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Downloaded from
YTS.MX
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[GUNFIRE]
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00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX
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00:00:08,942 --> 00:00:10,808
[BUGLE PLAYING]
5
00:00:15,048 --> 00:00:17,148
[CANNON FIRES]
6
00:00:17,183 --> 00:00:19,283
[CARRIAGE RATTLING]
7
00:00:25,191 --> 00:00:26,557
[GUNSHOT]
8
00:01:03,229 --> 00:01:06,197
CAPTIONING MADE POSSIBLE BY
WARNER BROS.
9
00:02:50,603 --> 00:02:52,035
MORNING.
10
00:02:52,071 --> 00:02:53,537
Man: MORNING.
WHAT DO YOU WANT?
11
00:02:53,573 --> 00:02:55,038
HUH?
12
00:02:55,074 --> 00:02:56,540
WHAT DO YOU WANT?
13
00:02:56,576 --> 00:02:58,743
HOW MUCH?
14
00:02:58,778 --> 00:03:01,512
24 CENTS...CASH.
15
00:03:03,182 --> 00:03:04,482
DON'T PUT HIM IN
16
00:03:04,517 --> 00:03:05,516
WITH ANY OTHER HORSE,
WOULD YOU?
17
00:03:05,551 --> 00:03:06,850
WHY NOT?
18
00:03:06,886 --> 00:03:08,852
IT WOULD
JUST BE BETTER.
19
00:03:08,888 --> 00:03:11,021
THAT WILL BE EXTRA.
20
00:03:13,293 --> 00:03:15,593
[WHINNY]
21
00:03:15,628 --> 00:03:17,595
PUT HIM IN
WITH ANOTHER HORSE,
22
00:03:17,630 --> 00:03:19,597
HE'S GOING
TO KILL HIM.
23
00:03:19,632 --> 00:03:21,432
THAT WILL BE
EXTRA FOR YOU.
24
00:03:21,467 --> 00:03:23,401
WHAT THE HELL ELSE
DOES HE DO?
25
00:03:23,436 --> 00:03:24,902
WELL, HE CAN SPIN
26
00:03:24,937 --> 00:03:26,404
IN HALF
HIS OWN LENGTH
27
00:03:26,439 --> 00:03:27,938
AND CROSS FIRE
FROM EITHER SIDE.
28
00:03:27,973 --> 00:03:29,940
IF YOU DROP A DIME
OVER IN THAT STALL,
29
00:03:29,975 --> 00:03:31,442
DON'T STOOP
TO GET IT.
30
00:03:31,477 --> 00:03:32,443
GET IT
WITH YOUR PITCHFORK.
31
00:03:32,478 --> 00:03:34,111
WHAT DO YOU
KEEP HIM AROUND FOR?
32
00:03:34,146 --> 00:03:35,346
THAT'S A MOTHER-IN-LAW
HORSE.
33
00:03:35,381 --> 00:03:36,980
YOU KNOW WHAT THAT IS?
34
00:03:37,016 --> 00:03:38,482
A MOTHER-IN-LAW HORSE
35
00:03:38,518 --> 00:03:40,484
IS A HORSE YOU PUT
YOUR MOTHER-IN-LAW ON.
36
00:03:40,520 --> 00:03:42,486
YOU SEND THEM BOTH
UP IN THE HILLS
37
00:03:42,522 --> 00:03:44,522
AND HOPE THEY DON'T
EVER COME BACK.
38
00:03:44,557 --> 00:03:46,123
HERE'S YOUR MONEY.
39
00:03:46,158 --> 00:03:47,458
24.
40
00:03:47,493 --> 00:03:48,959
HE JUST ALL AROUND
41
00:03:48,994 --> 00:03:50,594
LOOKS AFTER
MY BEST WELFARE.
42
00:03:50,630 --> 00:03:53,230
I'M GOING OUT AND GET
A MORNING WHISKEY.
43
00:03:53,265 --> 00:03:55,232
IF ALL GOES WRONG,
I'LL COME BACK
44
00:03:55,267 --> 00:03:56,967
AND SLEEP
IN THAT STALL.
45
00:03:57,002 --> 00:03:58,469
WHAT ABOUT YOUR TACK?
46
00:03:58,504 --> 00:03:59,704
KEEP IT IN THERE.
47
00:03:59,739 --> 00:04:00,971
ANYBODY THAT'S
BRAVE ENOUGH
48
00:04:01,006 --> 00:04:02,172
TO GO IN THERE
AND GET IT--
49
00:04:02,208 --> 00:04:03,941
THEY'RE WELCOME
TO IT.
50
00:04:10,616 --> 00:04:12,450
Man: HARRY,
PASS THE CHAMPAGNE.
51
00:04:12,485 --> 00:04:14,218
Second Man: BREAKFAST
CHAMPAGNE IN HAGERVILLE.
52
00:04:14,253 --> 00:04:16,220
Third Man: HOW CAN I PASS
THE CHAMPAGNE
53
00:04:16,255 --> 00:04:17,621
WHEN DEXTER
DRANK IT ALL?
54
00:04:17,657 --> 00:04:19,323
BARKEEP,
A LITTLE MORE CHAMPAGNE.
55
00:04:19,359 --> 00:04:21,392
AS SOON AS WE GET
TO SAN FRANCISCO,
56
00:04:21,427 --> 00:04:22,893
I WANT TO CHECK OUT
WHERE MAHARE IS TRAINING.
57
00:04:22,928 --> 00:04:24,395
IT WILL BE PRETTY TOUGH.
58
00:04:24,430 --> 00:04:26,597
I UNDERSTAND HE'S
COPYING YOUR STYLE, JIM.
59
00:04:26,632 --> 00:04:28,332
I'M NOT WORRIED
ABOUT HIM.
60
00:04:28,368 --> 00:04:30,334
LAST 10 GUYS HE FACED,
HE KNOCKED 'EM OUT.
61
00:04:30,370 --> 00:04:31,869
Man: HE'S NEVER SEEN
JIM'S FOOTWORK.
62
00:04:31,904 --> 00:04:33,437
REMEMBER
THAT FLORIDA FIGHT?
63
00:04:33,473 --> 00:04:35,072
YOU WERE SO FAST
64
00:04:35,107 --> 00:04:36,607
HE COULDN'T
LAND A PUNCH.
65
00:04:36,642 --> 00:04:37,842
HEY,
66
00:04:37,877 --> 00:04:40,378
THAT NEW PUNCH OF YOURS
IS THE GREATEST IN THE GAME.
67
00:04:40,413 --> 00:04:42,246
HEY, TEX,
68
00:04:42,281 --> 00:04:44,248
DID YOU EVER HEAR
OF A HOOK PUNCH?
69
00:04:44,283 --> 00:04:45,249
NO, I HAVEN'T.
70
00:04:45,284 --> 00:04:46,751
WELL, WE'RE
TOASTING THE MAN
71
00:04:46,786 --> 00:04:48,686
WITH THE GREATEST
HOOK PUNCH IN THE WORLD.
72
00:04:48,721 --> 00:04:50,888
BARKEEP, GIVE TEX
SOME CHAMPAGNE
73
00:04:50,923 --> 00:04:51,922
SO HE CAN TOAST
WITH US.
74
00:04:51,957 --> 00:04:53,424
I'D RATHER
HAVE WHISKEY.
75
00:04:53,459 --> 00:04:55,259
GIVE HIM ANYTHING
HE WANTS.
76
00:04:55,294 --> 00:04:57,261
JIM, YOU BROUGHT
A TOUCH OF CLASS
77
00:04:57,296 --> 00:04:58,763
TO THIS GAME.
78
00:04:58,798 --> 00:05:01,231
AND A LOT
OF PRETTY LADIES.
79
00:05:01,267 --> 00:05:02,633
[GLASSES CLINKING]
80
00:05:02,668 --> 00:05:04,067
HEY, TEX. YOU READY?
81
00:05:04,103 --> 00:05:06,003
WHAT ARE WE
TOASTING?
82
00:05:06,038 --> 00:05:07,405
WE'RE TOASTING
83
00:05:07,440 --> 00:05:09,072
THE NEXT HEAVYWEIGHT
CHAMPION OF THE WORLD--
84
00:05:09,108 --> 00:05:10,408
"GENTLEMAN" JIM CORBETT.
85
00:05:10,443 --> 00:05:12,676
WELL, HE'S GOT TO
FIGHT FOR IT YET,
86
00:05:12,712 --> 00:05:14,177
SO HE AIN'T
CHAMPION.
87
00:05:14,213 --> 00:05:15,646
WHY DON'T WE TOAST
SOMETHING INTERESTING.
88
00:05:15,681 --> 00:05:16,714
LIKE WHAT?
89
00:05:16,749 --> 00:05:18,883
WELL,
LIKE GERONIMO THERE?
90
00:05:18,918 --> 00:05:20,651
HE'S INTERESTING.
91
00:05:20,686 --> 00:05:22,085
IN A PIG'S ASS.
92
00:05:22,121 --> 00:05:23,320
DON'T YOU
READ THE PAPERS?
93
00:05:23,355 --> 00:05:24,321
THEY PUT GERONIMO
IN JAIL,
94
00:05:24,356 --> 00:05:25,589
WHERE HE BELONGS.
95
00:05:25,625 --> 00:05:27,291
LET ME ASK YOU
SOMETHING, TEX.
96
00:05:27,326 --> 00:05:31,061
WHO'S GERONIMO
NEXT TO JIM CORBETT?
97
00:05:31,096 --> 00:05:32,563
GERONIMO'S
A MAN SO GREAT
98
00:05:32,598 --> 00:05:34,064
THAT CORBETT THERE
WOULD HAVE TO STAND
99
00:05:34,099 --> 00:05:36,066
ON HIS MOTHER'S SHOULDERS
TO KISS HIS ASS.
100
00:05:36,101 --> 00:05:37,768
FRANK!
101
00:05:53,953 --> 00:05:55,419
WHAT'S YOUR NAME?
102
00:05:55,455 --> 00:05:56,921
TOM HORN.
103
00:05:56,956 --> 00:05:59,890
DO YOU HAVE
A GUN, TOM?
104
00:05:59,926 --> 00:06:01,358
NO, I DON'T.
105
00:06:01,393 --> 00:06:02,793
GOOD. THEN YOU'RE
GOING TO GET
106
00:06:02,829 --> 00:06:04,462
EXACTLY
WHAT YOU DESERVE.
107
00:06:04,497 --> 00:06:06,464
I DON'T KNOW WHERE
YOU COME FROM, TOM,
108
00:06:06,499 --> 00:06:08,666
BUT THE MANNERS THAT
YOU'VE ARRIVED WITH
109
00:06:08,701 --> 00:06:10,801
ARE JUST AWFUL.
110
00:06:10,837 --> 00:06:12,302
I'M TRYING
TO IMAGINE
111
00:06:12,338 --> 00:06:14,204
HOW YOU COULD MAKE
SUCH A REFERENCE
112
00:06:14,239 --> 00:06:15,573
TO THE MOTHER
OF THE FUTURE
113
00:06:15,608 --> 00:06:16,907
HEAVYWEIGHT CHAMPION
OF THE WORLD.
114
00:06:16,943 --> 00:06:18,408
WELL, YOU AIN'T
CHAMPION YET.
115
00:06:18,444 --> 00:06:20,644
BESIDES, YOU'RE ACTING
KINDA LIKE AN ASSHOLE.
116
00:06:20,680 --> 00:06:22,947
I COULD GO TO THE
PENITENTIARY OVER YOU, HORN.
117
00:06:22,982 --> 00:06:24,348
NOW WAIT A MINUTE.
118
00:06:24,383 --> 00:06:25,683
BEFORE WE START
THIS FIGHT,
119
00:06:25,718 --> 00:06:27,017
I WANT TO ASK YOU
ONE QUESTION.
120
00:06:27,052 --> 00:06:28,519
IS IT
ABOUT MY MOTHER?
121
00:06:28,554 --> 00:06:29,987
NO. I'VE SAID
ENOUGH ABOUT HER.
122
00:06:30,022 --> 00:06:31,489
IF I WIN THIS FIGHT,
123
00:06:31,524 --> 00:06:33,390
AM I THE CHAMPION
OF THE WORLD?
124
00:06:33,425 --> 00:06:34,892
YOU'RE NOT
BIG ENOUGH.
125
00:06:34,927 --> 00:06:36,894
THEN WHY ARE YOU PICKING ON
A LITTLE FELLOW LIKE ME FOR?
126
00:06:36,929 --> 00:06:39,396
YOU GET IN A FIGHT
IN A PUBLIC BAR,
127
00:06:39,431 --> 00:06:41,331
THEY'LL DISCREDIT YOU
FROM THE FIGHT PROFESSION.
128
00:06:41,367 --> 00:06:42,700
I'M GONNA SAVE YOU
FROM THAT.
129
00:06:42,735 --> 00:06:44,702
THAT AIN'T THE REAL
TOM HORN, IS IT?
130
00:06:44,737 --> 00:06:46,871
HE DON'T SEEM TO BE
TOO SCARED OF CORBETT.
131
00:06:46,906 --> 00:06:48,539
HE'S GOING TO
GET HISSELF KILLED.
132
00:06:53,245 --> 00:06:55,078
LORD, THE END IS HERE.
133
00:06:56,448 --> 00:06:58,415
IS TOM HORN IN THERE?
134
00:06:58,451 --> 00:06:59,916
OH, YEAH. HE'S HERE.
135
00:06:59,952 --> 00:07:01,585
LAST STALL
ON THE RIGHT.
136
00:07:01,620 --> 00:07:02,819
I WOULDN'T GO IN THERE
WITH THAT HORSE
137
00:07:02,855 --> 00:07:04,355
IF I WERE YOU.
138
00:07:04,390 --> 00:07:06,423
THAT SON OF A BITCH
IS HALF RANK.
139
00:07:06,459 --> 00:07:08,892
HE'S GOT HIM TRAINED
TO STAND PEOPLE OFF.
140
00:07:08,927 --> 00:07:10,894
WELL, HE'S A HERO
OF THE FRONTIER,
141
00:07:10,929 --> 00:07:12,896
AND HE'S LYING HERE
IN HAGERVILLE
142
00:07:12,931 --> 00:07:14,564
WITH HIS FACE KICKED IN.
143
00:07:17,136 --> 00:07:18,602
CAN YOU HEAR ME?
144
00:07:18,637 --> 00:07:19,669
Horn: YEAH.
145
00:07:19,705 --> 00:07:21,605
HOW BAD YOU HURT?
146
00:07:21,640 --> 00:07:23,607
IT WASN'T MUCH
OF A PARTY.
147
00:07:23,642 --> 00:07:25,109
SAY,
YOU ANOTHER ONE
148
00:07:25,144 --> 00:07:27,211
OF THOSE
NEWSPAPER GUYS?
149
00:07:27,246 --> 00:07:28,712
NO, I AIN'T,
150
00:07:28,747 --> 00:07:30,214
BUT I'D LIKE
TO GET YOU
151
00:07:30,249 --> 00:07:31,848
OUT FROM UNDER THAT
HORSE, IF I CAN.
152
00:07:31,884 --> 00:07:33,783
WELL, OPEN UP
THAT GATE,
153
00:07:33,819 --> 00:07:35,585
AND I'LL WALK HIM OUT.
154
00:07:35,621 --> 00:07:37,054
[HORSE WHINNIES]
155
00:07:43,929 --> 00:07:45,595
[GRUNTS]
156
00:07:45,631 --> 00:07:47,597
LET ME
ASK YOU SOMETHING.
157
00:07:47,633 --> 00:07:50,100
ARE YOU IN FACT
TOM HORN?
158
00:07:50,136 --> 00:07:51,635
YES, I AM.
159
00:07:54,640 --> 00:07:56,673
GODDAMN, TOM.
160
00:07:56,708 --> 00:07:59,776
HA HA HA!
161
00:07:59,811 --> 00:08:01,678
AH.
162
00:08:01,713 --> 00:08:03,947
YOU KNOW,
HERE IN JERKVILLE,
163
00:08:03,982 --> 00:08:05,449
WHERE THESE YOKELS
164
00:08:05,484 --> 00:08:06,950
IS BUSY
FLICKING DANDRUFF
165
00:08:06,985 --> 00:08:08,618
OFF THEIR
MAIL-ORDER SUITS,
166
00:08:08,654 --> 00:08:10,120
THEY FORGET
AWFUL QUICK
167
00:08:10,156 --> 00:08:11,788
THAT IT WAS
MEN LIKE YOU
168
00:08:11,823 --> 00:08:13,490
THAT MADE IT SAFE
AND POSSIBLE
169
00:08:13,526 --> 00:08:15,092
FOR THEM TO LEAD OUT
170
00:08:15,127 --> 00:08:16,593
THEIR DULL
LITTLE LIVES.
171
00:08:16,628 --> 00:08:18,095
WELL, RIGHT NOW,
172
00:08:18,130 --> 00:08:21,631
I WISH I HAD NOTHING
TO DO WITH IT.
173
00:08:21,667 --> 00:08:23,233
WHAT'S YOUR NAME?
174
00:08:23,269 --> 00:08:24,734
JOHN COBLE.
175
00:08:24,770 --> 00:08:28,105
WELL, WHAT CAN I
DO FOR YOU, JOHN?
176
00:08:28,140 --> 00:08:31,108
WELL, FIRST I'D LIKE
TO OFFER YOU MY RANCH
177
00:08:31,143 --> 00:08:32,609
TILL YOU
GET RECOVERED.
178
00:08:32,644 --> 00:08:35,612
AND THEN I'D LIKE
TO OFFER YOU WORK
179
00:08:35,647 --> 00:08:37,448
THAT SUITS
BOTH YOUR ABILITY
180
00:08:37,483 --> 00:08:38,949
AND YOUR QUALITIES.
181
00:08:38,984 --> 00:08:41,318
I'M A FAIR HAND,
AND I'LL EARN MY KEEP.
182
00:08:41,353 --> 00:08:43,087
I KNOW YOU WILL,
TOM.
183
00:08:43,122 --> 00:08:44,354
[PLAYING MUSIC]
184
00:08:44,390 --> 00:08:46,890
Coble: WE BETTER STOP
AND WATER OUR HORSES
185
00:08:46,925 --> 00:08:48,358
HERE AT BROWN'S HOLE.
186
00:08:49,828 --> 00:08:52,762
WE SHOULD MOVE ON
AS QUICKLY AS WE CAN.
187
00:09:08,680 --> 00:09:10,046
TOM...
188
00:09:10,082 --> 00:09:12,149
SOME OF THOSE COWS
IN THERE ARE MINE.
189
00:09:12,184 --> 00:09:14,418
WHAT ARE YOU
LOOKING AT, MR. COBLE?
190
00:09:14,453 --> 00:09:16,820
OH, WE'RE JUST GOING
TO WATER OUR HORSES,
191
00:09:16,855 --> 00:09:18,822
AND WE'LL BE MOVING ON.
192
00:09:18,857 --> 00:09:20,790
YOU LIKE TO BUY
SOME OF THEM COWS?
193
00:09:20,826 --> 00:09:21,925
[TWANGS MOUTH HARP]
194
00:09:21,960 --> 00:09:23,327
I DON'T WANT
NO TROUBLE,
195
00:09:23,362 --> 00:09:26,230
AND LIKE I SAY,
WE'LL BE MOVING ON.
196
00:09:26,265 --> 00:09:27,998
[PLAYING MOUTH HARP]
197
00:09:55,294 --> 00:09:57,494
Man: HOW ABOUT
A LITTLE DANCE?
198
00:09:58,597 --> 00:10:00,096
GIVE US
A LITTLE DANCE,
199
00:10:00,132 --> 00:10:01,765
MR. COBLE.
200
00:10:04,736 --> 00:10:06,836
DANCE!
201
00:10:06,872 --> 00:10:09,206
I SAID DANCE!
202
00:10:09,241 --> 00:10:11,141
[GUNSHOT]
203
00:10:13,745 --> 00:10:15,579
OW!
204
00:10:17,216 --> 00:10:18,682
ALL RIGHT, MR. COBLE,
205
00:10:18,717 --> 00:10:20,917
WHY DON'T YOU
JUST RIDE ON OUT?
206
00:10:27,393 --> 00:10:29,226
AAH!
207
00:10:29,261 --> 00:10:31,295
GET THAT SHOOTER AND PUT IT
IN THIS WATER TROUGH.
208
00:10:34,500 --> 00:10:35,932
Horn: MOVE!
209
00:10:48,747 --> 00:10:50,780
Man:
YOU SON OF A BITCH!
210
00:10:50,816 --> 00:10:53,550
I'LL GET YOU,
YOU SON OF A BITCH!
211
00:10:53,586 --> 00:10:55,051
Coble: TOM,
THAT LITTLE DEAL
212
00:10:55,087 --> 00:10:56,553
BACK THERE
AT BROWN'S HOLE
213
00:10:56,589 --> 00:10:58,054
OUGHT TO
GIVE YOU AN IDEA
214
00:10:58,090 --> 00:11:00,156
OF WHAT WE'VE BEEN
PUTTING UP WITH OUT HERE.
215
00:11:16,041 --> 00:11:18,942
Man:
GET UP! GET UP, YOU!
216
00:11:25,351 --> 00:11:26,584
HYAH!
217
00:11:27,987 --> 00:11:29,487
HYAH!
218
00:11:35,328 --> 00:11:37,194
I AIN'T NEVER SEEN
ROPING LIKE THAT.
219
00:11:37,230 --> 00:11:39,663
DAMN. HE SURE DON'T
ROPE LIKE NO CHRISTIAN.
220
00:11:43,936 --> 00:11:45,902
I'M GOING
TO TELL YOU--
221
00:11:45,938 --> 00:11:48,705
ANY MEANS THAT YOU
HAVE TO TAKE
222
00:11:48,741 --> 00:11:51,842
TO ELIMINATE THIS
RUSTLING PROBLEM,
223
00:11:51,877 --> 00:11:53,877
WE'RE ALL
BEHIND YOU 100%.
224
00:11:53,912 --> 00:11:56,680
THE WHOLE ORGANIZATION?
225
00:11:56,715 --> 00:11:58,182
ALL OF US.
226
00:11:59,818 --> 00:12:01,418
WELL, I'LL JUST
HAVE TO
227
00:12:01,454 --> 00:12:03,887
TAKE YOUR WORD
ON THAT, JOHN.
228
00:12:03,922 --> 00:12:05,523
YOU GOT IT.
229
00:12:09,728 --> 00:12:11,695
[GUNSHOT]
230
00:12:40,959 --> 00:12:42,926
Coble: HEY, TOM,
HOW YOU FEELING?
231
00:12:42,961 --> 00:12:44,395
Horn: WELL, WE'RE
PLUGGING ALONG.
232
00:12:44,430 --> 00:12:47,097
I'M GIVING A LITTLE
PARTY AT THE HOUSE,
233
00:12:47,132 --> 00:12:48,332
AND I'D LIKE YOU
TO MEET EVERYBODY.
234
00:12:48,367 --> 00:12:49,833
I'M KIND OF RAGGEDY.
235
00:12:49,868 --> 00:12:51,335
NOBODY WILL MIND.
236
00:12:51,370 --> 00:12:52,670
MOST OF
THE ASSOCIATION
237
00:12:52,705 --> 00:12:53,737
WILL BE THERE,
238
00:12:53,772 --> 00:12:55,439
AND THEY'RE ALL
ANXIOUS TO MEET YOU.
239
00:12:55,474 --> 00:12:57,140
OK.
240
00:13:07,052 --> 00:13:09,553
THAT'S IT!
241
00:13:09,589 --> 00:13:11,054
LADIES AND GENTLEMEN,
242
00:13:11,090 --> 00:13:14,291
IN THIS AGE OF
QUARTER-SECTION PASTURES,
243
00:13:14,327 --> 00:13:15,792
TINHORN LEGISLATORS
244
00:13:15,828 --> 00:13:17,595
THAT'S RIDING
OUR OLD TRAILS,
245
00:13:17,630 --> 00:13:20,397
IT'S A REAL PLEASURE
TO WELCOME A VESTIGE
246
00:13:20,433 --> 00:13:23,734
OF THAT HEROIC ERA
THAT WE JUST ABOUT LOST.
247
00:13:23,769 --> 00:13:25,603
STANDING BESIDE ME,
RIGHT HERE,
248
00:13:25,638 --> 00:13:29,172
IS THE LEGENDARY
TRACKER AND INTERPRETER
249
00:13:29,208 --> 00:13:32,643
OF THE APACHE WARS--
TOM HORN.
250
00:13:42,054 --> 00:13:43,954
TOM, THIS IS
ARLO CHANCE.
251
00:13:43,989 --> 00:13:46,290
TOM.
252
00:13:46,325 --> 00:13:47,291
Coble:
ORA HALEY.
253
00:13:47,326 --> 00:13:48,292
HOWDY.
254
00:13:48,327 --> 00:13:49,326
IAN MacGREGOR.
255
00:13:49,362 --> 00:13:50,394
PROUD TO
MEET YOU, TOM.
256
00:14:11,016 --> 00:14:12,483
WHAT'S THE MATTER,
TOM?
257
00:14:12,518 --> 00:14:13,984
WHAT IS IT?
258
00:14:14,019 --> 00:14:16,153
IT'S A LOBSTER.
259
00:14:16,188 --> 00:14:17,655
I'LL BE DARNED.
260
00:14:17,690 --> 00:14:19,523
I'VE NEVER
EATEN A BUG
261
00:14:19,558 --> 00:14:21,024
THAT BIG BEFORE.
262
00:14:21,059 --> 00:14:22,526
TOM, THAT'S
A MAINE LOBSTER--
263
00:14:22,561 --> 00:14:24,795
BOILED ALIVE,
PACKAGED IN SEAWEED,
264
00:14:24,830 --> 00:14:26,330
AND SHIPPED OUT HERE
BY TRAIN.
265
00:14:26,365 --> 00:14:29,300
Haley:
AT EVERY STATION,
266
00:14:29,335 --> 00:14:30,801
THE CONDUCTOR DRAINS
THE MELTED SEAWATER
267
00:14:30,836 --> 00:14:32,369
OFF OF THEM.
268
00:14:47,320 --> 00:14:49,052
GETTING
THE HANG OF IT?
269
00:14:49,087 --> 00:14:50,521
I'M TRYING.
270
00:15:00,499 --> 00:15:02,399
Haley:
TOM, I DON'T KNOW
271
00:15:02,435 --> 00:15:03,934
WHETHER JOHN HERE
TOLD YOU,
272
00:15:03,969 --> 00:15:06,303
BUT WE'VE GOT A HELL
OF A RANGE PROBLEM HERE.
273
00:15:06,339 --> 00:15:09,239
THE DAMN RUSTLERS
HAVE COMPLETELY WIPED OUT
274
00:15:09,274 --> 00:15:10,774
OUR HERD PROFITS,
275
00:15:10,810 --> 00:15:13,677
NOT TO MENTION
WHAT THE BLIZZARDS
276
00:15:13,713 --> 00:15:16,079
AND THE PREDATORS HAVE DONE
TO OUR CALF CROPS.
277
00:15:16,114 --> 00:15:19,282
WE GOT PEOPLE
HOMESTEADING OUR RANGELAND
278
00:15:19,318 --> 00:15:21,251
AND RAISING SHEEP
ON OUR GRASS.
279
00:15:21,286 --> 00:15:24,154
Man: RIGHT AT
THE PRESENT TIME, MR. HORN,
280
00:15:24,189 --> 00:15:26,022
WHAT'S YOUR PRIMARY
SOURCE OF LIVELIHOOD?
281
00:15:26,058 --> 00:15:27,524
WELL, MR. COBLE
OFFERED ME
282
00:15:27,560 --> 00:15:28,992
TO EASE UP AT HIS
PLACE FOR A WHILE,
283
00:15:29,027 --> 00:15:30,994
AND I SAID
I'D EARN MY KEEP.
284
00:15:31,029 --> 00:15:32,863
WELL,
THAT'S GOOD ENOUGH.
285
00:15:32,898 --> 00:15:34,364
TOM, YOU MET
JOE BELLE?
286
00:15:34,399 --> 00:15:35,932
UNITED STATES
MARSHAL.
287
00:15:35,968 --> 00:15:36,933
Horn: HELLO.
288
00:15:36,969 --> 00:15:39,369
I'M NOT WANTED
FOR ANYTHING, AM I?
289
00:15:39,404 --> 00:15:40,871
TOM, WHY DON'T
YOU TWO FELLAS
290
00:15:40,906 --> 00:15:42,338
SEE IF YOU CAN GET
YOUR HEADS TOGETHER
291
00:15:42,374 --> 00:15:44,273
FOR A FEW MINUTES,
WILL YOU?
292
00:15:44,309 --> 00:15:45,475
GO AHEAD, TOM.
293
00:15:45,511 --> 00:15:47,677
DO YOU KNOW
WHO I AM?
294
00:15:47,713 --> 00:15:49,178
NO.
295
00:15:50,782 --> 00:15:52,415
YOU KNOW WHAT
YOU USED TO BE
296
00:15:52,450 --> 00:15:53,750
IN THE SOUTHWEST,
297
00:15:53,785 --> 00:15:56,185
I USED TO BE IN
THE NORTHWEST.
298
00:15:56,221 --> 00:15:58,187
I WAS OUT OF WORK.
299
00:15:58,223 --> 00:16:01,190
I KNOW THAT YOU'VE
BEEN AS I'VE BEEN--
300
00:16:01,226 --> 00:16:02,626
A MAN HUNTER.
301
00:16:02,661 --> 00:16:04,628
I WAS A TRACKER.
302
00:16:04,663 --> 00:16:06,129
BETTER STILL.
303
00:16:06,164 --> 00:16:08,131
WELL, JOHN COBLE'S
PUT IN
304
00:16:08,166 --> 00:16:10,433
A PRETTY FERVENT
RECOMMENDATION FOR YOU
305
00:16:10,468 --> 00:16:12,068
TO THE CATTLEMEN'S
ASSOCIATION
306
00:16:12,103 --> 00:16:14,704
TO HELP CONTROL
THE RUSTLING.
307
00:16:14,740 --> 00:16:16,706
I BELIEVE
HIS POINT WAS
308
00:16:16,742 --> 00:16:18,207
HANDLING RUSTLERS
309
00:16:18,243 --> 00:16:19,843
AFTER YOUR EXPERIENCE
WITH THE APACHE WARS
310
00:16:19,878 --> 00:16:22,712
SHOULD BE LIKE
SHOOTING FISH IN A BARREL.
311
00:16:22,748 --> 00:16:24,213
WELL, NOW,
YOU'RE TALKING
312
00:16:24,249 --> 00:16:25,715
ABOUT THE HIGH SIDE
OF SHOOTING
313
00:16:25,751 --> 00:16:27,784
AND THE LOW SIDE
OF THE LAW.
314
00:16:29,855 --> 00:16:32,221
BRING THEM TO TRIAL,
IF YOU'D LIKE.
315
00:16:32,257 --> 00:16:34,257
I FEEL THAT
WHAT I KNOW ABOUT YOU,
316
00:16:34,292 --> 00:16:37,393
YOU'RE GOING TO WANT
TO GO AHEAD AND SHOOT.
317
00:16:37,429 --> 00:16:39,128
FROM THE STANDPOINT
OF THE ASSOCIATION,
318
00:16:39,164 --> 00:16:41,631
THAT'S GOING TO BE
ENTIRELY UP TO YOU.
319
00:16:43,201 --> 00:16:44,668
WHETHER
I BRING THEM IN
320
00:16:44,703 --> 00:16:46,135
OR SHOOT.
321
00:16:46,171 --> 00:16:48,038
THAT'S YOUR PROBLEM.
322
00:16:51,443 --> 00:16:53,409
LISTEN, YOU'RE
A U.S. MARSHAL.
323
00:16:53,445 --> 00:16:54,911
YOU TELL ME, WHAT'S
THE DIFFERENCE
324
00:16:54,947 --> 00:16:56,412
BETWEEN
A U.S. MARSHAL
325
00:16:56,448 --> 00:16:58,214
AND AN ASSASSIN?
326
00:16:59,985 --> 00:17:02,886
A MARSHAL'S CHECKS
COME IN ON TIME.
327
00:17:12,030 --> 00:17:14,497
SAY, DID BUFFALO BILL
EVER ASK YOU
328
00:17:14,532 --> 00:17:17,366
TO BE IN HIS
WILD WEST SHOW?
329
00:17:17,402 --> 00:17:19,368
YEAH. HE ASKED ME ONCE
OUT IN ARIZONA,
330
00:17:19,404 --> 00:17:21,370
BUT WE HAD A LOT
OF PEOPLE KILLED.
331
00:17:23,274 --> 00:17:25,475
HE OFFERED ME
MY OWN ACT.
332
00:17:25,510 --> 00:17:26,977
WELL, LIKE I SAID,
333
00:17:27,012 --> 00:17:30,146
WE HAD A LOT
OF PEOPLE KILLED.
334
00:17:30,181 --> 00:17:31,982
Coble: JOE...
335
00:17:32,017 --> 00:17:34,050
COULD I TALK
WITH YOU A MINUTE?
336
00:17:34,086 --> 00:17:35,619
SURE.
337
00:17:46,398 --> 00:17:48,698
MAN OF THE WEST,
INDIAN TRACKER,
338
00:17:48,733 --> 00:17:50,366
SCARED TO DEATH
OF LOBSTER.
339
00:17:52,137 --> 00:17:54,905
IT...IT WAS
MY FIRST TIME.
340
00:17:58,343 --> 00:17:59,810
WHAT DO YOU...
341
00:17:59,845 --> 00:18:01,278
TEACH SCHOOL.
342
00:18:01,313 --> 00:18:02,279
YEAH?
343
00:18:02,314 --> 00:18:03,280
YEAH.
344
00:18:03,315 --> 00:18:05,182
WHAT WERE YOU
GOING TO ASK ME?
345
00:18:05,217 --> 00:18:06,183
THAT.
346
00:18:06,218 --> 00:18:07,184
WHAT?
347
00:18:07,219 --> 00:18:08,518
WHAT YOU DO.
348
00:18:08,553 --> 00:18:10,586
TEACH SCHOOL.
349
00:18:10,622 --> 00:18:12,255
SCHOOLTEACHER?
350
00:18:12,291 --> 00:18:13,290
MM-HMM.
351
00:18:15,260 --> 00:18:16,827
WHAT WAS IT LIKE
352
00:18:16,862 --> 00:18:18,561
OUT IN INDIAN
TERRITORY?
353
00:18:20,532 --> 00:18:22,699
LONELY AS HELL.
354
00:18:26,771 --> 00:18:29,005
WHAT DID YOU DO
OUT IN THE WEST?
355
00:18:29,041 --> 00:18:30,273
COWBOY.
356
00:18:32,377 --> 00:18:34,845
WHAT ARE YOU GOING
TO DO FOR MR. COBLE?
357
00:18:34,880 --> 00:18:36,046
COWBOY.
358
00:18:36,081 --> 00:18:39,049
JOE, I THINK
WE FOUND OUR MAN.
359
00:18:39,084 --> 00:18:41,051
NOT ANYTHING
IN BROWN'S HOLE
360
00:18:41,086 --> 00:18:42,618
I COULDN'T
TAKE CARE OF.
361
00:18:42,654 --> 00:18:44,855
WELL, I THINK
HORN'S REPUTATION
362
00:18:44,890 --> 00:18:49,192
MIGHT BE AS EFFECTIVE
AS A WINCHESTER IS HERE.
363
00:18:49,228 --> 00:18:50,327
I HAVE QUITE
364
00:18:50,362 --> 00:18:51,694
A GOOD REPUTATION
MYSELF, JOHN.
365
00:18:51,730 --> 00:18:53,930
IT ALWAYS SEEMS
TO PRECEDE ME.
366
00:18:53,966 --> 00:18:55,431
I KNOW THAT, JOE,
367
00:18:55,467 --> 00:18:57,334
BUT YOUR POLITICAL
AMBITIONS
368
00:18:57,369 --> 00:18:58,835
ARE GOING TO
FIT RIGHT IN
369
00:18:58,871 --> 00:19:00,370
WITH OUR FUTURE PLANS.
370
00:19:00,405 --> 00:19:04,007
NOW, WE DON'T WANT
TO FORGET THAT, DO WE?
371
00:19:04,042 --> 00:19:06,009
AND BESIDES,
THERE WON'T BE
372
00:19:06,044 --> 00:19:08,011
NO CHOCOLATE CAKE
FOR HORN
373
00:19:08,046 --> 00:19:10,646
UP THERE
AT BROWN'S HOLE.
374
00:19:10,682 --> 00:19:12,648
WHERE ARE YOU FROM
ORIGINALLY?
375
00:19:12,684 --> 00:19:14,284
HAWAII.
376
00:19:14,319 --> 00:19:15,952
HAWAII?
377
00:19:15,988 --> 00:19:17,988
YEAH, HAWAII.
378
00:19:18,023 --> 00:19:20,891
DID YOU LIVE IN
ONE OF THOSE GRASS HUTS?
379
00:19:20,926 --> 00:19:22,625
IN A HOTEL.
380
00:19:22,660 --> 00:19:24,127
THEY HAVE THOSE THERE?
381
00:19:24,162 --> 00:19:25,495
SURE THEY DO.
382
00:19:25,530 --> 00:19:26,997
SURE COME A LONG WAYS
383
00:19:27,032 --> 00:19:28,498
TO TEACH SCHOOL
IN WYOMING.
384
00:19:28,533 --> 00:19:29,732
WELL, I GUESS
YOU COULD SAY
385
00:19:29,768 --> 00:19:32,202
I'VE HAD A ROMANCE
WITH THE WEST
386
00:19:32,237 --> 00:19:33,669
SINCE I WAS OLD
ENOUGH TO READ.
387
00:19:33,705 --> 00:19:35,671
DO YOU MISS
THAT OCEAN?
388
00:19:35,707 --> 00:19:37,507
SOMETIMES.
389
00:19:39,211 --> 00:19:42,212
YOU KNOW, I NEVER
LEARNED HOW TO RIDE.
390
00:19:42,247 --> 00:19:44,180
IS THAT RIGHT?
391
00:19:44,216 --> 00:19:45,681
Belle:
GLENDOLENE.
392
00:19:48,320 --> 00:19:50,153
OH, IT'S A NICE
AFTERNOON, JOHN.
393
00:19:50,188 --> 00:19:51,654
I ENJOYED MY LOBSTER,
394
00:19:51,689 --> 00:19:53,790
AND I KNOW
MR. HORN DID, TOO.
395
00:19:53,825 --> 00:19:55,292
WELL, I'M GLAD
YOU LIKED IT.
396
00:19:55,327 --> 00:19:57,027
EXCELLENT
AFTERNOON, JOHN.
397
00:19:57,062 --> 00:19:58,694
JOE.
398
00:19:58,730 --> 00:20:00,196
TOM.
399
00:20:08,506 --> 00:20:11,975
GET UP.
GET UP THERE.
400
00:20:12,010 --> 00:20:15,178
TOM.
401
00:20:15,213 --> 00:20:17,247
TOM!
402
00:20:17,282 --> 00:20:19,282
THE WAY I SEE THIS,
403
00:20:19,318 --> 00:20:21,418
YOU'LL BE
A STOCK DETECTIVE.
404
00:20:21,453 --> 00:20:23,886
SEE THAT THE RUSTLING
GETS STOPPED.
405
00:20:23,922 --> 00:20:25,888
YOU CAN STAY HERE
AT THE RANCH,
406
00:20:25,924 --> 00:20:28,058
AND I'LL PAY YOUR WAGES
AS A COWHAND--
407
00:20:28,093 --> 00:20:30,060
$200 FOR
EVERY RUSTLER
408
00:20:30,095 --> 00:20:32,062
THAT GOES
SOMEWHERE ELSE
409
00:20:32,097 --> 00:20:33,729
TO PLY HIS TRADE.
410
00:20:42,341 --> 00:20:43,806
WHO DO I REPORT TO?
411
00:20:43,842 --> 00:20:45,241
TO ME.
412
00:20:45,277 --> 00:20:47,743
AND AS FAR AS
YOU'RE CONCERNED,
413
00:20:47,779 --> 00:20:49,245
YOU AND JOE BELLE
414
00:20:49,281 --> 00:20:50,746
NEVER DISCUSSED
THIS.
415
00:20:50,782 --> 00:20:52,582
AND FOR
THAT MATTER,
416
00:20:52,617 --> 00:20:54,217
NEITHER HAVE I.
417
00:21:18,643 --> 00:21:20,110
25? DO I HEAR 25?
418
00:21:20,145 --> 00:21:22,145
WILL YOU BID 30?
THANK YOU. NOW A HALF?
419
00:21:22,181 --> 00:21:24,915
HALF? WILL YOU BID
35? 35? 40?
420
00:21:24,950 --> 00:21:26,083
40? THANK YOU, SIR.
NOW A HALF.
421
00:21:26,118 --> 00:21:27,450
WILL YOU BID A HALF?
75?
422
00:21:27,485 --> 00:21:29,252
GOT A DOLLAR. HOW ABOUT
GOING FOR A HALF? HALF.
423
00:21:29,287 --> 00:21:31,254
BID AND BUY THEM
FOR A HALF.
424
00:21:31,289 --> 00:21:33,256
WILL YOU BID TWO?
WILL YOU BID TWO?
425
00:21:33,291 --> 00:21:34,925
I GOT TWO RIGHT OVER HERE.
THANK YOU, SIR.
426
00:21:34,960 --> 00:21:36,760
SOLD TO WESTERN TRAIL
PACKING COMPANY
427
00:21:36,795 --> 00:21:38,195
FOR $2.00.
428
00:21:38,230 --> 00:21:40,463
COULD I SEE
THAT BILL OF SALE?
429
00:21:48,473 --> 00:21:50,173
THANK YOU, SON.
430
00:21:52,945 --> 00:21:55,112
YOU CONSIDER THIS
AN ACTUAL BILL OF SALE?
431
00:21:55,147 --> 00:21:57,114
I'M JUST
THE AUCTIONEER, SIR.
432
00:21:57,149 --> 00:22:00,283
THE BILL OF SALE'S
BEEN SWORN TO.
433
00:22:00,318 --> 00:22:02,219
WELL,
WHOEVER SWORE TO IT...
434
00:22:02,254 --> 00:22:06,223
WAS A LIAR
AND A COW THIEF.
435
00:22:06,258 --> 00:22:07,724
THOSE COWS BELONG
TO JOHN COBLE
436
00:22:07,760 --> 00:22:09,659
OF THE WOOD RIVER
CATTLE COMPANY.
437
00:22:09,694 --> 00:22:11,194
WHO THE HELL
ARE YOU?
438
00:22:13,431 --> 00:22:14,664
STOCK DETECTIVE.
439
00:22:16,802 --> 00:22:18,769
WHAT'S A STOCK
DETECTIVE?
440
00:22:18,804 --> 00:22:20,137
ME.
441
00:22:20,172 --> 00:22:21,638
YOU MAY
CALL YOURSELF
442
00:22:21,673 --> 00:22:23,339
SOME KIND OF
STOCK DETECTIVE,
443
00:22:23,375 --> 00:22:24,474
BUT I'M A DEPUTY
SHERIFF,
444
00:22:24,509 --> 00:22:25,876
AND I'M THE LAW
HERE.
445
00:22:27,579 --> 00:22:30,513
LOCK THESE MEN UP.
I'LL FILE THE CHARGES.
446
00:22:30,548 --> 00:22:32,282
Deputy: NOBODY'S
GOING TO JAIL
447
00:22:32,317 --> 00:22:34,284
UNLESS YOU START
SOME TROUBLE.
448
00:22:34,319 --> 00:22:36,186
I SEE.
449
00:22:36,221 --> 00:22:37,687
I'LL TELL YOU WHAT,
HORN.
450
00:22:37,722 --> 00:22:39,122
I'M GOING TO KILL YOU.
451
00:22:39,158 --> 00:22:41,024
YOU AIN'T GOING
TO KILL NOBODY.
452
00:22:41,059 --> 00:22:43,026
IF HE DON'T,
I WILL.
453
00:22:43,061 --> 00:22:44,928
YOUR DAMN CHARGES
AIN'T GONNA STICK.
454
00:22:44,963 --> 00:22:46,797
IF THE CHARGES
DON'T STICK,
455
00:22:46,832 --> 00:22:49,299
I'LL JUST TAKE IT
BETWEEN US
456
00:22:49,334 --> 00:22:50,967
AS WHO GETS WHO FIRST.
457
00:22:51,003 --> 00:22:52,936
THAT'S HOW IT'S
GOING TO BE, THEN.
458
00:22:52,971 --> 00:22:55,005
THERE WON'T BE
NO MORE COWS STOLEN--
459
00:22:55,040 --> 00:22:56,739
NOT FROM THE WOOD RIVER
CATTLE COMPANY,
460
00:22:56,775 --> 00:22:58,474
THE BAR-THREE
CATTLE COMPANY,
461
00:22:58,510 --> 00:23:01,044
OR THE HALEY
CATTLE COMPANY.
462
00:23:01,079 --> 00:23:02,712
CONSIDER THAT
MY LAST WORD
463
00:23:02,747 --> 00:23:04,214
ON THE MATTER.
464
00:23:20,199 --> 00:23:21,965
COME ON, BOYS.
LET'S HAVE AN AUCTION.
465
00:23:51,763 --> 00:23:53,496
[WHISTLES]
466
00:24:15,687 --> 00:24:18,154
YOU KNOW,
I GOT A WEIRD FEELING.
467
00:24:18,190 --> 00:24:19,889
YO, ME, TOO.
468
00:24:19,924 --> 00:24:21,524
WE'RE BEING FOLLOWED.
469
00:24:23,328 --> 00:24:24,794
HEY, LOOK!
470
00:24:40,111 --> 00:24:41,844
[GUNSHOT]
471
00:24:52,790 --> 00:24:54,457
WHOA! WHOA! WHOA!
472
00:24:54,492 --> 00:24:56,092
WHOA!
473
00:26:24,783 --> 00:26:27,450
[NEIGH]
474
00:26:31,790 --> 00:26:34,223
[HORSE NEIGHS]
475
00:28:09,186 --> 00:28:11,153
TELL THEM
WHAT YOU SAW HERE.
476
00:28:28,205 --> 00:28:29,672
[WHINNY]
477
00:28:34,712 --> 00:28:36,946
[WOLVES HOWLING]
478
00:28:36,981 --> 00:28:38,948
[WHINNYING]
479
00:28:56,901 --> 00:28:59,035
[SPURS JINGLING]
480
00:28:59,070 --> 00:29:00,736
[NEIGHING]
481
00:30:18,249 --> 00:30:19,715
[CLOSES LAMP]
482
00:30:45,276 --> 00:30:46,609
THAT YOU, HORN?
483
00:31:17,575 --> 00:31:20,042
YOU COMING IN HERE
AFTER ME?
484
00:31:30,921 --> 00:31:33,055
[RUSTLING]
485
00:31:39,230 --> 00:31:41,030
[FOOTSTEPS]
486
00:32:37,822 --> 00:32:39,722
Man:
HYAH! COME ON!
487
00:32:39,757 --> 00:32:41,724
HYAH! HYAH!
488
00:32:46,664 --> 00:32:48,231
HYAH! HYAH!
489
00:32:48,266 --> 00:32:49,732
HYAH!
490
00:32:51,769 --> 00:32:53,736
HYAH! COME ON!
491
00:32:53,771 --> 00:32:55,238
[NEIGH]
492
00:32:55,273 --> 00:32:56,739
HYAH!
493
00:32:59,277 --> 00:33:00,743
HYAH! COME ON!
494
00:33:00,778 --> 00:33:02,078
HYAH!
495
00:33:02,113 --> 00:33:04,280
HYAH!
496
00:33:04,315 --> 00:33:05,982
[MEN SHOUTING]
497
00:33:07,285 --> 00:33:09,986
HYAH! HYAH! HYAH!
498
00:33:10,021 --> 00:33:11,553
HANG IN THERE,
HORN!
499
00:33:11,589 --> 00:33:13,622
COME ON, THERE!
COME ON!
500
00:33:13,657 --> 00:33:15,124
THAT'S IT.
501
00:33:15,159 --> 00:33:17,726
GO ON! GO ON!
502
00:33:17,762 --> 00:33:19,828
LET HIM STOP FIRST.
503
00:33:19,864 --> 00:33:21,097
THEN GIVE HIM
SOME SLACK.
504
00:33:24,668 --> 00:33:26,468
WHOA, WHOA.
505
00:33:26,504 --> 00:33:29,505
COME ON.
HITCH HIM UP.
506
00:33:29,540 --> 00:33:31,640
WHOA, WHOA.
507
00:33:31,675 --> 00:33:32,909
HANG IN THERE!
508
00:33:32,944 --> 00:33:34,410
OH...
509
00:33:36,314 --> 00:33:38,080
WHOA, WHOA.
510
00:33:39,717 --> 00:33:41,683
WHOA. OH...
511
00:33:41,719 --> 00:33:43,852
WHOA.
512
00:33:43,888 --> 00:33:46,188
WHOA, WHOA!
513
00:33:46,224 --> 00:33:47,689
EASE UP ON HIM THERE.
514
00:33:47,725 --> 00:33:49,191
YOU GOT HIM!
515
00:33:49,227 --> 00:33:50,692
WHOA!
516
00:33:52,730 --> 00:33:55,364
AHH...WHOA!
517
00:33:55,400 --> 00:33:56,865
[NEIGHING]
518
00:33:56,901 --> 00:33:58,367
[SHOUTING]
519
00:33:58,403 --> 00:33:59,868
GET UP THERE!
520
00:34:12,716 --> 00:34:14,183
YEAH.
521
00:34:14,218 --> 00:34:16,285
HE'S A GOOD HORSE.
522
00:34:16,321 --> 00:34:17,386
Horn: YOU GO AHEAD,
523
00:34:17,422 --> 00:34:19,388
RIDE HIM AROUND A LITTLE
AND TIRE HIM OUT.
524
00:34:19,424 --> 00:34:23,625
IF YOU KEEP HIS HEAD UP,
HE AIN'T GOING TO BUCK.
525
00:34:23,661 --> 00:34:26,728
TOM, COULD I TALK
TO YOU A MINUTE?
526
00:34:26,764 --> 00:34:28,230
YOU BET.
ALL RIGHT.
527
00:34:28,266 --> 00:34:31,733
GO AHEAD AND TAKE
THE ROUGH OFF OF HIM.
528
00:34:31,769 --> 00:34:33,902
I'LL COME BACK
AFTER HE'S QUIETED DOWN
529
00:34:33,938 --> 00:34:35,671
AND PUT A HANDLE
ON HIM.
530
00:34:35,706 --> 00:34:37,006
HEY.
531
00:34:37,041 --> 00:34:38,941
WHAT DO I DO IF I GET INTO
A REAL STORM WITH THIS HORSE?
532
00:34:38,977 --> 00:34:41,377
WELL, JUST GET OFF HIM
THE BEST YOU CAN,
533
00:34:41,412 --> 00:34:43,145
BUT DON'T LET HIM
ROLL ON THAT SADDLE.
534
00:34:47,251 --> 00:34:49,352
I THINK THAT I--
535
00:34:49,387 --> 00:34:51,053
HYAH!
536
00:34:51,089 --> 00:34:53,755
HEY! I NEED
THAT HORSE!
537
00:34:53,791 --> 00:34:55,757
AAH!
538
00:34:57,728 --> 00:34:59,195
SHIT!
539
00:34:59,230 --> 00:35:00,696
STOP THAT HORSE!
540
00:35:00,731 --> 00:35:03,299
I NEED THAT HORSE!
541
00:35:03,334 --> 00:35:05,201
GET THAT HORSE!
542
00:35:08,172 --> 00:35:09,472
Glendolene:
I CAN UNDERSTAND
543
00:35:09,507 --> 00:35:11,139
YOU SMALLER CHILDREN,
544
00:35:11,175 --> 00:35:13,642
BUT YOU OLDER CHILDREN
HAVE NO EXCUSES,
545
00:35:13,678 --> 00:35:16,645
SO WE'RE GOING TO STAY
UNTIL YOU GET IT RIGHT.
546
00:35:16,681 --> 00:35:18,647
I DON'T WANT
ANY ERASURES,
547
00:35:18,683 --> 00:35:20,516
SO TURN THE PAGE
AND START FRESH.
548
00:35:22,152 --> 00:35:24,620
PUT THAT MOUSE
IN YOUR POCKET.
549
00:35:24,655 --> 00:35:26,589
[SPURS JINGLING]
550
00:35:32,162 --> 00:35:34,129
[FOOTSTEPS]
551
00:35:39,169 --> 00:35:40,636
I BRUNG YOU A HORSE.
552
00:35:43,508 --> 00:35:45,140
UH, CLASS DISMISSED.
553
00:35:45,175 --> 00:35:46,742
[SHOUTING]
554
00:35:56,320 --> 00:35:58,788
LORD, IT'S LIKE
A STAMPEDE.
555
00:36:02,693 --> 00:36:05,160
UH, I'M NOT DRESSED
FOR RIDING.
556
00:36:05,195 --> 00:36:06,662
SURE.
557
00:36:08,198 --> 00:36:09,932
WELL, GO ON HOME.
GO ON!
558
00:36:09,967 --> 00:36:11,934
[CHILDREN SHOUTING]
559
00:36:11,969 --> 00:36:13,936
I'M NOT DRESSED
FOR RIDING.
560
00:36:13,971 --> 00:36:15,438
WHY, SURE YOU ARE.
561
00:36:15,473 --> 00:36:18,340
WHY, WOMEN RIDE ALL THE TIME
DRESSED LIKE THAT.
562
00:36:18,375 --> 00:36:20,242
I BUSTED THAT HORSE
FOR YOU.
563
00:36:20,277 --> 00:36:22,745
COME ON.
I'LL BOOT YOU UP ON HIM.
564
00:36:22,780 --> 00:36:24,246
COME ON.
565
00:36:58,749 --> 00:37:00,215
HE'S BEAUTIFUL.
566
00:37:00,250 --> 00:37:01,650
HE'S A GOOD HORSE.
567
00:37:01,686 --> 00:37:03,151
COME ON.
568
00:37:03,187 --> 00:37:05,153
I'LL PUT YOU
UP THERE.
569
00:37:05,189 --> 00:37:07,155
HERE YOU GO.
570
00:37:07,191 --> 00:37:08,657
OK.
571
00:37:08,693 --> 00:37:10,158
OH! OH!
572
00:37:10,194 --> 00:37:11,660
YOU ALL RIGHT?
573
00:37:11,696 --> 00:37:13,161
HA HA!
HOW DO I GET--
574
00:37:13,197 --> 00:37:14,663
TAKE HOLD
OF HIS REINS.
575
00:37:14,699 --> 00:37:16,164
GRAB HIS REINS.
576
00:37:16,200 --> 00:37:18,667
GRAB A LITTLE
HANDFUL OF HIS MANE.
577
00:37:18,703 --> 00:37:21,169
GIVE HIM A LITTLE
KICK IN THE SLATS.
578
00:37:21,205 --> 00:37:22,671
YEAH.
579
00:37:22,707 --> 00:37:25,674
KIND OF...HOLD ON
WITH YOUR THIGHS.
580
00:37:25,710 --> 00:37:27,175
THAT'S IT.
581
00:37:27,211 --> 00:37:30,178
KIND OF ROLL YOUR HIPS
A LITTLE. GO AHEAD.
582
00:37:30,214 --> 00:37:32,681
ROLL YOUR HIPS
ALONG WITH THE HORSE.
583
00:37:32,717 --> 00:37:34,182
GOT TO MOVE WITH...
584
00:37:34,218 --> 00:37:35,684
YOU RIDE GOOD.
585
00:38:18,195 --> 00:38:20,162
[GLENDOLENE TALKING
INDISTINCTLY]
586
00:38:24,702 --> 00:38:28,170
YEAH, SO I FINALLY GOT
MY TEACHING DIPLOMA,
587
00:38:28,205 --> 00:38:32,174
AND I TAUGHT IN CINCINNATI
FOR A WHILE AND DENVER,
588
00:38:32,209 --> 00:38:34,176
AND, WELL,
I'VE BEEN EVERYWHERE.
589
00:38:34,211 --> 00:38:36,178
I'M AN ADVENTURESS.
590
00:38:36,213 --> 00:38:38,681
WELL, I THOUGHT
THAT WAS A GIRL
591
00:38:38,716 --> 00:38:40,683
THAT WORKED
IN DANCE HALLS.
592
00:38:40,718 --> 00:38:42,184
NO?
593
00:38:42,219 --> 00:38:45,187
NO, THAT'S A GIRL
WHO GOES ON ADVENTURES.
594
00:38:45,222 --> 00:38:46,689
WELL...
595
00:38:46,724 --> 00:38:48,190
HOW DO YOU FIGURE
596
00:38:48,225 --> 00:38:50,192
THIS DAY WE'RE
HAVING OUT HERE?
597
00:38:50,227 --> 00:38:51,694
AN ADVENTURE.
598
00:38:51,729 --> 00:38:53,696
YEAH. WHOA.
599
00:38:56,734 --> 00:38:59,201
HOW DO I WORK
INTO IT--
600
00:38:59,236 --> 00:39:00,703
THIS ADVENTURE?
601
00:39:00,738 --> 00:39:02,137
WHOA. HA HA!
602
00:39:02,172 --> 00:39:03,639
WHOA.
603
00:39:03,674 --> 00:39:05,140
WELL, UH...
604
00:39:06,677 --> 00:39:09,144
I SEE A MAN
OF THE OLD WEST
605
00:39:09,179 --> 00:39:11,146
TRYING TO LIVE
IN THE NEW.
606
00:39:11,181 --> 00:39:12,481
HEY, DO YOU KNOW
607
00:39:12,516 --> 00:39:14,149
HOW RAGGEDY-ASS
AND TERRIBLE
608
00:39:14,184 --> 00:39:15,651
THE OLD WEST
REALLY WAS?
609
00:39:15,686 --> 00:39:16,986
NO.
610
00:39:17,021 --> 00:39:19,154
WELL, IF YOU SPEND
ANY TIME WITH ME,
611
00:39:19,189 --> 00:39:21,824
YOU'LL FIND OUT JUST
HOW RAGGEDY-ASS IT WAS.
612
00:39:21,859 --> 00:39:24,827
YOU LOVE IT OUT HERE,
DON'T YOU?
613
00:39:24,862 --> 00:39:26,662
YES, I DO.
614
00:39:42,079 --> 00:39:43,645
[THUNDER]
615
00:40:05,702 --> 00:40:07,169
MORNING.
616
00:40:07,204 --> 00:40:08,837
Man:
GOOD MORNING.
617
00:40:10,541 --> 00:40:12,674
LOOKING FOR
LEE MENDENHOUR'S PLACE.
618
00:40:12,709 --> 00:40:15,910
TWO DRAINAGES OVER
IS A LITTLE BASIN.
619
00:40:15,946 --> 00:40:18,847
LEE'S SITUATED
ON THE MORNING SIDE.
620
00:40:21,718 --> 00:40:23,185
WHAT'S YOUR NAME?
621
00:40:24,721 --> 00:40:26,188
TOM HORN.
622
00:40:26,223 --> 00:40:28,190
WELL, I THOUGHT MAYBE.
623
00:40:28,225 --> 00:40:29,691
LOOK...
624
00:40:29,726 --> 00:40:31,693
I AIN'T NEVER
STOLE NOTHIN'.
625
00:40:31,728 --> 00:40:34,196
I SURE AM SORRY
ABOUT LEE.
626
00:40:34,231 --> 00:40:37,199
HE WASN'T TOO
DAMN BAD A FELLA.
627
00:40:37,234 --> 00:40:38,700
HE'S STILL WITH US.
628
00:40:38,735 --> 00:40:40,202
HE IS NOW.
629
00:40:41,738 --> 00:40:44,873
WELL, HE WEREN'T
TOO BAD A FELLA.
630
00:40:44,908 --> 00:40:46,741
[COWS MOOING]
631
00:41:36,760 --> 00:41:38,227
WHOA.
632
00:41:38,262 --> 00:41:41,230
THOSE ARE COBLE'S CATTLE
YOU'RE RUNNING THERE.
633
00:41:41,265 --> 00:41:42,731
SAME OLD DEAL.
634
00:41:42,766 --> 00:41:45,467
YEAH. THAT'S WHAT
I WAS AFRAID OF.
635
00:41:45,502 --> 00:41:48,637
YOU GET MY NOTE TELL YOU
TO GET OUT OF THIS AREA?
636
00:41:48,672 --> 00:41:50,339
YEAH, I GOT
YOUR FUCKING NOTE.
637
00:41:50,374 --> 00:41:51,673
I ROLLED IT UP
WITH SOME TOBACCO
638
00:41:51,709 --> 00:41:53,342
AND I SMOKED IT.
639
00:41:53,377 --> 00:41:54,676
THAT'S WHAT I DID,
CHAMPION.
640
00:41:54,712 --> 00:41:55,977
[GUNSHOT]
641
00:41:56,012 --> 00:41:57,145
[NEIGH]
642
00:42:26,243 --> 00:42:29,210
YOU KILLED MY HORSE,
YOU SON OF A BITCH!
643
00:42:41,725 --> 00:42:43,358
[GLASS SHATTERING]
644
00:42:43,394 --> 00:42:44,826
[FIRE BURNING]
645
00:44:23,194 --> 00:44:24,793
[GUNSHOT]
646
00:44:29,200 --> 00:44:31,066
[GUNSHOT]
647
00:44:33,404 --> 00:44:34,903
[CLICK]
648
00:45:08,772 --> 00:45:10,239
[GASPING]
649
00:46:11,202 --> 00:46:13,702
[DOOR OPENS AND CLOSES]
650
00:47:07,591 --> 00:47:09,057
Haley:
HOWDY, JOHN.
651
00:47:09,093 --> 00:47:10,558
GENTLEMEN.
652
00:47:13,097 --> 00:47:15,063
IT'S THIS HORN
SITUATION.
653
00:47:15,099 --> 00:47:17,065
WE GOT A PROBLEM.
654
00:47:17,101 --> 00:47:19,067
YOU THINK MAYBE
HE MIGHT BE
655
00:47:19,103 --> 00:47:21,069
JUST A LITTLE BIT
TOO PROTECTIVE?
656
00:47:21,105 --> 00:47:22,570
YOU KNOW,
WE STILL GOT
657
00:47:22,606 --> 00:47:24,072
THE NOLT
SHEEP PROBLEM
658
00:47:24,108 --> 00:47:25,573
ON THE SOUTH
FORK.
659
00:47:25,609 --> 00:47:27,075
BUT THE RUSTLING
HAS STOPPED.
660
00:47:27,111 --> 00:47:29,577
YEAH, WELL, I THINK
IT'S HIS RIFLE
661
00:47:29,613 --> 00:47:30,912
EVERY BIT AS MUCH
AS HIS REPUTATION
662
00:47:30,948 --> 00:47:31,913
THAT'S DONE THAT.
663
00:47:31,949 --> 00:47:33,081
IT'S ALMOST
A FOREGONE CONCLUSION
664
00:47:33,117 --> 00:47:35,250
THAT THIS FELLOW'S
WORKING FOR US.
665
00:47:35,285 --> 00:47:37,085
YOU KNOW, AFTER THAT
INCIDENT IN TOWN,
666
00:47:37,121 --> 00:47:38,754
WE'RE WITHIN
ONE DAMN INCH
667
00:47:38,789 --> 00:47:39,921
OF HAVING OUR NAMES
668
00:47:39,957 --> 00:47:41,422
SPLATTERED ALL
OVER THE NEWSPAPER.
669
00:47:41,458 --> 00:47:43,258
AND I DON'T HAVE
TO TELL YOU
670
00:47:43,293 --> 00:47:44,760
WHAT AN EMBARRASSING
SITUATION
671
00:47:44,795 --> 00:47:46,261
THAT COULD
PUT ALL OF US IN.
672
00:47:46,296 --> 00:47:47,863
WELL, WHAT DO YOU
SUGGEST?
673
00:47:47,898 --> 00:47:50,999
JOHN, WE JUST CAN
NO LONGER AFFORD THIS FELLA.
674
00:47:51,034 --> 00:47:52,000
HE'S ONLY DOING
675
00:47:52,035 --> 00:47:53,701
WHAT WE HIRED HIM
TO DO, YOU KNOW.
676
00:47:53,737 --> 00:47:55,570
JOHN, THE TIME
HAS COME FOR US
677
00:47:55,605 --> 00:47:57,505
TO DIVEST OURSELF
OF THIS MR. HORN.
678
00:47:59,743 --> 00:48:01,176
HOW?
679
00:48:01,211 --> 00:48:02,677
I THINK JOE THERE
680
00:48:02,712 --> 00:48:03,845
IS THE ANSWER
TO THAT QUESTION.
681
00:48:14,191 --> 00:48:16,158
LET THIS THING
LIE DOWN, JOHN.
682
00:48:16,193 --> 00:48:17,659
UNDERSTAND?
683
00:48:21,198 --> 00:48:22,664
Chance:
THANK YOU, JOHN.
684
00:48:42,319 --> 00:48:44,286
[BLEATING]
685
00:48:52,462 --> 00:48:53,829
[GUNSHOT]
686
00:49:27,264 --> 00:49:28,730
Man: HEY, BOB,
LOOK AT THIS.
687
00:49:28,765 --> 00:49:30,232
A MAN'S GOING TO PRISON
688
00:49:30,267 --> 00:49:32,734
FOR ELOPING
WITH HIS SISTER-IN-LAW.
689
00:49:32,769 --> 00:49:34,135
I'LL BE.
690
00:49:34,171 --> 00:49:35,603
I WONDER WHAT HE DID.
691
00:49:35,638 --> 00:49:37,105
[DOOR OPENS]
692
00:49:37,140 --> 00:49:38,606
[DOOR CLOSES]
693
00:49:38,641 --> 00:49:41,109
PUT DOWN THE PAPER
AND PLAY.
694
00:49:45,182 --> 00:49:47,148
IT IS COLD.
695
00:49:49,686 --> 00:49:52,320
NOLT BOY
GOT KILLED, TOM.
696
00:49:53,690 --> 00:49:55,223
HOW'S THAT?
697
00:49:55,259 --> 00:49:57,158
NOLT BOY--
JIMMY NOLT.
698
00:50:00,230 --> 00:50:01,930
HOW DID THAT HAPPEN?
699
00:50:01,965 --> 00:50:04,465
SHOT WITH A .45-60.
700
00:50:04,501 --> 00:50:07,435
THAT'S WHAT I SHOOT--
A .45-60.
701
00:50:07,470 --> 00:50:09,971
SHOOT WHAT, TOM?
702
00:50:12,709 --> 00:50:14,276
PRAIRIE DOGS.
703
00:50:14,311 --> 00:50:15,777
TOM...
704
00:50:32,262 --> 00:50:33,728
[SPURS JINGLING]
705
00:50:35,332 --> 00:50:37,933
[DOOR OPENS AND CLOSES]
706
00:50:47,777 --> 00:50:49,744
JIMMY NOLT'S DEAD.
707
00:50:49,779 --> 00:50:51,746
YEAH.
708
00:50:51,781 --> 00:50:53,748
WHERE'S YOUR HORSE?
709
00:50:55,285 --> 00:50:56,751
HE'S DEAD, TOO.
710
00:51:16,139 --> 00:51:18,206
TOM!
711
00:51:23,180 --> 00:51:25,146
I KNEW
YOU'D BE THERE.
712
00:51:25,182 --> 00:51:27,148
YOU DID NOT.
713
00:51:27,184 --> 00:51:29,150
OK.
714
00:51:29,186 --> 00:51:31,252
I HEARD THE NEWS.
715
00:51:32,689 --> 00:51:34,655
YOU STILL WORKING
THAT HORSE
716
00:51:34,691 --> 00:51:36,157
I STARTED FOR YOU?
717
00:51:36,193 --> 00:51:38,159
IT'S ABOUT
THE NOLT BOY.
718
00:51:38,195 --> 00:51:39,760
WHAT ABOUT HIM?
719
00:51:39,796 --> 00:51:42,097
THEY FOUND A ROCK
UNDER HIS HEAD...
720
00:51:42,132 --> 00:51:44,366
LIKE THOSE OTHER THREE FELLAS
FROM BROWN'S HOLE.
721
00:51:45,502 --> 00:51:46,968
YOU SEEN
JOE BELLE AROUND?
722
00:51:47,004 --> 00:51:48,470
THE ASSOCIATION
SENT HIM UP
723
00:51:48,505 --> 00:51:49,971
TO TALK TO COBLE.
724
00:51:50,007 --> 00:51:50,972
TRYING TO FIGURE
725
00:51:51,008 --> 00:51:52,307
WHAT THEY'RE
GOING TO DO
726
00:51:52,342 --> 00:51:54,542
WITH A CHILD-KILLER
LIKE TOM HORN.
727
00:51:54,577 --> 00:51:57,312
PEOPLE THINK
YOU DID IT, TOM.
728
00:52:00,783 --> 00:52:03,451
YOU DON'T UNDERSTAND
WHAT'S GOING ON, DO YOU?
729
00:52:04,587 --> 00:52:06,821
NO, I CAN'T SAY
AS I DO.
730
00:52:07,957 --> 00:52:09,924
WHAT ARE YOU THINKING?
731
00:52:09,959 --> 00:52:12,360
I'M THINKING
I WANT A DRINK.
732
00:52:39,289 --> 00:52:40,755
[DOOR CLOSES]
733
00:52:51,268 --> 00:52:52,733
WHISKEY, GEORGE.
734
00:53:01,278 --> 00:53:02,677
LEAVE THE BOTTLE.
735
00:53:18,728 --> 00:53:20,194
SORRY I'M LATE.
736
00:53:20,230 --> 00:53:22,196
OH, IT'S ALL RIGHT,
CHARLES.
737
00:53:23,733 --> 00:53:25,199
LET'S GET STARTED.
738
00:53:25,235 --> 00:53:26,934
WHAT WILL I NEED, JOE?
739
00:53:26,970 --> 00:53:28,702
JUST YOUR
WRITING THINGS.
740
00:53:28,738 --> 00:53:30,204
WELL,
WHERE'S TOM HORN?
741
00:53:30,240 --> 00:53:32,706
HE'S OVER TO
THE INTER-OCEAN HOTEL.
742
00:53:34,244 --> 00:53:36,710
WHAT KIND OF
CONDITION IS HE IN?
743
00:53:36,746 --> 00:53:38,880
HE'LL BE JUST ABOUT
WHERE WE WANT HIM
744
00:53:38,915 --> 00:53:41,215
BY THE TIME
WE GET SET UP.
745
00:53:41,251 --> 00:53:42,716
COME ON OVER HERE.
746
00:53:42,752 --> 00:53:44,718
I GOT A MATTRESS
LAID OUT HERE
747
00:53:44,754 --> 00:53:46,220
FOR YOU
BEHIND THE DOOR.
748
00:53:46,256 --> 00:53:47,221
CAN YOU WRITE OK
LYING DOWN?
749
00:53:47,257 --> 00:53:48,722
CAN YOU RIG ME
A LITTLE LIGHT?
750
00:53:48,758 --> 00:53:50,892
ABSOLUTELY.
751
00:53:50,927 --> 00:53:53,060
GOT THE BOTTOM OF
THE DOOR PLANED OFF
752
00:53:53,096 --> 00:53:55,062
SO YOU CAN HEAR
REAL GOOD,
753
00:53:55,098 --> 00:53:57,564
BUT YOU'VE GOT TO BE
REAL QUIET.
754
00:53:57,600 --> 00:54:00,734
JOE, WHAT IF TOM HORN
SEES ME IN THERE?
755
00:54:00,770 --> 00:54:02,670
YOU MEAN,
WILL HE KILL YOU?
756
00:54:02,705 --> 00:54:03,938
YES.
757
00:54:03,973 --> 00:54:07,241
I'M NOT GONNA LET THAT
HAPPEN, CHARLES.
758
00:54:07,277 --> 00:54:08,575
A MAN LIKE THAT
759
00:54:08,611 --> 00:54:09,944
YOU DON'T WANT
TO GET MAD AT YOU.
760
00:54:09,979 --> 00:54:11,012
I'M GONNA BE SITTING
761
00:54:11,047 --> 00:54:12,180
RIGHT OVER THERE
AT MY DESK.
762
00:54:12,215 --> 00:54:14,182
I'VE GOT
THIS COLT PATENT .44
763
00:54:14,217 --> 00:54:15,683
IN MY VEST,
764
00:54:15,718 --> 00:54:16,851
AND I'VE GOT
A GERMAN AUTOMATIC
765
00:54:16,886 --> 00:54:18,652
OVER IN THE DRAWER--
ONE OF THE NEW ONES.
766
00:54:18,688 --> 00:54:20,121
WHAT I NEED IS
767
00:54:20,156 --> 00:54:22,123
FOR TOM HORN
TO TALK HIMSELF
768
00:54:22,158 --> 00:54:23,624
INTO A TERRIBLE
TANGLE
769
00:54:23,659 --> 00:54:25,793
AND FOR YOU TO GET
IT DOWN ON PAPER.
770
00:54:25,829 --> 00:54:27,461
IT'S NO GOOD FOR US
771
00:54:27,496 --> 00:54:28,796
JUST TO WRITE IT
DOWN LATER.
772
00:54:28,832 --> 00:54:30,998
YOU MEAN IT HAS TO BE
IN HIS OWN WORDS?
773
00:54:31,034 --> 00:54:32,867
JUST LIKE I SAID,
CHARLES,
774
00:54:32,902 --> 00:54:34,401
JUST LIKE I SAID.
775
00:54:36,539 --> 00:54:37,905
[DOOR CLOSES]
776
00:54:45,748 --> 00:54:47,215
HELLO, TOM.
777
00:54:48,751 --> 00:54:50,218
HELLO, JOE.
778
00:54:50,253 --> 00:54:52,220
I GOT A LETTER
YESTERDAY, TOM,
779
00:54:52,255 --> 00:54:54,222
FROM A FELLA
UP IN MONTANA.
780
00:54:54,257 --> 00:54:55,723
WHAT DID HE WANT?
781
00:54:55,758 --> 00:54:58,059
I'M NOT SO SURE
782
00:54:58,094 --> 00:55:00,027
THIS IS THE SPOT
TO BE TALKING.
783
00:55:00,063 --> 00:55:03,464
I GOT A BOTTLE OF
MESCAL IN MY OFFICE.
784
00:55:03,499 --> 00:55:04,966
IT'S QUIET.
785
00:55:05,001 --> 00:55:06,467
SURE.
786
00:55:23,719 --> 00:55:26,153
YOU'VE SPENT SOME TIME
IN THE HILLS,
787
00:55:26,189 --> 00:55:27,654
HAVEN'T YOU, JOE?
788
00:55:27,690 --> 00:55:29,357
MOST OF MY LIFE,
TOM.
789
00:55:29,392 --> 00:55:31,692
THE WORLD IS
CHANGING FAST.
790
00:55:31,727 --> 00:55:33,194
I SEE THAT.
791
00:55:34,730 --> 00:55:37,031
THE MEN HAD BETTER
GET WITH IT.
792
00:55:37,066 --> 00:55:40,734
I'M TRYING TO WORK
A FEW THINGS OUT IN MY MIND.
793
00:55:40,770 --> 00:55:42,069
STAYING IN THE HOTEL
794
00:55:42,105 --> 00:55:45,039
AND BEING ABLE TO
GET A DRINK RIGHT AWAY
795
00:55:45,074 --> 00:55:46,374
SEEMS TO HELP.
796
00:55:46,409 --> 00:55:48,175
THINK YOU'LL EVER
GET BACK
797
00:55:48,211 --> 00:55:49,843
IN THEM HILLS
AGAIN, TOM?
798
00:55:49,879 --> 00:55:52,546
HELL, I DON'T KNOW.
SCARES ME TO DEATH.
799
00:56:05,694 --> 00:56:06,994
I SEE YOU'RE
CARRYING
800
00:56:07,030 --> 00:56:08,329
A BELLY GUN, TOM.
801
00:56:08,364 --> 00:56:10,998
I'VE NEVER KNOWN YOU
TO DO THAT BEFORE.
802
00:56:11,034 --> 00:56:13,500
WELL, I'M CARRYING A RIFLE
IN TOWN AND ALL.
803
00:56:17,373 --> 00:56:20,174
I GOT THIS INQUIRY
FROM MONTANA
804
00:56:20,209 --> 00:56:22,843
FOR A MAN WHO COULD
COME UP THERE
805
00:56:22,878 --> 00:56:24,511
AND SEE TO HIMSELF
806
00:56:24,547 --> 00:56:27,214
AND LOOK TO A FEW
THINGS THATAWAY
807
00:56:27,250 --> 00:56:29,550
IN RESPECT TO ALL
THE CATTLE STEALING
808
00:56:29,585 --> 00:56:31,218
GOING ON
IN THE BIG MOON
809
00:56:31,254 --> 00:56:32,553
UP THERE
IN THAT DISTRICT.
810
00:56:32,588 --> 00:56:34,355
WHAT'S REQUIRED?
811
00:56:34,390 --> 00:56:36,523
SOME ABILITY
WITH A RIFLE.
812
00:56:42,565 --> 00:56:44,031
YOU KNOW, JOE...
813
00:56:44,067 --> 00:56:47,368
NOBODY EVER OFFERED
TO GIVE ME AN OFFICE.
814
00:56:47,403 --> 00:56:50,137
MAKE YOU FEEL
KIND OF SPECIAL, DOES IT?
815
00:56:50,173 --> 00:56:51,505
OH, I DON'T KNOW.
816
00:56:51,540 --> 00:56:54,175
IF I HAD THE ABILITY
YOU DO WITH A RIFLE,
817
00:56:54,210 --> 00:56:55,642
NOBODY WOULD EVER
EXPECT ME
818
00:56:55,678 --> 00:56:57,644
TO COME IN
OUT OF THE FIELD.
819
00:56:57,680 --> 00:56:59,313
AS IT IS,
I SPEND HALF MY TIME
820
00:56:59,349 --> 00:57:00,348
ON THE RAILROAD
821
00:57:00,383 --> 00:57:01,949
HANDCUFFED TO SOME
PETTY CRIMINAL.
822
00:57:01,985 --> 00:57:03,584
I'M A DELIVERY MAN.
823
00:57:05,355 --> 00:57:08,155
WHAT'S THE BEST SHOT
YOU EVER MADE, TOM?
824
00:57:08,191 --> 00:57:10,757
OH, I DON'T KNOW.
825
00:57:10,793 --> 00:57:13,760
WELL, WHAT ABOUT
MENDENHOUR?
826
00:57:13,796 --> 00:57:15,997
WELL, IF IT WAS ME,
827
00:57:16,032 --> 00:57:18,599
I'D SAY IT WASN'T
MUCH OF A SHOT.
828
00:57:20,970 --> 00:57:23,170
WOULDN'T YOU RATHER
SHOOT A SHARPS 50
829
00:57:23,206 --> 00:57:24,738
INSTEAD OF THAT
.45-60?
830
00:57:24,773 --> 00:57:26,440
THOSE OLD BUFFALO GUNS
CARRY BETTER,
831
00:57:26,476 --> 00:57:27,774
BUT WITH A .45-60,
832
00:57:27,810 --> 00:57:30,111
YOU CAN GET ROUNDS
AT ANY GENERAL STORE.
833
00:57:30,146 --> 00:57:32,579
KEEPS A DRYGULCHER
IN BUSINESS.
834
00:57:32,615 --> 00:57:35,349
TOM, ON THE KILLING
OF THIS KID--
835
00:57:35,385 --> 00:57:37,084
THAT WAS
QUITE A SHOT.
836
00:57:37,120 --> 00:57:38,852
WAS IT?
837
00:57:38,888 --> 00:57:41,688
213 YARDS.
838
00:57:41,724 --> 00:57:44,091
WHAT DO YOU KNOW
ABOUT THAT?
839
00:57:44,127 --> 00:57:46,460
WELL, WHAT I
JUST TOLD YOU.
840
00:57:47,897 --> 00:57:49,997
YOU AFRAID OF DYING,
JOE?
841
00:57:53,736 --> 00:57:56,303
YES, I AM.
842
00:57:57,573 --> 00:57:59,840
WELL, I'M AFRAID
OF LOSING MY ABILITY
843
00:57:59,875 --> 00:58:03,110
TO BE ABLE TO
COME AND GO AS I PLEASE.
844
00:58:03,146 --> 00:58:04,645
LOSE MY FREEDOM...
845
00:58:04,680 --> 00:58:07,981
NOT BE ABLE TO GET BACK UP
IN THOSE HILLS AGAIN.
846
00:58:08,017 --> 00:58:10,284
WHAT WOULD THEY DO
TO A MAN
847
00:58:10,319 --> 00:58:12,486
THAT KILLED A 15-YEAR-OLD BOY
WITH A WINCHESTER?
848
00:58:12,522 --> 00:58:15,089
I BELIEVE THAT MAN
WOULD HAVE TO DIE.
849
00:58:15,124 --> 00:58:17,091
AND YOU BELIEVE
THAT A .45-60
850
00:58:17,126 --> 00:58:19,393
THAT'S GOT A TRAJECTORY
LIKE A RAINBOW
851
00:58:19,429 --> 00:58:20,894
COULD MAKE THAT SHOT?
852
00:58:20,930 --> 00:58:23,597
I KNOW
IT COULD HAPPEN.
853
00:58:30,373 --> 00:58:32,339
WELL, IF I'D HAVE
KILLED THAT KID,
854
00:58:32,375 --> 00:58:35,809
IT WOULD HAVE BEEN
THE BEST SHOT I EVER MADE
855
00:58:35,844 --> 00:58:38,512
AND THE DIRTIEST TRICK
I EVER DONE.
856
01:00:17,247 --> 01:00:18,846
HELLO, SAM.
857
01:00:18,882 --> 01:00:21,715
TOM, I'M GOING TO
HAVE TO ARREST YOU
858
01:00:21,751 --> 01:00:24,218
FOR THE MURDER
OF JIMMY NOLT.
859
01:00:24,254 --> 01:00:25,219
TAKING YOURSELF
860
01:00:25,255 --> 01:00:27,221
KIND OF SERIOUS,
AIN'T YOU?
861
01:00:27,257 --> 01:00:30,858
WHAT ARE YOU GOING TO DO
WITH THAT WINCHESTER?
862
01:00:30,894 --> 01:00:33,261
WELL, WE'RE GOING TO
HAVE TO FIND OUT,
863
01:00:33,296 --> 01:00:34,328
AIN'T WE?
864
01:00:40,770 --> 01:00:42,970
YEAH, I GUESS WE ARE.
865
01:00:43,006 --> 01:00:45,739
I'LL TAKE
THAT RIFLE, TOM.
866
01:00:51,614 --> 01:00:53,580
HELLO, EARL.
867
01:00:53,616 --> 01:00:55,249
TOM.
868
01:01:03,259 --> 01:01:05,459
AND THE BELLY GUN.
869
01:01:10,533 --> 01:01:11,865
COME ON, TOM.
870
01:01:23,012 --> 01:01:25,379
WAIT RIGHT
THERE, TOM.
871
01:01:27,883 --> 01:01:30,384
Sam: EARL, DON'T
PUT THAT PISTOL
872
01:01:30,420 --> 01:01:32,119
IN THAT DRAWER.
873
01:01:32,155 --> 01:01:33,887
KEEP IT
IN YOUR POCKET.
874
01:01:37,226 --> 01:01:38,192
YOU GOT ANYTHING
875
01:01:38,227 --> 01:01:39,526
IN YOUR POCKETS,
TOM?
876
01:01:39,562 --> 01:01:41,862
WELL, I GOT SOME
INDIAN STUFF HERE.
877
01:01:41,897 --> 01:01:44,631
THERE'S SOME SHELLS
IN A SHEEPSKIN
878
01:01:44,667 --> 01:01:46,467
AND A LITTLE BIT
OF CHANGE.
879
01:01:52,775 --> 01:01:54,241
YOU READY?
880
01:01:57,780 --> 01:01:59,613
NO. UPSTAIRS.
881
01:01:59,648 --> 01:02:01,682
BILL, YOU STAY DOWN HERE.
882
01:02:34,583 --> 01:02:37,218
I'M GOING TO PUT YOU
IN THIS ONE, TOM.
883
01:02:37,253 --> 01:02:39,520
I KNOW HOW YOU LOVE
THOSE HILLS,
884
01:02:39,555 --> 01:02:43,190
AND YOU CAN SEE A LITTLE BIT
OF THEM FROM HERE.
885
01:02:43,226 --> 01:02:44,258
DON'T CLOSE THAT DOOR
886
01:02:44,293 --> 01:02:46,227
UNTIL I GET OVER TO
THAT WINDOW, WOULD YOU?
887
01:02:59,275 --> 01:03:01,242
[DOOR CLOSES]
888
01:03:20,062 --> 01:03:21,161
IS IT TRUE
889
01:03:21,197 --> 01:03:23,864
HORN WORKED FOR
THE ASSOCIATION?
890
01:03:23,900 --> 01:03:25,866
I'VE NOTHING
TO SAY ON THAT.
891
01:03:25,902 --> 01:03:28,168
IS THE ASSOCIATION GOING
TO PAY FOR HIS DEFENSE?
892
01:03:28,204 --> 01:03:30,771
I TOLD YOU,
I HAVE NO MORE TO SAY.
893
01:03:48,925 --> 01:03:50,224
[DOOR OPENS]
894
01:03:50,259 --> 01:03:52,326
Man: JOHN COBLE
TO SEE YOU.
895
01:03:54,430 --> 01:03:55,896
TOM...
896
01:03:57,934 --> 01:03:59,833
THIS IS
THOMAS BURKE.
897
01:03:59,868 --> 01:04:02,169
HE'LL BE YOUR
LEGAL COUNSEL NOW.
898
01:04:02,204 --> 01:04:04,438
WELL, EVERY BOY
NEEDS ONE OF THOSE.
899
01:04:04,473 --> 01:04:05,572
WELL, MR. BURKE'S
THE MAN
900
01:04:05,607 --> 01:04:07,274
TO PUT AN END
TO ALL THIS FOR YOU.
901
01:04:07,310 --> 01:04:09,509
I AIN'T GOT NO MONEY
TO PAY YOU.
902
01:04:09,545 --> 01:04:10,610
I'LL PAY THAT.
903
01:04:10,646 --> 01:04:11,745
Burke: TOM,
THEY'RE GONNA HAVE YOU
904
01:04:11,780 --> 01:04:12,947
COME TO COURT
VERY QUICKLY.
905
01:04:12,982 --> 01:04:14,949
HAVE YOU EVER BEEN TRIED
FOR ANYTHING BEFORE?
906
01:04:14,984 --> 01:04:16,216
WELL, ONCE--
907
01:04:16,252 --> 01:04:18,685
IT WAS A MILITARY TRIAL
A LONG TIME AGO.
908
01:04:18,720 --> 01:04:20,421
A COUPLE OF SCOUTS
AND MYSELF.
909
01:04:20,456 --> 01:04:21,822
WHAT WERE YOU
CHARGED WITH?
910
01:04:21,857 --> 01:04:23,723
INVASION OF MEXICO.
911
01:04:25,061 --> 01:04:28,862
TOM, I HAVE TO MOVE ON
WITH THIS AS QUICK AS I CAN.
912
01:04:28,897 --> 01:04:31,432
YOU THINK
I KILLED THAT BOY?
913
01:04:31,467 --> 01:04:33,800
THAT QUESTION WILL NEVER
COME UP BETWEEN US.
914
01:04:33,836 --> 01:04:36,303
WHY NOT? IT'S GOING TO
COME UP IN COURT.
915
01:04:39,741 --> 01:04:41,608
WHEN DO I GO TO TRIAL?
916
01:04:41,643 --> 01:04:42,809
THEY'RE BRINGING IN
A JUDGE
917
01:04:42,845 --> 01:04:44,211
AND SWEARING IN
A JURY RIGHT NOW.
918
01:04:44,246 --> 01:04:46,713
I'D LIKE
TO SET UP A TIME
919
01:04:46,748 --> 01:04:47,714
WHERE WE COULD
GET TOGETHER
920
01:04:47,749 --> 01:04:48,949
AND MAYBE MAKE
A PREPARATION OR TWO.
921
01:04:48,985 --> 01:04:51,251
WHAT FOR? WHAT ARE WE
GOING TO TALK ABOUT,
922
01:04:51,287 --> 01:04:53,187
IF WE DON'T TALK ABOUT
WHETHER I KILLED THAT KID?
923
01:04:53,222 --> 01:04:56,190
MR. BURKE, I'D LIKE
TO TALK TO TOM ALONE
924
01:04:56,225 --> 01:04:58,058
FOR A MINUTE.
925
01:05:03,699 --> 01:05:07,767
DID YOU EVER SEE
SO MANY BARS IN YOUR LIFE?
926
01:05:07,803 --> 01:05:11,105
WELL, I GUESS THAT'S WHY
THEY CALL IT A JAIL.
927
01:05:11,140 --> 01:05:13,440
I'VE BEEN FREE
ALL MY LIFE, JOHN.
928
01:05:13,476 --> 01:05:14,808
I KNOW THAT.
929
01:05:14,843 --> 01:05:16,276
LOOK,
IT'S DAMN IMPORTANT
930
01:05:16,312 --> 01:05:18,945
YOU DON'T TRY TO
BREAK OUT OF HERE.
931
01:05:18,981 --> 01:05:20,414
I KNOW YOU CAN
DO IT,
932
01:05:20,449 --> 01:05:22,282
BUT IT'S JUST
ADMITTING YOUR GUILT
933
01:05:22,318 --> 01:05:23,484
IF YOU TRY.
934
01:05:23,519 --> 01:05:26,520
CHRIST, I CAN SEE
THOSE HILLS OVER THERE,
935
01:05:26,555 --> 01:05:28,188
BUT I CAN'T
TOUCH THEM.
936
01:05:39,235 --> 01:05:41,035
COWBOYS.
937
01:05:55,084 --> 01:05:57,217
SCHOOLTEACHERS.
938
01:05:59,755 --> 01:06:01,821
THEY SURE ARE GOOD COMPANY.
939
01:06:04,693 --> 01:06:07,327
YES, BUT, UH... DO YOU CARE FOR ME?
940
01:06:07,363 --> 01:06:08,328
HUH?
941
01:06:08,364 --> 01:06:09,996
DO YOU CARE FOR ME?
942
01:06:12,368 --> 01:06:14,334
THAT HORSE OVER THERE IS THE ONLY THING
943
01:06:14,370 --> 01:06:16,836
I'VE OWNED FOR A LONG TIME.
944
01:06:16,872 --> 01:06:18,838
HE THINKS THE WORLD OF ME,
945
01:06:18,874 --> 01:06:21,175
AND I'VE NEVER EVEN GIVEN HIM A NAME.
946
01:06:21,210 --> 01:06:23,177
WAS HE GOOD COMPANY?
947
01:06:23,212 --> 01:06:24,678
YEAH.
948
01:06:24,713 --> 01:06:26,846
DO YOU CARE FOR HIM?
949
01:06:26,882 --> 01:06:28,348
YES, I DO.
950
01:06:30,219 --> 01:06:32,686
TOM, YOU IDIOT!
951
01:06:32,721 --> 01:06:35,689
YEAH, I KNOW. I KNOW.
952
01:06:43,899 --> 01:06:46,200
WHAT HAPPENED TO YOUR TOOTH THERE?
953
01:06:46,235 --> 01:06:47,701
CHIPPED IT.
954
01:06:47,736 --> 01:06:49,703
HOW'D YOU DO THAT?
955
01:06:49,738 --> 01:06:51,705
RIDING HORSES.
956
01:06:51,740 --> 01:06:53,207
I'VE BEEN RIDING ALL MY LIFE.
957
01:06:53,242 --> 01:06:54,708
HA HA HA!
958
01:06:56,745 --> 01:06:58,612
[GUNSHOT]
959
01:07:03,152 --> 01:07:04,284
GET DOWN!
960
01:07:33,982 --> 01:07:35,449
GET DRESSED.
961
01:07:45,494 --> 01:07:46,960
Sam: TOM?
962
01:07:53,502 --> 01:07:55,802
HEY, HOW ABOUT
GIVING ME BACK
963
01:07:55,837 --> 01:07:57,971
THOSE INDIAN CHARMS
OF MINE?
964
01:08:03,779 --> 01:08:06,446
THEY'RE JUST
SENTIMENTAL VALUE,
965
01:08:06,482 --> 01:08:07,747
NOTHING MORE.
966
01:08:13,889 --> 01:08:16,523
EARL, GET TOM'S
INDIAN STUFF
967
01:08:16,559 --> 01:08:18,625
AND BRING IT
UP HERE, WILL YOU?
968
01:08:19,961 --> 01:08:21,595
ANYTHING ELSE
YOU WANT?
969
01:08:21,630 --> 01:08:23,263
WELL, MY RIFLE.
970
01:08:23,299 --> 01:08:24,264
NO.
971
01:08:24,300 --> 01:08:26,600
HOW ABOUT A NICE
FAST HORSE?
972
01:08:26,635 --> 01:08:28,702
NO.
973
01:08:28,737 --> 01:08:32,072
YOU GETTING ALL CHOKY
SEEING ME BEHIND BARS?
974
01:08:32,107 --> 01:08:34,841
GODDAMN YOU, TOM.
975
01:08:38,714 --> 01:08:40,747
TOM, WHAT ARE
THESE BUTTONS FOR?
976
01:08:40,782 --> 01:08:41,748
JUST LUCKY.
977
01:08:41,783 --> 01:08:43,383
THE PAPER SAID
THEY'RE CHARMS.
978
01:08:43,419 --> 01:08:44,384
YEAH, THEY ARE.
979
01:08:44,420 --> 01:08:46,019
SAID YOU
BELIEVED IN THEM.
980
01:08:46,054 --> 01:08:47,187
I DO.
981
01:08:47,223 --> 01:08:48,822
SHOW ME HOW
TO WORK THEM.
982
01:08:48,857 --> 01:08:50,490
SOMEDAY. WHO ARE
THOSE FELLOWS OUT THERE
983
01:08:50,526 --> 01:08:51,491
WITH THOSE RIFLES?
984
01:08:51,527 --> 01:08:52,959
THAT'S
THE NATIONAL GUARD.
985
01:08:52,994 --> 01:08:54,595
PAPER SAID
THEY DIDN'T THINK
986
01:08:54,630 --> 01:08:56,363
WE COULD HOLD YOU
IN THIS JAIL.
987
01:08:56,398 --> 01:08:57,897
THEY GOT KIND OF
PERSONAL ABOUT IT.
988
01:09:17,786 --> 01:09:20,754
Sam:
OPEN THIS THING UP, EARL.
989
01:09:20,789 --> 01:09:22,255
LET US IN.
990
01:09:23,959 --> 01:09:26,593
JOHN COBLE'S HERE
TO SEE TOM.
991
01:09:31,633 --> 01:09:33,266
HERE YOU GO, TOM.
992
01:09:33,301 --> 01:09:36,603
JOHN BROUGHT YOU A SUIT
TO WEAR AT THE TRIAL.
993
01:09:39,474 --> 01:09:42,609
ALL RIGHT, YOU FELLOWS
CAN HAVE ABOUT 10 MINUTES.
994
01:09:42,644 --> 01:09:44,111
COME ON, EARL.
995
01:09:47,649 --> 01:09:49,116
TOM, IT'S REAL IMPORTANT
996
01:09:49,151 --> 01:09:52,285
THAT YOU LET BURKE
GUIDE YOU IN COURT--
997
01:09:52,320 --> 01:09:55,455
AND YOU BE AS
CLOSED-MOUTHED AS YOU CAN
998
01:09:55,490 --> 01:09:57,124
AROUND THAT
PROSECUTING ATTORNEY.
999
01:09:57,159 --> 01:09:58,591
WHO IS HE?
1000
01:09:58,627 --> 01:10:01,762
HIS NAME'S WALTER STOLL.
HE'S EFFECTIVE.
1001
01:10:01,797 --> 01:10:04,364
THEY SAY HE'S RUNNING
FOR OFFICE AGAIN
1002
01:10:04,399 --> 01:10:06,032
AND THIS TRIAL WILL BE
1003
01:10:06,068 --> 01:10:08,135
KIND OF
A SHOWGROUND FOR HIM.
1004
01:10:08,170 --> 01:10:12,873
IF HE CONVICTS YOU,
HE'LL BE A BIG HERO.
1005
01:10:12,908 --> 01:10:15,708
HE NEEDS TO HANG YOU
TO GET ELECTED.
1006
01:10:19,248 --> 01:10:21,547
I'M SORRY I GOT YOU
INTO THIS.
1007
01:10:21,583 --> 01:10:24,217
YOU COULD HAVE BEEN
RIDING
1008
01:10:24,253 --> 01:10:26,019
RIGHT THROUGH
THIS TWO-BIT TOWN.
1009
01:10:26,054 --> 01:10:28,021
PEOPLE BEEN
TRYING TO KILL ME
1010
01:10:28,056 --> 01:10:29,289
ALL MY LIFE, JOHN.
1011
01:10:29,324 --> 01:10:31,291
WELL, I GOT TO
TELL YOU SOMETHING.
1012
01:10:31,326 --> 01:10:33,426
I KNEW THE ASSOCIATION
WANTED TO GET RID OF YOU,
1013
01:10:33,461 --> 01:10:34,727
'CAUSE THEY TOLD ME,
1014
01:10:34,763 --> 01:10:37,563
BUT I JUST DIDN'T KNOW
WHAT TO DO.
1015
01:10:37,599 --> 01:10:41,567
THEY...I DIDN'T KNOW
NOTHING ABOUT THE--
1016
01:10:41,603 --> 01:10:43,736
THE NOLT BOY
1017
01:10:43,772 --> 01:10:46,572
OR HOW IT HAPPENED,
BUT...
1018
01:10:46,608 --> 01:10:49,742
WHO THE HELL COULD HAVE
DONE SUCH A THING?
1019
01:10:51,446 --> 01:10:53,246
BUT I KNOW ONE THING...
1020
01:10:53,282 --> 01:10:55,581
YOU NEVER
KILLED THAT KID.
1021
01:11:00,789 --> 01:11:02,689
LISTEN, I FIGURE
FOLKS WOULD HAVE TO
1022
01:11:02,724 --> 01:11:05,025
DO SOMETHING ABOUT ME
SOONER OR LATER--
1023
01:11:05,060 --> 01:11:07,194
FRONTIER CLOSED
AND ALL.
1024
01:11:07,229 --> 01:11:09,863
HELL, I NEVER KNEW
ANYBODY TO DO ANYTHING
1025
01:11:09,898 --> 01:11:12,866
BUT JUST KILLING
AND GETTING KILLED.
1026
01:11:12,901 --> 01:11:15,535
AFTER A WHILE,
IT'S ALL YOU KNOW.
1027
01:11:15,570 --> 01:11:16,937
NOW LISTEN.
1028
01:11:16,972 --> 01:11:19,940
IF IT ALL GOES WRONG
IN THERE FOR ME,
1029
01:11:19,975 --> 01:11:23,543
I KNOW YOU'RE
MY FRIEND, JOHN,
1030
01:11:23,578 --> 01:11:27,214
AND I KNOW THAT
YOU CARE ABOUT ME.
1031
01:11:27,249 --> 01:11:29,049
HMM?
1032
01:11:29,084 --> 01:11:30,250
NOW SIT DOWN,
1033
01:11:30,285 --> 01:11:32,585
AND I'LL WHIP YOUR
ASS AT CHECKERS.
1034
01:11:37,426 --> 01:11:38,892
[PEOPLE TALKING]
1035
01:12:00,282 --> 01:12:01,515
HOW ARE YOU?
1036
01:12:01,550 --> 01:12:03,684
IT'S A LOVELY DAY
FOR A TRIAL.
1037
01:12:18,200 --> 01:12:20,066
GOOD DAY.
1038
01:12:30,512 --> 01:12:32,479
THAT'S FINE, TOM.
1039
01:13:09,485 --> 01:13:11,451
Sam:
TOM, YOU CAN STEP UP
1040
01:13:11,487 --> 01:13:13,620
TO THE COUNSEL'S
TABLE HERE.
1041
01:13:13,656 --> 01:13:15,289
EARL, BACK OVER HERE.
1042
01:13:15,324 --> 01:13:17,123
YOU BOYS, SPLIT UP.
1043
01:13:17,159 --> 01:13:18,625
[GAVEL BANGS]
1044
01:13:18,661 --> 01:13:20,694
Bailiff: THE HONORABLE
JUDGE SCOTT.
1045
01:13:20,729 --> 01:13:22,696
THIS COURT
IS NOW IN SESSION.
1046
01:13:22,731 --> 01:13:23,963
Stoll:
MR. OHNHOUSE,
1047
01:13:23,999 --> 01:13:25,632
YOU WERE IN THE NEXT
ROOM AT THE TIME
1048
01:13:25,668 --> 01:13:26,966
UNDER THE ORDERS
OF MARSHAL BELLE,
1049
01:13:27,002 --> 01:13:28,234
AND YOU LISTENED
VERY CAREFULLY
1050
01:13:28,270 --> 01:13:30,136
TO THE CONVERSATION
BETWEEN MARSHAL BELLE
1051
01:13:30,172 --> 01:13:32,406
AND MR. HORN,
IS THAT CORRECT?
1052
01:13:32,441 --> 01:13:35,375
WELL...
1053
01:13:35,411 --> 01:13:36,976
YES.
1054
01:13:37,012 --> 01:13:38,878
WILL YOU
TELL THE COURT
1055
01:13:38,914 --> 01:13:40,847
EXACTLY WHAT YOU
TOOK DOWN AT THAT TIME?
1056
01:13:40,882 --> 01:13:42,849
THE LAST THING
MR. HORN SAID
1057
01:13:42,884 --> 01:13:45,852
BEFORE LEAVING
JOE BELLE'S OFFICE WAS,
1058
01:13:45,887 --> 01:13:48,722
"WHEN I SHOT THAT KID,
IT WAS THE BEST SHOT I EVER MADE
1059
01:13:48,757 --> 01:13:50,990
AND THE DIRTIEST TRICK
I EVER DID."
1060
01:13:51,026 --> 01:13:53,393
[SPECTATORS TALKING]
1061
01:13:56,565 --> 01:13:59,065
I WANT ORDER
IN THIS COURTROOM!
1062
01:13:59,100 --> 01:14:00,900
YOUR WITNESS.
1063
01:14:00,936 --> 01:14:03,603
Burke:
NO QUESTIONS.
1064
01:14:03,639 --> 01:14:05,004
Judge:
YOU MAY STEP DOWN.
1065
01:14:08,377 --> 01:14:11,511
THE PROSECUTION
CALLS MR. TOM HORN.
1066
01:14:20,889 --> 01:14:23,523
Judge: DO YOU SWEAR
TO TELL THE TRUTH,
1067
01:14:23,559 --> 01:14:26,192
THE WHOLE TRUTH, AND
NOTHING BUT THE TRUTH,
1068
01:14:26,228 --> 01:14:27,894
SO HELP YOU GOD?
1069
01:14:27,929 --> 01:14:29,363
DID YOU LISTEN
CAREFULLY
1070
01:14:29,398 --> 01:14:30,364
TO THE CONTENTS
OF THE TRANSCRIPTION
1071
01:14:30,399 --> 01:14:33,032
AS READ BY MR. OHNHOUSE
TO THE COURT?
1072
01:14:33,068 --> 01:14:34,300
YES, I DID.
1073
01:14:34,336 --> 01:14:36,970
THEN YOU UNDERSTAND
THAT THIS IS A RECORD
1074
01:14:37,005 --> 01:14:38,438
OF YOUR CONVERSATION
WITH MARSHAL BELLE?
1075
01:14:38,474 --> 01:14:41,241
WELL, IT WAS
"MR. HORN SAID THIS"
1076
01:14:41,276 --> 01:14:43,410
AND "MR. BELLE
SAID THAT."
1077
01:14:45,914 --> 01:14:47,414
I DON'T FOLLOW.
1078
01:14:47,449 --> 01:14:49,716
WHAT I'M TRYING TO
GET YOU TO UNDERSTAND
1079
01:14:49,752 --> 01:14:51,217
IS THAT THAT WAS
A CONVERSATION
1080
01:14:51,253 --> 01:14:53,219
BETWEEN ME
AND JOE BELLE.
1081
01:14:53,255 --> 01:14:55,789
I UNDERSTOOD THAT.
DO YOU?
1082
01:14:55,824 --> 01:14:57,724
YES, I DO.
1083
01:14:57,760 --> 01:14:58,792
DO YOU CONSIDER IT
1084
01:14:58,827 --> 01:14:59,826
AN ACCURATE
TRANSCRIPTION
1085
01:14:59,862 --> 01:15:01,094
OF THAT
CONVERSATION?
1086
01:15:01,129 --> 01:15:02,362
YOU'RE GONNA HAVE
TO ASK THAT FELLOW
1087
01:15:02,398 --> 01:15:03,663
THAT WROTE IT DOWN.
1088
01:15:03,699 --> 01:15:06,600
I DON'T KNOW
HOW GOOD HE WAS AT IT.
1089
01:15:06,635 --> 01:15:09,436
CAN YOU--CAN YOU
OFFER US AN OPINION?
1090
01:15:09,471 --> 01:15:12,272
WHAT DID YOU SAY
YOUR NAME WAS?
1091
01:15:12,307 --> 01:15:13,607
WALTER STOLL.
1092
01:15:13,642 --> 01:15:16,443
I'M PROSECUTING YOU
FOR MURDER.
1093
01:15:16,478 --> 01:15:18,445
WELL, MR. STOLL,
1094
01:15:18,480 --> 01:15:20,447
I WAS JUST
A LITTLE DRUNK.
1095
01:15:20,482 --> 01:15:22,282
Stoll: WHY?
1096
01:15:22,317 --> 01:15:24,451
BECAUSE I'D BEEN
DRINKING.
1097
01:15:24,486 --> 01:15:26,620
[LAUGHTER]
1098
01:15:26,655 --> 01:15:28,488
WHAT'S
YOUR PROBLEM NOW?
1099
01:15:31,226 --> 01:15:32,859
I DIDN'T
UNDERSTAND YOU.
1100
01:15:32,895 --> 01:15:35,361
WELL, WE'RE TRYING
YOU FOR MURDER,
1101
01:15:35,397 --> 01:15:37,130
FOR A CAPITAL
OFFENSE.
1102
01:15:37,165 --> 01:15:39,699
SO FAR, NO ONE
HAS HAD MUCH SUCCESS
1103
01:15:39,735 --> 01:15:41,200
IN GETTING
YOUR ATTENTION.
1104
01:15:41,236 --> 01:15:44,538
WELL, I...
I BEEN IN JAIL.
1105
01:15:44,573 --> 01:15:46,873
YOU'VE BEEN IN JAIL.
1106
01:15:46,909 --> 01:15:48,875
WHAT HAS THAT
GOT TO DO
1107
01:15:48,911 --> 01:15:50,376
WITH YOUR
LACKADAISICAL RESPONSE
1108
01:15:50,412 --> 01:15:52,446
TO THE QUESTIONS
OF THE COURT?
1109
01:15:52,481 --> 01:15:53,914
I'M A LITTLE BORED.
1110
01:15:53,949 --> 01:15:55,415
WHAT PROSECUTOR STOLL
1111
01:15:55,451 --> 01:15:56,917
IS TRYING TO APPRISE YOU
OF, MR. HORN,
1112
01:15:56,952 --> 01:15:58,919
IS THAT WE'RE
TRYING TO DECIDE
1113
01:15:58,954 --> 01:16:00,620
WHETHER OR NOT YOU'RE
GUILTY OF A CRIME
1114
01:16:00,656 --> 01:16:02,388
FOR WHICH
YOU SHOULD BE HUNG.
1115
01:16:02,424 --> 01:16:04,624
YOU'RE GOING TO DO
WHAT YOU HAVE TO DO.
1116
01:16:04,660 --> 01:16:06,292
DO YOU OBJECT
1117
01:16:06,328 --> 01:16:08,628
TO THE ASSERTION
OF MARSHAL BELLE
1118
01:16:08,664 --> 01:16:11,431
THAT YOU...KILLED
JIMMY NOLT?
1119
01:16:11,467 --> 01:16:13,733
THAT WAS YOUR REPLY
1120
01:16:13,769 --> 01:16:15,535
IN THE TRANSCRIBED
CONVERSATION.
1121
01:16:19,140 --> 01:16:20,674
MR. HORN?
1122
01:16:20,709 --> 01:16:23,810
DID ANYBODY SEE ME
KILL THAT KID?
1123
01:16:23,846 --> 01:16:26,513
THERE WERE NOT,
AND YOU KNOW IT,
1124
01:16:26,548 --> 01:16:27,714
ANY WITNESSES.
1125
01:16:27,749 --> 01:16:29,616
I THINK
WHAT THE PROSECUTOR
1126
01:16:29,651 --> 01:16:31,417
IS TRYING TO SAY
TO YOU, MR. HORN,
1127
01:16:31,453 --> 01:16:33,219
IS THAT WE WOULD
KEENLY LIKE
1128
01:16:33,254 --> 01:16:35,121
TO HAVE YOU REPLY
SPECIFICALLY
1129
01:16:35,156 --> 01:16:37,457
TO THE ACCUSATION THAT
YOU KILLED THIS BOY.
1130
01:16:37,493 --> 01:16:39,292
YOU WANT ME TO SAY
1131
01:16:39,327 --> 01:16:41,761
WHETHER I DID
OR I DIDN'T DO IT?
1132
01:16:41,797 --> 01:16:43,262
WELL, IN EFFECT, YES,
1133
01:16:43,298 --> 01:16:45,765
ALTHOUGH A PLEA OF INNOCENCE
HAS BEEN ENTERED.
1134
01:16:45,801 --> 01:16:47,901
I'M NOT GONNA GIVE YOU
THE SATISFACTION.
1135
01:16:47,936 --> 01:16:49,903
NOW, WHETHER YOU
OR STOLL
1136
01:16:49,938 --> 01:16:51,404
OR THAT SOLD-OUT,
1137
01:16:51,439 --> 01:16:53,406
SON-OF-A-BITCHING
MARSHAL JOE BELLE
1138
01:16:53,441 --> 01:16:55,408
WANT TO SEE ME GUILTY,
WELL, YOU GO RIGHT AHEAD,
1139
01:16:55,443 --> 01:16:58,011
BUT I'M NOT GONNA GIVE YOU
ANY MORE SATISFACTION
1140
01:16:58,046 --> 01:16:59,513
THAN I HAVE TO.
1141
01:16:59,548 --> 01:17:01,948
NOW, WHETHER YOU
SHOOT ME OR HANG ME
1142
01:17:01,984 --> 01:17:04,450
OR TAKE MY RIFLE
OR MY HORSE,
1143
01:17:04,486 --> 01:17:06,219
ONE REASON'S AS GOOD
AS ANOTHER.
1144
01:17:06,254 --> 01:17:07,888
AND I BELIEVE THAT.
I DO.
1145
01:17:07,923 --> 01:17:10,223
THAT'S MY LAST WORD
ON THIS MATTER.
1146
01:17:10,258 --> 01:17:12,659
Man:
YOU TELL THEM, TOM!
1147
01:17:12,694 --> 01:17:14,193
[GAVEL POUNDS]
1148
01:17:14,229 --> 01:17:17,196
Judge: NOW, I WANT
ORDER IN THIS COURT!
1149
01:17:17,232 --> 01:17:20,000
IN THE INTEREST
OF A FAIR TRIAL,
1150
01:17:20,035 --> 01:17:21,568
I'M GOING TO SUGGEST
1151
01:17:21,603 --> 01:17:23,269
THERE'S SOMETHING
ABOUT OUR PROCEEDINGS
1152
01:17:23,304 --> 01:17:25,605
WHICH SEEM TO ELUDE
MR. HORN HERE.
1153
01:17:25,641 --> 01:17:28,107
BUT FORGIVINGLY,
I'M GOING TO SUGGEST
1154
01:17:28,143 --> 01:17:31,611
THAT HIS LIFE IN THE LAWLESS
PARTS OF OUR COUNTRY
1155
01:17:31,647 --> 01:17:33,613
HAVE LEFT HIM
ENTIRELY UNFAMILIAR
1156
01:17:33,649 --> 01:17:35,682
WITH THE PROCESSES
OF THE LAW.
1157
01:17:35,717 --> 01:17:37,450
AND I STRONGLY SUGGEST
THAT SOMEONE
1158
01:17:37,485 --> 01:17:39,152
WHO IS INTERESTED
IN HIS WELFARE
1159
01:17:39,187 --> 01:17:40,620
EDUCATE HIM IN OUR WAYS.
1160
01:17:40,656 --> 01:17:42,989
I'M NOT SURE
THAT IT'S NECESSARY
1161
01:17:43,025 --> 01:17:45,224
TO POINT OUT
THAT IT IS HIS LIFE
1162
01:17:45,260 --> 01:17:46,726
WHICH IS IN QUESTION HERE.
1163
01:17:51,767 --> 01:17:53,332
TOM?
1164
01:17:53,368 --> 01:17:55,334
COLD ONE TONIGHT.
1165
01:17:59,775 --> 01:18:00,973
HEY, EARL?
1166
01:18:07,048 --> 01:18:09,516
LISTEN, I BEEN DOWN
ON MY LUCK LATELY,
1167
01:18:09,551 --> 01:18:12,018
AND I WANT TO
TRY TO REVIVE IT.
1168
01:18:12,053 --> 01:18:14,521
THIS MAY SOUND KIND OF
OFF-CENTER TO YOU,
1169
01:18:14,556 --> 01:18:17,023
BUT I WANT TO TAKE
MY INDIAN CHARMS
1170
01:18:17,058 --> 01:18:19,526
AND SET THEM UNDER
MY BUNK TONIGHT,
1171
01:18:19,561 --> 01:18:20,860
SO WHEN YOU COME
IN THE MORNING
1172
01:18:20,896 --> 01:18:22,529
TO GIVE ME
MY BREAKFAST,
1173
01:18:22,564 --> 01:18:24,030
I'D APPRECIATE IT
1174
01:18:24,065 --> 01:18:26,032
IF YOU DIDN'T
LOOK AT THEM.
1175
01:18:26,067 --> 01:18:27,534
I'LL PROBABLY
BE ASLEEP
1176
01:18:27,569 --> 01:18:29,035
BECAUSE I'LL BE UP
1177
01:18:29,070 --> 01:18:31,003
MOST OF THE NIGHT
THINKING.
1178
01:18:31,039 --> 01:18:32,204
SURE, TOM.
1179
01:19:37,739 --> 01:19:39,205
TWO BOURBONS.
1180
01:19:39,240 --> 01:19:41,508
WHAT I'M TRYING
TO PROVE, PHILIP,
1181
01:19:41,543 --> 01:19:43,810
IS THAT CRIMINALS
LIKE TOM HORN
1182
01:19:43,845 --> 01:19:45,812
ARE NOT IMMUNE
TO PROSECUTION.
1183
01:19:45,847 --> 01:19:47,146
THE NEWSPAPERS
1184
01:19:47,181 --> 01:19:48,247
AND THE LEGAL
PROFESSION
1185
01:19:48,282 --> 01:19:50,249
ARE GOING TO
SET THINGS STRAIGHT
1186
01:19:50,284 --> 01:19:51,417
IN THIS COUNTRY.
1187
01:19:51,452 --> 01:19:53,419
AND OUR SYSTEM
OF JUSTICE
1188
01:19:53,454 --> 01:19:55,822
ENSURES THAT KILLERS
LIKE TOM HORN
1189
01:19:55,857 --> 01:19:57,824
GET EXACTLY
WHAT THEY DESERVE,
1190
01:19:57,859 --> 01:20:00,727
AND I'M GOING TO
SEE THAT IT HAPPENS.
1191
01:20:00,762 --> 01:20:02,228
[SLAMS GLASS ON TABLE]
1192
01:20:17,111 --> 01:20:19,079
[DOOR OPENS]
1193
01:21:34,322 --> 01:21:35,789
[HORSE WHINNIES]
1194
01:22:09,791 --> 01:22:11,257
[BELL RINGING]
1195
01:22:48,830 --> 01:22:50,796
WHERE ARE
THE RIFLES IN HERE?
1196
01:22:50,832 --> 01:22:52,298
THE SHERIFF SAID
1197
01:22:52,334 --> 01:22:54,300
WE CAN'T KEEP THEM
IN HERE NO LONGER.
1198
01:22:54,336 --> 01:22:55,801
YOU GOT A GUN?
1199
01:22:55,837 --> 01:22:57,803
NO. YOU GOING TO
KILL ME?
1200
01:22:57,839 --> 01:23:00,306
YOU AND I ARE WALKING
OUT OF HERE,
1201
01:23:00,342 --> 01:23:02,742
AND YOU'RE GOING TO SMILE.
NOW, SMILE! SMILE!
1202
01:23:05,280 --> 01:23:08,248
KEEP SMILING. SMILE.
1203
01:23:09,784 --> 01:23:12,752
LISTEN. I GOT A .41
CALIBER IN YOUR BACK.
1204
01:24:26,294 --> 01:24:27,827
[BELL RINGING]
1205
01:25:10,005 --> 01:25:11,037
WHOA!
1206
01:25:11,072 --> 01:25:12,038
OH!
1207
01:25:14,509 --> 01:25:15,975
[HORSE NEIGHS]
1208
01:25:35,330 --> 01:25:37,263
[HORSE NEIGHS]
1209
01:25:37,298 --> 01:25:39,098
YOU DAMN FOOLS!
1210
01:25:39,134 --> 01:25:42,235
WHAT ARE YOU TRYING
TO DO, KILL HIM?
1211
01:25:43,771 --> 01:25:45,905
SHOOT!
1212
01:25:45,940 --> 01:25:48,007
YOU DAMN FOOLS!
1213
01:25:55,016 --> 01:25:56,949
[GAVEL POUNDS]
1214
01:25:58,286 --> 01:26:01,254
Judge: HAS THE JURY
ARRIVED AT A VERDICT?
1215
01:26:01,289 --> 01:26:03,322
Foreman: YES,
WE HAVE, YOUR HONOR.
1216
01:26:03,358 --> 01:26:04,723
THE JURY FINDS
THE DEFENDANT,
1217
01:26:04,759 --> 01:26:05,891
TOM HORN, GUILTY.
1218
01:26:05,927 --> 01:26:10,229
THE COURT FINDS YOU GUILTY
OF MURDER AS CHARGED.
1219
01:26:10,265 --> 01:26:12,731
YOU ARE SENTENCED
TO BE HANGED
1220
01:26:12,767 --> 01:26:14,600
BY THE NECK UNTIL DEAD
1221
01:26:14,635 --> 01:26:19,105
BETWEEN THE HOURS
OF 8 A.M. AND 9 A.M.
1222
01:26:19,140 --> 01:26:21,740
ON NOVEMBER 20, 1903.
1223
01:26:21,776 --> 01:26:24,743
MAY THE LORD HAVE
MERCY ON YOUR SOUL.
1224
01:26:42,797 --> 01:26:45,264
SOMEDAY YOU'RE GOING TO HAVE TO PAY
1225
01:26:45,300 --> 01:26:47,567
FOR YOUR WAY OF LIFE, TOM.
1226
01:26:47,602 --> 01:26:50,269
YOU'RE A BAD MAN, AND I KNOW IT.
1227
01:26:50,305 --> 01:26:54,207
AND IF I LET YOU TALK ME OUT OF IT,
1228
01:26:54,242 --> 01:26:55,674
I'LL BE LOST FOREVER.
1229
01:26:57,979 --> 01:27:00,279
AND MY ADVENTURES IN THIS LIFE
1230
01:27:00,315 --> 01:27:01,447
WON'T MEAN ANYTHING...
1231
01:27:02,917 --> 01:27:05,151
BECAUSE YOU WILL HAVE SEDUCED MY SOUL
1232
01:27:05,186 --> 01:27:07,320
AND DRAWN ME INTO YOUR WORLD.
1233
01:27:11,159 --> 01:27:12,625
GOOD-BYE, TOM.
1234
01:27:21,402 --> 01:27:22,901
[DOOR OPENS]
1235
01:27:25,106 --> 01:27:27,072
HAS HIS WEIGHT
BEEN VARYING MUCH
1236
01:27:27,108 --> 01:27:28,574
HERE IN THE JAIL?
1237
01:27:28,610 --> 01:27:30,075
I DON'T BELIEVE SO.
IT STAYED ABOUT THE SAME.
1238
01:27:30,111 --> 01:27:31,577
DO YOU KNOW
HOW TALL HE IS?
1239
01:27:31,613 --> 01:27:33,078
I AIN'T SURE.
1240
01:27:46,461 --> 01:27:48,594
ALL RIGHT, TOM.
STEP OUT.
1241
01:27:52,767 --> 01:27:54,400
UP ON THE SCALES.
1242
01:27:57,272 --> 01:27:58,737
WHAT'S THIS FOR?
1243
01:27:58,773 --> 01:28:01,674
I'M DESIGNING
YOUR GALLOWS, MR. HORN.
1244
01:28:01,709 --> 01:28:04,177
I'VE GOT TO GET
THE WEIGHTS EXACTLY RIGHT.
1245
01:28:04,212 --> 01:28:07,180
IF THIS THING WORKS
THE WAY I DESIGNED IT,
1246
01:28:07,215 --> 01:28:09,182
YOU SHOULD FALL
ABSOLUTELY STRAIGHT, STOP,
1247
01:28:09,217 --> 01:28:11,684
AND MAKE A HALF-TURN
TO THE RIGHT.
1248
01:28:13,221 --> 01:28:15,188
WILL I BE ALIVE
OR DEAD?
1249
01:28:15,223 --> 01:28:16,422
WHEN?
1250
01:28:16,457 --> 01:28:19,425
WHEN I MAKE THAT
HALF-TURN TO THE RIGHT.
1251
01:28:19,460 --> 01:28:20,926
YOU SHOULD BE DEAD.
1252
01:28:20,961 --> 01:28:24,530
NOBODY WANTS TO SPRING
THE TRAP ON YOU, TOM.
1253
01:28:24,566 --> 01:28:26,031
MR. JULIAN HERE
1254
01:28:26,067 --> 01:28:29,235
IS DESIGNING SOMETHING
SPECIAL FOR US.
1255
01:28:29,270 --> 01:28:31,237
THE TRAP IS
WATER-OPERATED.
1256
01:28:31,272 --> 01:28:34,240
CHRIST, YOU AIN'T GOING TO
DROWN ME, ARE YOU?
1257
01:28:34,275 --> 01:28:36,742
NO. YOU JUST STEP
ONTO THE PLATFORM,
1258
01:28:36,777 --> 01:28:39,245
AND YOUR WEIGHT WILL
ACTIVATE A WATER VALVE
1259
01:28:39,280 --> 01:28:41,247
THAT FINALLY
SPRINGS THE TRAP.
1260
01:28:41,282 --> 01:28:42,248
MM-HMM.
1261
01:28:43,451 --> 01:28:45,918
Sam: ALL RIGHT.
STEP BACK INSIDE.
1262
01:28:56,464 --> 01:28:58,931
DO I SPRING THAT
TRAP MYSELF?
1263
01:28:58,966 --> 01:29:00,566
Julian: EXACTLY.
1264
01:29:01,669 --> 01:29:02,702
MAKES ME FEEL LIKE
1265
01:29:02,737 --> 01:29:04,103
I'M COMMITTING
SUICIDE.
1266
01:29:04,138 --> 01:29:05,904
YOU SUPPOSE THAT'S
WHAT I'VE BEEN DOING
1267
01:29:05,940 --> 01:29:07,206
ALL THESE YEARS,
SAM?
1268
01:29:07,242 --> 01:29:09,275
DON'T ASK ME
THAT, TOM.
1269
01:29:10,645 --> 01:29:12,111
HERE. BRING THE SCALES.
1270
01:29:12,146 --> 01:29:13,613
COME ON, MR. JULIAN.
1271
01:29:22,657 --> 01:29:24,123
[DOOR CLOSES]
1272
01:30:12,706 --> 01:30:14,773
Sam:
TOM, IT'S TIME.
1273
01:30:28,722 --> 01:30:32,024
I'M GOING TO HAVE TO
STRAP YOU UP, TOM.
1274
01:30:53,247 --> 01:30:55,514
EARL, I'M SORRY
1275
01:30:55,549 --> 01:30:58,283
I BUSTED YOUR HEAD SO HARD
AGAINST THOSE BARS.
1276
01:30:59,820 --> 01:31:01,520
THAT'S
ALL RIGHT, TOM.
1277
01:31:01,555 --> 01:31:06,758
OH, TOM...THIS IS
FATHER J.P. BROWN.
1278
01:31:06,793 --> 01:31:08,260
HOW DO YOU DO?
1279
01:31:08,295 --> 01:31:10,095
FINE, TOM.
AND YOU?
1280
01:31:13,800 --> 01:31:16,268
HOW LONG YOU HAD
THAT BIBLE?
1281
01:31:16,303 --> 01:31:17,769
28 YEARS.
1282
01:31:19,073 --> 01:31:21,540
GOT HER ABOUT
BUCKED OUT YET?
1283
01:31:21,575 --> 01:31:23,542
OH, I THINK SO.
1284
01:31:26,480 --> 01:31:27,946
YOU READY?
1285
01:31:27,981 --> 01:31:29,448
YEAH.
1286
01:31:58,345 --> 01:31:59,311
I UNDERSTAND
1287
01:31:59,346 --> 01:32:00,312
YOU'RE GETTING
MARRIED, SON.
1288
01:32:00,347 --> 01:32:02,247
YES, I AM, MR. HORN.
1289
01:32:02,283 --> 01:32:04,749
WELL, YOU TAKE GOOD
CARE OF HER, NOW.
1290
01:32:12,793 --> 01:32:14,259
Sam:
RIGHT THERE, TOM.
1291
01:33:01,775 --> 01:33:03,108
TOM...
1292
01:33:03,144 --> 01:33:04,610
KEEP YOUR NERVE, SAM,
1293
01:33:04,645 --> 01:33:07,045
BECAUSE I'M GOING TO
KEEP MINE.
1294
01:33:39,012 --> 01:33:42,481
ALL RIGHT, TOM.
S-STEP BACK ON THE TRAP.
1295
01:33:50,391 --> 01:33:51,923
THERE.
1296
01:34:36,303 --> 01:34:37,769
SAM, I'VE NEVER SEEN
1297
01:34:37,804 --> 01:34:41,206
SUCH A PASTY-FACED BUNCH
OF SHERIFFS IN MY LIFE.
1298
01:35:20,481 --> 01:35:23,448
CAPTIONING MADE POSSIBLE BY
WARNER BROS.
1299
01:35:23,484 --> 01:35:26,451
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--
79488
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