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[FAST STRING MUSIC]
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[GIGI] Thirty seconds to show.
All models on the runway.
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[BACKSTAGE CHATTER]
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Thirty seconds to show.
All models on the runway.
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Thirty seconds to the show.
All models to the runway.
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[CHUCKLES] Remember that guy?
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The voice? That backstage voice?
Why do they all sound like that?
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[MAN'S VOICE] We are ready to go.
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- [CAMERA FLASHBULBS]
- [CHEERING]
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[CRICKETS CHIRPING]
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[GIGI] My name is Gigi Hadid,
and I have a confession to make.
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I'm sleeping on the job.
J ust kidding. I'm the new
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[ELONGATED, ECHOING SHOUT]
voice!
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{\an8}Okay, that's all I got.
Sorry. I just had to try that.
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{\an8}Anyways, I know what you're thinking.
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{\an8}"What the fuck?
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{\an8}Where are the models in lingerie?
Show me the girls in angel wings."
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{\an8}Then again, these arches...
do have sick curves.
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{\an8}It's been five long
and lingerie-less years
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{\an8}since my last
Victoria's Secret show, folks,
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{\an8}but I'm back, baby,
and more powerful than ever.
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{\an8}Right now, I'm at a house in Barcelona
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{\an8}that hosts something
kind of like a festival.
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{\an8}It's nothing like a festival.
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{\an8}[GIGI] Okay, Adut, you figure out
what we should call it, and until then,
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{\an8}I'm going with festival.
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{\an8}We'll travel all over the world
to meet 20 incredible artists
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{\an8}as we reimagine what
a Victoria's Secret runway looks like.
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Okay, actually, stop. Stop. Cut!
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- [RECORD SCRATCH]
- [GIGI] Cool. Perfect.
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Hold right there.
So, here's the sitch.
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We're going to four cities.
Here's one.
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In each city, we feature five artists.
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One is a fashion designer.
She'll create a collection.
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Then we have three more artists,
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ranging from musicians
to painters to poets.
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You name it.
38
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And finally, a filmmaker,
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whose role is to, you've guessed it,
make the film you're watching.
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Someone had to film it, right?
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Roll the tape.
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{\an8}So, there you have it.
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{\an8}Welcome to...
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{\an8}The Tour.
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{\an8}Oh, and one last thing.
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This house will become a portal
into far-flung places.
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Don't believe me?
Watch this.
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Boom. Lagos.
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I told you, I'm [WHISPERS] the voice.
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{\an8}In Lagos, we'll introduce you to Bubu,
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{\an8}Ashley,
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00:03:18,616 --> 00:03:20,075
{\an8}Eloghosa,
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{\an8}Wavy.
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{\an8}And Korty.
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[KORTY] In Lagos,
you need to have some form of tenacity,
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audacity, and sometimes, madness.
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{\an8}My name is Korty, K-O-R-T-Y.
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{\an8}I'm a filmmaker, but I'm also here
as your guide into the lives
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{\an8}of some really interesting women
in Lagos, Nigeria. [CLAPS]
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Bonjour.
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{\an8}[BUBU] Would I describe myself
as a fashion designer? No.
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{\an8}I think fashion designer
is a bit too restricted.
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[LOOM CLICKING]
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I'm an artist.
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I'm a crafter.
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[SPEAKING FRENCH] It's beautiful, huh?
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[IN ENGLISH] My job is to just be a nomad.
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[UPBEAT MUSIC]
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I sourced all the looks
for this collection
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from all around different parts
of the African continent.
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Working with different communities
and artisans and craftsmen.
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[WOOD CLACKING]
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{\an8}I'm in the pride of Africa.
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{\an8}This is Nairobi, Kenya.
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[BUBU] For me, it's a research
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in understanding myself,
my culture, my people.
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{\an8}You have a nail,
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{\an8}so that you just do like this,
like this, you count.
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{\an8}All three go together.
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{\an8}I think that's better.
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{\an8}This is Shosho's amazing studio.
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She's actually the most important person
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that's working with textiles
in the whole of Kenya.
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00:04:54,795 --> 00:04:57,047
And I always work with her
whenever I'm in Kenya.
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00:04:57,131 --> 00:04:58,716
- Yeah.
- [LAUGHS]
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- She's my grandchild.
- [LAUGHS]
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[BUBU] Each of my pieces represents
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an Africanism through the different places
that I create within.
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I want to be connecting
with these people that create with me.
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00:05:15,691 --> 00:05:20,529
The accumulation of all of us
comes back to one supreme energy.
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Fashion is deep.
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- Yeah.
- Very deep.
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- Well done.
- Craft is deep.
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- Darling, crafts.
- Okay, crafts, crafts.
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'Cause in Lagos,
fashion is crafts. [LAUGHS]
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[FUNKY MUSIC]
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[BUBU] The act of fashioning
is very related to magic.
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We create glass out of sand.
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It's the act of fashioning.
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00:05:49,641 --> 00:05:51,769
Create plastic from crude oil.
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00:05:51,852 --> 00:05:52,853
That's fashioning.
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All the materials that I've worked with.
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Raffia, glass, silk.
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Cotton, bronze, brass.
105
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I'm obsessed with how all these
can be recreated or re-innovated
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00:06:08,994 --> 00:06:10,913
through the act of interweaving.
107
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- [TRANQUIL MUSIC]
- Yeah, can you turn to the light?
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I'm leaving my mark on the studio.
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Santi!
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Thank you! Thank you!
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[WAVES CRASHING]
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[DRUMBEAT]
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{\an8}[GENERAL CHATTER]
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[MUSIC AND REVELRY FADES]
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[BUBU] For this collection,
we delved into ten to 12 looks
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00:06:54,164 --> 00:06:57,126
about the creation of the feminine divine.
117
00:06:59,086 --> 00:07:02,047
Merging all these worlds
of Yoruba mythology
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00:07:02,131 --> 00:07:04,216
and Edo mythology.
119
00:07:04,883 --> 00:07:09,847
And I wanted each of these women
to embody these materials
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00:07:09,930 --> 00:07:12,641
and see themselves as gods or goddesses.
121
00:07:15,602 --> 00:07:18,355
For Yemoja, which is, like, mother of all,
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I chose to represent
with brass and bronze.
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{\an8}[KORTY] We are headed...
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to find some brass.
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00:07:33,120 --> 00:07:35,247
Bubu has less than 24 hours
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00:07:35,330 --> 00:07:37,416
to finish everything
she's here in Kenya to do.
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00:07:38,208 --> 00:07:40,419
She's working on a very tight deadline.
128
00:07:41,211 --> 00:07:43,922
Okay, so where is everything
that you were supposed to be bringing?
129
00:07:44,006 --> 00:07:45,883
Where's the list of things
I was supposed to do?
130
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{\an8}- They're here. I have to start working.
- But what has been done?
131
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{\an8}I will have to make them now.
132
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Uh, sorry. I need to...
I need to understand something.
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Nothing on the list
that I've given to you has been done.
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- [NELSON] No.
- Oh, my God, this is so crazy.
135
00:07:59,146 --> 00:08:00,606
[NELSON] No, no, no, no, no.
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Like she said, no purchase is easy.
137
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You're gonna have your ups and downs,
and this is a down right now.
138
00:08:07,112 --> 00:08:09,239
Kay, let's just have contingents, please.
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00:08:10,324 --> 00:08:12,826
[FRENETIC MUSIC]
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[BUBU] That look
is the most difficult piece
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I've ever embarked on.
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We do five, seven, nine, eleven.
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Let... So that's 300 in total.
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So if they've done 200 pieces, and...
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[MAN] The back will be a bit longer...
146
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[BUBU] Yeah, it's 110, 111.
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It's such a great energy in here.
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Hi, Bubu.
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00:09:02,626 --> 00:09:04,670
[MUSIC FADES OUT]
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00:09:05,504 --> 00:09:07,923
[NAOMI]
The first rule of this planet is...
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00:09:09,049 --> 00:09:11,134
do not look a star in the eye.
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If you still want to live.
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[TRUMPETS BLARING]
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We're walking on madness.
155
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Are you aware?
156
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Dance into the light
until your spirit comes shivering.
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Until your eyes go boom.
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Something true.
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A god is a god.
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Is a god.
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Is a door.
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This beast is a beast is a beast.
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Now unleashed.
164
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Let me tell you a story.
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Once, an angel landed in my head.
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And said,
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"Fear not.
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Fear not.
169
00:10:00,309 --> 00:10:01,351
Fear not."
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00:10:03,353 --> 00:10:04,980
It almost changed me.
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00:10:06,523 --> 00:10:08,400
But I'm wilder than that.
172
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Darker than that.
173
00:10:16,575 --> 00:10:18,493
This could be a Big Bang.
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00:10:20,579 --> 00:10:23,457
You see, depending on how you look at it,
175
00:10:23,915 --> 00:10:25,167
this could be a dream.
176
00:10:26,209 --> 00:10:28,545
This is where it seems to begin.
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00:10:28,628 --> 00:10:30,672
[HORN AND DRUM MUSIC CRESCENDOS]
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I wear a cut of holy
against my throat.
179
00:11:00,619 --> 00:11:04,206
Specks of power
glow glossy on my eyelids.
180
00:11:04,289 --> 00:11:07,793
I turn into a river of deep courage.
181
00:11:08,335 --> 00:11:12,881
Into a revolution of metal and feathers.
182
00:11:13,840 --> 00:11:15,092
When I appear in skin...
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00:11:15,801 --> 00:11:17,511
[HORNS FADE, PERCUSSIVE BEAT CONTINUES]
184
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they buck.
185
00:11:31,400 --> 00:11:34,069
When I become in a strut, they fall.
186
00:11:38,407 --> 00:11:39,574
[HORNS BLARE]
187
00:11:39,658 --> 00:11:43,620
You told me that
when I was way, way, way, way smaller.
188
00:11:43,703 --> 00:11:47,874
I'm keeping it forever,
like everything else out of your mouth.
189
00:11:53,797 --> 00:11:56,091
["FRIKITONA" BY PLAN B PLAYS]
190
00:11:57,092 --> 00:11:59,594
I make things because I was made.
191
00:11:59,678 --> 00:12:03,056
We make worlds because ours can fade.
192
00:12:04,307 --> 00:12:05,559
[GLASS SHATTERING]
193
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They keep their glow of an eye on me.
194
00:13:21,927 --> 00:13:24,012
[HORNS BLARE]
195
00:13:24,095 --> 00:13:26,806
Throw a dare at what wants to be me.
196
00:13:28,350 --> 00:13:30,393
Turn my hips into madness.
197
00:13:32,062 --> 00:13:33,772
The opposite of mercy.
198
00:13:34,856 --> 00:13:37,734
Twin, indescribable hills.
199
00:13:38,151 --> 00:13:41,154
And you know how it goes
more than anyone.
200
00:13:41,238 --> 00:13:43,490
You do. You do.
201
00:13:45,992 --> 00:13:48,787
I come to you, striking.
202
00:13:48,870 --> 00:13:52,082
The music runs and does its dance.
203
00:13:52,165 --> 00:13:53,792
They pour their lights on me
204
00:13:53,875 --> 00:13:59,339
as I build the trance,
the ground speeds out to meet the stars.
205
00:14:01,132 --> 00:14:02,884
How does it go again?
206
00:14:27,117 --> 00:14:30,120
[MUSIC FADES AWAY]
207
00:14:30,495 --> 00:14:32,414
Hi, Korty.
208
00:14:32,872 --> 00:14:34,958
Do you consider yourself a goddess?
209
00:14:35,041 --> 00:14:37,836
A goddess? Oh, my God,
I'm not that conceited.
210
00:14:37,919 --> 00:14:40,005
- Sorry.
- [LAUGHING] I don't know.
211
00:14:40,964 --> 00:14:43,133
I mean, I'm just the spirit here.
212
00:14:43,216 --> 00:14:44,634
Just here chilling.
213
00:14:45,844 --> 00:14:46,928
No, actually.
214
00:14:47,012 --> 00:14:50,056
I had a bit of a reaction
to the word, like, "goddess."
215
00:14:50,974 --> 00:14:52,434
I think of myself as a god.
216
00:14:53,143 --> 00:14:56,229
{\an8}- So do you think you're a goddess?
- Yes, I think.
217
00:14:57,147 --> 00:14:58,732
{\an8}[LAUGHS]
218
00:14:58,815 --> 00:15:00,066
I think I'm a goddess.
219
00:15:00,775 --> 00:15:03,320
- Do you think you're a goddess?
- Yes, in my own right.
220
00:15:04,279 --> 00:15:05,447
I guess, let me put it this way.
221
00:15:05,530 --> 00:15:09,576
I feel like we're all extensions
of what we've been created from.
222
00:15:12,120 --> 00:15:15,498
It's being able to tap into,
you know, your higher self.
223
00:15:18,627 --> 00:15:21,921
{\an8}My name is Wavy the Creator,
and I am an all-around creative.
224
00:15:23,548 --> 00:15:26,301
{\an8}I feel like art
is basically the center of my world.
225
00:15:27,427 --> 00:15:31,890
I'm trying to make
a very powerful, empowering song
226
00:15:32,474 --> 00:15:35,894
about a woman,
that can inspire people, you know?
227
00:15:35,977 --> 00:15:37,145
And that can be relatable.
228
00:15:37,228 --> 00:15:39,731
So in the talking bit.
Yeah, that's a bounce, right?
229
00:15:40,815 --> 00:15:42,859
Yo, Higo, please let me record the bounce
230
00:15:42,942 --> 00:15:44,653
for this talking bit
right here real quick.
231
00:15:45,195 --> 00:15:46,196
As young as a can remember,
232
00:15:46,279 --> 00:15:50,784
I had a very strong, like, desire
to want to create things out of nothing.
233
00:15:53,370 --> 00:15:54,663
[KORTY] Where'd you grow up.
234
00:15:55,080 --> 00:15:59,417
[WAVY] I grew up partly here in Lagos
and in Kansas City, Missouri as well.
235
00:16:00,794 --> 00:16:02,087
Coming from Lagos,
236
00:16:02,170 --> 00:16:04,756
I felt like
not a lot of people understood me.
237
00:16:05,548 --> 00:16:07,717
I just felt like an alien.
238
00:16:09,969 --> 00:16:11,846
[KORTY] Do you still feel like an alien?
239
00:16:13,223 --> 00:16:14,307
[WAVY] Yeah, sometimes.
240
00:16:16,059 --> 00:16:19,354
Especially when I came to Lagos.
I was supposed to be coming back home.
241
00:16:20,897 --> 00:16:23,149
But it felt like I was in a foreign land.
242
00:16:24,859 --> 00:16:27,362
Where there'd been a lot
of misconceptions about who I am.
243
00:16:28,238 --> 00:16:31,741
Everywhere I went to, it's just like
I either got stares or questions.
244
00:16:32,283 --> 00:16:33,326
But I embraced it.
245
00:16:35,662 --> 00:16:37,664
Because it gave me a spotlight.
246
00:16:39,874 --> 00:16:41,626
[WARPING SOUNDS]
247
00:16:43,712 --> 00:16:47,382
[SMOOTH R&B KEYBOARD]
248
00:16:47,465 --> 00:16:48,550
♪ Hey ♪
249
00:16:49,801 --> 00:16:50,844
♪ Higo ♪
250
00:16:51,886 --> 00:16:53,430
♪ Give me my heartbeat on the low ♪
251
00:16:54,013 --> 00:16:55,724
♪ You make the time stop when you go ♪
252
00:16:56,307 --> 00:16:58,435
♪ And when the temperature get cold ♪
253
00:16:58,518 --> 00:17:00,770
♪ You're like hot stones on the stove ♪
254
00:17:00,854 --> 00:17:02,856
♪ Give me my heartbeat on the low ♪
255
00:17:02,939 --> 00:17:04,649
♪ You make the time stop when you go ♪
256
00:17:05,442 --> 00:17:07,402
♪ And when the temperature get low ♪
257
00:17:07,485 --> 00:17:09,446
♪ You're like hot stones on the stove ♪
258
00:17:10,029 --> 00:17:11,823
♪ You're walking with a star ♪
259
00:17:11,906 --> 00:17:13,366
♪ Yeah, you are ♪
260
00:17:13,450 --> 00:17:14,492
♪ Yes ♪
261
00:17:14,576 --> 00:17:17,412
♪ You're walking like a star
Yeah, you are ♪
262
00:17:18,538 --> 00:17:21,624
♪ Can't get this feeling in my body ♪
263
00:17:22,751 --> 00:17:26,004
♪ You got me feelin' like I want it ♪
264
00:17:27,464 --> 00:17:30,592
♪ Hey, the way she walks
She lookin' like star ♪
265
00:17:32,093 --> 00:17:35,096
♪ Don't compare
You can never be her... ♪
266
00:17:36,639 --> 00:17:38,224
{\an8}[WOMAN]
My name is Eloghosa Osunde.
267
00:17:41,811 --> 00:17:43,855
I wrote a novel called Vagabonds.
268
00:17:46,900 --> 00:17:48,568
Vagabonds is a book
that's very interested
269
00:17:48,651 --> 00:17:54,282
in thinking about God,
life, love, queerness, spirituality,
270
00:17:54,365 --> 00:17:56,201
and so all of those things come together.
271
00:17:57,786 --> 00:17:59,913
The Nigerian constitution, as is,
272
00:17:59,996 --> 00:18:03,666
refers to anyone who's queer
or who gender bends as a vagabond.
273
00:18:03,750 --> 00:18:05,877
Like that's actually written into the law.
274
00:18:06,419 --> 00:18:07,796
And that made me very angry.
275
00:18:09,756 --> 00:18:12,133
What has happened
with the word "vagabond" since then
276
00:18:12,217 --> 00:18:14,886
is what happened
with the word "queer" for instance.
277
00:18:14,969 --> 00:18:16,679
Queer used to be a slur.
278
00:18:16,763 --> 00:18:19,474
And the way you take that and say,
"Okay, that's my name." Then what?
279
00:18:22,435 --> 00:18:24,979
And so now you see people
like with vagabond tattoos.
280
00:18:25,980 --> 00:18:27,690
You know, I know what they say
281
00:18:28,566 --> 00:18:29,651
to us.
282
00:18:30,193 --> 00:18:33,571
I know what they say to women.
I know what they say to queer people.
283
00:18:34,197 --> 00:18:36,825
But I've also learned
that we can say something back.
284
00:18:37,784 --> 00:18:39,994
[MUSIC BOOMING OUTSIDE]
285
00:18:40,078 --> 00:18:43,957
It is 12 a.m. in Lagos, Nigeria.
286
00:18:44,457 --> 00:18:47,210
And we're here to party.
We're waiting for Ashley Okoli.
287
00:18:49,128 --> 00:18:50,713
Superstar Ashley Okoli.
288
00:18:51,172 --> 00:18:54,384
All kinds of people from all over the city
289
00:18:55,134 --> 00:18:57,387
come here to be themselves.
290
00:18:58,429 --> 00:18:59,973
{\an8}Like, it's like your heartbeat.
291
00:19:00,849 --> 00:19:01,891
{\an8}[LAUGHS]
292
00:19:02,475 --> 00:19:04,519
Do you feel like there's
a lot of people in Nigeria
293
00:19:04,602 --> 00:19:07,188
who have to, like, hide
who they really are?
294
00:19:07,272 --> 00:19:10,233
[ASHLEY] Oh, yeah. A lot. Like 50%.
295
00:19:10,316 --> 00:19:11,484
Ninety percent.
296
00:19:11,568 --> 00:19:13,736
[KORTY] Then it makes sense
that you inspire a lot of people.
297
00:19:13,820 --> 00:19:15,655
[ASHLEY] Yeah, I feel from people
298
00:19:15,738 --> 00:19:19,325
of different ages, sizes,
race, everything...
299
00:19:19,409 --> 00:19:22,161
They talk about how they wish
they were as free as I am.
300
00:19:22,245 --> 00:19:23,830
Well, it's never too late,
301
00:19:23,913 --> 00:19:27,667
and there's nothing as original
as knowing yourself.
302
00:19:28,334 --> 00:19:31,212
[SMOOTH HIP HOP MUSIC]
303
00:19:35,216 --> 00:19:36,593
What do you identify as?
304
00:19:37,135 --> 00:19:39,137
Ashley Okoli.
305
00:19:42,724 --> 00:19:44,726
I'm a model, stylist,
306
00:19:44,809 --> 00:19:47,562
creative director, all-around artist.
307
00:19:48,146 --> 00:19:49,397
In general, bad bitch.
308
00:19:49,480 --> 00:19:53,318
[ENGINE RUMBLES]
309
00:19:53,401 --> 00:19:58,948
I'm about to like really perform
something you've probably never seen.
310
00:20:02,160 --> 00:20:04,245
[WOMAN] It's-It's giving half-assed.
311
00:20:04,829 --> 00:20:06,247
[MURMURED CONVERSATION]
312
00:20:06,873 --> 00:20:08,958
[ASHLEY] We are going back to my tribe.
313
00:20:09,042 --> 00:20:10,668
My culture, Igbo.
314
00:20:11,461 --> 00:20:12,587
You know?
315
00:20:14,088 --> 00:20:15,256
Okay.
316
00:20:16,382 --> 00:20:18,968
[SINGING TRADITIONAL SONG]
317
00:20:19,052 --> 00:20:20,303
Not the song.
318
00:20:21,554 --> 00:20:23,264
- Everything you've said...
- [ASHLEY] Yeah.
319
00:20:23,348 --> 00:20:26,768
...if you could define it
in one word, what would it be?
320
00:20:26,851 --> 00:20:27,936
It would be...
321
00:20:29,062 --> 00:20:30,813
Label me. I dare you.
322
00:20:35,485 --> 00:20:38,321
[CHIMES RINGING]
323
00:20:46,204 --> 00:20:49,958
["BUZZIN" BY DUA SALEH PLAYING]
324
00:20:50,041 --> 00:20:52,585
- [KORTY] You are very true to yourself.
- [ASHLEY] I am.
325
00:20:52,669 --> 00:20:54,170
- [KORTY] I respect it.
- [ASHLEY] Thank you.
326
00:20:54,253 --> 00:20:55,254
[LAUGHS]
327
00:21:14,899 --> 00:21:19,570
[TECHNO BEAT DROPS]
328
00:21:44,554 --> 00:21:45,930
[ASHLEY]
Who else? [CHUCKLES]
329
00:21:46,472 --> 00:21:49,851
[MUSIC FADES, CRICKETS CHIRPING]
330
00:21:52,270 --> 00:21:53,688
[BRIGHT GUITAR MUSIC]
331
00:21:54,689 --> 00:21:56,232
[GIGI] I've missed you guys.
332
00:21:56,816 --> 00:21:58,359
Wait... where's my walkie?
333
00:21:59,318 --> 00:22:02,155
[LAUGHING] I wish I could have
a walkie sound.
334
00:22:02,905 --> 00:22:05,825
Um, could you...
could you put one in for me?
335
00:22:06,367 --> 00:22:07,660
Yeah, they gave me a walkie.
336
00:22:08,619 --> 00:22:10,788
[WALKIE BEEPS]
Anyone have eyes on Doja?
337
00:22:11,414 --> 00:22:14,208
[SMOOTH GUITAR INTRO]
338
00:22:14,292 --> 00:22:16,836
♪ Baby, if you like it ♪
339
00:22:16,919 --> 00:22:19,547
♪ Just reach out and pet it ♪
340
00:22:19,630 --> 00:22:24,510
♪ This one doesn't bite
It doesn't get aggressive ♪
341
00:22:24,594 --> 00:22:27,472
♪ Show you how to touch it ♪
342
00:22:27,555 --> 00:22:30,183
♪ Hold it like it's precious ♪
343
00:22:30,266 --> 00:22:33,102
♪ It don't need your lovin' ♪
344
00:22:33,186 --> 00:22:35,938
♪ It just needs attention ♪
345
00:22:36,898 --> 00:22:38,191
♪ Love me ♪
346
00:22:38,274 --> 00:22:42,278
♪ It needs, it seeks affection ♪
347
00:22:42,361 --> 00:22:43,654
♪ (SO SWEET) ♪
348
00:22:43,738 --> 00:22:47,700
♪ Hungry, it fiends attention ♪
349
00:22:47,784 --> 00:22:48,785
♪ (HUNGRY) ♪
350
00:22:49,243 --> 00:22:53,331
♪ It needs, it seeks affection ♪
351
00:22:53,414 --> 00:22:54,582
♪ (BABY) ♪
352
00:22:54,665 --> 00:22:57,210
♪ Hungry, it feeds ♪
353
00:22:57,293 --> 00:23:00,379
♪ Yeah, look at me, look at me
You lookin'? ♪
354
00:23:00,463 --> 00:23:03,132
♪ My taste good
But I just had to redirect my cookin' ♪
355
00:23:03,216 --> 00:23:05,885
♪ I coulda been an opener
I redirect the bookin' ♪
356
00:23:05,968 --> 00:23:08,304
♪ I read it, all the comments
Sayin', "D, I'm really shooketh" ♪
357
00:23:08,387 --> 00:23:10,932
♪ D, you need to see a therapist
Is you lookin'? ♪
358
00:23:11,015 --> 00:23:13,893
♪ Yes, the one I got
They really are the best ♪
359
00:23:13,976 --> 00:23:16,562
♪ Now I feel like I can see
You bitches is depressed ♪
360
00:23:16,646 --> 00:23:19,190
♪ I am not afraid
To finally say shit with my chest ♪
361
00:23:19,273 --> 00:23:22,068
♪ Lost a little weight
But I ain't never lost the tushy ♪
362
00:23:22,151 --> 00:23:24,737
♪ Lookin' good
But now my bald head match my... ♪
363
00:23:24,821 --> 00:23:27,657
♪ Lookin' good
But now they all sayin' that I'm ugly ♪
364
00:23:27,740 --> 00:23:30,409
♪ Well, boohoo, my nigga
I ain't sad you won't fuck me ♪
365
00:23:30,493 --> 00:23:33,121
♪ I'm sad that you really thought
Yo ass was above me ♪
366
00:23:33,204 --> 00:23:35,790
♪ Your lucky 'cause I just
Paid your bill with a reply ♪
367
00:23:35,873 --> 00:23:38,042
♪ I just made your money pile knee high ♪
368
00:23:38,126 --> 00:23:40,503
♪ I just made your stats peak
Now you got a blue check ♪
369
00:23:40,586 --> 00:23:43,422
♪ Now you can afford
To go and reinstall a new wig ♪
370
00:23:43,506 --> 00:23:46,008
♪ Now you can afford to not be lousy
Go and do shit ♪
371
00:23:46,092 --> 00:23:48,553
♪ Talkin' shit about me
I can easily disprove it ♪
372
00:23:48,636 --> 00:23:50,012
♪ It's stupid, you follow me ♪
373
00:23:50,096 --> 00:23:52,223
♪ But you don't really care
About the music ♪
374
00:23:52,306 --> 00:23:55,017
♪ Baby, if you like it ♪
375
00:23:55,101 --> 00:23:57,687
♪ Just reach out and pet it ♪
376
00:23:57,770 --> 00:24:02,775
♪ This one doesn't bite
It doesn't get aggressive ♪
377
00:24:02,859 --> 00:24:05,945
♪ Show you how to touch it ♪
378
00:24:06,028 --> 00:24:08,281
♪ Hold it like it's precious ♪
379
00:24:08,364 --> 00:24:11,325
♪ It don't need your lovin' ♪
380
00:24:11,409 --> 00:24:14,078
♪ It just needs attention ♪
381
00:24:14,996 --> 00:24:16,414
♪ (LOVE ME) ♪
382
00:24:16,497 --> 00:24:20,418
♪ It needs, it seeks affection ♪
383
00:24:20,501 --> 00:24:21,836
♪ (SO SWEET) ♪
384
00:24:21,919 --> 00:24:25,923
♪ Hungry, it fiends attention ♪
385
00:24:26,007 --> 00:24:27,341
♪ (HUNGRY) ♪
386
00:24:27,425 --> 00:24:31,387
♪ It needs, it seeks affection ♪
387
00:24:31,470 --> 00:24:32,805
♪ (BABY) ♪
388
00:24:32,889 --> 00:24:35,308
♪ Hungry, it feeds ♪
389
00:24:36,267 --> 00:24:38,853
♪ Look at me, look at me, I'm naked ♪
390
00:24:38,936 --> 00:24:41,022
♪ Vulnerability earned me a lot of bacon ♪
391
00:24:41,105 --> 00:24:43,774
♪ I put a thong all in my ass
And taught you how to shake it ♪
392
00:24:43,858 --> 00:24:46,527
♪ I paid all my respect
To those who taught me how to make it ♪
393
00:24:46,611 --> 00:24:49,322
♪ And now I reap the benefits
With no confrontation ♪
394
00:24:49,405 --> 00:24:51,824
♪ Y'all fall into beef
But that's another conversation ♪
395
00:24:51,908 --> 00:24:54,911
♪ I'm sorry, but we all find it
Really entertaining ♪
396
00:24:54,994 --> 00:24:57,371
♪ ' Cause we all wanna see them slip
And fall right on their faces ♪
397
00:24:57,455 --> 00:25:00,082
♪ And we all wanna be the one
To see the devastation ♪
398
00:25:00,166 --> 00:25:03,211
♪ Not be in it
But ain't the bad press good? ♪
399
00:25:03,294 --> 00:25:05,880
♪ The disrespect's real
How this Patek look? ♪
400
00:25:05,963 --> 00:25:08,633
♪ Pull out the checkbook
Now why your neck crook? ♪
401
00:25:08,716 --> 00:25:11,302
♪ I never learn to superstar
From a textbook ♪
402
00:25:11,385 --> 00:25:13,930
♪ Talkin' 'bout, "She fallin' off
Why she get booked?" ♪
403
00:25:14,013 --> 00:25:16,807
♪ Man, I been humble
I'm tired of all the deprecation ♪
404
00:25:16,891 --> 00:25:19,518
♪ Just let me flex, bruh
Just let me pop shit ♪
405
00:25:19,602 --> 00:25:22,480
♪ ("WHY SHE THINK SHE NICKI M?
SHE THINK SHE HOT SHIT") ♪
406
00:25:22,563 --> 00:25:25,024
♪ I never gave a F
Go stir the pot, bitch ♪
407
00:25:25,107 --> 00:25:27,735
♪ I got y'all head all in the dirt
Just like a ostrich ♪
408
00:25:27,818 --> 00:25:30,529
♪ Of course, you bitches comparin' Doja
To who the hottest ♪
409
00:25:30,613 --> 00:25:32,573
♪ Baby, if you like it ♪
410
00:25:33,282 --> 00:25:35,910
♪ Just reach out and pet it ♪
411
00:25:35,993 --> 00:25:41,249
♪ This one doesn't bite
It doesn't get aggressive ♪
412
00:25:41,332 --> 00:25:44,126
♪ Show you how to touch it ♪
413
00:25:44,210 --> 00:25:46,545
♪ Hold it like it's precious ♪
414
00:25:46,629 --> 00:25:52,176
♪ It don't need your lovin'
It just needs attention ♪
415
00:25:53,261 --> 00:25:54,512
♪ Love me ♪
416
00:25:54,595 --> 00:25:58,683
♪ It needs, it seeks affection ♪
417
00:25:58,766 --> 00:25:59,892
♪ (SO SWEET) ♪
418
00:25:59,976 --> 00:26:04,188
♪ Hungry, it fiends attention ♪
419
00:26:04,272 --> 00:26:05,481
♪ (HUNGRY) ♪
420
00:26:05,564 --> 00:26:09,694
♪ It needs, it seeks affection ♪
421
00:26:09,777 --> 00:26:10,778
♪ (BABY) ♪
422
00:26:10,861 --> 00:26:14,115
♪ Hungry, it feeds ♪
423
00:26:26,502 --> 00:26:31,048
- [WOMAN] Okay, cue...
- [CHEERS, APPLAUSE]
424
00:26:31,132 --> 00:26:33,009
[GIGI, SINGING]
♪ That was Doja ♪
425
00:26:33,801 --> 00:26:36,929
♪ Ooh, I'm gonna sing for Doja ♪
426
00:26:37,388 --> 00:26:38,723
[LAUGHS]
427
00:26:38,806 --> 00:26:40,016
[CLASSICAL MUSIC]
428
00:26:40,099 --> 00:26:41,434
All right, my angels.
429
00:26:42,184 --> 00:26:44,228
Next, we travel to Bogotá.
430
00:26:45,604 --> 00:26:47,481
We'll introduce you to Goyo,
431
00:26:48,607 --> 00:26:49,775
Lorena,
432
00:26:50,318 --> 00:26:51,527
Melissa,
433
00:26:52,236 --> 00:26:53,279
Piscis,
434
00:26:54,155 --> 00:26:55,281
and Cristina.
435
00:26:59,785 --> 00:27:01,329
[WHOOSHING SOUND]
436
00:27:05,916 --> 00:27:07,585
[HORNS HONKING]
437
00:27:13,424 --> 00:27:15,843
[MELLOW SYNTH MUSIC]
438
00:27:23,059 --> 00:27:27,063
{\an8}[IN SPANISH] I'm Melissa.
Melissa Valdez, I'm from Medellín.
439
00:27:28,522 --> 00:27:29,774
I'm 23.
440
00:27:32,818 --> 00:27:34,028
I'm a designer.
441
00:27:34,111 --> 00:27:36,113
I've just finished college.
442
00:27:44,622 --> 00:27:46,082
{\an8}Hi, I'm Piscis.
443
00:27:46,832 --> 00:27:48,709
{\an8}Artist and activist from Bogotá, Colombia.
444
00:27:50,920 --> 00:27:54,131
I communicate with my body
through movement.
445
00:27:55,007 --> 00:27:58,094
I've always though movement is majestic.
446
00:28:03,140 --> 00:28:04,892
{\an8}Okay, my name is Gloria,
447
00:28:04,975 --> 00:28:06,352
{\an8}people call me Goyo.
448
00:28:06,811 --> 00:28:08,145
{\an8}I'm an artist.
449
00:28:09,647 --> 00:28:11,649
I started with ChocQuibTown.
450
00:28:13,734 --> 00:28:15,569
I will be at
Billboard's Women in Music now
451
00:28:15,653 --> 00:28:18,781
and I'm the first Afro-Latin woman
receiving recognition
452
00:28:18,864 --> 00:28:20,157
for being an agent of change.
453
00:28:21,617 --> 00:28:22,827
It's complex,
454
00:28:22,910 --> 00:28:25,454
when you have had to open doors
455
00:28:25,538 --> 00:28:27,206
and be a pioneer of certain things,
456
00:28:27,289 --> 00:28:28,582
and that's part of my story.
457
00:28:30,209 --> 00:28:34,964
Since I went solo, I am in a process
of recognizing who Goyo is.
458
00:28:38,676 --> 00:28:40,344
{\an8}My name is Cristina Sanchez Salamanca.
459
00:28:41,095 --> 00:28:42,471
{\an8}I'm a director.
460
00:28:42,555 --> 00:28:44,056
Lorena told me that she was
461
00:28:44,140 --> 00:28:46,517
painting five women around a table.
462
00:28:47,893 --> 00:28:52,273
So I thought it was exciting
to bring that painting to life.
463
00:28:52,731 --> 00:28:56,360
[CITY SOUNDSCAPE]
464
00:29:03,242 --> 00:29:04,410
[DOOR OPENS]
465
00:29:07,371 --> 00:29:08,372
[DOOR SHUTS]
466
00:29:09,081 --> 00:29:10,916
Okay, I am Lorena,
467
00:29:11,500 --> 00:29:13,419
from Barranquilla, a painter.
468
00:29:13,878 --> 00:29:15,713
I've lived in Bogotá for 13 years.
469
00:29:16,589 --> 00:29:22,595
All my paintings are related
to the Colombian Caribbean coast.
470
00:29:24,054 --> 00:29:25,806
I think it's a feeling.
471
00:29:26,640 --> 00:29:30,394
The sun is above,
literally above your head.
472
00:29:30,478 --> 00:29:34,106
It's so hot, your brain starts to melt.
473
00:29:39,570 --> 00:29:40,654
It's like...
474
00:29:40,738 --> 00:29:44,992
sweat and this need to touch
and feel the other,
475
00:29:46,577 --> 00:29:48,078
The Caribbean is affection.
476
00:29:51,373 --> 00:29:54,585
I think of them talking
and gossiping amongst themselves.
477
00:29:55,503 --> 00:30:01,383
They appear to be sharing a secret...
478
00:30:08,140 --> 00:30:09,892
We're the subject of the secret.
479
00:30:09,975 --> 00:30:14,939
[BACKGROUND CHATTER]
480
00:30:22,154 --> 00:30:23,948
I don't like to be looked at.
481
00:30:24,031 --> 00:30:26,200
Now you know what it feels like for us!
482
00:30:26,283 --> 00:30:27,535
[LAUGHTER]
483
00:30:35,000 --> 00:30:36,544
I'll tell you about me.
484
00:30:37,628 --> 00:30:41,840
I want to start by saying
that I was born in Bogotá.
485
00:30:46,220 --> 00:30:47,555
And I love Bogotá.
486
00:30:47,638 --> 00:30:49,223
I love this city.
487
00:30:49,306 --> 00:30:50,849
I love its chaos.
488
00:30:53,435 --> 00:30:57,856
It takes time to
learn how to live
489
00:30:57,940 --> 00:30:59,024
in this city.
490
00:30:59,108 --> 00:31:01,277
I think it's the same as our bodies.
491
00:31:01,735 --> 00:31:06,490
It takes some time to feel
at home in one's body,
492
00:31:06,574 --> 00:31:08,325
to understand
and to be at peace with it.
493
00:31:08,409 --> 00:31:09,618
I am like a river,
494
00:31:09,702 --> 00:31:10,995
I let myself flow,
495
00:31:11,078 --> 00:31:13,664
so that's how
I communicate with my body.
496
00:31:13,747 --> 00:31:17,543
I think our processes,
our bodies, our personalities
497
00:31:17,626 --> 00:31:20,921
are like the weather in Bogotá:
always changing, always evolving.
498
00:31:21,005 --> 00:31:22,047
- Yes, totally.
- Literally.
499
00:31:22,131 --> 00:31:23,215
- They are everchanging.
- Totally.
500
00:31:23,299 --> 00:31:25,467
- It's omnipresent.
- Yes.
501
00:31:25,551 --> 00:31:26,885
[THUNDER, RAIN]
502
00:31:26,969 --> 00:31:29,430
[PISCIS]
Finding those different paths
503
00:31:29,513 --> 00:31:32,975
or ways of getting along
with your body is beautiful.
504
00:31:33,642 --> 00:31:35,894
I love the word transit.
505
00:31:35,978 --> 00:31:37,771
[NEWS ANCHOR IN ENGLISH]
We turn now to Colombia,
506
00:31:37,855 --> 00:31:40,316
where anti-government protestors
filled the streets
507
00:31:40,399 --> 00:31:43,902
of a number of cities Tuesday
on Colombia's independence day.
508
00:31:43,986 --> 00:31:48,532
The country's defense minister had claimed
violence was expected at the protest
509
00:31:48,616 --> 00:31:50,868
{\an8}and put Bogotá on heightened alert.
510
00:31:50,951 --> 00:31:53,162
{\an8}[PISCIS IN SPANISH]
I don't know how to express anger
511
00:31:53,245 --> 00:31:55,080
other than through dance, or art.
512
00:31:55,664 --> 00:31:58,500
[DANCE MUSIC]
513
00:32:01,003 --> 00:32:02,796
[SHOUTS, CHEERS]
514
00:32:03,339 --> 00:32:09,345
On that day, one of my partners
had the idea of using caution tape
515
00:32:10,179 --> 00:32:11,805
to make a top.
516
00:32:13,015 --> 00:32:14,391
And a woman appeared,
517
00:32:14,475 --> 00:32:15,643
I say she was an angel.
518
00:32:16,894 --> 00:32:20,606
Because this woman
appeared and told me,
519
00:32:20,689 --> 00:32:22,066
"Why don't you dance here?"
520
00:32:22,524 --> 00:32:25,402
We went through
some stairs and the people
521
00:32:25,486 --> 00:32:27,112
and we reached that place
522
00:32:27,196 --> 00:32:29,865
where the video was shot.
523
00:32:33,035 --> 00:32:36,497
We are here, we exist,
and we are part of society.
524
00:32:36,914 --> 00:32:39,249
We fight for our society.
525
00:32:39,625 --> 00:32:41,627
We do it for ourselves,
but we also do it for you.
526
00:32:42,044 --> 00:32:44,880
For your children, for your family,
for your job.
527
00:32:50,302 --> 00:32:54,431
That moment was truly... I feel that,
528
00:32:54,515 --> 00:32:58,477
up until now, it was
the best moment of my life
529
00:32:58,560 --> 00:33:01,313
on a performance level because
530
00:33:02,731 --> 00:33:05,317
experiencing that,
I could physically see
531
00:33:05,818 --> 00:33:11,073
how dance, movement, love, and need
532
00:33:11,490 --> 00:33:14,118
can transform a hostile environment.
533
00:33:17,121 --> 00:33:20,207
{\an8}[EXCITING MUSIC]
534
00:33:22,042 --> 00:33:24,670
[MELISSA] It was not until one or two
years ago that I started thinking about
535
00:33:24,753 --> 00:33:28,632
how scars and skin features
536
00:33:28,716 --> 00:33:33,095
tell the stories of our lives.
537
00:33:36,140 --> 00:33:39,309
It started when I saw someone
with a scar on the street and I said,
538
00:33:39,393 --> 00:33:40,394
"Why not?"
539
00:33:41,478 --> 00:33:43,480
They were showing their scars,
540
00:33:43,564 --> 00:33:46,024
when you usually want
to conceal them instead.
541
00:33:47,359 --> 00:33:52,823
So, after seeing their scars,
that day, I looked in the mirror
542
00:33:53,407 --> 00:33:57,244
and looked at my own scars,
like my stretch marks
543
00:33:57,327 --> 00:33:59,705
or other marks on my body
gained through the years.
544
00:34:01,373 --> 00:34:03,083
Take the picture soon because...
545
00:34:03,167 --> 00:34:04,960
- I love how it looks...
- The other side.
546
00:34:05,878 --> 00:34:09,798
It all began with a crochet sample
made by my mom.
547
00:34:12,009 --> 00:34:15,804
Were always at home,
my mom and I, making stuff.
548
00:34:15,888 --> 00:34:18,682
We'd find sequins and thought
about what to do with them.
549
00:34:22,060 --> 00:34:24,563
I've always worked with my mother.
550
00:34:25,314 --> 00:34:27,399
It's like, I am the brains
of the operation
551
00:34:27,858 --> 00:34:31,403
and she'll figure out
a way to bring it to life.
552
00:34:34,198 --> 00:34:37,493
Very recently, my mother
had neck surgery
553
00:34:37,951 --> 00:34:42,122
I think we started sewing one
or two weeks after that,
554
00:34:42,206 --> 00:34:44,958
I told her, "You don't have to sew,"
but she was like, "I got this."
555
00:34:49,379 --> 00:34:52,966
I think she knows
what her scars mean to me
556
00:34:53,050 --> 00:34:55,886
because they turned
our lives upside down.
557
00:34:57,262 --> 00:34:59,973
She doesn't seem to see it
that way, but it tells a story
558
00:35:00,057 --> 00:35:03,227
of how on day,
you can be doing fine,
559
00:35:03,310 --> 00:35:06,021
and the next, they find
18 tumors inside of you.
560
00:35:11,360 --> 00:35:13,403
[INDISTINCT CONVERSATION]
561
00:35:16,573 --> 00:35:21,119
As far as design techniques,
I've used variations of crochet,
562
00:35:21,620 --> 00:35:24,623
We made crochet samples
563
00:35:24,706 --> 00:35:28,293
in plastic, in chain, in beads
564
00:35:28,377 --> 00:35:31,255
so we have to make the thread,
565
00:35:31,338 --> 00:35:34,633
meters and meters of thread
and do the threading with the beads
566
00:35:43,058 --> 00:35:46,436
So all of the eleven looks
are completely handmade.
567
00:35:48,146 --> 00:35:50,649
It's not just a fabric,
but everything behind it.
568
00:35:57,155 --> 00:36:00,242
Every person
that's behind that single piece.
569
00:36:00,325 --> 00:36:03,745
From the person
who makes the material
570
00:36:03,829 --> 00:36:05,622
to the person who sews it
571
00:36:05,706 --> 00:36:07,499
and the person who models it.
572
00:36:09,376 --> 00:36:12,546
There's a whole chain
behind a dress,
573
00:36:12,629 --> 00:36:13,881
so to speak,
574
00:36:13,964 --> 00:36:15,799
but it's a beautiful chain.
575
00:36:20,721 --> 00:36:23,432
I think the toughest part
has been fighting against time.
576
00:36:33,233 --> 00:36:35,569
[MAN IN ENGLISH] This middle section
was not like that before.
577
00:36:35,652 --> 00:36:38,614
It's not... I mean, if, Melissa,
you want to change it, that's okay,
578
00:36:38,697 --> 00:36:40,824
but next week
is when we're sending the collection.
579
00:36:41,450 --> 00:36:43,911
And because we did that dress
two times, right, there's no time.
580
00:36:44,578 --> 00:36:47,289
So, we have to ship on Wednesday.
Have to, have to, have to.
581
00:36:52,628 --> 00:36:54,755
- We need to do it again.
- [MAN] Yeah.
582
00:36:56,798 --> 00:36:59,760
[INDISTINCT DIALOGUE]
583
00:36:59,843 --> 00:37:01,053
[IN SPANISH] Be careful.
584
00:37:03,513 --> 00:37:05,974
[MELISSA] Since I am young,
I still don't have all the tools
585
00:37:06,058 --> 00:37:09,478
the experienced people
might have.
586
00:37:11,480 --> 00:37:16,276
I feel like 80% of me
suffers from impostor syndrome.
587
00:37:16,944 --> 00:37:19,905
I'm always thinking about how
someone else could be in my place
588
00:37:19,988 --> 00:37:22,115
or might have done
a better job than me.
589
00:37:29,957 --> 00:37:33,543
["MELTING" BY KALI UCHIS PLAYS]
590
00:41:20,187 --> 00:41:22,522
[CLAPPING]
591
00:41:22,606 --> 00:41:24,399
[LAUGHING] I'm really nervous right now.
592
00:41:24,941 --> 00:41:26,359
[MODEL, IN ENGLISH]
It's your first fashion show?
593
00:41:26,443 --> 00:41:28,403
- Yeah, it's all crochet...
- Wow.
594
00:41:28,820 --> 00:41:31,072
my mom made your whole dress.
595
00:41:31,156 --> 00:41:32,365
{\an8}- [MAN] Yes.
- [MODEL] That is...
596
00:41:32,449 --> 00:41:34,618
It goes from generation
to generation, I understand.
597
00:41:35,202 --> 00:41:37,245
[MELISSA] It's amazing to be here for me.
598
00:41:37,329 --> 00:41:40,749
It's amazing for me, too,
and a pleasure to be working with you.
599
00:41:41,208 --> 00:41:42,292
[LAUGHS]
600
00:41:47,505 --> 00:41:50,717
[IN SPANISH] I feel super proud
of who I am,
601
00:41:51,593 --> 00:41:53,345
of what I've gone through to get here
602
00:41:54,763 --> 00:41:56,431
and how it all happened.
603
00:42:19,329 --> 00:42:21,706
[INDISTINCT CONVERSATIONS IN SPANISH]
604
00:42:24,709 --> 00:42:27,879
[RAPPING IN SPANISH] ♪ I speak with love
don't misinterpret my flow ♪
605
00:42:28,463 --> 00:42:31,716
♪ And what fault is it of mine
That my talent is my art? ♪
606
00:42:31,800 --> 00:42:34,636
[SPEAKING NORMALLY]
I grew up in a fairly...
607
00:42:34,719 --> 00:42:36,805
musical environment, very free.
608
00:42:36,888 --> 00:42:39,182
[RAPPING] ♪ I've been given everything
Everything, everything ♪
609
00:42:39,266 --> 00:42:43,144
♪ Rhythm, power, street flow ♪
610
00:42:43,228 --> 00:42:47,899
[SPEAKING] When we were children,
my cousins taught us to sing in harmony.
611
00:42:47,983 --> 00:42:49,401
That each of us has her own voice,
612
00:42:49,484 --> 00:42:51,820
so when we get together,
we naturally harmonize.
613
00:42:52,320 --> 00:42:55,115
So, it's like, everyone
goes with their own voice.
614
00:42:56,366 --> 00:42:57,742
I have a daughter named Saba.
615
00:42:58,326 --> 00:43:00,537
Do you remember how to brake?
616
00:43:01,496 --> 00:43:03,415
Through Saba, I learned a lot.
617
00:43:03,498 --> 00:43:05,750
[SABA] Strength...
you have to use strength.
618
00:43:05,834 --> 00:43:09,337
[GOYO] And one of the things
I mostly learned from Saba
619
00:43:09,421 --> 00:43:12,090
is not to give up
my dream for anything.
620
00:43:13,466 --> 00:43:14,718
I hope others
621
00:43:14,801 --> 00:43:18,513
can feel it and share my essence
622
00:43:18,596 --> 00:43:22,058
or certain specific... state.
623
00:43:22,142 --> 00:43:24,728
Which is the birth of the panther.
624
00:43:25,854 --> 00:43:28,148
I say panther because it's like...
625
00:43:28,231 --> 00:43:30,650
an animal I identify with a lot.
626
00:43:30,734 --> 00:43:33,278
To be real for me is
627
00:43:33,361 --> 00:43:35,405
about showing that strength and...
628
00:43:36,114 --> 00:43:37,741
and the panther claws.
629
00:43:38,450 --> 00:43:43,371
[AFRO-LATIN REGGAETON]
630
00:43:49,878 --> 00:43:53,548
[RAPPING IN SPANISH]
631
00:45:46,995 --> 00:45:50,623
♪ Victoria's Secret Fashion Show,
La pantera ♪
632
00:46:32,957 --> 00:46:35,043
[GIGI WHISPERS]
Oh. Let me grab my walkie.
633
00:46:37,086 --> 00:46:39,756
Calling all models to the runway.
634
00:46:39,839 --> 00:46:41,758
Let's line it up, ladies. It's showtime.
635
00:46:44,594 --> 00:46:47,096
["HOLD ON" BY EN VOGUE PLAYS]
636
00:47:33,977 --> 00:47:36,437
[SONG SPEEDS UP]
637
00:47:38,523 --> 00:47:41,317
[DANCE REMIX OF "HEADS WILL ROLL"
BY THE YEAH YEAH YEAHS PLAYS]
638
00:49:38,184 --> 00:49:40,395
[MUSIC FADES OUT]
639
00:49:41,979 --> 00:49:47,276
[LOW RUMBLING]
640
00:49:55,034 --> 00:49:56,536
[CHIMES, LOW CHORDS]
641
00:50:03,126 --> 00:50:06,212
[THUNDERCLAP]
642
00:50:30,236 --> 00:50:33,531
[THUNDER, RAIN]
643
00:50:41,831 --> 00:50:44,250
[HEELS CLICKING]
644
00:50:47,420 --> 00:50:50,590
["THAT GIRL" BY BREE RUNWAY PLAYS]
645
00:51:26,375 --> 00:51:30,797
- [SONG ENDS]
- [CHEERS, APPLAUSE]
646
00:51:30,880 --> 00:51:33,090
[BIRDSONG]
647
00:51:33,800 --> 00:51:34,926
[GIGI] I mean, come on.
648
00:51:35,009 --> 00:51:37,637
We had to bring back
a little bit of the old show.
649
00:51:37,720 --> 00:51:39,055
[LAUGHS]
650
00:51:39,138 --> 00:51:42,099
Oh! This is one of my favorites.
Wait for it. Wait for it!
651
00:51:44,143 --> 00:51:47,772
The tube!
That's right. We're going to London.
652
00:51:48,773 --> 00:51:50,233
To meet Phoebe,
653
00:51:51,192 --> 00:51:52,401
Ebun,
654
00:51:52,485 --> 00:51:53,653
Supriya,
655
00:51:53,736 --> 00:51:54,821
Michaela,
656
00:51:54,904 --> 00:51:56,113
{\an8}and Margot.
657
00:52:02,954 --> 00:52:04,705
[SUPRIYA] Ooh, yeah.
658
00:52:05,540 --> 00:52:06,916
I think it's really pretty.
659
00:52:07,583 --> 00:52:08,751
Honestly.
660
00:52:09,377 --> 00:52:11,295
{\an8}If this is all in the silver yarn
661
00:52:12,630 --> 00:52:15,049
with a silver fringe
and then a silver bra,
662
00:52:16,509 --> 00:52:18,261
it could be quite, like, ooh.
663
00:52:22,181 --> 00:52:25,226
I'm Supriya Lele. I'm a fashion designer.
664
00:52:26,519 --> 00:52:29,522
Cut this and then let's brush this.
665
00:52:31,357 --> 00:52:36,654
My inspiration for the collections
ranges between punk referencing
666
00:52:36,737 --> 00:52:38,906
and '90s fashion imagery,
667
00:52:38,990 --> 00:52:43,661
but mostly, I was looking
at ancient Indian sculpture.
668
00:52:44,495 --> 00:52:46,080
Goddess motifs.
669
00:52:46,163 --> 00:52:48,374
- The female form, the body.
- [CAMERA SHUTTER]
670
00:52:48,749 --> 00:52:51,460
From really historical points of view.
671
00:52:51,544 --> 00:52:55,590
And I wanted to understand
how that could be made contemporary
672
00:52:55,673 --> 00:52:57,675
with my kind of touch.
673
00:52:57,758 --> 00:52:59,468
[MODEL] Hello, everyone.
674
00:52:59,969 --> 00:53:01,220
{\an8}[LAUGHING]
675
00:53:03,306 --> 00:53:06,017
[SUPRIYA] So we're gonna try
the long skirt on now with fringing.
676
00:53:06,100 --> 00:53:09,520
'Cause we're gonna trim it all at the show
so that it's, like, layered.
677
00:53:09,604 --> 00:53:12,148
[GASPS] Look at that.
678
00:53:12,231 --> 00:53:13,816
It looks really beautiful on you, Jess.
679
00:53:13,900 --> 00:53:15,192
How does it feel?
680
00:53:15,276 --> 00:53:17,862
[JESS] Very gorgeous,
very sexy and slinky.
681
00:53:17,945 --> 00:53:19,572
[SUPRIYA] And let's do the skirt next.
682
00:53:19,655 --> 00:53:20,698
[ELEVATOR DINGS]
683
00:53:28,122 --> 00:53:29,790
[WOMAN LAUGHS]
684
00:53:29,874 --> 00:53:31,334
Nasty girl.
685
00:53:31,417 --> 00:53:33,544
{\an8}My name is Ebun. Ebun Sodipo.
686
00:53:33,628 --> 00:53:36,589
{\an8}I've lived in the UK for 18 years now.
687
00:53:36,672 --> 00:53:39,634
This is Naomi Campbell's waist
in a Versace in like 1988 or something.
688
00:53:40,426 --> 00:53:44,722
I would describe my job as like
an artist, a writer, a storyteller.
689
00:53:44,805 --> 00:53:50,102
I make objects or worlds
that other people can enjoy.
690
00:53:50,186 --> 00:53:53,731
I'm a woman. I feel great.
[LAUGHS] It's like a moment.
691
00:53:54,315 --> 00:53:56,776
So I'm in like the process
of writing the script
692
00:53:56,859 --> 00:53:59,236
so I've got, like, some locations.
693
00:53:59,320 --> 00:54:01,364
I'm working on a video collage.
694
00:54:01,447 --> 00:54:04,533
This is the first time
that I'm, one, using my own body,
695
00:54:04,617 --> 00:54:07,286
but also making my own imagery.
696
00:54:07,995 --> 00:54:11,123
I wanted to continue thinking about...
697
00:54:11,791 --> 00:54:14,210
Black trans women's specific history.
698
00:54:14,919 --> 00:54:18,089
I want to make our story more meaningful
to what it means to be human.
699
00:54:18,172 --> 00:54:19,423
'Cause I feel like it's not at the moment.
700
00:54:21,801 --> 00:54:25,054
[LO-FI MUSIC]
701
00:54:27,640 --> 00:54:28,683
{\an8}I find it's the hardest thing
702
00:54:28,766 --> 00:54:30,893
{\an8}whenever someone says,
"What do you do?" I'm like...
703
00:54:31,268 --> 00:54:32,937
I usually say, "I make corsets."
704
00:54:33,020 --> 00:54:34,397
'Cause I honestly...
705
00:54:34,814 --> 00:54:36,190
I don't know how to describe my job.
706
00:54:38,734 --> 00:54:40,820
In high school,
it was very much a thing of like...
707
00:54:41,278 --> 00:54:43,406
everyone was so excited
for the Victoria's Secret show.
708
00:54:44,073 --> 00:54:47,952
We'd all put it in our diaries,
go and watch it, like, it was a big thing.
709
00:54:48,869 --> 00:54:53,290
But it was also that culture around it
of not wanting to eat after you saw it.
710
00:54:54,208 --> 00:54:56,419
This was genuinely an opportunity
711
00:54:56,502 --> 00:55:01,048
to even further delve into
that feeling I had as a teenager
712
00:55:01,132 --> 00:55:04,301
and the roots
of the body dysmorphia that I felt.
713
00:55:04,760 --> 00:55:07,722
And actually tackle them
from the archives in Ohio.
714
00:55:07,805 --> 00:55:09,348
{\an8}How many pieces
do you reckon are in there?
715
00:55:09,432 --> 00:55:10,516
{\an8}[ASSISTANT] A billion.
716
00:55:10,599 --> 00:55:12,351
{\an8}[MICHELA] Do you reckon
there's some pieces that Giselle wore?
717
00:55:12,435 --> 00:55:14,770
[BOTH SCREAMING, LAUGHING]
718
00:55:17,481 --> 00:55:19,525
Oh, my God, this is so exciting.
719
00:55:21,527 --> 00:55:24,655
Oh, my God.
720
00:55:24,739 --> 00:55:27,324
Wow. Oh, my God.
721
00:55:27,408 --> 00:55:29,618
[SWEEPING CLASSICAL MUSIC]
722
00:55:31,287 --> 00:55:32,413
Ah, this is so cute!
723
00:55:33,372 --> 00:55:37,293
This is like a corset here,
but what if you like moved it here?
724
00:55:37,376 --> 00:55:39,670
Oh, my God, this is giving Barbie in Ohio.
725
00:55:39,754 --> 00:55:42,089
- [ASSISTANT LAUGHS]
- [MICHAELA] Age of elegance.
726
00:55:43,466 --> 00:55:45,468
{\an8}Is this a skirt or is this wings?
727
00:55:47,595 --> 00:55:48,971
Give us a... Give us a... Give us a...
728
00:55:49,597 --> 00:55:52,725
[CAMERA SHUTTERS]
729
00:55:52,808 --> 00:55:53,976
[MICHAELA] This is crazy.
730
00:55:54,518 --> 00:55:59,565
I wish I could tell my, like...
like 14-year-old self.
731
00:55:59,648 --> 00:56:02,068
- Don't lose a pound, girl.
- [RAP SONG PLAYS]
732
00:56:04,195 --> 00:56:05,863
- [GASPS]
- [LAUGHS]
733
00:56:08,783 --> 00:56:11,118
- [WOMAN] Amazing, wow.
- [LAUGHING]
734
00:56:12,620 --> 00:56:13,788
[LAUGHING]
735
00:56:14,914 --> 00:56:16,248
- [SONG CUTS OUT]
- Hello?
736
00:56:17,500 --> 00:56:19,710
Oh, my God, I'll be right there.
737
00:56:20,503 --> 00:56:22,421
- Ding ding!
- [CHARLIE LAUGHS]
738
00:56:22,505 --> 00:56:26,133
- [LAUGHTER]
- [ETHEREAL MUSIC]
739
00:56:27,218 --> 00:56:29,303
This one. That.
740
00:56:29,970 --> 00:56:32,223
That. Definitely the bow one.
741
00:56:32,306 --> 00:56:34,391
Um, specifically the wings.
742
00:56:34,475 --> 00:56:36,393
Oh, I want to... Oh, my God, sorry.
743
00:56:36,477 --> 00:56:39,563
I want to try the wings. The fairy tale.
744
00:56:39,647 --> 00:56:41,232
Now I'll just get the full...
745
00:56:41,315 --> 00:56:42,441
Oh, this one's... [LAUGHS]
746
00:56:43,192 --> 00:56:44,485
[CHARLIE] It's a long day.
747
00:56:44,568 --> 00:56:46,487
[MICHAELA] It's been a long day
in the office.
748
00:56:46,570 --> 00:56:47,863
Oh, no.
749
00:56:51,367 --> 00:56:55,329
[FUTURISTIC MUSIC]
750
00:56:59,708 --> 00:57:02,753
{\an8}My name is Phoebe Collings-James,
and I'm a sculptor.
751
00:57:06,006 --> 00:57:09,593
I grew up in a part of East London
that has lots of very dense forests
752
00:57:09,677 --> 00:57:12,596
right next to concrete,
right on the edge of the city.
753
00:57:13,973 --> 00:57:17,101
Those are the two textures of ceramics.
754
00:57:17,601 --> 00:57:20,020
You know, you start off
with the soil and the clay,
755
00:57:20,104 --> 00:57:21,564
and then you end up with the rock.
756
00:57:24,984 --> 00:57:27,194
{\an8}It's a process that mimics nature,
757
00:57:27,278 --> 00:57:30,489
but it's a process of fire
that I have control over.
758
00:57:31,782 --> 00:57:33,325
[FLAMES WHOOSHING]
759
00:57:38,038 --> 00:57:42,376
I wanted to work with bronze
because it's another process of firework.
760
00:57:43,085 --> 00:57:47,214
'Cause it causes transformation, and,
you know, it's quite a magical process.
761
00:57:48,632 --> 00:57:51,927
I already had the idea
of making these five objects
762
00:57:52,011 --> 00:57:55,055
that had a lot of heavy symbolism for me.
763
00:57:55,139 --> 00:57:59,059
Sort of a mixture of characters
that could work in some ways as a whole.
764
00:58:00,895 --> 00:58:05,274
Those are the rose, the spoon,
a house, an eye, and a bell.
765
00:58:11,947 --> 00:58:16,035
For me, the bell represents
the burden of time.
766
00:58:16,535 --> 00:58:18,037
The next is the rose,
767
00:58:18,120 --> 00:58:21,123
where I'm really thinking
about the Barrington Levy song.
768
00:58:21,207 --> 00:58:22,625
"Black roses in my garden."
769
00:58:23,083 --> 00:58:25,711
That you have to care for it.
That you have to water it.
770
00:58:25,794 --> 00:58:29,506
Only you can tend to your own garden
at the end of the day.
771
00:58:30,633 --> 00:58:33,010
The house, I think about quite literally
772
00:58:33,093 --> 00:58:37,473
as the space
that's full of support and grounding.
773
00:58:38,307 --> 00:58:43,687
The spoon makes me think of what it is
to be or not to be spoon fed things.
774
00:58:44,521 --> 00:58:48,525
And the eye forms the final part,
which is the witness.
775
00:58:48,609 --> 00:58:50,569
[WOMAN] And what's your thought
about this piece?
776
00:58:50,653 --> 00:58:51,904
It's so heavy.
777
00:58:56,408 --> 00:58:58,160
[WOMAN, LAUGHS]
The weight of the world?
778
00:58:58,619 --> 00:58:59,912
One, neckpiece.
779
00:59:01,038 --> 00:59:04,333
- Two, a headpiece as well.
- Yeah. Ah! Oh, my gosh.
780
00:59:12,716 --> 00:59:14,677
[CHARLIE] Which corset string
do you want for this? Yellow...
781
00:59:14,760 --> 00:59:15,761
[MICHAELA] The yellow one, yellow.
782
00:59:16,262 --> 00:59:20,432
Me and Charlie have just been in here
all hours of the day sewing, basically.
783
00:59:20,516 --> 00:59:22,810
{\an8}I need to get everything done.
I need to get all the sewing done.
784
00:59:22,893 --> 00:59:27,314
I need to like sort out everything...
It's like party in her studio
785
00:59:27,398 --> 00:59:28,941
- [CEVAL] Hi.
- [MICHAELA] Hi.
786
00:59:29,024 --> 00:59:31,235
{\an8}[CHARLIE] Oh, my God, hi!
787
00:59:31,318 --> 00:59:33,612
{\an8}- How are you?
- [CEVAL] I'm good.
788
00:59:33,696 --> 00:59:35,281
[MICHAELA] Obviously,
my work is quite invasive
789
00:59:35,364 --> 00:59:37,116
to put onto someone that you don't know.
790
00:59:37,574 --> 00:59:39,576
Every time I start working
with a new model
791
00:59:39,660 --> 00:59:41,203
it does have to happen with care.
792
00:59:41,870 --> 00:59:44,790
And it is about what
a model feels comfortable in.
793
00:59:45,249 --> 00:59:46,834
And, you know, celebrating those parts
794
00:59:46,917 --> 00:59:48,961
they're worried
or that they felt insecure about.
795
00:59:49,044 --> 00:59:50,170
Yeah, bang on.
796
00:59:50,254 --> 00:59:53,590
- Oh, my God. I've got a size bigger.
- [LAUGHTER]
797
00:59:55,342 --> 00:59:59,430
I feel so strong and like elegant
and sexy already.
798
00:59:59,513 --> 01:00:02,683
Even like my hands and my feet
799
01:00:02,766 --> 01:00:04,101
are like standing different already,
800
01:00:04,184 --> 01:00:07,187
and I'm like just constantly
just holding and posing.
801
01:00:11,650 --> 01:00:14,528
[TECHNO DANCE MUSIC]
802
01:01:01,408 --> 01:01:03,827
- [MUSIC SLOWS]
- [LAUGHTER]
803
01:01:05,287 --> 01:01:07,331
[INDISTINCT DIALOGUE]
804
01:01:08,999 --> 01:01:11,377
[WOMAN] My body is like
a political statement
805
01:01:11,460 --> 01:01:12,669
in itself, you know what I mean?
806
01:01:12,753 --> 01:01:15,214
So, like, the way
that it's used is so important,
807
01:01:15,297 --> 01:01:19,343
and like having, like, the right gaze
on your body is so important.
808
01:01:21,303 --> 01:01:22,971
[EBUN] I think that the reason
809
01:01:23,055 --> 01:01:26,809
that I feel like I'm here, in a way,
is to make sure that like...
810
01:01:27,226 --> 01:01:30,437
the voices of, like, my ancestors
are, like, heard again
811
01:01:30,521 --> 01:01:33,440
or like to make sure
that there is still some life given
812
01:01:33,524 --> 01:01:34,942
to those who have, like, gone before.
813
01:01:35,401 --> 01:01:38,695
[WAVES CRASHING]
814
01:01:41,573 --> 01:01:44,952
She does not remember the name she wore
815
01:01:46,787 --> 01:01:49,706
the place she stood before the capture.
816
01:01:50,666 --> 01:01:52,084
Before the sea,
817
01:01:53,085 --> 01:01:54,128
before the hold,
818
01:01:55,838 --> 01:01:58,507
only the vague shape of them remained
819
01:02:00,467 --> 01:02:04,430
and so she gave herself a new name,
820
01:02:05,347 --> 01:02:09,059
after the color of where sky becomes sea.
821
01:02:10,686 --> 01:02:11,895
Celeste,
822
01:02:12,896 --> 01:02:15,023
She of the sea
823
01:02:23,907 --> 01:02:25,117
[SEWING MACHINE WHIRRING]
[SUPRIYA] With these bloomers.
824
01:02:25,200 --> 01:02:27,161
Let's see that.
Let's see that.
825
01:02:27,244 --> 01:02:28,245
I've got five minutes.
826
01:02:30,456 --> 01:02:34,585
We can attach it somewhere else.
I don't kn... you know, add more weight.
827
01:02:34,668 --> 01:02:38,046
[BACKGROUND CHATTER]
828
01:02:38,130 --> 01:02:40,883
Go on and kind of section everything out.
829
01:02:40,966 --> 01:02:43,886
And then it either gets hand-looped on
with a crochet...
830
01:02:43,969 --> 01:02:47,973
[SUPRIYA] I use clothes as a way
of playing with expression.
831
01:02:48,599 --> 01:02:50,058
But on a deeper level,
832
01:02:50,142 --> 01:02:55,355
I like to look at my Indian heritage
and British identity
833
01:02:55,439 --> 01:02:58,192
and sort of explore
the tension between the two.
834
01:02:58,275 --> 01:03:00,861
[INDIAN INSTRUMENTALS]
835
01:03:02,237 --> 01:03:04,031
My grandmother on my mom's side.
836
01:03:04,114 --> 01:03:07,242
She'd wear like a very simple,
like, beautiful material.
837
01:03:07,326 --> 01:03:09,495
Like, the most beautiful silk.
838
01:03:09,578 --> 01:03:10,996
But just so simple.
839
01:03:12,498 --> 01:03:13,832
I'm remembering that.
840
01:03:15,167 --> 01:03:17,669
I grew up from like 12 till 18
841
01:03:17,753 --> 01:03:19,922
in this little village
in the West Midlands
842
01:03:20,005 --> 01:03:22,090
making these annual trips to India.
843
01:03:23,800 --> 01:03:27,054
I never felt fully Indian enough
844
01:03:27,137 --> 01:03:29,890
when I was there, I guess.
I felt very English.
845
01:03:32,601 --> 01:03:34,144
Here's a belt ready.
846
01:03:35,854 --> 01:03:39,900
We made these amazing hardware pieces
from 3D printed metal.
847
01:03:40,651 --> 01:03:43,111
- I can't believe that that was 3D printed.
- [WOMAN] Mmm.
848
01:03:43,195 --> 01:03:46,114
And also, that looks so old
but was made in such a new way.
849
01:03:46,198 --> 01:03:47,449
Yeah, it's cool, isn't it?
850
01:03:51,995 --> 01:03:53,288
[EXCITING MUSIC]
851
01:03:53,372 --> 01:03:55,707
What an experience
to work on a scale like this.
852
01:03:55,791 --> 01:03:58,210
It's something
that I've never done before.
853
01:03:59,670 --> 01:04:02,589
I am obviously nervous.
854
01:04:04,424 --> 01:04:07,719
But I... when I see my work come to life,
855
01:04:07,803 --> 01:04:10,138
it's like the most addictive feeling.
856
01:04:10,222 --> 01:04:11,306
It's amazing.
857
01:04:18,438 --> 01:04:22,025
[SOUND OF GENTLE RAINFALL]
858
01:04:45,340 --> 01:04:48,176
[FLOWING WATER]
859
01:05:02,065 --> 01:05:05,402
[TRANQUIL SYNTH MUSIC, SPLASHING]
860
01:05:27,049 --> 01:05:29,343
["INNER CITY LIFE" BY GOLDIE PLAYS]
861
01:08:16,802 --> 01:08:18,845
[FLAMES CRACKLING]
862
01:08:52,379 --> 01:08:57,384
[APPLAUSE, CHEERS]
863
01:08:59,469 --> 01:09:01,680
[SONG FADES OUT]
864
01:09:02,347 --> 01:09:06,017
[NIGHTTIME FROGS]
865
01:09:08,478 --> 01:09:09,938
[GIGI] And finally,
866
01:09:10,021 --> 01:09:13,275
wait, guys, how are we getting to Japan?
Oh! Paloma.
867
01:09:13,358 --> 01:09:16,069
See that mirror?
Do me a favor. Can you open it?
868
01:09:16,903 --> 01:09:18,655
This is Tokyo.
869
01:09:18,738 --> 01:09:24,077
[GENTLE MUSIC WITH BAMBOO FLUTE]
870
01:09:24,160 --> 01:09:27,664
[WOMAN IN JAPANESE] In Tokyo,
sometimes you can see the blue sun.
871
01:09:29,457 --> 01:09:35,005
The blue sun could appear suddenly,
right in front of us.
872
01:09:35,797 --> 01:09:38,258
When the scent of the oily night city
873
01:09:38,341 --> 01:09:40,719
is wrapped by the morning light.
874
01:09:41,553 --> 01:09:44,598
When the hustle and bustle of the daytime
875
01:09:44,681 --> 01:09:46,808
gradually gets swallowed by the night.
876
01:09:48,018 --> 01:09:49,060
The incredibly short,
877
01:09:49,519 --> 01:09:51,771
fleeting moments of this blue hour
as the sky transitions
878
01:09:52,314 --> 01:09:54,941
are just like the lives of us women
879
01:09:55,817 --> 01:09:58,987
frantic, observed by others,
880
01:10:00,113 --> 01:10:01,573
and before we know it, they vanish.
881
01:10:02,657 --> 01:10:04,409
The movie you are about to watch
882
01:10:04,492 --> 01:10:07,329
is a story of women
883
01:10:07,412 --> 01:10:09,539
Living in a city
coldly lit by blue a sun.
884
01:10:11,374 --> 01:10:14,002
[NOCTURNAL SOUNDSCAPE]
885
01:10:22,510 --> 01:10:23,803
{\an8}[JEN FANG, IN ENGLISH]
My name is Jen Fang.
886
01:10:23,887 --> 01:10:25,221
{\an8}I'm from Taiwan,
887
01:10:27,057 --> 01:10:28,892
and now I live in Tokyo.
888
01:10:30,143 --> 01:10:32,979
I have a fashion brand called JennyFax.
889
01:10:33,063 --> 01:10:34,397
{\an8}[SCISSORS SNIPPING]
890
01:10:34,481 --> 01:10:36,358
I also don't know what is fashion
891
01:10:36,441 --> 01:10:38,860
[LAUGHING] if I want to be so honest.
892
01:10:38,944 --> 01:10:41,529
So I prefer to say I make clothes.
893
01:10:41,613 --> 01:10:42,989
I love clothes.
894
01:10:45,241 --> 01:10:47,327
This new collection is about
895
01:10:47,410 --> 01:10:49,788
my age as a woman's body and
896
01:10:50,497 --> 01:10:53,583
what we have
and what we feel in the ordinary life.
897
01:10:53,667 --> 01:10:56,086
{\an8}[PENCIL SCRATCHING]
898
01:10:56,503 --> 01:10:59,047
I need to show
the honest side of myself
899
01:10:59,130 --> 01:11:00,966
like, this week I'm this sad.
900
01:11:01,049 --> 01:11:03,009
Because if I always try to
901
01:11:03,093 --> 01:11:05,011
only show the bright side
902
01:11:05,095 --> 01:11:07,305
I think I will never reach my community.
903
01:11:08,556 --> 01:11:09,641
So I just want to tell:
904
01:11:09,724 --> 01:11:12,143
it's really okay to show you're sad.
905
01:11:12,227 --> 01:11:13,853
It's okay to feel sad.
906
01:11:14,854 --> 01:11:17,148
Jenny Fax. [LAUGHS]
907
01:11:17,232 --> 01:11:20,860
[MUFFLED CONVERSATION]
908
01:11:20,944 --> 01:11:23,655
{\an8}[CHEERFUL JAPANESE MUSICAL INTRO]
909
01:11:23,738 --> 01:11:26,157
{\an8}[CAMERA SHUTTER SNAPPING]
910
01:11:28,326 --> 01:11:30,912
{\an8}Excuse me, do you have a minute?
911
01:11:30,996 --> 01:11:32,288
{\an8}[IN ENGLISH]
Which TV program is this?
912
01:11:32,956 --> 01:11:35,542
{\an8}- Uh, VSTV.
- [CHIME]
913
01:11:35,625 --> 01:11:37,210
{\an8}What is blue sunshine?
914
01:11:38,294 --> 01:11:39,754
{\an8}You mean like the sun becomes blue?
915
01:11:39,838 --> 01:11:40,839
{\an8}Yes.
916
01:11:40,922 --> 01:11:43,341
{\an8}- I think it must be the end of the world.
- [THEATRICAL GASP]
917
01:11:46,261 --> 01:11:48,388
{\an8}[ECLECTIC MUSIC]
918
01:11:51,099 --> 01:11:53,810
{\an8}[KOM_I IN JAPANESE]
My name is Kom_I. I'm an artist.
919
01:11:55,103 --> 01:11:59,941
I joined the band Wednesday Campanella
when I was 18 years old.
920
01:12:00,650 --> 01:12:06,448
I was about 20 years old
when I started to become famous.
921
01:12:07,532 --> 01:12:09,200
I think that was too early.
922
01:12:09,993 --> 01:12:14,330
It was difficult to be my normal self.
923
01:12:16,166 --> 01:12:20,628
Now, I play experimental music.
924
01:12:20,712 --> 01:12:22,881
I improvise a lot.
925
01:12:22,964 --> 01:12:28,094
I also incorporate elements
from traditional music.
926
01:12:28,178 --> 01:12:31,473
[TRADITIONAL JAPANESE MUSIC PLAYING]
927
01:12:41,399 --> 01:12:44,819
{\an8}I'm Aoi Yamada. I'm a performer.
928
01:12:47,489 --> 01:12:51,326
My day is usually all over the place.
929
01:12:53,119 --> 01:12:56,122
The set elements are
waking up in the morning
930
01:12:56,748 --> 01:12:58,291
making miso soup
931
01:12:59,584 --> 01:13:02,754
and making a bento box for my husband.
932
01:13:02,837 --> 01:13:06,674
I want to help him maintain his health
933
01:13:07,550 --> 01:13:11,054
and making a bento
feels a bit like meditation.
934
01:13:12,847 --> 01:13:14,641
Then comes whatever flows for that day.
935
01:13:15,225 --> 01:13:18,061
[LIP-SYNCING TO JAPANESE POP SONG]
936
01:13:26,528 --> 01:13:30,949
I realized that dances
can be born from everyday life
937
01:13:31,991 --> 01:13:34,661
and that made me happy.
938
01:13:48,049 --> 01:13:51,344
[KAITO] My name is Kaito Itsuki,
and I'm an artist.
939
01:13:57,058 --> 01:13:58,935
Ever since I was a small child,
940
01:13:59,018 --> 01:14:01,437
I've been slow to become human.
941
01:14:02,480 --> 01:14:05,817
I couldn't understand
what was going on around me.
942
01:14:09,320 --> 01:14:12,949
Let's say that normal people are game apps
943
01:14:13,032 --> 01:14:16,619
that can be played
while you are downloading them.
944
01:14:16,703 --> 01:14:18,329
I was a game app that couldn't be played
945
01:14:18,413 --> 01:14:20,123
until the download was complete.
946
01:14:22,375 --> 01:14:24,961
I was looking at the ceiling one day
when I was a junior in college
947
01:14:25,044 --> 01:14:27,630
and all of a sudden,
things started making sense
948
01:14:29,132 --> 01:14:31,259
as if the download had just finished.
949
01:14:31,342 --> 01:14:33,678
From that day on,
950
01:14:34,888 --> 01:14:38,224
I started calling it 'The Revelation, '
it was a special thing.
951
01:14:42,937 --> 01:14:45,982
[CHEERFUL JAPANESE MUSICAL INTRO]
952
01:14:46,065 --> 01:14:47,192
{\an8}- [CAMERA SHUTTER]
- [CHIME]
953
01:14:47,275 --> 01:14:48,776
{\an8}What do you think a blue sun is?
954
01:14:49,903 --> 01:14:50,987
{\an8}A blueberry.
955
01:14:52,197 --> 01:14:54,532
{\an8}A blueberry.
956
01:14:54,616 --> 01:15:00,371
{\an8}When do you think you see
that blueberry/blue sun?
957
01:15:00,455 --> 01:15:05,293
{\an8}When I imagine it with all my heart.
958
01:15:09,672 --> 01:15:11,549
[STRANGE, ETHEREAL MUSIC]
959
01:15:14,969 --> 01:15:16,971
I'm scared of words.
960
01:15:17,597 --> 01:15:18,723
Truly.
961
01:15:22,268 --> 01:15:24,604
I started dancing around age six.
962
01:15:26,356 --> 01:15:31,027
I kept doing it, happy I'd finally found
a way to distance myself from speaking.
963
01:15:31,778 --> 01:15:34,447
I express what lies
in the space between words.
964
01:15:36,449 --> 01:15:39,327
I think that's what my dancing is.
965
01:15:55,927 --> 01:16:01,224
[KOM_I] There might be other ways
to have children in the future,
966
01:16:01,307 --> 01:16:04,269
but I'm pregnant right now.
967
01:16:05,061 --> 01:16:08,982
It feels loving and alien all at once.
968
01:16:16,030 --> 01:16:18,199
I've been very afraid of having a child
969
01:16:18,283 --> 01:16:21,995
because it could hinder my career.
970
01:16:23,746 --> 01:16:27,583
But when I got pregnant
and decided to have a baby,
971
01:16:27,667 --> 01:16:29,627
it was the opposite.
972
01:16:31,129 --> 01:16:34,799
I was like, "I'm going to do it,
no matter what!
973
01:16:34,882 --> 01:16:38,845
Whatever happens, I'll make sure
everything turns out okay."
974
01:16:43,808 --> 01:16:45,977
[JEN FANG IN ENGLISH]
This collection is more about, like
975
01:16:46,644 --> 01:16:49,689
myself now, being 43 years old.
976
01:16:50,732 --> 01:16:53,401
So I wanted to use my own body.
977
01:16:53,943 --> 01:16:56,904
I found it really interesting
if I created my own size.
978
01:16:57,822 --> 01:16:59,657
So I wear the garbage bag,
979
01:16:59,741 --> 01:17:02,577
and then my husband tapes around me
980
01:17:02,660 --> 01:17:06,122
and then after
I wanted to make it become a mold.
981
01:17:07,832 --> 01:17:10,168
I wanted to make it into a new shape
982
01:17:10,251 --> 01:17:11,669
that everyone can try.
983
01:17:14,088 --> 01:17:16,257
Like the woman who works in the café
984
01:17:16,341 --> 01:17:17,550
or the mother
985
01:17:17,633 --> 01:17:19,260
or the housewife
986
01:17:19,344 --> 01:17:21,346
or the ordinary woman.
987
01:17:21,429 --> 01:17:24,015
They can have their own spotlight.
988
01:17:28,644 --> 01:17:33,107
[IN JAPANESE]
I came to Tokyo when I was 15.
989
01:17:36,402 --> 01:17:39,072
I met people who I consider
my Tokyo family.
990
01:17:39,697 --> 01:17:42,116
Meeting them
was a big turning point for me.
991
01:17:42,950 --> 01:17:45,912
I realized I could just be myself.
992
01:17:47,413 --> 01:17:50,375
My biological family is probably...
993
01:17:50,458 --> 01:17:54,379
a so-called ordinary family.
994
01:17:56,923 --> 01:18:02,929
To me, family are relations I want to
995
01:18:03,971 --> 01:18:09,977
continue in the future.
996
01:18:11,896 --> 01:18:14,607
[HOLLOW BOUNCING SOUND]
997
01:18:14,690 --> 01:18:16,943
[JEN FANG IN ENGLISH]
I have my own brand, JennyFax.
998
01:18:17,026 --> 01:18:19,612
And my husband has his own brand.
999
01:18:19,695 --> 01:18:22,407
And we work together in the same studio.
1000
01:18:22,490 --> 01:18:24,826
[APPLAUSE]
1001
01:18:24,909 --> 01:18:28,663
I'm often recognized as Mikio's wife than
1002
01:18:28,746 --> 01:18:30,248
Jen Fang, the name.
1003
01:18:30,790 --> 01:18:34,043
I have heard people saying, "the wife"
1004
01:18:34,127 --> 01:18:36,504
or "shadow" or "why is she there?"
1005
01:18:36,587 --> 01:18:37,630
But the really good thing is
1006
01:18:37,713 --> 01:18:40,049
my husband will never
think of me in that way.
1007
01:18:42,051 --> 01:18:45,054
[BRIGHT MUSIC]
1008
01:18:50,101 --> 01:18:52,478
I need help. [LAUGHS]
1009
01:18:53,187 --> 01:18:57,358
Before I'm more nervous
how these clothes were gonna come out.
1010
01:18:57,859 --> 01:19:00,445
But, uh, I think it come out okay, yeah.
1011
01:19:00,528 --> 01:19:02,071
So, I'm not that nervous.
1012
01:19:07,368 --> 01:19:09,078
- [CHIME]
- [UPBEAT INTRO]
1013
01:19:12,457 --> 01:19:14,333
{\an8}What do you think a blue sun is?
1014
01:19:15,126 --> 01:19:17,211
{\an8}[KAITO] Hmm...
1015
01:19:17,753 --> 01:19:20,423
{\an8}I think I can see it
1016
01:19:20,506 --> 01:19:23,050
{\an8}when life turns
from ordinary to extraordinary.
1017
01:19:23,968 --> 01:19:25,928
{\an8}- Thank you.
- Yes, thank you.
1018
01:19:27,805 --> 01:19:31,142
[CHEERS, WHISTLES]
1019
01:19:33,269 --> 01:19:35,062
[BIRDS CHIRPING]
1020
01:19:39,192 --> 01:19:41,569
[CROWD OOHS, AHS]
1021
01:19:42,403 --> 01:19:43,529
Hmm.
1022
01:19:59,128 --> 01:20:00,129
Itsuki!
1023
01:20:08,513 --> 01:20:10,014
[GRUNTING WITH EFFORT]
1024
01:20:14,018 --> 01:20:16,062
[ALL SQUEALING]
1025
01:20:16,771 --> 01:20:17,939
[SHOUTS]
1026
01:20:18,022 --> 01:20:20,608
I'm a carrot!
1027
01:20:20,691 --> 01:20:22,401
[CROWD LAUGHS, CHEERS]
1028
01:20:23,694 --> 01:20:26,489
[DANCE BEAT PLAYS]
1029
01:20:30,201 --> 01:20:35,081
♪ Blue sun, oh, so blue ♪
1030
01:20:35,164 --> 01:20:38,626
♪ Always chasing the red evening sky ♪
1031
01:20:38,709 --> 01:20:42,463
♪ The sweet little sister ♪
1032
01:20:42,547 --> 01:20:44,757
♪ Asleep all winter ♪
1033
01:20:44,840 --> 01:20:46,759
♪ And all night ♪
1034
01:20:46,842 --> 01:20:52,848
♪ The sleepy girl wakes up ♪
1035
01:20:54,100 --> 01:20:59,480
♪ Rise, oh, rise! ♪
1036
01:21:00,189 --> 01:21:05,111
♪ Blue sun, which are you? ♪
1037
01:21:05,194 --> 01:21:08,072
♪ Blueberry or the green light ♪
1038
01:21:10,658 --> 01:21:12,493
♪ You will only know if you go ♪
1039
01:21:12,577 --> 01:21:14,704
♪ My body ♪
1040
01:21:14,787 --> 01:21:16,664
♪ All mine ♪
1041
01:21:16,747 --> 01:21:19,667
♪ If you want to taste test ♪
1042
01:21:20,334 --> 01:21:24,255
♪ Try, oh, try ♪
1043
01:21:24,714 --> 01:21:26,757
- [SONG WARPS]
- [UMI] Cut!
1044
01:21:26,841 --> 01:21:28,259
[BELL RINGS]
1045
01:21:34,432 --> 01:21:35,975
[SONG SLOWLY BUILDS AGAIN]
1046
01:21:36,058 --> 01:21:40,771
♪ Blue sun, oh so blue ♪
1047
01:21:40,855 --> 01:21:44,567
♪ Living tomorrow in solitude ♪
1048
01:21:44,650 --> 01:21:48,070
♪ My itty bitty lucky charm ♪
1049
01:21:48,404 --> 01:21:50,239
♪ On the rush-hour train ♪
1050
01:21:50,323 --> 01:21:52,283
♪ On Tinder, in the pub ♪
1051
01:21:52,366 --> 01:21:57,204
♪ Amid the throng, life flows on ♪
1052
01:21:57,288 --> 01:21:58,998
♪ On and on! ♪
1053
01:21:59,081 --> 01:22:00,916
♪ Here we go! ♪
1054
01:22:08,341 --> 01:22:12,053
[MUSIC SHIFTS TO SLOW, MAJESTIC HORNS]
1055
01:22:16,974 --> 01:22:19,226
[CAR HORNS HONKING]
1056
01:22:22,688 --> 01:22:25,858
[WOMAN HUMMING SOFTLY]
1057
01:22:28,110 --> 01:22:32,031
[CAR SIGNAL CLICKING]
1058
01:22:33,658 --> 01:22:39,121
- ["SHINZO NO TOBIRA" BY MARIAH PLAYS]
- [NAILS SCREECH]
1059
01:26:17,381 --> 01:26:18,757
[SONG ENDS WITH PIANO FLOURISH]
1060
01:26:24,430 --> 01:26:27,016
[MUFFLED HISSING]
1061
01:26:31,228 --> 01:26:33,689
[ENGINE RUMBLING]
1062
01:26:35,608 --> 01:26:36,942
[GIGI IN ENGLISH] And one last time,
1063
01:26:37,026 --> 01:26:38,319
Doja.
1064
01:26:39,111 --> 01:26:43,324
[RAP INTRO]
1065
01:26:47,119 --> 01:26:48,412
♪ Let me get it started ♪
1066
01:26:49,204 --> 01:26:50,706
- ♪ Round one ♪
- ♪ (FIGHT) ♪
1067
01:26:51,332 --> 01:26:52,499
- ♪ Round two ♪
- ♪ (ICE) ♪
1068
01:26:53,500 --> 01:26:54,710
- ♪ Round three ♪
- ♪ (FIGHT) ♪
1069
01:26:55,169 --> 01:26:56,879
♪ Come one, let me get it started ♪
1070
01:26:57,755 --> 01:26:59,048
- ♪ Round one ♪
- ♪ (FIGHT) ♪
1071
01:27:00,049 --> 01:27:01,634
- ♪ Round two ♪
- ♪ (ICE) ♪
1072
01:27:02,259 --> 01:27:03,427
- ♪ Round three ♪
- ♪ (FIGHT) ♪
1073
01:27:04,136 --> 01:27:05,220
♪ Yeah ♪
1074
01:27:05,304 --> 01:27:06,555
♪ I don't need to instigate ♪
1075
01:27:06,639 --> 01:27:08,474
♪ Y'all already phonin' in
With the music lately ♪
1076
01:27:08,933 --> 01:27:10,768
♪ I don't need another hit
'Cuz it's useless really ♪
1077
01:27:10,851 --> 01:27:12,770
♪ I ain't lookin' good?
You hallucinating ♪
1078
01:27:12,853 --> 01:27:15,314
♪ And every time I hear talk
I assume they crazy ♪
1079
01:27:15,397 --> 01:27:17,483
♪ Open up for me
Who are you? First lady? ♪
1080
01:27:17,566 --> 01:27:19,610
♪ Shut it down Michelle,
Tell them, "Fuck you, baby" ♪
1081
01:27:19,693 --> 01:27:21,987
♪ This a new Mercedes
I am graduating ♪
1082
01:27:22,071 --> 01:27:23,113
♪ Let me get it started ♪
1083
01:27:23,739 --> 01:27:24,990
- ♪ Round one ♪
- ♪ (FIGHT) ♪
1084
01:27:26,200 --> 01:27:27,826
- ♪ Round two ♪
- ♪ (ICE) ♪
1085
01:27:28,452 --> 01:27:29,662
- ♪ Round three ♪
- ♪ (FIGHT) ♪
1086
01:27:30,496 --> 01:27:32,748
♪ Let me get it started ♪
1087
01:27:32,831 --> 01:27:34,333
- ♪ Round one ♪
- ♪ (FIGHT) ♪
1088
01:27:34,959 --> 01:27:36,502
- ♪ Round two ♪
- ♪ (ICE) ♪
1089
01:27:36,585 --> 01:27:38,337
- ♪ Yeah, round three ♪
- ♪ (FIGHT) ♪
1090
01:27:39,630 --> 01:27:41,382
♪ Mmm, and there's so much ice ♪
1091
01:27:41,465 --> 01:27:43,592
♪ She want to hit me
I said, "No, Mike Tyson" ♪
1092
01:27:43,676 --> 01:27:45,803
♪ It's 2050
They won't owe you all this ♪
1093
01:27:45,886 --> 01:27:47,554
♪ A hundred Billies tryna go
No, Eilish ♪
1094
01:27:48,013 --> 01:27:49,848
♪ You full of envy
Now your face look tired ♪
1095
01:27:50,307 --> 01:27:52,017
♪ Used to be the baby
My, you Martin now ♪
1096
01:27:52,101 --> 01:27:54,311
♪ She gonna need another doc
Can't talk me down ♪
1097
01:27:54,395 --> 01:27:56,897
♪ You better pick her up
'Cuz ho's brawlin' now ♪
1098
01:27:56,981 --> 01:27:58,065
♪ So let me get it started ♪
1099
01:27:59,024 --> 01:28:00,192
- ♪ Round one ♪
- ♪ (FIGHT) ♪
1100
01:28:00,609 --> 01:28:02,736
- ♪ Round two ♪
- ♪ (ICE) ♪
1101
01:28:03,320 --> 01:28:04,488
- ♪ Round three ♪
- ♪ (FIGHT) ♪
1102
01:28:04,947 --> 01:28:06,615
♪ Yeah, let me get it started ♪
1103
01:28:07,700 --> 01:28:08,867
- ♪ Round one ♪
- ♪ (FIGHT) ♪
1104
01:28:09,952 --> 01:28:11,286
- ♪ Round two ♪
- ♪ (ICE) ♪
1105
01:28:12,079 --> 01:28:13,247
- ♪ Round three ♪
- ♪ (FIGHT) ♪
1106
01:28:13,914 --> 01:28:15,040
♪ Come on! ♪
1107
01:28:15,124 --> 01:28:17,960
- [SONG CONTINUES]
- ♪ Musty, dusty bitches ♪
1108
01:28:19,878 --> 01:28:23,674
♪ Don't you ever, ever ♪
1109
01:28:25,217 --> 01:28:26,385
♪ Enjoy life ♪
1110
01:28:28,887 --> 01:28:31,765
♪ Come for me ♪
1111
01:28:33,767 --> 01:28:35,352
♪ Enjoy life ♪
1112
01:28:37,813 --> 01:28:40,566
♪ Come for me ♪
1113
01:28:42,901 --> 01:28:44,445
♪ Enjoy life ♪
1114
01:28:46,238 --> 01:28:49,199
♪ Come for me ♪
1115
01:28:51,285 --> 01:28:52,995
♪ Enjoy life ♪
1116
01:28:55,122 --> 01:28:57,916
♪ Come for me ♪
1117
01:29:08,177 --> 01:29:09,720
[SONG ENDS]
1118
01:29:09,803 --> 01:29:12,139
[ENGINE RUMBLING]
1119
01:29:14,516 --> 01:29:18,395
[GIGI] And that concludes
my favorite Victoria's Secret show ever.
1120
01:29:18,479 --> 01:29:20,314
I think.
I think ever.
1121
01:29:20,647 --> 01:29:22,608
That was fun.
Thanks, y'all.
91034
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