEASE.
[ KNOCKING ON DOOR ]

IT'S ME -- MONICA HUNTER.

ARE YOU THERE?

LET ME IN!

OH, THANK GOD.

YOU'RE THE ONLY ONE I CAN TRUST
TO HELP ME GET THIS FOOTAGE.

FO-- SOME FOOTAGE, MAN?

I NEED YOU TO TAKE ME
TO ONE OF THE BUNKERS, NOW.

WE NEED VIDEO PROOF. WE ARE
GONNA BLOW THIS WIDE OPEN.

ALL RIGHT, I'M --

COME ON, LET'S GO!

TOO MUCH.

LITTLE BIT.

HERE?

HOLD -- HOLD -- HOLD --
HOLD ON, HOLD -- HOLD ON.

HOLD ON.

H-Hold on.
Hold on a second.

OKAY, ALL RIGHT,
YOUR SATELLITE PHOTOS

HAVE SOMETHING THAT WILL PASS
AS A BUNKER

AT THE ARMY RESERVE BASE.

I'M RIGHT BEHIND YOU.

[ TIRES SCREECH ]

But there's nothing
in there but tank parts.

JUST GET THE FOOTAGE AND RUN.

And Nate's right behind you.

He's gonna pick you up
and do the blow-off.

OKAY.

WELL, THERE YOU GO.

WE'RE NOT CLOSE ENOUGH.

SHOOT ME.

THIS IS MONICA HUNTER,
COMING TO YOU

FROM A SECRET MILITARY BASE JUST
OUTSIDE OF WASHINGTON, D.C.,

WITH THE MOST SHOCKING
"HUNT FOR THE TRUTH" EVER.

YOU --

UGH! OH!

SERGEANT!

SIR, YES, SIR!

HEY!
GET OFF OF THE FENCE!

HEY, HARDISON, HARDISON.
WHAT'S --

[ INDISTINCT SHOUTING ]

ON YOUR FEET!

THIS IS U.S. ARMY!
DON'T MOVE!

DROP THE CAMERA!
HANDS IN THE AIR NOW!

[ GUNS COCK ]

GLASS HALF FULL --

SHE REALLY BUYS
THE BUNKER STORY.

LISTEN, YOU DON'T HAVE
TO PRETEND WITH ME.

I KNOW.

I KNOW ABOUT THE BUNKERS.

MA'AM,
THERE ARE NO BUNKERS.

I KNOW YOU HAVE
TO SAY THAT.

UH-HUH.

A-ALL THIS --
THIS IS AN ARMY BASE?

WHAT DID YOU THINK IT WAS?

I -- I DON'T KNOW.

I DON'T KNOW THAT WHITE WOMAN.
I MET HER AT A BAR.

SHE SAID WE WAS GOING BACK
TO HER PLACE.

I THOUGHT IT WAS
A GATED COMMUNITY.

AND THE VIDEO CAMERA?

S-SHE A FREAK, MAN.

HOLD ON.

GET ME OUT OF HERE.

-YEAH, I-I'M WORKING ON IT.
-I'M ON IT.

NO, NO, NO, NO, NO!

YOU CANNOT GO.
YOU'RE DEAD.

MONICA HUNTER SEES YOU,
AND THE WHOLE CON IS BLOWN.

RIGHT.

DAMN THE CON.

I'M A BLACK MAN CAUGHT ON AN
ARMY BASE WITH A VIDEO CAMERA.

I AM GOING TO JAIL FOREVER.

YEAH, LOOK, NATE'S THE ONLY ONE
CLOSE ENOUGH TO GET YOU.

YEAH, BUT NATE'S
FIVE MINUTES AWAY

AND STILL TRYING TO FIGURE OUT

HOW HE'S GOING TO WALK
TWO PRISONERS OFF AN ARMY BASE

USING AN I.D. THAT'S ALREADY
BEEN REPORTED STOLEN.

NO, GUYS,
WE'RE GONNA HAVE TO STALL.

S-STALL?

JUST, UH, LET ME KNOW
IF YOU THINK...

ELIOT, GET ME EVERYTHING
YOU CAN ON A LIEUTENANT ABBOT.

Just -- Just do -- do --
do what I taught you.

THE "HTTP" THING COMES
BEFORE THE "WWW.," RIGHT?

ELIOT!

-AND WHICH ONE'S
THE FORWARD SLASH?
-OH, COME ON.

IT AIN'T THE TIME, ELIOT.
IT AIN'T -- IT AIN'T THE TIME.

YOU SEE,
IT'S NOT THAT MUCH FUN

WHEN YOU'RE HANGING OUT THERE
IN THE WIND

AND THERE'S A DUDE BEHIND A
LAPTOP CRACKING JOKES, IS THERE?

I LIKE IT WHEN WE SWITCH JOBS.
IT'S EXCITING.

OKAY.

LET'S PRETEND
THERE AREN'T ANY BUNKERS.

THERE AREN'T ANY BUNKERS.

YOU'RE A HORRIBLE LIAR.

IN THESE BUNKERS
THAT DON'T EXIST,

THERE'S GOING TO BE PANIC.

WHO'S PANICKING?

THE SPECIAL PEOPLE.

AND YOU KNOW
WHAT YOU COULD USE?

A FAMILIAR FACE
FROM THE MEDIA,

A FACE THAT THEY TRUST.

That's everything
on this guy.

SIR, I NEED TO KNOW
WHY YOU'RE ON THIS BASE.

YES.
WHY AM I ON THIS BASE?

-I'M ASKING YOU.
-NO, I'M ASKING YOU.

WHY AM I ON THIS BASE?

WHY AM I IN THIS ROOM?

SO I CAN ASK YOU QUESTIONS.

WELL, MAYBE IT'S
SO I CAN ASK YOU QUESTIONS,

LIEUTENANT KYLE ABBOT,
SOCIAL SECURITY 823-24-6270.

I DON'T KNOW
WHAT YOU'RE UP TO --

MAYBE YOU'RE NOT CLEARED
TO KNOW.

TWO DISCIPLINARY ACTIONS?

THAT ONE IN GERMANY --
TSK, TSK, TSK, TSK, TSK.

MAYBE YOU'RE JUST TOO MUCH
OF A SECURITY RISK.

DID I SAY YOU COULD LEAVE?

[ CLEARS THROAT ]

NOT GONNA WORK.

It's all
in the salute, man.

JUST WORK
THE STARS AND BARS.

NOBODY WANTS TO LOOK
A GENERAL IN THE EYE.

GOOD FORM, SOLDIER.
AS YOU WERE.

CLEAR.

[ INDISTINCT SHOUTING ]

SIR.

SIR, MINE IS FREAKING ME
RIGHT OUT, SIR.

MINE APPEARS TO BE INSANE.

NO, NOT INSANE --
JUST A REPORTER.

WELL, CONGRATULATIONS,
GENTLEMEN.

THIS BASE HAS PASSED
WITH, UH, FLYING COLORS.

WELL DONE.

PASSED WHAT, SIR?

HAVE YOU NOT BEEN BRIEFED?
YOU WERE SUPPOSED TO BE BRIEFED.

THE DEPARTMENT OF DEFENSE

HAS DECIDED TO REASSURE
THE AMERICAN PEOPLE

ABOUT THE SAFETY
OF THEIR MILITARY BASES,

SO WE'VE AGREED TO COOPERATE
WITH THE NETWORK

AND MAKE
A TELEVISION SPECIAL --

YOU KNOW, TO SHOW OFF JUST HOW
EFFECTIVE OUR SECURITY IS.

THEY WERE PRETTY EASY
TO CATCH, SIR.

WELL, FOR YOU.

BUT AT CAMP MUNROE
IN IDAHO,

THOSE TWO WERE SIGNING
THEIR NAME ON NUKES

WITH SHINY SILVER PENS.

[ CHUCKLES ]

TURN THEM LOOSE NOW, AND I'LL
GET THEM OUT OF YOUR HAIR.

OF COURSE, SIR.

YOU'RE FREE TO GO,
MA'AM.

ALL RIGHT, LET'S GO.

SORRY TO WASTE YOUR TIME,
GENTLEMEN.

ALL RIGHT,
WELL DONE, MEN.

LIEUTENANT, YOU CATCH
A FULL NAME ON THAT I.D.?

GENERAL CHESLER, SIR?

THAT IS NOT
GENERAL CHESLER.

ALL RIGHT,
FIND OUT WHO THEY ARE!

DON'T LET ANYONE
OFF THE BASE!

OH, TRIMETHYLXANTHINE.
THANK YOU.

IT JUST SLOWS DOWN
THE EFFECT OF THE TOXIN

HOPEFULLY LONG ENOUGH FOR YOU
TO GET THE TRUTH OUT.

-HOW DID YOU FIND US?
-ARE YOU KIDDING ME?

A FAMOUS REPORTER SHOWS UP
AT ONE OF THE BUNKERS,

SETS OFF ALARMS
ALL OVER THE CITY.

YEAH, WE'RE GONNA BE LUCKY IF WE
GET OUT OF HERE IN ONE PIECE,

I'LL TELL YOU THAT.

-WE'LL SPLIT UP.
-NO.

YES, YOUR CAR IS STILL PARKED
OUT OVER BY THE FENCE.

WADE, YOU PICK IT UP,
AND WE'LL MEET YOU
BACK AT THE APARTMENT.

WE'LL GATHER THE EVIDENCE,
AND WE'LL MEET AT THE STUDIO.

HEY!
STOP RIGHT THERE.

YOU WERE RIGHT.

-LET'S GO!
-NO! HOLD IT!

STOP! NO!
SERGEANT!

YES, SIR!

STOP THAT CAR!
STOP IT!

STOP THAT VEHICLE!

HEY! HEY!

[ INDISTINCT SHOUTING ]

SIR, THE ONLY I.D. THAT
CHECKED OUT WAS THE WOMAN --

MONICA HUNTER.

"HUNT FOR THE TRUTH"?

I THOUGHT
SHE LOOKED FAMILIAR.

CALL THE POLICE.

I'VE GOT THE FOOTAGE
OF THE SHELTERS

AND THE TESTIMONY
OF A THREE-STAR GENERAL.

THEY CAN'T CONTINUE THE PROGRAM
WITH THIS KIND OF EXPOSURE.

WE'RE GONNA GRAB
THE SATELLITE PHOTOS,

GO DOWN,
AND PUT YOU ON THE AIR.

I AM GOING TO MAKE THEM PAY

FOR KEEPING ME
OUT OF THOSE BUNKERS...

YEAH.

-...AND LYING...
-YEAH.

-...AND INJUSTICE.
-YEAH.

[ GASPS ]

WHERE DID IT GO?

THE PHOTOS!

THE MAPS!

WHERE'S WADE PERKINS?

THANK GOD, THE RED FILE!

[ GASPS ]

PARDON ME.

I WAS JUST CLEANING UP.

WE HUNT FOR THE TRUTH...

THROUGH MANY DARK PLACES.

I AM A PATRIOT,
MISS HUNTER.

I'M SORRY.

EARL?

UGH! AAH!

[ GROANING ]

[ DOOR OPENS, CLOSES ]

[ CHUCKLES ]

GOOD THINGS PARKER
SWITCHED THAT WITH WATER.

DIDN'T -- DIDN'T SWITCH.
OH!

[ BOTH COUGHING ]

EARNINGS REPORTS
CONTINUE TO COME IN,

AND AS EXPECTED, SEVERAL MAJOR
PLAYERS ARE FACING SOME...

I'VE GOT TO GET
ON THE AIR, NOW.

Are you drunk?

STEVE,
LISTEN VERY CAREFULLY.

YOU'VE GOT TO PATCH ME IN

TO THE EMERGENCY-BROADCAST
SYSTEM.

I'VE GOT TO GO ON THE AIR
LIVE NOW,

BEFORE THEY COME FOR ME.

THEY WHAT?

MONICA, WE'RE IN THE MIDDLE
OF THE STOCK REPORT.

FINE.
I'LL DO IT MYSELF.

...THAT THOSE FIGURES
DO COMPARE FAVORABLY

WITH FIRST-QUARTER
PRODUCTIVITY,

THOUGH CONFOUNDING EXPECTATIONS
OF LABOR COSTS...

GET OUT!

WE HAVE BREAKING NEWS.

AND NOW, MONICA HUNTER
WITH SOME BREAKING NEWS.

MONICA,
WHAT ARE YOU DOING?

SAVING YOUR LIFE, STEVE.

[ SIGHS ]

THIS IS A VERY SPECIAL EDITION
OF "HUNT FOR THE TRUTH."

MY FRIENDS, I HAVE BROUGHT YOU
STORIES BEFORE

OF INJUSTICES, OF DANGERS
LURKING ALL AROUND US,

BUT TONIGHT, MY FRIENDS,
THE ENEMY IS EVERYWHERE.

MY FRIENDS,
THIS IS THE ENEMY.

OUR WATER HAS BEEN POISONED.

[ INDISTINCT MURMURING ]

DO NOT DRINK IT.

DON'T EVEN LOOK AT IT.

-DON'T LET IT TOUCH YOUR SKIN.
-HAS SHE LOST HER MIND?

WHERE IS
SHE GETTING THIS?!

MY FRIENDS,
WHILE WE ARE OUT HERE DYING,

OUR GOVERNMENT HAS SECURED
THE SO-CALLED ELITES

IN SECRET UNDERGROUND BUNKERS

TO PROTECT THEM
FROM THIS POISON OUTBREAK.

EVEN NOW,
THESE PRIVILEGED FEW

ARE HIDING UNDERGROUND

WHILE WE ARE OUT HERE...

WHAT THE HELL
IS THAT FOOTAGE?!

WHY CAN'T YOU
TURN IT OFF?

[ CHUCKLES ]

DO NOT ADJUST YOUR SETS.

I CONTROL THE HORIZONTAL.
I CONTROL THE VERTICAL.

THE WATER IS POISONED.

WHAT'S THAT TYPING?!
WHO'S TYPING THIS?!

HEY, YOU!
FIND OUT WHO'S DOING THIS!

AND I HAVE THE PROOF.

I HAVE THE PROOF RIGHT HERE.

[ GASPS ]

WHAT?

NO.

WHAT?

NO!

NO! NO! NO!

SEE, THEY WANT TO KILL ME
BECAUSE I KNOW THE TRUTH.

NO!

NO!

NO! AAH!

NO!!

THESE ARE --
ARE YOU ON ANTIPSYCHOTICS?

NO, THEY'RE ANTIVIRALS
FOR THE WATER.

GIVE THEM TO ME!

LET GO! LET GO!

-Go, go!
-[ GROANING ]

NO!

THIS IS BREAKING NEWS RIGHT HERE
IN OUR OWN STUDIOS AT BNI.

MONICA HUNTER IS BEING TAKEN
INTO CUSTODY...

I'M MONICA
FRICKIN' HUNTER!

...AFTER SUFFERING
WHAT APPEARS TO BE

A PSYCHOTIC BREAK
LIVE ON AIR.

WELL, SEEING THIS
PUBLIC MELTDOWN,

WHAT ARE YOUR THOUGHTS

ABOUT MONICA HUNTER'S
FALL FROM GRACE?

I'M JUST GLAD THAT PEOPLE
FINALLY KNOW THE TRUTH,

AND I'M REALLY GLAD
TO HAVE MY GOOD NAME BACK.

THANK YOU, RAY.

FOR NOW, WE CAN ONLY POSE
THE QUESTION,

HOW MANY OTHER GOOD PEOPLE
DID MONICA HUNTER DESTROY?

SEE, RAY WAS
JUST THE BEGINNING.

I'M TELLING YOU, EVERY PERSON
THAT HUNTER SLANDERED

IS GONNA GET
A SECOND CHANCE.

LOCH NESS MONSTER?

LOCH NESS SUBMARINE.

NO!

SCOTTISH WATERS
ARE COLD AND DEEP.

IT'S THE PERFECT PLACE
TO TEST.

AREA 51?

-TRUE.
-FALSE.

-THAT'S TRUE.
-FALSE.

NO, SHE SAID
AREA 51 -- 51.

I'M SORRY, FALSE --
AREA 52.

-BEEN THERE.
-YEAH.

HEY.

[ SIGHS ]

COME ON. YOU HAD A LITTLE BIT
OF FUN, RIGHT?

[ SIGHS ]

I MEAN,
IT'S ALWAYS FUN.

I JUST --

NO, IT DIDN'T REALLY HIT
THE SPOT.

I-I THOUGHT IT WOULD BE REALLY
COOL,

YOU KNOW, SWITCHING ROLES,
BUT...NO.

I'M A GRIFTER...

FOR BETTER OR WORSE.

YOU'RE SEARCHING
FOR SOMETHING.

NATE, I...

[ SIGHS ]

OH, I FEEL LIKE
SUCH AN IDIOT, BUT...

...I FEEL A LITTLE BIT LOST
RIGHT NOW.

JUST TAKE YOUR TIME.

TRUST ME.

[ CHUCKLES ]

THE IRONY OF THAT.

RIGHT.
TRUST ME...

'CAUSE WHATEVER YOU NEED,
I'M HERE FOR YOU.

LISTEN, YOU CARRIED MY DRUNK ASS
FOR OVER A YEAR.

YOU DESERVE SOME
OF THE SAME LATITUDE.

YOU MAKE A GOOD POINT.

NOW, HERE IS
WHERE YOU SAY...

SOMETHING NICE ABOUT ME.

[ CHUCKLES ]

DON'T RUIN THE MOMENT.