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1
00:00:02,041 --> 00:00:04,510
HELP ME!
SOMEBODY, PLEASE, HELP!
2
00:00:04,543 --> 00:00:07,113
HEY! OPEN THE DOOR, PLEASE!
3
00:00:07,146 --> 00:00:08,447
SHE CAN'T BREATHE!
4
00:00:08,481 --> 00:00:11,484
CAN'T YOU SEE THE SIGN, PAL?
5
00:00:11,517 --> 00:00:12,818
OVER HERE!
6
00:00:12,851 --> 00:00:15,654
HEY, UNLOCK THE DAMN DOOR!
ASTHMA?
7
00:00:15,688 --> 00:00:18,157
YEAH, HER INHALER'S NOT WORKING.
8
00:00:20,159 --> 00:00:22,661
GET OUT OF MY WAY.
CALL FOR AN AMBULANCE.
9
00:00:22,695 --> 00:00:24,730
-WHAT DO I DO?
-SET HER ON THE GROUND,
BUT KEEP HER UPRIGHT.
10
00:00:24,763 --> 00:00:27,766
-THIS INHALER'S GONNA
RELAX HER MUSCLES...
-OKAY.
11
00:00:27,800 --> 00:00:34,240
...WHILE THE EPINEPHRINE
OPENS THE AIRWAY.
12
00:00:34,273 --> 00:00:36,542
OH, THERE YOU GO.
13
00:00:36,575 --> 00:00:38,344
[ INHALES SHARPLY ]
14
00:00:38,377 --> 00:00:40,479
OH, THANK GOD. THANK YOU.
15
00:00:40,513 --> 00:00:42,215
YEAH.
16
00:00:42,248 --> 00:00:44,683
SHE COULD'VE DIED.
I MEAN, SHE WOULD'VE DIED.
17
00:00:44,717 --> 00:00:46,585
WELL, SHE'S VERY LUCKY
YOU WERE THERE.
18
00:00:46,619 --> 00:00:48,521
NO, LUCK SHOULDN'T HAVE
ANYTHING TO DO WITH IT.
19
00:00:48,554 --> 00:00:51,790
YOU KNOW, THE CLINIC
NEVER SHOULD'VE CLOSED,
20
00:00:51,824 --> 00:00:53,359
AND IT'S ALL MY FAULT.
21
00:00:53,392 --> 00:00:54,360
HEY, IT'S NOT YOUR FAULT.
22
00:00:54,393 --> 00:00:56,362
THERE'S NO WAY YOU COULD'VE
SEEN THIS COMING.
23
00:00:56,395 --> 00:00:57,796
NO, I WAS THE ONE
THAT RECOMMENDED MR. FOWLER
24
00:00:57,830 --> 00:00:59,132
TO OUR BOARD OF DIRECTORS.
25
00:00:59,165 --> 00:01:00,366
YOU KNOW,
HE TOLD ME THAT THE FUND
26
00:01:00,399 --> 00:01:01,700
WOULD DOUBLE OUR CLINIC'S MONEY
IN A YEAR.
27
00:01:01,734 --> 00:01:03,436
-I BELIEVED HIM.
-IT'S OKAY.
28
00:01:03,469 --> 00:01:06,639
WE ALL DO STUPID THINGS
SOMETIMES.
29
00:01:07,806 --> 00:01:08,907
[ STAMMERS ]
30
00:01:08,941 --> 00:01:13,612
UM [CLEARS THROAT] HOW DID YOU
MEET, UH, DANIEL FOWLER?
31
00:01:13,646 --> 00:01:15,614
I ONLY VOLUNTEER AT THE CLINIC
ON WEEKENDS.
32
00:01:15,648 --> 00:01:17,750
MY DAY JOB IS AT DALTON ACADEMY.
33
00:01:17,783 --> 00:01:18,851
IT'S THAT PRIVATE SCHOOL
UP NEAR BRIGHTON.
34
00:01:18,884 --> 00:01:21,120
AND I'M THE ON-SITE NURSE THERE.
35
00:01:21,154 --> 00:01:22,755
AND FOWLER'S STEPSON
IS A STUDENT THERE.
36
00:01:22,788 --> 00:01:25,491
HE'S A SWEET KID --
ALLERGIC TO STRAWBERRIES.
37
00:01:25,524 --> 00:01:26,625
[ LAUGHS ]
38
00:01:26,659 --> 00:01:28,794
THAT'S IRONIC.
39
00:01:28,827 --> 00:01:31,297
-WHY?
-BECAUSE HE'S SWEET.
40
00:01:31,330 --> 00:01:32,898
YEAH, UH...
41
00:01:32,931 --> 00:01:35,801
A LOT OF THE PARENTS
HAD MONEY INVESTED WITH HIM,
42
00:01:35,834 --> 00:01:38,237
AND I FIGURED, YOU KNOW,
43
00:01:38,271 --> 00:01:40,639
IF THEY COULD TRUST HIM,
THEN WE COULD, TOO.
44
00:01:40,673 --> 00:01:42,475
OKAY, WELL, HERE'S THE THING.
45
00:01:42,508 --> 00:01:44,443
THE GOVERNMENT HAS FROZEN
FOWLER'S ASSETS.
46
00:01:44,477 --> 00:01:45,744
SO YOU'LL GET THE MONEY BACK
EVENTUALLY.
47
00:01:45,778 --> 00:01:48,147
NO, THE CLINIC IS OUT OF TIME.
48
00:01:48,181 --> 00:01:50,583
THE BOARD HAS PUT THE PROPERTY
UP FOR SALE NEXT WEEK.
49
00:01:50,616 --> 00:01:53,852
THAT'S NOT GONNA HAPPEN.
I PROMISE.
50
00:01:55,888 --> 00:01:58,391
SORRY, UM...
51
00:01:58,424 --> 00:02:00,726
IT'S JUST REALLY HARD TO TRUST
PEOPLE RIGHT NOW, YOU KNOW?
52
00:02:00,759 --> 00:02:01,694
MM.
53
00:02:01,727 --> 00:02:04,663
THAT'S OKAY.
WE DON'T TRUST YOU EITHER, SO...
54
00:02:04,697 --> 00:02:06,799
NO, SHE DIDN'T...
55
00:02:06,832 --> 00:02:09,435
THANK YOU FOR YOUR TIME.
56
00:02:12,638 --> 00:02:14,840
THAT WENT SUPER.
57
00:02:14,873 --> 00:02:17,276
[ SIGHS ] GOD...
58
00:02:17,310 --> 00:02:18,644
WHERE IS SOPHIE?
59
00:02:18,677 --> 00:02:22,181
THE RICH AND POWERFUL,
THEY TAKE WHAT THEY WANT.
60
00:02:22,215 --> 00:02:24,350
WE STEAL IT BACK FOR YOU.
61
00:02:27,686 --> 00:02:34,460
AND SOMETIMES, BAD GUYS
MAKE THE BEST GOOD GUYS.
62
00:02:34,493 --> 00:02:35,961
WE PROVIDE...
63
00:02:35,994 --> 00:02:38,597
LEVERAGE.
64
00:02:38,631 --> 00:02:42,335
THANKS FOR MEETING ME
THIS MORNING.
65
00:02:42,368 --> 00:02:44,370
SWEETHEART, LISTEN,
I KNOW YOU'RE CRAZY BUSY.
66
00:02:44,403 --> 00:02:46,439
IT'S FINAL-EXAM TIME
AND EVERYTHING,
67
00:02:46,472 --> 00:02:47,573
BUT I WAS THINKING THIS WEEKEND
68
00:02:47,606 --> 00:02:50,643
WE SHOULD DEFINITELY,
DEFINITELY
69
00:02:50,676 --> 00:02:51,744
CHECK OUT
THE VENETIAN EXHIBIT --
70
00:02:51,777 --> 00:02:53,679
I DON'T THINK SO.
71
00:02:53,712 --> 00:02:56,249
I DON'T THINK
THAT THIS IS WORKING OUT.
72
00:02:58,016 --> 00:03:00,253
[ CHUCKLES ] BABE...
73
00:03:00,286 --> 00:03:02,588
LISTEN, I KNOW THAT...
74
00:03:02,621 --> 00:03:05,324
YOU KNOW, I TRAVEL A LOT WITH...
75
00:03:05,358 --> 00:03:06,659
MY JOB.
76
00:03:06,692 --> 00:03:09,728
IT'S NOT THAT.
UM, LISTEN...
77
00:03:09,762 --> 00:03:11,997
WE TALK ALL THE TIME,
78
00:03:12,030 --> 00:03:14,967
BUT IT NEVER FEELS LIKE YOU'RE
ACTUALLY SHARING ANYTHING.
79
00:03:15,000 --> 00:03:21,607
AS GREAT AS YOU ARE,
THERE'S ALWAYS A MASK.
80
00:03:21,640 --> 00:03:24,243
I JUST DON'T KNOW
WHO YOU REALLY ARE, CATHERINE.
81
00:03:30,383 --> 00:03:31,617
I GOT A CLASS.
82
00:03:35,288 --> 00:03:36,289
SOPHIE.
83
00:03:36,322 --> 00:03:37,856
PARDON?
84
00:03:40,326 --> 00:03:41,827
[ SCOFFS ]
85
00:03:46,565 --> 00:03:48,934
OR ALICE...
86
00:03:48,967 --> 00:03:52,405
KAREN, MICHELLE...
87
00:03:52,438 --> 00:03:54,840
ELIZABETH...
88
00:03:55,908 --> 00:03:58,344
[ DOOR CLOSES ]
HEY.
89
00:03:58,377 --> 00:03:59,678
THIS LOOKS LIKE
AN ORDINARY CELLPHONE, RIGHT?
90
00:03:59,712 --> 00:04:01,414
[ BEEP ]
91
00:04:01,447 --> 00:04:02,281
[ HIGH-PITCHED WHINING ]
92
00:04:02,315 --> 00:04:04,983
IT'S NOT, MAN.
IT'S A METAL DETECTOR.
93
00:04:05,017 --> 00:04:08,921
SEE, IT USES
PULSE-INDUCTION TECHNOLOGY
94
00:04:08,954 --> 00:04:11,524
THAT SENDS OUT A CURRENT
THAT GENERATES A MAGNETIC FIELD
95
00:04:11,557 --> 00:04:14,527
AND THEN --
ARE YOU EVEN LISTENING?
96
00:04:14,560 --> 00:04:15,561
YEAH.
97
00:04:15,594 --> 00:04:16,595
WELL, WHAT DID I SAY?
98
00:04:16,629 --> 00:04:19,732
YOU WERE EXPLAINING
HOW YOU'RE STILL A VIRGIN.
99
00:04:19,765 --> 00:04:21,334
IT'S A DIFFERENT KIND OF SKILL.
100
00:04:21,367 --> 00:04:23,802
TALKING TO CLIENTS,
YOU'RE SUPPOSED TO SYMPATHIZE.
101
00:04:23,836 --> 00:04:25,771
I TOLD YOU NOT TO TAKE HER.
102
00:04:25,804 --> 00:04:27,806
WELL, YOU WERE RIGHT.
WHERE'S SOPHIE?
103
00:04:27,840 --> 00:04:29,642
-I DON'T KNOW.
-WELL, WE'RE NOT WAITING.
104
00:04:29,675 --> 00:04:32,978
LET'S GO. LET'S START.
[ SIGHS ]
105
00:04:33,011 --> 00:04:37,383
DANIEL FOWLER, 61,
C.E.O. OF FTP FIDELITY.
106
00:04:37,416 --> 00:04:39,818
NOW, THIS IS THE LARGEST
PRIVATE-INVESTMENT FIRM
107
00:04:39,852 --> 00:04:42,054
IN THE STATE,
UP UNTIL ABOUT THREE WEEKS AGO.
108
00:04:42,087 --> 00:04:44,022
THIS WHOLE THING WAS BLOWN
AS A BIG PONZI SCHEME,
109
00:04:44,056 --> 00:04:45,558
AND I'M NOT TALKING
CROOKED INVESTMENTS.
110
00:04:45,591 --> 00:04:47,426
I MEAN STONE-COLD CON.
111
00:04:47,460 --> 00:04:50,095
THERE WAS NEVER ANY FUND,
NO TRADES, NO REAL ACCOUNTS.
112
00:04:50,128 --> 00:04:52,898
THE CLINIC LOST EVERYTHING.
113
00:04:52,931 --> 00:04:53,932
10 YEARS, THIS GUY
WORE ALL THE RIGHT SUITS
114
00:04:53,966 --> 00:04:56,034
AND FILED ALL THE RIGHT PAPERS
WITH THE S.E.C.
115
00:04:56,068 --> 00:04:56,935
NOBODY LOOKED TWICE.
116
00:04:56,969 --> 00:04:58,637
WELL, AS SOON AS THE FBI
FIGURED IT OUT,
117
00:04:58,671 --> 00:05:00,506
THEY SLAPPED
A LITTLE HOUSE ARREST ON HIM,
118
00:05:00,539 --> 00:05:01,607
AND THEY FROZE
ALL OF HIS ASSETS --
119
00:05:01,640 --> 00:05:03,776
I'M TALKING CORPORATE ACCOUNTS,
PERSONAL ACCOUNTS,
120
00:05:03,809 --> 00:05:04,877
REAL-ESTATE HOLDINGS.
121
00:05:04,910 --> 00:05:06,912
ANYTHING ON PLANET EARTH
WITH THIS DUDE'S NAME ON IT
122
00:05:06,945 --> 00:05:08,581
IS ON ICE.
123
00:05:08,614 --> 00:05:10,849
THE FBI's VERY THOROUGH, HUH?
124
00:05:10,883 --> 00:05:12,117
EXTREMELY.
125
00:05:12,150 --> 00:05:14,319
-SO WHAT'D THEY MISS?
-OH.
126
00:05:16,822 --> 00:05:17,856
$20 MILLION.
127
00:05:17,890 --> 00:05:18,724
THEY MOVED IT OFF THE BOOKS
128
00:05:18,757 --> 00:05:20,959
RIGHT BEFORE
THE WARRANTS CAME DOWN.
129
00:05:20,993 --> 00:05:22,828
YEAH, WELL,
HE KNEW THE END WAS NEAR,
130
00:05:22,861 --> 00:05:24,697
AND HE WAS GETTING READY
TO BOLT.
131
00:05:24,730 --> 00:05:26,932
TELL ME SOMETHING --
WHERE WAS FOWLER ARRESTED?
132
00:05:26,965 --> 00:05:29,368
OH, IN HIS APARTMENT,
PACKING FOR HIS
133
00:05:29,402 --> 00:05:32,137
"BUSINESS TRIP" TO THE MALDIVES.
134
00:05:32,170 --> 00:05:37,910
YOU SEE, HE'D NEED IT LIGHT,
PORTABLE, CLOSE AT HAND.
135
00:05:37,943 --> 00:05:40,679
THAT $20 MILLION
IS IN HIS APARTMENT.
136
00:05:40,713 --> 00:05:41,980
YEAH, BUT THIS GUY'S
ON HOUSE ARREST, MAN.
137
00:05:42,014 --> 00:05:44,417
I MEAN, HE'S PRACTICALLY
LIVING WITH THE FBI.
138
00:05:44,450 --> 00:05:46,719
THE PROBLEM IS NOT
GETTING INTO THE APARTMENT
139
00:05:46,752 --> 00:05:48,086
BUT GETTING THEM OUT.
140
00:05:52,425 --> 00:05:53,726
WHERE WERE YOU?
141
00:05:53,759 --> 00:05:56,061
OH, I-I WAS RUNNING AN ERRAND.
142
00:05:56,094 --> 00:05:57,663
WEREN'T YOU WITH THE BOYFRIEND?
143
00:05:57,696 --> 00:05:58,897
[ TIN SLAMS ]
144
00:06:01,967 --> 00:06:05,471
SO, UM, WHAT ARE THE TERMS
OF HIS HOUSE ARREST?
145
00:06:05,504 --> 00:06:07,906
FOWLER'S CONFINED
TO HIS $6 MILLION PENTHOUSE
146
00:06:07,940 --> 00:06:09,542
OVERLOOKING THE CHARLES RIVER.
147
00:06:09,575 --> 00:06:11,877
YEAH, THAT'S
A ROUGH PUNISHMENT, HUH?
148
00:06:11,910 --> 00:06:14,046
THE WHOLE PLACE IS OUTFITTED
WITH 24/7 SURVEILLANCE
149
00:06:14,079 --> 00:06:16,682
SO THE FEDS
CAN KEEP AN EYE ON HIM.
150
00:06:16,715 --> 00:06:18,083
NOW...
151
00:06:18,116 --> 00:06:19,985
WE CAN, TOO.
152
00:06:20,018 --> 00:06:21,487
I PIGGYBACKED
ON THEIR WIRELESS FEED.
153
00:06:21,520 --> 00:06:24,923
STILL, FOR US TO GET IN
AND SEARCH THE PLACE,
154
00:06:24,957 --> 00:06:26,759
WE'VE GOT TO
GET RID OF FOWLER.
155
00:06:26,792 --> 00:06:30,763
NOW, THERE ARE THREE GENERAL
EXCEPTIONS FOR HOUSE ARREST.
156
00:06:30,796 --> 00:06:32,831
THERE'S PERSONAL SAFETY,
DEATH OF A RELATIVE,
157
00:06:32,865 --> 00:06:33,932
AND FAMILY EVENTS.
158
00:06:33,966 --> 00:06:36,735
PERSONAL SAFETY -- WE COULD BURN
THE APARTMENT DOWN.
159
00:06:36,769 --> 00:06:39,472
-OOH! OOH!
-OR...
160
00:06:39,505 --> 00:06:40,739
DEATH OF A RELATIVE.
161
00:06:40,773 --> 00:06:43,108
-UH, W-WHO'S THAT?
- I LOOKED EVERYWHERE, MOM.
162
00:06:43,141 --> 00:06:44,109
-OH.
- WELL, CAN'T YOU FIND...
163
00:06:44,142 --> 00:06:46,445
-OH, THE KID.
- MY CELLPHONE. I THINK MAYBE...
164
00:06:46,479 --> 00:06:48,046
KID'S FROM HER FIRST MARRIAGE --
WIDMARK.
165
00:06:48,080 --> 00:06:49,748
- LOST IT.
-OH, I'M SORRY.
166
00:06:49,782 --> 00:06:50,783
WIDMARK?
167
00:06:50,816 --> 00:06:52,751
RICH PEOPLE, MAN.
168
00:06:52,785 --> 00:06:54,152
GEEZ...
169
00:06:54,186 --> 00:06:55,854
OH, CAN YOU, UH,
PUNCH IN ON THAT, PLEASE?
170
00:06:57,523 --> 00:06:59,124
DO YOU HAVE ANY RESPECT
FOR YOUR PERSONAL PROPERTY?
171
00:06:59,157 --> 00:07:01,159
DO YOU HAVE ANY RESPECT FOR ME?
I BOUGHT YOU THAT CELLPHONE.
172
00:07:01,193 --> 00:07:04,597
DAN, HE SAID HE WAS SORRY.
173
00:07:04,630 --> 00:07:05,898
YEAH, HE'S SORRY, ALL RIGHT.
174
00:07:05,931 --> 00:07:07,766
I'D GROUND YOU,
BUT YOU DON'T HAVE ANY FRIENDS
175
00:07:07,800 --> 00:07:10,636
TO GO OUT WITH ANYWAY.
176
00:07:10,669 --> 00:07:14,973
I'M GONNA TALK TO HIM.
I'LL BE RIGHT BACK.
177
00:07:15,007 --> 00:07:16,875
WOW. OKAY.
178
00:07:16,909 --> 00:07:20,045
WHAT DO WE GOT ON THE KID?
179
00:07:20,078 --> 00:07:23,516
WIDMARK FOWLER, AGE 10.
180
00:07:23,549 --> 00:07:24,983
NO ARRESTS,
NO OUTSTANDING WARRANTS.
181
00:07:25,017 --> 00:07:26,652
HARDISON...
182
00:07:26,685 --> 00:07:29,187
HE'S A 5th-GRADE STUDENT
AT DALTON ACADEMY,
183
00:07:29,221 --> 00:07:32,825
ACADEMICALLY UNEXCEPTIONAL,
NO EXTRACURRICULARS.
184
00:07:32,858 --> 00:07:34,159
HE'S ALLERGIC TO STRAWBERRIES.
185
00:07:34,192 --> 00:07:37,730
[ LAUGHS ] STRAWBERRIES...
186
00:07:37,763 --> 00:07:38,731
[ LAUGHS ]
187
00:07:38,764 --> 00:07:42,200
JUDGES GIVE OUT DAY PASSES
FOR FAMILY EVENTS.
188
00:07:42,234 --> 00:07:43,636
IT'S ONE OF THE THREE THINGS,
RIGHT?
189
00:07:43,669 --> 00:07:46,605
SO FOWLER
IS GOING TO ASK FOR ONE
190
00:07:46,639 --> 00:07:49,575
SO HE DOESN'T MISS HIS KID'S
BIG DEBUT.
191
00:07:49,608 --> 00:07:51,009
OKAY, I'LL BITE.
192
00:07:51,043 --> 00:07:53,078
WHAT'S HE DEBUTING AS?
193
00:07:55,881 --> 00:07:56,849
YEAH, I DON'T KNOW.
194
00:07:56,882 --> 00:07:59,518
BUT WE'RE GONNA GO STEAL
HIS SCHOOL AND FIND OUT.
195
00:08:06,559 --> 00:08:08,727
[ BELL RINGS ]
A MISTER ANANDO BUHARI IS HERE.
196
00:08:08,761 --> 00:08:10,696
I DON'T HAVE ANY APPOINTMENTS.
197
00:08:10,729 --> 00:08:13,265
I KNOW. DO YOU WANT --
198
00:08:13,298 --> 00:08:14,667
OH, DR. JERROD.
199
00:08:14,700 --> 00:08:17,970
DR. JERROD, COME.
200
00:08:18,003 --> 00:08:20,238
MMM. [ CHUCKLES ]
201
00:08:20,272 --> 00:08:22,775
IT'S, UH, IT'S A PLEASURE.
202
00:08:22,808 --> 00:08:25,110
I AM ANANDO BUHARI,
BOTSWANA SPECIAL ENVOY.
203
00:08:25,143 --> 00:08:27,012
I WORK FOR PRESIDENT KHAMA.
204
00:08:27,045 --> 00:08:29,114
HE IS MOST IMPRESSED
WHEN HE READ YOUR PAPER
205
00:08:29,147 --> 00:08:30,649
YOU WROTE AS A STUDENT.
206
00:08:30,683 --> 00:08:32,317
HOW DO YOU SAY, YOUR, UM...
207
00:08:32,350 --> 00:08:37,089
THE PRESIDENT OF BOTSWANA
READ MY GRAD-SCHOOL THESIS?
208
00:08:37,122 --> 00:08:40,158
YES, ALL 600 GLORIOUS PAGES,
209
00:08:40,192 --> 00:08:41,660
FROM WHICH INSIGHT DRIPS
LIKE HONEY
210
00:08:41,694 --> 00:08:44,229
UPON WHICH BEES OF WISDOM FEAST.
211
00:08:44,262 --> 00:08:45,831
[ CHUCKLES ]
212
00:08:45,864 --> 00:08:49,868
THE PRESIDENT IS REBUILDING
THE EDUCATIONAL SYSTEM
213
00:08:49,902 --> 00:08:50,936
FROM THE GROUND UP.
214
00:08:50,969 --> 00:08:53,706
WOULD YOU CONSIDER
GOING TO BOTSWANA TO MEET HIM?
215
00:08:53,739 --> 00:08:56,809
ALL EXPENSES PAID, OF COURSE.
216
00:08:56,842 --> 00:08:58,744
I...
217
00:09:00,979 --> 00:09:02,781
YES.
218
00:09:02,815 --> 00:09:04,650
EVERYONE, SETTLE DOWN!
219
00:09:04,683 --> 00:09:06,919
I ASSURE YOU EVERYTHING
IS UNDER CONTROL!
220
00:09:06,952 --> 00:09:09,655
MR. JERROD JUST TOOK
A LEAVE OF ABSENCE.
221
00:09:09,688 --> 00:09:11,256
IN THE MIDDLE
OF THE SCHOOL YEAR?!
222
00:09:11,289 --> 00:09:15,127
THE SCHOOL BOARD HAS ALREADY
SENT OVER AN INTERIM HEADMASTER.
223
00:09:15,160 --> 00:09:17,229
WOULD YOU BE QUIET?!
[ BREATHING HEAVILY ]
224
00:09:17,262 --> 00:09:19,998
AND AFTER READING HIS FILE,
225
00:09:20,032 --> 00:09:24,302
I CAN ASSURE YOU
WE ARE IN EXCELLENT HANDS!
226
00:09:24,336 --> 00:09:26,004
DR. MELCHER?
227
00:09:26,038 --> 00:09:27,640
[ INDISTINCT YELLING ]
228
00:09:35,648 --> 00:09:38,050
[ German accent ]
GUTEN TAG.
229
00:09:41,053 --> 00:09:43,088
MY NAME IS DR. MELCHER.
230
00:09:43,121 --> 00:09:45,323
AND I PRESUME
THAT YOU ARE ALL FAMILIAR
231
00:09:45,357 --> 00:09:49,361
WITH THE PRE-EMINENT LITERATURE
ON THE CHILDREN'S EDUCATION --
232
00:09:49,394 --> 00:09:52,030
MY BOOK, "THE MELCHER METHOD."
233
00:09:52,064 --> 00:09:53,298
JA?
234
00:09:53,331 --> 00:09:59,004
IN WHICH CASE ANY FURTHER, UH,
INTRODUCTION WOULD BE REDUNDANT.
235
00:09:59,037 --> 00:10:03,041
I'D LIKE TO BEGIN
BY SPEAKING ABOUT THE CHANGES
236
00:10:03,075 --> 00:10:05,310
WE'RE GOING TO BE MAKING
IN THE CURRICULUM.
237
00:10:05,343 --> 00:10:06,344
EXCUSE ME.
238
00:10:06,378 --> 00:10:08,146
-SHH! SHH! SHH!
- JA, JA?
239
00:10:08,180 --> 00:10:09,147
MARK SANFORD.
240
00:10:09,181 --> 00:10:11,349
I'M HEAD OF THE CONCERNED
PARENTS ASSOCIATION.
241
00:10:11,383 --> 00:10:14,853
THAT MUST BE
VERY EXCITING FOR YOU.
242
00:10:14,887 --> 00:10:15,754
YES, I'M SURE.
243
00:10:15,788 --> 00:10:18,390
UH, WHY DO WE NEED
ANY CHANGES AT ALL?
244
00:10:18,423 --> 00:10:19,992
I MEAN, THIS IS THE BEST
PRIVATE SCHOOL IN BOSTON.
245
00:10:20,025 --> 00:10:21,393
[ INDISTINCT YELLING ]
246
00:10:21,426 --> 00:10:23,696
- JA, JA. WELL, SEE...
-LET HIM TALK!
247
00:10:23,729 --> 00:10:29,768
THE MELCHER METHOD INVOLVES THE
EDUCATION OF THE WHOLE CHILD --
248
00:10:29,802 --> 00:10:31,737
MIND AND BODY.
249
00:10:31,770 --> 00:10:34,673
JA, WHEN A CHILD FAILS,
IS IT JUST THE BRAIN THAT FAILS?
250
00:10:34,707 --> 00:10:35,607
NEIN.
251
00:10:35,640 --> 00:10:38,243
NO, THE BODY CONTAINS
THE FAILING BRAIN,
252
00:10:38,276 --> 00:10:43,415
AND BOTH ARE CAST INTO A CRUEL
WORLD OF DARKNESS AND DESPAIR,
253
00:10:43,448 --> 00:10:46,719
AND EVEN WORSE --
254
00:10:46,752 --> 00:10:48,020
PUBLIC SCHOOL.
255
00:10:48,053 --> 00:10:49,855
-OH, RIGHT.
-PUBLIC SCHOOL?
256
00:10:49,888 --> 00:10:53,058
DANTE'S INFERNO OF MEDIOCRITY.
257
00:10:53,091 --> 00:10:55,794
[ SMACKS LIPS ]
258
00:10:55,828 --> 00:10:59,732
WHICH IS WHY I BRING WITH ME TWO
OF MY MOST VALUED ASSOCIATES.
259
00:10:59,765 --> 00:11:03,902
UH, WE HAVE MIND, UH, AND BODY.
260
00:11:03,936 --> 00:11:05,170
JA. JA.
261
00:11:05,203 --> 00:11:08,807
MISS DONOVAN
WILL HONE YOUR CHILDREN'S MINDS,
262
00:11:08,841 --> 00:11:11,476
AND MR. BREWER, HE WILL CRAFT
YOUR CHILDREN'S BODIES
263
00:11:11,509 --> 00:11:17,182
INTO THE PROPER MIND-VESSELS
THROUGH EXERCISE AND NUTRITION.
264
00:11:19,785 --> 00:11:21,053
AND ANY QUESTIONS?
265
00:11:21,086 --> 00:11:22,921
[ INDISTINCT YELLING ]
266
00:11:25,791 --> 00:11:27,392
[ SIREN WAILING IN DISTANCE ]
267
00:11:33,098 --> 00:11:36,434
OPEN FLOOR PLAN.
3,200 SQUARE FEET.
268
00:11:36,468 --> 00:11:40,172
UH, PANORAMIC VIEWS OF THE PARK
AND THE CHARLES.
269
00:11:40,205 --> 00:11:44,076
UH, THERE'S A FITNESS CENTER,
A ROOFTOP POOL,
270
00:11:44,109 --> 00:11:46,011
UH, CONCIERGE SERVICE.
271
00:11:46,044 --> 00:11:48,480
IT'S THE PERFECT
NEWLYWED APARTMENT.
272
00:11:48,513 --> 00:11:52,785
OH, IT'S -- THE PLACE,
IT'S FANTASTICAL.
273
00:11:52,818 --> 00:11:54,820
WHAT DO YOU THINK, BINKY?
274
00:11:54,853 --> 00:11:56,454
IT'S A LITTLE SMALL.
275
00:11:56,488 --> 00:11:58,423
THE -- THE APARTMENT, BINKY.
276
00:11:58,456 --> 00:12:01,827
WHAT DO YOU THINK
OF THE APARTMENT?
277
00:12:01,860 --> 00:12:03,061
WE'LL TAKE IT.
278
00:12:03,095 --> 00:12:05,030
SHE -- SHE LOVES AIR.
279
00:12:05,063 --> 00:12:06,799
[ Normal voice ] HARDISON
AND PARKER ARE ALL SET.
280
00:12:06,832 --> 00:12:09,501
NOW ALL WE GOT TO DO
IS GIVE WIDMARK A TRIUMPH
281
00:12:09,534 --> 00:12:11,503
WORTHY OF A DAY PASS.
282
00:12:11,536 --> 00:12:13,205
A TRIUMPH? IN WHAT?
283
00:12:13,238 --> 00:12:15,307
I MEAN, IN FIVE YEARS,
THIS KID HASN'T JOINED A CLUB,
284
00:12:15,340 --> 00:12:16,374
HE HASN'T PLAYED A SPORT.
285
00:12:16,408 --> 00:12:17,642
I'VE GOT TO BE HONEST
WITH YOU.
286
00:12:17,675 --> 00:12:18,811
I DON'T KNOW HOW I FEEL ABOUT
USING A KID TO GET TO A MARK.
287
00:12:18,844 --> 00:12:19,878
WE'RE NOT USING HIM.
288
00:12:19,912 --> 00:12:22,214
I MEAN, EVERY KID IS GOOD
AT SOMETHING, YOU KNOW?
289
00:12:22,247 --> 00:12:25,417
WE JUST GOT TO DRAW WIDMARK OUT,
GIVE HIM HIS MOMENT TO SHINE.
290
00:12:25,450 --> 00:12:28,453
SO, WE'D BE LIKE HIS
FAIRY GODPARENTS.
291
00:12:28,486 --> 00:12:30,322
EXACTLY, AND, I MEAN, COME ON,
LOOK AT THIS --
292
00:12:30,355 --> 00:12:32,090
CUSHY PRIVATE SCHOOL.
293
00:12:32,124 --> 00:12:34,359
NO GUNRUNNERS, MOB BOSSES,
INTERPOL.
294
00:12:34,392 --> 00:12:36,028
THIS -- THIS IS A BREEZE.
295
00:12:36,061 --> 00:12:39,464
WE'VE GOT ONE WEEK BEFORE
THE CLINIC CLOSES FOR GOOD.
296
00:12:39,497 --> 00:12:41,466
ATHLETICS, ACADEMICS.
297
00:12:41,499 --> 00:12:43,535
LET'S GO GET, UH,
WIDMARK THE WIN, ALL RIGHT?
298
00:12:43,568 --> 00:12:45,537
ALL RIGHT, WIDMARK.
299
00:12:45,570 --> 00:12:48,306
GET ON THE LINE. YOU'RE UP.
300
00:12:48,340 --> 00:12:49,374
YEAH, YOU'RE UP.
GET ON THE LINE.
301
00:12:49,407 --> 00:12:51,143
SHOW THEM WHAT YOU GOT, MAN.
302
00:12:51,176 --> 00:12:52,845
YOU GOT THIS.
303
00:12:52,878 --> 00:12:55,180
HEY, YOU,
TAKE YOUR HELMET OFF.
304
00:12:55,213 --> 00:12:57,315
-WHAT'S YOUR NAME?
-SKYLER SANFORD.
305
00:12:57,349 --> 00:12:59,551
-SKY -- SKYLER?
-YEAH.
306
00:12:59,584 --> 00:13:01,453
IS THAT A BOY'S NAME?
307
00:13:01,486 --> 00:13:02,855
DON'T DO THAT AGAIN.
308
00:13:02,888 --> 00:13:04,957
PUT YOUR HAT ON.
YOU'RE UP AGAINST WID--
309
00:13:04,990 --> 00:13:07,125
I SAID GET OUT THERE, MAN.
GET OUT HERE.
310
00:13:07,159 --> 00:13:09,061
ALL RIGHT.
311
00:13:11,529 --> 00:13:12,497
WHAT ARE YOU DOING, MAN?
[ LAUGHTER ]
312
00:13:12,530 --> 00:13:14,867
WHAT ARE YOU DOING?
WHAT ARE Y-- DON'T LAUGH!
313
00:13:14,900 --> 00:13:16,301
WHAT ARE YOU DOING?
314
00:13:16,334 --> 00:13:18,436
THERE'S GIRLS HERE.
YOU'RE BETTER THAN THAT.
315
00:13:18,470 --> 00:13:19,571
TURN YOUR HAT AROUND.
316
00:13:23,375 --> 00:13:26,144
ALL RIGHT.
317
00:13:26,178 --> 00:13:29,347
HERE WE GO.
318
00:13:29,381 --> 00:13:31,549
EN GARDE. FENCE!
319
00:13:31,583 --> 00:13:34,119
[ BUZZING ]
320
00:13:42,294 --> 00:13:44,329
NEXT WEEK
IS THE STATE SPELLING BEE,
321
00:13:44,362 --> 00:13:45,998
AND WE'RE GOING TO BE
SENDING A REPRESENTATIVE
322
00:13:46,031 --> 00:13:47,499
FROM RIGHT HERE IN DALTON.
323
00:13:47,532 --> 00:13:50,202
NOW, I'VE CHOSEN THE BEST
SPELLERS FROM EVERY CLASS
324
00:13:50,235 --> 00:13:51,870
TO COMPETE IN THE TRYOUTS.
325
00:13:51,904 --> 00:13:54,940
THE WINNERS WILL COMPETE IN
A SCHOOL-WIDE COMPETITION
326
00:13:54,973 --> 00:13:56,174
NEXT FRIDAY.
327
00:13:56,208 --> 00:13:57,910
YOUR PARENTS
ARE GONNA BE THERE --
328
00:13:57,943 --> 00:13:59,978
IT IS GONNA BE HUGE.
LET'S GET STARTED!
329
00:14:00,012 --> 00:14:03,248
[ BELL DINGS ]
WIDMARK -- FOOD.
330
00:14:03,281 --> 00:14:07,185
FOOD. F-O-O-D.
331
00:14:07,219 --> 00:14:08,286
FOOD.
332
00:14:11,223 --> 00:14:12,524
PSEUDOSYLLOGISM.
333
00:14:12,557 --> 00:14:15,060
[ SCOFFS ] THAT'S NOT FAIR.
HE GOT "FOOD"!
334
00:14:15,093 --> 00:14:16,194
UH-UH-UH.
335
00:14:16,228 --> 00:14:19,397
SKYLER, I CAN ASSURE YOU
THAT THE ORDER OF THESE CARDS
336
00:14:19,431 --> 00:14:20,999
IS ENTIRELY RANDOM.
337
00:14:21,033 --> 00:14:22,234
PSEUDOSYLLOGISM.
338
00:14:22,267 --> 00:14:25,337
UM, PSEUDOSYLLOGISM. S--
339
00:14:25,370 --> 00:14:27,472
[ BELL DINGS ]
340
00:14:27,505 --> 00:14:30,175
[ SCOFFS ] WHATEVER.
341
00:14:35,247 --> 00:14:36,448
CHYLOCAULOUS.
342
00:14:36,481 --> 00:14:42,520
CHYLOCAULOUS.
C-H-Y-L-O-C-A-U-L-O-U-S.
343
00:14:42,554 --> 00:14:44,222
CHYLOCAULOUS.
344
00:14:44,256 --> 00:14:48,160
THAT'S IMPRESSIVE.
345
00:14:48,193 --> 00:14:50,262
SUNSET.
346
00:14:50,295 --> 00:14:52,297
SUNSET.
S-U...
347
00:14:52,330 --> 00:14:53,999
RIBONUCLEIC.
348
00:14:54,032 --> 00:14:58,636
RIBONUCLEIC.
R-I-B-O-N-U-C-L-E-I-C.
349
00:14:58,670 --> 00:15:03,375
WILDFIRE. W-I-L-D...
350
00:15:03,408 --> 00:15:04,509
FLIBBERTIGIBBET.
351
00:15:04,542 --> 00:15:08,413
F-L-I-B-B-E-R-T-I-G-I-B-B-E-T.
352
00:15:08,446 --> 00:15:11,316
-BICYCLE.
-B-I...
353
00:15:11,349 --> 00:15:14,286
S-I-C-L-E?
354
00:15:14,319 --> 00:15:15,653
BICYCLE.
[ BELL DINGS ]
355
00:15:15,687 --> 00:15:17,455
ANTIDISESTABLISHMENTARIANISM.
356
00:15:17,489 --> 00:15:27,132
A-N-T-I-D-I-S-E-S-T-A-B-L-I-S-H-
M-E-N-T-A-R-I-A-N-I-S-M.
357
00:15:27,165 --> 00:15:30,335
ANTIDISESTABLISHMENTARIANISM.
358
00:15:30,368 --> 00:15:32,337
CONGRATULATIONS, MS. KIM.
359
00:15:36,374 --> 00:15:39,044
[ BELL RINGS ]
CLASS DISMISSED.
360
00:15:44,516 --> 00:15:47,452
HEY, WIDMARK. GOOD JOB.
361
00:15:47,485 --> 00:15:49,154
I JUST GOT LUCKY
WITH THE WORDS YOU GAVE ME.
362
00:15:49,187 --> 00:15:50,388
MNH-MNH.
BE PROUD OF YOURSELF.
363
00:15:50,422 --> 00:15:52,590
THE IMPORTANT THING
IS YOU TRIED.
364
00:15:52,624 --> 00:15:55,060
I TRY HARD ALL THE TIME,
365
00:15:55,093 --> 00:15:59,431
BUT NO MATTER HOW MUCH I WANT
SOMETHING, IT NEVER HAPPENS.
366
00:15:59,464 --> 00:16:02,234
OH, SWEETIE,
WHAT -- WHAT DO YOU WANT?
367
00:16:02,267 --> 00:16:03,268
I DON'T KNOW.
368
00:16:03,301 --> 00:16:05,703
I JUST...
369
00:16:05,737 --> 00:16:10,108
I WANT SOMEONE TO LIKE ME.
370
00:16:10,142 --> 00:16:12,377
DOES THAT GET EASIER
WHEN YOU'RE A GROWN-UP?
371
00:16:12,410 --> 00:16:14,179
UM, NO.
372
00:16:14,212 --> 00:16:16,414
I DON'T THINK IT DOES.
373
00:16:16,448 --> 00:16:18,083
YOU'RE NICE.
374
00:16:18,116 --> 00:16:19,184
BUT WEIRD.
375
00:16:19,217 --> 00:16:22,087
[ SCOFFS ] ALL RIGHT, GO ON.
YOU'RE LATE FOR CLASS.
376
00:16:22,120 --> 00:16:25,190
[ GRUNTING, GASPING ]
377
00:16:25,223 --> 00:16:28,160
STOP MOVING!
378
00:16:28,193 --> 00:16:30,428
LOOK, IT DON'T HAVE TO BE EXACT.
379
00:16:30,462 --> 00:16:32,664
WOMAN, IT'S A MOTION DETECTOR.
JUST POINT IT THAT WAY.
380
00:16:32,697 --> 00:16:34,032
[ ELEVATOR BELL DINGS ]
381
00:16:44,609 --> 00:16:48,246
[ KNOCK ON DOOR ]
382
00:16:48,280 --> 00:16:49,481
WHAT THE HELL DO YOU GUYS WANT?
383
00:16:49,514 --> 00:16:50,615
WELL, WE'RE HAVING A PROBLEM
384
00:16:50,648 --> 00:16:53,618
WITH THE SIGNAL
FROM CAMERA TWO AGAIN.
385
00:16:58,590 --> 00:17:00,492
AGH!
386
00:17:03,195 --> 00:17:06,231
HEY! FBI! DROP THE GUN!
387
00:17:06,264 --> 00:17:08,666
[ BREATHING HEAVILY ]
388
00:17:14,106 --> 00:17:15,307
SPECIAL AGENT HAGEN?
389
00:17:16,641 --> 00:17:19,211
IT'S ME -- McSWEETEN.
390
00:17:19,244 --> 00:17:21,679
TODD, FROM THE MOSCONE MOB CASE
LAST YEAR?
391
00:17:21,713 --> 00:17:23,681
OH. [ LAUGHS ] YEAH!
392
00:17:24,716 --> 00:17:28,320
-I LOST HIM.
-YOU DROPPED THIS.
393
00:17:28,353 --> 00:17:31,656
YEAH. I-I DIDN'T EVEN REALIZE.
YES, I DROPPED IT.
394
00:17:31,689 --> 00:17:33,491
AGENT THOMAS,
GOOD TO SEE YOU AGAIN.
395
00:17:33,525 --> 00:17:35,793
RIGHT BACK AT YOU.
UM...
396
00:17:35,827 --> 00:17:37,329
TAGGERT FROM THE MOSCONE CASE.
397
00:17:37,362 --> 00:17:39,197
R-RIGHT.
398
00:17:39,231 --> 00:17:40,532
RIGHT, RIGHT.
399
00:17:40,565 --> 00:17:43,135
SO, UH, WHAT Y'ALL BEEN UP TO?
400
00:17:43,168 --> 00:17:45,103
WELL, ACTUALLY, WE'VE HAD
A PRETTY GOOD RUN OF IT LATELY.
401
00:17:45,137 --> 00:17:46,704
[ CHUCKLES ]
CLOSED SOME BIG CASES.
402
00:17:46,738 --> 00:17:48,740
-BIG.
-MOSCONE, FOR ONE.
403
00:17:48,773 --> 00:17:49,774
MOSCONE, NO MORE-NE.
[ CHUCKLES ]
404
00:17:49,807 --> 00:17:51,843
WE ALSO SHUT DOWN
A HUGE METH RING IN CALIFORNIA
405
00:17:51,876 --> 00:17:54,612
DURING A BANK ROBBERY.
406
00:17:54,646 --> 00:17:55,647
WHAT ARE YOU GUYS DOING HERE?
407
00:17:55,680 --> 00:17:57,415
[ SMACKS LIPS ]
408
00:17:57,449 --> 00:17:59,684
I MEAN, WE --
WE'RE UNDERCOVER, MAN.
409
00:17:59,717 --> 00:18:03,421
YEAH, YEAH -- MORE MANPOWER
ON THE FOWLER CASE.
410
00:18:03,455 --> 00:18:04,456
OH, WELL, WE NEVER --
411
00:18:04,489 --> 00:18:06,391
THEY NEVER
SAID ANYTHING ABOUT --
412
00:18:06,424 --> 00:18:08,260
-WE'RE YOUR SECRET BACKUP.
-YEAH.
413
00:18:08,293 --> 00:18:09,294
-WELL...
-HEY!
414
00:18:09,327 --> 00:18:10,328
-...THAT'S GREAT!
-THAT'S GOOD.
415
00:18:10,362 --> 00:18:12,264
SHH! SECRET!
416
00:18:15,367 --> 00:18:17,602
SO, ME AND YOU --
YOU, I -- US --
417
00:18:17,635 --> 00:18:19,737
-WE SHOULD RESUME SURVEILLANCE.
-[ WHISTLES ]
418
00:18:19,771 --> 00:18:21,206
FELLAS.
419
00:18:25,277 --> 00:18:27,679
CAN YOU IMAGINE HAVING HER
FOR A PARTNER?
420
00:18:29,947 --> 00:18:31,416
WHAT?
421
00:18:31,449 --> 00:18:33,151
YOU WANT TO SEE OTHER PARTNERS?
422
00:18:33,185 --> 00:18:34,786
I DIDN'T SAY THAT.
423
00:18:34,819 --> 00:18:35,853
[ SIGHS ] YEAH, FINE. WHATEVER.
424
00:18:35,887 --> 00:18:37,889
-THAT'S NOT WHAT I MEANT!
-YEAH.
425
00:18:37,922 --> 00:18:39,324
LET ME JUST
G-G-GET THIS STRAIGHT, OKAY?
426
00:18:39,357 --> 00:18:40,358
ALL RIGHT, YOU TWO --
427
00:18:40,392 --> 00:18:42,494
YOU COULDN'T RIG A GYM CLASS
OR A SPELLING BEE?
428
00:18:42,527 --> 00:18:45,497
AND YOU TWO -- YOU RUN INTO THE
ONLY FBI AGENTS ON THE PLANET
429
00:18:45,530 --> 00:18:46,531
THAT RECOGNIZE YOU?
430
00:18:46,564 --> 00:18:47,799
I GOT TO BE HONEST WITH YOU.
431
00:18:47,832 --> 00:18:49,734
-I THINK WE BROKE THE KID
EVEN MORE.
-MM.
432
00:18:49,767 --> 00:18:52,737
WE ARE THE WORST
FAIRY GODPARENTS IN THE WORLD.
433
00:18:52,770 --> 00:18:55,340
[ Sighing ] LISTEN,
WE STILL GOT TO GET FOWLER
434
00:18:55,373 --> 00:18:57,709
OUT OF THE APARTMENT
SO WE CAN GET IN.
435
00:18:57,742 --> 00:18:58,676
YEAH, EXCEPT
NOW WHEN HE LEAVES,
436
00:18:58,710 --> 00:18:59,377
THERE WILL BE SOMEBODY
WAITING TO KILL HIM.
437
00:18:59,411 --> 00:19:01,913
ONE OF HIS VICTIMS WANTS PAYBACK
438
00:19:01,946 --> 00:19:04,282
MORE THAN HE WANTS TO BE PAID...
439
00:19:04,316 --> 00:19:05,317
BACK.
440
00:19:05,350 --> 00:19:07,452
ONE OF YOU TWO CAN IDENTIFY
THE GUNMAN, RIGHT?
441
00:19:07,485 --> 00:19:08,886
OH, YEAH, SURE.
442
00:19:08,920 --> 00:19:10,154
HE STOPPED AND LET ME
TAKE A PICTURE OF HIM
AS I WAS CHASING HIM.
443
00:19:10,188 --> 00:19:12,290
HEY, YOU KNOW WHAT, MAN? I'VE
BEEN AROUND LITTLE KIDS ALL DAY.
444
00:19:12,324 --> 00:19:13,858
I DON'T NEED TO COME HOME
AND DO ALL THIS CRAP.
445
00:19:13,891 --> 00:19:15,059
HEY, MAN, WITH ALL THAT?
446
00:19:15,092 --> 00:19:16,261
I'VE BEEN IN THIS PINK SHIRT
AND THESE TIGHT PLAID PANTS,
447
00:19:16,294 --> 00:19:19,197
THESE OLD WEBSTER LOAFERS,
THIS GIRL WALKING ON MY BACK.
448
00:19:19,231 --> 00:19:20,232
I DON'T NEED THIS, MAN.
449
00:19:20,265 --> 00:19:22,767
-IS THIS THE GUY?
-MM-HMM.
450
00:19:22,800 --> 00:19:26,671
SEE?
451
00:19:26,704 --> 00:19:28,473
WOW, I-I DIDN'T KNOW
YOU COULD DO THAT.
452
00:19:28,506 --> 00:19:31,943
I THOUGHT EVERYBODY
COULD DO THAT.
453
00:19:31,976 --> 00:19:33,211
OKAY.
ALL RIGHT, ALL RIGHT.
454
00:19:33,245 --> 00:19:34,479
WE'LL KEEP AN EYE ON HIM.
455
00:19:34,512 --> 00:19:37,915
IN THE MEANTIME, IF THEY THINK
YOU'RE REAL FBI, BE REAL FBI.
456
00:19:37,949 --> 00:19:40,518
I MEAN, USE IT TO CASE
THE APARTMENT.
457
00:19:40,552 --> 00:19:41,653
ALL RIGHT, SO I'M OUT OF THIS,
458
00:19:41,686 --> 00:19:44,389
AND I'M ON FBI DETAIL
WITH PARKER AND HARDISON THEN.
459
00:19:44,422 --> 00:19:46,324
ACTUALLY, NO, I NEED YOU TO BE
COACH BREWER, SO...
460
00:19:46,358 --> 00:19:47,692
THERE'S AN ARMED GUNMAN
OUT THERE.
461
00:19:47,725 --> 00:19:51,696
YOU WANT ME IN THE GYM WITH KIDS
NAMED SKYLER AND INDIGO?
462
00:19:51,729 --> 00:19:53,831
WHERE DID COACH BREWER GO?
I MEAN, WE OUGHT TO BE...
463
00:19:53,865 --> 00:19:55,467
SHH! SHUT UP! SHUT UP!
464
00:19:55,500 --> 00:19:56,568
...THERE AS THE --
-[ GASPS ] OOH!
465
00:19:56,601 --> 00:19:59,904
* ...TROUBLE I'VE SEEN
466
00:19:59,937 --> 00:20:01,506
"THE PLAY IS THE THING
467
00:20:01,539 --> 00:20:04,676
WHEREIN I'LL CATCH
THE CONSCIENCE OF A KING."
468
00:20:04,709 --> 00:20:06,444
* ...TIMES I'M UP
469
00:20:06,478 --> 00:20:08,880
* SOMETIMES I'M DOWN
470
00:20:08,913 --> 00:20:09,914
[ GASPS ] OH.
471
00:20:09,947 --> 00:20:13,618
* OHH, LORD
472
00:20:13,651 --> 00:20:17,255
* SOMETIMES I'M ALMOST
TO THE GROUND *
473
00:20:17,289 --> 00:20:20,625
SOPHIE, HOW LONG WOULD IT TAKE
YOU TO STAGE A MUSICAL?
474
00:20:20,658 --> 00:20:21,693
SIX WEEKS.
475
00:20:21,726 --> 00:20:23,761
YOU HAVE TWO DAYS.
476
00:20:23,795 --> 00:20:27,299
* NOBODY KNOWS
THE TROUBLE I'VE SEEN *
477
00:20:27,332 --> 00:20:28,433
* THERE CAN BE NO CONFUSION
478
00:20:28,466 --> 00:20:31,803
* THAT FUSION POWERS THE STAR
479
00:20:31,836 --> 00:20:33,971
D-DID...
480
00:20:34,005 --> 00:20:35,940
DID YOU JUST MAKE THAT UP
ON THE SPOT?
481
00:20:35,973 --> 00:20:37,809
-YES, MA'AM.
-HUH.
482
00:20:37,842 --> 00:20:39,744
YOU REALLY ARE QUITE RELENTLESS.
483
00:20:39,777 --> 00:20:41,713
THANK YOU, MA'AM.
484
00:20:41,746 --> 00:20:44,048
M-MISS DONOVAN?
485
00:20:44,081 --> 00:20:47,685
W-WHY ARE WE SINGING
AT A SCIENCE FAIR?
486
00:20:47,719 --> 00:20:49,821
AH. GOOD POINT, YES.
487
00:20:49,854 --> 00:20:52,790
SCIENCE. KNOWLEDGE.
488
00:20:52,824 --> 00:20:54,959
WHAT IS KNOWLEDGE
WITHOUT EMOTIONAL CONTEXT?
489
00:20:54,992 --> 00:20:57,629
-FACTS.
-UNH-UNH. EMPTY. MEANINGLESS.
490
00:20:57,662 --> 00:20:59,997
WE'RE TAKING LEFT BRAIN --
SCIENCE --
491
00:21:00,031 --> 00:21:03,034
AND COMBINING IT WITH
RIGHT BRAIN -- CREATIVITY --
492
00:21:03,067 --> 00:21:05,737
TO ENGAGE THE AUDIENCE'S
ENTIRE BRAIN.
493
00:21:05,770 --> 00:21:07,972
NOW, JUST --
JUST PRESENT YOUR PROJECTS,
494
00:21:08,005 --> 00:21:10,508
AND WE'LL JUST
SET IT TO A LITTLE MELODY.
495
00:21:10,542 --> 00:21:12,344
[ CLAPS ] WHO'S NEXT?
496
00:21:12,377 --> 00:21:14,011
* I CAN MAKE A BATTERY
OUT OF A POTATO *
497
00:21:14,045 --> 00:21:15,680
* THANK YOU
498
00:21:15,713 --> 00:21:18,082
BUT I CAN TURN ON A LIGHT BULB.
499
00:21:18,115 --> 00:21:19,717
MNH-MNH.
THAT WON'T BE NECESSARY.
500
00:21:19,751 --> 00:21:21,586
MR. FOWLER?
501
00:21:21,619 --> 00:21:24,822
* YOU MIGHT
FIND THIS DISTASTEFUL *
502
00:21:24,856 --> 00:21:28,360
* OR CALL IT JUST PLAIN GROSS
503
00:21:28,393 --> 00:21:30,795
* TO SING
IN PRAISE OF BREAD MOLD *
504
00:21:30,828 --> 00:21:34,031
* OR WONDER HOW IT GROWS
505
00:21:34,065 --> 00:21:40,938
* IT EVEN MAKES YOU CRAZY
THAT MOLD DEVOURS YOUR FOOD *
506
00:21:44,709 --> 00:21:46,478
I DON'T KNOW WHAT TO SAY,
WIDMARK.
507
00:21:46,511 --> 00:21:48,713
-I-I'M SORRY.
-NO, NO, NO.
508
00:21:48,746 --> 00:21:52,750
THAT WAS -- THAT WAS --
YES, THAT WAS, UH, IMPRESSIVE.
509
00:21:52,784 --> 00:21:53,918
IT WAS -- IT WAS UNDERSTATED.
510
00:21:53,951 --> 00:21:55,987
IT WAS --
IT WAS POTENTIALLY WONDERFUL.
511
00:21:56,020 --> 00:21:57,922
YES!
512
00:21:57,955 --> 00:22:02,494
YOU, WIDMARK, ARE GONNA SING
IN THE GRAND FINALE!
513
00:22:02,527 --> 00:22:05,062
SECURITY SYSTEM INSTALLED,
FIVE-CAMERA SETUP.
514
00:22:05,096 --> 00:22:09,967
TWO IN THE LIVING ROOM,
ENTRYWAY, HALLWAY, KITCHEN.
515
00:22:10,001 --> 00:22:12,504
COULD I TAKE A LOOK AT YOUR LOG
FOR FOWLER'S PHONE CALLS?
516
00:22:12,537 --> 00:22:15,072
I-I MEAN, IF I PUT IN A REQUEST
TO HOME OFFICE --
517
00:22:15,106 --> 00:22:16,107
AH, IT TAKES FOREVER.
518
00:22:16,140 --> 00:22:17,008
PENCIL PUSHERS DON'T UNDERSTAND
519
00:22:17,041 --> 00:22:18,510
WHAT IT'S LIKE FOR US
OUT IN THE FIELD,
520
00:22:18,543 --> 00:22:20,412
FACE-TO-FACE WITH CRIME.
521
00:22:20,445 --> 00:22:21,846
YEAH, NOSE TO NOSE WITH EVIL.
522
00:22:21,879 --> 00:22:23,981
I CAN HEAR THAT.
523
00:22:24,015 --> 00:22:26,618
THE FILES ARE IN HERE.
524
00:22:32,089 --> 00:22:34,626
[ BEEPING ]
525
00:22:34,659 --> 00:22:36,160
WHO THE HELL ARE YOU?
526
00:22:36,193 --> 00:22:37,562
FBI.
527
00:22:37,595 --> 00:22:38,930
THERE ARE CAMERAS EVERYWHERE.
528
00:22:38,963 --> 00:22:41,966
YOU PEOPLE DON'T NEED
TO BE IN HERE.
529
00:22:41,999 --> 00:22:43,100
[ BEEPING ]
530
00:22:48,973 --> 00:22:51,709
[ BEEPING INTENSIFIES ]
531
00:22:51,743 --> 00:22:53,778
OUT OF EVERY KID
IN THE ENTIRE SCHOOL,
532
00:22:53,811 --> 00:22:55,847
SHE PICKS HIM
FOR THE SHOWCASE PERFORMANCE?
533
00:22:55,880 --> 00:22:57,081
D-D-DOES SHE EVEN KNOW
WHO HE IS?
534
00:22:57,114 --> 00:22:59,517
A STUDENT WHO --
535
00:22:59,551 --> 00:23:01,586
WHOSE FATHER RIPPED OFF
EVERYONE IN THIS SCHOOL.
536
00:23:01,619 --> 00:23:02,654
I'M A MONEY MANAGER.
537
00:23:02,687 --> 00:23:04,956
I PUT MILLIONS OF MY CLIENTS'
ACCOUNTS WITH HIM.
538
00:23:04,989 --> 00:23:06,958
WE LOST EVERYTHING, AND THERE
ISN'T A PARENT IN THIS SCHOOL
539
00:23:06,991 --> 00:23:08,826
WHO DOESN'T HAVE THE SAME STORY.
540
00:23:08,860 --> 00:23:11,663
[ German accent ]
JA, IT'S NOT OUR PHILOSOPHY
TO PUNISH THE KINDER
541
00:23:11,696 --> 00:23:14,966
FOR THE SINS OF THEIR PARENTS,
MR. SANFORD.
542
00:23:14,999 --> 00:23:16,568
AND MS. DONOVAN, SHE ASSURES ME
543
00:23:16,601 --> 00:23:19,604
THAT WIDMARK'S STARRING ROLE
IN THE, UH...
544
00:23:19,637 --> 00:23:21,172
THE SCIENCE-SICAL.
545
00:23:21,205 --> 00:23:23,975
JA, SCIENCE-SICAL
IS BASED SOLELY ON MERIT.
546
00:23:24,008 --> 00:23:28,112
NOW, IF YOU EXCUSE ME, I HAVE
A LOT OF WORK TO DO, PLEASE.
547
00:23:28,145 --> 00:23:30,515
GOOD AFTERNOON.
NICE TO SEE YOU AGAIN.
548
00:23:30,548 --> 00:23:31,549
GOODBYE.
549
00:23:31,583 --> 00:23:34,519
GOODBYE, GOODBYE, GOODBYE.
550
00:23:34,552 --> 00:23:37,555
[ SIGHS ]
551
00:23:37,589 --> 00:23:38,756
[ Normal voice ]
COULD YOU JUST PLEASE TRY
552
00:23:38,790 --> 00:23:40,592
TO MAYBE NOT MAKE THIS
SO DIFFICULT?
553
00:23:40,625 --> 00:23:43,728
I CAN'T TAKE YOU SERIOUSLY
WITH THAT DEAD CAT ON YOUR HEAD.
554
00:23:46,731 --> 00:23:49,166
[ Sighing ] ELIOT HAD TROUBLE
ADJUSTING, ALL RIGHT?
555
00:23:49,200 --> 00:23:50,167
BUT HE FOUND A WAY
556
00:23:50,201 --> 00:23:53,104
TO MAKE HIS STYLE WORK
IN THIS SETTING, SO...
557
00:23:53,137 --> 00:23:55,172
[ YELLS IN FOREIGN LANGUAGE ]
558
00:23:55,206 --> 00:23:58,142
HAI! PAIN! HONOR! STRENGTH!
559
00:24:01,713 --> 00:24:04,248
ALL RIGHT.
560
00:24:04,281 --> 00:24:06,050
COME AT ME!
561
00:24:06,083 --> 00:24:09,020
[ ALL SCREAMING ]
562
00:24:09,053 --> 00:24:11,556
LOOK, IT'S THE BEST I COULD
MANAGE UNDER SUCH SHORT NOTICE.
563
00:24:11,589 --> 00:24:12,557
THE PROPS ARE MADE,
564
00:24:12,590 --> 00:24:15,259
THE KIDS HAVE MEMORIZED
THEIR PRESENTATIONS.
565
00:24:15,292 --> 00:24:16,293
I'M JUST SETTING IT
TO A BIT OF MUSIC.
566
00:24:16,327 --> 00:24:18,062
LISTEN, I MEAN,
LET'S NOT FORGET WHY WE'RE HERE.
567
00:24:18,095 --> 00:24:19,497
LET'S NOT LOSE FOCUS.
568
00:24:19,531 --> 00:24:22,066
I MEAN, THE OBJECT
IS TO GET FOWLER
569
00:24:22,099 --> 00:24:23,100
OUT OF THE APARTMENT, NOT --
570
00:24:23,134 --> 00:24:25,236
WHAT? NOT -- NOT WIDMARK.
RIGHT, YEAH, I GET IT.
571
00:24:25,269 --> 00:24:26,270
HE'S JUST THE BAIT.
572
00:24:26,303 --> 00:24:27,705
COME ON, THAT'S NOT FAIR.
573
00:24:27,739 --> 00:24:29,273
WHAT'S NOT FAIR
IS THE WAY PEOPLE SEE HIM.
574
00:24:29,306 --> 00:24:30,875
HIS FATHER SEES HIM
AS A LOSER.
575
00:24:30,908 --> 00:24:33,845
HIS MOTHER SEES HIM
AS THIS FRAGILE, LITTLE BABY.
576
00:24:33,878 --> 00:24:34,979
HIS SCHOOLMATES SEE HIM
577
00:24:35,012 --> 00:24:36,981
AS THE BOY WHOSE FATHER
STOLE CHRISTMAS.
578
00:24:37,014 --> 00:24:40,985
I JUST THINK HE -- HE -- HE...
579
00:24:41,018 --> 00:24:43,988
[ SIGHS ]
580
00:24:44,021 --> 00:24:48,092
I JUST WANT PEOPLE TO SEE HIM
AS HE REALLY IS.
581
00:24:48,125 --> 00:24:51,763
HE DESERVES THAT.
582
00:24:51,796 --> 00:24:53,097
EVERYBODY DOES.
583
00:25:04,108 --> 00:25:06,310
[ BOTH SIGH ]
584
00:25:06,343 --> 00:25:08,145
THIS IS WHY
WE CAN'T HAVE NICE THINGS.
585
00:25:08,179 --> 00:25:09,080
[ SCOFFS ]
586
00:25:09,113 --> 00:25:11,282
RICH GUYS AND THEIR CRAZY
SECURITY SYSTEMS.
587
00:25:11,315 --> 00:25:15,720
DOOR ALARM'S GOT A TAKASHITA 500
WITH REDUNDANT INFRARED.
588
00:25:15,753 --> 00:25:17,922
-WINDOW'S EASIER.
-THE WINDOW?
589
00:25:17,955 --> 00:25:19,791
THE WINDOW THAT'S 20 STORIES UP?
590
00:25:19,824 --> 00:25:21,993
LIKE I SAID -- EASIER.
591
00:25:22,026 --> 00:25:23,094
I'VE DONE THIS A MILLION TIMES.
592
00:25:23,127 --> 00:25:25,830
ALL I NEED IS A PNEUMATIC DRILL,
SOME DIAMOND BITS --
593
00:25:25,863 --> 00:25:27,599
[ KNOCK ON DOOR ]
594
00:25:27,632 --> 00:25:30,702
GET THE...
595
00:25:30,735 --> 00:25:32,169
HEY.
596
00:25:32,203 --> 00:25:33,971
HEY.
597
00:25:34,005 --> 00:25:36,173
UH, HI. HEY.
598
00:25:36,207 --> 00:25:39,243
-OH, UH, THANKS.
-HEY, WHAT'S UP?
599
00:25:39,276 --> 00:25:43,180
THAT ONE'S ACTUALLY MINE.
600
00:25:43,214 --> 00:25:45,850
UH, I JUST HAD MY LIPS ON THAT.
601
00:25:45,883 --> 00:25:47,885
IT'S LIKE I GAVE YOU
A LITTLE COFFEE KISS.
602
00:25:47,919 --> 00:25:49,220
[ LAUGHS ]
603
00:25:49,253 --> 00:25:51,155
I THINK YOUR PARTNER IS SWEET
ON McSWEETEN.
604
00:25:51,188 --> 00:25:54,225
-WHAT? NO.
-I DON'T REALLY TALK ABOUT...
605
00:25:54,258 --> 00:25:55,827
WELL [CLEARS THROAT] ANYWAY,
606
00:25:55,860 --> 00:25:58,596
UH, THE JUDGE APPROVED
FOWLER'S DAY PASS
607
00:25:58,630 --> 00:26:01,666
SO HE CAN GO SEE SOME PLAY
HIS KID IS DOING AT SCHOOL.
608
00:26:01,699 --> 00:26:04,335
FINAL-FREAKING-LY, MAN!
609
00:26:04,368 --> 00:26:05,803
I-I LOVE THE THEATER.
610
00:26:05,837 --> 00:26:08,172
IT'S -- "CATS."
611
00:26:08,205 --> 00:26:09,440
R-R-REOW!
612
00:26:09,473 --> 00:26:12,677
ALL RIGHT, WELL,
SEE YOU DOWNSTAIRS
IN A COUPLE OF MINUTES.
613
00:26:12,710 --> 00:26:13,978
UM, WHAT?
614
00:26:14,011 --> 00:26:16,313
YOU'RE OUR BACKUP.
YOU'RE COMING ALONG WITH, RIGHT?
615
00:26:16,347 --> 00:26:19,383
-YEAH. YEAH.
-YOU GOT OUR BACK, RIGHT?
616
00:26:19,416 --> 00:26:21,385
-WE -- WE -- WE -- YO, WE --
YEAH.
617
00:26:21,418 --> 00:26:22,854
-WE GOT YOUR BACK.
-OKAY.
618
00:26:22,887 --> 00:26:24,255
-UH --
-GOOD.
619
00:26:24,288 --> 00:26:27,224
I GOT A COUPON.
620
00:26:27,258 --> 00:26:29,093
[ CHUCKLES ] NATE...
621
00:26:29,126 --> 00:26:30,394
we got a problem.
622
00:26:30,427 --> 00:26:31,629
-STRAIGHTEN THAT ONE OUT.
-WELL, SO DO WE.
623
00:26:31,663 --> 00:26:34,832
IT'S FINAL REHEARSAL, AND SO FAR
WIDMARK HASN'T SUNG A NOTE.
624
00:26:34,866 --> 00:26:38,002
[ Off-key ]
* YOU
625
00:26:38,035 --> 00:26:39,070
[ LAUGHTER ]
626
00:26:39,103 --> 00:26:40,104
-HEY!
-SHH!
627
00:26:40,137 --> 00:26:41,272
HEY!
[ LAUGHTER ]
628
00:26:45,209 --> 00:26:46,678
THE CAMERA'S CHARGED, RIGHT?
629
00:26:46,711 --> 00:26:48,145
I DON'T WANT TO MISS A SECOND.
630
00:26:48,179 --> 00:26:51,783
SIR, I'M GONNA HAVE TO
CHECK THAT BAG.
631
00:26:51,816 --> 00:26:55,619
OH, UH, HEY, GUYS,
C-CAN WE GET A MINUTE?
632
00:26:56,988 --> 00:26:58,790
LOOK, UH, QUICK UPDATE.
633
00:26:58,823 --> 00:27:00,357
ONE OF US IS GONNA
HAVE TO STAY UPSTAIRS
634
00:27:00,391 --> 00:27:01,392
WITH THE SURVEILLANCE EQUIPMENT.
635
00:27:01,425 --> 00:27:04,796
LUCKY ME.
636
00:27:04,829 --> 00:27:06,698
OKAY.
637
00:27:06,731 --> 00:27:09,701
WELL, WE ONLY REALLY NEED
TWO AGENTS ON FOWLER,
638
00:27:09,734 --> 00:27:12,003
SO WHY DON'T WE SWITCH UP?
639
00:27:12,036 --> 00:27:14,405
[ CHUCKLES ] YEAH.
YEAH, T-THAT'S A GOOD IDEA.
640
00:27:14,438 --> 00:27:16,941
YOU KNOW, I COULD JUST STAY HERE
WITH AGENT HAGEN.
641
00:27:16,974 --> 00:27:18,409
YEAH.
642
00:27:18,442 --> 00:27:20,277
UH, Y-YOU KNOW WHAT?
643
00:27:20,311 --> 00:27:22,346
H-HAGEN, YOU GO WITH THE GUYS.
644
00:27:22,379 --> 00:27:24,448
MORE MANPOWER FOR THE SUSPECT.
645
00:27:24,481 --> 00:27:26,784
I'LL BABYSIT THE EQUIPMENT.
646
00:27:26,818 --> 00:27:28,019
OKAY.
647
00:27:28,052 --> 00:27:30,988
[ CHUCKLES NERVOUSLY ]
648
00:27:31,022 --> 00:27:32,089
What are you doing?
649
00:27:32,123 --> 00:27:34,425
LOOK, AGENT McSWEETHEART
IS GONNA GO WHEREVER YOU GO,
650
00:27:34,458 --> 00:27:36,027
SO YOU -- YOU GOT TO GO
TO THE SCHOOL,
651
00:27:36,060 --> 00:27:39,063
AND I'M JUST -- JUST TALK ME
THROUGH THE BREAK-IN.
652
00:27:39,096 --> 00:27:42,033
TALK ME -- JUST...
653
00:27:42,066 --> 00:27:43,367
AFTER YOU.
[ ELEVATOR DINGS ]
654
00:27:43,400 --> 00:27:44,401
[ CHUCKLES ]
655
00:27:44,435 --> 00:27:46,738
ALL THAT PERSONAL SPACE.
656
00:27:46,771 --> 00:27:47,839
[ SIGHS ]
657
00:27:47,872 --> 00:27:50,374
GOOD LUCK.
658
00:27:50,407 --> 00:27:52,877
Uh, Sophie, we good to go?
659
00:27:52,910 --> 00:27:55,312
UH, UH...
660
00:27:55,346 --> 00:27:58,883
NO, EVERYTHING'S GONNA BE FINE
AS SOON AS I...
661
00:27:58,916 --> 00:28:00,451
FIND WIDMARK.
662
00:28:02,253 --> 00:28:03,254
[ BEEPING ]
663
00:28:03,287 --> 00:28:06,090
Hardison, what's going on?
What's your status?
664
00:28:06,123 --> 00:28:07,992
I JUST LOOPED
THE FBI VIDEO FEED,
665
00:28:08,025 --> 00:28:10,494
SO NOBODY WILL SEE ME
IN THE APARTMENT,
666
00:28:10,527 --> 00:28:13,030
ASSUMING I GET IN THE APARTMENT.
667
00:28:13,064 --> 00:28:15,867
[ German accent ]
PLEASE TAKE YOUR SEAT NOW.
668
00:28:15,900 --> 00:28:17,869
HURRY. HURRY ALONG.
669
00:28:20,204 --> 00:28:21,405
[ Normal voice ]
ALL RIGHT, OUR MAN HAS ARRIVED.
670
00:28:21,438 --> 00:28:23,975
THE CURTAIN GOES UP IN FIVE
MINUTES, ONE WAY OR THE OTHER.
671
00:28:24,008 --> 00:28:25,342
DON'T WAIT FOR SOPHIE.
672
00:28:25,376 --> 00:28:27,979
[ WIDMARK SNIFFLING ]
673
00:28:33,217 --> 00:28:35,252
WIDMARK?
674
00:28:35,286 --> 00:28:36,420
[ SNIFFLES ]
675
00:28:36,453 --> 00:28:37,454
[ German accent ]
PLEASE TAKE YOUR SEAT.
676
00:28:37,488 --> 00:28:38,923
RUN ALONG. HURRY.
677
00:28:38,956 --> 00:28:42,927
HURRY UP, HURRY UP.
678
00:28:42,960 --> 00:28:45,396
YOU SURE YOU CAN HANDLE THIS?
679
00:28:45,429 --> 00:28:48,132
OH, YEAH.
680
00:28:48,165 --> 00:28:49,166
WHAT'S THE WORST
THAT CAN HAPPEN?
681
00:28:49,200 --> 00:28:50,401
Well, you could
tangle the lines.
682
00:28:50,434 --> 00:28:53,104
HEY!
683
00:28:53,137 --> 00:28:54,839
CAN YOU BELIEVE THEY HAVE
A SMOOTHIE SHOP IN THIS PLACE?
684
00:28:54,872 --> 00:28:56,440
[ CHUCKLES NERVOUSLY ]
685
00:28:56,473 --> 00:28:57,775
WHAT WERE YOU SAYING?
686
00:28:57,809 --> 00:29:00,411
OH, I WAS JUST WORRIED
ABOUT THE PLAY.
687
00:29:00,444 --> 00:29:03,180
AND THE ACTORS IF
THEY CROSS THEIR LINES.
688
00:29:03,214 --> 00:29:05,049
THEY COULD REALLY
FALL ON THEIR FACE.
689
00:29:05,082 --> 00:29:06,517
AAH! OHH!
690
00:29:06,550 --> 00:29:10,521
UNH! [ MOANS ]
691
00:29:10,554 --> 00:29:13,024
I'M GOOD! [ MOANS ] I'M GOOD!
692
00:29:13,057 --> 00:29:16,193
WIDMARK, Y-Y-YOU CAN'T
LET THEM WIN.
693
00:29:16,227 --> 00:29:18,295
Y-YOU CAN'T SHOW THEM
THAT THEY'RE GETTING TO YOU.
694
00:29:18,329 --> 00:29:20,998
[ Normal voice ]
Sophie, no. No.
695
00:29:21,032 --> 00:29:22,333
-WHAT?
-J-Just talk to him.
696
00:29:22,366 --> 00:29:24,035
DON'T TELL HIM WHAT TO DO
OR WHO TO BE.
697
00:29:24,068 --> 00:29:26,270
JUST TALK.
698
00:29:26,303 --> 00:29:28,372
[ GROANS ]
699
00:29:28,405 --> 00:29:31,008
[ BEEPING ]
700
00:29:36,914 --> 00:29:40,184
WIDMARK, I'M SORRY.
701
00:29:40,217 --> 00:29:41,185
FOR WHAT?
702
00:29:41,218 --> 00:29:43,387
FOR TRYING TO CON YOU
INTO BEING BRAVE, AND...
703
00:29:43,420 --> 00:29:47,224
THAT'S WHAT I DO.
I'M A BLOODY CON ARTIST.
704
00:29:47,258 --> 00:29:49,560
LOOK, I'M NOT VERY GOOD
AT BEING HONEST,
705
00:29:49,593 --> 00:29:51,195
NOT EVEN WITH MY FRIENDS.
706
00:30:01,939 --> 00:30:03,274
DO YOU HAVE A LOT OF FRIENDS?
707
00:30:03,307 --> 00:30:06,043
NO.
708
00:30:06,077 --> 00:30:08,579
NO, I-I NEVER USED TO HAVE ANY.
709
00:30:08,612 --> 00:30:14,485
BUT, UM, NOW, YES, I-I DO --
A FEW.
710
00:30:14,518 --> 00:30:16,988
I USED TO HAVE FRIENDS.
711
00:30:17,021 --> 00:30:21,125
THEY DON'T TALK TO ME ANYMORE
BECAUSE OF WHAT MY STEPDAD DID.
712
00:30:21,158 --> 00:30:22,193
THAT'S GOT NOTHING
TO DO WITH YOU.
713
00:30:22,226 --> 00:30:23,227
YOU KNOW THAT, DON'T YOU?
714
00:30:23,260 --> 00:30:24,228
THEN WHY DID THEY
MAKE FUN OF ME?
715
00:30:24,261 --> 00:30:26,330
'CAUSE WHEN THEY LOOK AT YOU,
THEY SEE HIM.
716
00:30:26,363 --> 00:30:28,900
THEY'RE NOT SEEING YOU
FOR WHO YOU REALLY ARE.
717
00:30:31,568 --> 00:30:32,436
[ BEEPING CONTINUES ]
718
00:30:32,469 --> 00:30:35,172
HOW MUCH TIME
DO I HAVE LEFT, PARKER?
719
00:30:35,206 --> 00:30:38,109
DO YOU BELIEVE
IN LOVE AT FIRST SIGHT?
720
00:30:38,142 --> 00:30:39,243
I BELIEVE
THAT WHEN YOU MEET SOMEONE,
721
00:30:39,276 --> 00:30:40,544
YOU HAVE 30 SECONDS [SLURPS]
722
00:30:40,577 --> 00:30:43,881
BEFORE THE BELLS AND WHISTLES
GO OFF.
723
00:30:43,915 --> 00:30:47,251
DON'T BE AFRAID
TO OVERRIDE YOUR FEELINGS.
724
00:30:47,284 --> 00:30:49,320
[ SLURPS ]
DON'T BE BLUE.
725
00:30:49,353 --> 00:30:51,622
MM-HMM, MM-HMM.
OKAY, I GOT YOU.
726
00:30:51,655 --> 00:30:54,191
30 SECONDS,
"DON'T BE BLUE," OVERRIDE.
727
00:30:54,225 --> 00:30:57,895
W-WAIT, DOES THAT MEAN
CUT THE BLUE WIRE
728
00:30:57,929 --> 00:30:59,964
OR DON'T CUT THE BLUE WIRE,
PARKER?
729
00:30:59,997 --> 00:31:01,398
THAT IS -- THAT IS SO TRUE.
730
00:31:01,432 --> 00:31:02,466
I THINK YOU NEED TO BE HONEST --
731
00:31:02,499 --> 00:31:05,236
20 SECONDS.
732
00:31:05,269 --> 00:31:08,372
I CAN'T COUNT IN 20 SECONDS
HOW MANY BLUE WIRES THERE ARE.
733
00:31:08,405 --> 00:31:10,041
-PARKER, HELP ME OUT.
-NOT FOLLOWING.
734
00:31:10,074 --> 00:31:11,242
YOU JUST HAVE TO CUT LOOSE.
735
00:31:11,275 --> 00:31:13,110
Output your feelings.
736
00:31:13,144 --> 00:31:15,412
-SNIP THAT BLUE MOOD IN THE--
-The output?
737
00:31:15,446 --> 00:31:18,182
OUTPUT? OKAY, I GOT IT.
GOTCHA.
738
00:31:18,215 --> 00:31:21,452
[ BEEPING CONTINUES ]
OUT, OUT, OUT, OUT.
739
00:31:21,485 --> 00:31:24,021
COME HERE, YOU BLUE. GOT IT.
740
00:31:24,055 --> 00:31:26,123
[ CHUCKLES ]
741
00:31:26,157 --> 00:31:28,459
[ SIGHS ]
742
00:31:30,461 --> 00:31:33,030
DADDY'S HOME.
743
00:31:33,664 --> 00:31:36,300
DID YOU KNOW I WAS AN ACTRESS?
744
00:31:36,333 --> 00:31:38,002
-NO.
-MM-HMM.
745
00:31:38,035 --> 00:31:40,437
ARE YOU GOOD?
746
00:31:40,471 --> 00:31:44,475
WELL, OTHERS
DON'T SEEM TO THINK SO.
747
00:31:44,508 --> 00:31:47,578
MAYBE THEY JUST CAN'T SEE YOU
FOR WHO YOU ARE.
748
00:31:47,611 --> 00:31:50,081
[ CHUCKLES ]
749
00:31:50,114 --> 00:31:51,348
DO YOU KNOW
WHAT THEY SAY ABOUT ACTING?
750
00:31:51,382 --> 00:31:53,584
THEY SAY IT'S ABOUT
TELLING THE TRUTH,
751
00:31:53,617 --> 00:31:56,520
ABOUT -- ABOUT SHARING
A LITTLE PART OF YOURSELF
752
00:31:56,553 --> 00:31:59,023
THAT PEOPLE DON'T NORMALLY SEE.
753
00:31:59,056 --> 00:32:01,692
BUT IF YOU DON'T -- IF YOU DON'T
REALLY KNOW YOURSELF,
754
00:32:01,725 --> 00:32:05,196
THEN THEY THINK YOU'RE LYING.
755
00:32:05,229 --> 00:32:08,365
AND...
756
00:32:08,399 --> 00:32:10,301
I THINK THAT'S MY PROBLEM.
757
00:32:10,334 --> 00:32:13,004
I'VE BEEN LYING FOR SO LONG,
THAT, UM,
758
00:32:13,037 --> 00:32:15,706
I DON'T EVEN KNOW
WHAT THE TRUTH IS ANYMORE.
759
00:32:15,739 --> 00:32:18,542
I DON'T WANT TO LIE TO ANYBODY.
760
00:32:18,575 --> 00:32:19,610
NO.
761
00:32:19,643 --> 00:32:24,081
NO, YOU DON'T HAVE TO, WIDMARK.
762
00:32:24,115 --> 00:32:25,749
WHAT YOU NEED TO DO IS,
YOU JUST HAVE TO GO OUT THERE
763
00:32:25,782 --> 00:32:27,518
AND BE WIDMARK.
764
00:32:27,551 --> 00:32:33,390
JUST TELL THE TRUTH.
BE -- BE WHO YOU REALLY ARE.
765
00:32:33,424 --> 00:32:36,727
IF YOU CAN DO THAT,
THEN I PROMISE YOU,
766
00:32:36,760 --> 00:32:40,064
PEOPLE WILL BELIEVE IN YOU.
767
00:32:45,469 --> 00:32:48,572
SURE IS TAKING THEM A LONG TIME
TO GET EVERYBODY IN THERE.
768
00:32:48,605 --> 00:32:50,541
[ SIGHS ] YES.
769
00:32:50,574 --> 00:32:52,676
A LOT LONGER THAN I THOUGHT.
770
00:32:52,709 --> 00:32:55,012
E-EXCUSE ME
FOR INTERRUPTING PROM NIGHT
771
00:32:55,046 --> 00:32:57,781
WITH MY ANNOYING
FELONY BURGLARY.
772
00:32:57,814 --> 00:33:00,651
SHE'S UNGRATEFUL --
JUST UNGRATEFUL.
773
00:33:00,684 --> 00:33:02,719
AHA!
774
00:33:05,056 --> 00:33:07,458
COME TO PAPA.
775
00:33:11,362 --> 00:33:13,030
WIDMARK OKAY?
776
00:33:13,064 --> 00:33:15,199
GUESS WE'RE ABOUT TO FIND OUT.
777
00:33:19,270 --> 00:33:20,737
[ BEEPING ]
778
00:33:25,376 --> 00:33:26,543
[ LAUGHS ]
779
00:33:26,577 --> 00:33:29,113
YEAH!
HACKING, RAPPELLING --
780
00:33:29,146 --> 00:33:31,215
whatever, put me in a dress.
781
00:33:31,248 --> 00:33:34,585
I CAN DO ALL Y'ALL'S JOBS.
782
00:33:34,618 --> 00:33:35,619
IT'S EMPTY.
783
00:33:35,652 --> 00:33:37,754
WHAT DO YOU MEAN IT'S EMPTY?
784
00:33:37,788 --> 00:33:39,390
I MEAN IT'S EMPTY,
LIKE SOMEBODY CLEANED IT OUT.
785
00:33:45,762 --> 00:33:46,730
I HATE TO TELL YOU THIS,
786
00:33:46,763 --> 00:33:49,766
BUT THAT AIN'T
OUR BIGGEST PROBLEM RIGHT NOW.
787
00:33:49,800 --> 00:33:52,403
WE'VE GOT COMPANY.
788
00:33:55,706 --> 00:34:00,077
* THERE ARE MANY
TYPES OF CLOUDS *
789
00:34:00,111 --> 00:34:03,514
* LIKE STRATUS, CUMULUS,
AND NIMBUS *
790
00:34:03,547 --> 00:34:07,284
* NIMBUS SAID
TO A GLUM-LOOKING CLOUD *
791
00:34:07,318 --> 00:34:11,088
* "PLEASE DON'T BE SO CIRRUS"
792
00:34:11,122 --> 00:34:15,359
* CLOUDS ARE HIGH
UP IN THE SKY *
793
00:34:15,392 --> 00:34:16,727
YEAH, BUT HOW'D HE KNOW
FOWLER WAS GONNA BE HERE?
794
00:34:16,760 --> 00:34:19,130
ONLY ONES THAT KNEW WERE US
AND THE FBI.
795
00:34:19,163 --> 00:34:21,165
UH, YEAH, AND FOWLER HIMSELF.
796
00:34:21,198 --> 00:34:23,367
MAYBE WE WERE WRONG.
MAYBE FOWLER ISN'T THE TARGET.
797
00:34:23,400 --> 00:34:24,401
Then who?
798
00:34:24,435 --> 00:34:26,770
-WHAT?
-THANK YOU.
799
00:34:26,803 --> 00:34:28,872
FOR THIS DELICIOUS SMOOTHIE,
AGENT.
800
00:34:28,905 --> 00:34:30,507
OH.
801
00:34:30,541 --> 00:34:32,443
UM...
802
00:34:34,711 --> 00:34:35,812
HIS FBI HANDLERS --
803
00:34:35,846 --> 00:34:37,448
FOWLER'S ARRANGED
TO HAVE THEM KILLED.
804
00:34:37,481 --> 00:34:39,683
HE'S ABOUT TO RUN.
805
00:34:39,716 --> 00:34:40,851
NO, THERE'S NO WAY
HE COULD ARRANGE THAT, MAN.
806
00:34:40,884 --> 00:34:43,820
HE'S UNDER HOUSE ARREST --
NO PHONE CALLS, NO INTERNET.
807
00:34:43,854 --> 00:34:46,457
THEY'RE EVEN READING HIS MAIL.
HOW COULD HE ARRANGE A HIT MAN?
808
00:34:46,490 --> 00:34:48,392
LET'S ASK HIM.
809
00:34:54,565 --> 00:34:56,267
WHAT DO YOU MEAN YOU LOST IT?
810
00:34:56,300 --> 00:34:57,834
-I THOUGHT IT WAS IN MY ROOM.
-YOU THOUGHT?
811
00:34:57,868 --> 00:34:59,870
DO YOU HAVE ANY RESPECT
FOR YOUR PERSONAL PROPERTY?
812
00:34:59,903 --> 00:35:02,639
DO YOU HAVE ANY RESPECT FOR ME?
I BOUGHT YOU THAT CELLPHONE.
813
00:35:02,673 --> 00:35:05,442
FEDS CONFISCATED HIS CELLPHONE.
814
00:35:05,476 --> 00:35:06,777
THEY DIDN'T TAKE WIDMARK'S.
815
00:35:06,810 --> 00:35:08,345
* YOU WILL SEE IN THE...
816
00:35:08,379 --> 00:35:10,447
FOWLER'S GETAWAY
EXPLAINS THE EMPTY SAFE.
817
00:35:10,481 --> 00:35:13,384
WHATEVER CASH HE HAD ON HIM,
HE TOOK WITH HIM.
818
00:35:13,417 --> 00:35:15,686
AND, UH, I THINK
I KNOW WHERE TO LOOK.
819
00:35:15,719 --> 00:35:18,322
* STORM CLOUD
[ APPLAUSE ]
820
00:35:22,526 --> 00:35:25,496
-WAIT, DIDN'T YOU SEARCH FOWLER
BEFORE HE LEFT?
-OF COURSE.
821
00:35:25,529 --> 00:35:28,232
NOTHING ON HIM EXCEPT
FOR THAT CAMERA AND SOME TAPES.
822
00:35:30,667 --> 00:35:32,936
YEAH, WELL,
THERE'S SOMETHING IN THAT BAG.
823
00:35:32,969 --> 00:35:36,507
Or on those tapes.
[ APPLAUSE ]
824
00:35:36,540 --> 00:35:38,609
[ CHUCKLES ]
THANK YOU.
825
00:35:38,642 --> 00:35:39,743
SOPHIE, CAN YOU SWIPE IT?
826
00:35:39,776 --> 00:35:42,813
Um, yes,
I'm a little bit busy here.
827
00:35:42,846 --> 00:35:46,750
...JUILLIARD
FOR THAT WONDERFUL RENDITION
828
00:35:46,783 --> 00:35:49,786
OF "HOW CLOUDS ARE FORMED."
829
00:35:49,820 --> 00:35:57,194
AND NOW WE HAVE MILAN WITH
A BALLAD ABOUT PHOTOSYNTHESIS.
830
00:35:57,228 --> 00:35:59,763
ENJOY.
[ APPLAUSE ]
831
00:36:03,967 --> 00:36:05,802
HAS ANYBODY SEEN WIDMARK?
832
00:36:05,836 --> 00:36:06,803
Sophie, the job's over.
833
00:36:06,837 --> 00:36:09,206
What happens from here on
is not our concern.
834
00:36:09,240 --> 00:36:10,874
-NO WAY.
-We have other priorities.
835
00:36:10,907 --> 00:36:12,609
THE CLINIC ISN'T
THE ONLY VICTIM HERE, NATE.
836
00:36:12,643 --> 00:36:15,846
I-I DIDN'T PROP UP THIS BOY
JUST TO SEE HIM FAIL.
837
00:36:15,879 --> 00:36:18,181
NO WAY.
I'M NOT LETTING THAT HAPPEN.
838
00:36:20,517 --> 00:36:22,819
YO, WHAT'S UP?
839
00:36:25,822 --> 00:36:30,361
UNH! OHH!
840
00:36:30,394 --> 00:36:32,263
Uh, Nate...
841
00:36:32,296 --> 00:36:34,231
THIS PHONE HAS SENT
A BUNCH OF TEXT MESSAGES
842
00:36:34,265 --> 00:36:36,967
IN THE LAST 48 HOURS
TO SOME GUY NAMED "SKYLER."
843
00:36:37,000 --> 00:36:40,003
YEAH, YEAH, YEAH.
SKYLER'S A KID AT THE SCHOOL.
844
00:36:40,036 --> 00:36:41,905
WHY WOULD FOWLER BE TEXTING
A MIDDLE-SCHOOLER?
845
00:36:41,938 --> 00:36:42,839
[ BEEP ]
846
00:36:42,873 --> 00:36:45,776
* PHOTOSYNTHESIS
IS THE CAUSE OF THIS... *
847
00:36:45,809 --> 00:36:47,544
[ CELLPHONE VIBRATING ]
848
00:36:47,578 --> 00:36:52,015
* ...PROCESS THAT MAKES THINGS
BIGGER *
849
00:36:52,048 --> 00:36:53,617
* WATER AND LIGHT MAKES...
850
00:36:53,650 --> 00:36:57,688
HE WASN'T TEXTING SKYLER.
HE WAS TEXTING SKYLER'S DAD.
851
00:37:00,023 --> 00:37:01,258
OH!
852
00:37:01,292 --> 00:37:02,859
SORRY.
853
00:37:02,893 --> 00:37:03,994
* I'VE BEEN...
854
00:37:04,027 --> 00:37:05,896
MARK SANFORD'S AN ACCOMPLICE.
855
00:37:05,929 --> 00:37:09,366
HE SET UP THE GUNMAN.
HE JUST TRADED BAGS WITH FOWLER.
856
00:37:09,400 --> 00:37:12,035
[ SINGING INDISTINCTLY ]
857
00:37:12,068 --> 00:37:14,471
No, man, why would Sanford help
Fowler?
858
00:37:14,505 --> 00:37:16,039
Isn't he one of the guys
who invested with him?
859
00:37:16,072 --> 00:37:18,342
* REALLY
860
00:37:18,375 --> 00:37:21,645
* A GAS
861
00:37:21,678 --> 00:37:24,381
[ PIANO MUSIC PLAYING ]
862
00:37:24,415 --> 00:37:25,716
SORRY I'M LATE.
863
00:37:25,749 --> 00:37:27,451
NO, NO, NO.
[ APPLAUSE ]
864
00:37:27,484 --> 00:37:28,752
YOU'RE RIGHT ON TIME.
865
00:37:32,556 --> 00:37:34,958
[ BOTH GRUNTING ]
866
00:37:44,000 --> 00:37:48,505
AND NOW WITH
"GROWTH FACTORS IN BREAD MOLD,"
867
00:37:48,539 --> 00:37:51,975
IT'S WIDMARK FOWLER!
868
00:37:52,008 --> 00:37:54,345
[ APPLAUSE ]
869
00:37:54,378 --> 00:37:55,512
OH.
870
00:38:01,852 --> 00:38:04,421
[ SLOW PIANO MUSIC PLAYS ]
871
00:38:06,890 --> 00:38:09,326
* YOU MIGHT FIND
THIS DISTASTEFUL *
872
00:38:09,360 --> 00:38:12,363
* OR CALL IT JUST PLAIN GROSS
873
00:38:12,396 --> 00:38:14,831
* TO SING
IN PRAISE OF BREAD MOLD *
874
00:38:14,865 --> 00:38:17,634
* OR WONDER HOW IT GROWS
875
00:38:17,668 --> 00:38:24,475
* IT EVEN MAKES YOU CRAZY
THAT MOLD DEVOURS YOUR FOOD *
876
00:38:24,508 --> 00:38:28,779
* UNTIL YOU FIND
I'VE CHANGED YOUR MIND *
877
00:38:28,812 --> 00:38:33,917
* AND YOU SEE
THAT MOLD IS GOOD *
878
00:38:33,950 --> 00:38:36,019
[ MUSIC TEMPO INCREASES ]
879
00:38:36,052 --> 00:38:39,723
[ BOTH GRUNTING ]
880
00:38:39,756 --> 00:38:40,924
SHH!
881
00:38:40,957 --> 00:38:44,928
* IT'S THE MUSHROOMS
ON YOUR PIZZA *
882
00:38:44,961 --> 00:38:47,130
* IT'S THE YEAST
THAT MAKES THE CRUST RISE *
883
00:38:47,163 --> 00:38:50,501
SHH! KEEP IT OFF THE STAGE!
884
00:38:50,534 --> 00:38:51,735
YOU'RE GONNA RUIN
HIS BIG FINALE!
885
00:38:51,768 --> 00:38:53,737
* IT'S FUNGI
886
00:38:53,770 --> 00:38:55,806
* THAT'S GOOD EATEN --
DON'T LOOK SURPRISED *
887
00:38:55,839 --> 00:38:57,007
AND WHILE
WE'RE ON THE SUBJECT...
888
00:38:57,040 --> 00:39:00,644
* WHO AMONG US WOULD WANT
THE NASTY JOB THAT FUNGUS HAS? *
889
00:39:00,677 --> 00:39:03,880
* SCARFING DOWN TOXIC WASTE?
890
00:39:03,914 --> 00:39:06,149
* MOLDS GO
WHERE THEY'RE NEEDED *
891
00:39:06,182 --> 00:39:08,919
* SO THEY FIND OUR STUFF
TO FEED IN *
892
00:39:08,952 --> 00:39:10,153
* MOLDS JUST WANT TO GROW
893
00:39:10,186 --> 00:39:12,789
* SO THEY POP OUT SPORES,
YOU KNOW *
894
00:39:12,823 --> 00:39:14,858
* THAT A MOLD WANTS TO THRIVE
895
00:39:14,891 --> 00:39:17,160
* NEEDS MUCH MORE
THAN TO SURVIVE *
896
00:39:17,193 --> 00:39:19,930
* BECAUSE MOLD'S LIKE US
897
00:39:19,963 --> 00:39:27,070
* JUST LOV BEING ALI-I-I-I-FE
898
00:39:27,103 --> 00:39:29,573
HE'S NOT BAD.
899
00:39:29,606 --> 00:39:32,008
[ CHEERS AND APPLAUSE ]
900
00:39:46,089 --> 00:39:47,090
EXCUSE ME, DEAR.
901
00:39:47,123 --> 00:39:50,661
OH, WIDMARK, I'M SO PROUD
OF YOU.
902
00:39:50,694 --> 00:39:52,596
[ CLEARS THROAT ]
903
00:39:53,697 --> 00:39:54,698
AH.
904
00:39:54,731 --> 00:39:57,167
Uh...
905
00:39:57,200 --> 00:39:59,135
Uh, Hardison,
are you at your computer?
906
00:39:59,169 --> 00:40:01,972
I need you to check a name
for me.
907
00:40:02,005 --> 00:40:03,039
GO AHEAD.
908
00:40:03,073 --> 00:40:05,876
[ APPLAUSE ]
DOUG FINEMAN.
909
00:40:05,909 --> 00:40:09,680
AND FIRST PLACE GOES TO
MR. WIDMARK FOWLER!
910
00:40:09,713 --> 00:40:13,049
[ APPLAUSE ]
911
00:40:13,083 --> 00:40:17,554
SANFORD IS PROVIDING FOWLER
WITH A NEW IDENTITY
912
00:40:17,588 --> 00:40:20,991
AND A NEW LIFE
WAITING FOR HIM IN...
913
00:40:21,024 --> 00:40:22,192
BOGOTá.
914
00:40:25,862 --> 00:40:28,198
OH, COACH BREWER!
915
00:40:28,231 --> 00:40:31,535
-OHH!
-I'LL TAKE THAT.
916
00:40:31,568 --> 00:40:33,470
OW!
917
00:40:35,972 --> 00:40:38,108
AHH.
918
00:40:38,141 --> 00:40:39,910
YES.
919
00:40:41,745 --> 00:40:42,679
I'M JUST SAYING
920
00:40:42,713 --> 00:40:46,082
YOU CAN'T MAKE THE RETURNS
TOO CONSISTENT.
921
00:40:46,116 --> 00:40:48,652
10% GROWTH EVERY YEAR,
NO MATTER WHAT THE MARKET DOES?
922
00:40:48,685 --> 00:40:51,121
THE S.E.C. IS GOING TO
ASK QUESTIONS.
923
00:40:51,154 --> 00:40:53,123
LET ME WORRY
ABOUT THE S.E.C., MARK.
924
00:40:53,156 --> 00:40:55,859
BUT WE HAVE TO BE CAREFUL.
925
00:40:55,892 --> 00:40:56,993
MY JOB IS TO BUY OFF
THE REGULATORS.
926
00:40:57,027 --> 00:40:59,162
YOUR JOB IS
TO BRING IN NEW MONEY.
927
00:40:59,195 --> 00:41:00,196
NOW, THIS WHOLE THING
GOES OFF THE RAILS
928
00:41:00,230 --> 00:41:02,132
WHEN YOU STOP DOING YOUR JOB.
929
00:41:03,534 --> 00:41:04,901
UNH! AGH!
930
00:41:04,935 --> 00:41:06,503
WHERE THE HECK
DO YOU THINK YOU'RE GOING?
931
00:41:06,537 --> 00:41:08,539
[ GRUNTS ]
[ HANDCUFFS CLICK ]
932
00:41:08,572 --> 00:41:11,908
[ German accent ] JA, JA, HE,
UM, HE DROPPED THIS OUT OF THIS.
933
00:41:11,942 --> 00:41:13,977
I THOUGHT HIS NAME WAS FOWLER.
934
00:41:14,010 --> 00:41:15,245
-I DON'T KNOW.
-THANKS.
935
00:41:15,278 --> 00:41:17,147
- JA, JA.
-COME ON!
936
00:41:17,180 --> 00:41:21,718
NO, STOP IT!
YOU CAN'T PLAY THAT!
937
00:41:21,752 --> 00:41:23,253
[ HANDCUFFS CLICK ]
AGH!
938
00:41:23,286 --> 00:41:27,924
NOW, THAT IS NO WAY TO TREAT
A LADY.
939
00:41:27,958 --> 00:41:32,663
-COME ON.
-OW!
940
00:41:32,696 --> 00:41:33,964
-HI.
-HEY.
941
00:41:33,997 --> 00:41:37,100
GOT SOMETHING FOR YOU.
942
00:41:37,133 --> 00:41:38,835
WOW, THAT IS FAR MORE
THAN WE LOST.
943
00:41:38,869 --> 00:41:40,971
WELL, YOU KNOW THE $20 MILLION
THE FEDS COULDN'T FIND?
944
00:41:41,004 --> 00:41:42,673
FOWLER HAD IT
IN AN OVERSEAS ACCOUNT
945
00:41:42,706 --> 00:41:44,140
USING ONE OF HIS ALIASES.
946
00:41:44,174 --> 00:41:45,909
YEAH, HE STRUCK A DEAL
WITH SANFORD.
947
00:41:45,942 --> 00:41:49,680
HE TRADED THE TAPES FOR A NEW
PASSPORT AND TWO DEAD FBI GUYS.
948
00:41:49,713 --> 00:41:52,883
AND OUR FRIEND HARDISON, WELL,
HE LIBERATED SOME OF THE CASH
949
00:41:52,916 --> 00:41:54,618
SO YOU COULD USE IT
FOR YOUR CLINIC.
950
00:41:54,651 --> 00:41:56,820
-WOW.
-HEY, KAY!
951
00:41:56,853 --> 00:41:58,989
HI, CLAUDINE.
952
00:41:59,022 --> 00:42:03,259
SHE, UM, NEEDED A JOB
AFTER FOWLER WENT TO JAIL.
953
00:42:03,293 --> 00:42:05,261
-GOOD LUCK.
-THANK YOU.
954
00:42:07,197 --> 00:42:09,099
YOU KNOW, THIS IS INTERESTING.
955
00:42:09,132 --> 00:42:11,034
THIS MUST BE A-A FIRST.
956
00:42:11,067 --> 00:42:13,637
I MEAN, IT'S THE ONLY TIME
I CAN REMEMBER
957
00:42:13,670 --> 00:42:17,173
THAT THE CON DEPENDED SOLELY
ON YOU TELLING THE TRUTH.
958
00:42:17,207 --> 00:42:18,742
HOW'D IT FEEL?
959
00:42:18,775 --> 00:42:20,911
EH, GOOD.
DON'T GET USED TO IT.
960
00:42:20,944 --> 00:42:22,979
-OH, NO. NO.
-UNH-UNH.
961
00:42:23,013 --> 00:42:25,916
START TELLING THE TRUTH
ALL DAY...
962
00:42:25,949 --> 00:42:28,551
STOP BEING SOPHIE DEVEREAUX.
963
00:42:31,387 --> 00:42:33,757
MAYBE THAT'S, UH...
964
00:42:33,790 --> 00:42:35,692
A GOOD THING.
965
00:42:37,994 --> 00:42:40,597
MNH-MNH.
64401
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