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These are the user uploaded subtitles that are being translated: 1 00:00:27,592 --> 00:00:31,911 Howls for Sade, a film by Guy-Ernest Debord. 2 00:00:32,082 --> 00:00:38,642 Howls for Sade is dedicated to Gil J Wolman. 3 00:00:38,968 --> 00:00:41,209 Article 115. 4 00:00:41,583 --> 00:00:47,835 If a person has ceased to appear at his place of residence... 5 00:00:47,973 --> 00:00:51,708 and nothing has been heard concerning him for four years, 6 00:00:51,838 --> 00:00:54,355 interested parties... 7 00:00:54,638 --> 00:00:59,129 may petition the civil court to officially recognize... 8 00:00:59,308 --> 00:01:02,972 the absence of said person. 9 00:01:03,460 --> 00:01:08,084 Love is valid only in a pre-revolutionary period. 10 00:01:08,230 --> 00:01:10,682 Those girls don�t all love you, you liar! 11 00:01:10,909 --> 00:01:15,066 Arts begin, grow, and disappear... 12 00:01:15,301 --> 00:01:17,867 because dissatisfied people... 13 00:01:17,972 --> 00:01:21,545 break through the world of official expressions... 14 00:01:21,634 --> 00:01:24,248 and go beyond its festivals of poverty. 15 00:01:24,394 --> 00:01:26,814 Tell me, did you sleep with Fran�oise? 16 00:01:27,025 --> 00:01:28,649 What a springtime! 17 00:01:29,761 --> 00:01:32,749 Crib sheet for the history of film: 18 00:01:32,919 --> 00:01:35,826 1902: A Trip to the Moon. 19 00:01:36,004 --> 00:01:39,544 1920: The Cabinet of Doctor Caligari. 20 00:01:39,731 --> 00:01:42,605 1924: Entr�acte. 21 00:01:42,816 --> 00:01:46,080 1926: Potemkin. 22 00:01:46,242 --> 00:01:49,100 1928: An Andalusian Dog. 23 00:01:49,254 --> 00:01:54,011 1931: City Lights. Birth of Guy-Ernest Debord. 24 00:01:54,254 --> 00:01:58,427 1951: Treatise on Slime and Eternity. 25 00:01:58,605 --> 00:02:01,983 1952: The Anticoncept. 26 00:02:02,121 --> 00:02:04,459 Howls for Sade. 27 00:02:05,182 --> 00:02:08,218 Just as the projection was about to begin, 28 00:02:08,429 --> 00:02:11,174 Guy-Ernest Debord was supposed to step onto the stage... 29 00:02:11,384 --> 00:02:13,836 and make a few introductory remarks. 30 00:02:14,095 --> 00:02:17,506 Had he done so, he'd simply have said: "There is no film. 31 00:02:17,619 --> 00:02:18,886 Cinema is dead. 32 00:02:19,081 --> 00:02:20,575 No more films are possible. 33 00:02:20,729 --> 00:02:22,873 If you wish, we can move on to a discussion. 34 00:02:27,414 --> 00:02:29,834 Article 516. 35 00:02:30,467 --> 00:02:34,007 Property is either real or personal. 36 00:02:34,348 --> 00:02:36,832 In order never to be alone again. 37 00:02:37,206 --> 00:02:42,548 She is ugliness and beauty � like everything we love today. 38 00:02:42,808 --> 00:02:48,272 The arts of the future can be nothing less than disruptions of situations. 39 00:02:48,406 --> 00:02:50,972 In the caf�s of Saint-Germain-des-Pr�s! 40 00:02:51,337 --> 00:02:53,700 You know, I like you a lot. 41 00:02:53,992 --> 00:02:59,676 A sizable commando of some thirty lettrists, 42 00:03:00,057 --> 00:03:03,036 all wearing the filthy uniform... 43 00:03:03,199 --> 00:03:06,154 that is their only really original trademark, 44 00:03:06,336 --> 00:03:08,333 showed up at Cannes 45 00:03:08,477 --> 00:03:12,114 determined to provoke a scandal... 46 00:03:12,260 --> 00:03:15,378 that would draw attention to themselves. 47 00:03:15,589 --> 00:03:17,895 Happiness is a new idea in Europe. 48 00:03:18,065 --> 00:03:20,323 I know people only by their actions. 49 00:03:20,517 --> 00:03:24,308 In other respects they are indistinguishable from each other. 50 00:03:24,614 --> 00:03:29,274 In the final analysis, we are differentiated only by our works. 51 00:03:29,510 --> 00:03:32,466 And their revolts became conformisms. 52 00:03:32,587 --> 00:03:34,877 Article 488. 53 00:03:35,689 --> 00:03:39,797 The age of adulthood is 21 years; 54 00:03:40,366 --> 00:03:46,293 a person of that age is capable of all acts of civil life. 55 00:05:39,328 --> 00:05:42,247 She constantly reappeared in his memory, 56 00:05:42,392 --> 00:05:48,830 in a flash like sodium fireworks on contact with water. 57 00:05:49,473 --> 00:05:52,863 He was well aware that nothing of his exploits would remain... 58 00:05:53,090 --> 00:05:57,711 in a town that revolves with the Earth, as the Earth revolves within a galaxy 59 00:05:57,847 --> 00:06:01,026 that is only an insignificant part of a tiny island... 60 00:06:01,204 --> 00:06:03,880 endlessly receding from us. 61 00:06:04,407 --> 00:06:08,315 Totally dark, eyes closed to the enormity of the disaster. 62 00:07:03,578 --> 00:07:07,729 A science of situations needs to be created, which will incorporate... 63 00:07:07,827 --> 00:07:11,719 elements from psychology, statistics, urbanism, and ethics. 64 00:07:11,776 --> 00:07:14,970 These elements must be focused on a totally new goal: 65 00:07:15,278 --> 00:07:17,922 the conscious creation of situations. 66 00:07:46,871 --> 00:07:49,920 Lines from a 1950 newspaper: 67 00:07:50,812 --> 00:07:55,531 Popular Young Radio Actress Throws Herself Into the Is�re. Grenoble. 68 00:07:55,636 --> 00:07:57,874 Twelve-and-a-half-year-old Madeleine Reineri, 69 00:07:58,036 --> 00:08:03,525 who under the stage name �Pirouette� starred in the Alpes-Grenoble radio program... 70 00:08:03,703 --> 00:08:09,298 Happy Thursdays, threw herself into the Is�re River Friday afternoon... 71 00:08:09,419 --> 00:08:14,338 after having placed her schoolbag on the bank. 72 00:08:15,557 --> 00:08:18,850 Little sister, we�re not a pretty sight. 73 00:08:18,995 --> 00:08:21,233 The river and the misery continue. 74 00:08:21,363 --> 00:08:23,358 We are powerless. 75 00:09:48,238 --> 00:09:51,278 But no one talks about Sade in this film. 76 00:09:52,056 --> 00:09:54,878 The cold of interstellar space, 77 00:09:55,024 --> 00:09:58,316 thousands of degrees below freezing or... 78 00:09:58,454 --> 00:10:02,799 the absolute zero of Fahrenheit, Centigrade or R�aumur: 79 00:10:02,945 --> 00:10:05,750 the incipient intimations of proximate dawn. 80 00:10:06,261 --> 00:10:10,549 The rapid passage of Jacques Vach� through the wartime sky, 81 00:10:10,711 --> 00:10:15,033 his overwhelming sense of urgency, 82 00:10:15,309 --> 00:10:19,638 the catastrophic haste that led him to destroy himself; 83 00:10:19,784 --> 00:10:22,629 the whipcracking spirit of Arthur Cravan 84 00:10:22,824 --> 00:10:26,489 who vanished in the Gulf of Mexico around that same time... 85 00:10:28,030 --> 00:10:31,484 Article 1793. 86 00:10:32,197 --> 00:10:36,705 When an architect or contractor contracts with a landowner... 87 00:10:36,811 --> 00:10:39,235 to construct a building... 88 00:10:39,478 --> 00:10:44,464 in accordance with an agreed plan and for a specified payment, 89 00:10:44,587 --> 00:10:48,430 he cannot demand any increase in that payment on any grounds, 90 00:10:48,567 --> 00:10:53,635 whether because of an increase in the work force or materials... 91 00:10:53,777 --> 00:10:56,031 or because of any changes... 92 00:10:56,136 --> 00:10:58,788 or additions made to the plan, 93 00:10:59,079 --> 00:11:02,209 unless such changes, additions or increases have been... 94 00:11:02,347 --> 00:11:08,039 authorized in writing and the new payment has been agreed to by the landowner. 95 00:11:08,169 --> 00:11:11,047 The perfection of suicide lies in its ambiguity. 96 00:15:46,703 --> 00:15:48,535 What is a one and only love? 97 00:15:50,238 --> 00:15:53,190 I will answer only in the presence of my attorney. 98 00:16:51,878 --> 00:16:55,526 Order reigns but does not govern. 99 00:18:47,949 --> 00:18:52,911 The first marvel is to come before her without knowing how to talk to her. 100 00:18:53,073 --> 00:18:58,545 The imprisoned hands move no faster than race horses filmed in slow motion 101 00:18:58,825 --> 00:19:00,804 as they touch her mouth and breasts; 102 00:19:00,966 --> 00:19:04,241 in all innocence the ropes become water 103 00:19:04,371 --> 00:19:06,706 and we roll together toward dawn. 104 00:19:07,142 --> 00:19:09,623 I don�t think we�ll ever see each other again. 105 00:19:10,239 --> 00:19:13,661 The lights of the winter streets will end near a kiss. 106 00:19:14,245 --> 00:19:17,520 Paris was real fun because of the transportation strike. 107 00:19:17,698 --> 00:19:20,309 Jack the Ripper was never caught. 108 00:19:20,479 --> 00:19:22,684 Telephones, they�re funny. 109 00:19:22,878 --> 00:19:26,073 What a love-challenge, as Madame de S�gur said. 110 00:19:26,356 --> 00:19:29,478 I�ll tell you some real scary stories 111 00:19:29,575 --> 00:19:31,407 from my part of the country, 112 00:19:31,594 --> 00:19:35,210 but they have to be told at night. 113 00:19:35,542 --> 00:19:36,791 My dear Ivich, 114 00:19:36,912 --> 00:19:40,739 unfortunately there are fewer Chinatowns than you think. 115 00:19:40,820 --> 00:19:42,198 You are fifteen years old. 116 00:19:42,304 --> 00:19:46,471 One of these days people will stop wearing such gaudy colors. 117 00:19:46,917 --> 00:19:48,571 I already knew you. 118 00:19:48,863 --> 00:19:51,814 Continental drift carries you farther away each day. 119 00:19:52,008 --> 00:19:54,084 The virgin forest is less virgin than you. 120 00:19:54,295 --> 00:19:57,505 Guy, one more minute and it�ll be tomorrow. 121 00:19:57,878 --> 00:20:01,122 Gun Crazy. You remember. That�s how it was. 122 00:20:01,219 --> 00:20:03,197 No one was good enough for us. 123 00:20:03,522 --> 00:20:04,559 Nevertheless... 124 00:20:04,672 --> 00:20:09,132 The hailstones on the banners of glass. We won�t forget this cursed planet. 125 00:24:59,805 --> 00:25:02,610 They�ll be famous someday, you�ll see! 126 00:25:02,942 --> 00:25:06,121 I will never accept the scandalous and scarcely credible fact... 127 00:25:06,250 --> 00:25:08,569 that there is such a thing as a police force. 128 00:25:08,901 --> 00:25:13,117 Several cathedrals have been erected in memory of Serge Berna. 129 00:25:13,490 --> 00:25:17,008 Love is valid only in a pre-revolutionary period. 130 00:25:17,252 --> 00:25:20,617 I made this film while there was still time to talk about it. 131 00:25:20,909 --> 00:25:24,573 Jean-Isidore, in order to get out of that ephemeral crowd. 132 00:25:24,719 --> 00:25:27,930 On Place Gabriel-Pomerand when we�ve grown old. 133 00:25:28,505 --> 00:25:30,403 In the future all these little jokers 134 00:25:30,532 --> 00:25:33,970 will be studied in the high schools and colleges. 135 00:28:18,048 --> 00:28:21,015 There are still many people who aren�t moved to laugh 136 00:28:21,242 --> 00:28:22,961 or to scream by the word "morality." 137 00:28:23,108 --> 00:28:25,637 Article 489 138 00:28:26,796 --> 00:28:28,199 An adult... 139 00:28:28,361 --> 00:28:31,231 who is usually in a state of imbecility, 140 00:28:31,361 --> 00:28:34,988 or dementia or who has frequent fits of rage... 141 00:28:35,442 --> 00:28:41,361 must be kept in protective custody even if he has intervals of lucidity. 142 00:28:41,596 --> 00:28:43,558 So close, so gently, 143 00:28:43,793 --> 00:28:47,701 I lose myself in the hollow archipelagos of language. 144 00:28:47,920 --> 00:28:50,531 I bear down on you, you�re as open as a cry, 145 00:28:50,766 --> 00:28:52,274 it�s so easy. 146 00:28:52,639 --> 00:28:55,006 A hot stream. 147 00:28:55,331 --> 00:28:57,196 A sea of oil. 148 00:28:57,593 --> 00:29:00,966 - A forest fire. - That sounds like the movies. 149 00:29:01,141 --> 00:29:05,941 The Paris police are equipped with 30,000 billy clubs. 150 00:32:45,605 --> 00:32:50,081 "Poetic worlds close in on themselves and are forgotten." 151 00:32:50,275 --> 00:32:52,967 In a corner of the night sailors are making war; 152 00:32:53,162 --> 00:32:56,875 ships in bottles are for you who loved them. 153 00:32:57,061 --> 00:33:00,564 You lie back in the sand as in the more loving hands... 154 00:33:00,742 --> 00:33:04,666 that the rain and wind and thunder slip under your dress every evening. 155 00:33:04,828 --> 00:33:06,887 Life is wonderful in Cannes in the summer. 156 00:33:07,033 --> 00:33:10,617 Rape, which is forbidden, becomes banal in our memories. 157 00:33:10,836 --> 00:33:14,566 "When we were on the Shenandoah." Yes. Of course. 158 00:33:15,474 --> 00:33:17,533 And the silting up of those faces, 159 00:33:17,703 --> 00:33:21,838 which once bore flashes of desire like ink splattered on a wall, 160 00:33:22,000 --> 00:33:24,043 which were like shooting stars. 161 00:33:24,336 --> 00:33:27,174 Gin, rum, brandy � 162 00:33:27,336 --> 00:33:29,395 down the hatch like the Grand Armada. 163 00:33:29,808 --> 00:33:31,770 So much for the funeral oration. 164 00:33:32,038 --> 00:33:35,021 But all those people were so commonplace. 165 00:38:02,762 --> 00:38:04,546 We had a narrow escape. 166 00:38:04,789 --> 00:38:06,848 The most beautiful is still to come. 167 00:38:07,027 --> 00:38:09,410 Death would be a steak tartar; 168 00:38:09,548 --> 00:38:12,840 wet hair on the scalding beach of our silence. 169 00:38:12,937 --> 00:38:14,104 But he�s a Jew! 170 00:38:14,504 --> 00:38:17,261 We were ready to blow up all the bridges, 171 00:38:17,407 --> 00:38:19,418 but the bridges let us down. 172 00:41:51,126 --> 00:41:53,882 Twelve-and-a-half-year-old Madeleine Reineri, 173 00:41:54,012 --> 00:41:58,423 who under the stage name "Pirouette" starred in the Alpes-Grenoble... 174 00:41:58,520 --> 00:42:00,749 radio program, Happy Thursdays, 175 00:42:00,960 --> 00:42:04,852 threw herself into the Is�re River. 176 00:42:05,751 --> 00:42:08,734 Mademoiselle Reineri of the Europe Quarter, 177 00:42:08,945 --> 00:42:12,415 you still have your wonderstruck face and that body, 178 00:42:12,512 --> 00:42:14,572 the best of promised lands. 179 00:42:14,985 --> 00:42:19,168 Like neon lights, the dialogues repeat their definitive truths. 180 00:42:19,395 --> 00:42:20,579 I love you. 181 00:42:20,911 --> 00:42:23,409 It must be terrible to die. 182 00:42:23,911 --> 00:42:25,128 See you later. 183 00:42:25,274 --> 00:42:26,619 You drink far too much. 184 00:42:27,097 --> 00:42:29,465 What are childhood loves? 185 00:42:29,595 --> 00:42:31,119 I don�t understand you. 186 00:42:31,525 --> 00:42:32,757 I knew it. 187 00:42:33,130 --> 00:42:36,438 And there was a time when I regretted it very much. 188 00:42:36,779 --> 00:42:38,287 Would you like an orange? 189 00:42:38,425 --> 00:42:41,587 The beautiful breakups of volcanic islands. 190 00:42:41,838 --> 00:42:43,103 In the past. 191 00:42:43,589 --> 00:42:45,762 I have nothing more to say to you. 192 00:42:46,155 --> 00:42:48,733 Once again, after all the untimely answers 193 00:42:49,013 --> 00:42:50,813 and the aging of youth, 194 00:42:51,056 --> 00:42:53,099 night falls from on high. 195 00:45:37,383 --> 00:45:42,004 Like lost children we live our unfinished adventures. 15922

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