All language subtitles for Wish.Me.Luck.S01E06.DVDRip.XviD.SPRiNTER

[filmrise jingle]

[theme music]

How are you Davis?

Oh, Celeste.

How good to see you again.

In good health, I hope.

Very good.
Thank you, Davis.

Miss Ashley's expecting you.

One moment, sir.

I'm afraid we're a bit
short of rooms today--

new intake.

[knocking]

Yes?

Miss Celeste's
here, Miss Ashley.

Splendid.

Show her in, and tell
Colonel Cadogan she's here,

would you please, Davis?

Certainly.

Would you come, please?

- Liz.
- Faith.

FAITH: How are you?

LIZ: Feeling a bit peculiar.

FAITH: Well, it takes
a while to acclimatize.

LIZ: I can't get used to not
having to avoid policemen.

FAITH: [laughing] Sit down.

Cad will be joining
us in a moment.

Did he get the some of
those reports in [inaudible]??

Yes, he's studying it now.

No doubt he'll want
to quiz you on it.

Well, I'm sorry I couldn't
be at the airfield myself.

LIZ: Oh, that's all right.

Have you been in touch
with your mother yet?

LIZ: No, I thought I ought
to talk to you first.

Then you won't have
heard the good news--

your husband is back in England.

Laurence, here?

He's not been wounded?

FAITH: No, no.

Nothing like that.

He's been posted to the legal
department to the War Office.

Oh, that's wonderful.

Your mother contacted
me as soon as she heard.

LIZ: Where is he now?

On his way out from Devon.

I notified them of your arrival.

He'll go straight to
your Knightsbridge flat.

Did he ask any questions?

I mean, does he have any idea--

As far as he's
concerned, you've

been in Scotland on a course.

Hello, Liz.

LIZ: Cad.

Welcome home.

LIZ: Thank you.

You look well.

It's all that cycling.

[laughing] Oh,
that reminds me--

Gaston wants some tires
flown in to Area 5.

Well, congratulations.

You've done a
really splendid job.

Is that why I'm
being replaced?

CAD: Ah.

You did know.

I wasn't sure if
Gregoire had told you.

I want to make
it absolutely clear

that our decision is no
reflection on your performance.

Gregoire has given
us a glowing report.

But it's no point in
keeping you at risk

longer than is necessary.

It's sabotage experts we
need in that area now.

I understand.

I don't suppose
you'll be sorry.

Can't have been much
fun for you out there.

I wouldn't have
missed it for the world.

Well.

I hope you'll continue
to work for us over here.

We'll talk about it when
you've had something to eat.

Meanwhile, to business.

Your replacement is Nigel
Piggot, a sabotage specialist.

Code name Alain.

But since you won't
be going back,

it's all right for you to know.

That's about it.

The Germans are planning some
sort of offensive in the port.

We intend to put
paid to their plans.

Celeste's taken back
the up-to-date news,

and we now await
instructions from London.

And meanwhile get on with
some sabotage training.

TOMMY: Yes.

What's the situation there?

I'm not sure that it would
be saboteurs, but most of them

I wouldn't trust with
a Christmas cracker,

let alone a stick of dynamite.

I believe explosives
are your speciality.

All those years blowing
things up in the school lab

have to count for something.

TOMMY: I thought
you were a teacher.

For my sins.

I hope you're
hot on discipline.

Put 10 Frenchmen together,
it's like the Tower

of Babel on a bad day.

NIGEL: Groups of 10, you reckon?

Why, think it should be less?

10 will be quite a luxury
after the 20 lumps in my class.

TOMMY: Presumably
you weren't teaching

them to demolish the school.

No.

But I've often thought of it.

[laughs]

Tommy-- why was my
predecessor replaced?

Not up to it?

On the contrary.

She was one of the best
careers I've come across.

NIGEL: Then why?

Personal reasons.

Not much further now.

Who exactly am I meeting?

Two key agents--

Cyrano and Aimee.

The fewer people who
know you, the better.

CAD: So Cyrano recommends
we concentrate our sabotage

efforts in this area here.

Yes, he's pretty certain
that will do there.

It's ostensibly a railway shed.

It's Being used as
an infrared center.

That would explain all
those u-boats he spotted.

And the heavier concentration
of guards in that sector.

Whoa.

That-- uh-- we could put their
entire signaling system out

of action.

Well, that's his theory,
which Gregoire supports.

We'll get one of
our chaps to construct

a model of this straightaway.

Do you have any
details of approach

routes and other potential
demolition targets?

Ray George is
already standing by.

Oh, good.

I don't think we need
to keep your name on it.

Will you be needing me again?

Uh, possibly.

I shall be setting up
a top-level meeting

with other interested parties.

They may well want
you to return.

If you could just hang around
in London for a couple of days.

I'll be at my
Knightsbridge flat.

Good.

Liz-- before you go, I have
a couple of things to return.

Oh, thank you.

And keeping me in
touch helped a lot.

It's my job.

There's this, too.

LIZ: Yes, of course.

Laurence would have
noticed at once.

FAITH: It has been re-soldered.

I'll take that one, shall I?

You won't be needing it anymore.

I hope it is well for
Alain to meet you both,

though I doubt you'll
be seeing much of him.

It's even more essential
now that we avoid

direct contact with each other.

Oh.

Well, it was nice meeting you.

I mean it, Aimee.

It applies to you, especially.

For all radio messages
should be left

in the prearranged letterboxes.

Presumably Alain
will be taking

over all of Celeste's duties.

Except when he's involved
in sabotage work,

then Armand will
help out as a career.

Where will I be billeted?

I'll give you your
directions later.

Better these two don't know.

Let's hope you
have a nice cushy

safe-house like Celeste did.

She Even had a bath.
- Bath?

What's a bath?

[laughs]

TOMMY: Oh, that's
another useful contact--

Claudine de Valois, divorcee
based in Guyancourt.

SOPHIE: [gasp]

Oh, madame, I didn't see you.

Shall I put on the light?
CLAUDINE: No.

But it's nearly curfew.

I said no.

SOPHIE: As you wish.

No, wait.

I'm sorry, Sophie.

I have a headache.

SOPHIE: Perhaps you're
sickening for the same thing

as Madame Saracen.

Oh, I meant to ask you--

when will she get back?

Madame Saracen?

I was wondering about her room.

I'm not sure exactly.

A few days, she said.

I still keep wanting to
call her Mrs. Grainger.

Well, don't for God's sake.

[band music]

[music playing]

Liz?

Liz--

Laurence.

I nearly didn't
recognize you for a moment.

It's the uniform.

How long have you been back?

A week.

[music playing]

God, I missed you.

Have you seen Vicky?

Yes, I went down to
her school yesterday.

How was she?

LAURENCE: Not the same
little girl that I left.

KRIEGER: Don't look
at me like that.

I'm not a monster, you know.

You would have handed
me over to the Gestapo.

Yes.

Not that it would have
given me any pleasure.

I loathe those thugs.

But I was sure you'd see sense.

If sense is betraying
your countrymen.

[scoffs]

These British agents
are not your countrymen.

Neither has their presence
here caused the French people

anything but trouble.

And I am merely doing
what their bosses

would do in the same position.

You think the British don't
have their double agents too?

That they don't resort
to threats and torture?

This is the dark
side of the war.

I don't see what
use I can be to you.

KRIEGER: You've been
useful enough to them.

Oh, I've only passed on
the odd bit of information.

KRIEGER: Like you
did the other night.

I shall be happy
for you to continue

to pass on information.

You mean false information.

KRIEGER: I'll see you have
enough genuine stuff to keep

them convinced of your loyalty.

You, in return, will find
out certain things for me.

How?

I never meet them.

I wouldn't know their leader
if I saw him in the street.

KRIEGER: You know Celeste.

Celeste has nothing
to do with all this.

KRIEGER: I wonder.

It's true.

She just turned up here.

She knows nothing of my
work for the Resistance.

We shall see, when
she returns from--

where did you say she'd gone?

Back to Rossan to
sort out some things.

KRIEGER: When she
returns, I might

take her in for questioning.

No.

KRIEGER: And we'll see if
she's as innocent as you say.

No, please.

Leave Celeste out of this.

Then tell me where I can
find the wireless operator.

He's the one I'm after.

I've had the detector
vans out in force.

They know there's someone
transmitting in the area,

but he keeps giving us the slip.

I don't know
anything about him.

Oh, yes you do, Claudine.

(SHOUTING) You do!

You warned him the night
the English plane was due,

didn't you?

Yes.

Then you must know where
he's transmitting from.

Help me to catch
him, and I'll see

that neither you, nor your
friend Celeste, are harmed.

She.

What?

It's not a man.

[music playing]

I remember the last
time we were here.

Anniversary party.

Just before I went to Africa.

Jack was with us.

And Darcy Sinclair.

She's nursing that.

You must miss him dreadfully.

I do.

Still, as I said your
mother, it's the kind

of death he'd have wanted.

No one wants to die.

No one wants to spend his
war behind the desk, either.

No one worth his salt.

But you've been in the
thick of it, Laurence.

The star of HQ.

I barely saw the desert.

Now I shall be kicking my
heels at the War Office.

They wouldn't have
sent you back here

if it wasn't important work.

Briefing people about
the legal niceties abroad?

Bag it.

You're doing more useful
work with the fannies.

Could you tell me
what you are doing?

Or what this course in
Scotland is in aid of?

Oh, just admin stuff.

Let's have a drink.

[music playing]

To us.

To us.

So you're on standby.

Just for a couple of days,
and then I'm due some leave.

Go back to Devon?

Headmistress said
it was all right

for Vicky to come home with us.

Perhaps she'll be
more communicative

when she's with the two of us.

[music playing]

Someone you know?

Who?

The chap with the blonde.

I hadn't noticed him.

LAURENCE: He noticed you.

Not that I'm surprised.

[applause]

I'll say, I prefer
you out of uniform--

much more like my old Liz.

Little did I think
when we said goodbye

that you'd be joining up too.

Nor did I.

LAURENCE: Still don't
understand what made you.

I tried to explain
in my letters.

You said you were
bored with jam-making.

LIZ: Well, I was.

Can't have been
the only reason.

I wanted to do something more.

It's like you feel about
sitting behind a desk.

It's different for a woman.

No it isn't.

LAURENCE: Especially when
she has a child to consider.

I did consider.

I wish we could
have discussed it.

LIZ: Look, I know you're
not happy about me

sending her away to school--

Frankly, I'm not.

There was no alternative.

LAURENCE: Of course there was.

Mother's busy with--

LAURENCE: Yes, you could
have got work locally.

LIZ: Anyway, she seems
to have settled down.

That's not the point.

She's only five, Liz.

Well, Jack and I
weren't much older when we

were sent to boarding school.

LAURENCE: Yes, and
you always said

you didn't want that for Vicky.

Well, I didn't know then
that there'd be a war on,

or that I--

You'd what?

Need we talk about this now?

This is meant to
be a celebration.

Another dance.

[music playing]

[crash]

[speaking german]

[music playing]

[romantic music]

FAITH: Oh, don't be
so stupid, Victor.

It has happened
to other people.

FAITH: You've got
a one-track mind.

Listen.

Like it or not, danger is
a powerful aphrodisiac.

Kit and Liz are only human.

You know, they're all
warned about involvement--

Oh, yes.

It suits Cad and the rest of
you to think that they all

lead lives of blameless purity.

But I have been out
there, remember.

And I know the feeling one
gets of sheer desperation.

Yes, well everyone isn't
sex-mad like you, Victor.

And everyone isn't
an iceberg like you.

I'm sorry.

I didn't mean that.

I admire your detachment.

Apart from anything
else, Kit has

only recently lost his wife.

Not that recently.

And Liz is a
happily married woman.

She didn't look
too happy last night.

I saw them at The Mayfair.

For a couple who had
just been reunited,

they looked less than ecstatic.

LAURENCE: Where did
you say you were going?

I didn't.

I promised a friend I
would visit her mother,

and as you have
an appointment, it

seemed like a good opportunity.

Anyone I know-- your friend?

LIZ: No.

Someone I was with in Scotland.

Bon champs.

What did you say?

LAURENCE: The inscription
on your compact.

Oh, yes.

Nice bit of silver.

Have I seen it before?

No.

Jack gave it to me
on his last leave.

Why French?

Why not?

Well, goodbye, darling.

I'll be off then.

I'll see you later.

Where does your
friend's mother live?

Stepney.

- Stepney?
- Yes.

What on earth is
wrong with that?

[children singing]

Have you seen my hoops?

Yes.

I hate Martine.

[knocking]

Mr. Firman?

Yes.

Good morning.

You from the welfare?

No.

You look like it.

Sorry.

Actually, I'm a
friend of Matty's.

She asked me to come and
visit you and her mother.

Friend?

Or another like the last
one they sent round?

Friend.

You'd best come in.

Someone to see you, Amy.

She's not a hundred percent.

Matty warned me.

Look to it, Aimee.

You've got a visitor.

LIZ: Hello, Mrs. Firman.

My name's Elizabeth Grainger.

MR. FIRMAN: She's
a pal of Matty's.

Matty?

[speaking french]

No froggy talk, now.

Speak to her in English.

No, that's fine.

Oui.

[speaking french]

[speaking french]

[speaking french]

Merci.

Bloody marvelous, isn't it?

AIMEE: Merci beaucoup, madame.

[speaking french]

MR. FIRMAN: What did she say?

She asked if I'd
like a cup of tea.

Stone of crows.

[speaking french]

AIMEE: Excusez-moi.

[speaking french]

That's right.

You make her a nice cuppa.

So you speak French too?

LIZ: Oh, just schoolgirl stuff.

Come off it.

I may not understand
the lingo, but I do

know when it's spoken proper.

I bet you've been
out there with her.

In France, haven't you?

I didn't realize
that you knew.

She doesn't.

That really turned
her mind off to what

they went through getting out.

I daresay Matty
told you about it.

Well, not much.

We're not supposed
to know anything

about each other's backgrounds.

MR. FIRMAN: Oh-ho.

Try keeping Matty's mouth shut.

Well, I think you'll find
her changed in that respect.

MR. FIRMAN: How is she?

Fine.

Fine?

You sound like
that Ashley woman.

No, she is.

Honestly.

Whenever people say
honestly, I know they're lying.

Well, I don't want
your comforting lies.

I know what it must
be like out there.

Her work is dangerous-- very.

What are her chances?

Well, you know
Matty, Mr. Firman.

If anyone's a survivor, she is.

[music playing]

What the hell--

Thank god, it's only you.
I thought you--

TOMMY: Shut the door.

Are you out of your mind?

You'd go out leaving
the door unlocked?

MATTY: I only went to the bog.

And this lying around
from anyone to see.

Sod.
I'm sorry.

It's only my sched time.

I was just--

TOMMY: Supposing I'd be
one of Krieger's men.

I've said I'm sorry.

TOMMY: He'd have had
your codes, sched times,

wavelengths, everything.

I do usually
hide it, it's just

I've got a touch of the squits.
I--

TOMMY: I don't care
what you've got.

One slip's enough for them.

[sigh]

We can't afford to
lose you, Aimee.

I know.

You're moving about
as much as possible?

Yes.

I try not to transmit
from the same place

more than three times.

I'm pushing off to
Evanchamp tomorrow.

Good.

And you're keeping the
transmissions short?

That's easier said than done,
with all the interference.

Yes, I do understand
the problems.

Is there anything you need?

I need more sets so
I wouldn't have to keep

lugging that case around.

Well, with any luck, they'll
be sending some more in soon.

I told her in the end--

Celeste.

That she wouldn't
be coming back?

TOMMY: You were right.

It was my job, not Cad's.

How did she take it?

TOMMY: I'm not sure.

Well, she don't
give much away.

I miss her like hell.

So do I.

Oh, well.

Better get my set ready.

Just a minute.

See that man?

Which one?

TOMMY: With his
collar turned up.

MATTY: Yes.

TOMMY: He could be
holding a listening

device under that collar--

Gestapo trick.

We can't be too careful.

What do I do?

You don't.

I'll deal with him if necessary.

Aren't you going
to open it, then?

Go on, see what she sent you.

MR. FIRMAN: What is it, scent?
Chanel, too.

Aren't you a lucky girl.

Well, let's have a sniff.

Dab a bit behind your ear.

Go on.

No.

What's the matter?

I thought Chanel
was your favorite.

Matty-- she's in France.

France?

Don't be so daft.

Yes.

I know it.

MR. FIRMAN: You know where
she is as well as I do.

She's up in Scotland, isn't she?

We had that postcard
with the heather on.

No.

I bet she got that from
one of those skiving colonels

she drives about.

She's in France.

MR. FIRMAN: Oh, come on, Aimee.

Oh.

Matty.

Matty.

MR. FIRMAN: Pull
yourself together.

They'd never send a slip of
a girl like her out there,

now would they?

[music playing]

I'm afraid they gave
you a bit of a grilling.

That's why I'm here.

Cad said you handled
it extremely well.

They were impressed.

Will you be needing me again?

I don't think so.

We can contact you in
Devon if necessary.

Faith, there is something
I'd like to discuss with you.

It's about Matty.

I'd have taken
you out, but one

daren't risk being overheard.

Quite.

And headquarters is out
of bounds to all but staff.

Even Cad's wife doesn't
know where his office is.

I never thought of
Cad as having a wife.

Mm.

Two daughters as well.

Not that they see much of him.

Now, where were we?

Matty's grandfather.

Ah, yes.

He said her paycheck
was late again.

Not an easy man.

They really need
that money, Faith.

I'll chase it up.

It's funny I didn't
realize till I went--

well, I suppose I'd
never thought about it.

About what?

The differences
in our backgrounds.

I mean, in France we never
worried about things like that.

No one gave a damn whether
Matty came from Stepney,

or Kit's father had a title.

We just--

Kit told you about himself?

He didn't need to.

We knew each other already.

Ah.

That must've been
tricky for you.

Not really.

Kit's very good at
cutting himself off.

FAITH: You know about
his wife and family?

Yes.

FAITH: Dreadful business.

I knew him before he
joined the outfit as well.

Really?

In fact, I put Cad on to him.

We were up at Oxford together.

Our paths have crossed at
various times over the years.

Does he know about this raid
the combined ops are planning?

He knows what it's
politic for him to know.

[music playing]

They look just
like Pooh and Piglet.

LAURENCE: She used
to walk with us--

hold our hands and
turn somersaults.

We might as well
be strangers now.

Better than
being too clinging.

How can you be so callous?

I'm not being callous,
I'm being realistic.

Would you rather there were
scenes every time we left her?

It's a pity we both have to
leave her in the first place.

[music playing]

VICKY: Gran!

Oh, look, Gran.

What's the matter, darling?

What is it?

A rabbit.

It's all right.

It isn't all right.

It's hurt.

What's the matter?

What's happened?

Oh, poor thing.

Come to Daddy.

I don't want Daddy.

I want Granny.
- It's all right.

I'll take her home.

Come on, Vicky.

I wish I had my gun.

I'd put it out of its misery.

[thud]

[dramatic music]

London's arranged an ammo
drop for the next full moon.

A week's time?

I'll let you in
on the arrangements

as soon as we get
the message through.

Right.

You said you wanted me to
liaise with Claudine de Valois.

Yes.

I need to arrange more
money loans, urgently.

She should be able to
rustle up some more people.

How do I contact her?

There's a woman who runs
a perfumery in Guyancourt.

She'll pass on the message.

What about that?

No.

The eyes are still wrong.

They're more deep set.

I've had a message.

They want me to
arrange more loans.

Then give them some names.

CLAUDINE: Yes.

That's more like it.

Interesting.

I thought so.

With the hair a touch darker.

Yes.

It's the little
district nurse who

disappeared so mysteriously.

[clicking]

MATTY: Right.

That's it.

COLIN: You were well
over 20 minutes.

Well, they must give me such
bloody complicated messages.

I--

COLIN: [laughing]

[sigh]

Thanks for looking out.

There seems to be quite a bit
of stuff coming in from London.

Arrangements for the
next ammo drop from--

police?

It's a detector van
and two other vehicles.

Krieger's men, by
the look of it.

[dramatic music]

Hurry up!

They're heading this way.

MATTY: Quick, hide that!
- Where?

MATTY: In there.

[shouting]

We'll have to
make a run for it.

They're covering the exits.

Well, what are we
going to do, then?

Well just have to bluff.

I know--

What?

Quick-- undress,
and get into bed.

OFFICER: (SHOUTING) Open up!

It's the police!

Well, have you got
any better ideas?

[knocking]
OFFICER: (SHOUTING) Police!

Open the door.

[music playing]

Uh, what's going on?

Um.

[speaking german]

[speaking german]

Phew.

Don't count your chickens.

They may be back.

[footsteps]

Darling, I've made you the
most beautiful daisy chain.

Did you learn this at school?

SOLDIERS: [speaking german]

They must be on
the roof still.

How much longer?

Shh.

SOLDIERS: [speaking german]

[speaking german]

[speaking german]

[speaking german]

Best not get up yet.

I wasn't gonna--

Evelyn-- can you
spare a moment?

Is it about Liz?

Yes.

It's all right--
she's in the bathroom.

Shall we sit down?

She's changed so.

EVELYN: Yes.

Well, for God's sake, a
few months in the fannies

can't have done that to her.

You know something, don't you?

I don't know, only suspect.

From what that Ashley
woman inferred,

I think it's some sort
of intelligence work.

It may be connected with France.

I needed that.

Not half as much as I did.

Thanks.

Don't mention it.

We're breaking all
the rules, of course.

Sod the rules.

Yeah.

And you don't have to feel--

we don't have to
make anything of it.

I know we don't.

I never slept with
anyone I liked before.

Well, I've never
slept with anyone

whose name I didn't know.

Well, since we're breaking
the rules, mine's Matty.

Mine's Colin.

I prefer it to Cyrano.

[laughing]

You never did tell me
about your love life.

Well, actually, I've rather
always gone for older women.

Now he tells me.

My first conquest was a
sculptress friend of mother's.

That old?

Oh, then there was my
leading lady in Canada.

But that didn't last long.

Why not?

Well, she decided the
producer had more to offer,

like a part in his
next West End show.

What about your murky past?

One nighters mostly,
after dances and that.

Didn't want to tie myself down.

I went with someone the night
before we came out here.

Picked him up at the flicks.

Men do it all the time.

I felt so alone that night.

I've always needed
people around me.

If anyone had told me I'd be
able to go for days on end

without talking to a ruddy
soul, I'd of said they were mad.

I've even taken up reading--

I'm halfway through
"War and Peace".

COLIN: Well, I'll make sure
you get a chance to finish it.

[kiss]

You won't risk transmitting
from here again, will you?

Not likely.

- Let me know where you go next.
- No, Colin.

I don't think I should.

Not anymore.

No, not because of that.

But Gregoire's right.

I realized today, what
if we'd both been caught.

Without us, Cad'd
really be up the creek.

Your mother's been telling
me about the photographs.

LIZ: What photographs?

The ones you've sent to the
abbey, to some radio appeal.

Oh, those.

Yes.

We all had to look at
our old holiday snaps.

LAURENCE: Is that how
they came to recruit you?

You are working for
intelligence, aren't you?

Yes.

LAURENCE: The French section
of the War Office, presumably.

I'm really not supposed to
talk about this, Laurence.

Well, I'm sorry, but I
think I have a right to know

what my wife's been up to.

LIZ: Nothing very exciting.

Translation, mostly.
- Oh, I see.

So it's a spot of translation
that taught you how

to smash that rabbit's head.

LIZ: Oh, you're not still
on about that, are you?

My Liz couldn't have
swatted a wasp, let alone

killed an animal, with
what I can only describe

as professional expertise.

Now, isn't it time
you told me the truth?

Well, I suppose
I might as well,

since I shan't be going back.

I've been out in Normandy,
working as a secret agent.

[laughing] This is
no joking matter, Liz.

I'm not joking.

A secret agent?

You?

After I sent
those photographs,

I was approached by a
special organization.

I've been out there
since September.

In occupied France?

LIZ: Doing liaison work.

But they'd never force a
woman to go into a country--

They didn't force
me, I volunteered.

I know how unlikely
that must sound to you.

For God's sake.

Why, Liz?

LIZ: They needed people
that could past for French.

It was the one thing I can
do that most people can't.

Don't you realize you
could have been killed.

LIZ: Yes.

Christ!

Didn't you think
of Vicky and me.

Well, of course I did.

It was for Vicky I did
it, and because of Jack.

LAURENCE: Of
course, I might have

known he'd have come into it.

His death would have
been worth nothing

if I hadn't been prepared
to carry on in the fight.

I've never heard such
rubbish in all my life.

LIZ: Well, that's
the way I feel.

And if you'd got yourself
killed, too, how would that

have helped the war effort?

At least I would have
achieved something first.

When I first went out
there, several of our agents

had been arrested.

The organization had
totally gone to pot.

Well, I helped
build it up again.

I helped to keep communication
going at a vital time.

And most importantly
of all, I helped

take some of the workload
off our leader, who's

been out there risking his
life for over 10 months,

and could be dead by
now for all that I know.

Anyway, you needn't worry.

I'll be working over
here from now on,

and they're not sending
me back to France.

Why sound so sorry about it?

Good morning, mademoiselle.

Where is your
boyfriend this morning?

Has he deserted you?

Oh, it's you again.

Don't you ever knock?

OFFICER: [speaking german]
It is a radio set, isn't it?

I don't know what
you're talking about.

I travel in cosmetics.

I think you do, Aimee.

It is you, isn't it?

We recognized it
as soon as Colonel

Krieger showed it to us.

[speaking german]

[kick]

[kick]

[slap]

[punch]

[kick]

You-- ugh!

Ah!

Ah!

Gah!

[punch]

[slap]

[punch]

[theme music]

[filmrise jingle]