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1
00:00:21,472 --> 00:00:23,474
[SHRIEK]
2
00:00:23,474 --> 00:00:23,474
[SHRIEK]
3
00:01:15,326 --> 00:01:17,828
AH HA HA HA!
4
00:01:18,329 --> 00:01:18,329
AH HA HA HA!
5
00:01:23,667 --> 00:01:26,670
YES, THAT'S BETTER.
6
00:01:26,670 --> 00:01:28,672
OH, HELLO,
BOORSANDGHOULS.
7
00:01:28,672 --> 00:01:32,176
I HOPE YOU'LL EXCUSE ME
IF I DON'T GET UP.
8
00:01:32,176 --> 00:01:34,178
I'M A LITTLE STIFF TODAY.
9
00:01:34,178 --> 00:01:37,681
THEN AGAIN,
I'M A LITTLE STIFF EVERY DAY.
10
00:01:38,182 --> 00:01:38,182
THEN AGAIN,
I'M A LITTLE STIFF EVERY DAY.
11
00:01:39,183 --> 00:01:43,687
ACTUALLY, I TWISTED MY NECK
PLAYINGCROAK-ET,
12
00:01:43,687 --> 00:01:46,190
BUT IT WASN'T HURTING
THE WAY I THOUGHT IT SHOULD,
13
00:01:46,690 --> 00:01:48,692
SO I CALLED
MYCHIRO-HACK-TOR.
14
00:01:49,193 --> 00:01:53,197
OF COURSE, SOME PEOPLE
LOOK ELSEWHERE FOR THEIR PAIN,
15
00:01:53,197 --> 00:01:56,200
LIKE THE OLD MAN
IN TONIGHT'S TERROR TALE.
16
00:01:56,200 --> 00:01:59,203
HIS IDEA
OF ANANTI-DIE-OTIC
17
00:01:59,203 --> 00:02:01,205
WAS TO MARRY
A YOUNGER WOMAN.
18
00:02:01,205 --> 00:02:02,706
HEE HEE HEE HEE!
19
00:02:02,706 --> 00:02:03,707
AAH!
20
00:02:03,707 --> 00:02:06,710
[BONES CRACKING]
21
00:02:06,710 --> 00:02:08,712
AHH!
22
00:02:08,712 --> 00:02:14,151
I CALL THIS PLASMA PLAY...
STRUNG ALONG.
23
00:02:14,151 --> 00:02:14,151
I CALL THIS PLASMA PLAY...
STRUNG ALONG.
24
00:02:17,655 --> 00:02:20,157
[CARNIVAL MUSIC PLAYS]
25
00:02:20,157 --> 00:02:20,157
[CARNIVAL MUSIC PLAYS]
26
00:02:32,069 --> 00:02:34,538
HEY, CLYDE,
WHAT'S THE MATTER?
27
00:02:34,538 --> 00:02:37,041
I KIND OF LEFT
MY DOG HERE, KOKO.
28
00:02:37,541 --> 00:02:39,543
YOU LEFT YOUR
DOG HERE?
29
00:02:39,543 --> 00:02:42,046
HEY, CLYDE,
CAN'T YOU READ?
30
00:02:42,046 --> 00:02:44,048
THIS IS A NO BARKING ZONE.
31
00:02:44,482 --> 00:02:45,983
OH, NO.
32
00:02:45,983 --> 00:02:47,952
OH, YEAH, KIDDO.
33
00:02:48,452 --> 00:02:50,421
I BET THE COPS COLLARD HIM.
34
00:02:50,421 --> 00:02:52,423
WELL, WE BETTER GET
TO THE POUND.
35
00:02:52,423 --> 00:02:52,923
WELL, WE BETTER GET
TO THE POUND.
36
00:02:54,425 --> 00:02:58,429
[KIDS YELLING]
37
00:02:58,429 --> 00:03:01,932
HOPE YOU HAD A GOOD TIME, KIDS,
AND REMEMBER,
38
00:03:01,932 --> 00:03:04,935
WHEREVER YOU MAY GO,
WHATEVER YOU MAY SEEK,
39
00:03:04,935 --> 00:03:07,938
WE'LL ALL GET TOGETHER
SAME TIME NEXT WEEK.
40
00:03:07,938 --> 00:03:07,938
WE'LL ALL GET TOGETHER
SAME TIME NEXT WEEK.
41
00:03:22,853 --> 00:03:23,821
[LAUGHTER]
42
00:03:23,821 --> 00:03:25,322
[SPLASHING]
43
00:03:25,322 --> 00:03:25,322
[SPLASHING]
44
00:03:37,501 --> 00:03:41,038
OH, WHAT A DAY!
IT'S PERFECT.
45
00:03:41,038 --> 00:03:43,007
COME ON BACK IN.
46
00:03:43,007 --> 00:03:43,007
COME ON BACK IN.
47
00:03:44,508 --> 00:03:45,910
OH!
48
00:03:45,910 --> 00:03:48,345
WHY DON'T YOU GET BACK OUT?
49
00:03:48,345 --> 00:03:48,846
WHY DON'T YOU GET BACK OUT?
50
00:04:01,525 --> 00:04:02,893
[LAUGHTER]
51
00:04:02,893 --> 00:04:02,893
[LAUGHTER]
52
00:04:06,597 --> 00:04:08,098
HI, HONEY.
53
00:04:08,098 --> 00:04:08,098
HI, HONEY.
54
00:04:11,502 --> 00:04:13,504
I CAN'T GET HIM
OUT OF THE HOUSE.
55
00:04:13,504 --> 00:04:13,504
I CAN'T GET HIM
OUT OF THE HOUSE.
56
00:04:17,374 --> 00:04:18,876
[APPLAUSE]
57
00:04:18,876 --> 00:04:21,812
RADIO CITY MUSIC HALL
PRESENTS
58
00:04:21,812 --> 00:04:25,115
JOSEPH RENFIELD
AND KOKO THE CLOWN.
59
00:04:25,649 --> 00:04:27,651
O.K., LET'S GIVE
A BIG HAND
60
00:04:28,152 --> 00:04:29,587
FOR KOKO THE CLOWN
61
00:04:29,587 --> 00:04:31,021
AND COWBOY CLYDE.
62
00:04:31,021 --> 00:04:33,357
HERE THEY ARE,
LADIES AND GENTLEMEN,
63
00:04:33,357 --> 00:04:34,858
KOKO AND CLYDE.
64
00:04:34,858 --> 00:04:35,326
KOKO AND CLYDE.
65
00:04:40,030 --> 00:04:41,932
WANT MY OPINION?
66
00:04:41,932 --> 00:04:43,934
NOT ESPECIALLY.
67
00:04:43,934 --> 00:04:43,934
NOT ESPECIALLY.
68
00:04:45,369 --> 00:04:48,872
HOW ABOUT TAKING
A LITTLE MORE OFF THE TOP?
69
00:04:48,872 --> 00:04:50,374
NOBODY ASKED YOU, KOKO.
70
00:04:50,374 --> 00:04:53,377
YOU'VE CARVED THAT HEAD
FOR TWO MONTHS.
71
00:04:53,377 --> 00:04:55,879
YOU MAKE THOSE CHEEKBONES
ANY HIGHER...
72
00:04:55,879 --> 00:04:57,381
OH, DAMN IT!
73
00:04:57,881 --> 00:04:58,882
DON'T SAY IT.
74
00:04:58,882 --> 00:05:01,885
I DON'T WANT TO HEAR
"I TOLD YOU SO."
75
00:05:01,885 --> 00:05:02,886
[SIGHING]
76
00:05:02,886 --> 00:05:05,389
KOKO BEEN
BOTHERING YOU AGAIN?
77
00:05:05,389 --> 00:05:07,891
KOKO BOTHERING ME?
ARE YOU KIDDING?
78
00:05:07,891 --> 00:05:10,194
I BROUGHT YOU
YOUR MAIL.
79
00:05:10,194 --> 00:05:10,194
I BROUGHT YOU
YOUR MAIL.
80
00:05:12,696 --> 00:05:14,198
WHY DON'T YOU
COME FOR A SWIM?
81
00:05:14,198 --> 00:05:14,198
WHY DON'T YOU
COME FOR A SWIM?
82
00:05:15,699 --> 00:05:17,701
I DON'T WANT TO TAKE
YOU AWAY FROM YOUR FRIEND.
83
00:05:17,701 --> 00:05:19,203
LUCY WENT HOME.
84
00:05:19,203 --> 00:05:20,704
FOR CHRIST SAKES, JOE,
85
00:05:21,205 --> 00:05:23,140
YOU GOING TO JEALOUS OF MY
FEMALE FRIENDS TOO?
86
00:05:23,641 --> 00:05:25,643
I'M SORRY, I GUESS
I'M JUST DEPRESSED.
87
00:05:25,643 --> 00:05:28,646
OF COURSE YOU'RE DEPRESSED YOU
SIT IN THIS DARK LITTLE ROOM
88
00:05:28,646 --> 00:05:31,148
TALKING TO YOURSELF,
IT'S NOT HEALTHY.
89
00:05:31,148 --> 00:05:31,148
TALKING TO YOURSELF,
IT'S NOT HEALTHY.
90
00:05:33,083 --> 00:05:34,084
DID YOU TAKE
YOUR MEDICATION TODAY?
91
00:05:34,084 --> 00:05:35,886
I FEEL FINE, REALLY.
92
00:05:35,886 --> 00:05:38,789
WHAT COLOR SHOULD I WEAR
TO YOUR FUNERAL?
93
00:05:38,789 --> 00:05:42,660
IF YOU WANT ANOTHER
HEART ATTACK, GO AHEAD.
94
00:05:42,660 --> 00:05:42,660
IF YOU WANT ANOTHER
HEART ATTACK, GO AHEAD.
95
00:05:43,661 --> 00:05:46,163
DON'T BE ANGRY WITH ME,
KIDDO.
96
00:05:46,664 --> 00:05:50,167
I'M NOT ANGRY WITH YOU.
I'M JUST FRUSTRATED.
97
00:05:50,167 --> 00:05:53,604
YOU'VE GOT TO TAKE
BETTER CARE OF YOURSELF.
98
00:05:53,604 --> 00:05:54,104
YOU'VE GOT TO TAKE
BETTER CARE OF YOURSELF.
99
00:06:03,580 --> 00:06:06,517
SHE'S MAGNIFICENT,
ISN'T SHE, KOKO?
100
00:06:07,017 --> 00:06:09,520
SHE'S A REAL PIECE OF WORK,
ALL RIGHT.
101
00:06:10,020 --> 00:06:11,021
[SIGHING]
102
00:06:11,522 --> 00:06:11,522
[SIGHING]
103
00:06:35,679 --> 00:06:37,681
WHAT IS IT?
104
00:06:37,681 --> 00:06:40,684
YOU WON'T BELIEVE IT.
THIS IS INCREDIBLE.
105
00:06:40,684 --> 00:06:42,686
THEY WANT ME
FOR A TRIBUTE
106
00:06:42,686 --> 00:06:44,688
TO THE GOLDEN AGE
OF TELEVISION.
107
00:06:44,688 --> 00:06:45,689
WHAT?
108
00:06:46,190 --> 00:06:50,227
THEY WANT ME TO DO
ONE OF THE OLD
KOKO AND CLYDE ROUTINES.
109
00:06:50,227 --> 00:06:53,731
NOW, WAIT A MINUTE.
ARE YOU UP FOR THIS?
110
00:06:53,731 --> 00:06:54,732
THERE'S NOT MUCH NOTICE.
111
00:06:54,732 --> 00:06:57,234
UP TO IT, WHY I COULD
DO IT IN MY SLEEP.
112
00:06:57,234 --> 00:06:58,736
THIS IS WHAT I NEED.
113
00:06:58,736 --> 00:07:00,237
I'M GOING
OUT OF MY HEAD.
114
00:07:00,738 --> 00:07:03,741
THIS COULD BE THE BEGINNING
OF A COMEBACK.
115
00:07:03,741 --> 00:07:05,709
DON'T BLOW IT
OUT OF PROPORTION.
116
00:07:05,709 --> 00:07:07,177
IT'S JUST A TV SHOW.
117
00:07:07,177 --> 00:07:07,177
IT'S JUST A TV SHOW.
118
00:07:10,180 --> 00:07:11,682
BUT WHO KNOWS?
119
00:07:11,682 --> 00:07:15,185
MAYBE IT'LL GET YOU
OUT OF THE HOUSE.
120
00:07:15,185 --> 00:07:18,188
OH, YEAH...WELL,
THERE'S SO MUCH TO DO.
121
00:07:18,188 --> 00:07:20,691
THERE'S A TON OF PEOPLE
TO CALL.
122
00:07:20,691 --> 00:07:22,893
KIDDO, I'VE BEEN THINKING.
123
00:07:22,893 --> 00:07:26,396
INSTEAD OF AN OLD ROUTINE,
I'LL DO SOMETHING NEW.
124
00:07:26,897 --> 00:07:26,897
INSTEAD OF AN OLD ROUTINE,
I'LL DO SOMETHING NEW.
125
00:07:27,898 --> 00:07:29,399
NOW, WAIT A MINUTE.
126
00:07:29,900 --> 00:07:31,902
I DON'T WANT YOU
PUSHING YOURSELF.
127
00:07:31,902 --> 00:07:33,904
I WON'T LET YOU
GET SICK AGAIN.
128
00:07:34,404 --> 00:07:36,907
SICK? I HAVEN'T FELT
THIS GOOD IN YEARS.
129
00:07:37,407 --> 00:07:40,911
LET'S HAVE DR. LITTMAN
CHECK YOU OUT IN CASE.
130
00:07:40,911 --> 00:07:43,413
WHY? I'M ON ENOUGH
MEDICATION ALREADY.
131
00:07:43,413 --> 00:07:43,413
WHY? I'M ON ENOUGH
MEDICATION ALREADY.
132
00:07:44,915 --> 00:07:46,416
ALL RIGHT,
NO MORE DOCTORS.
133
00:07:46,917 --> 00:07:49,419
COULD WE GET SOMEONE
TO HELP YOU?
134
00:07:49,920 --> 00:07:51,922
WOULD YOU DO THAT
FOR ME?
135
00:07:52,422 --> 00:07:54,424
OH, I DON'T KNOW ANYBODY
ANYMORE.
136
00:07:54,925 --> 00:07:58,929
WELL, MAYBE I'LL CALL
THE TRADES TOMORROW
137
00:07:58,929 --> 00:08:00,931
AND PLACE A CLASSIFIED.
138
00:08:01,398 --> 00:08:02,432
CLASSIFIEDS.
139
00:08:02,933 --> 00:08:05,936
YOU NEVER KNOW WHO
YOU'LL GET FROM THOSE.
140
00:08:06,436 --> 00:08:06,436
YOU NEVER KNOW WHO
YOU'LL GET FROM THOSE.
141
00:08:07,938 --> 00:08:09,940
I'LL TALK
TO MY ACTING TEACHER.
142
00:08:10,440 --> 00:08:12,943
HE MIGHT KNOW SOMEONE
WHO COULD HELP YOU.
143
00:08:13,443 --> 00:08:14,444
ALL RIGHT.
144
00:08:14,444 --> 00:08:14,444
ALL RIGHT.
145
00:08:20,450 --> 00:08:21,952
WHAT'S THAT ALL ABOUT?
146
00:08:21,952 --> 00:08:21,952
WHAT'S THAT ALL ABOUT?
147
00:08:23,954 --> 00:08:26,957
I DON'T KNOW I GUESS
I FEEL INSPIRED.
148
00:08:26,957 --> 00:08:26,957
I DON'T KNOW I GUESS
I FEEL INSPIRED.
149
00:08:29,960 --> 00:08:31,461
INSPIRED AYE.
150
00:08:31,461 --> 00:08:31,461
INSPIRED AYE.
151
00:08:40,938 --> 00:08:42,439
AND THIS IS
JOSEPH'S WORKSHOP.
152
00:08:42,439 --> 00:08:44,374
I CAN'T TELL YOU
HOW EXCITED I AM.
153
00:08:44,374 --> 00:08:46,343
I GREW UP ON
THIS STUFF AS A KID.
154
00:08:46,343 --> 00:08:47,344
DIDN'T WE ALL.
155
00:08:47,344 --> 00:08:47,344
DIDN'T WE ALL.
156
00:08:50,347 --> 00:08:51,348
OH, WOW!
157
00:08:51,348 --> 00:08:51,348
OH, WOW!
158
00:08:55,352 --> 00:08:56,854
JOSEPH, DAVID IS HERE.
159
00:08:56,854 --> 00:08:56,854
JOSEPH, DAVID IS HERE.
160
00:08:59,289 --> 00:09:01,792
THAT'S FUNNY.
HE KNEW YOU WERE COMING.
161
00:09:01,792 --> 00:09:05,295
WAIT HERE.
I'LL GO FIND HIM.
162
00:09:05,295 --> 00:09:06,797
O.K. THANKS.
163
00:09:06,797 --> 00:09:06,797
O.K. THANKS.
164
00:09:27,818 --> 00:09:29,286
DON'T TOUCH HIM!
165
00:09:29,286 --> 00:09:31,788
YOU DON'T KNOW
WHERE HE'S BEEN.
166
00:09:31,788 --> 00:09:33,290
WHO IS THAT?
167
00:09:33,290 --> 00:09:35,759
WHO DO YOU
WANT IT TO BE?
168
00:09:35,759 --> 00:09:35,759
WHO DO YOU
WANT IT TO BE?
169
00:09:54,077 --> 00:09:56,480
HOW THE HELL
DID YOU DO THAT?
170
00:09:56,480 --> 00:10:00,484
THAT'S FOR ME TO KNOW
AND YOU TO FIND OUT.
171
00:10:00,484 --> 00:10:01,985
JOSEPH, COME ON OUT.
172
00:10:01,985 --> 00:10:04,988
THERE'S A GUY OUT HERE
SPYING ON US.
173
00:10:04,988 --> 00:10:07,991
KOKO, TRY BEING NICER
TO THE YOUNG MAN.
174
00:10:07,991 --> 00:10:10,961
YOU DON'T WANT TO
SCARE HIM AWAY.
175
00:10:11,428 --> 00:10:13,430
I DON'T FRIGHTEN EASY,
MR. RENFIELD.
176
00:10:13,931 --> 00:10:15,899
FOR STARTERS,
IT'S NOT MR. RENFIELD.
177
00:10:15,899 --> 00:10:17,901
IT'S JOSEPH, O.K.?
178
00:10:17,901 --> 00:10:19,403
YES, SIR.
179
00:10:19,403 --> 00:10:21,872
THIS IS A REAL HONOR
FOR ME.
180
00:10:21,872 --> 00:10:21,872
THIS IS A REAL HONOR
FOR ME.
181
00:10:22,839 --> 00:10:24,274
DID ELLEN TELL YOU
182
00:10:24,274 --> 00:10:26,777
KISSING MY ASS
WAS PART OF THE JOB?
183
00:10:26,777 --> 00:10:29,279
NO, SIR. ACTUALLY,
THAT WAS MY IDEA.
184
00:10:29,279 --> 00:10:30,781
UH-HUH.
185
00:10:30,781 --> 00:10:30,781
UH-HUH.
186
00:10:36,186 --> 00:10:38,689
SO, HOW DO YOU
KNOW ELLEN?
187
00:10:39,189 --> 00:10:42,693
SHE TAKES ACTING CLASS
FROM A FRIEND OF MINE.
188
00:10:43,193 --> 00:10:45,696
AND DO YOU KNOW
EACH OTHER VERY WELL?
189
00:10:46,196 --> 00:10:48,632
ACTUALLY, WE'VE NEVER MET.
190
00:10:48,632 --> 00:10:51,134
I HAD TO STOP
TAKING THE CLASS.
191
00:10:51,635 --> 00:10:52,636
OH. IN THAT CASE,
192
00:10:53,136 --> 00:10:55,138
LET'S GET
TO THE GOOD STUFF.
193
00:10:55,639 --> 00:10:58,041
HAVE YOU WORKED
WITH MARIONETTES BEFORE?
194
00:10:58,041 --> 00:11:00,911
I HAVE DONE SOME WORK
IN ANIMATRONICS.
195
00:11:00,911 --> 00:11:04,414
UH, MECHANICAL PUPPETS,
USING REMOTE CONTROLS
196
00:11:04,915 --> 00:11:07,384
AND COMPUTER CIRCUITS,
THAT SORT OF THING.
197
00:11:07,384 --> 00:11:10,354
I'VE GOT SOME PICTURES
I'D LOVE TO SHOW YOU.
198
00:11:10,854 --> 00:11:11,855
NO, NO.
PUPPETS AREN'T MACHINES.
199
00:11:11,855 --> 00:11:13,857
THEY'RE AN EXTENSION
OF THE PUPPETEER.
200
00:11:14,358 --> 00:11:15,359
THEY'RE A PART OF YOU.
201
00:11:15,859 --> 00:11:17,861
YOU BECOME PART OF THEM.
202
00:11:17,861 --> 00:11:20,364
IF THAT'S A PROBLEM
FOR YOU,
203
00:11:20,364 --> 00:11:21,732
YOU SHOULDN'T DO IT.
204
00:11:21,732 --> 00:11:23,233
MR. RENFIELD--JOSEPH,
205
00:11:23,734 --> 00:11:25,202
I WANT TO LEARN.
206
00:11:25,202 --> 00:11:27,170
THAT'S WHY I'M HERE.
207
00:11:27,170 --> 00:11:30,674
I'VE GOT THE CHANCE
TO LEARN THE CRAFT
FROM A MASTER.
208
00:11:30,674 --> 00:11:30,674
I'VE GOT THE CHANCE
TO LEARN THE CRAFT
FROM A MASTER.
209
00:11:33,677 --> 00:11:34,644
I WANT THAT CHANCE.
210
00:11:34,644 --> 00:11:35,645
I DO.
211
00:11:35,645 --> 00:11:35,645
I DO.
212
00:11:41,451 --> 00:11:42,452
GREAT.
213
00:11:42,452 --> 00:11:43,420
THANKS.
214
00:11:43,420 --> 00:11:43,420
THANKS.
215
00:11:46,556 --> 00:11:48,558
I TOLD YOU I WOULD.
216
00:11:48,558 --> 00:11:48,558
I TOLD YOU I WOULD.
217
00:11:50,060 --> 00:11:51,561
YES, I KNOW.
218
00:11:52,062 --> 00:11:52,062
YES, I KNOW.
219
00:11:53,063 --> 00:11:54,931
WE'LL TALK ABOUT IT LATER.
220
00:11:55,432 --> 00:11:56,433
RICK,
221
00:11:56,433 --> 00:12:00,437
I SAID WE'LL
TALK ABOUT IT LATER.
222
00:12:00,437 --> 00:12:01,938
I HAVE TO GO.
223
00:12:01,938 --> 00:12:01,938
I HAVE TO GO.
224
00:12:02,939 --> 00:12:03,940
WHO'S THAT?
225
00:12:04,374 --> 00:12:06,877
A FRIEND FROM CLASS.
226
00:12:06,877 --> 00:12:06,877
A FRIEND FROM CLASS.
227
00:12:08,378 --> 00:12:10,881
SO, HOW'S
WHAT'S-HIS-NAME
WORKING OUT?
228
00:12:11,348 --> 00:12:12,816
DAVID.
229
00:12:12,816 --> 00:12:14,818
I THINK HE'LL BE FINE.
230
00:12:14,818 --> 00:12:14,818
I THINK HE'LL BE FINE.
231
00:12:17,320 --> 00:12:18,789
GREAT.
232
00:12:18,789 --> 00:12:20,257
WHAT?
233
00:12:20,257 --> 00:12:22,692
HE JUST SEEMED
TOO EAGER.
234
00:12:22,692 --> 00:12:24,194
YOU DON'T LIKE HIM?
235
00:12:24,194 --> 00:12:26,196
NO, HE'S FINE.
236
00:12:26,196 --> 00:12:27,697
HE COMES
HIGHLY RECOMMENDED.
237
00:12:27,697 --> 00:12:30,200
HE JUST STRUCK ME
AS TOO PUSHY.
238
00:12:30,200 --> 00:12:30,200
HE JUST STRUCK ME
AS TOO PUSHY.
239
00:12:33,670 --> 00:12:36,673
BUT IF HE HELPS YOU
GET YOUR SHOW TOGETHER,
240
00:12:36,673 --> 00:12:38,642
HE'S O.K. BY ME.
241
00:12:38,642 --> 00:12:40,577
I'M GLAD TO SEE YOU
SO PLEASED.
242
00:12:40,577 --> 00:12:40,577
I'M GLAD TO SEE YOU
SO PLEASED.
243
00:12:46,483 --> 00:12:48,985
I LEFT SOME DINNER
FOR YOU.
244
00:12:48,985 --> 00:12:50,921
WHERE ARE YOU GOING?
245
00:12:50,921 --> 00:12:53,390
WHERE I GO
EVERY TUESDAY NIGHT,
MY ACTING CLASS.
246
00:12:53,390 --> 00:12:54,391
DO YOU HAVE TO GO?
247
00:12:54,391 --> 00:12:55,892
WHY CAN'T WE HAVE
DINNER AT HOME?
248
00:12:55,892 --> 00:12:58,795
IT'S THE ONLY CHANCE I GET
TO GET OUT OF THE HOUSE.
249
00:12:58,795 --> 00:12:58,795
IT'S THE ONLY CHANCE I GET
TO GET OUT OF THE HOUSE.
250
00:13:00,197 --> 00:13:01,098
YOU MAY LIKE BEING SHUT IN,
251
00:13:01,598 --> 00:13:02,599
BUT I DON'T.
252
00:13:02,599 --> 00:13:02,599
BUT I DON'T.
253
00:13:18,081 --> 00:13:20,584
ARE YOU THINKING
WHAT I'M THINKING?
254
00:13:20,584 --> 00:13:20,584
ARE YOU THINKING
WHAT I'M THINKING?
255
00:13:22,586 --> 00:13:24,521
IT DEPENDS, KOKO.
256
00:13:24,521 --> 00:13:26,022
WHAT ARE YOU THINKING?
257
00:13:26,022 --> 00:13:26,022
WHAT ARE YOU THINKING?
258
00:13:29,526 --> 00:13:32,529
SHE WOULDN'T DO THAT
TO US...
259
00:13:32,529 --> 00:13:36,032
NOT AFTER THINGS HAVE FINALLY
STARTED HAPPENING AGAIN.
260
00:13:36,032 --> 00:13:36,032
NOT AFTER THINGS HAVE FINALLY
STARTED HAPPENING AGAIN.
261
00:13:38,034 --> 00:13:39,536
SHE WOULDN'T.
262
00:13:39,536 --> 00:13:41,037
[HEART BEATING]
263
00:13:41,037 --> 00:13:43,540
TELL ME YOU AGREE WITH ME.
264
00:13:43,540 --> 00:13:43,540
TELL ME YOU AGREE WITH ME.
265
00:14:01,491 --> 00:14:03,527
OH, THERE YOU ARE,
CLYDE.
266
00:14:03,527 --> 00:14:05,529
I LOST YOU IN THAT WAVE.
267
00:14:05,529 --> 00:14:08,999
I LOST ME
IN THAT WAVE, TOO.
268
00:14:08,999 --> 00:14:10,500
BY THE WAY, CLYDE,
269
00:14:11,001 --> 00:14:13,003
DAMN IT, I KEEP GETTING
THE STRINGS TANGLED.
270
00:14:13,003 --> 00:14:13,003
DAMN IT, I KEEP GETTING
THE STRINGS TANGLED.
271
00:14:14,504 --> 00:14:16,506
WELL, NOW, IT'S OKAY.
272
00:14:17,007 --> 00:14:17,974
DON'T GET FRUSTRATED.
273
00:14:17,974 --> 00:14:20,477
YOU'RE USING TO MUCH WRIST.
274
00:14:20,477 --> 00:14:23,980
NOW JUST THINK OF THE ARMS
AND HANDS AS A LONG APPENDAGE
275
00:14:23,980 --> 00:14:25,482
REACHING DOWN THROUGH
THE CONTROLLER.
276
00:14:26,016 --> 00:14:27,517
INTO THE PUPPET'S TOES.
277
00:14:27,517 --> 00:14:30,987
SEE, JUST BACK AND
FORTH REALLY EASY.
278
00:14:30,987 --> 00:14:32,489
LIKE THIS.
279
00:14:32,489 --> 00:14:36,426
JUST DON'T FORCE IT.
280
00:14:36,426 --> 00:14:38,495
IT'S AMAZING HOW
YOU DO THAT.
281
00:14:38,495 --> 00:14:38,495
IT'S AMAZING HOW
YOU DO THAT.
282
00:14:40,463 --> 00:14:41,965
THANKS, KIDDO.
283
00:14:42,232 --> 00:14:44,000
I'VE BEEN IN THIS
BUSINESS A LONG TIME.
284
00:14:44,501 --> 00:14:46,002
IT SHOULD BE AMAZING.
285
00:14:46,002 --> 00:14:46,002
IT SHOULD BE AMAZING.
286
00:14:47,070 --> 00:14:49,072
OH, I'M SORRY, HERE
YOU TRY A LITTLE.
287
00:14:49,072 --> 00:14:50,073
[DOOR CLOSING]
288
00:14:50,073 --> 00:14:50,073
[DOOR CLOSING]
289
00:14:55,445 --> 00:14:56,947
OH, THERE YOU ARE, CLYDE.
290
00:14:56,947 --> 00:14:58,915
I LOST YOU IN
THAT LAST WAVE.
291
00:14:58,915 --> 00:15:02,352
I LOST ME IN
THAT LAST WAVE TOO.
292
00:15:02,352 --> 00:15:04,354
OH, AND BY THE WAY, CLYDE.
293
00:15:04,354 --> 00:15:05,855
WHEN YOU GET
ON THE BOARD,
294
00:15:05,855 --> 00:15:07,857
YOU'RE SUPPOSED TO YELL
"COWABUNGA,"
295
00:15:07,857 --> 00:15:09,359
NOT "HELP ME, MOMMY."
296
00:15:09,359 --> 00:15:10,860
THANKS, KOKO.
297
00:15:10,860 --> 00:15:13,997
WHAT DO I YELL
WHEN THE BOARD
GETS ON TOP OF ME?
298
00:15:13,997 --> 00:15:17,867
THAT'S WHEN YOU YELL
"HELP ME, MOMMY."
299
00:15:18,368 --> 00:15:20,737
OH, THAT'S MUCH BETTER,
MUCH BETTER.
300
00:15:20,737 --> 00:15:22,739
COME ON, COME ON.
301
00:15:22,739 --> 00:15:22,739
COME ON, COME ON.
302
00:15:23,740 --> 00:15:24,741
[DOOR OPENS]
303
00:15:25,242 --> 00:15:27,744
HELLO, DARLING.
WASN'T DAVID GREAT?
304
00:15:27,744 --> 00:15:29,246
LUNCHTIME.
305
00:15:29,246 --> 00:15:32,249
HE LEARNED IN TWO WEEKS
WHAT TOOK ME TWO YEARS.
306
00:15:32,249 --> 00:15:34,751
DID YOU CATCH
THE SCENE?
307
00:15:34,751 --> 00:15:35,752
LOOKED O.K.
308
00:15:35,752 --> 00:15:37,721
FOR HER THAT'S A RAVE REVIEW.
309
00:15:37,721 --> 00:15:40,190
WHAT'D YOU THINK
OF THE NEW LINES?
310
00:15:40,190 --> 00:15:41,124
THEY'RE O.K.
311
00:15:41,124 --> 00:15:42,626
I THOUGHT THEY WERE GREAT.
312
00:15:42,626 --> 00:15:44,995
DAVID WROTE THEM.
313
00:15:45,495 --> 00:15:46,496
WHO TOLD DAVID TO DO THAT?
314
00:15:46,496 --> 00:15:49,466
HE CAME UP WITH THE IDEA
AND I LIKED IT.
315
00:15:49,466 --> 00:15:51,968
JOE, YOU'VE BEEN WINNING
EMMYS FOR WRITING
316
00:15:51,968 --> 00:15:53,470
SINCE
BEFORE HE WAS BORN.
317
00:15:53,970 --> 00:15:56,439
WE HIRED HIM TO HELP,
NOT CHANGE THE ACT.
318
00:15:56,940 --> 00:15:58,942
ALL I DID WAS
UPDATE THE MATERIAL
319
00:15:58,942 --> 00:16:01,945
FROM THE FIFTIES
TO THE NINETIES.
320
00:16:01,945 --> 00:16:05,915
GREAT, BUT THE SHOW
IS A TRIBUTE TO THE FIFTIES.
321
00:16:05,915 --> 00:16:08,351
I SUGGEST
YOU CHANGE IT BACK.
322
00:16:08,852 --> 00:16:10,353
THE CHANGES WORK BETTER.
323
00:16:10,353 --> 00:16:13,356
WHO'S RUNNING THE SHOW,
YOU OR HIM?
324
00:16:13,356 --> 00:16:13,356
WHO'S RUNNING THE SHOW,
YOU OR HIM?
325
00:16:15,325 --> 00:16:16,826
[HEART BEATING]
326
00:16:16,826 --> 00:16:16,826
[HEART BEATING]
327
00:16:19,796 --> 00:16:21,765
[HEARTBEAT GROWS LOUDER]
328
00:16:21,765 --> 00:16:21,765
[HEARTBEAT GROWS LOUDER]
329
00:16:25,735 --> 00:16:26,736
YOU O.K., JOE?
330
00:16:27,203 --> 00:16:28,705
[HEARTBEAT FADES AWAY]
331
00:16:28,705 --> 00:16:29,706
YEAH, I'M FINE.
332
00:16:30,206 --> 00:16:30,206
YEAH, I'M FINE.
333
00:16:31,708 --> 00:16:32,709
WANT ME TO GO GET HER?
334
00:16:33,209 --> 00:16:33,209
WANT ME TO GO GET HER?
335
00:16:34,711 --> 00:16:37,213
NO, NO, I'LL BE O.K.
336
00:16:37,213 --> 00:16:39,716
JUST GOT TO
CATCH MY BREATH.
337
00:16:39,716 --> 00:16:39,716
JUST GOT TO
CATCH MY BREATH.
338
00:16:41,117 --> 00:16:42,585
WHAT'S GOING ON, JOE?
339
00:16:42,585 --> 00:16:42,585
WHAT'S GOING ON, JOE?
340
00:16:44,054 --> 00:16:46,056
NOTHING.
341
00:16:46,056 --> 00:16:49,526
COME ON THIS IS ME, DAVID
YOU CAN TALK TO ME.
342
00:16:49,526 --> 00:16:49,526
COME ON THIS IS ME, DAVID
YOU CAN TALK TO ME.
343
00:16:52,028 --> 00:16:53,997
IS THERE SOME KIND OF PROBLEM
BETWEEN YOU AND ELLEN
344
00:16:53,997 --> 00:16:55,498
YOU WANT TO TALK ABOUT?
345
00:16:55,498 --> 00:16:55,498
YOU WANT TO TALK ABOUT?
346
00:16:58,935 --> 00:17:01,938
I THINK THERE'S SOMEONE
IN HER ACTING CLASS.
347
00:17:01,938 --> 00:17:01,938
I THINK THERE'S SOMEONE
IN HER ACTING CLASS.
348
00:17:02,872 --> 00:17:04,874
YOU THINK
SHE'S HAVING AN AFFAIR?
349
00:17:04,874 --> 00:17:04,874
YOU THINK
SHE'S HAVING AN AFFAIR?
350
00:17:07,877 --> 00:17:09,379
WELL, UH,
I'M BEING RIDICULOUS.
351
00:17:09,379 --> 00:17:11,381
LET'S GET BACK TO WORK.
352
00:17:11,381 --> 00:17:13,316
I CAN SWING
BY HER ACTING CLASS
353
00:17:13,316 --> 00:17:15,819
ON WEDNESDAY NIGHT
AND CHECK IT OUT.
354
00:17:16,319 --> 00:17:17,320
IT'D BE NO PROBLEM.
355
00:17:17,821 --> 00:17:17,821
IT'D BE NO PROBLEM.
356
00:17:19,322 --> 00:17:21,324
WEDNESDAY NIGHT?
357
00:17:21,825 --> 00:17:24,828
HER ACTING CLASS
IS ON TUESDAY NIGHT.
358
00:17:24,828 --> 00:17:26,763
IT USED TO BE
TUESDAY NIGHT,
359
00:17:26,763 --> 00:17:29,766
BUT THEY CHANGED IT
A YEAR AGO.
360
00:17:29,766 --> 00:17:32,769
THAT'S WHY
I HAD TO DROP OUT.
361
00:17:32,769 --> 00:17:34,270
OH, YEAH.
362
00:17:34,270 --> 00:17:34,270
OH, YEAH.
363
00:17:44,614 --> 00:17:45,615
SORRY, JOE.
364
00:17:45,615 --> 00:17:47,617
REALLY.
365
00:17:47,617 --> 00:17:49,619
THAT'S OKAY.
366
00:17:49,619 --> 00:17:52,088
THAT'S OKAY, I'M ALL RIGHT.
367
00:17:52,088 --> 00:17:52,422
THAT'S OKAY, I'M ALL RIGHT.
368
00:17:56,693 --> 00:17:59,629
I DON'T THINK YOU SHOULD
COME BACK TOMORROW.
369
00:17:59,629 --> 00:18:02,632
WHAT HAVE YOU GOT AGAINST ME?
370
00:18:02,632 --> 00:18:05,602
I DON'T UNDERSTAND
WHY YOU HATE ME SO MUCH.
371
00:18:05,602 --> 00:18:09,105
I'D LIKE TO DO THIS
AS QUIETLY AS POSSIBLE,
372
00:18:09,606 --> 00:18:12,108
BUT IF IT'S
A MATTER OF MONEY,
373
00:18:12,609 --> 00:18:15,612
I'M SURE WE CAN COME
TO SOME AGREEMENT.
374
00:18:15,612 --> 00:18:15,612
I'M SURE WE CAN COME
TO SOME AGREEMENT.
375
00:18:18,081 --> 00:18:21,084
IS THAT WHAT YOU THINK
THIS IS ABOUT?
376
00:18:21,084 --> 00:18:22,585
YOU ARE DISGUSTING.
377
00:18:22,585 --> 00:18:24,554
DO YOU KNOW THAT?
378
00:18:24,554 --> 00:18:24,554
DO YOU KNOW THAT?
379
00:18:28,057 --> 00:18:29,526
BY THE WAY,
380
00:18:29,526 --> 00:18:32,529
HOW LONG HAVE YOU
BEEN CHEATING
ON YOUR HUSBAND?
381
00:18:32,529 --> 00:18:34,030
HOW DARE YOU!
382
00:18:34,464 --> 00:18:35,398
STOP IT, YOU TWO.
383
00:18:35,899 --> 00:18:37,400
DID YOU HEAR
WHAT HE SAID?
384
00:18:37,901 --> 00:18:40,403
I WANT YOU
TO FIRE HIM!
385
00:18:40,403 --> 00:18:43,273
I CAN'T DO THE SHOW
WITHOUT HIM.
I NEED HIM.
386
00:18:43,273 --> 00:18:45,775
YOU NEED ME.
I DON'T WANT HIM HERE.
387
00:18:45,775 --> 00:18:48,278
JOE, IT'S NOT WORTH
UPSETTING YOU.
388
00:18:48,278 --> 00:18:51,281
THE SHOW'S THE MOST
IMPORTANT THING.
389
00:18:51,281 --> 00:18:52,782
WE'LL BE IN TOUCH.
390
00:18:52,782 --> 00:18:55,218
I PROMISE.
391
00:18:55,218 --> 00:18:58,621
DAVID,
DON'T GO, PLEASE.
392
00:18:58,621 --> 00:19:00,623
WHAT'S THE MATTER WITH YOU,
DAVID IS MY FRIEND.
393
00:19:00,623 --> 00:19:02,125
OH, HE'S YOUR FRIEND, IS HE?
394
00:19:02,125 --> 00:19:04,127
YOU CAN HAVE FRIENDS
BUT I CAN'T?
395
00:19:04,127 --> 00:19:05,628
I NEVER SAID YOU
CAN'T HAVE FRIENDS.
396
00:19:06,095 --> 00:19:07,597
THAT'S NEWS, IN
THE PAST 8 YEARS
397
00:19:07,597 --> 00:19:09,599
I'VE LOST EVERY FRIEND
BECAUSE OF YOU.
398
00:19:09,599 --> 00:19:11,501
I SICK OF YOUR JEALOUSY.
399
00:19:11,501 --> 00:19:14,437
I'M SICK OF YOU CONTROLLING ME
LIKE ONE OF YOU DAMN PUPPETS.
400
00:19:14,437 --> 00:19:15,939
WHERE ARE YOU GOING?
401
00:19:16,439 --> 00:19:17,941
TO SEE A FRIEND.
402
00:19:17,941 --> 00:19:17,941
TO SEE A FRIEND.
403
00:19:23,780 --> 00:19:26,783
I NEVER DID
TRUST THAT DAME.
404
00:19:26,783 --> 00:19:29,285
[HEART BEATING]
405
00:19:29,285 --> 00:19:30,787
TAKE MY ADVICE.
406
00:19:30,787 --> 00:19:30,787
TAKE MY ADVICE.
407
00:19:32,288 --> 00:19:33,289
ALL I'M SAYING IS
408
00:19:33,790 --> 00:19:36,292
MAYBE YOU SHOULD JUST
CHECK INTO IT.
409
00:19:36,793 --> 00:19:36,793
MAYBE YOU SHOULD JUST
CHECK INTO IT.
410
00:19:38,294 --> 00:19:39,796
DO IT!
411
00:19:39,796 --> 00:19:39,796
DO IT!
412
00:19:51,307 --> 00:19:52,308
AHA!
413
00:19:52,809 --> 00:19:52,809
AHA!
414
00:20:19,269 --> 00:20:20,770
I SHOULD'VE LISTENED
TO YOU KOKO.
415
00:20:20,770 --> 00:20:20,770
I SHOULD'VE LISTENED
TO YOU KOKO.
416
00:20:24,774 --> 00:20:25,775
YOU KNEW.
417
00:20:25,775 --> 00:20:27,176
YOU KNEW.
418
00:20:27,176 --> 00:20:28,678
IT WASN'T EXACTLY HARD
TO SEE COMING.
419
00:20:29,178 --> 00:20:30,680
SHE'S YOUNG AND BEAUTIFUL.
420
00:20:30,680 --> 00:20:33,182
YOU'RE JUST A TIRED
OLD MAN.
421
00:20:33,182 --> 00:20:33,182
YOU'RE JUST A TIRED
OLD MAN.
422
00:20:35,018 --> 00:20:37,520
WHAT AM I GOING TO DO?
423
00:20:37,520 --> 00:20:41,958
YOU MEAN IF YOU WERE YOU
OR IF YOU WERE ME?
424
00:20:41,958 --> 00:20:41,958
YOU MEAN IF YOU WERE YOU
OR IF YOU WERE ME?
425
00:20:43,459 --> 00:20:44,961
I'LL DIVORCE HER...
426
00:20:44,961 --> 00:20:44,961
I'LL DIVORCE HER...
427
00:20:45,962 --> 00:20:48,464
CALL MY LAWYER
IN THE MORNING.
428
00:20:48,464 --> 00:20:48,464
CALL MY LAWYER
IN THE MORNING.
429
00:20:50,400 --> 00:20:53,236
I NEVER WANT
TO SEE HER AGAIN.
430
00:20:53,236 --> 00:20:54,737
DIVORCE WILL COST YOU.
431
00:20:54,737 --> 00:20:58,708
I SAY YOU TAKE MATTERS
INTO YOUR OWN HANDS.
432
00:20:58,708 --> 00:21:00,476
NO, I...
433
00:21:00,476 --> 00:21:02,478
NO. NO.
434
00:21:02,478 --> 00:21:02,478
NO. NO.
435
00:21:03,479 --> 00:21:06,449
NO, I CAN'T.
I CAN'T.
436
00:21:06,449 --> 00:21:06,449
NO, I CAN'T.
I CAN'T.
437
00:21:07,884 --> 00:21:09,385
SURE, YOU CAN.
438
00:21:09,385 --> 00:21:09,385
SURE, YOU CAN.
439
00:21:14,857 --> 00:21:15,858
NO.
440
00:21:15,858 --> 00:21:15,858
NO.
441
00:21:17,293 --> 00:21:18,227
NO.
442
00:21:18,227 --> 00:21:18,227
NO.
443
00:21:20,229 --> 00:21:21,731
NO, I--
444
00:21:21,731 --> 00:21:21,731
NO, I--
445
00:21:36,913 --> 00:21:39,415
[CAR ENGINE REVS]
446
00:21:39,415 --> 00:21:40,917
[ENGINE STOPS]
447
00:21:40,917 --> 00:21:40,917
[ENGINE STOPS]
448
00:21:47,924 --> 00:21:49,425
KOKO?
449
00:21:49,425 --> 00:21:49,425
KOKO?
450
00:21:58,901 --> 00:21:59,902
KOKO?
451
00:22:00,436 --> 00:22:00,436
KOKO?
452
00:22:01,404 --> 00:22:03,439
AAH!
453
00:22:03,439 --> 00:22:03,439
AAH!
454
00:22:04,807 --> 00:22:05,775
AAH! ELLEN!
455
00:22:05,775 --> 00:22:05,775
AAH! ELLEN!
456
00:22:10,213 --> 00:22:12,548
AAH! AAH!
457
00:22:12,548 --> 00:22:13,583
[HEART BEATING]
458
00:22:13,583 --> 00:22:15,084
HA HA HA!
459
00:22:15,084 --> 00:22:16,586
[HEARTBEAT GROWS FASTER]
460
00:22:16,586 --> 00:22:16,586
[HEARTBEAT GROWS FASTER]
461
00:22:21,057 --> 00:22:23,526
[MOANING]
462
00:22:23,526 --> 00:22:27,030
[HEARTBEAT GROWS SLOWER]
463
00:22:27,030 --> 00:22:27,030
[HEARTBEAT GROWS SLOWER]
464
00:22:33,403 --> 00:22:36,906
[HEART BEATING
VERY SLOWLY]
465
00:22:36,906 --> 00:22:36,906
[HEART BEATING
VERY SLOWLY]
466
00:22:53,289 --> 00:22:54,791
SORRY, OLD MAN.
467
00:22:55,291 --> 00:22:55,291
SORRY, OLD MAN.
468
00:23:00,263 --> 00:23:01,764
[BEEP]
469
00:23:01,764 --> 00:23:01,764
[BEEP]
470
00:23:17,780 --> 00:23:20,283
HA HA HA!
HA HA HA!
471
00:23:20,283 --> 00:23:22,285
IS HE DEAD YET?
472
00:23:22,285 --> 00:23:23,286
ALMOST.
473
00:23:23,286 --> 00:23:23,286
ALMOST.
474
00:23:28,758 --> 00:23:31,260
JOSEPH, THIS IS RICK.
475
00:23:31,761 --> 00:23:34,263
HE'S A PUPPETEER,
JUST LIKE YOU.
476
00:23:34,263 --> 00:23:34,263
HE'S A PUPPETEER,
JUST LIKE YOU.
477
00:23:36,265 --> 00:23:37,266
AREN'T YOU, BABY?
478
00:23:37,266 --> 00:23:38,267
MMM.
479
00:23:38,267 --> 00:23:38,267
MMM.
480
00:23:46,776 --> 00:23:48,778
WHAT DO YOU THINK, JOE?
481
00:23:48,778 --> 00:23:51,280
I KNOW
IT'S NOT AS GRACEFUL
482
00:23:51,280 --> 00:23:52,782
AS WHAT YOU DO,
483
00:23:52,782 --> 00:23:54,784
BUT I THINK
WITH A LITTLE MONEY--
484
00:23:54,784 --> 00:23:56,285
YOUR MONEY--
485
00:23:56,285 --> 00:24:00,289
I THINK HE'LL END UP
PRETTY DAMN GOOD.
486
00:24:00,289 --> 00:24:01,290
BYE, JOE.
487
00:24:01,290 --> 00:24:01,290
BYE, JOE.
488
00:24:09,966 --> 00:24:11,467
YOU SHOULD
GET CLEANED UP.
489
00:24:11,467 --> 00:24:12,969
CALL 911.
490
00:24:12,969 --> 00:24:15,471
WHERE'D YOU PUT
THE REAL KOKO?
491
00:24:15,471 --> 00:24:16,973
HE'S UNDER THERE.
492
00:24:16,973 --> 00:24:19,475
COME ON. WE DON'T HAVE
THAT MUCH TIME.
493
00:24:19,976 --> 00:24:20,476
O.K.
494
00:24:20,977 --> 00:24:20,977
O.K.
495
00:24:42,131 --> 00:24:43,599
UHH!
496
00:24:44,066 --> 00:24:44,066
UHH!
497
00:24:45,568 --> 00:24:46,569
RICK?
498
00:24:46,569 --> 00:24:46,569
RICK?
499
00:24:50,072 --> 00:24:53,075
RICK, WHAT ARE YOU DOING THE
PARAMEDICS ARE COMING.
500
00:24:53,075 --> 00:24:53,075
RICK, WHAT ARE YOU DOING THE
PARAMEDICS ARE COMING.
501
00:25:00,016 --> 00:25:01,484
RICK, WHAT ARE YOU DOING?
502
00:25:01,484 --> 00:25:04,987
YOU HAVE TO GET OUT OF HERE.
503
00:25:04,987 --> 00:25:04,987
YOU HAVE TO GET OUT OF HERE.
504
00:25:07,924 --> 00:25:08,858
THIS ISN'T FUNNY.
505
00:25:09,358 --> 00:25:09,358
THIS ISN'T FUNNY.
506
00:25:12,328 --> 00:25:14,330
UP HERE, KIDDO.
507
00:25:14,831 --> 00:25:14,831
UP HERE, KIDDO.
508
00:25:18,301 --> 00:25:19,769
AAH!
509
00:25:19,769 --> 00:25:20,269
AAH!
510
00:25:22,705 --> 00:25:24,140
YOU'RE NOT GOING
TO BELIEVE THIS.
511
00:25:24,640 --> 00:25:26,142
YEAH, I'VE SEEN JUST
ABOUT EVERYTHING.
512
00:25:26,142 --> 00:25:26,142
YEAH, I'VE SEEN JUST
ABOUT EVERYTHING.
513
00:25:28,144 --> 00:25:29,145
NOT LIKE THIS
YOU HAVEN'T.
514
00:25:29,645 --> 00:25:29,645
NOT LIKE THIS
YOU HAVEN'T.
515
00:25:51,667 --> 00:25:53,169
HA HA HA!
516
00:25:53,169 --> 00:25:53,169
HA HA HA!
517
00:25:58,674 --> 00:26:01,177
KOKO MAY HAVE BEEN
THE PUPPET,
518
00:26:01,677 --> 00:26:02,678
BUT IN THE END,
519
00:26:02,678 --> 00:26:06,682
JOSEPH WAS THE ONE
WHO PAID FORMARRYING-ETTE.
520
00:26:06,682 --> 00:26:06,682
JOSEPH WAS THE ONE
WHO PAID FORMARRYING-ETTE.
521
00:26:08,184 --> 00:26:10,186
AS FOR ME, KIDDIES,
522
00:26:10,186 --> 00:26:12,688
IT SEEMS MY PAIN
IN THE NECK
523
00:26:12,688 --> 00:26:14,690
WAS MORE SERIOUS
THAN I THOUGHT,
524
00:26:14,690 --> 00:26:19,195
BUT I'M ALMOST FINISHED
WITH MYSCARE-APY.
525
00:26:19,195 --> 00:26:23,199
ONE MORE ADJUSTMENT,
AND I'LL BE OUT OF HERE.
526
00:26:23,199 --> 00:26:26,202
ANY TIME YOU'RE READY, BONES.
527
00:26:26,202 --> 00:26:26,202
ANY TIME YOU'RE READY, BONES.
528
00:26:31,574 --> 00:26:33,075
HEE HEE HEE!
529
00:26:33,075 --> 00:26:37,079
NOW, THAT'S WHAT I CALL
PAININ FULL!
530
00:26:37,079 --> 00:26:37,079
NOW, THAT'S WHAT I CALL
PAININ FULL!
531
00:26:42,084 --> 00:26:44,887
CAPTIONING MADE POSSIBLE BY
WARNER BROS.
532
00:26:45,388 --> 00:26:48,391
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--
533
00:26:48,391 --> 00:26:48,391
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--
534
00:26:50,893 --> 00:26:54,397
PUBLIC PERFORMANCE OF CAPTIONS
PROHIBITED WITHOUT PERMISSION OF
NATIONAL CAPTIONING INSTITUTE
535
00:26:54,397 --> 00:26:54,397
PUBLIC PERFORMANCE OF CAPTIONS
PROHIBITED WITHOUT PERMISSION OF
NATIONAL CAPTIONING INSTITUTE
35221
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