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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,800 --> 00:00:11,400 "No, I mustn't think I once loved you,... 2 00:00:15,480 --> 00:00:20,200 ...it's better to forget than to suffer. " 3 00:00:20,880 --> 00:00:22,400 One should remember. 4 00:00:26,080 --> 00:00:28,000 One should remember. 5 00:00:30,600 --> 00:00:33,280 That's the "Tr�o Calaveras" singing... 6 00:00:34,000 --> 00:00:36,200 ...and the song is called "Caminemos". 7 00:00:38,280 --> 00:00:40,400 No, it's "Los Panchos". 8 00:00:42,080 --> 00:00:44,200 So many years ago! 9 00:00:45,480 --> 00:00:48,680 I once saw "Los Calaveras" at a very glamorous dance-hall. 10 00:00:49,680 --> 00:00:52,400 Some of us stayed on when they closed the place. 11 00:00:53,000 --> 00:00:56,680 In those days, places closed very early. 12 00:00:57,280 --> 00:01:00,280 You know, Franco. As he doesn't go out at night... 13 00:01:02,600 --> 00:01:04,400 Mar�a Asquerino was there... 14 00:01:05,280 --> 00:01:08,200 ...Jorge Mistral, Lola Flores, Rabal... 15 00:01:09,880 --> 00:01:12,680 I had never met any of them before that,... 16 00:01:13,480 --> 00:01:15,800 ...I had just come from the towns. 17 00:01:26,280 --> 00:01:31,600 TRIP TO NO WHERE 18 00:03:25,280 --> 00:03:28,400 I had just been discovered by Miguel Mihura,... 19 00:03:29,000 --> 00:03:32,280 ...a late discovery, but I owe my greatest success to him,... 20 00:03:32,880 --> 00:03:35,280 ...as well as the best years of my life. 21 00:03:35,600 --> 00:03:38,600 But I was not going to tell that now, but then my son,... 22 00:03:38,800 --> 00:03:42,480 ...that "weedy youth", appeared, all of a sudden. 23 00:03:43,280 --> 00:03:45,400 My memory fails me at times. 24 00:03:47,000 --> 00:03:49,800 - Your mother sent you, right? - Of course. 25 00:03:52,400 --> 00:03:55,200 Well... I don't know what to say. 26 00:03:55,480 --> 00:03:56,480 Neither do I. 27 00:03:57,280 --> 00:04:00,200 - We have hardly seen eachother. - Never. 28 00:04:00,880 --> 00:04:04,000 I have seen you in the pictures your mother used to send me. 29 00:04:05,000 --> 00:04:09,080 You grew, and grew, and grew... 30 00:04:11,480 --> 00:04:12,480 Of course. 31 00:04:13,200 --> 00:04:16,880 Well, then... give me a hug, boy! 32 00:04:19,280 --> 00:04:22,800 While we were thus embraced, I kept thinking what a... 33 00:04:23,400 --> 00:04:25,400 ..."weedy youth" he was. 34 00:04:30,600 --> 00:04:33,280 Carlos! We are leaving! 35 00:04:42,400 --> 00:04:45,680 - What is your name? - Carlos, after you. 36 00:04:46,480 --> 00:04:50,000 - I know, I mean your surname. - Pineiro Lopez, after my mother. 37 00:04:50,200 --> 00:04:51,680 I don't have your surname. 38 00:04:52,280 --> 00:04:56,400 Don't be so formal with me, that's old fashioned. 39 00:04:56,880 --> 00:04:59,680 I am formal because I don't know you. 40 00:04:59,800 --> 00:05:03,080 - Carlos, the bus is leaving. - Dad, this is my son. 41 00:05:03,880 --> 00:05:06,880 - Your grandson. - Oh! Is that you? 42 00:05:07,600 --> 00:05:10,400 He is a fine looking young man. 43 00:05:11,400 --> 00:05:14,600 You'll get far. Come to my arms, grandson! 44 00:05:15,480 --> 00:05:16,680 How exciting! 45 00:05:17,480 --> 00:05:19,000 How exciting! 46 00:05:21,200 --> 00:05:23,000 He's taller than you! 47 00:05:23,880 --> 00:05:27,080 And you still have to grow, because you are... 48 00:05:29,880 --> 00:05:33,080 - Seventeen. - Seven...? Time does go by! 49 00:05:34,480 --> 00:05:37,600 - Do you like the theatre? - I don't really know. 50 00:05:37,800 --> 00:05:41,800 - Have you ever watched a play? - Only one, but it was ridiculous. 51 00:05:42,680 --> 00:05:45,800 - Haven't you seen any more? - One about family matters,... 52 00:05:46,880 --> 00:05:48,280 ...quite ridiculous too. 53 00:05:49,000 --> 00:05:53,080 They were well dressed. Some so well that they looked ridiculous. 54 00:05:54,680 --> 00:05:56,080 Let's go, Carlos. 55 00:05:56,280 --> 00:06:00,400 - What about my son? - Let him come to Cabezales. 56 00:06:00,480 --> 00:06:01,600 Come on. 57 00:06:02,800 --> 00:06:05,600 When do you go back to Galicia? 58 00:06:06,280 --> 00:06:09,000 I'm not, my mother told me to stay here. 59 00:06:11,080 --> 00:06:15,000 - She told you to? - Yes. If she looked after me... 60 00:06:15,200 --> 00:06:18,600 ...for 17 years, my father should do the same for 3, till I enrol. 61 00:06:18,680 --> 00:06:21,600 I sometimes used to send money, or something. 62 00:06:22,200 --> 00:06:23,680 Yes, my mother wrote it down. 63 00:06:25,280 --> 00:06:26,400 I've got it here. 64 00:06:28,600 --> 00:06:31,280 "At two, I got 50 pesetas, for St. Carlos. 65 00:06:32,000 --> 00:06:35,400 At 4, another 125 pesetas, for St. Carlos. 66 00:06:36,480 --> 00:06:39,000 At 12, as a Christmas treat, 3 kg of sausages... 67 00:06:39,200 --> 00:06:42,000 - ... and a bottle of wine. " - So she packed your suitcase... 68 00:06:42,200 --> 00:06:45,200 - ... and off with your father. - Not a suitcase, just a box,... 69 00:06:45,280 --> 00:06:48,200 ...she gave it to me when she went to Mexico,... 70 00:06:48,280 --> 00:06:51,280 - ... and two pairs of pants. - Two pairs of pants? 71 00:06:51,480 --> 00:06:53,000 Yes, and half a cheese. 72 00:06:53,600 --> 00:06:55,200 - And what you're wearing now. - Yes, that's right. 73 00:06:55,880 --> 00:06:58,080 - What do you do? - Nothing. 74 00:06:58,800 --> 00:07:02,000 - It's about time, isn't it? - I was a mechanic, very dirty. 75 00:07:04,080 --> 00:07:08,000 - You'll have to tell Juanita. - Let that alone for now. 76 00:07:08,880 --> 00:07:11,680 Those of you who are drinking or playing, must leave,... 77 00:07:12,280 --> 00:07:15,480 ...to watch the show, you must ask for another drink. 78 00:07:21,200 --> 00:07:23,680 Carlitos, my son, stayed moveless, seated,... 79 00:07:24,480 --> 00:07:27,400 ...until the show finished. 80 00:07:28,680 --> 00:07:31,480 "Although I might be poo... poo... 81 00:07:32,480 --> 00:07:34,400 ...poo... poo... poo... 82 00:07:35,880 --> 00:07:38,600 ...poor, 'tis 'ow, what we need... 83 00:07:39,280 --> 00:07:41,280 ...is to... is to... 84 00:07:42,280 --> 00:07:44,280 - ... is to... - To support us? 85 00:07:44,800 --> 00:07:47,680 To support you no longer! 86 00:07:48,480 --> 00:07:50,600 - Raskal! - Mum, I love him! 87 00:07:51,080 --> 00:07:52,680 I will... I will... 88 00:07:53,880 --> 00:07:56,000 - ... I will... - Mother, stop it! 89 00:07:56,080 --> 00:07:59,200 I will kill myself if I ever see my daughter with this poor fool. 90 00:07:59,280 --> 00:08:01,000 It is contagious. 91 00:08:02,480 --> 00:08:06,280 Leave them, Lucrecia, leave them. 92 00:08:07,600 --> 00:08:10,080 When two hearts join... 93 00:08:10,680 --> 00:08:14,000 ...they are stronger than any other reason. " 94 00:08:27,600 --> 00:08:31,400 - They've laughed, haven't they? - Come on, grandson, speak. 95 00:08:32,400 --> 00:08:35,000 Don't be shy. What did you think of it? 96 00:08:36,880 --> 00:08:38,080 Ridiculous. 97 00:08:41,480 --> 00:08:43,480 It's not you, you were very funny,... 98 00:08:44,200 --> 00:08:46,680 ...but looking at you with that make-up. 99 00:08:47,400 --> 00:08:49,800 I don't know about the theatre. 100 00:08:50,480 --> 00:08:51,600 I don't know. 101 00:08:52,480 --> 00:08:55,000 Now I know what the matter was with him. 102 00:08:55,600 --> 00:08:59,000 He first met me there, with the curtain,... 103 00:08:59,680 --> 00:09:01,200 ...the audience. 104 00:09:01,880 --> 00:09:05,800 His opinion would have been different if he had... 105 00:09:05,880 --> 00:09:09,000 ...met me years later, for instance, on the day... 106 00:09:09,200 --> 00:09:12,200 ...of the "Spanish Cinema Club" awards. 107 00:09:13,080 --> 00:09:16,080 And now, the winner for the best secondary actor! 108 00:09:16,880 --> 00:09:20,480 For his performance in "Flowers for Mummy": Carlos Galvan! 109 00:09:23,480 --> 00:09:26,480 To give the award, we have the Head of the National Showbizz... 110 00:09:26,600 --> 00:09:29,280 ...Union, and Carlos Galvan, himself, will recieve it. 111 00:09:35,880 --> 00:09:38,400 You should work with us. 112 00:09:38,880 --> 00:09:41,600 - I lack vocation. - What do you know of that? 113 00:09:41,680 --> 00:09:44,200 I do, a friend had it and he became a priest. 114 00:09:44,280 --> 00:09:46,880 - So, what is your vocation? - To be an accountant. 115 00:09:47,000 --> 00:09:49,600 - An accountant? - Yes, I can even divide. 116 00:09:49,680 --> 00:09:53,400 You get a vocation watching others at work. At least in acting. 117 00:09:54,280 --> 00:09:57,800 In Vigo, a friend of mine, used to do the accounts at a stationer's. 118 00:09:58,600 --> 00:10:02,280 - But why do you like that? - My friend Pepino has two... 119 00:10:02,480 --> 00:10:05,800 ...stationeries of his own, and a car, and he dresses very well. 120 00:10:05,880 --> 00:10:09,000 Where did he get the money to start with? With a salary... 121 00:10:09,680 --> 00:10:12,080 - Marrying the owner's daughter. - Way to go! 122 00:10:12,800 --> 00:10:14,880 But he was able to marry her because he was an accountant. 123 00:10:15,000 --> 00:10:17,600 Had he been a comedian, he wouldn't have been able to. 124 00:10:18,280 --> 00:10:22,080 Maldonado does that here, he is an actor, besides a manager. 125 00:10:22,880 --> 00:10:23,680 You are a comedian, Carlitos! 126 00:10:34,280 --> 00:10:37,880 - Juanita I must speak to you. - "Long and thorough", as they say. 127 00:10:39,200 --> 00:10:41,400 If you get like that before starting... 128 00:10:42,080 --> 00:10:44,680 It is not easy to tell you this. 129 00:10:45,080 --> 00:10:49,080 I see it clearly, you have a son, as tall as a cathedral,... 130 00:10:49,280 --> 00:10:52,480 ...and you hadn't told me because you are a swine. 131 00:10:53,200 --> 00:10:56,400 - One doesn't speak of this. - What about, then? Football? 132 00:10:56,600 --> 00:11:00,600 Juanita, it was a long time ago. 133 00:11:01,080 --> 00:11:03,200 Looking at the boy, he must be around... 40. 134 00:11:03,600 --> 00:11:05,200 - You see... - Don't you touch me! 135 00:11:05,400 --> 00:11:09,280 I forgot, we have so much to speak about. 136 00:11:10,600 --> 00:11:13,080 Our love. Our work. 137 00:11:14,280 --> 00:11:17,680 - I did tell you about the other. - Who, Marianito? 138 00:11:17,880 --> 00:11:21,000 But he lives with his mother. Make up your mind, this boy,... 139 00:11:21,080 --> 00:11:25,200 - ... who will he live with? - For a few days, he'll sleep... 140 00:11:25,280 --> 00:11:29,280 - ... with me, in my bedroom. - Really? Where shall I sleep? 141 00:11:29,400 --> 00:11:32,680 You'd better not say anything else, I don't know what I'll do. 142 00:11:35,280 --> 00:11:36,400 I just don't know. 143 00:11:37,080 --> 00:11:40,800 We are stopping a lot these days because the "filmmakers"... 144 00:11:41,000 --> 00:11:44,200 ...who go from town to town are a big competence. 145 00:11:44,280 --> 00:11:47,280 And that's considering they bring broken old films. 146 00:11:47,800 --> 00:11:51,080 Rosa is a second cousin to you. 147 00:11:51,800 --> 00:11:53,400 I don't think we are even that. 148 00:11:53,880 --> 00:11:56,800 She is Julia's daughter, who is my second cousin. 149 00:11:56,880 --> 00:12:01,480 No, Rosa is Carlitos's aunt, because she is my daughter. 150 00:12:02,480 --> 00:12:07,280 Do you get it? Carlitos, the famous anonimous Galvan. 151 00:12:08,400 --> 00:12:11,000 Mr. Arturo, your grandfather, the first actor. 152 00:12:11,800 --> 00:12:13,800 Mrs. Julia, your great aunt,... 153 00:12:14,280 --> 00:12:16,280 ...Rosa, your aunt,... 154 00:12:17,480 --> 00:12:20,600 ...Juanita, another workmate. 155 00:12:21,280 --> 00:12:24,200 Stop joking, Maldonado, and stop drinking. 156 00:12:25,280 --> 00:12:27,680 And Maldonado, another colleague. 157 00:12:28,400 --> 00:12:30,680 Let's toast to the new gentleman. 158 00:12:31,680 --> 00:12:34,680 May you be crowned with the laurel leaves from Tal�a... 159 00:12:35,480 --> 00:12:38,280 ...without forgetting the vine shoots from Baco. 160 00:12:38,880 --> 00:12:40,600 - Cheers. - Cheers! 161 00:12:44,600 --> 00:12:46,280 Funny situation, isn't it? 162 00:12:47,200 --> 00:12:49,600 Just like one of those comedies that make you cry. 163 00:12:50,280 --> 00:12:51,080 Why? 164 00:12:52,080 --> 00:12:55,000 Two men, unknown to eachother till yesterday,... 165 00:12:55,200 --> 00:12:57,200 ...sleeping together in the same bed. 166 00:12:58,280 --> 00:13:00,280 And those men, Carlos Galvan,... 167 00:13:00,480 --> 00:13:02,800 - ... and Carlos Pinero... - Pineiro. 168 00:13:02,880 --> 00:13:06,000 ...Carlos Pineiro are father and son. 169 00:13:07,200 --> 00:13:09,600 - Funny situation, isn't it? - Yes, it is. 170 00:13:12,080 --> 00:13:15,200 I am still a stranger, though we're sleeping together,... 171 00:13:17,000 --> 00:13:19,400 - ... aren't I? - Of course. 172 00:13:21,600 --> 00:13:23,200 Do you know what "the voice of the blood" is? 173 00:13:23,880 --> 00:13:26,200 - I heard something about it. - From your mother? 174 00:13:26,280 --> 00:13:27,800 No, in a film. 175 00:13:30,000 --> 00:13:32,200 - Can you hear "the voice"? - No. 176 00:13:32,880 --> 00:13:35,600 I can't either, son. It is too soon. 177 00:13:36,800 --> 00:13:41,680 If you heard it, it would tell you must be a comedian. 178 00:13:42,880 --> 00:13:45,800 - I would die of shame. - Why? 179 00:13:46,600 --> 00:13:49,680 - It is as good as any other job. - You must be cheeky. 180 00:13:50,280 --> 00:13:52,000 There is no other job here. 181 00:13:52,280 --> 00:13:55,000 I can't be a comedian. 182 00:13:55,600 --> 00:13:58,000 - Why not? - Because of my galisian accent. 183 00:13:58,200 --> 00:14:00,680 - You got that just now. - No, dad, I didn't. 184 00:14:13,480 --> 00:14:14,400 Read. 185 00:14:14,800 --> 00:14:16,080 - Now? - Now! 186 00:14:17,200 --> 00:14:18,880 - No, dad, no. - Read! 187 00:14:19,480 --> 00:14:21,480 It is a play we'll do one of these days. 188 00:14:22,080 --> 00:14:25,480 You'll play Luis. Till now that character didn't appear... 189 00:14:25,680 --> 00:14:30,080 ...we used to read a letter with his part, we are too few. 190 00:14:30,880 --> 00:14:32,880 You'll read it tomorrow. 191 00:14:33,600 --> 00:14:34,480 Read. 192 00:14:36,480 --> 00:14:37,800 "Sir... 193 00:14:39,280 --> 00:14:40,200 ...Earl,... 194 00:14:41,280 --> 00:14:42,800 ...today... 195 00:14:44,200 --> 00:14:47,880 - ... I'm leaving "Caramona". - Not Caramona, Carmona! 196 00:14:49,280 --> 00:14:50,280 Carmona. 197 00:14:51,880 --> 00:14:56,080 I'm going to Por... tu... gal. " 198 00:14:56,800 --> 00:14:59,080 Read it to see if I get the hang of it. 199 00:14:59,880 --> 00:15:01,880 "Earl, today I'm leaving Carmona,... 200 00:15:02,080 --> 00:15:04,200 ...I'm going to Portugal, where I might sail off to Africa. 201 00:15:04,400 --> 00:15:06,800 I know what I was about to do is a felony. 202 00:15:06,880 --> 00:15:08,800 I wish Marta to be very happy. " Here you are. 203 00:15:09,280 --> 00:15:11,800 - You read very quickly. - I know it by heart. Go on. 204 00:15:13,480 --> 00:15:17,600 "Earl... " I can skip this, I read it before. 205 00:15:18,080 --> 00:15:19,800 Read it all again. 206 00:15:22,280 --> 00:15:23,400 "Today... 207 00:15:24,480 --> 00:15:26,400 ...I... am... 208 00:15:27,800 --> 00:15:29,600 ...lea... ving... 209 00:15:31,080 --> 00:15:32,000 ...Carmona. 210 00:15:32,600 --> 00:15:34,880 I'm going to Portugal,... 211 00:15:35,280 --> 00:15:39,400 ...where I might sail off to Africa. 212 00:15:41,080 --> 00:15:44,800 I know that what I was about... 213 00:15:46,000 --> 00:15:48,400 ...to do is a... 214 00:15:50,600 --> 00:15:53,480 - ... "felouny. " - Felony! 215 00:15:54,880 --> 00:15:58,680 - Felony. What's that? - Never mind. Go on. 216 00:16:01,200 --> 00:16:03,880 "I wish Marta... 217 00:16:05,080 --> 00:16:06,280 ...to be... 218 00:16:07,200 --> 00:16:09,200 ...very happy. " 219 00:16:11,880 --> 00:16:14,200 - Is that how you read? - Yes. 220 00:16:15,600 --> 00:16:19,280 Comedians, turn the lights off, it's late! 221 00:16:20,480 --> 00:16:23,280 I must turn him on, is that right? 222 00:16:23,680 --> 00:16:26,480 - The way you speak nowadays. - You understand me. 223 00:16:26,600 --> 00:16:28,680 The boy needs something that takes away his shyness,... 224 00:16:28,800 --> 00:16:31,000 ..."the voice of the blood" means nothing, to him. 225 00:16:31,080 --> 00:16:33,080 If he's seen no comedies... 226 00:16:51,000 --> 00:16:54,280 Today, at 6:30 in the afternoon,... 227 00:16:55,280 --> 00:16:57,680 ...in the "C�rculo Castellano",... 228 00:16:58,800 --> 00:17:00,680 ...the "Great Comedy... 229 00:17:02,080 --> 00:17:05,880 ...the Hiniesta-Galvan company. 230 00:17:06,800 --> 00:17:10,080 ...will perform the funny... 231 00:17:11,280 --> 00:17:12,680 ..."comedy play":... 232 00:17:13,480 --> 00:17:16,400 ..." Beware of the Marchioness". 233 00:17:17,880 --> 00:17:20,000 4 pesetas per seat. 234 00:17:20,800 --> 00:17:23,080 2.50 pesetas, per bench. 235 00:17:23,680 --> 00:17:27,800 At 6:30 in the "C�rculo Castellano". 236 00:17:29,000 --> 00:17:32,800 It is not the same play as last month's. 237 00:17:34,280 --> 00:17:36,800 The drum and the cymbals must be brought down,... 238 00:17:37,400 --> 00:17:40,800 ...and the chairs taken up. The benches have to be opposite,... 239 00:17:41,000 --> 00:17:43,600 ...on the platform, as ever. There was a ball yesterday. 240 00:17:46,480 --> 00:17:48,880 Mind your head. You are very tall. 241 00:17:49,280 --> 00:17:51,600 - What shall I do with this? - Leave it downstairs. 242 00:17:51,800 --> 00:17:53,880 - It's very dark. - There's a light bulb. 243 00:17:54,080 --> 00:17:57,200 - Where do you turn it on? - The switch's beside the window. 244 00:17:58,400 --> 00:17:59,400 I can't find it. 245 00:18:00,080 --> 00:18:01,600 On the right, below. 246 00:18:02,200 --> 00:18:05,400 - Oh!, I'm sorry, I stumbled. - It's normal, it's dark. 247 00:18:06,200 --> 00:18:08,000 - I've got it. - Turn it on. 248 00:18:08,600 --> 00:18:10,400 - There's no light. - Did you switch it on? 249 00:18:10,480 --> 00:18:13,280 - It must be fused. - Or it could be loose. Let me see. 250 00:18:14,880 --> 00:18:16,400 - Bring me a chair. - How? 251 00:18:16,880 --> 00:18:18,280 Why, feel your way! 252 00:18:22,880 --> 00:18:24,880 - Oh! Sorry. - Do you do it on purpose? 253 00:18:25,000 --> 00:18:27,800 - You are constantly falling over. - Well, it's dark... 254 00:18:27,880 --> 00:18:29,800 Place the chair over here. 255 00:18:31,200 --> 00:18:32,800 I'm getting on it. Hold me. 256 00:18:34,080 --> 00:18:36,200 Hold me. Not the chair. 257 00:18:37,280 --> 00:18:38,200 All right. 258 00:18:39,200 --> 00:18:40,800 But, where shall I hold you? 259 00:18:41,680 --> 00:18:42,800 This way? 260 00:18:43,880 --> 00:18:47,080 - Shall I hold you this way? - Hold me anyway you like. 261 00:18:47,680 --> 00:18:50,000 - Just don't let me fall. - Can you find the bulb? 262 00:18:50,080 --> 00:18:51,800 Yes, I've found it. 263 00:18:52,400 --> 00:18:56,200 - Hold me further up, if you like. - Don't... you mind? 264 00:18:57,000 --> 00:18:58,400 Why should I mind? 265 00:18:59,680 --> 00:19:01,680 Well, there is light now. 266 00:19:04,280 --> 00:19:08,200 Don't stare at me like that. Look me in the face. 267 00:19:08,880 --> 00:19:10,880 It's just... It's just... 268 00:19:11,480 --> 00:19:14,000 And pull my skirt down, someone might come. 269 00:19:15,280 --> 00:19:18,000 Carlitos, hold me tight, I'm getting down. 270 00:19:19,480 --> 00:19:22,400 - Where shall I hold you? - Wherever you like. 271 00:19:29,600 --> 00:19:31,600 You didn't fall, you jumped! 272 00:19:32,280 --> 00:19:33,480 You did! 273 00:19:34,280 --> 00:19:35,480 You did! 274 00:19:39,200 --> 00:19:43,000 Where is Carlitos? I told him to help, as the rest of us. 275 00:19:43,480 --> 00:19:44,800 Maybe with Rosa, in the cave. 276 00:19:54,280 --> 00:19:55,200 Did you call? 277 00:19:56,000 --> 00:19:59,880 - What the hell were you doing? - I took the drum downstairs... 278 00:20:00,000 --> 00:20:03,080 - ... and I'm taking the chairs. - All right, go on. 279 00:20:04,200 --> 00:20:05,800 Dad! Dad! 280 00:20:10,080 --> 00:20:11,480 What's the matter? Calm down. 281 00:20:14,200 --> 00:20:16,480 You won't believe it, but I... 282 00:20:17,080 --> 00:20:18,680 - ... heard... - What? 283 00:20:19,200 --> 00:20:22,280 - ... "the voice of the blood", dad. - My son! 284 00:20:23,200 --> 00:20:25,680 Will you become a comedian? 285 00:20:27,280 --> 00:20:30,880 - I'll try. Will you help me? - Of course I will. 286 00:20:31,000 --> 00:20:33,480 I did try before, but you were too shy. 287 00:20:33,680 --> 00:20:36,600 I am not any more. Everything changed for me. 288 00:20:36,680 --> 00:20:39,080 Are you ready to learn your lines? 289 00:20:39,280 --> 00:20:41,080 Yes, as soon as possible. 290 00:20:49,080 --> 00:20:52,600 Salcedo, you play the piano, but you know nothing of "zarzuela". 291 00:20:52,800 --> 00:20:56,880 You are wrong, "La tabernera del puerto" is by Sorozabal. 292 00:20:57,600 --> 00:20:59,880 - Listen to the maestro. - Mr. Carlos. 293 00:21:02,800 --> 00:21:05,880 What do you want? I won't have a seat. With another TV... 294 00:21:06,080 --> 00:21:09,080 The ones at the back and on the corner can't see a thing. 295 00:21:09,280 --> 00:21:11,480 Mr. Carlos, what day of the week is it today? 296 00:21:12,080 --> 00:21:13,480 - Today? - Yes. 297 00:21:16,080 --> 00:21:19,400 - Wednesday. - What happens on a Wednesday? 298 00:21:20,600 --> 00:21:22,280 It's true. What a memory! 299 00:21:23,000 --> 00:21:26,480 Mr. Carlos, they are waiting for you in the main office. 300 00:21:43,280 --> 00:21:45,000 - Get over there. - All right. 301 00:21:49,200 --> 00:21:51,800 Begin. Luis comes in and says: 302 00:22:01,800 --> 00:22:04,000 - Give me the novel. - What novel? 303 00:22:04,480 --> 00:22:07,080 That thing. What you read, where the play is written. 304 00:22:07,600 --> 00:22:10,680 This is not a novel, it's called a book, booklet,... 305 00:22:10,800 --> 00:22:12,800 ...but I won't give it to you. Begin. 306 00:22:13,600 --> 00:22:14,680 "Earl, today... " 307 00:22:15,280 --> 00:22:17,680 - "Marquis, today... " - Earl! 308 00:22:17,800 --> 00:22:20,480 Yes, Earl, I got mixed up with that. 309 00:22:20,800 --> 00:22:22,480 Earl! Earl! Earl! Earl! 310 00:22:23,600 --> 00:22:24,680 That's enough. 311 00:22:25,800 --> 00:22:27,200 You just listen to me. 312 00:22:28,080 --> 00:22:30,480 - "Earl, today... - Earl, today I'm... 313 00:22:30,600 --> 00:22:33,000 ...leaving Carmona and Portugal. 314 00:22:34,600 --> 00:22:37,480 - What are you saying? - You are speaking over me! 315 00:22:37,600 --> 00:22:39,800 All right. Go on. 316 00:22:40,600 --> 00:22:44,000 "I'm leaving Carmona and... I'm going to Portugal, where... 317 00:22:45,000 --> 00:22:48,000 - I might sail off to Africa. - ... Sail off to Africa. 318 00:22:48,800 --> 00:22:51,080 - Get your finger out! - Yes, dad. 319 00:22:52,080 --> 00:22:54,200 Were you going to speak making "balls"? 320 00:22:54,800 --> 00:22:55,800 No, it itched. 321 00:22:56,000 --> 00:22:58,400 So, if your bottom itches, you'll also scratch yourself? 322 00:22:58,480 --> 00:22:59,600 Of course. 323 00:23:00,480 --> 00:23:03,280 In this job, if something itches, you put up with it! 324 00:23:03,880 --> 00:23:05,400 What a slave job, isn't it? 325 00:23:06,000 --> 00:23:09,000 And not only us, if their bottoms itch... 326 00:23:09,080 --> 00:23:12,680 ...well, priests put up with it, when they are giving mass. 327 00:23:12,800 --> 00:23:16,280 And so do lawyers, orchestra conductors, insurance agents,... 328 00:23:16,400 --> 00:23:19,280 ...and military men, when they "swear to the flag". 329 00:23:20,480 --> 00:23:22,200 What jobs! What jobs! 330 00:23:24,080 --> 00:23:25,280 Let's go on. 331 00:23:28,080 --> 00:23:30,800 "I know that what I was doing is a felony. " 332 00:23:31,600 --> 00:23:35,400 "I know the felony that... The felony that I was doing... " 333 00:23:35,480 --> 00:23:38,280 - It's... - No, no, it's fine. 334 00:23:40,080 --> 00:23:43,000 - "I wish Marta to be happy. " - "I wish Marta to be happy. " 335 00:23:43,200 --> 00:23:46,200 Don't say it like an oafish, and that weedy youth air! 336 00:23:46,800 --> 00:23:48,880 - More galantry. - More what? 337 00:23:49,800 --> 00:23:51,680 - Galantry. - What's that? 338 00:23:52,080 --> 00:23:54,200 Well, the gesture, the attractiveness you have for... 339 00:23:54,280 --> 00:23:56,400 ...women... but let it out! 340 00:23:57,280 --> 00:23:59,600 Pull your tummy in! Straight! 341 00:24:00,280 --> 00:24:02,880 Shoulders up! Lips in! 342 00:24:04,800 --> 00:24:08,000 - We have two more days off. - Yes, today and tomorrow. 343 00:24:08,080 --> 00:24:10,400 The day after, we're off to Tres Cuevas, for four days. 344 00:24:10,600 --> 00:24:12,200 We have one day assured. 345 00:24:12,680 --> 00:24:14,800 One day is not enough, at least till the end of the month,... 346 00:24:15,000 --> 00:24:16,600 ...as Sol�s is doing well in Zarzamala... 347 00:24:16,680 --> 00:24:19,880 What a nuisance to be glad of that filmmaker's success,... 348 00:24:20,000 --> 00:24:22,600 - ... but just for once, I'm glad. - Father... 349 00:24:23,200 --> 00:24:25,200 ...look at that van. 350 00:24:25,800 --> 00:24:29,600 Why, it is Sol�s! The bloddy filmmaker! 351 00:24:30,280 --> 00:24:33,600 Why, the "Galvans"! How are you, my friends? 352 00:24:34,200 --> 00:24:36,680 - No... - What's the matter, Mr. Arturo? 353 00:24:37,400 --> 00:24:40,200 - What, to me? - Well, can I sit down? 354 00:24:41,480 --> 00:24:45,800 Waiter! An anisette, and let them order whatever. It's my round. 355 00:24:46,680 --> 00:24:49,800 I'm exhausted, I was thinking of staying at Zarzamala,... 356 00:24:49,880 --> 00:24:51,600 ...but I might go to Tres Cuevas. 357 00:24:52,000 --> 00:24:55,000 - To Tres Cuevas? - Yes, you're going on Monday. 358 00:24:55,400 --> 00:24:58,800 - I'll go Tue., Wed., and Thu. - Have you got so many films? 359 00:24:59,400 --> 00:25:01,400 Two, but I can always go to Madrid and get more. 360 00:25:01,600 --> 00:25:03,800 Of course, as you have a van... 361 00:25:06,080 --> 00:25:07,000 But... 362 00:25:08,680 --> 00:25:09,880 ...what's wrong with you? 363 00:25:10,680 --> 00:25:14,280 - Come on, do as I do! - And what do you do? 364 00:25:15,000 --> 00:25:17,200 I have anisette instead of coffee. 365 00:25:17,880 --> 00:25:20,000 Waiter! Anisette for everybody! 366 00:25:25,280 --> 00:25:27,880 If not on stage, we hardly speak to each other, except for now... 367 00:25:28,080 --> 00:25:31,800 ...since the "surprise-boy" arrived. I need an appointment. 368 00:25:32,800 --> 00:25:35,000 Juani, you must understand we have to teach him,... 369 00:25:35,200 --> 00:25:37,200 ...he'll appear in "The last meeting",... 370 00:25:37,800 --> 00:25:40,000 - ... there's hardly any time. - Even less for me to... 371 00:25:40,200 --> 00:25:42,000 - ... get fed up. - What do you mean? 372 00:25:42,200 --> 00:25:44,400 If I tell you now, it won't mean anything later. 373 00:25:44,600 --> 00:25:48,480 Mr. Ceferino, the richest man in La Llanada... 374 00:25:49,280 --> 00:25:52,280 ...the owner of "Salon Olimpo", didn't want to hear of... 375 00:25:53,080 --> 00:25:56,200 ...Sol�s, the filmmaker. He said his audience doesn't like films... 376 00:25:56,880 --> 00:25:59,880 ...on the Patron Saint's Fair, because it's very dark. 377 00:26:01,200 --> 00:26:03,000 "Earl, I'm leaving Carmona,... 378 00:26:03,600 --> 00:26:05,200 ...I'm going to Portugal, where... 379 00:26:05,280 --> 00:26:08,200 I was going to commit a felony. 380 00:26:08,880 --> 00:26:10,200 I wish Marta to be happy. " 381 00:26:11,400 --> 00:26:13,200 How did I do it? I thought I heard a boo. 382 00:26:13,400 --> 00:26:15,080 No, it was somebody calling. 383 00:26:15,680 --> 00:26:18,000 - What did you think of it? - Shall I tell you the truth? 384 00:26:18,080 --> 00:26:20,600 - Of course. - The truth? Really? 385 00:26:20,800 --> 00:26:23,600 - Yes, yes. - Well, I have seen you... 386 00:26:25,200 --> 00:26:28,680 - I've found you ridiculous. - I know. I couldn't do better. 387 00:26:29,280 --> 00:26:32,000 Nobody noticed your Galisian accent, that's for sure. 388 00:26:32,080 --> 00:26:35,000 - Really? - No, they couldn't hear you... 389 00:26:36,400 --> 00:26:38,480 I'll be right back, I'm going to relieve myself. 390 00:26:42,680 --> 00:26:45,680 - Would you like to be an artist? - Yes, I would,... 391 00:26:46,280 --> 00:26:49,600 ...but I can't. Don't be offended, but only the poor become... 392 00:26:49,800 --> 00:26:52,480 ...artists, and we are quite well off at home. 393 00:26:53,200 --> 00:26:56,680 - My father is very rich. - Really? I didn't know. 394 00:26:57,480 --> 00:26:59,880 - I am Mr. Ceferino's daughter. - The owner? 395 00:27:00,480 --> 00:27:04,280 - You have fun, don't you? - Well, it's not bad... 396 00:27:05,080 --> 00:27:07,200 ...but yours is more fun. 397 00:27:07,880 --> 00:27:10,680 I am not an artist, I'm an accountant. 398 00:27:10,800 --> 00:27:14,080 - But today you performed. - It was a favour. 399 00:27:15,280 --> 00:27:19,000 - Don't you like being an artist? - Not much, but if the artists... 400 00:27:19,080 --> 00:27:21,200 ...in the company were like you, then... I would. 401 00:27:22,080 --> 00:27:23,600 What, are you wooing? 402 00:27:24,680 --> 00:27:28,280 - No, we've just met. - That makes no difference. 403 00:27:28,480 --> 00:27:31,200 I have seen it happen between strangers. Go on. 404 00:27:31,280 --> 00:27:32,800 The eleventh: do not disturb. 405 00:27:37,880 --> 00:27:40,600 Where are the comedians? 406 00:27:41,200 --> 00:27:44,200 - Here, Mr Ceferino. - Here, drinking as ever! 407 00:27:45,000 --> 00:27:47,400 Come on, you drunken, get your things and go home! 408 00:27:47,480 --> 00:27:50,880 - What do you mean? - I don't want to see you here. 409 00:27:51,000 --> 00:27:54,000 - Why not? - Nor anywhere near. 410 00:27:54,080 --> 00:27:55,800 But, we were successful. 411 00:27:56,400 --> 00:27:58,280 I didn't like you! 412 00:27:58,800 --> 00:28:02,200 - What about tomorrow's show? - There's a "flim" tomorrow,... 413 00:28:02,280 --> 00:28:05,080 - ... and the day after,... - But, why? 414 00:28:05,600 --> 00:28:08,480 Don't you know? Well I'll tell you! 415 00:28:09,400 --> 00:28:12,200 What is the name of the one with the moustache? 416 00:28:12,680 --> 00:28:15,880 - He is my son, Carlos. - His name is Carlos? 417 00:28:16,600 --> 00:28:18,680 - Well now you'll see! - What has he done? 418 00:28:19,600 --> 00:28:21,200 Carlos! 419 00:28:22,000 --> 00:28:23,600 Engracia! 420 00:28:27,680 --> 00:28:31,200 And this is my daughter. Do you know? My daughter! 421 00:28:32,680 --> 00:28:35,200 I'll kill you, you son of a bitch! 422 00:28:35,880 --> 00:28:37,800 - Don't touch my son! - Carlos! 423 00:28:38,880 --> 00:28:41,680 I won't kill him now because there are witnesses. 424 00:28:42,280 --> 00:28:44,480 If you touch him, I'll break your soul! 425 00:28:44,600 --> 00:28:47,000 You wanted to marry her for my money, didn't you? 426 00:28:47,200 --> 00:28:49,880 Do that in your own town, we're not assholes! 427 00:28:56,200 --> 00:28:57,200 Dad. 428 00:28:58,680 --> 00:29:00,000 - Dad. - Be quiet. 429 00:29:00,680 --> 00:29:03,400 Shut or I'll break your mouth. 430 00:29:04,400 --> 00:29:08,480 - I owe you an explanation. - You've fucked it all up! 431 00:29:09,280 --> 00:29:11,400 - If you won't listen... - Shut up! 432 00:29:12,680 --> 00:29:16,400 That man, Mr. Ceferino, did he give you our money? 433 00:29:17,080 --> 00:29:20,480 - I wasn't in the fight. - I pretended not to see anything. 434 00:29:21,080 --> 00:29:24,080 That damned weedy youth will be the end of us! 435 00:29:24,680 --> 00:29:27,600 I spoke to Mr. Ceferino while you were clearing up,... 436 00:29:27,680 --> 00:29:30,000 ...I told him he shouldn't stop us from eating. 437 00:29:30,680 --> 00:29:33,200 - Did he pay you or not? - He threw the money at me. 438 00:29:33,680 --> 00:29:35,880 This mark is from one of the coins. 439 00:29:36,480 --> 00:29:39,680 - Did you pick the money up? - Yes, crawling in the office... 440 00:29:39,800 --> 00:29:44,000 ...but it didn't take very long. At least we had supper today. 441 00:29:44,280 --> 00:29:46,600 - What about lunch tomorrow? - Just enough. 442 00:29:46,680 --> 00:29:50,600 Father, Carlitos says Sol�s saw him with Mr. Ceferino's girl. 443 00:29:50,680 --> 00:29:51,600 So what? 444 00:29:51,680 --> 00:29:54,880 He told him, he made it up so we were thown out. 445 00:29:55,480 --> 00:29:58,600 - So he could stay these 3 days! - That's what I'm saying! 446 00:29:59,200 --> 00:30:03,200 God damn that bloody filmmaker! I'll kill him! 447 00:30:03,680 --> 00:30:07,280 Yes. When you see him again he'll invite you to a few... 448 00:30:07,480 --> 00:30:11,800 - ... drinks, and friends again. - No, this time I'm serious! 449 00:30:12,400 --> 00:30:13,400 I'll kill him this time! 450 00:30:13,600 --> 00:30:16,800 I'll bind him with his own films and strangle him! 451 00:30:16,880 --> 00:30:18,800 I find it a bit difficult. 452 00:30:20,080 --> 00:30:23,600 We rearrange the comedies, authors make them too long. 453 00:30:24,680 --> 00:30:28,200 Between your grandfather and I, we cut bits, we get rid of... 454 00:30:28,280 --> 00:30:31,400 ...the unnecessary characters, the audience get confused. 455 00:30:32,080 --> 00:30:35,280 - That must be difficult. - We make some of them speak... 456 00:30:35,400 --> 00:30:38,880 ...on the phone, others are substituted for a letter,... 457 00:30:39,400 --> 00:30:42,000 ...we make one out of two, the result is better. 458 00:30:42,600 --> 00:30:46,080 Good news, tomorrow, the day after and the next in Navaseca! 459 00:30:46,280 --> 00:30:47,400 - Three days? - Three! 460 00:30:47,480 --> 00:30:50,480 I can't go tomorrow, I've got things to do. 461 00:30:51,280 --> 00:30:53,080 I was at... 462 00:30:56,080 --> 00:30:59,600 Yes, I remember, at the "Lara" theatre in Madrid. 463 00:31:00,200 --> 00:31:03,400 We were opening a play by V�ctor Ru�z Iriarte,... 464 00:31:06,680 --> 00:31:09,000 ...I've forgotten the name. No, I haven't... 465 00:31:09,400 --> 00:31:12,800 ...but I don't remember at this moment. But it's in the press... 466 00:31:13,280 --> 00:31:16,280 ...cuttings, I keep them all. I'll have a look later. 467 00:31:17,200 --> 00:31:18,680 But I remember vividly. 468 00:31:19,680 --> 00:31:23,000 In the third act, I made use of my "twanging" voice. 469 00:31:23,880 --> 00:31:26,200 I had such a great success...! Not only for that... 470 00:31:27,000 --> 00:31:29,000 ...but also because I put all my heart into it. 471 00:31:29,080 --> 00:31:33,000 The Duran had a very funny monologue, to which I replied:... 472 00:31:35,080 --> 00:31:38,480 "- or me, Sp-ing, isn't a -ery - appy sea-on-. 473 00:31:39,000 --> 00:31:41,200 I -m alergic -o -olen. 474 00:31:44,880 --> 00:31:47,880 I -ill sen- you a -ost-ard f- om Logrono. " 475 00:31:51,480 --> 00:31:55,200 As soon as the premi�re was over, Vico, Rivelles,... 476 00:31:55,280 --> 00:31:58,200 ...Closas, came into my dressing room to praise me. 477 00:31:58,400 --> 00:32:01,480 One thing I won't forget is the hug from the great D. Otero. 478 00:32:01,680 --> 00:32:04,000 A first star of our theatre. 479 00:32:04,600 --> 00:32:05,600 Mr. Galvan. 480 00:32:07,680 --> 00:32:09,800 - Mr. Galvan. - Yes? 481 00:32:10,400 --> 00:32:12,680 - Were you remembering that? - Yes. 482 00:32:13,480 --> 00:32:15,000 Right, go on. 483 00:32:15,600 --> 00:32:18,680 Wasn't it when I was at the "Lara" theatre in Madrid? 484 00:32:19,400 --> 00:32:20,480 I have written down:... 485 00:32:21,200 --> 00:32:24,080 ..."Oleda, next day, working at Navaseca. " 486 00:32:24,600 --> 00:32:27,600 Oh, yes! I got carried away,... 487 00:32:27,800 --> 00:32:29,200 ...but now I remember. 488 00:32:30,080 --> 00:32:33,600 You must pack the things, sweep the platform,... 489 00:32:34,080 --> 00:32:37,880 - ... and help hang the curtain! - Leave it till the next day. 490 00:32:38,000 --> 00:32:41,000 - Who do you think you are? - Before, you made do without... 491 00:32:41,200 --> 00:32:44,400 - ... me, now I seem to be needed. - Hold me, Maldonado! 492 00:32:47,680 --> 00:32:50,680 - What the hell must you do? - I've got a match. 493 00:32:51,480 --> 00:32:54,200 - A football match? - Yes, of course, what else? 494 00:32:54,680 --> 00:32:57,000 - Are you a football player? - No, but I'm not bad. 495 00:32:57,080 --> 00:32:59,600 So, will you quit your work, to play football? 496 00:33:00,280 --> 00:33:03,080 - It is also a job. - It's not a bad idea... 497 00:33:03,280 --> 00:33:06,880 ...it would be better if we set up a team. 498 00:33:07,600 --> 00:33:10,080 - Mrs. Julia as the goalkeeper... - Be quiet, Juan! 499 00:33:11,080 --> 00:33:14,280 It wasn't my idea. Tomorrow "Cabezales" is playing... 500 00:33:14,400 --> 00:33:17,600 ...against "Castanuelo", who is missing three players,... 501 00:33:18,080 --> 00:33:21,200 ...they played against "Poblacho" on Sunday and they... 502 00:33:21,280 --> 00:33:24,080 ...got many injured. Some from Castanuelo... 503 00:33:24,280 --> 00:33:27,400 ...saw me playing and asked me to play with them. 504 00:33:28,400 --> 00:33:32,600 Football is our competence, our worst enemy! 505 00:33:33,080 --> 00:33:35,400 Even worse than films and than the radio! 506 00:33:35,600 --> 00:33:40,200 And you, my son, want to work to wear a pair of pants... 507 00:33:40,280 --> 00:33:43,400 - ... to play on a piece of ground... - I don't do it as a "obby". 508 00:33:44,280 --> 00:33:46,080 - You don't do it as a what? - As a "obby". 509 00:33:46,280 --> 00:33:48,680 - But, what do you mean? - It's not a pastime. 510 00:33:48,880 --> 00:33:52,600 - Then, why do you do it? - Because I get tea if I play. 511 00:33:54,600 --> 00:33:57,200 - What time is that match? - At 3:30. 512 00:33:57,680 --> 00:34:01,600 When you finish, go to Navaseca, we'll start at 8,... 513 00:34:02,080 --> 00:34:05,000 - ... you could help out. - Right, someone will take me. 514 00:34:05,200 --> 00:34:08,800 - If I am not injured. - Don't say that. 515 00:34:10,280 --> 00:34:13,680 Bad times came, to be more precise,... 516 00:34:14,480 --> 00:34:18,600 ...worse times came. We sometimes went to a town... 517 00:34:19,280 --> 00:34:23,480 ...with no contract whatsoever, it was the only way. 518 00:34:24,400 --> 00:34:26,680 We were allowed to perform. 519 00:34:28,080 --> 00:34:32,400 There was only one good thing about those... 520 00:34:33,680 --> 00:34:35,480 ...days, Juanita. 521 00:34:36,480 --> 00:34:37,600 Her love. 522 00:34:39,400 --> 00:34:42,000 I had told Carlitos about her... 523 00:34:42,680 --> 00:34:46,800 ...and Juanita and I had gone back to sleeping together. 524 00:34:48,800 --> 00:34:52,480 Her body made my nights happy if it hadn't been for that... 525 00:34:53,600 --> 00:34:57,680 If it weren't for you, Juani, because you are near me... 526 00:34:59,000 --> 00:35:00,600 I'm tired Carlos. 527 00:35:02,280 --> 00:35:04,880 - So am I. - You wouldn't think so. 528 00:35:05,080 --> 00:35:08,280 - Rest. - This is my only good moment. 529 00:35:09,280 --> 00:35:12,200 - I'm exhausted. - I understand... 530 00:35:12,880 --> 00:35:15,600 ...4 km. to the crossroads, then the bus... 531 00:35:17,280 --> 00:35:20,480 I think the bus was even worse that the walk. 532 00:35:21,680 --> 00:35:24,680 - These buses... - Rest, Carlos. 533 00:35:25,480 --> 00:35:26,680 I am resting. 534 00:35:28,080 --> 00:35:31,600 I rest this way, everybody has a different way of resting. 535 00:35:32,480 --> 00:35:36,000 Yes, that's true, there must be people somewhere,... 536 00:35:37,200 --> 00:35:38,280 ...I don't know where,... 537 00:35:39,000 --> 00:35:42,200 ...who rest better, or who aren't as tired. 538 00:35:43,480 --> 00:35:46,400 What do we care? 539 00:35:47,480 --> 00:35:50,080 You and I are here now! 540 00:35:51,280 --> 00:35:55,800 I'm with you, with your mouth, your shoulders. 541 00:35:56,880 --> 00:35:58,000 But Carlos... 542 00:35:59,280 --> 00:36:01,400 What, shall I move? 543 00:36:07,480 --> 00:36:09,680 - If you want to... - Of course I do. 544 00:36:10,680 --> 00:36:12,200 I do, because... 545 00:36:13,080 --> 00:36:14,800 ...I love you. 546 00:36:16,000 --> 00:36:17,200 So do I. 547 00:36:18,480 --> 00:36:19,800 So do I. 548 00:36:20,800 --> 00:36:22,080 Hold me! 549 00:36:23,080 --> 00:36:24,480 Hold me tight! 550 00:36:25,080 --> 00:36:27,200 Tighter! Tighter! 551 00:36:28,680 --> 00:36:30,680 As if we couldn't ever part! 552 00:36:34,880 --> 00:36:39,880 I remember those moments as my only good ones. 553 00:36:40,600 --> 00:36:43,280 My only moments of happiness. 554 00:36:44,400 --> 00:36:45,600 For the rest... 555 00:36:47,280 --> 00:36:51,080 My son, the "weedy youth", meant very little to me. 556 00:36:52,400 --> 00:36:54,080 He was so different... 557 00:36:55,800 --> 00:36:57,480 I liked my job,... 558 00:36:58,680 --> 00:37:01,480 ...but the hunger didn't let me enjoy it. 559 00:37:04,680 --> 00:37:07,600 But Juanita's voice was soothing... 560 00:37:09,000 --> 00:37:11,280 ...in the night. 561 00:37:13,400 --> 00:37:14,080 Her flesh. 562 00:37:16,680 --> 00:37:18,200 Her caresses. 563 00:37:20,280 --> 00:37:21,280 Carlos. 564 00:37:22,280 --> 00:37:24,200 - Don't go to sleep. - Ha? 565 00:37:24,280 --> 00:37:27,400 - Don't go to sleep. - I wasn't asleep. 566 00:37:30,080 --> 00:37:32,280 - I must speak to you. - Now? 567 00:37:32,680 --> 00:37:33,600 Yes. 568 00:37:36,400 --> 00:37:40,280 Listen, Carlos, this was the last time. 569 00:37:42,800 --> 00:37:45,600 - What do you mean? - This was the last time. 570 00:37:46,600 --> 00:37:47,600 I'm leaving. 571 00:37:48,800 --> 00:37:51,600 - But... - Yes, you've heard well. 572 00:37:52,800 --> 00:37:54,480 You've heard well. 573 00:37:56,280 --> 00:37:57,200 Juanita... 574 00:37:58,480 --> 00:37:59,480 I'm leaving. 575 00:38:01,880 --> 00:38:04,480 I can't stand it any longer. I'm leaving. 576 00:38:06,680 --> 00:38:10,200 What's the matter, Mr. Galvan? Is anything going on outside? 577 00:38:12,600 --> 00:38:16,800 - No, there is no one. - Then what? 578 00:38:18,280 --> 00:38:21,080 It's funny, my mind went blank. 579 00:38:21,880 --> 00:38:25,400 I don't remember anything, not even what we were saying. 580 00:38:26,080 --> 00:38:29,000 - Are you sure? - Yes, of course. 581 00:38:31,680 --> 00:38:35,800 I only know it is 1973. 582 00:38:36,600 --> 00:38:38,600 How old is your son Carlitos? 583 00:38:40,480 --> 00:38:41,480 I think... 584 00:38:42,880 --> 00:38:45,400 ...around... forty something. 585 00:38:46,400 --> 00:38:49,400 He was born before the Civil War, in what was called... 586 00:38:49,480 --> 00:38:52,400 - ... "the two black years". - What was the other one called? 587 00:38:52,480 --> 00:38:54,880 Mariano, son of Uceda. 588 00:38:55,400 --> 00:38:58,200 His name is Mariano, and he must be around... 30. 589 00:38:59,280 --> 00:39:01,800 He was born when Second World War ended. 590 00:39:03,480 --> 00:39:08,600 "... your love, which was lost in the void... " 591 00:39:10,680 --> 00:39:13,600 No, don't turn it off! 592 00:39:16,280 --> 00:39:17,200 Thank you. 593 00:39:17,880 --> 00:39:20,400 Thank you. Today it's painful... 594 00:39:21,280 --> 00:39:23,400 ...it's painful to listen to it. 595 00:39:26,680 --> 00:39:29,000 You are right, my mind didn't go blank. 596 00:39:31,600 --> 00:39:33,200 I haven't forgotten that. 597 00:39:36,280 --> 00:39:37,680 I wish I could. 598 00:39:40,080 --> 00:39:43,080 - Do you mind if I smoke? - No, of course I don't. 599 00:39:54,680 --> 00:39:57,800 Why, Juanita? Why are you leaving? 600 00:39:58,280 --> 00:40:01,080 For many reasons, Carlos, not just one. 601 00:40:02,280 --> 00:40:05,480 Since the boy arrived, you treat me differently. 602 00:40:06,200 --> 00:40:09,480 But, since I told him about us, we... sleep together. 603 00:40:09,680 --> 00:40:12,680 During the day you are not like before, you don't speak to me... 604 00:40:12,800 --> 00:40:16,280 ...in the same way, you re embarrassed to touch me. 605 00:40:17,480 --> 00:40:21,680 You don't call me darling, sweetheart. I miss that. 606 00:40:23,600 --> 00:40:27,000 Please understand, it's a hard situation, I'm not used to... 607 00:40:27,600 --> 00:40:30,600 ...being a father and I feel embarrassed in front of him. 608 00:40:31,680 --> 00:40:34,200 - Does he mention his mother? - No, never. 609 00:40:34,680 --> 00:40:38,080 Well I do think of her, and I feel she separates us. 610 00:40:38,600 --> 00:40:42,400 - But you don't even know her! - I can imagine her, seeing him. 611 00:40:43,000 --> 00:40:46,480 - You're guessing what she's like. - What did she look like? 612 00:40:47,400 --> 00:40:51,480 I don't know. I can't remember. I was with her for 15 days. 613 00:40:51,600 --> 00:40:54,800 - And you've forgotten her? - Absolutely. I swear. 614 00:40:55,480 --> 00:40:56,800 So you'll forget me too. 615 00:40:57,480 --> 00:41:01,200 Don't speak nonsense, we've been together for three years. 616 00:41:02,680 --> 00:41:06,000 Three years of love, of working and living together. 617 00:41:07,680 --> 00:41:09,880 Of sharing the same habits... 618 00:41:11,080 --> 00:41:12,480 ...and the same dreams. 619 00:41:14,080 --> 00:41:15,800 I have no dreams left. 620 00:41:16,680 --> 00:41:19,600 I think you don't want to tell... 621 00:41:20,480 --> 00:41:22,800 ...me your real reason for leaving. 622 00:41:25,200 --> 00:41:27,680 - I am hungry, Carlos. - Right now? 623 00:41:28,280 --> 00:41:31,200 - We don't have any... - Not only now, always... 624 00:41:32,080 --> 00:41:34,600 A few months ago, and last year too,... 625 00:41:35,400 --> 00:41:38,080 ...even the one before, and things were better then. 626 00:41:39,400 --> 00:41:41,000 Some days wee haven't eaten,... 627 00:41:41,800 --> 00:41:44,400 ...others just a bit of cheese and "chorizo". 628 00:41:44,480 --> 00:41:49,080 It's bad times, you know. In our job... 629 00:41:49,680 --> 00:41:52,400 - ... there are bad times. - This is not a job. 630 00:41:54,680 --> 00:41:56,280 We are vagabonds. 631 00:41:56,880 --> 00:42:00,200 This is not new for you, you family were comedians. 632 00:42:00,680 --> 00:42:03,280 Were things better when you were working with your father? 633 00:42:03,400 --> 00:42:05,600 No, but I longed for a change. 634 00:42:07,080 --> 00:42:09,600 We've had some good times. 635 00:42:10,480 --> 00:42:13,800 - Yes, we have. - Life is not only eating. 636 00:42:14,400 --> 00:42:17,000 We've had fun, we love our job... 637 00:42:17,680 --> 00:42:20,280 You are worried about things lately. 638 00:42:21,080 --> 00:42:24,200 Last week, hadn't it been for Sol�s,... 639 00:42:24,680 --> 00:42:27,400 Our enemy isn't Sol�s, it's the cinema. 640 00:42:28,000 --> 00:42:30,480 People like watching films, and not us. 641 00:42:31,200 --> 00:42:34,600 - So do I. - That has nothing to do with it. 642 00:42:35,080 --> 00:42:37,800 It does, Carlos, it's ways of having fun. 643 00:42:38,480 --> 00:42:40,800 Do you remember when we didn't work at Polarcos... 644 00:42:41,000 --> 00:42:44,600 - ... Calleja-Ru�z got in first? - Yes, we stayed to watch them. 645 00:42:44,800 --> 00:42:48,400 And then we watched Sol�s's film, "Three Bengaly shooters"? 646 00:42:49,080 --> 00:42:53,000 - Remember the difference? - They are different things... 647 00:42:53,080 --> 00:42:56,200 - ... we mustn't compare. - But people do. 648 00:42:56,880 --> 00:42:59,680 They rather films, football or the radio. 649 00:43:01,400 --> 00:43:03,000 The theatre is dying, Carlos. 650 00:43:05,200 --> 00:43:06,800 Especially the vagabond's. 651 00:43:12,200 --> 00:43:14,080 And I don't want to be buried with it. 652 00:43:15,480 --> 00:43:17,000 You are right there, Juana. 653 00:43:18,200 --> 00:43:20,800 What we are doing now is dying. 654 00:43:22,600 --> 00:43:23,600 But... 655 00:43:24,480 --> 00:43:26,800 But in the cities, there is still theater! 656 00:43:27,600 --> 00:43:30,800 When Maldonado returned from the " Blue Division",... 657 00:43:31,200 --> 00:43:34,000 ...he became an extra in the cinema,... 658 00:43:34,680 --> 00:43:37,000 ...he did well, he got theatre jobs too. 659 00:43:37,400 --> 00:43:39,280 Then why did he come to our company? 660 00:43:39,880 --> 00:43:42,600 It was easier to eat in towns than in Madrid. 661 00:43:43,280 --> 00:43:48,000 He says he might go back. He knows many people there. 662 00:43:49,280 --> 00:43:53,400 I sometimes think of telling my father we should go to Madrid. 663 00:43:54,400 --> 00:43:57,480 To look for work, even if we don't have a company. 664 00:43:59,000 --> 00:44:02,600 - That'll, be difficult. - Why, don't you have any... 665 00:44:03,480 --> 00:44:05,200 ...dreams, goals? 666 00:44:06,880 --> 00:44:09,280 I had them, but they didn't last. 667 00:44:10,000 --> 00:44:13,280 If we are lucky. We know our job. 668 00:44:13,800 --> 00:44:16,400 If Maldonado could introduce us as film extras,... 669 00:44:16,480 --> 00:44:18,400 ...they might give us some small role. 670 00:44:20,800 --> 00:44:24,280 Do you know the theatre? 671 00:44:24,800 --> 00:44:26,680 Yes, I am a theatre actor, and so is my wife. 672 00:44:27,480 --> 00:44:31,000 Could you say: "It's been a long time since I saw you, Nicolas. " 673 00:44:31,200 --> 00:44:32,200 Of course. 674 00:44:35,080 --> 00:44:38,480 And could you say: "Put me another drink, El�as": 675 00:44:39,080 --> 00:44:41,000 If my memory doesn't fail me? 676 00:44:42,680 --> 00:44:45,880 Are you still with the tale of the Milkmaid. 677 00:44:50,280 --> 00:44:52,200 Are you crying, but why? 678 00:44:54,680 --> 00:44:57,880 Because I, don't want to go. 679 00:44:58,680 --> 00:45:00,600 Well don't, God damn it! 680 00:45:03,000 --> 00:45:05,280 I thought we would always be together. 681 00:45:07,480 --> 00:45:10,800 Be quiet, comedians! 682 00:45:16,880 --> 00:45:20,200 But I can't Carlos, I don't want to. 683 00:45:22,000 --> 00:45:24,600 Are you going back to your family? 684 00:45:25,280 --> 00:45:29,000 No, a friend, who works in a bar in Rota, wrote to me. 685 00:45:30,280 --> 00:45:33,000 - I'll work with her. - What bar is it? 686 00:45:33,600 --> 00:45:36,200 I don't know, but the pay is good. 687 00:45:36,880 --> 00:45:40,000 - Americans go, from the base. - A bar! 688 00:45:40,080 --> 00:45:42,280 A waitress bar! 689 00:45:43,200 --> 00:45:45,200 Yes, that's what I think. 690 00:45:45,400 --> 00:45:49,280 - You are mad, that's worse. - I'm sure I won't be hungry. 691 00:45:49,400 --> 00:45:52,800 - And I'll work everyday. - You'll regret it, surely. 692 00:45:54,400 --> 00:45:58,000 You'll miss travelling along the roads. 693 00:45:59,600 --> 00:46:01,600 The roles, the rehearsals... 694 00:46:02,680 --> 00:46:03,880 ...the performances. 695 00:46:06,280 --> 00:46:07,680 Stay, Juani. 696 00:46:08,880 --> 00:46:11,600 Stay for a month, a few days. 697 00:46:12,280 --> 00:46:15,600 I'll take less notice of Carlitos, and I'll treat you as before. 698 00:46:16,480 --> 00:46:19,600 I love you as ever. I want you and I need you! 699 00:46:20,280 --> 00:46:22,680 Keep still, don't be rough. 700 00:46:23,600 --> 00:46:26,480 - You hurt me. - Because I love you! I love you! 701 00:46:27,400 --> 00:46:30,200 I love you too. You know I do. 702 00:46:32,280 --> 00:46:33,680 Just a few days. 703 00:46:36,080 --> 00:46:39,600 Well, calm down, but just a few days. 704 00:46:40,880 --> 00:46:43,000 - How many? - Very few. 705 00:46:44,680 --> 00:46:47,000 - I don't want to commit myself. - Thank you. 706 00:46:48,200 --> 00:46:51,680 - But I think I'm acting wrong. - What do you mean, Juani? 707 00:46:52,400 --> 00:46:53,200 Yes. 708 00:46:54,880 --> 00:46:56,400 I'm acting wrong to myself. 709 00:46:57,080 --> 00:47:00,080 That about Juanita was when President Kennedy died. 710 00:47:00,600 --> 00:47:04,480 Theatres and caf�s were closed, in mourning. 711 00:47:05,680 --> 00:47:08,800 Kennedy came to Sapin to tell Franco... 712 00:47:09,480 --> 00:47:11,680 ...two things: Not to dress as a legionary,... 713 00:47:12,200 --> 00:47:14,680 ...and to take away censorship from theatres. 714 00:47:14,800 --> 00:47:16,800 That really bothered us. 715 00:47:17,400 --> 00:47:20,600 When he got to Spain, Kennedy visited La Llanada... 716 00:47:21,280 --> 00:47:23,800 ...he liked typical castillian architecture,... 717 00:47:24,680 --> 00:47:27,280 - ... and he'd read "The Quixote". - I didn't know that. 718 00:47:27,400 --> 00:47:31,480 Yes. In all those towns, Navaseca, Revuelta, Pozochico... 719 00:47:31,600 --> 00:47:35,480 ...the party lasted for three days, and we performed. 720 00:47:35,600 --> 00:47:37,400 That's why I remember. 721 00:48:02,200 --> 00:48:05,600 Hey, comedians, you are treated to a round. 722 00:48:07,480 --> 00:48:09,000 You have some dates wrong. 723 00:48:10,000 --> 00:48:12,000 I'll look it up in the cuttings. 724 00:48:12,200 --> 00:48:14,200 Do you keep cuttings only theatre? 725 00:48:14,280 --> 00:48:17,000 About everything. I've got loads. 726 00:48:17,280 --> 00:48:18,400 Listen. 727 00:48:20,880 --> 00:48:22,200 That music! 728 00:48:23,680 --> 00:48:26,280 - It's "El camino verde". - No, it's not that one. 729 00:48:26,880 --> 00:48:30,080 You're right, it's "Caminemos". 730 00:48:32,000 --> 00:48:35,080 - How can I forget it? - Kennedy died much later. 731 00:48:36,600 --> 00:48:39,880 More than ten years after, he never visited Spain with Franco. 732 00:48:40,480 --> 00:48:44,200 That's true, neither did he stop censorship from theatre. 733 00:48:45,280 --> 00:48:46,800 It is "Caminemos". 734 00:48:47,400 --> 00:48:50,200 - You danced this, didn't you? - Many times. 735 00:48:50,280 --> 00:48:54,680 - But one was very special, in... - In Portones, with Juanita. 736 00:48:56,880 --> 00:48:59,800 For almost four years we had a great time. 737 00:49:01,480 --> 00:49:04,600 But in the end she got mad because of the boy. 738 00:49:06,000 --> 00:49:08,400 Or for another reason. 739 00:49:09,080 --> 00:49:11,480 - Dad, can I have another glass? - Another one? 740 00:49:12,200 --> 00:49:14,200 Carlitos, don't copy Maldonado. 741 00:49:15,000 --> 00:49:16,680 I hardly drink, but today... 742 00:49:17,680 --> 00:49:19,600 Vicentita, another glass. 743 00:49:20,480 --> 00:49:21,880 I need to drink today. 744 00:49:22,680 --> 00:49:25,000 Confusing love affairs? 745 00:49:26,200 --> 00:49:28,400 It's not a joke, it's is very serious for me. 746 00:49:29,280 --> 00:49:31,800 - What's wrong? - Rosi told me everything. 747 00:49:32,880 --> 00:49:36,480 - About what? - It's a lie, she doesn't like me. 748 00:49:37,680 --> 00:49:40,600 - I know nothing of that. - You know everything! 749 00:49:40,680 --> 00:49:43,400 You asked her to turn me on so I would stay. 750 00:49:43,480 --> 00:49:46,680 And I believed it. Now that I sew the curtain, copy the... 751 00:49:46,880 --> 00:49:49,280 ...booklets, I am a comedian, and prompter,... 752 00:49:49,400 --> 00:49:53,000 - ... she won't let me touch her. - I didn't say that... 753 00:49:53,200 --> 00:49:57,080 ...I told her to be nice to you, to make life happier. 754 00:49:58,280 --> 00:50:02,000 And she did, but just three or four times. I know you did it... 755 00:50:02,080 --> 00:50:06,400 ...for my own good, so I would stay, I had nowhere else. 756 00:50:08,080 --> 00:50:10,080 But I must speak to someone,... 757 00:50:10,680 --> 00:50:13,800 ...and as we go from one place to another, I can't make friends. 758 00:50:14,800 --> 00:50:17,880 She doesn't like me, you know? She says I'm not a great man. 759 00:50:19,080 --> 00:50:20,680 Sure, she watches films... 760 00:50:23,200 --> 00:50:25,200 I don't know what to say. 761 00:50:25,680 --> 00:50:29,000 - Women... - What a pair, aren't we? 762 00:50:30,680 --> 00:50:32,880 - A pair? What pair? - You and me. 763 00:50:33,400 --> 00:50:36,280 - What have I got to do with it? - Juanita is acting strange... 764 00:50:37,000 --> 00:50:39,080 ...for time now. 765 00:50:43,680 --> 00:50:48,280 - Did you quarrel because of me? - No! Why did you think that? 766 00:50:49,080 --> 00:50:52,200 Carlos, the man over that table wants to speak to you. 767 00:50:52,880 --> 00:50:55,600 That gross looking one, he'd like to speak to the director,... 768 00:50:56,200 --> 00:50:59,680 ...if he can't with the father, he'll speak to the son. 769 00:51:00,480 --> 00:51:01,400 Who is he? 770 00:51:02,000 --> 00:51:05,400 The biggest usurer around, everybody owes him money. 771 00:51:06,600 --> 00:51:10,800 Let's make the most of it, Carlos, we owe 6 months at the inn... 772 00:51:11,280 --> 00:51:14,680 - ... and "Peluso" is fed up. - But, what does he want? 773 00:51:15,400 --> 00:51:17,880 - You'll find out now. - Wait for us, Carlitos. 774 00:51:20,800 --> 00:51:24,880 Mr. Zacar�as,... excuse I only remember your name. 775 00:51:25,080 --> 00:51:29,000 - Carpintero, Zacar�as Carpintero. - Mr. Carpintero, Carlos Galvan. 776 00:51:29,080 --> 00:51:33,000 - How do you do? Sit down. - Mr. Zacar�as is an author. 777 00:51:33,080 --> 00:51:35,680 Don't exagerate. 778 00:51:36,200 --> 00:51:40,000 I have written a play in my free time, but I can't... 779 00:51:40,480 --> 00:51:43,200 ...be compared to a Munoz Seca, or a Quintero... 780 00:51:45,000 --> 00:51:49,200 I don't want the people from the town doing it like "The Passion". 781 00:51:49,400 --> 00:51:53,000 But real comedians. Plays must be acted by actors... 782 00:51:53,480 --> 00:51:56,800 ...it really makes a difference, they shouldn't be read... 783 00:51:58,600 --> 00:52:02,880 That's all. I wanted to know if you could set it up. 784 00:52:04,800 --> 00:52:07,800 Well I don't know... To start with... 785 00:52:08,880 --> 00:52:10,200 It's not easy. 786 00:52:10,880 --> 00:52:12,800 I know it's not. 787 00:52:14,000 --> 00:52:16,600 We must work hard, and study a lot. 788 00:52:17,280 --> 00:52:20,800 And setting up a new play, is expensive. 789 00:52:21,480 --> 00:52:22,880 Of course. 790 00:52:23,600 --> 00:52:26,880 I doubt you have... funds. 791 00:52:27,880 --> 00:52:30,200 No, not for a new project... 792 00:52:30,880 --> 00:52:33,280 That's one of the problems,... 793 00:52:35,800 --> 00:52:37,400 ...I have money,... 794 00:52:37,880 --> 00:52:41,480 ...though it may sound pretentious,... 795 00:52:41,600 --> 00:52:44,800 ...but I must be careful with my wealth and... 796 00:52:46,200 --> 00:52:49,200 ...for this project I only have 15,000 pesetas. 797 00:52:55,680 --> 00:52:59,000 You see, well... to start with... 798 00:52:59,800 --> 00:53:03,280 We shall settled the money issue after reading the script. 799 00:53:03,800 --> 00:53:05,600 Right, this is the play. 800 00:53:09,480 --> 00:53:12,880 You must tell me also what you don't like of it. 801 00:53:13,680 --> 00:53:18,400 - I'd get rid of the dancing. - No, absolutely not. 802 00:53:19,000 --> 00:53:21,880 Some of them, there are two on each page. 803 00:53:22,000 --> 00:53:25,600 Yes, sixteen in all. I've never seen a variety show... 804 00:53:25,680 --> 00:53:29,000 ...not even in Madrid, with fewer music numbers. 805 00:53:29,680 --> 00:53:33,200 "Cinderella of the Palace", "Yola", "My sweet heart Mrs. Ladybird"... 806 00:53:33,280 --> 00:53:36,600 - They all had more than 16. - But making a variety show... 807 00:53:36,680 --> 00:53:39,000 ...out of "Don't be a brute, Canut", will be difficult. 808 00:53:39,080 --> 00:53:42,880 - "Making... out"? It is a variety. - Yes, of course. 809 00:53:43,400 --> 00:53:47,200 I mean it will be hard for us to perform it. To liven it up. 810 00:53:48,000 --> 00:53:51,800 We have only this, witty and well written. 811 00:53:52,600 --> 00:53:56,880 It is, the priest copied it, his writing is very nice. 812 00:53:57,200 --> 00:54:00,400 What about the music, here it says: "They join in a dance". 813 00:54:01,080 --> 00:54:03,200 "They join in as dance". But, what do they dance? 814 00:54:04,200 --> 00:54:08,080 - Well, aren't you musicians? - Yes, we are. 815 00:54:08,880 --> 00:54:11,600 - The new ones. - And some oldies. 816 00:54:11,680 --> 00:54:14,200 - So? - What about the chorus girls? 817 00:54:15,480 --> 00:54:18,200 You have two good looking girls, haven't you? 818 00:54:18,280 --> 00:54:22,000 They usualy stage in old rags, I'd love to see them... 819 00:54:22,200 --> 00:54:25,800 ...with fewer clothes on, with feathers, glitter,... 820 00:54:26,400 --> 00:54:29,200 - Two won't be enough. - We can get some more. 821 00:54:29,280 --> 00:54:32,600 From Oleda, Segovia, as many as you need. 822 00:54:33,080 --> 00:54:35,680 Every girl nowadays wants to be an artist. 823 00:54:37,400 --> 00:54:40,200 Look, we need the "vedette",... 824 00:54:41,600 --> 00:54:45,400 ...the second "vedette", one of your girls, twelve chorus girls,... 825 00:54:46,680 --> 00:54:50,080 ...and four models with damn good bodies. 826 00:54:50,880 --> 00:54:54,280 Even if they don't sing or dance, Celia has more on stage,... 827 00:54:54,880 --> 00:54:56,000 ...but then, "Mart�n" doesn't have as many. 828 00:54:56,600 --> 00:55:00,480 - You know the job. - Oh, just an amateur. 829 00:55:01,400 --> 00:55:04,880 - All this will be very dear. - What do you mean, very dear? 830 00:55:05,600 --> 00:55:09,000 What were you thinking of doing with the 15,000 pts? 831 00:55:09,680 --> 00:55:13,600 - We must prepare a budget. - It's all up to you,... 832 00:55:15,200 --> 00:55:18,800 ...if you can make do with the 15,000 pts, there is a show... 833 00:55:19,680 --> 00:55:23,000 Otherwise, it's wasting time. 834 00:55:25,880 --> 00:55:29,400 Then, if the show is a success, I'd invest more money. 835 00:55:30,080 --> 00:55:34,600 - And we'd take it to Madrid. - Yes, that's possible. 836 00:55:35,880 --> 00:55:39,200 My goal is to be near Celia Gamez,... 837 00:55:40,880 --> 00:55:44,200 ...if I arrived at Madrid as an author, a business man... 838 00:55:45,800 --> 00:55:48,480 Of course you could! 839 00:55:49,600 --> 00:55:51,680 We could do it as the ones in Madrid. 840 00:55:52,280 --> 00:55:53,400 How is that? 841 00:55:54,000 --> 00:55:57,080 When they open, they haven't got many musical numbers,... 842 00:55:57,600 --> 00:56:00,200 ...you've seen them when they've been on for a while... 843 00:56:00,680 --> 00:56:03,800 - ... right Mr. Arturo? - Yes, indeed! 844 00:56:04,480 --> 00:56:07,400 I've seen some which only had one number at first. 845 00:56:07,600 --> 00:56:10,000 - Really? - Well, of course! 846 00:56:10,680 --> 00:56:14,400 If people like them, they add more. Do you remember... 847 00:56:15,200 --> 00:56:19,280 ..."My sweetheart Mrs. Ladybird", had a number about... 848 00:56:19,880 --> 00:56:22,800 - ... Maundy Thursday? - Yes, of course. 849 00:56:26,800 --> 00:56:30,000 At first, it was a religious play, it had just that one number. 850 00:56:30,600 --> 00:56:32,600 Yes, something about it... 851 00:56:33,680 --> 00:56:36,480 In such expensive variety shows they don't show all at once... 852 00:56:36,680 --> 00:56:38,800 - ... they try things out. - That's wise. 853 00:56:38,880 --> 00:56:42,480 We could start off with a couple of them... 854 00:56:43,200 --> 00:56:45,800 ...Juanita Plaza and Rosa del Valle could do them. 855 00:56:45,880 --> 00:56:47,160 Without chorus girls? 856 00:56:47,200 --> 00:56:50,480 In one of the two numbers, they could both appear. 857 00:56:51,080 --> 00:56:53,400 - Dressed for a variety. - Yes, of course, otherwise... 858 00:56:53,600 --> 00:56:57,000 If it is a success, we can get more girls, music... 859 00:56:57,680 --> 00:56:59,600 I't doesn't sound bad,... 860 00:56:59,800 --> 00:57:03,600 - ... if in Madrid... - And in Broadway! 861 00:57:04,400 --> 00:57:08,080 In that case you won't need 15,000, will you? 862 00:57:09,280 --> 00:57:12,480 - What do you mean? - There are expenses. 863 00:57:13,080 --> 00:57:17,000 - Money goes, you don't realize. - Yes, you do realize. 864 00:57:19,400 --> 00:57:20,800 How witty! How witty! 865 00:57:21,400 --> 00:57:24,280 I'll give you the money if it's with girls, lights... 866 00:57:25,000 --> 00:57:27,800 And off to Madrid! 867 00:57:29,480 --> 00:57:33,480 But if we're just going to try out, I'll give accordingly. 868 00:57:34,280 --> 00:57:37,800 - But not the 15,000 pesetas. - We need three dresses... 869 00:57:37,880 --> 00:57:41,000 ...for the actresses, and a suit for each of us. 870 00:57:41,480 --> 00:57:44,280 - Another three for the finale. - The curtain needs painting. 871 00:57:44,480 --> 00:57:45,800 I'll give you... 872 00:57:46,880 --> 00:57:49,800 ...3,000 pesetas, not a bit more. 873 00:57:50,480 --> 00:57:53,200 -3,000 pesetas? - What about 5,000? 874 00:57:53,880 --> 00:57:57,600 -4,500 and we settle the matter. - Deal. 875 00:57:58,680 --> 00:58:01,000 Let this be just a beginning. 876 00:58:01,680 --> 00:58:05,800 Could I see the rehearsals and the clothes trying? 877 00:58:07,400 --> 00:58:12,880 "I am looking for a good tailor,... 878 00:58:13,880 --> 00:58:19,080 ...who, no matter what she charges, could mend,... 879 00:58:19,880 --> 00:58:21,680 Zacar�as, you really like the girlies! 880 00:58:22,400 --> 00:58:27,800 Because of that dirty old man who was my uncle,... 881 00:58:29,080 --> 00:58:34,600 ...I almost lost, unknowingly, what was my own. 882 00:58:36,280 --> 00:58:42,000 When my fiance noticed, the poor thing, was shocked... 883 00:58:43,480 --> 00:58:49,600 ...through that dirty old man who was my uncle. 884 00:58:50,280 --> 00:58:51,400 Move yourselves, girlies! 885 00:58:53,400 --> 00:58:55,600 The old man...! 886 00:58:56,480 --> 00:58:59,600 The dirty old man!" 887 00:59:05,680 --> 00:59:08,680 The author, the author!, Let him come out to boo him! 888 00:59:15,680 --> 00:59:16,800 It doesn't quite make it. 889 00:59:18,800 --> 00:59:20,200 It doesn't quite make it. 890 00:59:21,080 --> 00:59:22,600 The show doesn't quite make it. 891 00:59:23,480 --> 00:59:26,880 - It lacks show numbers. - Maybe if we add... 892 00:59:27,480 --> 00:59:30,000 ...numbers, girls, music,... 893 00:59:32,080 --> 00:59:34,400 There'll be no more. 894 00:59:35,200 --> 00:59:37,280 It's too soon, isn't it? 895 00:59:37,880 --> 00:59:39,680 What can I say? 896 00:59:41,200 --> 00:59:44,000 An experienced man, who has travelled around... 897 00:59:45,680 --> 00:59:48,000 You're kidding, aren't you? 898 00:59:48,680 --> 00:59:49,400 Us? 899 00:59:50,680 --> 00:59:53,080 And the mob... imagine! 900 00:59:54,200 --> 00:59:56,880 And I deserve it, for losing my track. 901 00:59:58,200 --> 01:00:00,080 A piece of advice, Galvan,... 902 01:00:01,480 --> 01:00:04,000 ...keep to your field, don't do as I did. 903 01:00:04,800 --> 01:00:06,800 That's what I hope to do! 904 01:00:08,680 --> 01:00:10,600 Good luck, Galvan,... 905 01:00:11,680 --> 01:00:13,880 ...to you and to your family. 906 01:00:18,480 --> 01:00:19,800 Out! Out! 907 01:00:21,400 --> 01:00:23,480 Waiter! Anisette for everybody! 908 01:00:24,480 --> 01:00:27,080 How dare you come near me? 909 01:00:27,880 --> 01:00:31,680 - Get out of my sight, jerk! - Arturo, please, calm down! 910 01:00:32,600 --> 01:00:35,000 Go away Sol�s, my father doesn't know what he's doing! 911 01:00:36,880 --> 01:00:39,080 - What's all this about? - Hold him! 912 01:00:40,200 --> 01:00:42,680 - He's worth nothing! - Let go, Juan! 913 01:00:43,280 --> 01:00:47,000 What's this about "Galvanes"? I bring good news. 914 01:00:47,800 --> 01:00:49,400 There's work for you tomorrow. 915 01:00:50,280 --> 01:00:52,880 - You can work in a film. - In a film? 916 01:00:53,880 --> 01:00:56,400 Some filmmakers from Madrid are here to shoot some scenes... 917 01:00:57,080 --> 01:01:00,080 ...tomorrow they are getting people to act as stunts. 918 01:01:01,000 --> 01:01:01,680 Being paid? 919 01:01:04,680 --> 01:01:06,600 - Yes. - What time does it finish? 920 01:01:07,200 --> 01:01:10,280 - At nightime, I think. - We have a show at seven. 921 01:01:10,880 --> 01:01:13,800 If you're late, I could put a film on, the cinema... 922 01:01:14,280 --> 01:01:15,400 ...is better for you. 923 01:01:16,000 --> 01:01:17,600 Sol�s! Sol�s! 924 01:01:18,400 --> 01:01:22,400 - Do you think I'm lying? - Yes, that's right. 925 01:01:23,000 --> 01:01:26,000 Mr. Arturo, those days are wasted. 926 01:01:26,680 --> 01:01:30,800 Let's listen to the heir of the Lumiere Brothers. 927 01:01:31,480 --> 01:01:33,000 What are you speaking about? 928 01:01:33,680 --> 01:01:35,800 Do we butt in your things? 929 01:01:36,400 --> 01:01:38,800 - Yes, you do. - You are taking our jobs away. 930 01:01:39,280 --> 01:01:41,880 - Your jobs? - Leave them, they are drunk. 931 01:01:42,480 --> 01:01:45,680 - Nobody calls me a drunk! - Nobody will take our jobs! 932 01:01:46,480 --> 01:01:51,000 They mean, no outsider will work in the film. 933 01:01:51,480 --> 01:01:54,000 If you don't leave, there'll be problems! 934 01:01:54,600 --> 01:01:57,400 My advice is that you go. 935 01:01:57,880 --> 01:01:59,680 Comedians, we'll fight! 936 01:02:00,400 --> 01:02:04,280 - We'll leave if the authorities... - You are speaking to one. 937 01:02:04,880 --> 01:02:07,600 - This one, Uncle Praxedes. - Is that you? 938 01:02:08,280 --> 01:02:10,400 Yes, I'm the Mayor,... 939 01:02:11,000 --> 01:02:13,880 ...and you have no right to work here. 940 01:02:14,080 --> 01:02:17,000 Don't say anything further, let us beat them up! 941 01:02:17,280 --> 01:02:20,800 If you don't go, I won't be able to stop the mob. 942 01:02:20,880 --> 01:02:23,880 - We must convince them. - How? 943 01:02:24,480 --> 01:02:27,400 - Saying something moving. - If you do,... 944 01:02:28,000 --> 01:02:30,280 ...you'll be able to sleep here, not in the fields,... 945 01:02:30,880 --> 01:02:34,480 ...you have made us laugh, and we needed that. 946 01:02:35,280 --> 01:02:37,480 But one thing has nothing to do with the other! 947 01:02:37,600 --> 01:02:40,000 If any of you, goes to see the filmmakers tomorrow... 948 01:02:40,480 --> 01:02:41,200 Woe betide! 949 01:02:41,880 --> 01:02:44,280 - Listen to me. - To the river with them! 950 01:02:44,800 --> 01:02:48,080 I have listened to you. And you convinced me. 951 01:02:49,880 --> 01:02:52,800 Uncle Praxedes, your Mayor,... 952 01:02:53,880 --> 01:02:55,400 ...is very right. 953 01:02:57,280 --> 01:03:00,880 The people of Cabaluenga have every right to eat when... 954 01:03:00,920 --> 01:03:03,800 - ... somebody comes with food. - That's right. 955 01:03:05,800 --> 01:03:09,600 That food is yours, before any other person's,... 956 01:03:11,400 --> 01:03:13,480 ...though that other person, might also be hungry. 957 01:03:14,280 --> 01:03:17,000 Although these filmmakers have come to this town... 958 01:03:17,080 --> 01:03:19,480 ...and not to Tres Cuevas, Medineja, or Pozochico. 959 01:03:24,400 --> 01:03:26,400 Not only in Cabaluenga there's hunger. 960 01:03:27,400 --> 01:03:28,680 Or in La Llanada. 961 01:03:29,880 --> 01:03:31,200 There is hunger in Spain. 962 01:03:32,880 --> 01:03:34,800 And surely in many other places. 963 01:03:36,000 --> 01:03:39,000 But the bread that will fall upon us tomorrow, such as the... 964 01:03:39,200 --> 01:03:40,880 ...manna fell upon the chosen people... 965 01:03:43,200 --> 01:03:44,080 ...is yours. 966 01:03:49,080 --> 01:03:50,080 Why? 967 01:03:50,880 --> 01:03:52,800 Because it falls upon your land! 968 01:03:53,880 --> 01:03:57,480 Which you water with your sweat... 969 01:03:58,200 --> 01:04:01,480 ...when it doesn't rain and your tears,... 970 01:04:03,480 --> 01:04:05,200 ...and sometimes even your blood. 971 01:04:05,680 --> 01:04:08,280 Blood, sweat and tears! 972 01:04:12,000 --> 01:04:14,000 But, what about our manna, where will it fall?... 973 01:04:14,680 --> 01:04:18,200 ...on which land, we have no land, we are from nowhere. 974 01:04:20,080 --> 01:04:21,000 We are... 975 01:04:22,880 --> 01:04:24,080 ...from the roads. 976 01:04:25,880 --> 01:04:28,800 When our Lord's people went to the promised land,... 977 01:04:29,000 --> 01:04:31,480 ...there were no roads, they went along the desert. 978 01:04:31,680 --> 01:04:35,000 That's why nobody said: "That is my manna... 979 01:04:35,880 --> 01:04:38,200 ...that bread, the comedian's bread, is mine". 980 01:04:40,000 --> 01:04:42,680 We come to work in your town and now... 981 01:04:42,880 --> 01:04:45,800 ...you want to leave us with no bread. 982 01:04:46,400 --> 01:04:50,800 And I mean our bread, because it is our job,... cinema... 983 01:04:51,680 --> 01:04:55,880 ...and you want to keep it because we are from nowhere. 984 01:04:59,200 --> 01:05:00,080 But... 985 01:05:00,880 --> 01:05:02,680 ...why are we from the roads? 986 01:05:03,880 --> 01:05:06,200 Because, as your Mayor just said,... 987 01:05:07,600 --> 01:05:10,400 ...people need to laugh... 988 01:05:12,400 --> 01:05:14,480 ...and we carry laughter to them. 989 01:05:18,080 --> 01:05:19,480 The droughts kill you. 990 01:05:22,000 --> 01:05:26,080 And us too, for we live on the little money you can spare. 991 01:05:28,200 --> 01:05:31,080 When there is hunger in Cabaluenga, in Spain,... 992 01:05:31,280 --> 01:05:34,080 ...in the world, some people don't feel it. 993 01:05:35,800 --> 01:05:39,200 Why aren't you against them, and not us? 994 01:05:40,880 --> 01:05:43,480 I'm sorry, Mayor, I know this is not possible. 995 01:05:44,280 --> 01:05:46,880 Please don't take any notice. 996 01:05:49,480 --> 01:05:52,480 But as you don't go against them, who don't suffer... 997 01:05:52,600 --> 01:05:55,600 ...from hunger, not even when it doesn't rain,... 998 01:05:56,080 --> 01:05:59,200 ...don't go against us, who are your brothers at work! 999 01:06:02,480 --> 01:06:03,800 Or in the lack of it. 1000 01:06:05,880 --> 01:06:07,200 As in the lack of bread. 1001 01:06:08,000 --> 01:06:12,000 Did you really say all that in a Spanish town, in the 50s? 1002 01:06:12,880 --> 01:06:16,680 That's what I remember. But many years have passed. 1003 01:06:17,400 --> 01:06:20,200 - And I convinced them. - Was it your own idea? 1004 01:06:20,880 --> 01:06:21,800 Yes, of course. 1005 01:06:24,000 --> 01:06:26,480 Well, Juan... 1006 01:06:29,280 --> 01:06:32,000 Yes, Juan also spoke, but less. 1007 01:06:32,200 --> 01:06:34,600 - What Juan? - Juan Conejo. 1008 01:06:34,680 --> 01:06:37,000 That was Sergio Maldonado's real name... 1009 01:06:37,200 --> 01:06:40,680 ...it looked nicer in posters. 1010 01:06:42,000 --> 01:06:45,000 We both spoke a bit. I have tried to make... 1011 01:06:47,280 --> 01:06:48,680 ...a summary. 1012 01:06:49,680 --> 01:06:51,600 See you, "Galvanes"! 1013 01:06:54,880 --> 01:06:58,200 Attention, you older ones, I don't want any young lads now! 1014 01:06:58,680 --> 01:07:01,080 From 50, upwards, stand over there, please. 1015 01:07:01,280 --> 01:07:05,400 - Nicasio, they need older men. - Come with us. 1016 01:07:06,480 --> 01:07:08,800 - Father, get into that line. - I'm going. 1017 01:07:10,600 --> 01:07:14,680 - Magdalena, they are calling us! - No, just men. 1018 01:07:15,680 --> 01:07:19,400 I've seen women in "flims", and cheeky ones too. 1019 01:07:20,080 --> 01:07:22,400 Who would like to say a few lines? 1020 01:07:27,600 --> 01:07:30,200 - Go on, comedian! - Go on, Galvan! 1021 01:07:30,680 --> 01:07:32,800 That's your job, didn't you say that last night? 1022 01:07:35,280 --> 01:07:37,800 I... I can say it. 1023 01:07:39,080 --> 01:07:40,000 I'm an actor. 1024 01:07:41,600 --> 01:07:42,800 Learn this. 1025 01:07:44,200 --> 01:07:47,480 "I was longing for you to come, master, there's something... 1026 01:07:47,600 --> 01:07:49,880 ...I must tell you. Colas is a bad person, there is no... 1027 01:07:50,000 --> 01:07:52,000 ...room for both of us on this estate, it's me or him. " 1028 01:07:52,200 --> 01:07:54,080 Well, so suddenly... 1029 01:07:55,080 --> 01:07:58,280 It's written on here. You have till after lunchtime. 1030 01:07:59,000 --> 01:08:01,280 That's plenty, it's not long. 1031 01:08:02,080 --> 01:08:03,680 You'll be paid 2,000 pesetas. 1032 01:08:04,280 --> 01:08:07,800 I was jealous of him, but I still had to wait a while for... 1033 01:08:07,880 --> 01:08:09,880 ...something similar to happen to me. 1034 01:08:10,480 --> 01:08:14,480 It was years later, when I could eat due to my job as an extra. 1035 01:08:14,600 --> 01:08:17,800 I did the trick of the twanging voice,... 1036 01:08:18,480 --> 01:08:22,480 ...since I had discovered it, I had become famous in La Llanada. 1037 01:08:26,800 --> 01:08:27,800 Action! 1038 01:08:28,400 --> 01:08:30,680 - ave you -iga-ettes? - Yes, sir. 1039 01:08:30,800 --> 01:08:34,000 - ive me four. - Did you win the lottery? 1040 01:08:34,200 --> 01:08:36,400 No, -ut I'm -iving a -arty. 1041 01:08:37,280 --> 01:08:41,600 - Why is he speaking like that? - I don't know, he spoke well. 1042 01:08:42,480 --> 01:08:44,680 I though it would be funnier. 1043 01:08:45,400 --> 01:08:48,080 Keep your jokes to yourself. 1044 01:08:48,800 --> 01:08:52,280 Let's rehearse. But speak normally, normally. 1045 01:08:55,280 --> 01:08:58,480 I spoke normally and the director congratulated me. 1046 01:08:59,200 --> 01:09:02,800 Later, one of the film extras who worked there, came up to me. 1047 01:09:04,680 --> 01:09:07,200 I found that stupid voice funny. 1048 01:09:07,680 --> 01:09:09,880 - He called it "twanging". - Very funny. 1049 01:09:10,680 --> 01:09:14,200 But I'm afraid, film directors are all geeks,... 1050 01:09:14,880 --> 01:09:18,200 - ... you're a professional, right? - Since I was a child. 1051 01:09:18,400 --> 01:09:22,000 But you re penniles, just like me. 1052 01:09:22,600 --> 01:09:26,800 Shall we go around and see what we can get? 1053 01:09:27,800 --> 01:09:31,480 - Have you ever worked thus? - It's the only way I've worked. 1054 01:09:32,400 --> 01:09:34,800 We make a good duet. 1055 01:09:35,480 --> 01:09:38,600 I just have a few villages, around the province,... 1056 01:09:39,280 --> 01:09:41,480 ...but we could come to Madrid in the summer. 1057 01:09:42,280 --> 01:09:44,400 And so we did. 1058 01:09:45,080 --> 01:09:48,400 Miguel Mihura saw me, and he gave me a small role. 1059 01:09:49,200 --> 01:09:52,680 Then Ruiz Iriarte came along, and my debut with Duran. 1060 01:09:53,280 --> 01:09:57,000 Cinema, awards, festivals,... glory! 1061 01:09:57,680 --> 01:10:00,080 We haven't reached that part yet, Mr. Galvan. 1062 01:10:01,880 --> 01:10:03,400 We were at Cabaluenga. 1063 01:10:04,680 --> 01:10:05,200 Camera! 1064 01:10:06,080 --> 01:10:08,680 "Today's bandits", 128-1, first shot. 1065 01:10:09,000 --> 01:10:10,080 Action! 1066 01:10:13,600 --> 01:10:14,600 Good morning, Jesus. 1067 01:10:15,280 --> 01:10:19,680 I was longing for ye to come,... master... 1068 01:10:21,200 --> 01:10:25,200 ...to tell ye... something... a bi... delicate. 1069 01:10:26,000 --> 01:10:30,480 Cut! I told you to speak softer, I said so in the rehearsal. 1070 01:10:31,680 --> 01:10:33,480 - Come on, once more! - Everybody ready! 1071 01:10:34,480 --> 01:10:35,200 Camera! 1072 00:00:01,080 --> 00:35:18,480 "Today's bandits", 128-1, second shot. 1073 00:00:02,480 --> 00:00:06,440 Action! 1074 00:00:06,480 --> 00:00:07,800 Good morning Jesus. 1075 00:00:08,400 --> 00:00:13,000 I was longing for ye to come, to tell ye... master,... 1076 00:00:14,200 --> 00:00:18,600 ...to tell ye something a bi... delicate. 1077 00:00:20,800 --> 00:00:24,000 Blas is a bad person,... 1078 00:00:25,280 --> 00:00:27,800 ...there is no room in this house... 1079 00:00:30,280 --> 00:00:31,400 ...for both of us! 1080 00:00:32,680 --> 00:00:34,600 It's me... or him! 1081 00:00:35,280 --> 00:00:38,200 Where did you get this monster? Cut! 1082 00:00:39,080 --> 00:00:41,000 - He is an actor from... - Go to hell! 1083 00:00:41,280 --> 00:00:45,600 - Can't you speak naturally? - It's a dramatic situation and... 1084 00:00:46,400 --> 00:00:49,400 - Speak naturally, bloody-jerk! - And be careful with the text! 1085 00:00:49,600 --> 00:00:52,400 You said Blas where it's Colas, you said house, and it's estate. 1086 00:00:53,000 --> 00:00:54,280 Yes, yes, that's true. 1087 00:00:54,880 --> 00:00:56,680 Again! Camera! 1088 00:00:58,680 --> 00:01:01,400 "Today's bandits", 128-1, third shot. 1089 00:01:02,000 --> 00:01:02,800 Action! 1090 00:01:03,600 --> 00:01:07,400 I was longing for ye to come, master... 1091 00:01:08,080 --> 00:01:11,280 Cut! Let him speak, damn it!, he is your master. 1092 00:01:12,080 --> 00:01:14,000 Yes, that's true. I'm sorry. 1093 00:01:14,480 --> 00:01:15,400 Camera! 1094 00:01:16,280 --> 00:01:20,400 I was longing for ye to come, master,... 1095 00:01:20,880 --> 00:01:24,080 Stop, or I'll cut my bollocks off! 1096 00:01:25,000 --> 00:01:28,480 Who is the jerk who found this man? Somontes! 1097 00:01:29,080 --> 00:01:30,880 He went to the audition. 1098 00:01:31,480 --> 00:01:34,400 Did you look for him with a lens hanging from your bollocks! 1099 00:01:35,480 --> 00:01:38,200 God damn the father of the Lumiere Brothers! 1100 00:01:44,280 --> 00:01:46,480 Who thinks they can say the line? 1101 00:01:48,200 --> 00:01:52,280 This cinema is shit, it has nothing to do with the theatre! 1102 00:01:59,680 --> 00:02:02,280 Carlos, I must give you a message from Juanita. 1103 00:02:02,400 --> 00:02:04,800 - Really, where is she? - She's gone. 1104 00:02:08,080 --> 00:02:10,880 - She's gone? - She said you'd spoken of it. 1105 00:02:13,600 --> 00:02:17,200 - She's gone, just like that? - With one of the cinema crew. 1106 00:02:18,880 --> 00:02:20,680 - Has she gone to Madrid? - No,... 1107 00:02:21,400 --> 00:02:23,400 ...he was taking her to Rota. 1108 00:02:24,880 --> 00:02:28,480 She hasn't left a letter for you, because she's not good at them. 1109 00:02:29,680 --> 00:02:32,680 - When did she leave? - As soon as the show finished. 1110 00:02:33,200 --> 00:02:35,000 She had settled it with the man. 1111 00:02:36,080 --> 00:02:37,400 She didn't take anything. 1112 00:02:37,880 --> 00:02:40,280 - She hardly had anything. - That's why. 1113 00:02:42,000 --> 00:02:44,280 We have a big problem,... 1114 00:02:45,000 --> 00:02:47,880 - ... we must substitute Juanita. - We'll call it off today. 1115 00:02:48,480 --> 00:02:50,600 - Call it off? - How can you say that? 1116 00:02:50,680 --> 00:02:53,080 - No, not that. - How could you think...? 1117 00:02:53,280 --> 00:02:56,680 Call it off, never. I have told you many times,... 1118 00:02:56,800 --> 00:02:59,000 ...Maldonado, it's not professional. 1119 00:02:59,800 --> 00:03:02,200 Yes, but in this case... it's an emergency. 1120 00:03:02,800 --> 00:03:05,400 When you were in the " Blue Division", you spent... 1121 00:03:05,480 --> 00:03:08,800 ...many months in Stalingrad, it snowed, your feet froze,... 1122 00:03:09,280 --> 00:03:12,680 ...the Russian aviation bombarded, men died,... 1123 00:03:13,400 --> 00:03:16,600 ...food didn't reach you. Did you ever call it off? 1124 00:03:17,080 --> 00:03:20,600 Only once, but I was already back in Madrid. 1125 00:03:20,680 --> 00:03:23,280 Once, for the end of the season. 1126 00:03:23,400 --> 00:03:26,600 This evening, Hiniesta-Galvan's Company will perform... 1127 00:03:26,800 --> 00:03:29,480 ..."Margarita's carnations", without Margarita,... 1128 00:03:29,680 --> 00:03:31,280 ...and if things get worse, without carnations. 1129 00:03:31,880 --> 00:03:35,080 - What'll you have, Mr. Arturo? - Two glasses of wine, Vicentita. 1130 00:03:35,600 --> 00:03:39,000 Are these wines to drink or to speak to Vicentita? 1131 00:03:39,680 --> 00:03:43,480 - Mainly to speak to her. - They laughed at her last time. 1132 00:03:44,080 --> 00:03:47,400 Because she played a nun, and they knew her... Vicentita... 1133 00:03:52,080 --> 00:03:57,200 Tomorrow in Medineja we have to make a good impression. 1134 00:03:58,280 --> 00:04:01,080 I don't only mean in the show, I mean in the morning also... 1135 00:04:01,800 --> 00:04:04,200 ...we will go to mass, as it is Sunday... 1136 00:04:04,400 --> 00:04:07,280 To later go and act as a procuress in "The crab rip-off". 1137 00:04:07,680 --> 00:04:10,080 But they will've paid by then! 1138 00:04:13,680 --> 00:04:16,280 - Father, look. - Quiet. 1139 00:04:16,480 --> 00:04:20,000 It's important, look to your right, next to the altar. 1140 00:04:21,680 --> 00:04:23,200 - Those over there. - Damn! 1141 00:04:25,680 --> 00:04:27,000 It's the Calleja-Ruizs! 1142 00:04:29,880 --> 00:04:32,400 - Miguel. - Quiet. 1143 00:04:32,480 --> 00:04:34,080 Look behind you. 1144 00:04:35,000 --> 00:04:37,400 - What are you saying? - Look behind you,... 1145 00:04:38,080 --> 00:04:39,600 ...next to the door. 1146 00:04:42,880 --> 00:04:43,880 Blast! 1147 00:04:44,400 --> 00:04:47,280 This is intolerable, in a holy place! 1148 00:04:47,800 --> 00:04:51,080 - The are outsiders. - Even if they were astronauts! 1149 00:04:51,800 --> 00:04:52,480 The Hiniesta-Galvans! 1150 00:04:53,200 --> 00:04:55,680 They have our same reasons. 1151 00:04:56,800 --> 00:04:59,880 You've heard it, just like I have, swearing while... 1152 00:05:00,000 --> 00:05:03,600 - ... Father Damian was reading. - With all my respect,... 1153 00:05:04,200 --> 00:05:08,200 - ... "damn" is not blasphemy. - I don't think "blast" is eiter. 1154 00:05:08,880 --> 00:05:10,600 In a holy place it is. 1155 00:05:11,680 --> 00:05:14,680 Where is the useless Mayor, where is Amadeo? 1156 00:05:14,800 --> 00:05:18,480 Get him out of the tavern, he must arrest these blasphemous. 1157 00:05:19,000 --> 00:05:21,400 We must stone them, "reds". 1158 00:05:22,080 --> 00:05:23,400 "Reds"! "Reds"! 1159 00:05:24,200 --> 00:05:27,800 See you some other time, Miguel. Come on, leave the boy. 1160 00:05:31,800 --> 00:05:36,400 Stop! I have spoken the priest and Mrs. Florentina into it. 1161 00:05:37,080 --> 00:05:40,800 There'll be a show! But, who will render cult to Tal�a? 1162 00:05:41,400 --> 00:05:43,800 The Hiniesta-Galvans, or the Calleja-Ruizs? 1163 00:05:44,480 --> 00:05:48,200 - You can do as other times. - Shall we play it on cards? 1164 00:05:48,480 --> 00:05:49,280 Yes. 1165 00:05:51,800 --> 00:05:53,000 They're toast. 1166 00:05:55,880 --> 00:05:57,480 Carlitos, the cage. 1167 00:06:02,680 --> 00:06:05,680 "I've gone by again today... 1168 00:06:07,080 --> 00:06:10,280 ...along that green path... 1169 00:06:11,480 --> 00:06:14,600 ...that gets lost beyond the valley... 1170 00:06:16,000 --> 00:06:19,080 ...with my sad loneliness. 1171 00:06:20,480 --> 00:06:23,400 I've prayed again today,... 1172 00:06:24,880 --> 00:06:27,880 ...at the door of the hermitage... 1173 00:06:29,280 --> 00:06:32,280 ...to ask your little Lady... 1174 00:06:33,680 --> 00:06:36,680 ...I might find you again. " 1175 00:06:39,400 --> 00:06:42,880 - A champion at cards, for this! - What's wrong? 1176 00:06:43,600 --> 00:06:45,600 The priest, the priest and the priest's mother! 1177 00:06:45,800 --> 00:06:47,080 Don't go. 1178 00:06:48,400 --> 00:06:50,080 Did you know any of this? 1179 00:06:50,680 --> 00:06:53,880 You spoke to the priest and to Mrs. Florentina, didn't you? 1180 00:06:54,680 --> 00:06:57,600 I acted as liaison, I told the priest to calm... 1181 00:06:57,800 --> 00:07:00,200 ...the "eumenides" down, that's all. 1182 00:07:01,480 --> 00:07:03,480 Do you know why they didn't arrest us... 1183 00:07:03,680 --> 00:07:06,800 ...why we are allowed to put on the show? 1184 00:07:08,480 --> 00:07:11,080 The priest convinced Mrs. Florentina,... 1185 00:07:11,280 --> 00:07:14,000 ...by saying that what got would... 1186 00:07:14,200 --> 00:07:16,800 ...go to charity. 1187 00:07:17,680 --> 00:07:20,400 So he has taken it all for the poorbox! 1188 00:07:21,080 --> 00:07:24,600 - For the poorbox! - Calm down, let's go to the ball! 1189 00:07:25,280 --> 00:07:29,200 St. Vitus's dance, is what I feel like dancing! St. Vitus's! 1190 00:07:37,480 --> 00:07:40,000 - You are very lonely. - Yes, the rest are wandering. 1191 00:07:40,200 --> 00:07:43,200 - Dancing with Ruiz's son? - Is my good name ruined? 1192 00:07:43,680 --> 00:07:46,800 - Won't I be able to marry? - Don't be easy with him. 1193 00:07:47,000 --> 00:07:49,080 At my age, I should have fun. 1194 00:07:49,680 --> 00:07:53,200 - Later, they critizise comedians. - I know what's bothering you. 1195 00:07:53,280 --> 00:07:56,200 Have fun. Shall we dance, cousin? 1196 00:07:56,400 --> 00:07:57,880 No! 1197 00:07:58,600 --> 00:08:01,000 It seems as if you'd just seen the devil. 1198 00:08:01,200 --> 00:08:05,000 - I have. - It'll be worse to see couples. 1199 00:08:06,680 --> 00:08:10,480 - I'm going to dance. - But not with Ruiz's son. 1200 00:08:11,000 --> 00:08:12,800 He wasn't even wooing,... 1201 00:08:13,480 --> 00:08:16,200 ...he was speaking about work, he's a pest. 1202 00:08:17,480 --> 00:08:20,600 He said Uncle Arturo was getting old, and after... 1203 00:08:20,680 --> 00:08:23,400 ...that with Juanita, he might give up the company,... 1204 00:08:23,880 --> 00:08:25,800 ...but I could have a job in his. 1205 00:08:30,200 --> 00:08:33,600 You'd have great roles. All the young ladies,... 1206 00:08:34,400 --> 00:08:36,000 ...and some as a first actress. 1207 00:08:36,880 --> 00:08:39,680 And we could always be together, just like now. 1208 00:08:42,880 --> 00:08:45,400 "The fountain has dried up... 1209 00:08:46,080 --> 00:08:50,000 ...the lilies have already withered... 1210 00:08:52,200 --> 00:08:54,800 ...along the green path,... 1211 00:08:55,400 --> 00:08:59,200 ...green path, that leads to the hermitage. 1212 00:09:02,880 --> 00:09:04,280 Path... 1213 00:09:06,680 --> 00:09:09,680 Green path. " 1214 00:09:19,600 --> 00:09:21,080 Thank you, good night. 1215 00:09:22,280 --> 00:09:27,200 By the way, you want to take over my job as a manager,... 1216 00:09:27,880 --> 00:09:31,080 - ... but I carry a gun, see? - No, Maldonado, don't, I... 1217 00:09:31,280 --> 00:09:33,400 To hell with your father! 1218 00:09:33,480 --> 00:09:36,400 - Don't speak to me... - I speak as I like! 1219 00:09:36,480 --> 00:09:40,080 Leave the boy, don't take any notice of him, he's drunk. 1220 00:09:41,000 --> 00:09:44,000 Why do you think they put up with me,... 1221 00:09:44,600 --> 00:09:46,400 ...being such a bad actor,... 1222 00:09:47,200 --> 00:09:50,680 ...and knowing I steal? Because I have a gun and card. 1223 00:09:50,800 --> 00:09:54,200 He is drunk, he doesn't know what he's speaking about. 1224 00:09:55,080 --> 00:09:58,800 This is the last remaining bottle left in this region,... 1225 00:09:58,880 --> 00:10:02,200 ...and we are going to drink it, the three of us, pathe... 1226 00:10:05,280 --> 00:10:08,000 - ... pathetically. - Give it to me. 1227 00:10:14,880 --> 00:10:18,600 You want my job, Rosa doesn't love you,... 1228 00:10:18,680 --> 00:10:21,480 ...Juanita has left your father... 1229 00:10:22,600 --> 00:10:26,200 ...we will celebrate all this with a great party. 1230 00:10:27,000 --> 00:10:30,800 - Carlos, are there whores here? - No. They say there was one. 1231 00:10:31,280 --> 00:10:34,000 Mrs. Florentina must have shot her. 1232 00:10:34,080 --> 00:10:37,600 - Do you often go? - You shouldn't ask a father. 1233 00:10:37,800 --> 00:10:40,600 - Sorry, I'm drunk. - If that's the case. 1234 00:10:41,080 --> 00:10:43,600 We go when we are in an important town. 1235 00:10:43,800 --> 00:10:47,480 - I've never been, it's expensive. - We go for free. 1236 00:10:47,600 --> 00:10:50,400 - For free? - We recite verses, they like that. 1237 00:10:50,480 --> 00:10:51,680 Do they? 1238 00:10:52,480 --> 00:10:54,000 Who is in that streetdoor? 1239 00:10:55,000 --> 00:10:57,080 A couple, they are "frisking about". 1240 00:10:58,480 --> 00:11:02,880 Abomination! Hurry to bed if your flesh demands it,... 1241 00:11:03,000 --> 00:11:06,000 ...if you are joined in holy matrimony, but don't... 1242 00:11:06,080 --> 00:11:09,600 ...surrender here, in the sight of the crowd! 1243 00:11:10,600 --> 00:11:14,200 Remember Mrs. Florentina, sacrifizing herself for all... 1244 00:11:14,800 --> 00:11:18,000 ...of us, there in her bed, with Mr. Florentino! 1245 00:11:18,200 --> 00:11:20,400 We don't harm anyone. 1246 00:11:21,000 --> 00:11:24,280 You do, my friends and I. By offering our eyes... 1247 00:11:24,480 --> 00:11:27,800 ...that beautiful and provocative sight, we have... 1248 00:11:28,280 --> 00:11:32,680 ...seen your rythmic movements! Aren't you aroused, Carlitos? 1249 00:11:32,800 --> 00:11:35,480 - Poor lonely male! - Well, of course! 1250 00:11:35,680 --> 00:11:39,280 How come we not be aroused by that round "crupper",... 1251 00:11:39,480 --> 00:11:43,880 ...whose tight gluteus you held in your avid hands? 1252 00:11:44,600 --> 00:11:47,600 Which I thought very practical, for one of them... 1253 00:11:48,200 --> 00:11:50,280 ...moved towards the slate. 1254 00:11:51,000 --> 00:11:53,400 - They are comedians. - They are drunk as lords. 1255 00:11:54,080 --> 00:11:56,880 And you are sinners, ardent as hot coal... 1256 00:11:57,000 --> 00:12:01,680 ...burning in hell, where you want to take us when we look. 1257 00:12:02,280 --> 00:12:05,600 But how can we not look? 1258 00:12:06,200 --> 00:12:09,080 How can we take our eyes of those things,... 1259 00:12:09,200 --> 00:12:11,800 ...the skirt held up, the embuttoned blouse,... 1260 00:12:11,880 --> 00:12:15,000 - ... the obscenely opened zip? - Let us go. 1261 00:12:15,400 --> 00:12:18,200 Now, you provoking lad,... 1262 00:12:18,880 --> 00:12:23,600 ...you, lewd woman, will you stop the show half way? 1263 00:12:24,080 --> 00:12:26,600 - Leave them alone. - Sit down, Galvan! 1264 00:12:28,080 --> 00:12:32,080 Sit down and learn, Carlitos, you need to learn. 1265 00:12:33,400 --> 00:12:37,800 Go on, lad, away with the "leaning", on with the finale. 1266 00:12:38,680 --> 00:12:41,400 - Let us go! - I've got a gun! 1267 00:12:42,000 --> 00:12:44,080 - I've got a gun! - Basilio! 1268 00:12:45,200 --> 00:12:48,080 - Put the gun away. Leave them. - Not by my bollocks! 1269 00:12:48,280 --> 00:12:50,280 They have turned me on! 1270 00:12:50,400 --> 00:12:53,600 Come on, Basilio, pull her skirt up, I want to see her thighs. 1271 00:12:54,280 --> 00:12:56,680 What's your name? No lying! 1272 00:12:57,880 --> 00:13:00,400 Casilda, my name is Casilda. 1273 00:13:01,080 --> 00:13:06,480 Come on, we want to see the beauty of Casilda's thighs. 1274 00:13:08,400 --> 00:13:10,480 - Up to the groin. - Please... 1275 00:13:11,080 --> 00:13:12,880 Pull the skirt up, I said! 1276 00:13:23,680 --> 00:13:25,600 No, not you, Casilda... 1277 00:13:27,080 --> 00:13:28,480 ...let him pull it up... 1278 00:13:30,200 --> 00:13:31,680 ...bit by bit. 1279 00:13:32,680 --> 00:13:34,400 Pull it up, Basilio. 1280 00:13:40,880 --> 00:13:42,400 Like that. 1281 00:13:44,280 --> 00:13:45,600 Like that. 1282 00:13:46,480 --> 00:13:49,600 Turn round towards the light... 1283 00:13:51,080 --> 00:13:54,680 ...we want to see those thighs which are calling out: " Bite us". 1284 00:13:56,480 --> 00:13:58,480 Let us see more,... 1285 00:13:59,400 --> 00:14:04,080 ...so that when you pull her knickers down, our eyes will... 1286 00:14:04,880 --> 00:14:07,800 ...be able to follow until they reach the garden of delight. 1287 00:14:09,080 --> 00:14:12,080 So you are going to do it? And you call yourself a man? 1288 00:14:12,200 --> 00:14:14,880 You are not willing to die at Venus's feet? 1289 00:14:15,480 --> 00:14:18,200 Don't you pull them down any more, you scoundrel,... 1290 00:14:18,880 --> 00:14:22,280 ...for my friends and I can already see the pubis fuzz... 1291 00:14:23,080 --> 00:14:26,000 ...and the desire to jump upon her is strong! 1292 00:14:27,280 --> 00:14:29,680 Shall I pull them down or not? 1293 00:14:31,000 --> 00:14:34,400 That's up to you. I don't want to embarrass you further,... 1294 00:14:35,200 --> 00:14:37,200 ...so I won't ask her what she wants... 1295 00:14:38,080 --> 00:14:42,480 ...done now, nor by whom she wants it done. 1296 00:14:44,680 --> 00:14:47,200 I will let you go, for Baco... 1297 00:14:49,080 --> 00:14:52,800 ...only gets on wuth Afrodita in the preliminaries. 1298 00:14:53,400 --> 00:14:56,680 - Can we go? - Yes, but pull your trousers... 1299 00:14:56,800 --> 00:15:00,080 ...down and run, and Casilda, pull your knickers down & run. 1300 00:15:00,800 --> 00:15:04,600 I want to see how your bottoms move away under the moonlight! 1301 00:15:05,280 --> 00:15:07,000 Hey, come back! 1302 00:15:07,600 --> 00:15:08,800 Come back! 1303 00:15:10,280 --> 00:15:13,200 Each one run in a different direction, you, to the east,... 1304 00:15:14,000 --> 00:15:16,200 ...and you to the west! Run! 1305 00:15:18,400 --> 00:15:21,280 Down, pants and knickers further down! 1306 00:15:25,480 --> 00:15:28,800 How beautiful! What a pity Galvan! 1307 00:15:29,680 --> 00:15:31,400 What a pity, Maldonado! 1308 00:15:31,880 --> 00:15:35,400 - Carlitos, go after her! - Basilio runs the otherway. 1309 00:15:36,080 --> 00:15:37,800 Casilda! 1310 00:15:41,280 --> 00:15:43,400 - Dad, I fell. - We saw it, son. 1311 00:15:45,200 --> 00:15:47,800 She run away because I fell. 1312 00:15:47,880 --> 00:15:51,480 - You should ve looked ahead! - I could only look at the bottom. 1313 00:15:53,000 --> 00:15:56,200 - I am a fool, aren't I? - No, it's just that you have... 1314 00:15:56,280 --> 00:15:58,800 - ... a huge drunkenness. - Lean on me. 1315 00:16:02,600 --> 00:16:06,400 Maldonado, did you learn all that in Russia? 1316 00:16:07,200 --> 00:16:09,000 I hardly know anything. 1317 00:16:09,080 --> 00:16:11,880 Don't believe him, he does know a lot, he reads books. 1318 00:16:12,000 --> 00:16:15,080 I only know it snowed in Russia they killed my friends,... 1319 00:16:15,800 --> 00:16:18,800 ...I came back and worked as a film extra, I got married... 1320 00:16:19,480 --> 00:16:21,600 ...my wife was unfaithful,... 1321 00:16:22,600 --> 00:16:26,280 - ... and I m better drunk. - Women are a danger. 1322 00:16:27,080 --> 00:16:28,480 You bet! 1323 00:16:28,680 --> 00:16:33,800 But we shouldn't worry about that, if we have wine & friends. 1324 00:16:34,680 --> 00:16:37,000 Friendship is not the same as women. 1325 00:16:37,600 --> 00:16:41,280 It's better, it hurts less when you lose it. 1326 00:16:41,880 --> 00:16:45,080 Can anyone be happier that the three of us tonight? 1327 00:16:47,200 --> 00:16:50,400 Even having been through a bad time. 1328 00:16:50,880 --> 00:16:53,800 - What bad time? - The bottle, is empty. 1329 00:16:57,600 --> 00:17:01,200 But the wine is already inside. Put your arm around my... 1330 00:17:02,080 --> 00:17:05,200 ...shoulder, my beloved disciple, and the other one over Galvan. 1331 00:17:07,880 --> 00:17:10,000 Walk, with unsteady steps,... 1332 00:17:10,680 --> 00:17:14,600 ...making the biggest "Ss" you are able to, and sing with us:... 1333 00:17:16,200 --> 00:17:21,200 ..."Asturias, beloved nation... 1334 00:17:23,080 --> 00:17:27,800 ...Asturias of my heart,... 1335 00:17:30,880 --> 00:17:35,680 ...I would I could be in Asturias,... 1336 00:17:37,200 --> 00:17:41,400 ...on some occasions. " 1337 00:17:50,680 --> 00:17:55,200 Today, at 6:30 in the afternoon, in the hall... 1338 00:17:56,080 --> 00:17:59,800 ...of the "Castillian Circle", great theatrical evening,... 1339 00:18:00,800 --> 00:18:02,200 ...free entry. " 1340 00:18:05,000 --> 00:18:07,080 Sorry, but you can't perform today. 1341 00:18:07,800 --> 00:18:10,680 The students who were sent by the Government are performing. 1342 00:18:10,800 --> 00:18:13,600 Even the Government is against us? 1343 00:18:14,200 --> 00:18:16,480 What the hell did we do to the Government? 1344 00:18:16,600 --> 00:18:19,400 Don't shout so, the sergeant is over there. 1345 00:18:20,200 --> 00:18:23,280 - What plays are they bringing? - By very famous authors. 1346 00:18:24,000 --> 00:18:25,400 There you are, the programme. 1347 00:18:28,080 --> 00:18:32,280 Lope de Rueda, Juan de la Encina, Torres Garro,... 1348 00:18:33,280 --> 00:18:37,880 But who the hell are they? Where did these jerks train? 1349 00:18:41,200 --> 00:18:43,880 I'm sure they are from Falange. 1350 00:18:52,800 --> 00:18:56,800 Dad, I have thought a lot about my situation with you,... 1351 00:18:57,880 --> 00:19:01,080 ...I've thought it over, I'm a nuisance. 1352 00:19:01,880 --> 00:19:04,800 Don't worry, if you hadn't come don't think we'd be better off. 1353 00:19:04,880 --> 00:19:08,800 No, you wouldn't, I agree. I see no solution for you. 1354 00:19:09,680 --> 00:19:12,000 I've thought about it. and I'm leaving. 1355 00:19:13,000 --> 00:19:15,400 You are? Where will you go? 1356 00:19:16,080 --> 00:19:19,680 Pepino wrote to me, I could work in one of his stationeries. 1357 00:19:20,400 --> 00:19:23,800 He's not sure whether I'll sell, deliver parcels,... 1358 00:19:23,880 --> 00:19:26,480 ...or wash the floors, I'll do anything. 1359 00:19:27,280 --> 00:19:30,800 I'll think of you, dad, an of Rosa and Maldonado. 1360 00:19:32,280 --> 00:19:35,280 How will you go? I haven't... for the train... 1361 00:19:35,480 --> 00:19:37,600 I'll hitch-hike at the crossroads. 1362 00:19:38,800 --> 00:19:41,600 Those of you who are drinking or playing must go... 1363 00:19:42,080 --> 00:19:46,000 ...you must order something to stay and watch the show. 1364 00:20:01,800 --> 00:20:06,280 If we got to Pedrales on time, we could perform at night. 1365 00:20:09,200 --> 00:20:12,680 Carlos, the last time we saw the Calleja-Ruizs,... 1366 00:20:13,400 --> 00:20:17,080 ...I spoke to them, did you know Fernanda Machado had died? 1367 00:20:18,000 --> 00:20:20,400 Yes, she was buried in San Macario. 1368 00:20:21,080 --> 00:20:23,600 - No, I think it was in Cabezales. - It might've been. 1369 00:20:24,880 --> 00:20:27,080 Well, I spoke to them,... 1370 00:20:28,680 --> 00:20:30,480 ...I'm older than Machado,... 1371 00:20:31,880 --> 00:20:34,280 ...but I could take over some of her roles. 1372 00:20:35,600 --> 00:20:37,680 Aunt, you are a first actress. 1373 00:20:41,680 --> 00:20:42,880 Are you leaving us? 1374 00:20:44,800 --> 00:20:48,400 - The company will end. - This road theatre... 1375 00:20:49,480 --> 00:20:51,000 ...is agonizing. 1376 00:20:52,800 --> 00:20:54,480 We are nothing without you. 1377 00:20:56,080 --> 00:20:59,400 Your father can't carry on he's very old. 1378 00:21:01,480 --> 00:21:03,480 Miguel Ruiz is younger than your father,... 1379 00:21:05,080 --> 00:21:08,200 ...and his agony might last longer. 1380 00:21:08,880 --> 00:21:10,600 - But aunt... - What? 1381 00:21:17,880 --> 00:21:20,880 I don't know, what can I say? 1382 00:21:23,480 --> 00:21:24,880 What shall we do? 1383 00:21:26,200 --> 00:21:27,680 You are young, Carlos,... 1384 00:21:30,680 --> 00:21:32,880 ...I know no other life but this one,... 1385 00:21:33,680 --> 00:21:35,680 ...but we know there are others. 1386 00:21:37,400 --> 00:21:40,680 It's worse for your father, that's why... 1387 00:21:42,280 --> 00:21:43,600 ...I'm asking you... 1388 00:21:44,800 --> 00:21:47,600 ...to speak to him, but... 1389 00:21:49,800 --> 00:21:51,880 ...be tactful when you do. 1390 00:21:53,680 --> 00:21:54,880 I was expecting it. 1391 00:21:56,680 --> 00:22:00,600 Do you think if I ask Miguel Ruiz to take me along... 1392 00:22:01,400 --> 00:22:02,480 ...they will accept me? 1393 00:22:03,400 --> 00:22:07,680 - I don't want leading roles. - Why shouldn't they take you? 1394 00:22:08,280 --> 00:22:10,680 They "share", just like we do,... 1395 00:22:11,680 --> 00:22:13,680 ...and I'm happy with one part. 1396 00:22:14,680 --> 00:22:18,600 He is the director, that way I won't have to speak to the... 1397 00:22:18,680 --> 00:22:22,880 - ... enterpreneurs or the owners. - Yes, it's time you took a rest. 1398 00:22:23,400 --> 00:22:25,600 And if the set falls apart, let them fall apart! 1399 00:22:26,200 --> 00:22:29,600 And if an actress runs away with an American, let her go! 1400 00:22:31,280 --> 00:22:33,200 And let Ruiz go to church! 1401 00:22:34,280 --> 00:22:36,600 You'll be in heaven. 1402 00:22:41,000 --> 00:22:44,880 I was born in a comedian's caravan, you know,... 1403 00:22:46,480 --> 00:22:48,600 ...a "load" of years ago,... 1404 00:22:49,680 --> 00:22:53,200 ...I would've liked to have died in one of those beds,... 1405 00:22:53,280 --> 00:22:55,000 ...that cone out in films,... 1406 00:22:56,800 --> 00:22:59,000 ...but it is no longer possible. 1407 00:23:01,480 --> 00:23:04,400 If I were to die in one of the Calleja-Ruiz's caravans,... 1408 00:23:05,600 --> 00:23:08,480 ...they wil be able to see, from hell, that comedians... 1409 00:23:08,680 --> 00:23:10,880 ...in this country, have improved. 1410 00:23:11,680 --> 00:23:14,880 You are very funny, and in high spirits, father. 1411 00:23:16,400 --> 00:23:20,200 What about you, Carlos? 1412 00:23:22,280 --> 00:23:24,080 I thought about it some time ago,... 1413 00:23:25,200 --> 00:23:29,200 ...this isn't working. I'm going with Maldonado. 1414 00:23:30,600 --> 00:23:33,280 To Russia? What's going on there? 1415 00:23:34,000 --> 00:23:34,880 No, father. 1416 00:23:35,600 --> 00:23:38,600 I'm going to Madrid, to work as a film extra. 1417 00:23:38,680 --> 00:23:41,400 God damn the father of the Lumiere Brothers! 1418 00:24:17,880 --> 00:24:21,400 If your friends don't let us down, being extras we can... 1419 00:24:21,480 --> 00:24:25,400 - .. avoid going here and there. - I'll miss it. 1420 00:24:26,080 --> 00:24:28,000 I was hoping to quit this life. 1421 00:24:30,200 --> 00:24:32,680 Somebody once told me, we weren't comedians,... 1422 00:24:33,280 --> 00:24:36,280 - ... we were just vagabonds. - Beautiful job. 1423 00:24:37,000 --> 00:24:39,800 I'll miss many things, but not all... 1424 00:24:40,480 --> 00:24:44,000 - ... but I want to go to Madrid. - What do you expect to find? 1425 00:24:45,000 --> 00:24:47,800 I'll see real film stars in the studios,... 1426 00:24:47,880 --> 00:24:50,400 ...not like in pictures. 1427 00:24:51,080 --> 00:24:53,400 And above all, we'll have more dignity. 1428 00:24:53,880 --> 00:24:56,200 - More what? - Dignity. 1429 00:24:57,800 --> 00:25:01,600 Maybe that's not what I mean. Do they take extras... 1430 00:25:02,200 --> 00:25:04,280 ...to work around the towns? 1431 00:25:04,880 --> 00:25:09,000 - Yes, sometimes they do. - Do they take them like this? 1432 00:25:10,000 --> 00:25:13,200 - No. - What I meant. Dignity. 1433 00:25:15,080 --> 00:25:18,080 - Or whatever. - It's called "confort". 1434 00:25:18,880 --> 00:25:20,000 That, then. 1435 00:25:20,600 --> 00:25:23,880 Oh, Galvan, Galvan, son and grandson of Galvanes,... 1436 00:25:24,480 --> 00:25:27,600 ...comedians, vagabonds, do not reject your ancestors. 1437 00:25:28,280 --> 00:25:31,080 Do you want to travel by sleeping-car instead of here? 1438 00:25:31,200 --> 00:25:35,280 Do you want to eat oysters?, OK, but why do you need dignity? 1439 00:25:37,000 --> 00:25:40,400 Before, comedians were sought out, marked with burning iron... 1440 00:25:40,480 --> 00:25:44,200 ...they were not buried. Now, they put up with us... 1441 00:25:44,400 --> 00:25:47,800 ...they let us live our own way, even if it's not theirs... 1442 00:25:47,880 --> 00:25:51,880 ...some of them get prizes, they come out in the papers. 1443 00:25:52,480 --> 00:25:55,200 - Yes, but those in Madrid. - Well, that's where we're going. 1444 00:25:55,880 --> 00:25:57,200 I agree with Maldonado,... 1445 00:25:57,800 --> 00:25:59,800 ...I don't really know dignity. 1446 00:26:00,680 --> 00:26:04,200 I want to be successful in Madrid, but will I? 1447 00:26:04,880 --> 00:26:05,800 You? 1448 00:26:06,480 --> 00:26:10,280 "When you go to Madrid, my flashy-girl... 1449 00:26:11,080 --> 00:26:14,600 ...I will make you an empress from Lavapi�s. 1450 00:26:15,480 --> 00:26:19,480 I would carpet the Gran V�a with carnations,... 1451 00:26:20,600 --> 00:26:23,680 ...and I would bathe you in sherry. " 1452 00:26:26,600 --> 00:26:31,200 - How fare the good people? - Conejo, Mr. Juan Conejo! 1453 00:26:31,680 --> 00:26:33,280 You're as ever, Men�ndez! 1454 00:26:34,000 --> 00:26:37,000 Leona! Leona! It's Mr. Juan Conejo! 1455 00:26:37,680 --> 00:26:39,080 Come in. 1456 00:26:40,600 --> 00:26:44,200 Conejo! Conejo! Mr. Juan Conejo! 1457 00:26:44,880 --> 00:26:49,000 I knew we'd see you again! What have they done to you? 1458 00:26:49,680 --> 00:26:54,600 - Don't you eat in the towns? - Some eat daily, others don't. 1459 00:26:56,480 --> 00:26:59,680 These friends of mine want a room, Mr. Carlos Galvan,... 1460 00:26:59,800 --> 00:27:03,200 ...will share wuth me, Miss Rosa Chamorro'll need one too. 1461 00:27:03,800 --> 00:27:06,680 - Rosa del Valle. - It's her artistic name. 1462 00:27:08,000 --> 00:27:09,880 - A comedian. - Yes. 1463 00:27:10,880 --> 00:27:13,000 - Are you a comedian too? - Yes, ma'am. 1464 00:27:13,600 --> 00:27:17,480 - Didn't Conejo tell you? - I didn't tell you that in... 1465 00:27:17,600 --> 00:27:21,400 ...some places in Madrid, they don't put comedians up. 1466 00:27:22,280 --> 00:27:25,200 One of them is the "Ritz", and another is this guest house. 1467 00:27:26,080 --> 00:27:29,680 Not even great actors such as Guillermo Mar�n or Daniel Otero? 1468 00:27:29,800 --> 00:27:33,480 - Not them even. - Mr. Conejo lived here,... 1469 00:27:33,680 --> 00:27:37,080 ...as an ex-divisionary, not as an actor. 1470 00:27:37,600 --> 00:27:40,600 - Why don't you want actors? - One thing is to want them,... 1471 00:27:40,800 --> 00:27:42,600 - ... another is to put them up. - Why? 1472 00:27:42,680 --> 00:27:44,800 At the "Ritz", I don't know,... 1473 00:27:45,400 --> 00:27:48,200 ...but here it's to give the place a touch of class. 1474 00:27:48,880 --> 00:27:52,080 - Why did you bring us here? - Because Mrs. Leonor,... 1475 00:27:52,280 --> 00:27:54,600 - ... will make an exception. - No, no... 1476 00:27:54,800 --> 00:27:57,880 - Yes you will, I know it. - No, no I won't. 1477 00:27:58,600 --> 00:28:01,880 Mrs. Leonor, I lived here for two years, and always paid. 1478 00:28:02,400 --> 00:28:05,600 - With some delay, at times. - If I got home late I was... 1479 00:28:05,680 --> 00:28:09,400 ...careful not to make a noise, I got drunk elsewhere. 1480 00:28:10,000 --> 00:28:12,000 - Did I bring women? - Yes, sir. 1481 00:28:12,800 --> 00:28:15,080 Well, but unintentionally. 1482 00:28:18,400 --> 00:28:20,200 He says unintentionally! 1483 00:28:21,800 --> 00:28:25,400 - What a devil! - Give us a try, for 15 days,... 1484 00:28:25,600 --> 00:28:29,280 ...we will recite verses to you, Mrs. Leona, verses, like before. 1485 00:28:29,480 --> 00:28:33,400 To listen to verses... It is just a good listening to you! 1486 00:28:33,880 --> 00:28:35,600 - Remember the "Triumph March"? - Yes. 1487 00:28:35,680 --> 00:28:38,480 Mrs. Leona likes the "Triumph March". 1488 00:28:38,600 --> 00:28:41,600 Have you heard my friend Galvan saying "The bedpan"? 1489 00:28:42,080 --> 00:28:44,600 - But I've just met him. - Well you're going to hear him. 1490 00:28:45,800 --> 00:28:48,480 In Madrid, people don't usually have supper,... 1491 00:28:48,600 --> 00:28:50,480 ...they have "tapas",... 1492 00:28:51,200 --> 00:28:54,680 ...if you're smart, you don't pay for everything. 1493 00:29:00,080 --> 00:29:04,000 The film you're going to work in, has many group scenes,... 1494 00:29:05,600 --> 00:29:08,600 ...it's important for you not to be seen. 1495 00:29:09,800 --> 00:29:10,480 Why? 1496 00:29:11,800 --> 00:29:14,200 - The camera mustn't see you. - Then. 1497 00:29:14,480 --> 00:29:17,800 - It's bad to be seen. - I don't understand. 1498 00:29:18,480 --> 00:29:21,000 If I am confident, they might give me a line... 1499 00:29:21,280 --> 00:29:24,800 What's important is that they call us again. 1500 00:29:25,480 --> 00:29:28,800 If the camera gets you at the duke's party, they won't call... 1501 00:29:28,880 --> 00:29:32,400 ...you for the beggar's scene, and to hell with a session. 1502 00:29:33,200 --> 00:29:35,800 If you're not seen, you can do the duke's scene,... 1503 00:29:35,880 --> 00:29:39,080 ...the pirate one, the beggars, the monks, all of them! 1504 00:29:39,800 --> 00:29:42,800 I worked for four years in this, and nobody ever saw me. 1505 00:29:43,400 --> 00:29:46,200 - They pay us to be seen. - It's convenient. 1506 00:29:46,280 --> 00:29:48,400 No, they pay us to be a bulk! 1507 00:29:49,680 --> 00:29:53,800 - But, with our faces covered. - How can you do that? 1508 00:29:54,400 --> 00:29:57,600 You cover it, as if you were crying, or drying your sweat. 1509 00:30:00,480 --> 00:30:01,600 There are many ways. 1510 00:30:06,480 --> 00:30:08,200 But you must cover it. 1511 00:30:15,600 --> 00:30:18,480 If all film extras do the same, films must be very strange. 1512 00:30:18,600 --> 00:30:23,480 That's not your problem. At rehearsals, yes, let them see you. 1513 00:30:23,600 --> 00:30:27,880 But stand near a pilar, or a tree, or a taller extra. 1514 00:30:30,400 --> 00:30:32,080 - Camera! - Shoot! 1515 00:30:32,880 --> 00:30:35,600 - "Teresa", 30-1, first shot. - Action! 1516 00:30:37,480 --> 00:30:40,600 "Now that you'll be far away... 1517 00:30:42,080 --> 00:30:45,200 ...keep a gentle thought, girl,... 1518 00:30:46,200 --> 00:30:49,280 ...for him who once wanted to tell you... 1519 00:30:51,480 --> 00:30:52,800 ...a story. " 1520 00:30:53,680 --> 00:30:58,280 What a pretty verse that is, Galvan, and the way you say it. 1521 00:30:59,680 --> 00:31:02,080 I love that Rub�n Dar�o. 1522 00:31:04,480 --> 00:31:07,880 - That's Rosa! What's wrong? - It's that swine! 1523 00:31:08,480 --> 00:31:09,880 That "dirty man"! 1524 00:31:10,680 --> 00:31:13,080 Come here, don't run away! 1525 00:31:18,080 --> 00:31:21,600 - Leave me, Leona. - Blockehead, swine! 1526 00:31:22,080 --> 00:31:23,680 I'll kill you! 1527 00:31:24,400 --> 00:31:26,280 Close, I don't want to hear! 1528 00:31:29,400 --> 00:31:33,280 The dirty fool! You've no idea, cousin, he got hold of me... 1529 00:31:33,400 --> 00:31:36,480 ...he touched me up, all over! 1530 00:31:38,400 --> 00:31:40,800 Pour some water so I can refresh myself. 1531 00:31:54,280 --> 00:31:58,000 You can't imagine how hot he's made me! 1532 00:31:58,600 --> 00:31:59,680 But, Rosita... 1533 00:32:00,280 --> 00:32:02,400 Yes, he's made me hot! 1534 00:32:03,200 --> 00:32:04,680 Pour some on my neck. 1535 00:32:12,880 --> 00:32:14,680 I didn't want to scream. 1536 00:32:15,680 --> 00:32:19,800 - You should've undressed. - Surely, in front of you. 1537 00:32:20,400 --> 00:32:22,400 That's all I need now! 1538 00:32:23,600 --> 00:32:26,080 You know what happens to us women, when they touch us... 1539 00:32:27,000 --> 00:32:28,800 ...I get heated up! 1540 00:32:29,600 --> 00:32:32,400 And he put his hand in between my legs... 1541 00:32:32,480 --> 00:32:35,800 ...he pinched me and he filled my with saliva! 1542 00:32:37,000 --> 00:32:41,680 Suddenly, he brought everything out, I couldn't help screaming. 1543 00:32:43,400 --> 00:32:44,880 Give me the towel, Carlos. 1544 00:32:46,480 --> 00:32:47,600 Here you are. 1545 00:32:52,480 --> 00:32:56,000 I tell you, if someone caresses me, even roughly,... 1546 00:32:56,080 --> 00:32:59,000 ...even a gross man like him, I get... 1547 00:33:01,000 --> 00:33:05,000 - I didn't know that. - Of course, how could you? 1548 00:33:06,680 --> 00:33:09,880 I am calmer now, I'm refreshed, at least. 1549 00:33:10,000 --> 00:33:12,880 - That's something. - But I need to relax. 1550 00:33:13,480 --> 00:33:15,000 What can we do, Carlos? 1551 00:33:15,680 --> 00:33:17,800 - Shall we go for a walk? - No. 1552 00:33:18,280 --> 00:33:21,600 I don't feel like changing. Shall we play cards? 1553 00:33:22,680 --> 00:33:26,880 - Yes, that will relax you... - At least I won't think of him. 1554 00:33:27,880 --> 00:33:30,200 I'll think of cheating. 1555 00:33:30,880 --> 00:33:34,200 So will I, I'll just think about the cards. 1556 00:33:34,280 --> 00:33:36,000 Get the deck. 1557 00:33:42,400 --> 00:33:44,680 When we were alone, we used to play cards,... 1558 00:33:44,800 --> 00:33:49,000 ...always in the dining-room, but there was no furniture in... 1559 00:33:49,080 --> 00:33:52,600 ...my bedroom, just the bedside table, that sink and the bed. 1560 00:33:53,280 --> 00:33:57,080 That was the problem, we had to play on the bed. 1561 00:33:57,680 --> 00:34:00,680 And that dirty old man had made her so hot... 1562 00:34:01,480 --> 00:34:03,880 The problem wasn't that,... 1563 00:34:04,000 --> 00:34:07,280 ...but that there wans't a table and chairs. 1564 00:34:17,080 --> 00:34:19,680 How I love you, Carlos, and how handsome you are! 1565 00:34:20,480 --> 00:34:21,880 Keep still, Rosi! 1566 00:34:22,000 --> 00:34:26,080 - Not now, Leona is around. - I won't rape you,... 1567 00:34:26,680 --> 00:34:29,600 ...I want you to take me out for a walk. 1568 00:34:29,800 --> 00:34:32,200 - Come on! - Not a bad idea, a walk. 1569 00:34:32,280 --> 00:34:35,000 Let's go to "Caf� Gijon". to see the artists. 1570 00:34:35,080 --> 00:34:37,400 - But, it's very expensive! - I'll treat you. 1571 00:34:38,080 --> 00:34:41,400 - With what I got yesterday. - Alright, but it's a loan. 1572 00:34:43,600 --> 00:34:47,000 They will talk about the films they'll shoot,... 1573 00:34:47,080 --> 00:34:50,200 ...the companies they will start up, of the next premi�rs. 1574 00:34:50,280 --> 00:34:53,400 - Or they'll critizise each other. - Yes, they will. 1575 00:34:55,480 --> 00:34:57,000 I Ike this place. 1576 00:34:57,880 --> 00:35:00,800 Hey, will you and I ever come here? 1577 00:35:01,600 --> 00:35:05,400 - We are here. - I don't mean like this. 1578 00:35:06,000 --> 00:35:09,000 We know all the film extras, don't we? 1579 00:35:09,600 --> 00:35:12,000 I think so, we've been in this for almost two years, why? 1580 00:35:12,800 --> 00:35:15,680 - Can you see any of them here? - No, they don't come here. 1581 00:35:15,800 --> 00:35:18,800 That's why. Today, you and I are here,... 1582 00:35:19,480 --> 00:35:21,800 ...but we are alone here, at this table,... 1583 00:35:22,600 --> 00:35:25,600 ...because we've come to see them, the artists. 1584 00:35:26,880 --> 00:35:28,600 But my question is:... 1585 00:35:29,480 --> 00:35:31,400 ...Will we ever come with them? 1586 00:35:32,280 --> 00:35:34,800 Yes, I see what you mean. 1587 00:35:35,480 --> 00:35:38,080 And you know what? I think so. 1588 00:35:38,480 --> 00:35:39,480 Why? 1589 00:35:40,480 --> 00:35:45,000 - We could form a company. - To work here, in Madrid? 1590 00:35:45,080 --> 00:35:49,280 No, no, I fell in love with you, but I am not crazy. 1591 00:35:49,600 --> 00:35:53,600 - To work in the towns. - What are you saying? 1592 00:35:54,480 --> 00:35:58,000 - Working in towns, as before? - I mean towns around Madrid,... 1593 00:35:58,480 --> 00:36:00,880 - ... we wouldn't just be extras. - No, I won't remain an extra. 1594 00:36:01,000 --> 00:36:03,680 - That's what I mean! - My idea is better. 1595 00:36:03,800 --> 00:36:07,080 - Have you also thought about it? - Yes, but in the cinema. 1596 00:36:07,200 --> 00:36:10,880 I shall ask for a line, then another, beg for one... 1597 00:36:11,400 --> 00:36:13,800 ...and do whatever to get a role. 1598 00:36:14,280 --> 00:36:16,400 - Rosa! - Whatever, Carlos. 1599 00:36:17,400 --> 00:36:19,800 - It has nothing to do with us. - Bloody hell! It does. 1600 00:36:20,000 --> 00:36:21,400 No, it doesn't. 1601 00:36:21,480 --> 00:36:24,800 One is our business, and another is my business. 1602 00:36:25,000 --> 00:36:27,400 Look! Daniel Otero's come in! 1603 00:36:33,680 --> 00:36:35,800 That's true, Daniel Otero! 1604 00:36:36,880 --> 00:36:39,200 All of them come here, all. 1605 00:36:41,600 --> 00:36:44,280 "My dear cousin, I'm very young, you were right... 1606 00:36:44,480 --> 00:36:47,600 ...I don't mean the age difference,... 1607 00:36:47,680 --> 00:36:50,480 ...but that I hardly know anything about life, and I... 1608 00:36:50,680 --> 00:36:55,480 ...get feelings confused, I thought I loved you, but I don't. 1609 00:36:56,280 --> 00:36:59,400 I love you since I was a child, but that's different,... 1610 00:37:00,080 --> 00:37:02,800 ...from what made me get close to you these days,... 1611 00:37:02,880 --> 00:37:06,600 ...I'm very ardent, and you were near me. 1612 00:37:07,200 --> 00:37:09,680 I have met another man,... 1613 00:37:09,800 --> 00:37:13,000 ...and I've realised that what I felt for you isn't love. 1614 00:37:13,200 --> 00:37:15,480 I know I must say sorry many times,... 1615 00:37:15,600 --> 00:37:18,600 ...because while I'm very happy, I'm making you suffer. 1616 00:37:18,800 --> 00:37:21,600 It's not my fault, it's due to my age. 1617 00:37:22,080 --> 00:37:26,280 I'm telling you in writing, for I couldn't do it in person. 1618 00:37:26,800 --> 00:37:30,000 Please, Carlos, don't look for me, I wouldn't know what to do. 1619 00:37:30,200 --> 00:37:32,200 Sorry, sorry, sorry. 1620 00:37:32,880 --> 00:37:36,080 Your cousin who loves you, and always will, Rosa. " 1621 00:37:37,080 --> 00:37:40,600 I never had an affair that lasted so little. 1622 00:37:42,800 --> 00:37:44,480 Mr. Carlos, I'd like to see you a minute. 1623 00:37:45,280 --> 00:37:47,000 Come in, Mrs. Leonor. 1624 00:37:51,200 --> 00:37:53,880 Have a glass of anisette, Mr. Carlos, it'll do you good. 1625 00:37:54,400 --> 00:37:55,200 Thank you. 1626 00:37:56,680 --> 00:37:58,680 You'd rather have it alone, wouldn't you? 1627 00:37:59,680 --> 00:38:02,880 - Yes, of course. - Well, you'll have it with me. 1628 00:38:04,080 --> 00:38:06,880 To you and to me, and to hell with the rest. 1629 00:38:07,880 --> 00:38:09,880 To you and to me, Mrs. Leonor. 1630 00:38:11,000 --> 00:38:14,280 Call me Mrs. Leona, as if I weren't here, I prefer it. 1631 00:38:15,000 --> 00:38:17,800 - Do you really? - Of course, Men�ndez calls me it. 1632 00:38:19,400 --> 00:38:22,600 Mr. Carlos, when you end an affair, it seems that... 1633 00:38:22,680 --> 00:38:24,800 ...the world ends, but it doesn't. 1634 00:38:25,480 --> 00:38:28,280 - Do you know about the letter? - What do you think? 1635 00:38:29,000 --> 00:38:32,000 The girl left with her case, she paid, and gave it to me. 1636 00:38:33,880 --> 00:38:37,800 - But you didn't know... - About you two? Of course...! 1637 00:38:40,080 --> 00:38:42,680 With the noise you made some nights! 1638 00:38:43,680 --> 00:38:45,600 Sometimes, I came near to listen. 1639 00:38:46,480 --> 00:38:48,680 It reminded me of good old times. 1640 00:38:48,880 --> 00:38:50,080 Another glass? 1641 00:38:50,880 --> 00:38:54,400 Men, when they see us chubby, think we don't know... 1642 00:38:54,480 --> 00:38:57,280 ...a thing about these things. I also had my share. 1643 00:38:57,400 --> 00:39:01,000 After getting married, I found my true love. It lasted a year. 1644 00:39:01,080 --> 00:39:03,680 But when Men�ndez learnt about it get got... 1645 00:39:03,800 --> 00:39:06,800 ...his tailor scissors, he went to the bar where he was,... 1646 00:39:06,880 --> 00:39:10,280 ...he took his scissors out, and that was the end of it. 1647 00:39:11,080 --> 00:39:14,480 I never saw him again, he never came near again. 1648 00:39:15,200 --> 00:39:18,000 I thought then, just like you, that the world had ended. 1649 00:39:18,200 --> 00:39:22,680 I forgot his face, he looked like Tyrone Power,... 1650 00:39:23,400 --> 00:39:25,680 ...but the one I remember is Tyrone Power. 1651 00:39:27,600 --> 00:39:31,480 I continued as an extra and reciting verses... 1652 00:39:31,600 --> 00:39:35,080 ...to Mrs. Leona for a long time, till Luis Vaques,... 1653 00:39:35,280 --> 00:39:38,600 ...another extra, congratulated me for my twanging voice trick,... 1654 00:39:38,800 --> 00:39:41,480 ...and offered me to do a tour around the towns. 1655 00:39:42,080 --> 00:39:44,200 - What's the matter, Galvan? - With me? 1656 00:39:44,800 --> 00:39:47,000 - Nothing. - You're like a jelly. 1657 00:39:47,080 --> 00:39:50,000 - Calm yourself, man. - I haven't told anyone... 1658 00:39:50,480 --> 00:39:54,080 ...nobody in the company, of course, but it's the first time... 1659 00:39:54,880 --> 00:39:56,600 - ... I act in a theatre. - What? 1660 00:39:56,800 --> 00:40:01,080 - Yes, I've got a big repertoire. - You know the plays by heart. 1661 00:40:01,280 --> 00:40:04,280 My parents were comedians, I have been all around Spain. 1662 00:40:04,400 --> 00:40:05,600 I know, so what? 1663 00:40:06,480 --> 00:40:09,680 But I didn't tell you I had only worked in bars, squares,... 1664 00:40:09,800 --> 00:40:14,080 ...casinos, yards, wharehouses... I never saw a curtain go up... 1665 00:40:14,200 --> 00:40:17,600 - ... at the beginning of the play. - Is that possible? 1666 00:40:17,680 --> 00:40:21,400 Never, and I never saw it go down at the end. 1667 00:40:23,000 --> 00:40:24,680 And this, in Aranjuez,... 1668 00:40:26,280 --> 00:40:28,480 - ... is a theatre. - Of course! 1669 00:40:29,400 --> 00:40:31,400 - And it has a curtain! - Of course! 1670 00:40:31,600 --> 00:40:35,800 - And lights! All that's impressive. - Galvan, smoke a cigarette,... 1671 00:40:36,000 --> 00:40:38,600 - ... go into a dressing-room. - There are dressing-rooms! 1672 00:40:38,800 --> 00:40:42,480 I got out my twanging voice, and they roared with laughter. 1673 00:40:42,600 --> 00:40:45,680 One day, I don't remember where, before the show... 1674 00:40:46,480 --> 00:40:49,400 July the 13th, we open in Madrid! 1675 00:40:50,680 --> 00:40:54,000 My life made a change, a change I had always... 1676 00:40:54,200 --> 00:40:57,200 ...thought of, but I thought it impossible. 1677 00:40:57,880 --> 00:41:02,200 One night Miguel Mihura came to the theatre and discovered me. 1678 00:41:03,880 --> 00:41:06,400 Funny the way things are, at my age! 1679 00:41:07,200 --> 00:41:08,400 He discovered me. 1680 00:41:09,080 --> 00:41:12,480 He gave me a small role, but brilliant. 1681 00:41:13,680 --> 00:41:17,800 I later did Ruiz Iriarte's comedy, that was my recognition. 1682 00:41:18,600 --> 00:41:21,400 Since then, popularity, money,... 1683 00:41:22,680 --> 00:41:25,000 ...everything my cousin Rosa had dreamed of. 1684 00:41:25,800 --> 00:41:29,400 Neither she, nor Juanita, nor my son know what they missed 1685 00:41:34,280 --> 00:41:38,080 What a different life! How far from those awful towns,... 1686 00:41:38,280 --> 00:41:42,280 ...the inns, the roads with all our things on our backs. 1687 00:41:50,680 --> 00:41:53,480 I was at the Venice Festival, at Cannes,... 1688 00:41:54,400 --> 00:41:56,680 ...at each one with a different girl. 1689 00:41:57,880 --> 00:42:01,280 I still remember that week, at the "Lido", with Mabel Gaynor. 1690 00:42:11,280 --> 00:42:14,800 I moved to a luxury flat, and I brought my father,... 1691 00:42:15,000 --> 00:42:18,480 ...who was very tired of walking the roads, and old too. 1692 00:42:19,280 --> 00:42:22,800 He died there, he had everything he needed. He died well. 1693 00:42:23,680 --> 00:42:27,200 It was all as quick as lightning, fame,... 1694 00:42:28,600 --> 00:42:32,080 ...Daniel Otero's congratulations on a premi�re night,... 1695 00:42:32,280 --> 00:42:36,280 ...the praising of the critics, the smart suits. 1696 00:42:38,800 --> 00:42:40,400 How long did it last? 1697 00:42:42,480 --> 00:42:45,080 About eight years. 1698 00:42:46,280 --> 00:42:49,800 Is eight years a lot in a life that's going on for 70? 1699 00:42:51,200 --> 00:42:53,280 A flash, that's all. 1700 00:42:55,080 --> 00:42:58,600 Suddenly, they stopped calling me from the cinema,... 1701 00:42:59,200 --> 00:43:03,600 ...critics had it in for me, they said I always did the same,... 1702 00:43:04,200 --> 00:43:08,600 ...and other things that I don't remember, they're in the cuttings. 1703 00:43:09,800 --> 00:43:13,480 - Do you keep the bad reviews? - I keep good and bad ones. 1704 00:43:15,600 --> 00:43:19,400 Then one year, I didn't get any contract. 1705 00:43:20,080 --> 00:43:22,480 - How did you live? - From my savings. 1706 00:43:23,200 --> 00:43:26,200 Later, I sold my flat, and went to a pension. 1707 00:43:26,880 --> 00:43:30,000 I resigned myself and took worse payed roles, smaller,... 1708 00:43:30,600 --> 00:43:33,800 ...ones, but in the end, I lacked even those. 1709 00:43:34,480 --> 00:43:37,400 It's a bad patch, my friends told me. 1710 00:43:40,080 --> 00:43:43,400 And in that bad patch, I got ill, you know. 1711 00:43:44,280 --> 00:43:47,400 I used to feel a pain in the chest, that went up... 1712 00:43:47,480 --> 00:43:49,880 ...to my head, or to my kidneys. 1713 00:43:50,600 --> 00:43:53,680 The doctor said it was my own imagination. 1714 00:43:54,800 --> 00:43:56,800 You had a slight amnesia. 1715 00:43:57,480 --> 00:44:00,280 You couldn't remember things. 1716 00:44:01,000 --> 00:44:03,200 You spent three weeks in a "resting home". 1717 00:44:03,680 --> 00:44:05,000 But I got over it. 1718 00:44:07,280 --> 00:44:10,400 The only thing is they didn't call me to work again. 1719 00:44:12,480 --> 00:44:15,200 If an actor forgets things,... 1720 00:44:16,200 --> 00:44:18,200 ...it's normal they forget him. 1721 00:44:19,400 --> 00:44:22,280 Go and tell them you have recovered. 1722 00:44:23,880 --> 00:44:27,800 In our job, a glorious past is worth very little. 1723 00:44:29,280 --> 00:44:33,000 The success of an opening night, the fans' letters,... 1724 00:44:33,080 --> 00:44:36,800 ...the programmes, are only good to look at... 1725 00:44:36,880 --> 00:44:39,880 ...the cuttings, not for being called to work. 1726 00:44:50,680 --> 00:44:55,000 I had to go to the pension and I didn't know where to go. 1727 00:44:55,080 --> 00:44:57,200 I asked Juan Conejo for help. 1728 00:44:57,400 --> 00:45:01,600 Years had gone by, but I knew he had a bookshop. 1729 00:45:02,280 --> 00:45:03,880 What shall I do? 1730 00:45:05,200 --> 00:45:09,400 Some of your friends, from Falange, from the olden times... 1731 00:45:10,800 --> 00:45:14,680 How are you going to retire at your age, and how can... 1732 00:45:14,800 --> 00:45:18,200 - ... they put you into a home? - I'm useless. 1733 00:45:18,680 --> 00:45:22,280 - But you are very young. - Don't speak nonsense... 1734 00:45:22,480 --> 00:45:26,280 ...am I too old to work, and too young to go into a home? 1735 00:45:26,480 --> 00:45:28,680 It's a paradox, indeed. 1736 00:45:29,200 --> 00:45:33,800 I understand you might be worried, but not surprised. 1737 00:45:34,680 --> 00:45:36,600 In your venerable job,... 1738 00:45:38,000 --> 00:45:39,800 ...from Tespis's cart,... 1739 00:45:40,280 --> 00:45:43,800 ...to Hollywood studios, that is the usual. 1740 00:45:44,600 --> 00:45:49,080 - You have Daniel Otero. - How I'd like to be in his place. 1741 00:45:49,800 --> 00:45:53,400 One of these days, they're doing a charity play, he's broke. 1742 00:45:54,000 --> 00:45:57,400 - But he made a fortune! - Yes, but he had a vice... 1743 00:45:58,080 --> 00:45:59,280 ...gambling. 1744 00:46:00,600 --> 00:46:04,600 I thought he had something left to live on, his is a... 1745 00:46:04,680 --> 00:46:08,680 ...different case to mine. I became famous fast,... 1746 00:46:10,200 --> 00:46:14,400 ...and it soon ended. But he was successful all his life. 1747 00:46:15,280 --> 00:46:18,600 And now... because the man liked poker,... 1748 00:46:21,680 --> 00:46:24,080 Poker, roulette,... 1749 00:46:25,280 --> 00:46:28,600 ...console yourself thinking his case is worse than yours... 1750 00:46:28,800 --> 00:46:30,600 ...because he is told off, too. 1751 00:46:33,400 --> 00:46:36,880 He behaved as I had expected, through some friends,... 1752 00:46:37,000 --> 00:46:39,800 ...he got me a place in that home... 1753 00:46:40,600 --> 00:46:42,600 ...so here I am, for a few years now. 1754 00:46:43,880 --> 00:46:47,400 Mr. Miguel, Mr. Carlos, another artist is coming in today. 1755 00:46:48,400 --> 00:46:51,280 - Another friend to speak to. - Is he a musician? 1756 00:46:51,400 --> 00:46:54,400 No, no he isn't. I wrote it down here. 1757 00:46:55,400 --> 00:46:56,600 His name is... 1758 00:46:57,280 --> 00:46:59,680 - ... Daniel Otero. - Daniel Otero? 1759 00:47:00,400 --> 00:47:01,880 Isn't he rich? 1760 00:47:02,800 --> 00:47:05,000 No, I knew he wasn't, but... 1761 00:47:06,280 --> 00:47:09,480 - ... here... at the home... - He's very famous, isn't he? 1762 00:47:10,200 --> 00:47:12,600 Yes, very famous, very. 1763 00:47:41,480 --> 00:47:44,400 Daniel Otero and I will organize a theatrical evening... 1764 00:47:45,080 --> 00:47:47,600 ...have you "The Compliments", by the Quinteros? 1765 00:47:47,680 --> 00:47:51,280 I don't do any dramatic literature, it doesn't sell. 1766 00:47:51,880 --> 00:47:55,480 - Yes, but for friendship... - You are in heaven,... 1767 00:47:55,680 --> 00:47:58,800 - ... you even have a company. - I'm not bad. 1768 00:47:59,680 --> 00:48:02,880 Though my best friend there, the pianist,... 1769 00:48:03,000 --> 00:48:05,680 ...has gone against me, he says I lie a lot. 1770 00:48:06,800 --> 00:48:10,200 I wanted to speak about that, Juan, do you think I lie? 1771 00:48:11,800 --> 00:48:14,400 - What does it matter? - I'm worried. 1772 00:48:14,880 --> 00:48:17,080 - Didn't you know? - What? 1773 00:48:17,200 --> 00:48:18,400 That you lied. 1774 00:48:19,600 --> 00:48:20,400 No. 1775 00:48:21,480 --> 00:48:26,280 Oh, Galvan, Galvan, son and grandson of Galvanes. 1776 00:48:27,000 --> 00:48:28,800 Eternal liar. 1777 00:48:30,080 --> 00:48:32,280 Your job is to lie. 1778 00:48:36,480 --> 00:48:40,200 - I don't know what worries you. - Salcedo says he knows... 1779 00:48:40,400 --> 00:48:43,480 - ... I was never in Venice. - Of course, never. 1780 00:48:44,080 --> 00:48:47,200 And that I always lived in awful pensions. 1781 00:48:47,400 --> 00:48:52,200 Always. But didn't you have a psychoanalist at the home? 1782 00:48:52,280 --> 00:48:54,880 - No, he is a psychologist. - And what does he say? 1783 00:48:55,080 --> 00:48:58,600 - Nothing, I'm the one who speak. - And you lie to him. 1784 00:48:59,280 --> 00:49:01,400 No, I tell him the truth. 1785 00:49:02,200 --> 00:49:06,680 About you meting Ava Gardner and your tour around... 1786 00:49:07,200 --> 00:49:09,480 - ... America and the great flat? - Yes. 1787 00:49:11,800 --> 00:49:12,880 OK, then. 1788 00:49:14,280 --> 00:49:18,080 - What do you want from me? - Can you explain why... 1789 00:49:18,200 --> 00:49:22,400 ...they say all those are lies? You are very clever. 1790 00:49:23,480 --> 00:49:28,080 - And you're my best friend. - You're right in both things. 1791 00:49:32,880 --> 00:49:36,280 You know better than anybody that you live in a false... 1792 00:49:36,400 --> 00:49:39,080 ...fantasy world. Don't you? 1793 00:49:40,880 --> 00:49:44,880 Wise people say fantasies are real. 1794 00:49:45,400 --> 00:49:47,200 But Juan, you know... 1795 00:49:48,000 --> 00:49:50,600 ...how I started, how we both started,... 1796 00:49:51,200 --> 00:49:53,280 ...and what I became. You know... 1797 00:49:53,880 --> 00:49:56,200 No. Carlos, I love you,... 1798 00:49:56,800 --> 00:50:00,400 ...and we must speak of many things, my dear friend,... 1799 00:50:01,400 --> 00:50:04,280 ...you were never awarded,... 1800 00:50:05,600 --> 00:50:08,800 ...nor was I, of course. And you weren't because... 1801 00:50:09,680 --> 00:50:12,080 ...you never had an important role in any film,... 1802 00:50:12,280 --> 00:50:14,400 ...nor a secondary actor,... 1803 00:50:14,600 --> 00:50:18,000 But, what do you mean? When we were extras,... 1804 00:50:18,880 --> 00:50:21,880 ...and that director saw me at the studio,... 1805 00:50:22,600 --> 00:50:24,080 I remember it well. 1806 00:50:24,800 --> 00:50:28,480 When he heard you speak with your twanging voice he laughed,... 1807 00:50:29,200 --> 00:50:32,600 ...and he told his assistant to give the lines to others. 1808 00:50:36,680 --> 00:50:38,280 Why are you telling me this? 1809 00:50:39,080 --> 00:50:42,080 Because that's the way it is, Galvan,... 1810 00:50:43,080 --> 00:50:45,080 ...my friend, brother. 1811 00:50:48,400 --> 00:50:51,200 You never opened a comedy with Gloria Duran... 1812 00:50:51,280 --> 00:50:55,280 - ... at the "Lara". - Yes, the one with the secretary. 1813 00:50:55,880 --> 00:50:58,480 - The one... - You never... 1814 00:51:00,000 --> 00:51:03,200 ...played a character with more than one line,... 1815 00:51:04,080 --> 00:51:07,080 - ... Miguel Mihura didn't see you. - Then... 1816 00:51:08,280 --> 00:51:09,600 ...how come I remember it? 1817 00:51:11,000 --> 00:51:15,000 They happened to people you know, to whom you talked... 1818 00:51:15,080 --> 00:51:18,000 ...in the caf�s, in the studios,... 1819 00:51:19,400 --> 00:51:21,880 ...and things you read in the papers... 1820 00:51:23,400 --> 00:51:24,800 ...in the magazines,... 1821 00:51:26,200 --> 00:51:28,880 ...but you were never at the Festival of Venice. 1822 00:51:29,480 --> 00:51:30,600 That I wasn't...? 1823 00:51:31,480 --> 00:51:33,480 With Berlanga! 1824 00:51:34,200 --> 00:51:35,800 No, Galvan, no. 1825 00:51:37,680 --> 00:51:40,880 You didn't have neither good or bad critics. 1826 00:51:43,080 --> 00:51:46,880 I think you are drunk, Juan. 1827 00:51:48,280 --> 00:51:50,680 You didn't recieve letters from your fans. 1828 00:51:50,800 --> 00:51:53,400 Hundreds! Not any more, but... 1829 00:51:54,280 --> 00:51:58,080 You didn't sleep with Mabel Gaynor, or anyone similar. 1830 00:51:58,800 --> 00:52:00,600 Some extra, at the most. 1831 00:52:02,800 --> 00:52:06,000 And Juanita Plaza at the inns. 1832 00:52:07,480 --> 00:52:09,080 - Later your cousin. - But... 1833 00:52:09,680 --> 00:52:12,400 - I have been... - A friend of Rabal's,... 1834 00:52:13,480 --> 00:52:15,880 ...Mistral's, and a few others, that's true. 1835 00:52:16,880 --> 00:52:20,200 They invited you, you used to go daily to "Caf� Gijon"... 1836 00:52:21,680 --> 00:52:24,480 ...to see if a session came... 1837 00:52:26,080 --> 00:52:27,480 ...but that's it. 1838 00:52:28,480 --> 00:52:30,680 You are drunk!, no doubt! 1839 00:52:32,280 --> 00:52:36,080 - "Vino veritas", my friend. - Didn't I share title... 1840 00:52:36,200 --> 00:52:39,200 ...with Arturo Fernandez, Tony Leblanc... 1841 00:52:40,280 --> 00:52:42,280 Daniel Otero didn't hug me in an opening? 1842 00:52:42,880 --> 00:52:46,080 - You've just met him! - In Mexico, the president... 1843 00:52:46,280 --> 00:52:47,600 Galvan. Galvan. 1844 00:52:50,680 --> 00:52:51,880 Do you want to? 1845 00:52:55,080 --> 00:52:56,680 Do you want to let it out? 1846 00:53:08,280 --> 00:53:10,800 Two gins, Ernesto. Baldomero, Jesus,... 1847 00:53:10,880 --> 00:53:14,080 ...this is Carlos Galvan, I've spoken about him. 1848 00:53:14,200 --> 00:53:17,280 I speak of you in this bar. 1849 00:53:18,000 --> 00:53:20,800 Ask him, let him tell you whatever you like. 1850 00:53:21,680 --> 00:53:24,600 The most famous actor, in the cinema and the theatre. 1851 00:53:24,680 --> 00:53:28,000 The winner at Festival of Venice, Cannes... 1852 00:53:28,080 --> 00:53:30,400 - ... Chicago. - No, I wasn't in Chicago. 1853 00:53:30,600 --> 00:53:33,800 - Ask him. - Do you know Carmen Sevilla? 1854 00:53:37,680 --> 00:53:40,800 Tell them about your affairs with Carmen Sevilla and Sara Montiel. 1855 00:53:41,000 --> 00:53:43,680 - Juan... - Well he is a gentleman. 1856 00:53:44,480 --> 00:53:48,080 - Ask him something professional. - I had nothing to do with any... 1857 00:53:48,880 --> 00:53:51,600 ...of them, but not because I didn't want to. 1858 00:53:52,480 --> 00:53:55,680 In those days, though you might think it strange... 1859 00:53:56,480 --> 00:53:59,680 ...Spanish girls, were mainly concerned about their virginity. 1860 00:54:00,680 --> 00:54:02,880 It was different abroad. 1861 00:54:04,200 --> 00:54:07,000 In Mexico, it was easy. 1862 00:54:08,080 --> 00:54:09,600 What women! 1863 00:54:11,400 --> 00:54:14,480 Dolores del R�o was mature, but what a monument. 1864 00:54:15,480 --> 00:54:18,400 And Mar�a F�lix... and Columba Dom�nguez. 1865 00:54:19,000 --> 00:54:22,600 - Who was that? - She lived with Indio Fernandez. 1866 00:54:23,080 --> 00:54:24,480 "Palacio de piedra". 1867 00:54:26,080 --> 00:54:29,280 All dressed in white, bare feet. 1868 00:54:31,880 --> 00:54:34,480 - She played with mariachis. - Did you meet Cantinflas? 1869 00:54:34,680 --> 00:54:36,800 Mario? Indeed! 1870 00:54:37,600 --> 00:54:41,400 - In Acapulco, paradise. - Were you a friend of his? 1871 00:54:42,000 --> 00:54:43,080 A friend? 1872 00:54:44,800 --> 00:54:47,080 His "cuate" he called me. 1873 00:54:48,480 --> 00:54:51,880 That was when I was given the diploma by the president. 1874 00:54:54,680 --> 00:54:58,800 Katy Jurado, who had worked with Gary Cooper and... 1875 00:54:59,000 --> 00:55:02,880 ...Grace Kelly, princess of Monaco, in "Alone with danger",... 1876 00:55:04,000 --> 00:55:06,200 ...wouldn't part from me, not for a minute. 1877 00:55:07,680 --> 00:55:12,400 They offered me a season of Classical Spanish Theatre... 1878 00:55:13,000 --> 00:55:14,000 ...in New York,... 1879 00:55:14,280 --> 00:55:18,200 ...but as I knew Luis Bunuel and... 1880 00:55:19,680 --> 00:55:20,800 Come in. 1881 00:55:23,480 --> 00:55:25,280 How are you, Galvan? 1882 00:55:26,080 --> 00:55:28,600 If it weren't for that pain in the back,... 1883 00:55:29,400 --> 00:55:33,680 ...in the stomach or the knee, I had them on another ocassion. 1884 00:55:34,400 --> 00:55:37,680 But it's not seriours, I just need a rest. 1885 00:55:39,080 --> 00:55:42,000 These days with no rehearsal came in very well for me... 1886 00:55:42,200 --> 00:55:45,080 ...I was tired of complimenting the old ladies. 1887 00:55:46,480 --> 00:55:49,400 You don't like Quintero's theatre,... 1888 00:55:50,280 --> 00:55:55,400 ...but I'm good at it, not only in the company did I do it,... 1889 00:55:56,400 --> 00:55:59,600 ...but also years later in Madrid, great success. 1890 00:56:00,600 --> 00:56:04,200 They waited for me for a whole year at the "Comedy"... 1891 00:56:04,400 --> 00:56:06,200 ...theatre to do "Cain's". 1892 00:56:06,880 --> 00:56:09,800 Wen I was at the Festival of Nations, in Paris,... 1893 00:56:10,400 --> 00:56:13,600 ...leading the play "Mr. Mendo's Revenge". 1894 00:56:14,400 --> 00:56:17,680 I never acted in Paris, but it was about to go with... 1895 00:56:17,800 --> 00:56:20,880 ..."Mar�a Guerrero" to do "Punishment without revenge". 1896 00:56:21,080 --> 00:56:23,800 I say you there in Macbeth,... 1897 00:56:24,480 --> 00:56:26,080 ...what acting! 1898 00:56:27,200 --> 00:56:30,480 - I did it at "El Espanol". - At the "Mar�a Guerrero". 1899 00:56:31,280 --> 00:56:34,600 It's there, in the cases, if you want to look for it. 1900 00:56:35,200 --> 00:56:38,200 How come you remember it better than myself? 1901 00:56:38,280 --> 00:56:42,480 Open the suitcases and look for it, one sure it's in the first. 1902 00:56:43,080 --> 00:56:44,800 But open the other, just in case. 1903 00:56:50,280 --> 00:56:53,200 Here? It's not possible. 1904 00:56:54,080 --> 00:56:57,800 Yes, you're right, they're a bit untidy. 1905 00:56:58,880 --> 00:57:03,280 Otherwise you could read the reviews you got for... 1906 00:57:03,800 --> 00:57:07,280 ...Macbeth, what a well deserved review! 1907 00:57:07,800 --> 00:57:11,000 I have never done Shakespeare... 1908 00:57:12,200 --> 00:57:14,200 ...that classics, not many. 1909 00:57:15,480 --> 00:57:18,800 The most I did, was a role in the "Scrooge". 1910 00:57:20,000 --> 00:57:23,480 Did you do "Scrooge"? I did it in Buenos Aires,... 1911 00:57:23,680 --> 00:57:25,400 ...later to do it in Madrid. 1912 00:57:26,680 --> 00:57:29,080 But I didn't do it well. 1913 00:57:29,600 --> 00:57:32,680 - Is that possible? - Yes, I can tell you now that... 1914 00:57:32,800 --> 00:57:35,280 ...nobody is listening, critics, business men,... 1915 00:57:36,280 --> 00:57:39,400 ...I was lacking the "funny bit", I noticed. 1916 00:57:40,680 --> 00:57:42,200 It could be. 1917 00:57:42,680 --> 00:57:44,200 I did it in Paris,... 1918 00:57:44,800 --> 00:57:47,000 ...at the "Sarah Bernard" theatre,... 1919 00:57:47,200 --> 00:57:49,000 ...after the "Mr. Mendo's Revenge",... 1920 00:57:49,200 --> 00:57:53,080 ...they wanted me to do Moli�re. 1921 00:57:54,600 --> 00:57:58,000 Charles Boyer congratulated me,.. 1922 00:57:58,880 --> 00:58:00,800 ...Jean Cocteau, Chevalier,... 1923 00:58:02,400 --> 00:58:05,200 ...all of them, you can't imagine the success! 1924 00:58:05,880 --> 00:58:08,600 Yes, I can imagine, the audiences in Paris... 1925 00:58:09,280 --> 00:58:12,480 Bravos, clapping, coming out again and again. 1926 00:58:13,280 --> 00:58:16,000 In America, the audience is also very demonstrative,... 1927 00:58:16,080 --> 00:58:19,600 - ... more than here, aren't they? - The one here is colder. 1928 00:58:19,800 --> 00:58:22,200 In Buenos Aires, when I did "Othello",... 1929 00:58:22,280 --> 00:58:24,800 ...the clapping would go on for minutes and minutes... 1930 00:58:25,480 --> 00:58:28,400 ...standidng, later, they would come to my dressing-room,... 1931 00:58:28,480 --> 00:58:30,880 ...the actors, writers, authorities,... 1932 00:58:32,480 --> 00:58:36,800 And out on the street, a load of fans asking for autographs. 1933 00:58:37,680 --> 00:58:39,000 Exactly! 1934 00:58:39,800 --> 00:58:42,400 When I did there, "The created interests",... 1935 00:58:43,080 --> 00:58:46,280 ...the same thing happened, they came in with some... 1936 00:58:47,000 --> 00:58:51,400 ...friends and spectators two producers to offered me... 1937 00:58:52,080 --> 00:58:56,000 - ... contracts for the cinema. - I did little cinema. 1938 00:58:56,680 --> 00:58:59,800 By the way, staying in Argentina to do... 1939 00:59:00,480 --> 00:59:05,600 ...cinema was torture for my then lover, Mabel Gaynor. 1940 00:59:07,080 --> 00:59:09,600 There, if you worked in the cinema,... 1941 00:59:10,200 --> 00:59:12,800 ...they mad up affairs... 1942 00:59:13,680 --> 00:59:16,080 ...with no fundament. 1943 00:59:17,000 --> 00:59:20,600 There was no way tellimg her they were invented. 1944 00:59:21,280 --> 00:59:23,680 Were they invented, Galvan? 1945 00:59:32,280 --> 00:59:35,600 Galvan, I have chosen the background music for... 1946 00:59:36,200 --> 00:59:40,600 ..."Compliments", a friend'll play the guitar, I the piano. 1947 00:59:42,200 --> 00:59:46,000 Galvan, I have tought of imitating Miguel Ligero... 1948 00:59:46,800 --> 00:59:49,600 ...for my role, his Andalusian accent was very good. 1949 00:59:50,480 --> 00:59:51,880 What do you think? 1950 00:59:53,400 --> 00:59:56,480 "I am formal because I don't know you. " 1951 00:59:58,000 --> 01:00:01,080 "How I love you, Carlos, and how handsome you are!" 1952 01:00:03,480 --> 01:00:05,680 Mr. Carlos, can't you hear us? 1953 01:00:48,880 --> 01:00:49,880 Shall we dance? 1954 01:00:59,400 --> 01:01:00,680 We are vagabonds. 1955 01:01:59,280 --> 01:02:03,080 "Today, at 6:30, in the afternoon,... 1956 01:02:03,800 --> 01:02:06,600 ...in the old people's home... 1957 01:02:07,600 --> 01:02:10,080 ...San Carlos Borromeo,... 1958 01:02:10,880 --> 01:02:15,600 ...the comedian Carlos Galvan has died. 1959 01:02:17,800 --> 01:02:21,800 We ask those of you who knew him,... 1960 01:02:22,680 --> 01:02:27,200 ...please have a pious 158934