Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,000 --> 00:00:07,000
2
00:00:08,000 --> 00:00:13,000
3
00:00:24,593 --> 00:00:27,229
[WIND BLOWING]
4
00:00:27,295 --> 00:00:30,098
[SIREN IN DISTANCE]
5
00:00:39,241 --> 00:00:42,043
[PEOPLE CHATTERING]
6
00:00:49,618 --> 00:00:52,621
[MUSIC PLAYING]
7
00:00:52,687 --> 00:00:56,791
Kevin: ♪ AW, ONE, TWO PRINCES
KNEEL BEFORE YOU ♪
8
00:00:56,858 --> 00:00:58,260
Teen: ♪ THAT'S
WHAT I SAID NOW ♪
9
00:00:58,326 --> 00:01:01,496
♪ PRINCES, PRINCES
WHO ADORE YOU ♪
10
00:01:01,563 --> 00:01:02,831
♪ JUST GO AHEAD NOW ♪
11
00:01:02,898 --> 00:01:05,667
♪ ONE HAS-- ♪
12
00:01:05,734 --> 00:01:07,335
♪ AND THAT'S
SOME BREAD NOW ♪
13
00:01:07,402 --> 00:01:10,405
♪ THIS ONE SAID HE WANTS
TO BUY YOU ROCKETS ♪
14
00:01:10,472 --> 00:01:11,806
♪ AIN'T
IN HIS HEAD ♪
15
00:01:11,873 --> 00:01:14,609
♪ MARRY HIM
OR MARRY ME... ♪
16
00:01:14,676 --> 00:01:16,778
Kevin: IT ALL STARTED
BECAUSE OF A GIRL AT A PARTY.
17
00:01:16,845 --> 00:01:18,580
♪ I AIN'T GOT NO FUTURE
OR FAMILY TREE ♪
18
00:01:18,647 --> 00:01:21,683
Kevin: SPRING, 1994.
19
00:01:21,750 --> 00:01:23,785
THAT WAS OUR BAND--
GRANITE.
20
00:01:23,852 --> 00:01:25,887
WE WERE ALL ABOUT
THE ROCK.
21
00:01:25,954 --> 00:01:27,789
I MEAN,
WE WERE HARDCORE.
22
00:01:27,856 --> 00:01:30,959
♪ AND IF YOU WANT
TO TELL ME MAYBE ♪
23
00:01:31,026 --> 00:01:32,527
♪ JUST GO AHEAD NOW ♪
24
00:01:32,594 --> 00:01:35,363
♪ AND IF YOU WANT
TO BUY ME FLOWERS ♪
25
00:01:35,430 --> 00:01:36,898
♪ JUST GO AHEAD NOW ♪
26
00:01:36,965 --> 00:01:40,402
♪ AND IF YOU LIKE
TO TALK FOR HOURS ♪
27
00:01:40,468 --> 00:01:42,570
♪ JUST GO AHEAD NOW ♪
28
00:01:42,637 --> 00:01:44,139
♪ GO AHEAD NOW ♪
29
00:01:44,205 --> 00:01:46,741
Crowd:
GRANITE! GRANITE!
30
00:01:46,808 --> 00:01:48,910
[FEEDBACK]
31
00:01:48,977 --> 00:01:50,245
Crowd:
GRANITE! GRANITE!
32
00:01:50,312 --> 00:01:52,047
Kevin: AND THIS WAS
THE MOMENT.
33
00:01:52,113 --> 00:01:54,683
MY BIG CHANCE TO IMPRESS
THE GIRL OF MY DREAMS.
34
00:01:54,749 --> 00:01:56,952
KEV, I GOT A GREAT IDEA.
WHAT?
35
00:01:57,018 --> 00:01:58,787
WHY DON'T WE JUST SING
THE BALLAD THAT I WROTE,
36
00:01:58,853 --> 00:02:00,155
DEDICATE IT TO HER,
37
00:02:00,221 --> 00:02:01,923
AND THEN WHEN IT'S OVER,
JUST ASK HER OUT.
38
00:02:01,990 --> 00:02:03,591
COME ON, WHAT ARE YOU, STUPID?
SHE'S RIGHT THERE.
39
00:02:03,658 --> 00:02:04,826
ALL RIGHT,
LET'S DO THE BALLAD.
40
00:02:04,893 --> 00:02:06,361
I CAN DO THIS.
41
00:02:06,428 --> 00:02:08,063
Girl: GRANITE!
42
00:02:08,129 --> 00:02:09,931
YEAH, KEVIN,
YOU CAN DO IT.
43
00:02:11,366 --> 00:02:12,801
COME ON, KEVIN.
44
00:02:12,867 --> 00:02:15,203
DON'T BE SUCH A WUSS.
COME ON, JUST DO IT.
45
00:02:15,270 --> 00:02:17,472
Kevin: I DIDN'T DO IT.
I JUST FROZE.
46
00:02:17,539 --> 00:02:18,873
COME ON, KEVIN,
DON'T BE A TULIP!
47
00:02:18,940 --> 00:02:20,809
Kevin: MY HEART
STARTED POUNDING.
48
00:02:20,875 --> 00:02:22,310
MY PITS STARTED SWEATING.
49
00:02:22,377 --> 00:02:25,246
Crowd: AW...
I FELT NAKED UP THERE.
50
00:02:25,313 --> 00:02:26,348
KEVIN.
51
00:02:26,414 --> 00:02:27,549
KEVIN.
KEVIN!
52
00:02:27,615 --> 00:02:30,352
[LAUGHTER]
53
00:02:30,418 --> 00:02:31,786
WHAT IS IT?
54
00:02:39,327 --> 00:02:40,962
[THUD]
55
00:02:41,029 --> 00:02:42,464
I CAN'T
BELIEVE IT, MAN.
56
00:02:42,530 --> 00:02:45,133
THAT STORY GETS FUNNIER
EVERY TIME I HEAR IT.
57
00:02:45,200 --> 00:02:46,801
YEAH. THANKS
FOR THE SUPPORT.
58
00:02:46,868 --> 00:02:48,870
MAN, COME ON. YOU KNOW
WHAT YOUR PROBLEM IS?
59
00:02:48,937 --> 00:02:50,605
I THINK IT'S A LACK
OF SELF-CONFIDENCE.
60
00:02:50,672 --> 00:02:53,375
I MEAN, I KNOW YOU GO OUT
ON DATES AND EVERYTHING,
61
00:02:53,441 --> 00:02:55,343
BUT I THINK WHEN YOU FIND
THE GIRL OF YOUR DREAMS,
62
00:02:55,410 --> 00:02:57,178
YOU CAN'T SEAL
THE DEAL, YOU KNOW?
63
00:02:57,245 --> 00:02:59,280
PICK THE FRUIT,
SPIT THE WAD.
64
00:02:59,347 --> 00:03:00,348
YOU KNOW
WHAT I'M SAYING?
65
00:03:00,415 --> 00:03:02,550
NO, I DON'T.
66
00:03:02,617 --> 00:03:04,452
Boy: I THINK WHAT YOUR
FRIEND IS TRYING TO SAY
67
00:03:04,519 --> 00:03:06,855
IS THAT YOU'RE SUFFERING
FROM A CLASSIC PSYCHOSOMATIC
68
00:03:06,921 --> 00:03:09,024
COMMUNICATIVE
ANXIETY DISORDER.
69
00:03:09,090 --> 00:03:12,560
BASICALLY, YOU MEET
THE RIGHT GIRL, YOU CHOKE.
70
00:03:12,627 --> 00:03:14,629
THAT'S WHAT
I WAS SAYING.
71
00:03:14,696 --> 00:03:16,197
DUDE, YOU GOT TO RELAX.
72
00:03:16,264 --> 00:03:17,699
WATCH ME WORK.
73
00:03:20,301 --> 00:03:21,770
FRENCH FRY?
74
00:03:25,874 --> 00:03:27,208
[BELL RINGS]
75
00:03:28,777 --> 00:03:31,079
[MUSIC PLAYING]
76
00:03:48,963 --> 00:03:52,000
FKR. HOW CAN I DIRECT
YOUR CALL?
77
00:03:52,067 --> 00:03:53,635
HOLD, PLEASE.
78
00:03:53,702 --> 00:03:54,803
YEAH. HAVE IT
UNDER CONTROL?
79
00:03:54,869 --> 00:03:56,771
GOOD MORNING, MARGIE.
80
00:03:56,838 --> 00:03:59,474
FKR. HOW CAN I DIRECT
YOUR CALL?
81
00:03:59,541 --> 00:04:01,509
HOLD, PLEASE.
OK.
82
00:04:03,978 --> 00:04:04,979
♪ HEY, BABY ♪
83
00:04:05,046 --> 00:04:06,014
♪ HEY, BABY ♪
84
00:04:06,081 --> 00:04:07,048
♪ YEAH, BABY ♪
85
00:04:07,115 --> 00:04:08,683
♪ YEAH, BABY ♪
86
00:04:08,750 --> 00:04:09,717
♪ HEY, BABY ♪
87
00:04:09,784 --> 00:04:10,819
♪ YEAH, BABY ♪
88
00:04:10,885 --> 00:04:12,187
♪ YEAH, BABY ♪
89
00:04:12,253 --> 00:04:13,221
OOPS.
90
00:04:14,456 --> 00:04:17,759
[WOMEN CHATTERING
AND LAUGHING]
91
00:04:29,671 --> 00:04:31,906
HEY, NATHAN,
HOW'S IT GOING?
92
00:04:31,973 --> 00:04:33,975
I GOT TO SPEND ANOTHER
ONE OF MY REMAINING DAYS
93
00:04:34,042 --> 00:04:35,410
IN THIS PURGATORY.
94
00:04:35,477 --> 00:04:38,046
I GOT CATARACTS
THE SIZE OF CANTALOUPES,
95
00:04:38,113 --> 00:04:40,014
AND I HAVEN'T HAD
A DECENT BOWEL MOVEMENT
96
00:04:40,081 --> 00:04:43,051
SINCE THE REAGAN
ADMINISTRATION.
97
00:04:43,118 --> 00:04:44,819
OK.
98
00:04:44,886 --> 00:04:46,521
[BASEBALL GAME ON TV]
99
00:04:46,588 --> 00:04:49,290
SO, ARE YOU EVER GOING TO
TELL ME ABOUT THAT BASEBALL?
100
00:04:49,357 --> 00:04:50,492
NO.
101
00:04:50,558 --> 00:04:51,759
[MECHANICAL WHIR]
102
00:04:51,826 --> 00:04:53,795
[MACHINE BEEPING]
103
00:04:58,633 --> 00:04:59,868
COME ON, LUCILLE.
104
00:04:59,934 --> 00:05:01,870
DON'T DIE ON ME NOW.
105
00:05:01,936 --> 00:05:04,472
DADDY KNOWS
YOU'RE TIRED,
106
00:05:04,539 --> 00:05:06,241
BUT DADDY ALSO KNOWS
107
00:05:06,307 --> 00:05:08,610
YOU GOT ANOTHER FEW
IN YOU.
108
00:05:08,676 --> 00:05:10,979
YES, YOU DO.
109
00:05:11,045 --> 00:05:12,313
DO YOU REALLY THINK
THAT WORKS?
110
00:05:12,380 --> 00:05:14,415
SOMETIMES,
BUT WHEN IT DOESN'T,
111
00:05:14,482 --> 00:05:16,151
YOU GIVE HER
A LITTLE LOVE TAP.
112
00:05:16,217 --> 00:05:17,485
[CLUNK]
113
00:05:17,552 --> 00:05:18,887
[MACHINE WHIRS]
114
00:05:21,289 --> 00:05:22,457
UHH.
115
00:05:24,826 --> 00:05:26,194
GOOD MORNING, JACKIE.
116
00:05:26,261 --> 00:05:27,862
Jackie:
GOOD MORNING.
117
00:05:34,002 --> 00:05:36,371
UH, GIBBONS?
118
00:05:36,437 --> 00:05:39,340
I NEED YOU IN HERE,
PLEASE.
119
00:05:39,407 --> 00:05:40,909
Higgins: YOU'VE DONE
EXCELLENT WORK HERE,
120
00:05:40,975 --> 00:05:43,211
AND NOW LET ME
ASK YOU A QUESTION.
121
00:05:43,278 --> 00:05:45,580
WHAT DOES REEBOK
STAND FOR?
122
00:05:45,647 --> 00:05:47,182
UM, I BELIEVE
THE REEBOK
123
00:05:47,248 --> 00:05:49,284
IS A TYPE OF
AFRICAN GAZELLE.
124
00:05:49,350 --> 00:05:51,686
[LOUD WHIRRING]
125
00:05:51,753 --> 00:05:52,987
NO.
126
00:05:53,054 --> 00:05:55,657
REEBOK STANDS
FOR CREDIBILITY
127
00:05:55,723 --> 00:05:58,026
AND PRESTIGE.
128
00:05:58,092 --> 00:06:00,094
WE ARE GOING GLOBAL.
129
00:06:01,729 --> 00:06:04,032
WHEATGRASS?
I'LL PASS.
130
00:06:04,098 --> 00:06:05,466
REEBOK WANTS US TO DO
131
00:06:05,533 --> 00:06:08,803
THEIR FEMALE 'TWEENS
FOOTWEAR CAMPAIGN.
132
00:06:08,870 --> 00:06:11,239
'TWEENS?
'TWEENS, GIBBONS--
133
00:06:11,306 --> 00:06:13,374
FOR FEMALES BETWEEN
THEIR ADOLESCENCE
134
00:06:13,441 --> 00:06:15,210
AND TEEN YEARS.
GET WITH IT, GIBBONS.
135
00:06:15,276 --> 00:06:16,744
OHH. JACKIE, COULD YOU COME IN
HERE, PLEASE?
136
00:06:16,811 --> 00:06:20,181
MR. HIGGINS, THIS IS SUCH
A GREAT OPPORTUNITY FOR ME.
137
00:06:20,248 --> 00:06:21,683
I DON'T KNOW WHAT TO SAY.
WELL, THEN DON'T SAY ANYTHING.
138
00:06:21,749 --> 00:06:24,285
I MIGHT CHANGE MY MIND.
YOU WANTED TO SEE ME?
139
00:06:24,352 --> 00:06:26,721
YES. HOW'S THE REEBOK
CAMPAIGN COMING ALONG?
140
00:06:26,788 --> 00:06:27,956
EXCELLENT, SIR.
141
00:06:28,022 --> 00:06:29,591
I HAVEN'T COMPLETED
THE CONCEPT YET,
142
00:06:29,657 --> 00:06:30,892
BUT I'M CLOSE.
143
00:06:30,959 --> 00:06:34,195
WELL, YOU JUST GOT
A LITTLE BIT CLOSER.
144
00:06:34,262 --> 00:06:37,432
GIBBONS HERE IS JOINING
THE CREATIVE TEAM.
145
00:06:37,498 --> 00:06:38,700
HMM.
146
00:06:38,766 --> 00:06:42,036
Kevin: OK, REEBOK.
147
00:06:42,103 --> 00:06:43,738
ALL RIGHT.
148
00:06:43,805 --> 00:06:46,741
WE HAVE 2 BABY CHICKENS,
149
00:06:46,808 --> 00:06:48,977
AND THEY'RE BOTH
WEARING REEBOKS.
150
00:06:49,043 --> 00:06:50,912
ONE IS GOING, "REE."
151
00:06:50,979 --> 00:06:53,514
THE OTHER IS GOING, "BOK."
152
00:06:53,581 --> 00:06:56,050
REEBOK, REEBOK.
153
00:06:56,117 --> 00:06:59,654
THAT'S
MORONIC, MORONIC.
154
00:06:59,721 --> 00:07:00,955
[SIGHS]
[SQUEAKS]
155
00:07:01,022 --> 00:07:02,023
I GOT IT.
156
00:07:02,090 --> 00:07:03,658
IMAGINE MY EXCITEMENT.
157
00:07:03,725 --> 00:07:05,827
WAIT. OK.
PICTURE THIS.
158
00:07:05,894 --> 00:07:07,762
YOU HAVE GIRLS
AT A PARTY,
159
00:07:07,829 --> 00:07:08,997
GIRLS ON THE SOCCER FIELD,
160
00:07:09,063 --> 00:07:10,832
GIRLS
AT A CONCERT
161
00:07:10,898 --> 00:07:12,400
ALL WEARING REEBOK.
162
00:07:12,467 --> 00:07:14,335
AND THE TAG LINE?
163
00:07:14,402 --> 00:07:17,405
FOR GIRLS
WHO CHOOSE TO MOVE.
164
00:07:19,107 --> 00:07:20,208
♪ YEAH, BABY ♪
165
00:07:20,275 --> 00:07:21,242
WHAT DO YOU THINK?
166
00:07:21,309 --> 00:07:22,410
I THINK
THE WHEATGRASS
167
00:07:22,477 --> 00:07:24,212
HAS FINALLY GONE
TO HIGGINS' HEAD
168
00:07:24,279 --> 00:07:25,847
FOR PUTTING YOU
ON THE TEAM.
169
00:07:25,913 --> 00:07:27,181
YOU LIKED IT THAT MUCH?
170
00:07:27,248 --> 00:07:31,119
LOOK, I'VE WORKED AT
THIS OFFICE FOR 5 YEARS.
171
00:07:31,185 --> 00:07:32,954
I'VE GOT SENIORITY
ON YOU.
172
00:07:33,021 --> 00:07:35,456
THIS SHOULD BE
MY ACCOUNT.
173
00:07:35,523 --> 00:07:37,892
YOU DON'T LIKE ME
VERY MUCH, DO YOU?
174
00:07:37,959 --> 00:07:40,061
BRILLIANT DEDUCTION,
SCOOBY.
175
00:07:40,128 --> 00:07:41,562
NOW LET'S
GET BACK TO WORK
176
00:07:41,629 --> 00:07:46,234
AND COME UP
WITH SOME GOOD IDEAS.
177
00:07:46,301 --> 00:07:49,937
Al Green: ♪ HEY,
DIDN'T GO FOR THAT ♪
178
00:07:50,004 --> 00:07:51,906
♪ IT'S A NATURAL FACT ♪
179
00:07:51,973 --> 00:07:53,308
♪ NOW I WANNA COME BACK ♪
180
00:07:53,374 --> 00:07:56,177
♪ WON'T YOU SHOW ME
WHERE IT'S AT ♪
181
00:07:56,244 --> 00:07:59,314
♪ WHERE IT'S AT ♪
182
00:07:59,380 --> 00:08:01,449
♪ I'M SO TIRED
OF BEING ALONE ♪
183
00:08:01,516 --> 00:08:04,052
♪ I'M SO TIRED
OF ON MY OWN ♪
184
00:08:04,118 --> 00:08:06,254
♪ WON'T YOU HELP ME,
GIRL ♪
185
00:08:06,321 --> 00:08:11,225
♪ JUST AS SOON
AS YOU CAN ♪
186
00:08:11,292 --> 00:08:14,295
Al Green: ♪ YEAH,
I GUESS YOU KNOW ♪
187
00:08:14,362 --> 00:08:16,998
♪ THAT I LOVE YOU SO ♪
188
00:08:17,065 --> 00:08:18,433
SORRY.
189
00:08:18,499 --> 00:08:20,668
♪ YOU DON'T WANT ME
NO MORE ♪
190
00:08:21,769 --> 00:08:23,971
[TURNS OFF MUSIC]
191
00:08:24,038 --> 00:08:25,740
Abbey: I CAN'T
NEXT TO YOU.
192
00:08:29,644 --> 00:08:30,912
EXCUSE ME?
193
00:08:30,978 --> 00:08:32,080
I'M SO TIRED
OF BEING ALONE
194
00:08:32,146 --> 00:08:33,948
IS A GREAT
AL GREEN SONG,
195
00:08:34,015 --> 00:08:35,450
BUT I CAN'T
GET NEXT TO YOU
196
00:08:35,516 --> 00:08:38,152
SEEMS A LITTLE MORE
APPROPRIATE RIGHT NOW.
197
00:08:38,920 --> 00:08:40,088
AND WHY'S THAT?
198
00:08:40,154 --> 00:08:42,724
BECAUSE I CAN'T
GET NEXT TO YOU.
199
00:08:44,058 --> 00:08:45,226
OH.
200
00:08:49,764 --> 00:08:51,499
Abbey: AHEM.
201
00:08:51,566 --> 00:08:52,734
THANKS.
202
00:08:57,105 --> 00:08:58,439
AHEM.
203
00:08:59,941 --> 00:09:02,143
I ENJOYED
YOUR PERFORMANCE.
204
00:09:02,210 --> 00:09:04,278
THANKS.
205
00:09:04,345 --> 00:09:06,180
AL GREEN HELPS ME
CLEAR MY HEAD.
206
00:09:06,247 --> 00:09:09,817
IT'S A MENTAL THING. YIKES.
207
00:09:09,884 --> 00:09:12,487
I HEAR HE'S PLAYING AT
THE OPERA HOUSE IN 2 WEEKS.
208
00:09:12,553 --> 00:09:14,455
MAYBE HE'S LOOKING
FOR AN OPENING ACT.
209
00:09:14,522 --> 00:09:15,690
YOU LIKE
THE REVEREND?
210
00:09:15,757 --> 00:09:16,991
[LAUGHS]
211
00:09:17,058 --> 00:09:18,893
MY MOM WAS LISTENING
TO LOVE AND HAPPINESS
212
00:09:18,960 --> 00:09:20,161
WHEN SHE WAS
IN LABOR WITH ME.
213
00:09:20,228 --> 00:09:23,631
I THINK HE'S...
DEFINITELY IN MY SOUL.
214
00:09:23,698 --> 00:09:25,366
HA HA.
215
00:09:28,002 --> 00:09:30,471
SO... WHAT DO YOU DO
216
00:09:30,538 --> 00:09:33,207
BESIDES APPROACH
STRANGE MEN ON THE "L"?
217
00:09:34,275 --> 00:09:36,210
I GO TO SCHOOL--
GRAD SCHOOL.
218
00:09:36,277 --> 00:09:38,146
WHAT DO YOU STUDY?
ARCHEOLOGY.
219
00:09:38,212 --> 00:09:39,313
ARCHEOLOGY.
220
00:09:39,380 --> 00:09:40,715
WHAT DO YOU DO BESIDES
221
00:09:40,782 --> 00:09:42,550
SERENADE STRANGE PEOPLE
ON THE "L"?
222
00:09:42,617 --> 00:09:44,085
OH, WAIT.
WAIT, WAIT.
223
00:09:44,152 --> 00:09:46,187
LET ME GUESS.
224
00:09:46,254 --> 00:09:50,425
YOU ARE AN AD MAN.
225
00:09:50,491 --> 00:09:53,327
NOW, HOW DID YOU
DO THAT?
226
00:09:53,394 --> 00:09:54,862
IT'S STITCHED ON YOUR BAG.
227
00:09:54,929 --> 00:09:56,798
[LAUGHS]
228
00:09:59,634 --> 00:10:02,236
HAVE YOU DONE ANYTHING
I MIGHT'VE SEEN?
229
00:10:02,303 --> 00:10:04,705
I DON'T KNOW.
UH...
230
00:10:04,772 --> 00:10:06,908
I HAD A HAND IN
THE POP SECRET POPCORN CAMPAIGN.
231
00:10:06,974 --> 00:10:09,777
♪ BUTTER
MAKES IT BETTER, BABY ♪
232
00:10:09,844 --> 00:10:11,212
THAT'S IT.
THAT'S ME.
233
00:10:11,279 --> 00:10:12,814
I ACTUALLY WROTE THAT.
234
00:10:12,880 --> 00:10:15,349
SO NOW WHEN I GO TO WRIGLEY
AND ROOT FOR THE CUBBIES,
235
00:10:15,416 --> 00:10:17,552
I CAN LOOK UP AT THE BIG
POP SECRET BILLBOARD
236
00:10:17,618 --> 00:10:18,820
AND THINK OF YOU.
237
00:10:18,886 --> 00:10:21,155
YOU'RE A CUBS FAN?
HECK, YEAH. BORN AND RAISED.
238
00:10:21,222 --> 00:10:22,790
ALL RIGHT, ALL RIGHT.
UM...
239
00:10:22,857 --> 00:10:26,327
SO, TELL ME. TELL ME YOUR BEST
AND WORST CUB MOMENT.
240
00:10:26,394 --> 00:10:28,529
BEST--
WHENEVER THEY WIN.
241
00:10:28,596 --> 00:10:29,597
OF COURSE.
242
00:10:29,664 --> 00:10:31,999
WORST--GAME 5
IN THE '84 PLAYOFFS.
243
00:10:32,066 --> 00:10:35,570
Both: THE GROUND BALL
WENT THROUGH DURHAM'S LEGS.
244
00:10:35,636 --> 00:10:37,038
THAT IS THE WORST
MOMENT OF MY LIFE.
245
00:10:37,104 --> 00:10:38,706
HORRIBLE.
I WAS SO DEPRESSED.
246
00:10:38,773 --> 00:10:40,475
I DIDN'T EVEN GO TO SCHOOL
THE NEXT DAY.
247
00:10:40,541 --> 00:10:42,343
I CRIED.
248
00:10:42,410 --> 00:10:45,446
OK, MOST GUYS
WOULDN'T ADMIT THAT.
249
00:10:45,513 --> 00:10:49,450
YEAH. I DON'T KNOW WHY
I JUST TOLD YOU THAT.
250
00:10:56,424 --> 00:10:57,892
Driver:
NEXT STOP, ADAMS--
251
00:10:57,959 --> 00:11:00,161
ADAMS AND WABASH.
252
00:11:00,228 --> 00:11:01,629
THAT'S MY STOP.
253
00:11:01,696 --> 00:11:03,731
[LAUGHS]
254
00:11:03,798 --> 00:11:04,932
MINE, TOO.
255
00:11:07,835 --> 00:11:09,170
AFTER YOU.
256
00:11:09,237 --> 00:11:10,805
THANK YOU.
257
00:11:12,974 --> 00:11:14,108
SO, TELL ME
SOMETHING
258
00:11:14,175 --> 00:11:16,611
THAT YOU WOULD ONLY
TELL A STRANGER.
259
00:11:16,677 --> 00:11:19,113
UH...WHOO.
260
00:11:19,180 --> 00:11:21,215
I LIKE TO MAKE
PAPER AIRPLANES.
261
00:11:21,282 --> 00:11:22,817
MY DAD'S A PILOT.
262
00:11:22,884 --> 00:11:23,851
REALLY?
263
00:11:25,486 --> 00:11:27,822
OH, WAIT. DO YOU HAVE
A PIECE OF PAPER?
264
00:11:28,656 --> 00:11:30,591
YEAH, SURE.
265
00:11:30,658 --> 00:11:32,393
WHAT, AM I GOING TO GET,
A LITTLE DEMONSTRATION?
266
00:11:32,460 --> 00:11:34,195
UH-HUH.
A LITTLE DEMONSTRATION.
267
00:11:34,262 --> 00:11:36,297
THANK YOU.
268
00:11:38,666 --> 00:11:40,268
THAT'S
VERY IMPRESSIVE.
269
00:11:40,334 --> 00:11:42,603
THANK YOU.
IT'S MY OWN DESIGN.
270
00:11:42,670 --> 00:11:43,804
AH.
271
00:11:43,871 --> 00:11:46,240
ALL RIGHT, THIS IS
MY FAVORITE SPOT.
272
00:11:46,307 --> 00:11:47,975
SO, YOU'VE DONE THIS
BEFORE?
273
00:11:48,042 --> 00:11:49,210
MANY TIMES.
274
00:11:49,277 --> 00:11:50,611
YOU READY?
275
00:11:50,678 --> 00:11:51,913
I GUESS.
276
00:11:51,979 --> 00:11:53,848
HERE WE GO.
277
00:11:53,915 --> 00:11:55,883
STRONG TAKEOFF.
278
00:11:55,950 --> 00:11:57,451
SMOOTH FLIGHT.
279
00:11:57,518 --> 00:11:59,120
EXCELLENT
PAPER AIRPLANE.
280
00:11:59,187 --> 00:12:00,187
Abbey:
THANK YOU.
281
00:12:00,254 --> 00:12:03,558
OH!
HA HA HA!
282
00:12:03,624 --> 00:12:05,793
BUT I THINK YOUR LANDING
NEEDS A LITTLE WORK.
283
00:12:05,860 --> 00:12:07,328
YEAH, A LITTLE.
284
00:12:07,395 --> 00:12:08,863
DEFINITELY.
285
00:12:08,930 --> 00:12:10,698
ALL RIGHT, DON'T THINK
YOU'RE GETTING OFF SO EASY.
286
00:12:10,765 --> 00:12:11,532
IT'S YOUR TURN.
287
00:12:11,599 --> 00:12:14,869
I DON'T KNOW.
UM...
288
00:12:14,936 --> 00:12:17,371
LET'S SEE. UHH.
289
00:12:17,438 --> 00:12:20,708
OK. YOU'RE TOTALLY
GOING TO THINK I'M LAME,
290
00:12:20,775 --> 00:12:22,944
BUT I CAN NAME
ALL THE PRESIDENTS
291
00:12:23,010 --> 00:12:24,745
IN ORDER.
292
00:12:24,812 --> 00:12:26,547
WASHINGTON, ADAMS,
JEFFERSON, MADISON,
293
00:12:26,614 --> 00:12:28,316
MONROE, ADAMS,
JACKSON, VAN BUREN,
294
00:12:28,382 --> 00:12:30,651
HARRISON, TYLER, POLK,
TAYLOR, FILLMORE,
295
00:12:30,718 --> 00:12:32,587
PIERCE, BUCHANAN,
LINCOLN, JOHNSON, GRANT,
296
00:12:32,653 --> 00:12:34,155
HAYES, GARFIELD, ARTHUR,
297
00:12:34,222 --> 00:12:35,356
CLEVELAND,
HARRISON...
298
00:12:35,423 --> 00:12:37,358
Both: McKINLEY,
ROOSEVELT, TAFT,
299
00:12:37,425 --> 00:12:39,293
WILSON, HARDING, COOLIDGE,
300
00:12:39,360 --> 00:12:41,395
HOOVER, ROOSEVELT, TRUMAN,
301
00:12:41,462 --> 00:12:43,431
EISENHOWER,
KENNEDY, JOHNSON,
302
00:12:43,497 --> 00:12:45,032
NIXON, FORD,
CARTER, REAGAN,
303
00:12:45,099 --> 00:12:47,301
BUSH, CLINTON, BUSH.
304
00:12:48,135 --> 00:12:49,737
WOW.
HA HA!
305
00:12:49,804 --> 00:12:52,206
OK, I THINK WE'RE THE ONLY
2 PEOPLE IN THE WORLD
306
00:12:52,273 --> 00:12:53,608
WHO CAN DO THAT
AT THE SAME TIME.
307
00:12:53,674 --> 00:12:56,210
I THINK
YOU MAY BE RIGHT.
308
00:12:56,277 --> 00:12:57,578
OK, THAT'S AMAZING.
309
00:12:57,645 --> 00:13:00,014
[LAUGHS]
310
00:13:00,081 --> 00:13:01,649
UM...
311
00:13:01,716 --> 00:13:04,952
I GOT TO CATCH
THE CONNECTING TRAIN.
312
00:13:05,019 --> 00:13:06,053
RIGHT.
313
00:13:06,120 --> 00:13:07,888
UM...
314
00:13:07,955 --> 00:13:09,523
WELL, LISTEN...
315
00:13:09,590 --> 00:13:11,392
IT WAS A PLEASURE...
316
00:13:15,029 --> 00:13:16,764
COMMUTING WITH YOU.
317
00:13:18,065 --> 00:13:19,934
YEAH, IT REALLY WAS.
318
00:13:24,138 --> 00:13:26,040
WELL...
319
00:13:28,809 --> 00:13:29,944
BYE.
320
00:13:42,990 --> 00:13:44,458
HA HA!
321
00:13:54,735 --> 00:13:56,070
♪ COME ON ♪
322
00:13:56,137 --> 00:13:57,605
♪ LOVE IS
LIKE A BOMB, BABY ♪
323
00:13:57,672 --> 00:13:59,073
♪ COME ON, GET IT ON ♪
324
00:13:59,140 --> 00:14:04,145
♪ LIVIN' LIKE A LOVER
WITH A RADAR PHONE ♪
325
00:14:04,211 --> 00:14:07,648
♪ HEY! TO THE BONE ♪
326
00:14:07,715 --> 00:14:08,816
♪ RISE A LITTLE,
DANCE A LITTLE ♪
327
00:14:08,883 --> 00:14:10,584
♪ FLASH A LITTLE LIGHT ♪
328
00:14:10,651 --> 00:14:13,754
♪ TELEVISION LOVER, BABY,
GO ALL NIGHT ♪
329
00:14:13,821 --> 00:14:16,557
♪ TAKE THE BOTTLE ♪
330
00:14:16,624 --> 00:14:19,260
♪ SHAKE IT UP ♪
331
00:14:19,326 --> 00:14:22,029
♪ BREAK THE BUBBLE ♪
332
00:14:22,096 --> 00:14:24,432
♪ BREAK IT UP ♪
333
00:14:24,498 --> 00:14:27,868
♪ POUR SOME SUGAR ON ME ♪
334
00:14:27,935 --> 00:14:29,804
♪ OOH, IN THE NAME
OF LOVE ♪
335
00:14:29,870 --> 00:14:31,339
YO, MAN, COME ON,
TELL ME WHAT HAPPENED.
336
00:14:31,405 --> 00:14:32,773
YOU'RE SITTING ON THE TRAIN.
SHE STANDS UP.
337
00:14:32,840 --> 00:14:34,208
DOOR'S OPEN.
SHE'S ABOUT TO GET OFF,
338
00:14:34,275 --> 00:14:35,543
BUT SHE STOPS, RIGHT?
339
00:14:35,609 --> 00:14:36,944
DID YOU SAY
SOMETHING TO HER?
340
00:14:37,011 --> 00:14:38,612
I SAID IT WAS A PLEASURE
COMMUTING WITH HER.
341
00:14:38,679 --> 00:14:41,315
"IT WAS A PLEASURE
COMMUTING WITH YOU?"
342
00:14:41,382 --> 00:14:42,650
♪ I'M HOT ♪
343
00:14:42,717 --> 00:14:44,518
OH, THAT'S GREAT.
YOU COULDN'T SAY, LIKE--
344
00:14:44,585 --> 00:14:45,720
[COUGHS]
♪ FROM MY HEAD ♪
345
00:14:45,786 --> 00:14:47,088
NO NUMBER,
NO FINGERPRINTS,
346
00:14:47,154 --> 00:14:49,056
NO PLACE OF BUSINESS?
347
00:14:49,123 --> 00:14:51,358
OK, FINE.
I TANKED.
348
00:14:51,425 --> 00:14:53,961
AGAIN?
MAN, YOU NEED SOME HELP.
349
00:14:54,028 --> 00:14:55,129
YEAH.
350
00:15:06,440 --> 00:15:08,476
[FEEDBACK]
351
00:15:08,542 --> 00:15:10,311
[CROWD CHEERS, WHISTLES]
352
00:15:10,378 --> 00:15:11,679
YEAH!
353
00:15:11,746 --> 00:15:15,216
Man: COME ON! OW!
WHOO! MAN.
354
00:15:15,282 --> 00:15:16,250
WHAT'S UP, GUYS?
355
00:15:16,317 --> 00:15:18,919
HEY, THAT WAS HOT, MAN.
356
00:15:18,986 --> 00:15:20,588
IT WAS GREAT.
IT WAS FANTASTIC.
357
00:15:20,654 --> 00:15:23,124
IT STUNK. I MEAN I CAN'T
FREAKIN' BELIEVE THESE GUYS.
358
00:15:23,190 --> 00:15:25,626
MAN, I MEAN, THE BAND
WAS JUST AWFUL.
359
00:15:25,693 --> 00:15:27,862
DUDE, IT WASN'T THAT BAD.
COME ON, I WAS IN THE BAND.
360
00:15:27,928 --> 00:15:30,965
YOU. YOU SHOULD'VE NEVER--
DON'T EVEN START THIS, MAN.
361
00:15:31,031 --> 00:15:32,500
YOU SHOULD'VE NEVER
QUIT THE BAND.
362
00:15:32,566 --> 00:15:34,135
GENTLEMEN, THIS IS
THE OLDEST ARGUMENT.
363
00:15:34,201 --> 00:15:35,436
IT WAS
A HIGH SCHOOL BAND.
364
00:15:35,503 --> 00:15:37,371
NO, IT WASN'T.
YOU KNOW WHAT IT WAS.
365
00:15:37,438 --> 00:15:40,674
YEAH. IT WAS THE BEST
HIGH SCHOOL BAND EVER!
366
00:15:40,741 --> 00:15:43,611
Both: GRANITE! GRANITE!
GRANITE! GRANITE!
367
00:15:43,677 --> 00:15:46,881
GIMME SOME! GIMME SOME!
GIMME SOME! GIMME SOME!
368
00:15:46,947 --> 00:15:48,549
THE CHICKS WERE HOT, MAN.
THEY WERE GREAT.
369
00:15:48,616 --> 00:15:50,184
YEAH. OH, MY GOSH.
370
00:15:50,251 --> 00:15:51,919
IS THAT BRADY FREAKIN' FRANCES?
371
00:15:51,986 --> 00:15:53,554
WHAT YOU DIDN'T KNOW HE WROTE
A COLUMN FOR THE POST?
372
00:15:53,621 --> 00:15:55,589
NO.
OOH, THAT'S RIGHT. I FORGOT.
373
00:15:55,656 --> 00:15:57,491
YOU JUST SKIP RIGHT
TO THE FAMILY CIRCUS.
374
00:15:57,558 --> 00:15:58,993
HEY, FAMILY CIRCUS
IS A GOOD COMIC.
375
00:15:59,059 --> 00:16:01,428
IT'S, LIKE, ONE SQUARE, AND THEN
YOU'RE DONE WITH IT, OK?
376
00:16:01,495 --> 00:16:03,164
BRADY FRANCES--
NO, BRADY FRANCES--
377
00:16:03,230 --> 00:16:05,099
THE GUY THAT KEVIN
SWOOPED IN ON HIS GIRL
378
00:16:05,166 --> 00:16:08,235
BACK IN HIGH SCHOOL
PROM TIME, YOU REMEMBER?
379
00:16:08,302 --> 00:16:11,939
OH, MY GOODNESS. THAT WAS
A FREAKIN' CLASSIC, MAN.
380
00:16:12,006 --> 00:16:13,507
IT WAS A CALAMITY
IS WHAT IT WAS.
381
00:16:13,574 --> 00:16:14,875
THAT'S NOT EXACTLY
WHAT HAPPENED.
382
00:16:14,942 --> 00:16:17,044
AW, MAN.
THAT WAS 7 YEARS AGO.
383
00:16:17,111 --> 00:16:18,646
I GOT ANOTHER SET,
GUYS, TO DO, SO...
384
00:16:18,712 --> 00:16:19,880
HEY, PLAY
SOMETHING GOOD.
385
00:16:19,947 --> 00:16:21,282
HAVE A GOOD SET.
Rod: OK.
386
00:16:21,348 --> 00:16:22,716
HEY, LOOK, MAN,
LET'S FACE IT.
387
00:16:22,783 --> 00:16:23,884
YOU'RE 24 YEARS OLD.
IT'S NOT THE FIRST TIME
388
00:16:23,951 --> 00:16:25,286
YOU EVER CHOKED
WITH A CHICK.
389
00:16:25,352 --> 00:16:26,821
YOU KNOW WHAT I'M SAYING?
YOU GOT A PROBLEM.
390
00:16:26,887 --> 00:16:28,923
YEAH, BUT
THIS IS DIFFERENT.
391
00:16:28,989 --> 00:16:30,357
I MEAN...
392
00:16:30,424 --> 00:16:32,793
THIS GIRL WAS INCREDIBLE.
YEAH?
393
00:16:32,860 --> 00:16:34,829
YOU KNOW, IT'S EMBARRASSING
WHEN EVERYONE KNOWS YOU
394
00:16:34,895 --> 00:16:36,230
AS THE GUY
THAT ALWAYS CHOKES.
395
00:16:36,297 --> 00:16:38,599
HEY, MAN, COME ON.
NOT EVERYBODY KNOWS THAT.
396
00:16:38,666 --> 00:16:40,100
2 MORE, PLEASE.
397
00:16:40,167 --> 00:16:42,303
[PLAYING GUITAR]
398
00:16:42,369 --> 00:16:43,737
KEVIN...
399
00:16:43,804 --> 00:16:45,873
THIS ONE'S FOR YOU.
400
00:16:48,042 --> 00:16:50,644
♪ KEVIN SITS
SILENTLY STILL ♪
401
00:16:50,711 --> 00:16:52,780
♪ IN THE DEAD
OF THE DAY ♪
402
00:16:52,847 --> 00:16:54,014
HUH?
403
00:16:54,081 --> 00:16:57,384
♪ WONDERIN'
IF HE FINDS THAT GIRL ♪
404
00:16:57,451 --> 00:16:59,520
♪ THAT JUST WALKED AWAY ♪
405
00:16:59,587 --> 00:17:00,921
HMM...
406
00:17:00,988 --> 00:17:02,690
♪ WAS IT
SOMETHING HE SAID ♪
407
00:17:02,756 --> 00:17:04,225
♪ OR SOMETHING HE DID ♪
408
00:17:04,291 --> 00:17:07,728
♪ DID THE WORDS
NOT COME OUT RIGHT ♪
409
00:17:07,795 --> 00:17:10,731
♪ HE DIDN'T TRY
TO GET THE DIGITS ♪
410
00:17:10,798 --> 00:17:12,666
♪ HE DIDN'T TRY ♪
411
00:17:12,733 --> 00:17:14,869
♪ BUT I GUESS
THAT'S WHY THEY SAY ♪
412
00:17:14,935 --> 00:17:18,639
♪ KEVIN CRAPPED OUT
ON HIS OWN ♪
413
00:17:18,706 --> 00:17:21,375
[PATS BACK] UH...
NOW EVERYBODY KNOWS.
414
00:17:21,442 --> 00:17:23,010
♪ BUT HIS FRIENDS ♪
415
00:17:23,077 --> 00:17:27,448
♪ WOULD'VE HELPED HIM
ALL ALONG ♪
416
00:17:27,514 --> 00:17:29,183
♪ THAT POOR BONEHEAD ♪
417
00:17:33,654 --> 00:17:35,556
AW, MAN, YOU CAN
TRACK HER DOWN, YOU KNOW.
418
00:17:35,623 --> 00:17:36,590
HOW?
419
00:17:36,657 --> 00:17:38,158
I DON'T KNOW.
LOJACK.
420
00:17:38,225 --> 00:17:40,828
YOU COULD, UM... RIDE THE TRAIN
EVERY DAY LOOKING FOR HER.
421
00:17:40,895 --> 00:17:43,030
YOU COULD PUT UP POSTERS
ALL OVER TOWN. I DON'T KNOW.
422
00:17:43,097 --> 00:17:45,499
YEAH. "SINGLE WHITE MALE
SEEKS COMMUTER ON TRAIN
423
00:17:45,566 --> 00:17:46,967
TO SHARE
INTIMATE SECRETS."
424
00:17:47,034 --> 00:17:48,769
[LAUGHS] YEAH, BUD,
THAT'S KIND OF COOL,
425
00:17:48,836 --> 00:17:50,504
BUT I WAS THINKING
MORE LIKE,
426
00:17:50,571 --> 00:17:51,872
"DOG WHO LOSES BONE
427
00:17:51,939 --> 00:17:53,841
SEEKS TRAIN TRAMP."
428
00:17:53,908 --> 00:17:55,109
[BARKS]
429
00:17:56,043 --> 00:17:57,177
BRAIN DAMAGE.
430
00:18:00,648 --> 00:18:02,016
[DOOR OPENS]
431
00:18:06,620 --> 00:18:07,821
[DOOR CLOSES]
432
00:18:10,491 --> 00:18:12,092
HEY, YOU.
YOU'RE BACK.
433
00:18:12,159 --> 00:18:13,661
HEY.
434
00:18:14,895 --> 00:18:18,098
SO, HOW WAS YOUR
WEEKEND IN CHICAGO, HMM?
435
00:18:18,165 --> 00:18:21,201
MMM.
IT WAS FINE.
436
00:18:21,268 --> 00:18:23,404
WAIT, WAIT, WAIT.
437
00:18:23,470 --> 00:18:24,805
SIT.
438
00:18:26,073 --> 00:18:27,508
YOU JUST SPENT
THE WEEKEND
439
00:18:27,575 --> 00:18:28,776
WITH YOUR BOYFRIEND
OF 3 YEARS,
440
00:18:28,842 --> 00:18:30,678
WHO YOU HAVEN'T SEEN
IN OVER A MONTH.
441
00:18:30,744 --> 00:18:33,080
THAT DESERVES
A "PHENOMENAL"
442
00:18:33,147 --> 00:18:34,848
OR AT LEAST
AN "EXCEPTIONAL,"
443
00:18:34,915 --> 00:18:36,750
BUT DEFINITELY NOT
JUST A "FINE."
444
00:18:36,817 --> 00:18:37,985
WHAT IS UP?
445
00:18:38,052 --> 00:18:40,621
I FOUND A GREAT APARTMENT
IN LAKEVIEW.
446
00:18:40,688 --> 00:18:41,956
IT'S RIGHT BY WRIGLEY,
447
00:18:42,022 --> 00:18:43,857
AND I CAN MOVE IN
RIGHT AFTER GRADUATION.
448
00:18:43,924 --> 00:18:45,759
BUT I THOUGHT THAT...
449
00:18:45,826 --> 00:18:48,562
THAT YOU AND PAUL WERE
GOING TO MOVE IN TOGETHER.
450
00:18:48,629 --> 00:18:50,130
[SIGHS]
451
00:18:50,197 --> 00:18:51,899
I DON'T KNOW, SAM.
452
00:18:51,966 --> 00:18:54,234
EVERYTHING
IS SO DIFFERENT.
453
00:18:58,372 --> 00:18:59,606
[LAUGHS]
454
00:18:59,673 --> 00:19:01,008
WHAT?
455
00:19:01,976 --> 00:19:03,911
I MET A GUY
ON THE TRAIN.
456
00:19:03,978 --> 00:19:05,379
YOU MET A GUY
ON THE TRAIN?
457
00:19:05,446 --> 00:19:06,847
YES.
HE WAS SO CUTE,
458
00:19:06,914 --> 00:19:08,716
AND HE WAS SO NICE.
459
00:19:08,782 --> 00:19:11,852
AND HE TOTALLY
LISTENED TO ME.
460
00:19:11,919 --> 00:19:13,053
UHH.
461
00:19:15,489 --> 00:19:17,891
WE CONNECTED MORE
IN 5 MINUTES
462
00:19:17,958 --> 00:19:21,161
THAN I HAVE WITH PAUL
OVER THE PAST YEAR.
463
00:19:21,228 --> 00:19:22,730
HA HA!
464
00:19:24,264 --> 00:19:25,799
ABBEY.
HA HA!
465
00:19:26,967 --> 00:19:29,136
WELL, YOU ALREADY
KNOW JACKIE,
466
00:19:29,203 --> 00:19:32,573
SO LET ME INTRODUCE THE NEW
MEMBER OF MY CREATIVE TEAM
467
00:19:32,639 --> 00:19:33,707
KEVIN GIBBONS.
468
00:19:33,774 --> 00:19:35,009
AND MAY I SAY
THAT MY TEAM
469
00:19:35,075 --> 00:19:36,377
HAS COME UP
WITH A CAMPAIGN
470
00:19:36,443 --> 00:19:38,312
THAT I FEEL
YOU WILL ALL AGREE
471
00:19:38,379 --> 00:19:40,781
HAS UNIVERSAL APPEAL.
472
00:19:40,848 --> 00:19:43,651
SO, WITHOUT
ANY FURTHER ADO,
473
00:19:43,717 --> 00:19:45,719
ALLOW ME TO PRESENT...
474
00:19:48,555 --> 00:19:50,057
[SIGHS]
475
00:19:51,358 --> 00:19:54,061
AND THE TAG LINE IS...
476
00:19:54,128 --> 00:19:55,362
"REEBOK--
477
00:19:55,429 --> 00:19:59,266
STEP INTO THE FUTURE."
478
00:20:00,467 --> 00:20:02,770
[CRICKETS CHIRPING]
479
00:20:06,640 --> 00:20:07,975
[GULP]
480
00:20:08,542 --> 00:20:11,211
[WHISPERING]
481
00:20:11,278 --> 00:20:14,415
IT'S A LITTLE, UH, COLD.
HMM?
482
00:20:14,481 --> 00:20:16,784
WE WERE HOPING FOR
SOMETHING MORE LIVELY,
483
00:20:16,850 --> 00:20:19,653
WITH A LITTLE MORE DEPTH.
484
00:20:19,720 --> 00:20:20,921
HUH.
ACTUALLY--
485
00:20:20,988 --> 00:20:23,157
ACTUALLY,
WE TOTALLY AGREE.
486
00:20:23,223 --> 00:20:26,393
THAT'S WHY I--WE
CAME UP WITH SOMETHING
487
00:20:26,460 --> 00:20:28,429
SO FABULOUS.
488
00:20:28,495 --> 00:20:29,663
DID WE?
489
00:20:29,730 --> 00:20:31,565
WELL, I DON'T LIKE
SURPRISES, YOU KNOW.
490
00:20:31,632 --> 00:20:32,933
MMM.
491
00:20:33,000 --> 00:20:34,535
LET ME PRESENT TO YOU
492
00:20:34,601 --> 00:20:38,806
WHAT WE BELIEVE WILL BE
REEBOK'S NEW CAMPAIGN.
493
00:20:50,751 --> 00:20:54,288
AHEM.
GIRLS AT A PARTY,
494
00:20:54,354 --> 00:20:55,856
GIRLS AT SCHOOL,
495
00:20:55,923 --> 00:20:57,091
GIRLS AT A CONCERT,
496
00:20:57,157 --> 00:20:59,426
GIRLS
AT A SOCCER FIELD--
497
00:20:59,493 --> 00:21:01,595
ALL WEARING REEBOKS.
498
00:21:01,662 --> 00:21:03,130
THE TAGLINE?
499
00:21:03,197 --> 00:21:06,033
"FOR GIRLS
WHO CHOOSE TO MOVE."
500
00:21:09,703 --> 00:21:10,704
BUT THAT'S--
501
00:21:10,771 --> 00:21:12,606
THAT'S GREAT.
502
00:21:12,673 --> 00:21:14,108
WHEN CAN YOU HAVE IT BY?
503
00:21:14,174 --> 00:21:17,111
UH, KEVIN HERE COULD
MAKE COPIES OF THE MOCK-UPS
504
00:21:17,177 --> 00:21:18,445
AND MESSENGER THEM
OVER TO YOU
505
00:21:18,512 --> 00:21:19,713
BY THE END
OF THE BUSINESS DAY.
506
00:21:19,780 --> 00:21:21,014
COULDN'T YOU, KEVIN?
507
00:21:22,316 --> 00:21:24,485
SURE.
508
00:21:24,551 --> 00:21:26,053
Higgins:
WONDERFUL, WONDERFUL.
509
00:21:26,120 --> 00:21:28,889
PHENOMENAL WORK,
JACKIE.
510
00:21:31,091 --> 00:21:32,826
WHY DIDN'T I SAY ANYTHING?
511
00:21:32,893 --> 00:21:34,895
WHY DIDN'T I SAY ANYTHING?
512
00:21:34,962 --> 00:21:36,396
I KNOW WHY.
I KNOW WHY.
513
00:21:36,463 --> 00:21:38,332
IT'S BECAUSE
I'M AFRAID TO TAKE A CHANCE.
514
00:21:38,398 --> 00:21:40,400
BECAUSE I'M AFRAID
TO TAKE A CHANCE.
515
00:21:41,702 --> 00:21:43,137
[SIGHS]
516
00:21:44,004 --> 00:21:46,173
[COPY MACHINE WHIRRING]
517
00:21:47,674 --> 00:21:49,243
I'M SITTING
ON THE SIDELINES
518
00:21:49,309 --> 00:21:51,378
ALL MY LIFE.
519
00:21:51,445 --> 00:21:53,881
WHY AM I SO SCARED?
520
00:21:53,947 --> 00:21:56,083
ALWAYS AFRAID
TO TAKE A CHANCE.
521
00:21:59,186 --> 00:22:01,688
Man: ♪ I'M LAYIN' IT
ON THE LINE ♪
522
00:22:01,755 --> 00:22:03,056
♪ TO SHOW YOU ♪
523
00:22:03,123 --> 00:22:05,025
♪ I'LL NEVER LET YOU GO ♪
524
00:22:05,092 --> 00:22:07,928
♪ ON THE LINE
FOR YOUR LOVE ♪
525
00:22:07,995 --> 00:22:10,964
♪ THERE'S NOTHING
I WANT MORE ♪
526
00:22:14,001 --> 00:22:16,270
♪ ANOTHER
DEAD-END STREET ♪
527
00:22:16,336 --> 00:22:18,438
♪ ANOTHER LOVE
GONE WRONG ♪
528
00:22:18,505 --> 00:22:20,607
♪ ANOTHER
SHATTERED DREAM ♪
529
00:22:20,674 --> 00:22:23,343
♪ ALWAYS
THE SAME OLD SONG ♪
530
00:22:23,410 --> 00:22:25,979
♪ I STARTED
THINKIN' THAT ♪
531
00:22:26,046 --> 00:22:28,081
♪ YOU'D NEVER
COME ALONG ♪
532
00:22:28,148 --> 00:22:30,551
♪ I GOT
ALL THIS LOVE INSIDE ♪
533
00:22:30,617 --> 00:22:33,287
♪ THAT WILL SHOW
NO WORDS TONIGHT ♪
534
00:22:33,353 --> 00:22:35,722
♪ I WISH YOU KNEW
WHAT I'VE BEEN THROUGH ♪
535
00:22:35,789 --> 00:22:37,491
♪ TO GET TO YOU ♪
536
00:22:37,558 --> 00:22:40,127
♪ I'M LAYIN' IT
ON THE LINE ♪
537
00:22:40,194 --> 00:22:41,962
♪ THIS TIME ♪
538
00:22:42,029 --> 00:22:45,065
♪ JUST TO BE WITH YOU ♪
539
00:22:45,132 --> 00:22:48,268
♪ NO MORE, YEAH, YEAH ♪
540
00:22:48,335 --> 00:22:50,437
♪ ON THE LINE
TO SHOW YOU ♪
541
00:22:50,504 --> 00:22:53,140
♪ NEVER GONNA LET YOU,
NEVER GONNA LET YOU GO ♪
542
00:22:53,207 --> 00:22:56,043
♪ ON THE LINE
FOR YOUR LOVE ♪
543
00:22:56,109 --> 00:22:58,045
♪ THERE'S NOTHING
I WANT MORE ♪
544
00:22:58,111 --> 00:22:59,479
♪ WHEN YOU SMILE ♪
545
00:22:59,546 --> 00:23:01,815
♪ I FEEL MY HEART OPEN,
YEAH ♪
546
00:23:01,882 --> 00:23:06,286
♪ I KNOW THERE'S NOTHING
THAT I WOULD NOT DO ♪
547
00:23:06,353 --> 00:23:10,857
♪ I'M LAYIN' IT
ON THE LINE THIS TIME ♪
548
00:23:10,924 --> 00:23:13,627
♪ JUST TO BE WITH YOU ♪
549
00:23:13,694 --> 00:23:15,195
Woman: OK, I'LL CHECK.
550
00:23:15,262 --> 00:23:18,365
Woman: CHICAGO DAILY POST.
CAN I HELP YOU?
551
00:23:18,432 --> 00:23:20,834
SURE. OK.
552
00:23:20,901 --> 00:23:24,471
Woman: CHICAGO DAILY POST.
CAN I HELP YOU?
553
00:23:24,538 --> 00:23:26,039
BRADY FRANCES'S DESK.
554
00:23:26,106 --> 00:23:28,609
[VIDEO GAME MUSIC PLAYING]
555
00:23:31,245 --> 00:23:33,113
BRADY,
MY OFFICE.
556
00:23:36,149 --> 00:23:37,384
THIS IS YOUR NEXT STORY.
557
00:23:37,451 --> 00:23:39,519
IT'S A COMPELLING
HUMAN INTEREST PIECE.
558
00:23:39,586 --> 00:23:41,188
BUT, SIR, I WANT
TO DO HARD NEWS.
559
00:23:41,255 --> 00:23:42,122
UH-HUH.
560
00:23:42,189 --> 00:23:43,790
AND I WANT A CLEAR
NASAL PASSAGE.
561
00:23:43,857 --> 00:23:45,692
WE CAN'T ALWAYS GET
WHAT WE WANT.
562
00:23:45,759 --> 00:23:46,960
[SNORTS]
563
00:23:47,027 --> 00:23:48,829
UHH.
YOU KNOW...
564
00:23:48,896 --> 00:23:49,997
I PUT YOU IN PERSONALS
565
00:23:50,063 --> 00:23:51,465
BECAUSE MOST PEOPLE
ARE MISERABLE,
566
00:23:51,531 --> 00:23:52,966
AND I THINK
YOU CAN RELATE, BRADY.
567
00:23:53,033 --> 00:23:55,569
THE KID'S NAME
IS KEVIN GIBBONS.
568
00:23:55,636 --> 00:23:56,637
KEVIN GIBBONS?
569
00:23:56,703 --> 00:23:57,738
AH, WE CHECKED IT OUT.
570
00:23:57,804 --> 00:24:01,008
HUH. I CAN'T.
I KNOW HIM.
571
00:24:02,376 --> 00:24:04,111
SO?
572
00:24:04,177 --> 00:24:06,713
LOOK, YOU DON'T
UNDERSTAND.
573
00:24:06,780 --> 00:24:09,249
I HAVE A HISTORY
WITH THIS GUY.
574
00:24:09,316 --> 00:24:12,052
[SCHOOL BELL RINGS]
575
00:24:15,989 --> 00:24:18,158
DUDE,
I'M TELLING YOU,
576
00:24:18,225 --> 00:24:20,327
YOU ASK OUT A GIRL
LIKE KAYLA SANDERS,
577
00:24:20,394 --> 00:24:22,229
AND YOU'RE SETTING YOURSELF
UP FOR REJECTION,
578
00:24:22,296 --> 00:24:24,197
HUMILIATION, ALIENATION.
579
00:24:24,264 --> 00:24:26,967
Brady: DON'T WORRY.
I'VE GOT DETERMINATION.
580
00:24:27,034 --> 00:24:28,502
HEY, KAYLA.
581
00:24:28,568 --> 00:24:31,104
BRADY FRANCES. WE'RE
IN FRENCH CLASS TOGETHER.
582
00:24:31,171 --> 00:24:33,040
I'M THE ONE THAT
ALWAYS GETS NOSEBLEEDS.
583
00:24:33,106 --> 00:24:35,208
WOULD YOU LIKE TO GO
TO THE PROM WITH ME?
584
00:24:35,275 --> 00:24:36,943
HOLD ON A SECOND.
585
00:24:37,010 --> 00:24:39,012
HEY, KEVIN.
HI.
586
00:24:39,079 --> 00:24:41,715
WOULD YOU LIKE TO GO
TO THE PROM WITH ME?
587
00:24:41,782 --> 00:24:43,917
SURE.
I'D LOVE TO.
588
00:24:43,984 --> 00:24:45,419
SORRY.
589
00:24:45,485 --> 00:24:47,921
I'M ALREADY GOING TO THE PROM
WITH KEVIN GIBBONS.
590
00:24:47,988 --> 00:24:49,523
[SOFTLY]
NO.
591
00:24:51,024 --> 00:24:53,226
KEVIN GIBBONS.
592
00:24:53,293 --> 00:24:56,196
[SCHOOL BELL RINGS]
593
00:24:58,565 --> 00:25:00,000
[SIGHS]
594
00:25:01,301 --> 00:25:03,070
LET ME GET THIS STRAIGHT.
595
00:25:03,136 --> 00:25:04,738
YOU HARBOR ANIMOSITY
TOWARDS THIS KEVIN
596
00:25:04,805 --> 00:25:06,940
BECAUSE SOME GIRL WANTED
TO GO TO THE PROM WITH HIM
597
00:25:07,007 --> 00:25:08,709
INSTEAD OF YOU?
WELL--
598
00:25:08,775 --> 00:25:11,845
SPELLBINDING PITY,
BUT THE STORY'S STILL YOURS.
599
00:25:11,912 --> 00:25:13,180
[SIGHS]
YES, SIR.
600
00:25:13,246 --> 00:25:15,282
HEY, HEY, HEY, AND BRADY...
601
00:25:17,284 --> 00:25:19,986
NOW GET OUT OF HERE
AND DON'T MESS THIS ONE UP.
602
00:25:20,053 --> 00:25:22,456
JENNA, YEAH. I CHANGED
MY 12:00 LUNCH.
603
00:25:22,522 --> 00:25:25,359
[SIGHS]
IT'S PAYBACK TIME.
604
00:25:27,227 --> 00:25:28,395
[TELEPHONE RINGS]
605
00:25:28,462 --> 00:25:30,297
HEY, DUDE,
YOU DON'T LOOK SO GOOD.
606
00:25:30,364 --> 00:25:31,932
REALLY?
YEAH.
607
00:25:31,999 --> 00:25:35,335
[RING]
REALLY. YOU USUALLY LOOK BETTER.
608
00:25:35,402 --> 00:25:37,471
WHAT, CAN YOU NOT
HEAR THE PHONE?
609
00:25:37,537 --> 00:25:39,773
Roommate: JAUNDICE?
Eric: YEAH, KIND OF YELLOW.
610
00:25:39,840 --> 00:25:41,108
WHERE'S THE PHONE?
611
00:25:41,174 --> 00:25:43,877
IS MY ADAM'S APPLE
ALL PATHETIC?
612
00:25:43,944 --> 00:25:45,012
HELLO?
613
00:25:45,078 --> 00:25:46,313
Woman:
HELLO, KEVIN, IT'S ME.
614
00:25:46,380 --> 00:25:48,048
THE GIRL
FROM THE "L" TRAIN.
615
00:25:48,115 --> 00:25:51,184
IT'S YOU. WOW.
I DIDN'T THINK YOU'D CALL.
616
00:25:51,251 --> 00:25:52,953
OF COURSE I CALLED.
HOW ARE YOU?
617
00:25:53,019 --> 00:25:54,287
HEY, IS THAT THE CHICK
FROM THE TRAIN.
618
00:25:54,354 --> 00:25:55,622
Woman:
THAT POSTER...
619
00:25:55,689 --> 00:25:57,491
Both: HEY, IS IT THAT THE CHICK
FROM THE TRAIN?
620
00:25:57,557 --> 00:25:59,393
DUDE, IS THAT
THE CHICK FROM THE--
621
00:25:59,459 --> 00:26:01,762
[WHISPERING]
Shut up.
622
00:26:01,828 --> 00:26:03,096
OH, YEAH,
IT'S GOT TO BE.
623
00:26:03,163 --> 00:26:05,399
SO, UH, CAN WE MEET UP?
624
00:26:05,465 --> 00:26:07,834
CHUGGA, CHUGGA,
CHOO, CHOO.
625
00:26:07,901 --> 00:26:09,136
HOW ABOUT GOODY'S DINER?
626
00:26:09,202 --> 00:26:10,370
Both:
CHOO, CHOO!
627
00:26:10,437 --> 00:26:13,540
1 O' CLOCK? ALL RIGHT.
628
00:26:13,607 --> 00:26:16,009
Both: CHUGGA, CHUGGA,
CHOO, CHOO!
629
00:26:16,076 --> 00:26:17,878
YEAH?
YEAH.
630
00:26:17,944 --> 00:26:19,513
Both: YEAH!
631
00:26:19,579 --> 00:26:23,049
♪ THIS IS MY ONE CHANCE
TO BE A ROCK STAR ♪
632
00:26:23,116 --> 00:26:24,651
♪ COME ON
AND CALL ME ♪
633
00:26:24,718 --> 00:26:28,221
♪ THIS IS MY IMAGE,
THESE ARE MY DANCES ♪
634
00:26:28,288 --> 00:26:29,723
[EXHALES]
635
00:26:31,258 --> 00:26:32,692
Abbey: HI.
636
00:26:36,062 --> 00:26:37,731
[CLASSICAL MUSIC PLAYING]
637
00:26:37,798 --> 00:26:40,634
WHAT? NO, NO, NO.
638
00:26:40,700 --> 00:26:43,637
THE SUCKER'S GOING TO SPLIT
IN A MATTER OF DAYS.
639
00:26:43,703 --> 00:26:47,007
YEAH. NO. NOW IS
NOT THE TIME TO SELL.
640
00:26:47,074 --> 00:26:48,608
OK.
641
00:26:48,675 --> 00:26:50,544
[SIGHS]
642
00:26:50,610 --> 00:26:52,612
WORK.
643
00:26:52,679 --> 00:26:55,048
YOU KNOW, YOU DIDN'T HAVE
TO COME UP THIS WEEKEND.
644
00:26:55,115 --> 00:26:58,118
THAT'S OK.
HEY, COME ON.
645
00:26:58,185 --> 00:27:01,888
IT'S MY TURN. BESIDES, I GOT
SOME WORK DONE ON THE TRAIN.
646
00:27:01,955 --> 00:27:04,124
[SITAR MUSIC PLAYING]
647
00:27:09,129 --> 00:27:11,031
I DON'T MEAN
TO BE RUDE, BUT...
648
00:27:11,097 --> 00:27:12,466
WHY ARE YOU HERE?
649
00:27:13,934 --> 00:27:15,268
WHEN I SAW YOUR POSTER,
650
00:27:15,335 --> 00:27:17,504
I JUST KNEW
I HAD TO MEET YOU.
651
00:27:17,571 --> 00:27:20,841
I COULD TELL
THAT WE WOULD HAVE...
652
00:27:20,907 --> 00:27:23,276
A COSMIC CONNECTION.
653
00:27:23,343 --> 00:27:25,245
YOU SENSED THAT
FROM A POSTER?
654
00:27:26,213 --> 00:27:28,415
YES.
HOW'S SCHOOL?
655
00:27:28,482 --> 00:27:30,784
OH, HECTIC,
WITH FINALS NEXT WEEK.
656
00:27:30,851 --> 00:27:33,086
WELL, SOON, YOU'LL BE
BACK HOME IN CHICAGO,
657
00:27:33,153 --> 00:27:35,021
WE'LL BE TOGETHER,
AND YOU CAN RELAX.
658
00:27:35,088 --> 00:27:37,591
ACTUALLY,
I WAS THINKING...
659
00:27:37,657 --> 00:27:39,693
I WANT TO VOLUNTEER
FOR THE FIELD MUSEUM
660
00:27:39,759 --> 00:27:41,194
WHEN I GET BACK.
661
00:27:41,261 --> 00:27:43,163
ABBEY...
662
00:27:43,230 --> 00:27:46,066
I APPRECIATE, YOU KNOW,
YOUR FOSSIL HOBBY, BUT--
663
00:27:46,133 --> 00:27:48,435
PAUL...
664
00:27:48,502 --> 00:27:50,337
IT'S NOT JUST A HOBBY.
665
00:27:50,403 --> 00:27:52,806
YOU'RE A WATER SIGN.
NO.
666
00:27:52,873 --> 00:27:54,908
[JEWELRY JINGLES]
667
00:27:56,176 --> 00:27:57,844
OH.
668
00:27:57,911 --> 00:28:00,313
UH-HUH.
669
00:28:00,380 --> 00:28:02,148
VIRGO.
UH-UH.
670
00:28:02,215 --> 00:28:04,384
OH. YOU SEE, KEVIN,
671
00:28:04,451 --> 00:28:07,854
ASTROLOGY IS ACTUALLY
CHOCK-FULL OF--SHOOT!
672
00:28:07,921 --> 00:28:09,122
WHAT?
PORK.
673
00:28:09,189 --> 00:28:10,457
GET THIS AWAY FROM ME.
GET THIS AWAY FROM ME.
674
00:28:10,524 --> 00:28:12,092
IT'S OK.
IT'S OK.
675
00:28:12,159 --> 00:28:13,393
LISTEN,
PORK HAPPENS.
676
00:28:13,460 --> 00:28:15,896
DON'T PATRONIZE ME.
EXCUSE ME?
677
00:28:15,962 --> 00:28:17,764
WHAT DO YOU TAKE ME FOR,
SOME KIND OF FREAK?
678
00:28:17,831 --> 00:28:20,500
YOU DID CALL ME OUT
OF THE BLUE FROM A POSTER.
679
00:28:20,567 --> 00:28:22,469
WELL, THAT'S BECAUSE
I THOUGHT WE HAD A CONNECTION--
680
00:28:22,536 --> 00:28:25,005
A COSMIC CONNECTION,
KEVIN.
681
00:28:25,071 --> 00:28:28,041
AND I THOUGHT MAYBE YOU'D
BE DIFFERENT, BUT YOU'RE NOT.
682
00:28:28,108 --> 00:28:30,143
YOU'RE ALL THE SAME--
ALL OF YOU.
683
00:28:30,210 --> 00:28:32,045
AND I DON'T HAVE
TO TAKE THIS.
684
00:28:32,112 --> 00:28:33,980
I'M FROM OREGON.
685
00:28:34,047 --> 00:28:35,182
WHAT ARE YOU LOOKING AT?
686
00:28:35,248 --> 00:28:36,850
OW!
WHAT DID I DO?
687
00:28:39,085 --> 00:28:40,453
[DOOR CLOSES]
688
00:28:40,520 --> 00:28:42,489
Paul: I'M GOING TO HAVE
TO CALL YOU LATER, OK?
689
00:28:43,156 --> 00:28:44,558
YEAH.
690
00:28:46,226 --> 00:28:48,061
[SIGHS]
SO, WHERE WERE WE?
691
00:28:48,128 --> 00:28:50,597
WE WERE TALKING ABOUT US.
WE WERE?
692
00:28:50,664 --> 00:28:53,567
NO, BUT I THINK WE SHOULD.
WELL, ABBEY--
693
00:28:53,633 --> 00:28:56,336
PAUL, THE ONLY TIME
YOU GOT EXCITED TODAY
694
00:28:56,403 --> 00:28:58,271
IS WHEN YOUR PHONE RANG.
695
00:28:58,338 --> 00:29:00,840
I'M BEGINNING TO FEEL
LIKE THREE'S A CROWD.
696
00:29:00,907 --> 00:29:03,543
WELL, I THINK I'VE GOT A WAY
OF MAKING IT UP TO YOU.
697
00:29:05,612 --> 00:29:08,715
WHAT'S THAT I SEE?
YES, WE HAVE A SMILE.
698
00:29:08,782 --> 00:29:11,218
HA!
699
00:29:11,284 --> 00:29:13,820
AL GREEN
AT THE OPERA HOUSE?
700
00:29:13,887 --> 00:29:16,890
JUST YOU AND ME. WE'RE GOING TO
HAVE A GREAT TIME.
701
00:29:16,957 --> 00:29:19,926
[CELL PHONE RINGS,
CASH REGISTER RINGS]
702
00:29:19,993 --> 00:29:21,361
YEAH?
703
00:29:24,164 --> 00:29:26,132
Eric: OH, MAN. YOU WASH
YOUR GRIMY BUTT
704
00:29:26,199 --> 00:29:28,368
IN MY TUB AGAIN, YOU'RE GOING
TO HAVE TO PAY RENT, ALL RIGHT?
705
00:29:28,435 --> 00:29:30,704
WELL, EXCUSE ME.
706
00:29:30,770 --> 00:29:32,606
I MEAN, I GOT TO FRICKIN'
TAKE A SHOWER.
707
00:29:32,672 --> 00:29:35,108
MINE'S BUSTED AT MY APARTMENT,
AND I GOT A GIG TONIGHT,
708
00:29:35,175 --> 00:29:36,443
SO I DON'T WANT
TO SMELL LIKE B.O.
709
00:29:36,509 --> 00:29:37,844
YEAH, MAYBE THAT'S
WHY THAT RECORD CONTRACT
710
00:29:37,911 --> 00:29:38,912
HAS REMAINED SO ELUSIVE.
711
00:29:38,979 --> 00:29:40,413
OH, YEAH?
712
00:29:40,480 --> 00:29:41,948
OH, NICE SHOT.
713
00:29:42,015 --> 00:29:43,717
YOU'RE A PHILISTINE.
714
00:29:43,783 --> 00:29:45,418
YOU'RE A FLATULENT
PHILISTINE.
715
00:29:45,485 --> 00:29:47,854
Eric:
GET OUT OF HERE, MAN.
716
00:29:47,921 --> 00:29:50,390
MICK! MICK! MICK! MICK!
MICK! MICK! MICK! MICK!
717
00:29:50,457 --> 00:29:51,891
WELCOME BACK TO TRL,
YOU GUYS.
718
00:29:51,958 --> 00:29:54,561
TIMES SQUARE, NEW YORK CITY
IS OFF THE HOOK,
719
00:29:54,628 --> 00:29:58,131
BECAUSE THIS MAN
HAS ENTERED THE STUDIO.
720
00:29:58,198 --> 00:30:00,467
HEY, ROD.
Rod: YEAH.
721
00:30:00,533 --> 00:30:02,836
YOUR HERO'S ON TV.
NO WAY!
722
00:30:02,902 --> 00:30:04,404
Host: I HAVE
GREAT NEWS FOR YOU.
723
00:30:04,471 --> 00:30:06,740
YOU HAVE MADE
TRL HISTORY.
724
00:30:06,806 --> 00:30:09,209
THE VIDEO FOR EVERY CLOUD
HAS A SILVER LINING--
725
00:30:09,276 --> 00:30:11,311
26 STRAIGHT WEEKS
AT NUMBER ONE.
726
00:30:11,378 --> 00:30:13,380
YOU BROKE
YOUR OWN RECORD, DUDE.
727
00:30:13,446 --> 00:30:15,582
YOU BROKE
YOUR OWN RECORD!
728
00:30:15,649 --> 00:30:17,784
THAT HAS TO FEEL AMAZING.
HOW DOES IT FEEL?
729
00:30:17,851 --> 00:30:19,419
YOU KNOW, THE MICK
WON THE RECORD,
730
00:30:19,486 --> 00:30:21,755
BUT THE MICK LOST THE RECORD
AT THE SAME TIME.
731
00:30:21,821 --> 00:30:23,790
IT'S UNFORTUNATE, THERE HAS
TO BE A WINNER AND LOSER.
732
00:30:23,857 --> 00:30:25,625
IN THIS CASE,
THE MICK IS BOTH,
733
00:30:25,692 --> 00:30:27,494
SO THE MICK
FEELS CONFLICTED.
734
00:30:27,560 --> 00:30:28,662
Host: EITHER WAY
IT GOES, YOU WIN.
735
00:30:28,728 --> 00:30:31,064
DUDE, I CAN'T BELIEVE
THIS GUY.
736
00:30:31,131 --> 00:30:33,199
WHAT IS WRONG WITH
THE MUSIC INDUSTRY TODAY, HUH?
737
00:30:33,266 --> 00:30:35,902
I GRADUATED FROM THE SCHOOL
OF HARD KNOCKS, YOU KNOW,
738
00:30:35,969 --> 00:30:37,504
BUT THAT'S WHAT KEEPS
THE MICK SO GROUNDED.
739
00:30:37,570 --> 00:30:38,605
HE IS NOT
ABOUT THE LOVE.
740
00:30:38,672 --> 00:30:40,674
HE'S NOT ABOUT
THE PASSION.
741
00:30:40,740 --> 00:30:42,475
DUDE, I'M
ABOUT THE LOVE.
742
00:30:42,542 --> 00:30:43,510
AND THE PASSION.
743
00:30:43,576 --> 00:30:46,046
AND THE ODOR.
MAN!
744
00:30:46,112 --> 00:30:47,647
BUT THE MICK'S GOING
TO SHOW HIS MAD LOVE
745
00:30:47,714 --> 00:30:49,349
FOR CHI-TOWN
LATER THIS WEEK.
746
00:30:49,416 --> 00:30:51,384
Host:
OH, HE'S GOING HOME.
747
00:30:51,451 --> 00:30:53,053
HE'S GOING HOME!
748
00:30:53,119 --> 00:30:57,390
THAT'S RIGHT. GIVE IT UP
FOR MICK ON TRL!
749
00:30:57,457 --> 00:30:59,292
HEY, AT LEAST
HE HAS A DEGREE.
750
00:30:59,359 --> 00:31:00,794
UHH!
THIS GUY'S A TOOL.
751
00:31:02,262 --> 00:31:04,564
I AM--I AM--I AM...
752
00:31:04,631 --> 00:31:06,266
[TELEPHONE RINGS]
753
00:31:06,333 --> 00:31:07,801
I GOT IT.
754
00:31:07,867 --> 00:31:09,035
[RING]
755
00:31:09,102 --> 00:31:10,937
YO, IT'S THE "E" TO THE "R"
TO THE "I" TO THE "C"
756
00:31:11,004 --> 00:31:13,506
IN THE PLACE TO BE.
THAT'S ME. WHAT--WHAT?
757
00:31:15,308 --> 00:31:17,143
BRADY FREAKIN' FRANCES?
758
00:31:17,210 --> 00:31:19,479
BRADY FRANCES?
FROM THE PAPER?
759
00:31:19,546 --> 00:31:22,982
YO, WHAT UP, KID?
OH, MAN, I'M CHILLIN'--
760
00:31:23,049 --> 00:31:25,151
JUST COOLIN' AS THE OTHER
SIDE OF THE PILLOW,
761
00:31:25,218 --> 00:31:26,920
YOU KNOW WHAT I'M SAYING?
Brady: UH, I DON'T GET IT.
762
00:31:26,986 --> 00:31:29,489
NO, LIKE WHEN YOU WAKE UP
LATE AT NIGHT, AND YOU--
763
00:31:29,556 --> 00:31:30,957
FORGET IT, DUDE.
764
00:31:31,024 --> 00:31:32,392
WHAT YOU WANT?
765
00:31:32,459 --> 00:31:34,461
FOR REAL?
766
00:31:34,527 --> 00:31:36,029
YEAH, YEAH, MAN.
HANG ON A SECOND.
767
00:31:36,096 --> 00:31:38,365
YO, HE WANTS TO INTERVIEW
YOU FOR THE PAPER.
768
00:31:38,431 --> 00:31:39,866
HE GOT ONE
OF THOSE POSTERS,
769
00:31:39,933 --> 00:31:41,334
AND HE WANTS TO TALK ABOUT
THE GIRL FROM THE TRAIN.
770
00:31:41,401 --> 00:31:43,470
[LAUGHS]
NO WAY.
771
00:31:43,536 --> 00:31:45,472
WAY. JUST CHILL
FOR A SECOND.
772
00:31:45,538 --> 00:31:46,673
THINK ABOUT THIS.
773
00:31:46,740 --> 00:31:47,974
IF YOU GET YOUR NAME
IN PRINT,
774
00:31:48,041 --> 00:31:49,476
AND PEOPLE START
SEEING YOU AS SOME GUY
775
00:31:49,542 --> 00:31:50,944
WHO'S GOING
TO TAKE A RISK,
776
00:31:51,010 --> 00:31:52,479
YOU'RE NOT GOING TO
BE KNOWN AS THE GUY
777
00:31:52,545 --> 00:31:53,780
WHO CAN'T SEAL
THE DEAL ANYMORE, RIGHT?
778
00:31:53,847 --> 00:31:55,315
I'M NOT DOING
AN INTERVIEW.
779
00:31:55,382 --> 00:31:56,416
KEV, COME ON.
I THINK IT WOULD BE
780
00:31:56,483 --> 00:31:58,118
A GREAT PR MOVE
FOR YOU.
781
00:31:59,519 --> 00:32:01,187
IT'LL HELP YOU
FIND HER.
782
00:32:09,062 --> 00:32:10,396
OK.
783
00:32:10,463 --> 00:32:11,698
COOL.
784
00:32:11,765 --> 00:32:13,700
♪ AH, SHADOOBIE ♪
785
00:32:13,767 --> 00:32:16,035
♪ AH, AH, SHADOOBIE ♪
786
00:32:16,102 --> 00:32:17,404
♪ DOO WAH ♪
787
00:32:17,470 --> 00:32:18,805
♪ SHADOOBIE ♪
788
00:32:18,872 --> 00:32:21,074
♪ AH, AH, SHADOOBIE,
DOOBIE ♪
789
00:32:21,141 --> 00:32:23,643
♪ HOLD ME UP,
THAT'S WHERE I FELL ♪
790
00:32:23,710 --> 00:32:26,913
♪ FOUND MYSELF DREAMIN'
OF YOUR FACE ♪
791
00:32:26,980 --> 00:32:30,583
♪ YOUR FACE, YOUR FACE,
YOUR FACE ♪
792
00:32:30,650 --> 00:32:33,052
♪ TOOK A LOT
OF PLANS TO TAKE ♪
793
00:32:33,119 --> 00:32:36,356
♪ SOMEHOW ENDED UP
AT YOUR PLACE ♪
794
00:32:36,423 --> 00:32:38,024
♪ YOUR PLACE, YOUR PLACE ♪
795
00:32:38,091 --> 00:32:40,960
[WOMEN GIGGLE]
796
00:32:41,027 --> 00:32:43,997
♪ AND HAVE I BEEN,
TELL ME ♪
797
00:32:44,063 --> 00:32:45,799
♪ TELL ME ♪
798
00:32:45,865 --> 00:32:49,869
♪ WHAT CAN I DO
TO HELP ME, HELP ME ♪
799
00:32:49,936 --> 00:32:52,238
♪ DO YOU SEE WHAT I SEE ♪
800
00:32:52,305 --> 00:32:54,107
♪ AH, AH, SHADOOBIE ♪
801
00:32:54,174 --> 00:32:55,441
♪ DOO WAH ♪
802
00:32:55,508 --> 00:32:56,776
♪ SHADOOBIE ♪
803
00:32:56,843 --> 00:32:59,512
♪ AH, AH, SHADOOBIE,
DOOBIE ♪
804
00:32:59,579 --> 00:33:02,282
♪ DO YOU SEE WHAT I SEE? ♪
805
00:33:02,348 --> 00:33:03,683
♪ AH, AH, SHADOOBIE ♪
806
00:33:03,750 --> 00:33:05,385
♪ DOO WAH ♪
807
00:33:05,451 --> 00:33:06,719
♪ SHADOOBIE ♪
808
00:33:06,786 --> 00:33:07,854
♪ AH, AH, SHADOOBIE ♪
809
00:33:07,921 --> 00:33:10,957
[KISSES]
WAY TO GO, ROMEO.
810
00:33:11,724 --> 00:33:13,626
[NATHAN LAUGHS]
811
00:33:15,295 --> 00:33:17,697
[LAUGHS]
HI, KEVIN.
812
00:33:17,764 --> 00:33:19,532
[NATHAN LAUGHING]
813
00:33:24,504 --> 00:33:26,272
Higgins:
HA HA HA HA!
814
00:33:32,679 --> 00:33:35,248
[LAUGHING]
815
00:33:40,920 --> 00:33:42,322
GIBBONS.
816
00:33:42,388 --> 00:33:44,424
OH HO HO!
817
00:33:44,490 --> 00:33:46,459
OH, GIBBONS...
818
00:33:46,526 --> 00:33:49,329
WHY DON'T YOU JUST
OFFER A REWARD?
819
00:33:49,395 --> 00:33:51,097
LIKE WITH
A LOST PUPPY?
820
00:33:51,164 --> 00:33:54,334
HA HA HA!
OH!
821
00:33:54,400 --> 00:33:56,536
OH, SON,
IT'S SO SAD.
822
00:33:56,603 --> 00:33:59,005
YOU'VE GOTTEN IT
ALL BASS-ACKWARDS.
823
00:33:59,072 --> 00:34:02,542
LOOK, FIRST
YOU GET THE POWER,
824
00:34:02,609 --> 00:34:04,744
THEN YOU GET THE MONEY,
825
00:34:04,811 --> 00:34:08,047
AND THEN YOU BUY
THE LOVE.
826
00:34:08,114 --> 00:34:09,282
OH.
827
00:34:09,349 --> 00:34:11,184
GIBBONS, PLEASE.
828
00:34:11,251 --> 00:34:13,920
DON'T BE A DUMMY.
829
00:34:13,987 --> 00:34:15,755
Woman: REEBOK'S
ON THE LINE.
830
00:34:15,822 --> 00:34:18,658
COULD YOU ASK THEM
TO HOLD, PLEASE?
831
00:34:18,725 --> 00:34:20,393
FOCUS ON THE JOB
AT HAND.
832
00:34:20,460 --> 00:34:21,828
MONEY MAKES THE WORLD
GO AROUND,
833
00:34:21,895 --> 00:34:23,096
AND ANYONE
THAT TELLS YOU
834
00:34:23,162 --> 00:34:25,031
THAT MONEY IS THE ROOT
OF ALL EVIL--
835
00:34:25,098 --> 00:34:26,799
Woman:
DOESN'T HAVE ANY.
836
00:34:30,036 --> 00:34:31,137
HELLO?
837
00:34:31,204 --> 00:34:32,572
ARE YOU TALKING
TO THE YOUNG MAN
838
00:34:32,639 --> 00:34:34,140
FROM THE TRAIN?
839
00:34:34,207 --> 00:34:35,441
YES.
840
00:34:35,508 --> 00:34:38,177
WE'D LIKE HIM TO HEAD UP
THE CREATIVE TEAM.
841
00:34:38,244 --> 00:34:39,512
REALLY?
REALLY?
842
00:34:39,579 --> 00:34:43,917
REEBOK CAN USE PEOPLE
WITH HIS KIND OF PASSION.
843
00:34:43,983 --> 00:34:47,186
GIBBONS, IGNORE EVERYTHING
I'VE EVER TOLD YOU.
844
00:34:47,253 --> 00:34:48,755
Announcer:
NOW BATTING,
845
00:34:48,821 --> 00:34:52,125
SECOND BASEMAN
ERIC YOUNG.
846
00:34:52,191 --> 00:34:54,027
Eric: STRAIGHT
FROM THE OVEN
847
00:34:54,093 --> 00:34:55,361
OF YOUR MAMA'S
HOUSE.
848
00:34:55,428 --> 00:34:56,496
I'LL TAKE A BAG.
849
00:34:56,562 --> 00:34:58,031
THERE YOU GO,
FELLA.
850
00:34:58,998 --> 00:35:00,900
YO, WHAT'S UP,
FELLAS?
851
00:35:00,967 --> 00:35:03,169
WHAT'S UP? MAN,
NO-ACTION JACKSON OVER HERE
852
00:35:03,236 --> 00:35:04,904
KEEPS TALKING ABOUT
THE GIRL FROM THE TRAIN.
853
00:35:04,971 --> 00:35:06,472
AW, MAN,
ARE YOU SERIOUS?
854
00:35:06,539 --> 00:35:07,774
WOULD YOU CUT IT OUT
ALREADY, DUDE?
855
00:35:07,840 --> 00:35:09,442
YOU'RE LIKE
THE POSTER BOY
856
00:35:09,509 --> 00:35:11,711
FOR THE ROMANTICALLY
CHALLENGED.
857
00:35:11,778 --> 00:35:13,179
HEY, YO, THIS GUY
NEEDS A DATE.
858
00:35:13,246 --> 00:35:15,014
HEY, ANYBODY READ
THE NEWSPAPER TODAY?
859
00:35:15,081 --> 00:35:16,482
THIS IS THE GUY
FROM THE TRAIN
860
00:35:16,549 --> 00:35:17,517
WHO PUT UP
THAT POSTER
861
00:35:17,584 --> 00:35:18,718
TRYING TO FIND
THAT GIRL.
862
00:35:18,785 --> 00:35:19,786
WOULD YOU SHUT UP?
863
00:35:19,852 --> 00:35:21,487
OH, THAT'S SO ROMANTIC.
864
00:35:21,554 --> 00:35:22,555
I HAVE A DAUGHTER.
865
00:35:22,622 --> 00:35:23,756
OH, YEAH?
DOES SHE EAT MEAT?
866
00:35:23,823 --> 00:35:25,158
Announcer:
NOW BATTING...
867
00:35:25,224 --> 00:35:26,859
I DON'T KNOW WHY I TELL
YOU GUYS ANYTHING.
868
00:35:26,926 --> 00:35:28,061
FRED McGRIFF.
869
00:35:28,127 --> 00:35:29,362
LISTEN, I DON'T EVEN
UNDERSTAND THIS.
870
00:35:29,429 --> 00:35:30,863
I MEAN, IT'S LIKE
MAYBE YOU THOUGHT HER UP
871
00:35:30,930 --> 00:35:32,298
IN YOUR MIND OR
SOME STUFF LIKE THAT.
872
00:35:32,365 --> 00:35:34,567
IT'S LIKE YOU THINK
SHE'S, LIKE, JULIA ROBERTS,
873
00:35:34,634 --> 00:35:36,836
BUT IN REALITY,
SHE'S LIKE DR. RUTH.
874
00:35:36,903 --> 00:35:38,104
AS USUAL, ROD,
875
00:35:38,171 --> 00:35:39,872
I HAVE NO CLUE
WHAT YOU MEAN.
876
00:35:39,939 --> 00:35:41,841
HEY, YOU REALLY THINK
THIS BABE IS GOING TO CALL YOU?
877
00:35:41,908 --> 00:35:44,410
I DON'T KNOW. I JUST WISH
I KNEW WHERE SHE WAS.
878
00:35:44,477 --> 00:35:47,180
Announcer: THE CUBS HAVE HAD
3 OPPORTUNITIES TO SCORE
879
00:35:47,246 --> 00:35:49,115
IN AS MANY AT-BATS
TODAY.
880
00:35:49,182 --> 00:35:51,985
AND TELEMACHO JUMPS AHEAD
OF HIM 2 QUICK STRIKES.
881
00:35:52,051 --> 00:35:54,721
HA HA! NOW, I CAN'T BELIEVE
BRADY HOOKED YOU UP
882
00:35:54,787 --> 00:35:56,155
WITH THAT ARTICLE
IN THE PAPER,
883
00:35:56,222 --> 00:35:58,391
CONSIDERING YOU DISSED
AND DISMISSED HIS ASS
884
00:35:58,458 --> 00:36:01,194
BACK IN HIGH SCHOOL.
DON'T YOU HAVE SOME WORK TO DO?
885
00:36:01,260 --> 00:36:02,662
Announcer: AND HERE'S
SAMMY SOSA IN THE FOURTH.
886
00:36:02,729 --> 00:36:04,130
SAMMY HIT INTO A 6-4-3
887
00:36:04,197 --> 00:36:05,898
INNING-ENDING DOUBLE PLAY
IN THE FIRST.
888
00:36:05,965 --> 00:36:08,601
THE CUBS HAVE HAD
3 OPPORTUNITIES TO SCORE...
889
00:36:08,668 --> 00:36:10,203
OH!
890
00:36:10,269 --> 00:36:11,270
OH!
891
00:36:11,337 --> 00:36:12,605
HO HO!
892
00:36:12,672 --> 00:36:14,273
OOH, THAT'S GOT TO HURT.
893
00:36:14,340 --> 00:36:15,708
Player: I CAN'T BELIEVE
HE'S HIT THAT GUY
894
00:36:15,775 --> 00:36:17,010
3 TIMES THIS SEASON.
895
00:36:17,076 --> 00:36:18,511
DAMN! THAT'S
THE THIRD TIME THIS SEASON
896
00:36:18,578 --> 00:36:20,146
I HIT THIS GUY.
897
00:36:20,213 --> 00:36:22,148
Announcer: SAMMY LAUNCHED ONE
SUNDAY, YOU'LL RECALL.
898
00:36:22,215 --> 00:36:24,217
TODD HUNDLEY'S
WAITING ON DECK.
899
00:36:24,283 --> 00:36:26,853
HE GOT THE BALL!
IT HIM IN THE--
900
00:36:26,919 --> 00:36:28,287
Brady: WHAT?
901
00:36:28,354 --> 00:36:29,889
Woman: YOU WANT NUTS
IN YOUR NOODLES?
902
00:36:29,956 --> 00:36:31,391
YEAH, SURE,
WHATEVER.
903
00:36:35,128 --> 00:36:36,362
[SIGHS]
904
00:36:37,897 --> 00:36:40,066
HMM. YOU THINK
SHE'LL CALL HIM?
905
00:36:40,133 --> 00:36:42,468
HA! YOU THINK I CARE?
YOU SHOULD CARE.
906
00:36:42,535 --> 00:36:44,704
YOU'RE WRITING
THE FOLLOW-UP ARTICLE ON HIM.
907
00:36:44,771 --> 00:36:46,739
I HOPE SHE DOES CALL.
HE SEEMS SWEET.
908
00:36:46,806 --> 00:36:49,042
KEVIN GIBBONS
IS A GIMP.
909
00:36:49,108 --> 00:36:51,844
HE'S MAKING A COMPLETE
IDIOT OF HIMSELF.
910
00:36:51,911 --> 00:36:53,246
I MEAN,
I CAN'T EVEN BELIEVE
911
00:36:53,312 --> 00:36:55,682
PEOPLE ARE TAKING
THE ARTICLE SERIOUSLY.
912
00:36:55,748 --> 00:36:57,150
WHAT DO YOU HAVE
AGAINST THIS GUY?
913
00:36:57,216 --> 00:36:59,185
NOTHING. I JUST DON'T SEE
WHAT THE BIG DEAL IS.
914
00:36:59,252 --> 00:37:01,187
WELL, HE TOOK A CHANCE.
HE WENT FOR SOMETHING.
915
00:37:01,254 --> 00:37:04,157
I THINK--I THINK
WOMEN LIKE THAT.
916
00:37:04,223 --> 00:37:05,958
IT'S ROMANTIC.
917
00:37:06,025 --> 00:37:11,731
N'SYNC: ♪ THAT GIRL
WILL NEVER BE MINE ♪
918
00:37:11,798 --> 00:37:14,033
♪ OH ♪
919
00:37:14,100 --> 00:37:15,435
♪ THAT GIRL ♪
920
00:37:15,501 --> 00:37:19,272
Voice mail:
YOU HAVE 47 MESSAGES.
921
00:37:19,338 --> 00:37:23,009
♪ OH, FIRST TIME I SAW HER
AT THE FRONT DOOR ♪
922
00:37:23,076 --> 00:37:25,578
♪ THAT GIRL, THE FACE
ON EVERY BILLBOARD ♪
923
00:37:25,645 --> 00:37:27,780
♪ HANDS DOWN, YOU WON'T
BELIEVE THE WAY ♪
924
00:37:27,847 --> 00:37:30,717
♪ SHE LAID HER EYES
ON ME ♪
925
00:37:30,783 --> 00:37:33,519
♪ 6 FEET, I SPOT HER
FROM THE CATWALK ♪
926
00:37:33,586 --> 00:37:36,389
♪ SO FLY, WE GOT
INTO A SMALL TALK ♪
927
00:37:36,456 --> 00:37:38,391
♪ TOO BAD SHE HAD
TO MOVE ALONG ♪
928
00:37:38,458 --> 00:37:41,727
♪ ONE SMILE,
AND SHE WAS GONE ♪
929
00:37:41,794 --> 00:37:43,463
♪ I CAN'T EXPLAIN ♪
930
00:37:43,529 --> 00:37:46,833
♪ I NEVER THOUGHT THAT I WAS
GONNA LOSE MY HEAD ♪
931
00:37:46,899 --> 00:37:48,935
♪ CALL ME INSANE ♪
932
00:37:49,001 --> 00:37:51,037
♪ THERE'S GOT TO BE
A WAY ♪
933
00:37:51,104 --> 00:37:53,639
♪ HOW CAN I
GET NEXT TO HER ♪
934
00:37:53,706 --> 00:37:56,442
♪ NOW TELL ME
HOW IT'S GONNA BE DONE ♪
935
00:37:56,509 --> 00:38:00,079
♪ WILL I WIN OR LOSE
THIS ONE ♪
936
00:38:00,146 --> 00:38:01,581
♪ DON'T CARE
ABOUT THE FACT ♪
937
00:38:01,647 --> 00:38:04,484
♪ THAT SHE'S
IN A DIFFERENT LEAGUE ♪
938
00:38:04,550 --> 00:38:07,420
♪ THEY SAY
IT'S NO USE ♪
939
00:38:07,487 --> 00:38:09,555
♪ THAT I TRY ♪
940
00:38:09,622 --> 00:38:13,426
♪ THAT GIRL
WILL NEVER BE MINE ♪
941
00:38:13,493 --> 00:38:16,229
♪ LAST NIGHT,
I RAN INTO HER BRIEFLY ♪
942
00:38:16,295 --> 00:38:19,031
♪ GUESS WHAT,
SHE REALLY WANNA SEE ME ♪
943
00:38:19,098 --> 00:38:21,000
♪ THEY SAID
THAT I WAS OUT OF LINE ♪
944
00:38:21,067 --> 00:38:24,137
♪ WHO'S WRONG,
WHO'S RIGHT THIS TIME? ♪
945
00:38:24,203 --> 00:38:25,805
♪ CAN'T EXPLAIN ♪
946
00:38:25,872 --> 00:38:29,208
♪ I NEVER THOUGHT
THAT I WAS GONNA LOSE MY HEAD ♪
947
00:38:29,275 --> 00:38:31,077
♪ CALL ME INSANE ♪
948
00:38:31,144 --> 00:38:33,479
♪ THERE'S GOT TO BE A WAY ♪
949
00:38:33,546 --> 00:38:36,949
♪ HOW CAN I GET
NEXT TO HER ♪
950
00:38:37,016 --> 00:38:39,118
♪ THEY SAY IT'S NO USE ♪
951
00:38:39,185 --> 00:38:40,987
♪ THAT I TRY ♪
952
00:38:41,053 --> 00:38:42,455
♪ NO, NO, NO ♪
953
00:38:42,522 --> 00:38:46,058
♪ THEY SAY IT'S NO USE
THAT I TRY ♪
954
00:38:46,125 --> 00:38:47,393
[TELEPHONE RINGING]
955
00:38:47,460 --> 00:38:51,430
♪ THAT GIRL WILL NEVER BE ♪
956
00:38:51,497 --> 00:38:53,199
♪ MINE ♪
957
00:38:57,370 --> 00:38:59,205
WHAT THE HECK
DID YOU DO THAT FOR?
958
00:38:59,272 --> 00:39:01,741
THAT'S FOR USING MY TOWEL
THE OTHER DAY.
959
00:39:01,807 --> 00:39:03,943
YEAH? WELL, I ALSO
WORE YOUR UNDERWEAR.
960
00:39:06,145 --> 00:39:07,380
[CLANK]
YEAH!
961
00:39:07,446 --> 00:39:08,981
OH, I GOT IT! I GOT IT!
962
00:39:09,048 --> 00:39:10,349
I GOT IT! I GOT IT!
963
00:39:10,416 --> 00:39:12,218
I GOT IT...
964
00:39:13,820 --> 00:39:15,354
OH, MY GOSH, DUDE.
WHAT IS THIS?
965
00:39:15,421 --> 00:39:17,423
IT'S A HOT DOG.
THANKS, MAN.
966
00:39:17,490 --> 00:39:18,791
NO PROBLEM.
967
00:39:18,858 --> 00:39:21,060
SURE IT'S GOOD?
SAFE!
968
00:39:21,127 --> 00:39:22,395
SO, KEV, I BET
YOU'RE WONDERING WHY
969
00:39:22,461 --> 00:39:24,363
WE ASKED YOU OUT TO
PLAY BARBECUE BALL
970
00:39:24,430 --> 00:39:26,432
THIS FINE, COLD DAY
IN CHICAGO.
971
00:39:26,499 --> 00:39:28,234
OH, ALRIGHT 'CAUSE
I BROUGHT THE FOOD?
972
00:39:28,301 --> 00:39:29,101
NO!
973
00:39:29,168 --> 00:39:30,203
WELL, YEAH,
KIND OF,
974
00:39:30,269 --> 00:39:31,771
BUT ALSO BECAUSE
I CAME UP WITH
975
00:39:31,838 --> 00:39:34,207
THIS REALLY
BRILLIANT IDEA.
976
00:39:34,273 --> 00:39:37,109
ACTUALLY, IT'S MORE LIKE
A PROPOSITION FOR YOU.
977
00:39:37,176 --> 00:39:38,945
WHY AM I AFRAID TO HEAR THIS?
I DON'T KNOW.
978
00:39:39,011 --> 00:39:40,580
ME AND THE GUYS
WERE JUST THINKING THAT
979
00:39:40,646 --> 00:39:42,949
YOU COULD DO ALL THESE BABES
LIKE A BIG HUGE FAVOR
980
00:39:43,015 --> 00:39:45,218
AND LET US
TAKE THEM OUT.
981
00:39:45,284 --> 00:39:47,386
AND HOW IS THAT
POSSIBLY A GOOD IDEA?
982
00:39:48,855 --> 00:39:50,189
FIRST OFF...
983
00:39:50,256 --> 00:39:52,024
UMM, THERE ARE JUST
WAY TOO MANY CALLS
984
00:39:52,091 --> 00:39:53,726
FOR YOU
TO HANDLE SOLO,
985
00:39:53,793 --> 00:39:55,761
AND SECONDLY...
986
00:39:55,828 --> 00:39:58,698
ROD?
WHAT WAS NUMBER 2?
987
00:39:58,764 --> 00:40:01,367
OH!
WE SCREEN THE GIRLS
988
00:40:01,434 --> 00:40:03,603
AND WE HELP YOU
FIND "THE GIRL."
989
00:40:03,669 --> 00:40:04,837
YES!
990
00:40:04,904 --> 00:40:06,839
YEAH.
AND IF, PERCHANCE, YOU KNOW,
991
00:40:06,906 --> 00:40:08,241
WE WERE TO MAKE
SOME KIND OF CONNECTION
992
00:40:08,307 --> 00:40:09,809
WITH ONE OF THESE
FINE YOUNG LADIES,
993
00:40:09,875 --> 00:40:11,444
WELL...
SO MUCH THE BETTER.
994
00:40:11,510 --> 00:40:13,646
YEAH! WE ALL WIN BIG.
WIENIE.
995
00:40:13,713 --> 00:40:14,880
CHA-CHING.
996
00:40:14,947 --> 00:40:16,249
THAT'S NOT A BAD IDEA.
997
00:40:16,315 --> 00:40:17,917
I CAN'T BELIEVE
I DIDN'T THINK OF THAT.
998
00:40:17,984 --> 00:40:20,419
ROD, YEAH! I TOLD YOU
HE'D GO FOR IT.
999
00:40:20,486 --> 00:40:22,154
I WAS ACTUALLY SURPRISED
YOU DIDN'T THINK OF IT, TOO.
1000
00:40:22,221 --> 00:40:23,222
I GAVE YOU
A COUPLE DAYS.
1001
00:40:23,289 --> 00:40:24,824
ABSOLUTELY NOT, GUYS.
1002
00:40:24,891 --> 00:40:26,559
GAME'S OVER.
SEE YOU LATER.
1003
00:40:30,129 --> 00:40:32,999
UM...I SAY
HE'S COMING AROUND.
1004
00:40:33,065 --> 00:40:34,734
THAT WENT
PRETTY WELL.
1005
00:40:34,800 --> 00:40:36,335
FKR.
1006
00:40:40,873 --> 00:40:41,841
GIBBONS!
1007
00:40:41,907 --> 00:40:43,109
UH, MR. HIGGINS.
1008
00:40:43,175 --> 00:40:45,211
AHH.
LISTEN, I'M NOT QUITE--
1009
00:40:45,278 --> 00:40:47,213
YOU DON'T GO
GINKGO, DO YOU?
1010
00:40:47,280 --> 00:40:51,250
GINKO?
BILOBA, GIBBONS.
1011
00:40:51,317 --> 00:40:53,419
YOU LACK AN ABUNDANCE
OF ENERGY.
1012
00:40:53,486 --> 00:40:56,422
THERE'S A CERTAIN OVERALL
MALAISE ABOUT YOU, GIBBONS.
1013
00:40:56,489 --> 00:40:59,091
I JUST THINK THAT A SMOOTHIE
WITH A SHOT OF GINKGO IN IT
1014
00:40:59,158 --> 00:41:00,226
WOULD REMEDY THAT.
1015
00:41:00,293 --> 00:41:02,395
WELL...I PREFER COFFEE.
1016
00:41:02,461 --> 00:41:04,664
WELL, IT'S YOUR COLON,
GIBBONS.
1017
00:41:04,730 --> 00:41:06,198
I HATE TO BRING THIS UP,
1018
00:41:06,265 --> 00:41:09,602
BUT JACKIE TELLS ME YOU'RE
NOT PULLING YOUR WEIGHT.
1019
00:41:09,669 --> 00:41:11,570
LOOK, THIS PROPOSAL
IS DUE IN 3 DAYS
1020
00:41:11,637 --> 00:41:13,839
AND I CAN'T HAVE YOU
HALF-HEARTING IT.
1021
00:41:13,906 --> 00:41:15,341
WE'LL HAVE IT DONE, SIR.
GOOD!
1022
00:41:15,408 --> 00:41:18,978
[TELEPHONE RINGS]
EXCUSE ME.
1023
00:41:19,045 --> 00:41:20,980
KEVIN GIBBONS.
HOW CAN I HELP YOU?
1024
00:41:21,047 --> 00:41:22,381
WHAT UP, KID?
1025
00:41:22,448 --> 00:41:24,483
YO, LOOK, BROTHER,
I AM BEGGING YOU
1026
00:41:24,550 --> 00:41:25,551
TO RECONSIDER.
1027
00:41:25,618 --> 00:41:27,386
NO. I'M GONNA HAVE
TO CALL YOU BACK, OK?
1028
00:41:27,453 --> 00:41:29,789
COME ON, KEV.
HELP US HELP YOU!
1029
00:41:29,855 --> 00:41:32,058
MAN, WOULD YOU STOP BEING
SO SELFISH FOR A SEC
1030
00:41:32,124 --> 00:41:34,093
AND THINK ABOUT
THE TEAM HERE?
1031
00:41:34,160 --> 00:41:37,897
GIBBONS, THIS CAMPAIGN
IS VERY IMPORTANT TO US.
1032
00:41:37,963 --> 00:41:40,433
YOUR JOB DEPENDS ON IT.
1033
00:41:40,499 --> 00:41:42,935
DO WE UNDERSTAND EACH OTHER?
ALL YOU GOTTA DO IS SAY YES!
1034
00:41:43,002 --> 00:41:45,104
YES. YES.
1035
00:41:45,171 --> 00:41:47,540
DUDE, ARE--ARE YOU
SURE THAT'S COOL?
1036
00:41:47,606 --> 00:41:49,408
ARE YOU SURE?
1037
00:41:49,475 --> 00:41:50,543
POSITIVE.
1038
00:41:50,609 --> 00:41:51,644
YES!
1039
00:41:51,711 --> 00:41:53,612
GOOD.
1040
00:41:53,679 --> 00:41:55,081
[SIGHS]
1041
00:41:57,149 --> 00:41:58,851
OOH HOO HOO!
1042
00:41:58,918 --> 00:41:59,952
[DIAL TONE]
1043
00:42:00,019 --> 00:42:02,555
HELLO? HELLO?
1044
00:42:02,621 --> 00:42:04,857
YEAH! WE'RE GONNA
GET SOME DATES!
1045
00:42:04,924 --> 00:42:06,525
WE'RE GONNA GET...
1046
00:42:06,592 --> 00:42:08,894
Announcer: LET'S HAVE A ROUND
OF APPLAUSE FOR MR. AL GREEN!
1047
00:42:08,961 --> 00:42:11,464
[APPLAUSE AND CHEERING]
1048
00:42:15,134 --> 00:42:18,170
[MUSIC PLAYING]
1049
00:42:25,010 --> 00:42:27,079
♪ STARTED TO WRITE THIS SONG ♪
1050
00:42:27,146 --> 00:42:29,415
♪ ABOUT YOU ♪
1051
00:42:29,482 --> 00:42:32,118
♪ AND THEN I DECIDED ♪
1052
00:42:32,184 --> 00:42:34,286
♪ THAT I WOULD WRITE IT ♪
1053
00:42:34,353 --> 00:42:37,423
♪ ALL ABOUT LOVE ♪
1054
00:42:37,490 --> 00:42:40,626
♪ THEN IT APPEARED TO ME ♪
1055
00:42:40,693 --> 00:42:43,329
♪ THAT YOU WASN'T HAPPY ♪
1056
00:42:43,396 --> 00:42:45,598
♪ OH, THAT'S FOR SURE ♪
1057
00:42:45,664 --> 00:42:47,900
♪ POSITIVELY ♪
1058
00:42:47,967 --> 00:42:51,270
♪ THAT'S WHAT THE WORLD
IS MADE OF ♪
1059
00:42:51,337 --> 00:42:55,307
♪ SO GIVE ME
MORE L-O-V-E LOVE ♪
1060
00:42:55,374 --> 00:42:57,777
♪ LOVE IS A WALK DOWN
MAIN STREET ♪
1061
00:42:57,843 --> 00:42:59,311
♪ OH, LOVE ♪
1062
00:42:59,378 --> 00:43:01,714
♪ LOVE IS AN APPLE,
HONEY, SO SWEET ♪
1063
00:43:01,781 --> 00:43:04,383
DUDE, I CAN'T BELIEVE
YOU SCORED SUCH GREAT SEATS.
1064
00:43:04,450 --> 00:43:07,520
DUDE, I CAN'T BELIEVE HOW
MANY HOTTIES DIG AL GREEN.
1065
00:43:07,586 --> 00:43:09,488
♪ IT'S STRANGE TO ME ♪
1066
00:43:09,555 --> 00:43:12,525
♪ MAYBE TIME WILL
BRING US TOGETHER ♪
1067
00:43:12,591 --> 00:43:16,829
♪ AND I CAN BE
SUCH A HAPPY FELLA ♪
1068
00:43:16,896 --> 00:43:18,731
[NEW SONG]
♪ ...YOU PUT ME THROUGH ♪
1069
00:43:18,798 --> 00:43:22,034
♪ YOU STOLE MY MONEY
AND MY CIGARETTES ♪
1070
00:43:22,101 --> 00:43:25,070
♪ AND I AIN'T SEEN
HIDE NOR HAIR OF YOU YET ♪
1071
00:43:25,137 --> 00:43:27,673
♪ I WANT TO KNOW ♪
1072
00:43:27,740 --> 00:43:29,241
♪ TELL ME ♪
1073
00:43:29,308 --> 00:43:32,778
♪ 'CAUSE I'D LOVE TO STAY ♪
1074
00:43:32,845 --> 00:43:34,914
♪ OH OH OH ♪
1075
00:43:34,980 --> 00:43:38,417
♪ TAKE ME TO THE RIVER ♪
1076
00:43:38,484 --> 00:43:40,352
♪ WASH ME DOWN ♪
1077
00:43:41,620 --> 00:43:43,322
♪ WON'T YOU CLEANSE MY SOUL ♪
1078
00:43:43,389 --> 00:43:45,357
♪ WHERE YOU GOING?
HA HA ♪
1079
00:43:45,424 --> 00:43:48,427
OH. SORRY.
WRONG PERSON.
1080
00:43:48,494 --> 00:43:50,596
♪ COME ON, SOMEBODY ♪
1081
00:43:50,663 --> 00:43:54,066
♪ I DON'T KNOW WHY
YOU TREAT ME SO BAD ♪
1082
00:43:54,133 --> 00:43:57,837
♪ HOW ABOUT ALL THE THINGS
THAT WE COULD HAVE HAD ♪
1083
00:43:57,903 --> 00:44:01,740
♪ LOVE IS A NOTION
THAT I CAN'T FORGET ♪
1084
00:44:01,807 --> 00:44:04,376
♪ MY SWEET SIXTEEN
I WILL NEVER FORGET ♪
1085
00:44:04,443 --> 00:44:07,179
♪ I WANT TO KNOW,
WON'T YOU TELL ME ♪
1086
00:44:07,246 --> 00:44:11,050
Abbey: HELLO?
CAN YOU HEAR ME?
1087
00:44:11,116 --> 00:44:13,719
♪ ...LOVE. YES, YOU ARE,
YES YOU ARE ♪
1088
00:44:13,786 --> 00:44:15,254
Paul: HEY, ABBEY,
IT'S PAUL.
1089
00:44:15,321 --> 00:44:19,391
HEY, WHERE ARE YOU?
THE SHOW'S ALREADY STARTED.
1090
00:44:19,458 --> 00:44:21,460
Paul: I KNOW I'M SUPPOSED
TO MEET YOU RIGHT NOW,
1091
00:44:21,527 --> 00:44:23,896
BUT I'M CAUGHT UP IN
A MEETING. I CAN'T LEAVE.
1092
00:44:23,963 --> 00:44:26,999
NO! I WAS JUST REALLY
LOOKING FORWARD TO THIS.
1093
00:44:27,066 --> 00:44:29,435
Paul: I'M REALLY,
REALLY SORRY, OK?
1094
00:44:29,502 --> 00:44:30,736
I WANT YOU
TO ENJOY YOURSELF.
1095
00:44:30,803 --> 00:44:32,271
I WANT YOU TO HAVE
A GOOD TIME.
1096
00:44:32,338 --> 00:44:33,873
HAVE A GREAT MEETING.
1097
00:44:33,939 --> 00:44:36,342
Paul: I'VE GOT TO GO.
I'LL SEE YOU LATER, YEAH?
1098
00:44:36,408 --> 00:44:37,676
OK.
OK, BYE.
1099
00:44:38,210 --> 00:44:39,512
BYE.
1100
00:44:39,578 --> 00:44:42,014
♪ PUT MY FEET
ON THE GROUND ♪
1101
00:44:42,081 --> 00:44:43,649
♪ GET ME JUST ABOVE YOU ♪
1102
00:44:43,716 --> 00:44:48,587
♪ TAKE ME TO THE RIVER ♪
1103
00:44:48,654 --> 00:44:51,323
[CHEERING]
1104
00:44:53,425 --> 00:44:55,227
Bouncer: CAN I SEE
YOUR TICKETS, PLEASE?
1105
00:44:55,294 --> 00:44:57,796
OH, TICKETS?
YEAH, I GOT TICKETS, MAN.
1106
00:44:57,863 --> 00:44:59,064
YOU'RE VERY WONDERFUL.
1107
00:44:59,131 --> 00:45:00,566
I WAS READING TODAY
IN THE NEWSPAPER
1108
00:45:00,633 --> 00:45:03,102
ABOUT A YOUNG MAN WHO FOUND
SOMEONE ON A TRAIN...
1109
00:45:03,168 --> 00:45:04,470
YOU'RE KIDDING ME.
1110
00:45:04,537 --> 00:45:06,038
I GOT 'EM. I GOT 'EM.
WHAT DO THEY LOOK LIKE?
1111
00:45:06,105 --> 00:45:07,273
JUST TELL ME QUICK, UM--
1112
00:45:07,339 --> 00:45:08,607
I KNEW THIS WAS
TOO GOOD TO BE TRUE.
1113
00:45:08,674 --> 00:45:10,776
Al: ...THAT THEY MAY
FIND LOVE AND HAPPINESS
1114
00:45:10,843 --> 00:45:13,112
WHEREVER IT IS.
1115
00:45:13,178 --> 00:45:14,647
I GOT 'EM. OH, MAN!
1116
00:45:14,713 --> 00:45:16,282
[MUSIC PLAYING]
1117
00:45:16,348 --> 00:45:17,783
Eric: HEY, LET GO OF
THE THREADS!
1118
00:45:17,850 --> 00:45:19,351
HEY, COME ON, DON'T MAKE ME
GET ROUGH WITH YOU!
1119
00:45:19,418 --> 00:45:20,619
HEY, DON'T MAKE ME
CALL MY--
1120
00:45:20,686 --> 00:45:22,121
DIDN'T WE GO TO
SCHOOL TOGETHER?
1121
00:45:22,187 --> 00:45:24,690
[AL GREEN SINGING]
1122
00:45:54,987 --> 00:45:56,355
Abbey: HI.
1123
00:46:00,459 --> 00:46:03,662
I--I DIDN'T THINK
I'D EVER SEE YOU AGAIN.
1124
00:46:03,729 --> 00:46:06,532
I'VE BEEN KICKING MYSELF
FOR NOT ASKING YOUR NAME.
1125
00:46:06,599 --> 00:46:08,334
I WAS HOPING
YOU WOULD SAY THAT.
1126
00:46:08,400 --> 00:46:09,568
MY NAME IS...
1127
00:46:09,635 --> 00:46:11,503
Conductor:
ADAM'S STREET.
1128
00:46:11,570 --> 00:46:12,738
WHAT?
1129
00:46:12,805 --> 00:46:15,307
IT'S...
NEXT STOP MADISON.
1130
00:46:15,374 --> 00:46:16,475
I'M SORRY.
I DIDN'T HEAR IT.
1131
00:46:16,542 --> 00:46:19,111
WHAT WAS YOUR NAME?
1132
00:46:19,178 --> 00:46:21,313
[TRAIN HONKS]
1133
00:46:40,633 --> 00:46:42,134
[CELL PHONE RINGS]
1134
00:46:42,201 --> 00:46:43,902
SATURDAY AT 8:00?
YOU GOT IT!
1135
00:46:43,969 --> 00:46:45,604
Eric: THEY GOT VEGETABLES,
THEY GOT EVERYTHING.
1136
00:46:45,671 --> 00:46:47,606
YEAH, SURE. WELL, I MEAN,
THAT DEPENDS.
1137
00:46:47,673 --> 00:46:49,008
I KNOW THIS ABSOLUTELY
EXQUISITE TRATTORIA.
1138
00:46:49,074 --> 00:46:51,276
I MEAN, WHAT'S YOUR FAVORITE
KIND OF FOOD?
1139
00:46:51,343 --> 00:46:53,012
I NEED SATURDAY,
6:00 STAT!
1140
00:46:53,078 --> 00:46:55,314
I'VE GOT A 5:00 AND A 7:30.
I COULD DO IT AT 6:15!
1141
00:46:55,381 --> 00:46:57,216
GOOD!
GIVE ME AN 8: 00 ON SATURDAY--
1142
00:46:57,282 --> 00:46:59,618
GIVE ME SOMETHING GOOD, OKAY?
THIS GIRL IS SPECIAL TO ME.
1143
00:46:59,685 --> 00:47:01,453
WHAT THE HECK
IS GOING ON HERE?
1144
00:47:01,520 --> 00:47:02,921
OH, MAN,
WE GOT THIS DOWN.
1145
00:47:02,988 --> 00:47:04,790
PHONE, RESERVATION,
SCHEDULING.
1146
00:47:04,857 --> 00:47:06,392
CHECK IT OUT.
IT IS ALL GOOD!
1147
00:47:06,458 --> 00:47:07,726
Rod: YOU DON'T
EVEN WANT TO KNOW!
1148
00:47:07,793 --> 00:47:10,329
I GOT THE TWINS FOR YOU
AT OAK PARK AT 7:30!
1149
00:47:10,396 --> 00:47:12,564
IT'S GONNA BE GREAT!
1150
00:47:12,631 --> 00:47:15,234
THAT WILL BE PERFECT.
I'LL PICK YOU UP AT EIGHT-ISH.
1151
00:47:15,300 --> 00:47:16,535
[PHONE RINGS]
HELLO?
1152
00:47:16,602 --> 00:47:18,937
THIS CANNOT BE HAPPENING.
DONE! THANK YOU.
1153
00:47:19,004 --> 00:47:21,540
WHAT IS YOUR PROBLEM, MAN?
YOU GAVE US THE GREEN LIGHT.
1154
00:47:21,607 --> 00:47:23,942
WHAT? GREEN LIGHT?
WHAT ARE YOU TALKING ABOUT?
1155
00:47:24,009 --> 00:47:25,511
I'M TALKIN' ABOUT
YOU SAID YES ON THE PHONE
1156
00:47:25,577 --> 00:47:27,413
THE OTHER DAY, REMEMBER?
WHEN?
1157
00:47:27,479 --> 00:47:28,814
AW, MAN, WE COULD
STAND HERE ALL NIGHT
1158
00:47:28,881 --> 00:47:30,416
AND PLAY THE "HE SAID,
HE SAID" THING--
1159
00:47:30,482 --> 00:47:31,884
SHH! SHH!
[RECORD SCRATCHES]
1160
00:47:31,950 --> 00:47:34,687
YES? OUI, MADAME.
VOUS ETES FRANCOISE?
1161
00:47:34,753 --> 00:47:36,822
YEAH, YEAH,
HE'S GOT A FRENCH GIRL!
1162
00:47:39,525 --> 00:47:41,427
OK, THINK OF
SOMETHING FRENCH.
1163
00:47:41,493 --> 00:47:43,829
Rod:
LE POU-POU DE MAMA?
1164
00:47:43,896 --> 00:47:45,497
UH...YEAH, SURE.
1165
00:47:45,564 --> 00:47:47,466
ERIC! LINE ONE.
YO!
1166
00:47:47,533 --> 00:47:49,034
PATCH IT
THROUGH NOW. GO.
1167
00:47:49,101 --> 00:47:51,770
HELLO, THIS IS KEVIN.
1168
00:47:51,837 --> 00:47:52,604
HELLO?
1169
00:47:52,671 --> 00:47:54,073
Man: HELLO?
1170
00:47:54,139 --> 00:47:56,241
HELLO? [BEEP]
1171
00:47:56,308 --> 00:47:57,676
THAT SOUNDED LIKE A DUDE.
1172
00:47:59,011 --> 00:48:00,346
THAT WAS STRANGE.
1173
00:48:00,412 --> 00:48:02,715
Woman: WHAT?
1174
00:48:02,781 --> 00:48:04,983
WHY ARE YOU
READING THIS?
1175
00:48:05,050 --> 00:48:06,552
I DON'T KNOW.
1176
00:48:06,618 --> 00:48:09,455
I THOUGHT YOU'D APPRECIATE
THAT I'M INTO YOUR ARTICLES.
1177
00:48:09,521 --> 00:48:10,823
LOOK AT THIS.
1178
00:48:10,889 --> 00:48:14,293
ALL THESE PATHETIC WOMEN
WANT TO MEET THIS GUY.
1179
00:48:14,360 --> 00:48:16,562
PEOPLE ARE LONELY.
1180
00:48:16,628 --> 00:48:20,165
[KISS]
ANYWAY, I THINK THE NOTION
1181
00:48:20,232 --> 00:48:22,601
OF SOMEONE
FINDING TRUE LOVE
1182
00:48:22,668 --> 00:48:24,636
IS--IS BEAUTIFUL!
1183
00:48:24,703 --> 00:48:27,339
AND I HOPE
SHE CALLS HIM.
1184
00:48:27,406 --> 00:48:30,142
WHAT IS YOUR OBSESSION
WITH THIS GUY?
1185
00:48:30,209 --> 00:48:31,343
[SIGHS]
1186
00:48:31,410 --> 00:48:32,711
I'M OBSESSED?
1187
00:48:32,778 --> 00:48:35,013
WELL, YOU DO UNDERSTAND
THAT THE WHOLE NOTION
1188
00:48:35,080 --> 00:48:36,849
OF LOVE IS MERELY A MYTH.
1189
00:48:36,915 --> 00:48:39,651
IT WAS INVENTED BY
CORPORATIONS TO TURN A PROFIT.
1190
00:48:39,718 --> 00:48:41,820
LOVE DOESN'T EXIST.
1191
00:48:41,887 --> 00:48:42,988
THAT'S ROMANTIC.
1192
00:48:43,055 --> 00:48:44,690
ROMANCE DOESN'T EXIST.
1193
00:48:44,757 --> 00:48:46,625
I FEEL SORRY FOR YOU.
1194
00:48:47,760 --> 00:48:49,294
WHAT, YOU THINK
HE'S ROMANTIC?
1195
00:48:49,361 --> 00:48:52,097
THAT LOSER'S JUST PUTTING UP
POSTERS TO MEET MORE GIRLS.
1196
00:48:52,164 --> 00:48:53,832
YOU'RE JUST JEALOUS!
[DOOR SLAMS]
1197
00:48:53,899 --> 00:48:56,635
WELL, IF YOU LIKE HIM SO MUCH,
WHY DON'T YOU CALL HIM?
1198
00:49:07,279 --> 00:49:08,580
SWEETIE?
1199
00:49:29,802 --> 00:49:32,204
[CELL PHONE RINGS]
1200
00:49:33,505 --> 00:49:35,507
YO, WHO DIS?
KEVIN?
1201
00:49:35,574 --> 00:49:36,875
UH-HUH.
THAT'S MY NAME.
1202
00:49:36,942 --> 00:49:38,744
ASK ME AGAIN,
I'M GONNA TELL YOU THE SAME.
1203
00:49:38,811 --> 00:49:42,381
HI, IT'S ME--THE GIRL
FROM THE TRAIN.
1204
00:49:42,447 --> 00:49:43,816
HEY, WHAT UP?
1205
00:49:43,882 --> 00:49:46,385
SO, YOU KNOW,
WHEN WE HOOKIN' UP?
1206
00:49:46,451 --> 00:49:49,288
UH, TOMORROW NIGHT
I'M FREE.
1207
00:49:49,354 --> 00:49:50,656
TOMORROW? SUNDAY?
1208
00:49:50,722 --> 00:49:54,259
UM, YEAH, COOL.
HOW'S CAFE DE LOVE?
1209
00:49:54,326 --> 00:49:55,494
7:30?
1210
00:49:55,561 --> 00:49:57,796
YEAH.
THAT SOUNDS GOOD.
1211
00:49:57,863 --> 00:50:01,233
YEAH. I'LL BE THERE
WITH BELLS ON.
1212
00:50:01,300 --> 00:50:02,634
[HANGS UP]
1213
00:50:12,511 --> 00:50:13,779
[SQUIRT]
1214
00:50:16,582 --> 00:50:17,983
[SQUIRT, SQUIRT]
1215
00:50:18,050 --> 00:50:19,685
[SQUIRT, SQUIRT]
1216
00:50:19,751 --> 00:50:21,353
[GAGS AND COUGHS]
1217
00:50:21,420 --> 00:50:23,121
[CLEARS THROAT]
1218
00:50:23,188 --> 00:50:24,256
[COUGHS]
1219
00:50:24,323 --> 00:50:25,657
[SNIFFS]
1220
00:50:25,724 --> 00:50:27,192
[SQUIRT, SQUIRT]
1221
00:50:29,061 --> 00:50:30,195
[SQUIRT]
1222
00:50:30,262 --> 00:50:31,530
OH!
[THUD]
1223
00:50:31,597 --> 00:50:33,498
WELL, BEING THAT
I'M A POP STAR, YOU KNOW,
1224
00:50:33,565 --> 00:50:34,800
IT'S EASY TO FIND GUYS.
1225
00:50:34,867 --> 00:50:36,869
IT'S JUST NOT EASY
FINDING THE RIGHT GUYS,
1226
00:50:36,935 --> 00:50:40,072
SO WHEN I SAW YOUR POSTER,
I KNEW YOU'D BE DIFFERENT,
1227
00:50:40,138 --> 00:50:41,607
YOU KNOW?
NOT THE PLAYER TYPE.
1228
00:50:41,673 --> 00:50:42,875
HAS ANYBODY EVER TOLD YOU
1229
00:50:42,941 --> 00:50:46,144
THAT YOU HAVE THE FACE
OF A DE KOONING WOMAN?
1230
00:50:46,211 --> 00:50:48,513
I'M PIERCED IN
49 DIFFERENT PLACES
1231
00:50:48,580 --> 00:50:51,116
ON MY BODY.
1232
00:50:51,183 --> 00:50:53,585
Eric: ENOUGH OF THIS
TALK, ALL RIGHT?
1233
00:50:53,652 --> 00:50:54,953
YOU AND ME TAKE A WALK.
YEAH.
1234
00:50:55,020 --> 00:50:57,322
LIKE TONIGHT, WE'LL
HEAD BACK TO YOUR PAD
1235
00:50:57,389 --> 00:50:59,024
WHERE WE CAN GET GLAD.
1236
00:50:59,091 --> 00:51:01,560
[GROANING]
1237
00:51:02,561 --> 00:51:04,529
OW!
1238
00:51:04,596 --> 00:51:05,998
WUSS.
1239
00:51:06,932 --> 00:51:07,699
MOMMY.
1240
00:51:07,766 --> 00:51:10,102
AH! YOU STOLE MY POSTER!
1241
00:51:14,172 --> 00:51:15,774
HI, KEVIN.
1242
00:51:18,010 --> 00:51:20,012
BRANDI, SHE'S
SWEET AS CANDY!
1243
00:51:20,078 --> 00:51:22,247
YEAH, YOU
THE FINEST SISTA.
1244
00:51:22,314 --> 00:51:23,849
CAN I KISS YA?
1245
00:51:23,916 --> 00:51:27,019
FOOL!
THAT'S THE LAST TIME...
1246
00:51:27,085 --> 00:51:29,087
SHE'S INTO ME.
1247
00:51:29,154 --> 00:51:31,657
HI. I'M JULIE.
1248
00:51:31,723 --> 00:51:35,193
HI. I'M...KEVIN.
1249
00:51:41,133 --> 00:51:42,701
[SNIFFS]
1250
00:51:50,342 --> 00:51:51,710
UH--OH!
1251
00:51:51,777 --> 00:51:54,613
OH, YEAH, BABY!
OH, COME ON, COME TO PAPA.
1252
00:51:57,749 --> 00:51:59,818
COME ON, COME HERE.
THAT'S IT.
1253
00:51:59,885 --> 00:52:01,653
YEAH, I WON'T BITE.
I PROMISE.
1254
00:52:01,720 --> 00:52:03,221
THAT'S IT. COME HERE.
1255
00:52:06,425 --> 00:52:08,760
CHEERS, BABY.
I'M KEVIN.
1256
00:52:10,362 --> 00:52:11,863
NO, YOU'RE NOT.
1257
00:52:11,930 --> 00:52:14,066
ARE YOU SAYING
I'M NOT WHO I SAY I AM?
1258
00:52:14,132 --> 00:52:16,868
YEAH! THAT'S EXACTLY
WHAT I'M SAYING!
1259
00:52:16,935 --> 00:52:18,704
HEY, WHAT'S THE PROBLEM?
1260
00:52:18,770 --> 00:52:21,340
I KNEW YOU SOUNDED
DIFFERENT ON THE PHONE.
1261
00:52:21,406 --> 00:52:23,208
HEY, WAIT A SECOND.
COME BACK HERE. COME ON.
1262
00:52:23,275 --> 00:52:24,476
HEY, IF YOU
DON'T LIKE THIS PLACE,
1263
00:52:24,543 --> 00:52:25,911
WE CAN GO SOMEWHERE ELSE.
1264
00:52:25,978 --> 00:52:28,046
HEY, COME ON! YOU SHOULD
AT LEAST TRY AN APPETIZER!
1265
00:52:28,113 --> 00:52:29,715
LOOK, I'M NOT HIM,
YOU'RE NOT HER.
1266
00:52:29,781 --> 00:52:31,616
WHAT DIFFERENCE
DOES IT MAKE? COME ON!
1267
00:52:31,683 --> 00:52:32,851
LOOK, I DON'T KNOW
WHO YOU ARE,
1268
00:52:32,918 --> 00:52:34,219
BUT IF YOU DON'T
LEAVE ME ALONE,
1269
00:52:34,286 --> 00:52:35,253
I'LL CALL THE COPS.
1270
00:52:35,320 --> 00:52:36,455
HEY, HONEY, COME HERE.
1271
00:52:36,521 --> 00:52:37,923
WHAT PART OF
"I'LL CALL THE COPS"
1272
00:52:37,990 --> 00:52:39,257
DIDN'T YOU UNDERSTAND?
1273
00:52:39,324 --> 00:52:40,859
LIKE THE WHOLE THING.
1274
00:52:42,361 --> 00:52:44,429
YOU'RE HER.
1275
00:52:44,496 --> 00:52:47,299
YOU'RE THE ONE
FROM THE TRAIN.
1276
00:52:47,366 --> 00:52:49,401
YEAH, YOU ARE FINE!
1277
00:52:49,468 --> 00:52:52,971
UM, UH, WASHINGTON,
LINCOLN, DONNY REAGAN,
1278
00:52:53,038 --> 00:52:55,540
MARTIN SHEEN,
MR. MIYAGI, BILLY JOEL,
1279
00:52:55,607 --> 00:52:57,576
UH, I'M A FRIEND OF KEVIN'S.
1280
00:52:57,642 --> 00:52:59,077
DOES HE KNOW
YOU'RE DOING THIS?
1281
00:52:59,144 --> 00:53:01,780
YES. YOU WOULDN'T BELIEVE
HOW MANY LADIES HAVE CALLED.
1282
00:53:01,847 --> 00:53:03,915
WE COULD START
A BOOMING BUSINESS!
1283
00:53:03,982 --> 00:53:05,484
WAIT A SECOND.
THAT'S NOT A BAD IDEA.
1284
00:53:05,550 --> 00:53:08,086
LIKE--AW!
1285
00:53:09,321 --> 00:53:10,188
YEAH, OK, FINE.
1286
00:53:10,255 --> 00:53:12,090
SO, THEN,
I'LL JUST CALL YOU LATER?
1287
00:53:12,157 --> 00:53:14,693
[SNORING]
1288
00:53:25,437 --> 00:53:26,538
[SLAM]
1289
00:53:26,605 --> 00:53:27,973
UHH!
1290
00:53:29,708 --> 00:53:31,743
SO?
1291
00:53:31,810 --> 00:53:33,745
I DON'T THINK
IT WAS HIM.
1292
00:53:33,812 --> 00:53:35,347
WHAT DO YOU MEAN?
1293
00:53:35,414 --> 00:53:37,482
I THINK HIS FRIENDS
ARE ANSWERING THE CALLS
1294
00:53:37,549 --> 00:53:39,684
AND TAKING
THE GIRLS OUT.
1295
00:53:39,751 --> 00:53:41,153
YES!
1296
00:53:41,219 --> 00:53:42,721
I KNEW IT!
1297
00:53:42,788 --> 00:53:44,890
NOW I CAN EXPOSE HIM
FOR THE FRAUD HE IS!
1298
00:53:44,956 --> 00:53:48,160
HEH HEH!
KEVIN GIBBONS.
1299
00:53:48,226 --> 00:53:49,528
HIS BUTT IS MINE!
1300
00:53:49,594 --> 00:53:51,463
[SIGHS]
1301
00:53:51,530 --> 00:53:53,331
YOU KNOW WHAT I MEAN.
1302
00:53:53,398 --> 00:53:54,866
[CLACK]
1303
00:53:56,168 --> 00:53:59,237
WHAT THE HECK
HAPPENED TO YOU?
1304
00:53:59,304 --> 00:54:00,338
[GIGGLES]
1305
00:54:00,405 --> 00:54:01,940
[SIGHS]
1306
00:54:02,007 --> 00:54:03,842
♪ HEY, BABY,
HEY, BABY ♪
1307
00:54:03,909 --> 00:54:05,677
♪ YEAH, BABY,
YEAH, BABY ♪
1308
00:54:05,744 --> 00:54:07,546
♪ HEY, BABY,
HEY, BABY ♪
1309
00:54:07,612 --> 00:54:08,847
♪ YEAH, BABY ♪
1310
00:54:08,914 --> 00:54:10,849
♪ YEAH, BABY, YEAH ♪
1311
00:54:13,952 --> 00:54:16,188
GOOD MORNING, MARGIE.
1312
00:54:17,756 --> 00:54:20,625
♪ BABY, BABY, BABY
BABY, BABY, BABY ♪
1313
00:54:20,692 --> 00:54:23,061
♪ BABY, BABY, BABY
BABY, BABY, BABY ♪
1314
00:54:23,128 --> 00:54:24,830
♪ BABY, BABY, BABY ♪
1315
00:54:24,896 --> 00:54:28,633
GIBBONS, WE NEED TO
HAVE A LITTLE TALK.
1316
00:54:28,700 --> 00:54:31,169
MR. HIGGINS, THE PROPOSAL,
IT'S COMING ALONG GREAT.
1317
00:54:31,236 --> 00:54:34,840
OH, YES, ABOUT THAT.
PLEASE.
1318
00:54:34,906 --> 00:54:37,042
HOW CAN I
PUT THIS DELICATELY?
1319
00:54:37,109 --> 00:54:40,545
REEBOK WANTS YOU
OFF THE CAMPAIGN.
1320
00:54:40,612 --> 00:54:41,913
WHAT?
MM-HMM.
1321
00:54:41,980 --> 00:54:43,215
YES. APPARENTLY THEY READ
1322
00:54:43,281 --> 00:54:45,050
THAT LAST ARTICLE
ABOUT YOU IN THE PAPER
1323
00:54:45,117 --> 00:54:46,685
YOU KNOW, ABOUT HOW
YOU SAID YOU WANTED TO FIND
1324
00:54:46,751 --> 00:54:48,854
THE ONE GIRL SO THAT YOU
COULD DATE EVERY DESPERATE
1325
00:54:48,920 --> 00:54:50,188
WOMAN IN THE WINDY CITY,
1326
00:54:50,255 --> 00:54:52,390
WHICH I THINK
WAS MASTERFUL--
1327
00:54:52,457 --> 00:54:54,025
MASTERFUL, GIBBONS.
1328
00:54:54,092 --> 00:54:56,328
BUT REEBOK,
THEY GOT COLD FEET,
1329
00:54:56,394 --> 00:54:57,295
NO PUN INTENDED.
1330
00:54:57,362 --> 00:54:59,030
HOW CAN AN ARTICLE
IN A PAPER
1331
00:54:59,097 --> 00:55:00,766
HAVE ANYTHING TO DO
WITH MY WORK?
1332
00:55:00,832 --> 00:55:04,903
AH! WELL, GIBBONS,
CLIENTS ARE FUNNY THAT WAY.
1333
00:55:04,970 --> 00:55:06,671
THEY SAID THEY DIDN'T
WANT SOMEONE ON THEIR TEAM
1334
00:55:06,738 --> 00:55:09,341
WHO WOULD SAY ONE THING
AND DO ANOTHER.
1335
00:55:09,407 --> 00:55:12,010
IT'S AN IMAGE THING
FOR THEM.
1336
00:55:12,077 --> 00:55:14,546
BUT...I DON'T UNDERSTAND.
1337
00:55:14,613 --> 00:55:15,881
GIBBONS,
I'M SICK ABOUT THIS,
1338
00:55:15,947 --> 00:55:18,416
BUT MY HANDS ARE TIED.
SORRY.
1339
00:55:21,553 --> 00:55:23,655
HEY, THERE, KEV.
1340
00:55:23,722 --> 00:55:27,025
[GIGGLES]
1341
00:55:27,092 --> 00:55:30,295
YOU MIGHT WANT TO START
PRACTICING WITH THE MAIL CART.
1342
00:55:30,362 --> 00:55:31,997
[GIGGLES]
1343
00:55:49,381 --> 00:55:50,782
SO, I TAKE IT, IT WAS
A FRUITFUL EVENING?
1344
00:55:50,849 --> 00:55:53,151
Eric: OH, YEAH, DUDE.
1345
00:55:53,218 --> 00:55:54,953
THOSE LITTLE BIRDIES
DIDN'T STAND A CHANCE.
1346
00:55:55,020 --> 00:55:58,423
I WAS LIKE, BAM, BAM,
BAM-BAM-BAM! HA HA! [BLOWS]
1347
00:55:58,490 --> 00:56:01,860
YOU KNOW WHAT I'M SAYIN'?
HOW 'BOUT YOU?
1348
00:56:01,927 --> 00:56:03,862
WELL, LET'S
JUST SAY THAT, UH...
1349
00:56:03,929 --> 00:56:05,964
MY ACTION CUP
RUNNETH OVER.
1350
00:56:06,031 --> 00:56:09,868
HA HA! ACTION CUP!
THAT'S A METAPHOR, RIGHT?
1351
00:56:09,935 --> 00:56:13,271
YEAH.
HA HA! THAT'S A GOOD ONE.
1352
00:56:13,338 --> 00:56:14,439
OH!
1353
00:56:14,506 --> 00:56:16,074
HEY!
1354
00:56:16,141 --> 00:56:17,976
GOOD MORNING.
HOW YOU DOING?
1355
00:56:18,043 --> 00:56:20,045
WHY SO CRESTFALLEN,
YOUNG MAN?
1356
00:56:21,179 --> 00:56:22,847
I DON'T WANT TO
TALK ABOUT IT.
1357
00:56:22,914 --> 00:56:24,983
AT THIS TABLE,
WE KISS AND WE TELL.
1358
00:56:25,050 --> 00:56:28,553
YEAH, AND THEN WE TELL
SOME MORE, SO COME ON!
1359
00:56:28,620 --> 00:56:29,888
I THINK I INJURED MY DATE.
1360
00:56:29,955 --> 00:56:32,157
HA HA! COME ON, DUDE!
DON'T BE SO COCKY!
1361
00:56:32,224 --> 00:56:34,125
NO, I'M SERIOUS.
SHE'S JACKED UP.
1362
00:56:34,192 --> 00:56:35,293
WHAT IS SHE,
A CAR?
1363
00:56:35,360 --> 00:56:36,928
ISN'T THAT
A GOOD THING, DUDE?
1364
00:56:36,995 --> 00:56:38,430
NO.
1365
00:56:38,496 --> 00:56:39,664
SO, WHAT--WHAT'S UP?
1366
00:56:39,731 --> 00:56:41,499
YEAH?
1367
00:56:41,566 --> 00:56:43,401
ALL RIGHT,
I'LL TELL YOU WHAT HAPPENED.
1368
00:56:45,503 --> 00:56:46,371
WE'RE ON A DATE,
1369
00:56:46,438 --> 00:56:47,806
MET HER AT THE BAR...
NICE.
1370
00:56:47,873 --> 00:56:49,341
BROUGHT HER
TO MY APARTMENT.
1371
00:56:49,407 --> 00:56:51,509
AND ALL OF A SUDDEN SHE POINTS
TO ME AND SHE SAYS TO ME,
1372
00:56:51,576 --> 00:56:53,078
"I WANT TO HEAR YOU PLAY
1373
00:56:53,144 --> 00:56:55,547
ONE OF THE SONGS
THAT YOU WROTE."
1374
00:56:55,614 --> 00:56:56,848
HA HA HA!
YEAH!
1375
00:56:56,915 --> 00:56:58,950
SO I THOUGHT THAT WAS
FRIGGIN' GREAT, RIGHT?
1376
00:56:59,017 --> 00:57:01,519
SO I WAS LIKE, "SURE!"
SO THERE I AM.
1377
00:57:01,586 --> 00:57:03,221
SO I START JAMMIN'.
I'M JAMMIN'.
1378
00:57:03,288 --> 00:57:05,357
I'M SINGIN', I'M GOIN',
I'M GROOVIN', I'M ROCKIN',
1379
00:57:05,423 --> 00:57:06,891
I'M ROLLIN'. I'M JUST GOIN'
AFTER THE CRAZY.
1380
00:57:06,958 --> 00:57:08,426
YOU KNOW THAT
SIGNATURE MOVE THAT I DO
1381
00:57:08,493 --> 00:57:09,527
WHEN I KICK THAT AMP?
1382
00:57:09,594 --> 00:57:10,929
OH, YEAH!
1383
00:57:12,831 --> 00:57:13,832
THAT'S WHEN IT HAPPENED.
1384
00:57:13,898 --> 00:57:16,067
YES!
YES!
1385
00:57:16,134 --> 00:57:17,102
WHAT?
WHAT?
1386
00:57:17,168 --> 00:57:18,937
[PLAYING MUSIC]
1387
00:57:19,004 --> 00:57:20,005
[THWACK]
1388
00:57:20,071 --> 00:57:21,673
DUDE, YOU BROKE HER NOSE?
1389
00:57:21,740 --> 00:57:22,841
[CRASH]
1390
00:57:22,907 --> 00:57:25,243
AND HER ANKLE.
1391
00:57:25,310 --> 00:57:26,878
YO, SHE GOT ROCKED!
1392
00:57:26,945 --> 00:57:28,313
BUT IT'S NOT FUNNY.
1393
00:57:32,183 --> 00:57:36,554
UM, SO, GUYS...
1394
00:57:36,621 --> 00:57:38,356
HAVE WE DECIDED
WHAT WE'RE GONNA DO
1395
00:57:38,423 --> 00:57:42,160
UM, YOU KNOW, IF THE REAL
GIRL ACTUALLY CALLS?
1396
00:57:42,227 --> 00:57:43,595
WELL, IF SHE HASN'T
CALLED BY NOW--
1397
00:57:43,662 --> 00:57:45,931
AND OBVIOUSLY,
IF SHE DOES HAPPEN TO CALL,
1398
00:57:45,997 --> 00:57:47,666
THE RIGHT THING TO DO
IS CLOSE UP SHOP,
1399
00:57:47,732 --> 00:57:48,967
END OF STORY.
1400
00:57:49,034 --> 00:57:51,036
ANYTHING ELSE WOULD BE
UNCONSCIONABLE.
1401
00:57:51,102 --> 00:57:52,337
I SAW HER LAST NIGHT.
1402
00:57:52,404 --> 00:57:54,239
[CHOKES]
1403
00:57:54,306 --> 00:57:55,140
WHAT?
1404
00:57:55,206 --> 00:57:57,242
SHE WAS MY 7:30.
1405
00:57:57,309 --> 00:57:58,610
HAVE YOU TOLD KEVIN
ABOUT THIS?
1406
00:57:58,677 --> 00:58:00,512
NOT YET.
WELL, YOU NEED TO TELL HIM!
1407
00:58:00,578 --> 00:58:03,048
WELL, YEAH, BUT WHAT
ABOUT OUR OPERATION, MAN?
1408
00:58:03,114 --> 00:58:04,382
I MEAN...
1409
00:58:07,519 --> 00:58:08,687
ALL RIGHT. FINE.
1410
00:58:08,753 --> 00:58:10,588
TODAY!
FINE!
1411
00:58:17,462 --> 00:58:18,963
DANG IT!
1412
00:58:19,030 --> 00:58:20,398
IDIOTIC MACHINE!
1413
00:58:20,465 --> 00:58:22,367
I SWEAR I WILL UNPLUG YOU,
1414
00:58:22,434 --> 00:58:24,135
AND THROW YOU DOWN
ALL FLIGHTS
1415
00:58:24,202 --> 00:58:25,670
OF THESE STAIRS
IN THIS BUILDING.
1416
00:58:25,737 --> 00:58:27,305
PROBLEMS?
NO!
1417
00:58:27,372 --> 00:58:29,240
I JUST HAVE OUR
BIGGEST CLIENTS WAITING,
1418
00:58:29,307 --> 00:58:31,009
AND THE MACHINE'S
TAKING A COFFEE BREAK.
1419
00:58:31,076 --> 00:58:32,711
WHERE'S NATHAN?
WHO CARES?
1420
00:58:32,777 --> 00:58:34,512
I HAVE 2 MINUTES
BEFORE THE REEBOK MEETING,
1421
00:58:34,579 --> 00:58:36,181
AND IF I DON'T GET
THESE COPIES MADE,
1422
00:58:36,247 --> 00:58:39,384
MY WHOLE PROPOSAL
TURNS TO CRUD.
1423
00:58:39,451 --> 00:58:41,653
OK. ALL RIGHT.
I CAN DO THIS.
1424
00:58:43,588 --> 00:58:44,923
HOLD ON.
1425
00:58:44,989 --> 00:58:46,057
LET ME TAKE A LOOK.
1426
00:58:46,124 --> 00:58:48,026
I DON'T HAVE TIME
FOR THIS, KEVIN.
1427
00:58:50,595 --> 00:58:53,965
COME ON, LUCILLE.
DON'T DIE ON ME NOW.
1428
00:58:54,032 --> 00:58:56,801
LISTEN, DADDY
KNOWS YOU'RE TIRED.
1429
00:58:56,868 --> 00:59:00,105
BUT DADDY KNOWS YOU GOT
A FEW MORE LEFT IN YOU.
1430
00:59:00,171 --> 00:59:03,274
YES, YOU DO!
YES, YOU DO!
1431
00:59:03,341 --> 00:59:04,843
WHAT ARE YOU DOING?
1432
00:59:04,909 --> 00:59:06,344
IS THIS GONNA WORK?
1433
00:59:06,411 --> 00:59:09,314
SOMETIMES,
BUT IF IT DOESN'T...
1434
00:59:09,381 --> 00:59:11,383
[KICK]
[MACHINE STARTS]
1435
00:59:11,449 --> 00:59:13,017
GIVE HER
A LITTLE LOVE TAP.
1436
00:59:13,084 --> 00:59:14,586
[KNOCKS TWICE]
1437
00:59:21,693 --> 00:59:24,362
[SIRENS AND TRAFFIC]
1438
00:59:24,429 --> 00:59:26,431
[INDISTINCT CHATTER]
1439
00:59:44,048 --> 00:59:45,383
HEY!
1440
00:59:46,851 --> 00:59:49,821
HELLO? IT'S ME!
1441
00:59:49,888 --> 00:59:51,322
HEY!
1442
01:00:50,148 --> 01:00:52,217
YOU WHAT?
I SAW HER.
1443
01:00:52,283 --> 01:00:55,753
WHERE? WHEN?
I MEAN, YOU DID?
1444
01:00:55,820 --> 01:00:57,121
YEP.
1445
01:00:57,188 --> 01:01:00,058
WELL, WHAT HAPPENED?
1446
01:01:00,124 --> 01:01:01,159
SHE BLEW ME OFF.
1447
01:01:01,226 --> 01:01:04,496
OH, MAN!
THAT IS BAD!
1448
01:01:04,562 --> 01:01:07,132
YOU KNOW, IT DOESN'T
SURPRISE ME, THOUGH.
1449
01:01:07,198 --> 01:01:09,133
AFTER ALL THE ARTICLES
IN THE PAPER,
1450
01:01:09,200 --> 01:01:11,035
BUT THE THING
I DON'T UNDERSTAND--
1451
01:01:11,102 --> 01:01:12,871
WHY DIDN'T SHE CALL
IN THE FIRST PLACE?
1452
01:01:17,242 --> 01:01:18,643
KEV...
1453
01:01:20,712 --> 01:01:22,714
SHE DID CALL.
1454
01:01:22,780 --> 01:01:23,915
WHAT?
1455
01:01:23,982 --> 01:01:26,217
YEAH. UM...
1456
01:01:26,284 --> 01:01:28,219
WE SORT OF
WENT OUT ON A DATE.
1457
01:01:29,954 --> 01:01:32,357
WAIT A MINUTE.
1458
01:01:32,423 --> 01:01:37,128
SHE CALLED,
YOU TOOK HER OUT,
1459
01:01:37,195 --> 01:01:38,463
AND YOU DIDN'T TELL ME?
1460
01:01:38,530 --> 01:01:40,765
WELL, I--NO, I JUST DID.
1461
01:01:40,832 --> 01:01:42,634
WHOA, MAN! HEY,
IT'S NOT LIKE I TRIED
1462
01:01:42,700 --> 01:01:44,302
TO KISS HER OR ANYTHING.
KEV, COME ON!
1463
01:01:44,369 --> 01:01:45,870
LET'S TALK ABOUT THI--
1464
01:01:45,937 --> 01:01:47,005
UHH!
1465
01:01:47,071 --> 01:01:48,606
OW!
1466
01:01:48,673 --> 01:01:50,208
UHH!
1467
01:01:50,275 --> 01:01:53,144
OH! UHH! AW!
1468
01:01:53,211 --> 01:01:54,812
KEVIN,
COME BACK HERE, MAN!
1469
01:01:54,879 --> 01:01:58,316
♪ WE'RE NOT
GONNA TAKE IT ♪
1470
01:01:58,383 --> 01:02:01,553
♪ NO, WE AIN'T GONNA
TAKE IT ♪
1471
01:02:01,619 --> 01:02:08,726
♪ WE'RE NOT GONNA
TAKE IT ANYMORE ♪
1472
01:02:11,796 --> 01:02:13,197
GUYS, GUYS, GUYS--
1473
01:02:13,264 --> 01:02:14,866
WHAT?
TAKE 5.
1474
01:02:16,768 --> 01:02:18,236
Man: I THOUGHT
IT SOUNDED ALL RIGHT.
1475
01:02:18,303 --> 01:02:19,704
Man: I THINK IT SOUNDED
PRETTY GOOD.
1476
01:02:25,710 --> 01:02:28,846
LISTEN, KEV, WHAT
WE DID WAS INCONSIDERATE,
1477
01:02:28,913 --> 01:02:32,383
SELFISH, STUPID,
CLASSLESS. I MEAN--
1478
01:02:32,450 --> 01:02:33,985
YOU CAN STOP ME ANYTIME.
I MEAN--
1479
01:02:34,052 --> 01:02:35,353
KEEP GOIN'.
1480
01:02:36,854 --> 01:02:40,592
I GUESS WE JUST ACTED
LIKE JACKASSES, MAN.
1481
01:02:40,658 --> 01:02:42,360
JUST WANTED
TO SAY I'M SORRY.
1482
01:02:42,427 --> 01:02:43,661
I APPRECIATE
THE APOLOGY,
1483
01:02:43,728 --> 01:02:45,863
BUT THE DAMAGE IS
ALREADY DONE, SO...
1484
01:02:49,000 --> 01:02:51,269
DO YOU KNOW WHY I WANTED
TO BECOME A MUSICIAN?
1485
01:02:51,336 --> 01:02:55,440
HMM. GIRLS, MONEY, FAME.
1486
01:02:55,506 --> 01:02:59,377
NO. THE MUSIC, MAN.
IT'S THE MUSIC.
1487
01:02:59,444 --> 01:03:01,546
I MEAN, WHEN I'M UP THERE
ON THAT STAGE,
1488
01:03:01,613 --> 01:03:04,282
EVERYTHING IS JUST RIGHT
AND THE WORLD'S PERFECT...
1489
01:03:06,317 --> 01:03:08,386
UNTIL THEY
START BOOING ME.
1490
01:03:08,453 --> 01:03:09,954
YOU NEVER KNOW WHO MIGHT
LISTEN TO YOUR SONG
1491
01:03:10,021 --> 01:03:12,590
AND ACTUALLY LIKE IT.
1492
01:03:12,657 --> 01:03:14,392
I GUESS ME
DREAMING AND
1493
01:03:14,459 --> 01:03:16,127
THINKING ABOUT
WRITING MY SONGS,
1494
01:03:16,194 --> 01:03:17,528
IT'S KIND OF LIKE THAT,
THAT GIRL
1495
01:03:17,595 --> 01:03:19,063
THAT YOU MET
ON THE TRAIN, YOU KNOW?
1496
01:03:19,130 --> 01:03:21,532
YOU KNOW, YOU WANT
SOMETHING SO BAD IT HURTS.
1497
01:03:21,599 --> 01:03:23,735
I JUST ADMIRE
YOUR PASSION, KEV.
1498
01:03:32,610 --> 01:03:34,779
YOU INSPIRED ME
TO WRITE THIS,
1499
01:03:34,846 --> 01:03:35,947
AND, UH...
1500
01:03:36,014 --> 01:03:37,582
I FIGURE IF YOU COULD
PUT YOURSELF ON THE LINE
1501
01:03:37,649 --> 01:03:41,753
TO FIND THAT GIRL,
I CAN DO THE SAME...
1502
01:03:43,221 --> 01:03:45,023
WRITE MY ORIGINAL SONG.
1503
01:03:51,029 --> 01:03:52,497
GOOD LUCK WITH THAT.
1504
01:03:53,765 --> 01:03:54,899
COOL.
1505
01:03:59,737 --> 01:04:06,678
N'SYNC: ♪ AND I PRAY
YOU'RE FALLING TOO ♪
1506
01:04:06,744 --> 01:04:11,082
♪ I'VE BEEN
FALLING, FALLING ♪
1507
01:04:11,149 --> 01:04:14,218
♪ GIRL,
I'M FALLING FOR YOU ♪
1508
01:04:14,285 --> 01:04:21,426
♪ AND I PRAY
YOU'RE FALLING TOO ♪
1509
01:04:21,492 --> 01:04:25,596
♪ I'VE BEEN
FALLING, FALLING ♪
1510
01:04:25,663 --> 01:04:29,300
♪ EVER SINCE THE MOMENT ♪
1511
01:04:29,367 --> 01:04:31,269
♪ I LAID EYES ON YOU ♪
1512
01:04:31,335 --> 01:04:32,804
♪ CAN'T YOU SEE? ♪
1513
01:04:32,870 --> 01:04:34,439
♪ CAN'T YOU SEE ♪
1514
01:04:34,505 --> 01:04:38,376
♪ THAT I'M
FALLING, FALLING ♪
1515
01:04:38,443 --> 01:04:41,245
♪ GIRL,
I'M FALLING FOR YOU ♪
1516
01:04:41,312 --> 01:04:46,784
♪ AND I PRAY
YOU'RE FALLING TOO ♪
1517
01:04:46,851 --> 01:04:49,353
♪ YEAH YEAH YEAH ♪
1518
01:04:49,420 --> 01:04:52,824
♪ FALLING, FALLING ♪
1519
01:04:52,890 --> 01:04:56,828
♪ EVER SINCE THE MOMENT ♪
1520
01:04:56,894 --> 01:05:01,365
♪ I LAID EYES ON YOU ♪
1521
01:05:01,432 --> 01:05:05,703
♪ OOH ♪
1522
01:05:05,770 --> 01:05:07,872
♪ I'M FALLING ♪
1523
01:05:12,376 --> 01:05:13,811
[SIGHS]
WELL, WE REALLY
1524
01:05:13,878 --> 01:05:15,480
SCREWED THIS ONE UP, HUH,
FELLAS?
1525
01:05:15,546 --> 01:05:17,315
WE? WHAT DO YOU MEAN, WE?
1526
01:05:17,382 --> 01:05:18,483
IT WAS YOUR IDEA!
1527
01:05:18,549 --> 01:05:19,784
HEY, COME ON!
I DIDN'T FORCE YOU
1528
01:05:19,851 --> 01:05:21,285
TO GO ON ANY
OF THOSE DATES, OK?
1529
01:05:21,352 --> 01:05:22,420
YEAH, LISTEN.
KEVIN SAID THAT IT
1530
01:05:22,487 --> 01:05:23,554
WASN'T A GOOD IDEA!
1531
01:05:23,621 --> 01:05:24,622
[BOTH ARGUE]
1532
01:05:24,689 --> 01:05:27,692
GENTLEMEN, PLEASE.
1533
01:05:28,760 --> 01:05:29,927
GUYS, COME ON.
LISTEN TO US.
1534
01:05:29,994 --> 01:05:31,596
THIS IS STUPID.
WE'RE BEING PETTY.
1535
01:05:31,662 --> 01:05:32,830
WE HAVE TO STEP BACK,
AND WE HAVE TO LOOK AT
1536
01:05:32,897 --> 01:05:34,532
THE BIGGER PICTURE HERE,
ALL RIGHT?
1537
01:05:34,599 --> 01:05:35,833
WE ALL
MESSED KEVIN OVER.
1538
01:05:35,900 --> 01:05:37,401
ALL RIGHT. THERE'S
A BIT OF TRUTH IN THAT,
1539
01:05:37,468 --> 01:05:39,203
BUT YOU KNOW WHAT? NOW WE
GOTTA MAKE THINGS RIGHT, RIGHT?
1540
01:05:39,270 --> 01:05:40,772
YEAH.
EXACTLY.
1541
01:05:40,838 --> 01:05:42,740
GOOD!
1542
01:05:42,807 --> 01:05:44,108
HOW ARE WE GONNA DO THAT?
1543
01:05:50,214 --> 01:05:51,849
I GOT AN IDEA.
1544
01:05:51,916 --> 01:05:53,084
[CRASH]
1545
01:05:53,151 --> 01:05:54,285
WHOA!
1546
01:05:54,352 --> 01:05:55,620
LOOK. I'M GONNA
START RIGHT HERE,
1547
01:05:55,686 --> 01:05:57,155
AND JUMP, ZIP, LOCK,
I'M GONNA RIDE THIS.
1548
01:05:57,221 --> 01:05:59,490
NOW, RANDY, I WANT YOU TO
START RIGHT AROUND THE LOOP.
1549
01:05:59,557 --> 01:06:02,093
[INDISTINCT TALKING]
1550
01:06:09,901 --> 01:06:13,204
PEOPLE, WE'RE LOOKING
FOR THE REAL "L" TRAIN GIRL.
1551
01:06:14,839 --> 01:06:16,340
Randy: YEAH,
SHE'S THE ONE. HERE YOU GO.
1552
01:06:16,407 --> 01:06:18,576
WANTED--WE'RE LOOKING
FOR THE REAL TRAIN GIRL.
1553
01:06:18,643 --> 01:06:20,444
HAVE YOU SEEN THIS--
ANYBODY SEEN THIS GIRL?
1554
01:06:20,511 --> 01:06:22,213
SHE'S REAL CUTE,
AND, UH...
1555
01:06:22,280 --> 01:06:24,081
YOU SEEN THIS GIRL?
TAKE THAT. THANK YOU.
1556
01:06:24,148 --> 01:06:25,716
TAKE A--TAKE A FLIER.
HERE YOU GO.
1557
01:06:25,783 --> 01:06:27,785
HAS ANYBODY SEEN THIS GIRL?
1558
01:06:27,852 --> 01:06:30,588
♪ EVERY TIME I LOOK AROUND ♪
1559
01:06:30,655 --> 01:06:32,623
♪ BUT EVERYWHERE YOU ARE ♪
1560
01:06:32,690 --> 01:06:34,692
A LITTLE SHORT.
SHE'S GOT PRETTY HAIR.
1561
01:06:34,759 --> 01:06:37,094
BEAUTIFUL EYES.
HELLO. HERE YOU GO.
1562
01:06:37,161 --> 01:06:40,965
♪ BEAUTIFUL HAIR,
PRETTY EYES ♪
1563
01:06:41,032 --> 01:06:43,234
DO YOU KNOW HER?
HAVE YOU SEEN THIS GIRL?
1564
01:06:43,301 --> 01:06:44,502
I'M TRYING TO FIND HER.
1565
01:06:44,569 --> 01:06:45,937
HAVE YOU SEEN THIS GIRL?
1566
01:06:46,003 --> 01:06:48,573
HAS ANYBODY SEEN THIS GIRL?
1567
01:06:48,639 --> 01:06:49,774
HAS ANYBODY
SEEN THIS WOMAN?
1568
01:06:49,841 --> 01:06:50,908
HELLO, WE NEED
SOME HELP HERE.
1569
01:06:50,975 --> 01:06:52,109
THIS IS
REALLY IMPORTANT.
1570
01:06:52,176 --> 01:06:53,945
WE'RE LOOKING
FOR THIS GIRL, OK?
1571
01:06:54,011 --> 01:06:57,281
HEY! HEY, WE NEED
YOUR HELP, PEOPLE!
1572
01:06:57,348 --> 01:07:00,518
HEY, HAS ANY ONE OF YOU
EVER BEEN IN LOVE? HUH?
1573
01:07:00,585 --> 01:07:02,653
HAS ANYONE EVER,
EVER MET SOMEONE
1574
01:07:02,720 --> 01:07:05,256
THEY THOUGHT
WAS THEIR DESTINY?
1575
01:07:05,323 --> 01:07:08,025
WELL, MY FRIEND
KEVIN GIBBONS DID.
1576
01:07:08,092 --> 01:07:09,760
I WASN'T THERE
FOR HIM THEN,
1577
01:07:09,827 --> 01:07:11,596
BUT I AM HERE NOW.
1578
01:07:11,662 --> 01:07:12,864
ME AND MY FRIENDS,
1579
01:07:12,930 --> 01:07:14,432
YOU KNOW, WE TOOK
ADVANTAGE OF KEVIN
1580
01:07:14,498 --> 01:07:16,701
AND, AND HIS SITUATION.
1581
01:07:16,767 --> 01:07:18,269
HE DIDN'T EVEN KNOW IT.
YEAH.
1582
01:07:18,336 --> 01:07:21,606
WE WENT BEHIND HIS BACK.
WE MESSED HIM OVER.
1583
01:07:21,672 --> 01:07:22,940
SO COME ON, PEOPLE,
1584
01:07:23,007 --> 01:07:24,876
TAKE A LOOK
AT THIS FLIER, PLEASE.
1585
01:07:24,942 --> 01:07:26,811
AND I LEAVE YOU
WITH THIS.
1586
01:07:28,246 --> 01:07:31,883
LOVE MAY NOT MAKE
THE WORLD GO 'ROUND...
1587
01:07:34,719 --> 01:07:37,555
BUT IT'S WHAT MAKES
THE RIDE WORTHWHILE.
1588
01:07:44,028 --> 01:07:46,831
♪ BUT ANYWHERE YOU ARE ♪
1589
01:07:46,898 --> 01:07:50,468
♪ I'LL BE UNDER YOU ♪
1590
01:07:50,534 --> 01:07:53,471
♪ EVERY TIME I LOOK AROUND ♪
1591
01:07:53,538 --> 01:07:55,373
♪ I NEED YOU NOW ♪
1592
01:07:55,439 --> 01:07:57,708
♪ EVERY TIME I LOOK AROUND ♪
1593
01:07:57,775 --> 01:07:59,710
♪ I NEED YOU NOW ♪
1594
01:07:59,777 --> 01:08:02,480
♪ EVERY TIME I LOOK AROUND ♪
1595
01:08:02,547 --> 01:08:05,016
♪ BUT ANYWHERE YOU ARE ♪
1596
01:08:05,082 --> 01:08:08,753
♪ I'LL BE UNDER YOU ♪
1597
01:08:12,890 --> 01:08:15,259
HEY, MARGIE,
HAVE YOU SEEN NATHAN?
1598
01:08:15,326 --> 01:08:16,894
DIDN'T YOU HEAR?
1599
01:08:16,961 --> 01:08:18,729
HE HAD A HEART ATTACK
LAST NIGHT,
1600
01:08:18,796 --> 01:08:20,932
RIGHT AFTER
THE CUBBIES LOST.
1601
01:08:31,909 --> 01:08:34,378
HI, UM, I'M LOOKING
FOR A PATIENT.
1602
01:08:34,445 --> 01:08:36,414
HIS NAME IS--
[CRASH]
1603
01:08:36,480 --> 01:08:38,649
Nathan: IF YOU THINK
THIS FOOD TASTES SO GOOD,
1604
01:08:38,716 --> 01:08:40,184
THEN YOU EAT IT!
1605
01:08:43,287 --> 01:08:45,690
UH, NEVER MIND.
1606
01:08:45,756 --> 01:08:48,092
SO, ERIC YOUNG
DOUBLES FOR AN RBI
1607
01:08:48,159 --> 01:08:50,161
IN THE TOP
OF THE NINTH.
1608
01:08:50,227 --> 01:08:53,197
BOTTOM OF THE NINTH,
WOOD "K" IS THE SIDE.
1609
01:08:54,165 --> 01:08:56,667
SET 'EM UP,
SIT 'EM DOWN.
1610
01:09:01,105 --> 01:09:03,541
YOU KNOW, THIS
ISN'T THE FIRST TIME
1611
01:09:03,607 --> 01:09:05,676
MY CUBBIES HAVE
PUT ME THROUGH THIS.
1612
01:09:07,211 --> 01:09:10,047
ULCER DURING
THE '69 PLAYOFFS.
1613
01:09:10,114 --> 01:09:13,250
HYPERTENSION
WHEN THEY LOST IN '84.
1614
01:09:13,317 --> 01:09:14,452
AND YOU SHOULD HAVE SEEN
1615
01:09:14,518 --> 01:09:15,786
THE WAY MY HEMORRHOIDS FLARED UP
1616
01:09:15,853 --> 01:09:17,855
WHEN THEY WENT DOWN
IN '89.
1617
01:09:20,291 --> 01:09:23,427
BUT THAT TEAM ALSO GIVES
ME A REASON TO LIVE.
1618
01:09:27,031 --> 01:09:29,934
SO, DID IT EVER WORK OUT
BETWEEN YOU
1619
01:09:30,001 --> 01:09:32,770
AND THAT NICE GIRL
FROM THE TRAIN?
1620
01:09:33,604 --> 01:09:35,706
I WANTED IT TO,
1621
01:09:35,773 --> 01:09:37,341
BUT I DON'T THINK
IT'S GONNA HAPPEN.
1622
01:09:39,210 --> 01:09:42,013
AUGUST 29, 1989.
MY BELOVED CUBS
1623
01:09:42,079 --> 01:09:45,149
WERE DOWN BY 9 RUNS TO
THE ASTROS IN THE SIXTH,
1624
01:09:45,216 --> 01:09:46,784
BUT DID THEY GIVE UP?
NO, SIR.
1625
01:09:46,851 --> 01:09:48,552
THEY FOUGHT
TOOTH AND NAIL,
1626
01:09:48,619 --> 01:09:51,122
AND THEY WON
IN EXTRA INNINGS.
1627
01:09:53,591 --> 01:09:56,827
I'LL NEVER GIVE UP
ON MY CUBBIES.
1628
01:09:56,894 --> 01:09:59,730
MAYBE YOU SHOULDN'T GIVE UP
ON THAT GIRL, EITHER.
1629
01:10:04,635 --> 01:10:06,003
SO...
1630
01:10:07,271 --> 01:10:09,407
YOU GONNA TELL ME
WHAT THAT'S ALL ABOUT?
1631
01:10:16,247 --> 01:10:18,916
ERNIE BANKS'S
DINGER.
1632
01:10:20,851 --> 01:10:23,054
CAUGHT IT THE DAY
I MET MY WIFE.
1633
01:10:31,429 --> 01:10:33,731
I WANT YOU TO HAVE IT.
1634
01:10:41,939 --> 01:10:43,841
THANKS, NATHAN.
1635
01:10:43,908 --> 01:10:45,976
NOW, YOU'RE NOT GONNA
KISS ME, ARE YA?
1636
01:10:46,043 --> 01:10:47,111
HEH!
1637
01:10:48,579 --> 01:10:51,515
GO AHEAD.
GO FIND THAT GIRL.
1638
01:11:07,965 --> 01:11:10,267
Jackie: REEBOK
SIGNED OFF ON THE ACCOUNT.
1639
01:11:14,305 --> 01:11:15,606
THAT'S GREAT.
1640
01:11:15,673 --> 01:11:17,942
AND I FINALLY
GOT PROMOTED
1641
01:11:18,008 --> 01:11:19,477
TO SENIOR EXEC.
1642
01:11:20,478 --> 01:11:22,079
CONGRATULATIONS.
1643
01:11:23,681 --> 01:11:24,715
LOOK, KEVIN,
1644
01:11:24,782 --> 01:11:26,183
I KNOW I'M A HARD CASE,
1645
01:11:26,250 --> 01:11:27,751
BUT YOU'RE JUST GONNA
HAVE TO DEAL WITH IT
1646
01:11:27,818 --> 01:11:29,320
WHEN YOU
DESIGN THE ACCOUNT.
1647
01:11:33,724 --> 01:11:34,925
I'M BACK ON THE ACCOUNT?
1648
01:11:34,992 --> 01:11:39,130
REEBOK NEEDS
YOUR TALENT AND PASSION,
1649
01:11:39,196 --> 01:11:40,631
ESPECIALLY
AFTER I TOLD THEM
1650
01:11:40,698 --> 01:11:42,500
THAT IT WAS YOUR IDEA.
1651
01:11:48,205 --> 01:11:50,808
I KNEW THERE WAS A SOFT SIDE
IN THERE SOMEWHERE.
1652
01:11:50,875 --> 01:11:52,543
MAYBE,
BUT THIS IS STRICTLY
1653
01:11:52,610 --> 01:11:54,278
A BUSINESS DECISION.
1654
01:11:55,412 --> 01:11:57,281
SURE. I UNDERSTAND.
1655
01:11:58,916 --> 01:12:00,251
THAT'S A FINAL COPY
OF THE AD.
1656
01:12:00,317 --> 01:12:01,652
YOU MAY WANT TO TAKE
A LOOK AT IT
1657
01:12:01,719 --> 01:12:02,753
BEFORE IT GOES UP.
1658
01:12:02,820 --> 01:12:03,954
IT'S GONNA BE
BILLBOARDS
1659
01:12:04,021 --> 01:12:05,589
ALL OVER THE CITY.
1660
01:12:09,760 --> 01:12:14,265
OH, I HOPE THAT YOU FIND THAT
GIRL YOU'VE BEEN LOOKING FOR.
1661
01:12:17,801 --> 01:12:19,203
Kevin: JACKIE...
1662
01:12:21,272 --> 01:12:22,773
THANKS.
1663
01:12:22,840 --> 01:12:24,141
YEAH.
1664
01:12:33,083 --> 01:12:35,653
♪ YOU AND I
GO WAY UP HIGH ♪
1665
01:12:35,719 --> 01:12:38,155
♪ IN THE DARK
TELL ME WHERE THE LIGHT'S ♪
1666
01:12:38,222 --> 01:12:41,025
♪ GONNA COME FROM NOW ♪
1667
01:12:41,091 --> 01:12:43,727
♪ IS IT YOU? WAS IT ME? ♪
1668
01:12:43,794 --> 01:12:45,829
♪ FALLEN, OUT OF HOPE ♪
1669
01:12:45,896 --> 01:12:47,498
♪ A TIGHT ROPE ♪
1670
01:12:47,565 --> 01:12:50,134
♪ AFTER ALL, BABY,
YOU SHOULD KNOW ♪
1671
01:12:50,201 --> 01:12:53,137
♪ NOT TO BEAT THE GROUND ♪
1672
01:12:53,204 --> 01:12:55,873
♪ ALL THAT TALK'S BUT A FOG ♪
1673
01:12:55,940 --> 01:12:58,275
♪ FALLING ♪
1674
01:12:58,342 --> 01:13:02,246
♪ LOVE IS A HIGH-WIRE ACT ♪
1675
01:13:02,313 --> 01:13:04,582
♪ WE'VE GOT TO GET ♪
1676
01:13:04,648 --> 01:13:06,483
♪ OUR BALANCE BACK ♪
1677
01:13:06,550 --> 01:13:08,819
Radio announcer: THIS IS WBFP,
PLAYING ALL THE BIGGEST HITS.
1678
01:13:08,886 --> 01:13:10,321
GOOD MORNING, CHICAGO.
1679
01:13:10,387 --> 01:13:12,256
HEY, FOR ALL YOU
HELPLESS ROMANTICS OUT THERE,
1680
01:13:12,323 --> 01:13:14,225
THERE'S A NEW TWIST
ON THAT TRAIN STORY
1681
01:13:14,291 --> 01:13:15,759
WE'VE ALL
BEEN READING ABOUT.
1682
01:13:15,826 --> 01:13:17,361
TURNS OUT...
1683
01:13:17,428 --> 01:13:20,097
♪ WE'VE ALREADY LOST OUR WAY ♪
1684
01:13:20,164 --> 01:13:25,703
♪ THE MEMORY OF YESTERDAY ♪
1685
01:13:25,769 --> 01:13:29,340
♪ WE'RE STILL STRONG ENOUGH
TO LIGHT THE WAY ♪
1686
01:13:29,406 --> 01:13:32,676
♪ DON'T LOOK DOWN ♪
1687
01:13:32,743 --> 01:13:35,346
♪ WE CAN REBOUND ♪
1688
01:13:35,412 --> 01:13:38,449
♪ WHATEVER MAY LIE AHEAD ♪
1689
01:13:38,515 --> 01:13:43,787
♪ KEEP YOUR EYES
ON ME NOW ♪
1690
01:13:43,854 --> 01:13:47,358
♪ STILL STRONG ENOUGH
TO LIGHT THE WAY ♪
1691
01:13:47,424 --> 01:13:50,327
♪ DON'T LOOK DOWN ♪
1692
01:13:50,394 --> 01:13:53,831
♪ WE CAN REBOUND ♪
1693
01:13:53,897 --> 01:13:55,566
HEY, GUYS.
HEY.
1694
01:13:55,633 --> 01:13:57,434
HOW YOU FEELING? GOOD?
YOU'RE LOOKING GOOD.
1695
01:13:57,501 --> 01:13:59,003
YOU KNOW WHAT?
I FEEL GOOD.
1696
01:13:59,069 --> 01:14:00,437
AND YOU LOOK GOOD.
1697
01:14:00,504 --> 01:14:03,274
LISTEN, DO YOU WANT
A LITTLE PIECE OF ADVICE?
1698
01:14:03,340 --> 01:14:05,209
THIS TIME, WHEN SHE SHOWS,
DO US ALL A FAVOR
1699
01:14:05,276 --> 01:14:08,913
AND GET HER NAME AND NUMBER.
1700
01:14:08,979 --> 01:14:10,514
ALL RIGHT.
I'LL REMEMBER THAT.
1701
01:14:10,581 --> 01:14:11,982
YOU BETTER
HURRY UP, YOU KNOW.
1702
01:14:12,049 --> 01:14:13,684
IT'S ALMOST TIME.
1703
01:14:13,751 --> 01:14:15,286
YOU KNOW WHAT, GUYS?
1704
01:14:15,352 --> 01:14:16,754
I'M GONNA HAVE TO DO
THIS ONE ON MY OWN.
1705
01:14:16,820 --> 01:14:17,922
WHOA! ARE YOU SURE
YOU DON'T WANT
1706
01:14:17,988 --> 01:14:19,623
THE TEAM THERE
FOR MORAL SUPPORT?
1707
01:14:19,690 --> 01:14:21,725
NO, THANKS.
1708
01:14:21,792 --> 01:14:24,461
WELL... I BETTER GO.
1709
01:14:24,528 --> 01:14:25,996
ALL RIGHT.
1710
01:14:26,063 --> 01:14:28,899
WAIT, WAIT. OPEN.
1711
01:14:28,966 --> 01:14:30,067
[SPRITZING]
1712
01:14:30,134 --> 01:14:31,702
NEVER KNOW, MAN.
1713
01:14:31,769 --> 01:14:33,404
[PATS BACK]
1714
01:14:33,470 --> 01:14:35,639
ALL RIGHT, GUYS.
DO ANOTHER SET?
1715
01:14:35,706 --> 01:14:38,842
YOU KNOW, SOMETIMES
YOU JUST GOTTA...
1716
01:14:38,909 --> 01:14:41,078
LET 'EM GO AND HOPE
YOU RAISED 'EM WELL.
1717
01:14:42,413 --> 01:14:43,747
YEAH.
1718
01:14:45,683 --> 01:14:47,351
Woman reporter:
IT'S THE MOST ROMANTIC STORY
1719
01:14:47,418 --> 01:14:49,586
TO HIT CHICAGO IN YEARS.
1720
01:14:49,653 --> 01:14:52,556
A YOUNG MAN PUTTING UP
POSTERS AND BILLBOARDS
1721
01:14:52,623 --> 01:14:55,125
ALL OVER TOWN IN AN EFFORT TO
FIND THE GIRL OF HIS DREAMS.
1722
01:14:55,192 --> 01:14:56,694
IN FACT,
CAN YOU TURN THE CAMERA?
1723
01:14:56,760 --> 01:14:58,595
THERE'S ONE RIGHT THERE
BEHIND MY SHOULDER.
1724
01:14:58,662 --> 01:15:00,631
Male reporter: WE'RE HERE
AT THE "L" TRAIN PLATFORM
1725
01:15:00,698 --> 01:15:02,433
AT WABASH AND ADAMS.
1726
01:15:02,499 --> 01:15:04,468
THERE'S JUST ABOUT
15 MINUTES TO GO
1727
01:15:04,535 --> 01:15:06,470
AND THEN KEVIN GIBBONS...
1728
01:15:06,537 --> 01:15:08,939
[ALL CHATTERING]
1729
01:15:09,006 --> 01:15:11,041
[CAMERAS CLICKING]
1730
01:15:11,108 --> 01:15:12,776
Man: SOME MAY CALL HIM CRAZY,
1731
01:15:12,843 --> 01:15:14,645
OTHERS, A HOPELESS ROMANTIC...
1732
01:15:16,747 --> 01:15:18,582
Woman: ...WAITING
TO SEE THE OUTCOME.
1733
01:15:18,649 --> 01:15:21,118
AND THE BIG QUESTION
ON EVERYBODY'S MIND IS...
1734
01:15:21,185 --> 01:15:23,754
WILL SHE OR WILL SHE NOT SHOW?
1735
01:15:23,821 --> 01:15:26,357
[CROWD SHOUTING ENCOURAGEMENT]
1736
01:15:33,997 --> 01:15:35,199
[DOOR OPENS]
1737
01:15:35,833 --> 01:15:37,134
[JINGLING]
1738
01:15:37,201 --> 01:15:38,402
Rod: IT'S THE MICK!
1739
01:15:38,469 --> 01:15:41,271
MICK SILVER!
HEY, THE MICK!
1740
01:15:44,041 --> 01:15:46,410
OH, MY GOSH! THE MICK!
IT'S REALLY YOU!
1741
01:15:46,477 --> 01:15:49,046
I MEAN, GOSH, I CAN'T BELIEVE
IT! DUDE, I SEEN YOU ON TV.
1742
01:15:49,113 --> 01:15:52,149
I MEAN, YOU ARE A LEGEND!
YOU ARE GREAT!
1743
01:15:52,216 --> 01:15:54,418
WHAT ARE YOU DOING HERE?
1744
01:15:54,485 --> 01:15:55,853
THE MICK RECEIVED THIS
DEMO TAPE IN THE MAIL.
1745
01:15:55,919 --> 01:15:57,154
FROM WHO?
1746
01:15:57,221 --> 01:15:59,123
FROM A MAN WHO SHALL
REMAIN NAMELESS.
1747
01:15:59,189 --> 01:16:00,391
KEVIN.
1748
01:16:00,457 --> 01:16:02,893
HEY, THE MICK DIGS
YOUR SOUNDS, MAN.
1749
01:16:02,960 --> 01:16:04,728
REALLY?!
HEY, THE MICK DON'T LIE.
1750
01:16:04,795 --> 01:16:06,663
NO, MAN, YOU NEVER LIE.
YOU ALWAYS SAY THE TRUTH.
1751
01:16:06,730 --> 01:16:08,499
AND WHEN IT IS THE TRUTH,
IT IS THE TRUTH!
1752
01:16:08,565 --> 01:16:10,601
HOW WOULD YOU LIKE TO
RECORD YOUR NEW STUFF
1753
01:16:10,667 --> 01:16:12,136
ON THE MICK'S NEW LABEL?
1754
01:16:12,202 --> 01:16:13,837
WOULD I? MAN,
I CAN'T BELIEVE IT!
1755
01:16:13,904 --> 01:16:15,139
WHOA!
EASY, EASY!
1756
01:16:15,205 --> 01:16:16,607
YOU'RE ALL ABOUT
THE PASSION, MAN!
1757
01:16:16,673 --> 01:16:19,009
OH, MY GOD!
I CAN'T BELIEVE MICK--
1758
01:16:19,076 --> 01:16:20,911
HI, JULIE.
HI, ROD.
1759
01:16:20,978 --> 01:16:23,113
HOW'S THE ANKLE?
OH, IT'S BUSTED.
1760
01:16:23,180 --> 01:16:26,483
OH, SORRY. UM,
HAVE YOU MET THE MICK?
1761
01:16:26,550 --> 01:16:28,986
MICK, JULIE. JULIE, MICK.
JULIE, MICK.
1762
01:16:29,052 --> 01:16:30,421
YEAH.
WELL, MICK'S ALL RIGHT,
1763
01:16:30,487 --> 01:16:33,157
BUT I'M MORE
INTO YOU, ROD.
1764
01:16:33,223 --> 01:16:35,492
REALLY? UM...
1765
01:16:35,559 --> 01:16:37,361
HOW'D YOU LIKE
TO HEAR MY NEW SONG?
1766
01:16:37,428 --> 01:16:40,097
YEAH. I'D LOVE TO.
GREAT. OK.
1767
01:16:43,167 --> 01:16:44,902
ALL RIGHT, THIS IS...
1768
01:16:44,968 --> 01:16:48,572
[SIGHS] A SONG I WROTE...
1769
01:16:48,639 --> 01:16:50,107
FOR A VERY GOOD FRIEND
OF MINE.
1770
01:16:50,174 --> 01:16:52,810
[MUSIC STARTS]
1771
01:16:54,645 --> 01:16:56,947
♪ I GET A FEELING ♪
1772
01:16:57,014 --> 01:17:00,350
♪ I CAN'T EXPLAIN ♪
1773
01:17:00,417 --> 01:17:05,222
♪ WHENEVER YOUR EYES
MEET MINE ♪
1774
01:17:05,289 --> 01:17:08,325
♪ MY HEART SPINS IN CIRCLES ♪
1775
01:17:08,392 --> 01:17:13,697
♪ AND I LOSE
ALL SPACE AND TIME ♪
1776
01:17:13,764 --> 01:17:19,470
♪ AND NOW THAT WE'RE
STANDING FACE-TO-FACE ♪
1777
01:17:19,536 --> 01:17:22,005
♪ SOMETHING TELLS ME ♪
1778
01:17:22,072 --> 01:17:25,075
♪ IT'S GONNA BE OK ♪
1779
01:17:25,142 --> 01:17:31,381
♪ AND I'M READY
TO FALL IN LOVE TONIGHT ♪
1780
01:17:31,448 --> 01:17:36,987
♪ I'M READY TO HOLD
MY HEART OPEN WIDE ♪
1781
01:17:37,054 --> 01:17:39,189
♪ I CAN'T PROMISE FOREVER ♪
1782
01:17:39,256 --> 01:17:42,626
♪ BUT, BABY, I'LL TRY ♪
1783
01:17:42,693 --> 01:17:47,130
♪ I'M READY TO FALL ♪
1784
01:17:47,197 --> 01:17:52,402
♪ IN LOVE TONIGHT ♪
1785
01:17:55,372 --> 01:17:57,474
♪ I KNOW
YOU'VE BEEN WATCHING ♪
1786
01:17:57,541 --> 01:18:00,911
♪ CHOOSING YOUR MOMENT ♪
1787
01:18:00,978 --> 01:18:05,215
♪ BUT I'VE BEEN DREAMING
OF THAT DAY ♪
1788
01:18:06,383 --> 01:18:08,819
♪ NO ONE BEFORE YOU ♪
1789
01:18:08,886 --> 01:18:14,591
♪ HAS GOTTEN TO ME
THIS WAY ♪
1790
01:18:14,658 --> 01:18:17,361
♪ AND NOW THAT ♪
1791
01:18:17,427 --> 01:18:20,497
♪ WE'RE STANDING
FACE-TO-FACE ♪
1792
01:18:20,564 --> 01:18:26,103
♪ THERE'S SOMETHING
I NEED TO SAY ♪
1793
01:18:26,169 --> 01:18:32,075
♪ THAT I'M READY
TO FALL IN LOVE TONIGHT ♪
1794
01:18:32,142 --> 01:18:37,648
♪ I'M READY TO HOLD
MY HEART OPEN WIDE ♪
1795
01:18:37,714 --> 01:18:39,983
♪ I CAN'T PROMISE FOREVER ♪
1796
01:18:40,050 --> 01:18:43,320
♪ BUT, BABY, I'LL TRY ♪
1797
01:18:43,387 --> 01:18:46,123
♪ 'CAUSE
I'M READY TO FALL... ♪
1798
01:18:46,189 --> 01:18:49,393
Reporter: WELL, HERE
WE ARE JUST AFTER 7 P.M.,
1799
01:18:49,459 --> 01:18:50,928
AND THERE IS
STILL NO SIGN
1800
01:18:50,994 --> 01:18:53,163
OF THE YOUNG LADY
FROM THE "L" TRAIN.
1801
01:18:53,230 --> 01:18:55,365
♪ NOTHING IS CERTAIN ♪
1802
01:18:55,432 --> 01:18:58,035
♪ THIS I KNOW ♪
1803
01:18:58,101 --> 01:19:00,938
♪ WHEREVER WE'RE HEADED ♪
1804
01:19:01,004 --> 01:19:04,007
♪ I'M READY TO GO ♪
1805
01:19:04,074 --> 01:19:06,843
♪ OHHH ♪
1806
01:19:14,384 --> 01:19:15,652
[CROWD CHEERING]
1807
01:19:15,719 --> 01:19:17,588
♪ I CAN'T PROMISE FOREVER ♪
1808
01:19:17,654 --> 01:19:20,757
♪ BUT, BABY, I'LL TRY ♪
1809
01:19:20,824 --> 01:19:25,462
♪ 'CAUSE I'M READY TO FALL ♪
1810
01:19:25,529 --> 01:19:32,436
♪ IN LOVE TONIGHT ♪
1811
01:19:32,502 --> 01:19:36,506
♪ YES, I'M READY TO FALL ♪
1812
01:19:36,573 --> 01:19:42,279
♪ IN LOVE TONIGHT ♪
1813
01:19:42,346 --> 01:19:44,848
2 QUESTIONS--
1814
01:19:44,915 --> 01:19:46,984
WHAT IS YOUR NAME?
1815
01:19:47,050 --> 01:19:49,386
AND CAN I PLEASE HAVE
YOUR PHONE NUMBER?
1816
01:19:49,453 --> 01:19:52,456
ABBEY, AND I THOUGHT
YOU'D NEVER ASK.
1817
01:19:54,424 --> 01:20:00,263
♪ IN LOVE TONIGHT ♪
1818
01:20:00,330 --> 01:20:03,867
♪ IN LOVE TONIGHT ♪
1819
01:20:03,934 --> 01:20:06,536
[CHEERING AND WHISTLING]
1820
01:20:11,108 --> 01:20:13,543
[CHEERING]
1821
01:20:26,923 --> 01:20:31,461
♪ 'CAUSE I'M READY TO FALL ♪
1822
01:20:31,528 --> 01:20:36,366
♪ IN LOVE TONIGHT ♪
1823
01:20:37,334 --> 01:20:41,972
♪ IN LOVE TONIGHT ♪
1824
01:20:44,441 --> 01:20:47,311
AHH, HE'S STILL A SHMOE.
1825
01:20:47,377 --> 01:20:49,346
Al Green: ♪ I ♪
1826
01:20:49,413 --> 01:20:50,580
♪ UH ♪
1827
01:20:50,647 --> 01:20:54,951
♪ I'M SO IN LOVE WITH YOU ♪
1828
01:20:55,018 --> 01:20:59,356
♪ WHATEVER YOU WANT TO DO ♪
1829
01:20:59,423 --> 01:21:04,761
♪ IS ALL RIGHT WITH ME ♪
1830
01:21:04,828 --> 01:21:08,331
♪ 'CAUSE YOU MAKE ME FEEL ♪
1831
01:21:08,398 --> 01:21:13,670
♪ SO BRAND-NEW ♪
1832
01:21:13,737 --> 01:21:17,474
♪ I WANT TO SPEND
MY LIFE WITH-- ♪
1833
01:21:17,541 --> 01:21:19,543
[RECORD SCRATCHES]
1834
01:21:19,609 --> 01:21:21,144
Man: WE'RE HERE
WITH AN EXCLUSIVE LOOK
1835
01:21:21,211 --> 01:21:24,081
BEHIND THE SCENES
OF THE MOVIE ON THE LINE.
1836
01:21:24,147 --> 01:21:25,382
CHECK.
N'SYNC?
1837
01:21:25,449 --> 01:21:27,184
YEAH.
MORE LIKE N'STINK.
1838
01:21:27,250 --> 01:21:28,318
YOU CAN'T SAY THAT.
1839
01:21:28,385 --> 01:21:29,553
I DID.
I DON'T CARE.
1840
01:21:29,619 --> 01:21:31,121
IS THE CAMERA ON?
1841
01:21:31,188 --> 01:21:33,990
THE TWO OF US RIGHT HERE,
WE ARE VERY, VERY PROFESSIONAL
1842
01:21:34,057 --> 01:21:35,125
ABOUT EVERYTHING WE DO.
1843
01:21:35,192 --> 01:21:36,793
UNLIKE SOME POOP STARS.
1844
01:21:36,860 --> 01:21:40,163
I MEAN, SERIOUSLY,
JOEY'S ONE THING, BUT LANCE...
1845
01:21:40,230 --> 01:21:43,100
I LOVED YOU FROM THE MINUTE
I SAW YOU ON THE "L"?
1846
01:21:43,166 --> 01:21:44,568
THAT WAS
VERY CONVINCING.
1847
01:21:44,634 --> 01:21:46,737
I LOVED YOU FROM THE MOMENT
I SAW YOU ON THE "L"?
1848
01:21:46,803 --> 01:21:48,905
WHERE'S THE WRITER?
WHERE'S THE WRITER?
1849
01:21:48,972 --> 01:21:51,541
ANGELO, HOW MANY TIMES
DO I HAVE TO TELL YOU
1850
01:21:51,608 --> 01:21:54,478
I NEED HEIGHT? I WANT
TO SEE THIS FROM CHINA!
1851
01:21:54,544 --> 01:21:56,246
CHINA--OK.
GIMME THAT.
1852
01:21:56,313 --> 01:21:58,115
I JUST--
DID I SAY YOU COULD SPEAK?
1853
01:21:58,181 --> 01:21:59,683
OW! OH OH OH!
1854
01:21:59,750 --> 01:22:01,485
ARE YOU GUYS FOR REAL?
1855
01:22:01,551 --> 01:22:03,286
YEAH.
YEAH.
1856
01:22:03,353 --> 01:22:04,554
ANGELO.
WHAT'S UP?
1857
01:22:04,621 --> 01:22:05,822
YOU GUYS ARE AMAZING!
1858
01:22:05,889 --> 01:22:07,691
YOU LOOK LIKE
A MILLION DOLLARS!
1859
01:22:07,758 --> 01:22:09,559
I MEAN, IT'S
YOU LOOK INCREDIBLE.
1860
01:22:09,626 --> 01:22:11,495
JOEY, I HAVE
2 WORDS FOR YOU.
1861
01:22:11,561 --> 01:22:14,898
YOU ARE THIS GENERATION'S
MARLON BRANDO.
1862
01:22:14,965 --> 01:22:16,666
AND, LANCE, I HAVE
3 WORDS FOR YOU.
1863
01:22:16,733 --> 01:22:19,402
DE-KNEE-ROW.
KNOW WHAT I'M SAYING?
1864
01:22:19,469 --> 01:22:20,871
JUST PROMISE ME
I CAN DO YOUR HAIR
1865
01:22:20,937 --> 01:22:22,572
FOR THE ACADEMY OF AWARDS,
PLEASE?
1866
01:22:22,639 --> 01:22:24,007
AND I'LL DO MAKEUP.
1867
01:22:24,074 --> 01:22:26,710
YOU TWO ARE THE BEST.
I'LL NEVER FORGET THIS.
1868
01:22:26,777 --> 01:22:28,712
REALLY? MEANS A LOT.
THANKS.
1869
01:22:28,779 --> 01:22:32,682
♪ WITH YOU ♪
1870
01:22:32,749 --> 01:22:36,987
♪ LET ME SAY THAT SINCE, OH ♪
1871
01:22:37,053 --> 01:22:41,591
♪ SINCE WE'VE BEEN TOGETHER ♪
1872
01:22:41,658 --> 01:22:45,862
♪ LOVIN' YOU FOREVER ♪
1873
01:22:45,929 --> 01:22:50,600
♪ IS WHAT I NEED ♪
1874
01:22:50,667 --> 01:22:54,404
♪ OH, LET ME BE THE ONE ♪
1875
01:22:54,471 --> 01:23:00,310
♪ YOU COME RUNNING TO ♪
1876
01:23:00,377 --> 01:23:03,780
♪ I'LL NEVER BE ♪
1877
01:23:03,847 --> 01:23:07,884
♪ UNTRUE ♪
1878
01:23:07,951 --> 01:23:09,419
♪ EVERYBODY SING ♪
1879
01:23:09,486 --> 01:23:12,689
♪ LET'S ♪
1880
01:23:12,756 --> 01:23:17,260
♪ LET'S STAY TOGETHER ♪
1881
01:23:17,327 --> 01:23:20,230
♪ LOVING YOU WHETHER ♪
1882
01:23:20,297 --> 01:23:21,998
♪ WHETHER ♪
1883
01:23:22,065 --> 01:23:26,203
♪ TIMES ARE GOOD OR BAD,
HAPPY OR SAD ♪
1884
01:23:26,269 --> 01:23:27,938
♪ THAT'S RIGHT,
YOU HEARD THE MAN ♪
1885
01:23:28,004 --> 01:23:29,773
♪ NOW COME ON,
LET'S STAY TOGETHER ♪
1886
01:23:29,840 --> 01:23:31,541
♪ YOU AND ME COULD BE
TIGHT FOREVER AND EVER ♪
1887
01:23:31,608 --> 01:23:33,443
♪ WHETHER DAY OR NIGHT
AND WHATEVER THE WEATHER ♪
1888
01:23:33,510 --> 01:23:35,946
♪ LET'S LIVE ONE LIFE, GIRL,
NEVER SHOULD WE SEVER ♪
1889
01:23:36,012 --> 01:23:37,647
♪ YOU HOLD THE POWER
TO GIVE HIM WHAT HE NEED ♪
1890
01:23:37,714 --> 01:23:40,183
♪ IT'S LIKE EVERY SINGLE FLOWER
BEGINS WITH A SEED ♪
1891
01:23:40,250 --> 01:23:42,085
♪ JUST GIVE HIM WHAT YOU GOT,
YOU KNOW WHAT I MEAN? ♪
1892
01:23:42,152 --> 01:23:44,754
♪ AND IF NOT,
I'LL LEAVE IT UP TO AL GREEN ♪
1893
01:23:44,821 --> 01:23:47,757
♪ LET ME BE THE ONE ♪
1894
01:23:47,824 --> 01:23:52,829
♪ YOU COME RUNNING TO ♪
1895
01:23:52,896 --> 01:23:57,167
♪ I PROMISE I'LL NEVER BE ♪
1896
01:23:57,234 --> 01:24:01,371
♪ UNTRUE ♪
1897
01:24:01,438 --> 01:24:02,739
♪ EVERYBODY SING ♪
1898
01:24:02,806 --> 01:24:05,942
♪ LET'S ♪
1899
01:24:06,009 --> 01:24:10,480
♪ LET'S STAY TOGETHER ♪
1900
01:24:10,547 --> 01:24:13,250
♪ LOVING YOU WHETHER ♪
1901
01:24:13,316 --> 01:24:19,756
♪ WHETHER TIMES ARE
GOOD OR BAD, HAPPY OR SAD ♪
1902
01:24:19,823 --> 01:24:23,059
♪ SING LET'S ♪
1903
01:24:23,126 --> 01:24:23,894
♪ WHOO ♪
1904
01:24:23,960 --> 01:24:26,396
♪ LET'S STAY TOGETHER ♪
1905
01:24:26,463 --> 01:24:28,265
♪ I CAN'T STAND IT, NO ♪
1906
01:24:28,331 --> 01:24:31,301
♪ LOVING YOU WHETHER ♪
1907
01:24:31,368 --> 01:24:33,136
♪ WHETHER ♪
1908
01:24:33,203 --> 01:24:37,474
♪ TIMES ARE GOOD OR BAD,
HAPPY OR SAD ♪
1909
01:24:37,541 --> 01:24:38,775
♪ LET ME HEAR YOU ♪
1910
01:24:38,842 --> 01:24:41,444
♪ LET'S ♪
1911
01:24:41,511 --> 01:24:44,014
♪ LET'S STAY TOGETHER ♪
1912
01:24:44,080 --> 01:24:45,949
♪ OH, I LOVE YOU, BABY ♪
1913
01:24:46,016 --> 01:24:48,885
♪ LOVING YOU WHETHER ♪
1914
01:24:48,952 --> 01:24:50,921
♪ WHETHER, AAH ♪
1915
01:24:50,987 --> 01:24:53,356
♪ TIMES ARE GOOD OR BAD ♪
1916
01:24:53,423 --> 01:24:55,125
♪ HAPPY OR SAD ♪
1917
01:24:55,191 --> 01:24:59,629
♪ I WANT YOU TO SING WITH ME ♪
1918
01:24:59,696 --> 01:25:01,698
♪ I WANT TO TELL
EVERYBODY ♪
1919
01:25:01,765 --> 01:25:03,433
♪ ALL I WANT TO DO ♪
1920
01:25:03,500 --> 01:25:05,702
♪ SOMEBODY HELP ME NOW ♪
1921
01:25:05,769 --> 01:25:07,704
♪ SOMEBODY
HELP ME NOW ♪
1922
01:25:07,771 --> 01:25:09,673
♪ SOMEBODY HELP ME NOW ♪
1923
01:25:09,739 --> 01:25:11,374
♪ GOOD OR BAD ♪
1924
01:25:11,441 --> 01:25:12,709
♪ HAPPY OR SAD ♪
1925
01:25:12,776 --> 01:25:14,678
♪ COMING DOWN ♪
1926
01:25:14,744 --> 01:25:18,248
♪ WHOOO ♪
1927
01:25:19,482 --> 01:25:20,917
HA HA HA!
1928
01:25:20,984 --> 01:25:23,019
[CHEERING AND CLAPPING]
1929
01:25:28,792 --> 01:25:30,794
Al Green: HA HA HA!
123884
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
