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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:16,310 --> 00:00:18,640 Emerging from a dawn mist 4 00:00:18,640 --> 00:00:22,130 is a natural way to come upon this island. 5 00:00:22,420 --> 00:00:25,560 Seamus Heaney wrote, "We have no prairies 6 00:00:25,560 --> 00:00:27,810 "to slice a sky at evening. 7 00:00:27,810 --> 00:00:32,130 "Everywhere the eye concedes to encroaching horizon." 8 00:00:37,100 --> 00:00:39,910 Here, history stands up in the monuments 9 00:00:39,910 --> 00:00:42,300 of saints and scholars who, 10 00:00:42,300 --> 00:00:46,010 from Celtic times made it a hub of learning. 11 00:00:46,620 --> 00:00:49,760 In Ireland's mix of people and influences, 12 00:00:49,760 --> 00:00:52,910 the written word is still a magic coin, 13 00:00:52,910 --> 00:00:54,990 an international currency. 14 00:00:55,310 --> 00:00:59,590 The pens of W.B. Yeats, George Bernard Shaw, 15 00:00:59,590 --> 00:01:03,690 James Joyce, and others, strike universal music 16 00:01:03,690 --> 00:01:07,740 from the tempo and temper of their people. 17 00:01:09,530 --> 00:01:13,680 This land has left its mark on Ireland's people, 18 00:01:13,680 --> 00:01:15,240 and they in turn, 19 00:01:15,240 --> 00:01:18,090 have made their mark on the world's esteem. 20 00:01:18,090 --> 00:01:21,090 (calm Irish folk music) 21 00:02:09,390 --> 00:02:12,390 (calm Irish music) 22 00:02:21,450 --> 00:02:24,450 (calm piano music) 23 00:03:10,910 --> 00:03:14,250 In Ireland, the past is ever present. 24 00:03:16,530 --> 00:03:20,020 Monasteries punctuate the priorities and patterns of living 25 00:03:20,020 --> 00:03:23,200 of a nearly 2,000 year old Christianity. 26 00:03:23,860 --> 00:03:26,520 These were the dynamos of prayer and learning, 27 00:03:26,520 --> 00:03:30,600 driving a commerce of God, a trade in thoughts. 28 00:03:31,710 --> 00:03:33,870 Not too much going by the book, 29 00:03:33,870 --> 00:03:36,940 nor bounded within straight and ruly lines. 30 00:03:37,320 --> 00:03:39,390 Almost grudgingly, they've consented 31 00:03:39,390 --> 00:03:42,130 to live and work in towns, 32 00:03:42,130 --> 00:03:44,810 themselves not greatly regular. 33 00:03:44,810 --> 00:03:47,810 (calm Irish music) 34 00:04:19,200 --> 00:04:21,630 From the Rock of Cashel, 35 00:04:21,630 --> 00:04:25,060 the spiritual and temple power of kings and bishops, 36 00:04:25,060 --> 00:04:27,710 spread their rule over the broad lands of Munster 37 00:04:27,710 --> 00:04:29,910 in the early middle ages. 38 00:04:29,910 --> 00:04:32,910 (calm Irish music) 39 00:04:37,050 --> 00:04:39,810 Other times, other priorities. 40 00:04:40,190 --> 00:04:43,130 The Dukes of Devonshire once lived in Lismore Castle 41 00:04:43,130 --> 00:04:44,940 in the Blackwater Valley. 42 00:04:45,640 --> 00:04:48,070 They, and their early English neighbors, 43 00:04:48,070 --> 00:04:51,610 Sir Walter Raleigh and poet Edmund Spenser, 44 00:04:51,610 --> 00:04:55,350 attempted to impose their own order on the land, 45 00:04:55,350 --> 00:04:56,670 a fleeting gesture. 46 00:04:56,670 --> 00:04:59,670 (calm music) 47 00:05:15,610 --> 00:05:18,610 (upbeat Irish drum music) 48 00:05:33,900 --> 00:05:37,500 The poet Yeats once described the streets of London as, 49 00:05:37,500 --> 00:05:40,080 "Lonely London pavement grey." 50 00:05:40,420 --> 00:05:42,950 But the words apply here just as well. 51 00:05:43,480 --> 00:05:45,280 Yeats took refuge not far from 52 00:05:45,280 --> 00:05:47,720 this flat expanse of limestone rock 53 00:05:47,720 --> 00:05:49,910 of the Burren in County Clare. 54 00:05:50,550 --> 00:05:53,030 The Burren is like a moonscape, 55 00:05:53,030 --> 00:05:55,650 but not without its hidden beauties, 56 00:05:55,650 --> 00:05:58,980 for in the spring and summer the old green roads 57 00:05:58,980 --> 00:06:02,700 of the drovers and the pathways that the sheep tread out 58 00:06:02,700 --> 00:06:05,520 leave the drifts of alpine blooms, 59 00:06:05,520 --> 00:06:08,550 secret orchids, and the blue gentian. 60 00:06:08,550 --> 00:06:11,550 (upbeat Irish drum music) 61 00:06:17,880 --> 00:06:20,880 (lively Irish folk music) 62 00:06:31,580 --> 00:06:35,700 The Cliffs of Moher, thrust up from prehistoric seas, 63 00:06:35,700 --> 00:06:37,990 produce fossil stone for the hearths 64 00:06:37,990 --> 00:06:40,380 of homes and stately halls. 65 00:06:40,810 --> 00:06:43,230 Only the brave press close to the edge, 66 00:06:43,230 --> 00:06:45,830 peering down to the dawn of time 67 00:06:45,830 --> 00:06:47,940 where the sea scribbles white waves 68 00:06:47,940 --> 00:06:50,470 on the ancient layered rock face. 69 00:06:50,970 --> 00:06:53,680 The wild sounds of sea birds counterpoint 70 00:06:53,680 --> 00:06:57,690 the piping music of Willie Clancy's music school nearby. 71 00:06:57,690 --> 00:07:00,690 (lively Irish folk music) 72 00:07:36,630 --> 00:07:39,630 (upbeat Irish music) 73 00:08:21,750 --> 00:08:23,760 The sand dunes of the Kerry Coast 74 00:08:23,760 --> 00:08:26,470 show a gentler front to the Atlantic Ocean. 75 00:08:26,850 --> 00:08:29,110 Famous golf links border the strand 76 00:08:29,110 --> 00:08:31,740 and pose the ultimate test of any Irishman. 77 00:08:31,740 --> 00:08:34,740 (upbeat Irish music) 78 00:08:40,760 --> 00:08:43,060 Nearby, Ballybunion is famous for 79 00:08:43,060 --> 00:08:45,250 its annual bachelor's festival, 80 00:08:45,250 --> 00:08:48,990 a contest to find Ireland's most eligible man. 81 00:08:49,210 --> 00:08:51,910 The event is not taken too seriously. 82 00:08:53,030 --> 00:08:55,270 But just a few miles down the coast 83 00:08:55,270 --> 00:08:58,540 the annual Rose of Tralee contest for women 84 00:08:58,540 --> 00:09:00,460 is a more prestigious occasion. 85 00:09:00,460 --> 00:09:03,460 (upbeat Irish music) 86 00:09:52,930 --> 00:09:55,930 (cacophony of seagulls) 87 00:10:07,770 --> 00:10:10,670 "Make of the stones a pillow for my head 88 00:10:10,670 --> 00:10:14,430 "and thou shall see angels ascending and descending" 89 00:10:14,430 --> 00:10:16,450 an ancient poet once wrote. 90 00:10:16,930 --> 00:10:19,470 18 miles out in the Atlantic, 91 00:10:19,470 --> 00:10:23,290 during the dark ages of the seventh and eighth centuries, 92 00:10:23,290 --> 00:10:26,810 this was western Christianity's last outpost 93 00:10:26,810 --> 00:10:29,660 for well over 100 years. 94 00:10:30,770 --> 00:10:35,690 700 feet above raging seas sits Skellig Michael. 95 00:10:36,490 --> 00:10:38,050 The monk's beehive huts 96 00:10:38,050 --> 00:10:40,880 still cling like limpets to the rocks. 97 00:10:41,370 --> 00:10:42,940 No one today can imagine 98 00:10:42,940 --> 00:10:46,750 such harsh isolation and deprivation. 99 00:10:46,750 --> 00:10:49,750 (calm Irish folk music) 100 00:10:54,520 --> 00:10:57,740 Homeric themes of love, death, suffering 101 00:10:57,740 --> 00:10:59,970 live in beautiful, simple prose 102 00:10:59,970 --> 00:11:01,620 etched from the Irish language 103 00:11:01,620 --> 00:11:03,800 in masterpieces of literature. 104 00:11:04,190 --> 00:11:08,240 Toileanach, The Islandman, Fiche Bliain ag Fas 105 00:11:08,240 --> 00:11:10,240 20 Years a'Growing, 106 00:11:10,240 --> 00:11:11,880 they were written by people who lived 107 00:11:11,880 --> 00:11:13,980 at the end of the Dingle Peninsula. 108 00:11:18,330 --> 00:11:20,350 These are treacherous waters, 109 00:11:20,350 --> 00:11:23,070 the grave alike of ships of the Spanish Armada, 110 00:11:23,070 --> 00:11:26,700 who's names ring down the centuries like a litany, 111 00:11:26,700 --> 00:11:28,750 and of those people in this century 112 00:11:28,750 --> 00:11:30,160 who lost their lives following 113 00:11:30,160 --> 00:11:32,530 the shoveling of mackerel for a living. 114 00:11:33,290 --> 00:11:34,770 As they said themselves, 115 00:11:34,770 --> 00:11:36,840 their light will not be seen again. 116 00:11:41,420 --> 00:11:42,970 Their descendants who live along 117 00:11:42,970 --> 00:11:44,950 the eastern seaboard of America 118 00:11:44,950 --> 00:11:46,620 often celebrate the old days 119 00:11:46,620 --> 00:11:49,220 in the next parish across the seas, 120 00:11:49,220 --> 00:11:51,700 for Dingle is the next town to America. 121 00:11:51,700 --> 00:11:54,700 (calm Irish music) 122 00:12:16,560 --> 00:12:19,590 Ancient texts say Saint Brendan the Navigator 123 00:12:19,590 --> 00:12:21,850 and his monks set out from these parts 124 00:12:21,850 --> 00:12:24,930 before Columbus or Leif Erikson. 125 00:12:24,930 --> 00:12:27,060 Just as Patrick and other missionaries 126 00:12:27,060 --> 00:12:28,830 brought the faith to Ireland, 127 00:12:28,830 --> 00:12:31,700 Ireland's people in turn have shared their values 128 00:12:31,700 --> 00:12:35,270 with the old and the new world ever since. 129 00:12:37,280 --> 00:12:38,740 It's entirely right that places 130 00:12:38,740 --> 00:12:40,700 like Waterville and Valentia 131 00:12:40,700 --> 00:12:42,610 were the bases from which the first telephone 132 00:12:42,610 --> 00:12:46,280 cable was laid for the modern communications era. 133 00:12:46,500 --> 00:12:49,010 The towns today are popular destinations 134 00:12:49,010 --> 00:12:51,640 along Ireland's famous Ring of Kerry. 135 00:12:51,640 --> 00:12:54,640 (calm Irish music) 136 00:13:21,750 --> 00:13:24,750 (calm piano music) 137 00:13:39,630 --> 00:13:43,130 May morning, once every seven years, 138 00:13:43,130 --> 00:13:46,820 the magical day of the ancient God Val, 139 00:13:46,820 --> 00:13:48,550 the chief of the O'Donoghues, 140 00:13:48,550 --> 00:13:52,310 rises from the waters of Lough Leane on a white steed. 141 00:13:53,130 --> 00:13:55,080 Such stories about particular families 142 00:13:55,080 --> 00:13:58,670 are still told in their particular areas of origin. 143 00:13:58,840 --> 00:14:01,780 In Ireland there's always been a fierce determination 144 00:14:01,780 --> 00:14:04,400 to keep the name on the land, 145 00:14:04,400 --> 00:14:07,290 and still the McCarthys, the O'Neills, 146 00:14:07,290 --> 00:14:09,200 the O'Byrnes, and the Clancys 147 00:14:09,200 --> 00:14:12,510 can be found where they've always been, 148 00:14:12,510 --> 00:14:16,010 as rooted as the 10,000 year old yew forests 149 00:14:16,010 --> 00:14:17,790 in the mountains around Killarney. 150 00:14:17,790 --> 00:14:20,790 (calm piano music) 151 00:15:10,760 --> 00:15:13,760 (calm Irish music) 152 00:15:40,410 --> 00:15:43,320 In the south coast's many fingered inlets, 153 00:15:43,320 --> 00:15:46,750 the sea's delivery has brought a thousand ships, 154 00:15:46,750 --> 00:15:49,040 and seen as many go. 155 00:15:49,300 --> 00:15:52,520 From Wexford and Waterford, to Bantry Bay, 156 00:15:52,520 --> 00:15:54,370 the sea has been a trade route, 157 00:15:54,370 --> 00:15:57,750 a playground, and a grave. 158 00:15:58,080 --> 00:16:01,050 British fleets have sheltered and been supplied, 159 00:16:01,050 --> 00:16:04,390 where legendary Milesians made their first landfall 160 00:16:04,390 --> 00:16:06,380 in leather covered boats. 161 00:16:06,560 --> 00:16:11,140 Vikings, Normans, booty hunters from far and near 162 00:16:11,140 --> 00:16:14,730 have sought the river mouths of Nore and Suir, 163 00:16:14,730 --> 00:16:16,760 Blackwater, and Lee, 164 00:16:16,760 --> 00:16:21,670 safe havens from which to seek further fame and fortune. 165 00:16:21,670 --> 00:16:24,670 (calm Irish music) 166 00:17:00,680 --> 00:17:02,830 Like soldiers in every age, 167 00:17:02,830 --> 00:17:04,900 the garrison of the great star-shaped 168 00:17:04,900 --> 00:17:07,460 17th century Charles Fort, 169 00:17:07,460 --> 00:17:11,020 gave fanciful names of birds of prey to their cannon, 170 00:17:11,020 --> 00:17:14,820 names like falcon and striker. 171 00:17:15,670 --> 00:17:17,920 The fort is now restored as part of Ireland's 172 00:17:17,920 --> 00:17:22,490 mixed heritage of invaders and invaded. 173 00:17:24,090 --> 00:17:26,530 One of them, a McCarthy chief, 174 00:17:26,530 --> 00:17:29,640 is supposed to have used his silver tongued eloquence 175 00:17:29,640 --> 00:17:31,750 to persuade the first Elizabeth 176 00:17:31,750 --> 00:17:34,760 to let him keep his stronghold at Blarney Castle. 177 00:17:34,760 --> 00:17:37,760 (calm Irish music) 178 00:17:43,270 --> 00:17:45,760 The gift of the gab persists 179 00:17:45,760 --> 00:17:48,730 and is claimed by the lilting tones of Cork men, 180 00:17:48,730 --> 00:17:53,000 poets, sculptors, and masters of the short story, 181 00:17:53,000 --> 00:17:54,680 like Frank O'Connor. 182 00:17:54,680 --> 00:17:57,680 (calm Irish music) 183 00:18:09,530 --> 00:18:12,790 After enduring centuries of invasion, 184 00:18:12,790 --> 00:18:15,800 tens of thousands of Irish families 185 00:18:15,800 --> 00:18:18,270 were forced to give up their homeland 186 00:18:18,270 --> 00:18:20,570 in the mid-1800's. 187 00:18:20,770 --> 00:18:23,470 Famine and destitution drove them 188 00:18:23,470 --> 00:18:25,590 onto the trackless sea. 189 00:18:25,740 --> 00:18:29,250 It became a road where those have gone before, 190 00:18:29,250 --> 00:18:31,520 were a small far off light 191 00:18:31,520 --> 00:18:35,140 beckoning to those languishing at home. 192 00:18:36,450 --> 00:18:40,040 The Irish word for immigrant, jorie, 193 00:18:40,040 --> 00:18:44,240 holds within its teardrop meaning a tide of sorrow 194 00:18:44,240 --> 00:18:47,350 which has carried away a million hearts. 195 00:18:49,840 --> 00:18:52,600 As they set sail across the Atlantic, 196 00:18:52,600 --> 00:18:56,830 the last visible bit of Ireland fading into the grey 197 00:18:56,830 --> 00:18:58,620 was Fastnet Rock. 198 00:18:59,140 --> 00:19:01,490 For those who were able to return, 199 00:19:01,490 --> 00:19:05,040 it emerged as the first tangible sign of home. 200 00:19:05,410 --> 00:19:09,680 As one saying goes, "The times they are a changing." 201 00:19:10,300 --> 00:19:13,390 The wild geese return along the beckoning beacon 202 00:19:13,390 --> 00:19:18,540 of better times, or never have to go away at all. 203 00:19:29,600 --> 00:19:32,600 (Irish music) 204 00:19:39,800 --> 00:19:42,800 (tranquil music) 205 00:20:00,970 --> 00:20:04,480 For centuries, the most settled part of Ireland 206 00:20:04,480 --> 00:20:08,500 was England's very limited bridge head, The Pale, 207 00:20:08,500 --> 00:20:10,620 part of the province of Leinster, 208 00:20:10,620 --> 00:20:14,400 and the only place the crown's ranked ran freely. 209 00:20:14,750 --> 00:20:17,950 Here, the organizing flair of the Norman invaders 210 00:20:17,950 --> 00:20:19,710 introduced religious orders 211 00:20:19,710 --> 00:20:23,610 from the continent, Cistercians, Augustinians. 212 00:20:23,610 --> 00:20:26,610 (tranquil music) 213 00:20:47,160 --> 00:20:49,730 Man's interaction with his fate 214 00:20:49,730 --> 00:20:51,830 and his attempts to divine powers 215 00:20:51,830 --> 00:20:54,310 beyond his daily existence here 216 00:20:54,310 --> 00:20:57,540 go back beyond the great pyramid of Egypt 217 00:20:57,540 --> 00:21:00,380 to neolithic Newgrange. 218 00:21:00,820 --> 00:21:03,600 Here the sun's rays still strike directly 219 00:21:03,600 --> 00:21:05,950 into this mounded burial chamber 220 00:21:05,950 --> 00:21:08,970 at each dawn of the winter solstice. 221 00:21:09,150 --> 00:21:11,510 The cycle of birth and death, 222 00:21:11,510 --> 00:21:13,750 and the rhythm of the years work 223 00:21:13,750 --> 00:21:17,180 was settled and celebrated in rituals 224 00:21:17,180 --> 00:21:19,660 that still retain their mystery. 225 00:21:22,000 --> 00:21:24,850 These are sacred lands, 226 00:21:24,850 --> 00:21:28,310 recognized as such by successive cultures. 227 00:21:28,790 --> 00:21:32,200 The high kings at Tara held annual festivals 228 00:21:32,200 --> 00:21:34,610 and claimed a wary allegiance 229 00:21:34,610 --> 00:21:36,680 from minor kings and chiefdoms. 230 00:21:36,680 --> 00:21:39,680 (calm Irish music) 231 00:22:28,720 --> 00:22:31,720 (lively Irish folk music) 232 00:22:41,840 --> 00:22:45,730 The old Irish ballad, "The Rocky Road to Dublin" 233 00:22:45,730 --> 00:22:47,620 is now a tuneful counterpoint 234 00:22:47,620 --> 00:22:50,760 to the city's high speed connections. 235 00:22:50,870 --> 00:22:53,750 Dublin's tempo is ever quickening. 236 00:22:54,260 --> 00:22:57,510 Europe's chattering classes and culture vultures 237 00:22:57,510 --> 00:23:00,580 have made it an essential stage on their grand tour. 238 00:23:00,580 --> 00:23:03,580 (lively Irish folk music) 239 00:23:55,550 --> 00:23:57,690 From the gardens of Stephens Green 240 00:23:57,690 --> 00:23:59,410 to the Temple Bar District, 241 00:23:59,410 --> 00:24:02,050 Dublin's new bohemian left bank, 242 00:24:02,050 --> 00:24:05,780 you may still meet a friend, an enemy, or a boor 243 00:24:05,780 --> 00:24:07,460 round every bend. 244 00:24:08,200 --> 00:24:10,260 But Dublin's wit and repartee 245 00:24:10,260 --> 00:24:12,140 leaves as little bitterness 246 00:24:12,140 --> 00:24:14,650 as you'll find at the bottom of a glass of Guinness. 247 00:24:14,650 --> 00:24:17,650 (lively Irish folk music) 248 00:24:41,600 --> 00:24:44,600 (calm Irish music) 249 00:24:55,900 --> 00:24:59,870 The ascendancy, founders of the great houses in Ireland, 250 00:24:59,870 --> 00:25:01,710 have a mixed reputation. 251 00:25:02,020 --> 00:25:05,280 Their contributions to the public and commonwealth 252 00:25:05,280 --> 00:25:08,410 seldom match the grandeur of their lifestyle. 253 00:25:08,720 --> 00:25:11,090 In general, the Anglo-Irish however, 254 00:25:11,090 --> 00:25:14,930 were, in Yeat's words, "No mean people." 255 00:25:15,930 --> 00:25:19,160 Recurring great names are the Almanbutlers 256 00:25:19,160 --> 00:25:22,590 and the FitzGeralds, who were the Earls of Kildare, 257 00:25:22,590 --> 00:25:24,400 and Dukes of Leinster. 258 00:25:24,660 --> 00:25:28,250 Their townhouse, now the seat of the Irish Parliament, 259 00:25:28,250 --> 00:25:30,370 the FitzGerald's were once considered 260 00:25:30,370 --> 00:25:32,480 the uncrowned kings of Ireland. 261 00:25:32,480 --> 00:25:35,480 (calm Irish music) 262 00:25:46,520 --> 00:25:48,480 The one place where the two ends 263 00:25:48,480 --> 00:25:51,380 of the social scale met on common ground 264 00:25:51,380 --> 00:25:53,380 was at the races. 265 00:25:53,380 --> 00:25:55,730 The horse could win a penny or a pound 266 00:25:55,730 --> 00:25:57,700 for lord or commoner. 267 00:25:57,700 --> 00:26:00,700 (intense Irish drum music) 268 00:26:12,750 --> 00:26:15,750 (calm Irish music) 269 00:26:35,900 --> 00:26:38,530 The state has inherited and maintains 270 00:26:38,530 --> 00:26:41,750 some of the best of the old great houses, 271 00:26:41,750 --> 00:26:44,760 where all Ireland's citizens can now visit 272 00:26:44,760 --> 00:26:48,450 their treasures and take refreshment on the terraces. 273 00:26:55,540 --> 00:26:58,540 (lively Irish folk music) 274 00:27:06,490 --> 00:27:09,760 The Kilkenny Cats, in their black and amber stripe, 275 00:27:09,760 --> 00:27:12,490 are notable modern exponents of hurling. 276 00:27:12,800 --> 00:27:15,080 The game began with a small leather ball 277 00:27:15,080 --> 00:27:18,030 being struck by teams from neighboring perishes. 278 00:27:18,200 --> 00:27:21,250 The winners, being those who at the end of the day 279 00:27:21,250 --> 00:27:24,810 had penetrated furthest into their opponent's territory. 280 00:27:25,260 --> 00:27:28,280 Like diplomacy, it was a more peaceful way 281 00:27:28,280 --> 00:27:33,050 to let off steam than the older murderous faction fights. 282 00:27:33,250 --> 00:27:35,800 It was war by other means. 283 00:27:35,800 --> 00:27:38,800 (lively Irish folk music) 284 00:28:16,650 --> 00:28:20,050 The smell of a hearth fire is, for Irish people everywhere, 285 00:28:20,050 --> 00:28:21,930 a touch stone of memory. 286 00:28:21,940 --> 00:28:24,760 The past and the present come together. 287 00:28:25,390 --> 00:28:27,400 Where invading Elizabethan armies saw a 288 00:28:27,400 --> 00:28:30,010 soggy, savage wilderness where no sensible 289 00:28:30,010 --> 00:28:32,280 person would willingly set foot, 290 00:28:32,280 --> 00:28:35,880 peat is now milled for the domestic hearth 291 00:28:35,880 --> 00:28:38,970 and environment friendly power stations. 292 00:28:39,130 --> 00:28:40,920 Stripping the blanket bog 293 00:28:40,920 --> 00:28:43,210 turns back the pages of history, 294 00:28:43,210 --> 00:28:45,710 revealing ancient fields and pathways. 295 00:28:45,710 --> 00:28:48,710 (lively Irish folk music) 296 00:29:04,630 --> 00:29:07,630 (Irish music) 297 00:29:16,800 --> 00:29:19,800 (peaceful Irish folk music) 298 00:29:29,470 --> 00:29:32,980 Bare Benbulben's head is where jealous Fionn 299 00:29:32,980 --> 00:29:36,660 of the warrior Fianna, finally cornered young Diarmuid 300 00:29:36,660 --> 00:29:39,860 with whom his queen, Garinne, had run away. 301 00:29:40,890 --> 00:29:44,260 These are heroes of a half mythical Ireland, 302 00:29:44,260 --> 00:29:46,830 which W.B. Yeats invoked to underpin 303 00:29:46,830 --> 00:29:50,530 the republican dreams of his own fickle love, 304 00:29:50,530 --> 00:29:55,170 Maud Gonne MacBride, the subject of so much of his poetry. 305 00:29:55,890 --> 00:29:58,860 The Irish state which made Yeats a senator 306 00:29:58,860 --> 00:30:01,450 was uneasy with the liberal beliefs 307 00:30:01,450 --> 00:30:03,730 of this romantic Protestant. 308 00:30:03,970 --> 00:30:06,500 But they finally brought him home to rest 309 00:30:06,500 --> 00:30:08,730 in Drumcliff church yard. 310 00:30:09,410 --> 00:30:14,240 Cast a cold eye on life, on death, 311 00:30:14,240 --> 00:30:16,860 horsemen pass by. 312 00:30:16,860 --> 00:30:19,860 (peaceful Irish folk music) 313 00:31:09,460 --> 00:31:13,910 The wind has bundled up the clouds over Knock Narea 314 00:31:13,910 --> 00:31:16,600 and thrown the thunder on the stones 315 00:31:16,600 --> 00:31:19,100 for all that Maeve can say. 316 00:31:19,670 --> 00:31:22,480 The grave cairn of the powerful queen of Connacht 317 00:31:22,480 --> 00:31:24,540 who led the men of the west into Ulster 318 00:31:24,540 --> 00:31:26,990 to steal the brown bull of Cooley. 319 00:31:28,220 --> 00:31:31,370 The epic saga has been recited and embellished 320 00:31:31,370 --> 00:31:34,330 from ancient times, one of the great treasures 321 00:31:34,330 --> 00:31:35,930 of the Irish language. 322 00:31:35,930 --> 00:31:38,930 (peaceful Irish folk music) 323 00:32:15,800 --> 00:32:18,800 (upbeat music) 324 00:32:51,560 --> 00:32:54,850 Like ancient ruins, towering stacks 325 00:32:54,850 --> 00:32:58,270 loom off the mainland at Downpatrick Head. 326 00:32:58,700 --> 00:33:02,970 Slabs of cliff like dun briste, the Broken Fort, 327 00:33:02,970 --> 00:33:07,810 testify to the dangerous coast and treacherous waters. 328 00:33:08,300 --> 00:33:11,690 For centuries, smugglers brought contraband goods, 329 00:33:11,690 --> 00:33:13,410 brandy and tobacco, 330 00:33:13,410 --> 00:33:16,450 ashore in the ports of Ballina and Westport 331 00:33:16,450 --> 00:33:18,740 through these ungovernable seas. 332 00:33:18,740 --> 00:33:21,740 (upbeat music) 333 00:34:37,380 --> 00:34:40,100 Clew Bay's hundred islands lay 334 00:34:40,100 --> 00:34:44,070 like green stepping stones in a peaceful sea, 335 00:34:44,070 --> 00:34:48,470 but once they were the domain of traders and raiders, 336 00:34:48,470 --> 00:34:50,910 the seafaring O'Malleys. 337 00:34:51,200 --> 00:34:53,260 The O'Malleys traded with La Coruna 338 00:34:53,260 --> 00:34:55,320 and the ports of Northern Spain, 339 00:34:55,320 --> 00:34:58,630 and exacted tribute on the high seas. 340 00:34:58,810 --> 00:35:00,950 Their warrior chief was a woman, 341 00:35:00,950 --> 00:35:05,420 a she king, Grainne O'Malley, Granuaile. 342 00:35:05,510 --> 00:35:08,190 Her exploits were so cunning, so daring, 343 00:35:08,190 --> 00:35:11,480 that she captured the attention of Queen Elizabeth herself, 344 00:35:11,480 --> 00:35:15,490 who extended a royal invitation to visit in London. 345 00:35:15,490 --> 00:35:18,490 (calm music) 346 00:35:24,080 --> 00:35:26,700 There was a real Patrick who came to Ireland 347 00:35:26,700 --> 00:35:28,840 about the middle of the fifth century. 348 00:35:28,840 --> 00:35:30,750 Writings like Patrick's grass plate, 349 00:35:30,750 --> 00:35:34,530 and other records testify to his mission, 350 00:35:34,530 --> 00:35:37,390 but other lesser figures have been subsumed 351 00:35:37,390 --> 00:35:40,710 into the mixture of fact and legend surrounding him. 352 00:35:41,130 --> 00:35:44,410 Very real is the pain for barefoot pilgrims 353 00:35:44,410 --> 00:35:46,890 wending their way through early morning mist 354 00:35:46,890 --> 00:35:49,900 along the rocks and ridges of Croagh Patrick. 355 00:35:50,200 --> 00:35:52,310 On the last Sunday of every July 356 00:35:52,310 --> 00:35:55,570 hundreds of penitents climb this lonely mountain 357 00:35:55,570 --> 00:35:58,590 in an act of expiation and communion 358 00:35:58,590 --> 00:36:02,420 with powers acknowledged long before Christianity. 359 00:36:06,750 --> 00:36:09,750 (upbeat Irish folk music) 360 00:36:30,250 --> 00:36:34,010 Galway City, the town square is overrun 361 00:36:34,010 --> 00:36:37,210 with Saturday shoppers on a summer's day. 362 00:36:37,660 --> 00:36:40,330 It was once called the City of the Tribes, 363 00:36:40,330 --> 00:36:43,220 home to chief Irish families, 364 00:36:43,220 --> 00:36:46,270 but maybe better titled City of Youth. 365 00:36:46,270 --> 00:36:50,180 College students and musicians vie to make their mark here. 366 00:36:50,180 --> 00:36:52,540 And come night fall, the local atmosphere 367 00:36:52,540 --> 00:36:56,120 is elbow to elbow, pint to pint fun. 368 00:36:56,120 --> 00:36:59,120 (upbeat Irish folk music) 369 00:37:57,170 --> 00:37:59,340 The strange quality of light coming in 370 00:37:59,340 --> 00:38:01,940 from the far distances of the Atlantic 371 00:38:01,940 --> 00:38:03,910 plays among the clouds. 372 00:38:03,910 --> 00:38:05,900 It glints on the glacial pools, 373 00:38:05,900 --> 00:38:08,130 gathered in the rocky folds. 374 00:38:08,130 --> 00:38:09,410 It plays hide and seek, 375 00:38:09,410 --> 00:38:13,030 in and out of the steep sides of the Twelve Bens, 376 00:38:13,030 --> 00:38:17,000 the range of mountains stretching across Connemara. 377 00:38:20,830 --> 00:38:23,880 This is seriously lost country. 378 00:38:24,160 --> 00:38:27,180 It will not stoop to suit any human purpose. 379 00:38:27,180 --> 00:38:29,520 The mountains brood in lofty silence 380 00:38:29,520 --> 00:38:31,310 over the landscapes below, 381 00:38:31,310 --> 00:38:34,010 inspiring the palettes of Paul Henry, 382 00:38:34,010 --> 00:38:36,830 and a generation of Irish landscape painters. 383 00:38:36,830 --> 00:38:39,830 (darkly dramatic music) 384 00:39:12,810 --> 00:39:17,600 Hy-Brasil, the isles of the blessed, 385 00:39:17,600 --> 00:39:21,640 as legend has it, a mirage in the sea. 386 00:39:23,110 --> 00:39:26,000 The mysterious Aran Islands may have inspired 387 00:39:26,000 --> 00:39:27,750 the legend of Oisin, 388 00:39:27,750 --> 00:39:30,690 the blue eyed boy of the fianna warrior band, 389 00:39:30,690 --> 00:39:34,610 riding on a white horse with weave of the golden tresses 390 00:39:34,610 --> 00:39:36,900 to the land of eternal youth. 391 00:39:39,930 --> 00:39:42,400 But it's hardly the same place where seaweed 392 00:39:42,400 --> 00:39:45,510 from the shore was once brought in baskets to create 393 00:39:45,510 --> 00:39:47,940 small fields among the barren rocks. 394 00:39:47,940 --> 00:39:50,940 (calm Irish folk music) 395 00:40:20,170 --> 00:40:24,720 Dun Aengus, the ultimate in unassailable fortresses. 396 00:40:25,430 --> 00:40:28,340 Were the people who barricaded themselves here 397 00:40:28,340 --> 00:40:30,540 driven to the edge of doom 398 00:40:30,540 --> 00:40:34,020 or survivors of a lost Atlantis? 399 00:40:34,780 --> 00:40:37,910 Some would have it they and their descendants 400 00:40:37,910 --> 00:40:40,250 share in a common strand of a culture 401 00:40:40,250 --> 00:40:44,780 stretching along 1,000 miles of the Atlantic seaboard, 402 00:40:44,780 --> 00:40:48,970 south to Spanish Galicia and North Africa. 403 00:40:49,340 --> 00:40:52,610 Certainly, the rhythms and cadences of speech, 404 00:40:52,610 --> 00:40:55,270 and above all, the music of these parts 405 00:40:55,270 --> 00:40:57,820 have echos from far off places. 406 00:40:57,820 --> 00:41:00,820 (calm Irish folk music) 407 00:41:06,760 --> 00:41:09,760 (Irish music) 408 00:41:22,640 --> 00:41:25,640 (soft music) 409 00:41:38,240 --> 00:41:41,970 The Shannon, the longest river in Ireland, 410 00:41:41,970 --> 00:41:44,740 sweeping onward, broad and clear, 411 00:41:44,740 --> 00:41:46,980 stringing along its bright course, 412 00:41:46,980 --> 00:41:49,760 beads of lakes and rushy shallows 413 00:41:49,760 --> 00:41:53,310 where the moorhen clucks and calls to the pleasure boats, 414 00:41:53,310 --> 00:41:55,580 cruising uncluttered waters. 415 00:41:55,580 --> 00:41:58,580 (soft music) 416 00:43:12,340 --> 00:43:13,810 Guarding the western approaches, 417 00:43:13,810 --> 00:43:15,610 from Limerick to Coonagh, 418 00:43:15,610 --> 00:43:17,870 Bunratty Castle stands four square 419 00:43:17,870 --> 00:43:19,620 by the mouth of the Shannon. 420 00:43:20,320 --> 00:43:22,600 The O'Briens, lords of Thomond, 421 00:43:22,600 --> 00:43:24,610 like other great Irish families, 422 00:43:24,610 --> 00:43:28,240 took different sides in the political fortunes of the day. 423 00:43:28,650 --> 00:43:32,380 Maire Rua, widowed in the wars of the 17th century, 424 00:43:32,380 --> 00:43:34,460 married an enemy soldier 425 00:43:34,460 --> 00:43:36,730 to hold their patrimony for her sons. 426 00:43:36,730 --> 00:43:39,730 (soft music) 427 00:44:23,520 --> 00:44:26,520 (Irish music) 428 00:44:35,820 --> 00:44:38,820 (peaceful music) 429 00:44:55,730 --> 00:45:00,300 The hills of Donegal, Errigal, and the Bluestacks 430 00:45:00,300 --> 00:45:02,550 look out at the north Atlantic. 431 00:45:03,540 --> 00:45:07,860 The mountainy people looked north and east around Inishowen, 432 00:45:07,860 --> 00:45:11,420 following the track of Iona's Columbkille to Scotland. 433 00:45:11,890 --> 00:45:15,000 In yesteryear, when the seasonal potato pickers, 434 00:45:15,000 --> 00:45:17,730 the tattie-hokers, were away 435 00:45:17,730 --> 00:45:20,430 there weren't enough men for a football team. 436 00:45:21,530 --> 00:45:23,690 The harvest now is different. 437 00:45:23,690 --> 00:45:25,870 Treasure from the sea spills around 438 00:45:25,870 --> 00:45:30,130 the harbors and small towns, from Killybegs to Burtonport. 439 00:45:30,130 --> 00:45:33,130 (peaceful music) 440 00:46:37,680 --> 00:46:40,680 (peaceful Irish folk music) 441 00:48:02,660 --> 00:48:04,560 Eerie of the golden eagle, 442 00:48:04,560 --> 00:48:06,860 Slieve League's sheer rock face, 443 00:48:06,860 --> 00:48:08,930 one of the highest in all of Europe, 444 00:48:08,930 --> 00:48:12,080 did not save the bird from extinction in Ireland, 445 00:48:14,870 --> 00:48:18,560 but the vertical landscape here may be the inspiration 446 00:48:18,560 --> 00:48:21,150 of a notable Donegal profession, 447 00:48:21,150 --> 00:48:23,800 expertise in digging underground. 448 00:48:24,140 --> 00:48:26,910 Wherever earth is moved the world over, 449 00:48:26,910 --> 00:48:29,240 there the spirit moves and brings the famed 450 00:48:29,240 --> 00:48:31,690 tunnelers of Donegal. 451 00:48:31,690 --> 00:48:34,690 (peaceful Irish folk music) 452 00:49:29,600 --> 00:49:32,800 Images of the mortal boat bearing souls 453 00:49:32,800 --> 00:49:34,330 to the other world. 454 00:49:34,590 --> 00:49:37,630 In Seamus Heaney's work "Station Island", 455 00:49:37,630 --> 00:49:40,010 the phrase, "Hurry of bells" 456 00:49:40,010 --> 00:49:42,680 summons him to find himself again. 457 00:49:45,070 --> 00:49:47,730 Saint Patrick's purgatory has been the mecca 458 00:49:47,730 --> 00:49:50,490 of the Gayle for a thousand years. 459 00:49:50,590 --> 00:49:53,760 Princes came here from Capistrello to go through 460 00:49:53,760 --> 00:49:58,240 the inferno within, and wrestle with Dante's demons. 461 00:49:58,790 --> 00:50:01,300 People who come to Station Island today 462 00:50:01,300 --> 00:50:03,450 face a similar ritual, 463 00:50:03,450 --> 00:50:08,670 three days of fasting, bare feet shuffling about the rounds, 464 00:50:08,670 --> 00:50:11,460 the penance patterns of flinty stone. 465 00:50:11,720 --> 00:50:14,780 The only way out is to look within. 466 00:50:14,780 --> 00:50:17,780 (melancholy Irish folk music) 467 00:51:01,630 --> 00:51:04,490 Rats cannot survive on Tory. 468 00:51:04,660 --> 00:51:07,300 Its soil wards off misfortune. 469 00:51:07,690 --> 00:51:10,760 A solitary place, its islanders nick named 470 00:51:10,760 --> 00:51:13,620 their winter enemy, the deadly sea passage 471 00:51:13,620 --> 00:51:16,960 to the mainland, the Crucifier. 472 00:51:18,040 --> 00:51:20,490 Having made that first small journey, 473 00:51:20,490 --> 00:51:23,010 former Tory Islanders the world over 474 00:51:23,010 --> 00:51:25,850 travel with a pinch of island earth, 475 00:51:25,850 --> 00:51:31,800 a universal talisman, a corner near the heart, forever Tory. 476 00:51:31,800 --> 00:51:34,800 (melancholy Irish folk music) 477 00:52:06,440 --> 00:52:09,440 (calm piano music) 478 00:52:46,700 --> 00:52:49,320 A prime pastoral expanse, 479 00:52:49,320 --> 00:52:51,550 the north has been a place of settlement 480 00:52:51,550 --> 00:52:54,850 long before the vikings sailed up Strangford Lough. 481 00:52:55,360 --> 00:52:58,950 Ancient shore dwellers have left their heaps of shells, 482 00:52:58,950 --> 00:53:01,550 a precarious hold on a new shore. 483 00:53:01,820 --> 00:53:04,220 The traffic here has been back and forth, 484 00:53:04,220 --> 00:53:05,990 both east and west. 485 00:53:05,990 --> 00:53:07,940 The Scottish kings extending their rule 486 00:53:07,940 --> 00:53:11,510 across the narrow seas, a mixing of peoples, 487 00:53:11,510 --> 00:53:15,120 sometimes easy, not always so. 488 00:53:15,650 --> 00:53:17,820 The men and women from the Scottish borders 489 00:53:17,820 --> 00:53:20,590 came into Carrickfergus and other ports, 490 00:53:20,590 --> 00:53:22,860 and often took their tough resourcefulness 491 00:53:22,860 --> 00:53:24,900 onwards to the new world. 492 00:53:25,240 --> 00:53:27,290 A long line of American presidents 493 00:53:27,290 --> 00:53:29,370 is a roll call of honor of the 494 00:53:29,370 --> 00:53:31,630 qualities of the Ulster Scot. 495 00:53:31,630 --> 00:53:34,630 (peaceful piano music) 496 00:53:43,600 --> 00:53:46,600 (calm Irish folk music) 497 00:54:16,680 --> 00:54:18,970 The bleaching greens of the Lagan Valley 498 00:54:18,970 --> 00:54:20,540 supply the mills, 499 00:54:20,540 --> 00:54:23,260 and Belfast linen and Belfast ships 500 00:54:23,260 --> 00:54:26,370 spread a byword for excellence around the world, 501 00:54:26,370 --> 00:54:30,140 records of the industry of the 17th century settlers. 502 00:54:30,140 --> 00:54:33,140 (calm Irish folk music) 503 00:54:37,360 --> 00:54:42,420 Derry, Londonderry, Derry of Columbkille, 504 00:54:42,420 --> 00:54:46,010 and the London Gills have looked both ways. 505 00:54:46,240 --> 00:54:50,060 Taking northern poet John Hewitt's advice in style, 506 00:54:50,060 --> 00:54:51,610 be your own man. 507 00:54:53,700 --> 00:54:57,230 Very much his own man was the eccentric Earl Bishop 508 00:54:57,230 --> 00:54:59,700 who built this palace, and a lady's bower 509 00:54:59,700 --> 00:55:01,640 above the crashing seas. 510 00:55:01,640 --> 00:55:04,640 (calm Irish folk music) 511 00:55:15,530 --> 00:55:17,830 The bones of Dunluce Castle 512 00:55:17,830 --> 00:55:20,430 are a proper setting for the daring exploits 513 00:55:20,430 --> 00:55:24,420 of famous chiefton Sorley Boy MacDonnell, 514 00:55:24,420 --> 00:55:27,770 whose history straddles the narrow seas to Scotland, 515 00:55:27,770 --> 00:55:29,790 and all of Ulster's history. 516 00:55:29,790 --> 00:55:32,790 (calm Irish folk music) 517 00:55:47,070 --> 00:55:51,740 ♫ Should you wander far away 518 00:55:51,740 --> 00:55:57,780 ♫ Should you set your heart a sail ♫ 519 00:55:57,780 --> 00:55:59,820 When you look upon Ireland 520 00:55:59,820 --> 00:56:01,240 what do you see? 521 00:56:01,860 --> 00:56:06,230 One writer saw people made out of the wet, limey soil, 522 00:56:06,230 --> 00:56:10,780 others saw dreamers and mystics, warriors and chiefs, 523 00:56:10,780 --> 00:56:14,140 where a cure Celtic streak shaped and fashioned 524 00:56:14,140 --> 00:56:16,120 by the place they came from. 525 00:56:16,720 --> 00:56:20,940 Heaney sees its writers and artists, who in his words, 526 00:56:20,940 --> 00:56:23,110 "Capture the impulse of pleasure 527 00:56:23,110 --> 00:56:25,760 "in the presence of natural phenomena." 528 00:56:27,430 --> 00:56:29,560 The land continues to leave its mark 529 00:56:29,560 --> 00:56:31,340 on Ireland's people, 530 00:56:31,340 --> 00:56:34,600 and they carry that gift wherever they go. 531 00:56:35,130 --> 00:56:38,940 Perhaps the sentiment is better stated in this Irish poem, 532 00:56:40,510 --> 00:56:43,510 "And dearer the wind and its crying 533 00:56:43,510 --> 00:56:46,420 "are the secrets the wet hills hold. 534 00:56:46,840 --> 00:56:50,130 "And the goldenest place they could find you 535 00:56:50,130 --> 00:56:53,550 "in the heart of a country of gold." 536 00:56:54,480 --> 00:56:58,500 ♫ Dreams grow cold 537 00:56:58,500 --> 00:57:03,120 ♫ But our love is strong as death 538 00:57:03,120 --> 00:57:06,780 ♫ I will give my dying breath 539 00:57:06,780 --> 00:57:10,030 ♫ You know I will 540 00:57:12,660 --> 00:57:17,340 ♫ Should you wander with the tide 541 00:57:17,340 --> 00:57:22,540 ♫ You will find me by your side 542 00:57:22,540 --> 00:57:26,600 ♫ We are two swans taking flight 543 00:57:26,600 --> 00:57:29,450 ♫ Will I follow you 544 00:57:29,450 --> 00:57:36,030 ♫ You know I will 545 00:57:37,030 --> 00:57:41,120 ♫ Your heart is at home 546 00:57:41,120 --> 00:57:45,670 ♫ When you're with the one you know 547 00:57:45,670 --> 00:57:49,810 ♫ And our love will brave the storm 548 00:57:49,810 --> 00:57:53,000 ♫ You know it will 549 00:57:55,680 --> 00:58:00,160 ♫ And dreams grow cold 550 00:58:00,160 --> 00:58:04,740 ♫ But our love is strong as death 551 00:58:04,740 --> 00:58:08,960 ♫ I will give my dying breath 552 00:58:08,960 --> 00:58:12,260 ♫ You know I will 553 00:58:14,660 --> 00:58:17,120 ♫ Will I follow you 554 00:58:17,120 --> 00:58:24,640 ♫ You know I will ♫ 555 00:58:28,640 --> 00:58:31,640 (lively Irish folk music) 39681

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