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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:02,702 --> 00:00:04,301 [GUNFIRE] 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:08,942 --> 00:00:10,808 [BUGLE PLAYING] 5 00:00:15,048 --> 00:00:17,148 [CANNON FIRES] 6 00:00:17,183 --> 00:00:19,283 [CARRIAGE RATTLING] 7 00:00:25,191 --> 00:00:26,557 [GUNSHOT] 8 00:01:03,229 --> 00:01:06,197 CAPTIONING MADE POSSIBLE BY WARNER BROS. 9 00:02:50,603 --> 00:02:52,035 MORNING. 10 00:02:52,071 --> 00:02:53,537 Man: MORNING. WHAT DO YOU WANT? 11 00:02:53,573 --> 00:02:55,038 HUH? 12 00:02:55,074 --> 00:02:56,540 WHAT DO YOU WANT? 13 00:02:56,576 --> 00:02:58,743 HOW MUCH? 14 00:02:58,778 --> 00:03:01,512 24 CENTS...CASH. 15 00:03:03,182 --> 00:03:04,482 DON'T PUT HIM IN 16 00:03:04,517 --> 00:03:05,516 WITH ANY OTHER HORSE, WOULD YOU? 17 00:03:05,551 --> 00:03:06,850 WHY NOT? 18 00:03:06,886 --> 00:03:08,852 IT WOULD JUST BE BETTER. 19 00:03:08,888 --> 00:03:11,021 THAT WILL BE EXTRA. 20 00:03:13,293 --> 00:03:15,593 [WHINNY] 21 00:03:15,628 --> 00:03:17,595 PUT HIM IN WITH ANOTHER HORSE, 22 00:03:17,630 --> 00:03:19,597 HE'S GOING TO KILL HIM. 23 00:03:19,632 --> 00:03:21,432 THAT WILL BE EXTRA FOR YOU. 24 00:03:21,467 --> 00:03:23,401 WHAT THE HELL ELSE DOES HE DO? 25 00:03:23,436 --> 00:03:24,902 WELL, HE CAN SPIN 26 00:03:24,937 --> 00:03:26,404 IN HALF HIS OWN LENGTH 27 00:03:26,439 --> 00:03:27,938 AND CROSS FIRE FROM EITHER SIDE. 28 00:03:27,973 --> 00:03:29,940 IF YOU DROP A DIME OVER IN THAT STALL, 29 00:03:29,975 --> 00:03:31,442 DON'T STOOP TO GET IT. 30 00:03:31,477 --> 00:03:32,443 GET IT WITH YOUR PITCHFORK. 31 00:03:32,478 --> 00:03:34,111 WHAT DO YOU KEEP HIM AROUND FOR? 32 00:03:34,146 --> 00:03:35,346 THAT'S A MOTHER-IN-LAW HORSE. 33 00:03:35,381 --> 00:03:36,980 YOU KNOW WHAT THAT IS? 34 00:03:37,016 --> 00:03:38,482 A MOTHER-IN-LAW HORSE 35 00:03:38,518 --> 00:03:40,484 IS A HORSE YOU PUT YOUR MOTHER-IN-LAW ON. 36 00:03:40,520 --> 00:03:42,486 YOU SEND THEM BOTH UP IN THE HILLS 37 00:03:42,522 --> 00:03:44,522 AND HOPE THEY DON'T EVER COME BACK. 38 00:03:44,557 --> 00:03:46,123 HERE'S YOUR MONEY. 39 00:03:46,158 --> 00:03:47,458 24. 40 00:03:47,493 --> 00:03:48,959 HE JUST ALL AROUND 41 00:03:48,994 --> 00:03:50,594 LOOKS AFTER MY BEST WELFARE. 42 00:03:50,630 --> 00:03:53,230 I'M GOING OUT AND GET A MORNING WHISKEY. 43 00:03:53,265 --> 00:03:55,232 IF ALL GOES WRONG, I'LL COME BACK 44 00:03:55,267 --> 00:03:56,967 AND SLEEP IN THAT STALL. 45 00:03:57,002 --> 00:03:58,469 WHAT ABOUT YOUR TACK? 46 00:03:58,504 --> 00:03:59,704 KEEP IT IN THERE. 47 00:03:59,739 --> 00:04:00,971 ANYBODY THAT'S BRAVE ENOUGH 48 00:04:01,006 --> 00:04:02,172 TO GO IN THERE AND GET IT-- 49 00:04:02,208 --> 00:04:03,941 THEY'RE WELCOME TO IT. 50 00:04:10,616 --> 00:04:12,450 Man: HARRY, PASS THE CHAMPAGNE. 51 00:04:12,485 --> 00:04:14,218 Second Man: BREAKFAST CHAMPAGNE IN HAGERVILLE. 52 00:04:14,253 --> 00:04:16,220 Third Man: HOW CAN I PASS THE CHAMPAGNE 53 00:04:16,255 --> 00:04:17,621 WHEN DEXTER DRANK IT ALL? 54 00:04:17,657 --> 00:04:19,323 BARKEEP, A LITTLE MORE CHAMPAGNE. 55 00:04:19,359 --> 00:04:21,392 AS SOON AS WE GET TO SAN FRANCISCO, 56 00:04:21,427 --> 00:04:22,893 I WANT TO CHECK OUT WHERE MAHARE IS TRAINING. 57 00:04:22,928 --> 00:04:24,395 IT WILL BE PRETTY TOUGH. 58 00:04:24,430 --> 00:04:26,597 I UNDERSTAND HE'S COPYING YOUR STYLE, JIM. 59 00:04:26,632 --> 00:04:28,332 I'M NOT WORRIED ABOUT HIM. 60 00:04:28,368 --> 00:04:30,334 LAST 10 GUYS HE FACED, HE KNOCKED 'EM OUT. 61 00:04:30,370 --> 00:04:31,869 Man: HE'S NEVER SEEN JIM'S FOOTWORK. 62 00:04:31,904 --> 00:04:33,437 REMEMBER THAT FLORIDA FIGHT? 63 00:04:33,473 --> 00:04:35,072 YOU WERE SO FAST 64 00:04:35,107 --> 00:04:36,607 HE COULDN'T LAND A PUNCH. 65 00:04:36,642 --> 00:04:37,842 HEY, 66 00:04:37,877 --> 00:04:40,378 THAT NEW PUNCH OF YOURS IS THE GREATEST IN THE GAME. 67 00:04:40,413 --> 00:04:42,246 HEY, TEX, 68 00:04:42,281 --> 00:04:44,248 DID YOU EVER HEAR OF A HOOK PUNCH? 69 00:04:44,283 --> 00:04:45,249 NO, I HAVEN'T. 70 00:04:45,284 --> 00:04:46,751 WELL, WE'RE TOASTING THE MAN 71 00:04:46,786 --> 00:04:48,686 WITH THE GREATEST HOOK PUNCH IN THE WORLD. 72 00:04:48,721 --> 00:04:50,888 BARKEEP, GIVE TEX SOME CHAMPAGNE 73 00:04:50,923 --> 00:04:51,922 SO HE CAN TOAST WITH US. 74 00:04:51,957 --> 00:04:53,424 I'D RATHER HAVE WHISKEY. 75 00:04:53,459 --> 00:04:55,259 GIVE HIM ANYTHING HE WANTS. 76 00:04:55,294 --> 00:04:57,261 JIM, YOU BROUGHT A TOUCH OF CLASS 77 00:04:57,296 --> 00:04:58,763 TO THIS GAME. 78 00:04:58,798 --> 00:05:01,231 AND A LOT OF PRETTY LADIES. 79 00:05:01,267 --> 00:05:02,633 [GLASSES CLINKING] 80 00:05:02,668 --> 00:05:04,067 HEY, TEX. YOU READY? 81 00:05:04,103 --> 00:05:06,003 WHAT ARE WE TOASTING? 82 00:05:06,038 --> 00:05:07,405 WE'RE TOASTING 83 00:05:07,440 --> 00:05:09,072 THE NEXT HEAVYWEIGHT CHAMPION OF THE WORLD-- 84 00:05:09,108 --> 00:05:10,408 "GENTLEMAN" JIM CORBETT. 85 00:05:10,443 --> 00:05:12,676 WELL, HE'S GOT TO FIGHT FOR IT YET, 86 00:05:12,712 --> 00:05:14,177 SO HE AIN'T CHAMPION. 87 00:05:14,213 --> 00:05:15,646 WHY DON'T WE TOAST SOMETHING INTERESTING. 88 00:05:15,681 --> 00:05:16,714 LIKE WHAT? 89 00:05:16,749 --> 00:05:18,883 WELL, LIKE GERONIMO THERE? 90 00:05:18,918 --> 00:05:20,651 HE'S INTERESTING. 91 00:05:20,686 --> 00:05:22,085 IN A PIG'S ASS. 92 00:05:22,121 --> 00:05:23,320 DON'T YOU READ THE PAPERS? 93 00:05:23,355 --> 00:05:24,321 THEY PUT GERONIMO IN JAIL, 94 00:05:24,356 --> 00:05:25,589 WHERE HE BELONGS. 95 00:05:25,625 --> 00:05:27,291 LET ME ASK YOU SOMETHING, TEX. 96 00:05:27,326 --> 00:05:31,061 WHO'S GERONIMO NEXT TO JIM CORBETT? 97 00:05:31,096 --> 00:05:32,563 GERONIMO'S A MAN SO GREAT 98 00:05:32,598 --> 00:05:34,064 THAT CORBETT THERE WOULD HAVE TO STAND 99 00:05:34,099 --> 00:05:36,066 ON HIS MOTHER'S SHOULDERS TO KISS HIS ASS. 100 00:05:36,101 --> 00:05:37,768 FRANK! 101 00:05:53,953 --> 00:05:55,419 WHAT'S YOUR NAME? 102 00:05:55,455 --> 00:05:56,921 TOM HORN. 103 00:05:56,956 --> 00:05:59,890 DO YOU HAVE A GUN, TOM? 104 00:05:59,926 --> 00:06:01,358 NO, I DON'T. 105 00:06:01,393 --> 00:06:02,793 GOOD. THEN YOU'RE GOING TO GET 106 00:06:02,829 --> 00:06:04,462 EXACTLY WHAT YOU DESERVE. 107 00:06:04,497 --> 00:06:06,464 I DON'T KNOW WHERE YOU COME FROM, TOM, 108 00:06:06,499 --> 00:06:08,666 BUT THE MANNERS THAT YOU'VE ARRIVED WITH 109 00:06:08,701 --> 00:06:10,801 ARE JUST AWFUL. 110 00:06:10,837 --> 00:06:12,302 I'M TRYING TO IMAGINE 111 00:06:12,338 --> 00:06:14,204 HOW YOU COULD MAKE SUCH A REFERENCE 112 00:06:14,239 --> 00:06:15,573 TO THE MOTHER OF THE FUTURE 113 00:06:15,608 --> 00:06:16,907 HEAVYWEIGHT CHAMPION OF THE WORLD. 114 00:06:16,943 --> 00:06:18,408 WELL, YOU AIN'T CHAMPION YET. 115 00:06:18,444 --> 00:06:20,644 BESIDES, YOU'RE ACTING KINDA LIKE AN ASSHOLE. 116 00:06:20,680 --> 00:06:22,947 I COULD GO TO THE PENITENTIARY OVER YOU, HORN. 117 00:06:22,982 --> 00:06:24,348 NOW WAIT A MINUTE. 118 00:06:24,383 --> 00:06:25,683 BEFORE WE START THIS FIGHT, 119 00:06:25,718 --> 00:06:27,017 I WANT TO ASK YOU ONE QUESTION. 120 00:06:27,052 --> 00:06:28,519 IS IT ABOUT MY MOTHER? 121 00:06:28,554 --> 00:06:29,987 NO. I'VE SAID ENOUGH ABOUT HER. 122 00:06:30,022 --> 00:06:31,489 IF I WIN THIS FIGHT, 123 00:06:31,524 --> 00:06:33,390 AM I THE CHAMPION OF THE WORLD? 124 00:06:33,425 --> 00:06:34,892 YOU'RE NOT BIG ENOUGH. 125 00:06:34,927 --> 00:06:36,894 THEN WHY ARE YOU PICKING ON A LITTLE FELLOW LIKE ME FOR? 126 00:06:36,929 --> 00:06:39,396 YOU GET IN A FIGHT IN A PUBLIC BAR, 127 00:06:39,431 --> 00:06:41,331 THEY'LL DISCREDIT YOU FROM THE FIGHT PROFESSION. 128 00:06:41,367 --> 00:06:42,700 I'M GONNA SAVE YOU FROM THAT. 129 00:06:42,735 --> 00:06:44,702 THAT AIN'T THE REAL TOM HORN, IS IT? 130 00:06:44,737 --> 00:06:46,871 HE DON'T SEEM TO BE TOO SCARED OF CORBETT. 131 00:06:46,906 --> 00:06:48,539 HE'S GOING TO GET HISSELF KILLED. 132 00:06:53,245 --> 00:06:55,078 LORD, THE END IS HERE. 133 00:06:56,448 --> 00:06:58,415 IS TOM HORN IN THERE? 134 00:06:58,451 --> 00:06:59,916 OH, YEAH. HE'S HERE. 135 00:06:59,952 --> 00:07:01,585 LAST STALL ON THE RIGHT. 136 00:07:01,620 --> 00:07:02,819 I WOULDN'T GO IN THERE WITH THAT HORSE 137 00:07:02,855 --> 00:07:04,355 IF I WERE YOU. 138 00:07:04,390 --> 00:07:06,423 THAT SON OF A BITCH IS HALF RANK. 139 00:07:06,459 --> 00:07:08,892 HE'S GOT HIM TRAINED TO STAND PEOPLE OFF. 140 00:07:08,927 --> 00:07:10,894 WELL, HE'S A HERO OF THE FRONTIER, 141 00:07:10,929 --> 00:07:12,896 AND HE'S LYING HERE IN HAGERVILLE 142 00:07:12,931 --> 00:07:14,564 WITH HIS FACE KICKED IN. 143 00:07:17,136 --> 00:07:18,602 CAN YOU HEAR ME? 144 00:07:18,637 --> 00:07:19,669 Horn: YEAH. 145 00:07:19,705 --> 00:07:21,605 HOW BAD YOU HURT? 146 00:07:21,640 --> 00:07:23,607 IT WASN'T MUCH OF A PARTY. 147 00:07:23,642 --> 00:07:25,109 SAY, YOU ANOTHER ONE 148 00:07:25,144 --> 00:07:27,211 OF THOSE NEWSPAPER GUYS? 149 00:07:27,246 --> 00:07:28,712 NO, I AIN'T, 150 00:07:28,747 --> 00:07:30,214 BUT I'D LIKE TO GET YOU 151 00:07:30,249 --> 00:07:31,848 OUT FROM UNDER THAT HORSE, IF I CAN. 152 00:07:31,884 --> 00:07:33,783 WELL, OPEN UP THAT GATE, 153 00:07:33,819 --> 00:07:35,585 AND I'LL WALK HIM OUT. 154 00:07:35,621 --> 00:07:37,054 [HORSE WHINNIES] 155 00:07:43,929 --> 00:07:45,595 [GRUNTS] 156 00:07:45,631 --> 00:07:47,597 LET ME ASK YOU SOMETHING. 157 00:07:47,633 --> 00:07:50,100 ARE YOU IN FACT TOM HORN? 158 00:07:50,136 --> 00:07:51,635 YES, I AM. 159 00:07:54,640 --> 00:07:56,673 GODDAMN, TOM. 160 00:07:56,708 --> 00:07:59,776 HA HA HA! 161 00:07:59,811 --> 00:08:01,678 AH. 162 00:08:01,713 --> 00:08:03,947 YOU KNOW, HERE IN JERKVILLE, 163 00:08:03,982 --> 00:08:05,449 WHERE THESE YOKELS 164 00:08:05,484 --> 00:08:06,950 IS BUSY FLICKING DANDRUFF 165 00:08:06,985 --> 00:08:08,618 OFF THEIR MAIL-ORDER SUITS, 166 00:08:08,654 --> 00:08:10,120 THEY FORGET AWFUL QUICK 167 00:08:10,156 --> 00:08:11,788 THAT IT WAS MEN LIKE YOU 168 00:08:11,823 --> 00:08:13,490 THAT MADE IT SAFE AND POSSIBLE 169 00:08:13,526 --> 00:08:15,092 FOR THEM TO LEAD OUT 170 00:08:15,127 --> 00:08:16,593 THEIR DULL LITTLE LIVES. 171 00:08:16,628 --> 00:08:18,095 WELL, RIGHT NOW, 172 00:08:18,130 --> 00:08:21,631 I WISH I HAD NOTHING TO DO WITH IT. 173 00:08:21,667 --> 00:08:23,233 WHAT'S YOUR NAME? 174 00:08:23,269 --> 00:08:24,734 JOHN COBLE. 175 00:08:24,770 --> 00:08:28,105 WELL, WHAT CAN I DO FOR YOU, JOHN? 176 00:08:28,140 --> 00:08:31,108 WELL, FIRST I'D LIKE TO OFFER YOU MY RANCH 177 00:08:31,143 --> 00:08:32,609 TILL YOU GET RECOVERED. 178 00:08:32,644 --> 00:08:35,612 AND THEN I'D LIKE TO OFFER YOU WORK 179 00:08:35,647 --> 00:08:37,448 THAT SUITS BOTH YOUR ABILITY 180 00:08:37,483 --> 00:08:38,949 AND YOUR QUALITIES. 181 00:08:38,984 --> 00:08:41,318 I'M A FAIR HAND, AND I'LL EARN MY KEEP. 182 00:08:41,353 --> 00:08:43,087 I KNOW YOU WILL, TOM. 183 00:08:43,122 --> 00:08:44,354 [PLAYING MUSIC] 184 00:08:44,390 --> 00:08:46,890 Coble: WE BETTER STOP AND WATER OUR HORSES 185 00:08:46,925 --> 00:08:48,358 HERE AT BROWN'S HOLE. 186 00:08:49,828 --> 00:08:52,762 WE SHOULD MOVE ON AS QUICKLY AS WE CAN. 187 00:09:08,680 --> 00:09:10,046 TOM... 188 00:09:10,082 --> 00:09:12,149 SOME OF THOSE COWS IN THERE ARE MINE. 189 00:09:12,184 --> 00:09:14,418 WHAT ARE YOU LOOKING AT, MR. COBLE? 190 00:09:14,453 --> 00:09:16,820 OH, WE'RE JUST GOING TO WATER OUR HORSES, 191 00:09:16,855 --> 00:09:18,822 AND WE'LL BE MOVING ON. 192 00:09:18,857 --> 00:09:20,790 YOU LIKE TO BUY SOME OF THEM COWS? 193 00:09:20,826 --> 00:09:21,925 [TWANGS MOUTH HARP] 194 00:09:21,960 --> 00:09:23,327 I DON'T WANT NO TROUBLE, 195 00:09:23,362 --> 00:09:26,230 AND LIKE I SAY, WE'LL BE MOVING ON. 196 00:09:26,265 --> 00:09:27,998 [PLAYING MOUTH HARP] 197 00:09:55,294 --> 00:09:57,494 Man: HOW ABOUT A LITTLE DANCE? 198 00:09:58,597 --> 00:10:00,096 GIVE US A LITTLE DANCE, 199 00:10:00,132 --> 00:10:01,765 MR. COBLE. 200 00:10:04,736 --> 00:10:06,836 DANCE! 201 00:10:06,872 --> 00:10:09,206 I SAID DANCE! 202 00:10:09,241 --> 00:10:11,141 [GUNSHOT] 203 00:10:13,745 --> 00:10:15,579 OW! 204 00:10:17,216 --> 00:10:18,682 ALL RIGHT, MR. COBLE, 205 00:10:18,717 --> 00:10:20,917 WHY DON'T YOU JUST RIDE ON OUT? 206 00:10:27,393 --> 00:10:29,226 AAH! 207 00:10:29,261 --> 00:10:31,295 GET THAT SHOOTER AND PUT IT IN THIS WATER TROUGH. 208 00:10:34,500 --> 00:10:35,932 Horn: MOVE! 209 00:10:48,747 --> 00:10:50,780 Man: YOU SON OF A BITCH! 210 00:10:50,816 --> 00:10:53,550 I'LL GET YOU, YOU SON OF A BITCH! 211 00:10:53,586 --> 00:10:55,051 Coble: TOM, THAT LITTLE DEAL 212 00:10:55,087 --> 00:10:56,553 BACK THERE AT BROWN'S HOLE 213 00:10:56,589 --> 00:10:58,054 OUGHT TO GIVE YOU AN IDEA 214 00:10:58,090 --> 00:11:00,156 OF WHAT WE'VE BEEN PUTTING UP WITH OUT HERE. 215 00:11:16,041 --> 00:11:18,942 Man: GET UP! GET UP, YOU! 216 00:11:25,351 --> 00:11:26,584 HYAH! 217 00:11:27,987 --> 00:11:29,487 HYAH! 218 00:11:35,328 --> 00:11:37,194 I AIN'T NEVER SEEN ROPING LIKE THAT. 219 00:11:37,230 --> 00:11:39,663 DAMN. HE SURE DON'T ROPE LIKE NO CHRISTIAN. 220 00:11:43,936 --> 00:11:45,902 I'M GOING TO TELL YOU-- 221 00:11:45,938 --> 00:11:48,705 ANY MEANS THAT YOU HAVE TO TAKE 222 00:11:48,741 --> 00:11:51,842 TO ELIMINATE THIS RUSTLING PROBLEM, 223 00:11:51,877 --> 00:11:53,877 WE'RE ALL BEHIND YOU 100%. 224 00:11:53,912 --> 00:11:56,680 THE WHOLE ORGANIZATION? 225 00:11:56,715 --> 00:11:58,182 ALL OF US. 226 00:11:59,818 --> 00:12:01,418 WELL, I'LL JUST HAVE TO 227 00:12:01,454 --> 00:12:03,887 TAKE YOUR WORD ON THAT, JOHN. 228 00:12:03,922 --> 00:12:05,523 YOU GOT IT. 229 00:12:09,728 --> 00:12:11,695 [GUNSHOT] 230 00:12:40,959 --> 00:12:42,926 Coble: HEY, TOM, HOW YOU FEELING? 231 00:12:42,961 --> 00:12:44,395 Horn: WELL, WE'RE PLUGGING ALONG. 232 00:12:44,430 --> 00:12:47,097 I'M GIVING A LITTLE PARTY AT THE HOUSE, 233 00:12:47,132 --> 00:12:48,332 AND I'D LIKE YOU TO MEET EVERYBODY. 234 00:12:48,367 --> 00:12:49,833 I'M KIND OF RAGGEDY. 235 00:12:49,868 --> 00:12:51,335 NOBODY WILL MIND. 236 00:12:51,370 --> 00:12:52,670 MOST OF THE ASSOCIATION 237 00:12:52,705 --> 00:12:53,737 WILL BE THERE, 238 00:12:53,772 --> 00:12:55,439 AND THEY'RE ALL ANXIOUS TO MEET YOU. 239 00:12:55,474 --> 00:12:57,140 OK. 240 00:13:07,052 --> 00:13:09,553 THAT'S IT! 241 00:13:09,589 --> 00:13:11,054 LADIES AND GENTLEMEN, 242 00:13:11,090 --> 00:13:14,291 IN THIS AGE OF QUARTER-SECTION PASTURES, 243 00:13:14,327 --> 00:13:15,792 TINHORN LEGISLATORS 244 00:13:15,828 --> 00:13:17,595 THAT'S RIDING OUR OLD TRAILS, 245 00:13:17,630 --> 00:13:20,397 IT'S A REAL PLEASURE TO WELCOME A VESTIGE 246 00:13:20,433 --> 00:13:23,734 OF THAT HEROIC ERA THAT WE JUST ABOUT LOST. 247 00:13:23,769 --> 00:13:25,603 STANDING BESIDE ME, RIGHT HERE, 248 00:13:25,638 --> 00:13:29,172 IS THE LEGENDARY TRACKER AND INTERPRETER 249 00:13:29,208 --> 00:13:32,643 OF THE APACHE WARS-- TOM HORN. 250 00:13:42,054 --> 00:13:43,954 TOM, THIS IS ARLO CHANCE. 251 00:13:43,989 --> 00:13:46,290 TOM. 252 00:13:46,325 --> 00:13:47,291 Coble: ORA HALEY. 253 00:13:47,326 --> 00:13:48,292 HOWDY. 254 00:13:48,327 --> 00:13:49,326 IAN MacGREGOR. 255 00:13:49,362 --> 00:13:50,394 PROUD TO MEET YOU, TOM. 256 00:14:11,016 --> 00:14:12,483 WHAT'S THE MATTER, TOM? 257 00:14:12,518 --> 00:14:13,984 WHAT IS IT? 258 00:14:14,019 --> 00:14:16,153 IT'S A LOBSTER. 259 00:14:16,188 --> 00:14:17,655 I'LL BE DARNED. 260 00:14:17,690 --> 00:14:19,523 I'VE NEVER EATEN A BUG 261 00:14:19,558 --> 00:14:21,024 THAT BIG BEFORE. 262 00:14:21,059 --> 00:14:22,526 TOM, THAT'S A MAINE LOBSTER-- 263 00:14:22,561 --> 00:14:24,795 BOILED ALIVE, PACKAGED IN SEAWEED, 264 00:14:24,830 --> 00:14:26,330 AND SHIPPED OUT HERE BY TRAIN. 265 00:14:26,365 --> 00:14:29,300 Haley: AT EVERY STATION, 266 00:14:29,335 --> 00:14:30,801 THE CONDUCTOR DRAINS THE MELTED SEAWATER 267 00:14:30,836 --> 00:14:32,369 OFF OF THEM. 268 00:14:47,320 --> 00:14:49,052 GETTING THE HANG OF IT? 269 00:14:49,087 --> 00:14:50,521 I'M TRYING. 270 00:15:00,499 --> 00:15:02,399 Haley: TOM, I DON'T KNOW 271 00:15:02,435 --> 00:15:03,934 WHETHER JOHN HERE TOLD YOU, 272 00:15:03,969 --> 00:15:06,303 BUT WE'VE GOT A HELL OF A RANGE PROBLEM HERE. 273 00:15:06,339 --> 00:15:09,239 THE DAMN RUSTLERS HAVE COMPLETELY WIPED OUT 274 00:15:09,274 --> 00:15:10,774 OUR HERD PROFITS, 275 00:15:10,810 --> 00:15:13,677 NOT TO MENTION WHAT THE BLIZZARDS 276 00:15:13,713 --> 00:15:16,079 AND THE PREDATORS HAVE DONE TO OUR CALF CROPS. 277 00:15:16,114 --> 00:15:19,282 WE GOT PEOPLE HOMESTEADING OUR RANGELAND 278 00:15:19,318 --> 00:15:21,251 AND RAISING SHEEP ON OUR GRASS. 279 00:15:21,286 --> 00:15:24,154 Man: RIGHT AT THE PRESENT TIME, MR. HORN, 280 00:15:24,189 --> 00:15:26,022 WHAT'S YOUR PRIMARY SOURCE OF LIVELIHOOD? 281 00:15:26,058 --> 00:15:27,524 WELL, MR. COBLE OFFERED ME 282 00:15:27,560 --> 00:15:28,992 TO EASE UP AT HIS PLACE FOR A WHILE, 283 00:15:29,027 --> 00:15:30,994 AND I SAID I'D EARN MY KEEP. 284 00:15:31,029 --> 00:15:32,863 WELL, THAT'S GOOD ENOUGH. 285 00:15:32,898 --> 00:15:34,364 TOM, YOU MET JOE BELLE? 286 00:15:34,399 --> 00:15:35,932 UNITED STATES MARSHAL. 287 00:15:35,968 --> 00:15:36,933 Horn: HELLO. 288 00:15:36,969 --> 00:15:39,369 I'M NOT WANTED FOR ANYTHING, AM I? 289 00:15:39,404 --> 00:15:40,871 TOM, WHY DON'T YOU TWO FELLAS 290 00:15:40,906 --> 00:15:42,338 SEE IF YOU CAN GET YOUR HEADS TOGETHER 291 00:15:42,374 --> 00:15:44,273 FOR A FEW MINUTES, WILL YOU? 292 00:15:44,309 --> 00:15:45,475 GO AHEAD, TOM. 293 00:15:45,511 --> 00:15:47,677 DO YOU KNOW WHO I AM? 294 00:15:47,713 --> 00:15:49,178 NO. 295 00:15:50,782 --> 00:15:52,415 YOU KNOW WHAT YOU USED TO BE 296 00:15:52,450 --> 00:15:53,750 IN THE SOUTHWEST, 297 00:15:53,785 --> 00:15:56,185 I USED TO BE IN THE NORTHWEST. 298 00:15:56,221 --> 00:15:58,187 I WAS OUT OF WORK. 299 00:15:58,223 --> 00:16:01,190 I KNOW THAT YOU'VE BEEN AS I'VE BEEN-- 300 00:16:01,226 --> 00:16:02,626 A MAN HUNTER. 301 00:16:02,661 --> 00:16:04,628 I WAS A TRACKER. 302 00:16:04,663 --> 00:16:06,129 BETTER STILL. 303 00:16:06,164 --> 00:16:08,131 WELL, JOHN COBLE'S PUT IN 304 00:16:08,166 --> 00:16:10,433 A PRETTY FERVENT RECOMMENDATION FOR YOU 305 00:16:10,468 --> 00:16:12,068 TO THE CATTLEMEN'S ASSOCIATION 306 00:16:12,103 --> 00:16:14,704 TO HELP CONTROL THE RUSTLING. 307 00:16:14,740 --> 00:16:16,706 I BELIEVE HIS POINT WAS 308 00:16:16,742 --> 00:16:18,207 HANDLING RUSTLERS 309 00:16:18,243 --> 00:16:19,843 AFTER YOUR EXPERIENCE WITH THE APACHE WARS 310 00:16:19,878 --> 00:16:22,712 SHOULD BE LIKE SHOOTING FISH IN A BARREL. 311 00:16:22,748 --> 00:16:24,213 WELL, NOW, YOU'RE TALKING 312 00:16:24,249 --> 00:16:25,715 ABOUT THE HIGH SIDE OF SHOOTING 313 00:16:25,751 --> 00:16:27,784 AND THE LOW SIDE OF THE LAW. 314 00:16:29,855 --> 00:16:32,221 BRING THEM TO TRIAL, IF YOU'D LIKE. 315 00:16:32,257 --> 00:16:34,257 I FEEL THAT WHAT I KNOW ABOUT YOU, 316 00:16:34,292 --> 00:16:37,393 YOU'RE GOING TO WANT TO GO AHEAD AND SHOOT. 317 00:16:37,429 --> 00:16:39,128 FROM THE STANDPOINT OF THE ASSOCIATION, 318 00:16:39,164 --> 00:16:41,631 THAT'S GOING TO BE ENTIRELY UP TO YOU. 319 00:16:43,201 --> 00:16:44,668 WHETHER I BRING THEM IN 320 00:16:44,703 --> 00:16:46,135 OR SHOOT. 321 00:16:46,171 --> 00:16:48,038 THAT'S YOUR PROBLEM. 322 00:16:51,443 --> 00:16:53,409 LISTEN, YOU'RE A U.S. MARSHAL. 323 00:16:53,445 --> 00:16:54,911 YOU TELL ME, WHAT'S THE DIFFERENCE 324 00:16:54,947 --> 00:16:56,412 BETWEEN A U.S. MARSHAL 325 00:16:56,448 --> 00:16:58,214 AND AN ASSASSIN? 326 00:16:59,985 --> 00:17:02,886 A MARSHAL'S CHECKS COME IN ON TIME. 327 00:17:12,030 --> 00:17:14,497 SAY, DID BUFFALO BILL EVER ASK YOU 328 00:17:14,532 --> 00:17:17,366 TO BE IN HIS WILD WEST SHOW? 329 00:17:17,402 --> 00:17:19,368 YEAH. HE ASKED ME ONCE OUT IN ARIZONA, 330 00:17:19,404 --> 00:17:21,370 BUT WE HAD A LOT OF PEOPLE KILLED. 331 00:17:23,274 --> 00:17:25,475 HE OFFERED ME MY OWN ACT. 332 00:17:25,510 --> 00:17:26,977 WELL, LIKE I SAID, 333 00:17:27,012 --> 00:17:30,146 WE HAD A LOT OF PEOPLE KILLED. 334 00:17:30,181 --> 00:17:31,982 Coble: JOE... 335 00:17:32,017 --> 00:17:34,050 COULD I TALK WITH YOU A MINUTE? 336 00:17:34,086 --> 00:17:35,619 SURE. 337 00:17:46,398 --> 00:17:48,698 MAN OF THE WEST, INDIAN TRACKER, 338 00:17:48,733 --> 00:17:50,366 SCARED TO DEATH OF LOBSTER. 339 00:17:52,137 --> 00:17:54,905 IT...IT WAS MY FIRST TIME. 340 00:17:58,343 --> 00:17:59,810 WHAT DO YOU... 341 00:17:59,845 --> 00:18:01,278 TEACH SCHOOL. 342 00:18:01,313 --> 00:18:02,279 YEAH? 343 00:18:02,314 --> 00:18:03,280 YEAH. 344 00:18:03,315 --> 00:18:05,182 WHAT WERE YOU GOING TO ASK ME? 345 00:18:05,217 --> 00:18:06,183 THAT. 346 00:18:06,218 --> 00:18:07,184 WHAT? 347 00:18:07,219 --> 00:18:08,518 WHAT YOU DO. 348 00:18:08,553 --> 00:18:10,586 TEACH SCHOOL. 349 00:18:10,622 --> 00:18:12,255 SCHOOLTEACHER? 350 00:18:12,291 --> 00:18:13,290 MM-HMM. 351 00:18:15,260 --> 00:18:16,827 WHAT WAS IT LIKE 352 00:18:16,862 --> 00:18:18,561 OUT IN INDIAN TERRITORY? 353 00:18:20,532 --> 00:18:22,699 LONELY AS HELL. 354 00:18:26,771 --> 00:18:29,005 WHAT DID YOU DO OUT IN THE WEST? 355 00:18:29,041 --> 00:18:30,273 COWBOY. 356 00:18:32,377 --> 00:18:34,845 WHAT ARE YOU GOING TO DO FOR MR. COBLE? 357 00:18:34,880 --> 00:18:36,046 COWBOY. 358 00:18:36,081 --> 00:18:39,049 JOE, I THINK WE FOUND OUR MAN. 359 00:18:39,084 --> 00:18:41,051 NOT ANYTHING IN BROWN'S HOLE 360 00:18:41,086 --> 00:18:42,618 I COULDN'T TAKE CARE OF. 361 00:18:42,654 --> 00:18:44,855 WELL, I THINK HORN'S REPUTATION 362 00:18:44,890 --> 00:18:49,192 MIGHT BE AS EFFECTIVE AS A WINCHESTER IS HERE. 363 00:18:49,228 --> 00:18:50,327 I HAVE QUITE 364 00:18:50,362 --> 00:18:51,694 A GOOD REPUTATION MYSELF, JOHN. 365 00:18:51,730 --> 00:18:53,930 IT ALWAYS SEEMS TO PRECEDE ME. 366 00:18:53,966 --> 00:18:55,431 I KNOW THAT, JOE, 367 00:18:55,467 --> 00:18:57,334 BUT YOUR POLITICAL AMBITIONS 368 00:18:57,369 --> 00:18:58,835 ARE GOING TO FIT RIGHT IN 369 00:18:58,871 --> 00:19:00,370 WITH OUR FUTURE PLANS. 370 00:19:00,405 --> 00:19:04,007 NOW, WE DON'T WANT TO FORGET THAT, DO WE? 371 00:19:04,042 --> 00:19:06,009 AND BESIDES, THERE WON'T BE 372 00:19:06,044 --> 00:19:08,011 NO CHOCOLATE CAKE FOR HORN 373 00:19:08,046 --> 00:19:10,646 UP THERE AT BROWN'S HOLE. 374 00:19:10,682 --> 00:19:12,648 WHERE ARE YOU FROM ORIGINALLY? 375 00:19:12,684 --> 00:19:14,284 HAWAII. 376 00:19:14,319 --> 00:19:15,952 HAWAII? 377 00:19:15,988 --> 00:19:17,988 YEAH, HAWAII. 378 00:19:18,023 --> 00:19:20,891 DID YOU LIVE IN ONE OF THOSE GRASS HUTS? 379 00:19:20,926 --> 00:19:22,625 IN A HOTEL. 380 00:19:22,660 --> 00:19:24,127 THEY HAVE THOSE THERE? 381 00:19:24,162 --> 00:19:25,495 SURE THEY DO. 382 00:19:25,530 --> 00:19:26,997 SURE COME A LONG WAYS 383 00:19:27,032 --> 00:19:28,498 TO TEACH SCHOOL IN WYOMING. 384 00:19:28,533 --> 00:19:29,732 WELL, I GUESS YOU COULD SAY 385 00:19:29,768 --> 00:19:32,202 I'VE HAD A ROMANCE WITH THE WEST 386 00:19:32,237 --> 00:19:33,669 SINCE I WAS OLD ENOUGH TO READ. 387 00:19:33,705 --> 00:19:35,671 DO YOU MISS THAT OCEAN? 388 00:19:35,707 --> 00:19:37,507 SOMETIMES. 389 00:19:39,211 --> 00:19:42,212 YOU KNOW, I NEVER LEARNED HOW TO RIDE. 390 00:19:42,247 --> 00:19:44,180 IS THAT RIGHT? 391 00:19:44,216 --> 00:19:45,681 Belle: GLENDOLENE. 392 00:19:48,320 --> 00:19:50,153 OH, IT'S A NICE AFTERNOON, JOHN. 393 00:19:50,188 --> 00:19:51,654 I ENJOYED MY LOBSTER, 394 00:19:51,689 --> 00:19:53,790 AND I KNOW MR. HORN DID, TOO. 395 00:19:53,825 --> 00:19:55,292 WELL, I'M GLAD YOU LIKED IT. 396 00:19:55,327 --> 00:19:57,027 EXCELLENT AFTERNOON, JOHN. 397 00:19:57,062 --> 00:19:58,694 JOE. 398 00:19:58,730 --> 00:20:00,196 TOM. 399 00:20:08,506 --> 00:20:11,975 GET UP. GET UP THERE. 400 00:20:12,010 --> 00:20:15,178 TOM. 401 00:20:15,213 --> 00:20:17,247 TOM! 402 00:20:17,282 --> 00:20:19,282 THE WAY I SEE THIS, 403 00:20:19,318 --> 00:20:21,418 YOU'LL BE A STOCK DETECTIVE. 404 00:20:21,453 --> 00:20:23,886 SEE THAT THE RUSTLING GETS STOPPED. 405 00:20:23,922 --> 00:20:25,888 YOU CAN STAY HERE AT THE RANCH, 406 00:20:25,924 --> 00:20:28,058 AND I'LL PAY YOUR WAGES AS A COWHAND-- 407 00:20:28,093 --> 00:20:30,060 $200 FOR EVERY RUSTLER 408 00:20:30,095 --> 00:20:32,062 THAT GOES SOMEWHERE ELSE 409 00:20:32,097 --> 00:20:33,729 TO PLY HIS TRADE. 410 00:20:42,341 --> 00:20:43,806 WHO DO I REPORT TO? 411 00:20:43,842 --> 00:20:45,241 TO ME. 412 00:20:45,277 --> 00:20:47,743 AND AS FAR AS YOU'RE CONCERNED, 413 00:20:47,779 --> 00:20:49,245 YOU AND JOE BELLE 414 00:20:49,281 --> 00:20:50,746 NEVER DISCUSSED THIS. 415 00:20:50,782 --> 00:20:52,582 AND FOR THAT MATTER, 416 00:20:52,617 --> 00:20:54,217 NEITHER HAVE I. 417 00:21:18,643 --> 00:21:20,110 25? DO I HEAR 25? 418 00:21:20,145 --> 00:21:22,145 WILL YOU BID 30? THANK YOU. NOW A HALF? 419 00:21:22,181 --> 00:21:24,915 HALF? WILL YOU BID 35? 35? 40? 420 00:21:24,950 --> 00:21:26,083 40? THANK YOU, SIR. NOW A HALF. 421 00:21:26,118 --> 00:21:27,450 WILL YOU BID A HALF? 75? 422 00:21:27,485 --> 00:21:29,252 GOT A DOLLAR. HOW ABOUT GOING FOR A HALF? HALF. 423 00:21:29,287 --> 00:21:31,254 BID AND BUY THEM FOR A HALF. 424 00:21:31,289 --> 00:21:33,256 WILL YOU BID TWO? WILL YOU BID TWO? 425 00:21:33,291 --> 00:21:34,925 I GOT TWO RIGHT OVER HERE. THANK YOU, SIR. 426 00:21:34,960 --> 00:21:36,760 SOLD TO WESTERN TRAIL PACKING COMPANY 427 00:21:36,795 --> 00:21:38,195 FOR $2.00. 428 00:21:38,230 --> 00:21:40,463 COULD I SEE THAT BILL OF SALE? 429 00:21:48,473 --> 00:21:50,173 THANK YOU, SON. 430 00:21:52,945 --> 00:21:55,112 YOU CONSIDER THIS AN ACTUAL BILL OF SALE? 431 00:21:55,147 --> 00:21:57,114 I'M JUST THE AUCTIONEER, SIR. 432 00:21:57,149 --> 00:22:00,283 THE BILL OF SALE'S BEEN SWORN TO. 433 00:22:00,318 --> 00:22:02,219 WELL, WHOEVER SWORE TO IT... 434 00:22:02,254 --> 00:22:06,223 WAS A LIAR AND A COW THIEF. 435 00:22:06,258 --> 00:22:07,724 THOSE COWS BELONG TO JOHN COBLE 436 00:22:07,760 --> 00:22:09,659 OF THE WOOD RIVER CATTLE COMPANY. 437 00:22:09,694 --> 00:22:11,194 WHO THE HELL ARE YOU? 438 00:22:13,431 --> 00:22:14,664 STOCK DETECTIVE. 439 00:22:16,802 --> 00:22:18,769 WHAT'S A STOCK DETECTIVE? 440 00:22:18,804 --> 00:22:20,137 ME. 441 00:22:20,172 --> 00:22:21,638 YOU MAY CALL YOURSELF 442 00:22:21,673 --> 00:22:23,339 SOME KIND OF STOCK DETECTIVE, 443 00:22:23,375 --> 00:22:24,474 BUT I'M A DEPUTY SHERIFF, 444 00:22:24,509 --> 00:22:25,876 AND I'M THE LAW HERE. 445 00:22:27,579 --> 00:22:30,513 LOCK THESE MEN UP. I'LL FILE THE CHARGES. 446 00:22:30,548 --> 00:22:32,282 Deputy: NOBODY'S GOING TO JAIL 447 00:22:32,317 --> 00:22:34,284 UNLESS YOU START SOME TROUBLE. 448 00:22:34,319 --> 00:22:36,186 I SEE. 449 00:22:36,221 --> 00:22:37,687 I'LL TELL YOU WHAT, HORN. 450 00:22:37,722 --> 00:22:39,122 I'M GOING TO KILL YOU. 451 00:22:39,158 --> 00:22:41,024 YOU AIN'T GOING TO KILL NOBODY. 452 00:22:41,059 --> 00:22:43,026 IF HE DON'T, I WILL. 453 00:22:43,061 --> 00:22:44,928 YOUR DAMN CHARGES AIN'T GONNA STICK. 454 00:22:44,963 --> 00:22:46,797 IF THE CHARGES DON'T STICK, 455 00:22:46,832 --> 00:22:49,299 I'LL JUST TAKE IT BETWEEN US 456 00:22:49,334 --> 00:22:50,967 AS WHO GETS WHO FIRST. 457 00:22:51,003 --> 00:22:52,936 THAT'S HOW IT'S GOING TO BE, THEN. 458 00:22:52,971 --> 00:22:55,005 THERE WON'T BE NO MORE COWS STOLEN-- 459 00:22:55,040 --> 00:22:56,739 NOT FROM THE WOOD RIVER CATTLE COMPANY, 460 00:22:56,775 --> 00:22:58,474 THE BAR-THREE CATTLE COMPANY, 461 00:22:58,510 --> 00:23:01,044 OR THE HALEY CATTLE COMPANY. 462 00:23:01,079 --> 00:23:02,712 CONSIDER THAT MY LAST WORD 463 00:23:02,747 --> 00:23:04,214 ON THE MATTER. 464 00:23:20,199 --> 00:23:21,965 COME ON, BOYS. LET'S HAVE AN AUCTION. 465 00:23:51,763 --> 00:23:53,496 [WHISTLES] 466 00:24:15,687 --> 00:24:18,154 YOU KNOW, I GOT A WEIRD FEELING. 467 00:24:18,190 --> 00:24:19,889 YO, ME, TOO. 468 00:24:19,924 --> 00:24:21,524 WE'RE BEING FOLLOWED. 469 00:24:23,328 --> 00:24:24,794 HEY, LOOK! 470 00:24:40,111 --> 00:24:41,844 [GUNSHOT] 471 00:24:52,790 --> 00:24:54,457 WHOA! WHOA! WHOA! 472 00:24:54,492 --> 00:24:56,092 WHOA! 473 00:26:24,783 --> 00:26:27,450 [NEIGH] 474 00:26:31,790 --> 00:26:34,223 [HORSE NEIGHS] 475 00:28:09,186 --> 00:28:11,153 TELL THEM WHAT YOU SAW HERE. 476 00:28:28,205 --> 00:28:29,672 [WHINNY] 477 00:28:34,712 --> 00:28:36,946 [WOLVES HOWLING] 478 00:28:36,981 --> 00:28:38,948 [WHINNYING] 479 00:28:56,901 --> 00:28:59,035 [SPURS JINGLING] 480 00:28:59,070 --> 00:29:00,736 [NEIGHING] 481 00:30:18,249 --> 00:30:19,715 [CLOSES LAMP] 482 00:30:45,276 --> 00:30:46,609 THAT YOU, HORN? 483 00:31:17,575 --> 00:31:20,042 YOU COMING IN HERE AFTER ME? 484 00:31:30,921 --> 00:31:33,055 [RUSTLING] 485 00:31:39,230 --> 00:31:41,030 [FOOTSTEPS] 486 00:32:37,822 --> 00:32:39,722 Man: HYAH! COME ON! 487 00:32:39,757 --> 00:32:41,724 HYAH! HYAH! 488 00:32:46,664 --> 00:32:48,231 HYAH! HYAH! 489 00:32:48,266 --> 00:32:49,732 HYAH! 490 00:32:51,769 --> 00:32:53,736 HYAH! COME ON! 491 00:32:53,771 --> 00:32:55,238 [NEIGH] 492 00:32:55,273 --> 00:32:56,739 HYAH! 493 00:32:59,277 --> 00:33:00,743 HYAH! COME ON! 494 00:33:00,778 --> 00:33:02,078 HYAH! 495 00:33:02,113 --> 00:33:04,280 HYAH! 496 00:33:04,315 --> 00:33:05,982 [MEN SHOUTING] 497 00:33:07,285 --> 00:33:09,986 HYAH! HYAH! HYAH! 498 00:33:10,021 --> 00:33:11,553 HANG IN THERE, HORN! 499 00:33:11,589 --> 00:33:13,622 COME ON, THERE! COME ON! 500 00:33:13,657 --> 00:33:15,124 THAT'S IT. 501 00:33:15,159 --> 00:33:17,726 GO ON! GO ON! 502 00:33:17,762 --> 00:33:19,828 LET HIM STOP FIRST. 503 00:33:19,864 --> 00:33:21,097 THEN GIVE HIM SOME SLACK. 504 00:33:24,668 --> 00:33:26,468 WHOA, WHOA. 505 00:33:26,504 --> 00:33:29,505 COME ON. HITCH HIM UP. 506 00:33:29,540 --> 00:33:31,640 WHOA, WHOA. 507 00:33:31,675 --> 00:33:32,909 HANG IN THERE! 508 00:33:32,944 --> 00:33:34,410 OH... 509 00:33:36,314 --> 00:33:38,080 WHOA, WHOA. 510 00:33:39,717 --> 00:33:41,683 WHOA. OH... 511 00:33:41,719 --> 00:33:43,852 WHOA. 512 00:33:43,888 --> 00:33:46,188 WHOA, WHOA! 513 00:33:46,224 --> 00:33:47,689 EASE UP ON HIM THERE. 514 00:33:47,725 --> 00:33:49,191 YOU GOT HIM! 515 00:33:49,227 --> 00:33:50,692 WHOA! 516 00:33:52,730 --> 00:33:55,364 AHH...WHOA! 517 00:33:55,400 --> 00:33:56,865 [NEIGHING] 518 00:33:56,901 --> 00:33:58,367 [SHOUTING] 519 00:33:58,403 --> 00:33:59,868 GET UP THERE! 520 00:34:12,716 --> 00:34:14,183 YEAH. 521 00:34:14,218 --> 00:34:16,285 HE'S A GOOD HORSE. 522 00:34:16,321 --> 00:34:17,386 Horn: YOU GO AHEAD, 523 00:34:17,422 --> 00:34:19,388 RIDE HIM AROUND A LITTLE AND TIRE HIM OUT. 524 00:34:19,424 --> 00:34:23,625 IF YOU KEEP HIS HEAD UP, HE AIN'T GOING TO BUCK. 525 00:34:23,661 --> 00:34:26,728 TOM, COULD I TALK TO YOU A MINUTE? 526 00:34:26,764 --> 00:34:28,230 YOU BET. ALL RIGHT. 527 00:34:28,266 --> 00:34:31,733 GO AHEAD AND TAKE THE ROUGH OFF OF HIM. 528 00:34:31,769 --> 00:34:33,902 I'LL COME BACK AFTER HE'S QUIETED DOWN 529 00:34:33,938 --> 00:34:35,671 AND PUT A HANDLE ON HIM. 530 00:34:35,706 --> 00:34:37,006 HEY. 531 00:34:37,041 --> 00:34:38,941 WHAT DO I DO IF I GET INTO A REAL STORM WITH THIS HORSE? 532 00:34:38,977 --> 00:34:41,377 WELL, JUST GET OFF HIM THE BEST YOU CAN, 533 00:34:41,412 --> 00:34:43,145 BUT DON'T LET HIM ROLL ON THAT SADDLE. 534 00:34:47,251 --> 00:34:49,352 I THINK THAT I-- 535 00:34:49,387 --> 00:34:51,053 HYAH! 536 00:34:51,089 --> 00:34:53,755 HEY! I NEED THAT HORSE! 537 00:34:53,791 --> 00:34:55,757 AAH! 538 00:34:57,728 --> 00:34:59,195 SHIT! 539 00:34:59,230 --> 00:35:00,696 STOP THAT HORSE! 540 00:35:00,731 --> 00:35:03,299 I NEED THAT HORSE! 541 00:35:03,334 --> 00:35:05,201 GET THAT HORSE! 542 00:35:08,172 --> 00:35:09,472 Glendolene: I CAN UNDERSTAND 543 00:35:09,507 --> 00:35:11,139 YOU SMALLER CHILDREN, 544 00:35:11,175 --> 00:35:13,642 BUT YOU OLDER CHILDREN HAVE NO EXCUSES, 545 00:35:13,678 --> 00:35:16,645 SO WE'RE GOING TO STAY UNTIL YOU GET IT RIGHT. 546 00:35:16,681 --> 00:35:18,647 I DON'T WANT ANY ERASURES, 547 00:35:18,683 --> 00:35:20,516 SO TURN THE PAGE AND START FRESH. 548 00:35:22,152 --> 00:35:24,620 PUT THAT MOUSE IN YOUR POCKET. 549 00:35:24,655 --> 00:35:26,589 [SPURS JINGLING] 550 00:35:32,162 --> 00:35:34,129 [FOOTSTEPS] 551 00:35:39,169 --> 00:35:40,636 I BRUNG YOU A HORSE. 552 00:35:43,508 --> 00:35:45,140 UH, CLASS DISMISSED. 553 00:35:45,175 --> 00:35:46,742 [SHOUTING] 554 00:35:56,320 --> 00:35:58,788 LORD, IT'S LIKE A STAMPEDE. 555 00:36:02,693 --> 00:36:05,160 UH, I'M NOT DRESSED FOR RIDING. 556 00:36:05,195 --> 00:36:06,662 SURE. 557 00:36:08,198 --> 00:36:09,932 WELL, GO ON HOME. GO ON! 558 00:36:09,967 --> 00:36:11,934 [CHILDREN SHOUTING] 559 00:36:11,969 --> 00:36:13,936 I'M NOT DRESSED FOR RIDING. 560 00:36:13,971 --> 00:36:15,438 WHY, SURE YOU ARE. 561 00:36:15,473 --> 00:36:18,340 WHY, WOMEN RIDE ALL THE TIME DRESSED LIKE THAT. 562 00:36:18,375 --> 00:36:20,242 I BUSTED THAT HORSE FOR YOU. 563 00:36:20,277 --> 00:36:22,745 COME ON. I'LL BOOT YOU UP ON HIM. 564 00:36:22,780 --> 00:36:24,246 COME ON. 565 00:36:58,749 --> 00:37:00,215 HE'S BEAUTIFUL. 566 00:37:00,250 --> 00:37:01,650 HE'S A GOOD HORSE. 567 00:37:01,686 --> 00:37:03,151 COME ON. 568 00:37:03,187 --> 00:37:05,153 I'LL PUT YOU UP THERE. 569 00:37:05,189 --> 00:37:07,155 HERE YOU GO. 570 00:37:07,191 --> 00:37:08,657 OK. 571 00:37:08,693 --> 00:37:10,158 OH! OH! 572 00:37:10,194 --> 00:37:11,660 YOU ALL RIGHT? 573 00:37:11,696 --> 00:37:13,161 HA HA! HOW DO I GET-- 574 00:37:13,197 --> 00:37:14,663 TAKE HOLD OF HIS REINS. 575 00:37:14,699 --> 00:37:16,164 GRAB HIS REINS. 576 00:37:16,200 --> 00:37:18,667 GRAB A LITTLE HANDFUL OF HIS MANE. 577 00:37:18,703 --> 00:37:21,169 GIVE HIM A LITTLE KICK IN THE SLATS. 578 00:37:21,205 --> 00:37:22,671 YEAH. 579 00:37:22,707 --> 00:37:25,674 KIND OF...HOLD ON WITH YOUR THIGHS. 580 00:37:25,710 --> 00:37:27,175 THAT'S IT. 581 00:37:27,211 --> 00:37:30,178 KIND OF ROLL YOUR HIPS A LITTLE. GO AHEAD. 582 00:37:30,214 --> 00:37:32,681 ROLL YOUR HIPS ALONG WITH THE HORSE. 583 00:37:32,717 --> 00:37:34,182 GOT TO MOVE WITH... 584 00:37:34,218 --> 00:37:35,684 YOU RIDE GOOD. 585 00:38:18,195 --> 00:38:20,162 [GLENDOLENE TALKING INDISTINCTLY] 586 00:38:24,702 --> 00:38:28,170 YEAH, SO I FINALLY GOT MY TEACHING DIPLOMA, 587 00:38:28,205 --> 00:38:32,174 AND I TAUGHT IN CINCINNATI FOR A WHILE AND DENVER, 588 00:38:32,209 --> 00:38:34,176 AND, WELL, I'VE BEEN EVERYWHERE. 589 00:38:34,211 --> 00:38:36,178 I'M AN ADVENTURESS. 590 00:38:36,213 --> 00:38:38,681 WELL, I THOUGHT THAT WAS A GIRL 591 00:38:38,716 --> 00:38:40,683 THAT WORKED IN DANCE HALLS. 592 00:38:40,718 --> 00:38:42,184 NO? 593 00:38:42,219 --> 00:38:45,187 NO, THAT'S A GIRL WHO GOES ON ADVENTURES. 594 00:38:45,222 --> 00:38:46,689 WELL... 595 00:38:46,724 --> 00:38:48,190 HOW DO YOU FIGURE 596 00:38:48,225 --> 00:38:50,192 THIS DAY WE'RE HAVING OUT HERE? 597 00:38:50,227 --> 00:38:51,694 AN ADVENTURE. 598 00:38:51,729 --> 00:38:53,696 YEAH. WHOA. 599 00:38:56,734 --> 00:38:59,201 HOW DO I WORK INTO IT-- 600 00:38:59,236 --> 00:39:00,703 THIS ADVENTURE? 601 00:39:00,738 --> 00:39:02,137 WHOA. HA HA! 602 00:39:02,172 --> 00:39:03,639 WHOA. 603 00:39:03,674 --> 00:39:05,140 WELL, UH... 604 00:39:06,677 --> 00:39:09,144 I SEE A MAN OF THE OLD WEST 605 00:39:09,179 --> 00:39:11,146 TRYING TO LIVE IN THE NEW. 606 00:39:11,181 --> 00:39:12,481 HEY, DO YOU KNOW 607 00:39:12,516 --> 00:39:14,149 HOW RAGGEDY-ASS AND TERRIBLE 608 00:39:14,184 --> 00:39:15,651 THE OLD WEST REALLY WAS? 609 00:39:15,686 --> 00:39:16,986 NO. 610 00:39:17,021 --> 00:39:19,154 WELL, IF YOU SPEND ANY TIME WITH ME, 611 00:39:19,189 --> 00:39:21,824 YOU'LL FIND OUT JUST HOW RAGGEDY-ASS IT WAS. 612 00:39:21,859 --> 00:39:24,827 YOU LOVE IT OUT HERE, DON'T YOU? 613 00:39:24,862 --> 00:39:26,662 YES, I DO. 614 00:39:42,079 --> 00:39:43,645 [THUNDER] 615 00:40:05,702 --> 00:40:07,169 MORNING. 616 00:40:07,204 --> 00:40:08,837 Man: GOOD MORNING. 617 00:40:10,541 --> 00:40:12,674 LOOKING FOR LEE MENDENHOUR'S PLACE. 618 00:40:12,709 --> 00:40:15,910 TWO DRAINAGES OVER IS A LITTLE BASIN. 619 00:40:15,946 --> 00:40:18,847 LEE'S SITUATED ON THE MORNING SIDE. 620 00:40:21,718 --> 00:40:23,185 WHAT'S YOUR NAME? 621 00:40:24,721 --> 00:40:26,188 TOM HORN. 622 00:40:26,223 --> 00:40:28,190 WELL, I THOUGHT MAYBE. 623 00:40:28,225 --> 00:40:29,691 LOOK... 624 00:40:29,726 --> 00:40:31,693 I AIN'T NEVER STOLE NOTHIN'. 625 00:40:31,728 --> 00:40:34,196 I SURE AM SORRY ABOUT LEE. 626 00:40:34,231 --> 00:40:37,199 HE WASN'T TOO DAMN BAD A FELLA. 627 00:40:37,234 --> 00:40:38,700 HE'S STILL WITH US. 628 00:40:38,735 --> 00:40:40,202 HE IS NOW. 629 00:40:41,738 --> 00:40:44,873 WELL, HE WEREN'T TOO BAD A FELLA. 630 00:40:44,908 --> 00:40:46,741 [COWS MOOING] 631 00:41:36,760 --> 00:41:38,227 WHOA. 632 00:41:38,262 --> 00:41:41,230 THOSE ARE COBLE'S CATTLE YOU'RE RUNNING THERE. 633 00:41:41,265 --> 00:41:42,731 SAME OLD DEAL. 634 00:41:42,766 --> 00:41:45,467 YEAH. THAT'S WHAT I WAS AFRAID OF. 635 00:41:45,502 --> 00:41:48,637 YOU GET MY NOTE TELL YOU TO GET OUT OF THIS AREA? 636 00:41:48,672 --> 00:41:50,339 YEAH, I GOT YOUR FUCKING NOTE. 637 00:41:50,374 --> 00:41:51,673 I ROLLED IT UP WITH SOME TOBACCO 638 00:41:51,709 --> 00:41:53,342 AND I SMOKED IT. 639 00:41:53,377 --> 00:41:54,676 THAT'S WHAT I DID, CHAMPION. 640 00:41:54,712 --> 00:41:55,977 [GUNSHOT] 641 00:41:56,012 --> 00:41:57,145 [NEIGH] 642 00:42:26,243 --> 00:42:29,210 YOU KILLED MY HORSE, YOU SON OF A BITCH! 643 00:42:41,725 --> 00:42:43,358 [GLASS SHATTERING] 644 00:42:43,394 --> 00:42:44,826 [FIRE BURNING] 645 00:44:23,194 --> 00:44:24,793 [GUNSHOT] 646 00:44:29,200 --> 00:44:31,066 [GUNSHOT] 647 00:44:33,404 --> 00:44:34,903 [CLICK] 648 00:45:08,772 --> 00:45:10,239 [GASPING] 649 00:46:11,202 --> 00:46:13,702 [DOOR OPENS AND CLOSES] 650 00:47:07,591 --> 00:47:09,057 Haley: HOWDY, JOHN. 651 00:47:09,093 --> 00:47:10,558 GENTLEMEN. 652 00:47:13,097 --> 00:47:15,063 IT'S THIS HORN SITUATION. 653 00:47:15,099 --> 00:47:17,065 WE GOT A PROBLEM. 654 00:47:17,101 --> 00:47:19,067 YOU THINK MAYBE HE MIGHT BE 655 00:47:19,103 --> 00:47:21,069 JUST A LITTLE BIT TOO PROTECTIVE? 656 00:47:21,105 --> 00:47:22,570 YOU KNOW, WE STILL GOT 657 00:47:22,606 --> 00:47:24,072 THE NOLT SHEEP PROBLEM 658 00:47:24,108 --> 00:47:25,573 ON THE SOUTH FORK. 659 00:47:25,609 --> 00:47:27,075 BUT THE RUSTLING HAS STOPPED. 660 00:47:27,111 --> 00:47:29,577 YEAH, WELL, I THINK IT'S HIS RIFLE 661 00:47:29,613 --> 00:47:30,912 EVERY BIT AS MUCH AS HIS REPUTATION 662 00:47:30,948 --> 00:47:31,913 THAT'S DONE THAT. 663 00:47:31,949 --> 00:47:33,081 IT'S ALMOST A FOREGONE CONCLUSION 664 00:47:33,117 --> 00:47:35,250 THAT THIS FELLOW'S WORKING FOR US. 665 00:47:35,285 --> 00:47:37,085 YOU KNOW, AFTER THAT INCIDENT IN TOWN, 666 00:47:37,121 --> 00:47:38,754 WE'RE WITHIN ONE DAMN INCH 667 00:47:38,789 --> 00:47:39,921 OF HAVING OUR NAMES 668 00:47:39,957 --> 00:47:41,422 SPLATTERED ALL OVER THE NEWSPAPER. 669 00:47:41,458 --> 00:47:43,258 AND I DON'T HAVE TO TELL YOU 670 00:47:43,293 --> 00:47:44,760 WHAT AN EMBARRASSING SITUATION 671 00:47:44,795 --> 00:47:46,261 THAT COULD PUT ALL OF US IN. 672 00:47:46,296 --> 00:47:47,863 WELL, WHAT DO YOU SUGGEST? 673 00:47:47,898 --> 00:47:50,999 JOHN, WE JUST CAN NO LONGER AFFORD THIS FELLA. 674 00:47:51,034 --> 00:47:52,000 HE'S ONLY DOING 675 00:47:52,035 --> 00:47:53,701 WHAT WE HIRED HIM TO DO, YOU KNOW. 676 00:47:53,737 --> 00:47:55,570 JOHN, THE TIME HAS COME FOR US 677 00:47:55,605 --> 00:47:57,505 TO DIVEST OURSELF OF THIS MR. HORN. 678 00:47:59,743 --> 00:48:01,176 HOW? 679 00:48:01,211 --> 00:48:02,677 I THINK JOE THERE 680 00:48:02,712 --> 00:48:03,845 IS THE ANSWER TO THAT QUESTION. 681 00:48:14,191 --> 00:48:16,158 LET THIS THING LIE DOWN, JOHN. 682 00:48:16,193 --> 00:48:17,659 UNDERSTAND? 683 00:48:21,198 --> 00:48:22,664 Chance: THANK YOU, JOHN. 684 00:48:42,319 --> 00:48:44,286 [BLEATING] 685 00:48:52,462 --> 00:48:53,829 [GUNSHOT] 686 00:49:27,264 --> 00:49:28,730 Man: HEY, BOB, LOOK AT THIS. 687 00:49:28,765 --> 00:49:30,232 A MAN'S GOING TO PRISON 688 00:49:30,267 --> 00:49:32,734 FOR ELOPING WITH HIS SISTER-IN-LAW. 689 00:49:32,769 --> 00:49:34,135 I'LL BE. 690 00:49:34,171 --> 00:49:35,603 I WONDER WHAT HE DID. 691 00:49:35,638 --> 00:49:37,105 [DOOR OPENS] 692 00:49:37,140 --> 00:49:38,606 [DOOR CLOSES] 693 00:49:38,641 --> 00:49:41,109 PUT DOWN THE PAPER AND PLAY. 694 00:49:45,182 --> 00:49:47,148 IT IS COLD. 695 00:49:49,686 --> 00:49:52,320 NOLT BOY GOT KILLED, TOM. 696 00:49:53,690 --> 00:49:55,223 HOW'S THAT? 697 00:49:55,259 --> 00:49:57,158 NOLT BOY-- JIMMY NOLT. 698 00:50:00,230 --> 00:50:01,930 HOW DID THAT HAPPEN? 699 00:50:01,965 --> 00:50:04,465 SHOT WITH A .45-60. 700 00:50:04,501 --> 00:50:07,435 THAT'S WHAT I SHOOT-- A .45-60. 701 00:50:07,470 --> 00:50:09,971 SHOOT WHAT, TOM? 702 00:50:12,709 --> 00:50:14,276 PRAIRIE DOGS. 703 00:50:14,311 --> 00:50:15,777 TOM... 704 00:50:32,262 --> 00:50:33,728 [SPURS JINGLING] 705 00:50:35,332 --> 00:50:37,933 [DOOR OPENS AND CLOSES] 706 00:50:47,777 --> 00:50:49,744 JIMMY NOLT'S DEAD. 707 00:50:49,779 --> 00:50:51,746 YEAH. 708 00:50:51,781 --> 00:50:53,748 WHERE'S YOUR HORSE? 709 00:50:55,285 --> 00:50:56,751 HE'S DEAD, TOO. 710 00:51:16,139 --> 00:51:18,206 TOM! 711 00:51:23,180 --> 00:51:25,146 I KNEW YOU'D BE THERE. 712 00:51:25,182 --> 00:51:27,148 YOU DID NOT. 713 00:51:27,184 --> 00:51:29,150 OK. 714 00:51:29,186 --> 00:51:31,252 I HEARD THE NEWS. 715 00:51:32,689 --> 00:51:34,655 YOU STILL WORKING THAT HORSE 716 00:51:34,691 --> 00:51:36,157 I STARTED FOR YOU? 717 00:51:36,193 --> 00:51:38,159 IT'S ABOUT THE NOLT BOY. 718 00:51:38,195 --> 00:51:39,760 WHAT ABOUT HIM? 719 00:51:39,796 --> 00:51:42,097 THEY FOUND A ROCK UNDER HIS HEAD... 720 00:51:42,132 --> 00:51:44,366 LIKE THOSE OTHER THREE FELLAS FROM BROWN'S HOLE. 721 00:51:45,502 --> 00:51:46,968 YOU SEEN JOE BELLE AROUND? 722 00:51:47,004 --> 00:51:48,470 THE ASSOCIATION SENT HIM UP 723 00:51:48,505 --> 00:51:49,971 TO TALK TO COBLE. 724 00:51:50,007 --> 00:51:50,972 TRYING TO FIGURE 725 00:51:51,008 --> 00:51:52,307 WHAT THEY'RE GOING TO DO 726 00:51:52,342 --> 00:51:54,542 WITH A CHILD-KILLER LIKE TOM HORN. 727 00:51:54,577 --> 00:51:57,312 PEOPLE THINK YOU DID IT, TOM. 728 00:52:00,783 --> 00:52:03,451 YOU DON'T UNDERSTAND WHAT'S GOING ON, DO YOU? 729 00:52:04,587 --> 00:52:06,821 NO, I CAN'T SAY AS I DO. 730 00:52:07,957 --> 00:52:09,924 WHAT ARE YOU THINKING? 731 00:52:09,959 --> 00:52:12,360 I'M THINKING I WANT A DRINK. 732 00:52:39,289 --> 00:52:40,755 [DOOR CLOSES] 733 00:52:51,268 --> 00:52:52,733 WHISKEY, GEORGE. 734 00:53:01,278 --> 00:53:02,677 LEAVE THE BOTTLE. 735 00:53:18,728 --> 00:53:20,194 SORRY I'M LATE. 736 00:53:20,230 --> 00:53:22,196 OH, IT'S ALL RIGHT, CHARLES. 737 00:53:23,733 --> 00:53:25,199 LET'S GET STARTED. 738 00:53:25,235 --> 00:53:26,934 WHAT WILL I NEED, JOE? 739 00:53:26,970 --> 00:53:28,702 JUST YOUR WRITING THINGS. 740 00:53:28,738 --> 00:53:30,204 WELL, WHERE'S TOM HORN? 741 00:53:30,240 --> 00:53:32,706 HE'S OVER TO THE INTER-OCEAN HOTEL. 742 00:53:34,244 --> 00:53:36,710 WHAT KIND OF CONDITION IS HE IN? 743 00:53:36,746 --> 00:53:38,880 HE'LL BE JUST ABOUT WHERE WE WANT HIM 744 00:53:38,915 --> 00:53:41,215 BY THE TIME WE GET SET UP. 745 00:53:41,251 --> 00:53:42,716 COME ON OVER HERE. 746 00:53:42,752 --> 00:53:44,718 I GOT A MATTRESS LAID OUT HERE 747 00:53:44,754 --> 00:53:46,220 FOR YOU BEHIND THE DOOR. 748 00:53:46,256 --> 00:53:47,221 CAN YOU WRITE OK LYING DOWN? 749 00:53:47,257 --> 00:53:48,722 CAN YOU RIG ME A LITTLE LIGHT? 750 00:53:48,758 --> 00:53:50,892 ABSOLUTELY. 751 00:53:50,927 --> 00:53:53,060 GOT THE BOTTOM OF THE DOOR PLANED OFF 752 00:53:53,096 --> 00:53:55,062 SO YOU CAN HEAR REAL GOOD, 753 00:53:55,098 --> 00:53:57,564 BUT YOU'VE GOT TO BE REAL QUIET. 754 00:53:57,600 --> 00:54:00,734 JOE, WHAT IF TOM HORN SEES ME IN THERE? 755 00:54:00,770 --> 00:54:02,670 YOU MEAN, WILL HE KILL YOU? 756 00:54:02,705 --> 00:54:03,938 YES. 757 00:54:03,973 --> 00:54:07,241 I'M NOT GONNA LET THAT HAPPEN, CHARLES. 758 00:54:07,277 --> 00:54:08,575 A MAN LIKE THAT 759 00:54:08,611 --> 00:54:09,944 YOU DON'T WANT TO GET MAD AT YOU. 760 00:54:09,979 --> 00:54:11,012 I'M GONNA BE SITTING 761 00:54:11,047 --> 00:54:12,180 RIGHT OVER THERE AT MY DESK. 762 00:54:12,215 --> 00:54:14,182 I'VE GOT THIS COLT PATENT .44 763 00:54:14,217 --> 00:54:15,683 IN MY VEST, 764 00:54:15,718 --> 00:54:16,851 AND I'VE GOT A GERMAN AUTOMATIC 765 00:54:16,886 --> 00:54:18,652 OVER IN THE DRAWER-- ONE OF THE NEW ONES. 766 00:54:18,688 --> 00:54:20,121 WHAT I NEED IS 767 00:54:20,156 --> 00:54:22,123 FOR TOM HORN TO TALK HIMSELF 768 00:54:22,158 --> 00:54:23,624 INTO A TERRIBLE TANGLE 769 00:54:23,659 --> 00:54:25,793 AND FOR YOU TO GET IT DOWN ON PAPER. 770 00:54:25,829 --> 00:54:27,461 IT'S NO GOOD FOR US 771 00:54:27,496 --> 00:54:28,796 JUST TO WRITE IT DOWN LATER. 772 00:54:28,832 --> 00:54:30,998 YOU MEAN IT HAS TO BE IN HIS OWN WORDS? 773 00:54:31,034 --> 00:54:32,867 JUST LIKE I SAID, CHARLES, 774 00:54:32,902 --> 00:54:34,401 JUST LIKE I SAID. 775 00:54:36,539 --> 00:54:37,905 [DOOR CLOSES] 776 00:54:45,748 --> 00:54:47,215 HELLO, TOM. 777 00:54:48,751 --> 00:54:50,218 HELLO, JOE. 778 00:54:50,253 --> 00:54:52,220 I GOT A LETTER YESTERDAY, TOM, 779 00:54:52,255 --> 00:54:54,222 FROM A FELLA UP IN MONTANA. 780 00:54:54,257 --> 00:54:55,723 WHAT DID HE WANT? 781 00:54:55,758 --> 00:54:58,059 I'M NOT SO SURE 782 00:54:58,094 --> 00:55:00,027 THIS IS THE SPOT TO BE TALKING. 783 00:55:00,063 --> 00:55:03,464 I GOT A BOTTLE OF MESCAL IN MY OFFICE. 784 00:55:03,499 --> 00:55:04,966 IT'S QUIET. 785 00:55:05,001 --> 00:55:06,467 SURE. 786 00:55:23,719 --> 00:55:26,153 YOU'VE SPENT SOME TIME IN THE HILLS, 787 00:55:26,189 --> 00:55:27,654 HAVEN'T YOU, JOE? 788 00:55:27,690 --> 00:55:29,357 MOST OF MY LIFE, TOM. 789 00:55:29,392 --> 00:55:31,692 THE WORLD IS CHANGING FAST. 790 00:55:31,727 --> 00:55:33,194 I SEE THAT. 791 00:55:34,730 --> 00:55:37,031 THE MEN HAD BETTER GET WITH IT. 792 00:55:37,066 --> 00:55:40,734 I'M TRYING TO WORK A FEW THINGS OUT IN MY MIND. 793 00:55:40,770 --> 00:55:42,069 STAYING IN THE HOTEL 794 00:55:42,105 --> 00:55:45,039 AND BEING ABLE TO GET A DRINK RIGHT AWAY 795 00:55:45,074 --> 00:55:46,374 SEEMS TO HELP. 796 00:55:46,409 --> 00:55:48,175 THINK YOU'LL EVER GET BACK 797 00:55:48,211 --> 00:55:49,843 IN THEM HILLS AGAIN, TOM? 798 00:55:49,879 --> 00:55:52,546 HELL, I DON'T KNOW. SCARES ME TO DEATH. 799 00:56:05,694 --> 00:56:06,994 I SEE YOU'RE CARRYING 800 00:56:07,030 --> 00:56:08,329 A BELLY GUN, TOM. 801 00:56:08,364 --> 00:56:10,998 I'VE NEVER KNOWN YOU TO DO THAT BEFORE. 802 00:56:11,034 --> 00:56:13,500 WELL, I'M CARRYING A RIFLE IN TOWN AND ALL. 803 00:56:17,373 --> 00:56:20,174 I GOT THIS INQUIRY FROM MONTANA 804 00:56:20,209 --> 00:56:22,843 FOR A MAN WHO COULD COME UP THERE 805 00:56:22,878 --> 00:56:24,511 AND SEE TO HIMSELF 806 00:56:24,547 --> 00:56:27,214 AND LOOK TO A FEW THINGS THATAWAY 807 00:56:27,250 --> 00:56:29,550 IN RESPECT TO ALL THE CATTLE STEALING 808 00:56:29,585 --> 00:56:31,218 GOING ON IN THE BIG MOON 809 00:56:31,254 --> 00:56:32,553 UP THERE IN THAT DISTRICT. 810 00:56:32,588 --> 00:56:34,355 WHAT'S REQUIRED? 811 00:56:34,390 --> 00:56:36,523 SOME ABILITY WITH A RIFLE. 812 00:56:42,565 --> 00:56:44,031 YOU KNOW, JOE... 813 00:56:44,067 --> 00:56:47,368 NOBODY EVER OFFERED TO GIVE ME AN OFFICE. 814 00:56:47,403 --> 00:56:50,137 MAKE YOU FEEL KIND OF SPECIAL, DOES IT? 815 00:56:50,173 --> 00:56:51,505 OH, I DON'T KNOW. 816 00:56:51,540 --> 00:56:54,175 IF I HAD THE ABILITY YOU DO WITH A RIFLE, 817 00:56:54,210 --> 00:56:55,642 NOBODY WOULD EVER EXPECT ME 818 00:56:55,678 --> 00:56:57,644 TO COME IN OUT OF THE FIELD. 819 00:56:57,680 --> 00:56:59,313 AS IT IS, I SPEND HALF MY TIME 820 00:56:59,349 --> 00:57:00,348 ON THE RAILROAD 821 00:57:00,383 --> 00:57:01,949 HANDCUFFED TO SOME PETTY CRIMINAL. 822 00:57:01,985 --> 00:57:03,584 I'M A DELIVERY MAN. 823 00:57:05,355 --> 00:57:08,155 WHAT'S THE BEST SHOT YOU EVER MADE, TOM? 824 00:57:08,191 --> 00:57:10,757 OH, I DON'T KNOW. 825 00:57:10,793 --> 00:57:13,760 WELL, WHAT ABOUT MENDENHOUR? 826 00:57:13,796 --> 00:57:15,997 WELL, IF IT WAS ME, 827 00:57:16,032 --> 00:57:18,599 I'D SAY IT WASN'T MUCH OF A SHOT. 828 00:57:20,970 --> 00:57:23,170 WOULDN'T YOU RATHER SHOOT A SHARPS 50 829 00:57:23,206 --> 00:57:24,738 INSTEAD OF THAT .45-60? 830 00:57:24,773 --> 00:57:26,440 THOSE OLD BUFFALO GUNS CARRY BETTER, 831 00:57:26,476 --> 00:57:27,774 BUT WITH A .45-60, 832 00:57:27,810 --> 00:57:30,111 YOU CAN GET ROUNDS AT ANY GENERAL STORE. 833 00:57:30,146 --> 00:57:32,579 KEEPS A DRYGULCHER IN BUSINESS. 834 00:57:32,615 --> 00:57:35,349 TOM, ON THE KILLING OF THIS KID-- 835 00:57:35,385 --> 00:57:37,084 THAT WAS QUITE A SHOT. 836 00:57:37,120 --> 00:57:38,852 WAS IT? 837 00:57:38,888 --> 00:57:41,688 213 YARDS. 838 00:57:41,724 --> 00:57:44,091 WHAT DO YOU KNOW ABOUT THAT? 839 00:57:44,127 --> 00:57:46,460 WELL, WHAT I JUST TOLD YOU. 840 00:57:47,897 --> 00:57:49,997 YOU AFRAID OF DYING, JOE? 841 00:57:53,736 --> 00:57:56,303 YES, I AM. 842 00:57:57,573 --> 00:57:59,840 WELL, I'M AFRAID OF LOSING MY ABILITY 843 00:57:59,875 --> 00:58:03,110 TO BE ABLE TO COME AND GO AS I PLEASE. 844 00:58:03,146 --> 00:58:04,645 LOSE MY FREEDOM... 845 00:58:04,680 --> 00:58:07,981 NOT BE ABLE TO GET BACK UP IN THOSE HILLS AGAIN. 846 00:58:08,017 --> 00:58:10,284 WHAT WOULD THEY DO TO A MAN 847 00:58:10,319 --> 00:58:12,486 THAT KILLED A 15-YEAR-OLD BOY WITH A WINCHESTER? 848 00:58:12,522 --> 00:58:15,089 I BELIEVE THAT MAN WOULD HAVE TO DIE. 849 00:58:15,124 --> 00:58:17,091 AND YOU BELIEVE THAT A .45-60 850 00:58:17,126 --> 00:58:19,393 THAT'S GOT A TRAJECTORY LIKE A RAINBOW 851 00:58:19,429 --> 00:58:20,894 COULD MAKE THAT SHOT? 852 00:58:20,930 --> 00:58:23,597 I KNOW IT COULD HAPPEN. 853 00:58:30,373 --> 00:58:32,339 WELL, IF I'D HAVE KILLED THAT KID, 854 00:58:32,375 --> 00:58:35,809 IT WOULD HAVE BEEN THE BEST SHOT I EVER MADE 855 00:58:35,844 --> 00:58:38,512 AND THE DIRTIEST TRICK I EVER DONE. 856 01:00:17,247 --> 01:00:18,846 HELLO, SAM. 857 01:00:18,882 --> 01:00:21,715 TOM, I'M GOING TO HAVE TO ARREST YOU 858 01:00:21,751 --> 01:00:24,218 FOR THE MURDER OF JIMMY NOLT. 859 01:00:24,254 --> 01:00:25,219 TAKING YOURSELF 860 01:00:25,255 --> 01:00:27,221 KIND OF SERIOUS, AIN'T YOU? 861 01:00:27,257 --> 01:00:30,858 WHAT ARE YOU GOING TO DO WITH THAT WINCHESTER? 862 01:00:30,894 --> 01:00:33,261 WELL, WE'RE GOING TO HAVE TO FIND OUT, 863 01:00:33,296 --> 01:00:34,328 AIN'T WE? 864 01:00:40,770 --> 01:00:42,970 YEAH, I GUESS WE ARE. 865 01:00:43,006 --> 01:00:45,739 I'LL TAKE THAT RIFLE, TOM. 866 01:00:51,614 --> 01:00:53,580 HELLO, EARL. 867 01:00:53,616 --> 01:00:55,249 TOM. 868 01:01:03,259 --> 01:01:05,459 AND THE BELLY GUN. 869 01:01:10,533 --> 01:01:11,865 COME ON, TOM. 870 01:01:23,012 --> 01:01:25,379 WAIT RIGHT THERE, TOM. 871 01:01:27,883 --> 01:01:30,384 Sam: EARL, DON'T PUT THAT PISTOL 872 01:01:30,420 --> 01:01:32,119 IN THAT DRAWER. 873 01:01:32,155 --> 01:01:33,887 KEEP IT IN YOUR POCKET. 874 01:01:37,226 --> 01:01:38,192 YOU GOT ANYTHING 875 01:01:38,227 --> 01:01:39,526 IN YOUR POCKETS, TOM? 876 01:01:39,562 --> 01:01:41,862 WELL, I GOT SOME INDIAN STUFF HERE. 877 01:01:41,897 --> 01:01:44,631 THERE'S SOME SHELLS IN A SHEEPSKIN 878 01:01:44,667 --> 01:01:46,467 AND A LITTLE BIT OF CHANGE. 879 01:01:52,775 --> 01:01:54,241 YOU READY? 880 01:01:57,780 --> 01:01:59,613 NO. UPSTAIRS. 881 01:01:59,648 --> 01:02:01,682 BILL, YOU STAY DOWN HERE. 882 01:02:34,583 --> 01:02:37,218 I'M GOING TO PUT YOU IN THIS ONE, TOM. 883 01:02:37,253 --> 01:02:39,520 I KNOW HOW YOU LOVE THOSE HILLS, 884 01:02:39,555 --> 01:02:43,190 AND YOU CAN SEE A LITTLE BIT OF THEM FROM HERE. 885 01:02:43,226 --> 01:02:44,258 DON'T CLOSE THAT DOOR 886 01:02:44,293 --> 01:02:46,227 UNTIL I GET OVER TO THAT WINDOW, WOULD YOU? 887 01:02:59,275 --> 01:03:01,242 [DOOR CLOSES] 888 01:03:20,062 --> 01:03:21,161 IS IT TRUE 889 01:03:21,197 --> 01:03:23,864 HORN WORKED FOR THE ASSOCIATION? 890 01:03:23,900 --> 01:03:25,866 I'VE NOTHING TO SAY ON THAT. 891 01:03:25,902 --> 01:03:28,168 IS THE ASSOCIATION GOING TO PAY FOR HIS DEFENSE? 892 01:03:28,204 --> 01:03:30,771 I TOLD YOU, I HAVE NO MORE TO SAY. 893 01:03:48,925 --> 01:03:50,224 [DOOR OPENS] 894 01:03:50,259 --> 01:03:52,326 Man: JOHN COBLE TO SEE YOU. 895 01:03:54,430 --> 01:03:55,896 TOM... 896 01:03:57,934 --> 01:03:59,833 THIS IS THOMAS BURKE. 897 01:03:59,868 --> 01:04:02,169 HE'LL BE YOUR LEGAL COUNSEL NOW. 898 01:04:02,204 --> 01:04:04,438 WELL, EVERY BOY NEEDS ONE OF THOSE. 899 01:04:04,473 --> 01:04:05,572 WELL, MR. BURKE'S THE MAN 900 01:04:05,607 --> 01:04:07,274 TO PUT AN END TO ALL THIS FOR YOU. 901 01:04:07,310 --> 01:04:09,509 I AIN'T GOT NO MONEY TO PAY YOU. 902 01:04:09,545 --> 01:04:10,610 I'LL PAY THAT. 903 01:04:10,646 --> 01:04:11,745 Burke: TOM, THEY'RE GONNA HAVE YOU 904 01:04:11,780 --> 01:04:12,947 COME TO COURT VERY QUICKLY. 905 01:04:12,982 --> 01:04:14,949 HAVE YOU EVER BEEN TRIED FOR ANYTHING BEFORE? 906 01:04:14,984 --> 01:04:16,216 WELL, ONCE-- 907 01:04:16,252 --> 01:04:18,685 IT WAS A MILITARY TRIAL A LONG TIME AGO. 908 01:04:18,720 --> 01:04:20,421 A COUPLE OF SCOUTS AND MYSELF. 909 01:04:20,456 --> 01:04:21,822 WHAT WERE YOU CHARGED WITH? 910 01:04:21,857 --> 01:04:23,723 INVASION OF MEXICO. 911 01:04:25,061 --> 01:04:28,862 TOM, I HAVE TO MOVE ON WITH THIS AS QUICK AS I CAN. 912 01:04:28,897 --> 01:04:31,432 YOU THINK I KILLED THAT BOY? 913 01:04:31,467 --> 01:04:33,800 THAT QUESTION WILL NEVER COME UP BETWEEN US. 914 01:04:33,836 --> 01:04:36,303 WHY NOT? IT'S GOING TO COME UP IN COURT. 915 01:04:39,741 --> 01:04:41,608 WHEN DO I GO TO TRIAL? 916 01:04:41,643 --> 01:04:42,809 THEY'RE BRINGING IN A JUDGE 917 01:04:42,845 --> 01:04:44,211 AND SWEARING IN A JURY RIGHT NOW. 918 01:04:44,246 --> 01:04:46,713 I'D LIKE TO SET UP A TIME 919 01:04:46,748 --> 01:04:47,714 WHERE WE COULD GET TOGETHER 920 01:04:47,749 --> 01:04:48,949 AND MAYBE MAKE A PREPARATION OR TWO. 921 01:04:48,985 --> 01:04:51,251 WHAT FOR? WHAT ARE WE GOING TO TALK ABOUT, 922 01:04:51,287 --> 01:04:53,187 IF WE DON'T TALK ABOUT WHETHER I KILLED THAT KID? 923 01:04:53,222 --> 01:04:56,190 MR. BURKE, I'D LIKE TO TALK TO TOM ALONE 924 01:04:56,225 --> 01:04:58,058 FOR A MINUTE. 925 01:05:03,699 --> 01:05:07,767 DID YOU EVER SEE SO MANY BARS IN YOUR LIFE? 926 01:05:07,803 --> 01:05:11,105 WELL, I GUESS THAT'S WHY THEY CALL IT A JAIL. 927 01:05:11,140 --> 01:05:13,440 I'VE BEEN FREE ALL MY LIFE, JOHN. 928 01:05:13,476 --> 01:05:14,808 I KNOW THAT. 929 01:05:14,843 --> 01:05:16,276 LOOK, IT'S DAMN IMPORTANT 930 01:05:16,312 --> 01:05:18,945 YOU DON'T TRY TO BREAK OUT OF HERE. 931 01:05:18,981 --> 01:05:20,414 I KNOW YOU CAN DO IT, 932 01:05:20,449 --> 01:05:22,282 BUT IT'S JUST ADMITTING YOUR GUILT 933 01:05:22,318 --> 01:05:23,484 IF YOU TRY. 934 01:05:23,519 --> 01:05:26,520 CHRIST, I CAN SEE THOSE HILLS OVER THERE, 935 01:05:26,555 --> 01:05:28,188 BUT I CAN'T TOUCH THEM. 936 01:05:39,235 --> 01:05:41,035 COWBOYS. 937 01:05:55,084 --> 01:05:57,217 SCHOOLTEACHERS. 938 01:05:59,755 --> 01:06:01,821 THEY SURE ARE GOOD COMPANY. 939 01:06:04,693 --> 01:06:07,327 YES, BUT, UH... DO YOU CARE FOR ME? 940 01:06:07,363 --> 01:06:08,328 HUH? 941 01:06:08,364 --> 01:06:09,996 DO YOU CARE FOR ME? 942 01:06:12,368 --> 01:06:14,334 THAT HORSE OVER THERE IS THE ONLY THING 943 01:06:14,370 --> 01:06:16,836 I'VE OWNED FOR A LONG TIME. 944 01:06:16,872 --> 01:06:18,838 HE THINKS THE WORLD OF ME, 945 01:06:18,874 --> 01:06:21,175 AND I'VE NEVER EVEN GIVEN HIM A NAME. 946 01:06:21,210 --> 01:06:23,177 WAS HE GOOD COMPANY? 947 01:06:23,212 --> 01:06:24,678 YEAH. 948 01:06:24,713 --> 01:06:26,846 DO YOU CARE FOR HIM? 949 01:06:26,882 --> 01:06:28,348 YES, I DO. 950 01:06:30,219 --> 01:06:32,686 TOM, YOU IDIOT! 951 01:06:32,721 --> 01:06:35,689 YEAH, I KNOW. I KNOW. 952 01:06:43,899 --> 01:06:46,200 WHAT HAPPENED TO YOUR TOOTH THERE? 953 01:06:46,235 --> 01:06:47,701 CHIPPED IT. 954 01:06:47,736 --> 01:06:49,703 HOW'D YOU DO THAT? 955 01:06:49,738 --> 01:06:51,705 RIDING HORSES. 956 01:06:51,740 --> 01:06:53,207 I'VE BEEN RIDING ALL MY LIFE. 957 01:06:53,242 --> 01:06:54,708 HA HA HA! 958 01:06:56,745 --> 01:06:58,612 [GUNSHOT] 959 01:07:03,152 --> 01:07:04,284 GET DOWN! 960 01:07:33,982 --> 01:07:35,449 GET DRESSED. 961 01:07:45,494 --> 01:07:46,960 Sam: TOM? 962 01:07:53,502 --> 01:07:55,802 HEY, HOW ABOUT GIVING ME BACK 963 01:07:55,837 --> 01:07:57,971 THOSE INDIAN CHARMS OF MINE? 964 01:08:03,779 --> 01:08:06,446 THEY'RE JUST SENTIMENTAL VALUE, 965 01:08:06,482 --> 01:08:07,747 NOTHING MORE. 966 01:08:13,889 --> 01:08:16,523 EARL, GET TOM'S INDIAN STUFF 967 01:08:16,559 --> 01:08:18,625 AND BRING IT UP HERE, WILL YOU? 968 01:08:19,961 --> 01:08:21,595 ANYTHING ELSE YOU WANT? 969 01:08:21,630 --> 01:08:23,263 WELL, MY RIFLE. 970 01:08:23,299 --> 01:08:24,264 NO. 971 01:08:24,300 --> 01:08:26,600 HOW ABOUT A NICE FAST HORSE? 972 01:08:26,635 --> 01:08:28,702 NO. 973 01:08:28,737 --> 01:08:32,072 YOU GETTING ALL CHOKY SEEING ME BEHIND BARS? 974 01:08:32,107 --> 01:08:34,841 GODDAMN YOU, TOM. 975 01:08:38,714 --> 01:08:40,747 TOM, WHAT ARE THESE BUTTONS FOR? 976 01:08:40,782 --> 01:08:41,748 JUST LUCKY. 977 01:08:41,783 --> 01:08:43,383 THE PAPER SAID THEY'RE CHARMS. 978 01:08:43,419 --> 01:08:44,384 YEAH, THEY ARE. 979 01:08:44,420 --> 01:08:46,019 SAID YOU BELIEVED IN THEM. 980 01:08:46,054 --> 01:08:47,187 I DO. 981 01:08:47,223 --> 01:08:48,822 SHOW ME HOW TO WORK THEM. 982 01:08:48,857 --> 01:08:50,490 SOMEDAY. WHO ARE THOSE FELLOWS OUT THERE 983 01:08:50,526 --> 01:08:51,491 WITH THOSE RIFLES? 984 01:08:51,527 --> 01:08:52,959 THAT'S THE NATIONAL GUARD. 985 01:08:52,994 --> 01:08:54,595 PAPER SAID THEY DIDN'T THINK 986 01:08:54,630 --> 01:08:56,363 WE COULD HOLD YOU IN THIS JAIL. 987 01:08:56,398 --> 01:08:57,897 THEY GOT KIND OF PERSONAL ABOUT IT. 988 01:09:17,786 --> 01:09:20,754 Sam: OPEN THIS THING UP, EARL. 989 01:09:20,789 --> 01:09:22,255 LET US IN. 990 01:09:23,959 --> 01:09:26,593 JOHN COBLE'S HERE TO SEE TOM. 991 01:09:31,633 --> 01:09:33,266 HERE YOU GO, TOM. 992 01:09:33,301 --> 01:09:36,603 JOHN BROUGHT YOU A SUIT TO WEAR AT THE TRIAL. 993 01:09:39,474 --> 01:09:42,609 ALL RIGHT, YOU FELLOWS CAN HAVE ABOUT 10 MINUTES. 994 01:09:42,644 --> 01:09:44,111 COME ON, EARL. 995 01:09:47,649 --> 01:09:49,116 TOM, IT'S REAL IMPORTANT 996 01:09:49,151 --> 01:09:52,285 THAT YOU LET BURKE GUIDE YOU IN COURT-- 997 01:09:52,320 --> 01:09:55,455 AND YOU BE AS CLOSED-MOUTHED AS YOU CAN 998 01:09:55,490 --> 01:09:57,124 AROUND THAT PROSECUTING ATTORNEY. 999 01:09:57,159 --> 01:09:58,591 WHO IS HE? 1000 01:09:58,627 --> 01:10:01,762 HIS NAME'S WALTER STOLL. HE'S EFFECTIVE. 1001 01:10:01,797 --> 01:10:04,364 THEY SAY HE'S RUNNING FOR OFFICE AGAIN 1002 01:10:04,399 --> 01:10:06,032 AND THIS TRIAL WILL BE 1003 01:10:06,068 --> 01:10:08,135 KIND OF A SHOWGROUND FOR HIM. 1004 01:10:08,170 --> 01:10:12,873 IF HE CONVICTS YOU, HE'LL BE A BIG HERO. 1005 01:10:12,908 --> 01:10:15,708 HE NEEDS TO HANG YOU TO GET ELECTED. 1006 01:10:19,248 --> 01:10:21,547 I'M SORRY I GOT YOU INTO THIS. 1007 01:10:21,583 --> 01:10:24,217 YOU COULD HAVE BEEN RIDING 1008 01:10:24,253 --> 01:10:26,019 RIGHT THROUGH THIS TWO-BIT TOWN. 1009 01:10:26,054 --> 01:10:28,021 PEOPLE BEEN TRYING TO KILL ME 1010 01:10:28,056 --> 01:10:29,289 ALL MY LIFE, JOHN. 1011 01:10:29,324 --> 01:10:31,291 WELL, I GOT TO TELL YOU SOMETHING. 1012 01:10:31,326 --> 01:10:33,426 I KNEW THE ASSOCIATION WANTED TO GET RID OF YOU, 1013 01:10:33,461 --> 01:10:34,727 'CAUSE THEY TOLD ME, 1014 01:10:34,763 --> 01:10:37,563 BUT I JUST DIDN'T KNOW WHAT TO DO. 1015 01:10:37,599 --> 01:10:41,567 THEY...I DIDN'T KNOW NOTHING ABOUT THE-- 1016 01:10:41,603 --> 01:10:43,736 THE NOLT BOY 1017 01:10:43,772 --> 01:10:46,572 OR HOW IT HAPPENED, BUT... 1018 01:10:46,608 --> 01:10:49,742 WHO THE HELL COULD HAVE DONE SUCH A THING? 1019 01:10:51,446 --> 01:10:53,246 BUT I KNOW ONE THING... 1020 01:10:53,282 --> 01:10:55,581 YOU NEVER KILLED THAT KID. 1021 01:11:00,789 --> 01:11:02,689 LISTEN, I FIGURE FOLKS WOULD HAVE TO 1022 01:11:02,724 --> 01:11:05,025 DO SOMETHING ABOUT ME SOONER OR LATER-- 1023 01:11:05,060 --> 01:11:07,194 FRONTIER CLOSED AND ALL. 1024 01:11:07,229 --> 01:11:09,863 HELL, I NEVER KNEW ANYBODY TO DO ANYTHING 1025 01:11:09,898 --> 01:11:12,866 BUT JUST KILLING AND GETTING KILLED. 1026 01:11:12,901 --> 01:11:15,535 AFTER A WHILE, IT'S ALL YOU KNOW. 1027 01:11:15,570 --> 01:11:16,937 NOW LISTEN. 1028 01:11:16,972 --> 01:11:19,940 IF IT ALL GOES WRONG IN THERE FOR ME, 1029 01:11:19,975 --> 01:11:23,543 I KNOW YOU'RE MY FRIEND, JOHN, 1030 01:11:23,578 --> 01:11:27,214 AND I KNOW THAT YOU CARE ABOUT ME. 1031 01:11:27,249 --> 01:11:29,049 HMM? 1032 01:11:29,084 --> 01:11:30,250 NOW SIT DOWN, 1033 01:11:30,285 --> 01:11:32,585 AND I'LL WHIP YOUR ASS AT CHECKERS. 1034 01:11:37,426 --> 01:11:38,892 [PEOPLE TALKING] 1035 01:12:00,282 --> 01:12:01,515 HOW ARE YOU? 1036 01:12:01,550 --> 01:12:03,684 IT'S A LOVELY DAY FOR A TRIAL. 1037 01:12:18,200 --> 01:12:20,066 GOOD DAY. 1038 01:12:30,512 --> 01:12:32,479 THAT'S FINE, TOM. 1039 01:13:09,485 --> 01:13:11,451 Sam: TOM, YOU CAN STEP UP 1040 01:13:11,487 --> 01:13:13,620 TO THE COUNSEL'S TABLE HERE. 1041 01:13:13,656 --> 01:13:15,289 EARL, BACK OVER HERE. 1042 01:13:15,324 --> 01:13:17,123 YOU BOYS, SPLIT UP. 1043 01:13:17,159 --> 01:13:18,625 [GAVEL BANGS] 1044 01:13:18,661 --> 01:13:20,694 Bailiff: THE HONORABLE JUDGE SCOTT. 1045 01:13:20,729 --> 01:13:22,696 THIS COURT IS NOW IN SESSION. 1046 01:13:22,731 --> 01:13:23,963 Stoll: MR. OHNHOUSE, 1047 01:13:23,999 --> 01:13:25,632 YOU WERE IN THE NEXT ROOM AT THE TIME 1048 01:13:25,668 --> 01:13:26,966 UNDER THE ORDERS OF MARSHAL BELLE, 1049 01:13:27,002 --> 01:13:28,234 AND YOU LISTENED VERY CAREFULLY 1050 01:13:28,270 --> 01:13:30,136 TO THE CONVERSATION BETWEEN MARSHAL BELLE 1051 01:13:30,172 --> 01:13:32,406 AND MR. HORN, IS THAT CORRECT? 1052 01:13:32,441 --> 01:13:35,375 WELL... 1053 01:13:35,411 --> 01:13:36,976 YES. 1054 01:13:37,012 --> 01:13:38,878 WILL YOU TELL THE COURT 1055 01:13:38,914 --> 01:13:40,847 EXACTLY WHAT YOU TOOK DOWN AT THAT TIME? 1056 01:13:40,882 --> 01:13:42,849 THE LAST THING MR. HORN SAID 1057 01:13:42,884 --> 01:13:45,852 BEFORE LEAVING JOE BELLE'S OFFICE WAS, 1058 01:13:45,887 --> 01:13:48,722 "WHEN I SHOT THAT KID, IT WAS THE BEST SHOT I EVER MADE 1059 01:13:48,757 --> 01:13:50,990 AND THE DIRTIEST TRICK I EVER DID." 1060 01:13:51,026 --> 01:13:53,393 [SPECTATORS TALKING] 1061 01:13:56,565 --> 01:13:59,065 I WANT ORDER IN THIS COURTROOM! 1062 01:13:59,100 --> 01:14:00,900 YOUR WITNESS. 1063 01:14:00,936 --> 01:14:03,603 Burke: NO QUESTIONS. 1064 01:14:03,639 --> 01:14:05,004 Judge: YOU MAY STEP DOWN. 1065 01:14:08,377 --> 01:14:11,511 THE PROSECUTION CALLS MR. TOM HORN. 1066 01:14:20,889 --> 01:14:23,523 Judge: DO YOU SWEAR TO TELL THE TRUTH, 1067 01:14:23,559 --> 01:14:26,192 THE WHOLE TRUTH, AND NOTHING BUT THE TRUTH, 1068 01:14:26,228 --> 01:14:27,894 SO HELP YOU GOD? 1069 01:14:27,929 --> 01:14:29,363 DID YOU LISTEN CAREFULLY 1070 01:14:29,398 --> 01:14:30,364 TO THE CONTENTS OF THE TRANSCRIPTION 1071 01:14:30,399 --> 01:14:33,032 AS READ BY MR. OHNHOUSE TO THE COURT? 1072 01:14:33,068 --> 01:14:34,300 YES, I DID. 1073 01:14:34,336 --> 01:14:36,970 THEN YOU UNDERSTAND THAT THIS IS A RECORD 1074 01:14:37,005 --> 01:14:38,438 OF YOUR CONVERSATION WITH MARSHAL BELLE? 1075 01:14:38,474 --> 01:14:41,241 WELL, IT WAS "MR. HORN SAID THIS" 1076 01:14:41,276 --> 01:14:43,410 AND "MR. BELLE SAID THAT." 1077 01:14:45,914 --> 01:14:47,414 I DON'T FOLLOW. 1078 01:14:47,449 --> 01:14:49,716 WHAT I'M TRYING TO GET YOU TO UNDERSTAND 1079 01:14:49,752 --> 01:14:51,217 IS THAT THAT WAS A CONVERSATION 1080 01:14:51,253 --> 01:14:53,219 BETWEEN ME AND JOE BELLE. 1081 01:14:53,255 --> 01:14:55,789 I UNDERSTOOD THAT. DO YOU? 1082 01:14:55,824 --> 01:14:57,724 YES, I DO. 1083 01:14:57,760 --> 01:14:58,792 DO YOU CONSIDER IT 1084 01:14:58,827 --> 01:14:59,826 AN ACCURATE TRANSCRIPTION 1085 01:14:59,862 --> 01:15:01,094 OF THAT CONVERSATION? 1086 01:15:01,129 --> 01:15:02,362 YOU'RE GONNA HAVE TO ASK THAT FELLOW 1087 01:15:02,398 --> 01:15:03,663 THAT WROTE IT DOWN. 1088 01:15:03,699 --> 01:15:06,600 I DON'T KNOW HOW GOOD HE WAS AT IT. 1089 01:15:06,635 --> 01:15:09,436 CAN YOU--CAN YOU OFFER US AN OPINION? 1090 01:15:09,471 --> 01:15:12,272 WHAT DID YOU SAY YOUR NAME WAS? 1091 01:15:12,307 --> 01:15:13,607 WALTER STOLL. 1092 01:15:13,642 --> 01:15:16,443 I'M PROSECUTING YOU FOR MURDER. 1093 01:15:16,478 --> 01:15:18,445 WELL, MR. STOLL, 1094 01:15:18,480 --> 01:15:20,447 I WAS JUST A LITTLE DRUNK. 1095 01:15:20,482 --> 01:15:22,282 Stoll: WHY? 1096 01:15:22,317 --> 01:15:24,451 BECAUSE I'D BEEN DRINKING. 1097 01:15:24,486 --> 01:15:26,620 [LAUGHTER] 1098 01:15:26,655 --> 01:15:28,488 WHAT'S YOUR PROBLEM NOW? 1099 01:15:31,226 --> 01:15:32,859 I DIDN'T UNDERSTAND YOU. 1100 01:15:32,895 --> 01:15:35,361 WELL, WE'RE TRYING YOU FOR MURDER, 1101 01:15:35,397 --> 01:15:37,130 FOR A CAPITAL OFFENSE. 1102 01:15:37,165 --> 01:15:39,699 SO FAR, NO ONE HAS HAD MUCH SUCCESS 1103 01:15:39,735 --> 01:15:41,200 IN GETTING YOUR ATTENTION. 1104 01:15:41,236 --> 01:15:44,538 WELL, I... I BEEN IN JAIL. 1105 01:15:44,573 --> 01:15:46,873 YOU'VE BEEN IN JAIL. 1106 01:15:46,909 --> 01:15:48,875 WHAT HAS THAT GOT TO DO 1107 01:15:48,911 --> 01:15:50,376 WITH YOUR LACKADAISICAL RESPONSE 1108 01:15:50,412 --> 01:15:52,446 TO THE QUESTIONS OF THE COURT? 1109 01:15:52,481 --> 01:15:53,914 I'M A LITTLE BORED. 1110 01:15:53,949 --> 01:15:55,415 WHAT PROSECUTOR STOLL 1111 01:15:55,451 --> 01:15:56,917 IS TRYING TO APPRISE YOU OF, MR. HORN, 1112 01:15:56,952 --> 01:15:58,919 IS THAT WE'RE TRYING TO DECIDE 1113 01:15:58,954 --> 01:16:00,620 WHETHER OR NOT YOU'RE GUILTY OF A CRIME 1114 01:16:00,656 --> 01:16:02,388 FOR WHICH YOU SHOULD BE HUNG. 1115 01:16:02,424 --> 01:16:04,624 YOU'RE GOING TO DO WHAT YOU HAVE TO DO. 1116 01:16:04,660 --> 01:16:06,292 DO YOU OBJECT 1117 01:16:06,328 --> 01:16:08,628 TO THE ASSERTION OF MARSHAL BELLE 1118 01:16:08,664 --> 01:16:11,431 THAT YOU...KILLED JIMMY NOLT? 1119 01:16:11,467 --> 01:16:13,733 THAT WAS YOUR REPLY 1120 01:16:13,769 --> 01:16:15,535 IN THE TRANSCRIBED CONVERSATION. 1121 01:16:19,140 --> 01:16:20,674 MR. HORN? 1122 01:16:20,709 --> 01:16:23,810 DID ANYBODY SEE ME KILL THAT KID? 1123 01:16:23,846 --> 01:16:26,513 THERE WERE NOT, AND YOU KNOW IT, 1124 01:16:26,548 --> 01:16:27,714 ANY WITNESSES. 1125 01:16:27,749 --> 01:16:29,616 I THINK WHAT THE PROSECUTOR 1126 01:16:29,651 --> 01:16:31,417 IS TRYING TO SAY TO YOU, MR. HORN, 1127 01:16:31,453 --> 01:16:33,219 IS THAT WE WOULD KEENLY LIKE 1128 01:16:33,254 --> 01:16:35,121 TO HAVE YOU REPLY SPECIFICALLY 1129 01:16:35,156 --> 01:16:37,457 TO THE ACCUSATION THAT YOU KILLED THIS BOY. 1130 01:16:37,493 --> 01:16:39,292 YOU WANT ME TO SAY 1131 01:16:39,327 --> 01:16:41,761 WHETHER I DID OR I DIDN'T DO IT? 1132 01:16:41,797 --> 01:16:43,262 WELL, IN EFFECT, YES, 1133 01:16:43,298 --> 01:16:45,765 ALTHOUGH A PLEA OF INNOCENCE HAS BEEN ENTERED. 1134 01:16:45,801 --> 01:16:47,901 I'M NOT GONNA GIVE YOU THE SATISFACTION. 1135 01:16:47,936 --> 01:16:49,903 NOW, WHETHER YOU OR STOLL 1136 01:16:49,938 --> 01:16:51,404 OR THAT SOLD-OUT, 1137 01:16:51,439 --> 01:16:53,406 SON-OF-A-BITCHING MARSHAL JOE BELLE 1138 01:16:53,441 --> 01:16:55,408 WANT TO SEE ME GUILTY, WELL, YOU GO RIGHT AHEAD, 1139 01:16:55,443 --> 01:16:58,011 BUT I'M NOT GONNA GIVE YOU ANY MORE SATISFACTION 1140 01:16:58,046 --> 01:16:59,513 THAN I HAVE TO. 1141 01:16:59,548 --> 01:17:01,948 NOW, WHETHER YOU SHOOT ME OR HANG ME 1142 01:17:01,984 --> 01:17:04,450 OR TAKE MY RIFLE OR MY HORSE, 1143 01:17:04,486 --> 01:17:06,219 ONE REASON'S AS GOOD AS ANOTHER. 1144 01:17:06,254 --> 01:17:07,888 AND I BELIEVE THAT. I DO. 1145 01:17:07,923 --> 01:17:10,223 THAT'S MY LAST WORD ON THIS MATTER. 1146 01:17:10,258 --> 01:17:12,659 Man: YOU TELL THEM, TOM! 1147 01:17:12,694 --> 01:17:14,193 [GAVEL POUNDS] 1148 01:17:14,229 --> 01:17:17,196 Judge: NOW, I WANT ORDER IN THIS COURT! 1149 01:17:17,232 --> 01:17:20,000 IN THE INTEREST OF A FAIR TRIAL, 1150 01:17:20,035 --> 01:17:21,568 I'M GOING TO SUGGEST 1151 01:17:21,603 --> 01:17:23,269 THERE'S SOMETHING ABOUT OUR PROCEEDINGS 1152 01:17:23,304 --> 01:17:25,605 WHICH SEEM TO ELUDE MR. HORN HERE. 1153 01:17:25,641 --> 01:17:28,107 BUT FORGIVINGLY, I'M GOING TO SUGGEST 1154 01:17:28,143 --> 01:17:31,611 THAT HIS LIFE IN THE LAWLESS PARTS OF OUR COUNTRY 1155 01:17:31,647 --> 01:17:33,613 HAVE LEFT HIM ENTIRELY UNFAMILIAR 1156 01:17:33,649 --> 01:17:35,682 WITH THE PROCESSES OF THE LAW. 1157 01:17:35,717 --> 01:17:37,450 AND I STRONGLY SUGGEST THAT SOMEONE 1158 01:17:37,485 --> 01:17:39,152 WHO IS INTERESTED IN HIS WELFARE 1159 01:17:39,187 --> 01:17:40,620 EDUCATE HIM IN OUR WAYS. 1160 01:17:40,656 --> 01:17:42,989 I'M NOT SURE THAT IT'S NECESSARY 1161 01:17:43,025 --> 01:17:45,224 TO POINT OUT THAT IT IS HIS LIFE 1162 01:17:45,260 --> 01:17:46,726 WHICH IS IN QUESTION HERE. 1163 01:17:51,767 --> 01:17:53,332 TOM? 1164 01:17:53,368 --> 01:17:55,334 COLD ONE TONIGHT. 1165 01:17:59,775 --> 01:18:00,973 HEY, EARL? 1166 01:18:07,048 --> 01:18:09,516 LISTEN, I BEEN DOWN ON MY LUCK LATELY, 1167 01:18:09,551 --> 01:18:12,018 AND I WANT TO TRY TO REVIVE IT. 1168 01:18:12,053 --> 01:18:14,521 THIS MAY SOUND KIND OF OFF-CENTER TO YOU, 1169 01:18:14,556 --> 01:18:17,023 BUT I WANT TO TAKE MY INDIAN CHARMS 1170 01:18:17,058 --> 01:18:19,526 AND SET THEM UNDER MY BUNK TONIGHT, 1171 01:18:19,561 --> 01:18:20,860 SO WHEN YOU COME IN THE MORNING 1172 01:18:20,896 --> 01:18:22,529 TO GIVE ME MY BREAKFAST, 1173 01:18:22,564 --> 01:18:24,030 I'D APPRECIATE IT 1174 01:18:24,065 --> 01:18:26,032 IF YOU DIDN'T LOOK AT THEM. 1175 01:18:26,067 --> 01:18:27,534 I'LL PROBABLY BE ASLEEP 1176 01:18:27,569 --> 01:18:29,035 BECAUSE I'LL BE UP 1177 01:18:29,070 --> 01:18:31,003 MOST OF THE NIGHT THINKING. 1178 01:18:31,039 --> 01:18:32,204 SURE, TOM. 1179 01:19:37,739 --> 01:19:39,205 TWO BOURBONS. 1180 01:19:39,240 --> 01:19:41,508 WHAT I'M TRYING TO PROVE, PHILIP, 1181 01:19:41,543 --> 01:19:43,810 IS THAT CRIMINALS LIKE TOM HORN 1182 01:19:43,845 --> 01:19:45,812 ARE NOT IMMUNE TO PROSECUTION. 1183 01:19:45,847 --> 01:19:47,146 THE NEWSPAPERS 1184 01:19:47,181 --> 01:19:48,247 AND THE LEGAL PROFESSION 1185 01:19:48,282 --> 01:19:50,249 ARE GOING TO SET THINGS STRAIGHT 1186 01:19:50,284 --> 01:19:51,417 IN THIS COUNTRY. 1187 01:19:51,452 --> 01:19:53,419 AND OUR SYSTEM OF JUSTICE 1188 01:19:53,454 --> 01:19:55,822 ENSURES THAT KILLERS LIKE TOM HORN 1189 01:19:55,857 --> 01:19:57,824 GET EXACTLY WHAT THEY DESERVE, 1190 01:19:57,859 --> 01:20:00,727 AND I'M GOING TO SEE THAT IT HAPPENS. 1191 01:20:00,762 --> 01:20:02,228 [SLAMS GLASS ON TABLE] 1192 01:20:17,111 --> 01:20:19,079 [DOOR OPENS] 1193 01:21:34,322 --> 01:21:35,789 [HORSE WHINNIES] 1194 01:22:09,791 --> 01:22:11,257 [BELL RINGING] 1195 01:22:48,830 --> 01:22:50,796 WHERE ARE THE RIFLES IN HERE? 1196 01:22:50,832 --> 01:22:52,298 THE SHERIFF SAID 1197 01:22:52,334 --> 01:22:54,300 WE CAN'T KEEP THEM IN HERE NO LONGER. 1198 01:22:54,336 --> 01:22:55,801 YOU GOT A GUN? 1199 01:22:55,837 --> 01:22:57,803 NO. YOU GOING TO KILL ME? 1200 01:22:57,839 --> 01:23:00,306 YOU AND I ARE WALKING OUT OF HERE, 1201 01:23:00,342 --> 01:23:02,742 AND YOU'RE GOING TO SMILE. NOW, SMILE! SMILE! 1202 01:23:05,280 --> 01:23:08,248 KEEP SMILING. SMILE. 1203 01:23:09,784 --> 01:23:12,752 LISTEN. I GOT A .41 CALIBER IN YOUR BACK. 1204 01:24:26,294 --> 01:24:27,827 [BELL RINGING] 1205 01:25:10,005 --> 01:25:11,037 WHOA! 1206 01:25:11,072 --> 01:25:12,038 OH! 1207 01:25:14,509 --> 01:25:15,975 [HORSE NEIGHS] 1208 01:25:35,330 --> 01:25:37,263 [HORSE NEIGHS] 1209 01:25:37,298 --> 01:25:39,098 YOU DAMN FOOLS! 1210 01:25:39,134 --> 01:25:42,235 WHAT ARE YOU TRYING TO DO, KILL HIM? 1211 01:25:43,771 --> 01:25:45,905 SHOOT! 1212 01:25:45,940 --> 01:25:48,007 YOU DAMN FOOLS! 1213 01:25:55,016 --> 01:25:56,949 [GAVEL POUNDS] 1214 01:25:58,286 --> 01:26:01,254 Judge: HAS THE JURY ARRIVED AT A VERDICT? 1215 01:26:01,289 --> 01:26:03,322 Foreman: YES, WE HAVE, YOUR HONOR. 1216 01:26:03,358 --> 01:26:04,723 THE JURY FINDS THE DEFENDANT, 1217 01:26:04,759 --> 01:26:05,891 TOM HORN, GUILTY. 1218 01:26:05,927 --> 01:26:10,229 THE COURT FINDS YOU GUILTY OF MURDER AS CHARGED. 1219 01:26:10,265 --> 01:26:12,731 YOU ARE SENTENCED TO BE HANGED 1220 01:26:12,767 --> 01:26:14,600 BY THE NECK UNTIL DEAD 1221 01:26:14,635 --> 01:26:19,105 BETWEEN THE HOURS OF 8 A.M. AND 9 A.M. 1222 01:26:19,140 --> 01:26:21,740 ON NOVEMBER 20, 1903. 1223 01:26:21,776 --> 01:26:24,743 MAY THE LORD HAVE MERCY ON YOUR SOUL. 1224 01:26:42,797 --> 01:26:45,264 SOMEDAY YOU'RE GOING TO HAVE TO PAY 1225 01:26:45,300 --> 01:26:47,567 FOR YOUR WAY OF LIFE, TOM. 1226 01:26:47,602 --> 01:26:50,269 YOU'RE A BAD MAN, AND I KNOW IT. 1227 01:26:50,305 --> 01:26:54,207 AND IF I LET YOU TALK ME OUT OF IT, 1228 01:26:54,242 --> 01:26:55,674 I'LL BE LOST FOREVER. 1229 01:26:57,979 --> 01:27:00,279 AND MY ADVENTURES IN THIS LIFE 1230 01:27:00,315 --> 01:27:01,447 WON'T MEAN ANYTHING... 1231 01:27:02,917 --> 01:27:05,151 BECAUSE YOU WILL HAVE SEDUCED MY SOUL 1232 01:27:05,186 --> 01:27:07,320 AND DRAWN ME INTO YOUR WORLD. 1233 01:27:11,159 --> 01:27:12,625 GOOD-BYE, TOM. 1234 01:27:21,402 --> 01:27:22,901 [DOOR OPENS] 1235 01:27:25,106 --> 01:27:27,072 HAS HIS WEIGHT BEEN VARYING MUCH 1236 01:27:27,108 --> 01:27:28,574 HERE IN THE JAIL? 1237 01:27:28,610 --> 01:27:30,075 I DON'T BELIEVE SO. IT STAYED ABOUT THE SAME. 1238 01:27:30,111 --> 01:27:31,577 DO YOU KNOW HOW TALL HE IS? 1239 01:27:31,613 --> 01:27:33,078 I AIN'T SURE. 1240 01:27:46,461 --> 01:27:48,594 ALL RIGHT, TOM. STEP OUT. 1241 01:27:52,767 --> 01:27:54,400 UP ON THE SCALES. 1242 01:27:57,272 --> 01:27:58,737 WHAT'S THIS FOR? 1243 01:27:58,773 --> 01:28:01,674 I'M DESIGNING YOUR GALLOWS, MR. HORN. 1244 01:28:01,709 --> 01:28:04,177 I'VE GOT TO GET THE WEIGHTS EXACTLY RIGHT. 1245 01:28:04,212 --> 01:28:07,180 IF THIS THING WORKS THE WAY I DESIGNED IT, 1246 01:28:07,215 --> 01:28:09,182 YOU SHOULD FALL ABSOLUTELY STRAIGHT, STOP, 1247 01:28:09,217 --> 01:28:11,684 AND MAKE A HALF-TURN TO THE RIGHT. 1248 01:28:13,221 --> 01:28:15,188 WILL I BE ALIVE OR DEAD? 1249 01:28:15,223 --> 01:28:16,422 WHEN? 1250 01:28:16,457 --> 01:28:19,425 WHEN I MAKE THAT HALF-TURN TO THE RIGHT. 1251 01:28:19,460 --> 01:28:20,926 YOU SHOULD BE DEAD. 1252 01:28:20,961 --> 01:28:24,530 NOBODY WANTS TO SPRING THE TRAP ON YOU, TOM. 1253 01:28:24,566 --> 01:28:26,031 MR. JULIAN HERE 1254 01:28:26,067 --> 01:28:29,235 IS DESIGNING SOMETHING SPECIAL FOR US. 1255 01:28:29,270 --> 01:28:31,237 THE TRAP IS WATER-OPERATED. 1256 01:28:31,272 --> 01:28:34,240 CHRIST, YOU AIN'T GOING TO DROWN ME, ARE YOU? 1257 01:28:34,275 --> 01:28:36,742 NO. YOU JUST STEP ONTO THE PLATFORM, 1258 01:28:36,777 --> 01:28:39,245 AND YOUR WEIGHT WILL ACTIVATE A WATER VALVE 1259 01:28:39,280 --> 01:28:41,247 THAT FINALLY SPRINGS THE TRAP. 1260 01:28:41,282 --> 01:28:42,248 MM-HMM. 1261 01:28:43,451 --> 01:28:45,918 Sam: ALL RIGHT. STEP BACK INSIDE. 1262 01:28:56,464 --> 01:28:58,931 DO I SPRING THAT TRAP MYSELF? 1263 01:28:58,966 --> 01:29:00,566 Julian: EXACTLY. 1264 01:29:01,669 --> 01:29:02,702 MAKES ME FEEL LIKE 1265 01:29:02,737 --> 01:29:04,103 I'M COMMITTING SUICIDE. 1266 01:29:04,138 --> 01:29:05,904 YOU SUPPOSE THAT'S WHAT I'VE BEEN DOING 1267 01:29:05,940 --> 01:29:07,206 ALL THESE YEARS, SAM? 1268 01:29:07,242 --> 01:29:09,275 DON'T ASK ME THAT, TOM. 1269 01:29:10,645 --> 01:29:12,111 HERE. BRING THE SCALES. 1270 01:29:12,146 --> 01:29:13,613 COME ON, MR. JULIAN. 1271 01:29:22,657 --> 01:29:24,123 [DOOR CLOSES] 1272 01:30:12,706 --> 01:30:14,773 Sam: TOM, IT'S TIME. 1273 01:30:28,722 --> 01:30:32,024 I'M GOING TO HAVE TO STRAP YOU UP, TOM. 1274 01:30:53,247 --> 01:30:55,514 EARL, I'M SORRY 1275 01:30:55,549 --> 01:30:58,283 I BUSTED YOUR HEAD SO HARD AGAINST THOSE BARS. 1276 01:30:59,820 --> 01:31:01,520 THAT'S ALL RIGHT, TOM. 1277 01:31:01,555 --> 01:31:06,758 OH, TOM...THIS IS FATHER J.P. BROWN. 1278 01:31:06,793 --> 01:31:08,260 HOW DO YOU DO? 1279 01:31:08,295 --> 01:31:10,095 FINE, TOM. AND YOU? 1280 01:31:13,800 --> 01:31:16,268 HOW LONG YOU HAD THAT BIBLE? 1281 01:31:16,303 --> 01:31:17,769 28 YEARS. 1282 01:31:19,073 --> 01:31:21,540 GOT HER ABOUT BUCKED OUT YET? 1283 01:31:21,575 --> 01:31:23,542 OH, I THINK SO. 1284 01:31:26,480 --> 01:31:27,946 YOU READY? 1285 01:31:27,981 --> 01:31:29,448 YEAH. 1286 01:31:58,345 --> 01:31:59,311 I UNDERSTAND 1287 01:31:59,346 --> 01:32:00,312 YOU'RE GETTING MARRIED, SON. 1288 01:32:00,347 --> 01:32:02,247 YES, I AM, MR. HORN. 1289 01:32:02,283 --> 01:32:04,749 WELL, YOU TAKE GOOD CARE OF HER, NOW. 1290 01:32:12,793 --> 01:32:14,259 Sam: RIGHT THERE, TOM. 1291 01:33:01,775 --> 01:33:03,108 TOM... 1292 01:33:03,144 --> 01:33:04,610 KEEP YOUR NERVE, SAM, 1293 01:33:04,645 --> 01:33:07,045 BECAUSE I'M GOING TO KEEP MINE. 1294 01:33:39,012 --> 01:33:42,481 ALL RIGHT, TOM. S-STEP BACK ON THE TRAP. 1295 01:33:50,391 --> 01:33:51,923 THERE. 1296 01:34:36,303 --> 01:34:37,769 SAM, I'VE NEVER SEEN 1297 01:34:37,804 --> 01:34:41,206 SUCH A PASTY-FACED BUNCH OF SHERIFFS IN MY LIFE. 1298 01:35:20,481 --> 01:35:23,448 CAPTIONING MADE POSSIBLE BY WARNER BROS. 1299 01:35:23,484 --> 01:35:26,451 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 79488

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