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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,041 --> 00:00:04,510 HELP ME! SOMEBODY, PLEASE, HELP! 2 00:00:04,543 --> 00:00:07,113 HEY! OPEN THE DOOR, PLEASE! 3 00:00:07,146 --> 00:00:08,447 SHE CAN'T BREATHE! 4 00:00:08,481 --> 00:00:11,484 CAN'T YOU SEE THE SIGN, PAL? 5 00:00:11,517 --> 00:00:12,818 OVER HERE! 6 00:00:12,851 --> 00:00:15,654 HEY, UNLOCK THE DAMN DOOR! ASTHMA? 7 00:00:15,688 --> 00:00:18,157 YEAH, HER INHALER'S NOT WORKING. 8 00:00:20,159 --> 00:00:22,661 GET OUT OF MY WAY. CALL FOR AN AMBULANCE. 9 00:00:22,695 --> 00:00:24,730 -WHAT DO I DO? -SET HER ON THE GROUND, BUT KEEP HER UPRIGHT. 10 00:00:24,763 --> 00:00:27,766 -THIS INHALER'S GONNA RELAX HER MUSCLES... -OKAY. 11 00:00:27,800 --> 00:00:34,240 ...WHILE THE EPINEPHRINE OPENS THE AIRWAY. 12 00:00:34,273 --> 00:00:36,542 OH, THERE YOU GO. 13 00:00:36,575 --> 00:00:38,344 [ INHALES SHARPLY ] 14 00:00:38,377 --> 00:00:40,479 OH, THANK GOD. THANK YOU. 15 00:00:40,513 --> 00:00:42,215 YEAH. 16 00:00:42,248 --> 00:00:44,683 SHE COULD'VE DIED. I MEAN, SHE WOULD'VE DIED. 17 00:00:44,717 --> 00:00:46,585 WELL, SHE'S VERY LUCKY YOU WERE THERE. 18 00:00:46,619 --> 00:00:48,521 NO, LUCK SHOULDN'T HAVE ANYTHING TO DO WITH IT. 19 00:00:48,554 --> 00:00:51,790 YOU KNOW, THE CLINIC NEVER SHOULD'VE CLOSED, 20 00:00:51,824 --> 00:00:53,359 AND IT'S ALL MY FAULT. 21 00:00:53,392 --> 00:00:54,360 HEY, IT'S NOT YOUR FAULT. 22 00:00:54,393 --> 00:00:56,362 THERE'S NO WAY YOU COULD'VE SEEN THIS COMING. 23 00:00:56,395 --> 00:00:57,796 NO, I WAS THE ONE THAT RECOMMENDED MR. FOWLER 24 00:00:57,830 --> 00:00:59,132 TO OUR BOARD OF DIRECTORS. 25 00:00:59,165 --> 00:01:00,366 YOU KNOW, HE TOLD ME THAT THE FUND 26 00:01:00,399 --> 00:01:01,700 WOULD DOUBLE OUR CLINIC'S MONEY IN A YEAR. 27 00:01:01,734 --> 00:01:03,436 -I BELIEVED HIM. -IT'S OKAY. 28 00:01:03,469 --> 00:01:06,639 WE ALL DO STUPID THINGS SOMETIMES. 29 00:01:07,806 --> 00:01:08,907 [ STAMMERS ] 30 00:01:08,941 --> 00:01:13,612 UM [CLEARS THROAT] HOW DID YOU MEET, UH, DANIEL FOWLER? 31 00:01:13,646 --> 00:01:15,614 I ONLY VOLUNTEER AT THE CLINIC ON WEEKENDS. 32 00:01:15,648 --> 00:01:17,750 MY DAY JOB IS AT DALTON ACADEMY. 33 00:01:17,783 --> 00:01:18,851 IT'S THAT PRIVATE SCHOOL UP NEAR BRIGHTON. 34 00:01:18,884 --> 00:01:21,120 AND I'M THE ON-SITE NURSE THERE. 35 00:01:21,154 --> 00:01:22,755 AND FOWLER'S STEPSON IS A STUDENT THERE. 36 00:01:22,788 --> 00:01:25,491 HE'S A SWEET KID -- ALLERGIC TO STRAWBERRIES. 37 00:01:25,524 --> 00:01:26,625 [ LAUGHS ] 38 00:01:26,659 --> 00:01:28,794 THAT'S IRONIC. 39 00:01:28,827 --> 00:01:31,297 -WHY? -BECAUSE HE'S SWEET. 40 00:01:31,330 --> 00:01:32,898 YEAH, UH... 41 00:01:32,931 --> 00:01:35,801 A LOT OF THE PARENTS HAD MONEY INVESTED WITH HIM, 42 00:01:35,834 --> 00:01:38,237 AND I FIGURED, YOU KNOW, 43 00:01:38,271 --> 00:01:40,639 IF THEY COULD TRUST HIM, THEN WE COULD, TOO. 44 00:01:40,673 --> 00:01:42,475 OKAY, WELL, HERE'S THE THING. 45 00:01:42,508 --> 00:01:44,443 THE GOVERNMENT HAS FROZEN FOWLER'S ASSETS. 46 00:01:44,477 --> 00:01:45,744 SO YOU'LL GET THE MONEY BACK EVENTUALLY. 47 00:01:45,778 --> 00:01:48,147 NO, THE CLINIC IS OUT OF TIME. 48 00:01:48,181 --> 00:01:50,583 THE BOARD HAS PUT THE PROPERTY UP FOR SALE NEXT WEEK. 49 00:01:50,616 --> 00:01:53,852 THAT'S NOT GONNA HAPPEN. I PROMISE. 50 00:01:55,888 --> 00:01:58,391 SORRY, UM... 51 00:01:58,424 --> 00:02:00,726 IT'S JUST REALLY HARD TO TRUST PEOPLE RIGHT NOW, YOU KNOW? 52 00:02:00,759 --> 00:02:01,694 MM. 53 00:02:01,727 --> 00:02:04,663 THAT'S OKAY. WE DON'T TRUST YOU EITHER, SO... 54 00:02:04,697 --> 00:02:06,799 NO, SHE DIDN'T... 55 00:02:06,832 --> 00:02:09,435 THANK YOU FOR YOUR TIME. 56 00:02:12,638 --> 00:02:14,840 THAT WENT SUPER. 57 00:02:14,873 --> 00:02:17,276 [ SIGHS ] GOD... 58 00:02:17,310 --> 00:02:18,644 WHERE IS SOPHIE? 59 00:02:18,677 --> 00:02:22,181 THE RICH AND POWERFUL, THEY TAKE WHAT THEY WANT. 60 00:02:22,215 --> 00:02:24,350 WE STEAL IT BACK FOR YOU. 61 00:02:27,686 --> 00:02:34,460 AND SOMETIMES, BAD GUYS MAKE THE BEST GOOD GUYS. 62 00:02:34,493 --> 00:02:35,961 WE PROVIDE... 63 00:02:35,994 --> 00:02:38,597 LEVERAGE. 64 00:02:38,631 --> 00:02:42,335 THANKS FOR MEETING ME THIS MORNING. 65 00:02:42,368 --> 00:02:44,370 SWEETHEART, LISTEN, I KNOW YOU'RE CRAZY BUSY. 66 00:02:44,403 --> 00:02:46,439 IT'S FINAL-EXAM TIME AND EVERYTHING, 67 00:02:46,472 --> 00:02:47,573 BUT I WAS THINKING THIS WEEKEND 68 00:02:47,606 --> 00:02:50,643 WE SHOULD DEFINITELY, DEFINITELY 69 00:02:50,676 --> 00:02:51,744 CHECK OUT THE VENETIAN EXHIBIT -- 70 00:02:51,777 --> 00:02:53,679 I DON'T THINK SO. 71 00:02:53,712 --> 00:02:56,249 I DON'T THINK THAT THIS IS WORKING OUT. 72 00:02:58,016 --> 00:03:00,253 [ CHUCKLES ] BABE... 73 00:03:00,286 --> 00:03:02,588 LISTEN, I KNOW THAT... 74 00:03:02,621 --> 00:03:05,324 YOU KNOW, I TRAVEL A LOT WITH... 75 00:03:05,358 --> 00:03:06,659 MY JOB. 76 00:03:06,692 --> 00:03:09,728 IT'S NOT THAT. UM, LISTEN... 77 00:03:09,762 --> 00:03:11,997 WE TALK ALL THE TIME, 78 00:03:12,030 --> 00:03:14,967 BUT IT NEVER FEELS LIKE YOU'RE ACTUALLY SHARING ANYTHING. 79 00:03:15,000 --> 00:03:21,607 AS GREAT AS YOU ARE, THERE'S ALWAYS A MASK. 80 00:03:21,640 --> 00:03:24,243 I JUST DON'T KNOW WHO YOU REALLY ARE, CATHERINE. 81 00:03:30,383 --> 00:03:31,617 I GOT A CLASS. 82 00:03:35,288 --> 00:03:36,289 SOPHIE. 83 00:03:36,322 --> 00:03:37,856 PARDON? 84 00:03:40,326 --> 00:03:41,827 [ SCOFFS ] 85 00:03:46,565 --> 00:03:48,934 OR ALICE... 86 00:03:48,967 --> 00:03:52,405 KAREN, MICHELLE... 87 00:03:52,438 --> 00:03:54,840 ELIZABETH... 88 00:03:55,908 --> 00:03:58,344 [ DOOR CLOSES ] HEY. 89 00:03:58,377 --> 00:03:59,678 THIS LOOKS LIKE AN ORDINARY CELLPHONE, RIGHT? 90 00:03:59,712 --> 00:04:01,414 [ BEEP ] 91 00:04:01,447 --> 00:04:02,281 [ HIGH-PITCHED WHINING ] 92 00:04:02,315 --> 00:04:04,983 IT'S NOT, MAN. IT'S A METAL DETECTOR. 93 00:04:05,017 --> 00:04:08,921 SEE, IT USES PULSE-INDUCTION TECHNOLOGY 94 00:04:08,954 --> 00:04:11,524 THAT SENDS OUT A CURRENT THAT GENERATES A MAGNETIC FIELD 95 00:04:11,557 --> 00:04:14,527 AND THEN -- ARE YOU EVEN LISTENING? 96 00:04:14,560 --> 00:04:15,561 YEAH. 97 00:04:15,594 --> 00:04:16,595 WELL, WHAT DID I SAY? 98 00:04:16,629 --> 00:04:19,732 YOU WERE EXPLAINING HOW YOU'RE STILL A VIRGIN. 99 00:04:19,765 --> 00:04:21,334 IT'S A DIFFERENT KIND OF SKILL. 100 00:04:21,367 --> 00:04:23,802 TALKING TO CLIENTS, YOU'RE SUPPOSED TO SYMPATHIZE. 101 00:04:23,836 --> 00:04:25,771 I TOLD YOU NOT TO TAKE HER. 102 00:04:25,804 --> 00:04:27,806 WELL, YOU WERE RIGHT. WHERE'S SOPHIE? 103 00:04:27,840 --> 00:04:29,642 -I DON'T KNOW. -WELL, WE'RE NOT WAITING. 104 00:04:29,675 --> 00:04:32,978 LET'S GO. LET'S START. [ SIGHS ] 105 00:04:33,011 --> 00:04:37,383 DANIEL FOWLER, 61, C.E.O. OF FTP FIDELITY. 106 00:04:37,416 --> 00:04:39,818 NOW, THIS IS THE LARGEST PRIVATE-INVESTMENT FIRM 107 00:04:39,852 --> 00:04:42,054 IN THE STATE, UP UNTIL ABOUT THREE WEEKS AGO. 108 00:04:42,087 --> 00:04:44,022 THIS WHOLE THING WAS BLOWN AS A BIG PONZI SCHEME, 109 00:04:44,056 --> 00:04:45,558 AND I'M NOT TALKING CROOKED INVESTMENTS. 110 00:04:45,591 --> 00:04:47,426 I MEAN STONE-COLD CON. 111 00:04:47,460 --> 00:04:50,095 THERE WAS NEVER ANY FUND, NO TRADES, NO REAL ACCOUNTS. 112 00:04:50,128 --> 00:04:52,898 THE CLINIC LOST EVERYTHING. 113 00:04:52,931 --> 00:04:53,932 10 YEARS, THIS GUY WORE ALL THE RIGHT SUITS 114 00:04:53,966 --> 00:04:56,034 AND FILED ALL THE RIGHT PAPERS WITH THE S.E.C. 115 00:04:56,068 --> 00:04:56,935 NOBODY LOOKED TWICE. 116 00:04:56,969 --> 00:04:58,637 WELL, AS SOON AS THE FBI FIGURED IT OUT, 117 00:04:58,671 --> 00:05:00,506 THEY SLAPPED A LITTLE HOUSE ARREST ON HIM, 118 00:05:00,539 --> 00:05:01,607 AND THEY FROZE ALL OF HIS ASSETS -- 119 00:05:01,640 --> 00:05:03,776 I'M TALKING CORPORATE ACCOUNTS, PERSONAL ACCOUNTS, 120 00:05:03,809 --> 00:05:04,877 REAL-ESTATE HOLDINGS. 121 00:05:04,910 --> 00:05:06,912 ANYTHING ON PLANET EARTH WITH THIS DUDE'S NAME ON IT 122 00:05:06,945 --> 00:05:08,581 IS ON ICE. 123 00:05:08,614 --> 00:05:10,849 THE FBI's VERY THOROUGH, HUH? 124 00:05:10,883 --> 00:05:12,117 EXTREMELY. 125 00:05:12,150 --> 00:05:14,319 -SO WHAT'D THEY MISS? -OH. 126 00:05:16,822 --> 00:05:17,856 $20 MILLION. 127 00:05:17,890 --> 00:05:18,724 THEY MOVED IT OFF THE BOOKS 128 00:05:18,757 --> 00:05:20,959 RIGHT BEFORE THE WARRANTS CAME DOWN. 129 00:05:20,993 --> 00:05:22,828 YEAH, WELL, HE KNEW THE END WAS NEAR, 130 00:05:22,861 --> 00:05:24,697 AND HE WAS GETTING READY TO BOLT. 131 00:05:24,730 --> 00:05:26,932 TELL ME SOMETHING -- WHERE WAS FOWLER ARRESTED? 132 00:05:26,965 --> 00:05:29,368 OH, IN HIS APARTMENT, PACKING FOR HIS 133 00:05:29,402 --> 00:05:32,137 "BUSINESS TRIP" TO THE MALDIVES. 134 00:05:32,170 --> 00:05:37,910 YOU SEE, HE'D NEED IT LIGHT, PORTABLE, CLOSE AT HAND. 135 00:05:37,943 --> 00:05:40,679 THAT $20 MILLION IS IN HIS APARTMENT. 136 00:05:40,713 --> 00:05:41,980 YEAH, BUT THIS GUY'S ON HOUSE ARREST, MAN. 137 00:05:42,014 --> 00:05:44,417 I MEAN, HE'S PRACTICALLY LIVING WITH THE FBI. 138 00:05:44,450 --> 00:05:46,719 THE PROBLEM IS NOT GETTING INTO THE APARTMENT 139 00:05:46,752 --> 00:05:48,086 BUT GETTING THEM OUT. 140 00:05:52,425 --> 00:05:53,726 WHERE WERE YOU? 141 00:05:53,759 --> 00:05:56,061 OH, I-I WAS RUNNING AN ERRAND. 142 00:05:56,094 --> 00:05:57,663 WEREN'T YOU WITH THE BOYFRIEND? 143 00:05:57,696 --> 00:05:58,897 [ TIN SLAMS ] 144 00:06:01,967 --> 00:06:05,471 SO, UM, WHAT ARE THE TERMS OF HIS HOUSE ARREST? 145 00:06:05,504 --> 00:06:07,906 FOWLER'S CONFINED TO HIS $6 MILLION PENTHOUSE 146 00:06:07,940 --> 00:06:09,542 OVERLOOKING THE CHARLES RIVER. 147 00:06:09,575 --> 00:06:11,877 YEAH, THAT'S A ROUGH PUNISHMENT, HUH? 148 00:06:11,910 --> 00:06:14,046 THE WHOLE PLACE IS OUTFITTED WITH 24/7 SURVEILLANCE 149 00:06:14,079 --> 00:06:16,682 SO THE FEDS CAN KEEP AN EYE ON HIM. 150 00:06:16,715 --> 00:06:18,083 NOW... 151 00:06:18,116 --> 00:06:19,985 WE CAN, TOO. 152 00:06:20,018 --> 00:06:21,487 I PIGGYBACKED ON THEIR WIRELESS FEED. 153 00:06:21,520 --> 00:06:24,923 STILL, FOR US TO GET IN AND SEARCH THE PLACE, 154 00:06:24,957 --> 00:06:26,759 WE'VE GOT TO GET RID OF FOWLER. 155 00:06:26,792 --> 00:06:30,763 NOW, THERE ARE THREE GENERAL EXCEPTIONS FOR HOUSE ARREST. 156 00:06:30,796 --> 00:06:32,831 THERE'S PERSONAL SAFETY, DEATH OF A RELATIVE, 157 00:06:32,865 --> 00:06:33,932 AND FAMILY EVENTS. 158 00:06:33,966 --> 00:06:36,735 PERSONAL SAFETY -- WE COULD BURN THE APARTMENT DOWN. 159 00:06:36,769 --> 00:06:39,472 -OOH! OOH! -OR... 160 00:06:39,505 --> 00:06:40,739 DEATH OF A RELATIVE. 161 00:06:40,773 --> 00:06:43,108 -UH, W-WHO'S THAT? - I LOOKED EVERYWHERE, MOM. 162 00:06:43,141 --> 00:06:44,109 -OH. - WELL, CAN'T YOU FIND... 163 00:06:44,142 --> 00:06:46,445 -OH, THE KID. - MY CELLPHONE. I THINK MAYBE... 164 00:06:46,479 --> 00:06:48,046 KID'S FROM HER FIRST MARRIAGE -- WIDMARK. 165 00:06:48,080 --> 00:06:49,748 - LOST IT. -OH, I'M SORRY. 166 00:06:49,782 --> 00:06:50,783 WIDMARK? 167 00:06:50,816 --> 00:06:52,751 RICH PEOPLE, MAN. 168 00:06:52,785 --> 00:06:54,152 GEEZ... 169 00:06:54,186 --> 00:06:55,854 OH, CAN YOU, UH, PUNCH IN ON THAT, PLEASE? 170 00:06:57,523 --> 00:06:59,124 DO YOU HAVE ANY RESPECT FOR YOUR PERSONAL PROPERTY? 171 00:06:59,157 --> 00:07:01,159 DO YOU HAVE ANY RESPECT FOR ME? I BOUGHT YOU THAT CELLPHONE. 172 00:07:01,193 --> 00:07:04,597 DAN, HE SAID HE WAS SORRY. 173 00:07:04,630 --> 00:07:05,898 YEAH, HE'S SORRY, ALL RIGHT. 174 00:07:05,931 --> 00:07:07,766 I'D GROUND YOU, BUT YOU DON'T HAVE ANY FRIENDS 175 00:07:07,800 --> 00:07:10,636 TO GO OUT WITH ANYWAY. 176 00:07:10,669 --> 00:07:14,973 I'M GONNA TALK TO HIM. I'LL BE RIGHT BACK. 177 00:07:15,007 --> 00:07:16,875 WOW. OKAY. 178 00:07:16,909 --> 00:07:20,045 WHAT DO WE GOT ON THE KID? 179 00:07:20,078 --> 00:07:23,516 WIDMARK FOWLER, AGE 10. 180 00:07:23,549 --> 00:07:24,983 NO ARRESTS, NO OUTSTANDING WARRANTS. 181 00:07:25,017 --> 00:07:26,652 HARDISON... 182 00:07:26,685 --> 00:07:29,187 HE'S A 5th-GRADE STUDENT AT DALTON ACADEMY, 183 00:07:29,221 --> 00:07:32,825 ACADEMICALLY UNEXCEPTIONAL, NO EXTRACURRICULARS. 184 00:07:32,858 --> 00:07:34,159 HE'S ALLERGIC TO STRAWBERRIES. 185 00:07:34,192 --> 00:07:37,730 [ LAUGHS ] STRAWBERRIES... 186 00:07:37,763 --> 00:07:38,731 [ LAUGHS ] 187 00:07:38,764 --> 00:07:42,200 JUDGES GIVE OUT DAY PASSES FOR FAMILY EVENTS. 188 00:07:42,234 --> 00:07:43,636 IT'S ONE OF THE THREE THINGS, RIGHT? 189 00:07:43,669 --> 00:07:46,605 SO FOWLER IS GOING TO ASK FOR ONE 190 00:07:46,639 --> 00:07:49,575 SO HE DOESN'T MISS HIS KID'S BIG DEBUT. 191 00:07:49,608 --> 00:07:51,009 OKAY, I'LL BITE. 192 00:07:51,043 --> 00:07:53,078 WHAT'S HE DEBUTING AS? 193 00:07:55,881 --> 00:07:56,849 YEAH, I DON'T KNOW. 194 00:07:56,882 --> 00:07:59,518 BUT WE'RE GONNA GO STEAL HIS SCHOOL AND FIND OUT. 195 00:08:06,559 --> 00:08:08,727 [ BELL RINGS ] A MISTER ANANDO BUHARI IS HERE. 196 00:08:08,761 --> 00:08:10,696 I DON'T HAVE ANY APPOINTMENTS. 197 00:08:10,729 --> 00:08:13,265 I KNOW. DO YOU WANT -- 198 00:08:13,298 --> 00:08:14,667 OH, DR. JERROD. 199 00:08:14,700 --> 00:08:17,970 DR. JERROD, COME. 200 00:08:18,003 --> 00:08:20,238 MMM. [ CHUCKLES ] 201 00:08:20,272 --> 00:08:22,775 IT'S, UH, IT'S A PLEASURE. 202 00:08:22,808 --> 00:08:25,110 I AM ANANDO BUHARI, BOTSWANA SPECIAL ENVOY. 203 00:08:25,143 --> 00:08:27,012 I WORK FOR PRESIDENT KHAMA. 204 00:08:27,045 --> 00:08:29,114 HE IS MOST IMPRESSED WHEN HE READ YOUR PAPER 205 00:08:29,147 --> 00:08:30,649 YOU WROTE AS A STUDENT. 206 00:08:30,683 --> 00:08:32,317 HOW DO YOU SAY, YOUR, UM... 207 00:08:32,350 --> 00:08:37,089 THE PRESIDENT OF BOTSWANA READ MY GRAD-SCHOOL THESIS? 208 00:08:37,122 --> 00:08:40,158 YES, ALL 600 GLORIOUS PAGES, 209 00:08:40,192 --> 00:08:41,660 FROM WHICH INSIGHT DRIPS LIKE HONEY 210 00:08:41,694 --> 00:08:44,229 UPON WHICH BEES OF WISDOM FEAST. 211 00:08:44,262 --> 00:08:45,831 [ CHUCKLES ] 212 00:08:45,864 --> 00:08:49,868 THE PRESIDENT IS REBUILDING THE EDUCATIONAL SYSTEM 213 00:08:49,902 --> 00:08:50,936 FROM THE GROUND UP. 214 00:08:50,969 --> 00:08:53,706 WOULD YOU CONSIDER GOING TO BOTSWANA TO MEET HIM? 215 00:08:53,739 --> 00:08:56,809 ALL EXPENSES PAID, OF COURSE. 216 00:08:56,842 --> 00:08:58,744 I... 217 00:09:00,979 --> 00:09:02,781 YES. 218 00:09:02,815 --> 00:09:04,650 EVERYONE, SETTLE DOWN! 219 00:09:04,683 --> 00:09:06,919 I ASSURE YOU EVERYTHING IS UNDER CONTROL! 220 00:09:06,952 --> 00:09:09,655 MR. JERROD JUST TOOK A LEAVE OF ABSENCE. 221 00:09:09,688 --> 00:09:11,256 IN THE MIDDLE OF THE SCHOOL YEAR?! 222 00:09:11,289 --> 00:09:15,127 THE SCHOOL BOARD HAS ALREADY SENT OVER AN INTERIM HEADMASTER. 223 00:09:15,160 --> 00:09:17,229 WOULD YOU BE QUIET?! [ BREATHING HEAVILY ] 224 00:09:17,262 --> 00:09:19,998 AND AFTER READING HIS FILE, 225 00:09:20,032 --> 00:09:24,302 I CAN ASSURE YOU WE ARE IN EXCELLENT HANDS! 226 00:09:24,336 --> 00:09:26,004 DR. MELCHER? 227 00:09:26,038 --> 00:09:27,640 [ INDISTINCT YELLING ] 228 00:09:35,648 --> 00:09:38,050 [ German accent ] GUTEN TAG. 229 00:09:41,053 --> 00:09:43,088 MY NAME IS DR. MELCHER. 230 00:09:43,121 --> 00:09:45,323 AND I PRESUME THAT YOU ARE ALL FAMILIAR 231 00:09:45,357 --> 00:09:49,361 WITH THE PRE-EMINENT LITERATURE ON THE CHILDREN'S EDUCATION -- 232 00:09:49,394 --> 00:09:52,030 MY BOOK, "THE MELCHER METHOD." 233 00:09:52,064 --> 00:09:53,298 JA? 234 00:09:53,331 --> 00:09:59,004 IN WHICH CASE ANY FURTHER, UH, INTRODUCTION WOULD BE REDUNDANT. 235 00:09:59,037 --> 00:10:03,041 I'D LIKE TO BEGIN BY SPEAKING ABOUT THE CHANGES 236 00:10:03,075 --> 00:10:05,310 WE'RE GOING TO BE MAKING IN THE CURRICULUM. 237 00:10:05,343 --> 00:10:06,344 EXCUSE ME. 238 00:10:06,378 --> 00:10:08,146 -SHH! SHH! SHH! - JA, JA? 239 00:10:08,180 --> 00:10:09,147 MARK SANFORD. 240 00:10:09,181 --> 00:10:11,349 I'M HEAD OF THE CONCERNED PARENTS ASSOCIATION. 241 00:10:11,383 --> 00:10:14,853 THAT MUST BE VERY EXCITING FOR YOU. 242 00:10:14,887 --> 00:10:15,754 YES, I'M SURE. 243 00:10:15,788 --> 00:10:18,390 UH, WHY DO WE NEED ANY CHANGES AT ALL? 244 00:10:18,423 --> 00:10:19,992 I MEAN, THIS IS THE BEST PRIVATE SCHOOL IN BOSTON. 245 00:10:20,025 --> 00:10:21,393 [ INDISTINCT YELLING ] 246 00:10:21,426 --> 00:10:23,696 - JA, JA. WELL, SEE... -LET HIM TALK! 247 00:10:23,729 --> 00:10:29,768 THE MELCHER METHOD INVOLVES THE EDUCATION OF THE WHOLE CHILD -- 248 00:10:29,802 --> 00:10:31,737 MIND AND BODY. 249 00:10:31,770 --> 00:10:34,673 JA, WHEN A CHILD FAILS, IS IT JUST THE BRAIN THAT FAILS? 250 00:10:34,707 --> 00:10:35,607 NEIN. 251 00:10:35,640 --> 00:10:38,243 NO, THE BODY CONTAINS THE FAILING BRAIN, 252 00:10:38,276 --> 00:10:43,415 AND BOTH ARE CAST INTO A CRUEL WORLD OF DARKNESS AND DESPAIR, 253 00:10:43,448 --> 00:10:46,719 AND EVEN WORSE -- 254 00:10:46,752 --> 00:10:48,020 PUBLIC SCHOOL. 255 00:10:48,053 --> 00:10:49,855 -OH, RIGHT. -PUBLIC SCHOOL? 256 00:10:49,888 --> 00:10:53,058 DANTE'S INFERNO OF MEDIOCRITY. 257 00:10:53,091 --> 00:10:55,794 [ SMACKS LIPS ] 258 00:10:55,828 --> 00:10:59,732 WHICH IS WHY I BRING WITH ME TWO OF MY MOST VALUED ASSOCIATES. 259 00:10:59,765 --> 00:11:03,902 UH, WE HAVE MIND, UH, AND BODY. 260 00:11:03,936 --> 00:11:05,170 JA. JA. 261 00:11:05,203 --> 00:11:08,807 MISS DONOVAN WILL HONE YOUR CHILDREN'S MINDS, 262 00:11:08,841 --> 00:11:11,476 AND MR. BREWER, HE WILL CRAFT YOUR CHILDREN'S BODIES 263 00:11:11,509 --> 00:11:17,182 INTO THE PROPER MIND-VESSELS THROUGH EXERCISE AND NUTRITION. 264 00:11:19,785 --> 00:11:21,053 AND ANY QUESTIONS? 265 00:11:21,086 --> 00:11:22,921 [ INDISTINCT YELLING ] 266 00:11:25,791 --> 00:11:27,392 [ SIREN WAILING IN DISTANCE ] 267 00:11:33,098 --> 00:11:36,434 OPEN FLOOR PLAN. 3,200 SQUARE FEET. 268 00:11:36,468 --> 00:11:40,172 UH, PANORAMIC VIEWS OF THE PARK AND THE CHARLES. 269 00:11:40,205 --> 00:11:44,076 UH, THERE'S A FITNESS CENTER, A ROOFTOP POOL, 270 00:11:44,109 --> 00:11:46,011 UH, CONCIERGE SERVICE. 271 00:11:46,044 --> 00:11:48,480 IT'S THE PERFECT NEWLYWED APARTMENT. 272 00:11:48,513 --> 00:11:52,785 OH, IT'S -- THE PLACE, IT'S FANTASTICAL. 273 00:11:52,818 --> 00:11:54,820 WHAT DO YOU THINK, BINKY? 274 00:11:54,853 --> 00:11:56,454 IT'S A LITTLE SMALL. 275 00:11:56,488 --> 00:11:58,423 THE -- THE APARTMENT, BINKY. 276 00:11:58,456 --> 00:12:01,827 WHAT DO YOU THINK OF THE APARTMENT? 277 00:12:01,860 --> 00:12:03,061 WE'LL TAKE IT. 278 00:12:03,095 --> 00:12:05,030 SHE -- SHE LOVES AIR. 279 00:12:05,063 --> 00:12:06,799 [ Normal voice ] HARDISON AND PARKER ARE ALL SET. 280 00:12:06,832 --> 00:12:09,501 NOW ALL WE GOT TO DO IS GIVE WIDMARK A TRIUMPH 281 00:12:09,534 --> 00:12:11,503 WORTHY OF A DAY PASS. 282 00:12:11,536 --> 00:12:13,205 A TRIUMPH? IN WHAT? 283 00:12:13,238 --> 00:12:15,307 I MEAN, IN FIVE YEARS, THIS KID HASN'T JOINED A CLUB, 284 00:12:15,340 --> 00:12:16,374 HE HASN'T PLAYED A SPORT. 285 00:12:16,408 --> 00:12:17,642 I'VE GOT TO BE HONEST WITH YOU. 286 00:12:17,675 --> 00:12:18,811 I DON'T KNOW HOW I FEEL ABOUT USING A KID TO GET TO A MARK. 287 00:12:18,844 --> 00:12:19,878 WE'RE NOT USING HIM. 288 00:12:19,912 --> 00:12:22,214 I MEAN, EVERY KID IS GOOD AT SOMETHING, YOU KNOW? 289 00:12:22,247 --> 00:12:25,417 WE JUST GOT TO DRAW WIDMARK OUT, GIVE HIM HIS MOMENT TO SHINE. 290 00:12:25,450 --> 00:12:28,453 SO, WE'D BE LIKE HIS FAIRY GODPARENTS. 291 00:12:28,486 --> 00:12:30,322 EXACTLY, AND, I MEAN, COME ON, LOOK AT THIS -- 292 00:12:30,355 --> 00:12:32,090 CUSHY PRIVATE SCHOOL. 293 00:12:32,124 --> 00:12:34,359 NO GUNRUNNERS, MOB BOSSES, INTERPOL. 294 00:12:34,392 --> 00:12:36,028 THIS -- THIS IS A BREEZE. 295 00:12:36,061 --> 00:12:39,464 WE'VE GOT ONE WEEK BEFORE THE CLINIC CLOSES FOR GOOD. 296 00:12:39,497 --> 00:12:41,466 ATHLETICS, ACADEMICS. 297 00:12:41,499 --> 00:12:43,535 LET'S GO GET, UH, WIDMARK THE WIN, ALL RIGHT? 298 00:12:43,568 --> 00:12:45,537 ALL RIGHT, WIDMARK. 299 00:12:45,570 --> 00:12:48,306 GET ON THE LINE. YOU'RE UP. 300 00:12:48,340 --> 00:12:49,374 YEAH, YOU'RE UP. GET ON THE LINE. 301 00:12:49,407 --> 00:12:51,143 SHOW THEM WHAT YOU GOT, MAN. 302 00:12:51,176 --> 00:12:52,845 YOU GOT THIS. 303 00:12:52,878 --> 00:12:55,180 HEY, YOU, TAKE YOUR HELMET OFF. 304 00:12:55,213 --> 00:12:57,315 -WHAT'S YOUR NAME? -SKYLER SANFORD. 305 00:12:57,349 --> 00:12:59,551 -SKY -- SKYLER? -YEAH. 306 00:12:59,584 --> 00:13:01,453 IS THAT A BOY'S NAME? 307 00:13:01,486 --> 00:13:02,855 DON'T DO THAT AGAIN. 308 00:13:02,888 --> 00:13:04,957 PUT YOUR HAT ON. YOU'RE UP AGAINST WID-- 309 00:13:04,990 --> 00:13:07,125 I SAID GET OUT THERE, MAN. GET OUT HERE. 310 00:13:07,159 --> 00:13:09,061 ALL RIGHT. 311 00:13:11,529 --> 00:13:12,497 WHAT ARE YOU DOING, MAN? [ LAUGHTER ] 312 00:13:12,530 --> 00:13:14,867 WHAT ARE YOU DOING? WHAT ARE Y-- DON'T LAUGH! 313 00:13:14,900 --> 00:13:16,301 WHAT ARE YOU DOING? 314 00:13:16,334 --> 00:13:18,436 THERE'S GIRLS HERE. YOU'RE BETTER THAN THAT. 315 00:13:18,470 --> 00:13:19,571 TURN YOUR HAT AROUND. 316 00:13:23,375 --> 00:13:26,144 ALL RIGHT. 317 00:13:26,178 --> 00:13:29,347 HERE WE GO. 318 00:13:29,381 --> 00:13:31,549 EN GARDE. FENCE! 319 00:13:31,583 --> 00:13:34,119 [ BUZZING ] 320 00:13:42,294 --> 00:13:44,329 NEXT WEEK IS THE STATE SPELLING BEE, 321 00:13:44,362 --> 00:13:45,998 AND WE'RE GOING TO BE SENDING A REPRESENTATIVE 322 00:13:46,031 --> 00:13:47,499 FROM RIGHT HERE IN DALTON. 323 00:13:47,532 --> 00:13:50,202 NOW, I'VE CHOSEN THE BEST SPELLERS FROM EVERY CLASS 324 00:13:50,235 --> 00:13:51,870 TO COMPETE IN THE TRYOUTS. 325 00:13:51,904 --> 00:13:54,940 THE WINNERS WILL COMPETE IN A SCHOOL-WIDE COMPETITION 326 00:13:54,973 --> 00:13:56,174 NEXT FRIDAY. 327 00:13:56,208 --> 00:13:57,910 YOUR PARENTS ARE GONNA BE THERE -- 328 00:13:57,943 --> 00:13:59,978 IT IS GONNA BE HUGE. LET'S GET STARTED! 329 00:14:00,012 --> 00:14:03,248 [ BELL DINGS ] WIDMARK -- FOOD. 330 00:14:03,281 --> 00:14:07,185 FOOD. F-O-O-D. 331 00:14:07,219 --> 00:14:08,286 FOOD. 332 00:14:11,223 --> 00:14:12,524 PSEUDOSYLLOGISM. 333 00:14:12,557 --> 00:14:15,060 [ SCOFFS ] THAT'S NOT FAIR. HE GOT "FOOD"! 334 00:14:15,093 --> 00:14:16,194 UH-UH-UH. 335 00:14:16,228 --> 00:14:19,397 SKYLER, I CAN ASSURE YOU THAT THE ORDER OF THESE CARDS 336 00:14:19,431 --> 00:14:20,999 IS ENTIRELY RANDOM. 337 00:14:21,033 --> 00:14:22,234 PSEUDOSYLLOGISM. 338 00:14:22,267 --> 00:14:25,337 UM, PSEUDOSYLLOGISM. S-- 339 00:14:25,370 --> 00:14:27,472 [ BELL DINGS ] 340 00:14:27,505 --> 00:14:30,175 [ SCOFFS ] WHATEVER. 341 00:14:35,247 --> 00:14:36,448 CHYLOCAULOUS. 342 00:14:36,481 --> 00:14:42,520 CHYLOCAULOUS. C-H-Y-L-O-C-A-U-L-O-U-S. 343 00:14:42,554 --> 00:14:44,222 CHYLOCAULOUS. 344 00:14:44,256 --> 00:14:48,160 THAT'S IMPRESSIVE. 345 00:14:48,193 --> 00:14:50,262 SUNSET. 346 00:14:50,295 --> 00:14:52,297 SUNSET. S-U... 347 00:14:52,330 --> 00:14:53,999 RIBONUCLEIC. 348 00:14:54,032 --> 00:14:58,636 RIBONUCLEIC. R-I-B-O-N-U-C-L-E-I-C. 349 00:14:58,670 --> 00:15:03,375 WILDFIRE. W-I-L-D... 350 00:15:03,408 --> 00:15:04,509 FLIBBERTIGIBBET. 351 00:15:04,542 --> 00:15:08,413 F-L-I-B-B-E-R-T-I-G-I-B-B-E-T. 352 00:15:08,446 --> 00:15:11,316 -BICYCLE. -B-I... 353 00:15:11,349 --> 00:15:14,286 S-I-C-L-E? 354 00:15:14,319 --> 00:15:15,653 BICYCLE. [ BELL DINGS ] 355 00:15:15,687 --> 00:15:17,455 ANTIDISESTABLISHMENTARIANISM. 356 00:15:17,489 --> 00:15:27,132 A-N-T-I-D-I-S-E-S-T-A-B-L-I-S-H- M-E-N-T-A-R-I-A-N-I-S-M. 357 00:15:27,165 --> 00:15:30,335 ANTIDISESTABLISHMENTARIANISM. 358 00:15:30,368 --> 00:15:32,337 CONGRATULATIONS, MS. KIM. 359 00:15:36,374 --> 00:15:39,044 [ BELL RINGS ] CLASS DISMISSED. 360 00:15:44,516 --> 00:15:47,452 HEY, WIDMARK. GOOD JOB. 361 00:15:47,485 --> 00:15:49,154 I JUST GOT LUCKY WITH THE WORDS YOU GAVE ME. 362 00:15:49,187 --> 00:15:50,388 MNH-MNH. BE PROUD OF YOURSELF. 363 00:15:50,422 --> 00:15:52,590 THE IMPORTANT THING IS YOU TRIED. 364 00:15:52,624 --> 00:15:55,060 I TRY HARD ALL THE TIME, 365 00:15:55,093 --> 00:15:59,431 BUT NO MATTER HOW MUCH I WANT SOMETHING, IT NEVER HAPPENS. 366 00:15:59,464 --> 00:16:02,234 OH, SWEETIE, WHAT -- WHAT DO YOU WANT? 367 00:16:02,267 --> 00:16:03,268 I DON'T KNOW. 368 00:16:03,301 --> 00:16:05,703 I JUST... 369 00:16:05,737 --> 00:16:10,108 I WANT SOMEONE TO LIKE ME. 370 00:16:10,142 --> 00:16:12,377 DOES THAT GET EASIER WHEN YOU'RE A GROWN-UP? 371 00:16:12,410 --> 00:16:14,179 UM, NO. 372 00:16:14,212 --> 00:16:16,414 I DON'T THINK IT DOES. 373 00:16:16,448 --> 00:16:18,083 YOU'RE NICE. 374 00:16:18,116 --> 00:16:19,184 BUT WEIRD. 375 00:16:19,217 --> 00:16:22,087 [ SCOFFS ] ALL RIGHT, GO ON. YOU'RE LATE FOR CLASS. 376 00:16:22,120 --> 00:16:25,190 [ GRUNTING, GASPING ] 377 00:16:25,223 --> 00:16:28,160 STOP MOVING! 378 00:16:28,193 --> 00:16:30,428 LOOK, IT DON'T HAVE TO BE EXACT. 379 00:16:30,462 --> 00:16:32,664 WOMAN, IT'S A MOTION DETECTOR. JUST POINT IT THAT WAY. 380 00:16:32,697 --> 00:16:34,032 [ ELEVATOR BELL DINGS ] 381 00:16:44,609 --> 00:16:48,246 [ KNOCK ON DOOR ] 382 00:16:48,280 --> 00:16:49,481 WHAT THE HELL DO YOU GUYS WANT? 383 00:16:49,514 --> 00:16:50,615 WELL, WE'RE HAVING A PROBLEM 384 00:16:50,648 --> 00:16:53,618 WITH THE SIGNAL FROM CAMERA TWO AGAIN. 385 00:16:58,590 --> 00:17:00,492 AGH! 386 00:17:03,195 --> 00:17:06,231 HEY! FBI! DROP THE GUN! 387 00:17:06,264 --> 00:17:08,666 [ BREATHING HEAVILY ] 388 00:17:14,106 --> 00:17:15,307 SPECIAL AGENT HAGEN? 389 00:17:16,641 --> 00:17:19,211 IT'S ME -- McSWEETEN. 390 00:17:19,244 --> 00:17:21,679 TODD, FROM THE MOSCONE MOB CASE LAST YEAR? 391 00:17:21,713 --> 00:17:23,681 OH. [ LAUGHS ] YEAH! 392 00:17:24,716 --> 00:17:28,320 -I LOST HIM. -YOU DROPPED THIS. 393 00:17:28,353 --> 00:17:31,656 YEAH. I-I DIDN'T EVEN REALIZE. YES, I DROPPED IT. 394 00:17:31,689 --> 00:17:33,491 AGENT THOMAS, GOOD TO SEE YOU AGAIN. 395 00:17:33,525 --> 00:17:35,793 RIGHT BACK AT YOU. UM... 396 00:17:35,827 --> 00:17:37,329 TAGGERT FROM THE MOSCONE CASE. 397 00:17:37,362 --> 00:17:39,197 R-RIGHT. 398 00:17:39,231 --> 00:17:40,532 RIGHT, RIGHT. 399 00:17:40,565 --> 00:17:43,135 SO, UH, WHAT Y'ALL BEEN UP TO? 400 00:17:43,168 --> 00:17:45,103 WELL, ACTUALLY, WE'VE HAD A PRETTY GOOD RUN OF IT LATELY. 401 00:17:45,137 --> 00:17:46,704 [ CHUCKLES ] CLOSED SOME BIG CASES. 402 00:17:46,738 --> 00:17:48,740 -BIG. -MOSCONE, FOR ONE. 403 00:17:48,773 --> 00:17:49,774 MOSCONE, NO MORE-NE. [ CHUCKLES ] 404 00:17:49,807 --> 00:17:51,843 WE ALSO SHUT DOWN A HUGE METH RING IN CALIFORNIA 405 00:17:51,876 --> 00:17:54,612 DURING A BANK ROBBERY. 406 00:17:54,646 --> 00:17:55,647 WHAT ARE YOU GUYS DOING HERE? 407 00:17:55,680 --> 00:17:57,415 [ SMACKS LIPS ] 408 00:17:57,449 --> 00:17:59,684 I MEAN, WE -- WE'RE UNDERCOVER, MAN. 409 00:17:59,717 --> 00:18:03,421 YEAH, YEAH -- MORE MANPOWER ON THE FOWLER CASE. 410 00:18:03,455 --> 00:18:04,456 OH, WELL, WE NEVER -- 411 00:18:04,489 --> 00:18:06,391 THEY NEVER SAID ANYTHING ABOUT -- 412 00:18:06,424 --> 00:18:08,260 -WE'RE YOUR SECRET BACKUP. -YEAH. 413 00:18:08,293 --> 00:18:09,294 -WELL... -HEY! 414 00:18:09,327 --> 00:18:10,328 -...THAT'S GREAT! -THAT'S GOOD. 415 00:18:10,362 --> 00:18:12,264 SHH! SECRET! 416 00:18:15,367 --> 00:18:17,602 SO, ME AND YOU -- YOU, I -- US -- 417 00:18:17,635 --> 00:18:19,737 -WE SHOULD RESUME SURVEILLANCE. -[ WHISTLES ] 418 00:18:19,771 --> 00:18:21,206 FELLAS. 419 00:18:25,277 --> 00:18:27,679 CAN YOU IMAGINE HAVING HER FOR A PARTNER? 420 00:18:29,947 --> 00:18:31,416 WHAT? 421 00:18:31,449 --> 00:18:33,151 YOU WANT TO SEE OTHER PARTNERS? 422 00:18:33,185 --> 00:18:34,786 I DIDN'T SAY THAT. 423 00:18:34,819 --> 00:18:35,853 [ SIGHS ] YEAH, FINE. WHATEVER. 424 00:18:35,887 --> 00:18:37,889 -THAT'S NOT WHAT I MEANT! -YEAH. 425 00:18:37,922 --> 00:18:39,324 LET ME JUST G-G-GET THIS STRAIGHT, OKAY? 426 00:18:39,357 --> 00:18:40,358 ALL RIGHT, YOU TWO -- 427 00:18:40,392 --> 00:18:42,494 YOU COULDN'T RIG A GYM CLASS OR A SPELLING BEE? 428 00:18:42,527 --> 00:18:45,497 AND YOU TWO -- YOU RUN INTO THE ONLY FBI AGENTS ON THE PLANET 429 00:18:45,530 --> 00:18:46,531 THAT RECOGNIZE YOU? 430 00:18:46,564 --> 00:18:47,799 I GOT TO BE HONEST WITH YOU. 431 00:18:47,832 --> 00:18:49,734 -I THINK WE BROKE THE KID EVEN MORE. -MM. 432 00:18:49,767 --> 00:18:52,737 WE ARE THE WORST FAIRY GODPARENTS IN THE WORLD. 433 00:18:52,770 --> 00:18:55,340 [ Sighing ] LISTEN, WE STILL GOT TO GET FOWLER 434 00:18:55,373 --> 00:18:57,709 OUT OF THE APARTMENT SO WE CAN GET IN. 435 00:18:57,742 --> 00:18:58,676 YEAH, EXCEPT NOW WHEN HE LEAVES, 436 00:18:58,710 --> 00:18:59,377 THERE WILL BE SOMEBODY WAITING TO KILL HIM. 437 00:18:59,411 --> 00:19:01,913 ONE OF HIS VICTIMS WANTS PAYBACK 438 00:19:01,946 --> 00:19:04,282 MORE THAN HE WANTS TO BE PAID... 439 00:19:04,316 --> 00:19:05,317 BACK. 440 00:19:05,350 --> 00:19:07,452 ONE OF YOU TWO CAN IDENTIFY THE GUNMAN, RIGHT? 441 00:19:07,485 --> 00:19:08,886 OH, YEAH, SURE. 442 00:19:08,920 --> 00:19:10,154 HE STOPPED AND LET ME TAKE A PICTURE OF HIM AS I WAS CHASING HIM. 443 00:19:10,188 --> 00:19:12,290 HEY, YOU KNOW WHAT, MAN? I'VE BEEN AROUND LITTLE KIDS ALL DAY. 444 00:19:12,324 --> 00:19:13,858 I DON'T NEED TO COME HOME AND DO ALL THIS CRAP. 445 00:19:13,891 --> 00:19:15,059 HEY, MAN, WITH ALL THAT? 446 00:19:15,092 --> 00:19:16,261 I'VE BEEN IN THIS PINK SHIRT AND THESE TIGHT PLAID PANTS, 447 00:19:16,294 --> 00:19:19,197 THESE OLD WEBSTER LOAFERS, THIS GIRL WALKING ON MY BACK. 448 00:19:19,231 --> 00:19:20,232 I DON'T NEED THIS, MAN. 449 00:19:20,265 --> 00:19:22,767 -IS THIS THE GUY? -MM-HMM. 450 00:19:22,800 --> 00:19:26,671 SEE? 451 00:19:26,704 --> 00:19:28,473 WOW, I-I DIDN'T KNOW YOU COULD DO THAT. 452 00:19:28,506 --> 00:19:31,943 I THOUGHT EVERYBODY COULD DO THAT. 453 00:19:31,976 --> 00:19:33,211 OKAY. ALL RIGHT, ALL RIGHT. 454 00:19:33,245 --> 00:19:34,479 WE'LL KEEP AN EYE ON HIM. 455 00:19:34,512 --> 00:19:37,915 IN THE MEANTIME, IF THEY THINK YOU'RE REAL FBI, BE REAL FBI. 456 00:19:37,949 --> 00:19:40,518 I MEAN, USE IT TO CASE THE APARTMENT. 457 00:19:40,552 --> 00:19:41,653 ALL RIGHT, SO I'M OUT OF THIS, 458 00:19:41,686 --> 00:19:44,389 AND I'M ON FBI DETAIL WITH PARKER AND HARDISON THEN. 459 00:19:44,422 --> 00:19:46,324 ACTUALLY, NO, I NEED YOU TO BE COACH BREWER, SO... 460 00:19:46,358 --> 00:19:47,692 THERE'S AN ARMED GUNMAN OUT THERE. 461 00:19:47,725 --> 00:19:51,696 YOU WANT ME IN THE GYM WITH KIDS NAMED SKYLER AND INDIGO? 462 00:19:51,729 --> 00:19:53,831 WHERE DID COACH BREWER GO? I MEAN, WE OUGHT TO BE... 463 00:19:53,865 --> 00:19:55,467 SHH! SHUT UP! SHUT UP! 464 00:19:55,500 --> 00:19:56,568 ...THERE AS THE -- -[ GASPS ] OOH! 465 00:19:56,601 --> 00:19:59,904 * ...TROUBLE I'VE SEEN 466 00:19:59,937 --> 00:20:01,506 "THE PLAY IS THE THING 467 00:20:01,539 --> 00:20:04,676 WHEREIN I'LL CATCH THE CONSCIENCE OF A KING." 468 00:20:04,709 --> 00:20:06,444 * ...TIMES I'M UP 469 00:20:06,478 --> 00:20:08,880 * SOMETIMES I'M DOWN 470 00:20:08,913 --> 00:20:09,914 [ GASPS ] OH. 471 00:20:09,947 --> 00:20:13,618 * OHH, LORD 472 00:20:13,651 --> 00:20:17,255 * SOMETIMES I'M ALMOST TO THE GROUND * 473 00:20:17,289 --> 00:20:20,625 SOPHIE, HOW LONG WOULD IT TAKE YOU TO STAGE A MUSICAL? 474 00:20:20,658 --> 00:20:21,693 SIX WEEKS. 475 00:20:21,726 --> 00:20:23,761 YOU HAVE TWO DAYS. 476 00:20:23,795 --> 00:20:27,299 * NOBODY KNOWS THE TROUBLE I'VE SEEN * 477 00:20:27,332 --> 00:20:28,433 * THERE CAN BE NO CONFUSION 478 00:20:28,466 --> 00:20:31,803 * THAT FUSION POWERS THE STAR 479 00:20:31,836 --> 00:20:33,971 D-DID... 480 00:20:34,005 --> 00:20:35,940 DID YOU JUST MAKE THAT UP ON THE SPOT? 481 00:20:35,973 --> 00:20:37,809 -YES, MA'AM. -HUH. 482 00:20:37,842 --> 00:20:39,744 YOU REALLY ARE QUITE RELENTLESS. 483 00:20:39,777 --> 00:20:41,713 THANK YOU, MA'AM. 484 00:20:41,746 --> 00:20:44,048 M-MISS DONOVAN? 485 00:20:44,081 --> 00:20:47,685 W-WHY ARE WE SINGING AT A SCIENCE FAIR? 486 00:20:47,719 --> 00:20:49,821 AH. GOOD POINT, YES. 487 00:20:49,854 --> 00:20:52,790 SCIENCE. KNOWLEDGE. 488 00:20:52,824 --> 00:20:54,959 WHAT IS KNOWLEDGE WITHOUT EMOTIONAL CONTEXT? 489 00:20:54,992 --> 00:20:57,629 -FACTS. -UNH-UNH. EMPTY. MEANINGLESS. 490 00:20:57,662 --> 00:20:59,997 WE'RE TAKING LEFT BRAIN -- SCIENCE -- 491 00:21:00,031 --> 00:21:03,034 AND COMBINING IT WITH RIGHT BRAIN -- CREATIVITY -- 492 00:21:03,067 --> 00:21:05,737 TO ENGAGE THE AUDIENCE'S ENTIRE BRAIN. 493 00:21:05,770 --> 00:21:07,972 NOW, JUST -- JUST PRESENT YOUR PROJECTS, 494 00:21:08,005 --> 00:21:10,508 AND WE'LL JUST SET IT TO A LITTLE MELODY. 495 00:21:10,542 --> 00:21:12,344 [ CLAPS ] WHO'S NEXT? 496 00:21:12,377 --> 00:21:14,011 * I CAN MAKE A BATTERY OUT OF A POTATO * 497 00:21:14,045 --> 00:21:15,680 * THANK YOU 498 00:21:15,713 --> 00:21:18,082 BUT I CAN TURN ON A LIGHT BULB. 499 00:21:18,115 --> 00:21:19,717 MNH-MNH. THAT WON'T BE NECESSARY. 500 00:21:19,751 --> 00:21:21,586 MR. FOWLER? 501 00:21:21,619 --> 00:21:24,822 * YOU MIGHT FIND THIS DISTASTEFUL * 502 00:21:24,856 --> 00:21:28,360 * OR CALL IT JUST PLAIN GROSS 503 00:21:28,393 --> 00:21:30,795 * TO SING IN PRAISE OF BREAD MOLD * 504 00:21:30,828 --> 00:21:34,031 * OR WONDER HOW IT GROWS 505 00:21:34,065 --> 00:21:40,938 * IT EVEN MAKES YOU CRAZY THAT MOLD DEVOURS YOUR FOOD * 506 00:21:44,709 --> 00:21:46,478 I DON'T KNOW WHAT TO SAY, WIDMARK. 507 00:21:46,511 --> 00:21:48,713 -I-I'M SORRY. -NO, NO, NO. 508 00:21:48,746 --> 00:21:52,750 THAT WAS -- THAT WAS -- YES, THAT WAS, UH, IMPRESSIVE. 509 00:21:52,784 --> 00:21:53,918 IT WAS -- IT WAS UNDERSTATED. 510 00:21:53,951 --> 00:21:55,987 IT WAS -- IT WAS POTENTIALLY WONDERFUL. 511 00:21:56,020 --> 00:21:57,922 YES! 512 00:21:57,955 --> 00:22:02,494 YOU, WIDMARK, ARE GONNA SING IN THE GRAND FINALE! 513 00:22:02,527 --> 00:22:05,062 SECURITY SYSTEM INSTALLED, FIVE-CAMERA SETUP. 514 00:22:05,096 --> 00:22:09,967 TWO IN THE LIVING ROOM, ENTRYWAY, HALLWAY, KITCHEN. 515 00:22:10,001 --> 00:22:12,504 COULD I TAKE A LOOK AT YOUR LOG FOR FOWLER'S PHONE CALLS? 516 00:22:12,537 --> 00:22:15,072 I-I MEAN, IF I PUT IN A REQUEST TO HOME OFFICE -- 517 00:22:15,106 --> 00:22:16,107 AH, IT TAKES FOREVER. 518 00:22:16,140 --> 00:22:17,008 PENCIL PUSHERS DON'T UNDERSTAND 519 00:22:17,041 --> 00:22:18,510 WHAT IT'S LIKE FOR US OUT IN THE FIELD, 520 00:22:18,543 --> 00:22:20,412 FACE-TO-FACE WITH CRIME. 521 00:22:20,445 --> 00:22:21,846 YEAH, NOSE TO NOSE WITH EVIL. 522 00:22:21,879 --> 00:22:23,981 I CAN HEAR THAT. 523 00:22:24,015 --> 00:22:26,618 THE FILES ARE IN HERE. 524 00:22:32,089 --> 00:22:34,626 [ BEEPING ] 525 00:22:34,659 --> 00:22:36,160 WHO THE HELL ARE YOU? 526 00:22:36,193 --> 00:22:37,562 FBI. 527 00:22:37,595 --> 00:22:38,930 THERE ARE CAMERAS EVERYWHERE. 528 00:22:38,963 --> 00:22:41,966 YOU PEOPLE DON'T NEED TO BE IN HERE. 529 00:22:41,999 --> 00:22:43,100 [ BEEPING ] 530 00:22:48,973 --> 00:22:51,709 [ BEEPING INTENSIFIES ] 531 00:22:51,743 --> 00:22:53,778 OUT OF EVERY KID IN THE ENTIRE SCHOOL, 532 00:22:53,811 --> 00:22:55,847 SHE PICKS HIM FOR THE SHOWCASE PERFORMANCE? 533 00:22:55,880 --> 00:22:57,081 D-D-DOES SHE EVEN KNOW WHO HE IS? 534 00:22:57,114 --> 00:22:59,517 A STUDENT WHO -- 535 00:22:59,551 --> 00:23:01,586 WHOSE FATHER RIPPED OFF EVERYONE IN THIS SCHOOL. 536 00:23:01,619 --> 00:23:02,654 I'M A MONEY MANAGER. 537 00:23:02,687 --> 00:23:04,956 I PUT MILLIONS OF MY CLIENTS' ACCOUNTS WITH HIM. 538 00:23:04,989 --> 00:23:06,958 WE LOST EVERYTHING, AND THERE ISN'T A PARENT IN THIS SCHOOL 539 00:23:06,991 --> 00:23:08,826 WHO DOESN'T HAVE THE SAME STORY. 540 00:23:08,860 --> 00:23:11,663 [ German accent ] JA, IT'S NOT OUR PHILOSOPHY TO PUNISH THE KINDER 541 00:23:11,696 --> 00:23:14,966 FOR THE SINS OF THEIR PARENTS, MR. SANFORD. 542 00:23:14,999 --> 00:23:16,568 AND MS. DONOVAN, SHE ASSURES ME 543 00:23:16,601 --> 00:23:19,604 THAT WIDMARK'S STARRING ROLE IN THE, UH... 544 00:23:19,637 --> 00:23:21,172 THE SCIENCE-SICAL. 545 00:23:21,205 --> 00:23:23,975 JA, SCIENCE-SICAL IS BASED SOLELY ON MERIT. 546 00:23:24,008 --> 00:23:28,112 NOW, IF YOU EXCUSE ME, I HAVE A LOT OF WORK TO DO, PLEASE. 547 00:23:28,145 --> 00:23:30,515 GOOD AFTERNOON. NICE TO SEE YOU AGAIN. 548 00:23:30,548 --> 00:23:31,549 GOODBYE. 549 00:23:31,583 --> 00:23:34,519 GOODBYE, GOODBYE, GOODBYE. 550 00:23:34,552 --> 00:23:37,555 [ SIGHS ] 551 00:23:37,589 --> 00:23:38,756 [ Normal voice ] COULD YOU JUST PLEASE TRY 552 00:23:38,790 --> 00:23:40,592 TO MAYBE NOT MAKE THIS SO DIFFICULT? 553 00:23:40,625 --> 00:23:43,728 I CAN'T TAKE YOU SERIOUSLY WITH THAT DEAD CAT ON YOUR HEAD. 554 00:23:46,731 --> 00:23:49,166 [ Sighing ] ELIOT HAD TROUBLE ADJUSTING, ALL RIGHT? 555 00:23:49,200 --> 00:23:50,167 BUT HE FOUND A WAY 556 00:23:50,201 --> 00:23:53,104 TO MAKE HIS STYLE WORK IN THIS SETTING, SO... 557 00:23:53,137 --> 00:23:55,172 [ YELLS IN FOREIGN LANGUAGE ] 558 00:23:55,206 --> 00:23:58,142 HAI! PAIN! HONOR! STRENGTH! 559 00:24:01,713 --> 00:24:04,248 ALL RIGHT. 560 00:24:04,281 --> 00:24:06,050 COME AT ME! 561 00:24:06,083 --> 00:24:09,020 [ ALL SCREAMING ] 562 00:24:09,053 --> 00:24:11,556 LOOK, IT'S THE BEST I COULD MANAGE UNDER SUCH SHORT NOTICE. 563 00:24:11,589 --> 00:24:12,557 THE PROPS ARE MADE, 564 00:24:12,590 --> 00:24:15,259 THE KIDS HAVE MEMORIZED THEIR PRESENTATIONS. 565 00:24:15,292 --> 00:24:16,293 I'M JUST SETTING IT TO A BIT OF MUSIC. 566 00:24:16,327 --> 00:24:18,062 LISTEN, I MEAN, LET'S NOT FORGET WHY WE'RE HERE. 567 00:24:18,095 --> 00:24:19,497 LET'S NOT LOSE FOCUS. 568 00:24:19,531 --> 00:24:22,066 I MEAN, THE OBJECT IS TO GET FOWLER 569 00:24:22,099 --> 00:24:23,100 OUT OF THE APARTMENT, NOT -- 570 00:24:23,134 --> 00:24:25,236 WHAT? NOT -- NOT WIDMARK. RIGHT, YEAH, I GET IT. 571 00:24:25,269 --> 00:24:26,270 HE'S JUST THE BAIT. 572 00:24:26,303 --> 00:24:27,705 COME ON, THAT'S NOT FAIR. 573 00:24:27,739 --> 00:24:29,273 WHAT'S NOT FAIR IS THE WAY PEOPLE SEE HIM. 574 00:24:29,306 --> 00:24:30,875 HIS FATHER SEES HIM AS A LOSER. 575 00:24:30,908 --> 00:24:33,845 HIS MOTHER SEES HIM AS THIS FRAGILE, LITTLE BABY. 576 00:24:33,878 --> 00:24:34,979 HIS SCHOOLMATES SEE HIM 577 00:24:35,012 --> 00:24:36,981 AS THE BOY WHOSE FATHER STOLE CHRISTMAS. 578 00:24:37,014 --> 00:24:40,985 I JUST THINK HE -- HE -- HE... 579 00:24:41,018 --> 00:24:43,988 [ SIGHS ] 580 00:24:44,021 --> 00:24:48,092 I JUST WANT PEOPLE TO SEE HIM AS HE REALLY IS. 581 00:24:48,125 --> 00:24:51,763 HE DESERVES THAT. 582 00:24:51,796 --> 00:24:53,097 EVERYBODY DOES. 583 00:25:04,108 --> 00:25:06,310 [ BOTH SIGH ] 584 00:25:06,343 --> 00:25:08,145 THIS IS WHY WE CAN'T HAVE NICE THINGS. 585 00:25:08,179 --> 00:25:09,080 [ SCOFFS ] 586 00:25:09,113 --> 00:25:11,282 RICH GUYS AND THEIR CRAZY SECURITY SYSTEMS. 587 00:25:11,315 --> 00:25:15,720 DOOR ALARM'S GOT A TAKASHITA 500 WITH REDUNDANT INFRARED. 588 00:25:15,753 --> 00:25:17,922 -WINDOW'S EASIER. -THE WINDOW? 589 00:25:17,955 --> 00:25:19,791 THE WINDOW THAT'S 20 STORIES UP? 590 00:25:19,824 --> 00:25:21,993 LIKE I SAID -- EASIER. 591 00:25:22,026 --> 00:25:23,094 I'VE DONE THIS A MILLION TIMES. 592 00:25:23,127 --> 00:25:25,830 ALL I NEED IS A PNEUMATIC DRILL, SOME DIAMOND BITS -- 593 00:25:25,863 --> 00:25:27,599 [ KNOCK ON DOOR ] 594 00:25:27,632 --> 00:25:30,702 GET THE... 595 00:25:30,735 --> 00:25:32,169 HEY. 596 00:25:32,203 --> 00:25:33,971 HEY. 597 00:25:34,005 --> 00:25:36,173 UH, HI. HEY. 598 00:25:36,207 --> 00:25:39,243 -OH, UH, THANKS. -HEY, WHAT'S UP? 599 00:25:39,276 --> 00:25:43,180 THAT ONE'S ACTUALLY MINE. 600 00:25:43,214 --> 00:25:45,850 UH, I JUST HAD MY LIPS ON THAT. 601 00:25:45,883 --> 00:25:47,885 IT'S LIKE I GAVE YOU A LITTLE COFFEE KISS. 602 00:25:47,919 --> 00:25:49,220 [ LAUGHS ] 603 00:25:49,253 --> 00:25:51,155 I THINK YOUR PARTNER IS SWEET ON McSWEETEN. 604 00:25:51,188 --> 00:25:54,225 -WHAT? NO. -I DON'T REALLY TALK ABOUT... 605 00:25:54,258 --> 00:25:55,827 WELL [CLEARS THROAT] ANYWAY, 606 00:25:55,860 --> 00:25:58,596 UH, THE JUDGE APPROVED FOWLER'S DAY PASS 607 00:25:58,630 --> 00:26:01,666 SO HE CAN GO SEE SOME PLAY HIS KID IS DOING AT SCHOOL. 608 00:26:01,699 --> 00:26:04,335 FINAL-FREAKING-LY, MAN! 609 00:26:04,368 --> 00:26:05,803 I-I LOVE THE THEATER. 610 00:26:05,837 --> 00:26:08,172 IT'S -- "CATS." 611 00:26:08,205 --> 00:26:09,440 R-R-REOW! 612 00:26:09,473 --> 00:26:12,677 ALL RIGHT, WELL, SEE YOU DOWNSTAIRS IN A COUPLE OF MINUTES. 613 00:26:12,710 --> 00:26:13,978 UM, WHAT? 614 00:26:14,011 --> 00:26:16,313 YOU'RE OUR BACKUP. YOU'RE COMING ALONG WITH, RIGHT? 615 00:26:16,347 --> 00:26:19,383 -YEAH. YEAH. -YOU GOT OUR BACK, RIGHT? 616 00:26:19,416 --> 00:26:21,385 -WE -- WE -- WE -- YO, WE -- YEAH. 617 00:26:21,418 --> 00:26:22,854 -WE GOT YOUR BACK. -OKAY. 618 00:26:22,887 --> 00:26:24,255 -UH -- -GOOD. 619 00:26:24,288 --> 00:26:27,224 I GOT A COUPON. 620 00:26:27,258 --> 00:26:29,093 [ CHUCKLES ] NATE... 621 00:26:29,126 --> 00:26:30,394 we got a problem. 622 00:26:30,427 --> 00:26:31,629 -STRAIGHTEN THAT ONE OUT. -WELL, SO DO WE. 623 00:26:31,663 --> 00:26:34,832 IT'S FINAL REHEARSAL, AND SO FAR WIDMARK HASN'T SUNG A NOTE. 624 00:26:34,866 --> 00:26:38,002 [ Off-key ] * YOU 625 00:26:38,035 --> 00:26:39,070 [ LAUGHTER ] 626 00:26:39,103 --> 00:26:40,104 -HEY! -SHH! 627 00:26:40,137 --> 00:26:41,272 HEY! [ LAUGHTER ] 628 00:26:45,209 --> 00:26:46,678 THE CAMERA'S CHARGED, RIGHT? 629 00:26:46,711 --> 00:26:48,145 I DON'T WANT TO MISS A SECOND. 630 00:26:48,179 --> 00:26:51,783 SIR, I'M GONNA HAVE TO CHECK THAT BAG. 631 00:26:51,816 --> 00:26:55,619 OH, UH, HEY, GUYS, C-CAN WE GET A MINUTE? 632 00:26:56,988 --> 00:26:58,790 LOOK, UH, QUICK UPDATE. 633 00:26:58,823 --> 00:27:00,357 ONE OF US IS GONNA HAVE TO STAY UPSTAIRS 634 00:27:00,391 --> 00:27:01,392 WITH THE SURVEILLANCE EQUIPMENT. 635 00:27:01,425 --> 00:27:04,796 LUCKY ME. 636 00:27:04,829 --> 00:27:06,698 OKAY. 637 00:27:06,731 --> 00:27:09,701 WELL, WE ONLY REALLY NEED TWO AGENTS ON FOWLER, 638 00:27:09,734 --> 00:27:12,003 SO WHY DON'T WE SWITCH UP? 639 00:27:12,036 --> 00:27:14,405 [ CHUCKLES ] YEAH. YEAH, T-THAT'S A GOOD IDEA. 640 00:27:14,438 --> 00:27:16,941 YOU KNOW, I COULD JUST STAY HERE WITH AGENT HAGEN. 641 00:27:16,974 --> 00:27:18,409 YEAH. 642 00:27:18,442 --> 00:27:20,277 UH, Y-YOU KNOW WHAT? 643 00:27:20,311 --> 00:27:22,346 H-HAGEN, YOU GO WITH THE GUYS. 644 00:27:22,379 --> 00:27:24,448 MORE MANPOWER FOR THE SUSPECT. 645 00:27:24,481 --> 00:27:26,784 I'LL BABYSIT THE EQUIPMENT. 646 00:27:26,818 --> 00:27:28,019 OKAY. 647 00:27:28,052 --> 00:27:30,988 [ CHUCKLES NERVOUSLY ] 648 00:27:31,022 --> 00:27:32,089 What are you doing? 649 00:27:32,123 --> 00:27:34,425 LOOK, AGENT McSWEETHEART IS GONNA GO WHEREVER YOU GO, 650 00:27:34,458 --> 00:27:36,027 SO YOU -- YOU GOT TO GO TO THE SCHOOL, 651 00:27:36,060 --> 00:27:39,063 AND I'M JUST -- JUST TALK ME THROUGH THE BREAK-IN. 652 00:27:39,096 --> 00:27:42,033 TALK ME -- JUST... 653 00:27:42,066 --> 00:27:43,367 AFTER YOU. [ ELEVATOR DINGS ] 654 00:27:43,400 --> 00:27:44,401 [ CHUCKLES ] 655 00:27:44,435 --> 00:27:46,738 ALL THAT PERSONAL SPACE. 656 00:27:46,771 --> 00:27:47,839 [ SIGHS ] 657 00:27:47,872 --> 00:27:50,374 GOOD LUCK. 658 00:27:50,407 --> 00:27:52,877 Uh, Sophie, we good to go? 659 00:27:52,910 --> 00:27:55,312 UH, UH... 660 00:27:55,346 --> 00:27:58,883 NO, EVERYTHING'S GONNA BE FINE AS SOON AS I... 661 00:27:58,916 --> 00:28:00,451 FIND WIDMARK. 662 00:28:02,253 --> 00:28:03,254 [ BEEPING ] 663 00:28:03,287 --> 00:28:06,090 Hardison, what's going on? What's your status? 664 00:28:06,123 --> 00:28:07,992 I JUST LOOPED THE FBI VIDEO FEED, 665 00:28:08,025 --> 00:28:10,494 SO NOBODY WILL SEE ME IN THE APARTMENT, 666 00:28:10,527 --> 00:28:13,030 ASSUMING I GET IN THE APARTMENT. 667 00:28:13,064 --> 00:28:15,867 [ German accent ] PLEASE TAKE YOUR SEAT NOW. 668 00:28:15,900 --> 00:28:17,869 HURRY. HURRY ALONG. 669 00:28:20,204 --> 00:28:21,405 [ Normal voice ] ALL RIGHT, OUR MAN HAS ARRIVED. 670 00:28:21,438 --> 00:28:23,975 THE CURTAIN GOES UP IN FIVE MINUTES, ONE WAY OR THE OTHER. 671 00:28:24,008 --> 00:28:25,342 DON'T WAIT FOR SOPHIE. 672 00:28:25,376 --> 00:28:27,979 [ WIDMARK SNIFFLING ] 673 00:28:33,217 --> 00:28:35,252 WIDMARK? 674 00:28:35,286 --> 00:28:36,420 [ SNIFFLES ] 675 00:28:36,453 --> 00:28:37,454 [ German accent ] PLEASE TAKE YOUR SEAT. 676 00:28:37,488 --> 00:28:38,923 RUN ALONG. HURRY. 677 00:28:38,956 --> 00:28:42,927 HURRY UP, HURRY UP. 678 00:28:42,960 --> 00:28:45,396 YOU SURE YOU CAN HANDLE THIS? 679 00:28:45,429 --> 00:28:48,132 OH, YEAH. 680 00:28:48,165 --> 00:28:49,166 WHAT'S THE WORST THAT CAN HAPPEN? 681 00:28:49,200 --> 00:28:50,401 Well, you could tangle the lines. 682 00:28:50,434 --> 00:28:53,104 HEY! 683 00:28:53,137 --> 00:28:54,839 CAN YOU BELIEVE THEY HAVE A SMOOTHIE SHOP IN THIS PLACE? 684 00:28:54,872 --> 00:28:56,440 [ CHUCKLES NERVOUSLY ] 685 00:28:56,473 --> 00:28:57,775 WHAT WERE YOU SAYING? 686 00:28:57,809 --> 00:29:00,411 OH, I WAS JUST WORRIED ABOUT THE PLAY. 687 00:29:00,444 --> 00:29:03,180 AND THE ACTORS IF THEY CROSS THEIR LINES. 688 00:29:03,214 --> 00:29:05,049 THEY COULD REALLY FALL ON THEIR FACE. 689 00:29:05,082 --> 00:29:06,517 AAH! OHH! 690 00:29:06,550 --> 00:29:10,521 UNH! [ MOANS ] 691 00:29:10,554 --> 00:29:13,024 I'M GOOD! [ MOANS ] I'M GOOD! 692 00:29:13,057 --> 00:29:16,193 WIDMARK, Y-Y-YOU CAN'T LET THEM WIN. 693 00:29:16,227 --> 00:29:18,295 Y-YOU CAN'T SHOW THEM THAT THEY'RE GETTING TO YOU. 694 00:29:18,329 --> 00:29:20,998 [ Normal voice ] Sophie, no. No. 695 00:29:21,032 --> 00:29:22,333 -WHAT? -J-Just talk to him. 696 00:29:22,366 --> 00:29:24,035 DON'T TELL HIM WHAT TO DO OR WHO TO BE. 697 00:29:24,068 --> 00:29:26,270 JUST TALK. 698 00:29:26,303 --> 00:29:28,372 [ GROANS ] 699 00:29:28,405 --> 00:29:31,008 [ BEEPING ] 700 00:29:36,914 --> 00:29:40,184 WIDMARK, I'M SORRY. 701 00:29:40,217 --> 00:29:41,185 FOR WHAT? 702 00:29:41,218 --> 00:29:43,387 FOR TRYING TO CON YOU INTO BEING BRAVE, AND... 703 00:29:43,420 --> 00:29:47,224 THAT'S WHAT I DO. I'M A BLOODY CON ARTIST. 704 00:29:47,258 --> 00:29:49,560 LOOK, I'M NOT VERY GOOD AT BEING HONEST, 705 00:29:49,593 --> 00:29:51,195 NOT EVEN WITH MY FRIENDS. 706 00:30:01,939 --> 00:30:03,274 DO YOU HAVE A LOT OF FRIENDS? 707 00:30:03,307 --> 00:30:06,043 NO. 708 00:30:06,077 --> 00:30:08,579 NO, I-I NEVER USED TO HAVE ANY. 709 00:30:08,612 --> 00:30:14,485 BUT, UM, NOW, YES, I-I DO -- A FEW. 710 00:30:14,518 --> 00:30:16,988 I USED TO HAVE FRIENDS. 711 00:30:17,021 --> 00:30:21,125 THEY DON'T TALK TO ME ANYMORE BECAUSE OF WHAT MY STEPDAD DID. 712 00:30:21,158 --> 00:30:22,193 THAT'S GOT NOTHING TO DO WITH YOU. 713 00:30:22,226 --> 00:30:23,227 YOU KNOW THAT, DON'T YOU? 714 00:30:23,260 --> 00:30:24,228 THEN WHY DID THEY MAKE FUN OF ME? 715 00:30:24,261 --> 00:30:26,330 'CAUSE WHEN THEY LOOK AT YOU, THEY SEE HIM. 716 00:30:26,363 --> 00:30:28,900 THEY'RE NOT SEEING YOU FOR WHO YOU REALLY ARE. 717 00:30:31,568 --> 00:30:32,436 [ BEEPING CONTINUES ] 718 00:30:32,469 --> 00:30:35,172 HOW MUCH TIME DO I HAVE LEFT, PARKER? 719 00:30:35,206 --> 00:30:38,109 DO YOU BELIEVE IN LOVE AT FIRST SIGHT? 720 00:30:38,142 --> 00:30:39,243 I BELIEVE THAT WHEN YOU MEET SOMEONE, 721 00:30:39,276 --> 00:30:40,544 YOU HAVE 30 SECONDS [SLURPS] 722 00:30:40,577 --> 00:30:43,881 BEFORE THE BELLS AND WHISTLES GO OFF. 723 00:30:43,915 --> 00:30:47,251 DON'T BE AFRAID TO OVERRIDE YOUR FEELINGS. 724 00:30:47,284 --> 00:30:49,320 [ SLURPS ] DON'T BE BLUE. 725 00:30:49,353 --> 00:30:51,622 MM-HMM, MM-HMM. OKAY, I GOT YOU. 726 00:30:51,655 --> 00:30:54,191 30 SECONDS, "DON'T BE BLUE," OVERRIDE. 727 00:30:54,225 --> 00:30:57,895 W-WAIT, DOES THAT MEAN CUT THE BLUE WIRE 728 00:30:57,929 --> 00:30:59,964 OR DON'T CUT THE BLUE WIRE, PARKER? 729 00:30:59,997 --> 00:31:01,398 THAT IS -- THAT IS SO TRUE. 730 00:31:01,432 --> 00:31:02,466 I THINK YOU NEED TO BE HONEST -- 731 00:31:02,499 --> 00:31:05,236 20 SECONDS. 732 00:31:05,269 --> 00:31:08,372 I CAN'T COUNT IN 20 SECONDS HOW MANY BLUE WIRES THERE ARE. 733 00:31:08,405 --> 00:31:10,041 -PARKER, HELP ME OUT. -NOT FOLLOWING. 734 00:31:10,074 --> 00:31:11,242 YOU JUST HAVE TO CUT LOOSE. 735 00:31:11,275 --> 00:31:13,110 Output your feelings. 736 00:31:13,144 --> 00:31:15,412 -SNIP THAT BLUE MOOD IN THE-- -The output? 737 00:31:15,446 --> 00:31:18,182 OUTPUT? OKAY, I GOT IT. GOTCHA. 738 00:31:18,215 --> 00:31:21,452 [ BEEPING CONTINUES ] OUT, OUT, OUT, OUT. 739 00:31:21,485 --> 00:31:24,021 COME HERE, YOU BLUE. GOT IT. 740 00:31:24,055 --> 00:31:26,123 [ CHUCKLES ] 741 00:31:26,157 --> 00:31:28,459 [ SIGHS ] 742 00:31:30,461 --> 00:31:33,030 DADDY'S HOME. 743 00:31:33,664 --> 00:31:36,300 DID YOU KNOW I WAS AN ACTRESS? 744 00:31:36,333 --> 00:31:38,002 -NO. -MM-HMM. 745 00:31:38,035 --> 00:31:40,437 ARE YOU GOOD? 746 00:31:40,471 --> 00:31:44,475 WELL, OTHERS DON'T SEEM TO THINK SO. 747 00:31:44,508 --> 00:31:47,578 MAYBE THEY JUST CAN'T SEE YOU FOR WHO YOU ARE. 748 00:31:47,611 --> 00:31:50,081 [ CHUCKLES ] 749 00:31:50,114 --> 00:31:51,348 DO YOU KNOW WHAT THEY SAY ABOUT ACTING? 750 00:31:51,382 --> 00:31:53,584 THEY SAY IT'S ABOUT TELLING THE TRUTH, 751 00:31:53,617 --> 00:31:56,520 ABOUT -- ABOUT SHARING A LITTLE PART OF YOURSELF 752 00:31:56,553 --> 00:31:59,023 THAT PEOPLE DON'T NORMALLY SEE. 753 00:31:59,056 --> 00:32:01,692 BUT IF YOU DON'T -- IF YOU DON'T REALLY KNOW YOURSELF, 754 00:32:01,725 --> 00:32:05,196 THEN THEY THINK YOU'RE LYING. 755 00:32:05,229 --> 00:32:08,365 AND... 756 00:32:08,399 --> 00:32:10,301 I THINK THAT'S MY PROBLEM. 757 00:32:10,334 --> 00:32:13,004 I'VE BEEN LYING FOR SO LONG, THAT, UM, 758 00:32:13,037 --> 00:32:15,706 I DON'T EVEN KNOW WHAT THE TRUTH IS ANYMORE. 759 00:32:15,739 --> 00:32:18,542 I DON'T WANT TO LIE TO ANYBODY. 760 00:32:18,575 --> 00:32:19,610 NO. 761 00:32:19,643 --> 00:32:24,081 NO, YOU DON'T HAVE TO, WIDMARK. 762 00:32:24,115 --> 00:32:25,749 WHAT YOU NEED TO DO IS, YOU JUST HAVE TO GO OUT THERE 763 00:32:25,782 --> 00:32:27,518 AND BE WIDMARK. 764 00:32:27,551 --> 00:32:33,390 JUST TELL THE TRUTH. BE -- BE WHO YOU REALLY ARE. 765 00:32:33,424 --> 00:32:36,727 IF YOU CAN DO THAT, THEN I PROMISE YOU, 766 00:32:36,760 --> 00:32:40,064 PEOPLE WILL BELIEVE IN YOU. 767 00:32:45,469 --> 00:32:48,572 SURE IS TAKING THEM A LONG TIME TO GET EVERYBODY IN THERE. 768 00:32:48,605 --> 00:32:50,541 [ SIGHS ] YES. 769 00:32:50,574 --> 00:32:52,676 A LOT LONGER THAN I THOUGHT. 770 00:32:52,709 --> 00:32:55,012 E-EXCUSE ME FOR INTERRUPTING PROM NIGHT 771 00:32:55,046 --> 00:32:57,781 WITH MY ANNOYING FELONY BURGLARY. 772 00:32:57,814 --> 00:33:00,651 SHE'S UNGRATEFUL -- JUST UNGRATEFUL. 773 00:33:00,684 --> 00:33:02,719 AHA! 774 00:33:05,056 --> 00:33:07,458 COME TO PAPA. 775 00:33:11,362 --> 00:33:13,030 WIDMARK OKAY? 776 00:33:13,064 --> 00:33:15,199 GUESS WE'RE ABOUT TO FIND OUT. 777 00:33:19,270 --> 00:33:20,737 [ BEEPING ] 778 00:33:25,376 --> 00:33:26,543 [ LAUGHS ] 779 00:33:26,577 --> 00:33:29,113 YEAH! HACKING, RAPPELLING -- 780 00:33:29,146 --> 00:33:31,215 whatever, put me in a dress. 781 00:33:31,248 --> 00:33:34,585 I CAN DO ALL Y'ALL'S JOBS. 782 00:33:34,618 --> 00:33:35,619 IT'S EMPTY. 783 00:33:35,652 --> 00:33:37,754 WHAT DO YOU MEAN IT'S EMPTY? 784 00:33:37,788 --> 00:33:39,390 I MEAN IT'S EMPTY, LIKE SOMEBODY CLEANED IT OUT. 785 00:33:45,762 --> 00:33:46,730 I HATE TO TELL YOU THIS, 786 00:33:46,763 --> 00:33:49,766 BUT THAT AIN'T OUR BIGGEST PROBLEM RIGHT NOW. 787 00:33:49,800 --> 00:33:52,403 WE'VE GOT COMPANY. 788 00:33:55,706 --> 00:34:00,077 * THERE ARE MANY TYPES OF CLOUDS * 789 00:34:00,111 --> 00:34:03,514 * LIKE STRATUS, CUMULUS, AND NIMBUS * 790 00:34:03,547 --> 00:34:07,284 * NIMBUS SAID TO A GLUM-LOOKING CLOUD * 791 00:34:07,318 --> 00:34:11,088 * "PLEASE DON'T BE SO CIRRUS" 792 00:34:11,122 --> 00:34:15,359 * CLOUDS ARE HIGH UP IN THE SKY * 793 00:34:15,392 --> 00:34:16,727 YEAH, BUT HOW'D HE KNOW FOWLER WAS GONNA BE HERE? 794 00:34:16,760 --> 00:34:19,130 ONLY ONES THAT KNEW WERE US AND THE FBI. 795 00:34:19,163 --> 00:34:21,165 UH, YEAH, AND FOWLER HIMSELF. 796 00:34:21,198 --> 00:34:23,367 MAYBE WE WERE WRONG. MAYBE FOWLER ISN'T THE TARGET. 797 00:34:23,400 --> 00:34:24,401 Then who? 798 00:34:24,435 --> 00:34:26,770 -WHAT? -THANK YOU. 799 00:34:26,803 --> 00:34:28,872 FOR THIS DELICIOUS SMOOTHIE, AGENT. 800 00:34:28,905 --> 00:34:30,507 OH. 801 00:34:30,541 --> 00:34:32,443 UM... 802 00:34:34,711 --> 00:34:35,812 HIS FBI HANDLERS -- 803 00:34:35,846 --> 00:34:37,448 FOWLER'S ARRANGED TO HAVE THEM KILLED. 804 00:34:37,481 --> 00:34:39,683 HE'S ABOUT TO RUN. 805 00:34:39,716 --> 00:34:40,851 NO, THERE'S NO WAY HE COULD ARRANGE THAT, MAN. 806 00:34:40,884 --> 00:34:43,820 HE'S UNDER HOUSE ARREST -- NO PHONE CALLS, NO INTERNET. 807 00:34:43,854 --> 00:34:46,457 THEY'RE EVEN READING HIS MAIL. HOW COULD HE ARRANGE A HIT MAN? 808 00:34:46,490 --> 00:34:48,392 LET'S ASK HIM. 809 00:34:54,565 --> 00:34:56,267 WHAT DO YOU MEAN YOU LOST IT? 810 00:34:56,300 --> 00:34:57,834 -I THOUGHT IT WAS IN MY ROOM. -YOU THOUGHT? 811 00:34:57,868 --> 00:34:59,870 DO YOU HAVE ANY RESPECT FOR YOUR PERSONAL PROPERTY? 812 00:34:59,903 --> 00:35:02,639 DO YOU HAVE ANY RESPECT FOR ME? I BOUGHT YOU THAT CELLPHONE. 813 00:35:02,673 --> 00:35:05,442 FEDS CONFISCATED HIS CELLPHONE. 814 00:35:05,476 --> 00:35:06,777 THEY DIDN'T TAKE WIDMARK'S. 815 00:35:06,810 --> 00:35:08,345 * YOU WILL SEE IN THE... 816 00:35:08,379 --> 00:35:10,447 FOWLER'S GETAWAY EXPLAINS THE EMPTY SAFE. 817 00:35:10,481 --> 00:35:13,384 WHATEVER CASH HE HAD ON HIM, HE TOOK WITH HIM. 818 00:35:13,417 --> 00:35:15,686 AND, UH, I THINK I KNOW WHERE TO LOOK. 819 00:35:15,719 --> 00:35:18,322 * STORM CLOUD [ APPLAUSE ] 820 00:35:22,526 --> 00:35:25,496 -WAIT, DIDN'T YOU SEARCH FOWLER BEFORE HE LEFT? -OF COURSE. 821 00:35:25,529 --> 00:35:28,232 NOTHING ON HIM EXCEPT FOR THAT CAMERA AND SOME TAPES. 822 00:35:30,667 --> 00:35:32,936 YEAH, WELL, THERE'S SOMETHING IN THAT BAG. 823 00:35:32,969 --> 00:35:36,507 Or on those tapes. [ APPLAUSE ] 824 00:35:36,540 --> 00:35:38,609 [ CHUCKLES ] THANK YOU. 825 00:35:38,642 --> 00:35:39,743 SOPHIE, CAN YOU SWIPE IT? 826 00:35:39,776 --> 00:35:42,813 Um, yes, I'm a little bit busy here. 827 00:35:42,846 --> 00:35:46,750 ...JUILLIARD FOR THAT WONDERFUL RENDITION 828 00:35:46,783 --> 00:35:49,786 OF "HOW CLOUDS ARE FORMED." 829 00:35:49,820 --> 00:35:57,194 AND NOW WE HAVE MILAN WITH A BALLAD ABOUT PHOTOSYNTHESIS. 830 00:35:57,228 --> 00:35:59,763 ENJOY. [ APPLAUSE ] 831 00:36:03,967 --> 00:36:05,802 HAS ANYBODY SEEN WIDMARK? 832 00:36:05,836 --> 00:36:06,803 Sophie, the job's over. 833 00:36:06,837 --> 00:36:09,206 What happens from here on is not our concern. 834 00:36:09,240 --> 00:36:10,874 -NO WAY. -We have other priorities. 835 00:36:10,907 --> 00:36:12,609 THE CLINIC ISN'T THE ONLY VICTIM HERE, NATE. 836 00:36:12,643 --> 00:36:15,846 I-I DIDN'T PROP UP THIS BOY JUST TO SEE HIM FAIL. 837 00:36:15,879 --> 00:36:18,181 NO WAY. I'M NOT LETTING THAT HAPPEN. 838 00:36:20,517 --> 00:36:22,819 YO, WHAT'S UP? 839 00:36:25,822 --> 00:36:30,361 UNH! OHH! 840 00:36:30,394 --> 00:36:32,263 Uh, Nate... 841 00:36:32,296 --> 00:36:34,231 THIS PHONE HAS SENT A BUNCH OF TEXT MESSAGES 842 00:36:34,265 --> 00:36:36,967 IN THE LAST 48 HOURS TO SOME GUY NAMED "SKYLER." 843 00:36:37,000 --> 00:36:40,003 YEAH, YEAH, YEAH. SKYLER'S A KID AT THE SCHOOL. 844 00:36:40,036 --> 00:36:41,905 WHY WOULD FOWLER BE TEXTING A MIDDLE-SCHOOLER? 845 00:36:41,938 --> 00:36:42,839 [ BEEP ] 846 00:36:42,873 --> 00:36:45,776 * PHOTOSYNTHESIS IS THE CAUSE OF THIS... * 847 00:36:45,809 --> 00:36:47,544 [ CELLPHONE VIBRATING ] 848 00:36:47,578 --> 00:36:52,015 * ...PROCESS THAT MAKES THINGS BIGGER * 849 00:36:52,048 --> 00:36:53,617 * WATER AND LIGHT MAKES... 850 00:36:53,650 --> 00:36:57,688 HE WASN'T TEXTING SKYLER. HE WAS TEXTING SKYLER'S DAD. 851 00:37:00,023 --> 00:37:01,258 OH! 852 00:37:01,292 --> 00:37:02,859 SORRY. 853 00:37:02,893 --> 00:37:03,994 * I'VE BEEN... 854 00:37:04,027 --> 00:37:05,896 MARK SANFORD'S AN ACCOMPLICE. 855 00:37:05,929 --> 00:37:09,366 HE SET UP THE GUNMAN. HE JUST TRADED BAGS WITH FOWLER. 856 00:37:09,400 --> 00:37:12,035 [ SINGING INDISTINCTLY ] 857 00:37:12,068 --> 00:37:14,471 No, man, why would Sanford help Fowler? 858 00:37:14,505 --> 00:37:16,039 Isn't he one of the guys who invested with him? 859 00:37:16,072 --> 00:37:18,342 * REALLY 860 00:37:18,375 --> 00:37:21,645 * A GAS 861 00:37:21,678 --> 00:37:24,381 [ PIANO MUSIC PLAYING ] 862 00:37:24,415 --> 00:37:25,716 SORRY I'M LATE. 863 00:37:25,749 --> 00:37:27,451 NO, NO, NO. [ APPLAUSE ] 864 00:37:27,484 --> 00:37:28,752 YOU'RE RIGHT ON TIME. 865 00:37:32,556 --> 00:37:34,958 [ BOTH GRUNTING ] 866 00:37:44,000 --> 00:37:48,505 AND NOW WITH "GROWTH FACTORS IN BREAD MOLD," 867 00:37:48,539 --> 00:37:51,975 IT'S WIDMARK FOWLER! 868 00:37:52,008 --> 00:37:54,345 [ APPLAUSE ] 869 00:37:54,378 --> 00:37:55,512 OH. 870 00:38:01,852 --> 00:38:04,421 [ SLOW PIANO MUSIC PLAYS ] 871 00:38:06,890 --> 00:38:09,326 * YOU MIGHT FIND THIS DISTASTEFUL * 872 00:38:09,360 --> 00:38:12,363 * OR CALL IT JUST PLAIN GROSS 873 00:38:12,396 --> 00:38:14,831 * TO SING IN PRAISE OF BREAD MOLD * 874 00:38:14,865 --> 00:38:17,634 * OR WONDER HOW IT GROWS 875 00:38:17,668 --> 00:38:24,475 * IT EVEN MAKES YOU CRAZY THAT MOLD DEVOURS YOUR FOOD * 876 00:38:24,508 --> 00:38:28,779 * UNTIL YOU FIND I'VE CHANGED YOUR MIND * 877 00:38:28,812 --> 00:38:33,917 * AND YOU SEE THAT MOLD IS GOOD * 878 00:38:33,950 --> 00:38:36,019 [ MUSIC TEMPO INCREASES ] 879 00:38:36,052 --> 00:38:39,723 [ BOTH GRUNTING ] 880 00:38:39,756 --> 00:38:40,924 SHH! 881 00:38:40,957 --> 00:38:44,928 * IT'S THE MUSHROOMS ON YOUR PIZZA * 882 00:38:44,961 --> 00:38:47,130 * IT'S THE YEAST THAT MAKES THE CRUST RISE * 883 00:38:47,163 --> 00:38:50,501 SHH! KEEP IT OFF THE STAGE! 884 00:38:50,534 --> 00:38:51,735 YOU'RE GONNA RUIN HIS BIG FINALE! 885 00:38:51,768 --> 00:38:53,737 * IT'S FUNGI 886 00:38:53,770 --> 00:38:55,806 * THAT'S GOOD EATEN -- DON'T LOOK SURPRISED * 887 00:38:55,839 --> 00:38:57,007 AND WHILE WE'RE ON THE SUBJECT... 888 00:38:57,040 --> 00:39:00,644 * WHO AMONG US WOULD WANT THE NASTY JOB THAT FUNGUS HAS? * 889 00:39:00,677 --> 00:39:03,880 * SCARFING DOWN TOXIC WASTE? 890 00:39:03,914 --> 00:39:06,149 * MOLDS GO WHERE THEY'RE NEEDED * 891 00:39:06,182 --> 00:39:08,919 * SO THEY FIND OUR STUFF TO FEED IN * 892 00:39:08,952 --> 00:39:10,153 * MOLDS JUST WANT TO GROW 893 00:39:10,186 --> 00:39:12,789 * SO THEY POP OUT SPORES, YOU KNOW * 894 00:39:12,823 --> 00:39:14,858 * THAT A MOLD WANTS TO THRIVE 895 00:39:14,891 --> 00:39:17,160 * NEEDS MUCH MORE THAN TO SURVIVE * 896 00:39:17,193 --> 00:39:19,930 * BECAUSE MOLD'S LIKE US 897 00:39:19,963 --> 00:39:27,070 * JUST LOV BEING ALI-I-I-I-FE 898 00:39:27,103 --> 00:39:29,573 HE'S NOT BAD. 899 00:39:29,606 --> 00:39:32,008 [ CHEERS AND APPLAUSE ] 900 00:39:46,089 --> 00:39:47,090 EXCUSE ME, DEAR. 901 00:39:47,123 --> 00:39:50,661 OH, WIDMARK, I'M SO PROUD OF YOU. 902 00:39:50,694 --> 00:39:52,596 [ CLEARS THROAT ] 903 00:39:53,697 --> 00:39:54,698 AH. 904 00:39:54,731 --> 00:39:57,167 Uh... 905 00:39:57,200 --> 00:39:59,135 Uh, Hardison, are you at your computer? 906 00:39:59,169 --> 00:40:01,972 I need you to check a name for me. 907 00:40:02,005 --> 00:40:03,039 GO AHEAD. 908 00:40:03,073 --> 00:40:05,876 [ APPLAUSE ] DOUG FINEMAN. 909 00:40:05,909 --> 00:40:09,680 AND FIRST PLACE GOES TO MR. WIDMARK FOWLER! 910 00:40:09,713 --> 00:40:13,049 [ APPLAUSE ] 911 00:40:13,083 --> 00:40:17,554 SANFORD IS PROVIDING FOWLER WITH A NEW IDENTITY 912 00:40:17,588 --> 00:40:20,991 AND A NEW LIFE WAITING FOR HIM IN... 913 00:40:21,024 --> 00:40:22,192 BOGOTá. 914 00:40:25,862 --> 00:40:28,198 OH, COACH BREWER! 915 00:40:28,231 --> 00:40:31,535 -OHH! -I'LL TAKE THAT. 916 00:40:31,568 --> 00:40:33,470 OW! 917 00:40:35,972 --> 00:40:38,108 AHH. 918 00:40:38,141 --> 00:40:39,910 YES. 919 00:40:41,745 --> 00:40:42,679 I'M JUST SAYING 920 00:40:42,713 --> 00:40:46,082 YOU CAN'T MAKE THE RETURNS TOO CONSISTENT. 921 00:40:46,116 --> 00:40:48,652 10% GROWTH EVERY YEAR, NO MATTER WHAT THE MARKET DOES? 922 00:40:48,685 --> 00:40:51,121 THE S.E.C. IS GOING TO ASK QUESTIONS. 923 00:40:51,154 --> 00:40:53,123 LET ME WORRY ABOUT THE S.E.C., MARK. 924 00:40:53,156 --> 00:40:55,859 BUT WE HAVE TO BE CAREFUL. 925 00:40:55,892 --> 00:40:56,993 MY JOB IS TO BUY OFF THE REGULATORS. 926 00:40:57,027 --> 00:40:59,162 YOUR JOB IS TO BRING IN NEW MONEY. 927 00:40:59,195 --> 00:41:00,196 NOW, THIS WHOLE THING GOES OFF THE RAILS 928 00:41:00,230 --> 00:41:02,132 WHEN YOU STOP DOING YOUR JOB. 929 00:41:03,534 --> 00:41:04,901 UNH! AGH! 930 00:41:04,935 --> 00:41:06,503 WHERE THE HECK DO YOU THINK YOU'RE GOING? 931 00:41:06,537 --> 00:41:08,539 [ GRUNTS ] [ HANDCUFFS CLICK ] 932 00:41:08,572 --> 00:41:11,908 [ German accent ] JA, JA, HE, UM, HE DROPPED THIS OUT OF THIS. 933 00:41:11,942 --> 00:41:13,977 I THOUGHT HIS NAME WAS FOWLER. 934 00:41:14,010 --> 00:41:15,245 -I DON'T KNOW. -THANKS. 935 00:41:15,278 --> 00:41:17,147 - JA, JA. -COME ON! 936 00:41:17,180 --> 00:41:21,718 NO, STOP IT! YOU CAN'T PLAY THAT! 937 00:41:21,752 --> 00:41:23,253 [ HANDCUFFS CLICK ] AGH! 938 00:41:23,286 --> 00:41:27,924 NOW, THAT IS NO WAY TO TREAT A LADY. 939 00:41:27,958 --> 00:41:32,663 -COME ON. -OW! 940 00:41:32,696 --> 00:41:33,964 -HI. -HEY. 941 00:41:33,997 --> 00:41:37,100 GOT SOMETHING FOR YOU. 942 00:41:37,133 --> 00:41:38,835 WOW, THAT IS FAR MORE THAN WE LOST. 943 00:41:38,869 --> 00:41:40,971 WELL, YOU KNOW THE $20 MILLION THE FEDS COULDN'T FIND? 944 00:41:41,004 --> 00:41:42,673 FOWLER HAD IT IN AN OVERSEAS ACCOUNT 945 00:41:42,706 --> 00:41:44,140 USING ONE OF HIS ALIASES. 946 00:41:44,174 --> 00:41:45,909 YEAH, HE STRUCK A DEAL WITH SANFORD. 947 00:41:45,942 --> 00:41:49,680 HE TRADED THE TAPES FOR A NEW PASSPORT AND TWO DEAD FBI GUYS. 948 00:41:49,713 --> 00:41:52,883 AND OUR FRIEND HARDISON, WELL, HE LIBERATED SOME OF THE CASH 949 00:41:52,916 --> 00:41:54,618 SO YOU COULD USE IT FOR YOUR CLINIC. 950 00:41:54,651 --> 00:41:56,820 -WOW. -HEY, KAY! 951 00:41:56,853 --> 00:41:58,989 HI, CLAUDINE. 952 00:41:59,022 --> 00:42:03,259 SHE, UM, NEEDED A JOB AFTER FOWLER WENT TO JAIL. 953 00:42:03,293 --> 00:42:05,261 -GOOD LUCK. -THANK YOU. 954 00:42:07,197 --> 00:42:09,099 YOU KNOW, THIS IS INTERESTING. 955 00:42:09,132 --> 00:42:11,034 THIS MUST BE A-A FIRST. 956 00:42:11,067 --> 00:42:13,637 I MEAN, IT'S THE ONLY TIME I CAN REMEMBER 957 00:42:13,670 --> 00:42:17,173 THAT THE CON DEPENDED SOLELY ON YOU TELLING THE TRUTH. 958 00:42:17,207 --> 00:42:18,742 HOW'D IT FEEL? 959 00:42:18,775 --> 00:42:20,911 EH, GOOD. DON'T GET USED TO IT. 960 00:42:20,944 --> 00:42:22,979 -OH, NO. NO. -UNH-UNH. 961 00:42:23,013 --> 00:42:25,916 START TELLING THE TRUTH ALL DAY... 962 00:42:25,949 --> 00:42:28,551 STOP BEING SOPHIE DEVEREAUX. 963 00:42:31,387 --> 00:42:33,757 MAYBE THAT'S, UH... 964 00:42:33,790 --> 00:42:35,692 A GOOD THING. 965 00:42:37,994 --> 00:42:40,597 MNH-MNH. 64401

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