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ANNOUNCER: LADIES AND GENTLEMENTHE "GOAT" MR. DAVE CHAPPELLE.
{\c&HFFFFFF&\t(\c&H0000FFFF&)}Extracted By Nelka
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.
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DAVE CHAPPELLE:THANK YOU, THANK YOU.
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THANK YOU VERY MUCH.EVERYONE HAVE A SEAT AND RELAX.
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TOMORROW WILL BE A VERYSIGNIFICANT NIGHT IN COMEDY.
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I AM VERY SURPRISED TOGET THIS AWARD THIS YOUNG,
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BUT I PROMISE YOU I DESERVE IT.
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.
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MAN, YOU HAVE NO IDEAWHAT THIS JOB IS LIKE.
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I GREW UP WATCHING THEBEST SHIT TALKERS THIS WORLD
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HAS EVER SEEN.
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EVERY OPINION IN THIS COUNTRY,
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HAS A COMEDIAN THATREPS YOUR POINT OF VIEW.
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BUT GOD DAMN IT,
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I DON'T WANT TO LIVE IN ACOUNTRY WITH A BRITTLE SPIRIT.
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I WANT TO LIVE AMONGST SOLDIERS.
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.
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MAN: HOW ARE YOU SO YOUNGGETTING THIS AWARD?
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DAVE: WELL, ITTOOK ME 32 YEARS, CHAMP.
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ALRIGHT, NOW.
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ALRIGHT, BE WELL GUYS.
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SAVAGES!
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I CAN'T REMEMBER HOW IT GOES.
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HEY, HEY.
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IT'S VERY RARE THAT YOUGET TO GET TOGETHER WITH
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EVERYBODY AND NOTHING'S WRONG.
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I'M APPRECIATING THATASPECT OF IT IMMENSELY.
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WOMAN: YOU NERVOUS AT ALL?
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DAVE: TO GET A PRIZE, NO.
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I AM GOING TO BE SURROUNDED BYARTISTIC GENIUS TONIGHT AND
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AN AUDIENCE THAT HAS AHIGHER APPRECIATION FOR THE
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ARTS THAN MOST ATTHE KENNEDY CENTER.
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THIS DOESN'T CONSTITUTEHIGH PRESSURE, HERE.
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SO MANY PEOPLEDESERVE THESE MOMENTS...
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MAN: IT'S AN HONOR TO MEET YOU.THANK YOU, MAN.
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MAN 2: YOU THE MAN, DAVE!
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DAVE: SO FEW PEOPLE GET THEM.
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ANY REASON FOR ALL OF US TOBE TOGETHER IS FINE FOR ME.
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SHOULD I WEAR THE GRILLZ OR...
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FREEMAN: DEARLY BELOVED...
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WE ARE GATHERED HERETODAY TO GET THROUGH THIS
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LIFETIME PRIZE CALLED TWAIN ANDCELEBRATE A LEGEND NAMED DAVE.
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ELECTRIC WORD "LEGEND"...
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IT MEANS YOU'REREMEMBERED FOREVER AND
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THAT'S A MIGHTY LONG TIME.
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BUT I'M HERE TO TELLYOU THAT TONIGHT IS MORE
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THAN A CELEBRATION OFWHAT THIS LEGEND HAS DONE,
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IT IS TO REJOICE INWHAT HE IS DOING AND
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TO ACKNOWLEDGE THAT, FOR DAVE,THE BEST IS YET TO COME.
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AND NOW, BOYS AND GIRLS.LADIES AND GENTLEMEN.
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IN THE IMMORTAL WORDSOF MARK TWAIN...
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LET'S GO FUCKIN' CRAZY!
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FROM DAVE'S ALMA MATER,
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THE DUKE ELLINGTON SCHOOLOF THE ARTS SHOW BAND!
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♪ ♪
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MAN: YES, IT IS.
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♪ ♪
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♪ MAN: YO! ♪
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♪ IF YOU DON'T LIKE THE WORLD YOU'RE LIVING IN ♪
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♪ TAKE A LOOK AROUND ♪
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♪ AT LEAST YOU GOT FRIENDS ♪
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♪ YOU SEE I CALLED MY OLD LADY ♪
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♪ FOR A FRIENDLY WORD ♪
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♪ SHE PICKED UP THE PHONE DROPPED IT ON THE FLOOR ♪
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♪ "AH, AH" IS ALL I HEARD ♪
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♪ ARE WE GONNA LET THE ELEVATOR BRING US DOWN? ♪
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♪ OH, NO LET'S GO! ♪
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♪ LET'S GO CRAZY ♪
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♪ OH, LET'S GO ♪
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♪ LET'S GO CRAZY LET'S GO, LET'S GO ♪
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♪ LET'S GO, LET'S GO ♪
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♪ ♪
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FREEMAN: AND NOW, THE 22NDRECIPIENT OF THE KENNEDY CENTER
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MARK TWAIN PRIZEFOR AMERICAN HUMOR,
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DAVE CHAPPELLE!
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.
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♪ ♪
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.
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.
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♪ ♪
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.
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♪ ♪
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TIFFANY HADDISH: HEY YA'LL.
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HEY YA'LL, MY NAMEIS TIFFANY HADDISH.
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THIS IS WHERE YOUGUYS SHOULD APPLAUD
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AND GO CRAZY.
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I'LL WAIT.
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.
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DAVE, I SEE WHY YOU WEARTHESE THE ARE SO COMFORTABLE!
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LOOK, LOOK AT THIS ROOM Y'ALL,LOOK AT THIS ROOM.
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LOOK AT THE PEOPLE WEGOT HERE AT THIS PARTY.
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YES!
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COMEDIANS, ACTORS AND MUSICIANSARE ALL HERE FOR ONE MAN.
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WE'RE ALL HERE BECAUSE DAVEBRINGS PEOPLE TOGETHER IN A WAY
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THAT MAYBE NO ONE ELSEIN THE WORLD CAN.
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I MET DAVE OVER 20 YEARS AGO ANDWE'VE BEEN FRIENDS EVER SINCE.
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DAVE YOU HAVE ALWAYS BEEN MYMENTOR, MY BIG BROTHER.
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AND UH, EVERY TIME ISTEP ON STAGE, EVERY TIME,
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I THINK OF YOU CAUSE, UM,I ALWAYS WANNA MAKE YOU PROUD
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BECAUSE YOU THE "GOAT" YOU KNOW,YOU THE GREATEST.
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.
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WHAT I LOVE ABOUTDAVE IS HIS SPONTANEITY.
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OH, MY FAVORITE STORYWITH DAVE WAS ON CHRISTMAS.
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ONE YEAR AFTER I FINISHEDFEEDING THE HOMELESS AT
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THE LAUGH FACTORY...
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I DO THAT EVERY YEARBECAUSE I NEVER FORGET WHERE
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I CAME FROM...
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NOT THE LAUGH FACTORY,HOMELESS, HOMELESS.
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DAVE CALLED ME TO MEET HIMFOR DRINKS AND WHEN I ARRIVED,
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I SEE HIM THERE WITHMARLON WAYANS AND I WAS LIKE,
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"WHAT ARE YA'LLFATHERS DOING HERE ON CHRISTMAS?
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SHOULDN'T Y'ALLBE WITH Y'ALL KIDS?"
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AND DAVE SAID,
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"WHO ARE YOU, SCROOGE?BITCH, HAVE A DRINK!"
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.
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SO WE LAUGHED ANDJOKED TIL ABOUT 1:00 A.M.
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AND THEN DAVE WAS LIKE,"Y'ALL WANNA GO BOWLING?"
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AND WE WERE LIKE,
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"AIN'T NOBODY, AIN'TNO BOWLING ALLEY OPEN ON
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CHRISTMAS THIS LATE!
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LIKE, WHAT, WHATYOU TALKIN' BOUT?"
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HE STARTED LAUGHING, HE SAID,
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UH, "DO YOU REALIZEI'M DAVE CHAPPELLE?"
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HE MADE A PHONE CALLAND THEN WE JUMPED IN HIS SUV
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AND THENWE STARTED GOING UP THIS HILL
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AND THEN WE PULLEDUP TO THESE HUGE GATES.
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I MEAN, HUGE.
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I WAS LIKE, "ARE WE FINNABE BOWLING AT JURASSIC PARK?"
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WE GET OUT THE CAR,
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GO TO THE DOOR ANDGUESS WHO OPENED THE DOOR,
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GUESS WHO OPENED IT?
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I SAID, "GUESS" BITCH, GUESS.
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EDDIE MURPHY OPENED THE DOOR!
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WE WAS AT EDDIE MURPHY HOUSE!
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WE WAS AT EDDIE MURPHYHOUSE AND I WAS LIKE...
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AND DAVE WAS LIKE, "CALM DOWN,CALM YOUR ASS DOWN,
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WE'RE GONNA GET KICKED OUT."
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I WAS LIKE, "OH, MY GOD, ICAN'T BELIEVE THIS AXEL FOLEY,
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GOT A BOWLING ALLEY!"
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WE MUST'VE TALKED AND LAUGHEDAND SHARED STORIES FOR HOURS.
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AND THAT'S THEKIND OF GUY DAVE IS.
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HE'S SPONTANEOUSAND HE'S MAGICAL AND
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HE'S A HORRIBLE BOWLER.
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.
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PAUL: HI, I'M PAUL PELOSI.
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TIFFANY: I'M TIFFANY HADDISH.NICE TO MEET YOU.
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PAUL: WE KNOW WHO YOU ARE!
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MY WIFE NANCY.
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TIFFANY: HEY NANCY.
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SPEAKER PELOSI:HEY, YOU WERE GREAT!
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TIFFANY: THANK YOU SO MUCH!
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(INAUDIBLE).
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SPEAKER PELOSI: YEAH, WEWERE MOVING WITH YA, BABE!
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DAVE: I GOT THE FIRSTSHOW, EVER, AT THIS CLUB.
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CHRIS: WHAT?
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DAVE: THAT WAS IN '92.
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TIME FLIES, MAN.
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CHRIS: YEAH, MAN.TIME AIN'T NO JOKE.
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ANNOUNCER: GOOD EVENINGLADIES AND GENTLEMEN AND WELCOME
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TO THE D.C. IMPROV!
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DAVE: AIN'T NO SMOKININ HERE MOTHERFUCKER!
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TONY: HEY MAN, YOU KNOWHOW WE DO IT.
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IT'S DAVE'S NIGHT,IT'S DAVE'S WEEKEND. ALRIGHT!
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CHRIS: DAVE, YOU THE MAN.
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YOU BRING OUT EVERYBODY!
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DAVE CHAPPELLE, HE GOTTHE MARK TWAIN AWARD.
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GIVE IT UP FORDAVE GETTING THE
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MARK... TWAIN... AWARD.
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MAKING HIMSELF AWHOLE BUNCH OF DAMN...
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YOU KNOW YOU'RE MAKING ABUNCH OF MONEY WHEN YOU GET A
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MARK TWAIN AWARD.
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I JUST BARELY KNOWWHO MARK TWAIN ASS IS.
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DAVE: MAN, I CANNOT TELLYOU WHAT IT IS LIKE TO GET AN
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HONOR LIKE THIS IN THISVERY CITY I STARTED FROM.
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IN FACT, LITTLETRIVIA FOR YOU...
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THE FIRST SHOW, IN THISVERY ROOM, I WAS THE FIRST
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COMEDIAN ON STAGE.
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IT WAS ME, A GUYNAMED BRIAN REGAN AND
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SOME DYKE NAMED ELLEN DEGENERES.
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WE DIDN'T KNOW SHE WAS GAYBACK THEN, WE WERE ALL TRYING
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TO GET SOME PUSSY.
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OH, I'M SORRY I THOUGHTTHIS WAS A COMEDY CLUB.
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LADIES AND GENTLEMEN.THIS MIGHT BE AMERICA'S LAST
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SAFE PLACE TO SAYWHAT YOU FEEL LIKE SAYING
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AND LAUGH AT WHATYOU FEEL LIKE LAUGHING.
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THIS IS SACRED GROUND.
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LIVE COMEDY IS THE MOSTINCREDIBLE THING IN THE
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WORLD TO ME.
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YOU'RE STANDING UPTHERE LIKE A GLADIATOR;
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MAYBE THAT'S THE ONLYTIME THAT I FEEL LIKE MYSELF.
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ED: AT 19, HE'S THEYOUNGEST COMEDIAN IN
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STAR SEARCH HISTORY.
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FROM WASHINGTON, D.C.,HERE IS DAVE CHAPPELL.
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DAVE: THANKS.
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I DON'T KNOW IF ED MENTIONEDTHIS, I WAS RECENTLY ON
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BLACK ENTERTAINMENTTELEVISION...
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KINDA HAVE A FEELING MOSTOF YOU HAVEN'T SEEN THAT.
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I DON'T KNOW WHY.
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I USED TO THINK ALLWHITE PEOPLE WERE HAPPY.
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JUST TO BE WHITE.
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I THOUGHT YA'LL SIT AROUND,"FUCKIN-A, I'M WHITE!
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THIS FEELS GREAT, TAXI!
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(MIMICS TIRES SCREECH)
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JUST CHECKIN!
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I SPOKE AT MY OLDHIGH SCHOOL AND I TOLD
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THEM KIDS STRAIGHT UP.
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IF YOU GUYS ARE SERIOUS ABOUTMAKING IT OUT OF THIS GHETTO,
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YOU GOTTA FOCUS, YOUGOTTA STOP BLAMING WHITE PEOPLE
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FOR YOUR PROBLEMS ANDYOU'VE GOT TO LEARN HOW TO
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RAP OR PLAY BASKETBALL ORSOMETHING NIGGA, YOU TRAPPED!
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YOU ARE TRAPPED!
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EITHER DO THAT OR SELL CRACK,THAT'S YOUR ONLY OPTIONS.
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THAT'S THE ONLY WAYI'VE EVER SEEN IT WORK.
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BETTER GET TO ENTERTAININGTHESE WHITE PEOPLE.
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GET TO DANCING!
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I USED TO WATCH A FUCKIN'CARTOON WHEN I WAS GROWING UP
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CALLED, CARE BEARS.
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THEY WERE LIKE TEDDY BEARS,BUT THEY WERE LIKE PEOPLE.
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AND THEY ALL FUCKINGJUST WALKED AROUND CARING.
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THEY CARED ABOUT EACHOTHER AND EVERYTHING ELSE.
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AND WHEN SHIT GOT REAL BAD,
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THEY GOT DETERMINED.
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(GRUNTS).
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AND THE LEADER WOULD SAY,
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"COME ON, GUYS!
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IT'S TIME FORTHE CARE BEAR STARE!"
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REMEMBER THAT SHIT?
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.
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AND THEM LITTLE TEDDY BEARSWOULD LOCK ARMS AND
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00:12:55,257 --> 00:12:58,763
STARE AT THE PROBLEMAND I'M NOT EVEN BULLSHITTING...
234
00:13:00,517 --> 00:13:03,690
ACTUAL LOVE WOULDSHOOT OUT OF THEIR CHEST.
235
00:13:06,446 --> 00:13:09,953
AND WHEN WE GREW UP WEWANTED TO BE LIKE THOSE BEARS.
236
00:13:10,746 --> 00:13:12,541
AND THEN WE GOTOUR HEARTS BROKEN,
237
00:13:12,541 --> 00:13:16,382
CAUSE WE FOUND OUT THAT LIFEWASN'T GONNA LET US DO THAT.
238
00:13:16,382 --> 00:13:19,973
AND THAT IT'S IMPOSSIBLE TOSHOOT LOVE OUT OF YOUR CHEST.
239
00:13:21,434 --> 00:13:23,021
HOWEVER...
240
00:13:23,021 --> 00:13:25,651
I HAVE SHOT LOVE ONTOSOMEBODY'S CHEST BEFORE.
241
00:13:25,860 --> 00:13:27,989
242
00:13:29,784 --> 00:13:32,665
AZIZ: NOVEMBER, 2003.
243
00:13:33,792 --> 00:13:36,130
I'M A JUNIOR INCOLLEGE AT N.Y.U,
244
00:13:36,714 --> 00:13:39,679
I'D BEEN DOING STANDUP MAYBE TWO YEARS.
245
00:13:39,679 --> 00:13:41,850
MY MOM CALLS ME UPAND SAYS, "AZIZ,
246
00:13:41,850 --> 00:13:44,522
ARE YOU COMING HOMEFOR THANKSGIVING?"
247
00:13:44,940 --> 00:13:47,277
AND I SAID, "MOM, YOU KNOWTHE MONEY I SET ASIDE TO COME
248
00:13:47,277 --> 00:13:49,323
HOME FOR THANKSGIVING,THERE'S BEEN A CHANGE OF PLAN.
249
00:13:49,950 --> 00:13:54,166
DAVE CHAPPELLE IS DOINGSOME SHOWS IN SAN FRANCISCO
250
00:13:54,166 --> 00:13:56,546
AT THE PUNCHLINE ANDI GOTTA GO SEE THAT.
251
00:13:57,589 --> 00:13:59,845
AND SHE'S LIKE,"WHO IS DAVE CHAPPELL?"
252
00:13:59,845 --> 00:14:02,808
I SAID, "HE'S MAYBE THEGREATEST COMEDIAN ALIVE."
253
00:14:02,808 --> 00:14:04,353
SHE SAID, "IS THATTHE GUY THAT GOES,
254
00:14:04,353 --> 00:14:06,649
'I'M RICK JAMES, BITCH'?"
255
00:14:10,282 --> 00:14:12,119
AND I SAID, "YES!"
256
00:14:12,119 --> 00:14:14,540
SHE SAID, "HE'S HILARIOUS,HAVE A GOOD TIME."
257
00:14:14,749 --> 00:14:18,465
AND I WENT TO THOSE SHOWS,I SAW ALL...
258
00:14:18,465 --> 00:14:20,552
IT WAS LIKE SIX SHOWS THAT HEDID AT THE PUNCHLINE AND
259
00:14:20,552 --> 00:14:23,558
THESE WERE THOSE DAVE CLUBSHOWS WHERE HE DID, YOU KNOW,
260
00:14:23,558 --> 00:14:26,272
REALLY LONG SETS THATWENT 'TIL LIKE 4:00 OR 5:00
261
00:14:26,272 --> 00:14:27,483
IN THE MORNING.
262
00:14:27,483 --> 00:14:29,236
AND, AND THEY WERE HILARIOUS,
263
00:14:29,236 --> 00:14:32,952
AND THEY WERE THOUGHT PROVOKINGAND IT WAS INCREDIBLE.
264
00:14:32,952 --> 00:14:35,582
AND SINCE THEN, I'VE GOTTEN TOKNOW DAVE AS A FRIEND.
265
00:14:35,958 --> 00:14:38,088
WE'VE DONE SHOWSTOGETHER AND BEYOND BEING
266
00:14:38,088 --> 00:14:42,554
AN INCREDIBLE PERFORMER, HEIS AN INCREDIBLE HUMAN BEING.
267
00:14:42,554 --> 00:14:45,102
I REMEMBER A MOMENT ONETIME WE WERE AT A PARTY.
268
00:14:45,102 --> 00:14:48,943
SOMEONE CAME UP TO HIM TOASK FOR A PHOTO AND HE SAID,
269
00:14:48,943 --> 00:14:53,243
"HEY, WE'RE NOTHERE TO TAKE PICTURES,
270
00:14:54,120 --> 00:14:55,957
WE'RE HERE TO MAKE MEMORIES."
271
00:14:55,957 --> 00:14:58,336
AND THAT'S A BEAUTIFULSENTIMENT AND THAT'S HOW HE
272
00:14:58,336 --> 00:14:59,463
LIVES HIS LIFE.
273
00:14:59,463 --> 00:15:02,636
HE TREATS EVERY MOMENTLIKE IT HAS THE POTENTIAL TO BE
274
00:15:02,636 --> 00:15:04,640
A WONDERFUL MEMORY.
275
00:15:04,640 --> 00:15:07,729
YOU KNOW, EARLIER THIS YEARDAVE AND I, WE DID SOME SHOWS
276
00:15:07,729 --> 00:15:10,652
TOGETHER IN AUSTIN, TEXAS.
277
00:15:11,154 --> 00:15:14,660
WE FINISH THE SHOWS, WE'REIN THE GREENROOM TOGETHER AND,
278
00:15:14,660 --> 00:15:16,957
UH, DAVE SAID, "WHATKIND OF NIGHT YOU TRYING TO
279
00:15:16,957 --> 00:15:18,752
HAVE TONIGHT, AZIZ?"
280
00:15:18,752 --> 00:15:20,380
AND I SAYS, "AW, YOU KNOW,
281
00:15:20,380 --> 00:15:21,549
I'M PROBABLY GONNA TAKE IT EASY,
282
00:15:21,549 --> 00:15:24,722
WE WENT HARD YESTERDAY ANDWE'VE GOT SHOWS TOMORROW."
283
00:15:24,722 --> 00:15:26,142
AND HE SAID, "WELL,YOU WANNA EAT THESE
284
00:15:26,142 --> 00:15:27,561
PSYCHEDELIC MUSHROOMS I GOT?
285
00:15:27,561 --> 00:15:30,025
THEY'RE SUPPOSED TO BE AMAZING."
286
00:15:33,490 --> 00:15:35,243
SORRY DAVE'S FAMILY.
287
00:15:35,243 --> 00:15:38,750
.
288
00:15:43,510 --> 00:15:45,764
I SAID, "I DON'T KNOW, DAVE.
289
00:15:45,764 --> 00:15:48,937
MAYBE I'LL JUST TAKE IT EASY ANDGET SOME REST FOR TOMORROW."
290
00:15:48,937 --> 00:15:53,029
AND HE SAID, "WELL AZIZ, NOONE KNOWS THIS BUT TOMORROW
291
00:15:53,029 --> 00:15:56,619
THEY'RE GONNA ANNOUNCETHAT I AM THE WINNER OF THE
292
00:15:56,619 --> 00:15:59,708
MARK TWAIN PRIZEFOR AMERICAN HUMOR."
293
00:16:01,254 --> 00:16:03,633
.
294
00:16:03,925 --> 00:16:07,182
AND HE SAID, "WHAT AREYOU GONNA TELL YOUR KIDS
295
00:16:07,182 --> 00:16:09,478
20 YEARS FROM NOW, AZIZ?
296
00:16:10,105 --> 00:16:13,319
ARE YOU GONNA TELL 'EM, 'I WASTHERE THE DAY DAVE CHAPPELLE
297
00:16:13,319 --> 00:16:16,534
FOUND OUT HE WONTHE MARK TWAIN AWARD AND
298
00:16:16,534 --> 00:16:18,454
WE ATE MUSHROOMSTOGETHER AND WE HAD
299
00:16:18,454 --> 00:16:19,915
THE NIGHT OF OUR LIVES?'
300
00:16:20,834 --> 00:16:23,798
OR ARE YOU GONNA TELL'EM YOU GOT SOME SLEEP?"
301
00:16:28,975 --> 00:16:30,645
.
302
00:16:30,645 --> 00:16:31,981
AND I SAID,
303
00:16:31,981 --> 00:16:34,069
"DAVE, YOU GOT A POINT,LET'S EAT THOSE MUSHROOMS!"
304
00:16:34,069 --> 00:16:35,989
TO TWAIN!
305
00:16:41,834 --> 00:16:42,878
JAY: THIS IS SOME REAL SHIT.
306
00:16:43,254 --> 00:16:45,342
I THINK IF DOGS COULD TALK,NEGLECTED DOGS,
307
00:16:45,342 --> 00:16:47,262
THEY WOULD SOUNDLIKE DAVE CHAPPELLE.
308
00:16:50,393 --> 00:16:53,942
LIKE, LIKE IF YOU LEAVE 'EM INTHE BACK YARD TOO LONG
309
00:16:53,942 --> 00:16:55,153
HE'D BE COMPLAINING;HE'D BE LIKE,
310
00:16:55,153 --> 00:16:58,034
"OH SHIT, SON, I NEEDSOMEBODY TO GET BACK HERE.
311
00:16:58,034 --> 00:16:59,328
NOBODY FEEDS ME!"
312
00:16:59,328 --> 00:17:00,997
(SCREAMS)
313
00:17:04,797 --> 00:17:06,092
DAVE: YEAH, THEJACKET IS FRESH AS FUCK.
314
00:17:06,092 --> 00:17:09,181
RON: OH!NEAL: HEY RON, HOW ARE YOU?
315
00:17:09,181 --> 00:17:10,350
DAVE: HE LOOKS LIKEHE JUST GOT BACK FROM
316
00:17:10,350 --> 00:17:12,187
BEATING UP MOTHERFUCKERS.
317
00:17:14,191 --> 00:17:16,112
THE FIRST TIMEANYONE BROUGHT ME ON STAGE,
318
00:17:16,112 --> 00:17:17,573
GUY NAMED J.T. NEWTON,
319
00:17:17,573 --> 00:17:19,618
I DON'T EVEN KNOW IS J.T. ALIVE?
320
00:17:19,618 --> 00:17:21,581
SERIOUSLY.
321
00:17:21,581 --> 00:17:22,791
CROWD: HE LIVES IN LONG ISLAND.
322
00:17:22,791 --> 00:17:25,088
DAVE: WELL, THAT'S GOOD NEWS.
323
00:17:26,090 --> 00:17:27,426
.
324
00:17:27,426 --> 00:17:28,761
YOU EVER THINK A NIGGA WAS DEAD,
325
00:17:28,761 --> 00:17:30,599
BUT HE JUST LIVEDIN LONG ISLAND?
326
00:17:30,599 --> 00:17:33,062
.
327
00:17:33,062 --> 00:17:36,193
I WENT TO A COMEDY CLUBWITH MY VERY BEST FRIEND,
328
00:17:36,485 --> 00:17:38,740
WE'RE STILL FRIENDS TO THIS DAY.
329
00:17:38,948 --> 00:17:41,078
WE SHOWED UP EARLY, IT WAS 5:00.
330
00:17:41,078 --> 00:17:43,458
BACK IN THOSE DAY'S ALL YOUHAD TO DO TO BE A COMEDIAN WAS
331
00:17:43,458 --> 00:17:45,921
SHOW UP EARLYENOUGH TO SIGN THE LIST.
332
00:17:45,921 --> 00:17:48,301
IT WAS 20 SPOTS, I CAME RIGHTAFTER SCHOOL,
333
00:17:49,178 --> 00:17:50,972
I PICKED SEVEN.
334
00:17:50,972 --> 00:17:54,813
MY BEST FRIEND AT THETIME PICKED THE FIFTH.
335
00:17:54,813 --> 00:17:58,488
HE BOMBED.HE DIDN'T MAKE IT.
336
00:18:02,329 --> 00:18:03,873
J.T. INTRODUCED ME, HE SAID,
337
00:18:03,873 --> 00:18:06,796
"FOLKS, EVERYBODY'S GOT TOSTART SOMEWHERE AND TONIGHT,
338
00:18:06,796 --> 00:18:08,341
THIS YOUNG MANIS STARTING HERE."
339
00:18:08,341 --> 00:18:10,387
I REMEMBER ITLIKE IT WAS YESTERDAY.
340
00:18:10,387 --> 00:18:13,351
HE SAID, "YOU MIGHT BEWITNESSING THE BIRTH OF A STAR,
341
00:18:14,060 --> 00:18:16,649
PLEASE WELCOME DAVE CHAPEL."
342
00:18:23,204 --> 00:18:25,583
I WENT BY MYSELF, BUTBY THE TIME I WENT ON,
343
00:18:25,583 --> 00:18:27,879
MY MOTHER WHO ISHERE TONIGHT...
344
00:18:27,879 --> 00:18:30,385
.
345
00:18:31,052 --> 00:18:34,977
AND HER MOTHER WHOIS NO LONGER WITH US SHOWED UP.
346
00:18:34,977 --> 00:18:37,816
"I BEGGED YOU NOT TO COME."
347
00:18:37,816 --> 00:18:40,905
OH, I BEGGED THEM NOT TO COME.
348
00:18:41,574 --> 00:18:43,786
I SAID, "THE ONLY WAY I CANHANDLE THIS IS TO CONFRONT IT."
349
00:18:43,786 --> 00:18:45,165
SO I WENT TO MYGRANDMOTHER AND SAID,
350
00:18:45,165 --> 00:18:49,256
"LISTEN, NANNA, UM, LISTEN,I'M GONNA SAY SOME THINGS
351
00:18:49,256 --> 00:18:52,888
TONIGHT THAT YOU HAVENEVER HEARD ME SAY."
352
00:18:57,397 --> 00:18:58,608
AND, MOM, YOU'LLAPPRECIATE THIS,
353
00:18:58,608 --> 00:19:01,155
DO YOU REMEMBER WHATYOUR MOTHER SAID TO ME?
354
00:19:01,155 --> 00:19:02,366
MOM: SHE SAID,"I'VE HEARD WORSE."
355
00:19:02,366 --> 00:19:06,707
DAVE: NO. SHE SAID,"BABY, DO THIS SHIT."
356
00:19:10,674 --> 00:19:12,469
IT WAS ON!
357
00:19:12,469 --> 00:19:15,015
I GUESS WHAT I'M TRYING TO SAYTO YOU MOM, NOT ONLY "THANK YOU"
358
00:19:15,015 --> 00:19:16,644
BUT "I TOLD YOU SO!"
359
00:19:16,644 --> 00:19:19,650
.
360
00:19:20,652 --> 00:19:24,660
♪ WOMAN: THERE ARE TIMES WHEN YOU'LL NEED SOMEONE ♪
361
00:19:24,660 --> 00:19:26,037
COMMON: YEAH, DAVE.
362
00:19:26,037 --> 00:19:28,334
♪ WOMAN: I WILL BE BY YOUR SIDE ♪
363
00:19:28,501 --> 00:19:30,213
COMMON: WE LOVE YOU, BROTHER.
364
00:19:30,213 --> 00:19:34,346
♪ WOMAN: THERE IS A LIGHT, THAT SHINES ♪
365
00:19:35,265 --> 00:19:37,853
♪ SPECIAL FOR YOU ♪
366
00:19:37,853 --> 00:19:40,358
♪ SPECIAL FOR ME, YEA ♪
367
00:19:40,358 --> 00:19:42,028
♪ COMMON: I NEVER KNEW A LUH, LUH-LUH ♪
368
00:19:42,028 --> 00:19:43,071
♪ A LOVE LIKE THIS ♪
369
00:19:43,071 --> 00:19:45,535
♪ GOTTA BE SOMETHIN FOR ME TO WRITE THIS ♪
370
00:19:45,535 --> 00:19:47,456
♪ QUEEN, I AIN'T SEEN YOU IN A MINUTE ♪
371
00:19:47,456 --> 00:19:50,545
♪ WROTE THIS LETTER, AND FINALLY DECIDE TO SEND IT ♪
372
00:19:50,545 --> 00:19:53,050
♪ SIGNED, SEALED, DELIVERED, FOR US TO GROW TOGETHER ♪
373
00:19:53,050 --> 00:19:55,764
♪ LOVE HAS NO LIMIT, LET'S SPEND IT SLOW FOREVER ♪
374
00:19:55,764 --> 00:19:57,267
♪ I KNOW YOUR HEART IS WEATHERED BY WHAT STUDS ♪
375
00:19:57,267 --> 00:19:58,561
♪ DID TO YOU ♪
376
00:19:58,561 --> 00:20:00,648
♪ I AIN'T GON' ASSAULT EM, I DID IT TOO ♪
377
00:20:00,648 --> 00:20:02,694
♪ BECAUSE OF YOU, FEELINGS I HANDLE WITH CARE ♪
378
00:20:02,694 --> 00:20:04,281
♪ BROTHERS RECOGNIZE YOUR LIGHT BUT THEY CAN'T ♪
379
00:20:04,281 --> 00:20:05,533
♪ HANDLE THE GLARE ♪
380
00:20:05,533 --> 00:20:07,078
♪ HEY, I AIN'T THE TYPE TO WALK AROUND ♪
381
00:20:07,078 --> 00:20:08,247
♪ WITH MATCHIN SHIRTS ♪
382
00:20:08,247 --> 00:20:10,251
♪ IF RELATIONSHIP IS EFFORT I WILL MATCH YOUR WORK ♪
383
00:20:10,251 --> 00:20:11,921
♪ I WANNA BE THE ONE TO MAKE YOU HAPPIEST ♪
384
00:20:11,921 --> 00:20:13,048
♪ HURT YOU THE MOST ♪
385
00:20:13,048 --> 00:20:14,927
♪ THE END IS NEAR, COME CLOSE ♪
386
00:20:14,927 --> 00:20:16,012
♪ WOMAN: TO WHAT? ♪
387
00:20:16,012 --> 00:20:18,476
♪ COMMON: TO THE MOST, HIGH REGARDLESS OF WHAT HAPPEN ♪
388
00:20:18,476 --> 00:20:19,686
♪ ON HIM LET'S RELY ♪
389
00:20:19,686 --> 00:20:21,649
♪ WOMAN: THERE ARE TIMES ♪
390
00:20:21,649 --> 00:20:24,446
♪ WHEN YOU'LL NEED SOMEONE ♪
391
00:20:24,446 --> 00:20:25,740
COMMON: SAY WHAT, COME ON!
392
00:20:25,740 --> 00:20:28,120
♪ WOMAN: I WILL BE BY YOUR SIDE ♪
393
00:20:28,120 --> 00:20:30,917
♪ COMMON: YEAH, LET 'EM KNOW ABOUT THE LIGHT ♪
394
00:20:30,917 --> 00:20:32,128
♪ Y'ALL COME ON ♪
395
00:20:32,128 --> 00:20:34,758
♪ WOMAN: THERE IS A LIGHT, THAT SHINES ♪
396
00:20:34,758 --> 00:20:38,474
♪ SPECIAL FOR YOU AND ME ♪
397
00:20:38,724 --> 00:20:40,018
♪ COMMON: YO, YO, YO ♪
398
00:20:40,018 --> 00:20:42,022
♪ DIGGA-DA, DIGGA-DA, DIGGA-DA, DIGGA-DIGGA-DA-DA. ♪
399
00:20:42,441 --> 00:20:44,862
♪ DIGGA-DA, DIGGA-DA, DIGGA-DA, DIGGA-DIGGA-DA-DA ♪
400
00:20:45,112 --> 00:20:47,451
♪ DIGGA-DA, DIGGA-DA, DIGGA-DA, DIGGA-DIGGA-DA-DA ♪
401
00:20:47,451 --> 00:20:49,288
♪ YO, I TELL YOU THE REST WHEN I SEE YOU; ♪
402
00:20:49,288 --> 00:20:50,540
♪ PEACE! ♪♪
403
00:20:50,957 --> 00:20:52,335
DAVE, YOU THE GREATEST BABY.
404
00:20:52,335 --> 00:20:53,588
WE LOVE YOU, MAN.
405
00:20:53,588 --> 00:20:56,469
THE GREATEST, BROTHER.DEEP IN THE LIGHT.
406
00:20:58,681 --> 00:21:02,146
LADIES AND GENTLEMEN, THEINCOMPARABLE, JOHN LEGEND
407
00:21:03,483 --> 00:21:06,405
.
408
00:21:13,461 --> 00:21:15,005
JOHN: HELLO!
409
00:21:20,057 --> 00:21:22,354
NOT ONLY AM IA BIG FAN OF DAVE'S,
410
00:21:22,354 --> 00:21:25,192
BUT I GREW UP INSPRINGFIELD, OHIO...
411
00:21:25,192 --> 00:21:30,620
YES, ABOUT 15 MINUTES AWAYFROM WHERE DAVE LIVES NOW AND
412
00:21:31,037 --> 00:21:32,582
SPENT A LOT OF HIS CHILDHOOD.
413
00:21:32,582 --> 00:21:36,882
I KNOW WE'RE IN D.C., AND HESPENT A LOT OF TIME HERE TOO,
414
00:21:40,097 --> 00:21:43,312
BUT DAVE IS FROM OHIO, OKAY?
415
00:21:45,023 --> 00:21:47,320
WE'RE CLAIMING HIM.
416
00:21:47,654 --> 00:21:50,451
NOW, MOST OF THE OUTSTANDINGBOLD FACE NAMES FROM OHIO
417
00:21:50,451 --> 00:21:53,416
BECOME FAMOUSAFTER THEY LEAVE OHIO.
418
00:21:54,418 --> 00:21:58,091
ONE COULD ARGUE THEY HAVETO LEAVE OHIO TO SUCCEED.
419
00:21:59,302 --> 00:22:03,603
BUT AMAZINGLY DAVE STILLLIVES IN THE BUCKEYE STATE.
420
00:22:08,028 --> 00:22:12,328
HE STILL LIVES IN THE KIND OFTOWN THAT MAKES PEOPLE WONDER,
421
00:22:12,328 --> 00:22:15,877
"WHY DOES DAVE CHAPPELLELIVE IN THAT TOWN?"
422
00:22:17,171 --> 00:22:20,177
HE LIVES IN THE, "SO-CALLED"FORGOTTEN AMERICA.
423
00:22:20,177 --> 00:22:22,181
DAVE NEVER FORGOT ABOUT IT.
424
00:22:22,181 --> 00:22:24,853
HE HAS BROUGHTTHE WORLD TO OHIO.
425
00:22:24,853 --> 00:22:29,488
HIS ANNUAL MUSICAL JAM SESSIONSON A LOCAL FARM ARE LEGENDARY.
426
00:22:30,322 --> 00:22:32,577
HE'S BROUGHT SOME OF THEGREATEST TALENTS IN THE WORLD
427
00:22:32,577 --> 00:22:35,165
TOGETHER TOCELEBRATE LIFE THERE.
428
00:22:35,165 --> 00:22:38,046
AND RECENTLY, AFTER THEMASS SHOOTING IN DAYTON,
429
00:22:38,046 --> 00:22:41,219
TO BRING COMFORT AFTER TRAGEDY.
430
00:22:41,720 --> 00:22:43,808
.
431
00:22:45,478 --> 00:22:50,320
AND OF COURSE, THE MOST ICONICAND UNFORGETTABLE JAM SESSION
432
00:22:50,320 --> 00:22:53,953
THAT WILL GO DOWN INHISTORY WAS BACK IN 2005.
433
00:22:54,245 --> 00:22:57,251
HE TOOK A GROUP FROMHIS HOMETOWN IN OHIO,
434
00:22:57,251 --> 00:22:59,130
INCLUDING STUDENTS FROMOUR LOCAL
435
00:22:59,130 --> 00:23:01,886
HISTORICALLY BLACK UNIVERSITY,CENTRAL STATE,
436
00:23:02,136 --> 00:23:04,600
ON A BUS TO BROOKLYN.
437
00:23:04,600 --> 00:23:07,062
YES!
438
00:23:07,439 --> 00:23:09,526
AND WHEN THEY GOT TO BROOKLYN,
439
00:23:09,526 --> 00:23:12,616
WHAT AN AMAZING POPCULTURE MOMENT DAVE CREATED.
440
00:23:13,241 --> 00:23:16,247
HE BROUGHT TOGETHER SOME OFTHE MOST IMPORTANT HIP-HOP AND
441
00:23:16,247 --> 00:23:20,423
NEO-SOUL ARTISTS IN THEWORLD FOR AN EPIC CONCERT THAT
442
00:23:20,423 --> 00:23:24,263
BLENDED DAVE'S COMEDY ANDHIS IMPECCABLE TASTE IN MUSIC.
443
00:23:25,349 --> 00:23:28,522
DAVE: COMEDIANS AND MUSICIANS,WE'RE LIKE THIS.
444
00:23:28,522 --> 00:23:31,820
EVERY COMIC WANTSTO BE A MUSICIAN,
445
00:23:31,820 --> 00:23:34,116
EVERY MUSICIANTHINKS THEY'RE FUNNY.
446
00:23:34,826 --> 00:23:35,828
MOTHER'S GOT THREE TITTIES.
447
00:23:35,828 --> 00:23:37,832
ONE FOR MILK, ONE FOR WATER ANDTHE OTHER ONE'S OUR OF ORDER.
448
00:23:37,832 --> 00:23:38,876
HIT ME!
449
00:23:38,876 --> 00:23:40,045
♪ ♪
450
00:23:40,045 --> 00:23:42,007
YOU SEE, IT'S NOT EVENTHAT FUNNY, BUT THE HIT.
451
00:23:42,007 --> 00:23:43,511
IT JUST PUSHES IT OVER THE TOP.
452
00:23:43,511 --> 00:23:45,932
NOBODY HAS THREE TITTIES,IT'S RIDICULOUS.
453
00:23:46,517 --> 00:23:48,771
ALL THESE PEOPLE THAT ARE COMINGTO THIS CONCERT,
454
00:23:48,771 --> 00:23:51,694
BEFORE I EVER MET 'EM,I WAS FANS OF THEIRS.
455
00:23:52,027 --> 00:23:54,282
SO, TO WORK WITH THESEPEOPLE IN THIS KIND OF SETTING
456
00:23:54,282 --> 00:23:55,535
IS A DREAM COME TRUE.
457
00:23:55,535 --> 00:23:57,706
THIS IS THE CONCERTI'VE ALWAYS WANTED TO SEE.
458
00:23:57,706 --> 00:24:00,168
♪ KANYE: WELL, IF THIS TAKE AWAY FROM MY SPINS ♪
459
00:24:00,168 --> 00:24:02,047
♪ WHICH WILL PROBABLY TAKE AWAY FROM MY ENDS ♪
460
00:24:02,047 --> 00:24:04,093
♪ THEN I HOPE THIS TAKE AWAY FROM MY SINS ♪
461
00:24:04,093 --> 00:24:05,888
♪ AND BRING THE DAY THAT I'M DREAMING ABOUT ♪
462
00:24:05,888 --> 00:24:08,268
♪ NEXT TIME I'M IN THE CLUB EVERYBODY SCREAMING OUT ♪
463
00:24:08,268 --> 00:24:09,938
♪ JE-SUS WALKS ♪
464
00:24:09,938 --> 00:24:11,859
♪ GOD SHOW ME THE WAY THE DEVILS TRYING TO ♪
465
00:24:11,859 --> 00:24:13,111
♪ BRING ME DOWN ♪♪
466
00:24:13,111 --> 00:24:15,073
DAVE: WE SHOOK UP THE WORLD!
467
00:24:15,073 --> 00:24:18,748
WE SHOOK UP THE WORLD!
468
00:24:22,505 --> 00:24:24,968
Q-TIP: HOW Y'ALL DOIN?
469
00:24:25,427 --> 00:24:27,807
MY NAME IS Q-TIP, I'M UH,
470
00:24:28,768 --> 00:24:32,942
I AM PROUD TO BE THE ARTISTICCREATIVE DIRECTOR OF HIP-HOP
471
00:24:32,942 --> 00:24:35,447
HERE AT THE KENNEDY CENTER.
472
00:24:35,447 --> 00:24:37,159
.
473
00:24:37,159 --> 00:24:39,455
I WANT TO TALK TOMY BRO, MY FRIEND.
474
00:24:39,455 --> 00:24:43,088
YOU MY BROTHER, I LOVE YOU.
475
00:24:43,631 --> 00:24:46,010
I'VE KNOWN THIS DUDESINCE HE FIRST STARTED.
476
00:24:46,010 --> 00:24:48,849
AND IT WAS 1992 OR 1993,
477
00:24:48,849 --> 00:24:51,855
HE CAME ON THE BUS HE WAS LIKE,"HI, I'M DAVE CHAPPELLE."
478
00:24:52,189 --> 00:24:53,901
I WAS LIKE, "YO,YOU DAVE CHAPPELLE,
479
00:24:53,901 --> 00:24:56,907
I KNOW WHO YOU ARE, I SAW ROBIN HOOD: MEN IN TIGHTS.
480
00:24:57,449 --> 00:24:59,705
I'M PROBABLY THE ONLYRAPPER THAT WAS WATCHING
481
00:24:59,705 --> 00:25:02,502
MEL BROOKS BACK THEN.
482
00:25:04,965 --> 00:25:07,679
JEFF: I BOUGHT DAVEHIS FIRST SUIT WHEN HE DID
483
00:25:07,679 --> 00:25:11,144
LETTERMAN IN 1995,MIGHT HAVE BEEN '94.
484
00:25:11,436 --> 00:25:12,981
I TOOK HIM TOBARNEYS WITH MY COUSIN.
485
00:25:12,981 --> 00:25:15,862
HE WAS STILL WEARING,UM, CROSS COLORS.
486
00:25:16,822 --> 00:25:17,866
DAVE: NOW DON'TTENSE UP ON ME,
487
00:25:17,866 --> 00:25:19,368
I DON'T WANT YOUGUYS TO THINK THAT I'M AN
488
00:25:19,368 --> 00:25:20,580
ANGRY BLACK GUY.
489
00:25:20,580 --> 00:25:22,207
I AM AN ANGRY BLACK BUY,
490
00:25:22,207 --> 00:25:23,878
BUT YOU KNOW WHAT I MEAN.
491
00:25:23,878 --> 00:25:25,882
I HAVE A RIGHT TO BE AN ANGRYBLACK GUY THOUGH,
492
00:25:25,882 --> 00:25:27,384
IT'S DIFFERENT FOR ME.
493
00:25:27,384 --> 00:25:31,309
SEE, I DON'T KNOW IF YOU GUYSBELIEVE IN REINCARNATION OR NOT,
494
00:25:31,309 --> 00:25:34,733
BUT I HAVE BEEN BLACKFOUR LIVES IN A ROW.
495
00:25:36,235 --> 00:25:37,655
I NEED A BREAK.
496
00:25:41,204 --> 00:25:43,166
FREDERIC: PLEASE HELPME WELCOME TO THE STAGE,
497
00:25:43,709 --> 00:25:45,630
THE CO-CREATOR OF"THE CHAPPELLE SHOW",
498
00:25:45,630 --> 00:25:47,424
THE ONE AND ONLY,NEAL BRENNAN.
499
00:25:48,426 --> 00:25:50,765
.
500
00:25:50,765 --> 00:25:53,395
♪ MAN: CHAPPELLE'S SHOW, CHAPPELLE'S SHOW ♪
501
00:25:53,395 --> 00:25:55,942
♪ CHAPPELLE'S SHOW, CHAPPELLE'S SHOW ♪
502
00:25:56,777 --> 00:25:59,448
♪CHAPPELLE'S SHOW, CHAPPELLE'S SHOW ♪♪
503
00:26:01,829 --> 00:26:04,208
NEAL: HI, DAVE.
504
00:26:04,542 --> 00:26:06,922
HONESTLY, I DON'T KNOWHOW THIS NIGHT CAME TO BE.
505
00:26:06,922 --> 00:26:08,926
DAVE DOESN'TTEND TO LIKE FORMAL EVENTS.
506
00:26:08,926 --> 00:26:11,598
NORMALLY HE DRESSESLIKE A WINDOW WASHER.
507
00:26:14,562 --> 00:26:16,274
I CAN ONLY IMAGINE HIS WIFEELAINE SAID TO HIM,
508
00:26:16,274 --> 00:26:19,614
"BABE HOW CAN I GET YOU TOSTOP SMOKING FOR TWO HOURS?"
509
00:26:19,614 --> 00:26:23,037
AND DAVE, ASSUMING IT WOULDNEVER HAPPEN WAS LIKE,
510
00:26:23,037 --> 00:26:26,377
"UM, YOU'D HAVE TO GETJON STEWART, SARAH SILVERMAN,
511
00:26:26,377 --> 00:26:30,051
NEAL, Q-TIP, TIFFANY HADDISH,
512
00:26:30,051 --> 00:26:32,431
LORNE MICHAELS, JOHN LEGEND, BRADLEY COOPER,
513
00:26:32,431 --> 00:26:34,477
AND SAY MORGAN FREEMAN,
514
00:26:41,992 --> 00:26:44,748
TO FLY TO D.C.AND HONOR MY TALENT".
515
00:26:44,748 --> 00:26:46,752
ELAINE SAID,"GREAT, OCTOBER 27TH"
516
00:26:46,752 --> 00:26:49,507
AND DAVE WAS LIKE, "SHIT!"
517
00:26:53,598 --> 00:26:55,895
DAVE GAVE ME A CAREER.
518
00:26:55,895 --> 00:26:59,736
WE MET IN 1992 AT ACOMEDY CLUB IN NEW YORK CITY,
519
00:27:00,362 --> 00:27:02,700
WE WROTE A FEW JOKESTOGETHER OVER THE YEARS,
520
00:27:02,700 --> 00:27:05,080
BUT I ALWAYS HOPED WECOULD DO SOMETHING BIGGER.
521
00:27:05,080 --> 00:27:07,417
THEN IN 1997 DAVECALLS ME AND GOES,
522
00:27:07,417 --> 00:27:10,842
"HEY, IF UNIVERSALREACHES OUT TO YOU,
523
00:27:10,842 --> 00:27:13,138
TELL THEM WE'RE WRITINGA WEED MOVIE TOGETHER".
524
00:27:13,764 --> 00:27:16,185
.
525
00:27:20,736 --> 00:27:23,241
AND I WAS LIKE,"WHAT WEED MOVIE?"
526
00:27:23,241 --> 00:27:26,497
AND DAVE SAID,"DON'T WORRY ABOUT IT".
527
00:27:27,166 --> 00:27:28,459
NEXT THING I KNOW,
528
00:27:28,459 --> 00:27:30,088
SOMEONE FROM UNIVERSALCALLS ME AND ASKS,
529
00:27:30,088 --> 00:27:32,760
"ARE YOU WRITING A WEEDMOVIE WITH DAVE CHAPPELLE?"
530
00:27:32,760 --> 00:27:35,432
AND I WAS LIKE "YES?"
531
00:27:35,432 --> 00:27:37,186
AND THEY GO "WHENCAN YOU PITCH IT TO US?"
532
00:27:37,186 --> 00:27:40,943
AND I WAS LIKE"IN 30 DAYS' TIME."
533
00:27:46,370 --> 00:27:48,458
SO WE HAD A MONTH TOFIGURE THE PITCH OUT,
534
00:27:48,458 --> 00:27:50,629
AND FINALLY ON DAY 29I CALL DAVE AND I'M LIKE,
535
00:27:50,629 --> 00:27:53,635
"DUDE, WE GOTTA WORKTHIS WEED MOVIE OUT".
536
00:27:54,470 --> 00:27:56,140
.
537
00:27:56,140 --> 00:27:58,353
AND HE GOES, "WHAT WEED MOVIE?"
538
00:27:58,353 --> 00:28:01,777
.
539
00:28:05,952 --> 00:28:08,999
ANYHOW, THE DAY BEFORE THEPITCH WE OUTLINED HALF BAKED,
540
00:28:08,999 --> 00:28:11,713
IT TOOK THE FULL DAY,ABOUT 16 HOURS,
541
00:28:12,172 --> 00:28:14,677
AND THAT ATTENTION TO DETAILREALLY SHOWED UP ONSCREEN.
542
00:28:18,017 --> 00:28:20,272
DAVE: I DON'T KNOW ABOUT Y'ALL,BUT I CAN'T EVEN MOVE!
543
00:28:21,900 --> 00:28:24,572
GUILLERMO: IT'S LIKE I FEELSTUCK HERE, YO.
544
00:28:29,081 --> 00:28:32,588
NEAL: CUT TO JANUARY OF 1998, HALF BAKED OPENED AGAINST
545
00:28:32,588 --> 00:28:34,550
GOOD WILL HUNTING
546
00:28:34,550 --> 00:28:37,097
.
547
00:28:38,308 --> 00:28:40,478
WAG THE DOG,
548
00:28:41,439 --> 00:28:43,526
AS GOOD AS IT GETS,
549
00:28:43,526 --> 00:28:46,324
AND OH YEAH, TITANIC.
550
00:28:46,324 --> 00:28:50,791
.
551
00:28:51,752 --> 00:28:53,797
RIGHT?
552
00:28:54,506 --> 00:28:57,387
IT WAS A CRITICAL AND COMMERCIALFLOP, AND QUITE FRANKLY
553
00:28:57,387 --> 00:28:59,475
ISN'T VERY GOOD.
554
00:29:00,518 --> 00:29:02,774
A COUPLE YEARS LATER,AFTER THE STINK WORE OFF,
555
00:29:02,774 --> 00:29:05,153
BOTH PROFESSIONALLYAND PERSONALLY,
556
00:29:05,153 --> 00:29:07,449
DAVE AND I WERE ON THEPHONE AGAIN, WHICH IS A THING
557
00:29:07,449 --> 00:29:10,288
PEOPLE USED TO DO,
558
00:29:10,288 --> 00:29:12,961
AND HE SAYS TO ME "HEY MAN,WE SHOULD DO A TV SHOW LIKE
559
00:29:12,961 --> 00:29:14,839
PLAYBOY AFTER DARK.
560
00:29:14,839 --> 00:29:18,304
NOW, IF YOU REMEMBER WHAT PLAYBOY AFTER DARK WAS,
561
00:29:18,304 --> 00:29:21,895
GET YOUR AFFAIRS IN ORDER,BECAUSE YOU'RE ON DEATH'S DOOR.
562
00:29:22,562 --> 00:29:24,733
.
563
00:29:24,733 --> 00:29:27,197
IF YOU DON'T REMEMBER PLAYBOY AFTER DARK,
564
00:29:27,197 --> 00:29:29,953
IT WAS A SUPER LAID-BACKTV SHOW IN THE 1970S
565
00:29:29,953 --> 00:29:33,167
HOSTED BY HUGH HEFNER WHOWAS A MAGAZINE PUBLISHER AND
566
00:29:33,167 --> 00:29:36,090
MILD SEX TRAFFICKER.
567
00:29:38,428 --> 00:29:41,684
IMAGINE JEFFREY EPSTEINWITH A GROTTO.
568
00:29:50,535 --> 00:29:53,834
ANYWAY, DAVE AND I FIGURED OUT AROUGH FORMAT FOR WHAT WOULD COME
569
00:29:53,834 --> 00:29:55,462
TO BE CHAPPELLE'S SHOW.
570
00:29:55,462 --> 00:29:57,215
WENT AROUND PITCHINGTO A FEW NETWORKS.
571
00:29:57,215 --> 00:30:00,430
HBO DIDN'T GO GREAT, THEWOMAN ACTUALLY SAID TO DAVE,
572
00:30:00,430 --> 00:30:01,682
AND I QUOTE,
573
00:30:01,682 --> 00:30:04,021
"WHY DO WE NEED YOUWHEN WE HAVE CHRIS ROCK?"
574
00:30:06,233 --> 00:30:09,281
SEE BACK THEN THERE COULD ONLYBE ONE POPULAR BLACK COMEDIAN
575
00:30:09,281 --> 00:30:13,623
AT A TIME, UNLIKE TODAY,WHEN THERE CAN BE THREE.
576
00:30:18,508 --> 00:30:21,055
SO A FEW MINUTES LATER WEPITCHED AT COMEDY CENTRAL AND
577
00:30:21,055 --> 00:30:22,182
THEY BOUGHT IT.
578
00:30:22,182 --> 00:30:24,269
WE MADE THE PILOT OF CHAPPELLE'S SHOW,
579
00:30:24,269 --> 00:30:27,025
WE GOT PICKED UP TO SERIES,AND THE SHOW WENT REALLY WELL.
580
00:30:27,025 --> 00:30:28,611
LIKE ABSURDLY WELL.
581
00:30:28,611 --> 00:30:31,993
LIKE SO WELL, YOUGOTTA GO TO AFRICA WELL.
582
00:30:31,993 --> 00:30:35,041
.
583
00:30:35,375 --> 00:30:37,964
DAVE: OUR TOP STORY, AS WE ALLKNOW CONGRESS RECENTLY APPROVED
584
00:30:37,964 --> 00:30:40,176
PAYING OVER $1 TRILLIONTO AFRICAN AMERICANS AS
585
00:30:40,176 --> 00:30:41,679
REPARATIONS FOR SLAVERY.
586
00:30:41,679 --> 00:30:43,641
DONNELL: NOW I GOT ENOUGHCIGARETTES TO LAST ME AND MY
587
00:30:43,641 --> 00:30:45,812
FAMILY FOR THEREST OF OUR LIVES.
588
00:30:45,812 --> 00:30:47,649
I'M RICH BEE-AAACH!
589
00:30:47,649 --> 00:30:48,818
.
590
00:30:49,445 --> 00:30:50,739
WHEN WE STARTED THE SHOW,
591
00:30:50,739 --> 00:30:52,869
I KNEW DAVE WAS THEFUNNIEST PERSON I'D EVER MET,
592
00:30:52,869 --> 00:30:54,914
BY THE END OFTHE SHOW I KNEW DAVE WAS
593
00:30:54,914 --> 00:30:57,252
ONE OF THE FUNNIESTPEOPLE WHO'D EVER LIVED.
594
00:30:57,252 --> 00:30:59,339
THERE WERE TIMES WHEN HE WOULDJUST IMPROVISE SOMETHING THAT WE
595
00:30:59,339 --> 00:31:01,052
HAD NEVER TALKED ABOUT BEFORE,
596
00:31:01,052 --> 00:31:03,222
THAT HE'D MAYBE NEVEREVEN THOUGHT ABOUT BEFORE.
597
00:31:03,222 --> 00:31:05,435
CLAYTON BIGSBY'SENTIRE SPEECHES ABOUT
598
00:31:05,435 --> 00:31:08,441
"BREATHING THE WHITE MAN'S AIR,"AND WILL AND GRACE
599
00:31:08,441 --> 00:31:10,487
ALL IMPROVISED.
600
00:31:10,862 --> 00:31:12,866
DAVE: IF YOU DON'T LIKE WILL AND GRACE THAT DON'T
601
00:31:12,866 --> 00:31:14,453
MEAN THERE'SSOMETHING WRONG WITH YOU!
602
00:31:14,453 --> 00:31:17,376
MEANS THERE'SSOMETHING WRONG WITH WILL!
603
00:31:17,376 --> 00:31:18,962
HE'S HOMOSEXUAL.
604
00:31:20,590 --> 00:31:23,137
NEAL: TYRONE BIGGUMS' SPEECHTO THE KIDS ABOUT DOING DRUGS
605
00:31:23,137 --> 00:31:24,390
WITH MICKEY MOUSE,
606
00:31:24,390 --> 00:31:25,893
TOTALLY MADE UP.
607
00:31:25,893 --> 00:31:27,354
DAVE: YOU!
608
00:31:27,354 --> 00:31:29,566
YOU KNOW WHAT DOG FOODTASTES LIKE, DO YOU?
609
00:31:30,318 --> 00:31:32,531
IT TASTES JUST LIKE IT SMELLS.
610
00:31:33,741 --> 00:31:35,453
DELICIOUS.
611
00:31:35,453 --> 00:31:37,249
NEAL: RICK JAMES SAYING"IT'S A CELEBRATION"
612
00:31:37,249 --> 00:31:38,584
AND "FUCK YOUR COUCH,"
613
00:31:38,584 --> 00:31:40,713
DAVE: BUY ANOTHER ONEYOU RICH MOTHERFUCKER!
614
00:31:40,713 --> 00:31:42,634
FUCK YOUR COUCH, NIGGA!
615
00:31:42,634 --> 00:31:44,263
FUCK YOUR COUCH!
616
00:31:44,263 --> 00:31:46,392
NEAL: AND "WHAT DID THE FIVEFINGERS SAY TO THE FACE?"
617
00:31:46,392 --> 00:31:47,979
DAVE: SLAP!
618
00:31:49,398 --> 00:31:51,318
NEAL: HE MADE IT ALL UP.
619
00:31:51,318 --> 00:31:53,991
WRITING AND DIRECTING DAVESOMETIMES WAS AS SIMPLE ME
620
00:31:53,991 --> 00:31:57,957
STANDING ON SET WITH MY JAWHANGING OPEN LIKE, "UH, CUT?"
621
00:32:00,420 --> 00:32:02,632
THE THING THAT I LOVED ABOUT CHAPPELLE'S SHOW
622
00:32:02,632 --> 00:32:05,221
IS THAT IT ALLOWEDDAVE TO BE HIS ENTIRE SELF,
623
00:32:05,221 --> 00:32:08,561
TO EXPRESS HIS INTELLECT,HIS ANGER, HIS MORALITY,
624
00:32:08,561 --> 00:32:12,694
HIS SILLINESS, HIS HYPOCRISIES,HIS SADNESS, HIS BLAZING TALENT.
625
00:32:13,404 --> 00:32:15,241
CHAPPELLE'S SHOWWAS A RARE THING.
626
00:32:15,241 --> 00:32:18,498
IT WAS A FULLY FACETED DOCUMENTOF A HUMAN BEING LIVING IN THE
627
00:32:18,498 --> 00:32:20,335
UNITED STATES OF AMERICA,
628
00:32:20,335 --> 00:32:22,380
WHILE HAVING THE SURREALEXPERIENCE OF BEING
629
00:32:22,380 --> 00:32:24,384
BORN WITH BLACK SKIN.
630
00:32:24,384 --> 00:32:27,182
SO YOU KNOW, PLAYBOY AFTER DARK.
631
00:32:28,977 --> 00:32:31,357
ALSO, THE SHOW WAS PERSONAL.
632
00:32:31,357 --> 00:32:33,027
SEE, I ALWAYS FELTLIKE DAVE BLAMED ME FOR THE
633
00:32:33,027 --> 00:32:34,488
FAILURE OF HALF BAKED,
634
00:32:34,488 --> 00:32:36,200
SO ONE DAY WE WERESHOOTING A SKETCH WHERE DAVE
635
00:32:36,200 --> 00:32:39,039
QUIT THE SHOW BECAUSE HEGOT OPRAH PREGNANT. AND UM...
636
00:32:42,003 --> 00:32:45,176
AND WE'RE DOING ASCENE WHEN HE'S GOING LIKE
637
00:32:45,176 --> 00:32:46,554
RAMPAGINGTHROUGH THE OFFICES,
638
00:32:46,554 --> 00:32:48,558
AND HE GETS TO ME AND HEDUMPS TRASH OVER MY HEAD.
639
00:32:49,560 --> 00:32:52,190
AND HERE'S WHY I SUSPECT HEBLAMED ME FOR HALF BAKED.
640
00:32:52,190 --> 00:32:54,361
AS HE DUMPED THETRASH OVER MY HEAD,
641
00:32:54,361 --> 00:32:57,367
HE SAID "THIS ISFOR HALF BAKED".
642
00:33:02,210 --> 00:33:04,840
ALRIGHT, AS YOU CAN SEE HECLAIMS THAT I ACTUALLY WROTE
643
00:33:04,840 --> 00:33:07,637
THAT LINE ANDTOLD HIM TO SAY IT,
644
00:33:07,971 --> 00:33:10,268
WHICH IS THE ONLY TIMETHIS ENTIRE EVENING THAT I
645
00:33:10,268 --> 00:33:14,067
WILL BE RECEIVING ANYCREDIT FOR CHAPPELLE'S SHOW.
646
00:33:16,322 --> 00:33:18,075
647
00:33:18,576 --> 00:33:20,371
DONNELL: ME AND DAVE ARE BOTHFROM D.C., WHICH MEANS THAT
648
00:33:20,371 --> 00:33:22,542
WE STARTED OUR CAREERSTAKING THE TRAIN TO
649
00:33:22,542 --> 00:33:24,755
FUCKING COMEDY SHOWS.
650
00:33:24,755 --> 00:33:26,967
DAVE CHAPPELLE IS HEOLDEST YOUNG COMEDIAN IN
651
00:33:26,967 --> 00:33:28,804
THE FUCKING BUSINESS.
652
00:33:29,473 --> 00:33:33,397
"I'M FUCKING 44, BEEN DOINGCOMEDY FOR 43 YEARS!"
653
00:33:35,818 --> 00:33:37,405
THIS MOTHERFUCKER WAS BORN,
654
00:33:37,405 --> 00:33:40,870
CAME OUT, "WAAH,KNOCK-KNOCK MOTHERFUCKER!
655
00:33:45,880 --> 00:33:48,928
WITH A CIGARETTE IN HISHAND AT THE SAME TIME.
656
00:33:49,429 --> 00:33:51,517
THE DAVE CHAPPELLE SHOW.
657
00:33:51,517 --> 00:33:53,479
BEING ON THATSHOW CHANGED MY LIFE.
658
00:33:53,479 --> 00:33:55,817
BUT ONE CHARACTER IN PARTICULAR,"ASHY LARRY" A LOT OF PEOPLE
659
00:33:55,817 --> 00:33:58,447
REMEMBER ME AS ASHY LARRY.
660
00:33:59,324 --> 00:34:01,035
AND WHEN WE DID THAT,DAVE WAS LIKE,
661
00:34:01,035 --> 00:34:03,039
"DONNELL, WHAT ARE YOU GONNADO TO PREPARE FOR THE ROLE
662
00:34:03,039 --> 00:34:04,084
OF ASHY LARRY?"
663
00:34:04,084 --> 00:34:06,380
I SAID, "I'M GONNATAKE A SHOWER, NIGGA...
664
00:34:07,048 --> 00:34:08,509
AND JUST DRY OFF I'LL BE THE
665
00:34:08,509 --> 00:34:10,889
ASHIEST MOTHERFUCKERIN HOLLYWOOD.
666
00:34:12,976 --> 00:34:17,736
DAVE: I'M FROM WASHINGTON, D.C.CHOCOLATE CITY.
667
00:34:20,825 --> 00:34:23,456
FOR US, NIGGA, IS A PRONOUN.
668
00:34:24,750 --> 00:34:27,380
WE HAVE VERY THICK SKIN.
669
00:34:27,380 --> 00:34:29,760
WE DON'T SHYAWAY FROM THE JOKES.
670
00:34:29,760 --> 00:34:33,851
IN FACT, HUMOR WASOUR MODE OF SURVIVAL.
671
00:34:33,851 --> 00:34:37,317
THE ONLY REASON I NEVER GOT MYASS WHOPPED ON THESE STREETS IS
672
00:34:37,317 --> 00:34:39,529
BECAUSE NIGGA'S KNEW...
673
00:34:39,529 --> 00:34:42,452
I'M HILARIOUS.
674
00:34:46,418 --> 00:34:48,631
I WAS GETTING READYTO START HIGH SCHOOL,
675
00:34:48,631 --> 00:34:50,301
WE HAD A PRINCIPAL NAMED,RALPH NEAL.
676
00:34:50,301 --> 00:34:52,639
THAT NIGGA HAD JUST SEEN LEAN ON ME AND WAS WALKING
677
00:34:52,639 --> 00:34:55,436
AROUND WITH ABULL-HORN LIKE THAT WAS HIM.
678
00:34:55,895 --> 00:34:59,403
.
679
00:34:59,820 --> 00:35:01,490
I HAD JUST GONE TOMIDDLE SCHOOL IN OHIO,
680
00:35:01,490 --> 00:35:02,659
I WAS GONE FOR THREE YEARS.
681
00:35:02,659 --> 00:35:05,957
IN THE THREE YEARS I WAS GONE,CRACK CAME OUT.
682
00:35:05,957 --> 00:35:07,877
I CAME BACK TO WASHINGTON...
683
00:35:07,877 --> 00:35:10,300
YOU GUY'SREMEMBER CRACK DON'T YOU?
684
00:35:12,721 --> 00:35:15,226
YOU REMEMBER WHATIT DID TO THIS CITY.
685
00:35:15,226 --> 00:35:17,814
THAT'S WHY IT'S STRANGE TO SEESO MANY WHITE PEOPLE JOGGING AND
686
00:35:17,814 --> 00:35:22,198
PUSHING STROLLERS AND THINGS,CAUSE ALL THESE NIGGA'S IN D.C.
687
00:35:22,198 --> 00:35:24,536
DID ALL THE HEAVY LIFTING.
688
00:35:24,536 --> 00:35:26,999
WE DID THE HARD PART.
689
00:35:26,999 --> 00:35:29,254
THIS IS A BLACK CITY.
690
00:35:29,254 --> 00:35:30,715
THEY CALL IT CHOCOLATE CITY...
691
00:35:30,715 --> 00:35:35,141
NOT BECAUSE, SHIT HASNOTHING TO DO WITH CHOCOLATE...
692
00:35:36,352 --> 00:35:38,522
THAT WAS NIGGA'S.
693
00:35:40,985 --> 00:35:43,866
SARAH: I MET DAVEHERE IN WASHINGTON, DC.
694
00:35:45,077 --> 00:35:47,916
UH, YEAH,I WAS, UH,
695
00:35:48,626 --> 00:35:51,757
I WAS 19, HE WAS 17WE WERE DOING A GIG AT A
696
00:35:51,757 --> 00:35:54,053
CLUB CALLED, GARVIN'S...
697
00:35:54,429 --> 00:35:58,187
AND I REMEMBER DAVE AND I WENTTO MCDONALDS BETWEEN SHOWS AND
698
00:35:58,187 --> 00:36:00,650
WE TALKED BOUT COMEDYAND HIS FUTURE;
699
00:36:01,610 --> 00:36:03,447
WHAT HIS FUTURE PLANSWERE GONNA BE AND I SAID,
700
00:36:03,447 --> 00:36:05,660
"COME TO NEW YORK CITY!"
701
00:36:05,660 --> 00:36:09,501
AND AFTER HEGRADUATED HIGH SCHOOL...
702
00:36:10,628 --> 00:36:14,803
UH, HE DID AND AND HE CAME TONEW YORK AND WE WORKED AT THE
703
00:36:14,803 --> 00:36:15,930
SAME COMEDY CLUB,
704
00:36:15,930 --> 00:36:17,934
THE BOSTONCOMEDY CLUB AND UH...
705
00:36:17,934 --> 00:36:19,479
.
706
00:36:19,479 --> 00:36:20,857
ALRIGHT.
707
00:36:20,857 --> 00:36:23,821
I KNOW IT'S A LITTLE CONFUSING,IT WAS A CLUB IN NEW YORK CITY
708
00:36:23,821 --> 00:36:25,324
CALLED THE BOSTON COMEDY CLUB.
709
00:36:25,324 --> 00:36:28,456
LOOK, I DON'T COME UP WITH THENAMES, COKE-HEADS DO.
710
00:36:30,668 --> 00:36:34,551
BUT IN NEW YORK, DAVE WASIMMEDIATELY BELOVED BY THE
711
00:36:34,551 --> 00:36:36,346
STAND UP COMEDY COMMUNITY.
712
00:36:36,346 --> 00:36:39,895
I REMEMBER HE GOT A PARTIN A MEL BROOKS MOVIE,
713
00:36:39,895 --> 00:36:41,690
ROBIN HOOD: MEN IN TIGHTS
714
00:36:41,690 --> 00:36:44,153
AND WE WERE ALL LIKE,"DAVE MADE IT!"
715
00:36:50,040 --> 00:36:51,668
DAVE: WHO'S THE MAN,WHO'S THE MAN?
716
00:36:52,837 --> 00:36:55,050
SARAH: BUT HECAME BACK FROM L.A.
717
00:36:55,050 --> 00:36:58,682
AND HE GOT RIGHT ON STAGETO TALK ABOUT HIS TRIP OUT WEST
718
00:36:58,682 --> 00:37:02,399
AND HOW HE FINALLY WENT TOCOMPTON AFTER HEARING SO MUCH
719
00:37:02,399 --> 00:37:05,321
ABOUT IT AND HE WAS LIKE...
720
00:37:05,905 --> 00:37:09,246
STUNNED TO SEE THATPEOPLE THERE HAD YARDS.
721
00:37:12,377 --> 00:37:15,925
ALL THE LORE OF COMPTONAND PEOPLE WERE, LIKE,
722
00:37:15,925 --> 00:37:18,264
MOWING THEIR LAWNS.
723
00:37:19,558 --> 00:37:21,395
AND, OF COURSE THEY WERE,
724
00:37:21,395 --> 00:37:23,607
BUT THERE WAS JUSTLIKE, SOMETHING ABOUT THAT
725
00:37:23,607 --> 00:37:26,112
TINY LITTLE DETAIL ANDTHAT'S WHAT HE DOES.
726
00:37:26,112 --> 00:37:30,329
HE, HE LET'S HIMSELF BESURPRISED BY WHAT HE LEARNS AND
727
00:37:30,329 --> 00:37:35,631
THEN HE TAKES US WITH HIM AS HELOOKS AT IT FROM EVERY ANGLE,
728
00:37:35,631 --> 00:37:37,802
YOU KNOW, ANGLES THATMOST OF US DON'T EVEN SEE.
729
00:37:38,554 --> 00:37:40,433
DAVE: ISN'T ITWEIRD HOW THIS DISEASE
730
00:37:40,433 --> 00:37:41,977
JUST STARTS IN 1980 AND
731
00:37:41,977 --> 00:37:43,689
IT DOESN'T KILLANYBODY BUT NIGGAS,
732
00:37:43,689 --> 00:37:45,443
FAGS AND JUNKIES?
733
00:37:45,443 --> 00:37:48,324
ISN'T THAT A FUCKINGAMAZING COINCIDENCE THAT
734
00:37:48,324 --> 00:37:51,997
THIS DISEASE HATES EVERYBODYTHAT OLD WHITE PEOPLE HATE?
735
00:37:54,669 --> 00:37:57,509
I THINK EITHER GOD IS WHITE ORTHE GOVERNMENT HID THAT SHIT
736
00:37:57,509 --> 00:37:59,638
IN DISCO BALLS.
737
00:38:00,515 --> 00:38:01,975
SARAH: HE'S ALWAYS THINKINGABOUT STUFF,
738
00:38:01,975 --> 00:38:05,691
HE'S EXAMININGEVERYTHING AND HE REALLY, LIKE,
739
00:38:05,691 --> 00:38:07,570
HE GET'S IN HIS OWN WORLD.
740
00:38:07,570 --> 00:38:08,739
DAVE: NOW, THIS ISHOW I KNEW I WAS I
741
00:38:08,739 --> 00:38:09,950
A BAD NEIGHBORHOOD.
742
00:38:09,950 --> 00:38:11,495
YOU ONLY SEE THIS INTHE WORST NEIGHBORHOODS.
743
00:38:11,495 --> 00:38:13,164
REMEMBER, IT'S3:00 IN THE MORNING.
744
00:38:13,164 --> 00:38:15,336
IT'S 3:00 IN THE MORNING.
745
00:38:15,336 --> 00:38:17,757
I LOOK OUT THE WINDOW...
746
00:38:18,509 --> 00:38:21,682
THERE WAS A FUCKING BABYSTANDING ON THE CORNER.
747
00:38:25,815 --> 00:38:27,694
AND THE BABY DIDN'TEVEN LOOK SCARED!
748
00:38:27,694 --> 00:38:29,990
IT WAS JUST STANDING THERE.
749
00:38:34,374 --> 00:38:36,169
AND IT MADE ME SAD,IT MADE ME SAD REALLY.
750
00:38:36,169 --> 00:38:38,757
CAUSE I WANTED TO HELP THE BABY.
751
00:38:39,676 --> 00:38:41,763
"HMM, I DON'T TRUST YOU EITHER,I'M SORRY, CLICK"!
752
00:38:45,396 --> 00:38:48,067
SARAH: I REMEMBER, UM, WEREWERE TOGETHER IN VANCOUVER AND
753
00:38:48,067 --> 00:38:52,744
HE CAME OVER TO SMOKE A JOINTAND THAT'S EXACTLY WHAT HE DID.
754
00:38:53,621 --> 00:38:55,625
HE CAME OVER...
755
00:38:57,378 --> 00:39:00,635
AND HE SMOKED A JOINT.
756
00:39:01,428 --> 00:39:05,394
THE WHOLE THING,LIKE, BY HIMSELF
757
00:39:08,107 --> 00:39:10,070
WHILE PONTIFICATINGABOUT EVERYTHING THAT'S
758
00:39:10,070 --> 00:39:11,280
WRONG WITH THE WORLD.
759
00:39:11,280 --> 00:39:14,704
I'LL TELL YOU WHAT'S WRONG WITHTHE WORLD, A LACK OF SHARING.
760
00:39:15,998 --> 00:39:19,338
IT'S, I THINK IT'S,"PUFF-PUFF-PASS"
761
00:39:19,338 --> 00:39:22,261
NOT "PUFF-PUFF-PUFF-PUFF!"
762
00:39:24,474 --> 00:39:25,810
DAVE, CAN YOU BELIEVE THIS?
763
00:39:25,810 --> 00:39:28,941
YOU'RE GETTING THEFREAKING MARK TWAIN PRIZE!
764
00:39:28,941 --> 00:39:30,611
DAVE: I CANNOT BELIEVE IT.
765
00:39:30,611 --> 00:39:32,657
.
766
00:39:32,657 --> 00:39:34,661
SARAH: YOU DESERVE IT!
767
00:39:34,661 --> 00:39:36,163
IT'S THE RIGHT THING.
768
00:39:36,163 --> 00:39:38,377
IT'S ACTUALLY PERFECTTHAT YOU'RE GETTING THE
769
00:39:38,377 --> 00:39:40,005
MARK TWAIN PRIZE
770
00:39:40,005 --> 00:39:43,219
BECAUSE YOU BOTH LOVE USING THE"N-WORD" IN YOUR MASTERPIECES.
771
00:39:46,017 --> 00:39:48,647
DAVE: HOW IS ITTHAT I CAN SAY THE WORD
772
00:39:48,647 --> 00:39:51,027
"NIGGER" WITH IMPUNITY...
773
00:39:54,033 --> 00:39:56,413
BUT I CAN'T SAY THE WORD,"FAGGOT"?
774
00:39:58,751 --> 00:40:03,384
AND SHE SAID, "BECAUSE DAVID,YOU ARE NOT GAY."
775
00:40:05,890 --> 00:40:11,359
I SAID, "WELL RENEE,I'M NOT A NIGGER EITHER."
776
00:40:18,749 --> 00:40:21,379
DAVE: THE FACT THATYOU'RE HERE IS ALL I EVER NEED.
777
00:40:22,799 --> 00:40:24,970
JON: I LOVE DAVE CHAPPELLE,UNCONDITIONALLY.
778
00:40:26,264 --> 00:40:28,936
I MET DAVE IN, IN THE 90S,THE EARLY 90S,
779
00:40:28,936 --> 00:40:32,401
HE WAS A 17 YEAR OLD KID,COMING TO NEW YORK CITY,
780
00:40:34,280 --> 00:40:35,365
JUST OUT OF HIGH SCHOOL,
781
00:40:35,365 --> 00:40:37,620
CUTTING HIS TEETH ON WHATWERE SOME OF THE TOUGHEST
782
00:40:37,620 --> 00:40:40,375
COMEDY ROOMS IN THE COUNTRY,
783
00:40:40,626 --> 00:40:45,970
AND HE WAS SHOCKINGLYFORMED AT 17 YEARS OLD.
784
00:40:46,763 --> 00:40:50,228
AND YOU WOULD, OLD GRIZZLEDCOMEDY VETERANS FROM THERE,
785
00:40:50,604 --> 00:40:54,571
YOU WOULD THINK WEWOULD HAVE NOTHING BUT ANGER
786
00:40:54,571 --> 00:40:58,495
AT THIS YOUNG PRODIGY,THIS YOUNG MOZART.
787
00:41:00,206 --> 00:41:04,507
AND YET, YOU LOVED HIMBECAUSE OF THE KINDNESS
788
00:41:04,507 --> 00:41:06,845
OF HIS SPIRIT, AND...
789
00:41:06,845 --> 00:41:08,181
EVEN BACK THEN,
790
00:41:08,181 --> 00:41:12,189
I KNEW HOW HILARIOUS HEWAS AND HOW INSIGHTFUL HE WAS.
791
00:41:12,482 --> 00:41:15,153
I REMEMBER, WEWORKED TOGETHER IN THE 2000'S,
792
00:41:15,153 --> 00:41:17,157
WE WERE BOTH AT COMEDY CENTRAL.I WAS AT THE DAILY SHOW,
793
00:41:17,157 --> 00:41:19,453
DAVE WAS AT CHAPPELLE'S SHOW AND,
794
00:41:19,996 --> 00:41:24,463
CHAPPELLE'S SHOW WAS THISROCKET SHIP THAT HE HAD CREATED.
795
00:41:24,463 --> 00:41:27,762
AND IT BECAME THISCULTURAL PHENOMENON,
796
00:41:29,473 --> 00:41:32,522
AND COMEDY CENTRAL WOULD DOANYTHING TO KEEP IT GOING.
797
00:41:32,939 --> 00:41:36,697
AND THEY OFFERED DAVE $50MILLION TO JUST GIVE THEM,
798
00:41:37,030 --> 00:41:39,118
JUST GIVE THEM ONE MORE,JUST GIVE US ONE MORE.
799
00:41:39,118 --> 00:41:42,082
BUT DAVE AT THATMOMENT WAS CONFLICTED
800
00:41:42,082 --> 00:41:45,171
BECAUSE OF THE DIFFICULTYOF HOW THE SHOW WAS TO DO,
801
00:41:45,548 --> 00:41:50,098
BECAUSE HE WONDERED ABOUTITS IMPACT ON THE AUDIENCE THAT
802
00:41:50,098 --> 00:41:53,479
HE MEANT IT FOR,AND HE WALKED AWAY.
803
00:41:54,774 --> 00:41:58,949
AND IT WAS THAT MOMENTTHAT I REMEMBER THINKING...
804
00:41:59,951 --> 00:42:03,249
"COMEDY CENTRALHAS $50 MILLION?"
805
00:42:09,470 --> 00:42:14,521
(GROANING)
806
00:42:19,406 --> 00:42:22,412
"THESE MOTHERFUCKERS WON'TEVEN LET US HAVE SNACKS AT
807
00:42:22,412 --> 00:42:24,834
THE DAILY SHOW!"
808
00:42:24,834 --> 00:42:29,426
THEY HAD $50 MILLION.
809
00:42:35,021 --> 00:42:39,029
WELL AT THAT POINT DAVEHE LEFT, HE WAS DONE.
810
00:42:39,405 --> 00:42:43,121
BUT I KNEW, THAT MONEYWAS GOING TO NEED A HOME.
811
00:42:49,466 --> 00:42:51,470
DAVE, I WANT YOU...
812
00:42:51,805 --> 00:42:55,061
I'M SORRY. I WANTYOU TO KNOW TONIGHT,
813
00:42:56,021 --> 00:42:58,819
THAT I RAISED THATMONEY LIKE IT WAS MY OWN.
814
00:43:04,747 --> 00:43:05,958
MO: THIS MAN IS UNBELIEVABLE.
815
00:43:05,958 --> 00:43:08,421
I'M NOT TALKING ABOUTJUST HIS STAND-UP AND HOW HE
816
00:43:08,421 --> 00:43:11,093
INTERACTS WITH PEOPLE;RANDOM PEOPLE, RANDOM FANS.
817
00:43:11,093 --> 00:43:13,306
WE WERE INMINNEAPOLIS, MINNESOTA...
818
00:43:13,306 --> 00:43:15,018
WHITE KID JUST FREAKS OUT,
819
00:43:15,018 --> 00:43:18,149
"OH, MY GOD, DAVE CHAPPELLE!"
820
00:43:18,734 --> 00:43:20,780
HE JUST LOSES HISSHIT AND I'M LIKE,
821
00:43:20,780 --> 00:43:22,491
"HEY MAN, RELAX, RELAX."
822
00:43:22,491 --> 00:43:24,119
YOU KNOW, CAUSE PEOPLE THINK,CAUSE I'M SO BIG
823
00:43:24,119 --> 00:43:25,664
I'M HIS SECURITY AND SHIT.
824
00:43:25,664 --> 00:43:26,792
I'M LIKE, "RELAX."
825
00:43:26,792 --> 00:43:29,714
HE'S LIKE, "COME ON, MAN.OH, MY GOD, DAVE CHAPPELLE!
826
00:43:29,714 --> 00:43:33,054
PLEASE COME UP TO MY APARTMENT,I HAVE SOME WEED!"
827
00:43:34,849 --> 00:43:37,354
AND DAVE LOOKED AT ME AND ILOOKED BACK AT HIM;
828
00:43:37,354 --> 00:43:39,483
I WAS LIKE, "I AM OUTOF WEED, BRO LETS...
829
00:43:40,736 --> 00:43:44,284
AT LEAST CHECK OUTWHAT THIS SITUATION IS.
830
00:43:44,284 --> 00:43:46,497
LET'S SEE WHERE IT TAKES US."
831
00:43:46,497 --> 00:43:47,792
YOU KNOW WHAT I MEAN?
832
00:43:47,792 --> 00:43:49,211
SO, WE GO UP TO HIS APARTMENT.
833
00:43:49,211 --> 00:43:51,507
I GO IN, I SEE THIS GIANT JARFULL OF WEED JUST LIKE
834
00:43:51,507 --> 00:43:53,469
WHITE PEOPLE HAVE ANDI TAKE MY NUGGET,
835
00:43:53,846 --> 00:43:57,018
I WAS LIKE, "THANK YOU SO MUCH"AND WE WERE ABOUT TO WALK OUT
836
00:43:57,018 --> 00:44:00,191
AND THE ENTIRE TIME HE STARTSPOUNDING ON HIS ROOMMATES DOOR.
837
00:44:00,191 --> 00:44:01,778
(KNOCKING NOISE)
838
00:44:01,778 --> 00:44:03,531
"WAKE UP, BRO!
839
00:44:03,531 --> 00:44:04,993
WE GOT, WE GOT FUCKING
840
00:44:04,993 --> 00:44:08,082
DAVE CHAPPELLEIN OUR APARTMENT!"
841
00:44:09,459 --> 00:44:12,675
BUT HE WON'T WAKE UPTO SAVE HIS LIFE.
842
00:44:12,675 --> 00:44:15,973
AND WE'RE LEAVING, HE'S LIKE,"PLEASE TAKE A PICTURE.
843
00:44:15,973 --> 00:44:19,229
PLEASE TAKE A PICTURE OF ME"AND DAVE WAS LIKE,
844
00:44:19,229 --> 00:44:21,693
"HEY MAN, WE'RE MOVINGIN THE NIGHT RIGHT NOW.
845
00:44:21,693 --> 00:44:24,031
FOR SECURITY PURPOSES...
846
00:44:25,701 --> 00:44:27,579
WE CAN'T BE DOING IT."
847
00:44:27,579 --> 00:44:31,337
WE START WALKING DOWN HIS STAIRSAND HE'S UP ON THE TOP
848
00:44:31,337 --> 00:44:36,388
OF HIS STAIRS HE'S LIKE,"NO ONE IS GONNA BELIEVE ME!"
849
00:44:40,355 --> 00:44:42,651
YOU MURDERED IT!
850
00:44:43,695 --> 00:44:45,490
DAVE: SHOUT OUT TOWASHINGTON, D.C.'S MAYOR,
851
00:44:45,490 --> 00:44:48,162
MURIEL BOWSER.
852
00:44:50,709 --> 00:44:55,301
I GOTTA TELL YOU, YOU'RE AVERY SPECIAL PERSON TO ME.
853
00:44:55,928 --> 00:45:00,729
WE'RE ONLY A YEAR APART ANDYOU RUN OUR CITY WONDERFULLY.
854
00:45:02,065 --> 00:45:04,988
I WALK TO MY OLD HIGH SCHOOL...
855
00:45:04,988 --> 00:45:10,623
MAN, MURIEL ARRANGED A$150 MILLION RENOVATION TO THE
856
00:45:10,623 --> 00:45:13,797
DUKE ELLINGTONSCHOOL OF THE ARTS.
857
00:45:14,089 --> 00:45:16,677
I WAS SO JEALOUS OFTHE STUDENTS THERE.
858
00:45:16,677 --> 00:45:20,101
YOU REALLY MEAN THE WORLD TO MEAND YOU REALLY DID A BLESSING TO
859
00:45:20,101 --> 00:45:22,105
THIS CITY AND THANK YOU,
860
00:45:22,105 --> 00:45:25,779
THANK YOU ANDTHANK YOU, SINCERELY.
861
00:45:27,365 --> 00:45:29,369
I'VE NEVER VOTED IN WASHINGTON,
862
00:45:29,369 --> 00:45:33,544
BUT GOD DAMN IT IF I DID,I'D VOTE FOR YOU.
863
00:45:34,087 --> 00:45:35,590
AND DO YOU KNOW WHAT?
864
00:45:35,590 --> 00:45:39,222
IF YOU SMOKED CRACKI'D STILL VOTE FOR YOU.
865
00:45:40,433 --> 00:45:42,980
I KNOW YOU WOULDN'T,BUT IF YOU EVER WANT TO,
866
00:45:42,980 --> 00:45:44,776
INDULGE YOURSELF.
867
00:45:44,776 --> 00:45:47,572
YOU GOT THAT KIND OFWIGGLE ROOM WITH ME.
868
00:45:48,115 --> 00:45:50,578
.
869
00:45:53,919 --> 00:45:56,090
EDDIE: I FIRST BECAMEAWARE OF DAVE CHAPPELLE
870
00:45:56,590 --> 00:45:58,845
RIGHT AROUND BEFORE THEFIRST NUTTY PROFESSOR.
871
00:45:59,304 --> 00:46:01,141
CAUSE I WAS SUPPOSED TO PLAYTHAT ROLE THAT HE PLAYED.
872
00:46:01,725 --> 00:46:03,814
AND THEN I KINDA SAWHIM AND I WAS LIKE,
873
00:46:03,814 --> 00:46:06,443
"HEY THAT GUY RIGHT THERE,THAT KID, THAT KID WOULD BE
874
00:46:06,443 --> 00:46:07,947
FUNNY PLAYING THAT ROLE.
875
00:46:08,281 --> 00:46:09,826
DAVE: I TRIED TO BE PEACEFUL,
876
00:46:09,826 --> 00:46:13,291
BUT NOW IT'S TIME FOR REGGIE TOKARATIZIE YO ASS!
877
00:46:13,666 --> 00:46:15,128
EDDIE: WHOO!
878
00:46:15,128 --> 00:46:17,757
DAVE IS SO MUCHSMARTER THAN EVERYONE.
879
00:46:18,592 --> 00:46:21,056
LIKE, DAVE IS ONE OF THE MOST;
880
00:46:21,056 --> 00:46:23,812
MAYBE THE MOSTINTELLECTUAL COMEDIAN EVER.
881
00:46:24,396 --> 00:46:27,862
DAVE: IT TOOK US 400 YEARSTO FIGURE OUT, AS A PEOPLE,
882
00:46:27,862 --> 00:46:30,700
THAT WHITE PEOPLE'SWEAKNESS THE WHOLE TIME...
883
00:46:31,452 --> 00:46:33,999
WAS KNEELING DURINGTHE NATIONAL ANTHEM.
884
00:46:37,213 --> 00:46:39,217
THAT'S A BRITTLE SPIRIT.
885
00:46:40,219 --> 00:46:41,263
THAT'S RIGHT, NIGGA.
886
00:46:41,263 --> 00:46:43,017
♪ ON THE ROCKETS RED GLARE ♪♪
887
00:46:43,017 --> 00:46:45,188
(SCREAMING)
888
00:46:45,521 --> 00:46:48,611
"WHAT ARE YOU DOING, NIGGER?STAND UP!"
889
00:46:48,611 --> 00:46:51,742
EDDIE: HE STRETCHED THE ART FORMAND UH, HIS IMPACT ON THE
890
00:46:51,742 --> 00:46:55,375
CULTURE, UH, HE IS THEVOICE OF HIS GENERATION.
891
00:46:56,043 --> 00:46:59,549
WITHOUT QUESTION,NOBODY'S EVEN CLOSE TO HIM.
892
00:47:08,985 --> 00:47:11,615
.
893
00:47:12,325 --> 00:47:15,373
BRADLEY: WOW.ALRIGHT, OKAY, OKAY.
894
00:47:16,333 --> 00:47:18,839
MY DAUGHTER'S BACK THERE, ANDI'M JUST SO GRATEFUL DAVE THAT I
895
00:47:18,839 --> 00:47:21,593
GOT TO MEET YOUBEFORE I HAD MY DAUGHTER.
896
00:47:22,429 --> 00:47:24,057
NO THAT'S A GOOD THING.
897
00:47:24,433 --> 00:47:26,353
BECAUSE YOU TAUGHT MEHOW TO BE A BETTER MAN,
898
00:47:26,353 --> 00:47:28,774
YOU TEACH ME HOWTO BE A BETTER MAN.
899
00:47:28,774 --> 00:47:31,697
SO I, I JUST REALIZED IT.
900
00:47:36,123 --> 00:47:37,709
THAT'S HIM, RIGHT.THAT'S YOUR BOY?
901
00:47:38,794 --> 00:47:43,554
DAVE: JACK, HE'S AS OLD NOW ASYOU WERE WHEN I MET YOU.
902
00:47:46,101 --> 00:47:48,647
SAW YOU ON YOUTUBE,THE VIDEO WITH THE GIRL.
903
00:47:49,399 --> 00:47:50,610
BRADLEY: YEAH.
904
00:47:52,572 --> 00:47:53,866
DAVE: IT MADE ME HAPPY, MAN.
905
00:47:53,866 --> 00:47:55,745
YOU LOOKED LIKE YOU.
906
00:47:55,745 --> 00:47:59,002
YOU WERE JUST,JUST DOING IT, BRO.
907
00:48:00,171 --> 00:48:02,342
BRADLEY: I GOTTA SAY, I'M NOTKIDDING, PROBABLY THE BEST SCENE
908
00:48:02,342 --> 00:48:04,679
I'VE EVER DONEWITH ANOTHER ACTOR.
909
00:48:04,679 --> 00:48:06,517
REALLY.
910
00:48:08,771 --> 00:48:10,608
I WROTE IT FOR YOU.
911
00:48:10,608 --> 00:48:11,945
IT TOOK TWO YEARS,
912
00:48:11,945 --> 00:48:14,241
BUT YOU GAVE YOURSOUL TO ME IN THAT DAY,
913
00:48:14,241 --> 00:48:16,370
AND THE FACT THAT YOU SHOWED UP,I MEAN I COULDN'T BELIEVE IT,
914
00:48:16,370 --> 00:48:18,917
I COULDN'T BELIEVEYOU DID ME THAT FAVOR.
915
00:48:18,917 --> 00:48:21,130
AND I'LL NEVER FORGET IT MAN.
916
00:48:21,130 --> 00:48:23,551
THAT WAS, IT WAS, ANDI LOVE THAT IT'S LOCKED,
917
00:48:23,551 --> 00:48:27,058
FOREVER ONSCREENBECAUSE ITS WAS SO BEAUTIFUL.
918
00:48:27,058 --> 00:48:30,398
AND THE WHOLE SET WAS JUSTCRACKLING WITH WHAT HAPPENS WHEN
919
00:48:30,398 --> 00:48:31,817
YOU'RE AROUND DAVE CHAPPELLE,
920
00:48:31,817 --> 00:48:35,491
THIS BUT THIS IS A VERY,VERY UNIQUE INDIVIDUAL.
921
00:48:36,577 --> 00:48:37,912
THE OTHER THING IJUST WANTED TO SAY WAS
922
00:48:37,912 --> 00:48:39,291
I DON'T KNOWHOW IT HAPPENED,
923
00:48:39,291 --> 00:48:42,005
WHAT WITH THE GENETICS ANDGROWING UP IN DC,
924
00:48:42,005 --> 00:48:43,340
THE DUKE ELLINGTON SCHOOL,
925
00:48:43,340 --> 00:48:44,969
FIRST DOING STANDUPAT 8 YEARS OLD,
926
00:48:44,969 --> 00:48:47,390
I DON'T KNOW WHAT COMBINATIONOCCURRED TO MAKE YOU
927
00:48:47,390 --> 00:48:48,768
WHO YOU ARE,
928
00:48:48,768 --> 00:48:51,023
BUT I'M JUST SO LUCKY I'M ALIVEAT THE SAME TIME YOU ARE
929
00:48:51,023 --> 00:48:54,947
SO I CAN WATCH YOU BEA HUMAN AND AN ARTIST.
930
00:48:57,327 --> 00:49:00,625
AND, AND WE THROW THIS TERM,WE THROW THIS TERM AROUND.
931
00:49:01,043 --> 00:49:02,629
"GENIUS"
932
00:49:02,629 --> 00:49:05,051
AND WHEN I THINK ABOUT GENIUSYOU THINK LIKE MAYBE ALOOF,
933
00:49:05,051 --> 00:49:06,428
SOCIALLY UNAWARE.
934
00:49:06,428 --> 00:49:08,975
YOU'RE EVEN UNIQUE AS AGENIUS BECAUSE YOU HAVE
935
00:49:08,975 --> 00:49:12,273
A TRAIT THAT IS, IT'S EMPATHY.
936
00:49:13,025 --> 00:49:15,029
YOU KNOW, YOU TREATEVERYBODY THE SAME.
937
00:49:15,029 --> 00:49:17,492
THAT'S MY FAVORITETHING ABOUT YOU.
938
00:49:17,492 --> 00:49:18,744
SO THANK YOU MY FRIEND.
939
00:49:18,744 --> 00:49:20,331
I'M STILL MAD ABOUT SNL.
940
00:49:20,331 --> 00:49:22,210
IN THE MONOLOGUE YOU DID SAY,YOU KNOW, YOU WERE AT
941
00:49:22,210 --> 00:49:23,254
THE WHITE HOUSE...
942
00:49:23,712 --> 00:49:25,675
DAVE: AND IT WAS AHUGE PARTY AND EVERYBODY
943
00:49:25,675 --> 00:49:27,846
IN THERE WAS BLACKEXCEPT FOR BRADLEY COOPER
944
00:49:27,846 --> 00:49:29,182
FOR SOME REASON.
945
00:49:30,017 --> 00:49:31,145
BRADLEY: ANDYOU SAW A SEA OF FACES,
946
00:49:31,145 --> 00:49:32,438
AND THERE WAS ONEWHITE GUY AND IT WAS ME,
947
00:49:32,438 --> 00:49:33,524
YOU'RE LIKE "OHBRADLEY COOPER'S HERE",
948
00:49:33,524 --> 00:49:36,530
WE WENT TOGETHER (BLEEP)WHAT ARE YOU TALKING ABOUT!
949
00:49:40,998 --> 00:49:43,043
I LOVE YOU, BRO. I LOVE YOU.
950
00:49:43,544 --> 00:49:45,882
.
951
00:49:48,262 --> 00:49:54,065
♪ ♪
952
00:49:58,782 --> 00:50:01,788
♪ ERYKAH: DO I REALLY ♪
953
00:50:04,044 --> 00:50:07,467
♪ WANT MY BABY ♪♪
954
00:50:07,759 --> 00:50:09,513
DAVE: MOST OF MY FRIENDSARE FROM THE BOTTOM OF THE
955
00:50:09,513 --> 00:50:13,437
SOCIO-ECONOMIC LADDER AND MADEIT TO THE MIDDLE AND THE TOP.
956
00:50:15,816 --> 00:50:20,618
♪ ERYKAH: TELL ME WHAT TO DO ♪♪
957
00:50:21,119 --> 00:50:23,207
DAVE: CAUSE WEALL HAD A LONG TRIP.
958
00:50:23,207 --> 00:50:27,340
♪ ERYKAH: I KNOW YOU GOT TO GET YOUR HUSTLE ON ♪
959
00:50:27,715 --> 00:50:31,265
♪ SO I PRAY ♪
960
00:50:33,769 --> 00:50:38,988
♪ AND I UNDERSTAND THE GAME, SOMETIMES ♪
961
00:50:41,076 --> 00:50:43,706
♪ AND I LOVE YOU STRONG ♪♪
962
00:50:44,165 --> 00:50:45,751
DAVE: I LOVE GOING BACK.
963
00:50:45,751 --> 00:50:49,426
I'VE BEEN BACK HERE MANY TIMESBUT NOT TO CELEBRATE ME.
964
00:50:49,801 --> 00:50:52,181
♪ BACKGROUND: I CAN'T MAKE IT ON MY OWN ♪
965
00:50:52,181 --> 00:50:55,187
♪ YOU SEE, SUMMER CAME AROUND AND THE FLOWERS BLOOMED ♪
966
00:50:55,187 --> 00:50:57,984
♪ HE BECAME THE SUN I BECAME THE MOON ♪
967
00:50:57,984 --> 00:51:02,493
♪ ERYKAH: YEAH, YEAH, YEAH ♪♪
968
00:51:08,172 --> 00:51:11,345
DAVE, I LOVE YOU.WE'RE HERE FOR YOU.
969
00:51:12,138 --> 00:51:15,686
ALWAYS BEEN THERE FOR YOU CAUSEYOU ALWAYS BEEN THERE FOR US.
970
00:51:15,686 --> 00:51:17,523
AND I LOVE YOU STRONG, BUDDY.
971
00:51:21,782 --> 00:51:24,162
LORNE: RICHARD PRYORWAS THE FIRST RECIPIENT OF
972
00:51:24,162 --> 00:51:25,623
THE TWAIN PRIZE
973
00:51:26,166 --> 00:51:28,796
WHEN I STARTED SNL HE WAS THEFIRST PERSON I ASKED TO HOST.
974
00:51:30,048 --> 00:51:32,971
IN THE SUMMER OF 2016,WITH THE ELECTION LOOMING,
975
00:51:32,971 --> 00:51:35,268
THERE WAS ANOTHERPERSON WHO I WAS JUST AS
976
00:51:35,268 --> 00:51:37,062
DETERMINED TO HAVE.
977
00:51:37,563 --> 00:51:39,651
I KNEW THAT FOR THENOVEMBER TWELFTH SHOW,
978
00:51:39,651 --> 00:51:42,115
AFTER THE ELECTION,IT HAD TO BE DAVE CHAPPELLE.
979
00:51:43,325 --> 00:51:44,536
DAVE: THANK YOU!
980
00:51:44,536 --> 00:51:46,665
LORNE: I KNEW I NEEDEDSOMEONE TO EXPLAIN WHAT
981
00:51:46,665 --> 00:51:48,794
HAD JUST HAPPENED.
982
00:51:51,258 --> 00:51:53,387
I, I HAD TO HAVE DAVEFOR THE SAME REASON I HAD
983
00:51:53,387 --> 00:51:54,889
TO HAVE RICHARD...
984
00:51:54,889 --> 00:51:57,895
HE'S A TRUTH TELLER AND THEFUNNIEST PERSON WORKING TODAY.
985
00:51:59,149 --> 00:52:02,070
THIS WAS GOING TO BE A BIGMOMENT FOR SNL AND FOR HIM.
986
00:52:02,864 --> 00:52:06,120
I KNEW WHEN THE MOMENT CAME,DAVE WOULD BE READY FOR IT.
987
00:52:06,621 --> 00:52:07,832
DAVE: BUT AMERICA'S DONE IT.
988
00:52:07,832 --> 00:52:10,421
WE'VE ACTUALLY, WE'VE ACTUALLYELECTED AN INTERNET TROLL
989
00:52:10,838 --> 00:52:13,469
AS OUR PRESIDENT.
990
00:52:16,098 --> 00:52:17,977
THE WHITE'S ARE FURIOUS.
991
00:52:17,977 --> 00:52:19,104
THEY'VE NEVER SEENANYTHING LIKE IT.
992
00:52:19,104 --> 00:52:21,735
I HADN'T SEEN WHITE PEOPLE THISMAD SINCE THE O.J. VERDICT.
993
00:52:22,403 --> 00:52:24,282
THERE WAS A SPLIT SCREEN WITHWHITE PEOPLE ON BOTH SIDES.
994
00:52:24,282 --> 00:52:26,161
(SCREAMS).
995
00:52:31,880 --> 00:52:34,803
I'M NOT SAYING I ENJOY IT,I'M JUST SAYING I'VE NEVER
996
00:52:34,803 --> 00:52:36,264
SEEN THIS BEFORE.
997
00:52:36,264 --> 00:52:38,936
I WATCHED A WHITE RIOT INPORTLAND, OREGON ON TELEVISION
998
00:52:38,936 --> 00:52:40,481
THE OTHER NIGHT.
999
00:52:41,775 --> 00:52:43,737
LORNE: THAT WEDNESDAY,THE DAY AFTER THE ELECTION,
1000
00:52:43,737 --> 00:52:45,825
WE HAD OURREAD-THROUGH FOR THE SHOW.
1001
00:52:45,825 --> 00:52:48,037
THE MOOD WAS PRETTY BLEAK.
1002
00:52:48,037 --> 00:52:50,710
PEOPLE WERE FEELINGTENSE AND VERY VULNERABLE.
1003
00:52:51,378 --> 00:52:52,797
IT WAS A MESS.
1004
00:52:52,797 --> 00:52:54,259
DAVE SAT DOWN BESIDE ME,
1005
00:52:54,259 --> 00:52:57,181
LOOKED AT EVERYONE ANDSENSED THE EMOTION IN THE ROOM.
1006
00:52:57,181 --> 00:53:00,020
HE ASKED IF HE COULD READ AQUOTE BY TONI MORRISON.
1007
00:53:00,563 --> 00:53:02,316
THE QUOTE READ,
1008
00:53:02,316 --> 00:53:05,489
"THIS IS PRECISELY THETIME WHEN ARTISTS GO TO WORK.
1009
00:53:05,489 --> 00:53:08,704
THERE'S NO TIME FOR DESPAIR,NO PLACE FOR SELF PITY,
1010
00:53:09,622 --> 00:53:12,628
NO NEED FOR SILENCE,NO ROOM FOR FEAR.
1011
00:53:13,213 --> 00:53:16,010
WE SPEAK, WE WRITE, WE DO LANGUAGES.
1012
00:53:16,010 --> 00:53:18,766
THIS IS HOW CIVILIZATIONS HEAL."
1013
00:53:19,309 --> 00:53:21,563
I KNEW THEN THAT WE'D BE OKAY.
1014
00:53:21,563 --> 00:53:24,026
THE SHOW OPENED UPWITH KATE MCKINNON SINGING
1015
00:53:24,026 --> 00:53:27,658
HALLELUJAH AS HILLARY CLINTONAND THEN OUT WALKED DAVE.
1016
00:53:28,368 --> 00:53:31,416
I HAD NO IDEA WHATHE WAS GOING TO DO.
1017
00:53:32,251 --> 00:53:34,839
I LIKE TO THINK HE DID...
1018
00:53:35,716 --> 00:53:38,597
BUT I'M NOT EVENSURE ABOUT THAT.
1019
00:53:38,889 --> 00:53:40,893
HE WAS BREATHTAKING,HE WAS BRILLIANT.
1020
00:53:40,893 --> 00:53:42,563
IT WAS A LANDMARK SHOW.
1021
00:53:43,440 --> 00:53:45,361
DAVE: I'M WISHINGDONALD TRUMP LUCK.
1022
00:53:45,361 --> 00:53:49,285
AND I'M GONNA GIVEHIM A CHANCE AND WE,
1023
00:53:49,285 --> 00:53:51,873
THE HISTORICALLYDISENFRANCHISED,
1024
00:53:51,873 --> 00:53:54,504
DEMAND THAT HE GIVE US ONE TOO.
1025
00:53:54,963 --> 00:53:57,385
THANK YOU VERY MUCH.
1026
00:53:58,345 --> 00:54:01,435
KENAN: YOUR ABILITY TO SPEAKYOUR MIND REGARDLESS OF HOW
1027
00:54:01,435 --> 00:54:03,439
ANYBODY FEELS ABOUT IT...
1028
00:54:03,439 --> 00:54:07,363
THAT FEARLESSNESS TO ENTERTAINTHE WAY THAT YOU WANT TO
1029
00:54:08,072 --> 00:54:11,705
HAS DEFINITELY PIERCEDMY LIFE TO THE POINT WHERE
1030
00:54:11,705 --> 00:54:16,465
I PLAYED A WEREWOLFCHOREOGRAPHER LAST NIGHT AND
1031
00:54:18,343 --> 00:54:21,056
I WAS VERY PROUD TO DO IT.
1032
00:54:22,142 --> 00:54:24,898
AND I LEARNED ALLOF THAT FROM YOU.
1033
00:54:24,898 --> 00:54:28,655
YOU KNOW, I HOLD YOUR FIRST TWOSEASONS OF THE CHAPPELLE SHOW
1034
00:54:28,655 --> 00:54:31,035
UP AGAINST ANY SKETCHCOMEDY SHOW, I WOULD SAY,
1035
00:54:31,035 --> 00:54:32,120
IN HISTORY.
1036
00:54:32,120 --> 00:54:33,874
IT'S JUST BRILLIANT.
1037
00:54:35,586 --> 00:54:37,799
DAVE: GOOD EVENING AND WELCOMETO THE FIRST, AND MAYBE ONLY,
1038
00:54:38,174 --> 00:54:40,805
RACIAL DRAFT IN NEW YORK CITY.
1039
00:54:40,805 --> 00:54:43,685
BILL: I'M EXCITED TO SEE WHO'SGONNA BE DRAFTED BY WHICH RACE.
1040
00:54:43,685 --> 00:54:46,148
AND THE BLACKS HAVEACTUALLY WON THE FIRST PICK.
1041
00:54:46,148 --> 00:54:48,445
DAVE: WOW, THAT'S THE FIRSTLOTTERY A BLACK PERSON'S WON
1042
00:54:48,445 --> 00:54:49,823
IN A LONG TIME, BILLY.
1043
00:54:49,823 --> 00:54:52,077
BILLY: YES, AND THEY'LLPROBABLY STILL COMPLAIN.
1044
00:54:52,453 --> 00:54:53,872
DAVE: MAN, FUCK YOU.
1045
00:54:54,374 --> 00:54:56,628
MOS DEF: THE BLACK DELEGATION...
1046
00:54:58,966 --> 00:55:00,302
CHOOSE TIGER WOODS.
1047
00:55:00,803 --> 00:55:02,723
BILL: THE RICHEST AND MOSTDOMINANT ATHLETE IN THE WORLD.
1048
00:55:02,723 --> 00:55:05,061
NOW IS OFFICIALLY BLACK.
1049
00:55:05,896 --> 00:55:08,443
DAVE: SO LONG FRIED RICE,HELLO FRIED CHICKEN!
1050
00:55:08,735 --> 00:55:10,322
I LOVE YOU, DAD!
1051
00:55:11,282 --> 00:55:13,829
MICHAEL: I HAD NO IDEA YOU HADSO MANY OLD WHITE FANS.
1052
00:55:18,589 --> 00:55:21,803
I FEEL LIKE I DIED ANDWENT TO BROOKS BROTHERS, BUT...
1053
00:55:25,310 --> 00:55:27,398
I THINK HONESTYGET'S THROWN AROUND A LOT.
1054
00:55:27,398 --> 00:55:29,444
PEOPLE TALK ABOUTHONESTY IN COMEDY,
1055
00:55:29,444 --> 00:55:32,825
BUT A LOT OF GREAT COMEDIANSDON'T ALWAYS TELL THE TRUTH.
1056
00:55:34,412 --> 00:55:35,956
I MEAN, RODNEY DANGERFIELD,I LOOKED IT UP,
1057
00:55:35,956 --> 00:55:38,420
WAS ACTUALLY VERYWELL RESPECTED.
1058
00:55:41,300 --> 00:55:43,472
HE LIED THE WHOLE TIME.
1059
00:55:45,351 --> 00:55:46,728
WHEN WE TALK ABOUT HONESTY,
1060
00:55:46,728 --> 00:55:49,400
WE TALK ABOUT NOT BEINGAFRAID TO TELL PEOPLE THE TRUTH
1061
00:55:49,400 --> 00:55:52,280
ABOUT HOW WE FEEL BECAUSETHAT'S THE CONNECTION THAT
1062
00:55:52,280 --> 00:55:55,161
COMEDIANS CAN HAVEWITH PEOPLE AND I THINK NOBODY
1063
00:55:55,161 --> 00:55:57,583
DOES IT BETTER THAN YOU, EVER.
1064
00:55:57,583 --> 00:56:02,259
AND THAT'S WHAT WE LEARNFROM BECAUSE WE ALL KNOW THAT
1065
00:56:02,259 --> 00:56:04,054
WE'RE A PART OF THE JOKE.
1066
00:56:04,054 --> 00:56:06,058
DAVE MAKES IT...
1067
00:56:06,058 --> 00:56:08,647
HE'S WILLING TOMAKE FUN OF EVERYBODY WHETHER
1068
00:56:08,647 --> 00:56:11,528
YOU'RE WHITE OR GAY,END OF LIST.
1069
00:56:11,987 --> 00:56:13,657
HE'S...
1070
00:56:13,657 --> 00:56:17,080
.
1071
00:56:18,500 --> 00:56:20,713
DAVE: EVERYBODY LOVES MEAND I LOVE EVERYBODY.
1072
00:56:21,005 --> 00:56:23,134
I GOT FRIENDS WHO ARE "L'S",I GOT FRIENDS WHO ARE "B'S"
1073
00:56:23,134 --> 00:56:24,846
AND I GOT FRIENDS WHO ARE "G'S"
1074
00:56:25,389 --> 00:56:29,021
BUT THE "T'S"HATE MY FUCKING GUTS.
1075
00:56:34,866 --> 00:56:36,201
AND I DON'T BLAME 'EM.
1076
00:56:36,201 --> 00:56:37,872
IT'S NOT THEIR FAULT, IT'S MINE.
1077
00:56:37,872 --> 00:56:41,128
I CAN'T STOP TELLINGJOKES ABOUT THESE NIGGA'S.
1078
00:56:42,882 --> 00:56:44,301
I DON'T WANT TOWRITE THESE JOKES,
1079
00:56:44,301 --> 00:56:46,723
BUT I JUST CAN'T STOP!
1080
00:56:48,644 --> 00:56:50,773
MICHAEL: IT'S WEIRD FOR ME TOEVEN TALK TO YOU ABOUT COMEDY,
1081
00:56:50,773 --> 00:56:52,777
CAUSE YOU CAN TELLEVERYBODY IN THIS ROOM
1082
00:56:52,777 --> 00:56:54,447
EVERYTHING THERE ISTO KNOW ABOUT COMEDY.
1083
00:56:54,447 --> 00:56:56,576
BUT THERE'S ONETHING THAT YOU'LL NEVER KNOW
1084
00:56:56,576 --> 00:56:58,079
ABOUT COMEDY AND THAT'S
1085
00:56:58,079 --> 00:57:01,293
DOING COMEDY WITHA DAVE CHAPPELLE TO LOOK UP TO.
1086
00:57:02,128 --> 00:57:04,801
SO, I THANK YOU FOR THAT.THANK YOU SO MUCH, ALRIGHT.
1087
00:57:06,972 --> 00:57:08,976
.
1088
00:57:13,401 --> 00:57:15,823
COLIN: AND I'M HERETO CELEBRATE MARK TWAIN.
1089
00:57:20,582 --> 00:57:24,006
.
1090
00:57:26,511 --> 00:57:29,349
TO ME THAT'S COMEDY.
1091
00:57:31,980 --> 00:57:34,443
IF YOU DON'T BELIEVE ME,THAT MARK TWAIN IS HILARIOUS,
1092
00:57:34,443 --> 00:57:36,363
I WOULD LIKE TO READJUST A BRIEF PASSAGE
1093
00:57:36,363 --> 00:57:38,952
FROM HUCKLEBERRY FINN.
1094
00:57:41,165 --> 00:57:45,381
KEENAN: OKAY.ALRIGHT. TIGHTEN UP.
1095
00:57:46,509 --> 00:57:50,559
COLIN: "HUCK FINNTURNED TO HIS FRIEND JIM,
1096
00:57:51,561 --> 00:57:53,230
OR AS WE CALLED HIM...
1097
00:57:53,230 --> 00:57:56,070
YOU KNOW, I DON'T HAVETO READ THE WHOLE PASSAGE.
1098
00:58:06,925 --> 00:58:08,427
KEENAN: Y'ALL SEE THAT?
1099
00:58:11,058 --> 00:58:13,939
SARAH: ARE WE GONNAMAKE LOVE TONIGHT?
1100
00:58:13,939 --> 00:58:15,233
AS FRIENDS!
1101
00:58:16,485 --> 00:58:18,280
TIFFANY: OH, YOUSMELL DELICIOUS.
1102
00:58:18,990 --> 00:58:21,913
CAUSE I LOVE HIM SO MUCH I'MLIKE A VERY EMOTIONAL PERSON.
1103
00:58:21,913 --> 00:58:24,001
I'M GOING TO CRY FOR YOU.
1104
00:58:26,673 --> 00:58:29,094
DAVE: I SWEAR TO GODI'VE NEVER SEEN AN ART FORM
1105
00:58:29,094 --> 00:58:30,973
PURER THAN STAND UP COMEDY.
1106
00:58:31,850 --> 00:58:33,812
IT PUZZLES ME THATPEOPLE ARE CONFUSED IF
1107
00:58:33,812 --> 00:58:36,066
THIS IS AN ART OR NOT.
1108
00:58:36,066 --> 00:58:40,576
MAN, TALKING SHIT IS AN ART.TALKING SHIT IS AN ART.
1109
00:58:41,160 --> 00:58:43,330
AIN'T THAT RIGHT, MURIEL?
1110
00:58:48,550 --> 00:58:50,386
TO ALL THE STAND UPCOMICS IN THE ROOM,
1111
00:58:50,386 --> 00:58:52,015
I JUST WANT TO REMIND YOU...
1112
00:58:52,015 --> 00:58:54,102
I PROMISE YOU ANDI'VE ALWAYS SAID IT,
1113
00:58:54,102 --> 00:58:55,731
WE HAVE THE BEST GENRE;
1114
00:58:55,731 --> 00:58:59,154
WE DON'T HAVE TO KNOW ANYTHINGBUT WHAT WE KNOW AND EVERYTHING
1115
00:58:59,154 --> 00:59:02,535
WE KNOW IS VALUABLEBECAUSE OF WHAT WE DO WITH IT.
1116
00:59:03,037 --> 00:59:05,249
STAY TRUE TO YOURSELF.
1117
00:59:05,249 --> 00:59:08,297
FUCK THE GAME,THE MONEY WILL COME.
1118
00:59:08,590 --> 00:59:13,099
MOST OF YOU WON'T MAKE IT.GONNA BE HONEST.
1119
00:59:15,395 --> 00:59:17,566
I HEARD AN INTERVIEWWITH PATTON OSWALD,
1120
00:59:17,566 --> 00:59:20,488
FAMOUS COMEDIAN STARTEDONE WEEK APART FROM ME.
1121
00:59:20,488 --> 00:59:22,910
PATTON SAYS IN ANINTERVIEW WITH TERRY GROSS.
1122
00:59:22,910 --> 00:59:25,289
YOU KNOW HOWTERRY GOES, "AND, YES..."
1123
00:59:29,966 --> 00:59:31,301
PATTON SAID TO TERRY GROSS,
1124
00:59:31,301 --> 00:59:34,182
HE SAID, "TERRY,NOBODY DOES GOOD THEIR
1125
00:59:34,182 --> 00:59:35,686
FIRST TIME DOING STAND UP."
1126
00:59:35,686 --> 00:59:37,940
THEY STOPPED, I WAS DRIVING INTHE CAR LISTENING TO THIS
1127
00:59:37,940 --> 00:59:39,902
INTERVIEW AND HE GOES,
1128
00:59:39,902 --> 00:59:43,994
"OKAY, DAVE CHAPPELLE DID GOODHIS FIRST TIME DOING STAND UP."
1129
00:59:45,622 --> 00:59:48,210
I HAD A SMILE FROM EAR TO EAR.
1130
00:59:48,210 --> 00:59:52,302
WHAT PATTON DIDN'T TELL TERRYIS THE NEXT 7 OR 8 TIMES...
1131
00:59:52,302 --> 00:59:54,640
FUCKING TERRIBLE.
1132
00:59:55,141 --> 00:59:58,774
BUT THE FIRST TIMEWAS SO MOTHERFUCKING GOOD.
1133
00:59:59,149 --> 01:00:01,821
IT'D BE LIKE THE FIRST TIME YOUHAD SEX AND THEN THE SECOND TIME
1134
01:00:01,821 --> 01:00:04,034
YOU WERE HAVING SEXSOMEBODY HIT YOU IN THE HEAD
1135
01:00:04,034 --> 01:00:05,996
WITH A SLEDGEHAMMER.
1136
01:00:06,831 --> 01:00:10,129
GOD, THIS IS NOT NEARLYAS GOOD AS THE FIRST TIME,
1137
01:00:10,129 --> 01:00:12,175
BUT YOU KNOW WHAT,MAYBE SOMEONE WONT HIT ME
1138
01:00:12,175 --> 01:00:14,764
IN THE HEAD WITH A SLEDGEHAMMERTHE 9TH OR 10TH TIME.
1139
01:00:17,602 --> 01:00:20,525
DAVE: I DON'T NECESSARILYBELIEVE IN POLITICS, BUT I THINK
1140
01:00:20,525 --> 01:00:23,280
THE TRUST IN POLITICS ISSOMETHING THAT THE COUNTRY
1141
01:00:23,280 --> 01:00:24,951
DESPERATELY NEEDS.
1142
01:00:25,535 --> 01:00:26,830
REPORTER: PRESIDENT BUSHCONTINUES TO MAKE HIS CASE
1143
01:00:26,830 --> 01:00:28,582
FOR AN INVASION OF IRAQ.
1144
01:00:29,167 --> 01:00:30,838
DAVE: AFTER CAREFULLYEXAMINING THE REGION,
1145
01:00:30,838 --> 01:00:33,217
ME AND MY CABINET AGREETHAT THAT AREA IS DEFINITELY
1146
01:00:33,217 --> 01:00:34,720
RIPE FOR REGIME CHANGE.
1147
01:00:34,720 --> 01:00:36,140
DONNELL: ALRIGHT.
1148
01:00:36,140 --> 01:00:37,685
DAVE: THAT NIGGA TRIEDTO KILL MY FATHER!
1149
01:00:38,937 --> 01:00:40,899
MAN, LINCOLN IS FUCKING UP.
1150
01:00:40,899 --> 01:00:44,197
DAMN, TRUMAN IS FUCKING UP.
1151
01:00:44,197 --> 01:00:46,744
MAN, CARTER IS FUCKING UP.
1152
01:00:47,203 --> 01:00:49,416
GEORGE WASHINGTON'STHE WORST OF THE WORST.
1153
01:00:50,585 --> 01:00:52,255
YES, I SAID IT.
1154
01:00:52,255 --> 01:00:54,593
"WE HOLD THESE TRUTHSTO BE SELF EVIDENT.
1155
01:00:55,052 --> 01:00:57,307
ALL MEN ARE CREATED EQUAL."
1156
01:00:58,142 --> 01:01:00,772
GO GET ME A SANDWICH,NIGGER OR I'LL KILL YA.
1157
01:01:01,648 --> 01:01:03,277
"LIBERTY, JUSTICE FOR ALL"
1158
01:01:03,569 --> 01:01:06,408
I WATCHED DONALD TRUMPIN A PRESS CONFERENCE...
1159
01:01:07,285 --> 01:01:10,458
"I AM GOING TO BRING BACK COAL!"
1160
01:01:11,126 --> 01:01:13,172
COAL?!
1161
01:01:14,800 --> 01:01:16,721
I'M NOT EVEN EXAGGERATING.
1162
01:01:16,721 --> 01:01:20,645
I HAVE NEVER, INMY LIFE EVEN SEEN A
1163
01:01:20,645 --> 01:01:23,484
FUCKING LUMP OF COAL!
1164
01:01:23,484 --> 01:01:25,488
IF YOU GONNA HAVE MOTHERFUCKERSDIGGING AROUND IN THE DIRT
1165
01:01:25,488 --> 01:01:26,824
LOOKING FOR SHIT...
1166
01:01:26,824 --> 01:01:28,703
FIND ME SOME TRUFFLES, NIGGA.
1167
01:01:28,703 --> 01:01:29,747
THAT'S WHAT I'M ABOUT.
1168
01:01:30,164 --> 01:01:33,128
THIS IS A FUCKING ELECTION YEAR,WE GOTTA BE SERIOUS.
1169
01:01:33,128 --> 01:01:37,136
EVERY ABLE BODIED AFRICANAMERICAN MUST REGISTER...
1170
01:01:37,554 --> 01:01:39,266
FOR A LEGAL FIREARM.
1171
01:01:40,894 --> 01:01:43,107
THAT'S THE ONLY WAY THEY'LLCHANGE THE LAW.
1172
01:01:45,821 --> 01:01:48,033
ALTHOUGH AMERICA'S THE GREATESTNATION IN THE WORLD,
1173
01:01:48,033 --> 01:01:50,496
WE STILL FACEMANY MODERN PROBLEMS.
1174
01:01:50,496 --> 01:01:52,793
HEALTH CARE IS IN SHAMBLES.
1175
01:01:52,793 --> 01:01:54,421
MEDICAID DOESN'T WORK.
1176
01:01:54,421 --> 01:01:56,885
MEANWHILE, OUR NEIGHBORS INCANADA HAVE FREE HEALTHCARE
1177
01:01:56,885 --> 01:01:58,847
FOR ALL THEIR CITIZENS.
1178
01:01:58,847 --> 01:02:00,726
SO, WHAT AM I SUGGESTING?
1179
01:02:00,726 --> 01:02:03,522
FAKE CANADIAN I.D.CARDS FOR ALL AMERICANS.
1180
01:02:03,982 --> 01:02:07,238
I'M DAVE CHAPPELLE ANDI WANT TO REPRESENT YOU.
1181
01:02:09,242 --> 01:02:11,371
NEAL: PEOPLE ALWAYS SAY TOME "MAN, CHAPPELLE'S SHOW
1182
01:02:11,371 --> 01:02:12,958
LOOKED LIKE A BLAST,WAS IT FUN?"
1183
01:02:13,584 --> 01:02:15,671
IT WASN'T!
1184
01:02:15,671 --> 01:02:17,425
IT WASN'T FUN AT ALL,IT WAS HARD.
1185
01:02:18,093 --> 01:02:20,181
WE'D HAVE TO STAY AWAKEFOR 48 HOURS AT A TIME JUST TO
1186
01:02:20,181 --> 01:02:21,725
KEEP UP WITH THE SCHEDULE.
1187
01:02:21,725 --> 01:02:24,481
WE WERE BOMBED-OUT AND DEPLETED.WE WERE LUMPED UP.
1188
01:02:24,481 --> 01:02:26,360
WE BOTH HADERECTILE DYSFUNCTION.
1189
01:02:28,447 --> 01:02:30,076
I TOLD DAVE ABOUTMINE AND HE GOES,
1190
01:02:30,076 --> 01:02:32,790
"IT'S BECAUSE WE'RE USINGLAPTOPS TOO MUCH, MAN".
1191
01:02:35,754 --> 01:02:37,507
AND THEN, AND THEN HE GOES,"PLUS WE'RE NOT AS YOUNG AS
1192
01:02:37,507 --> 01:02:38,634
WE USED TO BE"
1193
01:02:38,634 --> 01:02:41,808
MEANWHILE, THERE'S NO CAUSALLINK BETWEEN LAPTOP USE AND
1194
01:02:41,808 --> 01:02:43,979
ERECTILE DYSFUNCTION AND
1195
01:02:43,979 --> 01:02:45,857
ALSO, WE WERE 29.
1196
01:02:49,406 --> 01:02:52,120
DAVE CHAPPELLE COMPLETELYTRANSFORMED MY LIFE.
1197
01:02:52,578 --> 01:02:55,626
HE LENT ME $1,000 SOI COULD MOVE TO L.A.
1198
01:02:55,626 --> 01:02:57,422
HE ASKED ME TO WRITEA MOVIE WITH HIM WHEN I
1199
01:02:57,422 --> 01:02:58,842
HAD ZERO EXPERIENCE.
1200
01:02:58,842 --> 01:03:01,680
DAVE CHAPPELLE BELIEVED INME AT A TIME WHEN ABSOLUTELY
1201
01:03:01,680 --> 01:03:03,893
NOBODY DID.
1202
01:03:03,893 --> 01:03:05,646
YOU KNOW HOW WE ALL HAVE AFRIEND WHO WILL HIT US UP
1203
01:03:05,646 --> 01:03:07,525
OUT OF THE BLUESOMETIMES WITH SOMETHING FUNNY?
1204
01:03:07,525 --> 01:03:10,448
IMAGINE WHAT HIS TEXTSAND PHONE CALLS ARE LIKE.
1205
01:03:11,616 --> 01:03:13,955
ONE TIME HE CALLED ME ON ATUESDAY AFTERNOON, AND HE GOES
1206
01:03:13,955 --> 01:03:17,337
"HEY MAN, I JUST FINISHEDWATCHING 12 YEARS A SLAVE,
1207
01:03:17,337 --> 01:03:20,259
ANYHOW DO YOU THINK SLAVESEVER WHIPPED THEIR KIDS?"
1208
01:03:23,850 --> 01:03:26,396
ON A TUESDAY AFTERNOON!
1209
01:03:28,651 --> 01:03:30,154
IN CLOSING,
1210
01:03:30,154 --> 01:03:32,575
IF YOU REMEMBER ONLY ONETHING FROM MY SPEECH TONIGHT,
1211
01:03:32,575 --> 01:03:35,581
I HOPE THAT IT'S CHAPPELLE'S SHOW WAS NOT FUN.
1212
01:03:37,168 --> 01:03:39,798
BUT IT WAS GREAT AND IT WILLBE NEAR IMPOSSIBLE TO BEAT,
1213
01:03:39,798 --> 01:03:42,679
AND IT'S BECAUSE OFTHAT GUY RIGHT THERE.
1214
01:03:51,321 --> 01:03:54,536
DAVE: WELL THIS HASBEEN FUCKING WONDERFUL.
1215
01:03:57,333 --> 01:03:59,922
I DON'T KNOW WHAT TO SAY, MAN.
1216
01:04:00,256 --> 01:04:03,470
I DON'T EVEN WANTTHIS NIGHT TO END.
1217
01:04:08,147 --> 01:04:10,151
I PROMISE YOU,
1218
01:04:10,151 --> 01:04:12,780
WHOEVER CARES THE MOST,
1219
01:04:12,780 --> 01:04:15,871
I CARE AT LEAST AS MUCH AS THEM.
1220
01:04:15,871 --> 01:04:19,502
I KNOW WHAT I GOT,CAUSE I LOST IT ALL.
1221
01:04:20,838 --> 01:04:24,179
I GOTTA TELL YOU SOMETHING, ANDI DON'T TALK ABOUT IT OFTEN.
1222
01:04:24,679 --> 01:04:26,808
HAVE YOU EVER WORKED ALLYOUR LIFE FOR SOMETHING AND
1223
01:04:26,808 --> 01:04:28,771
HAVE IT NOT WORK OUT?
1224
01:04:29,606 --> 01:04:32,737
THAT HAPPENED TO ME.
1225
01:04:32,737 --> 01:04:35,201
IT WAS TOUGH, THINK ABOUT IT.
1226
01:04:35,743 --> 01:04:41,171
I WAS GONE FOR 12 YEARS,THAT'S NOT A LITTLE BIT OF TIME.
1227
01:04:42,925 --> 01:04:44,344
IT WAS HELL.
1228
01:04:44,344 --> 01:04:48,310
I'D WATCH OTHER NIGGA'S THAT IKNEW BECOME VERY FAMOUS,
1229
01:04:49,270 --> 01:04:52,026
I WATCHED THEWORLD GO ON WITHOUT ME.
1230
01:04:52,026 --> 01:04:55,699
I MOURNED THE LOSS OFIT AND AFTER A WHILE...
1231
01:04:56,493 --> 01:04:58,831
I DIDN'T CARE.
1232
01:04:58,831 --> 01:05:01,545
COMING BACK WAS TERRIFYING.
1233
01:05:02,255 --> 01:05:05,219
I UNDERSTAND WHAT I AM,I REALLY DO.
1234
01:05:05,594 --> 01:05:07,975
MORE THAN ANYBODY, LIKE WHENTHEY WRITE ABOUT ME IN HISTORY
1235
01:05:07,975 --> 01:05:10,896
I'LL BE DEAD READING IT, LIKE,"YEAH I KNEW THEY'D SAY THAT."
1236
01:05:14,696 --> 01:05:17,618
THEY SAY THAT A PERSONCAN'T DREAM OF A FACE
1237
01:05:17,618 --> 01:05:20,791
THEY'VE NEVER SEEN.
1238
01:05:20,791 --> 01:05:24,132
I CAN'T BELIEVE THAT'S TRUE,BUT IT'S PROBABLY TRUE.
1239
01:05:25,426 --> 01:05:28,182
BOY, I GOT A LONG BANK OF FACES.
1240
01:05:28,182 --> 01:05:31,521
32 YEARS I CAN CLOSE MY EYESAND CAN THINK OF ANY NIGHT.
1241
01:05:31,521 --> 01:05:33,317
THERE'S SO MANY FACES.
1242
01:05:33,317 --> 01:05:36,740
EVERY NIGHT, MOST NIGHT'STHEY'RE ALL LOOKING UP...
1243
01:05:36,740 --> 01:05:40,247
SMILING.
1244
01:05:40,623 --> 01:05:43,170
YOU HAVE NO IDEA WHAT THEWORLD LOOKS LIKE FROM THERE.
1245
01:05:43,170 --> 01:05:45,132
ALL DIFFERENT RACES,ALL DIFFERENT COLORS,
1246
01:05:45,132 --> 01:05:46,676
ALL DIFFERENT KIND OF BELIEFS
1247
01:05:46,676 --> 01:05:49,432
JUST LOOKING AT MESMILING FOR 32 YEARS,
1248
01:05:49,432 --> 01:05:51,520
NIGHT AFTER NIGHT.
1249
01:05:57,532 --> 01:05:59,869
LET NO COMEDIAN TAKETHAT FOR GRANTED.
1250
01:06:00,496 --> 01:06:04,379
I SWEAR TO GOD, THIS MIGHT BETHE NOBLEST OF PROFESSIONS.
1251
01:06:04,796 --> 01:06:06,675
ROBIN WILLIAMS HADA BARB THAT I LOVED.
1252
01:06:06,675 --> 01:06:10,224
HE SAID, "COMEDY IS THE ONLY JOBYOU CAN HAVE WHERE YOU CAN USE
1253
01:06:10,224 --> 01:06:12,645
EVERYTHING YOU KNOW."
1254
01:06:12,645 --> 01:06:14,232
AND THAT'S TRUE.
1255
01:06:14,232 --> 01:06:17,572
YOU CAN USE MORE THAN YOU KNOW,YOU CAN USE WHAT YOU THINK.
1256
01:06:17,572 --> 01:06:19,409
USE IT.
1257
01:06:19,409 --> 01:06:22,456
DON'T BE AFRAID, DON'TLET THESE BITCH ASS NIGGA'S
1258
01:06:22,456 --> 01:06:24,669
BUTTON YOUR LIP.
1259
01:06:25,045 --> 01:06:27,300
SAY IT ANYWAY.
1260
01:06:30,723 --> 01:06:33,103
SARAH: IF YOU'REAT HOME WATCHING,
1261
01:06:33,103 --> 01:06:34,939
NOT KNOWING WHAT TOMAKE OF THIS BECAUSE YOU HAVEN'T
1262
01:06:34,939 --> 01:06:36,943
CHECKED TWITTER YETTO SEE HOW YOU FEEL...
1263
01:06:38,447 --> 01:06:41,119
UM, YOU CAN...
1264
01:06:41,119 --> 01:06:43,749
.
1265
01:06:44,167 --> 01:06:47,089
NO, IT'S OKAY, TRUST ME,I ALREADY LOOKED.
1266
01:06:47,089 --> 01:06:49,135
YOU THINK IT'SDELIGHTFULLY REFRESHING.
1267
01:06:51,681 --> 01:06:53,477
ALRIGHT, HERE'STHE THING ABOUT DAVE.
1268
01:06:53,477 --> 01:06:56,566
DAVE DIDN'T, LIKE,GET FUNNY EVENTUALLY...
1269
01:06:56,566 --> 01:06:58,904
HE WAS ALWAYS FUNNY.
1270
01:06:59,322 --> 01:07:01,117
AND HE REMAINS ATTHE TOP OF HIS GAME.
1271
01:07:01,117 --> 01:07:04,541
WHY? BECAUSE HE'S CONSTANTLYEVOLVING, HE GROWS.
1272
01:07:05,209 --> 01:07:09,217
OR SOMETIMES IT'S A SLIGHTLYMORE LATERAL MOVE BUT...
1273
01:07:10,009 --> 01:07:13,183
ALWAYS WITH SOME KIND OFNEW PERSPECTIVE, YOU KNOW?
1274
01:07:13,850 --> 01:07:16,940
HIS CRITICALTHINKING IS HIS ART.
1275
01:07:17,942 --> 01:07:20,239
HIS STAND UP BLOWS MY MIND,YOU KNOW.
1276
01:07:20,239 --> 01:07:24,622
IT CHANGES THE WAY I THINK ANDSOMETIMES I WHOLEHEARTEDLY
1277
01:07:24,622 --> 01:07:27,753
DISAGREE WITH HIM BUTTHAT'S WHAT I LOVE ABOUT DAVE.
1278
01:07:28,171 --> 01:07:30,050
IT'S WHAT I LOVE ABOUT ART.
1279
01:07:31,177 --> 01:07:32,847
DAVE: THE ONLY WAY TOKNOW WHERE THE LINE IS,
1280
01:07:32,847 --> 01:07:34,309
IS TO CROSS IT.
1281
01:07:34,309 --> 01:07:37,565
AND I THINK, "WHAT IS LIFE IFNOBODY'S CROSSING THE LINE?"
1282
01:07:37,565 --> 01:07:38,692
LADIES AND GENTLEMEN,
1283
01:07:38,692 --> 01:07:40,195
MAN THE FUCK UP ORYOU'RE NOT GONNA MAKE IT
1284
01:07:40,195 --> 01:07:41,907
THROUGH THEEND OF THIS SHOW.
1285
01:07:42,283 --> 01:07:43,952
JUST MAN THE FUCK UP.
1286
01:07:43,952 --> 01:07:47,710
JUST BECAUSE I'M DRESSED THISWAY DOES NOT...
1287
01:07:49,756 --> 01:07:52,010
MAKE ME A WHORE.
1288
01:07:54,014 --> 01:07:56,686
NOW THAT WOULD BE LIKE ME,DAVE CHAPPELLE THE COMEDIAN,
1289
01:07:56,686 --> 01:07:58,899
WALKING AROUND THESTREETS IN A COP UNIFORM.
1290
01:08:00,026 --> 01:08:01,279
SOMEBODY MIGHT RUN UP ON ME.
1291
01:08:01,279 --> 01:08:03,784
"OH, THANK GOD, OFFICER HELP US.
1292
01:08:03,784 --> 01:08:05,621
COME ON, THEY'RE OVER HERE,HELP US!
1293
01:08:07,667 --> 01:08:11,800
I'D BE LIKE, "OH, JUSTBECAUSE I'M DRESSED THIS WAY;
1294
01:08:12,718 --> 01:08:14,973
DOES NOT MAKE MEA POLICE OFFICER."
1295
01:08:16,643 --> 01:08:19,064
I'M, WHAT'S KNOWNON THE STREETS,
1296
01:08:19,064 --> 01:08:21,026
AS A VICTIM BLAMER.
1297
01:08:22,655 --> 01:08:25,034
"DAVE, MICHAEL JACKSON WASMOLESTING CHILDREN."
1298
01:08:25,619 --> 01:08:28,583
WELL WHAT WERE THOSE KIDSWEARING AT THE TIME?
1299
01:08:29,585 --> 01:08:33,218
THE ONLY REASON EVERYBODY ISTALKING ABOUT TRANSGENDERS,
1300
01:08:33,218 --> 01:08:35,931
IS BECAUSE WHITEMEN WANT TO DO IT.
1301
01:08:37,017 --> 01:08:39,897
THAT'S RIGHT, I JUST SAID THAT.
1302
01:08:41,401 --> 01:08:43,655
IF IT WAS JUSTWOMEN THAT FELT THAT WAY,
1303
01:08:43,655 --> 01:08:45,659
OR BLACK DUDES ORMEXICAN DUDES BEING LIKE,
1304
01:08:45,659 --> 01:08:47,621
"HEY Y'ALL WE FEELLIKE GIRLS INSIDE."
1305
01:08:47,621 --> 01:08:48,957
THEY'D BE LIKE,"SHUT UP, NIGGER.
1306
01:08:48,957 --> 01:08:51,045
NO ONE ASKED YOU HOW YOU FELT."
1307
01:08:51,045 --> 01:08:53,467
COME ON, EVERYBODY WEHAVE STRAWBERRIES TO PICK.
1308
01:08:55,094 --> 01:08:57,600
IT REEKS OF WHITE PRIVILEGE
1309
01:08:57,975 --> 01:09:00,314
YOU NEVER ASKED YOURSELF WHYIT WAS EASIER FOR BRUCE JENNER
1310
01:09:00,314 --> 01:09:02,693
TO CHANGE HIS GENDER THANIT WAS FOR CASSIUS CLAY
1311
01:09:02,693 --> 01:09:05,407
TO CHANGE HIS FUCKING NAME?
1312
01:09:06,743 --> 01:09:09,332
EVERYBODY GET'S MADCAUSE I SAY THESE JOKES.
1313
01:09:09,332 --> 01:09:12,588
YOU UNDERSTAND THAT THISIS THE BEST TIME TO SAY EM.
1314
01:09:12,588 --> 01:09:15,302
MORE NOW THAN EVER YOUHAVE A RESPONSIBILITY
1315
01:09:15,761 --> 01:09:17,473
TO SPEAK RECKLESSLY.
1316
01:09:17,473 --> 01:09:20,729
OTHERWISE MY KIDS MAY NOT KNOWWHAT RECKLESS TALK SOUNDS LIKE.
1317
01:09:21,481 --> 01:09:23,777
THE JOYS OF BEING WRONG.
1318
01:09:23,777 --> 01:09:25,614
I DIDN'T COME HERE TO BE RIGHT.
1319
01:09:25,614 --> 01:09:27,785
I JUST CAME HERETO FUCK AROUND.
1320
01:09:28,704 --> 01:09:32,127
JON: THE COURAGE THATIT TAKES AS A PERFORMER
1321
01:09:32,586 --> 01:09:33,630
AND AN ARTIST,
1322
01:09:33,630 --> 01:09:37,137
TO STAND UP FORWHO YOU KNOW YOU ARE,
1323
01:09:37,137 --> 01:09:39,809
TO TAKE ACHANCE ON YOURSELF.
1324
01:09:41,646 --> 01:09:44,318
IS, IS JUST ONE MORE REASONWHY WE ALL JUST LOVE,
1325
01:09:44,318 --> 01:09:47,324
AND RESPECT, ANDADMIRE THIS MAN.
1326
01:09:48,117 --> 01:09:49,495
AND YOU KNOW,
1327
01:09:49,495 --> 01:09:52,167
IT WAS UNTIL WE STARTED TOURINGA COUPLE YEARS AGO TOGETHER THAT
1328
01:09:52,167 --> 01:09:54,964
I REALLY GOT A CHANCE TOWATCH HIM WALK THROUGH LIFE.
1329
01:09:55,716 --> 01:09:58,137
I ALWAYS IMAGINED HIM ON ATRACTOR, YOU KNOW,
1330
01:09:58,137 --> 01:10:00,726
OUT IN OHIO,LISTENING TO PRINCE.
1331
01:10:01,269 --> 01:10:03,857
UM, BUT BECAUSE IT WAS DAVEOBVIOUSLY, I JUST IMAGINED THAT
1332
01:10:03,857 --> 01:10:05,486
PRINCE WAS THERE.
1333
01:10:05,486 --> 01:10:09,327
BECAUSE THAT'S JUSTHOW DAVE'S LIFE WAS.
1334
01:10:09,869 --> 01:10:15,046
THINGS HAPPEN IN DAVE WORLD THATJUST DON'T HAPPEN ANYWHERE ELSE.
1335
01:10:15,464 --> 01:10:19,012
IN FACT, THE LAST TIME,THIS WAS IN 2008 I THINK,
1336
01:10:19,012 --> 01:10:23,313
AND I WAS IN D.C.IN THE BACK OF UH,
1337
01:10:23,313 --> 01:10:25,234
THIS LITTLE RESTAURANTWAS A GENTLEMAN THAT
1338
01:10:25,234 --> 01:10:28,155
I RECOGNIZED AS,AS DAVE CHAPPELLE.
1339
01:10:28,155 --> 01:10:31,913
AND I THOUGHT "WHY ISDAVE CHAPPELLE HERE?"
1340
01:10:32,915 --> 01:10:35,379
I SAID, DAVE, I HADN'T SEEN HIMIN A LONG TIME, HOW ARE YOU,
1341
01:10:35,379 --> 01:10:37,508
WHAT ARE YOU DOING AND WE,WE CAUGHT UP AND I SAID
1342
01:10:37,508 --> 01:10:40,012
"YOU KNOW DAVE, I'M DOWNHERE I'M ACTUALLY RUNNING OVER
1343
01:10:40,012 --> 01:10:41,266
TO WALTER REED,"
1344
01:10:41,266 --> 01:10:43,102
IT WAS IN THEHEIGHT OF THE IRAQ WAR,
1345
01:10:43,102 --> 01:10:45,899
AND I WAS GONNA RUN DOWN TOWALTER REED AND I HAD A STACK OF
1346
01:10:45,899 --> 01:10:48,655
CHAPPELLE SHOW DVDSTHAT I WOULD BRING WITH ME,
1347
01:10:48,655 --> 01:10:50,284
BECAUSE THEY LOVED THOSE.
1348
01:10:50,284 --> 01:10:52,162
AND THE DAILY SHOW, EH!
1349
01:10:55,627 --> 01:10:57,298
SO I HAVE THESE UH,
1350
01:10:57,298 --> 01:10:59,385
CHAPPELLE SHOW DVD'SAND I SAY TO DAVE,
1351
01:10:59,385 --> 01:11:01,765
"DAVE, I'M GONNA HEAD DOWN,AND I'M GONNA SEE THESE GUYS,
1352
01:11:01,765 --> 01:11:05,606
THESE WOUNDEDWARRIORS AND I HAVE YOUR DVD'S,
1353
01:11:05,606 --> 01:11:08,361
WHAT ARE YOU DOING RIGHT NOW,WHAT DO YOU SAY?"
1354
01:11:08,361 --> 01:11:10,991
YOU KNOW, HE'S SPONTANEOUS GUY.
1355
01:11:10,991 --> 01:11:12,828
"LET'S GO, LET'SREALLY BLOW THEIR MINDS"
1356
01:11:12,828 --> 01:11:15,751
AND HE LOOKS AT MEAND I'LL NEVER FORGET IT,
1357
01:11:15,751 --> 01:11:19,007
HE LOOKS UP AND HE GOES,"NAH, I'M GOOD".
1358
01:11:23,350 --> 01:11:25,479
I RESPECTED THAT SO MUCH.
1359
01:11:27,358 --> 01:11:32,618
I DON'T KNOW OF ANYBODYWHO CARES MORE DEEPLY,
1360
01:11:32,618 --> 01:11:36,543
AND ANYONE WHOGIVES LESS OF A FUCK.
1361
01:11:42,011 --> 01:11:44,934
DAVE IS A TOUCHSTONE,
1362
01:11:44,934 --> 01:11:47,272
BECAUSE HE'S ASEEKER OF KNOWLEDGE.
1363
01:11:47,272 --> 01:11:51,238
HE'S A MAN THAT SEEKS OUTPEOPLE, AND EXPERIENCE,
1364
01:11:51,238 --> 01:11:52,491
AND KNOWLEDGE.
1365
01:11:52,491 --> 01:11:55,455
AND HE WANTS TO TOUCH IT ANDFEEL IT AND BE WITH IT ON THE
1366
01:11:55,455 --> 01:11:58,127
GROUND SO THAT HECAN THEN CHANNEL THAT
1367
01:11:58,127 --> 01:12:00,924
THROUGH HIS ART ANDREDIRECT THAT BACK TO YOU AS
1368
01:12:00,924 --> 01:12:03,680
SOMETHING COMPLETELYDIFFERENT AND NEW.
1369
01:12:04,765 --> 01:12:08,398
I CAN ONLY TELL YOU THIS,THERE'S ONLY ONE PERSON THAT CAN
1370
01:12:08,398 --> 01:12:12,781
SAY "HEY MAN I NEED YOU" ANDI WILL BE THERE NO MATTER WHAT,
1371
01:12:13,700 --> 01:12:15,746
NO MATTER WHERE,
1372
01:12:15,746 --> 01:12:18,668
AND WHEN HE CALLED MEJUST RECENTLY AND SAID
1373
01:12:18,668 --> 01:12:20,296
"I NEED YOU",
1374
01:12:20,296 --> 01:12:22,801
A WEEK LATER I STOOD WITH DAVE,
1375
01:12:22,801 --> 01:12:25,641
ON A STAGE, IN DAYTON OHIO,
1376
01:12:27,101 --> 01:12:30,191
ONE HUNDRED FEET FROMTHE SITE OF ONE OF THE WORST
1377
01:12:30,191 --> 01:12:33,949
MASS SHOOTINGS INAMERICAN HISTORY,
1378
01:12:33,949 --> 01:12:36,161
AND I WATCHED THIS MAN.
1379
01:12:36,161 --> 01:12:39,460
HELP A CITY HEAL...
1380
01:12:41,171 --> 01:12:44,177
A WOUND BORNE OF VIOLENCE
1381
01:12:44,804 --> 01:12:47,058
AND BORNE OF PAIN...
1382
01:12:48,352 --> 01:12:50,691
BUT AS WE SAT AND WEWATCHED STEVIE WONDER SING
1383
01:12:50,691 --> 01:12:52,151
MY CHERIE AMOUR,
1384
01:12:52,151 --> 01:12:55,492
AND THE CROWD GOING CRAZYAND RECLAIMING THEIR CITY,
1385
01:12:55,492 --> 01:12:57,287
HE TURNED TO ME ONSTAGE AND HE SAID,
1386
01:12:57,287 --> 01:13:01,044
"THIS IS THEIR MEMORY NOW.THIS IS THEIR MEMORY."
1387
01:13:02,923 --> 01:13:05,721
.
1388
01:13:06,931 --> 01:13:10,772
♪ JOHN: WAKE UP EVERYBODY NO MORE SLEEPIN' IN BED ♪
1389
01:13:11,441 --> 01:13:15,490
♪ NO MORE BACKWARD THINKIN' TIME FOR THINKIN' AHEAD ♪
1390
01:13:16,492 --> 01:13:18,914
♪ THE WORLD HAS CHANGED SO VERY MUCH ♪
1391
01:13:18,914 --> 01:13:21,544
♪ FROM WHAT IT USED TO BE ♪
1392
01:13:21,544 --> 01:13:27,556
♪ THERE IS SO MUCH HATRED WAR AND POVERTY. OH ♪♪
1393
01:13:30,102 --> 01:13:31,898
DAVE: I SAY THIS EVERYTIME I COME TO ELLINGTON AND
1394
01:13:31,898 --> 01:13:33,610
I HOPE YOU GUYS REMEMBER THIS.
1395
01:13:33,610 --> 01:13:36,365
YOU ARE VERY NECESSARY NOW.
1396
01:13:36,365 --> 01:13:38,912
THIS IS A SEASON FOR ARTISTS.
1397
01:13:38,912 --> 01:13:41,876
SECRETLY, I'M BUILDINGAN ARMY OF ARTISTS
1398
01:13:41,876 --> 01:13:44,507
I WANT ALL OF YOU GUYS TO GETOUT THERE AND FIGHT IN THE ARMY.
1399
01:13:44,507 --> 01:13:47,680
I MEAN, IT'S NOT A VIOLENTFIGHT, BUT IT'S A REVEALING ONE.
1400
01:13:48,180 --> 01:13:51,103
YOU'VE GOTTA REVEAL PEOPLE TOTHEMSELVES BY EXPOSING YOURSELF
1401
01:13:51,604 --> 01:13:53,232
WITH YOUR ART.
1402
01:13:53,232 --> 01:13:59,537
♪ JOHN: THE WORLD WON'T GET NO BETTER IF WE JUST LET IT BE ♪
1403
01:14:01,373 --> 01:14:06,467
♪ OH. THE WORLD WON'T GET NO BETTER ♪
1404
01:14:07,636 --> 01:14:09,807
♪ WE GOTTA CHANGE IT YEAH ♪
1405
01:14:09,807 --> 01:14:11,393
♪ JUST YOU AND ME ♪♪
1406
01:14:11,393 --> 01:14:14,065
DAVE: HONESTLY, LOOKINGAT Y'ALL INSPIRES ME.
1407
01:14:14,065 --> 01:14:16,738
I FEEL LIKE I WAS JUST YOU.
1408
01:14:18,950 --> 01:14:21,455
IF I COULD GO BACKAND TALK TO MYSELF,
1409
01:14:21,455 --> 01:14:25,171
I WOULD TELL MYSELFWHAT I'M TELLING YOU GUYS.
1410
01:14:25,171 --> 01:14:27,091
"BE NICE AND DON'T BE SCARED."
1411
01:14:33,103 --> 01:14:34,732
.
1412
01:14:35,358 --> 01:14:37,613
JOHN: THANK YOU.
1413
01:14:40,744 --> 01:14:42,956
DAVID: THE MARK TWAIN PRIZEWAS CREATED IN HONOR OF
1414
01:14:43,625 --> 01:14:45,712
A GREAT SATIRISTAND IRREVERENT OBSERVER
1415
01:14:45,712 --> 01:14:47,716
OF THE WORLDIN WHICH HE LIVED...
1416
01:14:48,217 --> 01:14:49,804
IN HONORING DAVE CHAPPELLE THIS EVENING WITH THE
1417
01:14:49,804 --> 01:14:51,223
MARK TWAIN PRIZE,
1418
01:14:51,223 --> 01:14:53,895
WE ARE HONORING ACOMEDIAN AT THE TOP OF HIS GAME,
1419
01:14:53,895 --> 01:14:56,567
SOMEONE WHO ALREADYHAS A LIFETIME OF ACHIEVEMENT
1420
01:14:56,567 --> 01:14:59,740
BEHIND HIM BUT PROMISESTO HAVE ANOTHER LIFETIME IN
1421
01:14:59,740 --> 01:15:01,201
THE COMING DECADES.
1422
01:15:01,201 --> 01:15:02,913
AND FOR THESE REASONS,
1423
01:15:02,913 --> 01:15:05,919
THE KENNEDY CENTER ISPROUD TO PRESENT DAVE CHAPPELLE
1424
01:15:05,919 --> 01:15:08,550
WITH THE NATION'S HIGHESTCOMEDIC AWARD...
1425
01:15:08,550 --> 01:15:10,762
THE KENNEDY CENTERMARK TWAIN PRIZE.
1426
01:15:21,617 --> 01:15:23,997
.
1427
01:15:27,880 --> 01:15:31,136
.
1428
01:15:31,637 --> 01:15:35,979
DAVE: THANK YOU, THANK YOU.THANK YOU.
1429
01:15:38,651 --> 01:15:43,285
I LIKE NOT KNOWINGWHAT'S GONNA HAPPEN.
1430
01:15:43,285 --> 01:15:45,331
I LIKE MAKING MEMORIES.
1431
01:15:45,331 --> 01:15:48,630
SOMETIMES I DO ALL THIS CRAZYSHIT AROUND MY COLLEAGUES
1432
01:15:48,630 --> 01:15:51,468
JUST SO THEY CAN TELLTHEIR FRIENDS I DID IT.
1433
01:15:54,182 --> 01:15:56,019
BUT RATHER THANTALK ABOUT MYSELF,
1434
01:15:56,019 --> 01:15:59,359
JUST BRIEFLY I WANNAJUST TALK ABOUT MY GENRE.
1435
01:16:00,236 --> 01:16:04,452
STAND UP COMEDY IS ANINCREDIBLY AMERICAN GENRE.
1436
01:16:05,246 --> 01:16:07,793
I DON'T THINK ANY OTHERCOUNTRY COULD PRODUCE
1437
01:16:07,793 --> 01:16:09,212
THIS MANY COMEDIANS.
1438
01:16:09,212 --> 01:16:12,009
AND UNBEKNOWNST TO MANYPEOPLE IN THIS AUDIENCE,
1439
01:16:12,009 --> 01:16:14,723
I DON'T THINK THERE'S ANOPINION THAT EXISTS IN THIS
1440
01:16:14,723 --> 01:16:18,648
COUNTRY THAT IS NOTREPRESENTED IN A COMEDY CLUB
1441
01:16:18,648 --> 01:16:20,401
BY SOMEBODY.
1442
01:16:20,401 --> 01:16:23,407
EACH AND EVERY ONE OF YOUHAS A CHAMPION IN THE ROOM.
1443
01:16:25,327 --> 01:16:28,208
WE WATCH YOU GUYS FIGHT,
1444
01:16:28,208 --> 01:16:30,881
BUT WHEN WE'RETOGETHER WE TALK IT OUT.
1445
01:16:31,674 --> 01:16:34,137
I KNOW COMICS THATARE VERY RACIST.
1446
01:16:34,137 --> 01:16:36,726
AND I WATCH THEM ONSTAGE ANDEVERYONE'S LAUGHING AND I'M
1447
01:16:36,726 --> 01:16:39,439
LIKE "MMM, THAT MOTHERFUCKERMEANS THAT SHIT".
1448
01:16:40,524 --> 01:16:43,530
.
1449
01:16:44,032 --> 01:16:46,495
DON'T GET MAD AT EM,DON'T HATE EM,
1450
01:16:46,495 --> 01:16:48,290
WE GO UPSTAIRSAND HAVE A BEER,
1451
01:16:48,290 --> 01:16:51,379
AND SOMETIMES I EVENAPPRECIATE THE ARTISTRY THAT
1452
01:16:51,379 --> 01:16:54,594
THEY PAINT THEIRRACIST OPINIONS WITH.
1453
01:16:54,594 --> 01:16:56,974
MAN, IT'S NOT THAT SERIOUS.
1454
01:16:56,974 --> 01:16:59,855
THE FIRST AMENDMENTIS FIRST FOR A REASON.
1455
01:16:59,855 --> 01:17:02,861
THE SECOND AMENDMENT ISJUST IN CASE THE FIRST ONE
1456
01:17:02,861 --> 01:17:04,824
DOESN'T WORK OUT.
1457
01:17:04,824 --> 01:17:07,078
.
1458
01:17:08,873 --> 01:17:11,294
WE GOTTA LET SOMEAIR OUT THE BALL, MAN.
1459
01:17:11,294 --> 01:17:12,965
THE COUNTRY'SGETTING A LITTLE TIGHT,
1460
01:17:12,965 --> 01:17:15,887
IT DOESN'T FEEL LIKE IT'SEVER FELT IN MY LIFETIME.
1461
01:17:15,887 --> 01:17:20,856
SO TONIGHT, I AM HONOREDTHAT MY COLLEAGUES ARE HERE,
1462
01:17:21,356 --> 01:17:25,281
IN COMEDY AND IN MUSIC.
1463
01:17:25,281 --> 01:17:27,870
.
1464
01:17:30,917 --> 01:17:33,547
AND I WANT EVERYONE IN AMERICARIGHT NOW TO LOOK AT ME,
1465
01:17:33,547 --> 01:17:36,636
LOOK AT ME SMOKING INDOORS.
1466
01:17:37,931 --> 01:17:40,102
I DIDN'T ASK ANYBODY,I JUST DID IT.
1467
01:17:40,102 --> 01:17:42,440
WHAT ARE THEY GONNA DO, KICKME OUT BEFORE I GET THE PRIZE?
1468
01:17:42,440 --> 01:17:44,945
NAW NIGGA, THIS ISCALLED LEVERAGE.
1469
01:17:46,198 --> 01:17:47,910
.
1470
01:17:49,872 --> 01:17:52,836
THING THAT I LIKED BEST ABOUTTONIGHT WAS THAT I SAW SO MANY
1471
01:17:52,836 --> 01:17:54,757
PEOPLE FROMDIFFERENT PARTS OF MY LIFE.
1472
01:17:54,757 --> 01:17:57,303
LIKE FRIENDS THAT IGREW UP WITH HERE IN DC,
1473
01:17:57,303 --> 01:17:59,934
FRIENDS OF MINE FROMOHIO THEN AND NOW.
1474
01:18:00,936 --> 01:18:03,065
FRIENDS OF MINEFROM COMEDY CLUBS.
1475
01:18:03,065 --> 01:18:05,737
ALL THE FUCKING MUSICIANSTHAT BLEW MY MIND.
1476
01:18:05,737 --> 01:18:09,410
YOU GUYS HAVE NO IDEAHOW YOU INSPIRE ME.
1477
01:18:09,870 --> 01:18:13,460
I WANT TO GIVE A SPECIALSHOUTOUT TO MY OG TONY WOODS.
1478
01:18:13,962 --> 01:18:16,091
MILES DAVIS HAS A QUOTE.
1479
01:18:16,091 --> 01:18:18,345
.
1480
01:18:18,930 --> 01:18:20,641
UH, IT'S ONE OF MY FAVORITE,
1481
01:18:20,641 --> 01:18:22,938
MILES DAVIS SAIDSO MUCH COOL SHIT,
1482
01:18:22,938 --> 01:18:25,150
BUT ONE OF THE THINGS HESAID THAT I ALWAYS LOVED,
1483
01:18:25,150 --> 01:18:27,405
HE SAID, "IT TOOK MEYEARS TO LEARN HOW TO
1484
01:18:27,405 --> 01:18:29,492
PLAY LIKE MYSELF."
1485
01:18:30,119 --> 01:18:31,580
YOU KNOW, HE WOULDWATCH OTHER MUSICIANS AND
1486
01:18:31,580 --> 01:18:33,584
HE WOULD TRY TOPLAY LIKE DIZZY OR BIRD
1487
01:18:33,584 --> 01:18:35,254
OR ALL THOSEOTHER GUYS WHO WERE GREAT,
1488
01:18:35,254 --> 01:18:36,590
TONY WOODS WAS MYDIZZY AND BIRD,
1489
01:18:36,590 --> 01:18:37,885
IF I WAS A MILES.
1490
01:18:37,885 --> 01:18:39,596
I WAS TRYING TO PLAY LIKE YOU,
1491
01:18:39,596 --> 01:18:43,103
YOU WERE THE FIRST PERSON IEVER SAW DO IT ABSOLUTELY RIGHT.
1492
01:18:43,103 --> 01:18:45,399
YOU WERE FEARLESS ANDYOU TOLD THE TRUTH.
1493
01:18:45,399 --> 01:18:48,155
THERE'S SOMETHING SOTRUE ABOUT THIS GENRE,
1494
01:18:48,155 --> 01:18:50,034
WHEN DONE CORRECTLY,
1495
01:18:50,034 --> 01:18:54,208
THAT I WILL FIGHT ANYBODY THATGETS IN A TRUE PRACTITIONER
1496
01:18:54,208 --> 01:18:56,296
OF THIS ART FORM'S WAY.
1497
01:18:56,296 --> 01:18:57,673
BECAUSE I KNOW YOU'RE WRONG.
1498
01:18:57,673 --> 01:19:00,471
THIS IS THE TRUTH, ANDYOU ARE OBSTRUCTING IT.
1499
01:19:01,640 --> 01:19:03,770
I'M NOT TALKINGABOUT THE CONTENT,
1500
01:19:03,770 --> 01:19:05,815
I'M TALKINGABOUT THE ART FORM.
1501
01:19:05,815 --> 01:19:07,568
DO WE UNDERSTAND?
1502
01:19:07,568 --> 01:19:09,489
DO WE HAVE AN AGREEMENT?
1503
01:19:10,491 --> 01:19:12,286
.
1504
01:19:12,286 --> 01:19:14,040
AND WHAT I REALLYWANTED TO SAY TONIGHT,
1505
01:19:14,040 --> 01:19:15,459
AND I'M GLAD I GETTHE PLATFORM TO DO IT,
1506
01:19:15,459 --> 01:19:17,756
I'M GAY!
1507
01:19:18,257 --> 01:19:22,556
I AM GAY AND I CAN'T WAIT TO SEEWHAT THIS DOES FOR MY CAREER,
1508
01:19:23,016 --> 01:19:25,396
BEING GAY LIKE THIS.
1509
01:19:28,694 --> 01:19:30,072
SO MANY SPECIAL SHOUTOUTS.
1510
01:19:30,072 --> 01:19:33,287
ONE OF THE MAIN ARCHITECTS OFTHE COMEBACK OF THE CENTURY,
1511
01:19:33,287 --> 01:19:37,753
MY BROTHER AND MY MENTOR,THE MIGHTY STAN LATHAN.
1512
01:19:42,388 --> 01:19:45,311
I NEVER DREAMED I WOULDBE ABLE TO WORK WITH SOMEONE
1513
01:19:45,311 --> 01:19:46,814
AS GREAT AS YOU.
1514
01:19:46,814 --> 01:19:49,736
THESE LAST FIVE SPECIALS,STRAIGHT FIRE.
1515
01:19:50,654 --> 01:19:52,116
I WOULDN'T WANT TODO ANOTHER SPECIAL WITH
1516
01:19:52,116 --> 01:19:54,412
ANYBODY ELSE BUT YOU.
1517
01:19:54,412 --> 01:19:56,458
SO EAT YOURMOTHERFUCKING VEGETABLES AND
1518
01:19:56,458 --> 01:19:58,253
LIVE AS LONG AS YOU CAN,
1519
01:19:58,253 --> 01:20:01,092
CAUSE WE DOING A FEWMORE OF THESE BITCHES.
1520
01:20:05,184 --> 01:20:08,106
NEIL BRENNAN, YOURSPEECH MADE ME CRY.
1521
01:20:08,106 --> 01:20:12,657
BECAUSE IT REMINDED ME OFALL THOSE HARD DAYS OF WORK,
1522
01:20:12,657 --> 01:20:14,953
AND ALL THAT MONEYI NEVER GOT FOR IT.
1523
01:20:16,206 --> 01:20:18,210
THE OTHER REAL SPECIALSHOUTOUT I GOT TO MAKE,
1524
01:20:18,210 --> 01:20:19,880
BECAUSE NONE OF THISWOULD'VE BEEN POSSIBLE ON ANY
1525
01:20:19,880 --> 01:20:23,387
LEVEL WITHOUT THIS PERSON,IS MY MOTHER.
1526
01:20:23,387 --> 01:20:24,806
MOM.
1527
01:20:24,806 --> 01:20:26,768
.
1528
01:20:28,063 --> 01:20:31,444
MY MOTHER.
1529
01:20:31,444 --> 01:20:34,033
.
1530
01:20:34,033 --> 01:20:36,705
MOM, MOM, MOM, MOM.
1531
01:20:37,206 --> 01:20:39,752
YOU HAVE NO IDEA WHAT IPUT THIS WOMAN THROUGH.
1532
01:20:41,089 --> 01:20:43,093
IF YOU HAD JUSTGIVEN BIRTH TO ME,
1533
01:20:43,093 --> 01:20:44,972
THAT WOULD'VE BEENMORE THAN ENOUGH,
1534
01:20:44,972 --> 01:20:48,437
BUT THE FACT THAT YOURAISED ME AND RAISED ME WELL.
1535
01:20:48,437 --> 01:20:50,274
WE HAD A REAL ORALTRADITION IN OUR HOUSE,
1536
01:20:50,274 --> 01:20:52,403
I KNEW THE WORD GRIOTWHEN I WAS A LITTLE BOY.
1537
01:20:52,403 --> 01:20:55,952
A GRIOT WAS A PERSON IN AFRICAWHO WAS CHARGED WITH KEEPING
1538
01:20:55,952 --> 01:20:58,290
THE STORIES OF THE VILLAGE.
1539
01:20:58,290 --> 01:21:00,461
EVERYONE WOULD TELLGRIOT THE STORIES,
1540
01:21:00,461 --> 01:21:02,089
AND THEY WOULDREMEMBER THEM SO THEY COULD
1541
01:21:02,089 --> 01:21:03,633
TELL FUTURE GENERATIONS.
1542
01:21:03,633 --> 01:21:06,891
AND WHEN THEY GOT OLD,THEY'D TELL EM TO SOMEONE ELSE,
1543
01:21:06,891 --> 01:21:09,812
AND THEY SAY IN AFRICA,WHEN A GRIOT DIES,
1544
01:21:10,230 --> 01:21:13,403
IT'S LIKE ALIBRARY WAS BURNT DOWN.
1545
01:21:13,862 --> 01:21:15,992
AND MY MOTHER USED TO TELL ME,BEFORE I EVER THOUGHT ABOUT
1546
01:21:15,992 --> 01:21:19,082
DOING COMEDY, SHE TOLD ME"YOU SHOULD BE A GRIOT"
1547
01:21:19,082 --> 01:21:21,836
AND SHE'D FILL ME WITHEVERY STORY OF BLACK LIFE.
1548
01:21:21,836 --> 01:21:24,592
YOU KNOW, SHE'S EDUCATEDIN AFRICAN-AMERICAN STUDIES,
1549
01:21:24,592 --> 01:21:26,763
AND SHE WOULD LET MEUNDERSTAND THE CONTEXT THAT
1550
01:21:26,763 --> 01:21:28,058
I WAS BEING RAISED IN.
1551
01:21:28,058 --> 01:21:31,147
THAT I'M BEING RAISED IN AHOSTILE ENVIRONMENT THAT
1552
01:21:31,147 --> 01:21:32,566
I HAVE TO TAME.
1553
01:21:32,566 --> 01:21:35,614
BY THE TIME I WAS 14 YEARSOLD I WAS IN NIGHTCLUBS,
1554
01:21:35,614 --> 01:21:37,701
MASTERING AN ADULT WORLD.
1555
01:21:38,078 --> 01:21:39,622
IT WAS TERRIFYING.
1556
01:21:39,622 --> 01:21:41,709
CRACK EPIDEMIC WAS GOING ON,AND MY MOTHER WOULD HEAR
1557
01:21:41,709 --> 01:21:43,880
GUNSHOTS OUTSIDE ANDBE SCARED TO DEATH,
1558
01:21:43,880 --> 01:21:45,426
MAYBE IT'S MY SON.
1559
01:21:45,426 --> 01:21:47,721
BUT EARLY IN MY CAREER,IF YOU REMEMBER MOM,
1560
01:21:48,056 --> 01:21:50,310
YOU USED TO SIT INTHE CLUB WITH ME.
1561
01:21:50,310 --> 01:21:52,773
SHE'D DO A FULL DAY OF WORK,YOU'D BE BACK THERE,
1562
01:21:52,773 --> 01:21:54,569
FALLING ASLEEP, JUSTWAITING FOR ME TO GO ON.
1563
01:21:54,987 --> 01:21:57,241
SHE WOULD WATCH MYSHOW EVERY NIGHT,
1564
01:21:57,241 --> 01:22:00,205
DO YOU KNOW HOW LONGTHAT CAR RIDE IS HOME?
1565
01:22:01,040 --> 01:22:03,253
.
1566
01:22:05,090 --> 01:22:07,553
HOW MANY OF YOU HAVEEVER HEARD YOUR MOTHER SAY,
1567
01:22:07,553 --> 01:22:10,476
"PUSSY JOKES WERE ALITTLE TOO MUCH TONIGHT, SON"?
1568
01:22:11,269 --> 01:22:13,565
.
1569
01:22:16,237 --> 01:22:18,617
I WAS A SOFT KID.
1570
01:22:18,617 --> 01:22:20,788
I WAS SENSITIVE, I CRIED EASY,
1571
01:22:20,788 --> 01:22:22,750
AND I WOULD BESCARED TO FISTFIGHT.
1572
01:22:22,750 --> 01:22:24,629
AND MY MOTHER USED TOTELL ME THIS THING,
1573
01:22:24,629 --> 01:22:25,881
I DON'T EVEN KNOWIF YOU REMEMBER,
1574
01:22:25,881 --> 01:22:27,468
BUT YOU SAID THIS TOME MORE THAN ONCE.
1575
01:22:27,468 --> 01:22:31,476
YOU SAID, "SON, SOMETIMES YOUHAVE TO BE A LION SO YOU CAN
1576
01:22:31,476 --> 01:22:33,688
BE THE LAMB YOU REALLY ARE".
1577
01:22:35,234 --> 01:22:38,323
I TALK THIS SHIT LIKE A LION,
1578
01:22:38,323 --> 01:22:41,329
I'M NOT AFRAID OF ANY OF YOUWHEN IT COMES WORD TO WORD,
1579
01:22:41,663 --> 01:22:44,836
I WILL GAB WITHTHE BEST OF THEM.
1580
01:22:44,836 --> 01:22:47,675
JUST SO I CAN CHILL AND BE ME.
1581
01:22:47,675 --> 01:22:49,470
AND THAT'S WHY ILOVE MY ART FORM,
1582
01:22:49,470 --> 01:22:51,391
BECAUSE I UNDERSTANDEVERY PRACTITIONER OF IT.
1583
01:22:51,391 --> 01:22:52,852
WHETHER I AGREEWITH THEM OR NOT,
1584
01:22:52,852 --> 01:22:54,147
I KNOW WHERETHEY'RE COMING FROM.
1585
01:22:54,147 --> 01:22:56,025
THEY WANNA BE HEARD,THEY GOT SOMETHING TO SAY,
1586
01:22:56,025 --> 01:22:59,949
THERE'S SOMETHING THEY NOTICE,THEY JUST WANNA BE UNDERSTOOD.
1587
01:22:59,949 --> 01:23:01,536
I LOVE THIS GENRE.
1588
01:23:01,536 --> 01:23:03,498
IT SAVED MY LIFE.
1589
01:23:03,498 --> 01:23:05,752
SO TONIGHT MA, I WOULDLIKE TO HONOR YOU IN A VERY
1590
01:23:05,752 --> 01:23:09,177
SPECIAL WAY THAT ICANNOT DO ON MY OWN.
1591
01:23:09,177 --> 01:23:11,389
BUT BECAUSE NOW I'M A MAN,
1592
01:23:11,389 --> 01:23:13,560
WITH GREAT ANDINFLUENTIAL FRIENDS,
1593
01:23:13,560 --> 01:23:16,524
I WOULD LIKE TO ASK MY MANTHUNDERCAT TO COME OUT ONSTAGE.
1594
01:23:17,234 --> 01:23:19,864
THUNDERCAT, THE MIGHTY MOS DEF.
1595
01:23:19,864 --> 01:23:22,244
.
1596
01:23:23,622 --> 01:23:26,503
WASHINGTON DC, THANK YOU VERYMUCH FOR GIVING ME A HOME AND
1597
01:23:26,503 --> 01:23:27,922
A PLACE TO START.
1598
01:23:27,922 --> 01:23:30,344
TODAY IS OFFICIALLYDAVE CHAPPELLE DAY IN
1599
01:23:30,344 --> 01:23:32,640
WASHINGTON D.C., THEMAYOR DECLARED IT LAST NIGHT.
1600
01:23:35,020 --> 01:23:36,981
SO, IN THE FUTURE,
1601
01:23:36,981 --> 01:23:39,737
ON DAVE CHAPPELLE DAY IASK EVERYONE WHO WISHES
1602
01:23:39,737 --> 01:23:41,824
TO CELEBRATEIT TO MAKE ONE INCREDIBLE
1603
01:23:41,824 --> 01:23:44,664
MEMORY FOR THEM SELFAND/OR SOMEBODY ELSE.
1604
01:23:45,123 --> 01:23:46,668
THANK YOU VER MUCH, GOODNIGHT.
1605
01:23:47,836 --> 01:23:49,549
.
1606
01:23:55,978 --> 01:23:58,858
♪ MOS DEF: TOMORROW MAY NEVER COME. ♪
1607
01:23:59,318 --> 01:24:02,491
♪ FOR YOU OR ME, LIFE IS NOT PROMISED ♪
1608
01:24:03,368 --> 01:24:05,414
♪ TOMORROW MAY NEVER SHOW UP ♪
1609
01:24:06,791 --> 01:24:09,755
♪ FOR YOU OR ME, THIS LIFE IS NOT PROMISED ♪
1610
01:24:11,217 --> 01:24:14,932
♪ I AIN'T NO PERFECT MAN, I'M TRYING TO DO ♪
1611
01:24:14,932 --> 01:24:18,732
♪ THE BEST THAT I CAN WITH WHAT IT IS I HAVE ♪
1612
01:24:19,358 --> 01:24:22,489
♪ I AIN'T NO PERFECT MAN I'M TRYING TO DO ♪
1613
01:24:22,489 --> 01:24:26,414
♪ THE BEST THAT I CAN WITH WHAT IT IS I HAVE ♪
1614
01:24:28,209 --> 01:24:30,422
♪ PUT MY HEART AND SOUL INTO IT Y'ALL ♪♪
1615
01:24:31,341 --> 01:24:33,511
THANK YOU BROTHER DAVE.
1616
01:24:33,762 --> 01:24:36,267
♪ MY UMI SAID SHINE YOUR LIGHT ON THE WORLD ♪
1617
01:24:37,060 --> 01:24:39,815
♪ SHINE YOUR LIGHT FOR THE WORLD TO SEE. ♪
1618
01:24:40,859 --> 01:24:44,032
♪ MY UMI SAID SHINE YOUR LIGHT ON THE WORLD ♪
1619
01:24:44,784 --> 01:24:47,373
♪ SHINE YOUR LIGHT FOR THE WORLD TO SEE. ♪
1620
01:24:47,873 --> 01:24:49,669
♪ I WANT MY PEOPLE TO BE FREE, ♪
1621
01:24:49,669 --> 01:24:50,963
♪ TO BE FREE, TO BE FREE. ♪
1622
01:24:50,963 --> 01:24:52,841
DAVE: THE MOTHER OF MY CHILDREN,
1623
01:24:52,841 --> 01:24:56,349
WHO HELPS ME AND EMPOWERSME TO DO EVERYTHING I DO.
1624
01:24:57,309 --> 01:25:00,524
ELAINE, THANK GOD FOR YOU.
{\c&HFFFFFF&\t(\c&H0000FFFF&)}Extracted By Nelka
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