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These are the user uploaded subtitles that are being translated: 1 00:00:10,100 --> 00:00:15,305 THE BAND WAGON 2 00:01:38,263 --> 00:01:42,215 Yes, ladies and gentlemen, we are in luck today here in Los Angeles. 3 00:01:42,519 --> 00:01:44,890 Through the years, the Bullwinkle Galleries... 4 00:01:44,979 --> 00:01:46,687 have brought up for auction... 5 00:01:46,773 --> 00:01:50,982 many collections of the personal effects of your famous movie stars. 6 00:01:51,067 --> 00:01:52,145 AUCTION SALE 7 00:01:52,234 --> 00:01:55,485 But today is indeed a red-letter day. 8 00:01:55,572 --> 00:01:58,442 The personal effects of Tony Hunter! 9 00:01:58,825 --> 00:01:59,987 Lot 94. 10 00:02:00,159 --> 00:02:04,027 Ladies and gentlemen, let's start out with Lot 94. 11 00:02:04,664 --> 00:02:09,124 Some of the potpourri of Mr. Hunter's own personal costumes... 12 00:02:09,501 --> 00:02:13,084 that he used in his famous dancing-singing pictures. 13 00:02:13,297 --> 00:02:16,416 Remember this? Perhaps the most famous top hat... 14 00:02:16,508 --> 00:02:18,417 and stick of our generation. 15 00:02:18,510 --> 00:02:22,424 Yes, the one he used in Swinging Down to Panama... 16 00:02:22,514 --> 00:02:24,636 and all his other famous pictures. 17 00:02:25,016 --> 00:02:28,633 Let's start with $5. Do I hear $5? 18 00:02:29,186 --> 00:02:31,095 It's worth a lot more. 19 00:02:31,522 --> 00:02:33,848 All right. Let's start with $2. 20 00:02:34,401 --> 00:02:37,436 Well? 50 cents? 21 00:02:39,489 --> 00:02:40,769 Anything? 22 00:02:49,373 --> 00:02:52,706 Just one more for the road. About 20 minutes to New York. 23 00:02:52,792 --> 00:02:54,121 Bottoms up. 24 00:02:57,421 --> 00:03:00,256 - So you're from California? - That's right. Sunny Cal. 25 00:03:00,340 --> 00:03:02,748 - Sunny Cal? - Yeah. Sunny Cal. 26 00:03:03,051 --> 00:03:06,751 Say, you're from Sunny Cal. I bet you know a lot of movie stars out there. 27 00:03:06,846 --> 00:03:09,088 I got to confess. I'm just like you and me. 28 00:03:09,182 --> 00:03:11,591 Only get to see them in the movies. 29 00:03:11,686 --> 00:03:14,307 But I read about them. I know all about them. 30 00:03:15,480 --> 00:03:18,435 Boy, I'd sure like to meet that Ava Gardner. 31 00:03:18,816 --> 00:03:21,438 - You're a little late. She's married. - Yeah. 32 00:03:21,945 --> 00:03:23,855 - You know this one? - Who's that? 33 00:03:23,948 --> 00:03:27,150 - Tony Hunter. - Oh, him. The singing-dancing fella. 34 00:03:27,409 --> 00:03:31,489 My wife used to go see all his pictures. Almost broke up our home. 35 00:03:31,580 --> 00:03:33,653 "Tony Hunter! Tony Hunter!" 36 00:03:34,163 --> 00:03:36,073 He was good 12 or 15 years ago... 37 00:03:36,166 --> 00:03:38,455 but the columnists out there say he's through. 38 00:03:39,294 --> 00:03:42,912 Through? He's washed up. Hasn't made a picture in three years. 39 00:03:43,006 --> 00:03:46,090 - Did you say something, mister? - I said I agreed with you. 40 00:03:46,176 --> 00:03:47,754 That Tony Hunter's a has-been. 41 00:03:47,843 --> 00:03:49,587 - Got a match? - Yeah. 42 00:03:49,679 --> 00:03:53,807 I wouldn't go to see him if they gave away $5 bills with the ticket. 43 00:03:54,518 --> 00:03:55,632 Yeah. 44 00:03:57,812 --> 00:03:59,722 We should be pulling... 45 00:04:00,065 --> 00:04:04,727 The funny thing about what you're saying, boys, is that it's absolutely true. 46 00:04:05,028 --> 00:04:07,434 Here. Have an exploding cigar. 47 00:04:23,336 --> 00:04:25,660 - This the last of the bags, Mr. Hunter? - Yeah. 48 00:04:25,754 --> 00:04:28,672 Say, porter, could you see that they get put in a taxi... 49 00:04:28,758 --> 00:04:32,837 - and taken up to the Plaza Hotel? - Yes, sir. Thank you, sir. 50 00:04:33,846 --> 00:04:35,470 Everybody's getting off, sir. 51 00:04:35,556 --> 00:04:38,923 If you don't mind, I'll just sit for a minute or two. 52 00:04:39,016 --> 00:04:42,220 You couldn't just make up my berth for the night here, could you? 53 00:04:42,312 --> 00:04:44,435 No, sir. I couldn't do that. 54 00:04:56,117 --> 00:04:58,904 There's a mob of reporters and photographers out there. 55 00:04:58,995 --> 00:05:02,197 Yep. There must be some big shot aboard. Maybe the President. 56 00:05:02,289 --> 00:05:05,409 No, too many for that. Probably a movie star. 57 00:05:11,882 --> 00:05:14,454 - Hi, fellas. - Tony Hunter! Hello, Mr. Hunter! 58 00:05:14,800 --> 00:05:17,373 Thanks for the red-carpet bit. I didn't expect it. 59 00:05:17,469 --> 00:05:20,803 - What brings you to New York? - Just fooling around and relaxing. 60 00:05:20,890 --> 00:05:23,131 - Between pictures, Tony? - In a manner of speaking. 61 00:05:23,225 --> 00:05:26,227 Didn't I read something in Variety about you going into a show? 62 00:05:26,312 --> 00:05:29,845 Lily and Les Marton had something planned for me. I haven't decided yet. 63 00:05:29,939 --> 00:05:33,985 I haven't been on the stage in a long time. And you get into a different medium. 64 00:05:34,070 --> 00:05:36,109 - What it actually is... - Here she is, fellas! 65 00:05:36,197 --> 00:05:38,189 - Excuse me, Mr. Hunter. - See you later, Tony. 66 00:05:38,282 --> 00:05:39,313 Hi, Miss Gardner. 67 00:05:39,408 --> 00:05:41,816 Miss Gardner, hold it, please? Smile pretty. Thanks. 68 00:05:41,910 --> 00:05:45,576 - How long you going to be in town? - I have no definite plans. I thought... 69 00:05:45,664 --> 00:05:48,154 Tony! I had no idea you were on the train. 70 00:05:48,249 --> 00:05:50,288 This is a surprise. You going to be here long? 71 00:05:50,376 --> 00:05:52,700 - Perhaps a week or two... - Excuse me, Miss Gardner. 72 00:05:52,794 --> 00:05:55,629 Could the boys get one more shot of you coming out the door? 73 00:05:55,714 --> 00:05:58,384 Honestly, isn't all this stuff an awful bore? 74 00:05:58,467 --> 00:06:00,543 - Good to see you, Tony. - It's nice to see you. 75 00:06:00,636 --> 00:06:04,502 By the door, please, Miss Gardner. Once more! Here we go! Thank you. 76 00:06:04,597 --> 00:06:08,547 Miss Gardner, my paper would like to do a Sunday feature on you. 77 00:06:09,936 --> 00:06:13,436 Those poor movie stars. People just won't let them alone, will they? 78 00:06:13,524 --> 00:06:15,979 No. I don't know how they stand it. 79 00:06:19,530 --> 00:06:23,941 I'll go my way by myself 80 00:06:25,284 --> 00:06:28,866 like walking under the clouds 81 00:06:30,872 --> 00:06:34,952 I'll go my way by myself 82 00:06:36,044 --> 00:06:39,627 all alone in a crowd 83 00:06:41,800 --> 00:06:45,797 I'll try to apply myself 84 00:06:47,013 --> 00:06:50,298 and teach my heart how to sing 85 00:06:52,560 --> 00:06:56,473 I'll go my way by myself 86 00:06:57,522 --> 00:07:01,187 like a bird on the wing 87 00:07:03,196 --> 00:07:06,979 I'll face the unknown 88 00:07:08,283 --> 00:07:12,493 I'll build a world of my own 89 00:07:13,704 --> 00:07:18,166 No one knows better than I, myself 90 00:07:18,876 --> 00:07:24,037 I'm by myself alone 91 00:07:41,857 --> 00:07:44,774 Tony Hunter! There's Tony Hunter! 92 00:07:45,693 --> 00:07:50,271 HI TONY - WELCOME TONY TONY HUNTER FAN CLUB 93 00:07:52,616 --> 00:07:54,858 Did you kids paint those signs just for me? 94 00:07:54,952 --> 00:07:57,028 That's cute. Piggy. 95 00:07:58,247 --> 00:07:59,872 Let's get rid of this stuff. 96 00:08:00,581 --> 00:08:02,869 This is the biggest surprise I've had. 97 00:08:07,130 --> 00:08:10,878 - Mister, can I have your autograph? - You certainly can, gal, come here! 98 00:08:10,966 --> 00:08:12,377 That's my wife. Let go. 99 00:08:12,468 --> 00:08:14,840 Don't worry. I'll get around to you in a minute. 100 00:08:14,929 --> 00:08:16,885 - Who's he? - Never saw him before in my life. 101 00:08:16,972 --> 00:08:19,843 - Hello, piggy! - Hello, yourself, you two-headed creep! 102 00:08:19,933 --> 00:08:21,641 Why didn't you say when you were coming? 103 00:08:21,727 --> 00:08:23,008 We had to ask your agent. 104 00:08:23,104 --> 00:08:26,058 - Why didn't you send us a wire? - I wanted to sneak in quietly. 105 00:08:26,148 --> 00:08:30,229 Believe me, I didn't have any trouble. I want to see if you've changed in a year. 106 00:08:30,319 --> 00:08:33,736 No, Les, you haven't changed a bit. You look desperately ill, as usual. 107 00:08:33,823 --> 00:08:36,063 - What'd you have to say that for? - Just kidding. 108 00:08:36,157 --> 00:08:37,651 I've been feeling terrible all day. 109 00:08:37,742 --> 00:08:42,035 Kind of faint, light-headed, a lot of pressure here, queasy inside... 110 00:08:42,121 --> 00:08:43,663 - my pulse... - You look great. 111 00:08:43,747 --> 00:08:47,413 As for you, that New York pallor is like a breath of fresh air. 112 00:08:47,501 --> 00:08:51,712 You're too pretty to be a successful writer and much too pretty to be married to that. 113 00:08:51,797 --> 00:08:54,002 That's the prettiest compliment I've had all day! 114 00:08:54,090 --> 00:08:56,877 Come on, you two-headed lovebirds, there's work to be done! 115 00:08:56,968 --> 00:09:00,467 - Now I have here a script of a show! - Les, you didn't bring it. 116 00:09:00,555 --> 00:09:02,927 It's great. It's the best thing we've ever written. 117 00:09:03,016 --> 00:09:05,424 Take it, boy. Smell it! You can tell it's good. 118 00:09:05,519 --> 00:09:08,471 There's a great part in it for you, nice little parts for us. 119 00:09:08,562 --> 00:09:11,350 Wait. This boy must be starving. Let's take him to Sardi's. 120 00:09:16,445 --> 00:09:18,438 Only two blocks more, then Sardi's. 121 00:09:18,531 --> 00:09:21,532 - Shall we tell him, Lil, the big surprise? - You tell him, Les. 122 00:09:21,616 --> 00:09:23,693 Who do you think is going to do the show? 123 00:09:23,786 --> 00:09:27,914 Only the greatest director /producer in town, Jeffrey Cordova. 124 00:09:28,123 --> 00:09:30,031 - Who? - Jeff Cordova. 125 00:09:30,124 --> 00:09:32,912 We're meeting him tonight, backstage, right after the show. 126 00:09:33,002 --> 00:09:35,624 - What did you say his name was? - Jeffrey Cordova! 127 00:09:35,714 --> 00:09:36,912 You're not serious. 128 00:09:37,007 --> 00:09:39,249 I don't think he ever heard of this fella. 129 00:09:39,342 --> 00:09:42,342 What's the matter? Don't you get newspapers back in California? 130 00:09:42,427 --> 00:09:44,882 This genius directed Man in a Mousetrap... 131 00:09:44,970 --> 00:09:49,468 The Lost Nymph, and did them both while starring in Oedipus Rex. 132 00:09:49,560 --> 00:09:52,477 He's got three hits running, and he's starring in one of them. 133 00:09:52,563 --> 00:09:53,594 Only one? 134 00:09:53,689 --> 00:09:57,734 This fella's fabulous, phenomenal, fantastic! He can do anything. 135 00:09:57,819 --> 00:09:59,608 Has he ever directed a musical? 136 00:09:59,694 --> 00:10:01,770 What's the difference? He can do anything. 137 00:10:01,863 --> 00:10:04,900 He's theatre. He's a new kind of theatre man, Tony. 138 00:10:04,992 --> 00:10:07,363 The theatre's changed. Lots of things have changed. 139 00:10:07,452 --> 00:10:08,994 They certainly have. 140 00:10:10,330 --> 00:10:12,618 What's happened to 42nd Street? 141 00:10:13,541 --> 00:10:17,158 I just can't get over it. I just can't understand it. 142 00:10:17,377 --> 00:10:20,876 This used to be the great theatre street of the town. The New Amsterdam. 143 00:10:20,963 --> 00:10:23,964 I had one of my biggest successes there. Ran a year and a half. 144 00:10:24,050 --> 00:10:27,085 Noel Coward and Gertie were here in Private Lives in the Selwyn. 145 00:10:27,177 --> 00:10:29,716 Strictly carriage trade, nothing but the finest. 146 00:10:29,806 --> 00:10:34,182 First show I ever did was at the Eltinge, and I don't believe that's here anymore. 147 00:10:34,643 --> 00:10:35,805 What's the matter? 148 00:10:35,894 --> 00:10:38,600 - I think he broke my leg. - Can you put your weight on it? 149 00:10:38,690 --> 00:10:40,848 - I'll try. - I'm sorry, fella! I didn't mean it. 150 00:10:40,943 --> 00:10:43,231 - Okay, forget it. - Let's get him a cab. 151 00:10:43,319 --> 00:10:44,648 Taxi! 152 00:10:45,614 --> 00:10:47,191 Here, let me carry you. 153 00:10:47,282 --> 00:10:50,862 My dear man, it's entirely my fault and I apologize. 154 00:10:50,950 --> 00:10:52,408 Here's for your trouble. 155 00:10:53,577 --> 00:10:54,859 Lean on me. 156 00:10:55,664 --> 00:10:58,581 - I can stand anything but pain. - You'll be all right. 157 00:10:58,666 --> 00:11:02,747 It's swelling. I'm getting a haematoma. The blood is spurting out. 158 00:11:03,337 --> 00:11:06,872 I want some cold compresses! Not hot, but cold. 159 00:11:06,966 --> 00:11:09,338 Listen, you go over to Sardi's. I'll see you later. 160 00:11:09,427 --> 00:11:11,383 Driver, take them on over. Order me a steak. 161 00:11:11,470 --> 00:11:12,845 I'll see you in a few minutes. 162 00:11:12,929 --> 00:11:16,927 PENNY ARCADE 163 00:11:22,272 --> 00:11:23,386 Excuse me. 164 00:11:23,481 --> 00:11:27,015 I'm just a little bit fuzzy. Wasn't this formerly the Eltinge theatre? 165 00:11:34,450 --> 00:11:36,574 What are you doing in there? 166 00:11:36,661 --> 00:11:40,657 The GORILLA'S BRIDE 167 00:12:00,266 --> 00:12:01,925 ELECTRICITY IS LIFE 168 00:12:31,461 --> 00:12:33,500 MADAME OLGA - PREDICTIONS 169 00:12:59,989 --> 00:13:03,986 TEST YOUR LOVE APPEAL 170 00:13:23,552 --> 00:13:27,217 When you feel as low as the bottom of a well 171 00:13:27,681 --> 00:13:30,007 and can't get out of the mood 172 00:13:31,477 --> 00:13:34,478 Do something to perk yourself up 173 00:13:34,689 --> 00:13:37,225 and change your attitude 174 00:13:38,316 --> 00:13:41,686 Give a tug to your tie Put a crease in your pants 175 00:13:42,196 --> 00:13:44,651 But if you really want to feel fine 176 00:13:45,824 --> 00:13:50,152 give your shoes a shine 177 00:13:53,372 --> 00:13:56,658 When there's a shine on your shoes 178 00:13:56,751 --> 00:13:58,790 there's a melody in your heart 179 00:13:59,253 --> 00:14:04,295 With a singable happy feeling a wonderful way to start 180 00:14:04,383 --> 00:14:06,874 to face the world every day 181 00:14:07,637 --> 00:14:09,713 with the deedle-dum-Dee-dah-dah 182 00:14:09,806 --> 00:14:14,714 A little melody that is making the worrying world go by 183 00:14:14,808 --> 00:14:17,097 When you walk down the street 184 00:14:17,603 --> 00:14:19,726 with the happy-go-lucky beat 185 00:14:20,773 --> 00:14:24,392 You'll find a lot in what I'm repeating 186 00:14:24,653 --> 00:14:27,486 When there's a shine on your shoes 187 00:14:27,863 --> 00:14:30,152 There's a melody in your heart 188 00:14:30,365 --> 00:14:34,031 What a wonderful way to start the day 189 00:14:35,412 --> 00:14:38,283 Now there's a shine that you get in the barbershop 190 00:14:40,460 --> 00:14:43,294 There's a shine that you get in the Pullman car 191 00:14:45,505 --> 00:14:48,505 There's a shine that you get in the pool room 192 00:14:50,509 --> 00:14:53,427 There's a shine that you get in the school room 193 00:14:55,555 --> 00:14:57,844 But it doesn't matter where you get it 194 00:14:58,266 --> 00:15:01,054 It'll do a lot of good if you let it 195 00:15:01,144 --> 00:15:04,228 A little bit of polish will abolish what's bothering you 196 00:15:05,022 --> 00:15:08,060 When there's a shine on your shoes 197 00:15:08,652 --> 00:15:13,113 Melody in your heart Singable happy feeling 198 00:15:13,699 --> 00:15:15,359 Wonderful! 199 00:15:47,479 --> 00:15:50,565 Got a shine on my shoes Got a shine on my shoes 200 00:15:50,650 --> 00:15:53,650 Got a shine on my shoes Got a shine on my shoes 201 00:15:53,944 --> 00:15:57,229 Got a shine on my shoes Got a shine on my shoes 202 00:15:57,322 --> 00:16:00,489 Got a shine on my shoes Got a shine on my shoes 203 00:16:00,950 --> 00:16:04,237 Shiny shoes! Shiny shoes! Shiny shoes! Shiny shoes! 204 00:16:04,330 --> 00:16:07,497 Shiny shoes! Shiny shoes! Shiny shoes! Shiny shoes! 205 00:16:07,583 --> 00:16:11,033 I got a shine shoes Shiny shoes! Shiny shoes! Shiny shoes! 206 00:16:11,127 --> 00:16:14,044 Shine Shine Shine Shine on my shoes 207 00:16:14,130 --> 00:16:17,250 I got a shine on my shoes I got a shine on my shoes 208 00:16:17,342 --> 00:16:20,675 I got a shine on my shoes I got a shine on my shoes 209 00:16:20,762 --> 00:16:22,505 Got a shoeshine Got a shoeshine 210 00:16:22,596 --> 00:16:24,174 Got a shoeshine Got a shoeshine 211 00:16:24,265 --> 00:16:26,054 Got a shoeshine Got a shoeshine 212 00:16:26,140 --> 00:16:28,179 Got a shoeshine Got a shoeshine 213 00:16:57,964 --> 00:16:59,919 Yeah! Hooray! 214 00:17:41,462 --> 00:17:43,750 JEFFREY CORDOVA - OEDIPUS REX 215 00:17:43,839 --> 00:17:46,165 Adopted From The Original Greek by JEFFREY CORDOVA 216 00:17:46,259 --> 00:17:48,928 STARRING JEFFREY CORDOVA DIRECTED BY JEFFREY CORDOVA 217 00:17:49,011 --> 00:17:51,133 THE STRATTON THEATRE 218 00:17:51,262 --> 00:17:55,095 In such a time, indeed you must reap doubly 219 00:17:55,600 --> 00:17:58,518 with a twofold pain 220 00:17:58,604 --> 00:18:02,518 Kind friend, you alone are faithful to me. 221 00:18:02,816 --> 00:18:04,274 Blind though I am... 222 00:18:04,359 --> 00:18:08,225 I know that you are here, and your voice is known to me. 223 00:18:09,947 --> 00:18:14,858 Oh, man of dark deed, how did you find the heart to blind yourself... 224 00:18:14,952 --> 00:18:17,159 but deliver to all? 225 00:18:17,246 --> 00:18:20,282 Apollo, friends! Apollo! 226 00:18:22,041 --> 00:18:25,956 Come near me. Lay your hand upon a wretched man. 227 00:18:26,629 --> 00:18:28,373 Do not fear. 228 00:18:28,465 --> 00:18:32,463 My plague can touch no one but me. 229 00:18:33,427 --> 00:18:35,800 Seize me and drive me out! 230 00:18:35,888 --> 00:18:39,304 Send me, for God's sake, to some distant spot! 231 00:18:39,558 --> 00:18:41,882 Conceal me! Kill me! 232 00:18:42,810 --> 00:18:45,812 This guy is going to direct a musical? 233 00:18:47,148 --> 00:18:49,306 This guy can do anything. 234 00:18:53,740 --> 00:18:57,652 Therefore plan, for to death shall watch life's hand 235 00:18:58,576 --> 00:19:03,404 and can't all happy till thee pass the earth away 236 00:19:07,169 --> 00:19:09,292 Sweetie, we start on the left foot! 237 00:19:09,378 --> 00:19:12,296 Always the left! The whole exit depends upon... 238 00:19:12,382 --> 00:19:14,123 Lily, darling! How are you? 239 00:19:14,215 --> 00:19:15,626 Lester, how am I doing? 240 00:19:15,717 --> 00:19:17,756 - Jeff, this is Tony... - Excuse me. 241 00:19:19,345 --> 00:19:21,469 Underneath it all, very simple. 242 00:19:21,556 --> 00:19:23,264 Isn't he wonderful? 243 00:19:28,187 --> 00:19:31,023 Listen. Order me a corned-beef sandwich, will you? 244 00:19:31,107 --> 00:19:34,771 Lean, now, no fat, no gristle. And a cream soda and a pickle. 245 00:19:35,779 --> 00:19:38,695 - Mr. Cordova wants a... - Stay right here. It's all right. 246 00:19:38,781 --> 00:19:41,189 That maniac. Honestly! Say, Hal? 247 00:19:41,284 --> 00:19:43,443 - Yes, Miss Marton. - The maestro wants his... 248 00:19:43,537 --> 00:19:46,286 I know. The corned beef. It's in his dressing room already. 249 00:19:46,370 --> 00:19:47,485 Hal, this is Mr. Hunter. 250 00:19:47,580 --> 00:19:50,118 - This is Hal Benton, Jeff's manager. - Nice to meet you. 251 00:19:50,208 --> 00:19:51,999 - I'm a great admirer of yours. - Thank you. 252 00:19:52,085 --> 00:19:55,454 - When did you get in town? - I got off the train a couple of hours ago. 253 00:19:55,547 --> 00:19:58,631 - Wasn't that curtain slower tonight? - It was my fault. I'm sorry. 254 00:19:58,717 --> 00:20:02,500 No, don't change it. Keep it that way. It's wonderful. Doubles the applause. 255 00:20:02,595 --> 00:20:04,551 - Jeff, this is Tony Hunter. - How do you do? 256 00:20:04,638 --> 00:20:08,339 Sorry, kids. Be with you soon as I get out of this sackcloth and ashes... 257 00:20:08,434 --> 00:20:12,218 Max, what happened to that amber spot? It was way off. 258 00:20:12,313 --> 00:20:13,724 Must have more light on me there. 259 00:20:13,814 --> 00:20:16,020 Don't let us keep it a secret I'm in the show. 260 00:20:16,107 --> 00:20:17,436 - Excuse me. - Hello, sweetheart. 261 00:20:17,526 --> 00:20:19,269 - You look wonderful. - Thank you. 262 00:20:19,361 --> 00:20:23,275 Hal, call a full dialogue rehearsal, will you? Friday, for the full company. 263 00:20:23,364 --> 00:20:26,568 Sloppy diction. The original was in Greek, but this is in English. 264 00:20:26,659 --> 00:20:30,953 Don't let us keep it a secret it's in English. I want to catch the matinee tomorrow... 265 00:20:31,038 --> 00:20:33,791 - of Man in a Mousetrap. - Can't do. We got a drama lecture... 266 00:20:33,875 --> 00:20:35,583 Never mind. We'll work it out somehow. 267 00:20:35,669 --> 00:20:37,790 Jeff, this is Tony Hunter. 268 00:20:37,878 --> 00:20:39,787 Yeah, I know. We just met. 269 00:20:41,715 --> 00:20:42,830 Mr. Hunter. 270 00:20:42,925 --> 00:20:44,881 - I beg your pardon. - I'm glad to know you. 271 00:20:44,968 --> 00:20:46,249 So happy to meet you. 272 00:20:46,345 --> 00:20:49,216 You have no idea how delighted I am to see you. 273 00:20:49,307 --> 00:20:51,298 - Delighted and thrilled. - Thank you. 274 00:20:52,768 --> 00:20:55,138 We need our theatre greats right here. 275 00:20:55,227 --> 00:20:58,762 So when Lily and Lester said they were doing a show with Tony Hunter... 276 00:20:58,855 --> 00:21:00,765 that's all I had to know. 277 00:21:00,941 --> 00:21:04,607 I'm dropping every other project, and there are plenty, believe me. 278 00:21:05,447 --> 00:21:09,859 That's wonderful, Mr. Cordova, but all this... The classics... 279 00:21:10,492 --> 00:21:14,572 - Do you really want to do a musical? - Musical, musical! 280 00:21:14,663 --> 00:21:18,578 I'm sick of these artificial barriers between the musical and the drama. 281 00:21:18,918 --> 00:21:22,582 In my mind, there is no difference between the magic rhythms... 282 00:21:22,671 --> 00:21:26,456 of Bill Shakespeare's immortal verse and the magic rhythms... 283 00:21:26,551 --> 00:21:28,955 of Bill Robinson's immortal feet. 284 00:21:29,634 --> 00:21:32,256 Hal, write that down. I'll use it at Princeton. 285 00:21:32,346 --> 00:21:34,255 It's already down. You used it last week. 286 00:21:34,348 --> 00:21:37,016 I tell you, if it moves you, if it stimulates you... 287 00:21:37,100 --> 00:21:39,259 if it entertains you, it's theatre. 288 00:21:39,395 --> 00:21:42,680 When the right combination gets together and it spells theatre... 289 00:21:42,772 --> 00:21:45,975 I got to be right in there up to my armpits. 290 00:21:46,650 --> 00:21:48,109 That's higher than usual. 291 00:21:48,194 --> 00:21:50,651 Now, that's what I wanted Tony to hear you say. 292 00:21:50,739 --> 00:21:55,200 I tried to tell him how you feel, but I knew that you could say it so beautifully. 293 00:21:55,286 --> 00:21:57,693 Lily, you splendid animal. 294 00:21:57,871 --> 00:22:00,787 Take your hands off my wife and let's get down to business. 295 00:22:00,872 --> 00:22:03,992 Now I have here a script. It's great. It's ready to roll. 296 00:22:04,084 --> 00:22:07,667 Jeff, I want you to take this home. I want you to read it tonight... 297 00:22:07,754 --> 00:22:10,920 But before I do, give me a rough idea of the plot. 298 00:22:11,132 --> 00:22:13,670 - Now? - Throw it at me for a quick impression. 299 00:22:13,760 --> 00:22:15,753 - I'm dying to hear it. - You tell it, Lester. 300 00:22:15,845 --> 00:22:18,086 - You do it so much better. - Lester, honestly. 301 00:22:18,180 --> 00:22:20,671 - Please, Lily, tell them. - Lester, honestly. 302 00:22:21,517 --> 00:22:25,596 With Tony in mind, we naturally visualize a light and intimate show. 303 00:22:25,687 --> 00:22:29,686 We want to give him a chance to play a charming guy, with just enough plot... 304 00:22:29,776 --> 00:22:32,693 to make him do lots of gay and varied numbers. 305 00:22:33,112 --> 00:22:36,527 He's a writer and illustrator of children's books... 306 00:22:36,615 --> 00:22:38,192 but to get in the real dough... 307 00:22:38,283 --> 00:22:41,367 on the side, he writes lurid murder mysteries... 308 00:22:41,452 --> 00:22:43,778 full of violence and buckets of blood. 309 00:22:44,540 --> 00:22:47,291 The success of these makes him feel he's sort of... 310 00:22:47,375 --> 00:22:50,080 sold his soul to the Devil, but he keeps on doing it. 311 00:22:50,170 --> 00:22:53,502 There's lots of comedy implications with his friends, played by us. 312 00:22:53,589 --> 00:22:56,341 - And with his girl. - I love this. Terrific possibilities. 313 00:22:56,425 --> 00:22:58,632 And some of the best numbers we've ever written! 314 00:22:58,719 --> 00:23:03,013 Children's playground, a reform school, 12 showgirls playing softball! 315 00:23:03,098 --> 00:23:06,349 - And a number about a murder mystery! - You two are the end. 316 00:23:06,602 --> 00:23:10,183 - Tony, I'm so glad! - Some of the best lines we've written. 317 00:23:11,564 --> 00:23:13,556 What do you think, Jeff? 318 00:23:21,659 --> 00:23:23,567 Kids, you're geniuses. 319 00:23:23,702 --> 00:23:26,618 The whole thing is a brilliantly imaginative idea. 320 00:23:26,704 --> 00:23:28,115 Why, Jeff! 321 00:23:28,205 --> 00:23:31,823 You've hit on something that's not only great as a musical... 322 00:23:31,917 --> 00:23:34,753 but valid in terms of today, of modern life. 323 00:23:34,837 --> 00:23:36,664 Jeff, I'm so glad! 324 00:23:36,756 --> 00:23:40,421 Of course, these modern thrillers, he's got to keep turning them out. 325 00:23:40,509 --> 00:23:42,500 They make him fame, money. He's caught. 326 00:23:42,593 --> 00:23:44,217 It's a funny situation. 327 00:23:44,303 --> 00:23:47,968 Of course! It's brilliant, contemporary, perceptive. 328 00:23:48,224 --> 00:23:51,344 This story's a modern version of Faust. 329 00:23:52,936 --> 00:23:55,143 - Faust? - You're kidding, Jeff. 330 00:23:56,231 --> 00:23:59,765 I guess I didn't tell it right. I didn't bring out the point. 331 00:23:59,859 --> 00:24:04,154 But you did bring out the point admirably. You used the phrase: 332 00:24:04,240 --> 00:24:06,612 "He sells his soul to the Devil." 333 00:24:06,992 --> 00:24:10,159 Now, that's the line you have to follow straight through. 334 00:24:10,412 --> 00:24:13,083 Just like Faust, this man is tempted by the Devil... 335 00:24:13,166 --> 00:24:17,576 and his compromise, his sell-out, must end in eternal damnation. 336 00:24:18,252 --> 00:24:20,161 That'll leave them laughing. 337 00:24:20,254 --> 00:24:24,298 Kids, you've got a choice here between a nice little musical comedy... 338 00:24:24,382 --> 00:24:27,219 and a modern musical morality play... 339 00:24:27,303 --> 00:24:29,674 with meaning and stature! 340 00:24:30,389 --> 00:24:34,137 - But we don't want to write Faust. - You're taking me too literally. 341 00:24:34,225 --> 00:24:36,597 I want to do your story. I love it! 342 00:24:36,935 --> 00:24:39,606 But I want to angle it to bring out the analogy... 343 00:24:39,689 --> 00:24:42,394 between the Faust legend and this man's story. 344 00:24:42,985 --> 00:24:46,684 Won't this make it heavy? Is this a box-office idea? 345 00:24:46,779 --> 00:24:48,190 Is Faust box-office? 346 00:24:48,281 --> 00:24:51,815 Listen, Faust by Christopher Marlowe, Faust by Goethe, Faust by Gounod... 347 00:24:51,909 --> 00:24:52,988 Faust by Hector Berlioz. 348 00:24:53,077 --> 00:24:57,075 I tell you, anyone who's touched this legend has turned it into a gold mine. 349 00:24:57,164 --> 00:24:58,788 It's got to be a smash. 350 00:24:59,875 --> 00:25:02,710 It could still have all the fun in it, couldn't it? 351 00:25:02,794 --> 00:25:06,661 - Yeah, and some stature thrown in. - Now, kids, I'm happy about this. 352 00:25:06,965 --> 00:25:09,503 - Really happy. - So are we, Jeff. 353 00:25:09,592 --> 00:25:11,051 This publisher you mentioned... 354 00:25:11,136 --> 00:25:14,005 obviously, he could be the counterpart of the Devil. 355 00:25:18,810 --> 00:25:20,849 Evil personified! 356 00:25:21,479 --> 00:25:25,605 Leading all mankind into the paths of temptation! 357 00:25:26,357 --> 00:25:29,857 - But nobody could play it like you. - Nobody's going to. 358 00:25:29,944 --> 00:25:32,021 You mean you're going to play it? 359 00:25:32,364 --> 00:25:35,281 The part of the girl... Somebody fresh. 360 00:25:35,367 --> 00:25:39,150 Somebody with fire, charm, grace, beauty. Gabrielle Gerard. 361 00:25:39,328 --> 00:25:42,698 - Gerard? She's a ballet dancer. - She doesn't want to do a show. 362 00:25:42,790 --> 00:25:45,282 - She turns them all down. - Nobody ever turns me down. 363 00:25:45,377 --> 00:25:48,212 Do you really think you could get her? What a cast! 364 00:25:48,296 --> 00:25:52,922 Tony Hunter, Jeff Cordova, Gabrielle Gerard! Tony! Isn't this exciting? 365 00:25:53,009 --> 00:25:54,207 Yeah. 366 00:25:54,635 --> 00:25:58,382 Now, look, this is going to be a sort of modern Faust story. 367 00:25:59,055 --> 00:26:03,301 I play the Faust character. You play the Devil. It'll have stature, importance. 368 00:26:03,725 --> 00:26:06,643 - I have to dance with this ballet dancer? - She's wonderful. 369 00:26:06,729 --> 00:26:07,928 It'll be great. 370 00:26:08,023 --> 00:26:11,391 It'll be great for somebody. I'll pick up my marbles and go home. 371 00:26:11,484 --> 00:26:14,400 Fellas, bless you and good luck, but this just ain't for me. 372 00:26:14,486 --> 00:26:16,479 I know what I can do, and I'm sticking to it. 373 00:26:16,572 --> 00:26:19,692 That's the trouble. You've stuck to it, and you're stuck with it. 374 00:26:19,783 --> 00:26:22,322 - What? - Tony, nobody admires you more than I. 375 00:26:22,412 --> 00:26:25,531 I've seen every show and every movie you've ever done... 376 00:26:25,623 --> 00:26:27,331 but let's face some brutal facts. 377 00:26:27,416 --> 00:26:30,534 Times have changed, Tony. You haven't changed with them. 378 00:26:30,626 --> 00:26:34,671 - You've gone stale. - Then you certainly don't need me. 379 00:26:35,632 --> 00:26:37,090 Yes, we do! 380 00:26:37,175 --> 00:26:39,582 Because you can be greater than you ever were! 381 00:26:39,677 --> 00:26:43,295 We are going to make you explode on the theatre scene like a skyrocket! 382 00:26:43,389 --> 00:26:46,425 Not just the old trademark, with the top hat, tie, and tails... 383 00:26:46,516 --> 00:26:48,592 but a great artist at the peak of his powers. 384 00:26:48,685 --> 00:26:52,434 The new Tony Hunter. Tony Hunter, 1953! 385 00:26:52,523 --> 00:26:55,642 - But can I do it? - It's a challenge to all of us... 386 00:26:55,733 --> 00:26:58,307 but that's what the theatre's about: a challenge. 387 00:26:58,403 --> 00:27:00,776 Whatever I am, whether it's a new me or an old me... 388 00:27:00,865 --> 00:27:02,655 remember, I'm still just an entertainer. 389 00:27:02,741 --> 00:27:05,231 What do you think I am? What do you think they are? 390 00:27:05,326 --> 00:27:07,995 What do you think the theatre is? It's all entertainment! 391 00:27:08,079 --> 00:27:11,198 Believe me, there is no difference between the magic rhythms... 392 00:27:11,290 --> 00:27:13,996 - of Bill Robinson's immortal feet... - You said that before. 393 00:27:14,085 --> 00:27:17,785 All right, what did Bill Robinson do? He danced on the stairs, didn't he? 394 00:27:17,880 --> 00:27:20,549 Now I happen to play Oedipus the king on the same stairs. 395 00:27:20,632 --> 00:27:23,122 What's the difference? We're all theatre. 396 00:27:24,218 --> 00:27:25,844 Show me the greatest tragic actor... 397 00:27:25,929 --> 00:27:28,136 or the lowest red-nosed comic in burlesque... 398 00:27:28,223 --> 00:27:30,761 and I'll show you an entertainer. We're all... 399 00:27:32,644 --> 00:27:34,637 Jeff, are you all right? 400 00:27:35,313 --> 00:27:37,803 Everything that happens in life 401 00:27:37,981 --> 00:27:40,353 can happen in a show 402 00:27:40,942 --> 00:27:44,146 You can make 'em laugh You can make 'em cry 403 00:27:44,570 --> 00:27:48,616 Anything, anything can go 404 00:27:51,288 --> 00:27:54,536 The clown with his pants falling down 405 00:27:54,623 --> 00:27:58,122 Or the dance that's a dream of romance 406 00:27:58,210 --> 00:28:02,254 Or the scene where the villain is mean 407 00:28:03,006 --> 00:28:05,580 That's Entertainment! 408 00:28:06,052 --> 00:28:09,171 The lights on the lady in tights 409 00:28:09,262 --> 00:28:13,009 Or the bride with the guy on the side 410 00:28:13,098 --> 00:28:17,262 Or the ball where she gives him her all 411 00:28:17,728 --> 00:28:20,301 That's Entertainment! 412 00:28:20,897 --> 00:28:24,100 The plot can be hot simply teeming with sex 413 00:28:24,609 --> 00:28:27,609 A gay divorcé who is after her ex 414 00:28:28,903 --> 00:28:31,360 It could be Oedipus Rex 415 00:28:31,449 --> 00:28:35,494 Where a chap kills his father and causes a lot of bother 416 00:28:35,578 --> 00:28:38,698 The clerk who is thrown out of work 417 00:28:38,790 --> 00:28:42,326 By the boss who was thrown for a loss 418 00:28:42,420 --> 00:28:45,952 By the skirt who is doing him dirt 419 00:28:46,296 --> 00:28:48,372 The world is a stage 420 00:28:48,465 --> 00:28:52,082 the stage is a world of entertainment 421 00:29:05,397 --> 00:29:07,639 That's Entertainment! 422 00:29:14,865 --> 00:29:16,525 All right! 423 00:29:19,743 --> 00:29:22,070 That's Entertainment! 424 00:29:29,921 --> 00:29:31,712 Look what I can do. 425 00:29:40,805 --> 00:29:42,348 It's still me! 426 00:29:57,195 --> 00:30:00,363 The doubt while the jury is out 427 00:30:00,449 --> 00:30:03,949 or the thrill when they're reading the will 428 00:30:04,037 --> 00:30:07,654 or the chase for the man with the face 429 00:30:08,791 --> 00:30:11,115 That's Entertainment! 430 00:30:11,835 --> 00:30:14,956 The dame who is known as the flame 431 00:30:15,047 --> 00:30:18,712 Of the king of an underworld ring 432 00:30:18,800 --> 00:30:22,466 He's an ape who won't let her escape 433 00:30:23,472 --> 00:30:25,759 That's Entertainment! 434 00:30:26,557 --> 00:30:29,641 It might be a fight like you see on the screen 435 00:30:30,269 --> 00:30:33,720 a swain getting slain for the love of a queen 436 00:30:34,606 --> 00:30:39,315 some great Shakespearean scene where a ghost and a prince meet 437 00:30:39,403 --> 00:30:41,146 and everyone ends in mincemeat 438 00:30:41,237 --> 00:30:44,357 the gag may be waving that flag 439 00:30:44,449 --> 00:30:48,032 that began with a Mr. Cohan 440 00:30:48,119 --> 00:30:51,905 Hip hooray, the American way 441 00:30:52,125 --> 00:30:53,867 The world is a stage 442 00:30:54,459 --> 00:30:59,618 the stage is a world of entertainment 443 00:31:03,132 --> 00:31:06,253 - You gone yet, Hal? - I'm in here, Jeff, on the phone. 444 00:31:06,387 --> 00:31:08,959 Drama desk? Hello, Mike. It's Hal. 445 00:31:09,097 --> 00:31:12,632 You know that item Mr. Cordova sent you about signing Gabrielle Gerard... 446 00:31:12,726 --> 00:31:13,889 for the Marton show? 447 00:31:13,977 --> 00:31:17,559 There's been a mistake. I wonder if there's still time to kill it. 448 00:31:17,647 --> 00:31:20,565 - Yeah. I'd appreciate it. Thanks, kid. - Why did you do that? 449 00:31:20,650 --> 00:31:23,223 To save you from making an idiot of yourself in print. 450 00:31:23,319 --> 00:31:25,726 - You know you can't get Gerard. - Why? 451 00:31:25,821 --> 00:31:29,321 Because Paul Byrd won't let her do a show. He's a tough customer. 452 00:31:29,408 --> 00:31:32,159 He's not only her choreographer, he's also her boyfriend. 453 00:31:32,244 --> 00:31:34,035 She doesn't make a move without him. 454 00:31:34,121 --> 00:31:36,078 That will be Paul Byrd now. 455 00:31:36,165 --> 00:31:39,533 - It's 3:00 in the morning. - Let him in, Hal, will you? 456 00:31:44,256 --> 00:31:45,750 - Hello, Paul. - Where are they? 457 00:31:45,841 --> 00:31:47,335 He's in there. 458 00:31:47,718 --> 00:31:48,879 Hello, Paul. 459 00:31:48,968 --> 00:31:50,343 - Where is he? - Who? 460 00:31:50,428 --> 00:31:53,000 - Oscar Hammerstein. - Home in bed, I hope, at this hour. 461 00:31:53,096 --> 00:31:55,719 - Who is it? Dick Rodgers? - What are you talking about? 462 00:31:55,809 --> 00:31:58,478 Didn't you say the greatest producer of musicals today... 463 00:31:58,561 --> 00:31:59,889 was here and wanted to see me? 464 00:31:59,979 --> 00:32:03,846 - That's me. I'm doing a musical. - Did you get me out of bed... 465 00:32:07,651 --> 00:32:09,194 I see what this is all about. 466 00:32:09,278 --> 00:32:13,145 You needn't go any further because the answer is no on Gabrielle Gerard. 467 00:32:13,240 --> 00:32:15,648 Gabrielle... Paul, I don't follow you. 468 00:32:15,743 --> 00:32:18,947 Gabrielle is not going to do a show. She's too important to ballet. 469 00:32:19,039 --> 00:32:20,746 This has nothing to do with Gabrielle. 470 00:32:21,291 --> 00:32:25,454 Paul, I want you to do the choreography for the greatest musical in years. 471 00:32:27,963 --> 00:32:30,086 - I'm sorry... - That's why I wakened you, Paul. 472 00:32:30,174 --> 00:32:34,042 I'm so keyed up I just can't sleep. You know how brilliant the Martons are. 473 00:32:34,137 --> 00:32:35,880 This time, they've excelled themselves. 474 00:32:35,972 --> 00:32:38,887 This show is a choreographer's dream, and only you can do it. 475 00:32:38,973 --> 00:32:41,678 - I wouldn't say that. - No time for false modesty. 476 00:32:41,767 --> 00:32:44,768 You're the greatest, and we know it. This is just your meat. 477 00:32:44,853 --> 00:32:49,480 A great classic theme. The story of Faust in a modern setting. 478 00:32:51,360 --> 00:32:54,231 Say, that sounds interesting. 479 00:32:54,321 --> 00:32:57,190 I've never been so excited about a project in my life. 480 00:32:57,281 --> 00:33:00,983 Now, there's Tony Hunter, myself, a great score by the Martons. 481 00:33:01,078 --> 00:33:03,451 Wonderful. My brain's beginning to churn already. 482 00:33:03,540 --> 00:33:07,323 Good. Now we must comb the country for a wonderful singer for the girl. 483 00:33:07,626 --> 00:33:11,291 Singer? Jeff, don't you think we ought to stress the dancing in that role? 484 00:33:11,379 --> 00:33:12,623 No, Paul. 485 00:33:12,713 --> 00:33:17,340 This girl has to be a virtuoso performer, with fire, charm, beauty... 486 00:33:17,468 --> 00:33:21,548 a great lady with a gamine quality. You know no dancer can give you that. 487 00:33:21,638 --> 00:33:25,683 Wait. Of course I wouldn't let her do it, but Gabrielle has all that and more. 488 00:33:25,768 --> 00:33:29,018 Gabrielle? Paul, I feel a little embarrassed. 489 00:33:29,105 --> 00:33:32,021 I think she's charming, within her limitations. Charming. 490 00:33:32,107 --> 00:33:33,849 She's a great artist, and you know it. 491 00:33:33,941 --> 00:33:37,441 - Sorry. I know how fond of her you are. - That has nothing to do with it! 492 00:33:37,528 --> 00:33:39,902 She can be one of the greatest stars in the theatre. 493 00:33:39,990 --> 00:33:41,484 Everybody's been trying to get her. 494 00:33:41,574 --> 00:33:43,816 For the right vehicle, something light and fluffy. 495 00:33:43,910 --> 00:33:45,570 Light and fluffy? Now, see here, Jeff. 496 00:33:45,662 --> 00:33:49,112 I'm not gonna do this show unless Gabrielle Gerard plays that part! 497 00:33:49,331 --> 00:33:53,032 Now, Paul, this throws a little monkey wrench into things, doesn't it? 498 00:33:53,127 --> 00:33:56,081 Never mind. You and I will work together sometime... 499 00:33:56,171 --> 00:33:59,422 Wait. At least do this. You come and see her in the ballet tomorrow. 500 00:33:59,508 --> 00:34:01,998 - Bring Hunter, bring the Martons. - No. Impossible. 501 00:34:02,093 --> 00:34:04,715 I have a performance. But I'll gladly send the Martons. 502 00:34:04,804 --> 00:34:08,339 We can get together afterwards and talk. Mind you, I'm promising nothing. 503 00:34:08,433 --> 00:34:10,224 Good night, sweetie. 504 00:34:12,603 --> 00:34:13,884 Drama desk? 505 00:34:13,980 --> 00:34:17,598 Mike. Hal again. Better print that item after all. 506 00:34:17,692 --> 00:34:22,103 And, Mike, after this, if Mr. Cordova tells you he's casting Tallulah... 507 00:34:22,278 --> 00:34:24,816 for Little Eva, believe him. 508 00:34:29,368 --> 00:34:30,746 COMMODORE THEATER Coutray Ballet Company 509 00:34:30,830 --> 00:34:33,036 Gabrielle Gerard Choreography by Paul Byrd 510 00:34:33,123 --> 00:34:36,078 IMAGE OF THE NIGHT - ENSEMBLE THE FIELDS - PHANTASY 511 00:35:44,188 --> 00:35:45,268 Well? 512 00:35:45,356 --> 00:35:48,477 She's fabulous, sensational, loveliest thing I've ever seen. 513 00:36:25,186 --> 00:36:26,931 A little tall, isn't she? 514 00:36:28,023 --> 00:36:29,565 Stage illusion. 515 00:37:06,268 --> 00:37:08,010 So you didn't care for it much? 516 00:37:08,101 --> 00:37:10,011 The girl's fantastic, beautiful... 517 00:37:10,103 --> 00:37:11,597 but I can't dance with her. 518 00:37:11,687 --> 00:37:13,182 Stop worrying! 519 00:37:16,735 --> 00:37:19,522 It isn't that I don't appreciate what she does. 520 00:37:19,613 --> 00:37:22,530 I tell you, I know she's magnificent. That's what scares me. 521 00:37:22,616 --> 00:37:26,279 But I haven't done ballet since I was a kid. I'd look silly. 522 00:37:26,618 --> 00:37:28,410 Hello, Lil. You look wonderful. Put your things over there. 523 00:37:29,496 --> 00:37:30,874 Hello, Mr. Hunter. How are you? 524 00:37:30,958 --> 00:37:32,914 - Hello, Les. Glad to see you. - How are you? 525 00:37:33,001 --> 00:37:35,326 What is this? The annual fur trappers' convention? 526 00:37:35,420 --> 00:37:37,662 - The boss is inside with big money. - His backers? 527 00:37:37,756 --> 00:37:40,211 - They're raising money for the show. - What show, ours? 528 00:37:40,299 --> 00:37:42,207 - Sure. - He hasn't read the script yet. 529 00:37:42,299 --> 00:37:44,044 - I better go back... - Sorry, Mr. Marton. 530 00:37:44,136 --> 00:37:47,302 You disturb the water, you scare the fish. They're biting tonight. 531 00:37:47,388 --> 00:37:50,342 - What's he telling them? - Whatever it is, it's going over big. 532 00:37:50,433 --> 00:37:52,093 - Come on, Lil. - Please don't go in yet. 533 00:37:52,185 --> 00:37:55,019 Wait here in the study. He's saving you for the big finale. 534 00:37:55,104 --> 00:37:56,136 Excuse me. 535 00:37:56,231 --> 00:37:58,223 - Lester, isn't this wonderful? - Yeah. 536 00:37:58,316 --> 00:38:00,604 - This is going to be great, Tony. - Why? 537 00:38:00,693 --> 00:38:02,934 Cordova. The dough for the show. No problems. 538 00:38:03,028 --> 00:38:05,436 How many times did we have to audition the last time? 539 00:38:05,531 --> 00:38:07,488 - Fifty. - A hundred, maybe more. 540 00:38:07,574 --> 00:38:11,573 Jeff might raise the backing tonight. We'll be ready to rehearse in three weeks. 541 00:38:13,039 --> 00:38:14,829 - Hello, Hal. - Hello, Paul. How are you? 542 00:38:14,915 --> 00:38:16,574 How nice to see you. Come right in. 543 00:38:16,666 --> 00:38:18,705 Hal, this is Miss Gerard. Mr. Benton. 544 00:38:18,793 --> 00:38:20,999 How do you do? Jeff's inside with the backers. 545 00:38:21,087 --> 00:38:22,997 Why don't you wait in the library? 546 00:38:23,090 --> 00:38:24,548 - Excuse me. - Thanks. 547 00:38:30,971 --> 00:38:33,177 Let's wait in here a minute, huh? 548 00:38:34,350 --> 00:38:36,675 Now, wait a second. I'm not ready yet. 549 00:38:36,769 --> 00:38:38,642 There's a lot to be cleared up first. 550 00:38:38,729 --> 00:38:41,185 This girl Gerard, it's not just her dancing. 551 00:38:41,273 --> 00:38:44,642 On top of everything, she's too tall for me. This girl is a giantess. 552 00:38:44,735 --> 00:38:46,810 She's not too tall for you. I know this girl. 553 00:38:46,903 --> 00:38:49,109 She comes up to here, maybe 2 inches shorter. 554 00:38:49,196 --> 00:38:51,569 You know I'm the perfect height for you. Now look... 555 00:38:51,657 --> 00:38:54,064 turn around. Measure. Look. You see? Isn't that fine? 556 00:38:54,159 --> 00:38:58,987 Listen. Gabrielle Gerard in her stocking feet is at the most 3-feet tall. 557 00:38:59,455 --> 00:39:03,372 Now relax. I'm going to find you a drink, and you can stop worrying about her. 558 00:39:03,462 --> 00:39:06,165 Jeff only wants her in the show because she's the best. 559 00:39:06,255 --> 00:39:08,710 We all gotta go along with him, too, Tony. 560 00:39:08,799 --> 00:39:10,957 In the show, one guy's got to be at the helm... 561 00:39:11,051 --> 00:39:13,590 and in Jeff, we got someone we can trust to... 562 00:39:13,680 --> 00:39:17,297 ...it is the Devil, come to claim the soul of the modern Faust man. 563 00:39:17,391 --> 00:39:20,309 With flapping wings and grinning evil eyes... 564 00:39:20,394 --> 00:39:23,179 he points the way to the yawning pits of Hades. 565 00:39:26,774 --> 00:39:27,889 Hallelujah. 566 00:39:29,109 --> 00:39:31,351 - I'm embarrassed. - Don't be childish. 567 00:39:31,445 --> 00:39:33,983 I'm sure Tony Hunter doesn't want me in this show. 568 00:39:34,073 --> 00:39:36,942 - What makes you say that? - Did he come backstage to see me... 569 00:39:37,033 --> 00:39:38,196 after the performance? 570 00:39:38,284 --> 00:39:40,194 He knew he was going to meet you here. 571 00:39:40,287 --> 00:39:44,118 - I'm just a ballet dancer... - You're a famous leading ballerina. 572 00:39:44,206 --> 00:39:47,541 What does he want with me? He's a famous movie and stage actor. 573 00:39:47,628 --> 00:39:50,379 He's practically a historical character by now. 574 00:39:50,463 --> 00:39:53,880 Dancing with him is like dancing with a statue of General Grant. 575 00:39:53,968 --> 00:39:55,508 Now look, Gaby. 576 00:39:55,926 --> 00:39:59,508 You know, this is a Cordova show. It's an important step for you. 577 00:39:59,596 --> 00:40:03,676 I'm going to do the choreography, so there's nothing for you to worry about. 578 00:40:03,767 --> 00:40:06,638 But I still think he doesn't want me in the show. 579 00:40:06,812 --> 00:40:08,223 Your nose is shiny. 580 00:40:08,313 --> 00:40:10,555 - Where's the... - Maybe this is it. 581 00:40:12,150 --> 00:40:16,942 He passes by all the writhing souls in torment paying for their deadly sins. 582 00:40:17,029 --> 00:40:18,857 Gluttony, avarice... 583 00:40:20,825 --> 00:40:22,319 It must be upstairs. 584 00:40:40,093 --> 00:40:41,966 Lester, what have we got ourselves into? 585 00:40:42,053 --> 00:40:45,505 The story he's telling them has nothing to do with the story we wrote. 586 00:40:45,599 --> 00:40:48,054 This will mean months of rewriting. 587 00:40:48,267 --> 00:40:51,470 He expects us to go into rehearsal in three weeks? 588 00:40:55,732 --> 00:41:00,561 Brimstone and flames. Save me. 589 00:41:07,660 --> 00:41:12,488 Corrupter of children. Purveyor of evil. Dungeon... 590 00:41:14,001 --> 00:41:18,413 ...bubbling cauldrons. Fiery furnaces of doom. 591 00:41:26,512 --> 00:41:28,968 - You're... - And you're... How do you do? 592 00:41:29,056 --> 00:41:30,848 How do you do? It's certainly a... 593 00:41:30,933 --> 00:41:33,969 - We've been waiting for you in there. - We just got here. 594 00:41:34,061 --> 00:41:36,385 We just got here ourselves, about five minutes ago. 595 00:41:36,479 --> 00:41:38,602 A little early, I guess. Mr. Cordova's busy. 596 00:41:38,690 --> 00:41:41,227 Yes, I know, and I rushed so to get here. 597 00:41:41,317 --> 00:41:43,808 - I'm a mess. - No. You look wonderful. 598 00:41:45,362 --> 00:41:48,447 - Will you have a cigarette? - No, thanks. I don't smoke. 599 00:41:48,574 --> 00:41:51,659 - Never? - I don't think a dancer should smoke. 600 00:41:51,744 --> 00:41:52,907 I see. 601 00:41:54,036 --> 00:41:56,907 - Is anything wrong? - No. 602 00:41:57,665 --> 00:41:59,706 - Pretty shoes. - Thank you. 603 00:42:00,002 --> 00:42:01,662 You always wear high heels? 604 00:42:01,754 --> 00:42:04,245 No. Not always. Sometimes toeshoes. 605 00:42:04,674 --> 00:42:05,954 Toeshoes. 606 00:42:06,175 --> 00:42:08,084 I'm afraid I've been awfully rude. 607 00:42:08,177 --> 00:42:10,796 I haven't told you how wonderful you were tonight. 608 00:42:10,886 --> 00:42:13,674 Thank you. I'm a great admirer of yours, too. 609 00:42:13,765 --> 00:42:16,551 - I didn't think you'd ever even heard of me. - Heard of you? 610 00:42:16,642 --> 00:42:19,394 I used to see all your pictures when I was a little girl. 611 00:42:19,478 --> 00:42:23,143 I'm still a fan. I recently went to see a revival of them at the museum. 612 00:42:23,231 --> 00:42:24,311 Museum? 613 00:42:24,399 --> 00:42:26,274 "Step right this way, ladies and gentlemen. 614 00:42:26,361 --> 00:42:28,269 "Egyptian mummies, extinct reptiles... 615 00:42:28,362 --> 00:42:31,196 "and Tony Hunter, the grand old man of the dance." 616 00:42:31,281 --> 00:42:32,360 I didn't mean... 617 00:42:32,448 --> 00:42:36,399 I want you to know that I can still thread a needle without my eyeglasses... 618 00:42:36,494 --> 00:42:39,330 and still occasionally do a soft-shoe shuffle. 619 00:42:39,414 --> 00:42:40,992 Nothing balletic, of course. 620 00:42:41,083 --> 00:42:42,992 You're not a ballet devotee, are you? 621 00:42:43,085 --> 00:42:45,704 Yes. I was going to the ballet before you were born. 622 00:42:45,794 --> 00:42:48,961 I saw Pavlova, Karsavina, all the real ballet greats. 623 00:42:49,048 --> 00:42:51,753 You don't see dancing like that nowadays. I'm sorry. 624 00:42:51,842 --> 00:42:54,547 That's okay. I don't expect you to class me with Pavlova. 625 00:42:54,637 --> 00:42:55,882 In fact, if she were around... 626 00:42:55,972 --> 00:42:58,214 I doubt if she'd be good enough to dance with you. 627 00:42:58,307 --> 00:43:00,382 You'd probably insist on an audition first. 628 00:43:00,474 --> 00:43:03,226 I sure would. I'd audition my own grandmother. 629 00:43:03,311 --> 00:43:06,929 Then why don't you audition mine? She'd be just about right for you. 630 00:43:07,023 --> 00:43:09,182 - I'm terribly sorry. - No, you're not. 631 00:43:09,275 --> 00:43:10,770 - No, I'm not. - Neither am I. 632 00:43:10,861 --> 00:43:11,940 Good. 633 00:43:16,657 --> 00:43:19,444 - Paul, I'm leaving. - What's the matter, darling? 634 00:43:19,534 --> 00:43:21,692 I can't work with that man. He's impossible. 635 00:43:21,786 --> 00:43:23,494 We just got here. It'll look funny... 636 00:43:23,579 --> 00:43:26,284 The whole thing is off. This girl is a monster. 637 00:43:26,374 --> 00:43:28,367 I have definitely had it. 638 00:43:29,711 --> 00:43:33,792 And now, ladies and gentlemen, the brains, the talent, the artists. 639 00:43:34,424 --> 00:43:36,831 Wonderful. Aren't they wonderful? 640 00:43:43,266 --> 00:43:45,508 You have no idea how well things are going. 641 00:43:45,602 --> 00:43:47,345 It's really wonderful. 642 00:43:48,438 --> 00:43:50,311 Ladies and gentlemen. 643 00:43:50,398 --> 00:43:52,804 I want you all to meet the happy little group... 644 00:43:52,898 --> 00:43:54,441 that's responsible for the show... 645 00:43:54,525 --> 00:43:57,776 that everyone will be clamouring to get seats for next season. 646 00:43:57,862 --> 00:44:00,614 The celebrated choreographer Paul Byrd. 647 00:44:03,159 --> 00:44:07,108 The authors you know: Lily and Lester Marton. 648 00:44:07,371 --> 00:44:09,031 Take a bow, Lily. 649 00:44:09,665 --> 00:44:11,622 And, ladies and gentlemen... 650 00:44:11,708 --> 00:44:13,951 my star, Tony Hunter. 651 00:44:14,045 --> 00:44:17,497 A name, a talent. Mr. Show Business himself. 652 00:44:20,217 --> 00:44:23,469 And, ladies and gentlemen, his new leading lady. 653 00:44:23,555 --> 00:44:27,633 That glamorous, delightful dancer from the magical world of ballet. 654 00:44:27,723 --> 00:44:31,768 Mr. Hunter's own personal choice, Gabrielle Gerard. 655 00:44:34,438 --> 00:44:38,104 I think, gentlemen, you will agree your investment is safe, yes? 656 00:44:38,193 --> 00:44:41,027 Now let's relax and have a drink, shall we? 657 00:44:42,612 --> 00:44:46,610 My dear, how do you authors ever think of these brilliant ideas? 658 00:44:46,700 --> 00:44:49,903 That damnation scene. Did you ever in your life hear... 659 00:44:49,995 --> 00:44:53,993 My boy. I had the pleasure of backing your last show, too. 660 00:44:54,416 --> 00:44:55,744 Jeffrey. How about... 661 00:45:12,474 --> 00:45:15,013 There it is, folks. The work light. 662 00:45:15,102 --> 00:45:18,055 Only an electric bulb, perhaps, but for the next four weeks... 663 00:45:18,146 --> 00:45:20,981 that will be our sun, our moon, our stars. 664 00:45:21,149 --> 00:45:24,434 These four walls will be our universe, our private world. 665 00:45:24,652 --> 00:45:27,857 We enter with nothing but a dream, but when we leave... 666 00:45:27,948 --> 00:45:29,608 we'll have a show. 667 00:45:29,742 --> 00:45:34,116 In between, there will be enthusiasms, frustrations, hot tempers... 668 00:45:34,202 --> 00:45:35,530 cold coffee. 669 00:45:35,620 --> 00:45:38,242 Some of us will fight, some fall in love... 670 00:45:38,331 --> 00:45:40,823 but all of us will work and adore it... 671 00:45:40,917 --> 00:45:43,873 because all of us are inspired by the same thing. 672 00:45:43,963 --> 00:45:47,711 The night that curtain goes up, it will go up on a smash hit. 673 00:45:47,925 --> 00:45:49,798 And believe me, kids... 674 00:45:50,051 --> 00:45:53,006 there's nothing in the world as soothing... 675 00:45:53,221 --> 00:45:55,131 as a smash hit. 676 00:46:47,939 --> 00:46:50,976 What do you think this is, summer stock or something? 677 00:47:06,957 --> 00:47:09,531 POSITIVELY NO SMOKING 678 00:47:12,379 --> 00:47:13,410 Go! 679 00:47:14,923 --> 00:47:19,300 That's it. That's wonderful. Why didn't you do it before? 680 00:47:19,386 --> 00:47:20,844 Good, men. 681 00:47:21,011 --> 00:47:23,634 Honey, would you try that cross, please, again for me? 682 00:47:23,724 --> 00:47:26,891 "The same kind of opportunistic snake that he is." 683 00:47:27,144 --> 00:47:29,929 "You got me wrong. I'm a self-made snake. 684 00:47:30,020 --> 00:47:33,389 "Listen, baby, we all live by the jungle: Eat or be eaten. 685 00:47:33,482 --> 00:47:37,646 "I just realized that I like to eat, and to eat caviar whenever possible. 686 00:47:37,737 --> 00:47:39,813 "Anything wrong with that?" 687 00:47:40,156 --> 00:47:42,860 "Anything wrong with that?" A bad line. 688 00:47:42,991 --> 00:47:47,568 What we need is some quick image, like "spreading ideals on a cracker." 689 00:47:47,661 --> 00:47:50,615 You all like that? "Ever try spreading ideals on a cracker?" 690 00:47:50,706 --> 00:47:52,165 Let me hear it, Tony. 691 00:47:52,249 --> 00:47:54,657 Did you ever try spreading ideals on a cracker? 692 00:47:54,752 --> 00:47:57,623 - Jeff. I don't... - Honey, just try that cross again for me. 693 00:47:57,713 --> 00:48:00,881 "The same kind of opportunistic snake that he is." 694 00:48:01,510 --> 00:48:04,178 "You got me wrong. I'm a self-made snake. 695 00:48:04,261 --> 00:48:07,096 "Listen, baby. We all live by the law of the jungle..." 696 00:48:07,181 --> 00:48:09,090 - Excuse me, Tony. - "...eat or be eaten." 697 00:48:09,183 --> 00:48:10,808 Pardon me, folks. 698 00:48:17,901 --> 00:48:19,689 You know about icebergs, don't you? 699 00:48:19,775 --> 00:48:22,729 One-eighth above the surface, seven-eighths below. That's you. 700 00:48:22,819 --> 00:48:25,820 You're giving me only that one-eighth. I'm greedy. I want more. 701 00:48:25,905 --> 00:48:27,698 All eight-eighths. Now let it rip, Tony. 702 00:48:27,783 --> 00:48:31,911 Give it too much. Go way over. Come along. The whole eight-eighths! 703 00:48:32,204 --> 00:48:33,579 Okay, Gaby. Same place. 704 00:48:33,663 --> 00:48:35,905 "The same kind of opportunistic snake that he is." 705 00:48:35,999 --> 00:48:38,038 You got me wrong. I'm a self-made snake! 706 00:48:38,125 --> 00:48:41,376 Listen, baby. We all live by the law of the jungle: Eat or be eaten! 707 00:48:41,462 --> 00:48:45,248 And I realized that I like to eat, and eat caviar whenever possible. 708 00:48:45,343 --> 00:48:48,212 Did you ever try spreading ideals on a cracker? 709 00:48:48,303 --> 00:48:51,090 Good boy, Tony. That's it. Eight-eighths. 710 00:49:03,525 --> 00:49:06,064 - Sorry. Butterfingers. - No. It's not your fault, Tony. 711 00:49:06,153 --> 00:49:08,193 It's an awkward pattern. I have a better idea. 712 00:49:08,281 --> 00:49:10,568 You hold your position right here, and Jimmy... 713 00:49:10,656 --> 00:49:14,072 suppose you pick up Gaby like that, and put her down... 714 00:49:14,160 --> 00:49:16,318 right here next to Tony? Now you see, Tony... 715 00:49:16,411 --> 00:49:18,820 I'd like to practice it with her two or three times. 716 00:49:18,915 --> 00:49:19,994 I think I could handle it. 717 00:49:20,083 --> 00:49:21,874 Do you mind if he tries it with Barbara? 718 00:49:21,960 --> 00:49:23,868 These are new toeshoes. They're killing me. 719 00:49:23,961 --> 00:49:26,583 Sure. You go ahead and rest. Barbara, come here. Try it. 720 00:49:26,671 --> 00:49:28,794 I think this is what's throwing you off. 721 00:49:28,882 --> 00:49:32,085 If you hold your balance so, like this, then grab her here by the... 722 00:49:32,177 --> 00:49:34,965 Paul, I think we're making a mistake here. 723 00:49:38,641 --> 00:49:40,551 I think we're wasting Tony in this scene. 724 00:49:40,644 --> 00:49:43,894 He's got the first-act finale right after this. The damnation scene. 725 00:49:43,980 --> 00:49:46,103 I don't want to dissipate his impact in that. 726 00:49:46,190 --> 00:49:50,484 Now, why not let him exit into the house and watch it from his balcony? 727 00:49:50,570 --> 00:49:52,112 - How'd that be? - Wonderful idea. 728 00:49:52,197 --> 00:49:54,687 See what that would do? Save your sock for the finale. 729 00:49:54,782 --> 00:49:55,980 Much better that way. 730 00:49:56,075 --> 00:49:58,365 Let's go back to the beginning positions. Gaby. 731 00:49:58,453 --> 00:50:00,443 Boys, get around up here, and the girls, yes. 732 00:50:00,536 --> 00:50:03,109 You were down here in the line like that. Not too close. 733 00:50:03,205 --> 00:50:05,032 This group's down here, you're up there. 734 00:50:05,124 --> 00:50:06,868 - Let's try it this way. - No! 735 00:50:06,959 --> 00:50:09,830 Let's not try it this way or any other way. 736 00:50:11,590 --> 00:50:15,718 I have had enough. I've had three weeks of these lovely rehearsals... 737 00:50:15,802 --> 00:50:19,301 three weeks of Chinese torture. I don't know what you're trying to do... 738 00:50:19,388 --> 00:50:22,092 except make me look like a complete fool. A clumsy idiot. 739 00:50:22,182 --> 00:50:25,517 I've tried. For three weeks, I've tried. I've taken everything. 740 00:50:25,603 --> 00:50:29,435 I've watched my part being changed, my numbers being cut out day after day... 741 00:50:29,523 --> 00:50:30,602 and I haven't said a word. 742 00:50:30,691 --> 00:50:33,147 Got to be cooperative, think of the good of the show. 743 00:50:33,235 --> 00:50:35,192 Let's get this straight: 744 00:50:35,570 --> 00:50:39,152 I am not Nijinsky. I am not Marlon Brando. 745 00:50:39,365 --> 00:50:42,781 I am Mrs. Hunter's little boy, Tony, song-and-dance man. 746 00:50:42,869 --> 00:50:45,904 I'm supposed to have entertained millions of people in my time. 747 00:50:45,996 --> 00:50:50,823 And I am not entertained by this little ballerina's snide insinuations... 748 00:50:50,917 --> 00:50:52,791 that I am a no-talent hoofer. 749 00:50:52,877 --> 00:50:55,914 I am sick of her superior smirk. I'm sick of her. 750 00:50:56,006 --> 00:50:59,956 I'm sick of Faust. I am sick of this show. Never mind saying it! 751 00:51:00,052 --> 00:51:02,840 Tony Hunter, 1953. 752 00:51:03,306 --> 00:51:05,678 I hereby declare my independence. 753 00:51:05,891 --> 00:51:09,093 Tony Hunter, 1776. 754 00:51:09,477 --> 00:51:10,805 Bless you. 755 00:51:21,030 --> 00:51:23,651 STAGE DOOR 756 00:51:25,658 --> 00:51:28,446 - Lester, where are you going? - I don't know. I was... 757 00:51:28,537 --> 00:51:32,784 What's happening to us? Let's try to keep our heads. It's only a show. 758 00:51:32,875 --> 00:51:34,665 I know. I'm sorry, baby. 759 00:51:34,751 --> 00:51:37,871 So am I. Let's try to be sensible about it. 760 00:51:38,004 --> 00:51:41,918 - Do you think we should try to find Tony? - I don't know. What do you think? 761 00:51:42,007 --> 00:51:44,296 - Maybe we should. - But Jeff said not to. 762 00:51:44,385 --> 00:51:47,054 And, of course, you mustn't disobey teacher. 763 00:51:47,138 --> 00:51:50,221 Right or wrong, someone has got to be at the helm. 764 00:51:50,307 --> 00:51:52,881 But to you, he's 100% right every time. 765 00:51:52,977 --> 00:51:56,476 If you say one more word to me about Jeff's hypnotic influence on me... 766 00:51:56,563 --> 00:51:59,350 - I'll scream. - He's got you so bulldozed... 767 00:51:59,733 --> 00:52:01,690 Someone's liable to think we're quarrelling. 768 00:52:01,776 --> 00:52:04,064 We're not quarrelling. We're in complete agreement. 769 00:52:04,153 --> 00:52:05,897 We hate each other. 770 00:52:11,911 --> 00:52:13,869 WE NEVER CLOSE - Cocktails 771 00:52:16,581 --> 00:52:20,793 Joe, tell Mrs. Marton I've gone to Tahiti... 772 00:52:21,378 --> 00:52:22,623 to paint. 773 00:52:47,862 --> 00:52:49,438 UNBREAKABLE 774 00:52:56,745 --> 00:53:00,161 - Hello, Mr. Hunter. - You must have the wrong apartment. 775 00:53:00,249 --> 00:53:03,414 No. I came to see you. May I come in a minute? 776 00:53:03,626 --> 00:53:04,789 Please. 777 00:53:06,211 --> 00:53:09,912 I was just about to slip into my bed of nails. 778 00:53:16,055 --> 00:53:17,466 I'm terribly sorry. 779 00:53:17,557 --> 00:53:21,602 That's all right. You couldn't have done it if I hadn't softened it up for you. 780 00:53:21,686 --> 00:53:23,178 - What? - Nothing. 781 00:53:24,145 --> 00:53:25,639 - Cigarette? - No, thanks. 782 00:53:25,730 --> 00:53:27,972 That's right. Dancers shouldn't smoke. 783 00:53:28,066 --> 00:53:30,983 - You mind if I do? - Yes. I mean, it's all right. 784 00:53:31,068 --> 00:53:32,266 Thanks. 785 00:53:36,158 --> 00:53:37,485 How lovely. 786 00:53:38,493 --> 00:53:41,528 I've never seen such wonderful prints in a hotel. 787 00:53:41,620 --> 00:53:45,664 They don't belong to the hotel yet. They're mine, and they're originals. 788 00:53:46,082 --> 00:53:47,327 Don't let that throw you. 789 00:53:47,417 --> 00:53:51,498 I don't know any more about art than I do about dancing. I'm just a Hollywood actor. 790 00:53:51,589 --> 00:53:53,913 I call my agent and say, "I've got a wall to cover. 791 00:53:54,007 --> 00:53:57,506 "Send me over 20 feet's worth of paintings in assorted colours." 792 00:53:59,219 --> 00:54:01,758 That's a very early Degas, isn't it? 793 00:54:02,766 --> 00:54:04,593 "1877." 794 00:54:06,353 --> 00:54:10,101 Yeah. I swiped it from his desk in school. Was he sore. 795 00:54:13,358 --> 00:54:14,687 What can I do for you? 796 00:54:14,776 --> 00:54:18,193 I know. You demand an apology. Okay, let's cut it short. I apologize. 797 00:54:18,280 --> 00:54:21,399 No, don't do that. I'm supposed to apologize to you. 798 00:54:21,992 --> 00:54:23,190 I mean... 799 00:54:23,285 --> 00:54:26,072 I see, the fellows got together, stuck a gun in your back... 800 00:54:26,163 --> 00:54:29,281 No, it was all my idea. I just wanted to tell you that... 801 00:54:29,372 --> 00:54:31,579 All right. It was Paul's idea. 802 00:54:31,708 --> 00:54:33,618 Why do I let him push me around? 803 00:54:33,710 --> 00:54:36,414 What do I want to apologize to you for anyway? 804 00:54:36,504 --> 00:54:38,378 You've been mean to me. 805 00:54:38,464 --> 00:54:41,836 You didn't want me in the show in the first place. 806 00:54:41,928 --> 00:54:43,042 What? 807 00:54:43,137 --> 00:54:45,841 And you think I'm a dime-a-dozen ballet dancer. 808 00:54:45,931 --> 00:54:46,962 No. 809 00:54:47,057 --> 00:54:50,591 And this whole thing's making me a nervous wreck and no show is worth it. 810 00:54:50,685 --> 00:54:53,806 I wouldn't apologize to you in a million years. 811 00:54:53,898 --> 00:54:58,025 Now, don't do that. Please, just calm down. Now take it easy. Look. 812 00:54:58,235 --> 00:55:00,904 I thought I was the only nervous wreck around here... 813 00:55:00,988 --> 00:55:02,895 and all this time you've been behaving... 814 00:55:02,988 --> 00:55:05,740 I've behaved horribly to you, and I know it. 815 00:55:05,824 --> 00:55:09,692 I'm not used to behaving horribly. It's a big strain. 816 00:55:10,704 --> 00:55:14,155 You just misunderstood me, that's all. I think you're terrific. 817 00:55:14,249 --> 00:55:17,914 I think everything in the show is probably terrific, except me. 818 00:55:18,003 --> 00:55:20,327 I've been scared to death of you... 819 00:55:20,421 --> 00:55:23,707 and scared to death of every last kid in the chorus. 820 00:55:26,928 --> 00:55:28,755 Don't be nice to me. 821 00:55:29,848 --> 00:55:32,885 It just makes me seem twice as ugly. 822 00:55:36,269 --> 00:55:39,804 I'd say you were more plain than ugly... 823 00:55:40,148 --> 00:55:42,852 - but at least you've got talent. - Thanks. 824 00:55:43,609 --> 00:55:45,852 Now look, Gaby. It's just plain silly... 825 00:55:45,946 --> 00:55:48,271 that we have never sat down and talked this out. 826 00:55:48,364 --> 00:55:51,650 We are the only animals given the greatest means of communication... 827 00:55:51,743 --> 00:55:52,822 human speech. 828 00:55:52,911 --> 00:55:56,243 - And all we do is snarl at each other. - I know. 829 00:55:56,329 --> 00:55:59,285 We're from two different worlds, two eras... 830 00:55:59,375 --> 00:56:02,460 but yet we're supposed to dance together, work together. 831 00:56:02,545 --> 00:56:04,204 No one consulted us... 832 00:56:04,296 --> 00:56:07,463 but we're the only things that matter in this whole thing. 833 00:56:07,800 --> 00:56:11,133 Not those geniuses out there, telling us what to do. 834 00:56:11,636 --> 00:56:15,136 You're right. We have to do the performing. 835 00:56:15,682 --> 00:56:18,219 We're the ones that have to get up on that stage... 836 00:56:18,309 --> 00:56:22,723 - and make idiots out of ourselves. - Tony, is that what's going to happen? 837 00:56:22,898 --> 00:56:25,982 No. Of course not. Things are going to be fine. 838 00:56:26,067 --> 00:56:29,601 I have a feeling that everything is going to be much better from now on. 839 00:56:29,695 --> 00:56:31,439 Yes, I know, but... 840 00:56:33,156 --> 00:56:35,695 Can you and I really dance together? 841 00:56:36,578 --> 00:56:38,036 I don't know. 842 00:56:39,163 --> 00:56:40,657 Let's find out. 843 00:56:46,001 --> 00:56:47,958 - Taxi, sir? - Yes, please. 844 00:56:53,634 --> 00:56:55,592 - El Morocco, please. - No. 845 00:56:56,304 --> 00:56:57,502 Stork? Waldorf? 846 00:56:57,597 --> 00:57:00,219 No. I'm not dressed. I just came from rehearsal. 847 00:57:00,307 --> 00:57:03,143 - I can't go to any of those places. - You look fine to me. 848 00:57:03,227 --> 00:57:05,469 - Never mind. Thanks. - Thank you. 849 00:57:11,193 --> 00:57:14,195 - Where to, sir? - Leave it to the horse. 850 00:57:23,912 --> 00:57:25,703 Look, trees. 851 00:57:26,415 --> 00:57:29,370 Yes, I remember now, dimly. Trees. 852 00:57:30,335 --> 00:57:32,459 And isn't that called grass? 853 00:57:33,339 --> 00:57:35,377 And, look, there's the sky. 854 00:57:36,216 --> 00:57:37,757 This has all been here... 855 00:57:37,841 --> 00:57:41,343 the whole time we have been shut up in our little sweatbox of the arts. 856 00:57:41,431 --> 00:57:43,222 Really? Amazing. 857 00:57:43,683 --> 00:57:46,968 Do you know what those are on those benches? People. 858 00:57:47,311 --> 00:57:48,474 Happy people. 859 00:57:48,562 --> 00:57:50,602 Would you believe it? They don't even care... 860 00:57:50,687 --> 00:57:54,021 whether we have a damnation scene in our show or not. 861 00:57:55,526 --> 00:57:56,985 Neither do I. 862 01:02:33,037 --> 01:02:36,821 New Haven THEATRICAL TRANSPORT CO. New Haven, Conn. 863 01:02:37,833 --> 01:02:39,909 NEW HAVEN THEATRE - STAGE ENTRANCE 864 01:02:41,128 --> 01:02:43,001 You can't get it into the elevators. 865 01:02:43,088 --> 01:02:46,623 And you take this one here, and it won't fit the finale. 866 01:02:46,758 --> 01:02:49,297 - How are we doing? - It's a disaster. 867 01:02:49,386 --> 01:02:52,471 We're in terrible trouble. We just can't open in three days. 868 01:02:52,556 --> 01:02:56,220 I told you from the beginning, you are overloading the show. 869 01:02:56,308 --> 01:02:58,681 You can't get all this scenery in the theatre. 870 01:02:58,769 --> 01:03:01,723 - Why isn't this hung? - We've been hanging all night. 871 01:03:01,815 --> 01:03:04,270 You've got more scenery in this show... 872 01:03:04,359 --> 01:03:06,565 than there is in Yellowstone National Park. 873 01:03:06,653 --> 01:03:09,523 Never mind. Get your blueprints. We'll go have a conference. 874 01:03:09,614 --> 01:03:12,068 Everything will work out all right. 875 01:03:16,954 --> 01:03:20,287 Hold it. I scored for brass, and all I hear is flute. 876 01:03:20,374 --> 01:03:22,082 I don't want so many long bows. 877 01:03:22,167 --> 01:03:25,168 Lester, I gotta cut 16 bars out of that dance. 878 01:03:25,753 --> 01:03:27,626 Sixteen bars! Hey, Lil. 879 01:03:28,172 --> 01:03:31,042 All right, I'll make the cut. Page to page. 880 01:03:31,133 --> 01:03:33,623 Would you ask Lily if she approves the cut? 881 01:03:33,718 --> 01:03:36,091 - Lil, how about this cut? - It's fine. 882 01:03:36,179 --> 01:03:37,924 Okay, Lester. Let's give it to her. 883 01:03:38,016 --> 01:03:41,301 This'll sound like hash. I better put some chords in for transition. 884 01:03:41,394 --> 01:03:44,679 Wait, just a minute. Sublime, time, dime, slime... 885 01:03:44,772 --> 01:03:46,895 You can't hear Tony in Lovelier Than You. 886 01:03:46,981 --> 01:03:50,600 - I'm already holding down the orchestra. - Maybe the key's too low. 887 01:03:51,319 --> 01:03:53,646 Ask Lester if Tony can take it a key higher. 888 01:03:53,740 --> 01:03:55,731 About Lovelier Than You, Les, a key higher? 889 01:03:55,824 --> 01:03:58,529 Don't you see I'm trying to make a cut? The key's perfect. 890 01:03:58,619 --> 01:04:01,985 - But Lily said you'd make the change. - The key is... 891 01:04:05,373 --> 01:04:08,079 Everyone on their toes for the transformation scene. 892 01:04:08,169 --> 01:04:10,955 - We're not ready. - Perfectly all right. Next. 893 01:04:11,046 --> 01:04:13,204 Watch it. I'll cue you for the transition music. 894 01:04:13,298 --> 01:04:15,006 Isn't it great? Herman. 895 01:04:15,092 --> 01:04:16,965 Everybody ready back there? 896 01:04:17,050 --> 01:04:19,210 We got to have more time to make the change. 897 01:04:19,304 --> 01:04:22,554 - I've got to have 16 more men. - I got elevators... 898 01:04:22,642 --> 01:04:24,051 Do the best you can. 899 01:04:24,142 --> 01:04:25,934 All right, everybody. This is it. 900 01:04:26,019 --> 01:04:28,854 Men in the elevators, watch the signal lights for your cues. 901 01:04:28,939 --> 01:04:32,106 Switchboards. Stand by to come down your number one batten on cue. 902 01:04:32,192 --> 01:04:35,145 Girls on stairs, take your positions, but don't be frightened. 903 01:04:35,235 --> 01:04:37,524 Men in Armour, light your chandeliers. 904 01:04:37,613 --> 01:04:41,859 All right, make this great, everybody. Don't forget, it's the first-act finale. 905 01:04:43,493 --> 01:04:46,198 Are you guys all right in there? Now, watch your cue. 906 01:04:47,456 --> 01:04:48,915 Light change. 907 01:04:48,999 --> 01:04:50,197 Revolve. 908 01:04:54,837 --> 01:04:57,079 This is going to be beautiful. 909 01:04:57,506 --> 01:05:00,044 It will be a memorable moment. 910 01:05:00,426 --> 01:05:01,754 Memorable. 911 01:05:03,846 --> 01:05:05,839 This is real theatre. 912 01:05:05,932 --> 01:05:09,465 Everything's smooth as silk. 913 01:05:12,104 --> 01:05:16,765 No, Herman, that doesn't go up, it goes down. Take it down. 914 01:05:17,609 --> 01:05:19,566 What is this? Herman! 915 01:05:20,237 --> 01:05:22,905 I don't think you've got your cues right! 916 01:05:23,030 --> 01:05:24,608 No, stop! 917 01:05:25,116 --> 01:05:29,243 That one doesn't go down, it goes up. Take it up. 918 01:05:30,621 --> 01:05:33,539 For heaven's sake, look at your cue sheet. 919 01:05:35,710 --> 01:05:39,873 Take it up. No, not me. 920 01:05:40,840 --> 01:05:43,874 Herman, this cable has fouled. 921 01:05:57,896 --> 01:05:59,770 Calm down. Don't let us lose our heads. 922 01:05:59,856 --> 01:06:02,645 This is a setback, but that's what we come out of town for. 923 01:06:02,735 --> 01:06:03,898 We'll never make it work. 924 01:06:03,987 --> 01:06:07,402 Of course it will. You boys get together, think of something brilliant. 925 01:06:07,490 --> 01:06:10,740 You can't put Gaby on that thing. It's dangerous. I won't allow it. 926 01:06:10,826 --> 01:06:13,862 It's all right. After all, we expected to strike a snag or two. 927 01:06:13,954 --> 01:06:16,824 Get the full company in the lounge for dialogue rehearsal... 928 01:06:16,914 --> 01:06:20,579 while they're clearing the stage. We can't afford to waste a moment. 929 01:06:38,477 --> 01:06:41,147 Here. I'm sorry. I forgot. 930 01:06:47,528 --> 01:06:48,984 That help? 931 01:06:49,903 --> 01:06:51,397 All right? 932 01:06:54,742 --> 01:06:56,781 If you've quite finished, let's try this. 933 01:06:56,869 --> 01:06:59,538 We're going to get the stage soon. You don't know it yet. 934 01:06:59,622 --> 01:07:04,330 Paul, I'm afraid Gaby's kind of beat. Nobody's had any sleep for two nights. 935 01:07:04,501 --> 01:07:05,875 Can't you let her rest a while? 936 01:07:06,001 --> 01:07:08,873 If you don't mind, Tony, I've worked with her for many years. 937 01:07:08,964 --> 01:07:11,371 I happen to know her a good deal better than you do. 938 01:07:11,466 --> 01:07:12,794 All right, Gaby. Come on. 939 01:07:12,884 --> 01:07:14,508 Madame, may I have this dance? 940 01:07:14,594 --> 01:07:17,677 Cut the clowning. It's not going to seem so funny tomorrow night. 941 01:07:17,763 --> 01:07:19,138 All right, Adam. 942 01:07:28,482 --> 01:07:32,016 Okay, Paul, they're ready for you on-stage. Come on. 943 01:07:37,033 --> 01:07:40,898 This is the big moment. Hal, come on. Take it over there. 944 01:07:40,993 --> 01:07:45,075 Tony, Gaby, this is it. I want it to be outstanding. 945 01:07:45,457 --> 01:07:50,582 It must be beautiful, fabulous, warm, and fiery. 946 01:07:54,006 --> 01:07:57,005 Your cue is, "Dance, fools, dance!" 947 01:08:56,274 --> 01:09:00,187 Hal, it seems to be a little too much, doesn't it? 948 01:09:01,362 --> 01:09:02,606 Yes. 949 01:09:04,614 --> 01:09:07,614 Are we really supposed to open tomorrow night? 950 01:09:13,164 --> 01:09:15,453 "Dance, fools, dance!" 951 01:09:25,842 --> 01:09:28,760 The New Haven Theatre PRESENTS THE 952 01:09:28,845 --> 01:09:31,763 JEFFREY CORDOVA PRODUCTION OF The Band Wagon 953 01:09:31,849 --> 01:09:33,557 OPENING TONIGHT NEW GREAT MUSICAL 954 01:09:33,642 --> 01:09:36,475 ALL OF THE NATION'S GREATEST HITS 955 01:09:37,728 --> 01:09:40,433 Hello, there! It's a big night. 956 01:09:42,691 --> 01:09:46,061 Everybody is here from New York. Simply everybody. 957 01:09:46,154 --> 01:09:49,108 Do you hear that, my dear? Everybody from New York is here. 958 01:09:49,990 --> 01:09:52,695 Come on. Don't want you to miss the overture. 959 01:09:53,618 --> 01:09:55,528 Think we should get ready, boys? 960 01:09:55,621 --> 01:09:58,823 No, we can finish this hand. Nobody's made a pep talk yet. 961 01:09:59,291 --> 01:10:00,370 Pep talk? 962 01:10:00,959 --> 01:10:03,830 Yeah. I never seen an opening night yet without some guy... 963 01:10:03,921 --> 01:10:07,621 gets all the poor actors together and makes them a long speech: 964 01:10:07,716 --> 01:10:09,460 "They should be brilliant." 965 01:10:09,800 --> 01:10:12,290 On-stage, please. Everybody on-stage. 966 01:10:14,762 --> 01:10:16,720 Mr. Cordova wants to say a few words. 967 01:10:16,806 --> 01:10:20,175 Come on, girls. Hurry up. Let's go. Step right along. 968 01:10:26,607 --> 01:10:30,475 Company, a final word. You've all been just wonderful. 969 01:10:30,653 --> 01:10:32,231 Thanks for your cooperation. 970 01:10:32,323 --> 01:10:35,406 Tonight, we're about to perform before an audience in a theatre. 971 01:10:35,492 --> 01:10:38,327 It's not only a temple of the arts, but a place of business. 972 01:10:38,412 --> 01:10:41,696 And I feel we have here a venture that is successful on both counts. 973 01:10:41,789 --> 01:10:45,158 Nothing to be nervous about. We've got to keep our wits and do a show. 974 01:10:45,250 --> 01:10:47,742 There will be rough spots, but we'll smooth them out. 975 01:10:47,836 --> 01:10:50,374 Remember, that's what we came out of town for. 976 01:10:50,463 --> 01:10:53,417 Up to now, I've been giving you orders as director... 977 01:10:54,009 --> 01:10:57,507 but when next you see me, I shall be just as one of you... 978 01:10:57,595 --> 01:11:00,382 an eager ham, anxious to make good. 979 01:11:00,973 --> 01:11:03,808 Actors, let's go. 980 01:11:03,976 --> 01:11:06,468 All right, people. Get ready for the tableau, girls. 981 01:11:06,563 --> 01:11:09,184 Finish your make-up. Come on, girls. Let's go. 982 01:11:10,901 --> 01:11:12,858 I'm so glad you folks could come. 983 01:11:12,986 --> 01:11:16,023 And don't forget the big party at the hotel after the show. 984 01:11:16,115 --> 01:11:18,437 The whole cast will be there. You'll meet them all. 985 01:11:18,531 --> 01:11:22,611 Of course, I have to go backstage to congratulate them afterwards. 986 01:11:22,785 --> 01:11:24,992 I'll see you all at the party. 987 01:11:25,455 --> 01:11:27,246 All New York is here. 988 01:11:28,166 --> 01:11:30,159 Big party at the hotel after the show. 989 01:11:30,252 --> 01:11:33,620 I'll look for you. Big party, big show. Come on, now. 990 01:11:35,672 --> 01:11:38,709 We don't want to miss a thing. Now, don't forget the party. 991 01:11:38,801 --> 01:11:42,501 Evelyn, big party at the hotel after the show. 992 01:11:42,596 --> 01:11:44,221 I'll look for you. 993 01:11:45,683 --> 01:11:47,342 Champagne's on me. 994 01:11:49,144 --> 01:11:53,639 The Band Wagon WILL BE THE Great Hit OF THE YEAR 995 01:12:33,394 --> 01:12:36,561 Shall I drive you to the hotel, sir, to the party? 996 01:12:38,023 --> 01:12:39,304 No. Drive me to the station. 997 01:12:39,400 --> 01:12:42,318 Maybe I can still make the 11:40 back to New York. 998 01:12:42,403 --> 01:12:43,648 Yes, sir. 999 01:13:15,933 --> 01:13:19,551 - Good evening. - I was looking for The Band Wagon party. 1000 01:13:19,646 --> 01:13:21,224 This is it, sir. 1001 01:13:30,323 --> 01:13:33,027 Let's go. Hurry up. Champagne. 1002 01:13:39,706 --> 01:13:41,699 This way, please. 1003 01:14:14,198 --> 01:14:16,985 - Are you leaving, sir? - Yes. Good night. 1004 01:14:18,827 --> 01:14:20,950 We must do this more often. 1005 01:14:25,333 --> 01:14:29,959 Oh, give me something to remember you by 1006 01:14:32,465 --> 01:14:37,008 When you are far away from me 1007 01:14:39,846 --> 01:14:41,885 Some little something 1008 01:14:41,972 --> 01:14:43,846 It's all Annie's fault. 1009 01:14:45,017 --> 01:14:49,429 I should have listened to my mother. She told me only to be in hit shows. 1010 01:14:51,901 --> 01:14:53,525 Hi, I don't want to barge in. 1011 01:14:53,611 --> 01:14:56,182 I just want to tell you all how great I think you are. 1012 01:14:56,278 --> 01:14:58,235 I didn't get a chance to know you very well. 1013 01:14:58,322 --> 01:15:03,234 - I'm sorry I messed up the show for you. - Wait a minute, come on in, have a drink. 1014 01:15:03,327 --> 01:15:06,494 - I don't want to crash the party. - Give Mr. Hunter a drink. 1015 01:15:06,581 --> 01:15:09,285 - What do you say, Scotch, rye, or beer? - Beer's fine. 1016 01:15:09,375 --> 01:15:12,160 - One beer, coming up. - Want some pizza pie? 1017 01:15:12,251 --> 01:15:15,252 How about a sandwich? We've got ham and devilled egg. 1018 01:15:15,337 --> 01:15:17,959 I've had enough of both for one night. 1019 01:15:23,221 --> 01:15:27,633 Far away Me, oh, my 1020 01:15:27,724 --> 01:15:31,472 Only yesterday 1021 01:15:35,399 --> 01:15:38,399 There we were, the whole act, the 10 Tapping Troubadours. 1022 01:15:38,485 --> 01:15:40,561 The 10 Tapping Troubadours? 1023 01:15:40,654 --> 01:15:42,066 Yeah, believe it or not... 1024 01:15:42,157 --> 01:15:44,564 we were stranded in Pittsburgh with $3 between us... 1025 01:15:44,659 --> 01:15:47,657 crammed into one room the size of that closet. 1026 01:15:48,952 --> 01:15:52,037 Gaby, come on in. We're having a good old-fashioned wake. 1027 01:15:53,289 --> 01:15:55,117 I've been looking all over for you. 1028 01:15:55,209 --> 01:15:56,288 Where is Paul? 1029 01:15:56,377 --> 01:15:59,331 He's at a very exclusive wake with Jeff and the Martons. 1030 01:15:59,422 --> 01:16:01,710 Can I get you a drink, Gaby? How about a beer? 1031 01:16:01,799 --> 01:16:03,671 How about some popcorn? 1032 01:16:06,761 --> 01:16:08,754 Lily, Lester, come on in. 1033 01:16:09,598 --> 01:16:12,931 Are you sure? Don't you remember? We wrote that thing. 1034 01:16:13,018 --> 01:16:15,638 This is a wonderful party. Come on in. 1035 01:16:16,270 --> 01:16:19,603 Who's going to go out and get the beer? Okay, Sis, you're elected. 1036 01:16:19,690 --> 01:16:21,600 Tony, watch this! 1037 01:16:24,278 --> 01:16:25,689 More beer! 1038 01:16:26,822 --> 01:16:29,229 I'll never forget. You blew a gasket. 1039 01:16:29,324 --> 01:16:31,530 You were really gone. Come on. 1040 01:16:34,622 --> 01:16:37,621 Come on, Tony. Come on, get with it. 1041 01:16:37,707 --> 01:16:41,871 - How I love the glass of beer - More beer 1042 01:16:42,462 --> 01:16:47,124 - Beer goes very good with beer - More beer 1043 01:16:47,300 --> 01:16:51,962 When I'm drinking beer I'm thinking '"Ach, life is dear'" 1044 01:16:52,096 --> 01:16:56,970 But there's someone I love even more than beer 1045 01:16:58,726 --> 01:17:03,187 I love Louisa Louisa loves me 1046 01:17:03,607 --> 01:17:08,150 When we rode on the merry-go-round I kissed Louisa 1047 01:17:08,236 --> 01:17:12,317 And then Louisa Louisa kissed me 1048 01:17:12,865 --> 01:17:17,326 We were so happy So happy and free 1049 01:17:17,621 --> 01:17:21,997 Ach! Ach! But she's a beautiful Louisa 1050 01:17:22,083 --> 01:17:26,625 Ach! When I choose 'em I never want to lose 'em 1051 01:17:26,712 --> 01:17:31,289 Someday Louisa Louisa will be 1052 01:17:31,382 --> 01:17:34,382 More als just a Fräulein to me 1053 01:17:38,223 --> 01:17:42,516 - Frenchmen love a glass of wine - More beer 1054 01:17:42,602 --> 01:17:47,144 - The English think the whiskey's fine - More beer 1055 01:17:47,230 --> 01:17:51,645 But when I comb off all the foam off I drink a toast 1056 01:17:51,861 --> 01:17:54,649 To the Germans and the Mädchen 1057 01:17:54,740 --> 01:17:58,274 I love most 1058 01:17:58,451 --> 01:18:02,863 Ich liebe Louisa Louisa liebt Mich 1059 01:18:03,038 --> 01:18:07,830 Wenn wir auf das Ringelspiel gehen Ich küsse Louisa 1060 01:18:07,917 --> 01:18:11,748 Und dann Louisa Louisa küsst Mich 1061 01:18:11,837 --> 01:18:16,714 Wir sind so glücklich So glücklich sind wir 1062 01:18:16,802 --> 01:18:21,343 Ach! Ach! But she's a beautiful Louisa 1063 01:18:21,430 --> 01:18:26,091 Ach! When I choose 'em I never want to lose 'em 1064 01:18:43,743 --> 01:18:48,120 Ach! Ach! But she's a beautiful Louisa 1065 01:18:48,205 --> 01:18:52,498 Ach! When I choose 'em I never want to lose 'em 1066 01:18:52,584 --> 01:18:56,914 Someday Louisa Louisa will be 1067 01:18:57,005 --> 01:19:00,209 More than just a Fräulein to me 1068 01:19:00,301 --> 01:19:04,629 More beer! More beer! 1069 01:19:04,721 --> 01:19:08,421 More beer! 1070 01:19:24,114 --> 01:19:27,779 Gosh, with all this raw talent around, why can't us kids get together... 1071 01:19:27,868 --> 01:19:29,327 and put on ourselves a show? 1072 01:19:29,411 --> 01:19:33,195 Maybe we can find ourselves a barn or something, and maybe... 1073 01:19:36,794 --> 01:19:39,284 I could stand anything but failure. 1074 01:19:40,714 --> 01:19:43,120 - Where's the telephone? - In there. 1075 01:19:50,639 --> 01:19:53,176 Give me Jeff Cordova's room, please. 1076 01:19:54,350 --> 01:19:57,884 Hello, Jeff. This is Tony. Now, don't say anything. Just listen. 1077 01:19:57,978 --> 01:20:00,648 I'm here with all the kids, and we've come to a decision. 1078 01:20:00,731 --> 01:20:04,647 We're not closing this show, if you can call it a show. We're going on. 1079 01:20:04,736 --> 01:20:08,152 We're going to keep it on the road and redo it from top to bottom. 1080 01:20:08,239 --> 01:20:10,148 It won't be a modern version of Faust... 1081 01:20:10,241 --> 01:20:12,912 Pilgrim's Progress, or the Book of Job in swing time. 1082 01:20:12,995 --> 01:20:15,744 It'll be our show, the show we started out to do... 1083 01:20:15,829 --> 01:20:18,498 the book the Martons wrote, with the songs you threw out. 1084 01:20:18,582 --> 01:20:21,535 It'll have laughs and entertainment. You remember entertainment? 1085 01:20:21,625 --> 01:20:23,665 Look, we'd love to have you with us, Jeff. 1086 01:20:23,753 --> 01:20:25,912 But if you're not, it won't make any difference. 1087 01:20:26,006 --> 01:20:27,500 We're going ahead just the same. 1088 01:20:27,591 --> 01:20:30,544 We're going to put this thing across, aren't we, kids? 1089 01:20:30,635 --> 01:20:33,801 - All right. What do you say? - Hello? There's nobody here. 1090 01:20:33,888 --> 01:20:36,804 This is the chambermaid, but if you want... 1091 01:20:36,890 --> 01:20:40,307 - I'll leave a message for Mr. Cordova. - Thank you, madam. 1092 01:20:40,853 --> 01:20:42,264 He isn't in. 1093 01:20:53,782 --> 01:20:56,190 Jeff, did you hear what I said? 1094 01:20:57,868 --> 01:21:01,285 Tony, I've learned one thing in the theatre, and it's this: 1095 01:21:01,372 --> 01:21:04,658 one man has to be at the helm, the rest take orders. 1096 01:21:05,542 --> 01:21:09,375 I believe in what you said. I got carried away in the wrong direction. 1097 01:21:09,463 --> 01:21:14,208 You've got to be the boss, Tony. I think you can pull this off brilliantly... 1098 01:21:15,469 --> 01:21:17,795 and I'd like to be a part of it. 1099 01:21:19,890 --> 01:21:21,053 Jeff, you're all right. 1100 01:21:21,141 --> 01:21:23,381 I must tell you one thing. There isn't any money. 1101 01:21:23,475 --> 01:21:26,760 Colonel Todd and the backers have stolen away into the night. 1102 01:21:26,853 --> 01:21:27,968 - We've got backers. - Who? 1103 01:21:28,062 --> 01:21:30,270 A bunch of painters. A fellow named Degas from... 1104 01:21:30,358 --> 01:21:33,395 - You wouldn't sell your paintings. - Sure, they love the theatre. 1105 01:21:33,487 --> 01:21:37,566 I figure we need five or six weeks on tour to do what we have to do with this show. 1106 01:21:37,657 --> 01:21:40,194 - Jeff, would you help us with bookings? - Of course. 1107 01:21:40,284 --> 01:21:43,618 Hal, have you got paper and pencil? We can send a telegram. 1108 01:21:46,123 --> 01:21:48,245 - Washington? Washington's open. - And Boston. 1109 01:21:48,333 --> 01:21:49,412 Boston's very good. 1110 01:21:49,501 --> 01:21:52,787 Can we go to Philadelphia, Detroit, then come on back to New York? 1111 01:21:52,880 --> 01:21:56,543 - Paul, aren't you excited? - Yeah. It's wonderful. 1112 01:21:57,591 --> 01:21:59,584 I wish them a lot of luck. 1113 01:22:01,095 --> 01:22:04,427 - This kind of leaves us out. - Why? 1114 01:22:04,889 --> 01:22:08,141 With Tony doing the dances, it's not going to be my kind of show. 1115 01:22:08,227 --> 01:22:11,014 Yours, either. I don't want you to do it. 1116 01:22:12,772 --> 01:22:15,097 I wouldn't think of leaving the show, Paul. 1117 01:22:15,191 --> 01:22:19,937 - I've worked too hard on your career to... - It's my career, and I want to stay. 1118 01:22:21,657 --> 01:22:24,860 I'm taking the 9:00 train tomorrow morning for New York. 1119 01:22:24,952 --> 01:22:26,944 I expect you to be there. 1120 01:22:28,706 --> 01:22:30,613 Have a nice trip, Paul. 1121 01:22:35,920 --> 01:22:38,541 Dancers, singers, the sketches. 1122 01:22:42,592 --> 01:22:45,877 Listen, kids, it's going to mean rehearsing every day... 1123 01:22:46,304 --> 01:22:48,462 all day, right up to curtain time. 1124 01:22:48,556 --> 01:22:51,925 We're going to put in new numbers, and learn them as fast as we can... 1125 01:22:52,018 --> 01:22:54,852 and we're going to yank out all that junk. 1126 01:22:56,188 --> 01:22:59,772 We've got our schedule all worked out, and it looks pretty good now. 1127 01:22:59,860 --> 01:23:02,978 Philadelphia, Boston, Pittsburgh... 1128 01:23:03,070 --> 01:23:05,395 Washington, Baltimore... 1129 01:23:07,116 --> 01:23:09,736 PHILADELPHIA 1130 01:23:21,295 --> 01:23:26,171 I see a new sun up in a new sky 1131 01:23:26,384 --> 01:23:31,010 And my whole horizon has reached a new high 1132 01:23:31,639 --> 01:23:36,299 Yesterday my heart sang a blue song 1133 01:23:36,392 --> 01:23:41,303 But today hear it hum a cheery new song 1134 01:23:41,397 --> 01:23:46,189 I dreamed a new dream I saw a new face 1135 01:23:46,318 --> 01:23:51,315 And I'm spreading sunshine all over the place 1136 01:23:51,409 --> 01:23:56,318 With a new point of view here's what greets my eye 1137 01:23:57,080 --> 01:23:59,285 New love 1138 01:23:59,373 --> 01:24:01,496 New luck 1139 01:24:01,583 --> 01:24:06,329 - New sun - And there's a new sun 1140 01:24:06,464 --> 01:24:11,420 In the sky 1141 01:24:14,511 --> 01:24:17,085 BOSTON 1142 01:24:20,893 --> 01:24:24,807 I guess I'll have to change my plan 1143 01:24:25,856 --> 01:24:29,984 I should've realized there'd be another man 1144 01:24:30,527 --> 01:24:34,858 I overlooked that point completely 1145 01:24:35,366 --> 01:24:39,613 Until the big affair began 1146 01:24:40,121 --> 01:24:43,867 Before I knew where I was at 1147 01:24:44,999 --> 01:24:49,044 I found myself up on the shelf And that was that 1148 01:24:49,795 --> 01:24:54,587 I tried to reach the moon But when I got there 1149 01:24:55,719 --> 01:24:59,051 All that I could get was the air 1150 01:24:59,138 --> 01:25:03,265 My feet are back upon the ground 1151 01:25:03,975 --> 01:25:08,804 I've lost the one girl I found 1152 01:26:08,161 --> 01:26:10,616 WASHINGTON 1153 01:26:15,627 --> 01:26:18,663 Get goin', Louisiana hayride 1154 01:26:18,755 --> 01:26:23,631 Get goin', we all is ready Start somethin', Louisiana hayride 1155 01:26:23,885 --> 01:26:26,125 No use for callin' the roll 1156 01:26:26,219 --> 01:26:29,386 Oh, I like that sport sittin' in the hay 1157 01:26:29,472 --> 01:26:31,713 Lovin' it away, oh, oh 1158 01:26:31,807 --> 01:26:34,927 For the time is short Crack your little whip 1159 01:26:35,019 --> 01:26:37,059 Get your little ship to go 1160 01:26:37,647 --> 01:26:40,683 Start somethin', Louisiana hayride 1161 01:26:40,775 --> 01:26:45,650 No foolin', we all is happy Get goin', Louisiana hayride 1162 01:26:46,029 --> 01:26:48,153 No use for callin' the roll 1163 01:26:48,658 --> 01:26:51,280 - Jasmine Washington - I is here 1164 01:26:51,370 --> 01:26:54,074 - Sweet Pea Oglethorpe - I is here 1165 01:26:54,163 --> 01:26:56,702 - Jonquil Jezebel - Here 1166 01:26:56,791 --> 01:26:59,363 - Lemon Verbena - I is here 1167 01:26:59,459 --> 01:27:02,329 Mo and Freddy Lily and Lettie 1168 01:27:02,419 --> 01:27:05,090 We is here We all here 1169 01:27:05,173 --> 01:27:10,167 - Zeke and Lemuel, Hiram and Samuel - We is here, we all here 1170 01:27:10,261 --> 01:27:13,013 - Primrose Paradise - I am here 1171 01:27:13,097 --> 01:27:15,503 - Daisy Dandelion - I is here 1172 01:27:15,598 --> 01:27:18,636 We all here We all here 1173 01:27:18,727 --> 01:27:19,842 Can't you see? 1174 01:27:19,937 --> 01:27:22,807 If you is really ready And you're goin' steady 1175 01:27:22,898 --> 01:27:25,567 Get goin', Louisiana hay 1176 01:27:25,650 --> 01:27:29,565 Louisiana hayride 1177 01:27:29,655 --> 01:27:34,446 Start something, Louisiana hay And no use to call, no use to call 1178 01:27:34,534 --> 01:27:38,317 - It's no use - No use to bother to call the roll 1179 01:27:38,412 --> 01:27:40,286 Get goin', get goin' 1180 01:27:40,373 --> 01:27:44,073 I like that sport, sittin' in the hay Lovin' it away, ow, ow 1181 01:27:45,878 --> 01:27:49,710 The time is short, crack your little whip Get your little ship 1182 01:27:49,798 --> 01:27:54,175 - Get your little ship - Get your little ship to go 1183 01:27:54,260 --> 01:27:57,262 Get goin' Louisiana hayride 1184 01:27:57,348 --> 01:28:01,843 Clear the way Watch out, kindly step aside 1185 01:28:02,352 --> 01:28:05,801 Get goin' 1186 01:28:05,978 --> 01:28:10,807 Louisiana hayride 1187 01:28:22,120 --> 01:28:26,699 The scene's only about two minutes. You won't have time to make the change. 1188 01:28:28,710 --> 01:28:32,079 I know it's a rough deal, but we won't make New York if we don't. 1189 01:28:32,172 --> 01:28:36,086 - As much rehearsal time as possible. - Better call them at 10:00. 1190 01:28:36,760 --> 01:28:40,673 Don't forget, everybody. Rehearsal, 10:00 on the dot, Baltimore. 1191 01:28:40,762 --> 01:28:44,427 That case is important. Tell you what we'll do, when we start. 1192 01:28:44,515 --> 01:28:46,593 Say, who's the pretty girl? 1193 01:28:47,061 --> 01:28:49,633 Why, this couldn't be the mousy little Miss Gerard. 1194 01:28:49,729 --> 01:28:53,348 You've been with the firm for years. I've never seen you with glasses on. 1195 01:28:53,442 --> 01:28:57,188 Say, you are beautiful. How are you, Gaby? 1196 01:28:57,402 --> 01:28:59,775 - I'm all right. Thanks. - Good. 1197 01:29:03,035 --> 01:29:06,071 Mr. Paul Byrd - 8485th Avenue New York, N.Y. 1198 01:29:06,621 --> 01:29:07,950 I'm sorry. 1199 01:29:08,832 --> 01:29:11,951 - You must be tired. - Yes, I am, a little. 1200 01:29:12,542 --> 01:29:15,709 - Bet you are, too. - A little. 1201 01:29:22,594 --> 01:29:26,093 Lester, look, I've got a problem with these two numbers. 1202 01:29:26,181 --> 01:29:28,967 The murder mystery has a jazz beat and I don't want it to... 1203 01:29:29,058 --> 01:29:33,636 - Anyone heard from Paul Byrd? - No, I haven't heard. 1204 01:29:33,729 --> 01:29:36,979 As a matter of fact, nobody has. At least they haven't mentioned it. 1205 01:29:37,066 --> 01:29:39,392 - Wasn't he going to... - What a rat. 1206 01:29:39,486 --> 01:29:42,190 Rat? Lester, wait a second. 1207 01:29:43,197 --> 01:29:46,150 He's a wonderful guy, wonderful and talented. 1208 01:29:46,241 --> 01:29:49,858 He's written... Listen, don't sell him short. That boy has got a lot... 1209 01:29:49,952 --> 01:29:53,738 He may be a little young, yes. He needs a little more experience. 1210 01:29:53,832 --> 01:29:56,204 - Just give him a few more years. - Yeah. 1211 01:29:56,292 --> 01:29:59,329 Probably when he settles down and gets married. 1212 01:30:00,964 --> 01:30:05,424 - You think he'll make a good husband? - And how. Great. 1213 01:30:05,510 --> 01:30:07,668 He'll make a great husband. Sure. 1214 01:30:07,762 --> 01:30:09,505 Listen, this kid is solid. 1215 01:30:09,596 --> 01:30:12,597 He knows all... It isn't gonna be easy. No. 1216 01:30:12,683 --> 01:30:17,345 Marriage and the theatre and two careers. Problems. It isn't all skittles. 1217 01:30:17,438 --> 01:30:20,223 - It's no bed of... - Is that why you never got married? 1218 01:30:20,314 --> 01:30:25,225 Who, me? You know, I'm the kind of fella... 1219 01:30:25,318 --> 01:30:28,853 You got the right slant. You're pretty happy as you are. 1220 01:30:29,323 --> 01:30:32,408 I like to kick around and have a lot of laughs. 1221 01:30:44,839 --> 01:30:47,756 Lester, I'm very much in love with this girl. 1222 01:30:47,841 --> 01:30:52,633 It's ridiculous, I know, things being as they are, but there it is. 1223 01:30:54,554 --> 01:30:57,640 Look, Tony, I don't know what the chances are... 1224 01:30:57,975 --> 01:31:00,928 but wait till we get to New York, and see how you stand. 1225 01:31:01,019 --> 01:31:03,475 Personally, I think the girl's crazy about you... 1226 01:31:03,564 --> 01:31:08,060 but what you can see in a beautiful, young and talented girl is beyond me. 1227 01:31:13,323 --> 01:31:16,110 BALTIMORE 1228 01:31:16,743 --> 01:31:18,902 SCENE 4 - "TRIPLETS" - (SUNG BY) 1229 01:31:18,996 --> 01:31:21,748 TONY HUNTER - LILY MARTON JEFF CORDOVA 1230 01:31:30,005 --> 01:31:31,796 Three little unexpected children 1231 01:31:31,882 --> 01:31:33,542 Simultaneously the doctor brought us 1232 01:31:33,633 --> 01:31:36,753 And you can see that we'll be three forever and A 1233 01:31:36,845 --> 01:31:40,890 E, I, O, You wouldn't know how agonizing being triple can be 1234 01:31:40,975 --> 01:31:44,673 Each one is individually the victim of the clinical day 1235 01:31:44,768 --> 01:31:49,478 E, I, O, Every summer we go away to Baden-Baden-Baden 1236 01:31:49,566 --> 01:31:52,851 Every winter we come back home to Walla Walla Walla 1237 01:31:54,904 --> 01:31:57,988 We do everything alike We look alike 1238 01:31:58,073 --> 01:31:59,782 We dress alike We walk alike 1239 01:31:59,868 --> 01:32:01,610 We talk alike And what is more 1240 01:32:01,702 --> 01:32:05,201 We hate each other very much We hate our folks 1241 01:32:05,413 --> 01:32:08,829 We're sick of jokes on what an art it is to tell us apart 1242 01:32:08,917 --> 01:32:12,417 - If one of us gets the measles - Another one gets the measles 1243 01:32:12,504 --> 01:32:15,624 Then all of us gets the measles and mumps and croup 1244 01:32:16,175 --> 01:32:19,589 How I wish I had a gun A little gun 1245 01:32:19,677 --> 01:32:23,425 It would be fun to shoot the other two and be only one! 1246 01:32:25,182 --> 01:32:28,717 Mrs. Wifflepoofer loves to talk to Mrs. Hildendorfer 1247 01:32:28,811 --> 01:32:32,430 of the fatal natal day she had her silly Willy 1248 01:32:32,524 --> 01:32:35,972 Mrs. Hassencooper loves to talk to Mrs. Goldenwasser 1249 01:32:36,066 --> 01:32:39,519 of her major operation when she had her twins 1250 01:32:39,654 --> 01:32:43,069 But when Mother comes along she silences the others 1251 01:32:43,282 --> 01:32:46,949 She accomplished something that is very rare in mothers 1252 01:32:47,037 --> 01:32:50,487 MGM has got a Leo but Mama has got a trio 1253 01:32:50,581 --> 01:32:53,155 She is proud but says three is a crowd 1254 01:32:54,294 --> 01:32:58,421 We do everything alike We look alike, we dress alike 1255 01:32:58,506 --> 01:33:01,044 We walk alike, we talk alike And what is more 1256 01:33:01,134 --> 01:33:03,256 We hate each other very much 1257 01:33:03,427 --> 01:33:05,551 We hate our folks We're sick of jokes 1258 01:33:05,638 --> 01:33:08,210 On what an art it is to tell us apart 1259 01:33:08,306 --> 01:33:10,014 We eat the same kind of vittles 1260 01:33:10,099 --> 01:33:13,468 We drink the same kind of bottles We sit in the same kind of highchair 1261 01:33:13,560 --> 01:33:15,304 Highchair, highchair 1262 01:33:30,370 --> 01:33:33,039 Oh, I wish I had a gun, a little gun 1263 01:33:33,122 --> 01:33:37,749 It would be fun to shoot the other two and be only one 1264 01:33:47,509 --> 01:33:50,511 NEW YORK - OPENING TONIGHT 1265 01:33:51,347 --> 01:33:52,545 THE BANDWAGON 1266 01:33:52,640 --> 01:33:54,014 TONY HUNTER - GABRIELLE GIRARD 1267 01:33:54,099 --> 01:33:55,642 JEFFREY CORDOVA LESTER & LILY MARTON 1268 01:34:10,240 --> 01:34:13,407 - It's raining cats and dogs. - A rainy opening is good luck... 1269 01:34:13,494 --> 01:34:15,817 ...when it rains on opening night. 1270 01:34:16,244 --> 01:34:18,284 Good luck, Tony. 1271 01:34:18,372 --> 01:34:22,074 Sweetie, I just want to say that no matter what happens tonight, it's been... 1272 01:34:22,168 --> 01:34:24,041 I know. It's been that for me, too. 1273 01:34:24,128 --> 01:34:27,414 If this turns out to be a hit, you'll get sick of the sight of me... 1274 01:34:27,506 --> 01:34:30,341 six nights a week, two matinees. No escape. 1275 01:34:30,550 --> 01:34:33,467 Course, if it isn't, you won't have to see me at all. 1276 01:34:35,431 --> 01:34:37,921 Gaby, I've been wanting to ask you something. 1277 01:34:38,016 --> 01:34:42,429 It's been... I felt there's been an obstacle between us. 1278 01:34:43,104 --> 01:34:46,603 I wanted to... Is Paul coming tonight? 1279 01:34:47,067 --> 01:34:49,936 - Why, I think so. - I see. 1280 01:34:50,277 --> 01:34:52,732 What I wanted to ask... 1281 01:34:55,281 --> 01:34:56,859 Perhaps, I better not. 1282 01:34:56,950 --> 01:34:58,942 I wish you wouldn't, Tony. 1283 01:35:00,663 --> 01:35:04,531 - Tony, good luck tonight. - Good luck, Gaby. 1284 01:35:06,751 --> 01:35:10,701 THE BAND WAGON - Stratton Theatre 1285 01:35:11,631 --> 01:35:12,960 SCENE 1 - "NEW SUN IN THE SKY" 1286 01:35:13,050 --> 01:35:17,047 I see a new sun up in a new sky 1287 01:35:17,137 --> 01:35:18,252 TRIPLETS 1288 01:35:18,346 --> 01:35:21,181 - If one of us gets the measles - Another one gets the measles 1289 01:35:21,265 --> 01:35:22,806 Then all of us gets the measles 1290 01:35:22,890 --> 01:35:23,969 "LOUISIANA HAYRIDE" 1291 01:35:24,058 --> 01:35:25,850 Get goin', Louisiana hayride 1292 01:35:25,936 --> 01:35:27,514 Get goin', we all is ready 1293 01:35:27,604 --> 01:35:31,767 "GIRL HUNT" - A Murder Mystery In Jazz 1294 01:35:47,999 --> 01:35:51,333 SHE HAD TO DIE! - GIRL HUNT 1295 01:36:06,015 --> 01:36:09,052 The city was asleep. The joints were closed. 1296 01:36:09,519 --> 01:36:12,803 The rats, the hoods, and the killers were in their holes. 1297 01:36:13,521 --> 01:36:15,099 I hate killers. 1298 01:36:15,941 --> 01:36:19,357 My name is Rod Riley. I'm a detective. 1299 01:36:21,613 --> 01:36:24,531 Somewhere in a furnished room... 1300 01:36:24,617 --> 01:36:27,533 some guy was practicing on a horn. 1301 01:36:27,994 --> 01:36:30,034 It was a lonesome sound. 1302 01:36:31,832 --> 01:36:33,907 It crawled on my spine. 1303 01:36:35,626 --> 01:36:39,921 I had just finished a tough case. I was ready to hit the sack. 1304 01:36:46,721 --> 01:36:50,718 I can smell trouble a mile off, and this poor kid was in trouble. 1305 01:36:51,308 --> 01:36:52,683 Big trouble. 1306 01:36:52,935 --> 01:36:57,015 She's scared, scared as a turkey in November. 1307 01:37:18,042 --> 01:37:22,953 There was nothing left of the guy, nothing at all, except... 1308 01:37:24,339 --> 01:37:29,001 a rag, a bone, and a hank of hair. 1309 01:37:29,928 --> 01:37:33,379 The guy had been trying to tell me something, but what? 1310 01:37:52,616 --> 01:37:55,366 So that's the way they wanted to play. All right. 1311 01:37:55,451 --> 01:37:58,655 Somewhere in the city there was a killer and that was bad. 1312 01:37:58,747 --> 01:38:01,119 Bad for the killer, because I shoot hard. 1313 01:38:02,000 --> 01:38:03,910 And I hate hard. 1314 01:38:14,512 --> 01:38:17,084 I was playing a hunch. 1315 01:39:00,429 --> 01:39:02,635 She came at me in sections. 1316 01:39:03,307 --> 01:39:05,633 More curves than a scenic railway. 1317 01:39:07,978 --> 01:39:11,015 She was bad, she was dangerous. 1318 01:39:11,107 --> 01:39:14,142 I wouldn't trust her any farther than I could throw her. 1319 01:39:14,234 --> 01:39:17,567 She was selling hard, but I wasn't buying. 1320 01:40:06,324 --> 01:40:09,694 This had to be Mr. Big. Get him and you get them all. 1321 01:40:38,231 --> 01:40:43,306 There was something about this kid that made you want to protect her for life. 1322 01:42:00,683 --> 01:42:02,592 That bullet was meant for me. 1323 01:42:06,229 --> 01:42:10,357 Maybe this was a long shot, but I've seen some funny ones pay off. 1324 01:42:31,838 --> 01:42:34,839 I was beginning to see daylight. 1325 01:42:49,604 --> 01:42:53,435 These mugs were smart, but they made one mistake. 1326 01:42:55,525 --> 01:42:57,020 They got me mad. 1327 01:43:01,364 --> 01:43:04,816 DEM BONES CAFE 1328 01:45:31,673 --> 01:45:35,540 Suddenly, all the pieces fitted together. I knew how the crime had been done. 1329 01:45:35,635 --> 01:45:38,671 The high note on the trumpet had shattered the glass. 1330 01:45:56,864 --> 01:45:59,190 The glass with the nitro-glycerine. 1331 01:46:01,241 --> 01:46:04,444 Now I knew who the killer was, but it didn't matter anymore. 1332 01:46:04,536 --> 01:46:06,410 Killers have to die. 1333 01:46:43,740 --> 01:46:47,073 Another page in the casebook of Rod Riley was finished. 1334 01:46:47,410 --> 01:46:50,944 The city was asleep. The joints were closed. 1335 01:46:51,122 --> 01:46:54,491 The rats, the hoods, and the killers were in their holes. 1336 01:46:55,835 --> 01:46:58,789 I felt good, but something was missing. 1337 01:47:01,050 --> 01:47:04,549 She was bad, she was dangerous. 1338 01:47:04,637 --> 01:47:07,754 I wouldn't trust her any farther than I could throw her. 1339 01:47:08,430 --> 01:47:11,301 But she was my kind of woman. 1340 01:47:44,005 --> 01:47:46,627 - Who's that? Somebody come in? - No one, Mr. Hunter. 1341 01:47:46,717 --> 01:47:50,299 - You sure? Did you look out in the hall? - Not a soul, Mr. Hunter. 1342 01:47:50,970 --> 01:47:55,052 I can't understand it. Are you sure this show's a hit? 1343 01:47:55,559 --> 01:47:58,309 A very big hit, Mr. Hunter. Congratulations. 1344 01:47:58,394 --> 01:48:00,221 It certainly doesn't feel like one. 1345 01:48:00,313 --> 01:48:04,773 I didn't expect them to pull my carriage through the streets or hurl flowers at me... 1346 01:48:06,611 --> 01:48:08,983 - Hal, come on, boy. Have a drink. - No, thanks. 1347 01:48:09,072 --> 01:48:12,191 - Got any notes for the cast for tomorrow? - No. 1348 01:48:12,324 --> 01:48:13,819 - Good night. - Say, look. 1349 01:48:13,909 --> 01:48:16,992 Doesn't anybody come backstage anymore on opening nights? 1350 01:48:17,077 --> 01:48:20,826 No. It's considered old-fashioned. Have a good night's rest, Tony. 1351 01:48:23,876 --> 01:48:25,668 Did Gaby go out with Paul? 1352 01:48:25,753 --> 01:48:28,920 Gaby? I don't know. I guess so. Good night, Tony. 1353 01:48:32,259 --> 01:48:34,501 Bobby, you know what I'm going to do? 1354 01:48:34,595 --> 01:48:37,003 I'm going out to the biggest nightclub I can find. 1355 01:48:37,098 --> 01:48:39,469 I'm going to get a glass of champagne and celebrate. 1356 01:48:39,558 --> 01:48:41,017 Fine idea, sir. 1357 01:48:51,360 --> 01:48:54,609 I'll go my way by myself 1358 01:48:55,697 --> 01:48:58,818 All alone in a crowd 1359 01:49:00,119 --> 01:49:03,120 I'll try to apply myself 1360 01:49:04,331 --> 01:49:07,035 And teach my heart how to sing 1361 01:49:08,709 --> 01:49:12,127 I'll go my way by myself 1362 01:49:12,757 --> 01:49:15,757 Like a bird on the wing 1363 01:49:17,261 --> 01:49:20,262 I'll face the unknown 1364 01:49:21,307 --> 01:49:24,555 I'll build a world of my own 1365 01:49:28,896 --> 01:49:33,474 He's a jolly good fellow He's a jolly good fellow 1366 01:49:33,734 --> 01:49:36,985 He's a jolly good fellow 1367 01:49:37,237 --> 01:49:41,484 That nobody can deny That nobody can deny 1368 01:49:41,950 --> 01:49:44,192 That nobody can deny 1369 01:49:44,286 --> 01:49:47,736 For he's a jolly good fellow 1370 01:49:47,830 --> 01:49:50,868 That nobody can deny 1371 01:49:53,920 --> 01:49:56,077 Tony, the whole company got together. 1372 01:49:56,171 --> 01:49:59,421 We all chipped in, and we bought you... nothing. 1373 01:50:00,216 --> 01:50:02,044 So we have nothing to give you... 1374 01:50:02,136 --> 01:50:05,386 but our gratitude, our admiration... 1375 01:50:06,182 --> 01:50:07,972 and our love. 1376 01:50:08,308 --> 01:50:10,266 The show's a hit, but we all feel... 1377 01:50:10,352 --> 01:50:14,396 no matter what might've happened to it, it was wonderful knowing you... 1378 01:50:15,607 --> 01:50:17,231 working with you. 1379 01:50:17,525 --> 01:50:20,858 Maybe some of us didn't see eye to eye with you at the beginning. 1380 01:50:20,945 --> 01:50:23,697 Maybe we thought we wouldn't work out together... 1381 01:50:24,365 --> 01:50:25,741 but we have. 1382 01:50:26,702 --> 01:50:29,273 Yes, there were obstacles between us... 1383 01:50:31,120 --> 01:50:33,409 but we've kissed them good-bye. 1384 01:50:34,624 --> 01:50:38,917 We've come to love you, Tony. We belong together. 1385 01:50:40,798 --> 01:50:43,004 The show's going to run a long time. 1386 01:50:44,093 --> 01:50:48,220 As far as I'm concerned, it's going to run forever. 1387 01:50:58,105 --> 01:51:00,941 - Tony. - May we say something? 1388 01:51:01,442 --> 01:51:04,606 A show that is really a show 1389 01:51:04,693 --> 01:51:08,277 Sends you out with a kind of a glow 1390 01:51:08,364 --> 01:51:12,148 And you say as you go on your way 1391 01:51:13,285 --> 01:51:15,859 '"That's Entertainment! '" 1392 01:51:16,706 --> 01:51:19,540 A song that is winging along 1393 01:51:19,624 --> 01:51:23,290 or a dance with a touch of romance 1394 01:51:23,378 --> 01:51:26,997 is the art that appeals to the heart 1395 01:51:28,217 --> 01:51:31,136 That's Entertainment! 1396 01:51:31,221 --> 01:51:34,921 Admit we're a hit and we'll go on from there 1397 01:51:35,016 --> 01:51:38,098 We played a charade that was lighter than air 1398 01:51:39,268 --> 01:51:42,019 A good old-fashioned affair 1399 01:51:42,146 --> 01:51:45,812 As we sing this finale we hope it was up your alley 1400 01:51:45,901 --> 01:51:49,233 No death like you get in Macbeth 1401 01:51:49,320 --> 01:51:52,818 No ordeal like the end of Camille 1402 01:51:52,906 --> 01:51:56,821 This good-bye brings a tear to the eye 1403 01:51:56,910 --> 01:52:00,659 The world is a stage The stage is a world 1404 01:52:00,748 --> 01:52:05,374 of entertainment 1405 01:52:07,963 --> 01:52:09,457 THE END 1406 01:52:09,550 --> 01:52:12,464 THE BAND WAGON 119839