All language subtitles for Ill Get You For This.1950

[wind howling]

[eerie music]

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[speaking in foreign language]

Hey, Joe, what's signed?

You think I need one?

My top, Joe.

I fixed.

The name is Nick.

Okay, Joe.

Tell him to follow me, Rachel.

Seventy-five lira.

Too much?

I'll say it is.

Okay.

Double or nothing.

I flip.

You'll say it.

Tails.

[horn honking]

Try this one.

Tails.

You ain't, Joe.

That should teach you

never to gamble again.

But I'm going to give

you a chance to get even.

You take my baggage to the hotel

continent and pay the driver.

And wait there for me.

Okay, Joe.

[speaking in foreign language]

Mr. Kane?

That's right.

Oh, I'm Miles Trampers,

manager of the Continental Hotel.

Welcome to San Paolo.

Thanks.

I'll get your luggage.

I've already taken care of it.

Oh, good. Well, your car's over here.

My car?

Certainly.

It's at your disposal as long as you

remain in San Paolo.

Tell me, does everybody

get this sort of treatment?

You're a very special guest, Mr. Kane.

Thanks.

[music]

Thanks.

All right, sweet one, two, one.

I'll be with you in a moment.

All right.

You did a fine job.

Thanks, kid.

[speaking in foreign language]

Okay, Joe.

[music]

My pal.

Okay, Joe.

[speaking in foreign language]

That's for taking care of my baggage.

And that's for

introducing me to the lady.

Thanks, Joe.

[music] So long, Joe.

So long.

[music]

Well, here we are.

Now, there's your bedroom, your bathroom,

and over here, you have your balcony,

over in the sea.

I hope the sweet

pieces you have, Mr. Kane.

I think it's big enough for one man.

Now, here are the buzzers for service.

There's the maid, the

valet, and the waiter.

If you require anything

special, please telephone for me.

This compliment of Senor Sperraza.

Who's Sperraza?

I am.

Allow me to introduce myself, Mr. Kane.

Rancisco Sperraza,

manager of the San Paolo Casino.

I hope that you will allow

me to show you our place.

Thanks.

And for the wine, too.

The pleasure is mine.

This is Almando Chirale.

I'm head of São Paulo Police.

I also wish you'd like to

show me your place, too.

[laughing]

I hope that you enjoy

the wine as much as Travis,

and I enjoyed watching you play poker.

Where was this?

The Lake Club, Saratoga.

When you had that

72-hour game with Ray Hines.

Oh, that one.

I'm sorry I didn't see you that night,

but I was very busy.

Very busy, winning over $100,000.

That's just a habit of his.

Like that dice game in

New Orleans, remember?

Yes, it's a nice feeling when you win.

But there's the other side, too.

I'll never forget the time I met Ray

coming on the train from California.

We had it for two days and nights.

Cards, dice.

We even bet on the

raindrops running down the window.

But when he finished with me,

I had to get off the train at

Philadelphia and walk

the rest of the way.

[laughing]

That's unusual for you, Nick.

You've made your reputation as a winner,

and we hope that your

good luck will continue here.

Thanks.

And any time the police

department can be of service to you,

it's ready for your command.

Thanks again.

And furthermore--

Absolutely. I'm sure that Mr. Kane knows

by now that he is welcome.

You must wish to freshen

up, Nick. We shall leave you.

Well, I hope you'll be

very comfortable, Mr. Kane.

I think I will be when I

can quit saying thanks.

How do you mean?

Well, I've had the red

carpet laid out for me before.

Never up to my ankles.

But, Nick, you're an honored guest.

Why?

San Paolo exists on the

profits from our casino.

So when a famous gambler decides to come

here instead of San

Moreno or Monte Carlo,

naturally we are greatly honored.

If you could manage to

come to the casino tonight.

Don't worry.

I'll be there till tonight then.

I'm pleased to have met you, Mr. Kane.

Thanks.

There I go, saying it again.

Mr. Kane?

- Beep, beep, beep. - That's all right.

- Look, you're in the tuning. - I'll get

rid of those for you.

Here, you take this

now. You go on hold, huh?

Yes, very good.

- Good morning, sir. - Mr. Sparazzo.

Good morning, sir.

- I'm going to the

casino tonight. - Thanks.

Your flowers, sir.

Yes, I'm sure they look

better on you than on me.

- Mr. Sparazzo. - Mr. Kane.

That's right.

The casino is on her,

sir. This way, please.

Señor Sparazzo is in the mean sorrow.

Welcome to our

casino, Nick. And good luck.

Thanks. It's Francisco, isn't it?

Yes, but my friends call me Frankie.

Okay, Frankie.

Quite a layout you have here.

- It's profitable. - Naturally, Frankie.

What is your pleasure for tonight?

Anything that might be profitable.

Nick, I want you to remember,

while you were in San Paolo,

the casino is entirely at your disposal.

But I'm out of vacation.

Oh, Nick Kane in a gambling cello and not

playing that I cannot believe.

Oh, I managed to keep a hand in, even

though I'm on a vacation.

- No baccarat tonight? - Of course, but

not for two hours yet.

Oh, then I'll play some other night if I

stay here in San Paolo.

Some other night. Nick, if you wish to

play, I can arrange a game at once.

The baccarat bank is yours.

- That's a deal. - Good.

Good.

They announced that Mr. Nick

Kane in the baccarat table.

- The baccarat table is

opening. - Nick Kane is banking.

- Nick Kane in massive

gambling. - Thank you.

Ten thousand.

$80 million.

- Housemen. - We play both sides.

- With me in the middle,

eh? - It is good business.

You might change your mind.

Do you want to play?

Do you want to play?

You don't play.

You play.

You play.

You play.

You play.

You play. You play. Six out of seven.

I'd like credit for 300,000 lira, please.

Mr. Fett-Bajon.

You're welcome.

Again, you play.

You play.

You play.

You play.

You play.

You play. You play. I hope that this is not going to be like

that game with Ray Heidt.

You wish me good luck.

Mr. Fett-Bajon.

Here, Sophie.

Again, you play.

You play.

You play.

You play.

You play.

You play.

You play.

I'd like to see Mr. Speratza, please.

Shouldn't.

Good evening.

Miss Wanda, isn't it?

Okay, Wanda-lee, Mr. Speratza.

Do you wish to see me?

Yes, I thought I'd better

before you asked to see me.

I'm in a little trouble.

No, thank you.

Doop-dee, sit down.

Now, what kind of trouble?

I've had credit for 500,000

lira, and I can't pay it back.

Oh, Doop-dee, forgive me.

But you said a little trouble.

This is so little, it's nothing.

Well, I know it's not much in American

money, but it's more than I have.

Frankly, I'm broke.

You're expecting money.

If I were, I wouldn't be here now.

That's too bad.

Wouldn't be so bad if I hadn't made such

a fool of myself at the baccarat table.

It's very seldom that

anyone wins from Nick Kane.

The house lost also.

Perhaps I can help you.

If you will help me.

How?

You must understand that for

me, this is merely business.

I hope that you will see it the same way,

and please not be offended.

Well, I'm willing to listen.

Good.

You saw how everyone flocked to the

baccarat table just now.

Yes, they want to see Mr. Nick Kane.

Exactly. It's the same.

Everywhere he goes, his

reputation draws people.

It will mean a great deal of business for

the casino if Mr. Kane

decides to remain in certain power.

- You can understand that. - Yes.

He has American dollars, very scarce.

Perhaps if he stays,

we shall win some of it.

I see.

But, uh, what do I fit in?

Mr. Kane will remain

here as long as he is happy.

Oh, you want me to make Mr. Kane happy.

You are very lovely.

He seems to be quite

happy just to look at you.

That cannot offend you, surely.

He may get tired just looking.

It will mean $2,000 for you.

Well, that's a lot of money.

Not if we win back at our tables.

All I have to do is be

pleasant to Mr. Kane.

That's all.

What can I lose? I'll try.

My thanks forever, Miss Wambudet.

Please, you will drink

with me to your success.

You ask me lucky for

me tonight. For me, too.

- Pass. - Tommy.

This is for you. And send me a slip for

the rest of it at my hotel. Thank you.

Good night. - It's been Paul who's putting on the dog

for you, huh? - I'm not complaining.

You might later. Figure

out what it's gonna cost you?

- Have you? - No, not yet.

But these guys don't give anything away

without getting plenty in return.

- But I'm ahead so far. -

I'm not talking about gambling.

I want to see you tonight alone.

I got other plans. Call me tomorrow. My

name is Kane. Nick Kane.

Yeah, I know. But this is important. I

want to make it tonight.

I said tomorrow.

- Listen, Kane, I'm

an American. - So am I.

We'll get together and

we'll raise the flag tomorrow.

Okay.

Yes, I agree.

Nick.

Hello, Frankie.

Miss Wunderley, this is the famous Nick

Kane. Nick, Miss Wunderley.

How are you doing?

It's a pleasure, Miss Wunderley.

- Oh, may I buy you a drink? - Thank you.

- What would you

like? - I have a martini.

- Senor Sparazzo. - Yes, hon?

A telephone from Paris.

- Please, you must

excuse me. - Certainly.

- Just make that two. - Yes, sir.

- Well, how does it feel to be so lucky?

- It's all in a day's work.

I wish I could say the same.

What's the matter? Did

you lose too much tonight?

Well, if you call

everything you have too much, yes.

- Well, if I can help in any way, I... -

Oh, no, I have a job. Thanks.

And San Paulo?

Yes. It's very stuffy in here. I'd like

some air, wouldn't you?

I know where there's

lots of it. Oh, wait a...

This cannot be true.

Oh, no, now, I need aload of spoonfuls for the next few weeks. Yes? Sylvia. Oh, please, please run off! Islanders want to be here! What's your grade degree? [Music]

[Music]

[Applause]

[Music]

Whatever brought you so far from home?

I had dreams of being an artist, so I

came to Europe to study.

Where? Parents?

Two years on the left bank.

And then no more dreams.

I found out that besides ambition and

desire, you have to have talent.

So I ended up being an artist.

And after Paris?

Oh, every girl wants to see the Riviera.

So I wanted to see it

while I had the chance.

And all I saw was the cards coming out of

the back of our shoe,

that little white ball

going around and around.

And where it stops, nobody knows.

Well, I know. It

stops on the wrong number.

You mean you're not

going to gamble anymore?

Tonight's the last time.

Smart girl.

From now on, I'm just

an ordinary tourist.

Tourist?

You told me you were working.

Listen to that music.

It was made for dancing.

Let's use it.

[Music]

This always happens to me.

This never happened to me before.

[Music]

Do you tango?

I used to.

[Music]

The demand for leave now.

Not at all.

[Music]

Well, I go this way.

What kind of a tour are you

going to take me on tomorrow?

What do you want to see?

Let's talk about it over our last drink.

Well, I don't know if--

If you can trust me.

[Music]

Oh, isn't this lovely?

[Music]

The compliments of the management.

Scotch, cognac, even bourbon.

What would you like?

Small cognac.

[Music]

What do you have to do

to read such treatment?

That's what I've been trying to find out.

I thought you might be able to tell me.

What do you mean?

Why is everybody crowding me?

Crowding you?

Look, flowers, fruit,

liquor, and all on the house.

You think I just want a

bathing beauty contest?

[Laughter]

Maybe it's just fame.

Oh, I'm not that important.

[Music]

Why should Speranza send me wine and give

me the baccarat table?

And then introduce me to you.

[Music]

Are you sorry?

No.

[Music]

I'm glad.

[Music]

It's a wonderful night.

It's the kind of a night

that anything could happen.

[Music]

Well, I think I'd better say good night.

[Music]

What's wrong?

I feel faint.

By this liquor was doped.

Yes, sit down.

Take it easy.

[Music]

[Music]

[Music] It's like it was doped.

[Music]

But Nick, if you ever come like this, why

is everybody crowded?

No, I'm just going to

be an ordinary tourist.

[Music]

It's my food.

[Music]

[Music]

Now he'll talk.

He didn't do it.

I was there.

It's the truth.

He couldn't have done it.

I told you to be quiet.

Well, Kane, what happened?

Maybe someone will tell me.

A man was killed in your room, and your

door was locked on the inside.

That's not true. It wasn't.

Take it easy, Kane.

Who is it?

His name was Kenneth.

He's a United States

Treasury agent, Mr. Kane.

So that's what he was trying to tell me.

Nick, I've just heard.

I'll do anything I can to help.

Stop trying to be funny.

There's a dead man in the room.

How did this happen?

The law made a report to the shop.

It was fired in the suite, so I

telephoned you around it.

I broke in and found him.

The murder gun was in Kane's hand.

He didn't do it. I told you he didn't.

[Music]

Nick, get back.

Now I'll deal for a change.

First you send me a dope liquor.

And you pull the red

carpet right out from under me.

It was a nice frame, but it didn't work.

Okay.

Go in there and get a coat.

We're leaving here.

Nick, this is wrong.

I'm doing a thinking

from now on, Frankie.

You won't get out of the building.

Maybe we won't, but I'm

going to repay the compliments.

Okay?

Drinks for the boys. Big ones.

Which bottle?

Get back there.

It doesn't matter. They're all good.

I know this one works.

I'll tell you something, Kane.

Don't you tell me anything.

Here. You first, Soraldi.

Bottoms up and fast.

You can have a little

nap and not wake up at all.

So take your choice.

I said bottoms up.

You'll pay for this, Kane.

No, I won't.

These drinks are on the house.

Remember?

We could use a car.

The garage is right up there.

Look out!

Come on.

There's no key.

Here. Hold this light.

Maybe I can stop this thing.

If you're in a hurry, I've got the keys.

I'll have that gun, please.

Who are you?

The better question is, do you wish to

ride with me or with the police?

You have very little

time to decide, Mr. Kane.

Get it. You're not going to get it. You're not going to get it. You're not going to get it. You're not going to get it. Get it.

You drive with the

lady, I'll ride in the back.

Can I have the key?

In time, my friend. In time.

Take the second road on the left.

I'll take the key again. Turn off the light.

Good night. This way, if you please.

Just go right in.

Please.

Sit down. Sit down.

What's your angle?

Max and coffee.

I'd like some information.

Who are you?

My name is Massey.

I make a poor living selling flowers.

Attention, attention.

I'm not important.

I'm wondering if you can pay for it.

If you don't pay for it.

One million, please.

One million, please.

One million the other reward.

Now it's time for a talk.

So that's what you're after.

The reward?

You owe birth a lot of

money to a poor man like me.

What happened, doctor?

Why should I tell you?

I know you wanted for murder.

You tried to steal my truck.

I helped you before.

Perhaps I can help you again.

If you answer a few questions.

If not, now what happened?

We went out for the evening.

We came back to my suite for a drink.

The liquor was drugged.

And when we came to,

Kennedy was on the floor dead.

They tried to pin it on me.

Then? Who?

Seraldi and Travers on a cot.

A man by the name of

Sparazzo came in later.

Sparazzo.

You remember that, Mr. Kane, tonight?

Yes.

But you've known

Sparazzo for a long time.

Only around the casino.

I don't know why that

should interest you.

I would like to think--

I'll worry about her.

Of course.

How are you going to wait?

Nick gave everybody another drink.

Oh, very clever, Mr. Kane.

Well, now that you know

what he's going to do about it.

What are you planning?

Try to run for it.

The border's only a few miles away.

Yes, but the minute we show him our

passports, we're done.

You stay in San Paulo.

Oh, Nick, you can't.

The trouble started here,

and I'm going to finish it.

Yeah, but you-- you

want some information?

A place where you can hide.

There are some old ruins called Altoloma.

Yes, yes, I know. I've been up there.

Maybe you're safe there.

But who needs some other

clothes, huh? Both of you.

That must be it.

It's a fantastic place.

There was an earthquake

there about 100 years ago.

People just moved out and built

themselves a new village.

And everyone back.

I'll park off the road, right under those trees.

(TRAIN WHISTLE BLOWING)

(TRAIN WHISTLE BLOWING)

I guess this spot is as good as any.

(TRAIN WHISTLE BLOWING)

Nick, I want to tell you something.

About your job.

You know what it was.

All I know is that you

wouldn't talk about it.

Oh, I wanted to last

night. Nick, honestly, I did.

But I didn't want to spoil the evening.

Last night I lost all my money.

I asked for credit, and I lost that, too.

So I went to see Sperazzo.

Well, I figured he came into it.

He said you were a big draw, but you

meant great business for the casino.

He thought you were... interested in me.

I tried to keep you on San Paulo.

So you hired out the

Sperazzo for the job.

I didn't think it was so

bad then, but now I'm ashamed.

I'll buy that. Relax.

Thanks.

You better save your

thanks. Your job is finished.

But you're still stuck with me.

What are we going to do?

You're going to stay here

while I go back to San Paulo.

Well, Nick, you can't do that. We've got

to get away from here as fast as we can.

No, we try to run where finished.

We've got only one chance to be in the

clear when the showdown comes.

And that's to find out

who did kill Kennedy.

And there's only one place to find out.

San Paulo.

Did you know Kennedy?

No.

Ever seen him before?

Once or twice at the

casino with a woman named...

Ambly.

Nick, I saw her with Sperazzo, too.

I'd better try to see her myself.

Do you know where she lives?

No, but you can't go now.

I'll wait until it gets dark.

Maybe Massine will know.

(Music)

Don't worry. I'll be back soon.

(Door closes)

(Music)

(Speaking Italian)

(Music)

(Knocking)

(Music)

Glad you're still alive.

So am I.

You had some food, eh?

No, thanks.

I haven't just heard the police report.

Haven't they increased the reward yet?

Not yet.

There are some people not

waiting for it to be increased.

The police.

They're searching for you all over the city.

The girl, still that's the Loma?

She's still there.

Not so sure about her.

I told you not to worry about her.

What I want to find out is where a woman

by the name of Ambly lives.

Ambly.

(Music)

Ambly Claudette, via the Rosa 116.

160, yeah.

Going there now?

Yes.

Why?

Oh, just try to keep

an eye on my property.

Meaning me?

My truck. Mr. King.

There it is, 116.

There's no light on, but there may be somebody here.

I'll risk it. What are you going to do?

Oh, I'll drive around till you come out.

Okay.

(Knocking)

You should forget that fool, Speratza.

You showed no taste in men.

First there was Captain Ambly.

He doesn't count.

He married me when I wasn't looking.

And then when he wasn't

looking, I divorced him.

You have a must-inviting smile.

The invitation's often accepted.

Coming to the casino?

Soon as I change, darling.

But you turned off

this light before we left.

No, I usually leave it on.

On the window?

I'll open. You wait till I change.

I'd like to, but I must send some cables.

More business and money.

Yes. A fortune. Millions.

Nobody can stop me now, except stupid

people like Speratza and Geroldi.

They're angry because of this nickname.

Speratza must get rid of him quickly.

Until later.

He was stupid to leave the

lights on, Mrs. Speratza.

Eric noticed.

I'm afraid he's suspicious, darling.

He must get rid of that Nick Kane.

It means millions

that you will now spend.

I don't feel like talking either.

Come sit with me, Frankie.

Light?

Don't scream for help. I won't need it.

Neither will I.

You're Nick Kane.

That's right, Miss Amly.

How did you know my name?

I heard a lot about you.

I heard that you were

very dangerous and lovely.

At least half of it's true.

You are lovely.

For a dangerous man, you're very

attractive yourself.

That's all very nice, but I

haven't got time to spare.

Not even with me?

I'd forgotten. The police are after you.

That's why I'm here. Now tell me who

killed Kennedy and why.

It was all his own fault.

Kennedy got in the way and then...

Go on.

I'd like a cigarette.

Help yourself. But keep talking.

I forgot to put it back.

Good day.

Good day. Good day.

Eric noticed the light.

The police will be here at any moment.

They'll have quite a party.

Sorry I have to run now, but don't you

scream until I get out.

I never scream. I swoon.

That way I avoid all questions.

Thanks for the break.

It's customary to be

kind to the condemned man.

You won't get far.

Excuse me while I think.

[ 30's music ]

[ Spanish]

♪ (dramatic music)

(speaking in Italian)

♪ (dramatic music)

(footsteps)

♪ (dramatic music)

(gunshots) ♪ (dramatic music)

(gunshots)

(whistle)

(whistle)

(whistle)

♪ (dramatic music)

- Why didn't you show up sooner?

- There was too much

excitement around here.

Did you see Miss Ambring?

- That's what caused the excitement.

She came home with one of her boyfriends.

Ever seen him before?

- No, who is he?

- She called him Eric.

He was sore because

Sparazzo didn't get rid of me.

He was talking big about minions.

For my money, Sparazzo's boss.

- Eric.

A German?

- Yes, and I want to see him again.

- Well, his picture

was made in San Paolo.

I see the photographer in the morning.

- It's morning now.

Let's go.

(door opens)

(door closes)

(door closes)

(footsteps)

(footsteps)

(doorbell rings)

(doorbell rings)

(speaking Italian)

(speaking Italian)

- Let us in, we want to talk to you.

- American!

- Oh, Americans!

It explains everything evil.

Photographs it for in the morning.

- Come in.

- Come in.

- Come in.

(chuckles) Oh, that's good.

That's very good.

I'm always happy to see Americans.

Your face, it seems familiar.

(chuckles)

Maybe it is because in war, you know,

I take thousands, maybe

hundreds of pictures of GI Joes

for only twice the normal price.

(speaking Italian)

It's my wife.

You disturb her, but

don't let her disturb you.

Please take a pause.

- We don't want any pictures.

- Nobody wants pictures

now unless he gets married

and how many times does a man marry?

(speaking Italian)

He marries once and

that is twice too much.

- You know this man?

- That's a bad picture.

- Hmm, bad work.

- You made it.

- Ah, it is not possible.

- Oh yes, it is possible.

Why do you wish to know this man?

Are you police?

- No, he stole this man's wife.

- Oh!

(speaking Italian)

- Nobody steals my wife.

You were lucky.

Are you looking the right foot?

(speaking Italian)

- Ah, sissy, yeah?

Good, it's Mr. Mueller, Eric Mueller.

- Eric Mueller?

- Yeah, German, five months

ago, hotel, hotel, continental.

- You think he still lives there?

- Who knows, I know, sir.

(chuckles)

(siren wailing)

(siren wailing)

(dog barking)

(dog barking)

(dog barking)

(dog barking)

- Hey, hey, take it easy.

- Oh, no, no.

I was so scared.

I heard something.

I thought somebody was--

- Did you see someone?

- No, no, I didn't, but I thought--

I'm all right now.

- I don't blame you.

This is enough to scare anybody.

Come on, I'll take you

someplace and sit down.

Sprozza and Soraldi are working for a man

by the name of Mueller.

Massine's trying to

find out where he stays.

- And if he does?

- And Mueller's gonna have company.

- Nick, don't go back in daylight.

It's too dangerous.

- I got to.

I'm just beginning to get somewhere.

- He's all right.

- Don't be.

He'll be all right.

I'll be back by noon.

That's a promise.

- I'm not talking about myself.

I'm afraid for you.

(knocking)

- Are you messing with cousin?

- That's right.

- I got something for you.

- Thanks.

- Move over.

I got your message. What's up?

I found Miller. He's in

there in a casino with Sparetsa.

Swiss passport registered in Geneva.

That's all I found out.

But I gotta find out more.

Damn, man. Ran in town.

No.

[MUSIC PLAYING]

Now, why should Miller and

Sparetsa go to such a place?

I'm going in to find out.

It wouldn't be worse.

I don't have time to be wise.

It's your life.

I know. So don't go away.

I may want to leave in a hurry.

I'll be here. Okay.

Yes?

Ask for Nina.

Nina? Who's she?

My cousin.

Thanks.

[MUSIC PLAYING]

Here.

Hello.

You like to dance?

About tonight.

I'm not here every night.

You're so lucky.

You drink alone?

A bottle of champagne for the lady.

She's my favorite drink. How do you know?

I just guessed it.

You don't like blondes, do you?

Not unless your name is Nina.

Nina? That one.

Perhaps I can make you

forget Nina very quickly.

Maybe some other time.

[MUSIC PLAYING]

Pardon me?

For nobody else, if you don't need her.

I am. You're a disappointed.

Not with you.

I'm surprised that

Masine has such a pretty...

cousin.

Cousin?

Look.

I'll need it.

What do you want here?

Sparazzo came in with another man.

Upstairs.

How do I get up there?

You had anything to sell?

Ah, that one too.

Use the door.

Go upstairs.

Lock the first door on your left.

Nina will answer you.

Show him your ring.

And now we must quarrel.

Quarrel?

So that if anything happens...

So you're in the clear, eh?

Maybe sometime I see you, Nina Quarrel.

Maybe.

What do you think I am, and nothing?

You'll come here.

You'll make like you wish to be with me.

But all you want to do

is to stay up, stay up.

Ah, I'm a lucky baby if I

get a drink from you now.

You're a waste of my time. Goodbye.

(DOOR CLOSES)

What about McCain, you stupid fool?

I'm tired of being called a fool.

You'll be called a fool as long as you

are one, please, gentlemen, please.

If we lose our

tempers, we lose everything.

I'm not sure.

I wouldn't say that.

It's true that McCain is still free.

But there's one important

thing that you both forget.

You tell me what's important.

I know.

And I know that you two

are not important to me.

I don't need you at all.

Perhaps not.

Perhaps.

You could have done

nothing here without us.

Nobody could do

anything without the equipment.

And whose is it?

Mine.

Who found it?

I did.

It's been put to good use here.

Yes.

And then you wrecked a perfect situation.

You had Kennedy killed.

Why not? He was a danger to our man.

He was an American agent.

And for the man to be accused of

Kennedy's murder, you

choose McCain, another man.

Because McCain is a famous gambler.

And everybody thinks of an American

gambler as a gangster, even a murderer.

Perhaps.

But the name of McCain draws attention.

Attention we do not want.

You got rid of test stories safely.

Why didn't you dispose of

Kennedy in the same way?

We couldn't.

And for this case,

McCain was the perfect choice.

The perfect choice.

In two days, some power will be swarming

with American agents.

Before that happens, we must establish a

new base of operations.

What do you want?

Money.

Hey, send me up from downstairs.

Come in.

You want to sell this ring?

That's what I'm here for.

Go over until the light work and see you.

(DOOR OPENS)

How much?

400,000 lira.

100,000.

No sale.

Come back when you're hungry.

Taking a look around?

(WHISTLES)

- Hiya, Joe. - Hello, Joe.

Shh.

Want to do me a favor?

Alta Loma, you know where it is?

There's a girl up there.

Remember the girl at the hotel?

(WHISTLES)

Yeah, that's right.

You go up there and tell her

to wait there until I come.

- She stay at Yuca. - That's right.

Yeah.

And you stay up there

with her until I get there.

I'll give you the other

half when I see you up there.

Uh, wait a minute.

I might as well give you the rest of it.

If I can't trust you,

I can't trust anyone.

- Here. - Okay, Joe.

Okay.

- So long, Joe. - So long, Joe.

pulley crackling)

The

[music]

- Hello. - Hello.

- [speaking French] - Joe. Who's Joe?

[whistles] Oh, you mean Nick, Nick Kane?

He say you stay in camp.

When?

But he said he'd be back by noon.

What was he doing?

- Correva. - Correva?

Si, Correve.

Oh, he was running.

Were they chasing him? Was he alone?

Do you know Massine the florist?

He lives someplace in the

old town. I must see him.

You'll stay.

Nick's in trouble.

I've got to see Massine.

Can't you understand?

I have to see Massine.

Please.

Joe say you stay.

All right. I'll find him myself.

You go.

Something like me.

[music]

- Excuse me. - What have you got?

[music]

Get in there.

All right, cousin. Now talk.

Don't be careful, kid.

I'm tired of being careful.

Put away that gun if you'll ever shoot

somebody, you're finished.

You said you'd wait for me.

Sporaz and his friends

came out, so I followed them.

I thought it was more important.

What's on your mind?

You told me you were a poor man.

I've got to look at my place.

What about this?

That talks for itself. Have

a good look at it, my friend.

Do you know what branch of the treasury

Mr. Kennedy belonged to?

The Secret Service.

- You mean this is counterfeit? - Yeah.

- You're a government

man. - Yes, tell it.

Were you working with Kennedy?

No.

But the man before me was...

Testori? How did you know?

I heard Mueller say they got rid of him.

Mueller, huh?

And he is our man.

This is no ordinary counterfeit ring.

I've been following them for five years,

so it's every government

in Europe, including yours.

They got Hitler plates.

Hitler plates? Yes, the Germans had the idea of flooding

their enemies' countries with perfectly

counterfeit currencies.

The Allies had the same

idea, so both sides dropped it.

But then the Allied

troops marched into Berlin.

The Hitler plates had disappeared.

- They're going to

disappear again. - What?

I heard Mueller say they were going to

move him before the

American agents get here.

Then he must have gone straight to the

place where they're working,

the place where I lost him.

Show me where. I'm going to pit a

murder-wrap where it belongs. Come on.

(SIREN WAILING)

You are right into the cliff.

The one called Hunt's.

Let's see how he did it.

He must leave to a cave.

No, my friend.

The prison.

They must be working there now.

They're two of these

three dungeons underneath.

They're never used now.

I said you'd be worth a

lot to a poor man like me.

Come.

No! No, no!

I told you to stay at

Altoloma. What happened?

It's all right. He's a friend.

Miss Wang really left

Altoloma. She's been arrested.

But I told you to stay there

with her. Not to let her go.

She was in prison. That's

where we are going. Soon.

Keep it. You did your best, kid.

Okay.

All right.

You go home.

I'll pack those personally.

As you wish? I have the one little girl.

- I can. She'll tell us where he is. -

You see, I told you there

was nothing to worry about.

Anyway, I'm gonna get

out of here before morning.

I don't want to pay for your mistakes.

Well, surely, what are you waiting for?

Find out where Kate is. Make her talk.

Right away.

I've told you, Mom, I know

I can't tell you anymore.

- Ah! - Yes, dear!

Leave nothing alone! Pick

out some on your own side!

- Get back out of, honey! - Hey, matron,

you bag of fat letter alone,

or I change her face.

- Hurry up. - Answer me.

Why should I? They

wouldn't let me make a statement.

Never mind about that.

Where has this nick came?

How can I tell you what I don't know?

Don't lie. You know where he is.

I don't!

Where is he now?

- Tell me. - I don't know.

- No! - No!

It's a prison now, but 400 years ago,

it was a fortified castle,

like all sorts of places.

It had secret exits for

use in time of danger.

There are three of them.

- This is the one we are interested in. -

It leads to the

tonsils beneath the prison.

That's where we go in. Take a minute in

there now. Open the door.

But your credentials will let you ride

through the prison gate.

I know, but we'll lose time and the

element of surprise.

Have your mind watching the

gates and those two exits.

- Right. - Sees anyone coming out.

Where do they keep the

women prisoners, Captain?

On the first level, but Gerardi put Miss

Wonderly on the top floor

where they keep on Rulli prisoners.

- How do you get up there? - There's only

one way from the dungeons,

the old spiral staircase.

- Thanks. - Thank you, Captain.

Keep walking.

- Step on it. - She won't go in fast.

- Relax, quickly. - I can't.

- And I'll be over in an hour. - Yes, but

what can happen to Kay in an hour?

Hiya, John.

What are you doing here? This is no place

for you. Get out of here.

- I help you. - You're not

big enough. You'll get hurt.

Come on, get out.

I help you.

Get up on that road and

get going. Go on, beat it.

Come on.

- Everything is ready. - Give me 15

minutes to locate a

dungeon they're using.

Then come in. Leave four men here.

15 minutes.

How about now? Start taking those out.

That is the furture, or dome.

There was this arranging for a plane. It

should be here soon.

Give me a hand with the box.

I'm going to try and find Kate. What's

the matter, did you hurt your leg?

It's going to be all right. Bye.

[Music]

Sit down.

Don't you think it would be better if you

changed your mind and talked?

[Music]

Let me alone, I can't.

I'll let you alone as soon as you tell me

what we want to know.

Stop it. She's had enough.

Let her be. She's had enough.

I'm a patient man, Miss McPhee.

But my patience is running short.

It would be a pity if some of this spit

on your eyes would be...

Stop it, Charlie.

Well, stop talking.

The matron forgot to

lock the door, Charlie.

[Music]

Good. Have our time too.

I'm so glad you can't.

You'll be all right now, okay?

Come on in.

Okay. Open that door.

Yeah. Give it to us.

Get in there.

You heard what I said. Get in there.

Welcome to the Ritz duchess.

Come on.

Stand there. I'll be right back.

Don't go.

I'll be right back.

[Gunshot]

They were entering the tunnel.

They're following us.

[Gunshots]

I'll go this way. Okay.

[Gunshots]

Nick!

[Gunshot]

Where's Massine?

Massine.

I'll see you next time.

I'm going toribuss.

Good day, sh

That's what I wanted to talk

to you about on the way home.

Home?

Yeah.

The States.

Hi, Agent.

I see a meagre.

And my friend.

Come here.

Yes. Come here.

What do you mean, goodbye?

Al, stick together.

Is it okay if I take my pal alone?

Okay, Joe.