All language subtitles for The.Burglar.1957.1080p.WEBRip.x264

Everybody loves a parade

and the Chinese Nationalists
on Formosa are no exception.

An impressive display
of modern military might

passes in review for
Generalissimo Chiang Kai-shek

in a dramatic demonstration
of readiness in the Far East.

In Miami, Florida,
belles work out with dumbbells.

And if they have
any energy left,

they try a few tricks
on the pogo sticks.

They do this by the hour,
seeking that hourglass figure.

Philadelphia, the City of Homes,
the City of Brotherly Love,

is the scene of
dedication ceremonies

that will turn the palatial mansion of
dead millionaire Bartram Jones-Worth

into a spiritual research center
for Sister Sara,

who is widely known for her remarkable
occult revelations.

In order to start a movement that would
put within the reach of everyone

the tremendous untapped resources of
the collective spiritual unconscious,

devoted followers
of Sister Sara

have showered her
with the money and gifts

so necessary to transform
a vision into a reality.

Now, for a few words
from Sister Sara.

Excuse me a moment,
please, Sister Sara.

Won't you say something
for our newsreel audience?

They are all interested
to know just how you feel.

Well, I should like to say a few words
about the late Bartram Jones-Worth.

Well, feel perfectly
free to do so.

When Bartram Jones-Worth
first came to me six years ago,

he said, quote,
"I do not believe in charity.

"I am a businessman."
Unquote.

So I made an agreement
with Mr. Jones-Worth

that I would never ask him for
a donation, not even a dime.

However, if he wished
to sell something,

I'd be glad
to talk business.

For these automobiles,
I paid Mr. Jones-Worth

the total sum of 85 cents.

For this fur I'm wearing,
40 cents.

And this priceless necklace,
60 cents.

And finally,
this magnificent mansion,

this 17-acre estate,

the price asked
was one dollar,

not a cent more.

I think this all
proves something.

While Bartram Jones-Worth
did not believe in charity,

as a businessman,
he was very, very generous.

Hello.

Hello.

What can I do for you?

I want to
see Sister Sara.

What about?

I want to
make a donation.

Oh.

Sister Sara.

What is it, my child?

Thank you, Sister Sara.
Thank you so much.

Tell me,
did you have lunch?

Well, you're having lunch
with me. And dinner, too.

Now come along,
come along.

How'd you make out?

It's cased.

Good girl. I told you
she could handle it.

Boy, some castle
she's got there.

I got tired
counting the rooms.

The layout.
What's the layout?

Looks good.
There's only one hitch.

We'll have to time it
to the split second.

You have exactly
15 minutes.

What do you mean,
15 minutes?

What's this
15 minute business?

We got to talking
about this and that

and she tells me she's crazy about
John Facenda.

John Facenda?

He's a news reporter. He's on television.
He's on every night.

At 11:00,
for 15 minutes.

All right. So every night
she watches John Facenda

and he's on for
15 minutes. So what?

- The television set's downstairs. Upstairs...
- Will you get to it?

Where does she keep
the necklace?

In her bedroom,
in a wall safe.

I don't know.

I don't know.
That ain't much time.

Especially not on this one,
our first big job.

Thirty seconds.

Will you cut it out?

- Cut what out?
- You're breathing down my neck.

Twenty seconds.

Eighteen.

Check the light.

Ten seconds,
Mr. Facenda.

Settle down, boys.

Stand by, please.

Russia said today that it rejected
a recent U.S. offer

of surplus farm products because
America refused to include any

strategic goods
in the deal.

The official news agency said
that a commercial treaty

was annulled by the United States
several years ago,

and accused the United States of
erecting international trade barriers.

Western statesmen were
pleased with the construction progress

of the unified air raid
screen across Western Europe

from Norway to Turkey.

The defense ministers
of NATO predicted

that the jam-proof
communication and warning network

will be completed
early next year.

Come on, let's go, I'm tired.
I want to check in.

Wait a minute.

I don't like where
that car is parked.

There's no law
against parking here.

Yeah, yeah.
I know, I know.

Look, let's stick around
a little while, huh?

The necklace,
you got it?

Not yet.

Wait here.

What are you doing?
Where are you going?

Philadelphia, a lovesick boy was
wounded fatally today

in a gun battle
with 35 policemen.

They trapped him
in a woodland hideout

in Fairmount Park
where he had fled

after killing his sweetheart and three
members of her family.

Is this your car?

Yeah. But I sure wish
it wasn't, Officer.

What are you doing
around here?

You know where there's
an all-night mechanic?

No.

What's wrong with it?

Stalled on me,
won't start.

Let's see your cards.

Yeah.

I must have walked
three miles.

Nothing.

Not one gas station open.

Places close up pretty early around here.
You know what time it is?

Look, uh...
Maybe it's the battery.

If it is,
I'll give you a push.

No, it isn't the battery.
She turns over all right.

I don't know what it is.

Okay, let me try it.
You got the key?

How are the cards?

They're in order.

Some nights a man
shouldn't go out.

That all depends
on what he's out for.

How many drinks
you had?

Not a drop.
I never touch it.

No? Let's get a whiff.

Look, uh...

What's your
line of work?

Installment business.

- Door to door?
- Yeah.

How's business?

Oh, I break even.

You know how it is.
It's a struggle.

What ain't?

What are you
gonna do now?

Climb in the back
and go to sleep.

That is, unless you want
to drive me home.

Does that look
like a taxi?

Come on,
let's get going.

At least one indictment may be returned by
the federal grand jury

investigating the million-dollar
tax case of Roger T. Lees.

The grand jury has been sitting
in special session

inquiring into why
the famed industrialist

had been able to evade
filing income taxes for six years.

One minute, 26 seconds,
25 seconds, 24 seconds, 23 seconds...

What are you timing him for?
You think he can hear you?

Have a nice night and a good day
tomorrow. Good night, all.

Come on.

Nat, how did it go?

Okay.

- Sick?
- Nerves.

You don't look
so good yourself.

It's still racing!
It's going a mile a minute.

You want a drink?

- I'd choke on it.
- Coffee?

Not for me. Nothing for me.
I just wanna sit here. Just let me sit.

You, Nat?

Nat?

Nat, I'm talking to you.

You want some coffee?

Yeah.

What's it read?

Hey, you're in the light.

Come on,
let's have it.

What's the story?

Get out of the light.

Move, will ya?
How can I see what I'm doing?

It's merchandise, Nat.

It's very expensive
merchandise.

- How much?
- We really made a haul.

We got a piece
of property here.

All right, all right.
What's the figure?

Oh...

Coming around
one and a half.

What? That high?

A hundred
and fifty thousand!

That's the store price.

How much can we
get for it?

From a fence,
around 80, 85.

What are you
talking about?

That's more than 50% off.

All right.

You sell it.
Take it to Tiffany's.

It's worth 150, we sell it for 85 grand,
we'll be giving it away.

You'll be getting 20,000.

That buys
a lot of lunches.

We ought to get
more than 80.

Here. Feel it.

Watch out.

You'll burn your fingers.

Get that drift?

It's hot, Dohmer.
Scorching hot.

A fence gets ahold of this,
right away he's got worries.

Right away he's gonna start
thinking how he can get rid of it.

The setting, it's platinum.
It's gotta be melted down.

Stones have to be cut and re-cut,
maybe cut again.

Not by no second-rater.

A job like this needs a high-grade
engineer's special talent.

You don't buy that
with peanuts.

Someday we'll sit down
and I'll teach you the jewelry business.

Better get busy
right away.

There's a fence
I know in Baltimore.

Call him. Make it fast.

Sooner we get this thing
off our hands...

No. No phone calls,

no wires, no night letters,
not even in code. Nothing!

Why not?

This trinket needs a market.

We gotta turn it into cash.

Relax. Cool yourself.

Why the slow motion?
What are we waiting for?

A drop in the temperature.

You think that's hot?

It's hotter out there.
Boiling hot.

The law, Baylock.
The local authorities, the blue boys.

What do you think they're doing
right now? Sleeping?

Tell me,

have you had
any visitors,

any strangers,
doorbell ringers?

What are you getting at?

Did you invite them in?
Show them through the mansion?

Sure I did.

When you live in
a place like this,

you want people to see it,
you want them to have a look.

One of them
had a good look.

- You don't mean...
- Yes, I do, madam.

This mansion was cased.

It was thoroughly
and efficiently cased.

You hear it boiling,
you turn it off.

He made a mistake so obvious,
I can't understand it.

Fundamental error
in criminal technique.

I don't follow you.
What did he do?

He let them
see his face.

It's almost as if
he wants to get caught.

Are you out of your head?

We can't just sit here
with this thing!

When things cool off out there, we'll
be ready to move.

I want to move it now.

I want to get my split
and take off, Nat.

Please! Can't you
see it my way?

No!

You oughta
get off that track.

We all gotta
move one way.

We're an organization.
Try to remember that.

And forget me?

Forget there's a 30-year rap
staring me in the face?

Can't you see my only move?
I gotta take a stroll, Nat.

I gotta stroll clear
out of this country.

And the quicker I get started,
the better chance I'll have.

I've always
wanted that chance.

Hoped for it,
dreamed about it.

The one juicy haul
that puts the money in my pocket,

the money that takes me
on a long, long trip.

Central America.

I'll stay there.

I'll have what it needs
to stay there.

Twenty thousand
George Washingtons.

Twenty thousand.

Enough to buy some ground,
grow something.

Bananas.

Anything.

For years I've had it
up here, the picture.

A lot of pictures.

All dealing
with transportation.

Begins with me at the travel agency
buying the ticket.

From there
I go to the airport,

then I'm walking
through the gate.

And there she is,

waiting for me.

Big, fat, beautiful job,

with four engines,
80 passengers.

And I'm one of them.

We taxi across the field,
we get set for the takeoff.

Then we pick up speed.
Faster and faster.

Next thing I know,
I'm going up. Up.

I'm up there.

I'm off the ground,

going up, higher, higher,

heading south.

Far south.

Farthest south you'll get
is South Philadelphia. Tenth and Reed.

They call it
Moyamensing Prison.

Sorry, Captain.
There doesn't seem to be anything here.

Not even close, huh?

- George!
- Yeah?

Find more
photographs, George.

And bring in those latest files
we received from Oregon and Arizona.

- The ones from the FBI, too.
- Okay.

What a dump!

Forty-five
dollars a month.

Well, they sure take advantage
of us tourists.

Where's Gladden?

In the kitchen.

Yeah, she's
in the kitchen.

And you know why
she's in the kitchen?

So you can't
look at her.

You're always
looking at her.

What am I supposed to do?
Look at you?

More on the temples.

Yeah, right there.
That's right.

Now the chin.
Can you shorten up on the chin?

Yeah,
you know, uh...

That lip, that bottom lip,
that ought to be a little thinner.

- You sure?
- Yeah.

Looks good to me.

- Yeah?
- Mmm-hmm.

Well, we're giving it a try.
It's the only angle we have.

Yeah, I'll give you a call
as soon as we get it.

If we get it.

How is it shaping up?

Coming closer.

Nat?

You want a sandwich
or something?

Maybe later.

We got some chicken
in the icebox.

How about a chicken sandwich
on rye bread?

We got rye bread.

Thanks, Gladden,
but I'm not hungry.

Well, you should be. You didn't have
no dinner. You gotta eat.

This'll do for now.

Stop it!

- Stop what?
- You know what.

Don't sit there looking
like you don't know.

All I'm doing is sitting.

Looking at me, looking at me,
you're always looking at me.

So what?

What's wrong with that?

Can't I look
if I want to?

You beast!

- Cool it!
- I'll scratch your eyes out.

Cool it!

Lay off.
Leave her alone.

Why don't you
grow up?

You stay out of it.

You're over 21,
you act like 12.

Wanna do me a favor?

Sure.

Climb into bed,

go to sleep,
and don't wake up.

Why don't you
let it drift?

No. I got something
to tell her.

You got to quit
talking to me like that!

I won't have
any talk like that!

Next time you open
your mouth to me...

Then stay out of my face.
Keep your rotten thoughts to yourself.

I was only
giving you advice.

But you're a stubborn child.
You won't listen!

Listen to you? I'd rather hear a cat
yowling in the alley.

Now, move!
Will you get out of this kitchen?

Now you're gonna hear
what I've gotta say.

I told you
to get out.

Put down that pitcher.
You throw it at me and I'll...

You dried-up lizard,
you gonna leave me alone?

All right. Throw it!
I dare you to throw it!

Why, you...

Get off! Get off!

Get off me!

Leave me alone!
Get off!

Get off!

I don't get it!

Tell me one thing.
What do you need her for?

All right.
She does her job.

She knows how to
case a layout.

But you know as well
as I do she ain't no expert at it.

I know a hundred skirts
can operate better.

So I know that
ain't the reason.

Another thing
I know for sure,

it ain't as if
you got eyes for her.

If you were sweet
on the chick, I could understand it,

but you're not.

You hardly even look at her.
You don't even know she's around.

What is it, Nat?

Why can't you
let her go?

We're an organization.
She's a charter member.

Now he's quoting
from the rule book.

Why do you hold on to her?
Why can't you let her go?

There's got
to be a reason.

Perfect!
That's him, all right.

Printing office.
Please hurry.

This is Keebler,
Burglary Unit.

Can you send a messenger
up here right away?

I have a pencil drawing here,
a man's face.

I'll need at least 1,000 copies. This is
going out to 13 states.

It began
a long time ago.

Just another orphan
in an orphanage.

You didn't like
that high gate.

One day you climbed over it.
You got away.

They wouldn't stop.
They didn't even look at you.

Made you feel lonesome,
not wanted.

Come on, kid.
Hop in.

And that was
the start of it.

That day
when he picked you up.

From that day on,
you had a home and a father.

You'll never
forget his face.

That's him,
that's Gerald.

And the little girl,
that's Gladden.

He put food
in your belly.

He put clothes
on your back.

A roof over your head.

He was good to you.

He was kind, gentle.

He was so gentle.

You'll never forget
his voice. That soft voice.

You could hardly believe it
when you found out.

When you asked him what kind of
work he did and he answered,

"I break into places
and I steal. I'm a burglar."

But no gun. He never used a gun.
No weapons at all.

That was the first thing
he taught you.

You do a job,
you do it clean.

And that night, that night he took you
out with him.

Your first job.

He asked you
to make a promise,

to give him your word,
your word of honor.

If anything ever happened to him,
you would take care of her,

his little daughter.

You promised.
You gave him your word.

Three years later,
something went wrong.

It was your fault.
It was your first mistake.

Stop!
I'm warning you, I'll shoot!

You ran. You ran like a rabbit.
You gotta get to Gladden!

Gladden...

I didn't...

Nat?

Why aren't you asleep?

I couldn't sleep.

Why not?

I don't know. I just...
I just couldn't close my eyes.

What about you?

Gladden...

Yes, Nat?

I've been thinking.

What is it?

You need a change.
You ought to go away for a while.

Thanks.

Thanks a lot.

Now don't get me wrong.

It's all right,
Nat, you...

You want me out of the way,
I'll step out of the way.

Will you quit
twisting it around?

All I said was
that you needed...

Don't, Nat.
Don't work on it.

You'll only get
yourself in deep.

So, Nat,
I'll do anything.

Anything you say.

After all,
you're in charge.

You're the babysitter.

Quit that talk.

You're the legal guardian.
The foster father.

I don't want to hear it.
I don't want to hear it.

Why not?
It's what it amounts to.

Unless you'd rather not
see it that way.

Please, would you
let me explain?

It isn't necessary.

Listen to me. It's Dohmer.
He won't leave you alone.

And Baylock. You're always fighting
with Baylock.

I can handle them.

I don't know.
They're getting jittery.

Besides, a trip would
be good for you.

You're pale.
It'll be good for your health.

There's nothing wrong
with my health.

Now, let's not argue.

I'm not arguing.

This trip I'm taking,

where do you
want me to go?

It doesn't matter.
New York, Boston...

They ain't exactly
health resorts.

You said I'm going
for my health, remember?

How about the seashore?
Wildwood, Atlantic City...

Does it make
any difference?

Atlantic City.
Is that all right?

Yeah, sure,
it's all right.

You'll have all that
salt air and sunshine.

You can sit on a beach,
go swimming.

Okay. Okay.
When do I leave?

There's no use waiting.

Should I start
packing now?

Now, look,
I didn't say that.

You don't have
to rush it.

Don't I?

I'll leave first thing
in the morning.

I'll take you
to the station.

Attention!

Will Mrs. Helen Burnat please report to
the baggage room immediately.

The Atlantic City Express
will leave at 7:15

from stairway number 8.

Attention please.

The morning congressional arriving
from New York on platform number 3

will leave for Wilmington,
Baltimore and Washington at 7:25.

The Atlantic City Express
will leave at 7:15 from stairway number 8.

♪ You are mine

♪ Even the angels know

♪ I thought you knew

♪ It's only you
Yes, you are mine

♪ I loved you

Nat, when are we going to do something?
I want to get busy.

Why don't you weave a rug
for your head?

Look, I say we move,
you say we wait.

That makes it an issue.
It needs talk.

All right, let's talk.

Let's kick it around a bit
and see what happens.

It comes to this.
If I'm staying, I kill my nerves.

I got to get moving.
I need travel and I need it bad.

Nat, please let me
call Baltimore.

I make a quick transaction,
we'll get ourselves some finance.

Then we can split the cash
and I can take off.

What for?
You're comfortable here.

If you stay put,
you'll stay comfortable.

I don't see it that way.

What I got to do
is travel

and I don't mean
no 40-mile bus ride.

The place I got in mind
is Central America.

All right. Let it be Central America.
But that comes later.

- It's got to be now.
- Later, Baylock, later.

Later, he says, as if it's just
a matter of killing time.

Look, Nat,
I'm on probation.

I can't afford
another stretch.

With you it's different.
You've never been nabbed.

Never booked, never printed,
never mugged.

You see, the way it is, you can walk a
wide street, I'm on a tightrope!

My name is Della.

I said,
my name is Della.

What goes here?

It's a situation.

You do this
all the time?

No, of course not.

You know I've
never done it before.

How would I know?

You just know,
that's all.

You're looking at me
and you know.

What's your name?

Nathaniel...

Say, what is this?
What do you want?

Basically?

Basically I'm out
to find myself a man.

Wait for me outside.

Are you kidding?

No. No, Nathaniel,
I'm not kidding.

Well, that's tough
on you. Sorry.

No sale.

Just to let you know
I'm not selling anything.

Nathaniel. Nathaniel.

Nat.

You know, I like the feel
of that name.

Nat.

Soft, but it has a snap to it.
A soft snap.

It's a patent
leather name.

Later tonight,
I'll be home.

You needn't
ring the bell.

The door will be open.

Light me, Nat.

That's three.

Three what?

Three drinks
in the last half hour.

Tell me something.

Who hurt you?

Answer me, Della.

You sure hauled that in
from left field.

Come on,
let's have it.

What's the point?

You've heard it before.
It's the same sob story.

All right,
if you'd rather skip it.

No, Nat, I'll tell you.

You asked me,
so I'll tell you.

It's like this. The girl comes from
a wonderful family.

Really wonderful.

The old man's
a no-good loafer.

Mother drinks
bootleg whiskey.

Fifty cents a pint,
when she can't steal it.

Where was this?

Youngstown, Ohio.

I had four brothers,
three sisters.

We were
a very close family.

We had to be close.
We lived in two rooms.

When did you pull out?

When I was 17.

I went to Chicago.

Great city, Chicago.

The city of opportunity.

The, um...
The first three, I turned down.

And along comes
Sir Galahad to the rescue.

Turns out he runs
a model agency.

At least that's
what he called it.

First thing I know, there's a bunch of
creeps with cameras.

Somehow, I landed
in show business.

I was a dancer.

I was known as
a high kicker.

One night, I... I kicked a booking agent
right in the mouth.

Broke his jaw.

Finally, it happened.

I met an eligible bachelor.

A nice guy.

Real nice.

So completely different
from all the others.

So clean.

I married him,

and I was happy.

I was so happy
I couldn't believe it.

Then comes the left hook
right between the eyes.

He took off?

Jet-propelled.

Why? What did it?

A photograph.

Some joker showed him
a photograph of me.

One of the specials
from the modeling agency.

He didn't even
bother to hit me.

His name was Gerald.

He had a daughter,
Gladden.

Gladden? That's a strange name
for a girl.

Well, she was
a strange kid.

Always so quiet,

lonely, bewildered.

Tell me more
about Gerald.

He brought me up.

He was a father to me.

He taught me
everything I know.

You feel obligated?

It runs deeper than that.

A lot deeper.

One thing
he drilled into me.

You make a promise,
you gotta keep it.

I gave him my word
I'd always take care of Gladden.

You know,
It's sort of weird.

A lot of things
come back to me now.

Like the times I wanted
to pull out of that bargain.

Get a job,
be legitimate.

What stopped you?

I don't know.

I've never been able
to figure it out.

It's like something inside me,
steering me.

Gerald.

Della?

Della?

Della?

If you don't get it from him, I'll get
it from my little blond doll in Atlantic City.

You better be
getting back there.

You have work to do.

You'll get the
necklace, baby.

- I need some inspiration.
- Later.

Let's save that
for later.

Competition.

A business rival.

I knew this would happen.
This is what we get for waiting around.

We should've gone
to Baltimore days ago.

Nat, it's still
not too late.

We'll go to Baltimore now,
I'll contact that fence...

No!

What do you mean, "No"?

We're going
to Atlantic City.

For what?

Are you crazy?
What do we need her for?

You don't get the point.
She needs us.

That's for us.

Let's see
your papers.

You know what
you were doing?

The speedometer read 50.

Yeah. But you were on the left side
of that white line over there.

I'm sorry, Officer, I guess I must've
been dreaming.

Well, don't let it
turn into a nightmare.

Stay on the right side.

Thank you, Officer,
I will.

...questioning in
a burglary.

Three white men
in a light grey,

four-door Chevrolet,
'51 model.

Pennsylvania one, M, Mary, Z, Zebra,
7-0. Last seen crossing...

Turn off the ignition
and get out of the car!

Hey, Steve.

I always thought you were a moron,
now I know it!

Why'd you have to
shoot him in the face?

Why not the arm,
the shoulder?

Save it.
He can't hear you.

The above men made their escape in
a 1951 light grey Chevrolet.

Pennsylvania one,
M, Mary, Z, Zebra, 7-0.

Last seen going east on the
White Horse Pike from Hammonton.

Use caution.
They are armed and dangerous.

Where we at now?

Take a whiff.

- Salt.
- From the ocean. Let's go.

What about the car?
We're gonna need it.

What for?
So they'll see it again?

It's number one on their list.
Come on.

Let's see.
Where'd that gun battle take place?

Black Horse Pike,
31 miles from here.

That makes it one mile
this side of Hammonton.

Here. Right here.

I guess you know
about the trooper.

They said he got it in the face.
Died immediately.

The other trooper emptied his revolver
at them, chased them, lost them,

radioed headquarters. They got on it
right away and set up roadblocks.

One here, here.
One at this point in this road.

Is that what you guess?

I'm not guessing,
I'm calculating.

See this tiny
intersection right here?

The trooper passed it,
and three miles up the road,

he came to
the first roadblock.

That's obvious.

There's only one turn at this
intersection, it's a right-hand turn.

There's another turn there.

Another one there.

No more roads.

That'd put them
somewhere in the woods.

How could they drive a car
through the woods?

Wagon paths.

Very slow, very bumpy.

Well, put yourself
in his place.

You gotta keep moving,
you can't turn back.

Finally the woods get too thick.
No more paths.

So what you do is abandon the car and
walk through the woods

to this point right here.

Marshlands, the bay area.

In the distance
you see Atlantic City,

playground of the world.

Huge crowds, visitors from every state
in the Union, get it?

This man I'm looking for
is a professional.

He's extremely intelligent.

He knows that his best hiding place
is in a crowded area.

An area where he's
surrounded by other faces.

This looks okay.

Wait here for me.
I'll be back.

Where you going?

Gladden.

Hi.

Hello.

I'm calling
from downstairs.

Now, look, don't talk.
I'll do the talking. I've gotta see you.

Well, get rid of him.
I don't care what you tell him.

Just get rid of him.
It's important.

And wait there for me.
I'll be up in a few minutes.

Yes.

I think you'd
better go now.

Pack your things.
You're checking out.

Why? What's happened?

Complications.

Come on.
We gotta move.

Not me.
I like it here.

Plenty of sunshine. All that salt air.
It's good for my health.

That's why you sent me here.
Remember? For my health.

What are you getting at?

I'm feeling very happy
these days.

His name's Charlie.

Charlie?

Yeah. Charlie.
That's his name. Charlie.

Really?

Tell me about him.

He likes me.

He likes me very much.
Very, very much.

It's a good thing
you're sitting down,

because you're gonna
hear something.

Your boyfriend Charlie,
he's a cop.

He wears a badge.
He's a blue boy.

What are you giving me?
You think I'm stupid or something?

Get with it, will you?
He's a cop!

That's not all of it.

He's also in business
for himself.

And what he wants, he wants 100%.
Here's what he wants.

It checks, Gladden.
It figures.

What do you mean, "It figures"?
How does it figure?

Downstairs in the lobby, I saw his face.
I remembered him.

From when?
From where?

The night we pulled the haul.
Outside the mansion.

The two cops who questioned me.
He was one of them.

Just what are you
trying to engineer?

He's the engineer!

He pulled a trace job
that wins the grand prize.

Nat, please, please!

Don't you see?
He had it figured!

He knew I was hitting
that mansion for loot.

Stop it! Stop it.
Don't try to sell me short.

He didn't want
the other cop to know.

At the station house, he gets his
own car. He doubles back.

He watches us, gives us a head start
and then follows us.

Face it, Gladden.
He's just a spider weaving a web,

trying to pull you in.

Come on, let's get out of here.
Get your things.

No. I'm not going.

- What?
- I said I'm not going.

Not with you.

I'm done, mister,
I've had it.

Gladden, what is it?
What's the matter?

You don't know.

You really don't know.

Well, look at me.
I'm a woman.

I'm flesh and blood
and I got feelings.

But you never knew that.
You never wanted to know.

I was starving for you.
Night after night I tore
pillows apart with my teeth.

So hungry for you.
Wanting you so much I...

And you,
you knew from nothing.

I was just another gadget
in your tool kit.

But now it's
quitting time.

I'm out of
the organization.

You'll change your mind.

Wanna bet?

You'll come back in.

We'll be waiting.

You better stock up
on groceries,

'cause you're in
for a long wait.

We're in a wooden shack
near the bay,

four blocks west of
the Albany Avenue Bridge.

You're talking
to the wall.

Go on, mister.

Take a walk.

"The only thing you've got that's
worthwhile is your word.

"Give me your word.
Your word of honor.

"If anything ever happens to me,
give me your word,

"you'll take care of Gladden.
You'll take care of Gladden.

"Gladden. Gladden.
Take care of Gladden.

"Gladden..."

What'd you do it for?

What did you do it for?

She tells him she wants out
of the organization.

She wants no part of it.
She's out.

She's given us the kiss-off. She's out.
So what does he do?

He gives her
the emeralds.

He gives her
the emeralds!

Operator, I'd like to make
a long distance call, Philadelphia.

Greenwood 3-0-4-5-6.

That's right.

Look, I need you
down here right away.

Why? What's happened?
Is he there?

Sure he's here. What do you think
I'm calling you for?

Can I see him?
Can I talk to him again?

Not for that. We tried that angle
and it didn't work.

From here on in, we're going to
do it my way.

That's out.
None of that, Charlie.

It's gotta be
handled my way.

If we don't move in now,
we're gonna be all loused up.

Listen, we're playing against time.
Now get that through your head!

I can't keep running back and forth
between here and Philly.

I didn't even report
for duty last night.

If we keep making excuses like that,
somebody's gonna catch on.

Charlie, listen to me.

No!

You listen to me.

Don't you argue with me.

Put that classy friend
of yours in that convertible

and get down here
as fast as you can.

Now, listen, they're hiding out
in a small wooden shack.

I'll tell you where it is.

Come here a minute.

You see them?

See what?

Boats.

So they're boats.
So what?

Transportation.

That cabin cruiser.

The white one?

I'm gonna have a look.

What do you know
about boats?

They float!

Come on in.

Join the party.

Yeah.

But you don't
have to leave.

I'm gonna give you
a real break.

All you gotta do is just hand it over,
that's all.

All right.
That can be arranged.

Yeah, when?

- I'll need a little time.
- No, no, no.

You don't need time.

You're gonna take it out from wherever
it is right now

and you're gonna
slide it across to me.

Nice and easy.

I haven't got it, Charlie.

You don't?

What a pity.

What a real pity.

Turn around.

Wait, Charlie,
don't do it. Not yet.

Why not?

Why waste time?

Charlie, listen...

He's got it.
I know he's got it!

Maybe not.
Want me to make sure?

All right, go on.
Frisk him.

Tell me
something, pal.

How old are you?

Thirty-five.

You wanna see 36?

Forty-six?

Fifty-six?

Look, Charlie, if I tell you
where it is,

what guarantee do I have that you won't
drill me anyway?

- All depends.
- Depends on what?

On the information,
whether I buy it or not.

I guess you know
I'm not playing.

I know that.

Good.

We both know if
I pull this trigger

nobody's going to
call it murder.

It's gonna be
law enforcement.

You sure dealt
yourself a nice hand.

You save
the compliments!

All it is I want
is that necklace.

Cool yourself, Charlie,
you'll get it.

Convince me.

Come on, come on,
your time's running out!

Ocean View Hotel.

Oh, no. No sale.

She's got it, Charlie.
It's in that room.

How come
I didn't see it?

I've been putting in
a lot of time with that babe.

I went over every inch of
that room and it wasn't there.

It's there now, Charlie.

I put it there.
For a reason.

Get his gun.

Check it for clips.
Give me the car keys.

If brother here moves an inch,
drill him.

Might make you famous.
Get a medal from the police department.

Nice weather out there.

Mind if I take a stroll?

Don't move.

You don't walk out that door unless
you go with me.

With you?

All the way. When Charlie gets back,
we won't be here.

Well, what's it gonna be?

A gamble.
Strictly a long shot.

You better
call off that bet.

I can't!
Don't you see how it adds?

I'm dealing with time.
I've got to get to Gladden.

Nat, please don't
go for that door.

Stay away
from that door.

Room 42, and hurry.

Gladden, is that you?
Are you all right? Now, listen,

you gotta get out
of there fast.

Please, if you don't leave now,
you'll never get out alive.

We don't have time to talk.
I'll talk to you later.

I'll meet you on the boardwalk,
the Steel Pier,

in front of the Steel Pier.
Wait for me there.

- Gladden!
- Oh, Nat!

We gotta get off the boardwalk and
back to that bay.

There's a boat there...

What's this you got?

The music box.

Uh, Officer, you wanna
hold it a minute?

I'll take over
from here on in.

I already
put in a call.

All right, sir.

We, the dead, welcome you.

We, the dead, welcome you.

What cop from Philly?
He never checked with me.

Okay, skip it.
I'll find out later.

No, not yet,
don't move in.

That pier is too crowded
and I don't want anybody to get hurt.

This is it.

We, the dead, welcome you.

We, the dead, welcome you.

We, the dead, welcome you.

We, the dead, welcome you.

We, the dead, welcome you.

Ladies and gentlemen,

direct from their fabulous European
tour, the sensational Virengaards.

Tired?

I'm all right.

We'll stay here a while longer and
then work our way back.

I'm worried, Nat. I don't like it out
here. Come on, let's move.

Not yet.

Stick around.

Enjoy the show.

Well, ladies and gentlemen,
that's our show for tonight.

Thanks for coming and please come again.
Good night.

You want it, Charlie?

Big joke.

Yeah, I want it.

Buy it.

- What's the price?
- You let her go.

So she can talk?

She won't talk.
She knows better than that.

Whatever happens,
it's her word against yours,

and you're a cop,
remember?

If she opens her mouth,
they'll send her up.

All right.

All right, it's a deal.

Please, Nat. Can't you see
what he's going to do?

As soon as he has it,
he'll plug you.

He'll claim you
reached for a gun.

Go on. Do what
I'm telling you.

I'll catch up
with you later.

All right, pal,

go on.

You take a walk.

Wait a minute, miss.
Where are you coming from?

Nat. Nat! What has
he done to you, Nat?

Nice work, Charlie.
What did he do, reach for his gun?

No.

It wasn't that at all.

He tried to get away.

Oh, you rotten liar!

How's he doing?

He's done.

Well, call the coroner
and put it on ice.

He had the necklace on him,
all right.

What do you mean,
he had it?

He was afraid of getting
caught with it on him.

He threw it away
in the ocean.

No, he didn't, Charlie!

Tell him
to hand it over.

Take him down to headquarters.
I want him held.

What do we
mark him, Captain?

You mark it "victim."