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NARRATOR: Cannon Films,
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the home of
high-powered, high-voltage
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motion picture entertainment.
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We're taking motion picture
excitement over the edge,
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00:00:36,017 --> 00:00:39,854
and your box office
over the top.
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Menahem Golan and Yoram Globus
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were the heavyweights.
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They were the George Foremans
and the Muhammad Alis
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of the indie market.
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I hold them in huge affection,
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(CHUCKLING) even though
they ruined our movie.
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(ROARS)
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It's hard to say
the words "Cannon Films"
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without laughing.
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Nuts. Just crazy, nuts.
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(ROARS)
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Slightly to the sidelines of,
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I don't know,
serious filmmaking.
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(SNARLING)
Ugh!
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The audience wasn't
prepared for the craziness.
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Looniness.
(CHAINSAW WHIRRING)
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Guys, really?
I mean, that's insane.
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I felt a little stupid doing it.
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They put a stamp on pop culture.
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You were rooting for them.
(SCREAMING)
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We had no idea
what we were doing.
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We were just making it up
as we went along.
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(GROANING)
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How could it fail?
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(SONG PLAYING)
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(CAMERA CLICKING)
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(HORSE NEIGHING)
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(GROWLING)
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(GUN COCKING)
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(GUNSHOTS)
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Menahem Golan is the father
of the Israeli cinema.
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Every three movies out of four
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were produced by Menahem Golan,
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some of them directed by him.
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He'd made something like
40 pictures before I met him.
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As a kid, he was in the theaters
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watching the movies,
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then he wanted to
see the projector,
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then he wanted to
touch the film.
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MENAHEM: This is where
I met for the first time
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the Hollywood
of Humphrey Bogart,
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Gary Cooper, Billy Wilder.
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And I used to spend here
at least four times a week.
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I fell in love with Hollywood,
right in this building.
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He lived cinema.
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He was shooting
movies in Israel,
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and he didn't have food at home.
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ITZIK KOL: And he came and
said, "Look, I don't have a car",
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"I don't have a Frigidaire"
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"and I don't have
even a house."
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"The only thing what I have
is a wife and three daughters."
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"If you can put a mortgage"
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"on my wife and
my three daughters,"
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"it's okay with me."
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Money was never a real issue
for Menahem. Filmmaking was.
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Then he brought Yoram
into the business afterwards.
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Yoram was a younger cousin.
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Yoram Globus was the businessman
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behind the movie-making.
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Menahem Golan
was the movie-maker.
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They had a distribution
company, a production company.
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Menahem was directing.
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And they were the industry.
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They had a number of
certainly very successful
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domestic Israeli films
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that threatened to break out.
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Tevye and His Seven Daughters,
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some kind of Fiddler
on the Roof knock-off.
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WILLIAM STOUT:
Menahem's wife had brought
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their new baby to the set,
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and Menahem sees the baby.
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"Oh, darling, the baby. Give
me the baby, give me the baby."
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(IMITATING MENAHEM) "Put
the baby, put the baby in the basket
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"and the basket
in this wagon."
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His wife is going like,
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"Menahem, you know,
you just can't put..."
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(IMIATING MENAHEM)
"Later, please, please."
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"Not now."
"Action!"
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Boom, everything takes off,
the horses go racing.
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It looks like
the baby in the basket
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is almost about to fall off.
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And his wife lunges
to catch the baby
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and he grabs her
and he goes, "Darling..."
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"Never in the middle
of the shot, please!"
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And that's Golan.
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00:04:21,042 --> 00:04:23,177
MAN: They already had their
eye on an international market.
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The Raid on Entebbe was
a natural for them to do
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00:04:25,579 --> 00:04:27,916
because Israel
was at their feet.
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Put your hands on your head!
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To the back!
Keep going!
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Menahem and Yoram were the
kings of Hollywood in Israel.
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This is a grenade,
and we can blow the plane up!
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00:04:37,758 --> 00:04:38,927
SYBIL: They got the military.
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SAM: We are shooting a scene
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and four Hercules
are in the background.
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BOAZ: And the pilot was
taking off and landing,
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taking off and landing.
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And he said, "Listen, I cannot
work anymore. I'm tired."
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SAM: So Menahem, he is
very adamant about shooting.
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He cannot take it that
something will stop his momentum.
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00:04:56,277 --> 00:04:58,079
So he just picked up an Uzi...
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00:04:58,146 --> 00:05:00,181
Points it right at
the head of the pilot.
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00:05:00,248 --> 00:05:02,951
And said, "You better
go back to the cockpit"
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00:05:03,017 --> 00:05:04,352
"and do what
I'm telling you."
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You can't stop him.
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QUENTIN: One of
Menahem's young sidekicks
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was a guy called Boaz Davidson,
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who came up with the
Lemon Popsicle series of films.
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BOAZ: Lemon Popsicle was
based on my escapades
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and growing-up pains.
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00:05:19,833 --> 00:05:23,737
Since we were dealing
with discovering of sex,
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we had to go where
people didn't go before.
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Menahem didn't want to
make this kind of movie.
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00:05:29,143 --> 00:05:31,379
Yoram was a little
bit more daring
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00:05:31,445 --> 00:05:33,247
because he was
a little bit younger,
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00:05:33,314 --> 00:05:35,149
but both of them were
very conservative.
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00:05:35,216 --> 00:05:36,985
I think some of
the intelligentsia
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00:05:37,051 --> 00:05:40,488
saw it as something which
was very vulgar. (MOANING)
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00:05:40,554 --> 00:05:42,456
BOAZ: A neighbor
told my mom that,
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"Your son did
Lemon Popsicle?"
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Steady. Keep it there.
It's growing.
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00:05:47,061 --> 00:05:49,030
She said, "Yes".
She spitted on the floor
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00:05:49,097 --> 00:05:52,533
and she said, "Wow.
This is horrible".
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00:05:52,600 --> 00:05:54,335
You all right?
Could be better.
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00:05:54,402 --> 00:05:55,503
"Horrible."
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It was a population
of 3.5 million people,
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and the first run of the movie,
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1.3 million people saw it.
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00:06:01,742 --> 00:06:04,979
BOAZ: The number one
box office success of Israel
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until this very day.
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00:06:06,480 --> 00:06:08,849
So Menahem and Yoram
made huge amount of money.
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00:06:08,916 --> 00:06:11,652
They had a goal,
and it was a dream,
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00:06:11,719 --> 00:06:15,956
and the dream was to be
successful all over the world,
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and mainly in Hollywood.
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00:06:17,491 --> 00:06:20,194
It happens they bought
this small company
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which was called Cannon.
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We ran the company for 13 years.
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It created something
like 70 pictures.
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JOHN G. AVILDSEN: They were
doing various skin flicks,
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exploitation,
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00:06:29,170 --> 00:06:31,372
or buying Swiss skin
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00:06:31,439 --> 00:06:34,042
and adding some
extra scenes to it.
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00:06:34,108 --> 00:06:35,676
CHRISTOPHER: We made
Inga in Sweden,
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and when you're shooting
in a foreign language,
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in Swedish, in this case,
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it becomes Bergmanesque,
it becomes an art film,
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00:06:41,315 --> 00:06:43,151
but our art film had
lots of nudity in it.
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NARRATOR: Don't
bother to translate it.
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It means the same
in any language.
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Dewey said, "We've
raised some money"
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00:06:49,357 --> 00:06:50,624
"to make this other picture,"
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"but we've realized
it's a terrible idea"
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"and we've got
to make something"
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"or otherwise we're going to
have to give the money back."
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"Have you got any ideas?"
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JOE: You goddamn
nigger-loving hippies
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getting away with murder.
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Sex, drugs, pissing on America,
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fucking up the music.
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00:07:04,172 --> 00:07:05,573
I'd like to kill one of them.
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(GUNSHOT)
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Joe turned out to be one of
the biggest pictures of 1970.
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00:07:09,877 --> 00:07:11,212
It reflected the headlines.
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00:07:11,279 --> 00:07:13,614
Hippies and hardhats
and the war,
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00:07:13,681 --> 00:07:16,284
and whether Nixon was
a good guy or a bad guy.
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00:07:16,350 --> 00:07:18,552
People said, "Gee, you've
gotta see this, Charlie.
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00:07:18,619 --> 00:07:19,687
"It's terrific."
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00:07:19,753 --> 00:07:20,921
JOE: All you gotta do
is act black
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and the money rolls in.
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I sweat my balls off
40 hours a week
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in front of a fucking furnace.
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They get as much money as I do.
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When we started making
movies, Inga was $50,000.
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00:07:30,431 --> 00:07:33,367
Joe cost us $372,000.
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00:07:33,434 --> 00:07:36,104
And by the time we did
The Happy Hooker,
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it was $1.2 million,
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and that was just a heck of a
lot of money to have to raise
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from individuals.
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And Menahem and Yoram
came along and said,
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"We want to make movies now
in the United States."
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They came to town,
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for lack of a better term.
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MAN: They just wanted
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00:07:50,618 --> 00:07:53,387
to put together
an instant library
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of films that had
their name on it.
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00:07:55,723 --> 00:07:59,393
"Here's the thing,
it's 17 January today."
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"You're shooting on 4 March
with Klaus Kinski."
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00:08:02,996 --> 00:08:04,965
NARRATOR: Sick with revenge.
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00:08:05,032 --> 00:08:06,967
Twisted with hate.
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00:08:07,034 --> 00:08:08,769
You make me sick.
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00:08:08,836 --> 00:08:11,139
Don't!
(SCREAMING) No!
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00:08:12,206 --> 00:08:13,641
NARRATOR: Schizoid.
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00:08:13,707 --> 00:08:15,743
MAN: So at the beginning,
they started to do
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00:08:15,809 --> 00:08:17,378
the same kind of movies.
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00:08:17,445 --> 00:08:20,448
MAN 2: Low-budget movies
with a hint of sex.
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00:08:20,514 --> 00:08:21,815
MAN 3: Horror movies.
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00:08:24,152 --> 00:08:25,553
Help me!
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00:08:27,188 --> 00:08:28,489
BOAZ: The movie X-Ray
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00:08:28,556 --> 00:08:30,891
was one of those slasher movies.
205
00:08:30,958 --> 00:08:32,426
Barbi Benton was the star
206
00:08:32,493 --> 00:08:35,062
and you couldn't do
a movie with Barbi Benton
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00:08:35,129 --> 00:08:36,530
without showing her body.
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00:08:36,597 --> 00:08:39,967
MARTINE BESWICK: Their
idea of films at that time
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had to have a lot of nudity,
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00:08:41,335 --> 00:08:42,870
because that's what
the public wanted,
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00:08:42,936 --> 00:08:45,473
according to their
mentality, their thinking.
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00:08:45,539 --> 00:08:46,640
MAN: When they were shooting.
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00:08:46,707 --> 00:08:48,276
The Happy Hooker Goes Hollywood
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00:08:48,342 --> 00:08:49,810
I remember Martine saying
215
00:08:49,877 --> 00:08:51,445
that when she would
walk off the set
216
00:08:51,512 --> 00:08:53,314
they were bringing
fucking into the thing.
217
00:08:53,381 --> 00:08:54,582
BESWICK: There in the pool,
218
00:08:54,648 --> 00:08:56,917
they had all these extras at it,
219
00:08:56,984 --> 00:08:59,353
and I was absolutely furious,
220
00:08:59,420 --> 00:09:01,455
because this is not
what I signed on for.
221
00:09:01,522 --> 00:09:04,525
What I want is a boffo socko,
kiss my grocer's movie.
222
00:09:04,592 --> 00:09:07,295
BESWICK: It was about
a conniving studio
223
00:09:07,361 --> 00:09:09,730
who were really
rotten and horrid,
224
00:09:09,797 --> 00:09:11,965
and, of course, that's
exactly what I was dealing with
225
00:09:12,032 --> 00:09:13,534
with Golan and Globus.
226
00:09:13,601 --> 00:09:15,035
RUSTY LEMORANDE: They
either piled gifts on you
227
00:09:15,102 --> 00:09:17,338
and treated you
like a favorite child,
228
00:09:17,405 --> 00:09:18,772
or they were mean and bullish
229
00:09:18,839 --> 00:09:21,275
and made you fear
for your career.
230
00:09:21,342 --> 00:09:23,744
They carry with them
the Israeli temperament.
231
00:09:23,811 --> 00:09:26,013
MAN: They would
go through walls
232
00:09:26,079 --> 00:09:27,248
in order to get what they want.
233
00:09:27,315 --> 00:09:29,183
Menahem had no trouble yelling.
234
00:09:29,250 --> 00:09:30,718
Up would come the hands,
235
00:09:30,784 --> 00:09:33,321
and the Israeli accent would
get thicker and thicker.
236
00:09:33,387 --> 00:09:34,988
They were screaming
at each other,
237
00:09:35,055 --> 00:09:36,257
just screaming.
238
00:09:36,324 --> 00:09:39,092
"(MUMBLING) Chris!
(MUMBLING) Chris!"
239
00:09:39,159 --> 00:09:41,362
You know, my name
kept coming up.
240
00:09:41,429 --> 00:09:42,496
I kept saying to this reporter,
241
00:09:42,563 --> 00:09:43,531
"What are they
talking about?"
242
00:09:43,597 --> 00:09:45,165
"What are they talking..."
243
00:09:45,233 --> 00:09:47,535
And they were deciding which
deli to take me to lunch.
244
00:09:47,601 --> 00:09:52,206
It wasn't anger, it was just
fierceness and robustness
245
00:09:52,273 --> 00:09:53,741
and passion.
246
00:09:53,807 --> 00:09:55,008
MAN: They were extremely
fond of each other.
247
00:09:55,075 --> 00:09:56,544
Clearly they were family.
248
00:09:56,610 --> 00:09:58,512
MENAHEM: We are
unique partners, I think.
249
00:09:58,579 --> 00:09:59,980
It's more than brothers.
250
00:10:00,047 --> 00:10:02,883
We forge each other's
signatures on checks,
251
00:10:02,950 --> 00:10:04,285
if you understand...
252
00:10:04,352 --> 00:10:06,153
That is the maximum way
you can get to.
253
00:10:06,220 --> 00:10:09,122
You couldn't break that
relationship that they had.
254
00:10:09,189 --> 00:10:10,558
They trusted each
other completely.
255
00:10:10,624 --> 00:10:14,262
Yet there was a real
Yin and Yang quality.
256
00:10:14,328 --> 00:10:15,863
They seemed
to approach filmmaking
257
00:10:15,929 --> 00:10:17,265
entirely differently.
258
00:10:17,331 --> 00:10:21,535
Menahem is a dreamer
and he's a grown-up kid.
259
00:10:21,602 --> 00:10:23,737
And he's doing everything
he's always wanted to do.
260
00:10:23,804 --> 00:10:27,241
He would sit and
dream about projects
261
00:10:27,308 --> 00:10:29,543
and people and stories.
262
00:10:29,610 --> 00:10:32,546
And Yoram was a shrewd
businessperson
263
00:10:32,613 --> 00:10:34,848
who had to keep everything tight
264
00:10:34,915 --> 00:10:36,049
so Menahem can work.
265
00:10:36,116 --> 00:10:39,487
He wasn't ebullient,
he wasn't loud,
266
00:10:39,553 --> 00:10:41,822
he wasn't a center of attention.
267
00:10:41,889 --> 00:10:42,790
He stood in the shadows.
268
00:10:42,856 --> 00:10:46,026
Maybe the best film salesman
269
00:10:46,093 --> 00:10:47,328
the world has ever known.
270
00:10:47,395 --> 00:10:49,330
I'm Yoram Globus.
He's our president.
271
00:10:49,397 --> 00:10:51,432
Nice to meet you.
272
00:10:51,499 --> 00:10:53,734
Dour, watchful,
a little bit suspicious.
273
00:10:53,801 --> 00:10:55,436
Cold and hard and tough.
274
00:10:55,503 --> 00:10:57,805
YORAM: It's Yoram.
Where is my money?
275
00:10:57,871 --> 00:11:00,841
You promise and promise and
promise and you are not paying.
276
00:11:00,908 --> 00:11:04,345
They were opposite, but
together when they went to banks,
277
00:11:04,412 --> 00:11:07,381
it was exactly
the combination you needed
278
00:11:07,448 --> 00:11:10,451
to raise money for this dream,
279
00:11:10,518 --> 00:11:11,819
and they did.
280
00:11:11,885 --> 00:11:13,954
We came to America
to make American movies
281
00:11:14,021 --> 00:11:16,757
that could be sold to
independent distributors
282
00:11:16,824 --> 00:11:17,625
around the world,
283
00:11:17,691 --> 00:11:19,226
with production values...
284
00:11:19,293 --> 00:11:20,461
(SCREAMING)
With a good story,
285
00:11:20,528 --> 00:11:22,430
with... call it star system,
286
00:11:22,496 --> 00:11:25,299
and bring it to the world, not via
the major companies. (SCREAMING)
287
00:11:25,366 --> 00:11:28,969
They invented the way the
independent company work today.
288
00:11:29,036 --> 00:11:30,137
They create a poster
289
00:11:30,203 --> 00:11:32,172
of a movie they intend to make.
290
00:11:32,239 --> 00:11:34,875
They sell it to foreign buyers.
291
00:11:34,942 --> 00:11:38,211
They take that money,
they make the picture
292
00:11:38,278 --> 00:11:39,947
and deliver it
the following season.
293
00:11:40,013 --> 00:11:41,749
NARRATOR: Now
a special experience
294
00:11:41,815 --> 00:11:43,851
in movie-going entertainment.
295
00:11:43,917 --> 00:11:45,619
The Apple.
(GRUNTS)
296
00:11:45,686 --> 00:11:49,056
The Apple, the Mount
Everest of bad musicals,
297
00:11:49,122 --> 00:11:50,558
and Menahem directed it.
298
00:11:50,624 --> 00:11:53,561
* Magic Apple, mystery Apple
299
00:11:53,627 --> 00:11:56,597
* Take a little ride
Let me be your guide
300
00:11:56,664 --> 00:11:58,231
* Through the Apple paradise *
301
00:11:58,298 --> 00:12:00,968
The Apple was going to
be Menahem's Tommy.
302
00:12:01,034 --> 00:12:02,536
* Hey, hey, hey.
303
00:12:02,603 --> 00:12:05,072
DEL VALLE: It was his
attempt to be Ken Russell.
304
00:12:06,206 --> 00:12:08,909
"I'm better than Ken Russell!"
305
00:12:08,976 --> 00:12:11,679
He thought it was going to be
incredibly commercial,
306
00:12:11,745 --> 00:12:14,648
He thought it was incredibly
imaginative and creative.
307
00:12:14,715 --> 00:12:17,017
I can't explain, The Apple
to you. Can anybody?
308
00:12:17,084 --> 00:12:21,589
It's the story of creation,
according to Menahem.
309
00:12:21,655 --> 00:12:23,857
STEWART: A classic story
of good and evil
310
00:12:23,924 --> 00:12:26,927
set in the music industry
in the future.
311
00:12:26,994 --> 00:12:31,499
NARRATOR: In 1994, the
world is controlled by one power.
312
00:12:31,565 --> 00:12:33,634
The Apple is success.
313
00:12:33,701 --> 00:12:35,469
DAVID:
Menahem's idea of the future
314
00:12:35,536 --> 00:12:37,405
is 2025, Tel Aviv.
315
00:12:37,471 --> 00:12:39,940
ALAIN JAKUBOWICZ: He wanted
to show the world of the hippies,
316
00:12:40,007 --> 00:12:41,642
except Menahem is not a hippie,
317
00:12:41,709 --> 00:12:45,012
so he didn't really know
how to approach it.
318
00:12:45,078 --> 00:12:46,213
ALL:
Peace.
319
00:12:46,279 --> 00:12:49,817
In every way, it is bold.
320
00:12:49,883 --> 00:12:52,185
It will have a song
called 'I'm Coming'.
321
00:12:52,252 --> 00:12:55,589
* Ooh, coming
322
00:12:55,656 --> 00:12:58,659
* Coming for you
323
00:12:59,493 --> 00:13:00,994
* Feel me coming.
324
00:13:01,061 --> 00:13:02,496
STEWART: I was
perfect for the role of Bibi
325
00:13:02,563 --> 00:13:04,598
because I was so naive.
(LAUGHS)
326
00:13:04,665 --> 00:13:07,067
I was like, "Oh, he's coming
over here for me. Okay."
327
00:13:07,134 --> 00:13:11,338
That's how I read it, even
with the dance and everything.
328
00:13:11,405 --> 00:13:13,040
Pretty bad.
I know it's pathetic.
329
00:13:13,106 --> 00:13:17,077
He was so sure that the movie
is going to be a hit,
330
00:13:17,144 --> 00:13:18,546
a big hit.
331
00:13:18,612 --> 00:13:20,047
STEWART: So
when we were at the screening
332
00:13:20,113 --> 00:13:21,715
and the opposite happened,
333
00:13:21,782 --> 00:13:24,217
he was devastated.
(BOOING)
334
00:13:24,284 --> 00:13:25,853
They gave complimentary
soundtracks,
335
00:13:25,919 --> 00:13:28,756
and when the movie was over,
they threw them at the screen
336
00:13:28,822 --> 00:13:30,824
and they were embedded
in the screen.
337
00:13:30,891 --> 00:13:33,393
ALAIN: I think he was
in advance of his time
338
00:13:33,461 --> 00:13:34,728
when he did The Apple.
339
00:13:34,795 --> 00:13:36,864
(LAUGHS)
340
00:13:36,930 --> 00:13:39,332
One of the great things
that we are all looking for
341
00:13:39,399 --> 00:13:41,168
is more life,
342
00:13:41,234 --> 00:13:42,870
life, another life,
343
00:13:42,936 --> 00:13:45,606
life beyond what we are limited
344
00:13:45,673 --> 00:13:48,476
to on our earth,
345
00:13:49,276 --> 00:13:51,879
life beyond E.T.
346
00:13:52,946 --> 00:13:54,515
Life up there.
347
00:13:54,582 --> 00:13:57,417
And that's what
cinema provides us.
348
00:13:57,485 --> 00:13:59,720
They loved film more than any,
349
00:13:59,787 --> 00:14:02,355
like, executive or mogul
350
00:14:02,422 --> 00:14:04,157
that I'd ever talked to.
351
00:14:04,224 --> 00:14:05,959
You were talking with them
about something else,
352
00:14:06,026 --> 00:14:08,796
they'd say, "Listen,
talk with me about movies."
353
00:14:08,862 --> 00:14:11,532
They'd have four hours free,
they'd go to a movie,
354
00:14:11,599 --> 00:14:13,166
even though the film
was in German
355
00:14:13,233 --> 00:14:14,902
and they didn't speak German,
they would go to the movies.
356
00:14:14,968 --> 00:14:17,404
Cannon is the only company
who loves cinema.
357
00:14:17,471 --> 00:14:20,407
We don't have other
hobbies. Cinema is our life.
358
00:14:20,474 --> 00:14:23,043
"When can you start?" I said, "Well,
I'm getting married on Saturday."
359
00:14:23,110 --> 00:14:24,912
(MIMICKING MENAHEM)
"How long will that take?"
360
00:14:24,978 --> 00:14:26,614
NARRATOR: They run
their company like a factory,
361
00:14:26,680 --> 00:14:28,048
a no-frills operation
362
00:14:28,115 --> 00:14:30,518
where long hours
and low pay are the norm,
363
00:14:30,584 --> 00:14:33,253
where every penny
ends up on the screen,
364
00:14:33,320 --> 00:14:34,722
not on an expense account.
365
00:14:34,788 --> 00:14:37,791
"Boys, we'll eat lunch
in the office."
366
00:14:37,858 --> 00:14:39,527
Menahem ran down the hall,
367
00:14:39,593 --> 00:14:40,628
went to the assistant's room,
368
00:14:40,694 --> 00:14:42,262
grabbed his plate
of Chinese food,
369
00:14:42,329 --> 00:14:43,964
and said, "Give me that."
370
00:14:44,031 --> 00:14:46,567
And ran back and said, "We
got you some Chinese food."
371
00:14:46,634 --> 00:14:48,068
The door would open
372
00:14:48,135 --> 00:14:50,971
and an assistant would
bring in some Styrofoam cups
373
00:14:51,038 --> 00:14:53,674
and a couple of those
Styrofoam carry-out trays.
374
00:14:53,741 --> 00:14:54,975
Meetings took place
375
00:14:55,042 --> 00:14:56,677
while he's shoving
pickles in his face.
376
00:14:56,744 --> 00:14:59,279
99% of the budget of a picture
377
00:14:59,346 --> 00:15:00,748
is going to the screen,
378
00:15:00,814 --> 00:15:04,084
not with all
the limouisine-shmimousine,
379
00:15:04,151 --> 00:15:07,655
lunches-bunches
and all this nonsense.
380
00:15:07,721 --> 00:15:09,690
They're not about
the schmoozing,
381
00:15:09,757 --> 00:15:11,725
they're about
getting things done.
382
00:15:11,792 --> 00:15:13,961
We are not the kind of people
383
00:15:14,027 --> 00:15:16,797
of Ma Maison or
Jimmy's in Hollywood,
384
00:15:16,864 --> 00:15:18,098
the restaurants, you know.
385
00:15:18,165 --> 00:15:19,800
We are not going
to Apollo Lounge.
386
00:15:19,867 --> 00:15:22,269
We do not play tennis.
Look at me.
387
00:15:22,335 --> 00:15:23,336
I don't, I'm sorry.
388
00:15:23,403 --> 00:15:24,805
"I don't go to tennis courts,"
389
00:15:24,872 --> 00:15:27,374
"I don't go to big, lavish
parties in Malibu."
390
00:15:27,440 --> 00:15:30,077
Well, the reason he didn't
was because he wasn't invited.
391
00:15:30,143 --> 00:15:34,147
I just had in my head what
a movie producer should be
392
00:15:34,214 --> 00:15:37,585
and Menahem just didn't quite
fit that picture.
393
00:15:37,651 --> 00:15:38,886
(CAMERA CLICKING)
394
00:15:38,952 --> 00:15:40,554
The shirts were too tight.
395
00:15:40,621 --> 00:15:42,122
The end of the screening, he'd
be trying to button his pants.
396
00:15:42,189 --> 00:15:45,225
You know Jabba the Hutt?
Menahem Golan.
397
00:15:45,292 --> 00:15:47,995
If Jabba the Hutt were
on meth or something.
398
00:15:48,061 --> 00:15:51,531
The only thing that motivated
and guided these two men
399
00:15:51,599 --> 00:15:53,000
was the love of movies,
400
00:15:53,066 --> 00:15:55,669
and this goes back to when
they were kids in Tel Aviv
401
00:15:55,736 --> 00:15:57,404
watching American movies.
402
00:15:57,470 --> 00:15:58,906
He wanted to remake
403
00:15:58,972 --> 00:16:02,109
the picture he had seen
as a young guy and loved.
404
00:16:02,175 --> 00:16:03,677
Menahem said,
"I have a wonderful idea."
405
00:16:03,744 --> 00:16:05,145
"I want all the monster men."
406
00:16:05,212 --> 00:16:07,214
"Boris Karloff
and Bela Lugosi."
407
00:16:07,280 --> 00:16:08,816
I said,
"But they're dead."
408
00:16:08,882 --> 00:16:11,619
VINCENT PRICE: Welcome to
the House of the Long Shadows.
409
00:16:11,685 --> 00:16:13,854
The masters of horror
are moving in.
410
00:16:13,921 --> 00:16:15,656
Vincent Price, that's me.
411
00:16:15,723 --> 00:16:17,190
Peter Cushing.
Christopher Lee.
412
00:16:17,257 --> 00:16:19,226
You're not going to make
a movie with these guys
413
00:16:19,292 --> 00:16:21,028
that is going to
frighten anybody.
414
00:16:21,094 --> 00:16:23,997
(GIRL SCREAMING)
415
00:16:24,064 --> 00:16:25,532
It's not going to be
a horror movie.
416
00:16:25,599 --> 00:16:26,967
(BOTH SCREAMING)
(BAT SHRIEKING)
417
00:16:27,034 --> 00:16:29,402
It's going to have to be
a nostalgia piece.
418
00:16:29,469 --> 00:16:31,104
(OPERATIC SINGING)
419
00:16:31,171 --> 00:16:33,306
But I think they were happy
to send themselves up.
420
00:16:33,373 --> 00:16:36,043
Piano wire. He must have
heard her singing.
421
00:16:36,109 --> 00:16:39,146
I knew it wasn't going to be
successful as a theatrical movie.
422
00:16:39,212 --> 00:16:42,549
With all those horror stars
and a kind of horror title,
423
00:16:42,616 --> 00:16:44,151
it got a PG rating.
424
00:16:44,217 --> 00:16:46,086
(SCREAMS)
425
00:16:46,153 --> 00:16:48,055
So you've got
a family horror movie.
426
00:16:48,121 --> 00:16:50,423
There were cinemas out there
that needed to be filled
427
00:16:50,490 --> 00:16:52,926
with something,
and that's what Cannon did.
428
00:16:52,993 --> 00:16:54,194
Really what they made
429
00:16:54,261 --> 00:16:55,929
was whatever they
could put together
430
00:16:55,996 --> 00:16:57,831
that had an actor in it,
that had a name
431
00:16:57,898 --> 00:16:59,166
that they could pre-sell.
432
00:16:59,232 --> 00:17:00,834
OLIVER:
Dutch, Sylvia Kristel.
433
00:17:00,901 --> 00:17:03,070
She was huge, and a big name.
434
00:17:03,136 --> 00:17:06,439
She exuded quiet, erotic desire.
435
00:17:06,506 --> 00:17:08,075
"I'm horny, but stay away."
436
00:17:08,141 --> 00:17:11,078
She was famous for the
Just Jaeckin films.
437
00:17:17,450 --> 00:17:20,253
NARRATOR: The first time
since the original Emmanuelle
438
00:17:20,320 --> 00:17:22,222
that these two
outstanding talents
439
00:17:22,289 --> 00:17:25,325
have been brought together
in Lady Chatterley's Lover.
440
00:17:53,020 --> 00:17:57,825
They sold Sylvia Kristel in a sexy
picture. That's what they'd sold.
441
00:18:00,460 --> 00:18:02,730
NARRATOR: D.H.
Lawrence's classic masterpiece
442
00:18:02,796 --> 00:18:05,032
is now a major motion picture.
443
00:18:17,677 --> 00:18:19,046
They were blown away.
They liked it.
444
00:18:19,112 --> 00:18:20,347
They thought
it was a great picture.
445
00:18:25,485 --> 00:18:28,288
NARRATOR: Sylvia
Kristel is Mata Hari.
446
00:18:28,355 --> 00:18:31,391
Dancer. Lover. Spy.
(GASPS)
447
00:18:31,458 --> 00:18:33,560
When I met her, she
was addicted to cocaine.
448
00:18:33,626 --> 00:18:37,364
By the time she got to Budapest,
she was addicted to booze.
449
00:18:37,430 --> 00:18:40,467
OLIVER: The Italian hairdresser
would go, "Oh, Madonna,
450
00:18:40,533 --> 00:18:41,802
"look at the way she looks!"
451
00:18:41,869 --> 00:18:43,503
She came in looking
like a gargoyle.
452
00:18:43,570 --> 00:18:44,571
She couldn't act...
453
00:18:44,637 --> 00:18:46,006
Your friend Karl
454
00:18:46,073 --> 00:18:47,841
may have already engaged me
to seduce you.
455
00:18:47,908 --> 00:18:51,111
OLIVER: It's an important
role, and she struggled.
456
00:18:53,313 --> 00:18:54,948
The commercial pushing
457
00:18:55,015 --> 00:18:57,951
of erotic scenes
in this film, ruined it.
458
00:18:58,018 --> 00:18:59,419
They called from LA saying,
459
00:18:59,486 --> 00:19:01,922
"Now she's got to get laid
in the trenches as well."
460
00:19:01,989 --> 00:19:03,323
She's getting laid enough.
461
00:19:08,261 --> 00:19:10,530
It's all to do with
taste in the end.
462
00:19:10,597 --> 00:19:12,800
That's sort of the Cannon way.
463
00:19:12,866 --> 00:19:15,002
It completely resembles
464
00:19:15,068 --> 00:19:17,838
something, minus good taste.
465
00:19:17,905 --> 00:19:20,440
I've taken the script, you
know, I'm opening the first page,
466
00:19:20,507 --> 00:19:23,210
and then so I start
reading, and it says,
467
00:19:23,276 --> 00:19:25,145
"Na-na, na-na,
suck my banana."
468
00:19:25,212 --> 00:19:27,447
This was one of the first
lines of the film.
469
00:19:27,514 --> 00:19:31,051
What they didn't have in taste,
they made up for in enthusiasm.
470
00:19:31,118 --> 00:19:32,920
Alright, let's cut this shit,
471
00:19:32,986 --> 00:19:35,422
and now let's all get serious.
472
00:19:35,488 --> 00:19:38,458
* Dance all night, play all day
473
00:19:38,525 --> 00:19:39,827
* One, two, three
474
00:19:39,893 --> 00:19:42,129
* Don't let nothing
get in the way *
475
00:19:42,195 --> 00:19:44,297
Last American Virgin was a...
476
00:19:44,364 --> 00:19:47,801
Almost by-the-numbers
remake of Lemon Popsicle.
477
00:19:47,868 --> 00:19:49,169
They changed very little.
478
00:19:49,236 --> 00:19:51,204
They just brought the plot
to America.
479
00:19:51,271 --> 00:19:54,875
When I first got the script, I
thought, "What is this film?"
480
00:19:54,942 --> 00:19:56,476
"It's... it's got
two different tones."
481
00:19:56,543 --> 00:20:00,547
On one hand there's this
sexploitation aspect to it,
482
00:20:00,613 --> 00:20:01,849
and then the other half of it
483
00:20:01,915 --> 00:20:04,284
was this really wonderful
love story.
484
00:20:04,351 --> 00:20:06,519
It had all these
controversial issues
485
00:20:06,586 --> 00:20:08,822
with the abortion
and the prostitution.
486
00:20:08,889 --> 00:20:10,523
Alright, cowboys,
who's gonna be first?
487
00:20:10,590 --> 00:20:12,092
I wanna get this over with.
488
00:20:12,159 --> 00:20:13,693
FRANKLIN: Then the
crabs, there's cocaine
489
00:20:13,760 --> 00:20:16,396
and there's high-schoolers
doing all this stuff.
490
00:20:16,463 --> 00:20:18,598
Now, you two have fun. (SIGHS)
491
00:20:18,665 --> 00:20:20,800
WOMARK: The good guy and his
best friend who's super good-looking
492
00:20:20,868 --> 00:20:24,004
who always is with the young
ladies. Gets somebody pregnant.
493
00:20:24,071 --> 00:20:25,839
It's actually the girl
he gets pregnant
494
00:20:25,906 --> 00:20:27,841
is the girl that our hero
really loves
495
00:20:27,908 --> 00:20:30,277
and, of course, the
good-looking guy bails on her
496
00:20:30,343 --> 00:20:32,645
and our hero has to basically
take her to the hospital
497
00:20:32,712 --> 00:20:33,981
the day of the abortion,
498
00:20:34,047 --> 00:20:35,815
and in order
to pay for the abortion,
499
00:20:35,883 --> 00:20:37,350
he's a pizza delivery guy.
500
00:20:37,417 --> 00:20:40,753
An abortion is being played
with U2 music under it,
501
00:20:40,820 --> 00:20:43,756
and you go from a doctor
performing an abortion
502
00:20:43,823 --> 00:20:46,193
to some guy cutting a pizza.
503
00:20:46,259 --> 00:20:50,030
Guys, really? I mean, that's
insane. That's just nuts.
504
00:20:50,097 --> 00:20:51,564
They had really high hopes
505
00:20:51,631 --> 00:20:54,134
that this movie would
kind of cross over,
506
00:20:54,201 --> 00:20:55,768
teenage movie, this would be it.
507
00:20:55,835 --> 00:20:57,504
NARRATOR: The Last
American Virgin.
508
00:20:57,570 --> 00:20:59,306
See it or be it.
509
00:20:59,372 --> 00:21:00,373
ALL: Yeah!
510
00:21:00,440 --> 00:21:04,044
I thought it was an odd
script for America.
511
00:21:04,111 --> 00:21:05,445
Hi.
How's it going?
512
00:21:05,512 --> 00:21:07,247
Are you here to interview
me or to fuck me?
513
00:21:07,314 --> 00:21:10,583
I think a lot of the
traditions or customs
514
00:21:10,650 --> 00:21:11,818
didn't translate so well.
515
00:21:11,885 --> 00:21:13,453
For instance, after the abortion
516
00:21:13,520 --> 00:21:16,456
Gary brings her a Christmas
tree and a bag of oranges.
517
00:21:16,523 --> 00:21:19,026
It must have meant something
in Israel. I have no idea.
518
00:21:19,092 --> 00:21:21,995
DAVIDSON: My goal
was to do a real story,
519
00:21:22,062 --> 00:21:24,531
and I think it was
very dangerous,
520
00:21:24,597 --> 00:21:27,434
especially for the
American market,
521
00:21:27,500 --> 00:21:31,704
because in America,
everything has to end up
522
00:21:31,771 --> 00:21:32,940
really, really happy.
523
00:21:33,006 --> 00:21:34,874
American movies are so American
524
00:21:34,942 --> 00:21:37,610
that when they're not American,
everybody picks that up.
525
00:21:37,677 --> 00:21:42,082
We will always do films that
are a little different, I think,
526
00:21:42,149 --> 00:21:44,851
because of our background
and mentality.
527
00:21:44,918 --> 00:21:46,619
They were foreigners,
528
00:21:46,686 --> 00:21:49,756
and I think we needed
some American element.
529
00:21:49,822 --> 00:21:51,691
They did bring over
a lot of Israelis,
530
00:21:51,758 --> 00:21:54,962
um, that were not gonna
help them
531
00:21:55,028 --> 00:21:56,829
infiltrate the domestic market.
532
00:21:56,896 --> 00:21:58,365
They all spoke English,
533
00:21:58,431 --> 00:22:02,069
but they didn't really
understand the American idiom.
534
00:22:02,135 --> 00:22:04,404
I think that was a problem,
535
00:22:04,471 --> 00:22:06,974
you know, judging the material.
536
00:22:07,040 --> 00:22:11,311
When they tapped into,
or stumbled into,
537
00:22:11,378 --> 00:22:13,213
the right idea, it worked.
538
00:22:13,280 --> 00:22:15,282
(MIMICKING MENAHEM)
"David, it's Menahem."
539
00:22:15,348 --> 00:22:18,518
And I said, "What?" And he said, "I
want to offer you a great opportunity."
540
00:22:18,585 --> 00:22:22,122
He said, "We're going
to make a sequel"
541
00:22:22,189 --> 00:22:24,524
"to one of the great
movies of the 1970s."
542
00:22:24,591 --> 00:22:26,859
I said, "What, are you
going to do Godfather III?"
543
00:22:26,926 --> 00:22:28,028
And he goes, "Close."
544
00:22:28,095 --> 00:22:29,462
NARRATOR: Death Wish II.
545
00:22:29,529 --> 00:22:31,564
He's doing it for you.
Aarggh!
546
00:22:31,631 --> 00:22:34,201
Death Wish II,
was the first legitimate,
547
00:22:34,267 --> 00:22:37,004
real Hollywood film they made.
548
00:22:37,070 --> 00:22:39,872
An anticipated sequel
to a hit movie,
549
00:22:39,939 --> 00:22:41,641
with a movie star.
550
00:22:41,708 --> 00:22:43,810
MICHAEL WINNER: Death Wish,
was on many of the 10-best-of-the-year
551
00:22:43,876 --> 00:22:45,012
film lists in America,
552
00:22:45,078 --> 00:22:46,479
was treated very seriously,
553
00:22:46,546 --> 00:22:48,448
and I think society
has now changed enough,
554
00:22:48,515 --> 00:22:49,616
eight years later,
555
00:22:49,682 --> 00:22:51,151
which is a long time
to wait for a sequel,
556
00:22:51,218 --> 00:22:52,885
to make a story
of some relevance.
557
00:22:52,952 --> 00:22:54,521
I was trying to deal
with a character
558
00:22:54,587 --> 00:22:57,657
who did not want to go back
to where he had been.
559
00:22:57,724 --> 00:22:59,426
He had lost his wife,
560
00:22:59,492 --> 00:23:02,162
his daughter was
in a mental institution,
561
00:23:02,229 --> 00:23:03,730
he has his outing with her,
562
00:23:03,796 --> 00:23:05,132
he's harassed by these punks,
563
00:23:05,198 --> 00:23:07,267
they pickpocket him,
they come back,
564
00:23:07,334 --> 00:23:10,037
they ravage his maid,
his daughter dies,
565
00:23:10,103 --> 00:23:12,139
and because of her
mental illness,
566
00:23:12,205 --> 00:23:15,042
the police won't prosecute
as a homicide.
567
00:23:15,108 --> 00:23:17,077
The violence in
the second film was there
568
00:23:17,144 --> 00:23:18,611
so Bronson can get to work.
569
00:23:18,678 --> 00:23:21,348
NARRATOR: When murder
and rape are the crimes,
570
00:23:21,414 --> 00:23:24,384
Bronson is the only punishment.
571
00:23:24,451 --> 00:23:26,386
Do you believe in Jesus?
572
00:23:26,453 --> 00:23:27,454
Yes, I do.
573
00:23:27,520 --> 00:23:29,456
Well, you're gonna meet him.
574
00:23:29,522 --> 00:23:31,291
DAVID: My script was
original, it was clever.
575
00:23:31,358 --> 00:23:33,326
It was much better
than the film itself,
576
00:23:33,393 --> 00:23:36,163
which I was somewhat appalled
by when I first saw it.
577
00:23:36,229 --> 00:23:39,432
I was upset about the amount
578
00:23:39,499 --> 00:23:42,169
of violence mixed with sex.
579
00:23:42,235 --> 00:23:45,105
It moved it into
a different type of film
580
00:23:45,172 --> 00:23:46,739
that I did not want to be in.
581
00:23:46,806 --> 00:23:50,310
Rape is a terrible thing,
but it does happen.
582
00:23:50,377 --> 00:23:52,312
It is very much on the minds
of the public,
583
00:23:52,379 --> 00:23:55,082
and I see no reason why
any subject
584
00:23:55,148 --> 00:23:56,949
should be excluded from drama.
585
00:23:57,016 --> 00:23:58,485
This was just
to get his rocks off.
586
00:23:58,551 --> 00:24:00,220
The script did not need it.
587
00:24:00,287 --> 00:24:02,055
The rape scenes
of the British version
588
00:24:02,122 --> 00:24:03,390
have been cut by four minutes
589
00:24:03,456 --> 00:24:05,358
by the British film censor
James Firman,
590
00:24:05,425 --> 00:24:07,960
who had this to say, "This
is about as irresponsible
591
00:24:08,027 --> 00:24:09,596
"as a filmmaker could be"
592
00:24:09,662 --> 00:24:11,298
"in the treatment of rape
for purely commercial ends."
593
00:24:11,364 --> 00:24:13,100
"This director
is simply trying to stir up"
594
00:24:13,166 --> 00:24:14,501
"as much controversy
as possible"
595
00:24:14,567 --> 00:24:16,169
"because he's in desperate
need of a hit."
596
00:24:16,236 --> 00:24:20,207
The critics really were
very, very outspoken
597
00:24:20,273 --> 00:24:24,043
about how they were
really upset about the film.
598
00:24:24,111 --> 00:24:26,546
WOMAN: It is obviously very
much on Mr. Winner's mind
599
00:24:26,613 --> 00:24:27,414
to be sodomized.
600
00:24:27,480 --> 00:24:28,948
I hope it happens to him soon.
601
00:24:29,015 --> 00:24:31,551
He loved that. He loved
to get people talking.
602
00:24:31,618 --> 00:24:33,420
Michael thrived on controversy.
603
00:24:33,486 --> 00:24:35,122
HARTMAN: Menahem and Yoram,
604
00:24:35,188 --> 00:24:37,090
they gave him the carte
blanche to do a lot of things.
605
00:24:37,157 --> 00:24:38,525
"You say you want to shoot
this film like that? Fine."
606
00:24:38,591 --> 00:24:40,059
"You want to shoot
another one? Fine."
607
00:24:40,127 --> 00:24:41,928
Winner's films make money.
608
00:24:41,994 --> 00:24:44,564
NARRATOR: This is the lusty, bawdy,
epic story... (CROWD CHEERING)
609
00:24:44,631 --> 00:24:48,335
Of England's most legendary
robber, the Wicked Lady.
610
00:24:48,401 --> 00:24:51,138
Wicked Lady was his opportunity
611
00:24:51,204 --> 00:24:52,805
to go up a rung
612
00:24:52,872 --> 00:24:55,642
on the director's ladder
of respectability.
613
00:24:55,708 --> 00:24:58,111
They had Faye Dunaway,
they had Sir John Gielgud,
614
00:24:58,178 --> 00:24:59,379
they had Alan Bates,
615
00:24:59,446 --> 00:25:00,947
they had A-list names
in this movie.
616
00:25:01,013 --> 00:25:03,750
And yet he had to put
naked girls in there.
617
00:25:03,816 --> 00:25:06,419
It was almost like he was
sabotaging himself.
618
00:25:06,486 --> 00:25:09,021
Mike wanted to put a bit
of spice into the film
619
00:25:09,088 --> 00:25:11,958
and there was a scene where
they whipped one of the girls.
620
00:25:12,024 --> 00:25:14,394
MARINA SIRTIS: Michael came
up with a pair of scissors
621
00:25:14,461 --> 00:25:16,496
and literally just
cut my costume off,
622
00:25:16,563 --> 00:25:17,997
and said, "Get on with it."
623
00:25:18,064 --> 00:25:21,168
That was the scene that
the movie was sold on.
624
00:25:21,234 --> 00:25:22,835
It didn't really fit
in the film at all.
625
00:25:22,902 --> 00:25:26,105
ALEX WINTER: Michael was
a pathologically brutal,
626
00:25:26,173 --> 00:25:28,941
strange, sadistic, insecure,
627
00:25:29,008 --> 00:25:31,711
egotistical character.
628
00:25:31,778 --> 00:25:34,447
OLIVER: He seems to have
used his job as a director
629
00:25:34,514 --> 00:25:36,283
to, frankly, abuse people.
630
00:25:36,349 --> 00:25:38,851
They always seem to call for
me if things have to be blown up,
631
00:25:38,918 --> 00:25:40,853
people have to be killed,
raped or shot, you see?
632
00:25:40,920 --> 00:25:43,690
I don't know why they call for
a nice, charming chap like me.
633
00:25:43,756 --> 00:25:46,125
(SCREAMS)
634
00:25:46,193 --> 00:25:48,161
MARINA SIRTIS: We're shooting
in a leaky garage,
635
00:25:48,228 --> 00:25:49,329
the rain's coming in
through the roof,
636
00:25:49,396 --> 00:25:50,530
and I'm lying naked.
637
00:25:50,597 --> 00:25:52,064
He wouldn't even let me get up.
638
00:25:52,131 --> 00:25:53,833
He wanted me to
lie there to be lit,
639
00:25:53,900 --> 00:25:56,336
and I was freezing, and
the director of photography
640
00:25:56,403 --> 00:25:58,571
came and put his coat on me
641
00:25:58,638 --> 00:26:01,541
and Winner screamed at him
to get the coat off,
642
00:26:01,608 --> 00:26:03,410
how was he supposed to light me?
643
00:26:03,476 --> 00:26:05,345
Completely illegal,
by union standards,
644
00:26:05,412 --> 00:26:06,779
and total sadism.
645
00:26:06,846 --> 00:26:09,216
Mike would say
to the special effects man,
646
00:26:09,282 --> 00:26:11,584
"Where's a good place
for me to be, John?"
647
00:26:11,651 --> 00:26:15,522
And the crew used to say, "In
the back of the car, Michael."
648
00:26:15,588 --> 00:26:18,291
I think that he was in a way
the perfect Cannon director
649
00:26:18,358 --> 00:26:19,959
because Cannon was
this weird bubble
650
00:26:20,026 --> 00:26:21,194
and everybody in it
651
00:26:21,261 --> 00:26:22,795
had this, sort of,
wink and a nod,
652
00:26:22,862 --> 00:26:25,532
and we do love the movies,
but we want to make money,
653
00:26:25,598 --> 00:26:27,200
and we don't care
about your work conditions
654
00:26:27,267 --> 00:26:28,601
or the quality of the product,
655
00:26:28,668 --> 00:26:30,303
and it was kind of
a weird carnival.
656
00:26:30,370 --> 00:26:32,805
It was, like, movies are
an unreal environment
657
00:26:32,872 --> 00:26:34,073
at the best of times.
658
00:26:34,140 --> 00:26:37,344
And the Cannon movies
were like that times 100.
659
00:26:37,410 --> 00:26:38,711
NARRATOR: The Cannon Group
660
00:26:38,778 --> 00:26:40,380
is proud to introduce
the practitioner
661
00:26:40,447 --> 00:26:42,582
of the oldest and ultimate
martial arts,
662
00:26:42,649 --> 00:26:43,450
the ninja.
663
00:26:43,516 --> 00:26:45,552
Before Menahem, I didn't,
664
00:26:45,618 --> 00:26:48,187
and I bet you
that millions of people
665
00:26:48,255 --> 00:26:50,323
never knew the word 'ninja'.
666
00:26:52,091 --> 00:26:53,260
Aarggh!
667
00:26:53,326 --> 00:26:57,129
He took a title from Bruce Lee
668
00:26:57,196 --> 00:26:59,666
and a director
was sent to do it.
669
00:26:59,732 --> 00:27:04,036
They sent a batch of the first
three days of dailies.
670
00:27:04,103 --> 00:27:05,738
I remember him saying,
671
00:27:05,805 --> 00:27:07,540
"It looks like a hundred-year-old
television show."
672
00:27:07,607 --> 00:27:09,509
"This movie's a disaster."
673
00:27:09,576 --> 00:27:11,744
"Look how he's shooting this! This
guy can't... He's a piece of wood."
674
00:27:11,811 --> 00:27:14,146
He decided to take the picture
over and direct it himself.
675
00:27:14,213 --> 00:27:15,648
He fired the main ninja.
676
00:27:15,715 --> 00:27:20,987
Don't worry. The Manila
Film Festival is on.
677
00:27:21,053 --> 00:27:24,457
There must be somebody
here we can go to.
678
00:27:24,524 --> 00:27:27,193
He said, "Listen,
Franco. We need you."
679
00:27:27,260 --> 00:27:30,029
"You are to replace Mike Stone,"
680
00:27:30,096 --> 00:27:33,400
"because he's a great athlete,
but he cannot act."
681
00:27:33,466 --> 00:27:35,201
GOLDBLATT:
Pretty good casting,
682
00:27:35,268 --> 00:27:37,203
considering he just happened
to be at a restaurant in Manila.
683
00:27:37,270 --> 00:27:38,271
He is no ninja!
684
00:27:38,338 --> 00:27:39,339
He is a ninja!
685
00:27:39,406 --> 00:27:40,407
He is no ninja!
686
00:27:40,473 --> 00:27:42,909
He's so not ninja.
687
00:27:42,975 --> 00:27:44,877
I don't know.
I've never seen a ninja.
688
00:27:47,814 --> 00:27:48,848
Aarggh!
689
00:27:51,384 --> 00:27:53,219
His character's name was Cole
690
00:27:53,286 --> 00:27:55,121
and he was from Texas,
691
00:27:55,187 --> 00:27:56,989
and, of course, Franco speaks...
(ITALIAN ACCENT) like this.
692
00:27:57,056 --> 00:27:58,991
Menahem says, "Don't worry.
He'll still be Cole."
693
00:27:59,058 --> 00:28:00,860
"I can't... I don't have time
to change that now."
694
00:28:00,927 --> 00:28:03,129
He re-dubbed me
with an American voice,
695
00:28:03,195 --> 00:28:05,832
but not my... a voice
that was similar to mine.
696
00:28:05,898 --> 00:28:07,734
(AMERICAN VOICE) A true ninja
doesn't kill.
697
00:28:07,800 --> 00:28:10,870
He eliminates, and only
for defensive purposes.
698
00:28:10,937 --> 00:28:14,607
He loved American actors,
he loves American accents.
699
00:28:14,674 --> 00:28:16,809
Maybe he wanted to be
an American.
700
00:28:16,876 --> 00:28:19,412
MARK GOLDBLATT: Enter, the
Ninja made money, it was a hit,
701
00:28:19,479 --> 00:28:20,880
a popular international success.
702
00:28:20,947 --> 00:28:22,982
Interesting outfit.
Who's your tailor?
703
00:28:23,049 --> 00:28:26,052
I think that movie made,
in a way, Cannon.
704
00:28:26,118 --> 00:28:27,420
Ninja is a big deal.
705
00:28:27,487 --> 00:28:30,156
And Menahem is the one
who did it.
706
00:28:30,222 --> 00:28:33,225
They wanted immediately to
cash in and to make a sequel.
707
00:28:33,292 --> 00:28:35,562
NARRATOR:
Revenge of the Ninja.
708
00:28:35,628 --> 00:28:37,063
WOMARK:
"Here's $700,000."
709
00:28:37,129 --> 00:28:39,366
"Come back in seven weeks
with a ninja movie."
710
00:28:39,432 --> 00:28:40,767
"By the way, the script's
not too good."
711
00:28:40,833 --> 00:28:43,903
This is no job for the police.
712
00:28:43,970 --> 00:28:46,105
It's something I'll have to do.
713
00:28:46,172 --> 00:28:48,274
Only a ninja can stop a ninja.
714
00:28:48,341 --> 00:28:50,209
The story's
kind of a loose story.
715
00:28:50,276 --> 00:28:53,079
It's not a heavy drama...
716
00:28:53,145 --> 00:28:55,748
With philosophical ideas...
717
00:28:56,516 --> 00:28:58,284
And character depth.
718
00:28:58,351 --> 00:28:59,652
(GIRL SCREAMS)
No!
719
00:28:59,719 --> 00:29:01,821
There was a script,
but once they shot it
720
00:29:01,888 --> 00:29:03,690
and we edited it together,
and we looked at it,
721
00:29:03,756 --> 00:29:05,525
it didn't make any sense.
722
00:29:05,592 --> 00:29:07,326
If you want to work out,
you forgot your pants.
723
00:29:07,394 --> 00:29:10,530
We had a screening of it.
It was a complete disaster.
724
00:29:10,597 --> 00:29:12,799
And we're all called
into Menahem's office,
725
00:29:12,865 --> 00:29:15,802
and he starts making up
a brand-new plot of the movie.
726
00:29:15,868 --> 00:29:17,904
"We have to shoot a beginning"
727
00:29:17,970 --> 00:29:20,940
"and, uh, the baby, uh,
is being held,"
728
00:29:21,007 --> 00:29:23,242
"and ninjas come,
surround, 100 ninjas,"
729
00:29:23,309 --> 00:29:26,813
"and they kill everybody
except the kid and the father,"
730
00:29:26,879 --> 00:29:28,648
and he's just making this up,
731
00:29:28,715 --> 00:29:32,485
and he had this uncanny
ability to just make up shit
732
00:29:32,552 --> 00:29:33,753
and then we'd shoot it,
733
00:29:33,820 --> 00:29:35,555
and it's the movie that you see.
734
00:29:37,824 --> 00:29:40,192
Menahem Golan
is a very creative man.
735
00:29:40,259 --> 00:29:41,894
He said, "Let's make another",
736
00:29:41,961 --> 00:29:45,031
"but this time, I want
the hero to be a female."
737
00:29:45,097 --> 00:29:46,566
Ninja III: The Domination,
738
00:29:46,633 --> 00:29:48,535
which starred Lucinda Dickey.
739
00:29:48,601 --> 00:29:50,069
She was hot for that year.
740
00:29:50,136 --> 00:29:52,405
She was the Cannon go-to girl.
741
00:29:52,472 --> 00:29:53,906
Ninja III: The Domination,
742
00:29:53,973 --> 00:29:57,577
managed to take,
The Exorcist, a ninja movie,
743
00:29:57,644 --> 00:29:59,111
and combine it with Flashdance.
744
00:29:59,178 --> 00:30:00,813
SAM: We figured
that the only way
745
00:30:00,880 --> 00:30:03,349
that a woman will have
the ninja ability
746
00:30:03,416 --> 00:30:05,885
will be if she will be possessed
747
00:30:05,952 --> 00:30:08,821
by a spirit
of a male dead ninja.
748
00:30:08,888 --> 00:30:10,022
(ROARS)
749
00:30:10,089 --> 00:30:12,324
DICKEY: I had to do
a possessed ninja scene,
750
00:30:12,391 --> 00:30:15,728
and I was like, "I didn't learn
how to do that in acting class."
751
00:30:15,795 --> 00:30:17,564
(DEMONIC VOICE) You fool!
752
00:30:17,630 --> 00:30:20,366
You cannot stop me!
I am a ninja!
753
00:30:20,433 --> 00:30:23,603
Did my head spin around?
I think my whole body spun.
754
00:30:23,670 --> 00:30:26,806
(NORMAL VOICE) Help me,
I'm scared!
755
00:30:26,873 --> 00:30:28,475
(SHRIEKS)
756
00:30:28,541 --> 00:30:31,010
FIRSTENBERG: In everyday
life, she is aerobics instructor.
757
00:30:31,077 --> 00:30:33,345
When the dead spirit takes over,
758
00:30:33,412 --> 00:30:35,448
she goes out and she kills
759
00:30:36,549 --> 00:30:38,785
until the master, Sho Kosugi,
760
00:30:38,851 --> 00:30:42,722
comes into the scene
and he helps to free her.
761
00:30:42,789 --> 00:30:45,324
The result is
a very strange movie.
762
00:30:45,391 --> 00:30:47,527
NARRATOR: Where Revenge
of the Ninja left off,
763
00:30:47,594 --> 00:30:48,995
Ninja III begins.
764
00:30:49,061 --> 00:30:51,631
An epic struggle
of superhuman strength
765
00:30:51,698 --> 00:30:53,800
and supernatural forces.
766
00:30:53,866 --> 00:30:56,235
Ninja III: The Domination,
was quite a failure,
767
00:30:56,302 --> 00:31:01,307
because the audience did not
buy the idea of a woman ninja.
768
00:31:01,373 --> 00:31:02,909
It's over now.
769
00:31:05,411 --> 00:31:06,779
When I took over MGM
770
00:31:06,846 --> 00:31:08,915
it had just come out
of its roughest period.
771
00:31:08,981 --> 00:31:12,451
We had a cap on what we could
spend on any motion picture
772
00:31:12,519 --> 00:31:14,220
and we needed product.
773
00:31:14,286 --> 00:31:15,722
The day I heard
774
00:31:15,788 --> 00:31:19,058
that MGM was going to be
distributing Cannon films,
775
00:31:19,125 --> 00:31:22,529
I thought, "Okay, this is the
end of civilization as we know it."
776
00:31:22,595 --> 00:31:24,196
"Did Nostradamus
predict this?"
777
00:31:24,263 --> 00:31:26,799
This changed the
playing field for Cannon.
778
00:31:26,866 --> 00:31:29,368
But pressure to deliver
big movies...
779
00:31:29,435 --> 00:31:30,469
NARRATOR: Sahara.
780
00:31:30,537 --> 00:31:31,938
ALL: Whoo-oo.
781
00:31:32,004 --> 00:31:35,174
NARRATOR: Only one girl
dares to drive it.
782
00:31:35,241 --> 00:31:36,743
The Sahara World Rally.
783
00:31:36,809 --> 00:31:39,512
I want to see the thing race
straight through hell.
784
00:31:39,579 --> 00:31:41,080
When Sahara was being made,
785
00:31:41,147 --> 00:31:44,851
we all thought,
"Hmm, this may be something."
786
00:31:44,917 --> 00:31:47,720
Brooke Shields was still
close to her stardom.
787
00:31:47,787 --> 00:31:49,656
ALEX: Menahem
started talking about
788
00:31:49,722 --> 00:31:50,923
how Brooke Shields
was going to win
789
00:31:50,990 --> 00:31:52,725
the Academy Award for Sahara.
790
00:31:52,792 --> 00:31:55,828
I wish we could stay
here forever,
791
00:31:55,895 --> 00:31:57,897
but we risked our lives
taking this shortcut,
792
00:31:57,964 --> 00:31:59,932
and now we're losing
all that we've gained.
793
00:31:59,999 --> 00:32:02,702
The idea that that was going
to win an Oscar was so absurd,
794
00:32:02,769 --> 00:32:04,236
and I just was like, "Really?"
795
00:32:04,303 --> 00:32:06,973
"Where in your lexicon
do you honestly believe that?"
796
00:32:07,039 --> 00:32:11,711
Sahara is Menahem's attempt
to make Lawrence of Arabia
797
00:32:11,778 --> 00:32:14,847
and combine it with Blue Lagoon
798
00:32:14,914 --> 00:32:17,383
meets The Great Race.
799
00:32:17,449 --> 00:32:19,719
(CANON FIRES)
800
00:32:19,786 --> 00:32:21,588
Menahem loved the intersection
801
00:32:21,654 --> 00:32:23,956
of ideas that should
never meet each other,
802
00:32:24,023 --> 00:32:26,258
so he assembles,
like Frankenstein,
803
00:32:26,325 --> 00:32:30,229
parts from other movies,
and creates a disaster.
804
00:32:30,296 --> 00:32:32,498
It was as dry
as the Saharan Desert.
805
00:32:32,565 --> 00:32:33,900
It was awful.
806
00:32:33,966 --> 00:32:36,068
It started the wheels
turning in my head
807
00:32:36,135 --> 00:32:38,204
that we just couldn't continue
with these people.
808
00:32:38,270 --> 00:32:40,306
We released it,
we did the best we could,
809
00:32:40,372 --> 00:32:42,642
we put on a campaign,
we spent a little money,
810
00:32:42,709 --> 00:32:44,210
and the film, of course, died,
811
00:32:44,276 --> 00:32:45,477
because it was a bad film.
812
00:32:45,544 --> 00:32:46,979
It was a shame
for the little girl
813
00:32:47,046 --> 00:32:49,115
because she deserved better.
814
00:32:49,181 --> 00:32:52,418
(MIMMICKING MENAHEM) "Brooke Shields,
Academy Award. Sahara, Academy Award."
815
00:32:52,484 --> 00:32:53,886
Every picture that he does,
816
00:32:53,953 --> 00:32:55,922
he think that the picture's
going to make $100 million.
817
00:32:55,988 --> 00:32:58,224
(MIMMICKING MENAHEM)
"This will be an epic of cinema."
818
00:32:58,290 --> 00:33:02,494
Menahem told me once that they
went to, on New Year's Eve,
819
00:33:02,561 --> 00:33:03,963
to Times Square,
820
00:33:04,030 --> 00:33:06,532
where the millions of people
are standing there,
821
00:33:06,599 --> 00:33:08,668
and they had tears in their eyes
822
00:33:08,735 --> 00:33:10,903
and they hugged each
other, and they said,
823
00:33:10,970 --> 00:33:14,173
"Next year,
we're gonna get the Oscar."
824
00:33:14,240 --> 00:33:17,376
NARRATOR: The incredible
Lou Ferrigno is
825
00:33:17,443 --> 00:33:18,745
Hercules.
826
00:33:18,811 --> 00:33:20,346
SYBIL:
Lou spoke to Menahem
827
00:33:20,412 --> 00:33:23,049
and said he wanted to have it
be more of a family movie.
828
00:33:23,115 --> 00:33:24,951
I disagreed. I could have seen
829
00:33:25,017 --> 00:33:27,586
a version that would
have been more sexy.
830
00:33:27,654 --> 00:33:29,922
LUIGI COZZI: He had the script
in his hand, and he said,
831
00:33:29,989 --> 00:33:32,324
"This piece of shit!" Boom!
832
00:33:32,391 --> 00:33:35,962
And threw the script
in the basket and said,
833
00:33:36,028 --> 00:33:39,666
"I asked for a movie
for kids with Hercules"
834
00:33:39,732 --> 00:33:42,334
"and here is Hercules
getting blow jobs."
835
00:33:42,401 --> 00:33:44,904
You know, he was
crazy about that.
836
00:33:44,971 --> 00:33:48,507
I told, "I wanna do fantasy
Hercules, not realistic."
837
00:33:48,574 --> 00:33:51,177
It was kids' stuff.
I wanted to do kids' stuff.
838
00:33:54,246 --> 00:33:56,048
(ROARS)
839
00:33:56,115 --> 00:34:00,352
But it did have the bombshell
girl, like Sybil Danning.
840
00:34:00,419 --> 00:34:02,822
LUIGI COZZI: She was
gorgeous. Beautiful costumes.
841
00:34:02,889 --> 00:34:06,058
I was told, "When you're in that
costume, it becomes dangerous."
842
00:34:06,793 --> 00:34:08,327
(GROANS)
843
00:34:08,394 --> 00:34:12,631
Luigi convinced everyone to do
a special effects Hercules
844
00:34:12,699 --> 00:34:15,167
with the most crude
special effects in the world.
845
00:34:15,234 --> 00:34:17,737
Done very simple because
they had to be done cheap.
846
00:34:19,839 --> 00:34:21,340
SYBIL:
Hercules on a budget.
847
00:34:21,407 --> 00:34:24,777
Maybe there are some special
effects which work better,
848
00:34:24,844 --> 00:34:27,246
and some special effects
which are worse.
849
00:34:27,313 --> 00:34:28,981
I wanted them all to be perfect,
850
00:34:29,048 --> 00:34:31,050
but they could not be
all perfect.
851
00:34:31,117 --> 00:34:33,853
But if you have the sense
of wonder, who cares?
852
00:34:37,256 --> 00:34:41,527
MGM put a lot of marketing
money into that. They believed in it.
853
00:34:41,593 --> 00:34:44,196
Hercules did very, very well
at the box office
854
00:34:44,263 --> 00:34:45,564
all over the world.
855
00:34:45,631 --> 00:34:47,133
FRANK YABLANS: Maybe
it was a hit in comparison
856
00:34:47,199 --> 00:34:49,501
to all the other
garbage they gave us,
857
00:34:49,568 --> 00:34:51,871
but it was not a major hit, no.
858
00:34:51,938 --> 00:34:53,740
The good thing about Menahem
859
00:34:53,806 --> 00:34:56,542
is he could hear
an idea from somebody,
860
00:34:56,608 --> 00:34:59,746
like his daughter seeing a
break-dancer on Venice Beach,
861
00:34:59,812 --> 00:35:01,781
and in a relatively short
amount of time,
862
00:35:01,848 --> 00:35:03,549
there is a movie
being made about it.
863
00:35:03,615 --> 00:35:05,651
This, this is a new dance,
this will grab the whole world.
864
00:35:05,718 --> 00:35:07,419
ALLEN DEBOISE: He just said,
"Okay, we're making this movie",
865
00:35:07,486 --> 00:35:09,221
"we're going into production
in three weeks."
866
00:35:09,288 --> 00:35:10,823
We didn't have a script, a
cast, we didn't have anything.
867
00:35:10,890 --> 00:35:12,491
* Breakin'
and you just don't stop
868
00:35:12,558 --> 00:35:14,761
* Here comes the movie
that's fresh and hot
869
00:35:14,827 --> 00:35:16,662
* With high energy,
dancin' to the beat
870
00:35:16,729 --> 00:35:18,765
* With a scratch-mix sound
that comes from the street *
871
00:35:18,831 --> 00:35:22,168
Breakin' was like the Enter
the Dragon of hip-hop,
872
00:35:22,234 --> 00:35:24,336
'cause he had
the best of the best.
873
00:35:24,403 --> 00:35:27,239
There were no stuntmen, and we
weren't actors, we were all green.
874
00:35:27,306 --> 00:35:29,909
They just said,
"Put 'em on camera."
875
00:35:32,244 --> 00:35:34,280
PIETER JAN BRUGGE: Boogaloo
Shrimp and Shabba-Doo.
876
00:35:34,346 --> 00:35:36,182
I don't even know
what their real names are.
877
00:35:36,248 --> 00:35:38,084
I played the leader,
the straight guy.
878
00:35:38,150 --> 00:35:39,451
I was the Dean Martin role
879
00:35:39,518 --> 00:35:42,454
and he was the funny little
sidekick, Jerry Lewis.
880
00:35:42,521 --> 00:35:44,623
The way people perceived me
in the neighborhood
881
00:35:44,690 --> 00:35:46,125
or just around the world,
882
00:35:46,192 --> 00:35:48,627
they perceived me as some
sort of urban superhero.
883
00:35:48,694 --> 00:35:51,130
We look up to him because a lot
884
00:35:51,197 --> 00:35:53,399
of what has been invented
885
00:35:53,465 --> 00:35:54,700
has come from him.
886
00:35:54,767 --> 00:35:56,769
Boogaloo Shrimp was a sensation.
887
00:35:56,836 --> 00:35:59,305
(HEAVY BREATHING)
888
00:35:59,371 --> 00:36:02,008
The whole place would
just stop and just watch him.
889
00:36:02,074 --> 00:36:05,011
He would just start going and
going and going and it was like...
890
00:36:05,077 --> 00:36:07,113
I don't even know where
he came up with that stuff.
891
00:36:07,179 --> 00:36:09,448
(HEAVY BREATHING)
(MUSIC PLAYING)
892
00:36:09,515 --> 00:36:12,384
Lucinda Dickey was
no more than a gymnast,
893
00:36:12,451 --> 00:36:13,853
but Menahem liked her.
894
00:36:13,920 --> 00:36:15,154
He called and he's like,
895
00:36:15,221 --> 00:36:17,556
"I'm gonna make you
my next big star."
896
00:36:17,623 --> 00:36:22,328
Lucinda Dickey didn't really fit in
the Breakin' film from our point of view.
897
00:36:22,394 --> 00:36:23,729
We resented her.
898
00:36:23,796 --> 00:36:25,798
LUCINDA: It was hell at
times. I'm not gonna lie.
899
00:36:25,865 --> 00:36:27,399
He made it known
from the very first day
900
00:36:27,466 --> 00:36:30,669
that I walked into rehearsals
that he was superior.
901
00:36:30,736 --> 00:36:32,538
He couldn't do what I did,
902
00:36:32,604 --> 00:36:35,707
but it didn't matter because the
movie wasn't about jazz dancing.
903
00:36:35,774 --> 00:36:37,109
It was about breakdancing.
904
00:36:37,176 --> 00:36:39,011
SAM: Obviously
she was an outsider,
905
00:36:39,078 --> 00:36:41,981
but I believe,
when you see the movie today,
906
00:36:42,048 --> 00:36:43,415
this element works
907
00:36:43,482 --> 00:36:45,184
because that's how
the story goes,
908
00:36:45,251 --> 00:36:47,719
that she's an outsider
that has to be accepted in.
909
00:36:47,786 --> 00:36:52,959
There are lines in the movie
that were just so true and real.
910
00:36:53,025 --> 00:36:54,160
She ain't no street dancer.
911
00:36:54,226 --> 00:36:55,727
She knows nothing
about what we do.
912
00:36:55,794 --> 00:36:56,996
There was a high drama
913
00:36:57,063 --> 00:36:58,831
because Orion Pictures
914
00:36:58,898 --> 00:37:01,968
was making a movie called
Beat Street at the same time.
915
00:37:02,034 --> 00:37:03,469
Menahem at the time
famously said...
916
00:37:03,535 --> 00:37:05,271
(MIMICKING MENAHEM)
"We must beat Beat Street!"
917
00:37:05,337 --> 00:37:08,875
This was the race to be
the first breakdance movie.
918
00:37:08,941 --> 00:37:10,910
Whatever could be assembled
919
00:37:10,977 --> 00:37:13,279
in enough time to make
the release date
920
00:37:13,345 --> 00:37:15,647
was what the movie
was going to end up being.
921
00:37:15,714 --> 00:37:19,886
That movie had to make it in
that year, in 1984, it had to make it.
922
00:37:19,952 --> 00:37:22,889
If it didn't, we wouldn't know
hip-hop as we know it today.
923
00:37:22,955 --> 00:37:24,891
The rest is history
924
00:37:24,957 --> 00:37:26,959
because it became one of their most
popular and highest-grossing films.
925
00:37:27,026 --> 00:37:28,961
It showed leadership
and it showed camaraderie
926
00:37:29,028 --> 00:37:30,796
between the different races,
927
00:37:30,863 --> 00:37:33,966
so it really did something the United
Nations was unable to do so far,
928
00:37:34,033 --> 00:37:36,535
is bring nations
together under one groove.
929
00:37:36,602 --> 00:37:39,138
Our movie did better numbers
than Beat Street.
930
00:37:39,205 --> 00:37:43,175
NARRATOR: This year, the big
hit for Golan and Globus is Breakin'.
931
00:37:43,242 --> 00:37:45,244
It cost just over
$1 million to make
932
00:37:45,311 --> 00:37:48,447
and has so far taken in
more than $56 million.
933
00:37:48,514 --> 00:37:52,118
Unfortunately, it led
to Menahem thinking,
934
00:37:52,184 --> 00:37:53,685
"I've figured it out."
935
00:37:53,752 --> 00:37:55,321
* This story's through
but wait till part two *
936
00:37:55,387 --> 00:37:57,123
Menahem comes in and he says,
937
00:37:57,189 --> 00:37:59,258
"We're going to
do a sequel."
938
00:37:59,325 --> 00:38:02,261
"The name of the sequel
is Electric Boogaloo."
939
00:38:02,995 --> 00:38:04,430
And so it was.
940
00:38:04,496 --> 00:38:06,132
(MIMICKING MENAHEM)
"We will do what Fred Astaire did.
941
00:38:06,198 --> 00:38:07,934
"Shrimpy will dance
on the ceiling."
942
00:38:08,000 --> 00:38:09,668
And he got it.
943
00:38:09,735 --> 00:38:11,870
* Take me high.
944
00:38:13,672 --> 00:38:16,108
Breakin' II was
more of a cartoon.
945
00:38:16,175 --> 00:38:19,045
The whole hospital scene,
it was silly.
946
00:38:25,317 --> 00:38:27,886
It missed the grittiness
that the first one had.
947
00:38:27,954 --> 00:38:30,856
MICHAEL: Were over
here at East LA with pastels.
948
00:38:30,923 --> 00:38:32,424
(CHUCKLING)
That was Cannon.
949
00:38:32,491 --> 00:38:36,828
"Let's really make LA clean
and beautiful like a rainbow."
950
00:38:36,895 --> 00:38:38,864
It really took away
from the authenticity.
951
00:38:38,931 --> 00:38:40,499
(RECORD SCRATCHING)
952
00:38:40,566 --> 00:38:41,600
I cried about it.
953
00:38:41,667 --> 00:38:43,269
We had lost sight
of the message.
954
00:38:43,335 --> 00:38:45,171
PIETER: I simply
thought it was a fad,
955
00:38:45,237 --> 00:38:48,007
it was over, but the movies
actually did make an impact
956
00:38:48,074 --> 00:38:49,908
upon the youthful audience
of its day.
957
00:38:49,976 --> 00:38:54,580
So they had their finger on the
pulse of something, once in a while.
958
00:38:54,646 --> 00:38:56,048
But most of the time,
959
00:38:56,115 --> 00:38:59,018
the pulse was on something
that was so misguided.
960
00:38:59,085 --> 00:39:00,719
(MIMICKING MENAHEM)
"We are going to New York,"
961
00:39:00,786 --> 00:39:02,521
"we are making my movie,"
962
00:39:02,588 --> 00:39:03,755
"great, great title."
963
00:39:03,822 --> 00:39:05,124
And were all sitting there,
964
00:39:05,191 --> 00:39:06,458
were all like,
"What's the title, Menahem?"
965
00:39:06,525 --> 00:39:07,526
"My Darling Shiksa."
966
00:39:07,593 --> 00:39:09,461
You can take your darling shiksa
967
00:39:09,528 --> 00:39:11,863
and you can spend
the rest of your fakakta life
968
00:39:11,930 --> 00:39:13,832
in Brooklyn in a candy store.
969
00:39:13,899 --> 00:39:15,467
You idiot!
970
00:39:15,534 --> 00:39:18,104
ELLIOTT: An audience
would say, "What's a shiksa?"
971
00:39:18,170 --> 00:39:20,806
A shiksa is a woman
that isn't Jewish,
972
00:39:20,872 --> 00:39:24,210
and the character is with
a woman who isn't Jewish,
973
00:39:24,276 --> 00:39:27,813
which causes great chagrin
to the family.
974
00:39:27,879 --> 00:39:29,148
The second day we were working,
975
00:39:29,215 --> 00:39:30,616
Golan came up to Elliot
976
00:39:30,682 --> 00:39:32,318
and it was somewhat
of a critical scene.
977
00:39:32,384 --> 00:39:33,852
It was the point in the movie
978
00:39:33,919 --> 00:39:37,023
where Elliot is going to
confess to Margaux Hemingway
979
00:39:37,089 --> 00:39:38,457
that he is in love with her.
980
00:39:38,524 --> 00:39:40,359
How'd you like to spend
the rest of your life
981
00:39:40,426 --> 00:39:44,730
with a sloppy, diabetic Jew
982
00:39:44,796 --> 00:39:48,134
who some day is going
to be a top restaurateur?
983
00:39:49,235 --> 00:39:50,336
I love you, sweetheart.
984
00:39:50,402 --> 00:39:51,937
After the first rehearsal,
985
00:39:52,004 --> 00:39:54,573
Golan goes, "Elliot, Elliot,
Elliot, no, no, no, no, no."
986
00:39:54,640 --> 00:39:55,841
And the whole crew
we're standing there,
987
00:39:55,907 --> 00:39:57,176
we're going,
"Oh, boy."
988
00:39:57,243 --> 00:39:58,510
And he goes, "Watch,
watch, watch, watch."
989
00:39:58,577 --> 00:40:00,046
"Margaux, you
come here, come here."
990
00:40:00,112 --> 00:40:01,380
"Come. Come
to Menahem."
991
00:40:01,447 --> 00:40:04,450
"Okay. I love you.
I love you."
992
00:40:04,516 --> 00:40:05,951
You know, and you just
sit there and you go,
993
00:40:06,018 --> 00:40:07,353
"Oh, my God.
This is insane."
994
00:40:07,419 --> 00:40:11,323
We had an enormous fight,
an enormous fight
995
00:40:11,390 --> 00:40:14,826
and he closed down
the picture for a day or so.
996
00:40:14,893 --> 00:40:18,197
Menahem, you know,
I told him he was a cocksucker
997
00:40:18,264 --> 00:40:19,598
and he took me literally
998
00:40:19,665 --> 00:40:21,800
and I had to, in order
to get it going again,
999
00:40:21,867 --> 00:40:23,502
I said, "Oh, Menahem",
1000
00:40:23,569 --> 00:40:27,005
"I apologize for using
that kind of language."
1001
00:40:27,073 --> 00:40:29,275
"You're not
a cocksucker, okay?"
1002
00:40:29,341 --> 00:40:33,345
YABLANS: All you really want when
you're running a studio is a hit movie,
1003
00:40:33,412 --> 00:40:36,348
but if you have films
like Cannon was supplying
1004
00:40:36,415 --> 00:40:39,285
it's an embarrassment
to the studio name.
1005
00:40:39,351 --> 00:40:41,087
Okay, we fucked up.
What's next?
1006
00:40:41,153 --> 00:40:43,322
John Derek said one night,
1007
00:40:43,389 --> 00:40:45,357
"You know, what are we
doing all this for?"
1008
00:40:45,424 --> 00:40:47,193
"Why are we trying
to make good films?"
1009
00:40:47,259 --> 00:40:48,594
"You did 10."
1010
00:40:48,660 --> 00:40:50,729
"All Hollywood ever
approaches you with"
1011
00:40:50,796 --> 00:40:52,498
"is to screw to Bolero."
1012
00:40:52,564 --> 00:40:54,533
NARRATOR:
Introducing Bo Derek.
1013
00:40:54,600 --> 00:40:56,535
Did you ever do it
to Ravels Bolero?
1014
00:40:57,469 --> 00:40:58,904
(COUGHS)
1015
00:40:58,970 --> 00:41:02,274
MAN: Bo, in a lot of
people's mind, equaled sex.
1016
00:41:02,341 --> 00:41:04,543
MAN: She was the 10
of that period.
1017
00:41:04,610 --> 00:41:06,945
Everywhere we went,
she was recognized.
1018
00:41:07,012 --> 00:41:08,347
Our agent, Marty Baum, said,
1019
00:41:08,414 --> 00:41:10,916
"Look, if you guys wanna
just go make a film"
1020
00:41:10,982 --> 00:41:12,951
"and be totally left alone,"
1021
00:41:13,018 --> 00:41:14,686
"there are two
new guys in town."
1022
00:41:14,753 --> 00:41:18,390
NARRATOR: Bo Derek,
in a John Derek film.
1023
00:41:18,457 --> 00:41:20,926
Bolero was a take-off
of Blood and Sand
1024
00:41:20,992 --> 00:41:23,929
and the old romantic
40s bullfight pictures.
1025
00:41:23,995 --> 00:41:25,897
(COUGHS)
1026
00:41:25,964 --> 00:41:30,502
WOMAN: Andrea Occhipinti has
been gored by a bull in the balls.
1027
00:41:30,569 --> 00:41:32,738
And now he can't do it anymore,
1028
00:41:32,804 --> 00:41:35,441
and so then the next
sort of half of the film
1029
00:41:35,507 --> 00:41:38,810
becomes about Bo taking
on bullfighting herself
1030
00:41:38,877 --> 00:41:41,880
and taking care
and nurturing her man.
1031
00:41:41,947 --> 00:41:43,182
Cut to, she says...
1032
00:41:43,249 --> 00:41:44,616
That thing is going to work.
1033
00:41:44,683 --> 00:41:46,552
One of my favorite
lines, by the way.
1034
00:41:46,618 --> 00:41:48,220
I guarantee you this.
1035
00:41:48,287 --> 00:41:50,656
Then there's this
neon sign of ecstasy
1036
00:41:50,722 --> 00:41:53,125
as they're going for
a second round.
1037
00:41:54,526 --> 00:41:56,362
If you put Bo in
anything at that time
1038
00:41:56,428 --> 00:41:57,529
that John was directing,
1039
00:41:57,596 --> 00:41:59,465
it was bound to be erotica.
1040
00:41:59,531 --> 00:42:01,267
Her clothes would
always come off.
1041
00:42:01,333 --> 00:42:03,402
Riding a horse, terribly erect,
1042
00:42:03,469 --> 00:42:06,738
and I suppose others might be
as well while watching her.
1043
00:42:06,805 --> 00:42:09,775
BO: All of sudden, we started
getting letters from Menahem
1044
00:42:09,841 --> 00:42:11,843
that the film
wasn't strong enough.
1045
00:42:11,910 --> 00:42:15,347
"Make this as explicit and
strong as you possibly can."
1046
00:42:15,414 --> 00:42:17,249
It was controversial enough.
1047
00:42:17,316 --> 00:42:19,050
Look at you.
1048
00:42:19,117 --> 00:42:22,888
I am woman.
Ready. Juicy too.
1049
00:42:22,954 --> 00:42:26,592
BO: It had enough love scenes,
it had plenty of nudity.
1050
00:42:26,658 --> 00:42:28,594
I remember taking
the work print down
1051
00:42:28,660 --> 00:42:30,429
and screening it
for Frank Yablans
1052
00:42:30,496 --> 00:42:33,332
and saying, "Look, we've got
all these fights going on."
1053
00:42:33,399 --> 00:42:34,666
"They want
it stronger."
1054
00:42:34,733 --> 00:42:36,668
"I think you'll see
it's strong enough."
1055
00:42:36,735 --> 00:42:38,604
YABLANS: I really
don't remember.
1056
00:42:38,670 --> 00:42:41,173
All I know is that it was
another failed movie.
1057
00:42:41,240 --> 00:42:46,378
Making motion picture is
practically being in a war,
1058
00:42:46,445 --> 00:42:50,249
and there is, in a war, wounded.
1059
00:42:50,316 --> 00:42:53,352
Menahem would call a press
conference and say,
1060
00:42:53,419 --> 00:42:55,053
"Bo and John,
they live on a ranch,"
1061
00:42:55,120 --> 00:42:56,455
"they don't even
live in Hollywood."
1062
00:42:56,522 --> 00:42:57,923
"They love
that ranch."
1063
00:42:57,989 --> 00:42:59,691
"Were going to take
that ranch away from them,"
1064
00:42:59,758 --> 00:43:01,793
and just crazy,
outrageous stuff.
1065
00:43:01,860 --> 00:43:04,930
And that the film was too
sexy, what are we gonna do?
1066
00:43:04,996 --> 00:43:07,032
Poor Cannon Films,
were a good company,
1067
00:43:07,098 --> 00:43:09,668
and the Dereks were trying
to ruin our reputation.
1068
00:43:09,735 --> 00:43:12,638
And they were just manipulating
the press at our expense.
1069
00:43:12,704 --> 00:43:14,640
MGM at that point, I do believe,
1070
00:43:14,706 --> 00:43:17,509
decided to discontinue
the relationship with Cannon
1071
00:43:17,576 --> 00:43:19,110
as far as distributing
all of their films.
1072
00:43:19,177 --> 00:43:22,147
I told em, "Were not going to
go forward with this deal."
1073
00:43:22,214 --> 00:43:24,182
"You've reneged
on your deal."
1074
00:43:24,250 --> 00:43:25,917
"You've given us
nothing but junk."
1075
00:43:25,984 --> 00:43:28,520
Maybe we were a little bit
of a pawn in this game,
1076
00:43:28,587 --> 00:43:30,856
and they were using
us as a piece
1077
00:43:30,922 --> 00:43:33,725
because they no longer wanted
to distribute Cannon films.
1078
00:43:33,792 --> 00:43:37,463
Cannon had sort of a
terrible reputation in this town
1079
00:43:37,529 --> 00:43:42,100
as, you know, sort of down
and dirty, which we were.
1080
00:43:42,167 --> 00:43:43,602
You would open up Variety,
1081
00:43:43,669 --> 00:43:45,804
and there, a big double-page
spread for Bolero.
1082
00:43:45,871 --> 00:43:47,939
And these photos
were in my suitcase.
1083
00:43:48,006 --> 00:43:49,608
While they were
in Cannon's office
1084
00:43:49,675 --> 00:43:51,377
as we were waiting
to get another plane,
1085
00:43:51,443 --> 00:43:54,513
they went through my bags,
stole my photos,
1086
00:43:54,580 --> 00:43:58,550
and now they shamelessly,
brazenly use them in ads.
1087
00:43:58,617 --> 00:44:02,321
They didn't work according
to the Hollywood rules.
1088
00:44:02,388 --> 00:44:05,391
They were outlaws,
reckless, had no scruples.
1089
00:44:05,457 --> 00:44:09,295
There were a lot of provocative
things said about them.
1090
00:44:09,361 --> 00:44:11,129
Carpetbaggers.
Rug salesmen.
1091
00:44:11,196 --> 00:44:13,031
Hustlers.
Carnival salesmen.
1092
00:44:13,098 --> 00:44:14,400
Cheapskates.
Junk peddlers.
1093
00:44:14,466 --> 00:44:15,901
Wheeler-dealers.
1094
00:44:15,967 --> 00:44:17,669
They were starting to get
known as the Go-Go Boys.
1095
00:44:17,736 --> 00:44:20,372
The Bagel Brothers. I came
up with Mayhem and Urine.
1096
00:44:20,439 --> 00:44:22,207
I called them the Bad News Jews.
1097
00:44:22,274 --> 00:44:25,944
There was certainly that kind
of anti-immigrant sensibility
1098
00:44:26,011 --> 00:44:27,646
in these nicknames for them.
1099
00:44:27,713 --> 00:44:30,115
They were down-to-earth people
1100
00:44:30,181 --> 00:44:33,719
who just did the movies the same
way that they did it back home.
1101
00:44:33,785 --> 00:44:35,854
They weren't part of
the Hollywood bullshit.
1102
00:44:35,921 --> 00:44:40,225
Hollywood, 90% is talk and
10% is making motion pictures.
1103
00:44:40,292 --> 00:44:42,160
We are motion pictures makers
1104
00:44:42,227 --> 00:44:43,595
and the world know about it.
1105
00:44:43,662 --> 00:44:45,096
Sometimes we make better films,
1106
00:44:45,163 --> 00:44:47,499
sometimes we don't make
such good films,
1107
00:44:47,566 --> 00:44:49,335
but we do make films.
1108
00:44:50,636 --> 00:44:53,204
NARRATOR: It is
900 years after the great nuke
1109
00:44:53,271 --> 00:44:56,442
and the roles of women
have changed dramatically,
1110
00:44:56,508 --> 00:45:00,111
much to the displeasure
of men and mutants.
1111
00:45:00,178 --> 00:45:02,113
America 3000.
1112
00:45:02,180 --> 00:45:03,882
DAVID: Tongue-in-cheek
adventure comedy
1113
00:45:03,949 --> 00:45:06,485
in which women ruled
and men were slaves,
1114
00:45:06,552 --> 00:45:08,420
which every time I would
explain that to actresses
1115
00:45:08,487 --> 00:45:10,722
they always went,
"Ooh, I like that."
1116
00:45:10,789 --> 00:45:14,760
My interaction with them
was extremely brief.
1117
00:45:14,826 --> 00:45:17,228
It was the day
that I quit the film.
1118
00:45:17,295 --> 00:45:18,697
A call sheet
comes under the door
1119
00:45:18,764 --> 00:45:21,333
and I just threw it back
and I screamed,
1120
00:45:21,400 --> 00:45:22,801
"Fuck you!
Pay the crew!"
1121
00:45:23,735 --> 00:45:25,404
(GROANING)
1122
00:45:25,471 --> 00:45:28,574
"You people have a cash register
where your heart should be."
1123
00:45:29,975 --> 00:45:31,510
This is the only copy
that I have
1124
00:45:31,577 --> 00:45:33,612
and this is what I think
of Cannon Films.
1125
00:45:33,679 --> 00:45:36,715
There were so many bad movies
being made at Cannon
1126
00:45:36,782 --> 00:45:38,884
that if something
of quality came out,
1127
00:45:38,950 --> 00:45:41,387
it was like a happy accident.
1128
00:45:41,453 --> 00:45:43,221
I got a phone call
out of the blue
1129
00:45:43,288 --> 00:45:44,823
and it was from Chuck Norris.
1130
00:45:44,890 --> 00:45:46,525
MAN: Chuck Norris
was already established
1131
00:45:46,592 --> 00:45:48,226
in the world of
martial art movies,
1132
00:45:48,293 --> 00:45:49,828
what they used to call
karate movies.
1133
00:45:49,895 --> 00:45:52,531
He wanted to branch out more
into bigger action pictures.
1134
00:45:52,598 --> 00:45:53,932
MAN: And I talked
Menahem into it,
1135
00:45:53,999 --> 00:45:55,734
I said, "I think
this is the right guy."
1136
00:45:55,801 --> 00:45:58,136
"Ah, but he can't act."
I said, "Well make him act."
1137
00:45:58,203 --> 00:46:00,472
NARRATOR: Vietnam, 1972.
1138
00:46:00,539 --> 00:46:02,808
Captured in a savage jungle war.
1139
00:46:02,874 --> 00:46:05,644
We wanted to bring in
all of his abilities.
1140
00:46:07,579 --> 00:46:09,047
JAMES: The first time
in a movie
1141
00:46:09,114 --> 00:46:12,183
that really is a war movie
with explosions and shootings.
1142
00:46:12,250 --> 00:46:15,687
There is actually martial
arts in an extensive way.
1143
00:46:15,754 --> 00:46:17,989
They thought before the film
had even come out
1144
00:46:18,056 --> 00:46:19,491
that it was going
to be successful.
1145
00:46:19,558 --> 00:46:21,092
They wanted to do
a sequel right away,
1146
00:46:21,159 --> 00:46:23,228
so they decided to make
that in the Philippines
1147
00:46:23,294 --> 00:46:24,630
with Joe Zito directing.
1148
00:46:24,696 --> 00:46:26,231
DANIEL: Joe had gone
to the Philippines
1149
00:46:26,297 --> 00:46:27,433
and he said,
"I've looked at."
1150
00:46:27,499 --> 00:46:29,401
"Lance Hool's
Missing in Action."
1151
00:46:29,468 --> 00:46:31,670
"It's a disaster.
Chuck is terrible."
1152
00:46:31,737 --> 00:46:33,004
"It's shot badly."
1153
00:46:33,071 --> 00:46:34,773
"What I'm telling
Menahem and Yoram"
1154
00:46:34,840 --> 00:46:37,308
"is that if we release
our Missing in Action first,"
1155
00:46:37,375 --> 00:46:40,412
"we will create a
marketplace for Lance's film."
1156
00:46:40,479 --> 00:46:41,913
"If Lance's film comes out,"
1157
00:46:41,980 --> 00:46:43,882
"he's gonna kill the
business for our film."
1158
00:46:43,949 --> 00:46:45,984
BRUGGE: The second one
was the better movie of the two
1159
00:46:46,051 --> 00:46:48,520
and rather than kill the
franchise right off the bat
1160
00:46:48,587 --> 00:46:49,955
by showing them in order,
1161
00:46:50,021 --> 00:46:52,858
they basically released
number two first.
1162
00:46:52,924 --> 00:46:56,995
NARRATOR: James Braddock
declares war.
1163
00:46:57,062 --> 00:46:58,730
I think it was a good
vehicle for Chuck Norris.
1164
00:46:58,797 --> 00:47:00,466
It didn't ask him
to do too much,
1165
00:47:00,532 --> 00:47:01,800
it played to his strength,
1166
00:47:01,867 --> 00:47:04,503
and it kind of evolved
his on-screen persona.
1167
00:47:04,570 --> 00:47:07,473
Globus was screaming
at Menahem in Hebrew
1168
00:47:07,539 --> 00:47:09,808
and I asked somebody,
"What's he saying?"
1169
00:47:09,875 --> 00:47:11,142
And he's saying...
He says...
1170
00:47:11,209 --> 00:47:13,845
"They're talking
about some karate guy,"
1171
00:47:13,912 --> 00:47:15,246
and Yoram is yelling at him
1172
00:47:15,313 --> 00:47:18,383
because he signed him
to a five-picture deal
1173
00:47:18,450 --> 00:47:21,019
for $5 million,
1174
00:47:21,086 --> 00:47:24,756
and he wants to kill Menahem,
and that was Chuck Norris.
1175
00:47:24,823 --> 00:47:26,592
In the golden era of Hollywood,
1176
00:47:26,658 --> 00:47:29,628
every studio had
a stable of stars,
1177
00:47:29,695 --> 00:47:33,198
so Cannon started to adopt
this thinking.
1178
00:47:33,264 --> 00:47:37,669
"We need stars that will
work for us constantly."
1179
00:47:37,736 --> 00:47:39,070
NARRATOR: Chuck Norris.
1180
00:47:39,137 --> 00:47:40,205
Charles Bronson.
1181
00:47:40,271 --> 00:47:41,907
WINTER: For someone
like Bronson,
1182
00:47:41,973 --> 00:47:43,875
who was phasing out
of a Hollywood career
1183
00:47:43,942 --> 00:47:46,177
in a Hollywood that did not
recognize him anymore,
1184
00:47:46,244 --> 00:47:48,279
that was one of
the only places to go.
1185
00:47:48,346 --> 00:47:51,082
MAN: Bronson, I think,
has more actual charisma,
1186
00:47:51,149 --> 00:47:52,984
but neither one of
them were actors.
1187
00:47:53,051 --> 00:47:56,221
You're beginning to irritate me.
1188
00:47:56,287 --> 00:47:58,456
DAVID: When I was reading
scripts for this company,
1189
00:47:58,524 --> 00:48:00,125
we were told very plainly
1190
00:48:00,191 --> 00:48:02,528
everything we got
would go in two piles,
1191
00:48:02,594 --> 00:48:05,564
one for the two Chucks,
Bronson and Norris.
1192
00:48:05,631 --> 00:48:07,165
It could have been
Wuthering Heights,
1193
00:48:07,232 --> 00:48:08,399
which one is for Chuck
1194
00:48:08,466 --> 00:48:09,868
and which one
is for the other Chuck?
1195
00:48:09,935 --> 00:48:13,004
It was offered to Chuck Norris
to do this movie,
1196
00:48:13,071 --> 00:48:14,272
American Ninja.
1197
00:48:14,339 --> 00:48:15,974
NARRATOR: For 2,000 years,
1198
00:48:16,041 --> 00:48:18,877
the sacred art of the ninja
has been guarded in the East.
1199
00:48:19,911 --> 00:48:21,847
Now it has come to the West.
1200
00:48:21,913 --> 00:48:25,717
When Chuck Norris learned that
he has to be covered, he declined.
1201
00:48:25,784 --> 00:48:27,285
He said,
"I am not covering myself."
1202
00:48:27,352 --> 00:48:29,521
"If I am on the screen,
I am Chuck Norris."
1203
00:48:33,825 --> 00:48:35,827
Who will be the American ninja?
1204
00:48:35,894 --> 00:48:39,097
We saw, I believe,
more than 400 candidates,
1205
00:48:39,164 --> 00:48:40,932
and when Michael Dudikoff
walked in,
1206
00:48:40,999 --> 00:48:43,969
it was like, "Wow, I
saw the American ninja."
1207
00:48:44,035 --> 00:48:46,404
Menahem said,
"The Dudikoff kid."
1208
00:48:46,471 --> 00:48:47,906
"Get the Dudikoff kid."
1209
00:48:47,973 --> 00:48:49,074
Who is he?
1210
00:48:49,140 --> 00:48:50,408
I don't know.
He's a new recruit.
1211
00:48:50,475 --> 00:48:51,977
I don't even know his name.
1212
00:48:52,043 --> 00:48:54,279
He possess great skills.
1213
00:48:55,313 --> 00:48:56,848
(SCREAMS)
1214
00:49:02,921 --> 00:49:05,957
When I got American Ninja,
I stepped it up.
1215
00:49:06,024 --> 00:49:09,861
Anything that I had to do,
being Joe, the American Ninja,
1216
00:49:09,928 --> 00:49:11,597
I really wanted to do well.
1217
00:49:12,197 --> 00:49:13,799
(TIRES SQUEAL)
1218
00:49:16,267 --> 00:49:18,469
Even before the movie
was finished,
1219
00:49:18,536 --> 00:49:19,905
it was obvious
1220
00:49:19,971 --> 00:49:22,240
that Dudikoff has the charisma
to be on the screen.
1221
00:49:22,307 --> 00:49:25,410
I remember Menahem saying that
he is going to be the next James Dean.
1222
00:49:25,476 --> 00:49:27,779
MICHAEL: I was gonna be
Superman. There are so many...
1223
00:49:27,846 --> 00:49:29,881
I was going to do
so many different roles.
1224
00:49:29,948 --> 00:49:31,617
I was Spider-Man at one time.
1225
00:49:31,683 --> 00:49:33,852
SAM:
Cannon did not pay attention
1226
00:49:33,919 --> 00:49:36,154
to brand the name Dudikoff
1227
00:49:36,221 --> 00:49:38,523
and to make sure
that instead of making
1228
00:49:38,590 --> 00:49:39,925
smaller and smaller movies,
1229
00:49:39,991 --> 00:49:41,827
he should make
bigger and bigger movies.
1230
00:49:41,893 --> 00:49:44,930
"We will.
We will!"
1231
00:49:46,031 --> 00:49:51,002
"Don't worry, Michael.
No, don't worry."
1232
00:49:55,974 --> 00:49:57,876
"It's only the beginning."
1233
00:49:57,943 --> 00:50:00,646
NARRATOR: This is Cannes,
home of the prestigious film festival
1234
00:50:00,712 --> 00:50:02,247
which is held every year.
1235
00:50:02,313 --> 00:50:05,784
You know about the glamour,
the Riviera, the stars,
1236
00:50:05,851 --> 00:50:09,320
but there's another side,
a business side you don't see.
1237
00:50:09,387 --> 00:50:12,057
They were going there
to sell and to make deals.
1238
00:50:12,123 --> 00:50:13,692
This was the jewel of the crown
1239
00:50:13,759 --> 00:50:17,128
and they decided
to take it by storm.
1240
00:50:17,195 --> 00:50:20,465
The money that they spent in
Cannes would have financed a film.
1241
00:50:20,531 --> 00:50:21,933
We'd take over
the Carlton Hotel,
1242
00:50:22,000 --> 00:50:23,935
put up as much
advertising as we could.
1243
00:50:24,002 --> 00:50:26,071
Posters everywhere, everywhere.
1244
00:50:26,137 --> 00:50:27,673
"Cannon Group
presents..."
1245
00:50:27,739 --> 00:50:29,107
Full-page ads in Variety,
1246
00:50:29,174 --> 00:50:30,976
full-page ads in all the trades.
1247
00:50:31,042 --> 00:50:33,544
It almost became a joke,
I think, in the business,
1248
00:50:33,611 --> 00:50:35,113
because nobody
could just work out
1249
00:50:35,180 --> 00:50:36,381
how they were paying
for all this,
1250
00:50:36,447 --> 00:50:37,448
how they were doing all this,
1251
00:50:37,515 --> 00:50:39,184
what was going on?
1252
00:50:39,250 --> 00:50:41,953
This limo comes up and out
gets Menahem, like the Queen.
1253
00:50:42,020 --> 00:50:43,722
The Cannes Film Festival
1254
00:50:43,789 --> 00:50:45,691
became the Cannon Film Festival.
1255
00:50:45,757 --> 00:50:48,326
A line of distributors
getting a number,
1256
00:50:48,393 --> 00:50:50,896
like in a barber shop,
to meet Yoram and me.
1257
00:50:50,962 --> 00:50:53,364
People come with a check,
people come with cash money.
1258
00:50:53,431 --> 00:50:55,200
"This film will be ready,
don't worry.
1259
00:50:55,266 --> 00:50:57,335
"I'll get it to you on time."
"Give me this picture too."
1260
00:50:57,402 --> 00:50:59,237
"This is the piece of crap
you really want"
1261
00:50:59,304 --> 00:51:01,072
"because people are going
to love this shit."
1262
00:51:01,139 --> 00:51:02,440
"Okay, you'll
pay a million?"
1263
00:51:02,507 --> 00:51:03,842
"Okay, million and one.
Million and two."
1264
00:51:03,909 --> 00:51:05,476
It was like being at
the fish market.
1265
00:51:05,543 --> 00:51:06,945
MAN: They used to sell
their film by the kilo.
1266
00:51:07,012 --> 00:51:08,613
Selling, buying,
selling, buying.
1267
00:51:08,680 --> 00:51:11,717
You hear Golan constantly
going, "Gunga Din, epic."
1268
00:51:11,783 --> 00:51:14,119
"Epic, I tell you.
Epic of the cinema."
1269
00:51:14,185 --> 00:51:15,854
He loved it.
He was on a high.
1270
00:51:15,921 --> 00:51:17,588
You'd meet some
Greek distributor,
1271
00:51:17,655 --> 00:51:20,458
who didn't speak English,
couldn't read English,
1272
00:51:20,525 --> 00:51:21,760
certainly couldn't
read a script,
1273
00:51:21,827 --> 00:51:23,228
but you had to sell him
a picture,
1274
00:51:23,294 --> 00:51:24,662
so you just showed him a poster.
1275
00:51:24,730 --> 00:51:26,998
Outlandish poster art
for movies,
1276
00:51:27,065 --> 00:51:28,834
most of which they never made.
1277
00:51:28,900 --> 00:51:30,501
The film could have been
about anything,
1278
00:51:30,568 --> 00:51:32,704
and they would have had
a machine gun in the poster.
1279
00:51:32,771 --> 00:51:36,274
He would invent a story on
the spot and sell it to them.
1280
00:51:36,341 --> 00:51:38,977
"Charles Bronson
is The Golem."
1281
00:51:39,044 --> 00:51:41,479
I was in charge
of writing press releases
1282
00:51:41,546 --> 00:51:43,614
for non-existent movies
1283
00:51:43,681 --> 00:51:45,751
with no cast and no stars
1284
00:51:45,817 --> 00:51:47,152
and frequently no scripts.
1285
00:51:47,218 --> 00:51:49,020
I don't know that there's
anyone out there today
1286
00:51:49,087 --> 00:51:51,056
that has the reputation
that Menahem and Yoram had
1287
00:51:51,122 --> 00:51:53,458
for being such
effective salesmen.
1288
00:51:53,524 --> 00:51:55,794
They were the best wheelers
and dealers of the 80s.
1289
00:51:55,861 --> 00:51:57,295
There was a great celebration
1290
00:51:57,362 --> 00:51:59,230
of throwing spaghetti
against the wall,
1291
00:51:59,297 --> 00:52:04,002
and whichever crazy ideas
he could get presales for,
1292
00:52:04,069 --> 00:52:05,470
those became the movies we made.
1293
00:52:05,536 --> 00:52:07,773
The result is those films
were never very good.
1294
00:52:07,839 --> 00:52:10,075
If you had Chuck Norris
on that poster,
1295
00:52:10,141 --> 00:52:12,778
you knew exactly the picture
you were buying.
1296
00:52:12,844 --> 00:52:15,847
So all presale films
were predictable.
1297
00:52:15,914 --> 00:52:19,050
MAN ON PHONE: I have for
you Chuck Norris's picture for April.
1298
00:52:19,117 --> 00:52:21,586
Killing, shooting, maiming!
Fabulous story.
1299
00:52:21,652 --> 00:52:23,855
You're going to love it.
Absolutely love it.
1300
00:52:23,922 --> 00:52:25,523
Bring me the script.
1301
00:52:25,590 --> 00:52:27,592
NARRATOR: They are an army
of international terrorists.
1302
00:52:27,658 --> 00:52:29,394
Their target, America.
1303
00:52:29,460 --> 00:52:33,164
DANIEL: In a way, Invasion USA
was a very prescient film.
1304
00:52:33,231 --> 00:52:35,433
We didn't really think
about terrorism,
1305
00:52:35,500 --> 00:52:37,568
and terrorism was more
of an abstract idea.
1306
00:52:37,635 --> 00:52:40,872
NARRATOR: No one thought
it could ever happen...
1307
00:52:40,939 --> 00:52:42,407
Here.
(PEOPLE SCREAMING)
1308
00:52:44,509 --> 00:52:46,544
The idea of boatloads
full of terrorists
1309
00:52:46,611 --> 00:52:48,947
landing on a beach
somewhere in Florida,
1310
00:52:49,014 --> 00:52:50,415
being picked up by trucks
1311
00:52:50,481 --> 00:52:52,818
and being driven all over
the United States
1312
00:52:52,884 --> 00:52:55,020
to create random acts of terror
1313
00:52:55,086 --> 00:52:56,822
was a bit of a stretch for me.
1314
00:52:56,888 --> 00:52:58,223
What we were trying to do
1315
00:52:58,289 --> 00:53:01,359
was come up with
some big action picture
1316
00:53:01,426 --> 00:53:05,230
that would be a lot of fun
and larger than life.
1317
00:53:05,296 --> 00:53:06,364
Didn't work, huh?
1318
00:53:07,565 --> 00:53:09,234
Now it will.
1319
00:53:09,300 --> 00:53:11,002
(EXPLODING)
(SCREAMING)
1320
00:53:11,069 --> 00:53:12,470
They made Chuck a star.
1321
00:53:12,537 --> 00:53:13,939
(GUNS FIRING)
1322
00:53:14,005 --> 00:53:15,841
Now they were putting him
in a big-budget movie.
1323
00:53:15,907 --> 00:53:18,176
(ENGINE REVVING)
1324
00:53:18,243 --> 00:53:20,478
CHUCK NORRIS: The shopping
mall, of course, has been the hardest
1325
00:53:20,545 --> 00:53:22,513
and most hair-raising, most
dangerous thing I've done.
1326
00:53:22,580 --> 00:53:25,616
Probably the most dangerous
stunt I've ever done on film.
1327
00:53:25,683 --> 00:53:28,053
JAMES: They were going
to completely rebuild it, gut it,
1328
00:53:28,119 --> 00:53:31,823
so we were allowed to
destroy everything.
1329
00:53:35,126 --> 00:53:36,995
They were going to
literally bulldoze
1330
00:53:37,062 --> 00:53:38,429
an entire suburban neighborhood
1331
00:53:38,496 --> 00:53:40,999
to extend the runway
of Atlanta Airport.
1332
00:53:41,066 --> 00:53:42,633
And they were able to
blow the houses up.
1333
00:53:42,700 --> 00:53:44,135
(ROCKET FIRING)
(EXPLODING)
1334
00:53:52,343 --> 00:53:55,380
We had some really great
stuntmen working on that picture.
1335
00:53:57,949 --> 00:53:59,784
The helicopter
on top of helicopters,
1336
00:53:59,851 --> 00:54:01,853
the tanks, people firing.
1337
00:54:01,920 --> 00:54:03,454
No, there's some great
stuff in that film.
1338
00:54:03,521 --> 00:54:05,656
When we had a screening
of the rough cut,
1339
00:54:05,723 --> 00:54:07,158
it was heart-wrenching.
1340
00:54:07,225 --> 00:54:09,961
The story, basically,
was edited out.
1341
00:54:10,028 --> 00:54:12,630
It's time.
1342
00:54:12,697 --> 00:54:14,032
(YELLING)
1343
00:54:14,099 --> 00:54:17,035
(ROCKET FIRING)
(EXPLODING)
1344
00:54:17,102 --> 00:54:20,771
There's a lot of great scenes,
but it's disjointed.
1345
00:54:20,838 --> 00:54:23,441
GOLDBLATT: Menahem and Yoram
were not particularly precious
1346
00:54:23,508 --> 00:54:26,311
about the process of
editing a picture
1347
00:54:26,377 --> 00:54:29,047
and the process of getting
it into a final cut.
1348
00:54:29,114 --> 00:54:34,085
"Okay, rewind. Now, cut,
cut, cut, cut, cut!"
1349
00:54:34,152 --> 00:54:36,621
He would start the
morning in his office,
1350
00:54:36,687 --> 00:54:39,457
listen to a pitch meeting,
go back, edit a trailer.
1351
00:54:39,524 --> 00:54:42,027
All the time, keep
suspense and action.
1352
00:54:42,093 --> 00:54:43,929
(VOCALIZING)
The scene is their voices.
1353
00:54:43,995 --> 00:54:45,763
"No! Help! Help! Help!"
1354
00:54:45,830 --> 00:54:49,667
Go back, meet an actor, director,
give notes on a script, go back,
1355
00:54:49,734 --> 00:54:51,102
change three cuts.
1356
00:54:51,169 --> 00:54:52,670
"That's terrific.
That's great, that's great."
1357
00:54:52,737 --> 00:54:55,106
"This is shit! This is
shit!" "Trim that! Trim that!
1358
00:54:55,173 --> 00:54:57,242
"This is good! This is
good!" "Cut negative!"
1359
00:54:57,308 --> 00:54:58,944
"It's the same shit
you looked at yesterday."
1360
00:54:59,010 --> 00:55:00,445
"No, no, no, it's
good shit today."
1361
00:55:00,511 --> 00:55:03,081
The problem is they loved
cinema in the abstract.
1362
00:55:03,148 --> 00:55:05,450
I don't think, in my experience,
1363
00:55:05,516 --> 00:55:08,219
that they really knew what it
was like to love something so much
1364
00:55:08,286 --> 00:55:12,257
that you were patient and took
the time and went through the pain
1365
00:55:12,323 --> 00:55:15,260
of seeing it through
draft after draft after draft,
1366
00:55:15,326 --> 00:55:17,695
admitting to yourself that
it might not be right yet.
1367
00:55:17,762 --> 00:55:22,833
You could take 150, 500
scripts, put them in an office,
1368
00:55:22,900 --> 00:55:25,836
have a monkey go inside
and pick 70 of them,
1369
00:55:25,903 --> 00:55:28,039
and he'd be on par with
Golan and Globus.
1370
00:55:28,106 --> 00:55:30,008
NARRATOR: In the tail
of Halley's Comet,
1371
00:55:30,075 --> 00:55:32,110
there's something wrong,
1372
00:55:32,177 --> 00:55:33,979
something evil,
1373
00:55:34,045 --> 00:55:36,581
something hungry.
1374
00:55:36,647 --> 00:55:37,648
(NARRATOR READING)
1375
00:55:38,883 --> 00:55:40,385
(SCREAMING)
Whoa!
1376
00:55:40,451 --> 00:55:42,120
Did someone get the license
number of that movie?
1377
00:55:42,187 --> 00:55:44,289
This is the wildest thing
I've seen in ages.
1378
00:55:44,355 --> 00:55:46,057
It starts as an
outer-space movie,
1379
00:55:46,124 --> 00:55:47,758
then becomes a vampire movie,
1380
00:55:47,825 --> 00:55:49,860
then turns into an
end-of-the-world movie.
1381
00:55:49,927 --> 00:55:53,098
(SNARLING) I think I know
the word to describe this film.
1382
00:55:53,164 --> 00:55:55,633
Berserk!
(SCREAMING)
1383
00:55:55,700 --> 00:55:57,235
Tobe Hooper's Ben-Hur.
1384
00:55:57,302 --> 00:55:59,570
At the time, it was
their biggest budget film.
1385
00:55:59,637 --> 00:56:04,575
It has something major happening
in terms of grand spectacle
1386
00:56:04,642 --> 00:56:06,377
about every 60 seconds,
1387
00:56:06,444 --> 00:56:10,315
with incredible mechanical
effects, physical and optical effects,
1388
00:56:10,381 --> 00:56:14,252
nudity, because the humanoid
creatures are found nude
1389
00:56:14,319 --> 00:56:16,221
in these crystal sarcophagi.
1390
00:56:16,287 --> 00:56:19,390
Finding Mathilda May was
an achievement, actually,
1391
00:56:19,457 --> 00:56:23,028
one of the most striking
young women I've ever seen.
1392
00:56:23,094 --> 00:56:25,063
When I saw the rushes,
I... I just died,
1393
00:56:25,130 --> 00:56:29,600
and knew that we would never,
ever get away with the British censor.
1394
00:56:29,667 --> 00:56:32,970
Her private parts area
was like a bikini!
1395
00:56:33,038 --> 00:56:34,839
You'll never believe
what I'm looking at.
1396
00:56:34,905 --> 00:56:36,641
JOHN GROVER: And this was
supposed to be a mystery about
1397
00:56:36,707 --> 00:56:39,444
this beautiful woman that
was gonna destroy London.
1398
00:56:39,510 --> 00:56:41,479
MAN: That girl was no girl.
1399
00:56:41,546 --> 00:56:45,016
She's totally alien to this
planet and our life form,
1400
00:56:45,083 --> 00:56:46,651
and totally dangerous.
1401
00:56:51,089 --> 00:56:53,091
Golan and Globus took a risk.
1402
00:56:53,158 --> 00:56:54,592
It was a big risk with this,
1403
00:56:54,659 --> 00:56:56,627
especially halfway
through the picture,
1404
00:56:56,694 --> 00:56:58,796
when we were four months behind.
1405
00:56:58,863 --> 00:57:01,066
They weren't worried
about the amount of time
1406
00:57:01,132 --> 00:57:02,467
it was taking to shoot the film.
1407
00:57:02,533 --> 00:57:04,869
It had to do with
watching the dailies
1408
00:57:04,935 --> 00:57:08,339
and loving the scope of
what they were producing.
1409
00:57:08,406 --> 00:57:11,176
They now were in another
level of filmmaking.
1410
00:57:11,242 --> 00:57:14,479
GROVER: They wanted to make
the biggest picture of the year.
1411
00:57:14,545 --> 00:57:18,116
They were small fry
in a very big pond.
1412
00:57:18,183 --> 00:57:21,852
All these films that they
made were bizarre, plot-wise.
1413
00:57:21,919 --> 00:57:24,389
I mean, they were made up
on the spot half the time.
1414
00:57:24,455 --> 00:57:26,857
"Marriage Venetian Style."
1415
00:57:26,924 --> 00:57:28,359
"A Holiday in Rome."
1416
00:57:28,426 --> 00:57:31,028
"Holiday in Rome."
"A Holiday in Venice."
1417
00:57:31,096 --> 00:57:32,430
(CHUCKLES)
1418
00:57:32,497 --> 00:57:34,031
"Marriage in Venice."
"Marriage in Venice."
1419
00:57:34,099 --> 00:57:35,566
(SPEAKING FOREIGN LANGUAGE)
1420
00:57:35,633 --> 00:57:37,802
Yeah? Yeah. "Marriage
in Venice." In Venice.
1421
00:57:37,868 --> 00:57:39,770
Or... "Stop That Marriage."
1422
00:57:39,837 --> 00:57:42,840
Menahem had lots of ideas.
Too many ideas, some people say.
1423
00:57:42,907 --> 00:57:46,077
He would say, "I want
music like Poltergeist."
1424
00:57:46,144 --> 00:57:49,247
And I was like, "Poltergeist
is a 100-piece orchestra."
1425
00:57:49,314 --> 00:57:50,815
And he goes, "You idiot!"
1426
00:57:50,881 --> 00:57:54,252
"We get 50 musicians and we
have them play the music twice!"
1427
00:57:54,319 --> 00:57:57,822
There was a series of books
that go on about a monkey,
1428
00:57:57,888 --> 00:58:00,925
kind of like Curious George, but
it was an Israeli series of books.
1429
00:58:00,991 --> 00:58:03,461
Clyde the orangutan from
Every Which Way But Loose
1430
00:58:03,528 --> 00:58:06,397
came to the office
with his agent.
1431
00:58:06,464 --> 00:58:07,898
Clyde was very hot
at that point,
1432
00:58:07,965 --> 00:58:10,601
and he's here with some
Beverly Hills lawyers in suits.
1433
00:58:10,668 --> 00:58:13,938
(LAUGHING) Menahem's
sitting next to an orangutan
1434
00:58:14,004 --> 00:58:18,409
and deciding whether to sign the
orangutan, to put him under contract,
1435
00:58:18,476 --> 00:58:22,147
and he turns to the woman
who's head of publicity
1436
00:58:22,213 --> 00:58:25,015
and says, "Would you
fuck this monkey?"
1437
00:58:25,082 --> 00:58:26,317
(WHINES)
1438
00:58:26,384 --> 00:58:28,486
They go, "So, go on.
What's the story?"
1439
00:58:28,553 --> 00:58:31,356
And he said, "Look, it's about
this kid who goes to Africa."
1440
00:58:31,422 --> 00:58:35,126
"He is without his parents, but he
has this guy who takes care of him."
1441
00:58:35,193 --> 00:58:36,694
"And when they
come off the boat,"
1442
00:58:36,761 --> 00:58:40,030
"all of a sudden,
they see you!"
1443
00:58:40,097 --> 00:58:42,600
And he looked at the monkey.
1444
00:58:42,667 --> 00:58:43,568
And from now on,
1445
00:58:43,634 --> 00:58:45,136
he kept talking to the monkey.
1446
00:58:45,203 --> 00:58:47,705
"Okay, we're in the jungle.
There is a monkey."
1447
00:58:47,772 --> 00:58:49,374
"You, Clyde,
you're the monkey."
1448
00:58:49,440 --> 00:58:51,276
"And, you know, there's a kid,"
1449
00:58:51,342 --> 00:58:53,411
"and the kid is being
attacked by the tribes,"
1450
00:58:53,478 --> 00:58:56,881
"but the monkey saves him, but
now he must go on his uncle's ship."
1451
00:58:56,947 --> 00:58:58,783
"The monkey cannot go with him,"
1452
00:58:58,849 --> 00:59:01,819
"so now the ship is leaving
and the kid, his heart is broken."
1453
00:59:01,886 --> 00:59:03,020
"It's broken!"
1454
00:59:03,087 --> 00:59:05,089
"And you love the boy."
1455
00:59:05,156 --> 00:59:07,225
"You love the boy."
1456
00:59:07,292 --> 00:59:09,360
"And you feel that
the boy love you."
1457
00:59:09,427 --> 00:59:13,097
Golan gets on his desk, and he's literally
standing on his desk at this point...
1458
00:59:13,164 --> 00:59:15,200
"And you cut back
and you see the monkey,"
1459
00:59:15,266 --> 00:59:18,068
"and he's going,
'Help me! Help me!'"
1460
00:59:18,135 --> 00:59:20,371
And... It was crazy.
1461
00:59:20,438 --> 00:59:21,739
Talking to a monkey.
1462
00:59:21,806 --> 00:59:23,608
I remember one of the
agents going, like,
1463
00:59:23,674 --> 00:59:25,676
"Will the monkey be
talking in the movie?"
1464
00:59:25,743 --> 00:59:28,313
"We don't know that yet, but it
doesn't matter. It's the emotion."
1465
00:59:28,379 --> 00:59:29,880
We did some tests and, uh,
1466
00:59:29,947 --> 00:59:33,418
and the monkey either
bit the boy or something.
1467
00:59:33,484 --> 00:59:35,353
Two days later,
Menahem showed up
1468
00:59:35,420 --> 00:59:37,322
with a little guy,
1469
00:59:37,388 --> 00:59:40,325
who was a... Midget.
1470
00:59:40,391 --> 00:59:44,295
You know?
And he said,
1471
00:59:44,362 --> 00:59:46,697
"This is your new monkey."
1472
00:59:46,764 --> 00:59:47,965
(CHATTERS)
1473
00:59:48,032 --> 00:59:49,900
And he said, "Does he look
like a monkey or not?"
1474
00:59:49,967 --> 00:59:52,136
Everybody said, "Yeah,
he looks like a monkey."
1475
00:59:52,203 --> 00:59:54,872
But the truth is he didn't.
1476
00:59:54,939 --> 00:59:56,173
Not at all.
1477
00:59:56,241 --> 00:59:58,209
And I went with
them to Africa...
1478
00:59:58,276 --> 01:00:00,345
Oh! Ohh!
1479
01:00:00,411 --> 01:00:03,281
And I felt really,
really embarrassed.
1480
01:00:03,348 --> 01:00:07,017
When we were in the jungle, on
the tree, there were real monkeys
1481
01:00:07,084 --> 01:00:09,354
and I had the feeling that
they are laughing at me.
1482
01:00:09,420 --> 01:00:11,389
KRAFT: Usually, a bad idea
1483
01:00:11,456 --> 01:00:13,658
only happens once or twice.
1484
01:00:13,724 --> 01:00:15,660
Oh!
1485
01:00:15,726 --> 01:00:18,996
Bonzo love Ben.
1486
01:00:19,063 --> 01:00:20,798
Oh!
1487
01:00:20,865 --> 01:00:23,200
These were bad ideas
on a regular basis.
1488
01:00:23,268 --> 01:00:24,969
(MAN READING)
1489
01:00:25,035 --> 01:00:27,805
I don't care what anyone
says. It's... It's a masterpiece.
1490
01:00:27,872 --> 01:00:30,074
NARRATOR: In
a world gone mad,
1491
01:00:30,140 --> 01:00:33,077
there is only one law, his.
1492
01:00:33,143 --> 01:00:34,645
What's the problem?
1493
01:00:34,712 --> 01:00:36,881
We're stealin' a fucking
car. What's it to you?
1494
01:00:36,947 --> 01:00:37,982
It's my car!
1495
01:00:39,317 --> 01:00:40,585
(GUN FIRING)
1496
01:00:40,651 --> 01:00:42,453
Total dog-pile piece of shit.
1497
01:00:42,520 --> 01:00:46,056
The first movie that Michael
Winner did was somewhat compelling.
1498
01:00:46,123 --> 01:00:47,792
But this is a cartoon.
1499
01:00:47,858 --> 01:00:50,928
It's practically World War
III in the streets of New York.
1500
01:00:52,229 --> 01:00:54,031
(ROCKET FIRING)
(EXPLODING)
1501
01:00:54,098 --> 01:00:57,034
ALEX: Winner took pleasure
out of presenting this world...
1502
01:00:57,101 --> 01:01:02,673
Where these grimy, mostly
minority ghetto characters...
1503
01:01:02,740 --> 01:01:04,409
Come on, bitch!
Come on!
1504
01:01:04,475 --> 01:01:06,577
Would be summarily executed
1505
01:01:06,644 --> 01:01:10,748
by more refined, more middle
to upper-class characters.
1506
01:01:10,815 --> 01:01:14,485
And I think that he felt that
that stage could only get bigger.
1507
01:01:15,886 --> 01:01:17,288
(GUN FIRING)
1508
01:01:22,427 --> 01:01:24,795
(GROANING)
1509
01:01:24,862 --> 01:01:26,196
(TIRES SCREECHING)
1510
01:01:26,263 --> 01:01:27,465
(EXPLODING)
1511
01:01:27,532 --> 01:01:29,334
Yeah! Power, man!
1512
01:01:29,400 --> 01:01:32,370
Each film, the police force gets
smaller and smaller and smaller,
1513
01:01:32,437 --> 01:01:35,573
and Bronson's persona
gets bigger, bigger and bigger.
1514
01:01:35,640 --> 01:01:39,410
NARRATOR: Now the trap
is set. The fuse is lit.
1515
01:01:39,477 --> 01:01:41,211
Bronson is unleashed.
1516
01:01:41,278 --> 01:01:43,681
(NARRATOR READING)
1517
01:01:43,748 --> 01:01:45,883
Three, four and five
are a different...
1518
01:01:45,950 --> 01:01:48,886
They're related by blood, but
they're the family we don't talk to.
1519
01:01:48,953 --> 01:01:51,522
I know that Charlie wanted
to make better movies.
1520
01:01:51,589 --> 01:01:53,324
We had that
conversation many times.
1521
01:01:53,391 --> 01:01:56,627
He didn't want to make
Death Wish 2, 3, 4 and 5.
1522
01:01:56,694 --> 01:01:58,363
I don't know how
they talked him into it.
1523
01:01:58,429 --> 01:01:59,697
He didn't really have
to do very much.
1524
01:01:59,764 --> 01:02:01,265
He had a Jaguar
that would drive him
1525
01:02:01,332 --> 01:02:03,200
from his dressing
room to the set,
1526
01:02:03,267 --> 01:02:05,570
which was usually about three
feet from his dressing room.
1527
01:02:05,636 --> 01:02:08,473
It was more like watching
a man golf than act.
1528
01:02:08,539 --> 01:02:10,841
MAN: Charles Bronson
and Bronson's stunt double
1529
01:02:10,908 --> 01:02:12,610
discuss the seemingly
simple task
1530
01:02:12,677 --> 01:02:14,645
of throwing groceries
at a moving car.
1531
01:02:14,712 --> 01:02:16,581
This is turned over
to a stunt double
1532
01:02:16,647 --> 01:02:19,584
in order to ensure
the safety of the star.
1533
01:02:19,650 --> 01:02:22,052
Well, we became the
garbage of the industry.
1534
01:02:22,119 --> 01:02:24,355
A place of last resort
to get movies made.
1535
01:02:24,422 --> 01:02:26,323
They were considered
schlockmeisters.
1536
01:02:26,391 --> 01:02:27,525
Schlock.
Schlock.
1537
01:02:27,592 --> 01:02:28,793
Schlock.
It's schlock.
1538
01:02:28,859 --> 01:02:30,428
But they sure do
make a lot of it.
1539
01:02:30,495 --> 01:02:31,929
They knew what
their reputation was.
1540
01:02:31,996 --> 01:02:34,131
They knew that everyone
saw them as kind of,
1541
01:02:34,198 --> 01:02:36,166
"Yeah, you guys do a lot of stuff,
but where's the, where's the quality?"
1542
01:02:36,233 --> 01:02:39,269
And I think that, uh, they
wanted to do some projects
1543
01:02:39,336 --> 01:02:42,507
that not only would
bankroll their company,
1544
01:02:42,573 --> 01:02:44,609
but would bring them
a little more respect.
1545
01:02:44,675 --> 01:02:48,078
MENAHEM: I want to sign with
Bogdanovich to a three-picture deal.
1546
01:02:48,145 --> 01:02:50,581
MAN: (ON PHONE) If you want
to buy Peter Bogdanovich,
1547
01:02:50,648 --> 01:02:52,783
let's say that you had
a project called XYZ...
1548
01:02:52,850 --> 01:02:55,553
Yeah, I'm not buying people.
I'm giving them opportunities.
1549
01:02:55,620 --> 01:02:59,289
"He should work with me because
I'm giving him this opportunity,"
1550
01:02:59,356 --> 01:03:00,825
"and if he doesn't,
he's an idiot."
1551
01:03:00,891 --> 01:03:04,094
He needs a family because
he's now without a family.
1552
01:03:04,161 --> 01:03:07,031
And he's a loser and he needs to
be with the winning, with the winners.
1553
01:03:07,097 --> 01:03:10,300
The artists that were
attracted to Cannon
1554
01:03:10,367 --> 01:03:13,303
probably didn't want to be,
in the beginning.
1555
01:03:13,370 --> 01:03:15,706
But once they got to know Golan,
1556
01:03:15,773 --> 01:03:17,508
they realized
they found a patron.
1557
01:03:17,575 --> 01:03:20,344
Menahem Golan is a director.
1558
01:03:20,411 --> 01:03:24,582
You're dealing with someone
who does the same thing you do,
1559
01:03:24,649 --> 01:03:26,617
who understands
what your problems are.
1560
01:03:26,684 --> 01:03:30,521
You're dealing with guys who know
every element of the film business.
1561
01:03:30,588 --> 01:03:32,457
That, to me,
is terribly refreshing.
1562
01:03:32,523 --> 01:03:35,626
NARRATOR: Cannon Films proudly
presents a motion picture event,
1563
01:03:35,693 --> 01:03:40,431
directed by internationally acclaimed
master filmmaker Franco Zeffirelli.
1564
01:03:40,498 --> 01:03:42,266
Menahem loved Zeffirelli.
1565
01:03:42,332 --> 01:03:44,134
MICHAEL: You tell him,
"Listen, you can get the lottery
1566
01:03:44,201 --> 01:03:46,003
"or sit with Zeffirelli
and make a movie with him."
1567
01:03:46,070 --> 01:03:48,773
He will take Zeffirelli
making a movie with him.
1568
01:03:48,839 --> 01:03:52,643
The film opera event
of our century, Otello.
1569
01:03:52,710 --> 01:03:54,979
(SINGING IN OTHER LANGUAGE)
1570
01:03:55,045 --> 01:03:56,481
Zeffirelli, Cannon.
1571
01:03:56,547 --> 01:03:57,982
JOHN: Franco
probably started out
1572
01:03:58,048 --> 01:04:00,050
by thinking how crude
these guys were
1573
01:04:00,117 --> 01:04:02,553
and then ended up
really appreciating them.
1574
01:04:23,340 --> 01:04:25,610
MAN: There was one
telegram that said,
1575
01:04:25,676 --> 01:04:30,347
"We are looking at the daily and they
looked like they were created by God."
1576
01:04:30,414 --> 01:04:31,982
(FRANCO ZEFFIRELLI SPEAKING)
1577
01:04:45,596 --> 01:04:47,064
Someone like John Cassavetes,
1578
01:04:47,131 --> 01:04:49,433
who could not get
financing from anybody,
1579
01:04:49,500 --> 01:04:50,835
Menahem would give him funding.
1580
01:04:50,901 --> 01:04:53,137
I'm going to do
a John Cassavetes film,
1581
01:04:53,203 --> 01:04:56,907
and once I accepted this fact...
1582
01:04:58,008 --> 01:04:59,977
I had to give John Cassavetes
1583
01:05:00,044 --> 01:05:02,680
the full freedom
to create his film.
1584
01:05:02,747 --> 01:05:04,615
We were never committed
to make a film
1585
01:05:04,682 --> 01:05:06,450
that would please the audience.
1586
01:05:06,517 --> 01:05:08,085
Now, if you came
to see our films,
1587
01:05:08,152 --> 01:05:09,754
you had to suffer through them.
1588
01:05:09,820 --> 01:05:12,489
Do you believe that love
is a continuous stream?
1589
01:05:12,557 --> 01:05:16,226
MENAHEM: John Cassavetes brought
me a two hours and 15 minutes movie.
1590
01:05:16,293 --> 01:05:19,797
I told John, "Go and cut out
15 minutes in the middle"
1591
01:05:19,864 --> 01:05:22,099
"and you'll see we'll get
a much better movie."
1592
01:05:22,166 --> 01:05:24,602
He said, "Menahem, it will
be done in the next two days."
1593
01:05:24,669 --> 01:05:28,172
Two days later, he came and
the movie was two and a half hours.
1594
01:05:28,238 --> 01:05:31,075
And I said, "John,
you added 15 minutes."
1595
01:05:31,141 --> 01:05:33,744
He said, "But it's, but it's
shorter, nevertheless."
1596
01:05:33,811 --> 01:05:36,113
AL: I think Menahem
got the film that he wanted.
1597
01:05:36,180 --> 01:05:39,116
I think it served a purpose
for Cannon Films.
1598
01:05:39,183 --> 01:05:41,752
He could then go
to any other director
1599
01:05:41,819 --> 01:05:46,891
and say, "Hey, look, we just
made a film with John Cassavetes."
1600
01:05:46,957 --> 01:05:49,660
You know? "And you know
how difficult he can be."
1601
01:05:49,727 --> 01:05:53,163
"But that just goes to show you
how, you know, how far we'll go"
1602
01:05:53,230 --> 01:05:55,032
"with a, with
another director."
1603
01:05:55,099 --> 01:05:56,734
Menahem Golan
and Yoram Globus are...
1604
01:05:56,801 --> 01:05:58,636
Are kind of wild characters.
1605
01:05:58,703 --> 01:06:01,538
They make impulsive decisions
like signing up Godard on a napkin.
1606
01:06:01,606 --> 01:06:05,175
We didn't have paper and
this was on the table of the bar.
1607
01:06:05,242 --> 01:06:08,012
And this is
Mr. Jean-Luc Godard.
1608
01:06:08,078 --> 01:06:10,280
I love this project.
I believe in it.
1609
01:06:10,347 --> 01:06:12,249
I think it'll be a great movie.
1610
01:06:12,316 --> 01:06:16,486
Godard said that he would do, uh,
King Lear only with Norman Mailer.
1611
01:06:16,553 --> 01:06:19,089
Mailer. Oh, yes.
1612
01:06:20,390 --> 01:06:22,292
That is a good way to begin.
1613
01:06:22,359 --> 01:06:25,462
Godard wanted Norman to play
a writer named Norman Mailer
1614
01:06:25,529 --> 01:06:29,867
and he wanted Kate to play a daughter
of that writer, named Kate Mailer,
1615
01:06:29,934 --> 01:06:31,902
and there was
a suggestion of incest.
1616
01:06:31,969 --> 01:06:33,938
Part of me thinks
that Godard did that
1617
01:06:34,004 --> 01:06:35,940
in the hopes that
Norman would quit,
1618
01:06:36,006 --> 01:06:38,075
and that led to
the famous phone call
1619
01:06:38,142 --> 01:06:40,344
that Godard recorded
without our permission.
1620
01:06:40,410 --> 01:06:42,479
JEAN-LUC GODARD: I must insist
1621
01:06:42,546 --> 01:06:47,151
that this movie, as promised, which
was already put forward so many times,
1622
01:06:47,217 --> 01:06:49,787
will reach the Cannes Festival.
1623
01:06:49,854 --> 01:06:51,488
This is my main concern.
1624
01:06:51,555 --> 01:06:55,492
MAN: No script, no make-up,
no hair, no costumes, nothing.
1625
01:06:55,559 --> 01:06:58,963
MOLLY RINGWALD: I was walking
with a horse and I think I'm Joan of Arc,
1626
01:06:59,029 --> 01:07:01,732
and then I think I'm dead
on the rocks or something.
1627
01:07:01,799 --> 01:07:05,670
And I think I asked him, "Am I
supposed to be dead or alive?"
1628
01:07:05,736 --> 01:07:07,104
"Am I sleeping?"
1629
01:07:07,171 --> 01:07:08,438
You know,
"What am I doing?"
1630
01:07:08,505 --> 01:07:10,007
And he was like...
(EXHALES)
1631
01:07:10,074 --> 01:07:12,442
Like it was the stupidest
question ever, you know?
1632
01:07:12,509 --> 01:07:15,846
Like, "Oh! Dead!" Like,
you know, "Pff!" You know?
1633
01:07:15,913 --> 01:07:18,148
It was not even
worthy of a response
1634
01:07:18,215 --> 01:07:21,518
and I thought, "All right, I'm
gonna go with dead." (LAUGHING)
1635
01:07:21,585 --> 01:07:25,956
I'm sure it absolutely was not what
Cannon Pictures was expecting.
1636
01:07:26,023 --> 01:07:27,658
TOM: When the first
images come on,
1637
01:07:27,725 --> 01:07:29,426
Menahem started
whispering to me,
1638
01:07:29,493 --> 01:07:32,663
"Tom Luddy, I will kill you!
Tom Luddy, I will strangle you!"
1639
01:07:32,730 --> 01:07:34,064
"You don't fuck with Sabras."
1640
01:07:34,131 --> 01:07:35,833
I think he was
a bit disappointed
1641
01:07:35,900 --> 01:07:39,503
because Godard didn't
take Menahem seriously.
1642
01:07:39,569 --> 01:07:42,206
Golan always wanted to
make interesting pictures.
1643
01:07:42,272 --> 01:07:44,975
I mean, we would make
what we would call
1644
01:07:45,042 --> 01:07:46,711
"the engine that
pulled the train".
1645
01:07:46,777 --> 01:07:49,914
We would make one picture
that we'd know we could presell
1646
01:07:49,980 --> 01:07:51,949
and then sneak in a bunch
of little ones with it.
1647
01:07:52,016 --> 01:07:53,583
We say to the local distributor,
1648
01:07:53,650 --> 01:07:57,354
"Sorry, man, you have to
take John Cassavetes first"
1649
01:07:57,421 --> 01:07:59,423
"or you don't get
Charles Bronson."
1650
01:07:59,489 --> 01:08:01,558
That's how films like
Barfly get funded.
1651
01:08:01,625 --> 01:08:04,261
NARRATOR: Mickey Rourke.
FAY DUNAWAY: Just one thing.
1652
01:08:04,328 --> 01:08:06,797
I don't ever want
to fall in love.
1653
01:08:06,864 --> 01:08:07,998
NARRATOR: Faye Dunaway.
1654
01:08:08,065 --> 01:08:10,868
Don't worry. Nobody's
ever loved me yet.
1655
01:08:10,935 --> 01:08:12,536
(NARRATOR READING)
1656
01:08:12,602 --> 01:08:16,473
Those were the Cannon days where
you had a meeting with Menahem,
1657
01:08:16,540 --> 01:08:20,711
you had a 90% chances of
walking away with a deal.
1658
01:08:20,778 --> 01:08:22,279
TOM: When we were
in pre-production,
1659
01:08:22,346 --> 01:08:24,148
and we already had Mickey
and we already had Faye,
1660
01:08:24,214 --> 01:08:25,750
when they said,
"We're stopping the shooting"
1661
01:08:25,816 --> 01:08:28,285
"unless you cut the
budget, cut your fees."
1662
01:08:28,352 --> 01:08:31,889
So I had to find something
to replace the lawyer
1663
01:08:31,956 --> 01:08:35,559
and I found the firm
Black & Decker. (LAUGHS)
1664
01:08:35,625 --> 01:08:38,963
Barbet went into Menahem's
office with a chainsaw.
1665
01:08:39,029 --> 01:08:40,765
(IMITATES CHAINSAW REVVING)
1666
01:08:40,831 --> 01:08:44,034
"For every day
I don't get my movie made,"
1667
01:08:44,101 --> 01:08:46,670
"I'm gonna cut one finger
and send it to you."
1668
01:08:46,737 --> 01:08:49,706
MENAHEM: As a matter of fact, I
love it that he is ready to cut his finger,
1669
01:08:49,774 --> 01:08:53,710
because I am ready to cut
anything, my balls, to make a film.
1670
01:08:53,778 --> 01:08:55,846
PIETER: He outsmarted Menahem
1671
01:08:55,913 --> 01:08:57,882
and that's how
that movie got made.
1672
01:08:57,948 --> 01:09:01,185
The movie didn't explode
the way I wanted
1673
01:09:01,251 --> 01:09:04,354
because it was perceived as
a movie about alcoholics.
1674
01:09:04,421 --> 01:09:06,323
DUNAWAY: We're all
in some kind of hell
1675
01:09:06,390 --> 01:09:08,192
and the madhouses
are the only places
1676
01:09:08,258 --> 01:09:10,961
where people know
they're in hell.
1677
01:09:11,028 --> 01:09:12,930
They had this terrible
kind of dichotomy about
1678
01:09:12,997 --> 01:09:15,032
making what they thought
were important films
1679
01:09:15,099 --> 01:09:16,533
and then being
able to sell them.
1680
01:09:16,600 --> 01:09:19,136
ALAIN: Even if the
movie was not a B movie,
1681
01:09:19,203 --> 01:09:22,773
the moment the Cannon logo
was showing up on the screen,
1682
01:09:22,840 --> 01:09:24,508
"Oh! That's
a Cannon movie."
1683
01:09:24,574 --> 01:09:28,045
What people expected from
Cannon, the films that we made,
1684
01:09:28,112 --> 01:09:30,881
were low-budget,
lowbrow, action pictures.
1685
01:09:30,948 --> 01:09:33,650
You'd come along with something
that was more interesting,
1686
01:09:33,717 --> 01:09:35,219
no one could take it seriously.
1687
01:09:35,285 --> 01:09:37,087
NARRATOR: They
escaped together.
1688
01:09:37,154 --> 01:09:39,289
They achieved the impossible.
1689
01:09:39,356 --> 01:09:43,327
But their train to freedom
was out of control.
1690
01:09:43,393 --> 01:09:45,930
JOHN: You're not gonna
hear anyone not say
1691
01:09:45,996 --> 01:09:49,766
that Runaway Train is one of the
most incredible films they've ever seen.
1692
01:09:49,834 --> 01:09:51,301
Runaway Train is, quite simply,
1693
01:09:51,368 --> 01:09:53,470
one of the best adventure
movies I've ever seen,
1694
01:09:53,537 --> 01:09:55,973
a combination of action and
suspense and desperate characters
1695
01:09:56,040 --> 01:09:57,842
that never stopped
surprising me.
1696
01:09:57,908 --> 01:10:00,610
I don't know how closely you can
almost associate it with Cannon.
1697
01:10:00,677 --> 01:10:02,446
It was a film unto itself,
1698
01:10:02,512 --> 01:10:04,714
I think, with a very visionary
director in his own right,
1699
01:10:04,781 --> 01:10:06,683
Andrei Konchalovsky.
1700
01:10:06,750 --> 01:10:09,053
The fact it got made, I suppose,
is some sort of tribute to them,
1701
01:10:09,119 --> 01:10:10,855
that they actually did
give it a green light.
1702
01:10:10,921 --> 01:10:12,522
JOHN: I believe
firmly today
1703
01:10:12,589 --> 01:10:14,959
that if a studio had
made Runaway Train,
1704
01:10:15,025 --> 01:10:17,461
it would be a classic forever.
1705
01:10:17,527 --> 01:10:20,764
PEARCE: Made by Orion, it
would have got great respect, I think.
1706
01:10:20,831 --> 01:10:24,034
You're as afraid to
die as anybody else!
1707
01:10:24,101 --> 01:10:25,870
And I never let you free.
1708
01:10:25,936 --> 01:10:28,138
I'm free, Rankin.
1709
01:10:29,473 --> 01:10:30,740
I am free.
1710
01:10:30,807 --> 01:10:32,109
Made by Cannon, no.
1711
01:10:35,846 --> 01:10:39,649
They came in so quick and
they did so many films so fast,
1712
01:10:39,716 --> 01:10:41,785
and everyone was always
looking around, like,
1713
01:10:41,852 --> 01:10:43,253
"How are they doing this?"
1714
01:10:43,320 --> 01:10:47,157
Michael Milken, he was
called the Junk Bond King.
1715
01:10:47,224 --> 01:10:48,926
CHRISTOPHER: He created
something called
1716
01:10:48,993 --> 01:10:50,327
the high yield
or junk-bond business.
1717
01:10:50,394 --> 01:10:52,762
That went from financing
bankrupt companies
1718
01:10:52,829 --> 01:10:55,232
to financing small,
growing companies.
1719
01:10:55,299 --> 01:11:00,204
Michael Milken raised $300
million for Cannon Pictures.
1720
01:11:00,270 --> 01:11:02,572
It really took
Hollywood by surprise
1721
01:11:02,639 --> 01:11:06,543
that Cannon now had the ability to
make picture after picture after picture.
1722
01:11:06,610 --> 01:11:11,781
Major studios were making six,
seven, maybe eight films a year.
1723
01:11:11,848 --> 01:11:14,284
Nobody was making
20 films a year.
1724
01:11:14,351 --> 01:11:17,054
Forty films a year.
Forty two movies.
1725
01:11:17,121 --> 01:11:20,790
Forty seven films a year.
Fifty two in-house films.
1726
01:11:20,857 --> 01:11:22,526
Almost average one a week.
1727
01:11:22,592 --> 01:11:23,793
Eighty four.
1728
01:11:23,860 --> 01:11:25,930
That's an entire career there.
1729
01:11:25,996 --> 01:11:27,764
It was almost like
a bowel movement.
1730
01:11:27,831 --> 01:11:30,367
(LAUGHING) You make
a movie, it comes out,
1731
01:11:30,434 --> 01:11:32,302
you flush it and you
move on to another one.
1732
01:11:32,369 --> 01:11:35,472
This company grew up
and mushroomed so fast
1733
01:11:35,539 --> 01:11:39,176
just because of the energy and
the personality of Menahem Golan.
1734
01:11:39,243 --> 01:11:40,911
The name of the game is to do!
1735
01:11:40,978 --> 01:11:43,880
Not just to "Blah, blah,
blah, blah, blah," talk about it.
1736
01:11:43,948 --> 01:11:45,615
I'd have meetings
with Yoram one day
1737
01:11:45,682 --> 01:11:50,787
and Golan comes in and he starts
talking about something in Budapest.
1738
01:11:50,854 --> 01:11:52,622
And we say, "What
are you talking about?"
1739
01:11:52,689 --> 01:11:55,059
"Oh, I forgot to tell you, we're
making this film in Budapest."
1740
01:11:55,125 --> 01:11:56,493
"We're in the second
week of shooting."
1741
01:11:56,560 --> 01:11:58,062
We didn't even know
it was being made.
1742
01:11:58,128 --> 01:12:02,799
If something excites you,
be brave and go
1743
01:12:02,866 --> 01:12:05,669
and try to do it
good, but do it.
1744
01:12:05,735 --> 01:12:09,573
In England, Cannon became a
real threat to the British film industry.
1745
01:12:09,639 --> 01:12:11,908
NARRATOR: Cannon gained
a place in Britain's film line-up
1746
01:12:11,976 --> 01:12:15,112
when it took over Thorn-EMI
Screen Entertainment.
1747
01:12:15,179 --> 01:12:17,547
Suddenly they owned
Elstree Studios,
1748
01:12:17,614 --> 01:12:19,049
the Pathe film library,
1749
01:12:19,116 --> 01:12:21,051
and the ABC Cinema circuit.
1750
01:12:21,118 --> 01:12:23,220
With their own
Classic and Star chain,
1751
01:12:23,287 --> 01:12:27,624
this gave Golan and Globus command of
almost 40% of the British cinema market.
1752
01:12:27,691 --> 01:12:30,060
We owned the big chain
in London, in England.
1753
01:12:30,127 --> 01:12:32,596
We owned the big chain in Italy,
1754
01:12:32,662 --> 01:12:33,930
all the theaters in Holland.
1755
01:12:33,998 --> 01:12:36,233
They bought everything,
short of Harrods.
1756
01:12:36,300 --> 01:12:39,136
Cannon had all this money
and was anxious to spend it,
1757
01:12:39,203 --> 01:12:41,105
and they wanted to
spend it on stars.
1758
01:12:41,171 --> 01:12:43,873
They were, and I hope you don't
mind me using the word, star-fuckers.
1759
01:12:43,940 --> 01:12:46,676
How many films
a star does a year? One?
1760
01:12:46,743 --> 01:12:48,979
What does he do
the rest of the year?
1761
01:12:49,046 --> 01:12:51,115
Forty weeks, what does he do?
1762
01:12:51,181 --> 01:12:54,284
He goes to psychoanalysts,
he get divorced.
1763
01:12:54,351 --> 01:12:56,653
What does he do?
Okay?
1764
01:12:56,720 --> 01:12:58,622
So, he wants to work!
1765
01:12:58,688 --> 01:13:01,791
He said, "I want...
for the leading lady",
1766
01:13:01,858 --> 01:13:04,094
"I want, uh, that, uh..."
1767
01:13:04,161 --> 01:13:06,663
"The movie, the Stone movie,
you know the one."
1768
01:13:06,730 --> 01:13:08,532
"That's the one
I want. Get her."
1769
01:13:08,598 --> 01:13:11,101
RICHARD: And they get back
the first week of dailies
1770
01:13:11,168 --> 01:13:13,003
and he goes,
"Who is this fucking bitch?"
1771
01:13:13,070 --> 01:13:14,938
"I said, I want
that Stone woman."
1772
01:13:15,005 --> 01:13:17,774
Well, everybody thought he
was talking about Sharon Stone.
1773
01:13:17,841 --> 01:13:21,311
He was talking about Romancing
the Stone, which was Kathleen Turner.
1774
01:13:21,378 --> 01:13:23,380
That's who he thought
he'd cast in the movie.
1775
01:13:23,447 --> 01:13:24,881
I've got it!
1776
01:13:24,948 --> 01:13:29,053
NARRATOR: Richard Chamberlain
is Allan Quartermain in...
1777
01:13:29,119 --> 01:13:31,121
(NARRATOR READING)
1778
01:13:31,188 --> 01:13:34,624
CASSANDRA PETERSON: At the time,
Richard was just an incredibly hot star,
1779
01:13:34,691 --> 01:13:36,426
so that impressed me.
1780
01:13:36,493 --> 01:13:39,229
"Well, they're not doing the same
schlocky stuff they used to do before."
1781
01:13:39,296 --> 01:13:40,797
You know, little did
I know. (LAUGHS)
1782
01:13:40,864 --> 01:13:43,467
It was a bit of a spoof of
Raiders of the Lost Ark.
1783
01:13:45,502 --> 01:13:46,770
(SCREAMING)
1784
01:13:48,505 --> 01:13:50,006
(SCREAMING)
1785
01:13:50,607 --> 01:13:52,242
(EXPLODING)
1786
01:13:52,309 --> 01:13:54,578
You had the sense that if you
could think of something funny to do
1787
01:13:54,644 --> 01:13:57,514
that wasn't out
of character, do it.
1788
01:13:57,581 --> 01:13:58,815
Surprise!
1789
01:13:58,882 --> 01:14:01,151
Great reflexes, boys.
1790
01:14:01,218 --> 01:14:03,287
PETERSON: It slowly
became apparent to me,
1791
01:14:03,353 --> 01:14:05,289
not that slowly, pretty quickly,
1792
01:14:05,355 --> 01:14:09,759
that this was definitely not going
to be of the Indiana Jones caliber.
1793
01:14:12,662 --> 01:14:14,198
Quartermain!
1794
01:14:14,264 --> 01:14:16,500
DANIEL: Chamberlain was
not Harrison Ford. (GUN FIRING)
1795
01:14:16,566 --> 01:14:18,235
And Sharon Stone,
nobody knew who she was.
1796
01:14:18,302 --> 01:14:21,238
AVI: It was a tough time
to work with Sharon,
1797
01:14:21,305 --> 01:14:23,673
to a level that
none of the crew,
1798
01:14:23,740 --> 01:14:25,875
none of the assistants,
none of the make-up,
1799
01:14:25,942 --> 01:14:29,979
none of the people that she worked
day-by-day, wanted to work with her.
1800
01:14:30,046 --> 01:14:32,082
(GASPS) I wanna scream!
1801
01:14:32,149 --> 01:14:33,117
She was hated on the set.
1802
01:14:33,183 --> 01:14:35,252
(SCREAMING)
1803
01:14:36,220 --> 01:14:37,454
All the South
Africans hated her.
1804
01:14:38,788 --> 01:14:40,757
She took a milk bath,
they peed in the water.
1805
01:14:40,824 --> 01:14:43,760
And when she got in the
water, she's like, "Ew! Ew!"
1806
01:14:43,827 --> 01:14:45,962
"This water smells so funny."
1807
01:14:46,029 --> 01:14:47,431
(SNICKERING)
1808
01:14:47,497 --> 01:14:50,700
Richard Chamberlain himself
could not stand her.
1809
01:14:50,767 --> 01:14:52,001
What's wrong?
1810
01:14:52,068 --> 01:14:55,939
(SIGHS) Sharon's a difficult
person to understand.
1811
01:14:56,005 --> 01:14:59,209
She was incredibly beautiful.
She's very, very smart,
1812
01:14:59,276 --> 01:15:01,545
and talks about
how smart she is a lot.
1813
01:15:01,611 --> 01:15:03,847
NELSON: She should have
never done the second movie
1814
01:15:03,913 --> 01:15:06,283
if she had such a bad
time on the first one.
1815
01:15:06,350 --> 01:15:08,352
NARRATOR: The odds
are against them
1816
01:15:08,418 --> 01:15:11,121
and that's the way they like it!
1817
01:15:11,188 --> 01:15:14,458
(NARRATOR READING)
1818
01:15:14,524 --> 01:15:17,661
I don't know why they would want
to do King Solomon's Mines twice,
1819
01:15:17,727 --> 01:15:19,796
'cause the first one wasn't
very good to begin with.
1820
01:15:19,863 --> 01:15:21,198
Hold on!
1821
01:15:21,265 --> 01:15:23,099
RICHARD:
Well, my first question was,
1822
01:15:23,167 --> 01:15:24,601
"How much money do you
think you'll be spending on it?"
1823
01:15:24,668 --> 01:15:26,236
And they said,
"Oh, probably $10 million."
1824
01:15:26,303 --> 01:15:29,506
I think they ended up
spending about $3.75 on it.
1825
01:15:29,573 --> 01:15:31,575
(SNARLING)
(GUN FIRING)
1826
01:15:31,641 --> 01:15:35,111
I signed on as
the villainess, Sorais.
1827
01:15:35,179 --> 01:15:36,846
They actually had
me in a harness
1828
01:15:36,913 --> 01:15:38,982
and were swinging
me over this pit.
1829
01:15:39,048 --> 01:15:40,984
I remember being scared
out of my freaking brain,
1830
01:15:41,050 --> 01:15:44,854
thinking, "Why am I doing this
and not a stunt person?"
1831
01:15:44,921 --> 01:15:46,990
"Oh, wait a minute.
There is no stunt person."
1832
01:15:47,056 --> 01:15:48,124
(BLOWS)
1833
01:15:48,192 --> 01:15:50,227
(SCREAMING)
1834
01:15:50,294 --> 01:15:56,200
Never had contact ever with either Menahem
or Yoram until the end of the movie,
1835
01:15:56,266 --> 01:15:59,336
until, um, it was...
Judgment day.
1836
01:15:59,403 --> 01:16:01,538
We'd screen
a version of the film
1837
01:16:01,605 --> 01:16:04,508
and everybody would turn to the back of
the room, where Menahem and Yoram were,
1838
01:16:04,574 --> 01:16:06,710
and they'd wait to see which
way the wind was blowing.
1839
01:16:06,776 --> 01:16:09,213
Every once in a while,
I heard, "Fakakta director",
1840
01:16:09,279 --> 01:16:11,981
you know, as I figured, you know,
I'm the fucking director, you know?
1841
01:16:12,048 --> 01:16:15,219
So, I'm... "That's me. I'm sitting
right behind you, you know".
1842
01:16:15,285 --> 01:16:17,153
Then the English would come out.
1843
01:16:17,221 --> 01:16:20,957
"Why are those people all blonde,
walking with white pajamas?"
1844
01:16:21,024 --> 01:16:22,125
"What's going on?"
1845
01:16:22,192 --> 01:16:25,161
And, "Oh, my God!
Yoram, look!"
1846
01:16:25,229 --> 01:16:28,097
"The queens!
Look at those queens!"
1847
01:16:28,164 --> 01:16:29,899
"They're supposed
to be ugly!"
1848
01:16:29,966 --> 01:16:34,003
I come to find out that they
had gotten my movie confused
1849
01:16:34,070 --> 01:16:36,940
with one that Tobe Hooper
was making at the same time.
1850
01:16:37,006 --> 01:16:40,410
He never would admit
that he was confused.
1851
01:16:40,477 --> 01:16:42,746
He never said,
"Oh, I'm wrong," you know.
1852
01:16:42,812 --> 01:16:45,549
"I'll look at your picture
in a different light." No.
1853
01:16:46,850 --> 01:16:49,819
He said, "The picture
is un-releasable!"
1854
01:16:49,886 --> 01:16:51,755
I said, "Menahem, please."
1855
01:16:51,821 --> 01:16:55,158
I said, "As I came down
the halls to your office",
1856
01:16:55,225 --> 01:16:59,629
"on either side are posters
of films that you have done"
1857
01:16:59,696 --> 01:17:03,400
"that are totally un-releasable
that you have released!"
1858
01:17:03,467 --> 01:17:05,535
"So don't tell me
it's un-releasable."
1859
01:17:05,602 --> 01:17:08,405
MAN: Golan's real dream
always was to be a studio.
1860
01:17:08,472 --> 01:17:10,474
They moved out of
low-class offices
1861
01:17:10,540 --> 01:17:12,476
and suddenly bought
an entire building.
1862
01:17:12,542 --> 01:17:16,079
And had to have security
guards with Uzis at the front desk.
1863
01:17:16,145 --> 01:17:17,514
I think there had
been death threats.
1864
01:17:17,581 --> 01:17:18,982
"Menahem, there's
a bomb threat!"
1865
01:17:19,048 --> 01:17:21,385
"Somebody's gonna
blow up the building!"
1866
01:17:21,451 --> 01:17:23,152
(MIMICKING MENAHEM)
"Tell them to go fuck themselves!"
1867
01:17:23,219 --> 01:17:25,922
The joke company wasn't
such a joke anymore.
1868
01:17:25,989 --> 01:17:28,492
REPORTER: Menahem Golan
took time off from his duties
1869
01:17:28,558 --> 01:17:30,994
as chairman of the board
of Hollywood's Cannon Films
1870
01:17:31,060 --> 01:17:34,464
to personally produce
and direct Delta Force.
1871
01:17:34,531 --> 01:17:36,566
This is a hijack!
1872
01:17:36,633 --> 01:17:41,605
NARRATOR: It's a new age of terror
that requires a new breed of warrior.
1873
01:17:41,671 --> 01:17:46,976
MENAHEM: We worked on a screenplay
to tell a story of new American heroes,
1874
01:17:47,043 --> 01:17:50,146
tell a story of the real
modern American drama.
1875
01:17:50,213 --> 01:17:56,820
This was absolutely a fairytale
reaction to a real-life TWA hijacking.
1876
01:17:56,886 --> 01:17:58,855
JAMES: The hostages
hadn't been released,
1877
01:17:58,922 --> 01:18:02,392
so he got the idea
of sending me to Beirut.
1878
01:18:02,459 --> 01:18:03,993
He was gonna sneak me
across the border
1879
01:18:04,060 --> 01:18:05,962
and I was supposed to go
to the Beirut airport
1880
01:18:06,029 --> 01:18:08,064
and find out what was going
on and report back to him
1881
01:18:08,131 --> 01:18:10,166
so he could come up with
an ending for the picture.
1882
01:18:10,233 --> 01:18:14,070
Everybody want to see the
American president taking a firm state
1883
01:18:14,137 --> 01:18:19,676
and using whatever he has in America,
like the Delta Force, for solutions.
1884
01:18:19,743 --> 01:18:21,478
It's a go. Take 'em down.
1885
01:18:21,545 --> 01:18:23,747
We don't move until the women
and children are away and safe.
1886
01:18:23,813 --> 01:18:25,849
SHARON KAHN:
This was the happy ending
1887
01:18:25,915 --> 01:18:28,117
that a lot of people felt
should have happened.
1888
01:18:28,184 --> 01:18:30,554
(ROCKET FIRING)
(EXPLODING)
1889
01:18:30,620 --> 01:18:33,557
It was September in Israel.
1890
01:18:33,623 --> 01:18:36,159
It was the hottest
point of the year.
1891
01:18:36,225 --> 01:18:39,028
Way over 100 degrees
Fahrenheit in that airplane.
1892
01:18:39,095 --> 01:18:42,566
But Menahem, sweating harder
than anybody else in that movie,
1893
01:18:42,632 --> 01:18:46,069
pushing, shoving, making that
movie happen and getting his shots,
1894
01:18:46,135 --> 01:18:49,105
and as a director, he was one of
the best directors I ever worked for.
1895
01:18:49,172 --> 01:18:52,776
He wasn't afraid to grab the
thing and say, "Do it like this!"
1896
01:18:52,842 --> 01:18:56,346
Shelley Winters and Menahem
had some rip-roaring fights.
1897
01:18:56,413 --> 01:18:58,181
Sit down!
1898
01:18:58,247 --> 01:19:01,017
"Menahem, I cannot
do it! I'm dying!"
1899
01:19:01,084 --> 01:19:04,120
He said, you know,
"Do it and then die."
1900
01:19:04,187 --> 01:19:06,022
That's Menahem.
1901
01:19:06,089 --> 01:19:10,226
ALAIN: Every movie he directed
always had a cartoonish side.
1902
01:19:10,293 --> 01:19:11,495
(ROCKET FIRING)
(EXPLODING)
1903
01:19:11,561 --> 01:19:13,797
Every time I was
trying to reduce it,
1904
01:19:13,863 --> 01:19:16,165
he was yelling that
I was killing his movie.
1905
01:19:16,232 --> 01:19:17,467
It's an action movie.
1906
01:19:19,969 --> 01:19:22,539
With apologies to the guys
who have to play the bad guys,
1907
01:19:22,606 --> 01:19:24,441
somebody's got
to carry the flag.
1908
01:19:28,277 --> 01:19:30,547
(ROCKET FIRING)
(EXPLODING)
1909
01:19:30,614 --> 01:19:32,382
You cannot hide
your head in the sand
1910
01:19:32,449 --> 01:19:34,117
and say there is not
violence out there.
1911
01:19:34,183 --> 01:19:36,352
The key point is, how do
you deal with violence?
1912
01:19:36,420 --> 01:19:38,021
That's what's important,
1913
01:19:38,087 --> 01:19:39,623
and that's what we try to
demonstrate on the screen.
1914
01:19:39,689 --> 01:19:42,225
This, I think, is
an exploitation movie
1915
01:19:42,291 --> 01:19:44,327
in the very worst
sense of the term,
1916
01:19:44,394 --> 01:19:46,229
blatantly and
brainlessly concocted
1917
01:19:46,295 --> 01:19:49,933
to inspire vengeful hatred
toward Arabs and Palestinians.
1918
01:19:49,999 --> 01:19:51,901
(ROCKET FIRING)
(EXPLODING)
1919
01:19:51,968 --> 01:19:55,905
If you kill Arabs, uh... You
have to be politically correct.
1920
01:19:55,972 --> 01:19:57,707
(GUNS FIRING)
1921
01:20:01,277 --> 01:20:04,147
Menahem didn't care about
being politically correct.
1922
01:20:04,213 --> 01:20:05,949
(GUN FIRING)
1923
01:20:07,250 --> 01:20:09,419
Sleep tight, sucker.
1924
01:20:09,486 --> 01:20:12,055
REPORTER: To celebrate the
move to their new headquarters
1925
01:20:12,121 --> 01:20:14,090
and the opening of Delta Force,
1926
01:20:14,157 --> 01:20:16,826
Golem and Globus invited
Hollywood to a black-tie party.
1927
01:20:16,893 --> 01:20:19,463
A black-tie opening for
a Chuck Norris film!
1928
01:20:19,529 --> 01:20:21,998
It's gonna be a blockbuster
of the century!
1929
01:20:22,065 --> 01:20:24,701
Delighted to see you.
Delighted to see you. Okay.
1930
01:20:24,768 --> 01:20:26,536
Dude, it's a Chuck Norris film!
1931
01:20:26,603 --> 01:20:29,739
RUSTY: I remember thinking
there's something really wrong
1932
01:20:29,806 --> 01:20:31,841
about putting a party
in a parking structure
1933
01:20:31,908 --> 01:20:33,443
where nobody can ever stand up.
1934
01:20:33,510 --> 01:20:36,012
Everybody was kind of,
like, leaning.
1935
01:20:36,079 --> 01:20:39,248
And I thought, "This is a
bad omen for this company."
1936
01:20:39,315 --> 01:20:43,920
It seemed from that point
on that things started getting
1937
01:20:43,987 --> 01:20:45,689
a little, a little
dicey at the company.
1938
01:20:45,755 --> 01:20:49,292
Cannon expanded
too much too fast.
1939
01:20:49,358 --> 01:20:54,964
We had films going in Asia,
Africa, Europe, the United States.
1940
01:20:55,031 --> 01:20:56,700
How can you control
it? It's a mess.
1941
01:20:56,766 --> 01:20:58,367
They didn't have the
money to make 50 films.
1942
01:20:58,434 --> 01:21:01,638
They're raising it on
the next 50 and the next 50.
1943
01:21:01,705 --> 01:21:04,774
They were busy selling
and making deals
1944
01:21:04,841 --> 01:21:07,443
in order to keep
the company afloat.
1945
01:21:07,511 --> 01:21:12,181
Every Friday, Yoram needed
$5 million just to continue.
1946
01:21:12,248 --> 01:21:15,719
MENAHEM: I can't be worried
because I'm too busy making the movies
1947
01:21:15,785 --> 01:21:18,488
and I'm so excited
and I'm so into it.
1948
01:21:18,555 --> 01:21:20,857
I believe that we know
what we are doing
1949
01:21:20,924 --> 01:21:23,527
and I believe that
our future is safe.
1950
01:21:23,593 --> 01:21:24,694
Roll camera.
1951
01:21:24,761 --> 01:21:26,262
MAN 1: Mark.
MAN 2: Marker!
1952
01:21:26,329 --> 01:21:29,465
Set.
And action!
1953
01:21:29,533 --> 01:21:35,539
NARRATOR: David Gardner just woke
up to a nightmare in his own backyard.
1954
01:21:35,605 --> 01:21:37,073
But no one will listen.
1955
01:21:37,140 --> 01:21:40,443
And soon, no one will be left.
1956
01:21:40,510 --> 01:21:41,545
Tobe Hooper's...
1957
01:21:41,611 --> 01:21:43,346
(NARRATOR READING)
1958
01:21:43,412 --> 01:21:47,050
TOBE: I wanted to capture,
or, I should say, recapture
1959
01:21:47,116 --> 01:21:51,220
those images that literally
burned holes in my mind,
1960
01:21:51,287 --> 01:21:53,957
in my imagination and
dreams when I was a child.
1961
01:21:54,023 --> 01:21:57,093
I liked the idea of being
uptight and paranoid
1962
01:21:57,160 --> 01:22:00,229
to the point where finally
you're afraid of your parents
1963
01:22:00,296 --> 01:22:03,099
and where there is really
no safe place to go.
1964
01:22:03,166 --> 01:22:05,501
WILLIAM: The tone
of the film was off.
1965
01:22:05,569 --> 01:22:09,539
It wasn't as serious as I
think it should have been.
1966
01:22:09,606 --> 01:22:10,974
It seemed a little bit silly.
1967
01:22:11,040 --> 01:22:13,509
The film missed
really connecting with
1968
01:22:13,577 --> 01:22:16,980
the deep fears people would
have in identifying with a child
1969
01:22:17,046 --> 01:22:18,915
who can no longer
trust his parents.
1970
01:22:18,982 --> 01:22:20,584
Menahem and Yoram
hated the film.
1971
01:22:20,650 --> 01:22:23,953
They really felt personally
wounded by what Tobe had done,
1972
01:22:24,020 --> 01:22:27,857
that he had basically sold them on
his vision and he didn't deliver on it.
1973
01:22:27,924 --> 01:22:29,659
And I think that
really hurt them.
1974
01:22:29,726 --> 01:22:33,129
What got everybody excited
about Tobe with Texas Chainsaw,
1975
01:22:33,196 --> 01:22:35,732
which was really kind
of a raw experience.
1976
01:22:35,799 --> 01:22:38,001
TOBE: Chainsaw wasn't
just a horror film.
1977
01:22:38,067 --> 01:22:40,637
It had a lot of
reflection of society.
1978
01:22:40,704 --> 01:22:44,173
It totally changed
the genre of horror.
1979
01:22:44,240 --> 01:22:47,711
Cannon wanted Tobe to do
a sequel to Chainsaw.
1980
01:22:47,777 --> 01:22:49,345
They wanted it desperately.
1981
01:22:49,412 --> 01:22:53,182
NARRATOR: Now, after more
than a decade of silence,
1982
01:22:53,249 --> 01:22:54,884
the buzz is back.
1983
01:22:54,951 --> 01:22:56,886
(CHAINSAW WHIRRING)
(SCREAMING)
1984
01:22:57,754 --> 01:23:00,389
I amplified the dark humor.
1985
01:23:00,456 --> 01:23:02,892
I'd felt that that was
missed in the first film.
1986
01:23:02,959 --> 01:23:05,028
Bubba's got a girlfriend!
1987
01:23:05,094 --> 01:23:06,730
(SINGSONG)
Bubba's got a girlfriend!
1988
01:23:06,796 --> 01:23:09,032
Bubba's got a girlfriend!
Bubba's got a girlfriend!
1989
01:23:09,098 --> 01:23:10,533
Bubba's got a girlfriend!
(GROWLING AND LAUGHING)
1990
01:23:10,600 --> 01:23:13,202
Some people had been
calling it as "red humor".
1991
01:23:16,105 --> 01:23:22,045
Because it also made up for
the lack of gore in Chainsaw 1.
1992
01:23:22,111 --> 01:23:23,713
(CHAINSAW WHIRRING)
(SCREAMING)
1993
01:23:26,482 --> 01:23:29,753
So, they show it.
First time Cannon's seen it.
1994
01:23:30,854 --> 01:23:33,890
Boys, boys, boys.
1995
01:23:33,957 --> 01:23:37,226
It was not what they expected.
1996
01:23:37,293 --> 01:23:40,229
For some reason, Cannon
didn't realize it was a comedy.
1997
01:23:40,296 --> 01:23:43,032
The small business man that
1998
01:23:43,099 --> 01:23:46,002
always, always, always
gets it in the ass!
1999
01:23:46,069 --> 01:23:48,604
ALAIN: Menahem and
Yoram are not very flexible
2000
01:23:48,672 --> 01:23:53,042
and if you sell them a horror
picture, they want horror.
2001
01:23:53,109 --> 01:23:56,746
It was a shocker for them to
not know what the film was.
2002
01:23:56,813 --> 01:23:58,347
We took the Chainsaw family
2003
01:23:58,414 --> 01:24:02,686
and copied the same poster
from The Breakfast Club,
2004
01:24:02,752 --> 01:24:05,354
and it went up
on Sunset Boulevard.
2005
01:24:05,421 --> 01:24:07,891
And Cannon didn't
know it was a comedy?
2006
01:24:07,957 --> 01:24:11,027
The audience wasn't
prepared for the craziness
2007
01:24:11,094 --> 01:24:13,763
or the loony-ness of Chainsaw 2.
2008
01:24:14,530 --> 01:24:15,999
They just wanted a scream.
2009
01:24:16,065 --> 01:24:19,535
And Tobe didn't want to make
another screaming movie.
2010
01:24:19,602 --> 01:24:20,904
(CHAINSAW WHIRRING)
2011
01:24:20,970 --> 01:24:23,873
The end of Chainsaw
was almost really
2012
01:24:23,940 --> 01:24:26,509
the public beginning
of the end for Cannon.
2013
01:24:26,575 --> 01:24:29,578
In October, their accounting
practices came under the scrutiny
2014
01:24:29,645 --> 01:24:31,915
of the American Securities
and Exchange Commission.
2015
01:24:31,981 --> 01:24:36,886
At this point, the company is not
able to continue to operate profitably.
2016
01:24:36,953 --> 01:24:39,355
The movies are not doing
well at the box office.
2017
01:24:39,422 --> 01:24:41,758
They have a large amount
of what is called
2018
01:24:41,825 --> 01:24:43,760
a selling and
administrative expense,
2019
01:24:43,827 --> 01:24:46,996
and now a very heavy
interest payment annually
2020
01:24:47,063 --> 01:24:48,798
from all of the
bonds and the debt
2021
01:24:48,865 --> 01:24:50,666
that they have taken
on to fund themselves.
2022
01:24:50,734 --> 01:24:53,269
Menahem asked Yoram...
2023
01:24:53,336 --> 01:24:56,139
"Why are you so
depressed? What's wrong?"
2024
01:24:56,205 --> 01:24:59,909
And Yoram said, "You know,
we owe the bank $5 million."
2025
01:24:59,976 --> 01:25:02,746
And Menahem said,
"You know why I'm depressed?"
2026
01:25:02,812 --> 01:25:04,881
"Why we owe them
only $5 million?"
2027
01:25:04,948 --> 01:25:06,883
"I want to owe
them $100 million."
2028
01:25:06,950 --> 01:25:10,686
NARRATOR: Now we're on the
horizon of our second decade of success,
2029
01:25:10,754 --> 01:25:15,491
with promising new talent and
established box office names.
2030
01:25:15,558 --> 01:25:17,493
We're charged for excitement
2031
01:25:17,560 --> 01:25:21,030
and looking forward to
another decade of blockbusters.
2032
01:25:21,097 --> 01:25:23,466
So look to Cannon
for the future.
2033
01:25:23,532 --> 01:25:26,970
Cannon Entertainment.
We're moving forward.
2034
01:25:27,036 --> 01:25:29,072
When people think we're
in financial trouble,
2035
01:25:29,138 --> 01:25:33,843
let's sign a huge actor and
announce three big movies,
2036
01:25:33,910 --> 01:25:36,179
and what are they gonna say now?
2037
01:25:36,245 --> 01:25:39,215
Tell me, the Stallone deal,
is it completely signed?
2038
01:25:39,282 --> 01:25:44,020
NELSON: He said, "I'm going to direct
Sylvester Stallone in this next movie."
2039
01:25:44,087 --> 01:25:45,554
I said, "You're
fucking nuts."
2040
01:25:45,621 --> 01:25:49,292
"My client would not work
for you for $10 million."
2041
01:25:50,493 --> 01:25:52,428
Menahem said,
"How about $12 million?"
2042
01:25:52,495 --> 01:25:56,800
Menahem paid him an
unprecedented amount of money.
2043
01:25:56,866 --> 01:25:59,035
$13 million.
$15 million.
2044
01:25:59,102 --> 01:26:01,737
$20 million.
$25 million.
2045
01:26:01,805 --> 01:26:04,941
Before that, probably the max he'd
ever been paid was $4 or $5 million.
2046
01:26:05,008 --> 01:26:08,244
Every other star said,
"Yeah. I want that deal."
2047
01:26:08,311 --> 01:26:11,580
Changed the marketplace
within the Hollywood community.
2048
01:26:11,647 --> 01:26:14,017
JOHN: Menahem believed
that Over The Top
2049
01:26:14,083 --> 01:26:17,386
was gonna be as big
as any Rocky or Rambo.
2050
01:26:18,687 --> 01:26:20,256
ENGELBACH: My original
script was different
2051
01:26:20,323 --> 01:26:21,690
than the movie that
they eventually made.
2052
01:26:21,757 --> 01:26:23,559
It wasn't nearly as dumb.
2053
01:26:23,626 --> 01:26:27,463
NARRATOR: The world has
always bet against Lincoln Hawks,
2054
01:26:27,530 --> 01:26:30,466
but a winner never
listens to the odds.
2055
01:26:30,533 --> 01:26:32,802
They made it more about
truck-driving and arm-wrestling
2056
01:26:32,869 --> 01:26:34,203
than the film should have been.
2057
01:26:34,270 --> 01:26:36,572
Arm-wrestling was
a very strange selection.
2058
01:26:36,639 --> 01:26:38,241
(GRUNTS) And it's over!
2059
01:26:38,307 --> 01:26:40,043
(GRUNTING)
2060
01:26:40,109 --> 01:26:41,677
How do you make something
like that interesting?
2061
01:26:41,744 --> 01:26:44,013
ROSENTHAL: We're gonna have
great action sequences
2062
01:26:44,080 --> 01:26:46,682
where there's gonna be two arms.
2063
01:26:46,749 --> 01:26:48,952
You might as well have
somebody talking like this,
2064
01:26:49,018 --> 01:26:51,821
"Hi, Sylvester.
How are you?"
2065
01:26:51,888 --> 01:26:53,923
It was definitely unique.
And who knows?
2066
01:26:53,990 --> 01:26:57,894
You could have been plagued with 100
arm-wrestling movies after that. (LAUGHS)
2067
01:26:57,961 --> 01:27:00,463
(YELLING)
2068
01:27:00,529 --> 01:27:02,966
At the end of the movie,
I had tears in my eyes.
2069
01:27:04,901 --> 01:27:06,769
Menahem patted me
on this shoulder.
2070
01:27:06,836 --> 01:27:08,471
He says, "Aha! I got you!"
2071
01:27:08,537 --> 01:27:10,273
(CROWD CHEERING)
2072
01:27:10,339 --> 01:27:12,541
I was crying 'cause I saw my
career going down the toilet
2073
01:27:12,608 --> 01:27:15,044
and I didn't know
what I was gonna do next.
2074
01:27:15,111 --> 01:27:17,546
ROSENTHAL: Menahem was out of touch with
the reality of what was going to be a hit
2075
01:27:17,613 --> 01:27:19,215
and what the audience
was going to want.
2076
01:27:19,282 --> 01:27:21,817
Over The Top broadcast
this idea of...
2077
01:27:21,885 --> 01:27:24,753
He thinks this is what
American kids are gonna love,
2078
01:27:24,820 --> 01:27:26,155
and it was so...
2079
01:27:26,222 --> 01:27:28,024
It was a... You know,
he had no ear for it.
2080
01:27:28,091 --> 01:27:31,961
Selling American films
to Americans was not, uh...
2081
01:27:32,028 --> 01:27:33,529
Their sweet spot.
2082
01:27:33,596 --> 01:27:37,566
They had certain instincts
of where they wanted to go,
2083
01:27:37,633 --> 01:27:39,802
but they didn't quite
know how to get there.
2084
01:27:39,869 --> 01:27:44,140
They started diving in and renewing
franchises such as Superman.
2085
01:27:44,207 --> 01:27:48,177
Cannon was being touted as,
"Look what they did."
2086
01:27:48,244 --> 01:27:50,813
"These two guys have
made it to big time."
2087
01:27:50,880 --> 01:27:54,283
JOHN: There's no reason why
Superman IV wouldn't do well.
2088
01:27:54,350 --> 01:27:56,719
Probably could
have saved Cannon.
2089
01:27:56,785 --> 01:27:58,587
Cured many of the financial woes
2090
01:27:58,654 --> 01:28:01,057
and created
acceptance in Hollywood
2091
01:28:01,124 --> 01:28:03,259
that probably would
have made them leaders.
2092
01:28:03,326 --> 01:28:05,194
You were rooting for them.
2093
01:28:05,261 --> 01:28:07,096
HARRISON ELLENSHAW: Christopher
Reeve did not want to come back,
2094
01:28:07,163 --> 01:28:09,465
but he was seduced by the fact,
2095
01:28:09,532 --> 01:28:12,635
"Chris, what would you like
the fourth one to be about?"
2096
01:28:12,701 --> 01:28:14,637
ROSENTHAL: He had this idea,
which was essentially,
2097
01:28:14,703 --> 01:28:16,705
what would happen
if Superman decided
2098
01:28:16,772 --> 01:28:19,842
he was actually gonna use
his powers to stop war?
2099
01:28:19,909 --> 01:28:21,510
Effective immediately,
2100
01:28:21,577 --> 01:28:24,080
I'm going to rid our planet
of all nuclear weapons.
2101
01:28:24,147 --> 01:28:26,615
How could it fail? It failed.
2102
01:28:26,682 --> 01:28:30,319
ROSENTHAL: Menahem promised us that
we were gonna rise to the Warners' level,
2103
01:28:30,386 --> 01:28:32,388
not do it like a Cannon movie.
2104
01:28:32,455 --> 01:28:34,357
(LAUGHING) And, of course, in the
end, we did it like a Cannon movie.
2105
01:28:34,423 --> 01:28:38,227
There was Nuclear Man,
a He-Man equal to Superman.
2106
01:28:38,294 --> 01:28:40,163
Sidney Furie says to me,
2107
01:28:40,229 --> 01:28:43,632
"We've found him.
We've found Nuclear Man."
2108
01:28:43,699 --> 01:28:46,735
"And he's an
ex-Chippendale dancer."
2109
01:28:46,802 --> 01:28:48,771
(ROARING)
2110
01:28:48,837 --> 01:28:53,009
And I'm just trying to behave
as the visual effects dweeb
2111
01:28:53,076 --> 01:28:56,712
and going, "Oh, God.
We are in so much trouble."
2112
01:28:56,779 --> 01:28:59,983
I, Lex Luthor, the greatest
criminal mind of the modern era,
2113
01:29:00,049 --> 01:29:02,051
have discovered a way
to destroy Superman.
2114
01:29:02,118 --> 01:29:07,223
Last month, Cannon announced a loss
of $90 million for the two years 1985-86.
2115
01:29:07,290 --> 01:29:12,428
REPORTER: By mid-December, Cannon must raise
$80 million to pay off a debt in Britain.
2116
01:29:12,495 --> 01:29:15,464
By production of Superman,
they were already in freefall.
2117
01:29:15,531 --> 01:29:17,633
All they could do was
start to cut the budget.
2118
01:29:17,700 --> 01:29:20,236
DEL VALLE: This was a movie
that was supposed to be $30 million,
2119
01:29:20,303 --> 01:29:23,372
and when they start
shooting it, it's dropped to 17,
2120
01:29:23,439 --> 01:29:25,374
and it's a special
effects movie.
2121
01:29:25,441 --> 01:29:27,876
ELLENSHAW: I said, "Hey, you
want him to look like the first one?
2122
01:29:27,943 --> 01:29:29,112
"This is what
it's gonna cost."
2123
01:29:29,178 --> 01:29:31,047
(SNORTS) Well, no way!
2124
01:29:31,114 --> 01:29:33,882
It was so cheap and so chintzy-looking
and it just didn't look good.
2125
01:29:33,949 --> 01:29:36,919
All the ragged edges of
the production were visible.
2126
01:29:36,986 --> 01:29:39,188
ROSENTHAL: They'd pad
out the shots. They duplicated.
2127
01:29:39,255 --> 01:29:41,991
It's everything that happens when you
don't have enough money for the effects.
2128
01:29:42,058 --> 01:29:44,660
ELLENSHAW: "You're dreadful
at what you do, Harrison!"
2129
01:29:44,727 --> 01:29:47,997
"You are a big
frickin' failure!"
2130
01:29:48,831 --> 01:29:49,932
Guilty.
2131
01:29:49,999 --> 01:29:51,467
Everybody sort of
pointed the finger.
2132
01:29:51,534 --> 01:29:53,969
The finger was really
the demise of Cannon.
2133
01:29:54,037 --> 01:29:57,040
MATTHAU: They started to do films
with big budgets and take big risks
2134
01:29:57,106 --> 01:30:00,076
and try and compete with the
Warner Brothers of the world,
2135
01:30:00,143 --> 01:30:01,644
and that didn't go so well.
2136
01:30:01,710 --> 01:30:03,379
(GROANING)
2137
01:30:03,446 --> 01:30:05,548
They couldn't take on the
studio system and they knew it.
2138
01:30:05,614 --> 01:30:08,717
They were trying to get
out from underneath,
2139
01:30:08,784 --> 01:30:11,387
and they thought if they got
these big mega-pictures
2140
01:30:11,454 --> 01:30:14,557
that they could
somehow parlay it into
2141
01:30:14,623 --> 01:30:17,193
not being discovered
for the slobs they were.
2142
01:30:17,260 --> 01:30:19,362
If you kept moving fast enough,
2143
01:30:19,428 --> 01:30:21,197
there was always the
next movie to be made,
2144
01:30:21,264 --> 01:30:23,966
and the next one
was going to be great.
2145
01:30:24,033 --> 01:30:28,071
I have the power!
2146
01:30:28,137 --> 01:30:29,638
Masters was their big shot.
2147
01:30:29,705 --> 01:30:31,740
WILLIAM: They were
so excited.
2148
01:30:31,807 --> 01:30:33,209
They could almost
taste the money.
2149
01:30:33,276 --> 01:30:35,111
They could almost
taste the success.
2150
01:30:35,178 --> 01:30:37,146
GARY: I was trying everything
I could to try and make this
2151
01:30:37,213 --> 01:30:39,382
not look, feel, sound
like a Cannon movie.
2152
01:30:39,448 --> 01:30:41,484
NARRATOR: At the far
end of the universe,
2153
01:30:41,550 --> 01:30:45,088
there is a planet ruled
by a being of utter evil...
2154
01:30:45,154 --> 01:30:46,655
(SCREAMING)
2155
01:30:46,722 --> 01:30:50,326
And there is only one man
who dares challenge him.
2156
01:30:50,393 --> 01:30:52,228
DOLPH LUNDGREN: It was
kind of slightly embarrassing
2157
01:30:52,295 --> 01:30:54,163
to sign on playing a toy, right?
2158
01:30:54,230 --> 01:30:56,599
For me, it was a bit
weird, all this stuff.
2159
01:30:56,665 --> 01:30:59,502
The little dwarf with the
little key and all of that.
2160
01:31:01,036 --> 01:31:02,405
I felt a little stupid doing it.
2161
01:31:05,174 --> 01:31:06,875
(WEAPON FIRING)
2162
01:31:06,942 --> 01:31:09,712
Sylvester Stallone showed up
and he pointed up to Dolph.
2163
01:31:09,778 --> 01:31:11,980
He goes, "You gave
that guy lines?"
2164
01:31:12,047 --> 01:31:13,682
This is our fight.
2165
01:31:13,749 --> 01:31:15,751
I don't want innocent
people to die.
2166
01:31:15,818 --> 01:31:17,920
The special effect of Skeletor,
2167
01:31:17,986 --> 01:31:19,855
of creating a skeleton head,
2168
01:31:19,922 --> 01:31:22,658
was astronomical and would
take an enormous amount of time,
2169
01:31:22,725 --> 01:31:23,659
and they knew that.
2170
01:31:23,726 --> 01:31:25,394
The solution that
Cannon came up with
2171
01:31:25,461 --> 01:31:27,630
was to paint a skeleton
on Frank Langella's face
2172
01:31:27,696 --> 01:31:29,432
that looked like
a Halloween costume
2173
01:31:29,498 --> 01:31:31,134
that a mother made
for her child.
2174
01:31:31,200 --> 01:31:32,701
I don't think so.
2175
01:31:32,768 --> 01:31:34,403
I remember just being
really happy that we had
2176
01:31:34,470 --> 01:31:37,706
a beginning, a middle
and end! (LAUGHS)
2177
01:31:37,773 --> 01:31:39,208
Kneel!
2178
01:31:39,275 --> 01:31:43,279
'Cause at one point, it looked
like we weren't gonna have the end.
2179
01:31:43,346 --> 01:31:44,580
GARY: They literally
shut me down.
2180
01:31:44,647 --> 01:31:46,582
And I said, "There's no
ending to this movie."
2181
01:31:50,153 --> 01:31:52,155
(LAUGHING) I made Frank
Langella, this great actor,
2182
01:31:52,221 --> 01:31:55,558
in this skeleton mask get
in this bubbling vat of liquid
2183
01:31:55,624 --> 01:31:56,892
so he could pop up and say...
2184
01:31:56,959 --> 01:31:58,261
I'll be back!
2185
01:31:58,327 --> 01:31:59,762
They thought that
that picture would play
2186
01:31:59,828 --> 01:32:02,965
to an adult audience,
you know, to grown-ups.
2187
01:32:03,031 --> 01:32:04,900
But it didn't.
2188
01:32:04,967 --> 01:32:07,136
Masters Of The Universe was to
blame for Masters Of The Universe.
2189
01:32:07,203 --> 01:32:10,239
If it was a great story, if it was
funny and moving and exciting,
2190
01:32:10,306 --> 01:32:11,940
people would have flocked to it.
2191
01:32:12,007 --> 01:32:15,043
These pictures, Superman,
Masters and Over The Top,
2192
01:32:15,110 --> 01:32:16,812
went off their business model.
2193
01:32:16,879 --> 01:32:19,715
ROSENTHAL: Make low-budget
films, wait for one or two to hit big,
2194
01:32:19,782 --> 01:32:22,651
have a huge profit margin,
sell them a lot,
2195
01:32:22,718 --> 01:32:24,987
build a library,
sell them overseas.
2196
01:32:25,053 --> 01:32:29,592
And Superman is exactly
the thing you don't want to do.
2197
01:32:29,658 --> 01:32:31,460
INTERVIEWER: Would you ever
make a $30 million movie?
2198
01:32:31,527 --> 01:32:34,463
Never. I don't know what
to do with 30 millions.
2199
01:32:34,530 --> 01:32:37,500
I can make 30 movies,
maybe, you know?
2200
01:32:37,566 --> 01:32:39,735
But I don't know what to
do with 30 millions.
2201
01:32:39,802 --> 01:32:42,905
I mean, I... I'll feel...
I'll feel like I'm a criminal
2202
01:32:42,971 --> 01:32:46,942
spending this kind of money
on doing one motion picture.
2203
01:32:47,009 --> 01:32:48,844
They were trying
to get a little bit
2204
01:32:48,911 --> 01:32:52,615
out of the assembly-line factory
process and make better pictures.
2205
01:32:52,681 --> 01:32:55,017
But I think timing and finances
just caught up with them.
2206
01:32:55,083 --> 01:32:58,321
REPORTER: The more films Cannon
produced, the more its debt grew.
2207
01:32:58,387 --> 01:33:00,756
Cannon have been dispossessing
themselves of their assets.
2208
01:33:00,823 --> 01:33:02,925
The Thorn-EMI cinemas,
Elstree Studios,
2209
01:33:02,991 --> 01:33:06,229
and a wonderful library of 2,000
films, and they sold those first.
2210
01:33:06,295 --> 01:33:07,496
And now they've sold the studios
2211
01:33:07,563 --> 01:33:09,765
for what they realized
for property.
2212
01:33:09,832 --> 01:33:12,768
REPORTER: Plans to build up movie chains,
distribution rights around the world
2213
01:33:12,835 --> 01:33:15,103
collapsed under mounting
interest payments.
2214
01:33:15,170 --> 01:33:18,307
Cannon are not in the film production
business as far as Britain is concerned.
2215
01:33:18,374 --> 01:33:19,875
They're in the property
disposal business.
2216
01:33:19,942 --> 01:33:23,646
They didn't look upon it as
a reason to stop and pause.
2217
01:33:23,712 --> 01:33:24,613
"Let's keep going."
2218
01:33:24,680 --> 01:33:27,149
They had problems
releasing pictures.
2219
01:33:27,216 --> 01:33:28,851
They had problems
finishing pictures.
2220
01:33:28,917 --> 01:33:31,654
I'd be on pictures that were
relatively simple pictures
2221
01:33:31,720 --> 01:33:34,923
that would take six, eight
months to not get finished.
2222
01:33:34,990 --> 01:33:38,093
NARRATOR: An incredible
adventure awaits a young girl
2223
01:33:38,160 --> 01:33:40,929
and two brothers
with a taste for excitement.
2224
01:33:40,996 --> 01:33:44,767
They will take a journey to a
place they never dreamed existed.
2225
01:33:44,833 --> 01:33:48,471
Cannon shutting down almost
overnight had a disastrous effect.
2226
01:33:48,537 --> 01:33:50,839
They just basically said,
"You're finished."
2227
01:33:50,906 --> 01:33:52,174
Oh, my God.
2228
01:33:52,241 --> 01:33:53,676
RUSTY: The thing about
a special effects film
2229
01:33:53,742 --> 01:33:55,844
is that it's like
a jigsaw puzzle.
2230
01:33:55,911 --> 01:33:58,981
Imagine every third piece
of the puzzle doesn't exist.
2231
01:33:59,047 --> 01:34:01,584
So you end up having
a lot of blacks,
2232
01:34:01,650 --> 01:34:03,586
we call them "slugs".
2233
01:34:03,652 --> 01:34:06,689
So, there was all this footage
that didn't have the special effects.
2234
01:34:06,755 --> 01:34:08,724
And it's just not
releasable without it.
2235
01:34:08,791 --> 01:34:13,195
They just needed to have it
finished and delivered for a price.
2236
01:34:13,262 --> 01:34:15,964
They had already spent
the money on the advances,
2237
01:34:16,031 --> 01:34:18,100
so they had to deliver
a finished film.
2238
01:34:18,166 --> 01:34:21,637
(LAUGHING) "Can you finish
this film without special effects?"
2239
01:34:22,371 --> 01:34:24,206
What a question.
2240
01:34:24,273 --> 01:34:26,275
ALBERT: We went in and shot
a pretty big chunk of storyline.
2241
01:34:26,342 --> 01:34:29,445
I can't give you words to tell
you how heartbreaking it was.
2242
01:34:29,512 --> 01:34:31,814
It was an awkward situation
2243
01:34:31,880 --> 01:34:36,184
that I was very quickly the
following year run into with Cyborg.
2244
01:34:36,251 --> 01:34:38,153
(NARRATOR READING)
2245
01:34:38,220 --> 01:34:42,425
NARRATOR: A brutal gang is reshaping
the world into their own vision of hell,
2246
01:34:42,491 --> 01:34:44,493
and only one man can stop them.
2247
01:34:44,560 --> 01:34:49,932
I had this idea of a futuristic action
movie that would feature Chuck.
2248
01:34:49,998 --> 01:34:51,900
Menahem and Yoram, they talked
2249
01:34:51,967 --> 01:34:53,536
and they said, "Well, you
know, we have this other guy
2250
01:34:53,602 --> 01:34:55,237
"that we think is
gonna be a big star."
2251
01:34:55,304 --> 01:34:56,805
"We'd like to see
him in that part."
2252
01:34:56,872 --> 01:34:58,874
And I said,
"Oh, yeah? Who's that?"
2253
01:34:58,941 --> 01:35:01,977
NARRATOR: Jean-Claude Van
Damme has become the first hero
2254
01:35:02,044 --> 01:35:03,446
of the 21st century.
2255
01:35:03,512 --> 01:35:05,180
BOAZ: He used to
come to our company
2256
01:35:05,247 --> 01:35:06,815
and he used to sit in the lobby.
2257
01:35:06,882 --> 01:35:09,618
He waited, and when
Menahem came out of his office,
2258
01:35:09,685 --> 01:35:11,987
he ran up and did
a sweeping kick.
2259
01:35:12,054 --> 01:35:16,158
Spinning split kick a quarter-inch
from the end of Menahem's nose.
2260
01:35:16,224 --> 01:35:18,226
The very next day, he got a job.
2261
01:35:18,293 --> 01:35:22,097
ALBERT: I think Jean-Claude was more
enamored with being a star on the ascent
2262
01:35:22,164 --> 01:35:24,199
than he was being an actor.
2263
01:35:24,266 --> 01:35:25,901
(GRUNTING)
2264
01:35:25,968 --> 01:35:27,803
I think he felt more
confident in how he looked,
2265
01:35:27,870 --> 01:35:30,873
'cause as an actor, I don't
think he felt secure yet.
2266
01:35:30,939 --> 01:35:32,708
(YELLING)
2267
01:35:32,775 --> 01:35:37,012
My vision was very dark, more of a war
film than it was an action-adventure movie.
2268
01:35:37,079 --> 01:35:39,415
(BOTH YELLING)
2269
01:35:39,482 --> 01:35:41,484
LETTICH: It was
very uncommercial.
2270
01:35:41,550 --> 01:35:45,388
They took a survey, and out of 100
people that were in the screening,
2271
01:35:45,454 --> 01:35:47,723
one person said that
he liked the movie.
2272
01:35:47,790 --> 01:35:49,558
Which is no big surprise,
'cause I don't think
2273
01:35:49,625 --> 01:35:53,462
I ever had a test screening
really go very well.
2274
01:35:53,529 --> 01:35:56,264
Yoram was saying, "Look, we've
already got this booked in theaters."
2275
01:35:56,331 --> 01:35:57,600
"Just let us
release the movie."
2276
01:35:57,666 --> 01:35:59,702
"It's not gonna
kill your career."
2277
01:35:59,768 --> 01:36:02,104
And Jean-Claude was saying, "Look, give
me two months. Let me recut the movie."
2278
01:36:02,805 --> 01:36:04,440
(GRUNTING)
2279
01:36:04,507 --> 01:36:08,110
We just turned it into more of
a conventional action picture.
2280
01:36:08,176 --> 01:36:09,177
(GROANS)
2281
01:36:09,244 --> 01:36:10,913
And that movie worked.
2282
01:36:10,979 --> 01:36:13,416
So we had every right to
believe, "I'll get through this.
2283
01:36:13,482 --> 01:36:15,484
"I'll sell this.
I'll make some money."
2284
01:36:15,551 --> 01:36:18,521
"I'll sell some foreign
rights, I'll get to the next one,"
2285
01:36:18,587 --> 01:36:20,255
"and the next one,
we're gonna do right."
2286
01:36:20,322 --> 01:36:25,561
That's probably the biggest
reason for the Cannon demise.
2287
01:36:25,628 --> 01:36:30,933
Not stopping licking
the wounds, getting healed,
2288
01:36:30,999 --> 01:36:33,201
and then starting out
with a new slate.
2289
01:36:33,268 --> 01:36:35,303
It just was too much.
2290
01:36:35,370 --> 01:36:37,740
It wasn't, "Is Cannon
gonna collapse?"
2291
01:36:37,806 --> 01:36:39,775
It was, "When is
Cannon gonna collapse?"
2292
01:36:39,842 --> 01:36:45,113
Globus was more practical and
said, you know, "It's one thing to want it,
2293
01:36:45,180 --> 01:36:49,051
"it's another thing to pay
for it, even the way we pay,"
2294
01:36:49,117 --> 01:36:52,320
uh, and I think it
just became untenable.
2295
01:36:52,387 --> 01:36:54,523
Menahem was making
too many movies.
2296
01:36:54,590 --> 01:36:57,259
Yoram was buying
too many cinema chains.
2297
01:36:57,325 --> 01:37:01,296
And, uh... I don't know where
the balance lied between them,
2298
01:37:01,363 --> 01:37:05,768
but I think each guy was
very critical of the other.
2299
01:37:05,834 --> 01:37:07,536
The banks didn't want to
give them any more money.
2300
01:37:07,603 --> 01:37:11,106
They couldn't repay the money they
took because the movies all failed.
2301
01:37:11,173 --> 01:37:13,676
That's when Giancarlo
Parretti came in.
2302
01:37:13,742 --> 01:37:15,944
Basically, overnight,
Credit Lyonnais said,
2303
01:37:16,011 --> 01:37:17,813
"You've go t
new partners."
2304
01:37:17,880 --> 01:37:19,381
CHARLES MATTHAU: You
could feel Parretti come in.
2305
01:37:19,448 --> 01:37:20,716
You could feel
the company change.
2306
01:37:20,783 --> 01:37:22,217
(WHISPERS)
"That's Mr. Parretti."
2307
01:37:22,284 --> 01:37:23,819
"Be very careful around him."
2308
01:37:23,886 --> 01:37:25,988
Menahem and Yoram
just wanted to believe
2309
01:37:26,054 --> 01:37:28,190
that this was their
white knight savior,
2310
01:37:28,256 --> 01:37:31,727
and ignored all the signs
that he was really a raider.
2311
01:37:31,794 --> 01:37:33,462
Parretti was an Italian con man.
2312
01:37:33,529 --> 01:37:36,031
They said that he was maybe
associated with the Mafia or something.
2313
01:37:36,098 --> 01:37:37,900
AVI LERNER: Yoram
stayed with Parretti
2314
01:37:37,966 --> 01:37:42,705
and Menahem said he is not
happy to sell his...
2315
01:37:43,972 --> 01:37:46,041
His, as you say,
soul to the devil.
2316
01:37:46,108 --> 01:37:51,046
These two cousins, who worked
together for so many years,
2317
01:37:51,680 --> 01:37:54,650
Um... Splitted.
2318
01:37:54,717 --> 01:37:58,821
They had their success
and... it ended.
2319
01:37:58,887 --> 01:38:00,455
It was a sad split for us,
2320
01:38:00,523 --> 01:38:03,025
because for us, there was
Menahem and there was Yoram,
2321
01:38:03,091 --> 01:38:07,630
but what we all loved about the two
of them was the two of them together.
2322
01:38:07,696 --> 01:38:08,831
I stayed with Yoram,
2323
01:38:08,897 --> 01:38:12,400
and I said to Menahem, you know,
2324
01:38:12,467 --> 01:38:13,902
"You're just unmanageable."
2325
01:38:13,969 --> 01:38:16,705
"You know, you shouldn't be
running your company."
2326
01:38:16,772 --> 01:38:19,174
And he say, "Just give me
the films that I did."
2327
01:38:19,241 --> 01:38:20,709
"I don't want the money."
2328
01:38:20,776 --> 01:38:23,712
I created a new company
called the 21st Century.
2329
01:38:23,779 --> 01:38:26,749
I'm coming with new movies,
modern movies,
2330
01:38:26,815 --> 01:38:31,286
picture that everybody in this
coming decade will want to see.
2331
01:38:31,353 --> 01:38:34,056
He said to me
he had just split with Yoram
2332
01:38:34,122 --> 01:38:35,758
and he went... (SPITS)
2333
01:38:35,824 --> 01:38:37,225
And he spit on the floor.
2334
01:38:37,292 --> 01:38:40,095
And they started making
these competing movies,
2335
01:38:40,162 --> 01:38:41,930
like two competing
lambada movies.
2336
01:38:41,997 --> 01:38:44,767
REPORTER: The lambada dance
originated in the 1930s,
2337
01:38:44,833 --> 01:38:46,635
where it was soon banned
by the government
2338
01:38:46,702 --> 01:38:48,403
for its sexual overtones.
2339
01:38:48,470 --> 01:38:50,639
What is that?
The lambada!
2340
01:38:50,706 --> 01:38:53,475
That was their next
great idea as a team,
2341
01:38:53,542 --> 01:38:54,810
and then when they split up,
2342
01:38:54,877 --> 01:38:56,511
it was, who could make
that movie faster?
2343
01:38:56,579 --> 01:38:58,113
SHELDON RENAN:
Yoram had a script
2344
01:38:58,180 --> 01:39:01,183
and was already into
pre-production.
2345
01:39:01,249 --> 01:39:03,351
NARRATOR: A teacher,
his student
2346
01:39:03,418 --> 01:39:05,988
and the dance
that changed their lives.
2347
01:39:06,054 --> 01:39:08,056
So they were way ahead
of Menahem,
2348
01:39:08,123 --> 01:39:09,792
who had to, like,
cobble something together.
2349
01:39:09,858 --> 01:39:12,060
We were brought in to write
Menahem's version
2350
01:39:12,127 --> 01:39:14,362
as fast as we could,
2351
01:39:14,429 --> 01:39:17,866
because the plan was to get it
to theaters before Yoram's.
2352
01:39:17,933 --> 01:39:19,301
(SPITS)
2353
01:39:19,367 --> 01:39:23,171
NARRATOR: Only one dance
can turn feeling into fury.
2354
01:39:23,238 --> 01:39:24,306
This crazy, crazy thing,
2355
01:39:24,372 --> 01:39:26,408
that an Indian princess
from Brazil
2356
01:39:26,474 --> 01:39:29,244
was going to stop the
destruction of the rainforest.
2357
01:39:30,078 --> 01:39:31,079
Stop!
2358
01:39:31,146 --> 01:39:33,015
Johns a particularly
fast writer, so I said,
2359
01:39:33,081 --> 01:39:35,417
"We can write
it in 10 days."
2360
01:39:35,483 --> 01:39:38,186
They shot in four weeks,
we shot in three weeks.
2361
01:39:38,253 --> 01:39:39,688
We were working like crazy
2362
01:39:39,755 --> 01:39:41,690
and they were trying to shoot
as much in order as possible
2363
01:39:41,757 --> 01:39:44,226
so they could finish the reels
and get the sound effects cut in
2364
01:39:44,292 --> 01:39:45,761
and get them mixed
at the same time.
2365
01:39:45,828 --> 01:39:47,129
If we shot on a Monday,
2366
01:39:47,195 --> 01:39:49,932
by Wednesday,
we were locking the scenes.
2367
01:39:49,998 --> 01:39:52,000
There was no time
to, like, redo anything
2368
01:39:52,067 --> 01:39:54,803
and there was no time
to fine-tune anything.
2369
01:39:54,870 --> 01:39:58,907
Somehow, Yoram had managed
to get the word lambada.
2370
01:39:58,974 --> 01:40:03,746
We ended up calling it The
Forbidden Dance Is Lambada!
2371
01:40:03,812 --> 01:40:05,013
And put Lambada in huge letters
2372
01:40:05,080 --> 01:40:06,782
and put Lambada
all over the poster,
2373
01:40:06,849 --> 01:40:10,518
but we had the Lambada song
and they didn't.
2374
01:40:10,585 --> 01:40:12,788
* Not so far away.
2375
01:40:12,855 --> 01:40:14,757
We stopped shooting
on a Thursday,
2376
01:40:14,823 --> 01:40:16,258
and Monday,
we had the answer print.
2377
01:40:16,324 --> 01:40:19,194
We finished shooting
Saturday morning at 2:45 a.m.,
2378
01:40:19,261 --> 01:40:21,096
and if you ever look
at the end of it,
2379
01:40:21,163 --> 01:40:23,065
nobody has any energy left,
there's a rainstorm going on,
2380
01:40:23,131 --> 01:40:24,599
and all they're doing
is just moving,
2381
01:40:24,667 --> 01:40:26,101
just trying to get
the movie done.
2382
01:40:26,168 --> 01:40:28,470
We screened the picture
for Columbia,
2383
01:40:28,536 --> 01:40:30,773
and I said, "So, were gonna pick a nice
freeze-frame of the two young couple"
2384
01:40:30,839 --> 01:40:33,241
"and were gonna put on
a title that says..."
2385
01:40:37,179 --> 01:40:38,947
If you've got something
that isn't so good,
2386
01:40:39,014 --> 01:40:41,349
you tack on green ecology to it,
2387
01:40:41,416 --> 01:40:44,052
and that improves the brand.
It's called greenwashing.
2388
01:40:44,119 --> 01:40:45,253
After all this,
2389
01:40:45,320 --> 01:40:48,223
the two pictures were released
at the same time.
2390
01:40:48,290 --> 01:40:50,893
Limousines from the two groups
came to the same theater.
2391
01:40:50,959 --> 01:40:52,494
I don't know that it
could happen anywhere.
2392
01:40:52,560 --> 01:40:56,131
It has a surreal quality
even for Los Angeles.
2393
01:40:56,198 --> 01:40:57,666
Because the two men
had broken up
2394
01:40:57,733 --> 01:40:59,301
and because they made two movies
2395
01:40:59,367 --> 01:41:01,904
with the same title,
basically, same theme,
2396
01:41:01,970 --> 01:41:03,571
released on the same day,
2397
01:41:03,638 --> 01:41:05,607
they split the box
office in half.
2398
01:41:05,674 --> 01:41:08,243
They were really trying
to make this lambada craze
2399
01:41:08,310 --> 01:41:10,245
rather than waiting
for the craze
2400
01:41:10,312 --> 01:41:12,881
and then having a movie
that was a response to it,
2401
01:41:12,948 --> 01:41:14,149
like the Breakin ' movies.
2402
01:41:14,216 --> 01:41:15,751
Together, they were
very successful,
2403
01:41:15,818 --> 01:41:18,754
and alone,
it didn't happen the same way.
2404
01:41:18,821 --> 01:41:20,422
It seemed like
a lot of people were happy
2405
01:41:20,488 --> 01:41:22,257
to see them go down in flames.
2406
01:41:22,324 --> 01:41:24,626
I don't think there were many
grievers, at the end of the day.
2407
01:41:24,693 --> 01:41:26,128
Next!
2408
01:41:26,194 --> 01:41:29,531
I see Miramax now and I think
that that's probably
2409
01:41:29,597 --> 01:41:30,833
when they came to the US,
2410
01:41:30,899 --> 01:41:32,334
that's probably
what they had in mind.
2411
01:41:32,400 --> 01:41:34,436
They were the forerunners
of the Weinstein's.
2412
01:41:34,502 --> 01:41:37,005
The difference is the
Weinstein's cared about quality.
2413
01:41:37,072 --> 01:41:39,141
I think that they were
the victims of snobbery.
2414
01:41:40,642 --> 01:41:42,277
I think that
they were ostracized
2415
01:41:42,344 --> 01:41:45,013
because they didn't have
the proper manners.
2416
01:41:45,080 --> 01:41:49,017
There was always
that wheeling and dealing,
2417
01:41:49,084 --> 01:41:51,619
and that wheeling and dealing
was very much...
2418
01:41:51,686 --> 01:41:53,722
I mean, they were Israelis,
2419
01:41:53,789 --> 01:41:55,991
and they were defined
by that culture.
2420
01:41:56,058 --> 01:41:59,027
Menahem, I don't think,
was ever thought of
2421
01:41:59,094 --> 01:42:00,228
as a great filmmaker,
2422
01:42:00,295 --> 01:42:02,397
even though his ego
was as a filmmaker.
2423
01:42:02,464 --> 01:42:06,134
His spontaneity and flying,
you know, sort of blind...
2424
01:42:07,569 --> 01:42:09,738
It's what destroyed the company,
2425
01:42:09,805 --> 01:42:11,106
because he did not think ahead.
2426
01:42:11,173 --> 01:42:12,674
He really just thought
with his heart.
2427
01:42:12,741 --> 01:42:15,110
And you can't hate someone
who thinks with their heart.
2428
01:42:15,177 --> 01:42:20,949
YIFTACH KATZUR: When I look
at Menahem these days, I feel sorry.
2429
01:42:21,016 --> 01:42:22,450
There's a certain
sadness about it,
2430
01:42:22,517 --> 01:42:25,320
because it was a man
who retreated in defeat.
2431
01:42:25,387 --> 01:42:28,356
I'm sure Menahem would like to
still be making movies today,
2432
01:42:28,423 --> 01:42:29,657
because he's a filmmaker.
2433
01:42:29,724 --> 01:42:33,661
It's in his blood. I mean,
you can't deny him that.
2434
01:42:33,728 --> 01:42:36,064
Menahem says,
"This is top-secret."
2435
01:42:37,265 --> 01:42:38,433
"Two words."
2436
01:42:39,334 --> 01:42:41,003
"Naked Lambada."
2437
01:42:41,069 --> 01:42:42,504
Yoram is probably
more comfortable
2438
01:42:42,570 --> 01:42:44,072
not being in that position,
2439
01:42:44,139 --> 01:42:46,741
but Menahem would still
be on the set.
2440
01:42:46,809 --> 01:42:48,911
Somebody comes up to
Menahem and says,
2441
01:42:48,977 --> 01:42:51,513
"Menahem, did you hear
that Yoram has cancer?"
2442
01:42:53,015 --> 01:42:54,883
And he goes...
2443
01:42:54,950 --> 01:42:57,352
"He should never
have left me!"
2444
01:42:57,419 --> 01:42:59,087
YIFTACH KATZUR:
Look at these guys.
2445
01:42:59,154 --> 01:43:03,859
They touch the sky, the stars,
and they are not anymore.
2446
01:43:04,993 --> 01:43:06,962
The legacy is there, but.
2447
01:43:07,029 --> 01:43:09,231
(MUSIC PLAYING)
2448
01:43:45,100 --> 01:43:48,670
And I don't think we can
say they were failures.
2449
01:43:48,736 --> 01:43:53,275
Because for a decade plus,
they lived an incredible life.
2450
01:43:53,341 --> 01:43:55,911
If you've got all the guts
in the world
2451
01:43:55,978 --> 01:43:57,980
and you've got energy
and work hard,
2452
01:43:58,046 --> 01:43:59,848
you can make it work,
and that's what they did.
2453
01:43:59,915 --> 01:44:01,950
If you look at how many
B-movie companies
2454
01:44:02,017 --> 01:44:04,987
have been around
in the history of Hollywood,
2455
01:44:05,053 --> 01:44:07,489
almost none of them
got to where Menahem got.
2456
01:44:07,555 --> 01:44:10,658
If they had any influence on
the industry, it shook 'em up.
2457
01:44:10,725 --> 01:44:11,894
And that's not a bad thing.
2458
01:44:11,960 --> 01:44:13,495
We always said,
2459
01:44:13,561 --> 01:44:16,631
"The best school in the world
what not to do is Cannon."
2460
01:44:16,698 --> 01:44:18,266
Avi started
2461
01:44:18,333 --> 01:44:21,403
turning out all these
low-budget Cannon-like movies
2462
01:44:21,469 --> 01:44:23,138
with a company called Nu Image.
2463
01:44:23,205 --> 01:44:24,907
JOHN THOMPSON:
Nu Image was founded
2464
01:44:24,973 --> 01:44:27,275
by Danny Dimbort and Avi Lerner,
2465
01:44:27,342 --> 01:44:31,113
both with great linkage
to the Cannon Group.
2466
01:44:31,179 --> 01:44:33,916
In many ways,
we use the Cannon model.
2467
01:44:33,982 --> 01:44:37,152
We learned not to
overextend our budgets,
2468
01:44:37,219 --> 01:44:41,924
not to overextend with
the acquisition of assets,
2469
01:44:41,990 --> 01:44:45,293
and how to make action pictures.
2470
01:44:45,360 --> 01:44:48,964
The Expendables series.
Olympus Has Fallen.
2471
01:44:49,031 --> 01:44:50,598
We have ninja films
2472
01:44:50,665 --> 01:44:55,003
would fit perfectly into
the Cannon brochure.
2473
01:44:55,070 --> 01:44:58,873
I think Menahem probably
is very proud of this.
2474
01:44:58,941 --> 01:45:01,509
Hollywood today
is making Cannon movies,
2475
01:45:01,576 --> 01:45:04,879
bigger Cannon movies
with millions and millions,
2476
01:45:04,947 --> 01:45:07,049
but it's making action movies.
2477
01:45:07,115 --> 01:45:10,152
We owe it to those guys.
They put a stamp on it.
2478
01:45:10,218 --> 01:45:13,221
The only way you can now
pretty much make a movie
2479
01:45:13,288 --> 01:45:16,458
is by having some calculation
of presales in them.
2480
01:45:16,524 --> 01:45:17,792
And Cannon did that.
2481
01:45:17,859 --> 01:45:20,762
Good, bad or indifferent,
they pioneered that idea.
2482
01:45:20,828 --> 01:45:24,933
KRAFT: Cannons legacy
will be the insane stories
2483
01:45:25,000 --> 01:45:27,102
of how that many movies got made
2484
01:45:27,169 --> 01:45:29,304
during a very specific
period of time
2485
01:45:29,371 --> 01:45:32,840
by two guys who had
no business doing any of it.
2486
01:45:32,907 --> 01:45:35,077
They were definitely leaders
2487
01:45:35,143 --> 01:45:38,080
in the foreign market,
in foreign sales
2488
01:45:39,114 --> 01:45:41,216
and in dreams, for sure.
199521
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