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These are the user uploaded subtitles that are being translated: 1 00:00:08,275 --> 00:00:11,210 CAPTIONING MADE POSSIBLE BY WARNER BROS. 2 00:01:38,699 --> 00:01:41,700 [♪ Band swing music ] 3 00:03:11,458 --> 00:03:12,658 IS THAT MARTY? 4 00:03:12,693 --> 00:03:13,725 MARTY. 5 00:03:13,761 --> 00:03:15,594 MARTY, DON'T GET SORE, MARTY. 6 00:03:15,629 --> 00:03:16,828 WHO'S SORE? 7 00:03:16,864 --> 00:03:17,863 WHEN GEORGIE TELLS ME 8 00:03:17,898 --> 00:03:19,631 WHO'S SORE? 9 00:03:19,667 --> 00:03:21,133 NATURALLY, I WANT TO HEAR WHY. 10 00:03:21,168 --> 00:03:24,303 BECAUSE I'M TIRED OF BEING MILKED LIKE A COW EVERY WEEK. 11 00:03:24,338 --> 00:03:26,371 WHY CAN'T I PAY YOU OFF ONCE AND FOR ALL? 12 00:03:26,407 --> 00:03:27,873 CUT THAT OUT, ORRY. 13 00:03:27,908 --> 00:03:29,041 I RUN A LEGITIMATE LAUNDRY. 14 00:03:29,076 --> 00:03:30,175 WHAT LAUNDRY TELLS YOU 15 00:03:30,211 --> 00:03:32,177 I RUN A LEGITIMATE LAUNDRY. 16 00:03:32,213 --> 00:03:34,179 MY LAUNDRY. IT'S OUR POLICY. 17 00:03:34,215 --> 00:03:35,781 WE WANT OUR CUSTOMERS SHOULD BE CLEAN. 18 00:03:35,816 --> 00:03:37,516 BUT WHO NEEDS SO MANY TABLECLOTHS? 19 00:03:37,551 --> 00:03:39,318 WHO COMES INTO A PLACE LIKE THIS TO EAT? 20 00:03:39,353 --> 00:03:41,119 EVERY CUSTOMER HAS A QUOTA. 21 00:03:41,155 --> 00:03:42,588 OTHERWISE, YOU WOULDN'T PAY ME. 22 00:03:42,623 --> 00:03:44,056 MR. ORRY. 23 00:03:49,763 --> 00:03:50,762 Man: MR. ORRY. 24 00:03:50,798 --> 00:03:52,297 THAT'S ALL RIGHT. 25 00:03:52,333 --> 00:03:54,766 THAT'S ALL RIGHT. 26 00:03:54,802 --> 00:03:56,301 OH, IT'S YOU AGAIN. 27 00:03:56,337 --> 00:03:58,403 SHE BROKE MY LEG. I'M GONNA SUE THIS JOINT. 28 00:03:58,439 --> 00:03:59,504 MY DEAR MAN, 29 00:03:59,540 --> 00:04:01,707 SHE BROKE MY LEG. I'M GONNA SUE THIS JOINT. 30 00:04:01,742 --> 00:04:03,408 ACCIDENT, NOTHING. SHE KICKED ME ON PURPOSE. 31 00:04:03,444 --> 00:04:04,409 IMPOSSIBLE. 32 00:04:04,445 --> 00:04:05,410 I CAN EXPLAIN EVERYTHING. 33 00:04:05,446 --> 00:04:06,612 DID YOU OR DID YOU NOT 34 00:04:06,647 --> 00:04:07,813 DELIBERATELY KICK THIS CUSTOMER? 35 00:04:07,848 --> 00:04:08,880 YES, I DID, 36 00:04:08,916 --> 00:04:10,582 BUT I WARNED HIM. I WARNED HIM 3 TIMES. 37 00:04:10,618 --> 00:04:11,717 YOU'RE FIRED. 38 00:04:11,752 --> 00:04:13,151 BUT THAT'S NOT FAIR. HE'S THE ONE THAT WAS WRONG. 39 00:04:13,187 --> 00:04:14,152 IT WASN'T MY FAULT. 40 00:04:14,188 --> 00:04:15,821 HE'S GOT 10 CENTS FOR A DANCE. 41 00:04:15,856 --> 00:04:16,888 HE CAN'T BE WRONG. 42 00:04:16,924 --> 00:04:19,091 HE'S GOT 10 CENTS FOR A DANCE. 43 00:04:19,126 --> 00:04:20,559 THE NEXT DANCE IS ON THE HOUSE. 44 00:04:20,594 --> 00:04:21,727 ENJOY YOURSELF, 45 00:04:21,762 --> 00:04:24,529 BUT BE CAREFUL THE WAY YOU DANCE. 46 00:04:24,565 --> 00:04:26,265 GET HIM A GIRL. 47 00:04:34,441 --> 00:04:36,475 MARTY, YOU GOT TO UNDERSTAND MY ANGLE. 48 00:04:36,510 --> 00:04:38,944 NOW, BUSINESS HASN'T BEEN SO-- 49 00:04:43,117 --> 00:04:45,250 NOT BAD, HUH? 50 00:04:45,286 --> 00:04:46,852 I COULD FIX IT UP FOR YOU. 51 00:04:46,887 --> 00:04:48,120 SHE'S ONE OF THOSE STAGESTRUCK ONES. 52 00:04:48,155 --> 00:04:49,388 YOU KNOW THE TYPE. 53 00:04:50,457 --> 00:04:52,624 TOO BAD, KID. 54 00:04:52,660 --> 00:04:55,227 YOU GONNA PAY UP, ORRY... 55 00:04:55,262 --> 00:04:59,231 OR YOU WANT WE SHOULD SUSPEND OUR SERVICE? 56 00:05:01,602 --> 00:05:03,935 WHAT'D YOU HAVE TO GO AND MAKE A FUSS FOR? 57 00:05:03,971 --> 00:05:06,171 WHY SHOULD I LET THAT BIG APE PAW ME? 58 00:05:06,206 --> 00:05:07,839 IT'S NATURAL. THEY ALL DO IT. 59 00:05:07,875 --> 00:05:09,541 NOT TO ME, THEY DON'T. 60 00:05:09,576 --> 00:05:11,043 OH, YEAH, I FORGOT. YOU'RE DIFFERENT. 61 00:05:11,078 --> 00:05:12,444 YOU'RE GOING PLACES. 62 00:05:12,479 --> 00:05:13,912 THAT'S RIGHT. 63 00:05:13,947 --> 00:05:15,147 WELL, GET WISE TO YOURSELF, DUCHESS. 64 00:05:15,182 --> 00:05:16,515 YOU'RE NOT GOING ANYPLACE. 65 00:05:16,550 --> 00:05:19,217 NOT UNTIL YOU STOP HOLLERING, "HANDS OFF." 66 00:05:19,253 --> 00:05:21,186 I'LL STOP HOLLERING WHEN I WANT TO, 67 00:05:21,221 --> 00:05:24,156 NOT BECAUSE THE CUSTOMER'S ALWAYS RIGHT. 68 00:05:29,830 --> 00:05:32,764 HAVE YOU HAD A GOOD LOOK? 69 00:05:35,269 --> 00:05:37,736 I UNDERSTAND YOU WANT TO GO ON THE STAGE. 70 00:05:37,771 --> 00:05:38,937 MAYBE I CAN HELP YOU. 71 00:05:38,972 --> 00:05:41,106 YOU GET OUT OF HERE, OR I'LL CALL THE MANAGER. 72 00:05:41,141 --> 00:05:43,075 THIS HAPPENS TO BE A PRIVATE DRESSING ROOM. 73 00:05:43,110 --> 00:05:44,810 PRIVATE FOR EMPLOYEES, 74 00:05:44,845 --> 00:05:47,179 WHICH YOU ARE NOT NO LONGER. 75 00:05:47,214 --> 00:05:49,915 WELL, YOU WANT ME TO HELP YOU GO ON THE STAGE? 76 00:05:49,950 --> 00:05:51,183 WHY DON'T YOU BUY A TICKET 77 00:05:51,218 --> 00:05:54,519 AND TRY YOUR LINE ON ONE OF THE EMPLOYEES? 78 00:05:54,555 --> 00:05:56,054 THAT IS, IF YOU HAVE 10 CENTS. 79 00:05:56,090 --> 00:05:57,622 IF HE HAS 10 CENTS? 80 00:05:57,658 --> 00:05:58,557 HE'S THE OWNER OF THE BIGGEST 81 00:05:58,592 --> 00:06:00,058 NIGHTCLUB LAUNDRY IN CHICAGO-- 82 00:06:00,094 --> 00:06:01,927 8 TRUCKS, A PAYROLL OF 43. 83 00:06:01,962 --> 00:06:03,695 NO KIDDING. I KNOW EVERYBODY IN THE BUSINESS. 84 00:06:03,731 --> 00:06:04,730 THEY'RE ALL MY CUSTOMERS. 85 00:06:06,400 --> 00:06:08,333 SHUT UP! 86 00:06:08,369 --> 00:06:11,169 WHAT ARE YOU BUTTING IN FOR? I CAN'T TALK? 87 00:06:11,205 --> 00:06:12,838 I'LL GIVE YOU ONE OF MY OWN PERSONAL CARDS. 88 00:06:14,475 --> 00:06:15,607 WHY SHOULD YOU? 89 00:06:15,642 --> 00:06:17,309 WHY NOT? 90 00:06:17,344 --> 00:06:19,578 I LIKE TO HELP A GIRL WHEN I CAN, 91 00:06:19,613 --> 00:06:21,880 AND YOU GOT A VERY EXCELLENT PERSONALITY. 92 00:06:21,915 --> 00:06:23,348 I CAN SEE THAT. 93 00:06:23,384 --> 00:06:25,016 ALL I GOT TO DO IS WRITE SOMETHING ON MY CARD, 94 00:06:25,052 --> 00:06:26,318 AND THEY'LL PUT YOU TO WORK. 95 00:06:27,755 --> 00:06:30,122 OH, UH, I MUST'VE LEFT THEM OUT IN MY CAR. 96 00:06:30,157 --> 00:06:33,358 UH, MEET ME OUTSIDE, AND I'LL-- 97 00:06:33,394 --> 00:06:35,360 NOW WHAT'S THE MATTER? 98 00:06:35,396 --> 00:06:38,597 I'M NOT GETTING INTO ANY CAR WITH YOU. 99 00:06:38,632 --> 00:06:39,931 WHO SAID YOU SHOULD? 100 00:06:39,967 --> 00:06:41,066 WHO INVITED YOU? 101 00:06:41,101 --> 00:06:42,401 I SAID MEET ME AT THE CAR. 102 00:06:42,436 --> 00:06:44,803 YOU DOPE. HE'S TRYING TO GIVE YOU A BREAK. 103 00:06:44,838 --> 00:06:45,804 TAKE ADVANTAGE. 104 00:06:45,839 --> 00:06:46,805 OR DON'T. 105 00:06:46,840 --> 00:06:48,240 IF YOU WANT IT, OK. 106 00:06:48,275 --> 00:06:49,841 IF NOT, NOT. 107 00:07:05,893 --> 00:07:06,792 Marty: COME ON, CLAIRE, GET OUT. 108 00:07:09,329 --> 00:07:11,029 HERE. BUY YOURSELF A HORSE AND BUGGY, 109 00:07:11,064 --> 00:07:12,030 ONLY, BEAT IT. 110 00:07:12,065 --> 00:07:13,465 OH, MARTY, WHAT'S THE MATTER? 111 00:07:13,500 --> 00:07:15,100 YOU INVITE ME OUT FOR A PLEASANT EVENING, 112 00:07:15,135 --> 00:07:16,401 I WAIT WHO KNOWS HOW LONG-- 113 00:07:16,437 --> 00:07:20,372 SO I CHANGED MY MIND. GO ON, BLOW. 114 00:07:21,475 --> 00:07:22,641 GETTING AWFUL BEAT UP, THAT CLAIRE-- 115 00:07:22,676 --> 00:07:23,875 BEEN AROUND TOO LONG. 116 00:07:23,911 --> 00:07:24,843 MARTY. 117 00:07:27,247 --> 00:07:28,246 [SIGHS] 118 00:07:28,282 --> 00:07:29,714 HIYA, BABY. 119 00:07:35,689 --> 00:07:36,655 HONEY, I'D LIKE TO-- 120 00:07:36,690 --> 00:07:38,123 UP AN ALLEY. 121 00:07:41,295 --> 00:07:42,727 WHAT'S YOUR NAME? 122 00:07:44,064 --> 00:07:45,030 RUTH ETTING. 123 00:07:45,065 --> 00:07:46,865 HERE. TAKE THIS OVER TO THE CIRCLE. 124 00:07:46,900 --> 00:07:47,933 YOU KNOW WHERE IT IS? 125 00:07:47,968 --> 00:07:49,935 HERE. TAKE THIS OVER TO THE CIRCLE. 126 00:07:49,970 --> 00:07:51,436 GO ON, TAKE IT. 127 00:07:53,040 --> 00:07:55,607 CAN I GIVE YOU A LIFT SOMEPLACE? 128 00:07:55,642 --> 00:07:57,409 OH, I'M JUST TRYING TO BE AGREEABLE. 129 00:07:57,444 --> 00:07:59,244 DON'T DO ME NO FAVORS. 130 00:07:59,279 --> 00:08:00,979 DO YOU WANT THE CARD BACK? 131 00:08:01,014 --> 00:08:02,581 AH, KEEP IT. 132 00:08:02,616 --> 00:08:05,050 USE IT IN GOOD HEALTH. 133 00:08:06,386 --> 00:08:08,954 YOU WANT TO KNOW WHAT'S YOUR TROUBLE, GIRLIE? 134 00:08:08,989 --> 00:08:12,958 YOU AIN'T GOT NO FAITH IN HUMAN NATURE. 135 00:08:17,664 --> 00:08:19,431 THAT'S ALL? 136 00:08:19,466 --> 00:08:21,867 SHE'S OBLIGATED, AIN'T SHE? 137 00:08:21,902 --> 00:08:23,201 SO WHAT ARE YOU SITTIN'? 138 00:08:23,237 --> 00:08:25,337 MAYBE WE CAN CATCH UP WITH CLAIRE. 139 00:08:25,372 --> 00:08:28,907 SO SHE'S GOT A LOT OF MILEAGE ON HER. 140 00:09:23,363 --> 00:09:24,796 Dancers: AAH! 141 00:09:30,237 --> 00:09:32,170 [APPLAUSE] 142 00:09:35,442 --> 00:09:37,609 ♪ TO QUOTE WILLIE SHAKESPEARE ♪ 143 00:09:37,644 --> 00:09:39,644 ♪ PLEASE LEND ME YOUR EAR 144 00:09:39,680 --> 00:09:41,713 ♪ MY INTRODUCTION IS DONE WITH PRIDE ♪ 145 00:09:41,748 --> 00:09:43,915 ♪ THIS ACT IS KNOWN BOTH FAR AND WIDE ♪ 146 00:09:43,951 --> 00:09:45,817 ♪ HIS IMITATIONS ARE ALL THE GO ♪ 147 00:09:45,852 --> 00:09:48,353 ♪ SO HERE HE IS, THE STAR OF OUR SHOW ♪ 148 00:09:48,388 --> 00:09:49,588 EDDIE FULTON. 149 00:09:49,623 --> 00:09:51,690 [APPLAUSE] 150 00:09:51,725 --> 00:09:54,593 ♪ I'M SITTIN' ON TOP OF THE WORLD ♪ 151 00:09:54,628 --> 00:09:56,661 ♪ JUST ROLLIN' ALONG 152 00:09:56,697 --> 00:09:59,331 ♪ JUST ROLLIN' ALONG 153 00:09:59,366 --> 00:10:02,167 ♪ I'M QUITTIN' THE BLUES OF THE WORLD ♪ 154 00:10:02,202 --> 00:10:03,168 ♪ JUST SINGIN' A SONG 155 00:10:03,203 --> 00:10:04,369 Woman: THANKS, KID. 156 00:10:04,404 --> 00:10:05,937 ♪ JUST SINGIN' A SONG ♪ 157 00:10:05,973 --> 00:10:09,074 ♪ GLORY, HALLELUJAH, I'M JUST FALLIN' APART... ♪ 158 00:10:09,109 --> 00:10:10,909 ONLY ONE CHORUS IN THE NEXT NUMBER, GIRLS. 159 00:10:10,944 --> 00:10:11,910 WE'RE RUNNING LATE. 160 00:10:11,945 --> 00:10:13,311 HOORAY FOR JOHNNY ALDERMAN, 161 00:10:13,347 --> 00:10:14,613 THE PEOPLE'S FRIEND. 162 00:10:14,648 --> 00:10:16,881 HEY, DEAL ME IN. 163 00:10:16,917 --> 00:10:18,683 YOU TAKING IN LAUNDRY? 164 00:10:18,719 --> 00:10:20,218 I GOT A SACKFUL OF SOCKS. 165 00:10:20,253 --> 00:10:22,020 I WISH I HAD. 166 00:10:22,055 --> 00:10:23,888 THESE HAVE TO LAST TILL PAYDAY. 167 00:10:23,924 --> 00:10:25,824 THE POINT IS, CAN YOU LAST TILL PAYDAY? 168 00:10:25,859 --> 00:10:29,094 I GET TIRED JUST WATCHING YOU OUT THERE. 169 00:10:29,129 --> 00:10:31,262 I MUST BE SOMETHING TO WATCH. 170 00:10:31,298 --> 00:10:32,998 I'M JUST NOT A DANCER, THAT'S ALL. 171 00:10:33,033 --> 00:10:35,433 OH. IT SEEMS ODD YOU'D WANT A JOB DANCING, THEN. 172 00:10:35,469 --> 00:10:37,669 I DIDN'T. THEY MADE A MISTAKE. 173 00:10:37,704 --> 00:10:38,637 I'M A SINGER. 174 00:10:39,740 --> 00:10:41,272 OH? 175 00:10:41,308 --> 00:10:42,407 YOU HAD MUCH EXPERIENCE? 176 00:10:42,442 --> 00:10:43,675 [LAUGHS] 177 00:10:43,710 --> 00:10:45,410 NONE...SO FAR. 178 00:10:45,445 --> 00:10:46,478 I'M JUST STARTING. 179 00:10:48,615 --> 00:10:49,948 YOU GOING ABOUT IT THE RIGHT WAY? 180 00:10:51,385 --> 00:10:52,484 WHAT DO YOU MEAN? 181 00:10:52,519 --> 00:10:54,519 IF SOMEBODY GIVES ME A CHANCE TO SING, I'LL SING. 182 00:10:54,554 --> 00:10:56,254 WELL, I'VE SEEN A LOT OF SINGERS FAIL 183 00:10:56,289 --> 00:10:58,757 BECAUSE THEY--WELL, THEY GET OFF TO A BAD START. 184 00:10:58,792 --> 00:11:00,425 RIGHT NOW IS WHEN YOU NEED COACHING, 185 00:11:00,460 --> 00:11:01,960 BEFORE YOU HAVE TIME TO FORM ANY BAD HABITS. 186 00:11:01,995 --> 00:11:03,561 AND YOU NEED SPECIAL MATERIAL, 187 00:11:03,597 --> 00:11:05,363 ARRANGEMENTS TO SHOW OFF WHAT YOU'VE GOT. 188 00:11:05,399 --> 00:11:06,364 OH. 189 00:11:06,400 --> 00:11:08,967 ARRANGEMENTS TO SHOW OFF WHAT YOU'VE GOT. 190 00:11:09,002 --> 00:11:11,069 OH, I'M SERIOUS, ALL RIGHT. 191 00:11:11,104 --> 00:11:13,171 I'M ALSO BROKE. 192 00:11:13,206 --> 00:11:14,205 AND THAT'D TAKE A LOT OF MONEY. 193 00:11:16,209 --> 00:11:17,742 TELL YOU WHAT-- 194 00:11:17,778 --> 00:11:19,244 I MIGHT WORK WITH YOU A LITTLE, IF YOU LIKE, 195 00:11:19,279 --> 00:11:21,279 ODD HOURS AFTER THE SHOW. 196 00:11:21,314 --> 00:11:22,280 WOULD YOU? 197 00:11:22,315 --> 00:11:23,615 OH, THAT WOULD BE WONDERFUL. 198 00:11:23,650 --> 00:11:25,150 IT'D BE A PLEASURE-- 199 00:11:25,185 --> 00:11:27,919 ONE ARTIST TO ANOTHER. 200 00:11:27,954 --> 00:11:29,754 I HAVE A PIANO OVER AT MY PLACE. 201 00:11:29,790 --> 00:11:31,723 IT ISN'T FAR FROM HERE. 202 00:11:31,758 --> 00:11:36,261 WE COULD SQUEEZE IN QUITE A BIT OF TIME. 203 00:11:36,296 --> 00:11:38,963 WOULDN'T THAT BE AN AWFUL LOT OF TROUBLE FOR YOU? 204 00:11:40,400 --> 00:11:41,966 THERE'S SOME TROUBLE A MAN JUST DOESN'T MIND 205 00:11:42,002 --> 00:11:43,468 GETTING INTO. 206 00:11:43,503 --> 00:11:45,303 GET READY, GIRLS-- 5 MINUTES. 207 00:11:45,338 --> 00:11:46,304 JOHNNY... 208 00:11:46,339 --> 00:11:47,372 Woman: FINISH THE HAND. 209 00:11:47,407 --> 00:11:49,007 BETTER GET BACK TO YOUR PIANO, HUH? 210 00:11:49,042 --> 00:11:50,008 GET READY. 211 00:11:50,043 --> 00:11:51,543 Woman: WHY SHOULD I GET READY? 212 00:11:51,578 --> 00:11:53,278 ALDERMAN. 213 00:11:54,948 --> 00:11:56,381 WILL YOU KINDLY USE YOUR HEAD? 214 00:11:56,416 --> 00:11:57,716 THAT ONE BELONGS TO THE GIMP-- 215 00:11:57,751 --> 00:12:00,318 BOUGHT AND PAID FOR. 216 00:12:00,353 --> 00:12:01,352 THE GIMP? 217 00:12:01,388 --> 00:12:04,022 SO DON'T MAKE TROUBLE FOR YOURSELF OR ME. 218 00:12:04,057 --> 00:12:06,324 I GOT A BIG INVESTMENT IN THIS PLACE. 219 00:12:06,359 --> 00:12:07,692 THAT'S FUNNY. 220 00:12:07,728 --> 00:12:09,561 I WOULD'VE SWORN SHE HASN'T BEEN AROUND MUCH. 221 00:12:09,596 --> 00:12:10,729 WELL, MAYBE SHE HASN'T. 222 00:12:10,764 --> 00:12:13,598 WHAT SHE KNOWS THEY LEARN IN THE CRADLE. 223 00:12:13,633 --> 00:12:15,066 Marty: WAIT A MINUTE, FROBISHER. 224 00:12:15,102 --> 00:12:17,068 HEY, ETTING! [WHISTLES] 225 00:12:17,104 --> 00:12:18,069 I'M HERE. 226 00:12:18,105 --> 00:12:19,070 HELLO, MR. SNYDER. 227 00:12:19,106 --> 00:12:20,071 I GOT MY OWN LAUNDRY "A" TRUCKS, 228 00:12:20,107 --> 00:12:21,272 AND SHE DOES HER OWN WASHING. 229 00:12:21,308 --> 00:12:22,273 CUTE, HUH? 230 00:12:22,309 --> 00:12:23,408 [LAUGHS] 231 00:12:23,443 --> 00:12:25,110 WELL, ARE THEY TREATING YOU RIGHT, KID? 232 00:12:25,145 --> 00:12:26,711 OH, THEY'RE WONDERFUL TO ME, MR. SNYDER. 233 00:12:26,747 --> 00:12:28,680 OK, FROBISHER, THANKS. BLOW. 234 00:12:29,950 --> 00:12:31,883 WELL, I DELIVERED, DIDN'T I? 235 00:12:31,918 --> 00:12:33,118 TELL THE TRUTH. 236 00:12:33,153 --> 00:12:34,552 YOU THOUGHT I WAS GIVING YOU THE BUSINESS, DIDN'T YOU? 237 00:12:34,588 --> 00:12:35,553 TELL THE TRUTH. 238 00:12:35,589 --> 00:12:37,055 I'VE GOT TO GO. COME ON, GIRLS. 239 00:12:37,090 --> 00:12:38,223 HEY, FROBISHER. FROBISHER. 240 00:12:38,258 --> 00:12:39,657 THE KID IS STAYING OUT OF THIS ONE. 241 00:12:39,693 --> 00:12:41,893 Frobisher: SURE, SURE. WHATEVER. 242 00:12:41,928 --> 00:12:44,329 Woman: DON'T FORGET, YOU OWE ME 10 CENTS. 243 00:12:44,364 --> 00:12:45,864 NO, REALLY, I BETTER GO. 244 00:12:45,899 --> 00:12:46,865 NO, NO, I-- 245 00:12:46,900 --> 00:12:47,966 HE WON'T MIND. 246 00:12:48,001 --> 00:12:51,302 OH, MR. SNYDER, LET'S NOT... 247 00:12:51,338 --> 00:12:52,771 WELL, THERE IS SOMETHING I WANT TO ASK YOU. 248 00:12:52,806 --> 00:12:53,872 YOU SEE, I'M DANCING-- 249 00:12:53,907 --> 00:12:55,874 AH, THAT'S GREAT-- JUST GREAT. 250 00:12:55,909 --> 00:12:57,976 TELL ME, HAVE YOU EVER BEEN TO FLORIDA? 251 00:12:58,011 --> 00:12:58,943 NO, I HAVEN'T. 252 00:12:59,946 --> 00:13:01,246 OH, YOU'LL BE CRAZY ABOUT IT. 253 00:13:01,281 --> 00:13:03,982 TAKE IT FROM ME--ALL THE GIRLS ARE JUST NUTS ABOUT MIAMI. 254 00:13:04,017 --> 00:13:05,917 BUT MR. FROBISHER PUT ME IN THE CHORUS-- 255 00:13:05,952 --> 00:13:07,452 HE WON'T FIRE YOU. DON'T WORRY. 256 00:13:07,487 --> 00:13:08,620 HE WOULDN'T DARE. 257 00:13:08,655 --> 00:13:09,954 THERE'S THE WORST KIND OF WEATHER UP HERE-- 258 00:13:09,990 --> 00:13:11,189 FREEZING COLD. 259 00:13:11,224 --> 00:13:13,258 IN MIAMI, YOU GO SWIMMING IN THE OCEAN EVERY DAY. 260 00:13:13,293 --> 00:13:14,959 MR. SNYDER, I DON'T WANT TO DANCE. I WANT TO SING. 261 00:13:14,995 --> 00:13:17,328 OH, SINGING, DANCING, WHAT'S THE DIFFERENCE? 262 00:13:17,364 --> 00:13:18,930 YOU'RE ON THE STAGE, AIN'T YOU? 263 00:13:18,965 --> 00:13:20,498 IN HERE, GEORGIE. 264 00:13:20,534 --> 00:13:22,500 Georgie: ALL SET, MARTY. GOT THE TRAIN TICKETS. 265 00:13:22,536 --> 00:13:23,968 HOW DO YOU LIKE THAT? 266 00:13:24,004 --> 00:13:25,804 WE'RE LEAVING FRIDAY NIGHT. 267 00:13:25,839 --> 00:13:27,071 LEAVING FOR WHERE? 268 00:13:27,107 --> 00:13:28,439 FOR WHERE? 269 00:13:28,475 --> 00:13:29,774 FOR FLORIDA. 270 00:13:29,810 --> 00:13:32,477 LITTLE GIRL, YOU GOT TO START LISTENING TO ME. 271 00:13:32,512 --> 00:13:35,013 BUT I DON'T WANT TO GO TO FLORIDA. 272 00:13:35,048 --> 00:13:36,314 WHY NOT? 273 00:13:36,349 --> 00:13:37,849 HOW DO YOU KNOW YOU WON'T LIKE IT? 274 00:13:37,884 --> 00:13:39,317 YOU NEVER BEEN THERE. YOU SAID SO YOURSELF. 275 00:13:39,352 --> 00:13:40,318 WHY, YOU'LL LOVE IT. 276 00:13:40,353 --> 00:13:42,287 WHAT'S NOT TO LIKE? 277 00:13:43,623 --> 00:13:46,191 AHA. 278 00:13:46,226 --> 00:13:47,759 SHE THINKS IT'S A LINE. 279 00:13:47,794 --> 00:13:49,894 SHE THINKS I SAY MIAMI, 280 00:13:49,930 --> 00:13:51,830 I MEAN ATLANTIC CITY. 281 00:13:51,865 --> 00:13:52,831 GEORGIE, SHOW HER THE TICKETS. 282 00:13:52,866 --> 00:13:55,099 YEAH. HERE. HERE ARE THE TICKETS. 283 00:13:55,135 --> 00:13:57,335 FROBISHER WILL KEEP YOUR JOB FOR YOU. DON'T WORRY. 284 00:13:57,370 --> 00:13:59,871 MR. SNYDER, I'M NOT GOING. 285 00:14:02,275 --> 00:14:03,608 GEORGIE, 286 00:14:03,643 --> 00:14:05,476 GET OUT OF HERE. 287 00:14:05,512 --> 00:14:06,945 BEAT IT. 288 00:14:08,381 --> 00:14:10,615 NOW, LOOK HERE, YOU STUPID LITTLE BROAD. 289 00:14:10,650 --> 00:14:12,884 DON'T YOU TALK TO ME LIKE THAT. 290 00:14:12,919 --> 00:14:15,153 I'LL TALK TO YOU ANY WAY I LIKE. 291 00:14:15,188 --> 00:14:16,654 YOU KNOW WHO I AM? 292 00:14:16,690 --> 00:14:18,590 YOU THINK I LET DAMES GET AWAY WITH ANYTHING? 293 00:14:18,625 --> 00:14:20,458 I'M NOT TRYING TO GET AWAY WITH ANYTHING. 294 00:14:20,493 --> 00:14:22,594 I DIDN'T ASK YOU FOR ONE THING. 295 00:14:22,629 --> 00:14:25,396 YOU DIDN'T ASK, BUT YOU WANTED. 296 00:14:25,432 --> 00:14:26,998 I DID MY SHARE. WHAT ABOUT YOU? 297 00:14:27,033 --> 00:14:28,266 WHO DO YOU THINK YOU ARE YOU CAN BE SO PARTICULAR? 298 00:14:28,301 --> 00:14:29,467 YOU'RE NOTHING. 299 00:14:29,502 --> 00:14:31,069 WHO DO YOU THINK YOU ARE YOU CAN BE SO PARTICULAR? 300 00:14:31,104 --> 00:14:33,538 TO THAT CRUMMY DANCE JOINT WHERE I FOUND YOU. 301 00:14:33,573 --> 00:14:34,906 YOU WON'T HAVE TO. 302 00:14:34,941 --> 00:14:36,374 I'LL WALK BACK. 303 00:14:40,347 --> 00:14:41,379 WHAT ARE YOU DOING? 304 00:14:41,414 --> 00:14:42,380 WHAT ARE YOU DOING? 305 00:14:42,415 --> 00:14:43,815 I'M LEAVING. 306 00:14:43,850 --> 00:14:45,717 ALL I WANTED WAS A CHANCE TO SING, 307 00:14:45,752 --> 00:14:48,453 AND I'LL GET IT. 308 00:14:48,488 --> 00:14:50,021 YOU DON'T HAVE TO DO A THING. 309 00:14:50,056 --> 00:14:52,490 I'LL GET IT FOR MYSELF. 310 00:15:05,372 --> 00:15:06,704 HEY, ETTING! 311 00:15:06,740 --> 00:15:08,373 ETTING! 312 00:15:08,408 --> 00:15:09,507 WHAT'S HER NAME? 313 00:15:09,542 --> 00:15:10,508 RUTH. 314 00:15:10,543 --> 00:15:12,076 RUTHIE! 315 00:15:12,112 --> 00:15:14,078 RUTHIE, COME ON OUT, HUH? 316 00:15:14,114 --> 00:15:15,580 WHAT DID I SAY THAT WAS SO TERRIBLE? 317 00:15:15,615 --> 00:15:17,282 WHAT CRIME DID I COMMIT? 318 00:15:17,317 --> 00:15:18,917 COME OUT LIKE A GOOD GIRL, HUH? 319 00:15:18,952 --> 00:15:23,187 WANT ME TO DRAG HER OUT, MARTY? 320 00:15:23,223 --> 00:15:25,156 GET OUT OF HERE. 321 00:15:31,731 --> 00:15:33,464 Woman: DEAL ME IN. 322 00:15:33,500 --> 00:15:35,133 THAT'S ALL WE WAIT FOR EDDIE. 323 00:15:35,168 --> 00:15:37,135 ALL RIGHT, KIDS, REHEARSAL. LET'S GO. 324 00:15:37,170 --> 00:15:39,370 WHY IS IT EVERY TIME WE START A CARD GAME... 325 00:15:39,406 --> 00:15:41,105 GAYE, YOU TAKE ETTING'S PLACE. 326 00:15:41,141 --> 00:15:42,840 I'M A SPECIALTY. 327 00:15:42,876 --> 00:15:44,309 Woman: SAME HERE. 328 00:15:45,378 --> 00:15:47,312 [PLAYING] 329 00:15:59,793 --> 00:16:01,926 MR. SNYDER WANTS TO SEE YOU RIGHT AWAY. 330 00:16:01,962 --> 00:16:03,661 I'M WORKING. SORRY. 331 00:16:03,697 --> 00:16:04,796 LISTEN, 332 00:16:04,831 --> 00:16:06,264 I ASKED YOU NICE, DIDN'T I? 333 00:16:06,299 --> 00:16:07,865 YOU WANT ME TO ASK YOU NOT NICE? 334 00:16:07,901 --> 00:16:09,000 [STOPS PLAYING] 335 00:16:09,035 --> 00:16:10,168 SURE. 336 00:16:10,203 --> 00:16:11,502 MIGHT AS WELL HAVE BOTH VERSIONS. 337 00:16:11,538 --> 00:16:12,570 JOHNNY. 338 00:16:18,144 --> 00:16:21,179 YOU THINK THE GIMP FOUND OUT YOU TALKED TO THE GIRL? 339 00:16:21,214 --> 00:16:22,280 MAYBE. 340 00:16:22,315 --> 00:16:23,381 IF HE HAS, DO YOU THINK 341 00:16:23,416 --> 00:16:26,584 I SHOULD CRAWL INTO THE LAUNDRY AND APOLOGIZE? 342 00:16:26,619 --> 00:16:29,587 WELL, I WOULD, BUT I'M AN OLD MAN. 343 00:16:29,622 --> 00:16:31,222 I WANT TO LIVE. 344 00:16:31,257 --> 00:16:33,858 WHAT ELSE HAVE I GOT? 345 00:16:33,893 --> 00:16:35,326 YOU BETTER GO. 346 00:16:36,963 --> 00:16:38,563 BUT, MR. FROBISHER, 347 00:16:38,598 --> 00:16:40,365 WE CAN'T REHEARSE WITHOUT MUSIC. 348 00:16:40,400 --> 00:16:41,899 SO HUM TO THEM. 349 00:16:41,935 --> 00:16:42,900 Woman: HUM? 350 00:16:42,936 --> 00:16:44,936 ALL RIGHT, GIRLS, LINE UP. 351 00:16:44,971 --> 00:16:45,937 COME ON, LINE UP. 352 00:16:45,972 --> 00:16:48,072 1, 2, 3, 4. 353 00:16:48,108 --> 00:16:49,741 ♪ DUM BIDDY UM BUM BUM 354 00:16:49,776 --> 00:16:52,010 All: ♪ I MISS MY SWISS 355 00:16:52,045 --> 00:16:54,112 ♪ MY SWISS MISS MISSES ME ♪ 356 00:16:54,147 --> 00:16:56,381 ♪ I MISS THE BLISS 357 00:16:56,416 --> 00:16:58,583 YOU NOTICE HOW THE HELP ALL WEARS GLOVES? 358 00:16:58,618 --> 00:16:59,784 ONCE THE WASH IS WASHED, 359 00:16:59,819 --> 00:17:01,786 IT AIN'T TOUCHED BY A HUMAN HAND. 360 00:17:01,821 --> 00:17:03,554 MAYBE I'M CRAZY, BUT I LIKE THINGS CLEAN. 361 00:17:03,590 --> 00:17:07,425 COME ON, SIT DOWN. MAKE YOURSELF COMFORTABLE. 362 00:17:07,460 --> 00:17:08,426 Georgie: MARTY... 363 00:17:08,461 --> 00:17:09,527 THE PIANO PLAYER. 364 00:17:09,562 --> 00:17:10,795 OH, YEAH. 365 00:17:10,830 --> 00:17:12,897 HOW MUCH YOU GET AN HOUR TO COACH? 366 00:17:12,932 --> 00:17:13,898 COACH? 367 00:17:13,933 --> 00:17:15,733 MISS--MISS ETTING, 368 00:17:15,769 --> 00:17:17,769 SHE, UH-- SHE WANTS TO SING. 369 00:17:17,804 --> 00:17:19,971 SHE'S GOT SOME IDEA AT THE BEGINNING IT'S IMPORTANT 370 00:17:20,006 --> 00:17:21,439 SHE SHOULDN'T MAKE BAD HABITS. 371 00:17:21,474 --> 00:17:24,008 SHE SHOULD HAVE ARRANGEMENTS. YOU KNOW WHAT I MEAN? 372 00:17:24,044 --> 00:17:26,144 WHAT DO YOU GET BY THE HOUR? 373 00:17:26,179 --> 00:17:27,612 $5.00. 374 00:17:27,647 --> 00:17:29,213 I'LL GIVE YOU 10. 375 00:17:29,249 --> 00:17:30,548 ANYBODY HANGS AROUND ME, 376 00:17:30,583 --> 00:17:31,949 THEY MAKE. 377 00:17:33,453 --> 00:17:34,952 WELL, CAN SHE SING? 378 00:17:36,022 --> 00:17:37,155 WHAT, IS SHE A DUMMY? 379 00:17:37,190 --> 00:17:38,523 ANYBODY CAN SING. 380 00:17:38,558 --> 00:17:39,524 YOU PUT THEM ON THE STAGE, 381 00:17:39,559 --> 00:17:40,691 TELL THE PUBLIC THEY'RE SINGERS, 382 00:17:40,727 --> 00:17:41,926 AND THEY'RE SINGERS. 383 00:17:41,961 --> 00:17:43,528 WHAT DOES THE PUBLIC KNOW? 384 00:17:43,563 --> 00:17:44,662 YOU WANT THE JOB? 385 00:17:44,697 --> 00:17:45,930 AT 10 BUCKS AN HOUR, SURE. 386 00:17:45,965 --> 00:17:47,765 RIGHT. YOU GOT YOURSELF A DEAL. 387 00:17:47,801 --> 00:17:49,534 GEORGIE WILL TAKE YOU BACK. 388 00:17:49,569 --> 00:17:50,868 WHEN WOULD YOU LIKE TO START? 389 00:17:50,904 --> 00:17:51,903 WELL, I-- 390 00:17:58,478 --> 00:18:00,311 NOW, LOOK, DON'T TAKE IT TOO SERIOUS, THE LESSONS. 391 00:18:00,346 --> 00:18:01,913 A COUPLE, MAYBE, TO MAKE HER FEEL GOOD. 392 00:18:01,948 --> 00:18:03,981 I'LL BE TAKING HER TO FLORIDA ANY DAY NOW. 393 00:18:04,017 --> 00:18:06,951 YOU KNOW WHAT I MEAN. HEE HEE HEE HEE. 394 00:18:14,894 --> 00:18:17,528 OH, I'M SORRY I TOOK SO LONG CHANGING. 395 00:18:17,564 --> 00:18:20,098 I'M GETTING PAID BY THE HOUR. 396 00:18:20,133 --> 00:18:21,966 BY THE WAY, THANKS FOR CUTTING ME IN. 397 00:18:22,001 --> 00:18:24,535 I GOT THE IDEA FROM YOU. 398 00:18:25,738 --> 00:18:27,638 BUT I WOULD'VE DONE IT FOR NOTHING. 399 00:18:29,275 --> 00:18:31,476 I THOUGHT IT WAS BETTER IF YOU GOT PAID. 400 00:18:31,511 --> 00:18:33,611 [LAUGHS] 401 00:18:33,646 --> 00:18:35,246 WELL, LET'S GET STARTED AND SEE WHAT WE GOT, HUH? 402 00:18:35,281 --> 00:18:36,280 RIGHT. 403 00:18:36,316 --> 00:18:37,281 UM... 404 00:18:37,317 --> 00:18:38,483 YOU KNOW THIS? 405 00:18:38,518 --> 00:18:39,951 [PLAYS MELODY] 406 00:18:39,986 --> 00:18:41,853 [HUMS ALONG] 407 00:18:41,888 --> 00:18:43,888 YES. UH-HUH. 408 00:18:43,923 --> 00:18:45,857 [PLAYING] 409 00:18:47,727 --> 00:18:51,696 ♪ I CAN BE HAPPY 410 00:18:51,731 --> 00:18:54,966 ♪ I CAN BE SAD 411 00:18:55,001 --> 00:18:58,136 ♪ I CAN BE GOOD 412 00:18:58,171 --> 00:19:02,106 ♪ OR I CAN BE BAD 413 00:19:02,142 --> 00:19:07,278 ♪ IT ALL DEPENDS 414 00:19:07,313 --> 00:19:12,350 ♪ ON YOU 415 00:19:13,987 --> 00:19:18,055 ♪ I CAN BE LONELY 416 00:19:18,091 --> 00:19:21,425 ♪ OUT IN A CROWD 417 00:19:21,461 --> 00:19:24,729 ♪ I CAN BE HUMBLE 418 00:19:24,764 --> 00:19:28,599 ♪ OR I CAN BE PROUD 419 00:19:28,635 --> 00:19:31,068 ♪ IT ALL 420 00:19:31,104 --> 00:19:33,971 ♪ DEPENDS 421 00:19:34,007 --> 00:19:38,843 ♪ ON YOU 422 00:19:40,446 --> 00:19:44,715 ♪ I CAN SAVE MONEY 423 00:19:44,751 --> 00:19:46,984 ♪ OR SPEND IT 424 00:19:47,020 --> 00:19:51,322 ♪ GO RIGHT ON LIVIN' 425 00:19:51,357 --> 00:19:53,524 ♪ OR END IT 426 00:19:53,560 --> 00:19:58,329 ♪ YOU'RE TO BLAME, HONEY 427 00:19:58,364 --> 00:20:05,970 ♪ FOR WHAT I DO 428 00:20:07,273 --> 00:20:11,275 ♪ I CAN BE BEGGAR 429 00:20:11,311 --> 00:20:14,679 ♪ I CAN BE KING 430 00:20:14,714 --> 00:20:18,216 ♪ I CAN BE ALMOST 431 00:20:18,251 --> 00:20:22,720 ♪ ANY OLD THING 432 00:20:22,755 --> 00:20:24,789 ♪ IT ALL 433 00:20:24,824 --> 00:20:28,526 ♪ DEPENDS 434 00:20:28,561 --> 00:20:30,761 ♪ ON 435 00:20:30,797 --> 00:20:37,068 ♪ YOU 436 00:20:43,476 --> 00:20:44,609 YES, MA'AM. 437 00:20:44,644 --> 00:20:46,510 AM I ANY GOOD? 438 00:20:48,448 --> 00:20:50,948 AM I GOOD ENOUGH TO GET SOMEWHERE? 439 00:20:50,984 --> 00:20:52,316 YEAH. 440 00:20:52,352 --> 00:20:54,418 WILL YOU TELL THAT TO MR. SNYDER, JOHNNY? 441 00:20:54,454 --> 00:20:55,987 I NEED SOMEONE LIKE HIM-- 442 00:20:56,022 --> 00:20:57,989 YOU KNOW, SORT OF A MANAGER. 443 00:20:58,024 --> 00:20:59,657 YOU'RE EXPECTING HIM TO BE YOUR MANAGER? 444 00:20:59,692 --> 00:21:01,626 WHY NOT? HE HAS A LOT OF CONNECTIONS. 445 00:21:01,661 --> 00:21:02,627 OH, YOU'RE KIDDING, AREN'T YOU? 446 00:21:02,662 --> 00:21:03,661 NO. 447 00:21:03,696 --> 00:21:05,096 YOU WERE QUICK ENOUGH TO SPOT 448 00:21:05,131 --> 00:21:07,131 A ROUTINE, FRIENDLY PASS WHEN I MADE IT. 449 00:21:07,166 --> 00:21:10,668 YOU MUST HAVE A VAGUE IDEA OF WHAT HE WANTS. 450 00:21:10,703 --> 00:21:13,170 DO YOU KNOW WHAT HIS EXACT PLANS FOR YOU ARE? 451 00:21:13,206 --> 00:21:14,672 HE'S TAKING YOU TO FLORIDA WITH HIM. 452 00:21:14,707 --> 00:21:17,141 HE TOLD ME SO HIMSELF. 453 00:21:18,211 --> 00:21:21,445 HE TOLD ME THAT, TOO... 454 00:21:21,481 --> 00:21:23,147 BUT I'M NOT PACKING. 455 00:21:25,918 --> 00:21:26,851 [KNOCKS] 456 00:21:30,256 --> 00:21:31,656 OH, I HAD A DATE. I FORGOT. 457 00:21:31,691 --> 00:21:32,957 I WOULDN'T TELL HIM THAT. 458 00:21:32,992 --> 00:21:34,058 THINK FAST, KID. 459 00:21:34,093 --> 00:21:36,027 [PLAYING PIANO] 460 00:21:36,062 --> 00:21:38,629 NOW, JUST OUT OF PLAIN, SIMPLE CURIOSITY, 461 00:21:38,665 --> 00:21:40,197 I'D LIKE TO KNOW--WHY DID YOU GIVE ME A STAND-UP? 462 00:21:40,233 --> 00:21:41,399 AND DON'T SAY YOU DIDN'T GET THE MESSAGE. 463 00:21:41,434 --> 00:21:42,767 Georgie: I TOLD HER MYSELF, MARTY. 464 00:21:42,802 --> 00:21:44,468 LET ME HEAR THE FANCY STORY YOU'RE GOING TO GIVE ME. 465 00:21:44,504 --> 00:21:46,337 GO ON, I DARE YOU. 466 00:21:46,372 --> 00:21:48,339 NO STORY, MR. SNYDER. 467 00:21:48,374 --> 00:21:49,440 I JUST FORGOT. 468 00:21:49,475 --> 00:21:51,108 [MUSIC STOPS] 469 00:21:51,144 --> 00:21:52,576 YOU FORGOT? 470 00:21:52,612 --> 00:21:55,379 I DON'T KNOW HOW I COULD HAVE, BUT I DID, 471 00:21:55,415 --> 00:21:57,248 AND I'M VERY SORRY. WILL YOU FORGIVE ME? 472 00:21:57,283 --> 00:21:58,849 WELL, NATURALLY, I THOUGHT THAT-- 473 00:21:58,885 --> 00:22:00,351 WELL, I DIDN'T KNOW WHAT TO THINK. 474 00:22:00,386 --> 00:22:01,419 WELL, YOU CERTAINLY DIDN'T THINK 475 00:22:01,454 --> 00:22:03,521 I'D DO A THING LIKE THAT TO YOU. 476 00:22:03,556 --> 00:22:06,791 UH... 477 00:22:06,826 --> 00:22:08,192 THAT'S ALL RIGHT, DEAR. 478 00:22:08,227 --> 00:22:10,127 EVERYBODY CAN MAKE A MISTAKE. 479 00:22:10,163 --> 00:22:11,295 HOW'S SHE DOING? 480 00:22:11,331 --> 00:22:13,464 OH, NOT BAD-- NOT BAD AT ALL. 481 00:22:13,499 --> 00:22:15,800 IN FACT, SHE'S QUITE A PERFORMER. 482 00:22:15,835 --> 00:22:17,401 DID YOU HEAR THAT, MR. SNYDER? 483 00:22:17,437 --> 00:22:18,636 NOW WILL YOU TALK TO MR. FROBISHER 484 00:22:18,671 --> 00:22:20,871 AND ASK HIM IF I CAN HAVE A LITTLE SONG? 485 00:22:20,907 --> 00:22:22,606 I'LL TALK TO HIM WHEN I GET GOOD AND READY. 486 00:22:22,642 --> 00:22:24,675 HOW DO YOU LIKE THAT? 487 00:22:24,711 --> 00:22:25,743 YOU HAD ONE LESSON. 488 00:22:25,778 --> 00:22:27,378 WHO SAYS IT'S TIME FOR A SWELLED HEAD? 489 00:22:27,413 --> 00:22:28,813 YOU THINK YOU CAN FOOL THE PUBLIC? 490 00:22:28,848 --> 00:22:30,581 YOU WANT TO GET UP BEFORE PEOPLE AND EMBARRASS ME? 491 00:22:34,854 --> 00:22:36,387 I'M SORRY. 492 00:22:36,422 --> 00:22:37,955 IT'S JUST BEEN ON MY MIND, YOU KNOW. 493 00:22:37,990 --> 00:22:40,991 I GUESS THIS IS MY NIGHT FOR MAKING MISTAKES. 494 00:22:41,027 --> 00:22:42,993 IT'S BECAUSE YOU'RE TIRED. 495 00:22:43,029 --> 00:22:44,328 YOU'RE NOT THINKING GOOD. 496 00:22:44,364 --> 00:22:46,330 HEY, YOU GOT NO BUSINESS KEEPING HER UP SO LATE. 497 00:22:46,366 --> 00:22:47,631 COME ON, I'LL TAKE YOU HOME. 498 00:22:47,667 --> 00:22:50,501 YOU GO RIGHT TO BED. 499 00:22:50,536 --> 00:22:51,969 THANK YOU. 500 00:23:03,216 --> 00:23:05,149 [APPLAUSE] 501 00:23:07,520 --> 00:23:09,720 ♪ TO QUOTE WILLIE SHAKESPEARE ♪ 502 00:23:09,756 --> 00:23:11,989 ♪ PLEASE LEND ME YOUR EAR 503 00:23:12,024 --> 00:23:14,325 ♪ MY INTRODUCTION IS DONE WITH PRIDE ♪ 504 00:23:14,360 --> 00:23:16,494 ♪ THIS ACT IS KNOWN BOTH FAR AND WIDE ♪ 505 00:23:16,529 --> 00:23:18,796 ♪ HIS IMITATIONS ARE ALL THE GO ♪ 506 00:23:18,831 --> 00:23:20,264 ♪ SO HERE HE IS 507 00:23:20,299 --> 00:23:22,767 ♪ THE STAR OF OUR SHOW 508 00:23:22,802 --> 00:23:24,268 EDDIE FULTON! 509 00:23:24,303 --> 00:23:25,269 [APPLAUSE, MUSIC PLAYING] 510 00:23:25,304 --> 00:23:26,604 WHERE'S FULTON? I DON'T KNOW. 511 00:23:26,639 --> 00:23:27,671 FULTON, YOU'RE ON! 512 00:23:27,707 --> 00:23:28,672 GREAT, GREAT. 513 00:23:28,708 --> 00:23:30,040 FULTON, YOU'RE ON! 514 00:23:30,076 --> 00:23:31,175 YEAH, YEAH, YOU'VE TOLD ME. 515 00:23:31,210 --> 00:23:32,676 FULTON! 516 00:23:32,712 --> 00:23:33,677 Woman: FULTON, HURRY UP! 517 00:23:33,713 --> 00:23:35,212 YOU'RE ON. I'M SORRY. 518 00:23:35,248 --> 00:23:36,647 IF IT'S SO HARD FOR YOU TO GET HERE, WHY NOT QUIT? 519 00:23:36,682 --> 00:23:38,516 WHY NOT SPEND ALL YOUR TIME AT THE CRAPS TABLE? 520 00:23:38,551 --> 00:23:40,551 AND DON'T FORGET-- SMILE. 521 00:23:42,655 --> 00:23:44,789 WELL, YOU GOT WHAT YOU WANTED, HUH? 522 00:23:46,893 --> 00:23:48,159 WHAT'S THE MATTER? YOU DON'T LOOK HAPPY. 523 00:23:48,194 --> 00:23:49,193 YOU WANTED A CHANCE TO SING, 524 00:23:49,228 --> 00:23:50,661 AND I GOT YOU A CHANCE TO SING. 525 00:23:50,696 --> 00:23:52,263 BUT I'M ON AND OFF IN A SECOND. 526 00:23:52,298 --> 00:23:53,397 WHAT'D YOU EXPECT? 527 00:23:53,433 --> 00:23:54,765 WELL, IT'S NOT A REAL NUMBER. 528 00:23:54,801 --> 00:23:55,733 HUH? 529 00:23:57,069 --> 00:24:00,004 I WAS JUST THINKING OF SOMETHING. 530 00:24:03,209 --> 00:24:05,176 SUPPOSE FULTON MISSED A PERFORMANCE? 531 00:24:05,211 --> 00:24:06,177 IF I COULD SUBSTITUTE-- 532 00:24:06,212 --> 00:24:07,511 FULTON? BUT HE'S A HEADLINER. 533 00:24:07,547 --> 00:24:09,480 YOU'RE A NEWCOMER. YOU JUST STARTED. 534 00:24:09,515 --> 00:24:13,184 WELL, SOMEBODY WOULD HAVE TO TAKE HIS PLACE. 535 00:24:13,219 --> 00:24:15,119 WELL, HOW DO YOU LIKE THAT? 536 00:24:15,154 --> 00:24:16,821 HERE I'M SUSPECTING SHE WANTS ME TO WORK FROBISHER 537 00:24:16,856 --> 00:24:18,722 FOR AN EXTRA ROUTINE, BUT NO. 538 00:24:18,758 --> 00:24:21,058 ALL THE TIME, SHE WANTS THE WHOLE BUSINESS. 539 00:24:21,093 --> 00:24:23,894 WHAT DO YOU WANT ME TO DO, KNOCK HIM OFF? 540 00:24:23,930 --> 00:24:27,231 OH, OF COURSE NOT, MR. SNYDER, 541 00:24:27,266 --> 00:24:28,365 BUT IF HE MISSED A SHOW-- 542 00:24:28,401 --> 00:24:30,534 WELL, WHY SHOULD HE? ANSWER ME THAT, MISS SMART. 543 00:24:30,570 --> 00:24:31,936 WELL, IT COULD HAPPEN, COULDN'T IT? 544 00:24:31,971 --> 00:24:34,538 IT ALMOST HAPPENED TONIGHT, DIDN'T IT? 545 00:24:34,574 --> 00:24:36,474 [WHISTLES] 546 00:24:36,509 --> 00:24:38,909 THE NERVE YOU'VE GOT. 547 00:24:38,945 --> 00:24:40,578 THE GALL. 548 00:24:40,613 --> 00:24:42,146 LOOK... 549 00:24:42,181 --> 00:24:44,849 WOULD YOU CONSIDER COMING INTO THE LAUNDRY BUSINESS WITH ME? 550 00:24:44,884 --> 00:24:47,384 WE'D BE MILLIONAIRES IN NO TIME. 551 00:24:47,420 --> 00:24:48,385 [LAUGHS] 552 00:24:48,421 --> 00:24:50,621 [LAUGHS] 553 00:24:50,656 --> 00:24:52,823 MARTY, I TELL YOU, NO. 554 00:24:52,859 --> 00:24:55,793 YOU'VE GOT A LAUNDRY. I'M A CUSTOMER. FINE. 555 00:24:55,828 --> 00:24:57,394 YOU ASKED ME TO GIVE HER A JOB. 556 00:24:57,430 --> 00:24:59,363 I GIVE HER A JOB. FINE. 557 00:24:59,398 --> 00:25:00,764 BUT THERE'S A LIMIT. 558 00:25:00,800 --> 00:25:02,399 I'M NOT PUTTING HER ON TONIGHT 559 00:25:02,435 --> 00:25:03,968 OR ANY OTHER NIGHT. 560 00:25:04,003 --> 00:25:05,603 BUT YOU'RE STUCK. YOU AIN'T GOT FULTON. 561 00:25:05,638 --> 00:25:06,637 YEAH. 562 00:25:06,672 --> 00:25:07,638 WHY? 563 00:25:07,673 --> 00:25:09,573 WHY SHOULD HE WALK OUT ON ME? 564 00:25:09,609 --> 00:25:10,774 HE GOT IN TOO DEEP WITH THE GAMBLING. 565 00:25:10,810 --> 00:25:11,876 THEY TOLD HIM TO GET IT UP QUICK, 566 00:25:11,911 --> 00:25:14,378 AND THE POOR SLOB DIDN'T HAVE IT. 567 00:25:14,413 --> 00:25:18,516 HOW COME THE POOR SLOB HAS IT TO GO TO FLORIDA? 568 00:25:18,551 --> 00:25:20,084 WHAT ARE YOU ASKING ME? 569 00:25:20,119 --> 00:25:21,685 FROBISHER, SHE'LL BE A SENSATION. 570 00:25:21,721 --> 00:25:22,820 TO WHO? 571 00:25:22,855 --> 00:25:24,989 FROBISHER, SHE'LL BE A SENSATION. 572 00:25:25,024 --> 00:25:26,323 YOU WANT TO CLOSE MY CLUB? 573 00:25:26,359 --> 00:25:27,491 ARE YOU KIDDING? 574 00:25:27,527 --> 00:25:28,993 YOU KNOW THE CONTACTS I GOT-- 575 00:25:29,028 --> 00:25:30,160 PERSONALITIES, 576 00:25:30,196 --> 00:25:32,196 PEOPLE WHO'D BE A CREDIT TO THE FINEST NIGHTCLUBS. 577 00:25:32,231 --> 00:25:34,031 THEY'LL SPEND. THEY'LL CLAP. YOU'LL MAKE A FORTUNE. 578 00:25:34,066 --> 00:25:35,099 OHH. 579 00:25:37,169 --> 00:25:39,470 ON THE OTHER HAND, FROBISHER, 580 00:25:39,505 --> 00:25:41,972 MAYBE I GOT YOU ALL WRONG. 581 00:25:42,008 --> 00:25:46,944 MAYBE YOU DON'T WANT TO OBLIGE A CLOSE, PERSONAL PAL. 582 00:25:50,883 --> 00:25:52,149 [KNOCK ON DOOR] 583 00:25:52,184 --> 00:25:53,617 COME IN. 584 00:25:54,954 --> 00:25:55,920 HOW DO I LOOK? 585 00:25:55,955 --> 00:25:57,154 TOP OF THE WORLD. 586 00:26:00,059 --> 00:26:02,860 YOU MADE SURE IT WASN'T TOO LONG A WAIT. 587 00:26:02,895 --> 00:26:05,396 YOU BET I DID. I'M IN A HURRY. 588 00:26:05,431 --> 00:26:06,697 AND I WAS RIGHT, WASN'T I? 589 00:26:06,732 --> 00:26:07,765 TOLD YOU HE'D HELP ME. 590 00:26:07,800 --> 00:26:10,534 RUTH, GET RID OF HIM. 591 00:26:10,570 --> 00:26:13,103 GET RID OF HIM NOW. IT'S NOT GOING TO BE WORTH IT. 592 00:26:13,139 --> 00:26:15,205 JOHNNY, I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 593 00:26:15,241 --> 00:26:16,640 WHY SHOULDN'T I HAVE A MANAGER? 594 00:26:16,676 --> 00:26:18,776 A MANAGER? OH, DON'T LIE TO YOURSELF. 595 00:26:18,811 --> 00:26:20,644 IF YOU'RE GOING AHEAD WITH THIS, 596 00:26:20,680 --> 00:26:22,980 AT LEAST DON'T LIE TO YOURSELF. 597 00:26:23,015 --> 00:26:25,683 BUT DON'T GO AHEAD WITH IT. YOU DON'T HAVE TO. 598 00:26:25,718 --> 00:26:27,484 YES, I DO. 599 00:26:27,520 --> 00:26:29,720 I'VE TRIED IT WITHOUT HELP. 600 00:26:29,755 --> 00:26:31,589 I DIDN'T MIND IT BEING HARD, JOHNNY. 601 00:26:31,624 --> 00:26:33,891 I JUST MINDED THAT IT DIDN'T WORK. 602 00:26:33,926 --> 00:26:35,192 THEN LET ME HELP YOU. 603 00:26:35,227 --> 00:26:36,393 I'LL GET YOU TO THE RIGHT PEOPLE. 604 00:26:36,429 --> 00:26:37,394 I'LL WORK WITH YOU, 605 00:26:37,430 --> 00:26:38,662 AND THEY'LL WANT YOU. DON'T WORRY. 606 00:26:38,698 --> 00:26:39,997 THEY WON'T HAVE TO BE STRONG-ARMED 607 00:26:40,032 --> 00:26:41,398 OR BLACKMAILED OR SHOVED AROUND. 608 00:26:41,434 --> 00:26:42,900 THEY'LL WANT YOU BECAUSE YOU'RE GOOD. 609 00:26:42,935 --> 00:26:44,301 OH, TRY IT, RUTH. 610 00:26:44,337 --> 00:26:46,337 TRY IT THAT WAY. 611 00:26:46,372 --> 00:26:48,672 JOHNNY, SO MANY GUYS HAVE WANTED TO HELP ME, 612 00:26:48,708 --> 00:26:50,407 AND THEY'VE ALL BEEN ON THE MAKE, 613 00:26:50,443 --> 00:26:51,875 JUST LIKE HIM. 614 00:26:53,245 --> 00:26:54,712 I SUPPOSE YOU'RE THE ONE WHO'S DIFFERENT. 615 00:26:54,747 --> 00:26:56,447 THAT'S RIGHT. 616 00:26:58,584 --> 00:27:00,317 AND I MEAN IT, 617 00:27:00,353 --> 00:27:01,885 BUT GET YOURSELF FREE, RUTH. 618 00:27:01,921 --> 00:27:03,520 BUT I AM FREE. 619 00:27:03,556 --> 00:27:05,322 I'VE MADE NO PROMISES. 620 00:27:05,358 --> 00:27:06,423 I'M AS FREE AS YOU ARE. 621 00:27:06,459 --> 00:27:07,591 ARE YOU? YES. 622 00:27:07,627 --> 00:27:08,559 PROVE IT. 623 00:27:09,895 --> 00:27:11,562 LET'S MEET TONIGHT AFTER THE SHOW, 624 00:27:11,597 --> 00:27:13,263 HAVE A CUP OF COFFEE TOGETHER-- 625 00:27:13,299 --> 00:27:15,432 JUST 2 FREE PEOPLE 626 00:27:15,468 --> 00:27:17,368 GETTING TOGETHER OVER A CUP OF COFFEE. 627 00:27:17,403 --> 00:27:18,836 WHY NOT, HUH? 628 00:27:19,905 --> 00:27:21,038 ALL RIGHT. 629 00:27:21,073 --> 00:27:22,106 [BUZZER BUZZES] 630 00:27:22,141 --> 00:27:24,041 THAT'S US. BE GREAT. 631 00:27:24,076 --> 00:27:26,276 [MUSIC PLAYING] 632 00:27:26,312 --> 00:27:27,611 Ruth: I'M READY. 633 00:27:27,647 --> 00:27:28,912 COME ON, IT'S TIME. 634 00:27:28,948 --> 00:27:29,913 GET DOWN THERE AND DO YOUR STUFF, 635 00:27:29,949 --> 00:27:31,649 AND DON'T MAKE ME OUT A HORSE'S NECK. 636 00:27:31,684 --> 00:27:35,119 I GOT THE PLACE PACKED WITH BIGGIES. 637 00:27:37,123 --> 00:27:38,122 GET A LOAD OF THAT. 638 00:27:38,157 --> 00:27:40,224 "RUTH ETTING-- CHICAGO'S SWEETHEART." 639 00:27:40,259 --> 00:27:41,525 WROTE IT UP MYSELF. 640 00:27:41,560 --> 00:27:42,993 COME ON. I'M A NERVOUS WRECK. 641 00:27:45,598 --> 00:27:47,031 EXCUSE ME. 642 00:27:54,507 --> 00:27:56,106 MAZEL TOV. 643 00:28:11,557 --> 00:28:13,490 [MUSIC BEGINS] 644 00:28:31,610 --> 00:28:34,712 ♪ YOU MADE ME 645 00:28:34,747 --> 00:28:37,915 ♪ LOVE YOU 646 00:28:37,950 --> 00:28:41,051 ♪ I DIDN'T WANT TO DO IT 647 00:28:41,087 --> 00:28:43,620 ♪ I DIDN'T WANT TO DO IT ♪ 648 00:28:45,524 --> 00:28:51,061 ♪ YOU MADE ME WANT YOU 649 00:28:51,097 --> 00:28:54,531 ♪ AND ALL THE TIME, YOU KNEW IT ♪ 650 00:28:54,567 --> 00:28:58,102 ♪ I GUESS YOU ALWAYS KNEW IT ♪ 651 00:28:58,137 --> 00:29:01,071 ♪ YOU MADE ME 652 00:29:01,107 --> 00:29:02,573 ♪ HAPPY 653 00:29:02,608 --> 00:29:06,009 ♪ SOMETIMES 654 00:29:06,045 --> 00:29:09,813 ♪ AND YOU MADE ME GLAD 655 00:29:12,184 --> 00:29:16,086 ♪ BUT THERE WERE TIMES 656 00:29:16,122 --> 00:29:17,521 ♪ DEAR 657 00:29:17,556 --> 00:29:20,758 ♪ YOU MADE ME FEEL 658 00:29:20,793 --> 00:29:23,293 ♪ SO BAD 659 00:29:26,065 --> 00:29:30,167 ♪ YOU MADE ME SIGH 660 00:29:30,202 --> 00:29:31,568 ♪ FOR 661 00:29:31,604 --> 00:29:35,239 ♪ I DIDN'T WANT TO TELL YA ♪ 662 00:29:35,274 --> 00:29:38,742 ♪ I DIDN'T WANT TO TELL YA 663 00:29:39,979 --> 00:29:44,548 ♪ I WANT SOME LOVE 664 00:29:44,583 --> 00:29:47,751 ♪ IT'S TRUE, YES, I DO ♪ 665 00:29:47,787 --> 00:29:49,386 ♪ 'DEED, I DO 666 00:29:49,421 --> 00:29:52,890 ♪ YOU KNOW I DO 667 00:29:52,925 --> 00:29:54,391 ♪ GIMME 668 00:29:54,426 --> 00:29:56,260 ♪ GIMME 669 00:29:56,295 --> 00:29:59,530 ♪ WHAT I CRY FOR 670 00:29:59,565 --> 00:30:03,267 ♪ YOU'VE GOT THE BRAND OF KISSES ♪ 671 00:30:03,302 --> 00:30:06,570 ♪ THAT I'D DIE FOR 672 00:30:06,605 --> 00:30:08,372 ♪ YOU KNOW 673 00:30:08,407 --> 00:30:11,675 ♪ YOU MADE ME 674 00:30:11,710 --> 00:30:17,414 ♪ LOVE YOU 675 00:30:19,852 --> 00:30:21,718 ♪ YOU KNOW 676 00:30:21,754 --> 00:30:25,656 ♪ YOU MADE ME 677 00:30:25,691 --> 00:30:27,991 ♪ LOVE 678 00:30:28,027 --> 00:30:35,065 ♪ YOU 679 00:30:35,100 --> 00:30:36,800 [APPLAUSE] 680 00:30:46,078 --> 00:30:48,779 [WHISTLING] 681 00:30:53,018 --> 00:30:55,319 ♪ STAY ON THE RIGHT SIDE, SISTER ♪ 682 00:30:55,354 --> 00:30:56,987 ♪ STAY ON THE RIGHT SIDE, SISTER ♪ 683 00:30:57,022 --> 00:30:58,422 ♪ STAY ON THE RIGHT SIDE 684 00:30:58,457 --> 00:31:00,424 ♪ OF THE ROAD 685 00:31:00,459 --> 00:31:01,992 ♪ LOOK OUT FOR OLD MAN SATAN ♪ 686 00:31:02,027 --> 00:31:03,994 ♪ HE'S ON THE WRONG SIDE WAITIN' ♪ 687 00:31:04,029 --> 00:31:05,996 ♪ KEEP ON THE BRIGHT SIDE 688 00:31:06,031 --> 00:31:07,497 ♪ OF THE ROAD 689 00:31:07,533 --> 00:31:08,999 ♪ ONCE YOU LET 690 00:31:09,034 --> 00:31:11,001 ♪ THE DEVIL TAKE YOUR HAND ♪ 691 00:31:11,036 --> 00:31:12,502 ♪ YOU'LL NEVER GET 692 00:31:12,538 --> 00:31:14,938 ♪ TO HALLELUJAH LAND 693 00:31:14,974 --> 00:31:16,506 ♪ I SEE A GREAT DAY DAWNIN' ♪ 694 00:31:16,542 --> 00:31:18,508 ♪ YOU BETTER HEED MY WARNIN' ♪ 695 00:31:18,544 --> 00:31:20,344 ♪ STAY ON THE RIGHT SIDE 696 00:31:20,379 --> 00:31:21,345 ♪ OF THE ROAD 697 00:31:23,549 --> 00:31:25,015 ♪ ONCE YOU LET 698 00:31:25,050 --> 00:31:27,017 ♪ THE DEVIL TAKE YOUR HAND ♪ 699 00:31:27,052 --> 00:31:29,019 ♪ YOU'LL NEVER GET 700 00:31:29,054 --> 00:31:30,520 ♪ TO HALLELUJAH LAND 701 00:31:30,556 --> 00:31:32,522 ♪ I SEE A GREAT DAY DAWNIN' ♪ 702 00:31:32,558 --> 00:31:34,524 ♪ YOU BETTER HEED MY WARNIN' ♪ 703 00:31:34,560 --> 00:31:36,026 ♪ STAY ON THE RIGHT SIDE 704 00:31:36,061 --> 00:31:38,028 ♪ OF THE ROAD 705 00:31:38,063 --> 00:31:39,529 ♪ STAY ON THE RIGHT SIDE 706 00:31:39,565 --> 00:31:41,531 ♪ STAY ON THE RIGHT SIDE 707 00:31:41,567 --> 00:31:43,033 ♪ STAY ON THE RIGHT SIDE 708 00:31:43,068 --> 00:31:45,502 ♪ OF THE ROAD 709 00:32:01,587 --> 00:32:03,053 LOOK AT THE FLOWERS. 710 00:32:03,088 --> 00:32:06,056 JUST A LITTLE TOKEN OF THE WAY I FEEL. 711 00:32:06,091 --> 00:32:08,058 OH, MARTY. 712 00:32:08,093 --> 00:32:10,060 THANK YOU. THEY'RE LOVELY. 713 00:32:10,095 --> 00:32:12,562 DON'T THANK ME AND HUG ME AND THROW ME OUT SO QUICK. 714 00:32:12,598 --> 00:32:13,630 I HAVE TO GET DRESSED. 715 00:32:13,666 --> 00:32:16,066 WELL, MAKE IT FAST 'CAUSE WE GOTTA CELEBRATE. 716 00:32:16,101 --> 00:32:17,534 OH, MARTY. WHAT? 717 00:32:17,569 --> 00:32:19,569 I'M SO TIRED AND EXCITED, 718 00:32:19,605 --> 00:32:21,071 I DON'T THINK I CAN GO OUT TONIGHT. 719 00:32:21,106 --> 00:32:22,606 SURE YOU CAN. IT'S ALL SET UP. 720 00:32:22,641 --> 00:32:25,075 BIG FANCY BLOW-OUT OVER AT AL GAXLY'S PLACE. 721 00:32:25,110 --> 00:32:27,010 THAT'S WAY OUT IN BAY CLIFF IN THE COUNTRY. 722 00:32:27,046 --> 00:32:28,578 YEAH. IT'S SORT OF ON THE ORDER OF A HOUSE PARTY 723 00:32:28,614 --> 00:32:29,579 FOR THE WEEKEND. 724 00:32:29,615 --> 00:32:31,048 NOW, HURRY UP. WE GOTTA LEAVE RIGHT AWAY. 725 00:32:31,083 --> 00:32:36,086 MARTY, LOOK, WHY DON'T YOU GO AHEAD WITHOUT ME? 726 00:32:36,121 --> 00:32:37,087 NO. 727 00:32:37,122 --> 00:32:39,589 IT'S JUST THAT I'M SO TIRED. 728 00:32:39,625 --> 00:32:41,091 NO. 729 00:32:41,126 --> 00:32:43,060 NOT THIS TIME, RUTHIE. 730 00:32:47,132 --> 00:32:48,565 THAT'S ALL OVER. 731 00:32:50,302 --> 00:32:52,502 WHAT ARE YOU TALKING ABOUT? 732 00:32:52,538 --> 00:32:54,604 ABOUT THE WAY YOU BRUSH ME OFF, 733 00:32:54,640 --> 00:32:56,106 THE WAY YOU STALL ME. 734 00:32:56,141 --> 00:32:58,108 NOW, DON'T THINK I DIDN'T FEEL PLENTY RIDICULOUS AT TIMES. 735 00:32:58,143 --> 00:32:59,543 IN FRONT OF GEORGIE, EVEN. 736 00:32:59,578 --> 00:33:00,544 JUST BECAUSE-- 737 00:33:00,579 --> 00:33:02,112 NOW, I DIDN'T GET SORE. 738 00:33:02,147 --> 00:33:04,114 TELL THE TRUTH. DID I EVER GET SORE, 739 00:33:04,149 --> 00:33:06,116 EVEN ABOUT NOT GOING TO FLORIDA? 740 00:33:06,151 --> 00:33:08,618 NOW, YOU WANTED TO SEE HOW FAR YOU COULD GET. 741 00:33:08,654 --> 00:33:11,154 FINE. I DON'T BLAME YOU. I GIVE YOU CREDIT, 742 00:33:11,190 --> 00:33:13,090 BUT THAT'S ALL. 743 00:33:16,161 --> 00:33:17,627 I UNDERSTAND. 744 00:33:17,663 --> 00:33:20,597 YOU GOT ME A BREAK, AND I... 745 00:33:22,668 --> 00:33:23,600 ALL RIGHT. 746 00:33:25,671 --> 00:33:27,637 I'LL GO WITH YOU. 747 00:33:27,673 --> 00:33:29,639 NOW, YOU'RE TALKIN', BABY. 748 00:33:29,675 --> 00:33:32,142 AND THEN YOU'LL NEVER SEE ME AGAIN. 749 00:33:32,177 --> 00:33:33,143 WHY? 750 00:33:33,178 --> 00:33:34,644 BECAUSE THAT MAKES ME A TRAMP, 751 00:33:34,680 --> 00:33:35,645 AND I'M NOT A TRAMP, 752 00:33:35,681 --> 00:33:36,646 NO MATTER WHAT YOU THINK. 753 00:33:36,682 --> 00:33:38,648 RUTHIE, YOU'RE WRONG! 754 00:33:38,684 --> 00:33:40,150 OH, LISTEN, WELL... 755 00:33:40,185 --> 00:33:41,651 I'LL BE HONEST WITH YOU. 756 00:33:41,687 --> 00:33:43,153 WHEN WE FIRST STARTED UP TOGETHER, 757 00:33:43,188 --> 00:33:44,654 I FIGURED, WELL, YOU KNOW, 758 00:33:44,690 --> 00:33:46,156 A PICKUP. WHY NOT? 759 00:33:46,191 --> 00:33:47,657 DIDN'T MEAN NOTHING. 760 00:33:47,693 --> 00:33:49,159 BUT LATELY, A CHANGE COME OVER ME, 761 00:33:49,194 --> 00:33:50,660 AND I WANNA DO THINGS FOR YOU. 762 00:33:50,696 --> 00:33:52,662 I'M ANXIOUS. 763 00:33:52,698 --> 00:33:54,664 THAT'S WHAT I WAS HOPING FOR, MARTY, 764 00:33:54,700 --> 00:33:56,566 THAT YOU WOULD GET TO CARE ABOUT WHAT HAPPENED TO ME, 765 00:33:56,602 --> 00:33:57,567 BUT YOU DON'T. 766 00:33:57,603 --> 00:34:00,070 WHAT DO YOU MEAN, I DON'T? 767 00:34:00,105 --> 00:34:02,172 I'LL SHOW YOU YOU'RE OUT OF YOUR HEAD. 768 00:34:02,207 --> 00:34:04,674 YOU KNOW THAT BIG FANCY JOINT ACROSS THE STREET 769 00:34:04,710 --> 00:34:06,176 WHERE HELEN TERRELL IS SINGING, 770 00:34:06,211 --> 00:34:07,177 THE OVAL ROOM? 771 00:34:07,212 --> 00:34:08,678 WHO DO YOU THINK I HAD HERE TONIGHT 772 00:34:08,714 --> 00:34:09,946 TAKING A GANDER AT YOU? 773 00:34:09,982 --> 00:34:12,182 JUST THE OWNER, THAT'S ALL. 774 00:34:12,217 --> 00:34:14,184 YEAH. A CLOSE PERSONAL PAL. 775 00:34:14,219 --> 00:34:16,186 WE'RE GETTIN' TOGETHER MONDAY TO CHEW IT OVER. 776 00:34:16,221 --> 00:34:18,188 NOW, DOES THAT SOUND LIKE I THINK YOU'RE A TR-- 777 00:34:18,223 --> 00:34:19,189 WHAT YOU SAID? 778 00:34:19,224 --> 00:34:22,159 YOU GOT NO IDEA THE PLANS I'VE GOT. 779 00:34:23,729 --> 00:34:26,897 IF I GO TO AL GAXLY'S FOR THE WEEKEND, HUH? 780 00:34:26,932 --> 00:34:29,666 WELL, WHAT DO YOU WANT OF ME? I'M HUMAN. 781 00:34:34,239 --> 00:34:35,672 I'M STUCK ON YA. 782 00:34:42,247 --> 00:34:43,680 THANK YOU, MARTY. 783 00:34:45,751 --> 00:34:48,218 NOW LET ME BE HONEST WITH YOU, TOO. 784 00:34:48,253 --> 00:34:50,220 IN THE SHORT TIME THAT I'VE KNOWN YOU, 785 00:34:50,255 --> 00:34:51,721 YOU'VE BECOME MORE IMPORTANT TO ME 786 00:34:51,757 --> 00:34:53,223 THAN ANYONE ELSE. 787 00:34:53,258 --> 00:34:54,691 AND I LIKE YOU. 788 00:34:56,762 --> 00:34:58,628 BUT I'M NOT STUCK ON YOU. 789 00:35:00,199 --> 00:35:02,632 MAYBE IT'S BECAUSE GETTING SOMEPLACE 790 00:35:02,668 --> 00:35:04,734 IS SUCH A BIG THING TO ME. 791 00:35:04,770 --> 00:35:06,236 IT SEEMS AS IF I DON'T HAVE ROOM 792 00:35:06,271 --> 00:35:07,737 FOR ANYTHING ELSE. 793 00:35:07,773 --> 00:35:10,240 NOT YET ANYWAY. 794 00:35:10,275 --> 00:35:12,609 CAN YOU UNDERSTAND THAT? 795 00:35:12,644 --> 00:35:16,246 YEAH, SURE, RUTHIE, SURE, BUT... 796 00:35:16,281 --> 00:35:18,048 BUT WHEN? 797 00:35:21,286 --> 00:35:22,219 [SIGHS] 798 00:35:23,789 --> 00:35:25,889 I DON'T KNOW. 799 00:35:28,460 --> 00:35:31,261 LOOK, IF YOU STILL WANT ME TO GO WITH YOU, 800 00:35:31,296 --> 00:35:33,396 JUST GIVE ME A MINUTE, AND I'LL GET DRESSED. 801 00:35:35,300 --> 00:35:37,267 AH... 802 00:35:37,302 --> 00:35:38,768 TAKE YOURSELF THE MINUTE. 803 00:35:38,804 --> 00:35:41,738 WE'LL GO OUT AND GET A BITE TO EAT. 804 00:35:43,675 --> 00:35:44,741 MARTY... 805 00:35:46,311 --> 00:35:48,278 YOU'LL NEVER BE SORRY. 806 00:35:48,313 --> 00:35:50,280 WHAT DO YOU MEAN? HA HA! 807 00:35:50,315 --> 00:35:52,282 I'M SORRY ALREADY. 808 00:35:52,317 --> 00:35:53,283 WELL... 809 00:35:53,318 --> 00:35:55,285 I'LL WAIT FOR YOU OUT IN THE CAR, 810 00:35:55,320 --> 00:35:56,286 ONLY HURRY UP. 811 00:35:56,321 --> 00:35:58,288 WHAT A DAY I'VE HAD. 812 00:35:58,323 --> 00:36:00,357 MY FEET ARE KILLING ME. 813 00:36:00,392 --> 00:36:02,192 HEY, MARTY. 814 00:36:03,762 --> 00:36:06,229 OH, WE'RE GOING DOWNTOWN TO GET A BITE TO EAT. 815 00:36:06,265 --> 00:36:07,264 CALL THE RESTAURANT 816 00:36:07,299 --> 00:36:08,732 OH, WE'RE GOING DOWNTOWN TO GET A BITE TO EAT. 817 00:36:08,767 --> 00:36:09,733 EVERYTHING. 818 00:36:09,768 --> 00:36:11,735 SHE DON'T WANNA GO AWAY WITH YOU, HUH? 819 00:36:11,770 --> 00:36:14,237 I DON'T WANT HER TO GO! HOW DO YOU LIKE THAT? 820 00:36:14,273 --> 00:36:15,739 BAY CLIFF AIN'T THE RIGHT KIND OF A PLACE 821 00:36:15,774 --> 00:36:17,707 FOR A GIRL LIKE HER. 822 00:36:24,283 --> 00:36:26,750 SHE WAS GREAT TONIGHT, HUH? A KNOCKOUT. 823 00:36:26,785 --> 00:36:28,251 GREAT. YEAH. 824 00:36:28,287 --> 00:36:29,753 A LITTLE EXTRA. 825 00:36:29,788 --> 00:36:31,755 YOU BACKED HER UP GOOD. 826 00:36:31,790 --> 00:36:33,757 GO ON, TAKE IT. 827 00:36:33,792 --> 00:36:35,258 GET YOURSELF A DAME. 828 00:36:35,294 --> 00:36:37,227 HAVE A BIG TIME ON ME. 829 00:36:42,801 --> 00:36:44,968 TABLE FOR 3 FOR MR. SNYDER. 830 00:36:45,003 --> 00:36:46,269 YEAH. 831 00:36:46,305 --> 00:36:48,271 AND...CHAMPAGNE. 832 00:36:48,307 --> 00:36:50,273 YEAH, THAT'S RIGHT. THE WORKS. 833 00:36:50,309 --> 00:36:51,274 RIGHT. 834 00:36:51,310 --> 00:36:52,242 [HANGS UP] 835 00:37:02,321 --> 00:37:03,286 [HORN HONKS] 836 00:37:03,322 --> 00:37:04,754 Marty: COME ON, RUTHIE! 837 00:37:07,826 --> 00:37:09,259 GOOD NIGHT, JOHNNY. 838 00:37:13,966 --> 00:37:15,899 [MUSIC PLAYING] 839 00:37:17,336 --> 00:37:19,102 ♪ EVERYBODY LOVES MY BABY 840 00:37:19,137 --> 00:37:22,105 ♪ BUT MY BABY DON'T LOVE NOBODY BUT ME ♪ 841 00:37:22,140 --> 00:37:24,107 ♪ NOBODY BUT ME 842 00:37:24,142 --> 00:37:26,610 ♪ YES, EVERYBODY WANTS MY BABY ♪ 843 00:37:26,645 --> 00:37:29,613 ♪ BUT MY BABY DON'T WANT NOBODY BUT ME ♪ 844 00:37:29,648 --> 00:37:31,615 ♪ THAT'S PLAIN TO SEE 845 00:37:31,650 --> 00:37:33,116 ♪ I AM HIS SWEET PATOOTIE 846 00:37:33,151 --> 00:37:35,619 ♪ AND HE IS MY LOVIN' MAN 847 00:37:35,654 --> 00:37:37,020 ♪ KNOWS HOW TO DO HIS DUTY 848 00:37:37,055 --> 00:37:39,122 ♪ LOVES ME LIKE NO OTHER CAN ♪ 849 00:37:39,157 --> 00:37:41,124 ♪ EVERYBODY LOVES MY BABY 850 00:37:41,159 --> 00:37:44,127 ♪ BUT MY BABY DON'T LOVE NOBODY BUT ME ♪ 851 00:37:44,162 --> 00:37:46,129 ♪ NOBODY BUT ME 852 00:37:46,164 --> 00:37:48,131 ♪ OH, EVERYBODY LOVES MY BABY ♪ 853 00:37:48,166 --> 00:37:51,134 ♪ BUT MY BABY DON'T LOVE NOBODY BUT ME ♪ 854 00:37:51,169 --> 00:37:53,270 ♪ NOBODY BUT ME 855 00:37:53,305 --> 00:37:55,639 ♪ YES, EVERYBODY WANTS MY BABY ♪ 856 00:37:55,674 --> 00:37:58,475 ♪ BUT MY BABY DON'T WANT NOBODY BUT ME ♪ 857 00:37:58,510 --> 00:38:00,644 ♪ THAT'S PLAIN TO SEE 858 00:38:00,679 --> 00:38:02,646 ♪ NOW, WHEN MY BABY KISSES ME ♪ 859 00:38:02,681 --> 00:38:04,648 ♪ UPON MY ROSY CHEEKS 860 00:38:04,683 --> 00:38:06,149 ♪ I JUST LET THOSE KISSES BE ♪ 861 00:38:06,184 --> 00:38:08,151 ♪ DON'T WASH MY FACE FOR WEEKS ♪ 862 00:38:08,186 --> 00:38:10,153 ♪ EVERYBODY LOVES MY BABY 863 00:38:10,188 --> 00:38:14,157 ♪ BUT MY BABY DON'T LOVE NOBODY BUT ME ♪ 864 00:38:14,192 --> 00:38:18,628 ♪ NOBODY BUT ME 865 00:38:24,670 --> 00:38:27,671 THIS IS ON THE LEVEL. THIS IS LEGIT. 866 00:38:27,706 --> 00:38:30,774 I DON'T HAVE TO STACK THE JOINT NO MORE. 867 00:38:42,220 --> 00:38:47,691 ♪ YOU'RE MEAN TO ME 868 00:38:47,726 --> 00:38:54,698 ♪ WHY MUST YOU BE MEAN TO ME? ♪ 869 00:38:54,733 --> 00:39:01,137 ♪ GEE, HONEY, IT SEEMS TO ME ♪ 870 00:39:01,173 --> 00:39:07,711 ♪ YOU LOVE TO SEE ME CRYIN' ♪ 871 00:39:07,746 --> 00:39:15,218 ♪ I DON'T KNOW WHY I STAY HOME ♪ 872 00:39:15,253 --> 00:39:17,721 ♪ EACH NIGHT 873 00:39:17,756 --> 00:39:21,725 ♪ WHEN YOU SAY YOU'LL PHONE ♪ 874 00:39:21,760 --> 00:39:23,727 ♪ YOU DON'T 875 00:39:23,762 --> 00:39:28,231 ♪ AND I'M LEFT ALONE 876 00:39:28,266 --> 00:39:35,238 ♪ SINGIN' THE BLUES AND SIGHIN' ♪ 877 00:39:35,273 --> 00:39:41,611 ♪ YOU TREAT ME COLDLY 878 00:39:41,646 --> 00:39:48,485 ♪ EACH DAY IN THE YEAR 879 00:39:48,520 --> 00:39:55,759 ♪ YOU ALWAYS SCOLD ME 880 00:39:55,794 --> 00:40:03,767 ♪ WHENEVER SOMEBODY IS NEAR ♪ 881 00:40:03,802 --> 00:40:09,272 ♪ DEAR, IT MUST BE 882 00:40:09,307 --> 00:40:11,274 ♪ GREAT FUN 883 00:40:11,309 --> 00:40:15,278 ♪ TO BE MEAN TO ME 884 00:40:15,313 --> 00:40:18,782 ♪ YOU SHOULDN'T 885 00:40:18,817 --> 00:40:22,786 ♪ FOR CAN'T YOU SEE 886 00:40:22,821 --> 00:40:27,791 ♪ WHAT YOU MEAN 887 00:40:27,826 --> 00:40:30,293 ♪ TO 888 00:40:30,328 --> 00:40:35,765 ♪ ME 889 00:40:39,838 --> 00:40:41,771 [APPLAUSE] 890 00:40:44,009 --> 00:40:45,308 HEY, MARTY, MARTY... 891 00:40:45,343 --> 00:40:46,810 SIT 5 MINUTES. 892 00:40:46,845 --> 00:40:48,812 THERE'S A COUPLE THINGS I GOTTA TALK TO YOU ABOUT, 893 00:40:48,847 --> 00:40:49,813 BUT I DON'T GET A CHANCE. 894 00:40:49,848 --> 00:40:51,314 YOU'RE SO BUSY RUNNING ALL THE TIME. 895 00:40:51,349 --> 00:40:52,816 FOR INSTANCE, THE LAUNDRY. 896 00:40:52,851 --> 00:40:53,817 YOU TAKE CARE OF IT, GEORGIE. 897 00:40:53,852 --> 00:40:55,318 I GOT PERFECT CONFIDENCE IN YOU. 898 00:40:55,353 --> 00:40:56,319 I GOTTA GET BACK. 899 00:40:56,354 --> 00:40:57,420 SHE'LL WONDER I'M NOT THERE. 900 00:41:10,869 --> 00:41:11,835 HI. 901 00:41:11,870 --> 00:41:13,837 I WANT YOU TO MEET MR. LOOMIS 902 00:41:13,872 --> 00:41:15,839 OF THE ROGER BLACK AGENCY IN NEW YORK. 903 00:41:15,874 --> 00:41:16,840 THIS IS MR. SNYDER. 904 00:41:16,875 --> 00:41:18,074 HOW DO YOU DO, MR. SNYDER? 905 00:41:18,109 --> 00:41:19,108 MR. LOOMIS CAUGHT THE SHOW, MARTY, 906 00:41:21,112 --> 00:41:22,579 HE HAS A BOOKING FOR ME IN NEW YORK, 907 00:41:22,614 --> 00:41:23,580 A CLUB CALLED THE BLACK HAT. 908 00:41:23,615 --> 00:41:25,081 I HEAR IT STINKS. 909 00:41:25,116 --> 00:41:27,083 WELL, IT'S A BEGINNING, MR. SNYDER. 910 00:41:27,118 --> 00:41:28,585 WE'RE NOT STARTING AT THE BEGINNING. 911 00:41:28,620 --> 00:41:29,719 OR MAYBE I'M OUT OF LINE. 912 00:41:29,754 --> 00:41:32,088 WE'RE NOT STARTING AT THE BEGINNING. 913 00:41:32,123 --> 00:41:33,590 YOU GOT IT STRAIGHT, LOOMIS? 914 00:41:33,625 --> 00:41:35,592 YOU WANNA TALK BUSINESS, TALK TO ME. 915 00:41:35,627 --> 00:41:36,593 ALL RIGHT. HERE'S MY CARD. 916 00:41:36,628 --> 00:41:38,094 CALL ME UP, MAKE AN APPOINTMENT. 917 00:41:38,129 --> 00:41:40,597 IF I HAVE TIME, I'LL SEE YOU. 918 00:41:40,632 --> 00:41:43,099 WELL, THANK YOU VERY MUCH, MR. SNYDER. 919 00:41:43,134 --> 00:41:45,602 IT WAS NICE SEEING YOU, MISS ETTING. 920 00:41:45,637 --> 00:41:46,603 THANK YOU. 921 00:41:46,638 --> 00:41:48,104 THANK YOU FOR COMING BACK. 922 00:41:48,139 --> 00:41:50,073 OH, IT WAS A PLEASURE. 923 00:41:52,143 --> 00:41:54,110 WHY DO YOU HAVE TO ACT LIKE THAT? 924 00:41:54,145 --> 00:41:55,111 ALL THAT MAN WANTED-- 925 00:41:55,146 --> 00:41:56,079 SHUT UP. 926 00:41:59,084 --> 00:42:01,684 WHO GOT YOU THIS FAR? YOU? 927 00:42:01,720 --> 00:42:03,119 LOOK AT ME WHEN I'M TALKING TO YOU. 928 00:42:03,154 --> 00:42:05,121 I KNOCK MYSELF OUT FOR YOU DAY AND NIGHT. 929 00:42:05,156 --> 00:42:06,623 AT LEAST SHOW ME A LITTLE RESPECT. 930 00:42:06,658 --> 00:42:08,591 AT LEAST DO THAT MUCH. 931 00:42:10,028 --> 00:42:13,630 YOU KNOW THAT BLACK HAT HE'S BOOKING YOU IN SO FAST? 932 00:42:13,665 --> 00:42:14,631 IT'S A DUMP. 933 00:42:14,666 --> 00:42:16,132 YOU EVEN KNOW WHERE IT'S LOCATED? 934 00:42:16,167 --> 00:42:18,635 SO FAR UPTOWN IT'S PRACTICALLY IN THE BRONX. 935 00:42:18,670 --> 00:42:21,137 YOU KNOW WHO GOES IN THERE? DOGS! 936 00:42:21,172 --> 00:42:22,639 NOW, IF YOU WANT TO SING FOR DOGS, GO AHEAD, 937 00:42:22,674 --> 00:42:24,641 BUT NOT WITH ME. 938 00:42:24,676 --> 00:42:26,643 HOW WAS I TO KNOW THAT? 939 00:42:26,678 --> 00:42:28,144 ALL I HEARD WAS NEW YORK, 940 00:42:28,179 --> 00:42:29,646 AND NATURALLY I WAS EXCITED--- 941 00:42:29,681 --> 00:42:32,148 NEW YORK'S CRAWLING WITH DAMES CAN SING. 942 00:42:32,183 --> 00:42:34,150 YOU KNOW WHEN YOU'RE GONNA GO TO NEW YORK? 943 00:42:34,185 --> 00:42:36,152 AFTER I MAKE THEIR TONGUES HANG OUT FOR YOU. 944 00:42:36,187 --> 00:42:37,654 I'VE GOT PLANS FOR YOU SO BIG, 945 00:42:37,689 --> 00:42:38,655 YOU WOULDN'T EVEN UNDERSTAND 'EM, 946 00:42:38,690 --> 00:42:40,156 A HICK LIKE YOU. 947 00:42:40,191 --> 00:42:41,624 WHAT PLANS? 948 00:42:43,194 --> 00:42:45,161 AHA! 949 00:42:45,196 --> 00:42:47,664 LOOK WHOSE TONGUE IS HANGING OUT NOW. 950 00:42:47,699 --> 00:42:49,666 WELL, NEVER YOU MIND WHAT PLANS. 951 00:42:49,701 --> 00:42:51,668 ALL YOU GOTTA DO IS SING. 952 00:42:51,703 --> 00:42:53,636 THE REAL WORK, I'LL DO. 953 00:42:58,209 --> 00:43:00,710 COME ON. HURRY UP. GET DRESSED. 954 00:43:03,214 --> 00:43:05,682 WHO WAS THE GUY CAME OUT? 955 00:43:05,717 --> 00:43:07,183 CHISELERS, LEECHES. 956 00:43:07,218 --> 00:43:10,153 YOU GOT SOMETHING GOOD, EVERYBODY WANTS A PIECE. 957 00:43:13,725 --> 00:43:15,191 LISTEN, GEORGIE, 958 00:43:15,226 --> 00:43:18,194 I WANNA PUT HER ON A RADIO. 959 00:43:18,229 --> 00:43:20,697 FIND OUT WHO THE TOP MAN IS AT EVERY STATION 960 00:43:20,732 --> 00:43:22,198 AND ASK AROUND A LITTLE, 961 00:43:22,233 --> 00:43:23,700 WHICH ONE WE CAN PUT THE SQUEEZE ON. 962 00:43:23,735 --> 00:43:24,701 KNOW WHAT I MEAN? 963 00:43:24,736 --> 00:43:27,203 WHICH ONE WE CAN PUT THE SQUEEZE ON. 964 00:43:27,238 --> 00:43:29,205 JUST TO ASK THEM TO COME AND LISTEN TO HER? 965 00:43:29,240 --> 00:43:32,208 BET YOU ANYTHING THEY'D GIVE HER A JOB. 966 00:43:32,243 --> 00:43:33,209 THINK SO? 967 00:43:33,244 --> 00:43:36,179 WHY NOT? SHE SINGS REAL GOOD. 968 00:43:38,249 --> 00:43:39,716 AT THAT, YOU MIGHT BE RIGHT. 969 00:43:39,751 --> 00:43:41,718 BUT IF YOU AIN'T AND IT DON'T WORK, 970 00:43:41,753 --> 00:43:43,219 I'LL GUARANTEE YOU ONE THING: 971 00:43:43,254 --> 00:43:44,687 I'LL BRAIN YOU. 972 00:43:46,758 --> 00:43:48,224 HEY, YOU. 973 00:43:48,259 --> 00:43:49,726 YOU KNOW ANYTHING ABOUT RADIO? 974 00:43:49,761 --> 00:43:51,227 YES, A LITTLE. 975 00:43:51,262 --> 00:43:53,196 GOOD. WE'RE BRANCHING OUT. 976 00:43:57,268 --> 00:43:58,201 [KNOCK KNOCK] 977 00:44:01,539 --> 00:44:03,072 HI, JOHNNY. COME IN. 978 00:44:03,108 --> 00:44:04,040 HELLO. 979 00:44:05,610 --> 00:44:07,577 OH, HE CAN'T MAKE IT. 980 00:44:07,612 --> 00:44:09,579 I THINK HE HAD SOMETHING TO DO ABOUT HIS LAUNDRY. 981 00:44:09,614 --> 00:44:12,548 ANYWAY, HE SAID FOR US TO GO AHEAD AND REHEARSE. 982 00:44:16,121 --> 00:44:18,087 PRETTY FANCY, ISN'T IT? 983 00:44:18,123 --> 00:44:19,288 YEAH. 984 00:44:19,324 --> 00:44:22,091 MARTY HAD IT DECORATED FOR ME AS A BIRTHDAY PRESENT. 985 00:44:22,127 --> 00:44:25,361 THE FIRST REAL APARTMENT I'VE EVER HAD. I JUST LOVE IT. 986 00:44:25,397 --> 00:44:28,131 CAN I GET YOU A DRINK OR SOMETHING? 987 00:44:31,636 --> 00:44:33,336 CUP OF COFFEE, MAYBE? 988 00:44:35,640 --> 00:44:37,173 NOT NOW, THANK YOU. 989 00:44:40,145 --> 00:44:41,711 DID YOU GO TO THE RADIO STATION TODAY? 990 00:44:41,746 --> 00:44:43,713 YES. I SPENT THE MORNING WITH BRELSTON 991 00:44:43,748 --> 00:44:45,715 OUTLINING THE FIRST PROGRAM. 992 00:44:45,750 --> 00:44:48,217 OH, JOHNNY, I STILL CAN'T BELIEVE IT. 993 00:44:48,253 --> 00:44:49,719 MY OWN RADIO PROGRAM, 994 00:44:49,754 --> 00:44:52,755 THE BEST POSSIBLE TIME ON THE AIR. 995 00:44:52,791 --> 00:44:54,724 AND HOW ABOUT YOU, MAESTRO? 996 00:44:54,759 --> 00:44:56,359 CONDUCTING YOUR OWN ORCHESTRA. 997 00:44:56,394 --> 00:44:58,227 VERY IMPRESSIVE. 998 00:44:58,263 --> 00:45:00,129 BOTH OF US. 999 00:45:05,270 --> 00:45:08,237 RUTH, WHAT HAPPENED WHEN THAT AGENT 1000 00:45:08,273 --> 00:45:09,739 CAME TO SEE YOU? 1001 00:45:09,774 --> 00:45:11,741 HE HAD A BOOKING FOR ME IN NEW YORK. 1002 00:45:11,776 --> 00:45:12,742 THAT'S WHAT I THOUGHT. 1003 00:45:12,777 --> 00:45:14,744 WELL, WHY DIDN'T YOU TAKE IT? 1004 00:45:14,779 --> 00:45:16,746 'CAUSE I'M NOT READY FOR IT YET. 1005 00:45:16,781 --> 00:45:18,748 AND MARTY WILL TELL YOU WHEN YOU'RE READY? 1006 00:45:18,783 --> 00:45:20,750 HE'S MADE NO MISTAKE SO FAR. 1007 00:45:20,785 --> 00:45:22,251 LOOMIS DOESN'T MAKE MISTAKES, EITHER. 1008 00:45:22,287 --> 00:45:24,253 HE'S THE BEST AGENT IN THE BUSINESS. 1009 00:45:24,289 --> 00:45:25,254 HE WORKS FOR YOU, 1010 00:45:25,290 --> 00:45:26,756 YOU PAY HIM A COMMISSION, 1011 00:45:26,791 --> 00:45:28,758 AND YOU DON'T OWE HIM ANYTHING. 1012 00:45:28,793 --> 00:45:30,259 WHY DON'T YOU LET HIM HANDLE YOU? 1013 00:45:30,295 --> 00:45:31,260 BECAUSE I DON'T NEED HIM. 1014 00:45:31,296 --> 00:45:32,762 DID MARTY TELL YOU YOU DON'T NEED HIM? 1015 00:45:32,797 --> 00:45:34,263 I DON'T NEED HIM BECAUSE I HAVE MARTY. 1016 00:45:34,299 --> 00:45:35,264 HOW DO YOU LIKE THAT? 1017 00:45:35,300 --> 00:45:36,265 BELIEVE ME, YOU HAVE MARTY. 1018 00:45:36,301 --> 00:45:37,767 YOU'LL HAVE HIM FOR A LONG TIME, HONEY. 1019 00:45:37,802 --> 00:45:40,269 HE'LL BE RIGHT THERE WITH YOU EVERY STEP OF THE WAY. 1020 00:45:40,305 --> 00:45:41,304 LET ME TELL YOU SOMETHING. 1021 00:45:42,807 --> 00:45:43,773 I'LL BE ON MY OWN. 1022 00:45:43,808 --> 00:45:46,275 OH? USE HIM, THEN DITCH HIM 1023 00:45:46,311 --> 00:45:47,677 AT THE STRATEGIC MOMENT? 1024 00:45:47,712 --> 00:45:48,745 THAT'S A CHARMING PLAN. 1025 00:45:48,780 --> 00:45:50,279 WHAT ARE YOU TALKING ABOUT, PLANS? 1026 00:45:50,315 --> 00:45:51,781 I DON'T HAVE ANY PLANS. 1027 00:45:51,816 --> 00:45:53,216 YOU MAKE IT SOUND AS IF-- 1028 00:45:53,251 --> 00:45:54,784 WHY DO YOU HAVE TO ALWAYS START SOMETHING? 1029 00:45:54,819 --> 00:45:57,286 I DON'T. I JUST SEEM TO HAVE A STRANGE EFFECT ON YOU. 1030 00:45:57,322 --> 00:45:58,721 WHEN YOU'RE WITH ME, YOU LET YOURSELF 1031 00:45:58,757 --> 00:46:00,223 TAKE A GOOD LOOK AT WHAT YOU'RE DOING. 1032 00:46:00,258 --> 00:46:03,292 DON'T BLAME ME IF IT SHOCKS EVEN YOU. 1033 00:46:03,328 --> 00:46:05,294 LET'S GO TO WORK. 1034 00:46:05,330 --> 00:46:07,296 I'M SICK OF HAVING YOU AROUND. 1035 00:46:07,332 --> 00:46:09,799 WHY DON'T YOU QUIT? 1036 00:46:09,834 --> 00:46:12,301 WHY DON'T YOU TELL THE GIMP TO FIRE ME? 1037 00:46:12,337 --> 00:46:13,302 YOU THINK I CAN'T? 1038 00:46:13,338 --> 00:46:14,804 I KNOW YOU CAN. 1039 00:46:14,839 --> 00:46:16,272 WHY DON'T YOU? 1040 00:46:18,343 --> 00:46:20,643 I DON'T KNOW. 1041 00:46:20,678 --> 00:46:22,011 I DON'T KNOW. 1042 00:46:24,349 --> 00:46:26,282 SUPPOSE I TELL YOU. 1043 00:46:32,724 --> 00:46:34,323 LET'S FIND HIM, RUTH. 1044 00:46:34,359 --> 00:46:36,459 NOW. LET'S TELL HIM. 1045 00:46:39,864 --> 00:46:41,831 NO. 1046 00:46:41,866 --> 00:46:44,333 THERE'S NOTHING TO TELL HIM. 1047 00:46:44,369 --> 00:46:46,269 NOTHING'S CHANGED. 1048 00:46:46,304 --> 00:46:47,270 NOTHING. 1049 00:46:47,305 --> 00:46:48,304 RUTH, DARLING... 1050 00:46:58,216 --> 00:47:00,750 [MUSIC BEGINS] 1051 00:47:04,389 --> 00:47:06,856 ♪ IN DIXIELAND 1052 00:47:06,891 --> 00:47:08,858 ♪ THERE'S A MUSICAL MAN 1053 00:47:08,893 --> 00:47:10,359 ♪ HE HAS A GOOD TIME 1054 00:47:10,395 --> 00:47:13,930 ♪ JUST MAKIN' FOLKS HAPPY 1055 00:47:13,965 --> 00:47:16,365 ♪ THIS MUSICAL MAN 1056 00:47:16,401 --> 00:47:18,367 ♪ IS A ONE-MAN BAND 1057 00:47:18,403 --> 00:47:19,936 ♪ FOLKS HAVE TO LOVE HIM 1058 00:47:19,971 --> 00:47:22,271 ♪ FOR MAKING 'EM GLAD 1059 00:47:23,741 --> 00:47:25,875 ♪ HE DON'T PLAY MELODIES 1060 00:47:25,910 --> 00:47:28,377 ♪ JUST PLAYS BLUE HARMONIES ♪ 1061 00:47:28,413 --> 00:47:32,014 ♪ JUST LIKE NOBODY EVER HAD ♪ 1062 00:47:32,050 --> 00:47:33,683 ♪ HE JUST PLAYS CHORDS 1063 00:47:33,718 --> 00:47:34,817 ♪ HE JUST PLAYS CHORDS ♪ 1064 00:47:34,853 --> 00:47:35,852 ♪ THAT MAKE YOU FEEL GRAND 1065 00:47:35,887 --> 00:47:37,253 ♪ THAT MAKE YOU FEEL GRAND ♪ 1066 00:47:37,288 --> 00:47:41,657 ♪ THEY CALL HIM SAM THE OLD ACCORDION MAN ♪ 1067 00:47:41,693 --> 00:47:42,992 ♪ HIS DREAMY CHORDS 1068 00:47:43,027 --> 00:47:43,993 ♪ HIS DREAMY CHORDS ♪ 1069 00:47:44,028 --> 00:47:44,994 ♪ REMIND YOU OF HEAVEN 1070 00:47:45,029 --> 00:47:46,495 ♪ REMIND YOU OF HEAVEN ♪ 1071 00:47:46,531 --> 00:47:48,764 ♪ AND THEY'RE REAL CHORDS 1072 00:47:48,800 --> 00:47:51,133 ♪ ACCORDING TO DIXIELAND 1073 00:47:52,537 --> 00:47:53,502 ♪ IN THE EVENIN' 1074 00:47:53,538 --> 00:47:55,004 ♪ BY THE MOONLIGHT 1075 00:47:55,039 --> 00:47:57,006 ♪ WHEN THE SUN IS DOWN 1076 00:47:57,041 --> 00:47:58,441 ♪ HOW THOSE LOVERS 1077 00:47:58,476 --> 00:47:59,442 ♪ LEVY LOVERS 1078 00:47:59,477 --> 00:48:00,943 ♪ LOVE TO HANG AROUND 1079 00:48:00,979 --> 00:48:02,511 ♪ HE PLAYS THOSE CHORDS 1080 00:48:02,547 --> 00:48:03,512 ♪ HE PLAYS THOSE CHORDS ♪ 1081 00:48:03,548 --> 00:48:04,513 ♪ LIKE NOBODY CAN 1082 00:48:04,549 --> 00:48:06,015 ♪ LIKE NOBODY CAN 1083 00:48:06,050 --> 00:48:11,520 ♪ THEY CALL HIM SAM THE OLD ACCORDION MAN ♪ 1084 00:48:11,556 --> 00:48:14,257 ♪ OLD CHORDS, NEW CHORDS, FUNNY OLD BLUE CHORDS ♪ 1085 00:48:14,292 --> 00:48:15,758 ♪ MORNING, NIGHT, AND NOON 1086 00:48:15,793 --> 00:48:18,527 ♪ SAY, HE'S GOT CHORDS, NOTHING BUT HOT CHORDS ♪ 1087 00:48:18,563 --> 00:48:20,029 ♪ NEVER OUT OF TUNE 1088 00:48:20,064 --> 00:48:21,998 [ACCORDION PLAYING] 1089 00:48:40,084 --> 00:48:41,050 ♪ IN THE EVENIN' 1090 00:48:41,085 --> 00:48:42,551 ♪ BY THE MOONLIGHT 1091 00:48:42,587 --> 00:48:44,553 ♪ WHEN THE SUN IS DOWN 1092 00:48:44,589 --> 00:48:46,055 ♪ HOW THOSE LOVERS 1093 00:48:46,090 --> 00:48:47,056 ♪ LEVY LOVERS 1094 00:48:47,091 --> 00:48:48,691 ♪ LOVE TO HANG AROUND 1095 00:48:48,726 --> 00:48:51,060 ♪ HE PLAYS THOSE CHORDS 1096 00:48:51,095 --> 00:48:53,062 ♪ LIKE NOBODY CAN 1097 00:48:53,097 --> 00:48:55,064 ♪ THEY CALL HIM SAM 1098 00:48:55,099 --> 00:48:56,565 ♪ SAM 1099 00:48:56,601 --> 00:48:57,566 ♪ SAM 1100 00:48:57,602 --> 00:49:00,469 ♪ THE OLD ACCORDION MAN 1101 00:49:01,539 --> 00:49:02,805 LADIES AND GENTLEMEN... 1102 00:49:02,840 --> 00:49:05,074 LOOK, MARTY, I'VE BEEN ASKING YOU THE SAME THING 1103 00:49:05,109 --> 00:49:06,575 FOR THE PAST 5 WEEKS. 1104 00:49:06,611 --> 00:49:08,077 IS SHE GONNA SIGN WITH US AGAIN OR NOT? 1105 00:49:08,112 --> 00:49:10,079 HOW LONG CAN I STALL THE SPONSOR? 1106 00:49:10,114 --> 00:49:11,580 WHAT DOES SHE WANT? 1107 00:49:11,616 --> 00:49:12,581 JUST HALF OF CHICAGO. 1108 00:49:12,617 --> 00:49:14,083 HEY, MARTY, I GOT IT. 1109 00:49:14,118 --> 00:49:15,751 RELAX, BRELSTON. 1110 00:49:15,787 --> 00:49:17,653 IN A COUPLE OF MINUTES, YOU'LL KNOW AS MUCH AS I DO. 1111 00:49:20,625 --> 00:49:21,590 LOOMIS? 1112 00:49:21,626 --> 00:49:23,592 GO AHEAD. WHAT? 1113 00:49:23,628 --> 00:49:25,594 YEAH. 1114 00:49:25,630 --> 00:49:27,596 YEAH, YEAH. 1115 00:49:27,632 --> 00:49:29,598 THEY AGREED TO EVERYTHING? 1116 00:49:29,634 --> 00:49:32,101 UH-HUH. ALL RIGHT, WE'LL MAKE IT. 1117 00:49:32,136 --> 00:49:34,070 I'LL CONTACT YOU. YEAH. 1118 00:49:37,141 --> 00:49:38,107 YEAH, MARTY? 1119 00:49:38,142 --> 00:49:40,076 WHAT SHE WANTED, NEW YORK? 1120 00:49:41,145 --> 00:49:42,111 THAT'S SWELL. 1121 00:49:42,146 --> 00:49:43,612 WHEN WE GONNA GO? 1122 00:49:43,648 --> 00:49:45,114 COUPLE OF DAYS. 1123 00:49:45,149 --> 00:49:47,116 I DON'T KNOW HOW SMART IT IS. 1124 00:49:47,151 --> 00:49:48,617 WELL, ANYWAY, IT'S DONE. 1125 00:49:48,653 --> 00:49:50,619 YOU GOTTA STAY HERE, GEORGIE. 1126 00:49:50,655 --> 00:49:53,122 YOU GOTTA MIND THE LAUNDRY. 1127 00:49:53,157 --> 00:49:54,123 SURE. 1128 00:49:54,158 --> 00:49:56,125 WELL...HOW FAR AWAY IS NEW YORK? 1129 00:49:56,160 --> 00:49:58,594 YOU'LL MAKE VISITS LOTS OF TIMES. 1130 00:50:06,170 --> 00:50:07,103 WELL? 1131 00:50:08,673 --> 00:50:10,139 NO DICE, BRELSTON. 1132 00:50:10,174 --> 00:50:11,640 WHAT DO YOU MEAN? 1133 00:50:11,676 --> 00:50:13,642 WHAT'S THE SENSE OF HALF OF CHICAGO? 1134 00:50:13,678 --> 00:50:16,112 SHE'S GONNA HAVE ALL OF NEW YORK. 1135 00:50:22,186 --> 00:50:23,652 LADIES AND GENTLEMEN! 1136 00:50:23,688 --> 00:50:25,654 I WANT TO INVITE YOU ALL TO A PARTY 1137 00:50:25,690 --> 00:50:28,357 I'M THROWING OVER AT THE PLAZA FOR RUTHIE. 1138 00:50:28,393 --> 00:50:30,159 QUIET! I AIN'T THROUGH. 1139 00:50:30,194 --> 00:50:31,660 IT WAS GONNA BE ON ACCOUNT OF 1140 00:50:31,696 --> 00:50:32,962 THE WINDING UP OF THE PROGRAM, 1141 00:50:32,997 --> 00:50:34,663 BUT NOW IT'S FOR SOMETHING MUCH MORE IMPORTANT, 1142 00:50:34,699 --> 00:50:36,665 SOMETHING RUTHIE HERSELF DOESN'T KNOW YET. 1143 00:50:36,701 --> 00:50:38,167 SHE'S GOING TO NEW YORK. 1144 00:50:38,202 --> 00:50:39,301 People: NEW YORK? 1145 00:50:39,337 --> 00:50:40,803 SHE'S GONNA BE... 1146 00:50:40,838 --> 00:50:42,538 IN A ZIEGFELD FOLLIES. 1147 00:50:42,573 --> 00:50:45,174 [ALL CHEERING] 1148 00:50:45,209 --> 00:50:47,109 CONGRATULATIONS! 1149 00:50:49,580 --> 00:50:50,679 ALL RIGHT, BOYS, 1150 00:50:50,715 --> 00:50:52,681 I'LL SEE YOU OVER AT THE PARTY. 1151 00:50:52,717 --> 00:50:54,183 WE'LL SAVE YOU A DRINK, RUTHIE. 1152 00:50:54,218 --> 00:50:55,684 OH, I'M SO EXCITED. 1153 00:50:55,720 --> 00:50:58,621 TOLD YOU I'D GET THE BEST FOR YOU, DIDN'T I? 1154 00:50:58,656 --> 00:51:00,623 NOW MAYBE YOU'LL HAVE A LITTLE CONFIDENCE. 1155 00:51:00,658 --> 00:51:03,192 OH, I DO HAVE. I ALWAYS HAVE HAD. 1156 00:51:03,227 --> 00:51:04,693 COMING TO THE PARTY, AIN'T YA? 1157 00:51:04,729 --> 00:51:06,195 SORRY, I CAN'T. THANK YOU ANYWAY. 1158 00:51:06,230 --> 00:51:08,197 PRETTY GOOD, HUH? ZIEGFELD? 1159 00:51:08,232 --> 00:51:10,199 WILL YOU BE READY TO LEAVE IN A COUPLE DAYS? 1160 00:51:10,234 --> 00:51:12,401 I'M NOT GOING TO NEW YORK. 1161 00:51:12,437 --> 00:51:13,702 HUH? WHAT DO YOU MEAN, YOU'RE NOT GOING? 1162 00:51:13,738 --> 00:51:15,204 I'LL MEET YOU AT THE PLAZA, MARTY. 1163 00:51:15,239 --> 00:51:16,305 WAIT A MINUTE, RUTHIE. 1164 00:51:16,340 --> 00:51:20,209 I'LL MEET YOU AT THE PLAZA, MARTY. 1165 00:51:20,244 --> 00:51:21,710 WHAT'S THE BIG IDEA? 1166 00:51:21,746 --> 00:51:23,212 OH, I'VE HAD ANOTHER OFFER 1167 00:51:23,247 --> 00:51:24,213 OUT IN CALIFORNIA. 1168 00:51:24,248 --> 00:51:25,214 IT SEEMS PRETTY INTERESTING-- 1169 00:51:25,249 --> 00:51:27,216 WELL, THAT'S GRATITUDE FOR YOU! 1170 00:51:27,251 --> 00:51:29,218 THERE'S NOTHING I CAN DO FOR RUTH ANYMORE. 1171 00:51:29,253 --> 00:51:30,519 SHE'S MADE IT. 1172 00:51:30,555 --> 00:51:32,221 ARE YOU GOING? 1173 00:51:32,256 --> 00:51:33,722 YEAH, I'M GOING. 1174 00:51:33,758 --> 00:51:36,725 YOU BET YOUR SWEET LIFE I'M GOING. 1175 00:51:36,761 --> 00:51:38,761 SHE'S GONNA NEED ME THE LONGEST DAY SHE LIVES, 1176 00:51:38,796 --> 00:51:40,729 NO MATTER WHAT YOU THINK! 1177 00:51:40,765 --> 00:51:42,231 NO MATTER WHAT I THINK? 1178 00:51:42,266 --> 00:51:44,733 YEAH! AND I KNOW WHAT YOU THINK, 1179 00:51:44,769 --> 00:51:46,235 HER HAVING ANYTHING TO DO WITH ME. 1180 00:51:46,270 --> 00:51:48,237 AND I KNOW WHAT YOU THINK ABOUT ME, TOO: 1181 00:51:48,272 --> 00:51:51,240 A JERK, A DUMB MUG, STRICTLY FOR LAUGHS. 1182 00:51:51,275 --> 00:51:52,241 NO. 1183 00:51:52,276 --> 00:51:54,710 A CHEAP CROOK PUSHING PEOPLE AROUND. 1184 00:52:00,218 --> 00:52:02,251 I EVER PUSH RUTHIE AROUND? 1185 00:52:02,286 --> 00:52:04,253 YOU WILL, PAL, YOU WILL. 1186 00:52:04,288 --> 00:52:06,255 WISE GUY. YOU KNOW EVERYTHING. 1187 00:52:06,290 --> 00:52:08,257 YOU DON'T KNOW NOTHIN'. 1188 00:52:08,292 --> 00:52:09,258 IN A MILLION YEARS, 1189 00:52:09,293 --> 00:52:10,259 YOU WOULDN'T KNOW ABOUT RUTHIE, 1190 00:52:10,294 --> 00:52:12,761 IN A MILLION YEARS, 1191 00:52:12,797 --> 00:52:13,963 YOU DON'T KNOW NOTHING, 1192 00:52:13,998 --> 00:52:15,097 WHERE'D I COME FROM, 1193 00:52:15,133 --> 00:52:16,265 THE KIND OF A LIFE, THE KIND OF A PLACE. 1194 00:52:16,300 --> 00:52:18,767 SAME PLACE I DID, SNYDER. 1195 00:52:18,803 --> 00:52:21,270 SAME PLACE, SAME STREET, SAME EVERYTHING. 1196 00:52:21,305 --> 00:52:22,771 ME AND A THOUSAND OTHER GUYS. 1197 00:52:22,807 --> 00:52:24,773 AND THEY DON'T ALL TURN OUT LIKE YOU. 1198 00:52:24,809 --> 00:52:26,075 WHO'S SHE GOING WITH? 1199 00:52:26,110 --> 00:52:29,812 ANSWER ME THAT, SMART GUY. 1200 00:52:29,847 --> 00:52:31,747 WHO IS SHE GOING WITH? 1201 00:52:35,887 --> 00:52:37,286 ONLY ONE THING I GOT AGAINST YOU, 1202 00:52:37,321 --> 00:52:38,787 YOU POOR SLOB. 1203 00:52:38,823 --> 00:52:40,289 I'M SORRY YOU QUIT. 1204 00:52:40,324 --> 00:52:42,758 I WOULD'VE LIKED TO FIRE YOU. 1205 00:52:51,836 --> 00:52:52,835 [PIANO PLAYING] 1206 00:52:53,838 --> 00:52:54,803 THAT'S IT. GOOD. 1207 00:52:54,839 --> 00:52:56,305 BOYS, COME DOWN BEHIND HER. 1208 00:52:56,340 --> 00:52:57,806 GOOD. COME FORWARD. THAT'S IT. 1209 00:52:57,842 --> 00:52:59,241 ARMS, BOYS, ARMS. 1210 00:52:59,277 --> 00:53:01,243 THAT'S IT. KEEP COMING FORWARD. 1211 00:53:01,279 --> 00:53:02,311 GET SOME BOUNCE. 1212 00:53:02,346 --> 00:53:03,312 DON'T I STAY HERE? 1213 00:53:03,347 --> 00:53:04,813 YEAH, RIGHT THERE. THAT'S OK. 1214 00:53:04,849 --> 00:53:07,816 JUST A LITTLE BIT MORE FORWARD. THAT'S IT. 1215 00:53:07,852 --> 00:53:09,818 ALL RIGHT, FELLAS, CROSS OVER HERE. 1216 00:53:09,854 --> 00:53:11,287 CROSS OVER THERE. 1217 00:53:11,322 --> 00:53:13,822 YOU STAY THERE, RUTH. WE'LL FIX IT LATER. 1218 00:53:13,858 --> 00:53:16,325 THAT'S IT. COME FORWARD A LITTLE. 1219 00:53:16,360 --> 00:53:18,327 GOOD. 1220 00:53:18,362 --> 00:53:19,828 NOW YOU GO BACKWARDS. 1221 00:53:19,864 --> 00:53:21,830 BACK. THAT'S RIGHT. BACK. ALL THE WAY BACK. 1222 00:53:21,866 --> 00:53:23,132 NOW YOU DO THE SAME THING. 1223 00:53:23,167 --> 00:53:24,333 COMING FORWARD AGAIN. THAT'S IT. 1224 00:53:24,368 --> 00:53:25,334 CLEAR THE WAY THERE 1225 00:53:25,369 --> 00:53:26,835 SO SHE CAN GET THROUGH. 1226 00:53:26,871 --> 00:53:28,070 COME ON, THAT'S IT. 1227 00:53:28,105 --> 00:53:29,338 THAT'S GOOD. COME ON. 1228 00:53:29,373 --> 00:53:30,739 THAT'S FINE. 1229 00:53:30,775 --> 00:53:32,341 GOOD. A LITTLE BIT MORE. 1230 00:53:32,376 --> 00:53:34,843 ALL RIGHT, ALL RIGHT, ALL RIGHT, ALL RIGHT. 1231 00:53:34,879 --> 00:53:35,844 THAT'S ALL. 1232 00:53:35,880 --> 00:53:37,346 ALL RIGHT, LUNCH, EVERYBODY! 1233 00:53:37,381 --> 00:53:38,347 BACK AT 2:00. 1234 00:53:38,382 --> 00:53:39,848 SAME NUMBER, SAME PEOPLE. 1235 00:53:39,884 --> 00:53:40,849 SAME MISTAKES. 1236 00:53:40,885 --> 00:53:43,352 OH, I SEEM TO DO EVERYTHING WRONG. 1237 00:53:43,387 --> 00:53:44,353 NO. IT'S ME. 1238 00:53:44,388 --> 00:53:45,854 I HAVEN'T TURNED ON THE MAGIC YET, 1239 00:53:45,890 --> 00:53:46,855 SO TAKE OFF THE WORRY-FACE 1240 00:53:46,891 --> 00:53:48,357 AND GET YOURSELF SOME LUNCH. 1241 00:53:48,392 --> 00:53:49,858 Man: IT'S IN YOUR DRESSING ROOM. 1242 00:53:49,894 --> 00:53:51,360 MR. ZIEGFELD ORDERED IT FOR YOU. 1243 00:53:51,395 --> 00:53:52,861 OH, THANK YOU. 1244 00:53:52,897 --> 00:53:54,863 DOESN'T EVERYONE GET SPOILED ROTTEN AROUND HERE? 1245 00:53:54,899 --> 00:53:57,666 NO. WE JUST CHOOSE A SELECT FEW. 1246 00:53:57,702 --> 00:53:58,701 GOOD-BYE. 1247 00:53:58,736 --> 00:54:01,303 NO. WE JUST CHOOSE A SELECT FEW. 1248 00:54:01,339 --> 00:54:02,638 MARTY... 1249 00:54:04,508 --> 00:54:05,975 OH, MR. SNYDER. 1250 00:54:06,010 --> 00:54:07,943 I DIDN'T KNOW YOU WERE HONORING US TODAY. 1251 00:54:07,979 --> 00:54:09,178 TODAY AND EVERY DAY. 1252 00:54:09,213 --> 00:54:11,180 AND I STILL SAY IT'S LOUSY. 1253 00:54:11,215 --> 00:54:12,681 ALL WEEK I'VE BEEN TRYING TO TELL YA. 1254 00:54:12,717 --> 00:54:13,682 WHY DON'T YOU LISTEN TO ME? 1255 00:54:13,718 --> 00:54:15,184 ALL WEEK I'VE BEEN TRYING TO TELL YA. 1256 00:54:15,219 --> 00:54:17,186 GUYS PRANCING AROUND HER, HIDING HER. 1257 00:54:17,221 --> 00:54:18,187 IT'S CRUMMY! 1258 00:54:18,222 --> 00:54:19,688 I'M SORRY YOU DON'T LIKE MY WORK. 1259 00:54:19,724 --> 00:54:21,690 PERHAPS YOU BETTER TELL MR. ZIEGFELD. 1260 00:54:21,726 --> 00:54:23,692 I'M TELLING YOU, BIG SHOT. 1261 00:54:23,728 --> 00:54:25,794 AND DON'T GIVE ME THAT FISHEYE OF YOURS, EITHER. 1262 00:54:25,830 --> 00:54:27,696 I KNOW WHAT'S GOOD FOR HER AND WHAT AIN'T. 1263 00:54:27,732 --> 00:54:29,198 I OUGHT TO BY THIS TIME. I'M HER MANAGER. 1264 00:54:29,233 --> 00:54:31,233 SHE NEVER MADE A MOVE I DIDN'T TELL HER. 1265 00:54:31,269 --> 00:54:34,270 I'M SURE MISS ETTING HAS FOUND YOUR ADVICE INVALUABLE. 1266 00:54:34,305 --> 00:54:36,305 PERHAPS YOU'RE JUST MORE TALENTED THAN I. 1267 00:54:36,340 --> 00:54:37,973 YOU AIN'T KIDDIN', BUSTER. YOU STINK. 1268 00:54:38,009 --> 00:54:40,476 FRED, THIS IS BEGINNING TO LOSE ITS AMUSEMENT VALUE. 1269 00:54:40,511 --> 00:54:41,810 I'LL TAKE CARE OF IT. 1270 00:54:41,846 --> 00:54:44,813 BEAT IT, ERRAND BOY! I TOLD YOU 10 TIMES ALREADY! 1271 00:54:44,849 --> 00:54:46,315 I DON'T DO BUSINESS WITH ASSISTANTS. 1272 00:54:46,350 --> 00:54:47,316 I'M TALKING TO HIM! 1273 00:54:47,351 --> 00:54:48,317 NO, YOU'RE NOT. 1274 00:54:48,352 --> 00:54:49,318 WHY, YOU-- 1275 00:54:49,353 --> 00:54:50,319 JUST A MINUTE! 1276 00:54:50,354 --> 00:54:51,820 TAKE YOUR HANDS OFF ME. 1277 00:54:51,856 --> 00:54:53,289 FRED, LET ME. 1278 00:54:57,862 --> 00:54:59,762 ARE YOU OUT OF YOUR MIND? 1279 00:54:59,797 --> 00:55:02,264 YOU CAN'T ACT LIKE A HOODLUM IN HERE. 1280 00:55:02,300 --> 00:55:04,333 YOU THINK LIKE RUTH, THIS IS SOME KIND OF CHURCH? 1281 00:55:04,368 --> 00:55:06,335 YOU MENTION THE NAME OF ZIEGFELD 1282 00:55:06,370 --> 00:55:07,503 AND EVERYBODY GOTTA KNEEL DOWN? 1283 00:55:07,538 --> 00:55:09,338 I'M THINKING OF HER, AND WHAT YOU'RE DOING TO HER, 1284 00:55:09,373 --> 00:55:11,340 WHAT YOU'VE BEEN DOING TO HER EVER SINCE YOU GOT HERE. 1285 00:55:11,375 --> 00:55:12,841 I GOTTA LOOK OUT FOR HER INTERESTS, DON'T I? 1286 00:55:12,877 --> 00:55:14,343 THEY'RE LOOKING OUT FOR HER INTERESTS. 1287 00:55:14,378 --> 00:55:15,844 THEY'RE THE BEST IN THE BUSINESS. 1288 00:55:15,880 --> 00:55:17,346 THEY'LL MAKE A BIG STAR OUT OF HER 1289 00:55:17,381 --> 00:55:18,847 IF YOU'LL JUST GIVE 'EM A CHANCE, 1290 00:55:18,883 --> 00:55:21,350 BUT YOU CAN'T SHOVE 'EM AROUND. 1291 00:55:21,385 --> 00:55:22,351 WELL... 1292 00:55:22,386 --> 00:55:25,854 YOU DON'T HAVE TO WORRY ABOUT ME. 1293 00:55:25,890 --> 00:55:29,358 I DON'T WANNA DO NOTHIN' TO HURT RUTHIE, BUT I... 1294 00:55:29,393 --> 00:55:30,859 I'M JUST USED TO TAKING CARE. 1295 00:55:30,895 --> 00:55:33,862 I JUST CAN'T SIT AND DO NOTHING FOR HER. 1296 00:55:33,898 --> 00:55:36,332 I KNOW, MARTY, AND I UNDERSTAND. 1297 00:55:39,904 --> 00:55:41,870 YOU WANNA HAVE A CUP OF COFFEE WITH ME, BARNEY? 1298 00:55:41,906 --> 00:55:43,372 SURE. I'D LIKE IT. 1299 00:55:43,407 --> 00:55:45,374 AS A MATTER OF FACT, I'LL BUY YOU LUNCH. 1300 00:55:45,409 --> 00:55:47,376 YOU'LL BUY? HA HA! 1301 00:55:47,411 --> 00:55:49,712 I'LL BUY. COME ON. 1302 00:55:49,747 --> 00:55:51,080 [WHISTLE BLOWS] 1303 00:55:53,818 --> 00:55:56,318 [TIMPANI ROLL] 1304 00:55:56,354 --> 00:55:58,987 [ORCHESTRA PLAYING] 1305 00:56:08,165 --> 00:56:11,934 ♪ THERE'S AN OLD SUPERSTITION WAY DOWN SOUTH ♪ 1306 00:56:11,969 --> 00:56:16,638 ♪ EVERYBODY BELIEVES THAT TROUBLE WON'T STAY ♪ 1307 00:56:16,674 --> 00:56:18,607 ♪ IF YOU SHAKE IT AWAY 1308 00:56:20,678 --> 00:56:24,446 ♪ WHEN THEY HOLD A REVIVAL WAY DOWN SOUTH ♪ 1309 00:56:24,482 --> 00:56:29,151 ♪ EVERYBODY WITH CARE AND TROUBLE THAT DAY ♪ 1310 00:56:29,186 --> 00:56:31,620 ♪ TRIES TO SHAKE IT AWAY 1311 00:56:33,190 --> 00:56:35,157 ♪ SHAKIN' THE BLUES AWAY 1312 00:56:35,192 --> 00:56:36,158 ♪ AWAY 1313 00:56:36,193 --> 00:56:38,160 ♪ UNHAPPY NEWS AWAY 1314 00:56:38,195 --> 00:56:39,161 ♪ AWAY 1315 00:56:39,196 --> 00:56:40,662 ♪ IF YOU ARE BLUE 1316 00:56:40,698 --> 00:56:45,134 ♪ IT'S EASY TO SHAKE OFF YOUR CARES AND TROUBLES ♪ 1317 00:56:45,169 --> 00:56:47,169 ♪ TELLIN' THE BLUES TO GO 1318 00:56:47,204 --> 00:56:48,170 ♪ TO GO 1319 00:56:48,205 --> 00:56:50,172 ♪ THEY MAY REFUSE TO GO ♪ 1320 00:56:50,207 --> 00:56:51,173 ♪ TO GO 1321 00:56:51,208 --> 00:56:52,674 ♪ BUT AS A RULE 1322 00:56:52,710 --> 00:56:55,144 ♪ THEY'LL GO IF YOU SHAKE 'EM AWAY ♪ 1323 00:56:55,179 --> 00:56:56,145 ♪ SHAKE 'EM AWAY 1324 00:56:56,180 --> 00:56:58,680 ♪ DO LIKE THE VOODOOS DO 1325 00:56:58,716 --> 00:57:00,115 ♪ LISTEN TO 1326 00:57:00,151 --> 00:57:02,117 ♪ A VOODOO MELODY 1327 00:57:02,153 --> 00:57:04,686 ♪ THEY SHAKE THEIR BODIES SO ♪ 1328 00:57:04,722 --> 00:57:06,588 ♪ TO AND FRO 1329 00:57:06,624 --> 00:57:08,023 ♪ WITH EVERY SHAKE 1330 00:57:08,058 --> 00:57:09,525 ♪ A LUCKY BREAK 1331 00:57:09,560 --> 00:57:11,193 ♪ PROVIN' THAT THERE'S A WAY ♪ 1332 00:57:11,228 --> 00:57:12,194 ♪ A WAY 1333 00:57:12,229 --> 00:57:14,096 ♪ TO CHASE YOUR CARES AWAY 1334 00:57:14,131 --> 00:57:15,297 ♪ AWAY 1335 00:57:15,332 --> 00:57:17,699 ♪ IF YOU WOULD LOSE YOUR WEARY BLUES ♪ 1336 00:57:17,735 --> 00:57:19,668 ♪ SHAKE 'EM AWAY 1337 00:58:17,628 --> 00:58:19,094 ♪ SHAKIN' THE BLUES AWAY 1338 00:58:19,129 --> 00:58:20,262 ♪ AWAY, AWAY 1339 00:58:20,297 --> 00:58:21,697 ♪ UNHAPPY NEWS AWAY 1340 00:58:21,732 --> 00:58:22,831 ♪ AWAY, AWAY 1341 00:58:22,867 --> 00:58:25,267 ♪ IF YOU WERE BLUE, IT'S EASY TO ♪ 1342 00:58:25,302 --> 00:58:28,170 ♪ SHAKE OFF YOUR CARES AND TROUBLES ♪ 1343 00:58:28,205 --> 00:58:31,039 ♪ TELLIN' THE BLUES TO GO 1344 00:58:31,075 --> 00:58:33,642 ♪ THEY MAY REFUSE TO GO 1345 00:58:33,677 --> 00:58:34,810 ♪ BUT AS A RULE 1346 00:58:34,845 --> 00:58:37,980 ♪ THEY'LL GO IF YOU SHAKE 'EM AWAY ♪ 1347 00:58:38,015 --> 00:58:40,983 ♪ DO LIKE THE VOODOOS DO 1348 00:58:41,018 --> 00:58:42,985 ♪ LISTEN TO 1349 00:58:43,020 --> 00:58:44,987 ♪ A VOODOO MELODY 1350 00:58:45,022 --> 00:58:47,489 ♪ THEY SHAKE THEIR BODIES SO ♪ 1351 00:58:47,525 --> 00:58:49,491 ♪ TO AND FRO 1352 00:58:49,527 --> 00:58:51,493 ♪ WITH EVERY SHAKE 1353 00:58:51,529 --> 00:58:52,995 ♪ A LUCKY BREAK 1354 00:58:53,030 --> 00:58:54,496 ♪ WITH EVERY SHAKE 1355 00:58:54,532 --> 00:58:55,664 ♪ A LUCKY BREAK 1356 00:58:55,699 --> 00:58:56,999 ♪ PROVIN' THAT THERE'S A WAY ♪ 1357 00:58:57,034 --> 00:58:58,000 ♪ A WAY 1358 00:58:58,035 --> 00:58:59,434 ♪ TO CHASE YOUR CARES AWAY 1359 00:58:59,470 --> 00:59:00,636 ♪ AWAY 1360 00:59:00,671 --> 00:59:02,437 ♪ IF YOU WOULD LOSE YOUR WEARY BLUES ♪ 1361 00:59:02,473 --> 00:59:04,006 ♪ SHAKE 'EM AWAY 1362 00:59:04,041 --> 00:59:06,008 ♪ SHAKE THOSE BLUES AWAY ♪ 1363 00:59:06,043 --> 00:59:08,510 ♪ GOTTA CHASE THOSE CARES AWAY ♪ 1364 00:59:08,546 --> 00:59:10,512 ♪ JUST TO PROVE THAT THERE'S A WAY ♪ 1365 00:59:10,548 --> 00:59:13,382 ♪ A WAY TO SHAKE, SHAKE YOUR BLUES ♪ 1366 00:59:13,417 --> 00:59:14,550 ♪ AWAY... 1367 00:59:14,585 --> 00:59:16,852 ♪ AWAY ♪ AWAY 1368 00:59:32,636 --> 00:59:33,535 I THINK I'LL GO BACKSTAGE 1369 00:59:33,571 --> 00:59:35,037 AND SEE HER FOR JUST A MINUTE. 1370 00:59:35,072 --> 00:59:36,972 NO, WAIT, MARTY. WAIT TILL AFTER THE SHOW. 1371 00:59:40,911 --> 00:59:42,844 VERY GOOD, RUTH. TAKE ANOTHER BOW. 1372 00:59:49,286 --> 00:59:51,753 YOU'VE GOT 'EM, YOU'VE GOT 'EM! 1373 00:59:51,789 --> 00:59:55,490 KEEP WITH THE GROUP. KEEP BELTING. 1374 00:59:56,727 --> 00:59:58,293 OH, MISS ETTING, YOU WERE JUST WONDERFUL. 1375 00:59:58,329 --> 00:59:59,428 THANK YOU. 1376 00:59:59,463 --> 01:00:00,896 WE HAVE TO HURRY. 1377 01:00:05,836 --> 01:00:07,803 OH, I'M SORRY, MR. SNYDER. 1378 01:00:07,838 --> 01:00:09,004 I JUST WANT TO SEE MISS ETTING FOR A MINUTE. 1379 01:00:09,039 --> 01:00:10,505 I'M SORRY. I GOT MY ORDERS. 1380 01:00:10,541 --> 01:00:11,506 YOU WON'T GET INTO ANY TROUBLE. 1381 01:00:11,542 --> 01:00:13,008 I GIVE YOU MY PERSONAL GUARANTEE. 1382 01:00:13,043 --> 01:00:14,509 WAIT A MINUTE. HEY, TAYLOR. 1383 01:00:14,545 --> 01:00:15,510 COME HERE. 1384 01:00:15,546 --> 01:00:17,012 I WANT TO SEE RUTH A MINUTE. 1385 01:00:17,047 --> 01:00:18,113 TELL HIM IT'S OK, HUH? 1386 01:00:18,148 --> 01:00:19,314 Fred: PLEASE, MR. SNYDER. 1387 01:00:19,350 --> 01:00:21,717 SHE ONLY HAS A COUPLE MINUTES BETWEEN NUMBERS. 1388 01:00:21,752 --> 01:00:23,118 OUT OF MY WAY, PUNK. 1389 01:00:23,153 --> 01:00:25,087 MARTY, WHAT IS IT? WHAT'S THE MATTER? 1390 01:00:25,122 --> 01:00:26,088 I JUST WANNA SEE YOU, 1391 01:00:26,123 --> 01:00:27,756 MARTY, WHAT IS IT? WHAT'S THE MATTER? 1392 01:00:27,791 --> 01:00:30,125 THEY DON'T WANT PEOPLE BACKSTAGE. 1393 01:00:30,160 --> 01:00:31,727 WHAT ARE YOU TRYING TO GIVE ME? 1394 01:00:31,762 --> 01:00:33,228 I SEEN PEOPLE COME IN. 1395 01:00:33,263 --> 01:00:34,730 EVERYBODY ELSE YOU MAKE EXCEPTIONS? 1396 01:00:34,765 --> 01:00:35,731 EVERYBODY BUT ME? 1397 01:00:35,766 --> 01:00:37,232 YOU ASKED FOR IT, YOU GOT IT. 1398 01:00:37,267 --> 01:00:38,433 SATISFIED? 1399 01:00:38,469 --> 01:00:41,236 YOU ASKED FOR IT, YOU GOT IT. 1400 01:00:41,271 --> 01:00:42,704 ONE MORE CRACK OUT OF YOU, AND I'LL TAKE YOU APART! 1401 01:00:42,740 --> 01:00:43,705 MARTY! 1402 01:00:43,741 --> 01:00:44,773 AH, GO AWAY. 1403 01:00:44,808 --> 01:00:45,774 WHY DON'T YOU GO PLAY COPS AND ROBBERS 1404 01:00:45,809 --> 01:00:46,775 WHERE THEY'RE SCARED OF YOU? 1405 01:00:46,810 --> 01:00:48,210 THIS ISN'T CHICAGO. 1406 01:00:49,780 --> 01:00:51,246 [WOMEN SCREAMING] 1407 01:00:51,281 --> 01:00:52,581 MARTY, STOP IT! 1408 01:00:52,616 --> 01:00:55,250 MARTY! MARTY, STOP IT! 1409 01:00:55,285 --> 01:00:56,752 PLEASE DON'T! 1410 01:00:56,787 --> 01:00:58,253 TAKE IT EASY! 1411 01:00:58,288 --> 01:00:59,688 THROW HIM OUT! 1412 01:00:59,723 --> 01:01:01,690 COME ON. RUTH, IT'S YOUR CUE. 1413 01:01:01,725 --> 01:01:03,225 CALL A DOCTOR! 1414 01:01:05,696 --> 01:01:07,162 RUTH, GET OUT THERE. 1415 01:01:07,197 --> 01:01:08,697 GO ON. 1416 01:01:08,732 --> 01:01:10,732 OUTSIDE, BUSTER! COME ON! 1417 01:01:15,539 --> 01:01:16,538 GO ON! 1418 01:01:20,310 --> 01:01:22,778 I DON'T CARE HOW YOU DO IT, GEORGIE. 1419 01:01:22,813 --> 01:01:24,279 FIND THE FIRE AND GET RID OF IT. 1420 01:01:24,314 --> 01:01:28,283 LOOK, GET ALL YOU CAN. I'M DEPENDING ON YOU. 1421 01:01:28,318 --> 01:01:30,786 I'M PULLING RUTH OUT OF THE SHOW. 1422 01:01:30,821 --> 01:01:32,788 SHE'S LEAVING ZIEGFELD. 1423 01:01:32,823 --> 01:01:33,789 I'M WHAT? 1424 01:01:33,824 --> 01:01:35,290 I'M FED UP! 1425 01:01:35,325 --> 01:01:36,291 MARTY. 1426 01:01:36,326 --> 01:01:37,793 I'VE HAD ENOUGH! 1427 01:01:37,828 --> 01:01:39,294 IT'S UP TO HERE WITH ME. 1428 01:01:39,329 --> 01:01:41,296 FROM NOW ON, I'M NUMBER ONE. 1429 01:01:41,331 --> 01:01:42,731 DON'T WORRY. YOU WON'T BE THE LOSER. 1430 01:01:42,766 --> 01:01:43,799 I'VE BEEN ON THE PHONE. 1431 01:01:43,834 --> 01:01:45,801 DON'T WORRY. YOU WON'T BE THE LOSER. 1432 01:01:45,836 --> 01:01:48,303 BARNEY, WE GOTTA GET OUT OF THAT CONTRACT. 1433 01:01:48,338 --> 01:01:49,805 I'VE GOTTA PAY OFF, IT'S ALL RIGHT. 1434 01:01:49,840 --> 01:01:51,807 I'LL HAVE THE DOUGH. I'M SELLING THE LAUNDRY. 1435 01:01:51,842 --> 01:01:53,809 BUT THERE MIGHT JUST BE AN ANGLE. 1436 01:01:53,844 --> 01:01:55,811 MARTY, WE SIGNED THAT CONTRACT IN GOOD FAITH. 1437 01:01:55,846 --> 01:01:57,813 Ruth: THERE IS AN ANGLE. 1438 01:01:57,848 --> 01:01:59,247 A GOOD ONE. 1439 01:01:59,283 --> 01:02:01,750 YOU MADE US A NICE LITTLE SCANDAL TONIGHT. 1440 01:02:01,785 --> 01:02:03,318 FRED TAYLOR'S IN THE HOSPITAL 1441 01:02:03,353 --> 01:02:04,820 WITH A BROKEN JAW. 1442 01:02:04,855 --> 01:02:06,321 HE'S LUCKY HE'S ALIVE! SO WHAT? 1443 01:02:06,356 --> 01:02:07,823 SO, ZIEGFELD DOESN'T WANT ME IN THE SHOW, 1444 01:02:07,858 --> 01:02:08,824 NOT IF YOU'RE AROUND. 1445 01:02:08,859 --> 01:02:10,325 THAT DON'T HURT MY FEELINGS. 1446 01:02:10,360 --> 01:02:11,827 HE'S A BIGGER JERK THAN I FIGURED 1447 01:02:11,862 --> 01:02:12,828 IF HE LETS YOU GO FOR FREE. 1448 01:02:12,863 --> 01:02:14,830 ONLY I'M NOT GOING. 1449 01:02:14,865 --> 01:02:16,832 I WAS A HIT TONIGHT. 1450 01:02:16,867 --> 01:02:18,333 A BIG HIT. 1451 01:02:18,368 --> 01:02:20,335 IT'S A CHANCE TO BE SOMEBODY. 1452 01:02:20,370 --> 01:02:22,037 IT'S THE FOLLIES. IT'S BROADWAY. 1453 01:02:22,072 --> 01:02:23,805 IT'S A CHANCE TO MEET DECENT PEOPLE 1454 01:02:23,841 --> 01:02:24,940 AND TO MAKE FRIENDS. 1455 01:02:24,975 --> 01:02:26,842 IT'S A CHANCE TO MEET DECENT PEOPLE 1456 01:02:26,877 --> 01:02:28,343 WHY SHOULD I LEAVE IT? WHAT SENSE DOES IT MAKE? 1457 01:02:28,378 --> 01:02:29,845 IT DOESN'T HAVE TO MAKE SENSE! 1458 01:02:29,880 --> 01:02:31,346 IT'S WHAT I WANT, THE WAY IT'S GONNA BE! 1459 01:02:31,381 --> 01:02:32,848 YOU CAN'T TELL ME WHAT TO DO! 1460 01:02:32,883 --> 01:02:33,915 IN A PIG'S EYE, I CAN'T! 1461 01:02:33,951 --> 01:02:35,851 YOU CAN'T TELL ME WHAT TO DO! 1462 01:02:35,886 --> 01:02:38,320 YOU'RE RIGHT, I OWN YOU! THAT'S EXACTLY RIGHT! 1463 01:02:40,390 --> 01:02:41,323 BARNEY. 1464 01:02:42,760 --> 01:02:43,725 GOOD NIGHT, RUTH. 1465 01:02:44,895 --> 01:02:46,328 GOOD NIGHT, MARTY. 1466 01:02:55,405 --> 01:02:57,372 I'M SORRY I GOT ANGRY. 1467 01:02:57,407 --> 01:02:59,307 WE HAVE A LOT TO TALK ABOUT. 1468 01:02:59,343 --> 01:03:00,809 LET'S NOT DO IT THIS WAY. 1469 01:03:00,844 --> 01:03:02,310 LET'S NOT SHOUT AT EACH OTHER-- 1470 01:03:02,346 --> 01:03:05,380 DON'T USE YOUR RITZY ZIEGFELD VOICE ON ME. 1471 01:03:05,415 --> 01:03:08,383 MAKE LIKE YOU'RE BACK AT THE 10 CENTS A DANCE JOINT. 1472 01:03:08,418 --> 01:03:09,885 BUT I'M NOT, MARTY. 1473 01:03:09,920 --> 01:03:10,886 THAT'S THE WHOLE POINT. 1474 01:03:10,921 --> 01:03:12,387 I'M RIGHT WHERE I WANT TO BE. 1475 01:03:12,422 --> 01:03:13,388 AND I AIN'T GOOD ENOUGH FOR YOU. 1476 01:03:13,423 --> 01:03:14,389 I DIDN'T SAY THAT! 1477 01:03:14,424 --> 01:03:15,891 WELL, THEN SAY IT! 1478 01:03:15,926 --> 01:03:17,893 HAVE SOME GUTS. SAY IT! 1479 01:03:17,928 --> 01:03:18,894 ALL RIGHT! 1480 01:03:18,929 --> 01:03:20,395 YOU DON'T BELONG HERE! 1481 01:03:20,430 --> 01:03:21,897 I CAN'T HELP IT. IT'S YOUR FAULT. 1482 01:03:21,932 --> 01:03:22,898 IT'S THE WAY YOU ACT. 1483 01:03:22,933 --> 01:03:23,899 THE WAY I ALWAYS ACTED. 1484 01:03:23,934 --> 01:03:25,400 I NEVER HEARD YOU HOLLERING. 1485 01:03:25,435 --> 01:03:28,537 IT'S ROTTEN, DIRTY, AND I HATE IT! 1486 01:03:33,944 --> 01:03:35,243 YOU HATE IT? 1487 01:03:37,948 --> 01:03:40,415 YOU'RE TALKING TO ME, BABY. 1488 01:03:40,450 --> 01:03:41,917 ME, NOT ZIEGFELD. 1489 01:03:41,952 --> 01:03:43,418 I KNOW YOU. 1490 01:03:43,453 --> 01:03:44,920 YOU WERE RIGHT THERE WITH ME, 1491 01:03:44,955 --> 01:03:46,922 WORKING ME, BEGGING FOR MORE. 1492 01:03:46,957 --> 01:03:48,490 NEVER MIND HOW ROTTEN AND DIRTY. 1493 01:03:48,525 --> 01:03:51,426 MAYBE I DID, BUT I DON'T WANNA GO ON THAT WAY. 1494 01:03:51,461 --> 01:03:53,061 I KNEW TONIGHT-- 1495 01:03:53,096 --> 01:03:54,095 TONIGHT? 1496 01:03:55,966 --> 01:03:57,933 THE MINUTE WE GOT IN THAT STINKIN' THEATER. 1497 01:03:57,968 --> 01:03:59,868 YOU SAW THE WAY THEY TREATED ME, 1498 01:03:59,903 --> 01:04:01,369 THOSE FANCY NEW YORK JOKERS, 1499 01:04:01,405 --> 01:04:02,871 LIKE I WAS NOTHIN', 1500 01:04:02,906 --> 01:04:05,941 SMALL POTATOES, LIKE I HAD NO RIGHT. 1501 01:04:05,976 --> 01:04:07,442 I DIDN'T SAY NOTHIN'. 1502 01:04:07,477 --> 01:04:08,577 I WAITED, 1503 01:04:11,481 --> 01:04:13,448 TELL 'EM, "HE'S WITH ME. WE'RE TOGETHER." 1504 01:04:13,483 --> 01:04:14,449 I COULDN'T HAVE. 1505 01:04:14,484 --> 01:04:15,450 YOU COULD. 1506 01:04:15,485 --> 01:04:16,952 YOU COULD. 1507 01:04:16,987 --> 01:04:19,454 I'D HAVE DONE IT FOR YOU. 1508 01:04:19,489 --> 01:04:21,957 BUT YOU NEVER OPENED YOUR TRAP, 1509 01:04:21,992 --> 01:04:24,459 LIKE YOU NEVER OWED ME NOTHING. 1510 01:04:24,494 --> 01:04:25,961 YOU WALKED AWAY. 1511 01:04:25,996 --> 01:04:28,363 YOU WALKED AWAY! 1512 01:04:30,000 --> 01:04:32,467 SINCE THE FIRST DAY THAT I SEEN YOU, 1513 01:04:32,502 --> 01:04:34,469 I KNOCKED MY BRAINS OUT FOR YOU. 1514 01:04:34,504 --> 01:04:35,971 THAT'S ALL RIGHT. 1515 01:04:36,006 --> 01:04:37,405 THAT'S ALL RIGHT. 1516 01:04:37,441 --> 01:04:38,974 I'M A POOR SLOB. I CAN PACK A BAG 1517 01:04:39,009 --> 01:04:40,976 AND GO BACK TO THE LAUNDRY, LAY DOWN AND DIE. 1518 01:04:41,011 --> 01:04:42,477 YOU DON'T CARE. 1519 01:04:42,512 --> 01:04:45,981 NO SKIN OFF YOUR BACK. YOU GOT WHAT YOU WANTED. 1520 01:04:46,016 --> 01:04:48,483 I BROUGHT YOU THIS FAR. NOBODY ELSE. I DID. 1521 01:04:48,518 --> 01:04:49,985 BUT THAT DON'T COUNT. 1522 01:04:50,020 --> 01:04:50,986 NOT WITH YOU. 1523 01:04:51,021 --> 01:04:52,988 NOT WITH A HIGH-CLASS DAME LIKE YOU. 1524 01:04:53,023 --> 01:04:54,990 MARTY, I KNOW WHAT I OWE YOU. 1525 01:04:55,025 --> 01:04:57,993 I KNOW IT, BUT THERE'S NO WAY TO PAY IT. 1526 01:04:58,028 --> 01:05:01,429 DON'T YOU SEE THERE'S NO WAY TO PAY IT? 1527 01:05:01,465 --> 01:05:02,464 AIN'T THERE? 1528 01:05:06,536 --> 01:05:08,470 [MUFFLED SCREAMING] 1529 01:05:11,541 --> 01:05:15,010 [SOBBING] 1530 01:05:15,045 --> 01:05:15,977 [DOOR SLAMS] 1531 01:05:29,559 --> 01:05:31,493 ALL RIGHT, YOU CAN GO. 1532 01:05:34,765 --> 01:05:36,197 HERE. LET ME DO THE LUGGING. 1533 01:05:36,233 --> 01:05:37,198 YOU GOT ME AROUND. AT LEAST TAKE ADVANTAGE. 1534 01:05:37,234 --> 01:05:38,833 IT'S ALL RIGHT. 1535 01:05:40,771 --> 01:05:42,604 WHY DON'T YOU SIT DOWN AND RELAX, HUH? 1536 01:05:42,639 --> 01:05:44,105 WANT ME TO GET YOU A CUP OF COFFEE? 1537 01:05:44,141 --> 01:05:45,106 YEAH, THAT'S WHAT YOU NEED. 1538 01:05:45,142 --> 01:05:46,107 DO YOU GOOD. 1539 01:05:46,143 --> 01:05:49,077 NO, I DON'T WANT ANY. REALLY, I'M FINE. 1540 01:05:52,649 --> 01:05:54,616 I BET YOU CAN'T GUESS WHERE WE'RE GOING THIS AFTERNOON. 1541 01:05:54,651 --> 01:05:56,117 I BET YOU CAN'T. 1542 01:05:56,153 --> 01:05:58,119 YOU KNOW THAT JEWELRY STORE OVER ON FIFTH AVENUE, 1543 01:05:58,155 --> 01:05:59,554 THE ONE THAT DOESN'T HAVE NOTHING IN THE WINDOW 1544 01:05:59,589 --> 01:06:01,056 EXCEPT A STRING OF PEARLS, 1545 01:06:01,091 --> 01:06:02,557 SHOW THEY AIN'T BOASTIN'? 1546 01:06:02,592 --> 01:06:03,625 WELL, WE'RE GOING OVER THERE 1547 01:06:03,660 --> 01:06:05,126 AND PICK UP A LITTLE SOMETHING FOR YOU. 1548 01:06:05,162 --> 01:06:06,127 RETAIL. 1549 01:06:06,163 --> 01:06:08,129 HOW DO YOU LIKE THAT? 1550 01:06:08,165 --> 01:06:10,632 YOU DON'T HAVE TO BUY ME ANYTHING. 1551 01:06:10,667 --> 01:06:12,133 WHO SAYS I HAVE TO? I WANT TO. 1552 01:06:12,169 --> 01:06:13,635 LITTLE TOKEN OF HOW I FEEL. 1553 01:06:13,670 --> 01:06:15,637 DON'T WORRY ABOUT IT SO MUCH. 1554 01:06:15,672 --> 01:06:17,138 AH, WHO'S WORRYING? 1555 01:06:17,174 --> 01:06:18,640 EVERYTHING'S GONNA BE GREAT. 1556 01:06:18,675 --> 01:06:20,642 THE MINUTE WE GET ON THAT TRAIN, 1557 01:06:20,677 --> 01:06:23,144 THE MINUTE WE GET OUT OF THIS PHONY TOWN, 1558 01:06:23,180 --> 01:06:24,646 EVERYTHING WILL BE GREAT. 1559 01:06:24,681 --> 01:06:26,147 YOU'LL SEE. 1560 01:06:26,183 --> 01:06:28,817 I'LL DO MORE FOR YOU THAN A DOZEN ZIEGFELDS. 1561 01:06:28,852 --> 01:06:30,151 THE TOURS I GOT WORKED OUT FOR YOU, 1562 01:06:30,187 --> 01:06:31,152 COAST TO COAST. 1563 01:06:31,188 --> 01:06:32,654 TOP SPOTS EVERY PLACE. 1564 01:06:32,689 --> 01:06:34,656 WHAT'S SO TERRIBLE ABOUT IT? 1565 01:06:34,691 --> 01:06:37,158 THE DAY WILL COME WHEN YOU'LL THANK ME. 1566 01:06:37,194 --> 01:06:39,127 YOU'LL LAUGH WHEN YOU REMEMBER. 1567 01:06:41,198 --> 01:06:43,131 ARE YOU LISTENING TO ME? 1568 01:06:44,701 --> 01:06:46,134 I'M NOT COMPLAINING. 1569 01:06:47,704 --> 01:06:49,671 I'M JUST TRYING TO TELL YOU 1570 01:06:49,706 --> 01:06:52,173 THAT YOU DON'T HAVE TO WORK SO HARD. 1571 01:06:52,209 --> 01:06:54,142 YOU DON'T HAVE TO SELL ME. 1572 01:06:56,213 --> 01:06:57,645 I'M SOLD. 1573 01:07:10,460 --> 01:07:14,429 Ruth: ♪ WHAT CAN I SAY, DEAR 1574 01:07:14,464 --> 01:07:16,998 ♪ AFTER I SAY 1575 01:07:17,034 --> 01:07:20,568 ♪ I'M SORRY? 1576 01:07:20,604 --> 01:07:22,570 ♪ WHAT CAN I DO 1577 01:07:22,606 --> 01:07:25,907 ♪ TO PROVE IT TO YOU? 1578 01:07:31,114 --> 01:07:35,917 ♪ I CRIED 1579 01:07:35,952 --> 01:07:39,587 ♪ FOR YOU 1580 01:07:40,891 --> 01:07:44,292 ♪ NOW IT'S YOUR... 1581 01:07:51,968 --> 01:07:54,369 ♪ WHEN WHIPPOORWILLS CALL 1582 01:07:54,404 --> 01:07:57,272 ♪ AND THE EVENIN' IS NIGH 1583 01:07:57,307 --> 01:08:00,475 ♪ I HURRY TO MY 1584 01:08:00,510 --> 01:08:02,377 ♪ MY BLUE HEAVEN 1585 01:08:19,162 --> 01:08:23,465 ♪ 10 CENTS A DANCE 1586 01:08:23,500 --> 01:08:26,468 ♪ THAT'S WHAT THEY PAY ME 1587 01:08:26,503 --> 01:08:33,408 ♪ GOSH, HOW THEY WEIGH ME DOWN ♪ 1588 01:08:33,443 --> 01:08:37,278 ♪ 10 CENTS A DANCE 1589 01:08:37,314 --> 01:08:40,748 ♪ DANDIES AND ROUGH GUYS 1590 01:08:40,784 --> 01:08:47,856 ♪ TOUGH GUYS WHO TEAR MY GOWN ♪ 1591 01:08:47,891 --> 01:08:50,792 ♪ 7:00 TO MIDNIGHT 1592 01:08:50,827 --> 01:08:54,295 ♪ I HEAR DRUMS 1593 01:08:54,331 --> 01:09:00,335 ♪ LOUDLY THE SAXOPHONE BLOWS 1594 01:09:02,072 --> 01:09:04,906 ♪ TRUMPETS ARE TEARING 1595 01:09:04,941 --> 01:09:07,675 ♪ MY EARDRUMS 1596 01:09:09,045 --> 01:09:11,379 ♪ CUSTOMERS 1597 01:09:11,414 --> 01:09:16,351 ♪ CRUSH MY TOES 1598 01:09:16,386 --> 01:09:21,055 ♪ SOMETIMES I THINK 1599 01:09:21,091 --> 01:09:24,792 ♪ I FOUND MY HERO 1600 01:09:24,828 --> 01:09:30,632 ♪ BUT IT'S A QUEER ROMANCE 1601 01:09:30,667 --> 01:09:33,701 ♪ ALL THAT YOU NEED 1602 01:09:33,737 --> 01:09:36,204 ♪ IS A TICKET 1603 01:09:38,742 --> 01:09:41,743 ♪ COME ON, BIG BOY 1604 01:09:41,778 --> 01:09:45,647 ♪ 10 CENTS A DANCE 1605 01:09:45,682 --> 01:09:48,983 ♪ FIGHTERS AND SAILORS AND BOWLEGGED TAILORS ♪ 1606 01:09:49,019 --> 01:09:52,787 ♪ CAN PAY FOR THEIR TICKETS AND RENT ME ♪ 1607 01:09:52,822 --> 01:09:55,757 ♪ BUTCHERS AND BARBERS AND RATS FROM THE HARBORS ♪ 1608 01:09:55,792 --> 01:10:03,398 ♪ ARE SWEETHEARTS MY GOOD LUCK HAS SENT ME ♪ 1609 01:10:03,433 --> 01:10:08,870 ♪ THOUGH I'VE A CHORUS OF ELDERLY BEAUS ♪ 1610 01:10:08,905 --> 01:10:14,542 ♪ STOCKINGS ARE POROUS, WITH HOLES IN THE TOES ♪ 1611 01:10:14,578 --> 01:10:20,081 ♪ I'M HERE TILL CLOSING TIME ♪ 1612 01:10:23,753 --> 01:10:27,589 ♪ DANCE AND BE MERRY 1613 01:10:27,624 --> 01:10:30,325 ♪ IT'S ONLY 1614 01:10:30,360 --> 01:10:33,928 ♪ A DIME 1615 01:10:35,232 --> 01:10:38,933 ♪ SOMETIMES I THINK 1616 01:10:38,969 --> 01:10:42,870 ♪ I FOUND MY HERO 1617 01:10:42,906 --> 01:10:50,144 ♪ BUT IT'S A QUEER ROMANCE 1618 01:10:50,180 --> 01:10:53,248 ♪ ALL THAT YOU NEED 1619 01:10:53,283 --> 01:10:56,150 ♪ IS A TICKET 1620 01:10:58,788 --> 01:11:02,423 ♪ COME ON, BIG BOY 1621 01:11:02,459 --> 01:11:05,493 ♪ 10 CENTS 1622 01:11:05,528 --> 01:11:09,964 ♪ A DANCE 1623 01:11:10,000 --> 01:11:12,900 [APPLAUSE] 1624 01:11:16,573 --> 01:11:18,973 JUST LISTEN TO THIS. 1625 01:11:21,244 --> 01:11:24,112 HOW WAS THAT, HUH? 1626 01:11:24,147 --> 01:11:25,980 YOU CAN'T TOP IT ANYWHERE. 1627 01:11:37,294 --> 01:11:38,259 THANKS. 1628 01:11:38,295 --> 01:11:39,727 HOW'D IT GO? 1629 01:11:39,763 --> 01:11:41,229 SAME AS ALWAYS. 1630 01:11:41,264 --> 01:11:43,431 MARTY TELL YOU WHERE WE'RE GOING 1631 01:11:43,466 --> 01:11:44,699 AFTER WE CLOSE HERE? 1632 01:11:44,734 --> 01:11:47,602 SINCE WHEN IS IT ANY OF MY BUSINESS WHERE I WORK? 1633 01:11:47,637 --> 01:11:51,072 HE JUST WANTS TO SURPRISE YOU IS ALL. 1634 01:11:51,107 --> 01:11:52,573 HE COULDN'T. 1635 01:11:52,609 --> 01:11:53,708 Marty: RUTHIE, ARE YOU THERE? 1636 01:11:53,743 --> 01:11:56,844 NO, I'M PLAYING A BENEFIT IN DULUTH. 1637 01:12:00,984 --> 01:12:02,216 LEAVE IT! 1638 01:12:03,553 --> 01:12:05,620 EVERYBODY'S SO NERVOUS AROUND HERE 1639 01:12:05,655 --> 01:12:07,055 ALL THE TIME. 1640 01:12:08,658 --> 01:12:12,694 I COME IN. I GOT GREAT NEWS, A SURPRISE, 1641 01:12:12,729 --> 01:12:14,662 BUT YOU GOTTA MAKE CRACKS. 1642 01:12:14,698 --> 01:12:17,031 IT'S ENOUGH TO TAKE THE HEART OUT OF A PERSON. 1643 01:12:17,067 --> 01:12:20,034 NEVER MIND THE DRAMATICS. 1644 01:12:20,070 --> 01:12:22,136 WHAT'S THE BIG NEWS THIS TIME? 1645 01:12:22,172 --> 01:12:24,639 YOU'RE MERELY GOING TO MAKE A PICTURE 1646 01:12:24,674 --> 01:12:26,374 IN HOLLYWOOD, THAT'S ALL. 1647 01:12:26,409 --> 01:12:28,443 I MERELY KILL MYSELF FOR THE PAST 2 WEEKS, 1648 01:12:28,478 --> 01:12:31,379 SETTING THE DEAL UP FOR YOU, THAT'S ALL. 1649 01:12:31,414 --> 01:12:34,148 AND WHAT A DEAL. 1650 01:12:34,184 --> 01:12:35,283 BETWEEN YOU AND ME, 1651 01:12:35,318 --> 01:12:36,284 THE THINGS I TOLD THAT BARNEY LOOMIS 1652 01:12:36,319 --> 01:12:37,318 TO ASK FOR, 1653 01:12:37,354 --> 01:12:38,353 I DIDN'T DREAM WE HAD A CHANCE. 1654 01:12:38,388 --> 01:12:40,288 TO ASK FOR, 1655 01:12:40,323 --> 01:12:41,356 ON THE PHONE JUST NOW. 1656 01:12:41,391 --> 01:12:43,825 TO ASK FOR, 1657 01:12:43,860 --> 01:12:45,226 HE ACTED LIKE YOU WAS THE QUEEN OF SHEBA 1658 01:12:45,261 --> 01:12:46,661 OR SOMETHING. 1659 01:12:46,696 --> 01:12:50,765 WELL, HOW 'BOUT IT? 1660 01:12:50,800 --> 01:12:52,900 IT'LL BE A CHANGE, ANYWAY. 1661 01:12:52,936 --> 01:12:55,103 YOU'RE GLAD, AT LEAST? 1662 01:12:55,138 --> 01:12:57,038 SURE. WHY NOT? 1663 01:12:57,073 --> 01:13:02,110 MRS. SNYDER, COULD YA JUST ONCE, JUST ONCE, 1664 01:13:02,145 --> 01:13:05,213 SHOW SOME PLAIN, COMMON ENTHUSIASM? 1665 01:13:05,248 --> 01:13:08,349 WHAT DO YOU WANT, A "THANK YOU" NOTE? 1666 01:13:11,221 --> 01:13:13,121 YOU KNOW SOMETHING, RUTHIE? 1667 01:13:13,156 --> 01:13:15,456 YOU OUGHT TO LAY OFF THAT STUFF. 1668 01:13:15,492 --> 01:13:18,659 YOU'RE GETTIN' TO LOOK LIKE AN OLD BAG. 1669 01:13:22,665 --> 01:13:25,266 HA HA. 1670 01:13:31,007 --> 01:13:34,142 [TELEPHONE RINGS] 1671 01:13:39,182 --> 01:13:40,782 HELLO. 1672 01:13:40,817 --> 01:13:43,351 Woman: MISS RUTH ETTING, PLEASE. HOLLYWOOD CALLING. 1673 01:13:43,386 --> 01:13:46,587 THIS IS MISS ETTING. HOLLYWOOD? 1674 01:13:46,623 --> 01:13:48,222 OPERATOR, ARE YOU SURE THIS CALL 1675 01:13:48,258 --> 01:13:49,624 ISN'T FOR MR. SNYDER? 1676 01:13:49,659 --> 01:13:51,626 NO, MA'AM. MISS RUTH ETTING. 1677 01:13:51,661 --> 01:13:53,861 WELL, THIS IS SHE SPEAKING. 1678 01:13:53,897 --> 01:13:55,196 Man: HELLO, RUTH? 1679 01:13:55,231 --> 01:13:56,197 HELLO. 1680 01:13:56,232 --> 01:13:58,466 THIS IS JOHNNY. 1681 01:13:58,501 --> 01:13:59,967 JOHNNY? 1682 01:14:00,003 --> 01:14:02,270 JOHNNY ALDERMAN. 1683 01:14:02,305 --> 01:14:04,972 JOHNNY ALDERMAN? 1684 01:14:05,008 --> 01:14:06,374 YOU CAN HANG UP, RUTH. 1685 01:14:06,409 --> 01:14:08,609 I DON'T KNOW HOW YOU FEEL ABOUT TALKING TO ME. 1686 01:14:11,448 --> 01:14:13,381 OH, I FEEL FINE ABOUT IT, JOHNNY. 1687 01:14:13,416 --> 01:14:15,316 I--BUT I CAN'T BELIEVE IT. 1688 01:14:15,351 --> 01:14:17,919 WHAT MADE YOU CALL AFTER ALL THIS TIME? 1689 01:14:17,954 --> 01:14:20,388 OH, I'VE WANTED TO CALL YOU OFTEN ENOUGH. 1690 01:14:20,423 --> 01:14:22,557 ONLY I DIDN'T THINK I SHOULD. 1691 01:14:22,592 --> 01:14:24,358 NOT AFTER I HEARD YOU WERE MARRIED. 1692 01:14:24,394 --> 01:14:27,428 I JUST HEARD YOU'RE COMING OUT TO DO A PICTURE FOR PAUL HUNTER. 1693 01:14:27,464 --> 01:14:28,763 YES. 1694 01:14:28,798 --> 01:14:30,131 WELL, I WORK HERE, TOO, RUTH. 1695 01:14:30,166 --> 01:14:32,900 AND WHAT'S MORE, I'M GOING TO BE WORKING WITH YOU. 1696 01:14:32,936 --> 01:14:34,168 HOW DO YOU LIKE THAT? 1697 01:14:34,204 --> 01:14:35,636 JOHNNY! 1698 01:14:35,672 --> 01:14:36,804 YOU'RE MAKING IT UP. 1699 01:14:36,840 --> 01:14:39,874 RUTHIE, I JUST CAME IN TO TELL YOU-- 1700 01:14:39,909 --> 01:14:40,875 WHO YOU TALKIN' TO? 1701 01:14:40,910 --> 01:14:43,344 I'M SORRY. I'M SORRY. 1702 01:14:43,379 --> 01:14:45,613 I DON'T KNOW WHAT MY FUTURE PLANS ARE. 1703 01:14:45,648 --> 01:14:48,015 I SEE. 1704 01:14:48,051 --> 01:14:50,485 I GATHER YOU...DON'T WANT TO TALK ANYMORE. 1705 01:14:52,255 --> 01:14:55,990 THANK YOU. THANK YOU FOR CALLING. 1706 01:14:56,025 --> 01:14:57,391 IT WAS ONE OF THE NEWSPAPERS. 1707 01:14:57,427 --> 01:14:58,659 WELL, WHY DIDN'T THEY CALL ME? 1708 01:14:58,695 --> 01:15:00,161 I HANDLE THE PUBLICITY. 1709 01:15:00,196 --> 01:15:02,930 HEY, RUTHIE... 1710 01:15:02,966 --> 01:15:04,899 WE'RE LEAVING FOR THE COAST ON SUNDAY. 1711 01:15:04,934 --> 01:15:07,368 AND I, UH, I PICKED A LATE TRAIN 1712 01:15:07,403 --> 01:15:08,970 SO THAT YOU WOULDN'T HAVE TO RUSH GETTIN' UP, 1713 01:15:09,005 --> 01:15:11,038 YOU KNOW WHAT I MEAN? 1714 01:15:11,074 --> 01:15:13,774 IT'LL DO YOU GOOD, HOLLYWOOD. 1715 01:15:13,810 --> 01:15:15,443 YOU'LL ENJOY IT. 1716 01:15:15,478 --> 01:15:16,511 IT'S GOOD FOR A PERSON TO CHANGE. 1717 01:15:16,546 --> 01:15:17,678 YOU AND ME HAVE BEEN 1718 01:15:17,714 --> 01:15:20,014 GETTING PRETTY JUMPY LATELY ANYWAY, YOU KNOW. 1719 01:15:20,049 --> 01:15:21,849 I DON'T WANT TO GO. 1720 01:15:21,885 --> 01:15:24,051 WHAT? 1721 01:15:26,389 --> 01:15:29,190 IT'S JUST THAT I'M SO TIRED. I NEED A REST. 1722 01:15:29,225 --> 01:15:30,458 BUT I... 1723 01:15:30,493 --> 01:15:32,460 I ASKED YOU BEFORE I STARTED ON THE DEAL. 1724 01:15:32,495 --> 01:15:34,262 TAKE A LITTLE VACATION, I SAID. 1725 01:15:34,297 --> 01:15:36,364 LAY OFF A WHILE, I SAID. 1726 01:15:36,399 --> 01:15:38,733 NO, YOU WAIT TILL I GET THE DEAL ALL SEWED UP, 1727 01:15:38,768 --> 01:15:40,234 HOOK, LINE, AND SINKER. 1728 01:15:40,270 --> 01:15:42,270 ANSWER, WHY? 1729 01:15:42,305 --> 01:15:43,504 EXPLAIN TO ME WHY. 1730 01:15:45,408 --> 01:15:47,475 IT'S JUST A FEELING THAT I HAVE. 1731 01:15:47,510 --> 01:15:49,143 FORGET IT. 1732 01:15:57,987 --> 01:16:00,121 I'M TAKING MR. SNYDER IN TO SEE MR. HUNTER. 1733 01:16:00,156 --> 01:16:02,757 OH, YES. SECOND CORNER TO THE RIGHT. 1734 01:16:06,729 --> 01:16:08,129 HELLO, PAUL. 1735 01:16:08,164 --> 01:16:09,130 HELLO. 1736 01:16:09,165 --> 01:16:10,698 UH, THIS IS MR. SNYDER. 1737 01:16:10,733 --> 01:16:11,999 MR. HUNTER, MR. SNYDER. 1738 01:16:12,035 --> 01:16:14,101 VERY NICE TO MEET YOU, MR. SNYDER. 1739 01:16:14,137 --> 01:16:16,070 HASN'T MISS ETTING COME WITH YOU? 1740 01:16:16,105 --> 01:16:18,139 NO. MRS. SNYDER JUST SINGS. 1741 01:16:18,174 --> 01:16:20,308 I'M THE ONE DOES THE TALKING. 1742 01:16:20,343 --> 01:16:22,043 I SEE. 1743 01:16:22,078 --> 01:16:25,346 WELL, LET'S START WITH THE STORY. 1744 01:16:25,381 --> 01:16:27,048 I'M SURE YOU'LL LIKE IT. 1745 01:16:27,083 --> 01:16:28,382 I DON'T MIND SAYING 1746 01:16:28,418 --> 01:16:30,117 WE'RE ALL VERY PROUD OF IT. 1747 01:16:30,153 --> 01:16:32,486 WHERE'S THE MUSIC? I DON'T SEE NO MUSIC. 1748 01:16:32,522 --> 01:16:33,487 IT COMES SEPARATELY, MARTY. 1749 01:16:33,523 --> 01:16:34,488 I HAVE IT RIGHT HERE. 1750 01:16:34,524 --> 01:16:36,757 WHAT'S HE DOING HERE? 1751 01:16:36,793 --> 01:16:37,758 Hunter: MR. ALDERMAN IS THE MUSIC DIRECTOR 1752 01:16:37,794 --> 01:16:38,859 ON THIS PICTURE. 1753 01:16:38,895 --> 01:16:41,095 Hunter: MR. ALDERMAN IS THE MUSIC DIRECTOR 1754 01:16:41,130 --> 01:16:42,430 WELL, THAT MAKES EVERYTHING 1755 01:16:42,465 --> 01:16:43,431 NICE AND FRIENDLY, DOESN'T IT? 1756 01:16:43,466 --> 01:16:44,432 THESE ARE THE NUMBERS, MARTY. 1757 01:16:44,467 --> 01:16:45,433 I THINK SHE'LL LIKE 'EM. 1758 01:16:45,468 --> 01:16:46,634 I'VE CHOSEN THE KIND OF MATERIAL-- 1759 01:16:46,669 --> 01:16:48,703 YOU'VE CHOSEN?! NOBODY ELSE GOT NOTHIN' TO SAY, HUH? 1760 01:16:48,738 --> 01:16:50,871 THEY'RE ALL SUBJECT TO RUTH'S APPROVAL, OF COURSE. 1761 01:16:50,907 --> 01:16:52,673 WELL, SHE AIN'T NO LITTLE KID IN A CHORUS NO MORE. 1762 01:16:52,709 --> 01:16:54,008 SHE KNOWS WHAT SHE'S DOING. 1763 01:16:54,043 --> 01:16:57,111 AND WHEN SHE DON'T, BELIEVE YOU ME, I DO. 1764 01:16:57,146 --> 01:16:58,379 OF COURSE, MR. SNYDER. 1765 01:17:00,383 --> 01:17:03,784 NOW, WHY DON'T WE ALL SIT DOWN AND TALK THINGS OVER? 1766 01:17:12,528 --> 01:17:15,129 Woman: THROW THE BALL IN THE AIR! OHH! 1767 01:17:15,164 --> 01:17:16,397 [PLAYFUL SHOUTS] 1768 01:17:16,432 --> 01:17:18,232 HA HA! LOOK WHO'S GONE HOLLYWOOD. 1769 01:17:18,267 --> 01:17:20,001 YEAH. 1770 01:17:20,036 --> 01:17:21,002 HEY! 1771 01:17:21,037 --> 01:17:22,003 OH, MARTY! 1772 01:17:22,038 --> 01:17:24,338 [MARTY LAUGHS] 1773 01:17:24,374 --> 01:17:25,940 COME ON, GEORGIE, COME ON. 1774 01:17:31,280 --> 01:17:33,714 EVERYBODY COME TO CALIFORNIA TO LAY AROUND IN THE SUN, 1775 01:17:33,750 --> 01:17:36,083 AND SHE GOTTA SIT IN THE HOUSE. 1776 01:17:36,119 --> 01:17:37,485 Barney: HELLO, RUTH. 1777 01:17:37,520 --> 01:17:39,420 OH, HELLO, BARNEY. 1778 01:17:39,455 --> 01:17:40,421 CAN I GET YOU A DRINK? 1779 01:17:40,456 --> 01:17:41,422 THANKS. 1780 01:17:41,457 --> 01:17:42,423 EVERYTHING GO ALL RIGHT? 1781 01:17:42,458 --> 01:17:43,758 FINE. GOOD. 1782 01:17:43,793 --> 01:17:45,526 OF COURSE MR. HUNTER WAS DISAPPOINTED 1783 01:17:45,561 --> 01:17:47,361 THAT YOU WEREN'T WITH US. 1784 01:17:47,397 --> 01:17:49,764 SAY, YOU HAVE A LOT OF MEETINGS TOMORROW. 1785 01:17:49,799 --> 01:17:52,733 THERE'S WARDROBE AND MAKEUP AND PUBLICITY-- 1786 01:17:52,769 --> 01:17:53,901 WELL, MARTY HAS THE LIST. 1787 01:17:53,936 --> 01:17:56,203 YEAH. YOU START WITH THE MUSIC DIRECTOR, 1788 01:17:56,239 --> 01:17:57,905 AND WAIT TILL YOU HEAR WHO THAT IS. 1789 01:17:57,940 --> 01:18:00,675 JOHNNY ALDERMAN, THE PIANO PLAYER FROM CHICAGO. 1790 01:18:00,710 --> 01:18:03,377 IS THAT A LAUGH! 1791 01:18:03,413 --> 01:18:05,913 IT'S A SMALL WORLD, ISN'T IT? 1792 01:18:05,948 --> 01:18:07,815 WHAT'S WITH YOU AND THIS FELLA, MARTY? 1793 01:18:07,850 --> 01:18:09,517 HE SEEMED TO BOTHER YOU AT THE CONFERENCE. 1794 01:18:09,552 --> 01:18:11,452 HE DON'T BOTHER ME ONE BIT. 1795 01:18:11,487 --> 01:18:13,487 HE AIN'T IMPORTANT ENOUGH TO BOTHER ME. 1796 01:18:13,523 --> 01:18:14,555 I JUST DON'T LIKE HIM! 1797 01:18:14,590 --> 01:18:16,557 SOMETHING ABOUT HIS PERSONALITY. 1798 01:18:16,592 --> 01:18:18,726 HE ALWAYS GAVE ME A SWIFT PAIN, THAT GUY. 1799 01:18:18,761 --> 01:18:20,594 WHY SHOULD HE BE ON A PICTURE, 1800 01:18:20,630 --> 01:18:21,662 A PIANO PLAYER LIKE THAT? 1801 01:18:23,399 --> 01:18:25,332 WELL, HE'S MAKING A NAME FOR HIMSELF. 1802 01:18:25,368 --> 01:18:26,967 WELL, LET HIM MAKE IT ON HIS OWN TIME. 1803 01:18:27,003 --> 01:18:29,236 HOW DO YOU FEEL ABOUT IT, RUTH? 1804 01:18:29,272 --> 01:18:31,539 I DON'T CARE ONE WAY OR THE OTHER. 1805 01:18:31,574 --> 01:18:33,240 WHATEVER YOU SAY. 1806 01:18:33,276 --> 01:18:36,177 WELL, WE'LL LEAVE IT LAY, FOR THE TIME BEING ANYWAY. 1807 01:18:36,212 --> 01:18:38,179 HUNTER'S A NICE FELLOW, DON'T YOU THINK? 1808 01:18:38,214 --> 01:18:40,381 YEAH, A FOURFLUSHER, JUST LIKE THE REST OF THEM. 1809 01:18:40,416 --> 01:18:42,283 YOU KNOW HOW LONG IT TOOK ME TO GET HIS NUMBER? 1810 01:18:42,318 --> 01:18:43,751 JUST ABOUT ONE MINUTE. 1811 01:18:43,786 --> 01:18:45,386 AND I LET HIM KNOW IT, TOO. 1812 01:18:45,421 --> 01:18:47,288 DID YOU SEE THE EXPRESSION ON HIS FACE 1813 01:18:47,323 --> 01:18:49,690 WHEN I TOLD HIM HIS LAST 3 PICTURES WERE STINKEROOS? 1814 01:18:49,726 --> 01:18:50,891 [MARTY LAUGHS] 1815 01:18:50,927 --> 01:18:52,393 I REALLY LET HIM HAVE IT, DIDN'T I, BARNEY? 1816 01:18:52,428 --> 01:18:54,528 THAT'S THE ONLY WAY WITH THOSE PHONIES. 1817 01:18:54,564 --> 01:18:56,263 YOU GOTTA LET 'EM KNOW WHO YOU ARE. 1818 01:18:58,000 --> 01:18:59,400 WHO ARE YOU, MARTY? 1819 01:19:02,939 --> 01:19:04,438 WHAT DO YOU MEAN? 1820 01:19:04,474 --> 01:19:06,340 WHAT HAVE YOU ACCOMPLISHED? 1821 01:19:06,375 --> 01:19:08,242 CAN PRODUCE A PICTURE? 1822 01:19:08,277 --> 01:19:11,112 HAVE YOU DONE ONE SUCCESSFUL THING ON YOUR OWN? 1823 01:19:11,147 --> 01:19:14,381 JUST WHO DO YOU THINK YOU ARE? 1824 01:19:23,693 --> 01:19:25,960 PRETTY SHARP, THE LITTLE LADY, HUH? 1825 01:19:31,834 --> 01:19:35,069 WHOEVER I AM, KIDDO, 1826 01:19:35,104 --> 01:19:37,438 I'M WHAT MAKES YOU TICK. 1827 01:19:39,041 --> 01:19:41,709 AND DON'T YOU EVER FORGET THAT! 1828 01:19:49,819 --> 01:19:51,018 [DOOR SLAMS] 1829 01:19:51,053 --> 01:19:53,087 IS IT ALWAYS LIKE THIS, RUTH? 1830 01:19:58,194 --> 01:20:00,895 I'LL MAKE A DEAL WITH YOU, BARNEY. 1831 01:20:00,930 --> 01:20:04,131 YOU DON'T TELL ME YOUR SAD STORIES, 1832 01:20:04,167 --> 01:20:05,366 AND I WON'T TELL YOU MINE. 1833 01:20:09,005 --> 01:20:11,906 HOW DO YOU LIKE IT? HOW DO YOU LIKE IT?! 1834 01:20:11,941 --> 01:20:15,209 HAVE I EVER DONE ONE SUCCESSFUL THING ON MY OWN? 1835 01:20:18,281 --> 01:20:20,447 LISTEN, MARTY... 1836 01:20:20,483 --> 01:20:23,317 I FIGURE I GET WHAT SHE MEANS. 1837 01:20:23,352 --> 01:20:26,153 BACK IN CHICAGO, YOU WERE A BIG MAN, SEE? 1838 01:20:26,189 --> 01:20:28,289 BUT SINCE THEN, THE PEOPLE WE DO BUSINESS WITH, 1839 01:20:28,324 --> 01:20:29,890 YOUR NAME DON'T MEAN NOTHING. 1840 01:20:29,926 --> 01:20:32,760 AFTER ALL, IT AIN'T LIKE IT'S UP ANYWHERES, 1841 01:20:32,795 --> 01:20:35,696 "MARTY SNYDER PRESENTS..." 1842 01:20:35,731 --> 01:20:38,599 SURE, YOU'RE MARRIED TO HER, BUT FOR ALL THEY KNOW, 1843 01:20:38,634 --> 01:20:40,835 YOU COULD BE A GUY THAT'S HANGING ON TO A GOOD THING, 1844 01:20:40,870 --> 01:20:42,803 A MEAL TICKET. 1845 01:20:42,839 --> 01:20:44,839 YOU FOLLOW WHAT I MEAN, MARTY? 1846 01:20:46,642 --> 01:20:48,175 [BODY HITS FLOOR] 1847 01:20:48,211 --> 01:20:50,344 I'LL SHOW THEM. 1848 01:20:50,379 --> 01:20:52,546 I'LL SHOW THEM. 1849 01:20:55,151 --> 01:20:57,084 SHE'LL SEE. 1850 01:20:57,119 --> 01:20:58,352 WELL, GET UP! 1851 01:20:58,387 --> 01:21:00,788 WHAT ARE YOU LAYIN' THERE FOR? 1852 01:21:08,865 --> 01:21:11,031 BARNEY! COME IN HERE. 1853 01:21:11,067 --> 01:21:12,533 I WANT TO TALK TO YOU. 1854 01:21:15,204 --> 01:21:18,339 BARNEY, GET FREE TOMORROW. ALL DAY. 1855 01:21:18,374 --> 01:21:19,773 WE GOT BUSINESS. 1856 01:21:19,809 --> 01:21:20,808 AND, GEORGIE? 1857 01:21:20,843 --> 01:21:23,010 WE GOT BUSINESS. 1858 01:21:23,045 --> 01:21:24,545 AND STICK WITH HER. 1859 01:21:24,580 --> 01:21:26,146 AND IF SHE WANTS TO KNOW WHERE I AM, 1860 01:21:26,182 --> 01:21:28,015 JUST TELL HER... 1861 01:21:28,050 --> 01:21:30,384 TELL HER I'M TOO BUSY. 1862 01:21:30,419 --> 01:21:33,954 THAT'S RIGHT. TELL HER... 1863 01:21:33,990 --> 01:21:36,257 TELL HER I'M JUST TOO BUSY. 1864 01:21:39,495 --> 01:21:40,427 Johnny: RUTH. 1865 01:21:46,836 --> 01:21:48,068 HELLO, JOHNNY. HELLO, RUTH. 1866 01:21:48,104 --> 01:21:49,069 IT'S GOOD TO SEE YOU AGAIN. 1867 01:21:49,105 --> 01:21:50,070 GOOD TO SEE YOU. 1868 01:21:50,106 --> 01:21:51,071 I'M SORRY I'M LATE. 1869 01:21:51,107 --> 01:21:52,706 IT DOESN'T MATTER. 1870 01:21:52,742 --> 01:21:53,807 OH, YOU KNOW GEORGIE. 1871 01:21:53,843 --> 01:21:55,276 SURE, SURE. HOW ARE YOU, GEORGIE? 1872 01:21:55,311 --> 01:21:56,377 HI. 1873 01:21:56,412 --> 01:21:58,012 GEORGIE, WHY DON'T YOU SIT DOWN OVER HERE 1874 01:21:58,047 --> 01:21:58,946 AND MAKE YOURSELF COMFORTABLE? 1875 01:21:58,981 --> 01:22:00,514 WE'LL BE IN THERE BY THE PIANO. 1876 01:22:00,549 --> 01:22:02,483 THIS WAY, RUTH. 1877 01:22:12,795 --> 01:22:14,261 LET'S HAVE A GOOD LOOK AT YOU. 1878 01:22:14,297 --> 01:22:15,963 "A GOOD LOOK"? 1879 01:22:15,998 --> 01:22:17,164 A GOOD LOOK. 1880 01:22:18,834 --> 01:22:20,401 HAVE I CHANGED? 1881 01:22:20,436 --> 01:22:22,970 YES. 1882 01:22:23,005 --> 01:22:26,507 A LOT'S HAPPENED TO YOU, AND IT SHOWS. 1883 01:22:31,013 --> 01:22:32,146 YOU'RE BEAUTIFUL. 1884 01:22:37,019 --> 01:22:39,119 IT'S GOOD TO SEE YOU, JOHNNY. 1885 01:22:39,155 --> 01:22:40,120 AND I'M AWFULLY GLAD 1886 01:22:40,156 --> 01:22:41,121 IT'S GOOD TO SEE YOU, JOHNNY. 1887 01:22:41,157 --> 01:22:43,157 REALLY I AM. 1888 01:22:43,192 --> 01:22:45,626 WE ALWAYS GOT ALONG FINE WHEN WE WORKED. 1889 01:22:45,661 --> 01:22:47,628 AND THAT'S WHAT WE'RE HERE FOR, ISN'T IT? 1890 01:22:47,663 --> 01:22:50,197 TO WORK. 1891 01:22:50,232 --> 01:22:52,166 BY ALL MEANS, LET'S GET TO WORK. 1892 01:22:54,804 --> 01:22:56,904 HAVE YOU LOOKED OVER THE SONGS? 1893 01:22:56,939 --> 01:22:58,973 YOU HAVE SOME CHOICE. 1894 01:22:59,008 --> 01:23:01,208 IT DOESN'T MAKE ANY DIFFERENCE. 1895 01:23:01,243 --> 01:23:03,444 WHATEVER YOU THINK. 1896 01:23:03,479 --> 01:23:05,879 SHALL WE GET STARTED? 1897 01:23:05,915 --> 01:23:08,115 ALL RIGHT. 1898 01:23:08,150 --> 01:23:10,951 I THINK YOU KNOW THIS. 1899 01:23:10,987 --> 01:23:13,654 IT'S AN OLD ONE OF MINE. 1900 01:23:13,689 --> 01:23:16,423 I'LL NEVER STOP LOVING YOU. 1901 01:23:16,459 --> 01:23:17,891 YES, I KNOW IT. 1902 01:23:22,431 --> 01:23:23,931 [PLAYING PIANO] 1903 01:23:31,040 --> 01:23:34,475 ♪ I'LL NEVER STOP 1904 01:23:34,510 --> 01:23:37,511 ♪ LOVING YOU 1905 01:23:37,546 --> 01:23:42,416 ♪ WHATEVER ELSE I MAY DO ♪ 1906 01:23:42,451 --> 01:23:46,086 ♪ MY LOVE 1907 01:23:46,122 --> 01:23:48,589 ♪ FOR YOU 1908 01:23:48,624 --> 01:23:52,393 ♪ WILL LIVE TILL TIME ITSELF ♪ 1909 01:23:52,428 --> 01:23:54,695 ♪ IS THROUGH 1910 01:23:56,699 --> 01:24:00,167 ♪ I'LL NEVER STOP 1911 01:24:00,202 --> 01:24:02,803 ♪ WANTING YOU 1912 01:24:02,838 --> 01:24:07,875 ♪ AND WHEN FOREVER IS THROUGH ♪ 1913 01:24:07,910 --> 01:24:11,445 ♪ MY HEART 1914 01:24:11,480 --> 01:24:14,748 ♪ WILL BEAT 1915 01:24:14,784 --> 01:24:21,789 ♪ THE WAY IT DOES EACH TIME WE MEET ♪ 1916 01:24:21,824 --> 01:24:23,457 ♪ THE NIGHT 1917 01:24:23,492 --> 01:24:26,326 ♪ DOESN'T QUESTION THE STARS ♪ 1918 01:24:26,362 --> 01:24:29,029 ♪ THAT APPEAR 1919 01:24:29,065 --> 01:24:32,266 ♪ IN THE SKIES 1920 01:24:32,301 --> 01:24:34,301 ♪ SO WHY 1921 01:24:34,336 --> 01:24:37,271 ♪ SHOULD I QUESTION THE STARS ♪ 1922 01:24:37,306 --> 01:24:40,774 ♪ THAT APPEAR 1923 01:24:40,810 --> 01:24:45,679 ♪ IN MY EYES? 1924 01:24:45,714 --> 01:24:47,581 ♪ OF THIS 1925 01:24:47,616 --> 01:24:51,385 ♪ I'M MORE THAN JUST SURE ♪ 1926 01:24:51,420 --> 01:24:54,955 ♪ MY LOVE 1927 01:24:54,990 --> 01:24:58,492 ♪ WILL LAST AND ENDURE 1928 01:24:58,527 --> 01:25:02,496 ♪ I'LL NEVER 1929 01:25:02,531 --> 01:25:07,234 ♪ NO, I'LL NEVER STOP 1930 01:25:07,269 --> 01:25:10,604 ♪ LOVING 1931 01:25:10,639 --> 01:25:15,509 ♪ YOU 1932 01:25:18,981 --> 01:25:21,215 YES, YOU STILL CARE ABOUT IT. 1933 01:25:27,256 --> 01:25:29,923 ARE YOU ALWAYS THIS UNHAPPY, 1934 01:25:29,959 --> 01:25:32,092 OR IS IT JUST TODAY? 1935 01:25:35,698 --> 01:25:37,564 IS THIS GOING TO BE A LONG SESSION, JOHNNY, 1936 01:25:37,600 --> 01:25:39,800 BECAUSE I HAVE SOME OTHER APPOINTMENTS. 1937 01:25:39,835 --> 01:25:41,802 NO. 1938 01:25:41,837 --> 01:25:45,239 NO, ALL I'D PLANNED FOR TODAY WAS TO RUN THROUGH THE SONGS. 1939 01:25:45,274 --> 01:25:47,641 OF COURSE, I HAD THOUGHT YOU'D HAVE LUNCH WITH ME AFTERWARDS 1940 01:25:47,676 --> 01:25:49,943 OR A DRINK. 1941 01:25:52,882 --> 01:25:54,648 OR A CUP OF COFFEE? 1942 01:25:54,683 --> 01:25:57,151 OR A CUP OF COFFEE. 1943 01:25:57,186 --> 01:26:00,621 YOU KNOW, THE LAST TIME YOU ASKED ME THAT, JOHNNY, 1944 01:26:00,656 --> 01:26:02,689 I DIDN'T BECAUSE I DIDN'T WANT TO. 1945 01:26:02,725 --> 01:26:06,393 NOW I'LL TELL YOU SO YOU'LL NEVER ASK ME AGAIN. 1946 01:26:06,428 --> 01:26:08,428 I CAN'T. 1947 01:26:11,867 --> 01:26:14,134 [ORCHESTRA PLAYING] 1948 01:26:23,846 --> 01:26:24,811 HELLO, BARNEY. 1949 01:26:24,847 --> 01:26:25,812 HELLO. 1950 01:26:25,848 --> 01:26:27,247 I'M VERY TIRED, MARTY. 1951 01:26:27,283 --> 01:26:28,682 I DIDN'T WANT TO GO OUT TONIGHT. 1952 01:26:28,717 --> 01:26:30,484 OH, RELAX. DON'T BE SO SOUR. 1953 01:26:30,519 --> 01:26:31,485 YOU GOT TO EAT SOMEPLACE. 1954 01:26:31,520 --> 01:26:33,620 I ORDERED YOUR STEAK MEDIUM, OK? 1955 01:26:33,656 --> 01:26:35,422 YES. 1956 01:26:35,457 --> 01:26:37,691 WELL, HOW WAS IT TODAY? 1957 01:26:37,726 --> 01:26:40,160 HOW'D YOU GET ALONG WITH THAT PIANO PLAYER, HMM? 1958 01:26:40,196 --> 01:26:42,029 I SUPPOSE HE FEELS HE'S A PRETTY BIG SHOT NOW. 1959 01:26:42,064 --> 01:26:44,431 WHY SHOULDN'T HE? HE'S DOING PRETTY WELL. 1960 01:26:44,466 --> 01:26:47,267 WELL, WORKING FOR SOMEBODY ELSE, AIN'T HE? 1961 01:26:47,303 --> 01:26:48,735 STILL PUNCHIN' A TIME CLOCK. 1962 01:26:48,771 --> 01:26:50,204 WHO DOESN'T? 1963 01:26:50,239 --> 01:26:52,472 NOT EVERYONE. NOT EVERYONE. 1964 01:26:52,508 --> 01:26:53,473 Barney: OH, GO AHEAD AND TELL HER 1965 01:26:53,509 --> 01:26:54,474 AND GET IT OVER WITH. 1966 01:26:54,510 --> 01:26:57,477 GARBAGE! TAKE IT BACK! 1967 01:26:57,513 --> 01:26:58,912 TELL THE CHEF MR. SNYDER SAID STEAK. 1968 01:26:58,948 --> 01:27:00,214 Waiter: I'M SORRY, SIR. 1969 01:27:00,249 --> 01:27:03,016 THERE WAS NOTHING WRONG WITH THAT STEAK. 1970 01:27:03,052 --> 01:27:04,851 MARTY, YOU CAN'T GO ON ACTING THIS WAY. 1971 01:27:04,887 --> 01:27:07,221 OH, YES, I CAN. HERE, I CAN. 1972 01:27:07,256 --> 01:27:09,289 I CAN ACT ANY WAY I WANT. 1973 01:27:09,325 --> 01:27:11,925 THIS IS MY PLACE. I OWN IT. 1974 01:27:11,961 --> 01:27:13,560 HOW DO YOU LIKE THAT? 1975 01:27:13,596 --> 01:27:14,661 YOU WHAT? 1976 01:27:14,697 --> 01:27:16,463 Barney: IT'S HIS, ALL RIGHT. 1977 01:27:16,498 --> 01:27:18,131 IT'S CHANGED HANDS 10 TIMES. 1978 01:27:18,167 --> 01:27:20,067 IT'S JINXED EVERYBODY WHO'S EVER HAD IT, 1979 01:27:20,102 --> 01:27:21,068 BUT IT'S HIS. 1980 01:27:21,103 --> 01:27:22,502 WHAT DO YOU WANT WITH IT? 1981 01:27:22,538 --> 01:27:24,671 I GONNA TURN IT INTO THE HOTTEST NIGHTSPOT ON THE COAST. 1982 01:27:24,707 --> 01:27:26,807 OH, DON'T YOU GET WORRIED. NONE OF YOUR MONEY'S IN IT. 1983 01:27:26,842 --> 01:27:28,775 NOT ONE RED CENT. 1984 01:27:28,811 --> 01:27:30,077 IN 2 OR 3 WEEKS, WHEN WE'RE OPEN, 1985 01:27:30,112 --> 01:27:32,112 YOU CAN BEG TO BUY IN, 1986 01:27:32,147 --> 01:27:33,580 YOU AND OLD LADY LOOMIS. 1987 01:27:33,616 --> 01:27:35,148 IN 2 OR 3 WEEKS? 1988 01:27:35,184 --> 01:27:36,650 WELL, I'LL BE ON THIS PICTURE FOR MONTHS. 1989 01:27:36,685 --> 01:27:38,385 I CAN'T PLAY ANY OUTSIDE DATES. 1990 01:27:38,420 --> 01:27:39,386 DID I ASK YOU? 1991 01:27:39,421 --> 01:27:41,021 THIS JOINT, I MAKE A SUCCESS. 1992 01:27:41,056 --> 01:27:43,223 NOW, DON'T BLAME ME, RUTH. I TOLD HIM IT WAS NO CINCH, 1993 01:27:43,259 --> 01:27:44,324 THIS NIGHTCLUB BUSINESS. 1994 01:27:44,360 --> 01:27:46,159 NOW, DON'T BLAME ME, RUTH. I TOLD HIM IT WAS NO CINCH, 1995 01:27:46,195 --> 01:27:47,828 I BEEN AROUND THE CLUBS FOR 14 YEARS. 1996 01:27:47,863 --> 01:27:49,329 WHAT DO YOU SUPPOSE I WAS DOING 1997 01:27:49,365 --> 01:27:50,430 WHEN I WAS RUNNING THAT LAUNDRY? WASHING SOCKS? 1998 01:27:50,466 --> 01:27:51,431 LOOK, IT'S ONE THING-- 1999 01:27:51,467 --> 01:27:52,599 WHAT'S THE MATTER? 2000 01:27:53,836 --> 01:27:54,801 GOT NO BRAINS? 2001 01:27:54,837 --> 01:27:55,802 YOU WANT THEY SHOULD THINK 2002 01:27:55,838 --> 01:27:57,504 I'M GETTING HANDOUTS FROM YOU? 2003 01:27:59,074 --> 01:28:00,707 SO BUSY MAKING THEM THINK YOU'RE SOMETHING, 2004 01:28:00,743 --> 01:28:01,842 THEY DON'T THINK I'M NOTHIN'. 2005 01:28:01,877 --> 01:28:03,410 Georgie: YOU PUT IT ALL IN, MARTY? 2006 01:28:03,445 --> 01:28:04,978 THE DOUGH FROM THE LAUNDRY? 2007 01:28:05,014 --> 01:28:06,546 WHAT'S THE MATTER, YOU GETTIN' SCARED, TOO? 2008 01:28:06,582 --> 01:28:07,881 LOOK, HERE'S WHAT I'M GONNA DO. 2009 01:28:07,916 --> 01:28:09,716 FIRST, I CLOSE DOWN THE WHOLE PLACE. 2010 01:28:09,752 --> 01:28:13,487 THEN I THROW OUT EVERYTHING. EVERYTHING. EVERY STICK. 2011 01:28:13,522 --> 01:28:15,289 I'M STARTING FROM SCRATCH. 2012 01:28:15,324 --> 01:28:17,291 WHEN I GET THROUGH, 2013 01:28:17,326 --> 01:28:18,692 ITS OWN MOTHER WON'T KNOW THIS JOINT. 2014 01:28:18,727 --> 01:28:21,194 AND IT'S GONNA LOOK RICH, LIKE IT COST. 2015 01:28:21,230 --> 01:28:23,964 ONLY IN GOOD TASTE, LIKE YOU'RE ALWAYS SCREAMING. 2016 01:28:23,999 --> 01:28:25,732 NOTHING LOUD. 2017 01:28:25,768 --> 01:28:27,901 AND THE ENTERTAINMENT? ONLY HEADLINERS. 2018 01:28:27,936 --> 01:28:28,902 PERSONALITIES. 2019 01:28:28,937 --> 01:28:31,338 AND THE ENTERTAINMENT? ONLY HEADLINERS. 2020 01:28:31,373 --> 01:28:34,341 IF I AM, I'LL SHUT UP. 2021 01:28:34,376 --> 01:28:35,742 BUT I'M ALL STEAMED UP ABOUT THIS THING, YOU KNOW? 2022 01:28:40,749 --> 01:28:43,784 WHAT'D YOU DO THAT FOR? 2023 01:28:43,819 --> 01:28:49,022 I'M SORRY. I'M JUST SO NERVOUS. 2024 01:28:49,058 --> 01:28:51,391 YOU KNOW, THE REHEARSALS AND EVERYTHING STARTING TOMORROW. 2025 01:28:51,427 --> 01:28:53,927 YEAH. 2026 01:28:53,962 --> 01:28:55,629 THAT'S WHAT IT IS, SURE. 2027 01:28:55,664 --> 01:28:56,830 YOU'RE BOUND TO BE-- 2028 01:28:56,865 --> 01:28:57,831 [GLASS BREAKS] 2029 01:28:57,866 --> 01:28:59,700 I NEED A GOOD NIGHT'S REST. 2030 01:29:04,006 --> 01:29:06,640 YEAH, YOU'RE RIGHT. 2031 01:29:06,675 --> 01:29:08,108 I'LL, UH... 2032 01:29:08,143 --> 01:29:10,744 I'LL HIT THE HAY IN THE OTHER ROOM. 2033 01:29:10,779 --> 01:29:13,613 YOU GO ON, GO TO BED. 2034 01:29:13,649 --> 01:29:14,715 GOOD NIGHT. 2035 01:29:20,756 --> 01:29:23,123 GOOD LUCK WITH THE CLUB, MARTY. 2036 01:29:25,394 --> 01:29:27,094 DON'T SAY IT LIKE YOU'RE A STRANGER. 2037 01:29:32,835 --> 01:29:34,034 [DOOR CLOSES] 2038 01:29:42,644 --> 01:29:43,710 HEY, MARTY. 2039 01:29:45,114 --> 01:29:47,447 HERE'S THE LAYOUT, MR. SNYDER. 2040 01:29:50,886 --> 01:29:53,286 HERE. YEAH, LOOK. 2041 01:29:53,322 --> 01:29:57,357 IN THE MIDDLE, "M.S." WITH A WREATH, YOU KNOW? 2042 01:29:57,393 --> 01:29:59,092 AND, UH, GREEN AND GOLD. 2043 01:29:59,128 --> 01:30:00,160 YES, SIR. 2044 01:30:00,195 --> 01:30:02,396 HOW DO YOU LIKE THAT FOR A NAME, BARNEY, HMM? 2045 01:30:02,431 --> 01:30:04,865 M.S. CLUB. "M.S." MARTY SNYDER. GET IT? 2046 01:30:04,900 --> 01:30:07,134 YEAH, YEAH, I GOT IT. NOW, LOOK, MARTY... 2047 01:30:07,169 --> 01:30:08,668 I STILL THINK YOU'RE MAKING A MISTAKE 2048 01:30:08,704 --> 01:30:10,404 ABOUT FRANKIE DESARIO AND HIS ORCHESTRA. 2049 01:30:10,439 --> 01:30:11,938 THEY'RE GONNA COST YOU A FORTUNE. 2050 01:30:11,974 --> 01:30:14,241 BOOK 'EM. BOOK 'EM. DON'T GIVE ME NO HEADACHES. 2051 01:30:14,276 --> 01:30:15,242 YOU THE WAITERS? 2052 01:30:15,277 --> 01:30:16,243 All: YES, SIR. 2053 01:30:16,278 --> 01:30:19,246 OK, DON'T GET EXCITED. WAIT! HA HA HA! 2054 01:30:21,049 --> 01:30:23,750 Marty: ALL RIGHT, COME ON, GIRLS. 2055 01:30:23,786 --> 01:30:25,819 COME ON. 2056 01:30:25,854 --> 01:30:27,754 OH, COME ON, GET 'EM UP. 2057 01:30:27,790 --> 01:30:29,523 ALL RIGHT. YOU, YOU, AND YOU. 2058 01:30:29,558 --> 01:30:31,358 THE REST OF YOU CAN BLOW. 2059 01:30:31,393 --> 01:30:33,860 NOW, UH, YOU THREE, I WANT YOU TO REMEMBER SOMETHING. 2060 01:30:33,896 --> 01:30:34,895 THIS IS STRICTLY LEGIT. 2061 01:30:34,930 --> 01:30:36,229 YOU AIN'T SELLIN' NOTHIN' BUT CIGARETTES. 2062 01:30:36,265 --> 01:30:38,565 BACK TOMORROW MORNING AT 10:00 FOR A FITTIN'. 2063 01:30:40,102 --> 01:30:43,403 UH, BARNEY, DID YOU GET OVER TO THE STUDIO? 2064 01:30:43,439 --> 01:30:44,404 SURE. SEE RUTH? 2065 01:30:44,440 --> 01:30:45,505 YEAH. 2066 01:30:45,541 --> 01:30:46,840 SURE. SEE RUTH? 2067 01:30:46,875 --> 01:30:49,075 NOW, YOU KNOW, WE BEEN SO BUSY LATELY, 2068 01:30:49,111 --> 01:30:50,644 WE'VE HARDLY SEEN EACH OTHER. 2069 01:30:50,679 --> 01:30:52,212 HOW IS SHE, IN A GOOD MOOD? 2070 01:30:52,247 --> 01:30:53,280 OH, SURE. 2071 01:30:53,315 --> 01:30:55,015 HOW IS SHE, IN A GOOD MOOD? 2072 01:30:55,050 --> 01:30:57,217 NEVER SAW SUCH A CHANGE IN A GIRL. 2073 01:30:57,252 --> 01:30:59,252 WELL, SHE LISTEN TO ME, SHE DON'T GO WRONG. 2074 01:30:59,288 --> 01:31:00,654 Georgie: OH, HI, MARTY. 2075 01:31:00,689 --> 01:31:02,589 Marty: WHERE'S RUTH? 2076 01:31:02,624 --> 01:31:03,623 SHE HAD TO WORK AGAIN. 2077 01:31:06,061 --> 01:31:07,494 WHAT ARE THEY TRYING TO PULL? 2078 01:31:07,529 --> 01:31:09,329 LOOK, MARTY, THIS HAPPENS ALL THE TIME. 2079 01:31:09,364 --> 01:31:11,798 THEY FIND OUT THAT A RECORDING STAGE IS FREE 2080 01:31:11,834 --> 01:31:13,934 OR SOMETHING, AND IT'S JUST ROUTINE. 2081 01:31:16,371 --> 01:31:18,171 YEAH, SURE. SURE, BARNEY. 2082 01:31:18,207 --> 01:31:19,940 LOOK, I--I KNOW YOU'RE ANXIOUS TO GET HOME. 2083 01:31:19,975 --> 01:31:21,541 I WON'T NEED YOU NO MORE. 2084 01:31:21,577 --> 01:31:22,876 OK. GOOD NIGHT. 2085 01:31:22,911 --> 01:31:24,478 GOOD NIGHT, BARNEY. 2086 01:31:27,883 --> 01:31:30,016 HOW DO THEY ACT TOGETHER, THEM TWO? 2087 01:31:30,052 --> 01:31:31,251 RUTHIE AND THE PIANO PLAYER. 2088 01:31:31,286 --> 01:31:33,186 I WATCHED JUST LIKE YOU TOLD ME. 2089 01:31:33,222 --> 01:31:34,488 THERE'S NOTHING TO WATCH. 2090 01:31:34,523 --> 01:31:36,990 SHE'S MORE FRIENDLY WITH LOTS OF THEM THAN HIM. 2091 01:31:37,025 --> 01:31:39,392 THE WARDROBE GIRL, THE MAKEUP MAN, 2092 01:31:39,428 --> 01:31:41,495 THAT OLD GEEZER, A GRIP THEY CALL HIM. 2093 01:31:41,530 --> 01:31:43,096 HIM, SHE'S ALWAYS TALKING TO. 2094 01:31:43,131 --> 01:31:45,665 BUT JOHNNY? NOTHIN'. 2095 01:31:51,073 --> 01:31:52,739 [BEEP] 2096 01:31:52,774 --> 01:31:54,908 Man: 24-04, TAKE 3. 2097 01:31:57,679 --> 01:32:00,013 [ORCHESTRA PLAYS] 2098 01:32:11,827 --> 01:32:16,229 ♪ NEVER LOOK BACK 2099 01:32:16,265 --> 01:32:19,165 ♪ NEVER LOOK BACK 2100 01:32:19,201 --> 01:32:22,002 ♪ YOU MIGHT SEE THE TEARS 2101 01:32:22,037 --> 01:32:25,939 ♪ I'M TRYING TO HIDE 2102 01:32:25,974 --> 01:32:28,475 ♪ YOU MIGHT CATCH A GLIMPSE 2103 01:32:28,510 --> 01:32:32,379 ♪ OF ARMS OPEN WIDE 2104 01:32:32,414 --> 01:32:38,451 ♪ STILL WAITING FOR YOU 2105 01:32:38,487 --> 01:32:42,088 ♪ NEVER LOOK BACK 2106 01:32:42,124 --> 01:32:45,325 ♪ NEVER LOOK BACK 2107 01:32:45,360 --> 01:32:47,627 ♪ YOU'VE TOLD ME GOOD-BYE 2108 01:32:47,663 --> 01:32:52,132 ♪ NOW BE ON YOUR WAY 2109 01:32:52,167 --> 01:32:55,068 ♪ YOU'VE MADE UP YOUR MIND 2110 01:32:55,103 --> 01:33:02,242 ♪ SO WHAT COULD YOU SAY OR DO? ♪ 2111 01:33:04,179 --> 01:33:07,314 ♪ I KNOW 2112 01:33:07,349 --> 01:33:11,084 ♪ WE'VE REACHED THE PARTING OF THE WAY ♪ 2113 01:33:11,119 --> 01:33:17,724 ♪ THERE'S NOTHING LEFT FOR ME ♪ 2114 01:33:17,759 --> 01:33:22,062 ♪ AND SO, I ONLY PRAY ♪ 2115 01:33:22,097 --> 01:33:27,968 ♪ THAT YOU'LL FORGET THE THINGS YOU'VE DONE WITH ME ♪ 2116 01:33:28,003 --> 01:33:31,905 ♪ YOU'VE HAD YOUR FUN WITH ME ♪ 2117 01:33:31,940 --> 01:33:35,408 ♪ NEVER LOOK BACK 2118 01:33:35,444 --> 01:33:38,078 ♪ NEVER LOOK BACK 2119 01:33:38,113 --> 01:33:41,381 ♪ NO, DON'T LOOK AROUND 2120 01:33:41,416 --> 01:33:45,218 ♪ IT WOULDN'T BE SMART 2121 01:33:45,253 --> 01:33:48,521 ♪ IF YOU LOOK AROUND 2122 01:33:48,557 --> 01:33:51,291 ♪ YOU MAY SEE MY BROKEN 2123 01:33:51,326 --> 01:33:55,895 ♪ HEART 2124 01:33:58,200 --> 01:34:00,433 ♪ IF YOU 2125 01:34:00,469 --> 01:34:03,403 ♪ LOOK AROUND 2126 01:34:03,438 --> 01:34:05,672 ♪ YOU MAY 2127 01:34:05,707 --> 01:34:09,843 ♪ SEE MY BROKEN 2128 01:34:09,878 --> 01:34:15,215 ♪ HEART 2129 01:34:21,256 --> 01:34:23,456 Man: 24-04, TAKE 3. 2130 01:34:26,428 --> 01:34:27,727 OK? 2131 01:34:29,064 --> 01:34:30,363 ALL RIGHT. 2132 01:34:39,775 --> 01:34:43,043 YOU DUMB JERK. 2133 01:34:49,618 --> 01:34:50,784 I COULD'VE SUNG ALL NIGHT, JOHNNY. 2134 01:34:50,819 --> 01:34:53,119 IT WAS A GOOD SESSION, WASN'T IT? 2135 01:34:53,155 --> 01:34:56,723 YOU WERE GREAT, AND YOU KNOW IT. 2136 01:34:56,758 --> 01:34:58,425 THANK YOU. 2137 01:34:58,460 --> 01:35:01,027 OF COURSE, I AM GETTING A LITTLE HELP 2138 01:35:01,063 --> 01:35:02,796 FROM THE SCORE AND THE CONDUCTOR. 2139 01:35:02,831 --> 01:35:03,797 THANK YOU. 2140 01:35:03,832 --> 01:35:05,565 YOU'RE DOING A WONDERFUL JOB. 2141 01:35:05,600 --> 01:35:09,069 I KNOW. CAN'T UNDERSTAND IT. I'M USUALLY NOT THIS GOOD. 2142 01:35:12,274 --> 01:35:13,707 GOOD NIGHT, JOHNNY. 2143 01:35:23,285 --> 01:35:24,384 HELLO, RUTH. 2144 01:35:24,419 --> 01:35:25,385 OH, HELLO, MR. HUNTER. 2145 01:35:25,420 --> 01:35:26,219 ALL THROUGH FOR THE NIGHT? 2146 01:35:26,254 --> 01:35:27,420 UH-HUH. JUST FINISHED. 2147 01:35:27,456 --> 01:35:28,922 I'VE HEARD ALL THE RECORDINGS SO FAR. 2148 01:35:28,957 --> 01:35:29,923 THEY'RE BEAUTIFUL. 2149 01:35:29,958 --> 01:35:30,623 OH, THANK YOU. 2150 01:35:30,659 --> 01:35:31,458 JUST BEAUTIFUL. 2151 01:35:31,493 --> 01:35:32,525 I'M DELIGHTED. 2152 01:35:32,561 --> 01:35:35,495 RUTH, UH... 2153 01:35:35,530 --> 01:35:37,163 MR. SNYDER JUST DROPPED IN ON ME. 2154 01:35:37,199 --> 01:35:38,298 HE TELLS ME THAT YOU'RE DISSATISFIED 2155 01:35:38,333 --> 01:35:40,767 WITH JOHNNY ALDERMAN. 2156 01:35:40,802 --> 01:35:41,968 OH, I'M NOT. 2157 01:35:43,872 --> 01:35:45,004 THAT'S NOT TRUE. 2158 01:35:51,847 --> 01:35:56,015 I CAN'T FIRE A MAN FOR NO REASON, RUTH. 2159 01:35:56,051 --> 01:35:58,651 I'LL BE HERE IN THE MORNING, MR. HUNTER. 2160 01:35:58,687 --> 01:36:01,554 DON'T WORRY. THERE WON'T BE ANY PROBLEMS. 2161 01:36:01,590 --> 01:36:02,522 GOOD. 2162 01:36:02,557 --> 01:36:03,289 GOOD NIGHT. 2163 01:36:03,325 --> 01:36:05,892 GOOD NIGHT, RUTH. 2164 01:36:05,927 --> 01:36:07,460 NOW, YOU SAID YOU WERE GOING TO FINISH TONIGHT. 2165 01:36:07,496 --> 01:36:08,795 AND THAT'S THE WAY IT'S GONNA BE. 2166 01:36:08,830 --> 01:36:10,330 I DON'T CARE IF IT IS DOUBLE TIME. 2167 01:36:10,365 --> 01:36:11,631 GET IT DONE! 2168 01:36:18,306 --> 01:36:20,306 WHY DID YOU LIE TO HUNTER? 2169 01:36:20,342 --> 01:36:22,675 OH. ALL IN AN UPROAR, HUH? 2170 01:36:22,711 --> 01:36:24,677 HE'S STAYING ON THE PICTURE, MARTY. 2171 01:36:24,713 --> 01:36:27,380 FINE. FINE. THEN THEY'RE PULLING YOU OFF. 2172 01:36:27,415 --> 01:36:28,715 HAVE YOU GONE CRAZY? 2173 01:36:28,750 --> 01:36:30,717 ARE YOU OUT OF YOUR MIND? 2174 01:36:30,752 --> 01:36:32,218 WHAT HAVE YOU GOT AGAINST HIM? 2175 01:36:32,254 --> 01:36:34,754 WHAT HAS HE DONE TO YOU? WHY? 2176 01:36:34,790 --> 01:36:37,090 YOU'RE GOING OFF, AND THAT'S THAT. 2177 01:36:37,125 --> 01:36:38,958 MARTY, LISTEN TO ME, PLEASE. 2178 01:36:38,994 --> 01:36:40,693 THIS IS IMPORTANT. 2179 01:36:40,729 --> 01:36:43,163 DON'T DO THIS. DON'T SPOIL THIS PICTURE. 2180 01:36:43,198 --> 01:36:45,031 IT'S THE FIRST THING I'VE CARED ABOUT SINCE NEW YORK, 2181 01:36:45,066 --> 01:36:47,133 AND I DON'T WANT TO LOSE IT. 2182 01:36:47,169 --> 01:36:49,369 I HAVE TO WORK, DO YOU UNDERSTAND? 2183 01:36:49,404 --> 01:36:51,037 I'VE GOT TO. IT'S ALL I'VE GOT. 2184 01:36:51,072 --> 01:36:53,306 SHUT UP. YOU'RE GONNA WORK. WHO SAID DIFFERENT? 2185 01:36:53,341 --> 01:36:55,108 ONLY WHERE I CAN KEEP AN EYE ON YOU 2186 01:36:55,143 --> 01:36:57,610 SO YOU DON'T GET SO MANY IDEAS, GET SO BIG. 2187 01:36:57,646 --> 01:36:59,813 YOU'RE GONNA WORK HERE, YOU'RE GONNA OPEN THIS JOINT. 2188 01:36:59,848 --> 01:37:01,681 AND THERE'S GOING TO BE A SIGN, 2189 01:37:01,716 --> 01:37:04,984 "MARTIN SNYDER PRESENTS RUTH ETTING." 2190 01:37:05,020 --> 01:37:07,453 THAT WAY, EVERYBODY'LL KNOW WHO'S BOSS. 2191 01:37:07,489 --> 01:37:08,688 LIKE YOU KNOW. 2192 01:37:08,723 --> 01:37:10,557 LIKE YOU BETTER KNOW, 2193 01:37:10,592 --> 01:37:15,094 NO MATTER HOW MUCH YOU SCREAM AND HOLLER AND CARRY ON. 2194 01:37:15,130 --> 01:37:17,397 WHAT'S THE MATTER, MARTY? 2195 01:37:17,432 --> 01:37:20,066 ARE YOU AFRAID YOU'RE LOSING YOUR GRIP? 2196 01:37:26,007 --> 01:37:27,674 YOU COME BACK HERE! 2197 01:37:31,613 --> 01:37:34,247 WHAT ARE YOU GAPING AT?! GET TO WORK! 2198 01:37:42,624 --> 01:37:43,990 RUTHIE! 2199 01:37:44,025 --> 01:37:45,191 GET THE CAR! 2200 01:37:50,465 --> 01:37:52,332 RUTHIE! 2201 01:37:52,367 --> 01:37:53,633 RUTHIE! 2202 01:38:03,645 --> 01:38:04,944 RUTHIE. 2203 01:38:21,630 --> 01:38:23,930 [DOORBELL BUZZES] 2204 01:38:23,965 --> 01:38:26,399 [BUZZ] 2205 01:38:39,014 --> 01:38:40,647 NO, SHE'S NOT HERE. 2206 01:38:41,883 --> 01:38:44,484 WHAT'S THE MATTER, MARTY? DID SHE RUN AWAY? 2207 01:38:46,288 --> 01:38:47,921 YOU KEEP AWAY FROM HER. 2208 01:38:47,956 --> 01:38:50,490 IF I CATCH YOU HANGING AROUND HER, I'LL KILL YOU. 2209 01:38:50,525 --> 01:38:52,859 SHE HAS TO WALK OUT ON YOU HERSELF. 2210 01:38:52,894 --> 01:38:54,560 IF SHE EVER GETS THE GUTS TO DO IT, 2211 01:38:54,596 --> 01:38:56,262 I WILL BE HANGING AROUND. 2212 01:38:56,298 --> 01:38:57,196 I'M JUST TELLING YOU 2213 01:38:57,232 --> 01:38:59,065 SO YOU'LL KNOW WHERE TO FIND ME. 2214 01:39:11,012 --> 01:39:12,178 WHERE NOW, MARTY? 2215 01:39:12,213 --> 01:39:13,446 HOME. 2216 01:39:13,481 --> 01:39:15,515 I'M GONNA GET MY REST. 2217 01:39:15,550 --> 01:39:17,450 SHE'S THE ONE PUTTING ON A BIG ACT, 2218 01:39:17,485 --> 01:39:20,586 LET HER BE THE ONE THAT DON'T SLEEP. HUH HUH HUH. 2219 01:39:20,622 --> 01:39:22,922 Marty: YOU SAY THERE'S NOBODY REGISTERED THERE 2220 01:39:22,958 --> 01:39:24,991 THAT LOOKS LIKE THAT? 2221 01:39:25,026 --> 01:39:27,026 ARE YOU SURE? 2222 01:39:27,062 --> 01:39:30,596 WELL...WELL, WHAT TIME DID YOU COME ON DUTY? 2223 01:39:32,334 --> 01:39:33,766 ALL RIGHT, ALL RIGHT. 2224 01:39:33,802 --> 01:39:35,435 KEEP YOUR SHIRT ON. 2225 01:39:39,140 --> 01:39:42,208 MARTY, WHY DON'T YOU LAY DOWN A WHILE? 2226 01:39:42,243 --> 01:39:44,043 SHE'S GOT TO BE SOMEPLACE. 2227 01:39:44,079 --> 01:39:45,712 WHAT'S SHE DOING THIS FOR? 2228 01:39:47,983 --> 01:39:49,315 [TELEPHONE RINGS] 2229 01:39:50,685 --> 01:39:51,751 HELLO? 2230 01:39:51,786 --> 01:39:53,519 HELLO, RUTHIE? WHERE THE-- 2231 01:39:57,258 --> 01:39:58,891 WHAT'D YOU SAY, MISS? 2232 01:40:02,797 --> 01:40:04,330 ALL RIGHT. 2233 01:40:04,366 --> 01:40:05,565 I'LL BE THERE. 2234 01:40:10,505 --> 01:40:12,405 BARNEY'S OFFICE. 2235 01:40:14,943 --> 01:40:18,678 SHE WANTS TO MEET ME THERE IN AN HOUR. 2236 01:40:18,713 --> 01:40:20,313 MARTY, WHY DON'T YOU TAKE A SHOWER? 2237 01:40:20,348 --> 01:40:22,382 I GUARANTEE YOU'LL FEEL BETTER. 2238 01:40:22,417 --> 01:40:25,385 YOU KNOW YOU ALWAYS FEEL BETTER AFTER A SHOWER. 2239 01:40:26,621 --> 01:40:28,588 WELL, YOU GOT A LOT OF TIME. 2240 01:40:38,466 --> 01:40:41,734 WHERE YOU BEEN? WHY A MEETIN' ALL OF A SUDDEN? WHY HERE? 2241 01:40:41,770 --> 01:40:42,735 MARTY, SIT DOWN. 2242 01:40:42,771 --> 01:40:44,203 WE GOT SOMETHING TO STRAIGHTEN OUT 2243 01:40:44,239 --> 01:40:45,371 BETWEEN US, AIN'T IT? 2244 01:40:45,407 --> 01:40:46,973 WHY DRAG BARNEY INTO IT? 2245 01:40:47,008 --> 01:40:48,975 BECAUSE HE'S A GOOD FRIEND TO BOTH OF US. 2246 01:40:49,010 --> 01:40:50,209 SO? 2247 01:40:50,245 --> 01:40:52,011 MARTY, YOU CAN HAVE ANYTHING YOU WANT, 2248 01:40:52,047 --> 01:40:53,112 ANY KIND OF SETTLEMENT. 2249 01:40:53,148 --> 01:40:54,480 WHAT ARE YOU TALKING ABOUT? 2250 01:40:54,516 --> 01:40:55,882 I WANT A DIVORCE. 2251 01:40:55,917 --> 01:40:56,883 WHAT? 2252 01:40:56,918 --> 01:40:58,751 WE'VE GOT TO PUT AN END TO THIS. 2253 01:40:58,787 --> 01:41:00,353 WHAT DO YOU MEAN PUT AN END TO IT? 2254 01:41:00,388 --> 01:41:02,288 HOW CAN YOU PUT AN END TO A THING LIKE THIS? 2255 01:41:02,323 --> 01:41:04,190 WE HAVE TO. IT ISN'T WORTH LIVING THIS WAY. 2256 01:41:04,225 --> 01:41:05,391 IT HASN'T BEEN. 2257 01:41:05,427 --> 01:41:07,460 YOU THINK YOU CAN JUST STAND THERE AND TELL ME THAT-- 2258 01:41:07,495 --> 01:41:08,594 I CAN'T ANYMORE, MARTY. 2259 01:41:08,630 --> 01:41:11,597 LOOK, MARTY, SHE CAN'T HELP THE WAY SHE FEELS. 2260 01:41:20,708 --> 01:41:23,509 WHAT A WAY TO WIND IT UP. 2261 01:41:23,545 --> 01:41:26,946 A GIRL, A SECRETARY CALLS YOU ON THE PHONE 2262 01:41:26,981 --> 01:41:29,482 AND TELLS YOU YOU'VE GOT AN APPOINTMENT. 2263 01:41:29,517 --> 01:41:31,851 I'VE TRIED, YOU KNOW I'VE TRIED, 2264 01:41:31,886 --> 01:41:34,220 BUT I CAN'T GO ON ANY LONGER. 2265 01:41:34,255 --> 01:41:36,422 WHAT'S THE USE IF WE'RE BOTH MISERABLE? 2266 01:41:36,458 --> 01:41:38,091 IT'S THAT GUY, AIN'T IT? 2267 01:41:38,126 --> 01:41:39,158 NO. YEAH. 2268 01:41:39,194 --> 01:41:40,626 YEAH. I WAS ON THE STAGE LAST NIGHT. 2269 01:41:40,662 --> 01:41:41,661 I AIN'T GEORGIE. 2270 01:41:41,696 --> 01:41:42,995 I SEEN YOUR FACE WHEN YOU LOOKED AT HIM. 2271 01:41:43,031 --> 01:41:44,697 RIGHT FROM THE START, RIGHT FROM CHICAGO. 2272 01:41:44,732 --> 01:41:46,365 YOU BEEN TWO-TIMING ME, THE BOTH OF YOU. 2273 01:41:46,401 --> 01:41:47,366 THAT'S NOT TRUE! 2274 01:41:47,402 --> 01:41:49,302 IT IS TRUE! IT IS TRUE! 2275 01:41:49,337 --> 01:41:51,304 IT'S BEEN HIM ALL THE TIME, AIN'T IT? AIN'T IT?! 2276 01:41:51,339 --> 01:41:53,473 NO, IT'S YOU! IT'S YOU, IT'S YOU! 2277 01:41:53,508 --> 01:41:55,341 IT'S BECAUSE OF YOU! 2278 01:41:55,376 --> 01:41:57,310 [SHRIEKS, CRYING] 2279 01:42:07,288 --> 01:42:09,589 ALL RIGHT. 2280 01:42:09,624 --> 01:42:11,057 ALL RIGHT. 2281 01:42:11,092 --> 01:42:14,927 YOU WANT TO CALL IT A DAY? FINE. 2282 01:42:14,963 --> 01:42:17,330 GET A LAWYER. GET IT STARTED. 2283 01:42:17,365 --> 01:42:20,266 ANYTHING YOU SAY. ANYTHING TO MAKE YOU HAPPY. 2284 01:42:23,338 --> 01:42:26,038 I DID AN AWFUL LOT WITH THAT GIRL. 2285 01:42:26,074 --> 01:42:27,273 SHE DON'T REALIZE. 2286 01:42:27,308 --> 01:42:28,608 ISN'T THAT RIGHT, BARNEY? 2287 01:42:28,643 --> 01:42:29,909 THAT'S RIGHT, THAT'S RIGHT, MARTY. 2288 01:42:29,944 --> 01:42:31,444 YOU'VE BEEN LEVEL WITH THE BOTH OF US. 2289 01:42:31,479 --> 01:42:32,812 DIDN'T I DO WONDERS FOR HER? 2290 01:42:32,847 --> 01:42:33,846 YES, YES, MARTY. 2291 01:42:33,882 --> 01:42:35,515 THE CONTRACTS I GOT HER. 2292 01:42:35,550 --> 01:42:38,117 ALL RIGHT, SO I COULDN'T HANDLE ALL THE PEOPLE WITH KID GLOVES, 2293 01:42:38,153 --> 01:42:39,785 BUT IT'S PUSH OR GET PUSHED. 2294 01:42:39,821 --> 01:42:40,987 YOU SEE? YOU SEE WHAT I MEAN, BARNEY? 2295 01:42:41,022 --> 01:42:42,755 SURE, I UNDERSTAND NOW, MARTY. 2296 01:42:42,790 --> 01:42:44,157 GO HOME AND GET SOME REST. 2297 01:42:44,192 --> 01:42:46,592 WE'LL TALK LATER. YOU'RE ALL KEYED UP. 2298 01:42:48,696 --> 01:42:51,931 LOOK, MAYBE THIS IS THE BEST THING THAT COULD'VE HAPPENED. 2299 01:42:51,966 --> 01:42:53,666 I MEAN THAT SERIOUS. 2300 01:42:53,701 --> 01:42:55,368 LET HER SEE HOW SHE GETS ALONG WITHOUT ME. 2301 01:42:55,403 --> 01:42:56,836 IF SHE DOES, FINE. 2302 01:42:56,871 --> 01:42:58,838 YOU WON'T HEAR ONE SQUAWK OUT OF ME. 2303 01:42:58,873 --> 01:43:01,340 BUT SHE'LL COME RUNNING BACK SO FAST, BELIEVE ME, 2304 01:43:01,376 --> 01:43:03,743 IT WON'T EVEN BE FUNNY. 2305 01:43:03,778 --> 01:43:06,179 WELL, I GOTTA GO. 2306 01:43:08,816 --> 01:43:11,417 I GOT THINGS TO DO. 2307 01:43:11,452 --> 01:43:12,852 THANKS, BARNEY. 2308 01:43:16,624 --> 01:43:18,591 WHAT HAPPENED, MARTY? WHAT'D SHE WANT? 2309 01:43:18,626 --> 01:43:20,459 AW, NOTHING. YOU KNOW HOW THEY ARE. 2310 01:43:20,495 --> 01:43:21,794 THEY GET NOTIONS. 2311 01:43:21,829 --> 01:43:22,795 SPLITTIN' UP? 2312 01:43:22,830 --> 01:43:24,964 SPLITTIN' UP? HA HA. THAT'S CRAZY. 2313 01:43:24,999 --> 01:43:26,132 SHE'D BE LOST WITHOUT ME. 2314 01:43:26,167 --> 01:43:28,501 SURE. IT FIGURES. 2315 01:43:28,536 --> 01:43:30,169 WHERE WE GOING NOW? 2316 01:43:30,205 --> 01:43:31,938 TO THE CLUB. WHERE ELSE? 2317 01:43:31,973 --> 01:43:33,406 YOU THINK I'M GONNA LET THINGS FALL APART 2318 01:43:33,441 --> 01:43:35,575 JUST 'CAUSE SHE GETS A NOTION? 2319 01:43:35,610 --> 01:43:37,810 AH, YOU'RE FUNNY. NO KIDDIN'. 2320 01:43:37,845 --> 01:43:40,413 LOOK AT YOU. THE PUSS ON YOU. 2321 01:43:40,448 --> 01:43:41,681 YOU'RE TIRED, GEORGIE. 2322 01:43:41,716 --> 01:43:43,115 I'VE BEEN TAKING ADVANTAGE, 2323 01:43:43,151 --> 01:43:44,450 RUNNING YOUR FEET OFF. 2324 01:43:44,485 --> 01:43:47,386 NO, NO, I AIN'T TIRED. 2325 01:43:47,422 --> 01:43:49,722 YOU KNOW, WHAT MOST PEOPLE DON'T APPRECIATE, 2326 01:43:49,757 --> 01:43:51,691 IT'S A TOUGH BUSINESS, SHOW BUSINESS, 2327 01:43:51,726 --> 01:43:54,794 AND YOU GOT TO HAVE SOMEBODY TOUGH ON YOUR SIDE. 2328 01:43:54,829 --> 01:43:56,329 SHE'LL COME RUNNING BACK. 2329 01:43:56,364 --> 01:43:58,864 IT'S A FOREGONE THING, THAT'S WHAT IT IS. 2330 01:43:58,900 --> 01:44:00,466 A FOREGONE THING. 2331 01:44:04,772 --> 01:44:06,405 A LITTLE FASTER. 2332 01:44:06,441 --> 01:44:08,140 ROLL 'EM. 2333 01:44:08,176 --> 01:44:09,242 SPEED. 2334 01:44:09,277 --> 01:44:10,309 PLAYBACK. 2335 01:44:10,345 --> 01:44:12,278 [MUSIC PLAYING] 2336 01:44:15,850 --> 01:44:18,951 ♪ EVERY LITTLE BREEZE IS SIGHIN' OF LOVE ♪ 2337 01:44:18,987 --> 01:44:22,521 ♪ AND DYIN' AT SUNDOWN 2338 01:44:22,557 --> 01:44:25,458 ♪ EVERY LITTLE BIRD IS RESTING ♪ 2339 01:44:25,493 --> 01:44:28,995 ♪ FEATHER-NESTING AT SUNDOWN ♪ 2340 01:44:30,565 --> 01:44:32,164 ♪ EACH LITTLE ROSEBUD 2341 01:44:32,200 --> 01:44:36,302 ♪ IS SLEEPIN' 2342 01:44:36,337 --> 01:44:39,405 ♪ WALL SHADOWS 2343 01:44:39,440 --> 01:44:42,842 ♪ ARE CREEPIN' 2344 01:44:42,877 --> 01:44:45,244 ♪ IN THE LITTLE COTTAGE COZY ♪ 2345 01:44:45,280 --> 01:44:46,445 ♪ THE WORLD SEEMS-- 2346 01:44:46,481 --> 01:44:48,314 ALL RIGHT, CUT. CUT. 2347 01:44:48,349 --> 01:44:49,815 STOP THE PLAYBACK. 2348 01:44:49,851 --> 01:44:51,317 [MUSIC STOPS PLAYING] 2349 01:44:52,754 --> 01:44:54,720 YOU'LL HAVE TO STEP DOWN, RUTH. 2350 01:44:54,756 --> 01:44:56,389 WE HAVE SOME MECHANICAL DIFFICULTY. 2351 01:44:56,424 --> 01:44:58,124 HELP HER DOWN, TONY. 2352 01:45:00,728 --> 01:45:01,694 THANK YOU. 2353 01:45:01,729 --> 01:45:02,762 VERY NICE, DARLING. 2354 01:45:02,797 --> 01:45:03,963 THANKS. 2355 01:45:03,998 --> 01:45:05,064 JOE... 2356 01:45:06,501 --> 01:45:07,466 RUTH... 2357 01:45:07,502 --> 01:45:08,834 ARE YOU ALL RIGHT? 2358 01:45:08,870 --> 01:45:10,836 HE CAME TO MY PLACE LAST NIGHT 2359 01:45:10,872 --> 01:45:12,405 LOOKING FOR YOU. WHAT HAPPENED? 2360 01:45:12,440 --> 01:45:14,006 JOHNNY, IT HAS NOTHING TO DO WITH YOU. 2361 01:45:14,042 --> 01:45:15,775 HAVE YOU LEFT HIM, RUTH? HAVE YOU? 2362 01:45:15,810 --> 01:45:18,077 PLEASE, IT ISN'T ANY OF YOUR BUSINESS. 2363 01:45:19,681 --> 01:45:21,981 THAT'S A LIE. HE KNOWS IT IF YOU DON'T. 2364 01:45:22,016 --> 01:45:23,582 HAVE YOU LEFT HIM, RUTH? I'VE GOT TO KNOW. 2365 01:45:23,618 --> 01:45:24,817 YES, YES, I'VE LEFT HIM, 2366 01:45:24,852 --> 01:45:26,152 BUT IT DOESN'T MAKE ANY DIFFERENCE, JOHNNY. 2367 01:45:26,187 --> 01:45:28,321 YOU'VE GOT TO STAY AWAY FROM ME, PLEASE. 2368 01:45:48,242 --> 01:45:49,709 DID YOU SEE HER? 2369 01:45:49,744 --> 01:45:51,410 THEY WOULDN'T LET ME IN, MARTY. 2370 01:45:51,446 --> 01:45:52,712 SHE'S THERE, I KNOW SHE'S THERE. 2371 01:45:52,747 --> 01:45:53,913 THEY'VE BEEN SHOOTING 2 DAYS ALREADY. 2372 01:45:53,948 --> 01:45:55,114 WHAT'S THE MATTER WITH YOU? 2373 01:45:55,149 --> 01:45:56,248 WHY'D YOU LET THEM BLUFF YOU FOR? 2374 01:45:56,284 --> 01:45:57,616 WHY DIDN'T YOU BARGE RIGHT IN THROUGH THE GATE? 2375 01:45:57,652 --> 01:46:00,653 I DID, MARTY. THEY THREW ME OUT. 2376 01:46:03,491 --> 01:46:05,424 OH. YOU KNOW WHAT? 2377 01:46:05,460 --> 01:46:07,326 I RAN INTO BARNEY LOOMIS OVER AT THE STUDIO. 2378 01:46:07,362 --> 01:46:08,694 HE SAYS THE MUSICIANS UNION, 2379 01:46:08,730 --> 01:46:09,862 UNLESS YOU GET SOME DOUGH UP, 2380 01:46:09,897 --> 01:46:11,397 THEY WON'T LET THE BAND OVER. 2381 01:46:11,432 --> 01:46:12,665 HE SAYS HE'S GOT TO TALK TO YOU. 2382 01:46:12,700 --> 01:46:14,967 HE'LL TALK TO ME WHEN I TALK TO HIM LATER. 2383 01:46:15,002 --> 01:46:17,069 EVERYBODY TELLING ME ALL THE TIME WHAT TO DO. 2384 01:46:17,105 --> 01:46:19,138 MARTY, LISTEN. 2385 01:46:19,173 --> 01:46:21,240 WE'VE BEEN PALS A LONG TIME. 2386 01:46:21,275 --> 01:46:23,542 SINCE WE WERE KIDS PRACTICALLY, HUH? 2387 01:46:23,578 --> 01:46:25,711 IT AIN'T RUTH'S FAULT. IT'S HIM. 2388 01:46:25,747 --> 01:46:27,279 THAT PIANO PLAYER. 2389 01:46:27,315 --> 01:46:28,948 HE'S GOT AN INFLUENCE ON HER. 2390 01:46:28,983 --> 01:46:30,950 IF IT'S HIM OR IF IT AIN'T HIM, 2391 01:46:30,985 --> 01:46:32,651 WHAT'S THE DIFFERENCE? IT'S ALL DONE. 2392 01:46:32,687 --> 01:46:34,587 CAN'T YOU FORGET ABOUT HER? 2393 01:46:34,622 --> 01:46:37,089 WE GOT A CLUB TO OPEN HERE IN 3 DAYS. 2394 01:46:37,125 --> 01:46:38,524 ALL THE DOUGH YOU GOT IN THE WORLD 2395 01:46:38,559 --> 01:46:40,292 IS TIED UP IN THIS JOINT. 2396 01:46:40,328 --> 01:46:42,361 MARTY, I TELL YOU THE TRUTH, I WORRY. 2397 01:46:42,397 --> 01:46:43,362 THAT'S A BUNK. 2398 01:46:43,398 --> 01:46:45,231 I'LL TAKE CARE OF YOU. DIDN'T I ALWAYS? 2399 01:46:45,266 --> 01:46:46,232 YEAH. ONLY-- 2400 01:46:46,267 --> 01:46:47,433 ONLY WHAT?! ONLY WHAT?! 2401 01:46:47,468 --> 01:46:48,634 Man: OH, MR. SNYDER. 2402 01:46:48,669 --> 01:46:50,469 YOU WANT TO LOOK AT THESE INITIALS ON THE DRAPES 2403 01:46:50,505 --> 01:46:51,570 BEFORE I HANG THEM? 2404 01:46:52,774 --> 01:46:54,206 DON'T ASK ME SO MUCH! 2405 01:46:54,242 --> 01:46:55,775 HE'S IN HIS OFFICE, BARNEY, IF YOU WANT-- 2406 01:46:55,810 --> 01:46:57,143 LATER, I SAID! LATER! 2407 01:46:57,178 --> 01:46:58,944 LET ME ALONE, WILL YOU? 2408 01:47:00,681 --> 01:47:02,047 GO AWAY! 2409 01:47:02,083 --> 01:47:03,682 LIKE FLIES! LIKE LEECHES! 2410 01:47:03,718 --> 01:47:06,218 IN MY OWN PLACE, THEY CAN'T LET ME ALONE. 2411 01:47:10,491 --> 01:47:12,224 SURE, I CAN FORGET HER. 2412 01:47:13,761 --> 01:47:16,796 PEOPLE DIE. PEOPLE GO AWAY. 2413 01:47:16,831 --> 01:47:18,030 ONCE IT'S FINISHED, 2414 01:47:18,065 --> 01:47:19,365 YOU DON'T GO AROUND 2415 01:47:19,400 --> 01:47:21,834 KNOCKING YOURSELF AGAINST A STONE WALL. 2416 01:47:23,404 --> 01:47:25,471 ONCE IT'S FINISHED. 2417 01:47:34,715 --> 01:47:36,182 JOHNNY. 2418 01:47:37,285 --> 01:47:38,317 HELLO. 2419 01:47:39,487 --> 01:47:40,753 HELLO. 2420 01:47:41,956 --> 01:47:44,890 WHERE HAVE YOU BEEN THE LAST FEW DAYS? 2421 01:47:44,926 --> 01:47:48,093 YOU SAID YOU DIDN'T WANT TO SEE ME. 2422 01:47:48,129 --> 01:47:49,762 I KNOW I DID, BUT... 2423 01:47:49,797 --> 01:47:52,865 WELL, I DIDN'T THINK YOU'D STOP COMING TO THE SET. 2424 01:47:52,900 --> 01:47:56,001 I MEAN, WITH SO MANY PEOPLE AROUND AND EVERYTHING, 2425 01:47:56,037 --> 01:47:59,004 THERE'S NO HARM IN THAT, IS THERE? 2426 01:47:59,040 --> 01:48:00,806 THERE'S NOT MUCH POINT, EITHER. 2427 01:48:04,745 --> 01:48:06,879 I'M SORRY. 2428 01:48:06,914 --> 01:48:08,214 THIS CAR FOR YOU? 2429 01:48:08,249 --> 01:48:09,215 YES. 2430 01:48:09,250 --> 01:48:11,183 CANCEL IT. LET ME DRIVE YOU HOME. 2431 01:48:11,219 --> 01:48:12,318 NO, JOHNNY. 2432 01:48:12,353 --> 01:48:14,320 LOOK, DARLING, I JUST TALKED WITH BARNEY LOOMIS. 2433 01:48:14,355 --> 01:48:15,888 HE SAYS MARTY'S TAKING THIS WHOLE THING 2434 01:48:15,923 --> 01:48:17,223 A LOT BETTER THAN YOU ARE. 2435 01:48:17,258 --> 01:48:18,691 NOW, WAIT A MINUTE. LET ME FINISH. 2436 01:48:18,726 --> 01:48:21,694 I'M NOT ASKING YOU TO CHANGE YOUR MIND ABOUT ANYTHING. 2437 01:48:21,729 --> 01:48:24,063 ALL I'M ASKING, LET ME DRIVE YOU HOME. 2438 01:48:24,098 --> 01:48:27,867 BUT I CAN'T, I CAN'T TAKE THE CHANCE. 2439 01:48:31,606 --> 01:48:32,838 WELL, GOOD NIGHT. 2440 01:48:32,874 --> 01:48:34,173 PLEASE, JOHNNY. 2441 01:48:37,545 --> 01:48:39,945 FOR WHAT IT'S WORTH, 2442 01:48:39,981 --> 01:48:41,447 I LOVE YOU. 2443 01:48:44,652 --> 01:48:47,152 [ENGINE STARTS] 2444 01:48:47,188 --> 01:48:49,388 [DOOR CLOSES] 2445 01:48:49,423 --> 01:48:51,323 [CAR DRIVES AWAY] 2446 01:49:02,336 --> 01:49:03,769 GOOD NIGHT, MISS ETTING. 2447 01:49:03,804 --> 01:49:05,137 GOOD NIGHT. 2448 01:49:09,310 --> 01:49:11,744 [CAR DRIVES AWAY] 2449 01:49:15,049 --> 01:49:17,016 [CAR APPROACHING] 2450 01:49:23,925 --> 01:49:25,925 JOHNNY, WHAT ARE YOU DOING HERE? 2451 01:49:25,960 --> 01:49:29,161 OH, DARLING, AFTER WHAT YOU SAID BACK THERE... 2452 01:49:41,509 --> 01:49:43,242 GOOD NIGHT. 2453 01:49:47,915 --> 01:49:49,582 GOOD NIGHT, DARLING. 2454 01:49:57,758 --> 01:49:58,958 [DOOR CLOSES] 2455 01:50:06,767 --> 01:50:08,734 [2 GUNSHOTS] 2456 01:50:08,769 --> 01:50:09,935 [JOHNNY MOANING] 2457 01:50:09,971 --> 01:50:11,737 [DOOR OPENS] 2458 01:50:11,772 --> 01:50:13,939 JOHNNY! 2459 01:50:13,975 --> 01:50:15,274 JOHNNY? 2460 01:50:15,309 --> 01:50:17,109 OHH. 2461 01:50:17,144 --> 01:50:18,844 HE HAD IT COMING TO HIM. 2462 01:50:18,879 --> 01:50:20,913 I TOLD HIM. 2463 01:50:20,948 --> 01:50:22,615 I TOLD HIM I WAS GONNA LET HIM HAVE IT. 2464 01:50:22,650 --> 01:50:24,049 I COULDN'T BACK DOWN. 2465 01:50:24,085 --> 01:50:26,051 YOU KNOW WHAT I MEAN, RUTHIE? 2466 01:50:32,727 --> 01:50:34,560 YOU... 2467 01:50:34,595 --> 01:50:37,396 YOU...YOU BEEN UP ALL NIGHT. 2468 01:50:39,100 --> 01:50:42,401 YEAH. AND YOU'RE ALL RIGHT... 2469 01:50:45,172 --> 01:50:47,873 NO MATTER HOW YOU FEEL. 2470 01:50:47,908 --> 01:50:49,208 I FEEL... 2471 01:50:49,243 --> 01:50:50,542 TIRED... 2472 01:50:51,846 --> 01:50:53,712 EXACTLY AS IF... 2473 01:50:53,748 --> 01:50:56,015 I WAS SHOT. 2474 01:50:56,050 --> 01:50:57,316 BUT IF... 2475 01:50:57,351 --> 01:50:59,585 IF YOU TELL ME YOU LOVE ME, 2476 01:50:59,620 --> 01:51:02,187 I'LL GO TO SLEEP. 2477 01:51:02,223 --> 01:51:03,555 I LOVE YOU. 2478 01:51:03,591 --> 01:51:06,825 I'LL BE TELLING YOU FOR THE REST OF MY LIFE. 2479 01:51:06,861 --> 01:51:09,161 YOU'LL GET AWFULLY TIRED HEARING IT. 2480 01:51:10,564 --> 01:51:12,264 YOU WANT TO BET? 2481 01:51:37,458 --> 01:51:39,324 HOW IS HE? 2482 01:51:39,360 --> 01:51:42,928 RUTH, THERE ARE STILL SOME PHOTOGRAPHERS DOWNSTAIRS. 2483 01:51:42,963 --> 01:51:44,196 CAN YOU TAKE IT? 2484 01:51:44,231 --> 01:51:45,531 YES. 2485 01:51:48,302 --> 01:51:50,536 BARNEY, WHAT'S GONNA HAPPEN WITH MARTY? 2486 01:51:50,571 --> 01:51:52,871 WELL, HE'LL PROBABLY GET OUT ON BAIL, 2487 01:51:52,907 --> 01:51:54,973 THEN HE'LL HAVE TO STAND TRIAL. 2488 01:51:55,009 --> 01:51:56,575 BUT WHAT ABOUT HIS CLUB? 2489 01:51:56,610 --> 01:51:58,343 OH, IT WON'T OPEN. IT CAN'T. 2490 01:51:58,379 --> 01:52:01,180 WHY, IT WAS TOUCH AND GO ABOUT THE MONEY ANYWAY. 2491 01:52:01,215 --> 01:52:04,683 NOW AFTER THIS, WHY, IT'S NOT A CHANCE HE CAN GET IT. 2492 01:52:04,719 --> 01:52:07,453 NOW, DON'T YOU START FEELING SORRY FOR HIM. 2493 01:52:07,488 --> 01:52:09,021 AREN'T YOU? 2494 01:52:09,056 --> 01:52:10,856 OH, YES, I AM. 2495 01:52:10,891 --> 01:52:14,393 I'D HELP HIM IF I COULD, BUT I CAN'T. NOBODY CAN. 2496 01:52:14,428 --> 01:52:15,994 AND YOU'RE THE ONE PERSON IN THE WORLD 2497 01:52:16,030 --> 01:52:17,496 WHO MUSTN'T EVEN TRY. 2498 01:52:17,531 --> 01:52:18,831 WHY NOT? 2499 01:52:18,866 --> 01:52:19,865 THERE ARE A THOUSAND-- 2500 01:52:19,900 --> 01:52:21,967 BARNEY, HE GAVE ME A BIG CHUNK OF HIS LIFE. 2501 01:52:22,002 --> 01:52:23,368 IT DOESN'T MATTER THAT I DIDN'T WANT IT, 2502 01:52:23,404 --> 01:52:26,438 BUT THE POINT IS THAT HE GAVE IT AND I TOOK IT. 2503 01:52:26,474 --> 01:52:29,007 I CAN'T WALK AWAY WHEN HE'S IN TROUBLE LIKE THIS, 2504 01:52:29,043 --> 01:52:30,375 AS IF IT WEREN'T ANY OF MY BUSINESS. 2505 01:52:30,411 --> 01:52:31,410 NOW, WAIT A MINUTE. 2506 01:52:31,445 --> 01:52:32,811 TOO MUCH OF IT IS MY FAULT. 2507 01:52:32,847 --> 01:52:34,012 THAT'S RIDICULOUS. 2508 01:52:34,048 --> 01:52:35,214 I MEAN IT. 2509 01:52:35,249 --> 01:52:37,783 BARNEY, I DIDN'T LEAVE HIM WITH ANYTHING... 2510 01:52:37,818 --> 01:52:41,386 WITH ANY PRIDE, SELF-RESPECT, NOTHING. 2511 01:52:41,422 --> 01:52:43,055 I'VE GOT TO SEE HIM. 2512 01:52:43,090 --> 01:52:45,424 BARNEY, YOU HAVE TO FIX IT FOR ME. 2513 01:52:45,459 --> 01:52:46,925 PLEASE. 2514 01:52:46,961 --> 01:52:49,695 PLEASE. 2515 01:52:49,730 --> 01:52:51,263 [SIGHS] 2516 01:52:51,298 --> 01:52:53,298 YOU'RE MAKING A BIG MISTAKE. 2517 01:52:53,334 --> 01:52:55,000 I HAVE MADE SO MANY, 2518 01:52:55,035 --> 01:52:57,136 ONE MORE WON'T MAKE ANY DIFFERENCE. 2519 01:53:00,274 --> 01:53:01,440 SIT DOWN, PLEASE. 2520 01:53:01,475 --> 01:53:02,441 THANK YOU. 2521 01:53:06,680 --> 01:53:08,280 MARTIN SNYDER. 2522 01:53:46,854 --> 01:53:49,321 SOMETHING ON YOUR MIND? 2523 01:53:49,356 --> 01:53:51,056 I DON'T KNOW IF THEY'VE TOLD YOU OR NOT, 2524 01:53:51,091 --> 01:53:53,025 BUT HE'S GOING TO BE ALL RIGHT. 2525 01:53:53,060 --> 01:53:55,227 THAT SHOULD MAKE IT EASIER FOR YOU. 2526 01:53:55,262 --> 01:53:59,031 I AIN'T WORRIED. I HAD TO LEARN HIM A LESSON, AND I DID. 2527 01:53:59,066 --> 01:54:01,200 I GUESS HE THOUGHT I WAS BLUFFIN'. 2528 01:54:01,235 --> 01:54:04,536 WELL, A WHOLE LOT OF PEOPLE HAD ME ALL WRONG, 2529 01:54:04,572 --> 01:54:06,905 BUT I GUESS THEY'RE ALL WISED UP NOW. 2530 01:54:06,941 --> 01:54:10,042 I'VE NEVER BEEN THE KIND OF GUY LETS NOBODY DOUBLE-CROSS HIM. 2531 01:54:10,077 --> 01:54:12,044 NO ONE DOUBLE-CROSSED YOU, MARTY. 2532 01:54:12,079 --> 01:54:14,046 I'VE NEVER SAID ONE WORD TO JOHNNY 2533 01:54:14,081 --> 01:54:15,314 THAT YOU COULDN'T HAVE HEARD. 2534 01:54:15,349 --> 01:54:17,749 JUST GOOD PALS, HUH? 2535 01:54:19,687 --> 01:54:22,221 NO. NOT ANYMORE. 2536 01:54:23,824 --> 01:54:25,157 I LOVE HIM. 2537 01:54:26,360 --> 01:54:28,293 AND I'M GOING TO MARRY HIM. 2538 01:54:30,865 --> 01:54:33,031 IS THAT WHAT YOU COME TO TELL ME? 2539 01:54:33,067 --> 01:54:34,666 OK, YOU TOLD ME. 2540 01:54:34,702 --> 01:54:36,735 PLEASE, MARTY, THERE IS SOMETHING ELSE. 2541 01:54:38,405 --> 01:54:40,105 THAT DAY IN BARNEY'S OFFICE, 2542 01:54:40,140 --> 01:54:42,774 WE WERE BOTH SO UPSET THAT... 2543 01:54:42,810 --> 01:54:46,612 I COULDN'T REALLY SAY WHAT I WANTED TO. 2544 01:54:46,647 --> 01:54:49,348 OH, YOU DID JUST FINE. 2545 01:54:49,383 --> 01:54:52,017 YOU SAID PLENTY. 2546 01:54:52,052 --> 01:54:54,753 BUT I DIDN'T GET TO SAY THANK YOU 2547 01:54:54,788 --> 01:54:56,321 FOR ALL THE NICE THINGS, 2548 01:54:56,357 --> 01:54:59,024 FOR ALL THE GOOD THINGS THAT YOU'VE DONE FOR ME. 2549 01:54:59,059 --> 01:55:03,295 WHO ARE YOU KIDDING, RUTHIE? 2550 01:55:03,330 --> 01:55:05,330 WHO ARE YOU TRYING TO BUTTER UP? 2551 01:55:05,366 --> 01:55:07,065 WHAT'S THE MATTER, KIDDO? SCARED? 2552 01:55:07,101 --> 01:55:08,367 YOU AFRAID I'LL GET OUT OF HERE 2553 01:55:08,402 --> 01:55:10,102 AND TAKE ANOTHER SHOT AT YOUR BOYFRIEND? 2554 01:55:10,137 --> 01:55:11,503 MARTY, PLEASE, LISTEN TO ME. 2555 01:55:11,538 --> 01:55:13,071 NO, YOU LISTEN TO ME. 2556 01:55:13,107 --> 01:55:14,940 I'LL BE SPRUNG, I'LL GET OUT OF HERE, 2557 01:55:14,975 --> 01:55:16,441 AND I'LL BEAT THIS RAP. 2558 01:55:16,477 --> 01:55:19,444 YOU THINK I'M THROUGH? YOU DON'T KNOW ME. 2559 01:55:19,480 --> 01:55:22,314 THERE'S ONE THING I AM THROUGH WITH-- 2560 01:55:22,349 --> 01:55:23,415 YOU. 2561 01:55:24,551 --> 01:55:27,319 YOU AIN'T GOT A THING TO WORRY ABOUT. 2562 01:55:27,354 --> 01:55:30,722 I DON'T WANT NO PART OF YOU. 2563 01:55:34,962 --> 01:55:37,129 WELL, WHAT ARE YOU SITTIN' THERE LIKE A WOODEN IDIOT? 2564 01:55:37,164 --> 01:55:38,630 GO ON, BEAT IT! 2565 01:55:38,666 --> 01:55:40,232 GO ON BACK TO YOUR PIANO PLAYER. 2566 01:55:40,267 --> 01:55:42,501 HE CAN HAVE YOU. 2567 01:55:42,536 --> 01:55:45,203 TELL HIM YOU'VE SEEN ME IN THE POKY AND I LOOK GREAT. 2568 01:55:45,239 --> 01:55:46,672 TELL HIM I LIKE IT. 2569 01:55:46,707 --> 01:55:49,374 MAKES ME FEEL LIKE I'M A KID AGAIN. 2570 01:56:12,366 --> 01:56:15,067 WELL, YOU AIN'T TOLD ME YET WHO PUT UP THE BAIL. 2571 01:56:15,102 --> 01:56:17,269 ALL OF A SUDDEN, YOU'RE SUCH A CLAM. 2572 01:56:17,304 --> 01:56:18,704 DIDN'T HAVE A CHANCE, MARTY, 2573 01:56:18,739 --> 01:56:20,539 WITH ALL THOSE REPORTERS AND EVERYTHING. 2574 01:56:20,574 --> 01:56:22,841 BARNEY LOOMIS, HE PUT IT UP FOR YOU. 2575 01:56:22,876 --> 01:56:24,876 WELL, IF HE'S SUCH A PAL, WHY DIDN'T HE COME WITH YOU? 2576 01:56:24,912 --> 01:56:27,446 I DON'T KNOW, MARTY. MAYBE HE WAS BUSY. 2577 01:56:27,481 --> 01:56:31,049 YEAH. WORD GOES OUT A GUY'S BROKE, 2578 01:56:31,085 --> 01:56:33,318 EVERYBODY GETS BUSY. 2579 01:56:33,354 --> 01:56:34,319 HE PUT THE DOUGH UP, DIDN'T HE? 2580 01:56:34,355 --> 01:56:35,654 HE'LL GET IT BACK. 2581 01:56:35,689 --> 01:56:37,222 YEAH, BUT HE PUT IT UP. 2582 01:56:39,560 --> 01:56:41,727 YEAH, HE AIN'T SUCH A BAD GUY. 2583 01:56:43,664 --> 01:56:46,198 HEY. THIS AIN'T THE WAY HOME. 2584 01:56:46,233 --> 01:56:47,666 THOUGHT MAYBE WE'D DROP BY THE CLUB 2585 01:56:47,701 --> 01:56:48,934 FOR A MINUTE. 2586 01:56:48,969 --> 01:56:51,169 AW. 2587 01:56:51,205 --> 01:56:53,739 WHAT DO I WANT TO GIVE MYSELF THE BLUES FOR? 2588 01:56:53,774 --> 01:56:55,974 COUPLE OF THINGS YOU OUGHT TO LOOK AT, MARTY. 2589 01:56:56,010 --> 01:56:57,309 FORGET IT. 2590 01:56:57,344 --> 01:56:58,944 I WANT TO GET A SHOWER. 2591 01:56:58,979 --> 01:57:01,947 HA HA. THEY DON'T KEEP THINGS SO DAINTY IN THAT CLINK. 2592 01:57:01,982 --> 01:57:03,048 GO ON. GO ON HOME. 2593 01:57:03,083 --> 01:57:05,484 YEAH, MARTY. JUST A MINUTE. 2594 01:57:05,519 --> 01:57:08,887 [PEOPLE CHATTERING] 2595 01:57:17,164 --> 01:57:19,064 GEORGIE. 2596 01:57:23,904 --> 01:57:25,404 I'LL THROW HER OFF. 2597 01:57:25,439 --> 01:57:26,805 MARTY, STOP! WAIT! 2598 01:57:29,443 --> 01:57:30,409 MARTY! 2599 01:57:30,444 --> 01:57:31,543 LET GO OF ME! LET GO! 2600 01:57:31,578 --> 01:57:32,344 WAIT A MINUTE. 2601 01:57:32,379 --> 01:57:34,212 LET GO OF ME! LET GO! 2602 01:57:34,248 --> 01:57:35,414 I DON'T CARE WHO'S IN THERE. 2603 01:57:35,449 --> 01:57:36,882 I'LL PULL HER OFF THE BANDSTAND. 2604 01:57:36,917 --> 01:57:38,283 I DON'T NEED NOBODY TO GIVE ME A BAG OF PEANUTS. 2605 01:57:38,318 --> 01:57:39,184 I DON'T NEED NO HANDOUTS! 2606 01:57:39,219 --> 01:57:40,652 NOW LISTEN TO ME! 2607 01:57:40,687 --> 01:57:42,354 THIS IS NOT A HANDOUT. 2608 01:57:42,389 --> 01:57:44,089 YOU DID A LOT FOR RUTH IN THE OLD DAYS. 2609 01:57:44,124 --> 01:57:45,257 SHE KNOWS IT, AND SHE'S GRATEFUL, 2610 01:57:45,292 --> 01:57:47,159 AND SHE'S GOT A RIGHT TO PAY IT BACK. 2611 01:57:47,194 --> 01:57:48,760 AND YOU'VE GOT TO TAKE IT. 2612 01:57:48,796 --> 01:57:50,729 YOU'VE GOT TO BE BIG ENOUGH TO TAKE IT. 2613 01:57:50,764 --> 01:57:52,297 HEY, THAT'S THE GUY WHO SHOT THE GUY! 2614 01:57:52,332 --> 01:57:54,199 THAT'S HIM! 2615 01:57:54,234 --> 01:57:56,601 LOOK THIS WAY, MR. SNYDER, PLEASE. 2616 01:57:56,637 --> 01:57:57,869 WILL YOU GIVE ME YOUR AUTOGRAPH? 2617 01:57:57,905 --> 01:57:59,371 DID HE BUST OUT OF JAIL OR WHAT? 2618 01:57:59,406 --> 01:58:00,572 NO, HE'S OUT ON BAIL. 2619 01:58:00,607 --> 01:58:03,208 HEY, GIVE ME YOUR AUTOGRAPH, MISTER! 2620 01:58:03,243 --> 01:58:05,143 BREAK IT UP. 2621 01:58:05,179 --> 01:58:06,845 ONE MORE, PLEASE. 2622 01:58:06,880 --> 01:58:08,346 LOOKS AS IF YOU HAVE A PRETTY GOOD THING 2623 01:58:08,382 --> 01:58:09,047 ON YOUR HANDS. 2624 01:58:09,083 --> 01:58:11,383 YEAH, SURE, SURE. 2625 01:58:11,418 --> 01:58:12,584 OH, YOU MEAN THE CLUB? 2626 01:58:12,619 --> 01:58:14,419 YEAH. TAKE A LOOK AT THIS JOINT. IT'S PACKED. 2627 01:58:14,455 --> 01:58:16,388 NEVER BEEN MORE THAN 4 PEOPLE IN HERE BEFORE. 2628 01:58:16,423 --> 01:58:19,157 YEAH. YEAH, I GUESS YOU'RE RIGHT. 2629 01:58:19,193 --> 01:58:20,792 MR. SNYDER, CAN I GET SOME BACKSTAGE SHOTS? 2630 01:58:20,828 --> 01:58:22,194 HUH? 2631 01:58:22,229 --> 01:58:25,630 MR. LOOMIS SAID THAT YOU'RE THE ONLY ONE THAT CAN OK IT. 2632 01:58:25,666 --> 01:58:28,967 UH, YEAH, YEAH, SURE. SURE, WHY NOT? 2633 01:58:29,002 --> 01:58:31,403 ONLY, UH, NOT DURING THE FLOOR SHOW. 2634 01:58:31,438 --> 01:58:32,504 THAT'S ONE OF MY RULES. 2635 01:58:32,539 --> 01:58:33,405 THANKS A LOT. 2636 01:58:33,440 --> 01:58:34,339 THINK NOTHING OF IT. 2637 01:58:34,374 --> 01:58:35,841 THANKS A LOT. 2638 01:58:35,876 --> 01:58:36,775 PRETTY NIFTY, HUH? 2639 01:58:36,810 --> 01:58:38,276 WHO'D YOU GET IN, BUNCH OF DECORATORS? 2640 01:58:38,312 --> 01:58:40,112 OH, GOT MYSELF IN, THAT'S WHO. 2641 01:58:40,147 --> 01:58:41,780 YOU THINK YOU'VE BROKEN THE JINX ON THIS SPOT? 2642 01:58:41,815 --> 01:58:43,748 THERE WAS NEVER NO JINX ON THIS SPOT. 2643 01:58:43,784 --> 01:58:45,851 JUST A LOT OF JERKS RUNNING IT, THAT'S ALL. 2644 01:58:45,886 --> 01:58:47,352 GOT BIG PLANS FOR IT? 2645 01:58:47,387 --> 01:58:49,121 WHEN I GET THROUGH, 2646 01:58:49,156 --> 01:58:51,423 YOU'RE GONNA NEED A RESERVATION A MONTH IN ADVANCE. 2647 01:58:51,458 --> 01:58:53,091 THEN YOU'RE COUNTING ON KEEPING IT RUNNING? 2648 01:58:53,127 --> 01:58:54,659 THROUGH THICK AND THIN. 2649 01:58:54,695 --> 01:58:56,428 NO MATTER WHAT HAPPENS AT MY TRIAL. 2650 01:58:56,463 --> 01:58:59,064 THAT'S JUST IN CASE YOU'RE BEING TOO POLITE TO ASK. 2651 01:58:59,099 --> 01:59:01,066 [LAUGHTER] 2652 01:59:01,101 --> 01:59:02,767 SHH. SHH, SHH. 2653 01:59:02,803 --> 01:59:05,337 MR. SNYDER, DOES MISS ETTING'S APPEARANCE HERE TONIGHT 2654 01:59:05,372 --> 01:59:07,672 MEAN YOU TWO ARE GETTING BACK TOGETHER? 2655 01:59:07,708 --> 01:59:10,609 NAH. MISS ETTING IS JUST FULFILLING 2656 01:59:10,644 --> 01:59:12,577 A CONTRACTUAL OBLIGATION. 2657 01:59:12,613 --> 01:59:13,778 YOU GOT THAT? 2658 01:59:13,814 --> 01:59:15,447 A CONTRACTUAL OBLIGATION. 2659 01:59:15,482 --> 01:59:17,349 SHE'S GONNA BE PAID JUST LIKE ANY OTHER ARTIST. 2660 01:59:17,384 --> 01:59:19,518 KIND OF SURPRISING, THOUGH, IN VIEW OF WHAT'S HAPPENED. 2661 01:59:19,553 --> 01:59:21,186 WHAT'S SURPRISING ABOUT IT? 2662 01:59:21,221 --> 01:59:22,420 BUSINESS IS BUSINESS. 2663 01:59:22,456 --> 01:59:23,688 YOU CAN PUT IT DOWN 2664 01:59:25,325 --> 01:59:26,758 AS AN ARTIST. 2665 01:59:26,793 --> 01:59:29,227 UH, BOYS, STEP UP TO THE BAR AND HAVE A DRINK ON THE HOUSE. 2666 01:59:29,263 --> 01:59:32,330 AND, GEORGIE, SEE TO IT MY PALS GET EVERYTHING THEY WANT. 2667 01:59:32,366 --> 01:59:34,566 Woman: CHECK YOUR HATS, PLEASE. 2668 01:59:34,601 --> 01:59:36,434 Ruth: ♪ LOVE ME 2669 01:59:36,470 --> 01:59:38,803 ♪ OR LEAVE ME 2670 01:59:38,839 --> 01:59:41,806 ♪ LET ME BE LONELY 2671 01:59:41,842 --> 01:59:44,843 ♪ YOU WON'T BELIEVE ME 2672 01:59:44,878 --> 01:59:47,812 ♪ AND I LOVE YOU ONLY 2673 01:59:47,848 --> 01:59:51,283 ♪ I'D RATHER BE LONELY 2674 01:59:51,318 --> 01:59:56,555 ♪ THAN HAPPY WITH SOMEBODY ELSE ♪ 2675 02:00:00,761 --> 02:00:04,262 ♪ YOU MIGHT FIND THE NIGHTTIME ♪ 2676 02:00:04,298 --> 02:00:07,499 ♪ THE RIGHT TIME FOR KISSING ♪ 2677 02:00:07,534 --> 02:00:10,769 ♪ BUT NIGHTTIME IS MY TIME ♪ 2678 02:00:10,804 --> 02:00:12,437 ♪ FOR JUST 2679 02:00:12,472 --> 02:00:14,372 ♪ REMINISCING 2680 02:00:14,408 --> 02:00:19,444 ♪ REGRETTING INSTEAD OF FORGETTING ♪ 2681 02:00:19,479 --> 02:00:24,549 ♪ WITH SOMEBODY ELSE 2682 02:00:28,055 --> 02:00:31,556 ♪ THERE'LL BE NO ONE 2683 02:00:31,592 --> 02:00:34,359 ♪ UNLESS THAT SOMEONE 2684 02:00:34,394 --> 02:00:40,565 ♪ IS YOU 2685 02:00:42,069 --> 02:00:44,202 ♪ I INTEND TO BE 2686 02:00:44,238 --> 02:00:46,271 YOU GOT TO GIVE HER CREDIT. 2687 02:00:46,306 --> 02:00:48,974 THE GIRL CAN SING. 2688 02:00:49,009 --> 02:00:50,976 ABOUT THAT, I NEVER WAS WRONG. 2689 02:00:51,011 --> 02:00:54,346 ♪ INDEPENDENTLY BLUE 2690 02:00:54,381 --> 02:00:58,149 ♪ I WANT YOUR LOVE 2691 02:00:58,185 --> 02:01:02,554 ♪ BUT I DON'T WANT TO BORROW ♪ 2692 02:01:02,589 --> 02:01:05,123 ♪ TO HAVE IT TODAY 2693 02:01:05,158 --> 02:01:09,327 ♪ AND TO GIVE BACK TOMORROW ♪ 2694 02:01:09,363 --> 02:01:12,597 ♪ FOR MY LOVE 2695 02:01:12,633 --> 02:01:15,800 ♪ IS YOUR LOVE 2696 02:01:15,836 --> 02:01:18,536 ♪ THERE'S NO LOVE 2697 02:01:18,572 --> 02:01:23,074 ♪ FOR NOBODY 2698 02:01:23,110 --> 02:01:26,177 ♪ ELSE 2699 02:01:26,213 --> 02:01:29,180 CAPTIONING MADE POSSIBLE BY WARNER BROS. 2700 02:01:29,216 --> 02:01:32,150 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 2701 02:01:34,988 --> 02:01:37,989 ♪♪ 188190