subtitlecat.com

All language subtitles for 1988 Bird.

Afrikaans

Albanian

Amharic

Arabic

Armenian

Azerbaijani

Basque

Belarusian

Bengali

Bosnian

Bulgarian

Catalan

Cebuano

Chichewa

Chinese (Simplified)

Chinese (Traditional)

Corsican

Croatian

Czech

Danish

Dutch

English

Esperanto

Estonian

Filipino

Finnish

French

Frisian

Galician

Georgian

German

Greek

Gujarati

Haitian Creole

Hausa

Hawaiian

Hebrew

Hindi

Hmong

Hungarian

Icelandic

Igbo

Indonesian

Irish

Italian

Japanese

Javanese

Kannada

Kazakh

Khmer

Korean

Kurdish (Kurmanji)

Kyrgyz

Lao

Latin

Latvian

Lithuanian

Luxembourgish

Macedonian

Malagasy

Malay

Malayalam

Maltese

Maori

Marathi

Mongolian

Myanmar (Burmese)

Nepali

Norwegian

Pashto

Persian

Polish

Portuguese

Punjabi

Romanian

Russian

Samoan

Scots Gaelic

Serbian

Sesotho

Shona

Sindhi

Sinhala

Slovak

Slovenian

Somali

Spanish Download

Sundanese

Swahili

Swedish

Tajik

Tamil

Telugu

Thai

Turkish

Ukrainian

Urdu

Uzbek

Vietnamese

Welsh

Xhosa

Yiddish

Yoruba

Zulu

Odia (Oriya)

Kinyarwanda

Turkmen

Tatar

Uyghur

Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:03:42,756 --> 00:03:43,957 THAT'S RIGHT. 2 00:03:46,860 --> 00:03:48,862 PLAY IT SWEET, BIRD! 3 00:04:16,524 --> 00:04:21,261 * IF I SHOULD LOSE YOU * 4 00:04:22,530 --> 00:04:25,999 * THE STARS WOULD FALL FROM THE SKY * 5 00:04:27,401 --> 00:04:31,121 * IF I SHOULD LOSE YOU... ** 6 00:04:31,221 --> 00:04:32,906 YOU'RE AWAKE. 7 00:04:35,309 --> 00:04:36,910 I'M GLAD. 8 00:04:38,712 --> 00:04:40,664 HALFWAY THROUGH THE LAST SET, 9 00:04:40,764 --> 00:04:43,734 GUESS WHO DROPPED IN ON ME? 10 00:04:43,834 --> 00:04:45,269 MY ULCERS! 11 00:04:45,369 --> 00:04:46,670 HA HA HA! 12 00:04:46,770 --> 00:04:51,241 I GAVE THEM SOME CODEINE, AND THEY WOULDN'T GO AWAY. 13 00:04:51,341 --> 00:04:53,894 WHAT ELSE HAPPENED? 14 00:04:56,430 --> 00:04:57,815 THE STRINGS, 15 00:04:57,915 --> 00:05:01,652 THEY WENT INTO THE INTRO FOR EASY TO LOVE, 16 00:05:01,752 --> 00:05:05,906 AND I STARTED PLAYIN' IF I SHOULD LOSE YOU. 17 00:05:08,308 --> 00:05:09,910 DIDN'T FIT. 18 00:05:11,311 --> 00:05:14,865 NOT EVEN WHEN I TRIED TO MAKE IT FIT. 19 00:05:14,965 --> 00:05:16,517 IT WOULDN'T FIT. 20 00:05:19,720 --> 00:05:21,672 WOULDN'T NOBODY HAVE NOTICED 21 00:05:21,772 --> 00:05:23,941 EXCEPT FOR MAYBE DIZZY GILLESPIE. 22 00:05:24,041 --> 00:05:27,545 BUT DIZZY GILLESPIE IS ON THE ROAD SOMEWHERE, 23 00:05:27,645 --> 00:05:30,280 AS FAR AS I KNOW. 24 00:05:30,380 --> 00:05:33,934 BUT HE WOULD HAVE CHIDED ME. 25 00:05:35,202 --> 00:05:36,720 IS THAT ALL? 26 00:05:36,820 --> 00:05:37,820 NO. 27 00:05:39,740 --> 00:05:42,943 I'M GRATEFUL THAT YOU DIDN'T BOLT THE DOOR. 28 00:05:45,345 --> 00:05:49,299 I EXPECTED THAT I WAS GOING TO HAVE TO TALK 29 00:05:49,399 --> 00:05:51,552 MY WAY BACK IN HERE. 30 00:05:52,953 --> 00:05:54,805 DID YOU GET MY NOTE? 31 00:05:54,905 --> 00:05:57,408 I LEFT IT ON THE REFRIGERATOR. 32 00:05:57,508 --> 00:05:59,042 WHAT ELSE HAPPENED? 33 00:05:59,142 --> 00:06:00,911 WHAT ELSE? HA HA! 34 00:06:01,011 --> 00:06:03,697 ABOUT WHAT YOU'D EXPECT. 35 00:06:05,032 --> 00:06:08,719 STEINBERG GOT ONE OF THE CAMERA GIRLS 36 00:06:08,819 --> 00:06:12,022 TO TAKE A PICTURE OF ME... 37 00:06:14,357 --> 00:06:17,110 IN THE MIDST OF MY DISORIENTATION... 38 00:06:18,779 --> 00:06:20,981 SOMETHING TO SHOW THE UNION. 39 00:06:22,049 --> 00:06:25,736 I SAID, "YOU DON'T GIVE ME THAT NEGATIVE BACK... 40 00:06:25,836 --> 00:06:28,589 I DON'T WORK HERE NO MORE." 41 00:06:29,790 --> 00:06:33,594 SO...I DON'T WORK THERE NO MORE. 42 00:06:37,898 --> 00:06:41,051 * LIVING WOULD BE IN VAIN * 43 00:06:41,151 --> 00:06:44,751 * IF I LOST YOU ** 44 00:06:51,044 --> 00:06:53,230 TO HELL WITH THEM. 45 00:06:53,330 --> 00:06:55,232 I'M HUNGRY. 46 00:06:55,332 --> 00:06:56,932 ARE YOU? 47 00:07:00,888 --> 00:07:01,888 OH! 48 00:07:02,873 --> 00:07:06,877 WE HAVE DECIDED TO HUMOR HIM... 49 00:07:06,977 --> 00:07:08,629 THIS EVENING! 50 00:07:09,830 --> 00:07:12,382 IF HE SAYS HE'S HAVING PAINS 51 00:07:12,482 --> 00:07:13,784 FROM HIS ULCERS, 52 00:07:13,884 --> 00:07:16,854 NEVER MIND THAT WE DON'T BELIEVE IT! 53 00:07:16,954 --> 00:07:18,255 I BELIEVE IT. 54 00:07:18,355 --> 00:07:20,791 WORK THAT PSYCHOLOGY ON HIM! 55 00:07:20,891 --> 00:07:23,527 HE'S JUST AN OVERGROWN, 56 00:07:23,627 --> 00:07:26,263 GODDAMN ADOLESCENT, ANYWAY! 57 00:07:26,363 --> 00:07:28,398 DANGEROUS WHEN CONTRADICTED, 58 00:07:28,498 --> 00:07:30,400 BUT AN ADOLESCENT! 59 00:07:30,500 --> 00:07:32,052 GOD, YOU'RE WEIRD. 60 00:07:34,054 --> 00:07:36,524 GOD, I'M WEIRD? 61 00:07:38,458 --> 00:07:41,812 IS THAT WHAT THEY SAY IN WESTCHESTER? 62 00:07:41,912 --> 00:07:46,416 I HEAR THAT STEINBERG, HE LIVES IN WESTCHESTER! 63 00:07:46,516 --> 00:07:49,920 WHAT DO YOU MEAN, "TO HELL WITH THEM"? 64 00:07:50,020 --> 00:07:53,423 WHY DON'T YOU STICK UP FOR YOUR OWN PEOPLE? 65 00:07:53,523 --> 00:07:55,425 STICK UP FOR SOMEBODY! 66 00:07:55,525 --> 00:07:57,427 THIS IS GETTING UGLY AGAIN. 67 00:07:57,527 --> 00:08:00,430 MAYBE I SHOULD HAVE BOLTED THE DOOR. 68 00:08:00,530 --> 00:08:03,433 HELL, DON'T LET ME MESS UP YOUR PLANS. 69 00:08:03,533 --> 00:08:04,935 I'LL BOLT THE DOOR. 70 00:08:06,536 --> 00:08:09,039 I GOT HIM. I GOT HIM. 71 00:08:09,139 --> 00:08:10,739 GOT HIM. 72 00:08:10,974 --> 00:08:11,974 NO! 73 00:08:13,043 --> 00:08:15,045 I SAID I GOT HIM! 74 00:08:15,145 --> 00:08:16,597 DON'T TOUCH HIM! 75 00:08:17,898 --> 00:08:20,083 WHAT YOU HIT ME FOR LIKE THAT? 76 00:08:20,183 --> 00:08:23,170 WHAT DID YOU THINK I HAD ON MY MIND? 77 00:08:24,504 --> 00:08:25,504 HUH? 78 00:08:25,689 --> 00:08:27,324 NOTHING. I'M SORRY. 79 00:08:27,424 --> 00:08:29,424 I'M SORRY. 80 00:08:29,793 --> 00:08:33,113 WE JUST PUT ONE CHILD IN THE GRAVE. 81 00:08:39,202 --> 00:08:40,202 DON'T. 82 00:08:40,301 --> 00:08:43,857 WHAT DID YOU THINK I WAS GOING TO DO? 83 00:08:48,128 --> 00:08:49,479 FORGIVE ME. 84 00:08:49,579 --> 00:08:51,481 I WAS HUMORING YOU. 85 00:08:51,581 --> 00:08:53,133 I'M SORRY. 86 00:08:54,534 --> 00:08:56,820 THAT'S OK. THAT'S OK. 87 00:08:56,920 --> 00:08:57,920 HEY. 88 00:08:58,972 --> 00:09:01,124 GUESS WHAT I DID YESTERDAY. 89 00:09:01,224 --> 00:09:02,224 WHAT? 90 00:09:02,323 --> 00:09:06,296 I WENT TO THE LAWYER'S, AND I MADE A WILL, 91 00:09:06,396 --> 00:09:09,149 AND I LEFT EVERYTHING TO YOU. 92 00:09:20,160 --> 00:09:23,981 THERE'S NO HARM IN GETTING YOUR AFFAIRS IN ORDER. 93 00:09:24,081 --> 00:09:27,851 I DON'T WANT TO HEAR ABOUT THAT WILL, MAN. 94 00:09:27,951 --> 00:09:30,971 I CAN'T DO ANYTHING RIGHT ANYMORE. 95 00:09:34,374 --> 00:09:37,327 DO WE...DO WE HAVE ANY GELUSIL? 96 00:09:37,427 --> 00:09:38,427 WE SURE DO. 97 00:09:38,526 --> 00:09:39,844 I GOT A BRAND-NEW 50-GALLON DRUM 98 00:09:39,944 --> 00:09:41,081 IN THE BATHROOM. 99 00:09:57,264 --> 00:09:59,149 "COME FILL THE CUP, 100 00:09:59,249 --> 00:10:02,152 "AND IN THE FIRE OF SPRING, 101 00:10:02,252 --> 00:10:06,006 "YOUR WINTER GARMENT OF REPENTANCE FLING. 102 00:10:07,607 --> 00:10:12,763 "THE BIRD OF TIME HAS BUT A LITTLE WAY TO FLUTTER, 103 00:10:12,863 --> 00:10:16,283 AND THE BIRD IS ON THE WING." 104 00:10:52,419 --> 00:10:53,419 AAH! 105 00:10:54,037 --> 00:10:55,037 AAH! 106 00:11:08,902 --> 00:11:10,821 THAT WAS STUPID. 107 00:11:10,921 --> 00:11:14,357 NOW I'LL HAVE TO CALL AN AMBULANCE. 108 00:11:14,457 --> 00:11:15,959 CASE NUMBER 1540-- 109 00:11:16,059 --> 00:11:18,395 PATIENT ADMITTED TO PSYCHIATRIC PAVILION 110 00:11:18,495 --> 00:11:22,265 AT REQUEST OF WIFE, FOLLOWING SUICIDE ATTEMPT 111 00:11:22,365 --> 00:11:23,667 BY INGESTING IODINE. 112 00:11:23,767 --> 00:11:26,069 TIME--5 A.M., SEPTEMBER 1, 1954. 113 00:11:26,169 --> 00:11:30,107 PATIENT HAS A PAST HISTORY OF "NERVOUS BREAKDOWN," 114 00:11:30,207 --> 00:11:32,710 FOR WHICH HE WAS HOSPITALIZED IN CALIFORNIA 115 00:11:32,810 --> 00:11:35,312 FOR A PERIOD OF EIGHT MONTHS. 116 00:11:35,412 --> 00:11:37,114 ACCORDING TO THE WIFE, 117 00:11:37,214 --> 00:11:39,717 THIS ATTEMPT WAS RELATED TO DEPRESSION 118 00:11:39,817 --> 00:11:41,852 TO THE RECENT DEATH OF THEIR DAUGHTER 119 00:11:41,952 --> 00:11:44,855 AND ALSO BY REVERSES IN "HIS CAREER." 120 00:11:44,955 --> 00:11:46,857 APPARENTLY, HE'S A MUSICIAN. 121 00:11:46,957 --> 00:11:48,859 WHERE'S HE BEEN PUT? 122 00:11:48,959 --> 00:11:50,861 PQ-3. SEMIAGITATIVE. 123 00:11:50,961 --> 00:11:53,263 WHAT ARE YOU GOING TO RECOMMEND? 124 00:11:53,363 --> 00:11:55,265 HIS WIFE IS COMING THIS AFTERNOON. 125 00:11:55,365 --> 00:11:57,901 WHAT DO YOU EXPECT ME TO RECOMMEND? 126 00:11:58,001 --> 00:12:00,120 CHARLIE PARKER. 127 00:12:01,088 --> 00:12:03,406 LET ME GO! LET ME GO! 128 00:12:03,506 --> 00:12:05,876 LET ME GO! LET ME GO! 129 00:12:05,976 --> 00:12:08,128 LET ME OUT OF HERE! 130 00:12:12,132 --> 00:12:13,132 EXCUSE ME. 131 00:12:13,231 --> 00:12:15,869 TOO EARLY, AND YOU KNOW IT. 132 00:12:31,885 --> 00:12:35,522 DID YOU SEE-- DID YOU SEE THAT? 133 00:12:38,425 --> 00:12:39,910 I ASKED THAT... 134 00:12:40,010 --> 00:12:43,313 MISGUIDED, OFFICIOUS YOUNG WOMAN 135 00:12:43,413 --> 00:12:46,917 IF SHE WOULD ADMINISTER MY PARALDEHYDE, 136 00:12:47,017 --> 00:12:49,903 AND SHE DEMURRED. 137 00:12:51,771 --> 00:12:53,173 DEMURRED. 138 00:12:54,574 --> 00:12:56,927 I AM NOT A LABORATORY ANIMAL. 139 00:12:57,027 --> 00:12:58,862 I AM IN PAIN HERE. 140 00:12:58,962 --> 00:13:00,764 CAN'T SHE SEE THAT? 141 00:13:00,864 --> 00:13:03,033 TELL YOUR TROUBLES TO SOMEBODY ELSE. 142 00:13:03,133 --> 00:13:07,087 WHY? YOU'RE PERFECT. 143 00:13:09,189 --> 00:13:10,189 ORDERLY! 144 00:13:10,288 --> 00:13:11,288 ORDERLY! 145 00:13:12,642 --> 00:13:14,945 ALL RIGHT, CALM DOWN! CALM DOWN! 146 00:13:15,045 --> 00:13:16,947 COME ON. CALM DOWN. 147 00:13:17,047 --> 00:13:19,549 LET HIM GO! LET HIM GO! 148 00:13:19,649 --> 00:13:21,551 WHAT'S WRONG WITH YOU PEOPLE? 149 00:13:21,651 --> 00:13:22,953 EASY. EASY. 150 00:13:23,053 --> 00:13:24,955 WHEN ALL ELSE FAILS, 151 00:13:25,055 --> 00:13:27,357 WHAT HE'LL DO IS PROVOKE A FIGHT. 152 00:13:27,457 --> 00:13:29,827 IF HE CAN'T AFFORD TO GET DRUNK, 153 00:13:29,927 --> 00:13:31,361 THE SUBSTITUTE IS PAIN. 154 00:13:31,461 --> 00:13:33,831 IT TAKES HIS MIND OFF THINGS FOR A WHILE. 155 00:13:33,931 --> 00:13:35,966 THERE WAS A TIME 156 00:13:36,066 --> 00:13:38,368 HE COULD DO THAT WITH CONVERSATION, 157 00:13:38,468 --> 00:13:41,571 BUT NOT SINCE THE ULCERS STARTED BLEEDING. 158 00:13:41,671 --> 00:13:43,673 ARE YOU EMPLOYED, MRS. PARKER? 159 00:13:43,773 --> 00:13:47,027 NO. NO. HE'S A GOOD PROVIDER. 160 00:13:48,028 --> 00:13:49,679 OH, I DANCE... 161 00:13:49,779 --> 00:13:53,066 IN NIGHTCLUBS ONCE IN A GREAT WHILE. 162 00:13:56,036 --> 00:13:57,988 HARDLY AT ALL THESE DAYS. 163 00:13:58,088 --> 00:14:00,590 I HAVE TWO CHILDREN AT HOME. 164 00:14:00,690 --> 00:14:03,827 WHAT I'M GETTING AT IS THE FINANCIAL PROBLEM. 165 00:14:03,927 --> 00:14:06,379 HE NEEDS MEDICAL TREATMENT... 166 00:14:07,647 --> 00:14:09,732 NOT PSYCHOLOGICAL. 167 00:14:09,832 --> 00:14:12,185 WHY DID YOU CALL US, THEN? 168 00:14:39,712 --> 00:14:40,712 YEAH. 169 00:14:40,998 --> 00:14:43,500 CHARLES CHRISTOPHER PARKER, JR. 170 00:14:43,600 --> 00:14:45,635 AUGUST 29, 1920. 171 00:14:45,735 --> 00:14:48,956 YOU WERE AN EASY DELIVERY. TURN THAT LIGHT ON. 172 00:14:50,690 --> 00:14:52,559 NOW MEET SOMEBODY. 173 00:14:55,195 --> 00:14:57,014 THAT'S YOU, MY MAN. 174 00:14:57,114 --> 00:14:58,781 DEAD FROM IT. 175 00:14:58,881 --> 00:15:01,551 BUT OLDER THAN YOU'LL BE BECAUSE YOU STARTED EARLIER. 176 00:15:01,651 --> 00:15:06,156 SO I GIVE YOU 18 YEARS, 20 ON THE OUTSIDE. 177 00:15:06,256 --> 00:15:08,158 I'M WORSE THAN A PROPHET. 178 00:15:08,258 --> 00:15:10,994 I DON'T JUST HAVE FAITH, I'VE SEEN IT. 179 00:15:11,094 --> 00:15:13,730 YOU'VE BEEN HEARING FROM MY MOTHER. 180 00:15:13,830 --> 00:15:15,798 YOU BELIEVE ME OR NOT? 181 00:15:15,898 --> 00:15:17,567 WHY SHOULDN'T I BELIEVE YOU? 182 00:15:17,667 --> 00:15:20,437 ARE YOU GOING TO DO SOMETHING ABOUT IT? 183 00:15:20,537 --> 00:15:24,324 WHAT DO YOU EXPECT ME TO DO ABOUT IT? 184 00:15:29,529 --> 00:15:33,200 WHAT DO YOU EXPECT ME TO DO ABOUT IT? 185 00:15:35,702 --> 00:15:37,670 NOTHING. JUST SIGN IT. 186 00:15:39,106 --> 00:15:42,059 I HAVEN'T DONE ANYTHING REMOTELY RESEMBLING THIS 187 00:15:42,159 --> 00:15:43,710 IN MY LIFE. 188 00:15:47,114 --> 00:15:48,865 "STRINGS." 189 00:15:48,965 --> 00:15:50,733 YEAH, BUT I GOT THEM ALL. 190 00:15:50,833 --> 00:15:52,169 THE HELL YOU DO. 191 00:15:52,269 --> 00:15:53,803 THE HELL I DON'T. 192 00:15:53,903 --> 00:15:56,623 I GOT A STACK OF 78s THIS HIGH. 193 00:15:59,226 --> 00:16:01,328 THIS IS DEATH'S DOOR? 194 00:16:05,832 --> 00:16:08,051 HALF THE CITY THINKS YOU'RE CRIMPED, 195 00:16:08,151 --> 00:16:09,589 AND YOU'RE HERE SIGNING AUTOGRAPHS. 196 00:16:09,689 --> 00:16:12,255 YOU DIDN'T THINK SO, THOUGH, BERNIE. 197 00:16:12,355 --> 00:16:14,024 NAH. EVERY TIME I TURN AROUND, 198 00:16:14,124 --> 00:16:15,892 YOU'RE SUPPOSED TO BE GONE. 199 00:16:15,992 --> 00:16:17,160 YOU'LL BURY US ALL, 200 00:16:17,260 --> 00:16:19,062 AND TAKE OUR WOMEN WITH YOU. 201 00:16:19,162 --> 00:16:21,048 WHAT HAVE YOU GOT THERE? 202 00:16:22,249 --> 00:16:23,866 WHITMAN'S CHOCOLATES. 203 00:16:23,966 --> 00:16:26,669 ALSO, I THINK, SOME GOOD NEWS. 204 00:16:26,769 --> 00:16:28,238 CAN HE EAT THESE? 205 00:16:28,338 --> 00:16:30,840 BETTER LET ME TRY ONE FIRST. 206 00:16:30,940 --> 00:16:32,442 FIRST OF ALL... 207 00:16:32,542 --> 00:16:35,445 LEIGHTON WILL PAY 100 BUCKS 208 00:16:35,545 --> 00:16:37,780 FOR FIVE TUNES WRITTEN OUT FOR SAXOPHONE. 209 00:16:37,880 --> 00:16:39,749 BEFORE YOU JUMP ON MY ASS... 210 00:16:39,849 --> 00:16:43,353 I TOLD HIM I WOULDN'T BE COLLECTING ANY COMMISSION 211 00:16:43,453 --> 00:16:45,922 ON A SUM THAT SMALL. IT'S ALL YOURS. 212 00:16:46,022 --> 00:16:48,491 OH, THANK YOU VERY MUCH, MR. PARKER. 213 00:16:48,591 --> 00:16:51,294 WHAT'S SECOND OF ALL, BERNIE? 214 00:16:51,394 --> 00:16:54,397 IT'S A LITTLE MORE LONG RANGE. 215 00:16:54,497 --> 00:16:57,967 I RAN INTO CHUMMY MORELLO YESTERDAY. 216 00:16:58,067 --> 00:17:00,470 OH...CHUMMY. 217 00:17:00,570 --> 00:17:02,205 HE'S THINKING ABOUT LEAVING WOODY, 218 00:17:02,305 --> 00:17:04,007 AND THEY WANT TO PACKAGE HIM 219 00:17:04,107 --> 00:17:06,209 AROUND A SINGER AND SEND HIM ON TOUR, 220 00:17:06,309 --> 00:17:09,246 BUT NOT TILL AFTER THE FIRST OF THE YEAR. 221 00:17:09,346 --> 00:17:12,349 MY GOD, BERNIE, THAT'S THREE MONTHS. 222 00:17:12,449 --> 00:17:15,118 I KNOW, I KNOW. BUT STILL... 223 00:17:15,218 --> 00:17:18,221 WELL, NEEDLESS TO SAY, 224 00:17:18,321 --> 00:17:20,857 HE'D BE HONORED TO HAVE YOU WITH HIM. 225 00:17:20,957 --> 00:17:22,225 IF I'M STRAIGHT. 226 00:17:22,325 --> 00:17:25,145 IT'S A LEGITIMATE CONCERN. 227 00:17:26,879 --> 00:17:31,151 YOU GOT THREE MONTHS TO...WELL... 228 00:17:33,620 --> 00:17:34,971 I'M TRYING, MAN. 229 00:17:35,071 --> 00:17:37,190 IT'S A GOOD PROSPECT. 230 00:17:40,193 --> 00:17:42,129 THINK ABOUT IT. 231 00:18:31,378 --> 00:18:35,148 WOULD YOU LIKE A CHOCOLATE, DOCTOR? 232 00:18:37,384 --> 00:18:39,202 I'VE GOT TO, UH... 233 00:18:39,302 --> 00:18:41,338 REDO THE RESTRAINTS. 234 00:18:41,438 --> 00:18:44,191 YOU TRY AND GET SOME SLEEP. 235 00:18:46,226 --> 00:18:49,596 AREN'T YOU GOING TO SAY "PLEASANT DREAMS," DOC? 236 00:18:58,805 --> 00:19:02,492 I THINK HE WOULD BENEFIT FROM A STATE ASYLUM 237 00:19:02,592 --> 00:19:04,761 AND FROM SHOCK TREATMENT. 238 00:19:04,861 --> 00:19:08,348 PERHAPS THAT SOUNDS COLD-BLOODED TO YOU. 239 00:19:10,417 --> 00:19:13,620 NO. YOU SOUND COLD-BLOODED TO ME. 240 00:19:15,021 --> 00:19:16,373 ALL RIGHT. 241 00:19:16,473 --> 00:19:19,909 BUT I PROMISE YOU, IF HE WERE MY BROTHER, 242 00:19:20,009 --> 00:19:21,478 I'D SHOCK HIM. 243 00:19:21,578 --> 00:19:22,712 WOULD YOU? 244 00:19:22,812 --> 00:19:25,882 WHAT DOES YOUR BROTHER DO FOR A LIVING? 245 00:19:25,982 --> 00:19:28,751 I DON'T HAVE A BROTHER. 246 00:19:28,851 --> 00:19:30,119 WE'RE TALKING ABOUT 247 00:19:30,219 --> 00:19:32,121 A VERY SPECIAL, CREATIVE MAN. 248 00:19:32,221 --> 00:19:34,524 HIS LIVELIHOOD DEPENDS ON HIS ABILITY 249 00:19:34,624 --> 00:19:36,526 TO IMPROVISE AND COMPOSE MUSIC. 250 00:19:36,626 --> 00:19:38,528 SEE, THAT'S NOT JUST DEXTERITY. 251 00:19:38,628 --> 00:19:41,998 THAT COMES-- THAT'S FROM BEING A-- 252 00:19:42,098 --> 00:19:44,234 MRS. PARKER... 253 00:19:44,334 --> 00:19:47,270 DO YOU WANT A MUSICIAN OR A HUSBAND? 254 00:19:47,370 --> 00:19:49,722 LOOK, THEY DO NOT SEPARATE! 255 00:19:51,057 --> 00:19:53,410 I HAVE A COUPLE OF CHORES. 256 00:19:53,510 --> 00:19:57,397 TAKE A FEW CAREFUL MINUTES BY YOURSELF. 257 00:21:01,361 --> 00:21:02,812 HI, MORRIS. 258 00:21:02,912 --> 00:21:03,912 HI, DEAR. 259 00:21:04,011 --> 00:21:07,083 PINKY, I HAVE PHOTOS TO SHOW YOU LATER. 260 00:21:07,183 --> 00:21:09,085 I'M NOT LATE, AM I? 261 00:21:09,185 --> 00:21:11,087 HEY, GOOD EVENING, PROFESSOR. 262 00:21:11,187 --> 00:21:14,090 HERE WE ARE AT THE 18 CLUB! 263 00:21:14,190 --> 00:21:16,092 IT'S HARRY "THE HIPSTER" GIBSON! 264 00:21:16,192 --> 00:21:18,094 STOP THAT SHOUTING UP THERE! 265 00:21:19,596 --> 00:21:22,499 HEY, ARTIE, YOU KEEP BRINGIN' IN THEM STIFFS, 266 00:21:22,599 --> 00:21:27,103 AND NOT ONE OF THEM GOT A DIME FOR A TIP. 267 00:21:27,203 --> 00:21:30,106 HERE WE ARE ON THE STREET OF DREAMS! 268 00:21:30,206 --> 00:21:32,909 SWING'S THE THING. JAZZ IS THE KING. 269 00:21:33,009 --> 00:21:35,512 YOU LIKE IT HOT, HERE'S THE RIGHT PLACE. 270 00:21:35,612 --> 00:21:39,115 NO COVER, AND DIXIE TILL 4:00 IN THE MORNING. 271 00:21:39,215 --> 00:21:41,117 HEY, GET OUT OF HERE. 272 00:21:41,217 --> 00:21:44,120 GIVE ME A BREAK. IT'S MY BIRTHDAY. 273 00:21:44,220 --> 00:21:45,522 EXCUSE ME, SIR. 274 00:21:45,622 --> 00:21:47,056 HEY, SAILORS, COME HERE! 275 00:21:47,156 --> 00:21:50,259 IF YOU LEAVE WITHOUT SEEING MISS VIRGINIA KNIGHT, 276 00:21:50,359 --> 00:21:51,661 YOU'LL REGRET IT. 277 00:21:51,761 --> 00:21:54,531 SHE GOES ALL THE WAY FOR SERVICEMEN, 278 00:21:54,631 --> 00:21:56,533 RIGHT DOWN TO THE CURLICUES. 279 00:21:56,633 --> 00:21:59,402 IF YOU DON'T SEE PAY DIRT, GET YOUR MONEY BACK. 280 00:21:59,502 --> 00:22:01,538 YOU STIFFS! 281 00:22:01,638 --> 00:22:04,541 HEY! HERE WE ARE AT POULEZ ROULEZ. 282 00:22:04,641 --> 00:22:07,143 HEY, GOOD EVENING, LADIES AND GENTLEMEN. 283 00:22:07,243 --> 00:22:08,945 HEY, GET OUT OF HERE! 284 00:22:09,045 --> 00:22:11,948 ALL RIGHT, ART TATUM-- FIRST SHOW JUST STARTED. 285 00:22:12,048 --> 00:22:15,552 FIRST SHOW JUST STARTED. I GOT ONE TABLE LEFT. 286 00:22:15,652 --> 00:22:18,555 IF YOU HURRY, YOU CAN GET IT. 287 00:22:18,655 --> 00:22:21,157 TELL THEM THE MAYOR SENT YOU. 288 00:22:21,257 --> 00:22:22,559 ASK FOR GINO. 289 00:22:22,659 --> 00:22:25,161 TABLE NEAR THE DOOR. YES, SIR! 290 00:22:25,261 --> 00:22:26,963 ALL RIGHT, THE THREE DEUCES! 291 00:22:27,063 --> 00:22:30,166 B.S. PULLEY, THE FUNNIEST MAN IN NEW YORK! 292 00:22:30,266 --> 00:22:32,168 BEBOP! MUSIC OF THE FUTURE! 293 00:22:32,268 --> 00:22:35,171 COME ON, WHAT DO YOU GOT TO LOSE? 294 00:22:35,271 --> 00:22:37,173 OO-BOP-SHA-BAM! 295 00:22:37,273 --> 00:22:39,141 OO-BOP, MY ASS! 296 00:22:39,241 --> 00:22:41,411 HEY, BUSTER! 297 00:22:41,511 --> 00:22:43,012 WHERE YOU WORKING? 298 00:22:43,112 --> 00:22:44,747 I'M BACK WITH BASIE. 299 00:22:44,847 --> 00:22:48,117 YOU GOING INSIDE TO HEAR THIS NEW GUY? 300 00:22:48,217 --> 00:22:49,786 300 PEOPLE ARE IN THERE-- 301 00:22:49,886 --> 00:22:52,489 HALF OF THEM ARE SAXOPHONE PLAYERS! 302 00:22:52,589 --> 00:22:53,856 AIN'T NO NEW GUY. 303 00:22:53,956 --> 00:22:55,858 THAT'S DIZZY GILLESPIE DRUMMIN' UP PUBLICITY. 304 00:22:55,958 --> 00:22:58,828 I REMEMBER PARKER FROM EIGHT YEARS AGO 305 00:22:58,928 --> 00:23:00,029 IN KANSAS CITY, 306 00:23:00,129 --> 00:23:03,232 WHEN HE COULDN'T PLAY COME TO JESUS 307 00:23:03,332 --> 00:23:04,884 IN WHOLE NOTES! 308 00:23:07,420 --> 00:23:10,890 [BAND PLAYING RENO JAM SESSION] 309 00:23:27,306 --> 00:23:28,906 COME ON! 310 00:23:30,042 --> 00:23:31,428 WOO! WOO! 311 00:23:31,528 --> 00:23:33,528 WOO! WOO! 312 00:23:49,428 --> 00:23:50,963 GO, BOPPER! 313 00:23:59,338 --> 00:24:01,290 DON'T TRIFLE WITH HIM. 314 00:24:01,390 --> 00:24:03,292 HE'S PLAYED WITH MOTEN, 315 00:24:03,392 --> 00:24:05,294 AND YOU AIN'T DONE SHIT! 316 00:24:05,394 --> 00:24:08,548 JUST PLAY A CHORUS AND GET OFF. 317 00:24:24,396 --> 00:24:25,396 YEAH! 318 00:24:26,115 --> 00:24:27,967 ALL RIGHT! 319 00:24:28,801 --> 00:24:31,488 YO! COME ON IN HERE. 320 00:24:31,588 --> 00:24:33,706 COME ON UP HERE! 321 00:24:35,642 --> 00:24:37,193 WHAT'S YOUR NAME? 322 00:24:37,293 --> 00:24:38,293 CHARLIE. 323 00:24:38,392 --> 00:24:40,897 AND WHO'D YOU PLAY WITH? 324 00:24:40,997 --> 00:24:42,615 JUST AROUND. 325 00:24:45,384 --> 00:24:46,636 LADIES AND GENTLEMEN, 326 00:24:46,736 --> 00:24:49,989 THIS HERE IS CHARLIE FROM "JUST AROUND." 327 00:24:56,395 --> 00:24:59,599 [BAND PLAYING YOUNG BIRD] 328 00:25:08,474 --> 00:25:10,877 NOT BAD. NOW GET OFF. 329 00:25:32,999 --> 00:25:34,599 GET OFF! 330 00:25:54,854 --> 00:25:58,257 TIME TO GO HOME. 331 00:26:03,596 --> 00:26:05,047 WHAT YOU-- 332 00:26:05,147 --> 00:26:06,147 MAN! 333 00:26:26,085 --> 00:26:27,837 AIN'T NO NEW GUY. 334 00:26:27,937 --> 00:26:30,189 IT'S CHARLIE FROM "JUST AROUND." 335 00:26:39,231 --> 00:26:42,702 [BAND PLAYING LESTER LEAPS IN] 336 00:26:57,917 --> 00:27:00,386 CHARLIE FROM JUST AROUND. 337 00:27:37,790 --> 00:27:39,876 I REMEMBER WHEN DON BYAS 338 00:27:39,976 --> 00:27:41,911 WAS LEAVING DIZZY'S GROUP. 339 00:27:42,011 --> 00:27:43,969 I KNEW THE PRESS AGENT AT THE CLUB AND ASKED HIM 340 00:27:44,069 --> 00:27:46,082 "WHO COULD YOU POSSIBLY GET TO REPLACE DON?" 341 00:27:46,182 --> 00:27:47,383 AND HE SAID, 342 00:27:47,483 --> 00:27:50,887 "OH, SOME CAT IN KANSAS CITY NAMED CHARLIE PARKER." 343 00:27:50,987 --> 00:27:53,522 AND I SAID, "IS HE CUTE?" 344 00:27:53,622 --> 00:27:58,127 AND MY FRIEND SAID, "NO, BUT YOU'LL DIG HIM." 345 00:27:58,227 --> 00:27:59,979 HA HA HA! 346 00:28:23,803 --> 00:28:26,203 YEAH! YEAH! 347 00:28:26,889 --> 00:28:28,808 WOO! WOO! 348 00:28:34,413 --> 00:28:38,167 ALL RIGHT, WHAT DO YOU THINK ABOUT YARDBIRD? 349 00:29:05,044 --> 00:29:07,980 WHAT DO YOU THINK ABOUT YARDBIRD? 350 00:29:26,799 --> 00:29:29,399 I WON'T SIGN. 351 00:29:31,938 --> 00:29:34,490 WE HAVE TO RELEASE HIM, THEN. 352 00:29:34,590 --> 00:29:37,190 YES...YOU DO. 353 00:29:39,011 --> 00:29:40,529 DID YOU KNOW THAT WITHIN THREE HOURS, 354 00:29:40,629 --> 00:29:44,633 THERE WAS A COMMITTEE FORMED TO GET YOU OUT? 355 00:29:44,733 --> 00:29:46,035 GET ME OUT? 356 00:29:46,135 --> 00:29:49,221 HOW'D THEY KNOW I WAS IN? 357 00:29:51,290 --> 00:29:52,290 OH. 358 00:29:54,560 --> 00:29:57,179 THIS IS A HELL OF A MOMENT. 359 00:29:57,279 --> 00:29:59,648 I FINALLY MADE THE FRONT PAGE. 360 00:29:59,748 --> 00:30:01,650 I SHOULDN'T HAVE CALLED BELLEVUE. 361 00:30:01,750 --> 00:30:03,652 NO. YOU DID RIGHT. 362 00:30:03,752 --> 00:30:05,654 THE DETOX DID ME GOOD. 363 00:30:05,754 --> 00:30:07,623 I TOLD YOU ABOUT BERNIE? 364 00:30:07,723 --> 00:30:09,525 20 BUCKS A TUNE. 365 00:30:09,625 --> 00:30:11,060 THOSE BASTARDS. 366 00:30:11,160 --> 00:30:14,280 WAIT TILL YOU HEAR THE TUNES. 367 00:30:16,115 --> 00:30:18,667 BUT YOU KNOW, THIS MORELLO THING... 368 00:30:18,767 --> 00:30:20,436 IT SOUNDS GOOD. 369 00:30:20,536 --> 00:30:23,272 IF IT WASN'T SO FAR OFF. 370 00:30:23,372 --> 00:30:24,673 WE'LL GET THERE. 371 00:30:24,773 --> 00:30:26,075 BY THE WAY, 372 00:30:26,175 --> 00:30:28,928 DIZZY SENT YOU A BIRTHDAY CARD. 373 00:30:29,862 --> 00:30:32,064 SO I GUESS HE'S BACK. 374 00:30:33,132 --> 00:30:36,168 DO YOU OWE HIM A PHONE CALL? 375 00:30:37,736 --> 00:30:40,072 I OWE DIZZY EVERYTHING... 376 00:30:40,873 --> 00:30:43,009 EXCEPT A PHONE CALL. 377 00:30:46,145 --> 00:30:48,948 HE KNOWS WHERE TO FIND ME. 378 00:30:54,153 --> 00:30:56,372 [SAXOPHONE PLAYING NOW'S THE TIME] 379 00:30:56,472 --> 00:31:00,159 WHO THE HELL ARE YOU? THE GOOD HUMOR MAN? 380 00:31:05,764 --> 00:31:07,716 YOU WOULDN'T ANSWER YOUR KNOCK. 381 00:31:07,816 --> 00:31:09,718 WILL YOU LISTEN TO THIS? 382 00:31:09,818 --> 00:31:11,370 LISTEN TO THIS. 383 00:31:15,774 --> 00:31:18,594 WHAT THE HELL IS GOING ON? 384 00:31:18,694 --> 00:31:19,694 YEAH. 385 00:31:20,229 --> 00:31:23,699 IT'S 4 A.M. IN THE MORNING, YOU FOOLS! 386 00:31:23,799 --> 00:31:25,734 YOU GOT A WOMAN IN THERE? 387 00:31:25,834 --> 00:31:28,737 YEAH, I GOT A WOMAN IN THERE. 388 00:31:28,837 --> 00:31:31,740 I MARRIED HER, SO SHE'D STAY IN THERE. 389 00:31:31,840 --> 00:31:32,875 WHERE'S YOURS? 390 00:31:32,975 --> 00:31:34,476 HELLO, LORRAINE. 391 00:31:34,576 --> 00:31:35,576 HELLO, BIRD, 392 00:31:35,675 --> 00:31:37,846 IF YOU COMIN' IN, I'M LEAVIN'. 393 00:31:37,946 --> 00:31:39,982 WILL YOU WRITE THIS DOWN FOR ME? 394 00:31:40,082 --> 00:31:41,417 WHY DON'T YOU WRITE IT DOWN? 395 00:31:41,517 --> 00:31:43,219 I GOT NO PAPER. 396 00:31:43,319 --> 00:31:44,786 THERE'S PEOPLE WAITIN' FOR ME. 397 00:31:44,886 --> 00:31:46,588 WRITE IT IN THE MORNING. 398 00:31:46,688 --> 00:31:48,624 I WON'T BE HERE. 399 00:31:48,724 --> 00:31:50,826 I'M GOING ON THE ROAD. 400 00:31:50,926 --> 00:31:52,094 WHERE? 401 00:31:52,194 --> 00:31:54,263 THAT'S A NICE APARTMENT. 402 00:31:54,363 --> 00:31:56,132 MAYBE I WENT OUT ON MY OWN TOO SOON. 403 00:31:56,232 --> 00:31:58,500 WHERE? WHERE YOU GOIN'? 404 00:31:58,600 --> 00:32:00,336 I DON'T KNOW. 405 00:32:00,436 --> 00:32:01,904 THEY KNOW. 406 00:32:02,004 --> 00:32:04,306 WILL YOU WRITE THIS DOWN FOR ME? 407 00:32:04,406 --> 00:32:08,277 YARD, IF I GET THIS GIG IN CALIFORNIA, 408 00:32:08,377 --> 00:32:10,997 AM I GOING TO BE ABLE TO FIND YOU? 409 00:32:11,964 --> 00:32:13,249 CALIFORNIA? 410 00:32:13,349 --> 00:32:16,919 NOT SUPPOSED TO BE EASY TO SCORE IN CALIFORNIA. 411 00:32:17,019 --> 00:32:18,019 SHIT. 412 00:32:19,638 --> 00:32:20,638 * 413 00:32:20,737 --> 00:32:21,737 HEY! 414 00:32:22,774 --> 00:32:25,327 GOT A GIG. I GOT TO GO. 415 00:32:25,427 --> 00:32:27,896 YARD! WHENEVER YOU GET WHERE YOU'RE GOING, 416 00:32:27,996 --> 00:32:30,316 CALL ME, ALL RIGHT? 417 00:32:35,454 --> 00:32:39,191 I THOUGHT I TOLD YOU TO SHUT HIM UP! 418 00:33:02,014 --> 00:33:03,565 GOOD NIGHT. 419 00:33:03,665 --> 00:33:04,665 GOOD NIGHT. 420 00:33:04,764 --> 00:33:06,802 BIRD, I THOUGHT YOU WERE IN PHILADELPHIA! 421 00:33:06,902 --> 00:33:07,902 I WAS. 422 00:33:08,001 --> 00:33:09,001 HI! 423 00:33:09,305 --> 00:33:10,806 WHAT ARE YOU DOIN' HERE? 424 00:33:10,906 --> 00:33:12,108 I'M REHEARSING. 425 00:33:12,208 --> 00:33:14,410 YEAH? YOU GOT A DANCE JOB? 426 00:33:14,510 --> 00:33:15,577 YOU BET. 427 00:33:15,677 --> 00:33:16,812 THAT'S NICE. 428 00:33:16,912 --> 00:33:18,814 I WAS CHECKIN' ON A RECORD DATE. 429 00:33:18,914 --> 00:33:20,816 YOU'RE LOOKING SPLENDID. 430 00:33:20,916 --> 00:33:22,618 WHEN ARE YOU GOIN' TO MARRY ME? 431 00:33:22,718 --> 00:33:25,821 WHEN YOU STRAIGHTEN UP AND WALK LIKE A JAZZ MUSICIAN. 432 00:33:25,921 --> 00:33:27,223 YEAH? YEAH. 433 00:33:27,323 --> 00:33:29,291 YOU WANT A BITE OF THIS? 434 00:33:29,391 --> 00:33:30,391 UH-UH. 435 00:33:30,490 --> 00:33:31,490 IT'S MY THIRD ONE. 436 00:33:31,589 --> 00:33:33,027 I GOT GUM. MAYBE THAT'S THE SECRET. 437 00:33:33,127 --> 00:33:35,404 IF YOU WANT TO PLAY LIKE BIRD, YOU GOT TO EAT LIKE BIRD. 438 00:33:35,504 --> 00:33:38,867 ALL THOSE TWO AND FOUR BAR BREAKS. 439 00:33:38,967 --> 00:33:42,271 YOU MEAN, I EAT A LOT FOR A JUNKIE. 440 00:33:42,371 --> 00:33:45,874 DON'T TELL ME WHAT I MEAN, MAN. 441 00:33:45,974 --> 00:33:47,174 SORRY. 442 00:33:47,376 --> 00:33:51,880 SO HOW DO YOU COME TO KNOW SO MUCH ABOUT MUSIC? 443 00:33:51,980 --> 00:33:53,882 WILL YOU TALK TO ME? 444 00:33:53,982 --> 00:33:55,284 HERITAGE. 445 00:33:55,384 --> 00:33:57,286 MY FATHER PRODUCED NIGHTCLUB SHOWS. 446 00:33:57,386 --> 00:33:59,688 BROADWAY BEN THEY CALLED HIM. 447 00:33:59,788 --> 00:34:03,892 I HAD MY SWEET 16 PARTY AT THE COTTON CLUB. 448 00:34:03,992 --> 00:34:06,112 IT'S ALWAYS BEEN MUSICIANS. 449 00:34:12,484 --> 00:34:15,604 YOU WEREN'T SEEING ABOUT ANY RECORD DATE. 450 00:34:15,704 --> 00:34:16,704 NO. 451 00:34:17,005 --> 00:34:19,575 YOU DIDN'T THINK I WAS IN PHILLY. 452 00:34:19,675 --> 00:34:23,512 IT'S UP AND DOWN THE STREET I LOST THAT GIG. 453 00:34:23,612 --> 00:34:24,613 RIGHT. 454 00:34:24,713 --> 00:34:25,713 SO? 455 00:34:25,812 --> 00:34:26,812 SO? 456 00:34:27,115 --> 00:34:29,735 SO WHY ARE WE CONNING EACH OTHER? 457 00:34:31,337 --> 00:34:33,322 EVERYBODY ASSUMES WE'RE AN ITEM 458 00:34:33,422 --> 00:34:36,492 BECAUSE I SHOW UP WHEREVER YOU'RE PLAYING. 459 00:34:36,592 --> 00:34:37,592 YOU DO? 460 00:34:37,691 --> 00:34:40,329 WELL, I DON'T ALWAYS SAY HELLO. 461 00:34:40,429 --> 00:34:43,249 AND YOU DON'T USUALLY LEAVE ALONE. 462 00:34:44,383 --> 00:34:46,768 AND WHILE WE'RE ON THE SUBJECT, 463 00:34:46,868 --> 00:34:49,221 HOW MANY WIVES DO YOU HAVE? 464 00:34:50,589 --> 00:34:54,343 I HAVE MET MORE WOMEN IN THE LAST TWO YEARS 465 00:34:54,443 --> 00:34:57,346 WHO CLAIM TO BE MRS. CHARLIE PARKER... 466 00:34:57,446 --> 00:35:00,199 AND ALL OF THEM WEARIN' RINGS! 467 00:35:03,001 --> 00:35:05,020 RINGS ARE CHEAP. 468 00:35:05,120 --> 00:35:07,223 RINGS ARE CHEAP. 469 00:35:07,323 --> 00:35:10,359 IS THAT ALL YOU WANT TO SAY? 470 00:35:10,459 --> 00:35:12,961 NO. WHAT SIZE RING YOU WEAR? 471 00:35:13,061 --> 00:35:15,214 OH, NO. NOT ME. 472 00:35:19,585 --> 00:35:22,738 WHY DON'T YOU TELL ME SOME MORE 473 00:35:22,838 --> 00:35:24,140 ABOUT BROADWAY BEN. 474 00:35:24,240 --> 00:35:26,275 HE HAD A WAY ABOUT HIM. 475 00:35:26,375 --> 00:35:28,277 THE YEAR I WAS BORN, 476 00:35:28,377 --> 00:35:31,547 HE OPENED A PLACE ACROSS FROM THE PLAZA HOTEL. 477 00:35:31,647 --> 00:35:34,150 HE CALLED IT THE CLUB GRANDEUR. 478 00:35:34,250 --> 00:35:35,751 THAT WAY. 479 00:35:35,851 --> 00:35:37,553 IS THAT WHERE YOU LIVED? 480 00:35:37,653 --> 00:35:39,755 NO, BY THEN I WAS IN WESTCHESTER. 481 00:35:39,855 --> 00:35:41,157 IN WHERE? 482 00:35:41,257 --> 00:35:42,558 WESTCHESTER. WHY? 483 00:35:42,658 --> 00:35:45,761 NOTHIN'. I LIKE THE WAY YOU SAY THAT. 484 00:35:45,861 --> 00:35:47,163 "WESTCHESTER. WHY?" 485 00:35:47,263 --> 00:35:49,765 I WASN'T TYPICAL IN THOSE DAYS. 486 00:35:49,865 --> 00:35:51,167 I'M HALF-JEWISH. 487 00:35:51,267 --> 00:35:54,170 MY HERO'S DUKE ELLINGTON. I MEAN, WOW! 488 00:35:54,270 --> 00:35:57,173 NOW WHO IS HE? BILLY McNABB? 489 00:35:57,273 --> 00:35:59,175 NO. BILLY'S SEXY AND DANGEROUS, 490 00:35:59,275 --> 00:36:01,577 BUT I DON'T BUY HIS RECORDS. 491 00:36:01,677 --> 00:36:04,180 THOUGHT I DIDN'T KILL YOU. 492 00:36:04,280 --> 00:36:07,149 IT TOOK ME A WHILE TO GET USED TO THE SOUND, 493 00:36:07,249 --> 00:36:08,884 I WAS BROUGHT UP ON JOHNNY HODGES, 494 00:36:08,984 --> 00:36:10,786 BUT YOU ALWAYS KILLED ME. 495 00:36:10,886 --> 00:36:12,788 YOU BUY MY RECORDS? 496 00:36:12,888 --> 00:36:13,888 YEAH. 497 00:36:14,155 --> 00:36:15,755 SHOW ME. 498 00:36:15,891 --> 00:36:17,193 PRETTY CRUDE. COME. 499 00:36:17,293 --> 00:36:18,594 WHOA, YARDBIRD. 500 00:36:18,694 --> 00:36:21,797 WE WERE JUST TALKIN' ABOUT YOU. 501 00:36:21,897 --> 00:36:23,599 YEAH, WAS IT GOOD? 502 00:36:23,699 --> 00:36:25,851 ALWAYS GOOD, MAN. ALWAYS GOOD. 503 00:36:27,253 --> 00:36:28,804 WHAT'S GOIN' ON? 504 00:36:28,904 --> 00:36:30,071 NOTHIN'. 505 00:36:30,171 --> 00:36:33,074 BUT YOU DON'T TREAT THAT LADY RIGHT, 506 00:36:33,174 --> 00:36:34,610 GREAT AS YOU ARE, 507 00:36:34,710 --> 00:36:37,813 I'M GONNA KICK YOU IN THE HEAD. 508 00:36:37,913 --> 00:36:39,348 EVERY NOW AND THEN, 509 00:36:39,448 --> 00:36:42,818 SOME SUCKER TRIES TO TURN HER OUT. 510 00:36:42,918 --> 00:36:44,486 THAT GETS ME MAD. 511 00:36:44,586 --> 00:36:47,088 FROG, AS GREAT AS YOU ARE, 512 00:36:47,188 --> 00:36:49,825 DO I LOOK LIKE A PIMP? 513 00:36:49,925 --> 00:36:51,827 ASK ME SOMETHING ELSE. 514 00:36:51,927 --> 00:36:54,230 "DO I LOOK LIKE A PIMP?" 515 00:36:54,330 --> 00:36:56,882 DID YOU HEAR THAT BOY? 516 00:37:00,286 --> 00:37:02,638 DOESN'T YOUR MOTHER MIND THESE PEOPLE 517 00:37:02,738 --> 00:37:05,241 USIN' YOUR PLACE TO COOL OUT? 518 00:37:05,341 --> 00:37:07,843 NO. SHE'S USED TO IT. 519 00:37:07,943 --> 00:37:09,245 AND NOW... 520 00:37:09,345 --> 00:37:10,846 MY RECORD COLLECTION. 521 00:37:10,946 --> 00:37:12,848 DAMN, BABY, BE COOL! 522 00:37:12,948 --> 00:37:14,716 OH, I'M SORRY. 523 00:37:14,816 --> 00:37:15,816 OUCH. 524 00:37:15,951 --> 00:37:17,253 MAYBE LATER. 525 00:37:17,353 --> 00:37:18,654 THAT'S ALL RIGHT. 526 00:37:18,754 --> 00:37:21,857 CAN WE FIND US SOMEPLACE TO BE ALONE? 527 00:37:21,957 --> 00:37:22,957 WHY? 528 00:37:23,359 --> 00:37:26,262 'CAUSE I HAVEN'T FINISHED TALKIN' TO YOU. 529 00:37:26,362 --> 00:37:28,514 WELL, THERE'S THE SUICIDE ROOM. 530 00:37:30,916 --> 00:37:32,551 LET'S GO. 531 00:37:44,330 --> 00:37:45,931 APTLY NAMED. 532 00:37:46,932 --> 00:37:48,434 OOO-HO-HO! 533 00:38:01,947 --> 00:38:02,947 SO... 534 00:38:04,750 --> 00:38:07,603 WHY DON'T YOU TELL ME MORE ABOUT WESTCHESTER? 535 00:38:07,703 --> 00:38:11,307 DID YOU LIVE IN A PRETTY HOUSE? 536 00:38:11,407 --> 00:38:15,243 I HAD A ROOM THAT LOOKED OUT OVER A GARDEN. 537 00:38:15,343 --> 00:38:17,413 THE NIGHT OF MY SIXTH BIRTHDAY, 538 00:38:17,513 --> 00:38:20,449 MY FATHER HAD THE ORCHESTRA FROM HIS CLUB 539 00:38:20,549 --> 00:38:23,719 STAND UNDER THAT WINDOW AND SERENADE ME. 540 00:38:23,819 --> 00:38:26,722 THEY PLAYED WHY DO I LOVE YOU? 541 00:38:26,822 --> 00:38:29,525 * WHY DO YOU LOVE ME? * 542 00:38:29,625 --> 00:38:35,297 * WHY SHOULD THERE BE TWO HAPPY AS WE? ** 543 00:38:35,397 --> 00:38:36,965 THAT'S NICE. 544 00:38:37,065 --> 00:38:38,717 THAT'S REAL NICE. 545 00:38:39,985 --> 00:38:40,985 YEAH. 546 00:38:41,437 --> 00:38:44,055 HE HAD A WAY. 547 00:38:47,526 --> 00:38:50,679 OK, YOU WALKED ME HOME. 548 00:38:50,779 --> 00:38:51,780 YEAH. 549 00:38:51,880 --> 00:38:53,832 YOU GOT ME ALONE. 550 00:38:55,401 --> 00:38:57,753 YOU MANAGED TO GET ME TALKIN'. 551 00:38:57,853 --> 00:39:00,756 I'VE TOLD YOU SOME OF MY GIRLISH SECRETS. 552 00:39:00,856 --> 00:39:03,359 BUT YOU HAVEN'T TOLD ME A THING. 553 00:39:03,459 --> 00:39:05,577 WHAT'S GOIN' ON? 554 00:39:06,812 --> 00:39:11,367 THERE'S ONE NIGHT IN MY LIFE I NEVER WANT TO FORGET. 555 00:39:11,467 --> 00:39:14,370 I NEVER WANT TO GO THROUGH IT AGAIN. 556 00:39:14,470 --> 00:39:16,270 I WAS 15, 557 00:39:16,938 --> 00:39:20,041 AND I WOKE UP FEELING MORE PAIN 558 00:39:20,141 --> 00:39:22,093 THAN I'VE EVER FELT. 559 00:39:23,795 --> 00:39:26,948 I DIDN'T KNOW WHY TILL SOMEBODY TOLD ME 560 00:39:27,048 --> 00:39:28,784 I WAS STRUNG OUT. 561 00:39:28,884 --> 00:39:31,470 SOMEBODY HAD TO TELL ME THAT. 562 00:39:33,138 --> 00:39:34,523 YOU KNOW... 563 00:39:34,623 --> 00:39:36,525 I ALWAYS THOUGHT THAT... 564 00:39:36,625 --> 00:39:39,745 IF I HADN'T ASKED... 565 00:39:41,046 --> 00:39:43,014 THEN I WOULDN'T BE. 566 00:39:47,185 --> 00:39:49,137 YOU MAKE ME FEEL... 567 00:39:49,237 --> 00:39:52,491 VERY PEACEFUL, YOU KNOW? 568 00:39:57,362 --> 00:39:59,798 YOU'RE NOT MY TYPE, MAN. 569 00:40:01,199 --> 00:40:02,801 I KNOW THAT. 570 00:40:05,236 --> 00:40:08,106 PEACEFUL! PEACEFUL! 571 00:40:09,908 --> 00:40:13,979 IS THAT WHAT YOU MEAN BY "RINGS ARE CHEAP"? 572 00:40:15,514 --> 00:40:19,785 I DON'T WANT TO MAKE ANYBODY FEEL PEACEFUL, MAN. 573 00:40:21,286 --> 00:40:24,490 I WAS BORN TO DRIVE MEN CRAZY! 574 00:40:28,660 --> 00:40:30,011 SOMEBODY TOLD ME 575 00:40:30,111 --> 00:40:33,081 THAT I'M THE ONLY WOMAN IN NEW YORK 576 00:40:33,181 --> 00:40:34,816 THAT YOU HAVEN'T HAD. 577 00:40:34,916 --> 00:40:37,285 I JUST MADE A SIMPLE STATEMENT. 578 00:40:37,385 --> 00:40:39,220 WELL, DON'T MISUNDERSTAND ME. 579 00:40:39,320 --> 00:40:42,591 I APPRECIATE THE HONOR. 580 00:40:42,691 --> 00:40:43,769 IT'S NOT LIKE I DON'T KNOW 581 00:40:43,869 --> 00:40:45,894 WHO I'M TALKING TO. 582 00:40:45,994 --> 00:40:47,228 STOP IT! 583 00:40:47,328 --> 00:40:49,114 YOU'RE EMBARRASSING YOURSELF. 584 00:40:56,287 --> 00:40:57,889 I'M SORRY. 585 00:40:58,824 --> 00:41:01,727 BUT IF YOU AND ME GOT TOGETHER... 586 00:41:03,261 --> 00:41:04,461 UH-UH. 587 00:41:05,046 --> 00:41:06,446 MM-HMM. 588 00:41:08,700 --> 00:41:11,052 WHAT I MEAN BY MY TYPE-- 589 00:41:11,152 --> 00:41:14,990 IS THE TYPE YOU DON'T HAVE TO BE FAITHFUL TO. 590 00:41:15,090 --> 00:41:16,658 I KNOW THAT. 591 00:41:16,758 --> 00:41:20,128 EVERYBODY SAYS YOU'RE A MIND READER. 592 00:41:20,228 --> 00:41:21,228 I AM. 593 00:41:21,597 --> 00:41:25,050 I'M GOIN' TO CHICAGO. 594 00:41:27,352 --> 00:41:31,022 * AND YOU'RE SORRY THAT YOU CAN'T TAKE ME ** 595 00:41:47,773 --> 00:41:48,773 NO. 596 00:41:51,209 --> 00:41:52,209 NO! 597 00:41:59,618 --> 00:42:01,920 YOU QUIT READING MY MIND! 598 00:42:12,497 --> 00:42:16,968 [PLAYING I CAN'T BELIEVE THAT YOU'RE IN LOVE WITH ME] 599 00:42:44,996 --> 00:42:47,565 THAT CAT'S COOKIN' TONIGHT. 600 00:42:58,076 --> 00:43:00,729 WE THANK YOU ON BEHALF OF THE BAND. 601 00:43:00,829 --> 00:43:03,164 NOW WE'RE GOING TO LEAVE YOU 602 00:43:03,264 --> 00:43:08,854 IN THE VERY CAPABLE HANDS OF THE MARGIE HYAMS QUINTET. 603 00:43:27,138 --> 00:43:28,489 WAIT HERE. 604 00:43:28,589 --> 00:43:29,789 RIGHT. 605 00:43:52,864 --> 00:43:54,816 YOU SOUNDED GOOD, BIRD. 606 00:43:54,916 --> 00:43:56,818 HOW WOULD YOU KNOW THAT? 607 00:43:56,918 --> 00:43:58,820 YOU WEREN'T OUT FRONT. 608 00:43:58,920 --> 00:44:00,822 YOU ALWAYS SOUND GOOD. 609 00:44:00,922 --> 00:44:02,824 SO WHAT DO YOU KNOW? 610 00:44:02,924 --> 00:44:05,827 I DON'T KNOW YOU, FOR ONE THING. 611 00:44:05,927 --> 00:44:07,829 BUT YOU'RE WAITIN' FOR ME. 612 00:44:07,929 --> 00:44:10,832 THE GUY YOU'RE WAITIN' FOR SENT ME INSTEAD. 613 00:44:10,932 --> 00:44:12,433 WHAT'S THE DIFFERENCE? 614 00:44:12,533 --> 00:44:14,435 OH, ABOUT SIX MONTHS. 615 00:44:14,535 --> 00:44:16,838 KENTUCKY'S COLD THIS TIME OF YEAR. 616 00:44:16,938 --> 00:44:19,240 I THINK I'LL PASS ON THAT. 617 00:44:19,340 --> 00:44:22,043 YOU THINK I'M ON THE SQUAD OR SOMETHING? 618 00:44:22,143 --> 00:44:23,311 SQUAD? 619 00:44:23,411 --> 00:44:25,096 WHAT SQUAD? 620 00:44:26,898 --> 00:44:29,200 ESTEVES. ESTEVES. 621 00:44:31,502 --> 00:44:33,722 YOU KNOW, I NEVER FORGET A FACE. 622 00:44:33,822 --> 00:44:36,792 YOU HAVIN' A BIG NIGHT, ESTEVES? 623 00:44:36,892 --> 00:44:38,827 WE PITCHED A FEW HERE AND THERE. 624 00:44:38,927 --> 00:44:41,880 NOT YOURS, BUT HE'S HEARD ABOUT IT. 625 00:44:44,215 --> 00:44:46,401 WHERE ARE YOU GOIN'? 626 00:44:46,501 --> 00:44:48,169 I DON'T KNOW. 627 00:44:48,269 --> 00:44:49,955 TAKE IT PERSONALLY. 628 00:45:00,899 --> 00:45:02,450 HEY, WATCH OUT. 629 00:45:02,550 --> 00:45:04,702 THE NABS ARE OUT TONIGHT. 630 00:45:07,505 --> 00:45:09,107 GOOD NIGHT. 631 00:45:10,508 --> 00:45:11,927 MRS. BERG? 632 00:45:12,027 --> 00:45:13,929 DID YOU LIKE WHAT I PLAYED TONIGHT? 633 00:45:14,029 --> 00:45:16,147 I'M NOT A MUSIC CRITIC. 634 00:45:17,248 --> 00:45:20,468 YOU COULD PLAY STAR EYES, THOUGH. 635 00:45:20,568 --> 00:45:23,271 I'D BE HAPPY TO DO THAT FOR YOU. 636 00:45:23,371 --> 00:45:26,842 YOUR LOVELY DAUGHTER... IS SHE STILL IN CHICAGO? 637 00:45:26,942 --> 00:45:29,727 MY LOVELY DAUGHTER IS STILL IN CHICAGO. 638 00:45:30,528 --> 00:45:32,130 TILL WHEN? 639 00:45:33,131 --> 00:45:34,331 BIRD-- 640 00:45:34,916 --> 00:45:37,886 I HAVE MY WAYS OF FINDING OUT. 641 00:45:37,986 --> 00:45:40,756 I JUST WANT TO WELCOME HER BACK, 642 00:45:40,856 --> 00:45:42,023 YOU KNOW? 643 00:45:42,123 --> 00:45:44,375 LIKE BROADWAY BEN WOULD. 644 00:46:07,365 --> 00:46:12,170 [SAXOPHONES PLAYING WHY DO I LOVE YOU?] 645 00:46:44,202 --> 00:46:46,002 HA HA HA! 646 00:46:58,616 --> 00:47:00,101 WHERE ARE WE GOING? 647 00:47:00,201 --> 00:47:02,703 WHAT'S-HER-NAME DIDN'T ASK VALENTINO 648 00:47:02,803 --> 00:47:04,572 NO QUESTIONS LIKE THAT. 649 00:47:04,672 --> 00:47:07,575 VILMA BANKY. SHE WAS IN A SWOO-- 650 00:47:07,675 --> 00:47:08,675 OOOH! 651 00:47:08,809 --> 00:47:11,579 SEE? I GOT A WAY ABOUT ME, TOO. 652 00:47:11,679 --> 00:47:13,231 I'LL SAY. 653 00:47:16,234 --> 00:47:19,537 [BAND PLAYING MOONLIGHT BECOMES YOU] 654 00:47:44,462 --> 00:47:47,748 HEY, THAT'S BIRD. CHARLIE PARKER. 655 00:47:47,848 --> 00:47:48,848 CHARLIE PARKER. 656 00:47:48,947 --> 00:47:50,101 OH, MY! WHERE? 657 00:48:04,682 --> 00:48:07,635 GOD, THIS MUSIC IS SO CORNY. 658 00:48:07,735 --> 00:48:09,437 YOU GOT TO STOP 659 00:48:09,537 --> 00:48:11,639 RUNNING AWAY FROM HONEST SENTIMENT. 660 00:48:11,739 --> 00:48:13,241 AM I RUNNING? 661 00:48:13,341 --> 00:48:14,341 YEAH. 662 00:48:14,609 --> 00:48:15,609 OH. 663 00:48:21,199 --> 00:48:24,152 I REMEMBER WHEN I FIRST MET YOU... 664 00:48:24,252 --> 00:48:27,405 YOU LOOKED SO YOUNG, IT SCARED ME. 665 00:48:30,408 --> 00:48:32,010 YOU AWAKE? 666 00:48:34,412 --> 00:48:36,047 YOU AWAKE? 667 00:48:37,949 --> 00:48:39,767 GOD! GOD... 668 00:48:39,867 --> 00:48:42,420 YOU MAKE ME FEEL SO PEACEFUL. 669 00:48:43,221 --> 00:48:45,773 I FEEL LIKE A COWARD, TOO, 670 00:48:45,873 --> 00:48:48,776 BECAUSE I LOVE YOU, YOU SEE, 671 00:48:48,876 --> 00:48:51,779 AND I DON'T THINK I COULD SAY THAT 672 00:48:51,879 --> 00:48:54,032 IF YOU WAS AWAKE. 673 00:48:55,833 --> 00:48:56,833 WHAT? 674 00:48:57,418 --> 00:49:00,438 YOU MAKIN' OUT YOU ASLEEP, LIKE A KID? 675 00:49:02,840 --> 00:49:05,043 GOOD THING IT'S DARK, HUH? 676 00:49:07,845 --> 00:49:09,597 YOU DIDN'T TELL ME 677 00:49:09,697 --> 00:49:12,800 HOW MUCH YOU LIKE GOIN' OUT ON THE ROAD. 678 00:49:12,900 --> 00:49:14,802 I'M GOIN' OUT ON THE ROAD AGAIN, 679 00:49:14,902 --> 00:49:16,804 TO HOLLYWOOD... BACK WITH DIZZY. 680 00:49:16,904 --> 00:49:18,806 BUT I HEAR THINGS ABOUT IT 681 00:49:18,906 --> 00:49:20,808 MAKE ME KIND OF JUMPY. 682 00:49:20,908 --> 00:49:21,908 WHAT? 683 00:49:23,394 --> 00:49:25,813 UH...STUFF'S NOT EASY TO FIND, 684 00:49:25,913 --> 00:49:27,415 FOR ONE THING... 685 00:49:27,515 --> 00:49:28,816 TOUGH COPS. 686 00:49:28,916 --> 00:49:30,218 WE'LL BE THE FIRST GROUP 687 00:49:30,318 --> 00:49:32,220 TO EVER PLAY THE NEW SOUND OUT THERE. 688 00:49:32,320 --> 00:49:35,106 I DON'T KNOW HOW THEY'D LIKE THAT. 689 00:49:41,279 --> 00:49:44,282 WHAT WOULD YOU THINK ABOUT KEEPIN' ME COMPANY? 690 00:49:45,883 --> 00:49:47,235 OH, YEAH. 691 00:49:47,335 --> 00:49:49,837 HUNT FOR DRUGS DURING THE DAY 692 00:49:49,937 --> 00:49:53,024 AND LEAD THE APPLAUSE AT NIGHT. 693 00:49:53,824 --> 00:49:56,094 WHAT ARE YOU SO MAD AT? 694 00:49:58,496 --> 00:49:59,847 WHO'S MAD? 695 00:49:59,947 --> 00:50:02,367 I'M NOT MAD. 696 00:50:04,502 --> 00:50:06,154 I'M PREGNANT. 697 00:50:06,254 --> 00:50:09,257 YOU KNOW HOW TO FLATTER A GUY. 698 00:50:09,357 --> 00:50:11,659 GIVE YOURSELF A COUPLE OF HOURS 699 00:50:11,759 --> 00:50:14,512 BEFORE YOU DECIDE IT'S SOMETHING LIKE THAT. 700 00:50:19,517 --> 00:50:21,119 BILLY McNABB? 701 00:50:25,523 --> 00:50:26,523 NO. 702 00:50:27,925 --> 00:50:29,877 NOBODY YOU KNOW. 703 00:50:29,977 --> 00:50:31,879 NOBODY I KNOW WELL ENOUGH 704 00:50:31,979 --> 00:50:34,799 TO EVER WANT TO SEE HIM AGAIN. 705 00:50:38,536 --> 00:50:39,536 SO... 706 00:50:41,939 --> 00:50:43,508 WHAT NOW? 707 00:50:44,375 --> 00:50:47,562 DO YOU REALIZE I HAVEN'T TOLD MY MOTHER, 708 00:50:47,662 --> 00:50:49,614 AND I'VE TOLD YOU? 709 00:50:50,715 --> 00:50:55,270 WELL, YOU COULD HAVE TOLD ME A LITTLE SOONER. 710 00:50:55,370 --> 00:50:56,370 HEY! 711 00:50:56,469 --> 00:50:58,306 IF MEN COULD GET PREGNANT, 712 00:50:58,406 --> 00:51:02,059 HOW MANY KIDS WOULD YOU HAVE BY NOW? 713 00:51:03,561 --> 00:51:04,912 CHAN, CHAN, CHAN. 714 00:51:05,012 --> 00:51:06,597 THAT'S ME. 715 00:51:08,966 --> 00:51:10,151 WELL... 716 00:51:10,251 --> 00:51:13,054 I GOTTA GO. I GOT A GIG ACROSS THE STREET 717 00:51:13,154 --> 00:51:15,056 BEFORE I GO TO HOLLYWOOD. 718 00:51:15,156 --> 00:51:17,058 WHERE'S YOUR HORN? 719 00:51:17,158 --> 00:51:19,377 I'LL BORROW ONE. 720 00:51:24,982 --> 00:51:26,584 EXCUSE ME. 721 00:51:28,986 --> 00:51:30,938 WHEN YOU GOING TO CALIFORNIA? 722 00:51:31,038 --> 00:51:33,191 COUPLE OF DAYS. 723 00:51:34,392 --> 00:51:37,195 TAKE CARE OF YOURSELF, OK? 724 00:51:40,398 --> 00:51:42,600 TAKE CARE OF YOURSELF. 725 00:51:48,606 --> 00:51:50,006 OH, NO. 726 00:51:51,809 --> 00:51:55,963 HE HOCKED HIS HORN TO RENT THAT DAMN HORSE. 727 00:51:56,063 --> 00:51:57,863 HA HA HA! 728 00:52:22,440 --> 00:52:24,525 APPARENT CONTRIBUTING FACTORS 729 00:52:24,625 --> 00:52:26,427 TO PATIENT'S "NERVOUS BREAKDOWN," 730 00:52:26,527 --> 00:52:30,398 IN CALIFORNIA, WINTER 1946, WERE AS FOLLOWS-- 731 00:52:30,498 --> 00:52:33,801 DISORIENTATION DUE TO UNFAMILIAR SURROUNDINGS, 732 00:52:33,901 --> 00:52:37,405 DISAPPOINTING PUBLIC REACTION BORDERING ON HOSTILITY 733 00:52:37,505 --> 00:52:39,540 TO PATIENT'S PARTICULAR STYLE OF MUSIC, 734 00:52:39,640 --> 00:52:42,009 REDUCED AVAILABILITY OF NARCOTICS 735 00:52:42,109 --> 00:52:44,262 DUE TO POLICE CRACKDOWN. 736 00:53:02,179 --> 00:53:03,979 HEY, HEY. 737 00:53:04,532 --> 00:53:07,285 [BAND PLAYING ORNITHOLOGY] 738 00:54:19,990 --> 00:54:21,759 ALL RIGHT! 739 00:55:07,204 --> 00:55:09,407 ANY WAY I CAN HELP? 740 00:55:11,909 --> 00:55:12,909 NO. 741 00:55:14,612 --> 00:55:17,264 SEE, I'M GETTIN' ON RIGHT NOW. 742 00:55:17,364 --> 00:55:19,133 YEAH, I KNOW. 743 00:55:19,233 --> 00:55:20,568 YOU KNOW? 744 00:55:20,668 --> 00:55:23,571 THE LESS YOU KNOW ABOUT GETTIN' ON, 745 00:55:23,671 --> 00:55:25,890 THE BETTER OFF YOU'LL BE. 746 00:55:27,458 --> 00:55:29,710 ANOTHER THING, JUNIOR-- 747 00:55:29,810 --> 00:55:33,180 IF I EVER HEAR ABOUT YOU USING THIS SHIT, 748 00:55:33,280 --> 00:55:35,583 I WILL COME FROM MY GRAVE, 749 00:55:35,683 --> 00:55:37,968 AND I WILL HAUNT YOU. 750 00:55:42,139 --> 00:55:43,741 HAVE WE MET? 751 00:55:44,975 --> 00:55:46,193 NO, SIR. 752 00:55:46,293 --> 00:55:47,995 MY NAME'S RODNEY. 753 00:55:48,095 --> 00:55:49,847 OH, SHIT. 754 00:55:52,850 --> 00:55:54,118 YOU PLAY, RODNEY? 755 00:55:56,654 --> 00:55:59,123 YEAH. I'M WITH KRUPA. 756 00:56:00,257 --> 00:56:02,176 DO YOU PLAY? 757 00:56:02,276 --> 00:56:03,744 TRUMPET. 758 00:56:03,844 --> 00:56:04,844 OH. 759 00:56:05,312 --> 00:56:09,216 THEN YOU CAME HERE TO SEE DIZZY PLAY. 760 00:56:09,316 --> 00:56:11,619 I TOOK THE JOB TOURING WITH KRUPA 761 00:56:11,719 --> 00:56:13,821 BECAUSE THE TOUR CAME TO L.A. 762 00:56:13,921 --> 00:56:16,674 AND I KNEW YOU WERE GOING TO BE HERE. 763 00:56:18,409 --> 00:56:21,095 YEAH... I CAME TO HEAR YOU. 764 00:56:21,195 --> 00:56:23,030 WELL, ALL RIGHT! 765 00:56:23,130 --> 00:56:26,951 WELL, THEN, I'M SORRY I KEPT YOU WAITIN'. 766 00:56:32,289 --> 00:56:35,242 SO...A GOOD CROWD IN THERE? 767 00:56:35,342 --> 00:56:36,542 SO-SO. 768 00:56:36,944 --> 00:56:38,144 SO-SO. 769 00:56:38,345 --> 00:56:39,647 YEAH... 770 00:56:39,747 --> 00:56:43,250 WE DON'T GET TOO MANY GOOD CROWDS OUT HERE. 771 00:56:43,350 --> 00:56:45,252 AH, THEY'LL CATCH ON. 772 00:56:45,352 --> 00:56:47,254 IT TOOK ME A WHILE. 773 00:56:47,354 --> 00:56:50,257 I THOUGHT I WANTED TO BE HARRY JAMES. 774 00:56:50,357 --> 00:56:51,659 YEAH, WELL... 775 00:56:51,759 --> 00:56:55,179 I WANT TO BE HARRY JAMES SOMETIMES. 776 00:58:27,538 --> 00:58:29,139 LISTEN TO THAT. 777 00:58:30,541 --> 00:58:31,892 YOU KNOW, AUDREY, 778 00:58:31,992 --> 00:58:36,096 IF WE COULD REALLY HEAR EVERY SOUND IN THE WORLD, 779 00:58:36,196 --> 00:58:37,748 WE'D GO CRAZY. 780 00:58:38,549 --> 00:58:41,151 HE MUST BE CRAZY, YOU KNOW? 781 00:58:42,953 --> 00:58:45,906 HE ALWAYS LOOKED FAIRLY NORMAL TO ME. 782 00:58:46,006 --> 00:58:48,108 NO. I'M TALKING ABOUT STRAVINSKY. 783 00:58:48,208 --> 00:58:49,510 SO AM I. 784 00:58:49,610 --> 00:58:51,846 WE GO TO THE SAME DENTIST. 785 00:58:51,946 --> 00:58:52,946 YEAH? 786 00:58:53,347 --> 00:58:54,747 MM-HMM. 787 00:58:58,168 --> 00:59:00,521 HE LIVES AROUND HERE? 788 00:59:00,621 --> 00:59:01,621 YES. 789 00:59:02,022 --> 00:59:04,925 AND SCHONBERG AND HEIFETZ 790 00:59:05,025 --> 00:59:09,179 AND HUXLEY AND THOMAS MANN. 791 00:59:09,980 --> 00:59:12,533 THE CLIMATE IS ADVANTAGEOUS. 792 00:59:12,633 --> 00:59:14,368 HE LIVES RIGHT THERE. 793 00:59:14,468 --> 00:59:17,087 PULL UP OVER THERE. PULL UP. 794 00:59:24,494 --> 00:59:26,446 WHAT TIME IS IT? 795 00:59:26,546 --> 00:59:28,849 ALMOST 10:00. WON'T YOU BE LATE? 796 00:59:28,949 --> 00:59:31,702 THE LIGHTS ARE ON. HE'S PROBABLY THERE. 797 00:59:35,105 --> 00:59:37,908 BET HE'S IN THERE. 798 01:00:09,640 --> 01:00:11,275 LET'S GO. 799 01:00:14,478 --> 01:00:17,982 HOW DO I GET ME A HOUSE LIKE THAT? 800 01:00:19,549 --> 01:00:21,151 WHAT'S STOPPING YOU? 801 01:00:37,702 --> 01:00:38,902 BIRKS. 802 01:00:39,119 --> 01:00:42,389 BIRKS, WHAT THE HELL HAPPENED? 803 01:00:42,489 --> 01:00:44,391 I'M NOT THAT LATE. 804 01:00:44,491 --> 01:00:46,126 NO AUDIENCE, MAN. 805 01:00:46,226 --> 01:00:47,928 THE BAR'S OPEN. 806 01:00:48,028 --> 01:00:49,730 THE ENGAGEMENT'S OVER. 807 01:00:49,830 --> 01:00:52,499 GUESS THEY WEREN'T READY TO BE INVADED. 808 01:00:52,599 --> 01:00:54,752 SO ANYWAY... 809 01:00:55,953 --> 01:00:57,905 WE GONNA TAKE A PLANE HOME. 810 01:00:58,005 --> 01:00:59,757 I GOT YOUR TICKET RIGHT HERE. 811 01:01:01,558 --> 01:01:02,910 WHAT IS THAT? 812 01:01:03,010 --> 01:01:05,913 I THOUGHT WE HAD A RADIO GIG TOMORROW. 813 01:01:06,013 --> 01:01:08,382 WE DID, YARD. WE DID. 814 01:01:08,482 --> 01:01:10,785 THE STATION JOINED IN THE BAN. 815 01:01:10,885 --> 01:01:13,721 "BEBOP TENDS TO PERVERT YOUNG MINDS." 816 01:01:13,821 --> 01:01:15,255 WHO SAID THAT? 817 01:01:15,355 --> 01:01:16,724 SOMEBODY WITH ENOUGH JUICE 818 01:01:16,824 --> 01:01:20,360 TO GET 12 RADIO STATIONS TO TURN US OFF. 819 01:01:20,460 --> 01:01:22,462 SO WE GOIN' HOME TOMORROW. 820 01:01:22,562 --> 01:01:24,131 HOW ABOUT YOU? 821 01:01:24,231 --> 01:01:25,532 BIRKS, LOOK, 822 01:01:25,632 --> 01:01:28,535 A BAN LIKE THAT CAN'T LAST FOREVER. 823 01:01:28,635 --> 01:01:30,938 WE GOT AN AUDIENCE OUT HERE. 824 01:01:31,038 --> 01:01:33,073 JUST GIVE IT SOME TIME. 825 01:01:33,173 --> 01:01:35,926 YOU GONNA HANG AROUND HERE? 826 01:01:37,995 --> 01:01:40,948 CAN'T GO BACK TO NEW YORK RIGHT NOW. 827 01:01:41,048 --> 01:01:44,118 WHAT ABOUT THE REST OF MY SALARY? 828 01:01:44,218 --> 01:01:45,352 WHAT SALARY? 829 01:01:45,452 --> 01:01:48,355 YARD, THERE HAVE BEEN A FEW ADVANCES DRAWN. 830 01:01:48,455 --> 01:01:51,358 JUST LAST WEEK, YOU BORROWED $20 FROM ME 831 01:01:51,458 --> 01:01:55,062 AND THEN KISSED ME WHEN I GAVE IT TO YOU. 832 01:01:55,162 --> 01:01:57,097 YOU DON'T REMEMBER THESE THINGS. 833 01:01:57,197 --> 01:01:59,299 I DON'T HAVE TO REMEMBER. 834 01:01:59,399 --> 01:02:01,101 YOU WOULDN'T LIE TO ME. 835 01:02:01,201 --> 01:02:02,970 WELL...LISTEN. 836 01:02:03,070 --> 01:02:05,973 JUST MAKE SURE SOMEBODY HAS YOUR NUMBER 837 01:02:06,073 --> 01:02:09,193 AND DON'T STAY AWAY TOO LONG, HMM? 838 01:02:13,497 --> 01:02:14,697 BIRKS! 839 01:02:15,149 --> 01:02:16,149 YEP? 840 01:02:16,483 --> 01:02:19,453 * DA DA DWEE YAH * 841 01:02:19,553 --> 01:02:21,922 * BAH DA DO DA * 842 01:02:22,022 --> 01:02:23,022 * DWEE DWEE DWEE DWEE * 843 01:02:23,121 --> 01:02:24,508 * DWEE DWEE DWEE ** 844 01:05:07,371 --> 01:05:10,240 VERY NICE, CHARLIE. VERY NICE. 845 01:05:17,081 --> 01:05:18,632 HE'S CLEAN! 846 01:05:18,732 --> 01:05:20,500 THE DOPE IN L.A. DRIED UP. 847 01:05:20,600 --> 01:05:21,668 HE HAD TO KICK. 848 01:05:21,768 --> 01:05:23,437 THAT NEARLY KILLED HIM, 849 01:05:23,537 --> 01:05:25,772 SO HE STAYED DRUNK MOST OF THE TIME. 850 01:05:25,872 --> 01:05:27,574 THAT'S WHY HE GOT SENT TO CAMARILLO. 851 01:05:27,674 --> 01:05:31,378 HE HASN'T HAD A DAMN THING FOR SIX MONTHS. 852 01:05:31,478 --> 01:05:32,779 ACCORDING TO HIM. 853 01:05:32,879 --> 01:05:34,181 NO, NO. 854 01:05:34,281 --> 01:05:37,234 ACCORDING TO HIS RECORD PRODUCER IN L.A. 855 01:05:39,236 --> 01:05:43,390 WHAT HE NEEDS IS A GIG OUT OF THE STATE. 856 01:05:43,490 --> 01:05:44,490 NO. 857 01:05:44,758 --> 01:05:46,460 FOR GOD'S SAKES, SAMMY! 858 01:05:46,560 --> 01:05:49,196 YOU HIRE CHARLIE PARKER IMITATIONS, 859 01:05:49,296 --> 01:05:51,198 AND THE REAL THING'S AVAILABLE! 860 01:05:51,298 --> 01:05:54,534 THE REAL THING COULD BE A PAIN IN MY ASS. 861 01:05:54,634 --> 01:05:55,936 SAMMY, LISTEN. 862 01:05:56,036 --> 01:05:57,938 LET'S PLAY A GAME. 863 01:05:58,038 --> 01:05:59,940 I'LL COUNT TO 100, SLOWLY, 864 01:06:00,040 --> 01:06:01,798 BEFORE I FINISH, NAME ME ONE OTHER MUSICIAN 865 01:06:01,898 --> 01:06:03,843 WHO CAN PACK THIS CLUB 866 01:06:03,943 --> 01:06:07,314 WHO ISN'T A PAIN IN THE ASS. 867 01:06:07,414 --> 01:06:09,433 WE'RE TALKING ABOUT CHARLIE PARKER! 868 01:06:11,568 --> 01:06:13,420 I'LL PAY 700 A WEEK. 869 01:06:13,520 --> 01:06:15,889 WAIT. THAT'S FOR HIM, A SECOND HORN, 870 01:06:15,989 --> 01:06:18,625 AND A RHYTHM SECTION. 871 01:06:18,725 --> 01:06:20,460 IF HE HANDLES IT RIGHT, 872 01:06:20,560 --> 01:06:23,063 HE CAN CLEAR A COUPLE HUNDRED. 873 01:06:23,163 --> 01:06:24,664 THREE-WEEK GUARANTEE. 874 01:06:24,764 --> 01:06:26,316 YOU'RE WONDERFUL. 875 01:06:40,697 --> 01:06:44,284 I THOUGHT THE FOUNTAIN OF YOUTH WAS IN FLORIDA. 876 01:06:44,384 --> 01:06:47,154 EVERYBODY SAYS THAT TO ME. 877 01:06:47,254 --> 01:06:49,256 YOU KNOW, I LEARNED SOMETHING. 878 01:06:49,356 --> 01:06:51,658 THEY CAN GET IT OUT OF YOUR BLOOD... 879 01:06:51,758 --> 01:06:52,758 SURE. 880 01:06:53,160 --> 01:06:57,097 BUT THEY CAN NEVER GET IT OUT OF YOUR MIND. 881 01:06:57,197 --> 01:06:59,699 I REALLY APPRECIATE WHAT YOU DID FOR ME. 882 01:06:59,799 --> 01:07:01,701 I WILL NEVER, EVER FORGET IT. 883 01:07:01,801 --> 01:07:03,001 DON'T! 884 01:07:03,537 --> 01:07:04,838 DON'T WHAT? 885 01:07:04,938 --> 01:07:06,240 DON'T BE HUMBLE. 886 01:07:06,340 --> 01:07:08,975 ANYBODY ELSE BUT YOU. 887 01:07:09,075 --> 01:07:11,111 HA HA! HEY, CHAN, 888 01:07:11,211 --> 01:07:13,713 WHEN A CONVICT'S ON THE STREET 889 01:07:13,813 --> 01:07:15,715 AFTER A LONG TIME AWAY, 890 01:07:15,815 --> 01:07:17,684 HE'S CAREFUL, 891 01:07:17,784 --> 01:07:19,119 NOT HUMBLE. 892 01:07:19,219 --> 01:07:21,955 WHY DON'T YOU LEARN TO SAY "YOU'RE WELCOME"? 893 01:07:22,055 --> 01:07:23,857 YOU'RE WELCOME. 894 01:07:23,957 --> 01:07:26,293 WILL YOU STOP TRYING TO LOOK 895 01:07:26,393 --> 01:07:28,295 FOR SOMEPLACE TO RUN? 896 01:07:28,395 --> 01:07:30,264 I JUST CAME HERE TO SAY THANKS. 897 01:07:30,364 --> 01:07:32,866 THE REST OF IT WILL WAIT. 898 01:07:32,966 --> 01:07:35,869 I'M GOING TO GO FIND ME A QUINTET 899 01:07:35,969 --> 01:07:37,754 AND GET STARTED. 900 01:07:39,423 --> 01:07:42,592 TAKE A LOOK AT HER AT LEAST. 901 01:07:53,437 --> 01:07:57,241 WELL, WHO COULD BLAME ME NOW? 902 01:07:59,143 --> 01:08:01,595 AND WHAT'S YOUR NAME, LITTLE ONE? 903 01:08:01,695 --> 01:08:05,999 MY NAME IS KIM. WHAT'S YOURS? 904 01:08:06,099 --> 01:08:09,303 WELCOME HOME FROM THE HOSPITAL, DADDY. 905 01:08:09,403 --> 01:08:13,006 HOW DID YOU KNOW I WAS IN THE HOSPITAL? 906 01:08:13,106 --> 01:08:15,409 I READ IT IN THE NEWSPAPER. 907 01:08:15,509 --> 01:08:17,411 DIDN'T YOU KNOW YOU'RE FAMOUS? 908 01:08:17,511 --> 01:08:20,180 GRANDMA COOKING SUPPER? 909 01:08:20,280 --> 01:08:22,582 YEAH, BUT SHE CALLS IT DINNER. 910 01:08:22,682 --> 01:08:24,684 SHE SAYS SUPPER'S AFTER THE SHOW. 911 01:08:24,784 --> 01:08:26,086 SHE'S RIGHT. 912 01:08:26,186 --> 01:08:28,155 I'LL BE RIGHT UP. 913 01:08:28,255 --> 01:08:30,157 WHERE ARE YOU GOING? 914 01:08:30,257 --> 01:08:31,891 WHO'S THAT? 915 01:08:31,991 --> 01:08:33,677 BUSINESS. 916 01:08:43,687 --> 01:08:45,038 HOW YOU FEELIN'? 917 01:08:45,138 --> 01:08:48,292 YOU READ THE HOSPITAL REPORT, I DIDN'T. 918 01:08:49,493 --> 01:08:52,546 GET IN. LET'S GO FOR A RIDE. 919 01:08:52,646 --> 01:08:54,464 I HAVE A CAR. 920 01:08:55,499 --> 01:08:57,451 IT'S GETTING A RING JOB. 921 01:08:57,551 --> 01:09:01,054 SHOULD I TELL WHEN YOUR WIFE BROUGHT IT IN, 922 01:09:01,154 --> 01:09:04,308 OR DO YOU WANT THE ENGINE SERIAL NUMBER? 923 01:09:06,643 --> 01:09:09,243 M-431-232-95. 924 01:09:11,431 --> 01:09:14,284 GET IN THE GODDAMN CAR. 925 01:09:31,468 --> 01:09:34,254 I'VE BEEN ON YOUR CASE 10 YEARS NOW, 926 01:09:34,354 --> 01:09:36,256 AND I'VE NEVER SEEN YOU WORSE. 927 01:09:36,356 --> 01:09:38,858 YOU CAN'T PLAY MORE THAN THREE NIGHTS A MONTH 928 01:09:38,958 --> 01:09:40,660 IN NEW YORK, 929 01:09:40,760 --> 01:09:43,863 AND NEW YORK IS THE ONLY PLACE LEFT 930 01:09:43,963 --> 01:09:45,865 WHERE YOU CAN GET WORK. 931 01:09:45,965 --> 01:09:47,767 YOU BLEW A THREE-NIGHTER 932 01:09:47,867 --> 01:09:49,503 AT 1:00 THIS MORNING. 933 01:09:49,603 --> 01:09:51,571 I TALKED WITH STEINBERG. 934 01:09:51,671 --> 01:09:54,508 HE'S READY TO WASH HIS HANDS OF YOU. 935 01:09:54,608 --> 01:09:56,710 YOU TALKED TO STEINBERG. 936 01:09:56,810 --> 01:09:58,178 YOU'RE SICK, BIRD. 937 01:09:58,278 --> 01:10:00,580 YOU'RE AN ALCOHOLIC, YOU'RE A JUNKIE, 938 01:10:00,680 --> 01:10:03,717 AND YOUR MIND IS HANGING BY A FUCKING THREAD. 939 01:10:03,817 --> 01:10:05,685 UH-HUH, YEAH, RIGHT, RIGHT, RIGHT. 940 01:10:05,785 --> 01:10:08,888 IT'S POSSIBLE I COULD CHANGE SOME ATTITUDES 941 01:10:08,988 --> 01:10:11,325 ABOUT YOUR CABARET CARD. 942 01:10:11,425 --> 01:10:14,294 THAT WOULD MAKE A HELL OF A DIFFERENCE 943 01:10:14,394 --> 01:10:15,912 IN YOUR SITUATION. 944 01:10:17,447 --> 01:10:20,400 IT WOULD MAKE A WORLD OF A DIFFERENCE. 945 01:10:20,500 --> 01:10:23,403 I GIVE YOU THREE, FOUR NAMES, ALL JUNKIES. 946 01:10:23,503 --> 01:10:27,006 ONCE YOU NAILED THEM, WOULDN'T BE NO MORE HEROIN 947 01:10:27,106 --> 01:10:29,276 IN NEW YORK CITY, WOULD THERE? 948 01:10:29,376 --> 01:10:33,730 LET ME OUT OF THIS GODDAMN CAR! 949 01:10:39,369 --> 01:10:41,571 THEY WOULDN'T THINK TWICE ABOUT DOING IT TO YOU. 950 01:10:45,241 --> 01:10:47,227 IT'S TIME TO SAVE YOUR LIFE! 951 01:10:47,327 --> 01:10:51,014 THIS IS THE YEAR I'M SUPPOSED TO DIE. 952 01:11:20,844 --> 01:11:22,846 YOU MISSED DINNER. 953 01:11:24,848 --> 01:11:27,417 HOW ABOUT SUPPER? 954 01:11:28,852 --> 01:11:30,203 I'M SORRY. 955 01:11:30,303 --> 01:11:32,856 I JUST WENT FOR A WALK. 956 01:11:35,859 --> 01:11:37,861 WERE YOU WORRIED? 957 01:11:40,129 --> 01:11:43,433 WHAT DO YOU WANT ME TO SAY? 958 01:11:45,569 --> 01:11:47,654 WHO WAS THAT MAN? 959 01:11:47,754 --> 01:11:49,623 SOMEBODY FROM THIS WORLD-- 960 01:11:49,723 --> 01:11:51,625 NOBODY I EVER WANT YOU 961 01:11:51,725 --> 01:11:53,827 TO CONCERN YOURSELF ABOUT. 962 01:11:53,927 --> 01:11:55,379 IT'S DIRTY. 963 01:11:56,880 --> 01:11:58,231 IT'S DIRTY? 964 01:11:58,331 --> 01:12:00,834 WHERE DO YOU THINK I'VE LIVED MY LIFE 965 01:12:00,934 --> 01:12:02,569 TILL I MET YOU? 966 01:12:02,669 --> 01:12:06,139 IT'S MY WISH THAT YOU REMAIN MY CHILD WIFE. 967 01:12:06,239 --> 01:12:09,659 WOULD YOU DO THAT FOR ME? 968 01:12:11,094 --> 01:12:14,381 NOW YOU'VE SWITCHED FROM BETTE DAVIS MOVIES 969 01:12:14,481 --> 01:12:15,582 TO JANE EYRE. 970 01:12:15,682 --> 01:12:18,702 COME ON HOME AND EAT, ROCHESTER. 971 01:12:21,037 --> 01:12:23,540 AFTER A WHILE. 972 01:12:29,846 --> 01:12:34,418 REMEMBER, YOU'VE GOT FIVE TUNES TO WRITE. 973 01:12:35,752 --> 01:12:39,005 LISTEN TO ME-- THE VOICE OF DUTY. 974 01:12:39,105 --> 01:12:41,375 OH, AND GUESS WHAT. 975 01:12:41,475 --> 01:12:43,510 STEINBERG SENT US A CHECK. 976 01:12:43,610 --> 01:12:46,362 WE'LL BE OK FOR TWO WEEKS. 977 01:12:47,897 --> 01:12:48,897 CHAN. 978 01:12:51,017 --> 01:12:52,986 THAT'S ME. 979 01:12:53,086 --> 01:12:55,605 DON'T EVER LEAVE OLD POP. 980 01:12:57,040 --> 01:13:00,226 HE'S NOT GOING TO DRINK ANY MORE IODINE... 981 01:13:00,326 --> 01:13:01,795 'CAUSE HE LOVES YOU. 982 01:13:01,895 --> 01:13:03,295 I KNOW. 983 01:13:03,530 --> 01:13:06,716 I READ THE NOTE ON THE REFRIGERATOR. 984 01:13:51,528 --> 01:13:53,480 IT'S A NICE, TIGHT ROOM. 985 01:13:53,580 --> 01:13:54,881 GOOD ACOUSTICS. 986 01:13:54,981 --> 01:13:57,484 BETTER THAN ANYTHING EVER WAS ON 52nd STREET. 987 01:13:57,584 --> 01:13:59,486 BUCK AND A QUARTER ADMISSION, 988 01:13:59,586 --> 01:14:01,488 2.50 MINIMUM AT THE TABLES. 989 01:14:01,588 --> 01:14:03,490 THEY'RE BOOKED UP THE FIRST WEEKEND 990 01:14:03,590 --> 01:14:05,492 AND HAVEN'T EVEN OPENED YET. 991 01:14:05,592 --> 01:14:07,727 THEY NAMED IT AFTER ME. 992 01:14:07,827 --> 01:14:09,663 WHO THE HELL ELSE COULD THEY NAME IT AFTER? 993 01:14:09,763 --> 01:14:11,798 DON'T YOU LIKE THE IDEA? 994 01:14:11,898 --> 01:14:13,900 BERNIE, I LIKE THE IDEA. 995 01:14:14,000 --> 01:14:16,503 I'M FLATTERED BY IT. I'M OVERWHELMED. 996 01:14:16,603 --> 01:14:18,505 I JUST WISH IT WAS TONIGHT 997 01:14:18,605 --> 01:14:19,906 'CAUSE I'M BROKE. 998 01:14:20,006 --> 01:14:23,276 I'M TRYING TO HOLD ONTO MY RHYTHM SECTION. 999 01:14:23,376 --> 01:14:25,378 LEAN ON THE RECORD COMPANY. 1000 01:14:25,478 --> 01:14:28,064 MAYBE THEY WANT YOU IN PARIS. 1001 01:16:19,008 --> 01:16:20,408 ENCORE! 1002 01:16:21,227 --> 01:16:22,627 ENCORE! 1003 01:16:27,550 --> 01:16:29,502 LOOKS LIKE YOU NEED SOMETHING 1004 01:16:29,602 --> 01:16:31,537 BETTER THAN A ROSE. 1005 01:16:31,637 --> 01:16:34,574 WHAT THE FUCK YOU WANT TO GO 1006 01:16:34,674 --> 01:16:36,576 BACK TO NEW YORK FOR? 1007 01:16:36,676 --> 01:16:38,244 BECAUSE. 1008 01:16:38,344 --> 01:16:39,344 YEAH? 1009 01:16:39,612 --> 01:16:40,612 YEAH. 1010 01:16:41,080 --> 01:16:42,381 BECAUSE. 1011 01:16:42,481 --> 01:16:45,652 YOU KNOW, I BEEN HERE FOUR YEARS. 1012 01:16:45,752 --> 01:16:49,255 I WORK 10 MONTHS OUT OF THE YEAR, 1013 01:16:49,355 --> 01:16:51,658 MORE IF I WANT TO. 1014 01:16:51,758 --> 01:16:54,661 I GO TO BELGIUM, HOLLAND, SWEDEN. 1015 01:16:54,761 --> 01:16:58,097 YOU COULD DO THE SAME THING. 1016 01:16:58,197 --> 01:17:02,869 YOU KNOW, I DON'T GO FOR THAT SHIT YOU PEOPLE PLAY, 1017 01:17:02,969 --> 01:17:08,007 BUT OVER HERE, THEY ARE CRAZY ABOUT IT. 1018 01:17:08,107 --> 01:17:10,176 NOW, YOU DON'T GET RICH, 1019 01:17:10,276 --> 01:17:11,845 BUT YOU LIVE, 1020 01:17:11,945 --> 01:17:14,881 AND THEY TREAT YOU LIKE A MAN. 1021 01:17:14,981 --> 01:17:17,817 NOW, WHAT YOU GOT TO GO BACK TO? 1022 01:17:17,917 --> 01:17:19,819 OH, YEAH, YEAH, YEAH, YEAH. 1023 01:17:19,919 --> 01:17:22,889 THEY NAMED A PLACE AFTER YOU. 1024 01:17:22,989 --> 01:17:25,759 WELL, HOW MUCH OF THAT PLACE DO YOU OWN? 1025 01:17:25,859 --> 01:17:27,727 WHEN THE GIG IS OVER, 1026 01:17:27,827 --> 01:17:30,897 YOU'LL BE SCUFFLING TO FIND THE NEXT ONE, 1027 01:17:30,997 --> 01:17:33,599 IF THERE IS A NEXT ONE. 1028 01:17:33,699 --> 01:17:37,303 YOU CAN'T EARN NO LIVIN' 1029 01:17:37,403 --> 01:17:41,007 PLAYIN' JAZZ IN THE STATES. 1030 01:17:41,107 --> 01:17:42,709 DIZ CAN. 1031 01:17:42,809 --> 01:17:44,609 DUKE CAN. 1032 01:17:44,744 --> 01:17:48,682 YOU AIN'T DIZ. YOU SURE AS HELL AIN'T DUKE. 1033 01:17:48,782 --> 01:17:49,883 AND THEY AIN'T ME. 1034 01:17:49,983 --> 01:17:51,621 WHAT DOES THAT HAVE TO DO WITH ANYTHING? 1035 01:17:51,721 --> 01:17:56,122 I'M NOT TALKIN' ABOUT WHAT YOU DO ON THE BANDSTAND, JUNIOR. 1036 01:17:56,222 --> 01:17:58,124 EVERYBODY SAID, YOU THE MAN. 1037 01:17:58,224 --> 01:18:00,860 WELL, THAT'S GREAT, UNTIL YOU MESS UP, 1038 01:18:00,960 --> 01:18:03,162 AND YOU ALWAYS MESS UP. 1039 01:18:03,262 --> 01:18:06,733 YOU MESS UP OVER THERE, YOU BE IN TROUBLE SO DEEP, 1040 01:18:06,833 --> 01:18:10,737 THEY WON'T EVEN LET YOU PLAY IN THE GODDAMN PLACE 1041 01:18:10,837 --> 01:18:12,772 THEY NAMED AFTER YOU IN THE FIRST PLACE. 1042 01:18:12,872 --> 01:18:17,043 THERE'S NO LAW THAT SAYS I HAVE TO MESS UP, 1043 01:18:17,143 --> 01:18:21,380 AND I'M NOT RUNNING AWAY FROM MY OWN COUNTRY. 1044 01:18:21,480 --> 01:18:22,648 YOUR COUNTRY? 1045 01:18:22,748 --> 01:18:24,150 YEAH, MINE. 1046 01:18:24,250 --> 01:18:27,353 WHETHER THEY LIKE IT OR NOT, IT'S MINE. 1047 01:18:27,453 --> 01:18:29,355 THERE'S GONNA BE A BIRDLAND 1048 01:18:29,455 --> 01:18:31,057 IN EVERY CITY ONE DAY. 1049 01:18:31,157 --> 01:18:33,292 THERE'S GONNA BE A BIRDLAND IN CHICAGO, 1050 01:18:33,392 --> 01:18:34,460 BIRDLAND IN DETROIT-- 1051 01:18:34,560 --> 01:18:37,363 A BIRDLAND RIGHT ACROSS THE STREET FROM CAMARILLO. 1052 01:18:37,463 --> 01:18:39,799 HA HA HA HA! 1053 01:18:39,899 --> 01:18:41,801 I'M THE LIBERATOR OF PARIS! 1054 01:18:41,901 --> 01:18:44,103 YOU ARE A MOTHERFUCKING AFTERTHOUGHT! 1055 01:18:44,203 --> 01:18:45,203 OH! 1056 01:18:50,659 --> 01:18:52,545 HA HA HA HA! 1057 01:18:52,645 --> 01:18:54,931 HA HA HA HA! 1058 01:18:58,434 --> 01:19:00,234 OH, SHIT! 1059 01:19:02,438 --> 01:19:05,558 SO...YOU'RE SAYING, UM... 1060 01:19:05,658 --> 01:19:09,395 DIZ AND DUKE ON ONE SIDE... 1061 01:19:09,495 --> 01:19:12,365 AND JUNKIES ON THE OTHER. 1062 01:19:14,500 --> 01:19:16,500 SO I KICK. 1063 01:19:16,903 --> 01:19:19,055 HA HA HA HA! 1064 01:19:20,323 --> 01:19:21,808 I CAN KICK! 1065 01:19:21,908 --> 01:19:24,060 HA HA HA HA! 1066 01:19:25,862 --> 01:19:27,814 OH, JUNIOR! JUNIOR! 1067 01:19:27,914 --> 01:19:29,714 HA HA HA! 1068 01:19:37,540 --> 01:19:39,893 OTHER THAN THAT, WE GOT NOTHIN' 1069 01:19:39,993 --> 01:19:42,028 TILL A WEEK FROM FRIDAY-- 1070 01:19:42,128 --> 01:19:43,863 SOME SORT OF BENEFIT, 1071 01:19:43,963 --> 01:19:46,465 SOME COMMUNIST IN JAIL, OR SOMETHING. 1072 01:19:46,565 --> 01:19:48,467 HEY, WE GET PAID. 1073 01:19:48,567 --> 01:19:50,870 HOW MUCH DO WE GET PAID? 1074 01:19:50,970 --> 01:19:52,271 JUST HOLD OUT WITH ME. 1075 01:19:52,371 --> 01:19:54,774 IN A MONTH, WE OPEN UP BIRDLAND. 1076 01:19:54,874 --> 01:19:57,877 WHAT DO I EAT IN THE MEANTIME? 1077 01:19:57,977 --> 01:20:00,296 HEY! HARRY JAMES! 1078 01:20:06,535 --> 01:20:08,735 MEET BILLY. 1079 01:20:08,888 --> 01:20:10,656 JOHN WILSON. RODNEY. 1080 01:20:10,756 --> 01:20:11,891 RED RODNEY. 1081 01:20:11,991 --> 01:20:15,528 WHAT ARE YOU DOING IN NEW YORK, RED RODNEY? 1082 01:20:15,628 --> 01:20:17,230 I'VE BEEN HERE A YEAR NOW. 1083 01:20:17,330 --> 01:20:20,066 WHY DIDN'T YOU CALL ME? I WANT TO HEAR YOU PLAY. 1084 01:20:20,166 --> 01:20:21,935 I WASN'T READY FOR YOU TO HEAR ME PLAY. 1085 01:20:22,035 --> 01:20:24,938 HE WASN'T READY TO HEAR HIM PLAY. 1086 01:20:25,038 --> 01:20:28,541 AND NOW YOU'RE READY? 1087 01:20:28,641 --> 01:20:30,309 HOW YOU BEEN DOIN', THEN? 1088 01:20:30,409 --> 01:20:34,480 I'VE BEEN DOING MOSTLY SOCIETY STUFF. 1089 01:20:34,580 --> 01:20:37,683 PLENTY OF GODDAMN SOCIETY FOR SOME PEOPLE. 1090 01:20:37,783 --> 01:20:39,685 HOW COME NOBODY NEVER CALLS ME 1091 01:20:39,785 --> 01:20:42,822 FOR NO GODDAMN SOCIETY GIGS? 1092 01:20:42,922 --> 01:20:45,391 IT'S A SPECIAL TYPE OF SOCIETY. 1093 01:20:45,491 --> 01:20:46,792 FOR DANCING, RIGHT? 1094 01:20:46,892 --> 01:20:49,795 FOR DANCING, BUT NOT THE FOX TROT. 1095 01:20:49,895 --> 01:20:52,949 YOU'RE LOOKING FOR A GIG? EVERYBODY? 1096 01:20:54,083 --> 01:20:56,435 I MEAN, NOT YOU. 1097 01:20:56,535 --> 01:20:57,535 WHY NOT ME? 1098 01:20:57,634 --> 01:21:00,706 WELL, I CAME IN HERE LOOKING FOR PEOPLE, 1099 01:21:00,806 --> 01:21:02,408 BUT I NEVER-- 1100 01:21:02,508 --> 01:21:03,809 SHIT. WHY NOT? 1101 01:21:03,909 --> 01:21:05,811 2:00 THIS AFTERNOON 1102 01:21:05,911 --> 01:21:08,864 IN BROOKLYN, A WEDDING. 1103 01:22:21,937 --> 01:22:23,937 FANTASTIC! 1104 01:22:44,693 --> 01:22:46,695 WONDERFUL! 1105 01:22:49,698 --> 01:22:51,300 CHUDNICK! 1106 01:22:53,102 --> 01:22:56,689 THESE ARE NOT JEWISH BOYS, BUT GOOD. 1107 01:22:56,789 --> 01:22:59,558 A VERY NICE AFFAIR. 1108 01:22:59,658 --> 01:23:02,178 DON'T ASK. DON'T ASK. 1109 01:23:04,580 --> 01:23:05,931 WHAT'S THIS CHOODNICK? 1110 01:23:06,031 --> 01:23:07,967 YEAH, THAT'S WHAT I'M TALKING. 1111 01:23:08,067 --> 01:23:09,468 THAT'S MY REAL NAME. 1112 01:23:09,568 --> 01:23:11,770 SO, WHERE ARE YOU CATS HEADED? 1113 01:23:11,870 --> 01:23:15,724 DON'T ASK. DON'T ASK. 1114 01:23:38,397 --> 01:23:39,397 HELLO. 1115 01:23:39,496 --> 01:23:41,667 I WANT TO KNOW ONE THING. 1116 01:23:41,767 --> 01:23:44,653 YOU STILL THE MOST GORGEOUS WOMAN ALIVE? 1117 01:23:47,356 --> 01:23:48,356 NO. 1118 01:23:48,807 --> 01:23:50,759 I'M RETIRED. 1119 01:23:51,560 --> 01:23:54,647 BUT I LIKE IT THAT YOU NEVER GIVE UP. 1120 01:23:54,747 --> 01:23:57,583 I TAKE IT HE'S THERE. 1121 01:23:57,683 --> 01:23:59,318 IS HE ALL RIGHT? 1122 01:23:59,418 --> 01:24:01,554 HE'S HOLDING HIS STOMACH. 1123 01:24:01,654 --> 01:24:03,256 IS THAT FROM... 1124 01:24:03,356 --> 01:24:05,758 NO, NO, THAT'S ULCERS. 1125 01:24:05,858 --> 01:24:08,777 HE'LL PROBABLY SPEND THE NIGHT. 1126 01:24:10,179 --> 01:24:11,730 THANKS, RED. 1127 01:24:11,830 --> 01:24:14,267 DON'T TELL HIM I CALLED YOU. 1128 01:24:14,367 --> 01:24:17,570 I MEAN, DON'T TELL HIM YOU CALLED ME. 1129 01:24:17,670 --> 01:24:19,138 DON'T WORRY. 1130 01:24:19,238 --> 01:24:20,906 GET SOME SLEEP. 1131 01:24:21,006 --> 01:24:22,406 MM-HMM. 1132 01:24:22,708 --> 01:24:24,260 GOOD NIGHT. 1133 01:24:44,413 --> 01:24:46,013 CHOOD... 1134 01:24:46,265 --> 01:24:49,168 THE LAST MAN TO EVER GET ME 1135 01:24:49,268 --> 01:24:51,554 A SOCIETY GIG. 1136 01:24:54,823 --> 01:24:56,459 THAT'S ME. 1137 01:25:28,291 --> 01:25:30,291 WOO! WOO! 1138 01:25:41,470 --> 01:25:43,622 WHAT ARE YOU DOING HERE? 1139 01:25:43,722 --> 01:25:45,424 LET'S GET A DRINK. 1140 01:25:45,524 --> 01:25:47,426 YOU REALLY ATE A ROSE? 1141 01:25:47,526 --> 01:25:49,428 ATE WHATEVER I COULD GET MY HANDS ON. 1142 01:25:49,528 --> 01:25:51,029 I HEARD YOU SAID IT WAS DESSERT. 1143 01:25:51,129 --> 01:25:52,165 IT WAS. 1144 01:25:52,265 --> 01:25:54,433 DON'T KNOW WHY I CAME BACK HERE FOR. 1145 01:25:54,533 --> 01:25:56,435 BIRDLAND STILL AIN'T OPEN. 1146 01:25:56,535 --> 01:25:58,437 BUT I GOT THIS BEAUTIFUL GIG. 1147 01:25:58,537 --> 01:26:00,639 I NEED A TRUMPET PLAYER. 1148 01:26:00,739 --> 01:26:02,408 SCOTCH ON THE ROCKS. 1149 01:26:02,508 --> 01:26:04,410 CLUB SODA. HOW LONG YOU BEEN LISTENING? 1150 01:26:04,510 --> 01:26:06,579 I KNOW A TRUMPET PLAYER WHEN I HEAR ONE. 1151 01:26:06,679 --> 01:26:09,148 THERE ARE SO MANY BETTER ONES-- 1152 01:26:09,248 --> 01:26:10,849 NAVARRO, KENNY DORHAM-- 1153 01:26:10,949 --> 01:26:13,252 I'M OFFERING THE JOB TO YOU. 1154 01:26:13,352 --> 01:26:15,854 WE START OFF WITH A TOUR-- 1155 01:26:15,954 --> 01:26:17,823 10 NIGHTS, $150 PER MAN... 1156 01:26:17,923 --> 01:26:19,258 PER NIGHT. 1157 01:26:19,358 --> 01:26:21,594 REALLY? THAT'S GREAT! WHERE? 1158 01:26:21,694 --> 01:26:23,396 SOUTH. WE DRIVE. 1159 01:26:23,496 --> 01:26:25,398 FRESH AIR, SCENERY, 1160 01:26:25,498 --> 01:26:27,533 UNSOPHISTICATED PUSSY. 1161 01:26:27,633 --> 01:26:30,819 YOU DON'T GET THAT WITH WOODY HERMAN, MAN. 1162 01:26:31,920 --> 01:26:33,939 GEORGIA, ALABAMA, 1163 01:26:34,039 --> 01:26:35,541 MISSISSIPPI, TENNESSEE. 1164 01:26:35,641 --> 01:26:38,143 DEEP SOUTH? WITH A MIXED BAND? 1165 01:26:38,243 --> 01:26:39,278 WE'D GET LYNCHED! 1166 01:26:39,378 --> 01:26:40,963 I GOT IT COVERED. 1167 01:27:18,033 --> 01:27:19,635 HERE WE ARE. 1168 01:27:22,438 --> 01:27:24,590 THERE'S UNCLE REMUS OVER THERE. 1169 01:27:24,690 --> 01:27:27,893 BIRD, WHAT ARE YOU DOIN'? 1170 01:27:27,993 --> 01:27:30,896 WE ARE IN THE SOUTH NOW. 1171 01:27:30,996 --> 01:27:33,165 AH, YOUR MAMA'S UP THERE. 1172 01:27:33,265 --> 01:27:35,167 WE SUPPOSED TO BE IN THE SOUTH. 1173 01:27:35,267 --> 01:27:36,569 YOUR MOTHER'S OVER THERE, MAN. 1174 01:27:36,669 --> 01:27:38,421 HEY, WILSON, Y'ALL DON'T PLAY THAT. 1175 01:27:39,755 --> 01:27:42,174 AIN'T IT GREAT TO BE HOME, FELLAS? 1176 01:27:42,274 --> 01:27:43,642 THANK YOU, BIRD. 1177 01:27:43,742 --> 01:27:44,742 LOOK AT THIS. 1178 01:27:44,841 --> 01:27:47,179 I'M OPENIN' UP A NEW WORLD TO YOU. 1179 01:27:47,279 --> 01:27:48,314 PULL UP OVER HERE. 1180 01:27:48,414 --> 01:27:50,048 I WANT TO TALK TO THE MANAGER. 1181 01:27:50,148 --> 01:27:52,017 WATCH OUT FOR THAT CAR. 1182 01:27:52,117 --> 01:27:53,117 OK. 1183 01:27:57,473 --> 01:28:00,426 WHERE DO YOU THINK THEY'LL PUT US UP? 1184 01:28:00,526 --> 01:28:03,429 MAN, YOU KNOW WHERE THEY'LL PUT US UP-- 1185 01:28:03,529 --> 01:28:06,432 SOME GODDAMN FUNKY RAT HOLE. 1186 01:28:06,532 --> 01:28:07,833 EXCEPT YOU, RED. 1187 01:28:07,933 --> 01:28:11,036 YOU'LL PROBABLY FIND YOURSELF A GOOD HOTEL 1188 01:28:11,136 --> 01:28:13,439 IN EVERY TOWN WE PLAY IN. 1189 01:28:13,539 --> 01:28:15,441 HA! I DON'T THINK SO. 1190 01:28:15,541 --> 01:28:18,043 RED, YOU GONNA BE RIGHT DOWN 1191 01:28:18,143 --> 01:28:20,045 IN THE FUNK WITH US. 1192 01:28:20,145 --> 01:28:23,048 BIRD DONE COVERED IT, ALL RIGHT. 1193 01:28:23,148 --> 01:28:24,148 YEAH. 1194 01:28:30,373 --> 01:28:32,458 BIRD, ARE YOU CRAZY? 1195 01:28:32,558 --> 01:28:35,461 NOBODY'S GOING TO BELIEVE THAT I'M AN ALBINO. 1196 01:28:35,561 --> 01:28:38,464 WHO EVER HEARD OF A JEWISH CAT 1197 01:28:38,564 --> 01:28:41,066 PLAYIN' TRUMPET THE WAY YOU DO? 1198 01:28:41,166 --> 01:28:42,468 THE MAIN THING IS I CAN'T SING! 1199 01:28:42,568 --> 01:28:44,470 ANYBODY CAN SING THE BLUES. 1200 01:28:44,570 --> 01:28:46,204 ALL YOU GOT TO DO 1201 01:28:46,304 --> 01:28:48,240 IS SING ONE BLUES EVERY SET. 1202 01:28:48,340 --> 01:28:50,242 GO TO SLEEP NOW. THAT'S YOUR ROOM. 1203 01:28:50,342 --> 01:28:52,244 WHAT IF THEY FIND OUT? 1204 01:28:52,344 --> 01:28:54,246 WHO, YOUR PEOPLE OR MY PEOPLE? 1205 01:28:54,346 --> 01:28:55,648 HA HA. THAT'S PRETTY FUNNY. 1206 01:28:55,748 --> 01:28:57,650 NOW GO INSIDE. WAKE ME UP IN TWO HOURS. 1207 01:28:57,750 --> 01:28:59,852 DON'T YOU WANDER OFF NOWHERE, BOY! 1208 01:28:59,952 --> 01:29:00,952 WHAT? 1209 01:29:01,353 --> 01:29:03,255 I GOT TO KEEP UP THE CORRECT IMPRESSION, 1210 01:29:03,355 --> 01:29:04,840 DON'T I? HEH HEH. 1211 01:29:15,384 --> 01:29:16,635 OH, JESUS. 1212 01:29:16,735 --> 01:29:18,637 YEAH. I'D ALMOST FORGOTTEN. 1213 01:29:18,737 --> 01:29:20,639 GET SOME REST, NIGGER. 1214 01:29:20,739 --> 01:29:23,492 THESE PEOPLE WANT TO DANCE. 1215 01:29:26,429 --> 01:29:28,280 [BAND PLAYING NOW'S THE TIME] 1216 01:29:28,380 --> 01:29:29,380 YEAH! 1217 01:29:29,479 --> 01:29:31,381 ALL RIGHT! 1218 01:30:22,585 --> 01:30:25,721 YOU FOLKS WILL HAVE TO GO UPSTAIRS. 1219 01:30:27,856 --> 01:30:28,856 THANKS. 1220 01:30:28,955 --> 01:30:31,860 SURE. YOU CAN GET A DRINK UP THERE. 1221 01:31:13,301 --> 01:31:14,587 HA HA HA. 1222 01:31:14,687 --> 01:31:17,222 [BAND PLAYS ALBINO RED BLUES] 1223 01:31:17,322 --> 01:31:18,624 WHOO! ALL RIGHT! 1224 01:31:18,724 --> 01:31:22,628 AT THIS TIME, IT IS MY PRIVILEGE 1225 01:31:22,728 --> 01:31:24,830 TO BRING TO THE MICROPHONE 1226 01:31:24,930 --> 01:31:26,632 A YOUNG MAN, 1227 01:31:26,732 --> 01:31:29,635 WHO, IN A SHORT SPACE OF TIME, 1228 01:31:29,735 --> 01:31:32,621 HAS BECOME A LEGEND. 1229 01:31:34,256 --> 01:31:37,342 BORN AT THE GEOGRAPHICAL CENTER OF THE UNIVERSE-- 1230 01:31:37,442 --> 01:31:39,344 125th STREET AND LENOX AVENUE. 1231 01:31:39,444 --> 01:31:41,747 I SAW HIM AT THE APOLLO. 1232 01:31:41,847 --> 01:31:45,217 I KNEW I HAD TO HAVE HIM WITH US! 1233 01:31:45,317 --> 01:31:46,685 YEAH! WHOO! 1234 01:31:46,785 --> 01:31:49,655 NOT JUST BECAUSE HE BRINGS US LUCK. 1235 01:31:49,755 --> 01:31:52,658 NO, BUT BECAUSE WHILE THE GOOD LORD 1236 01:31:52,758 --> 01:31:55,661 DIDN'T SEE FIT TO GIVE HIM NO PIGMENT, 1237 01:31:55,761 --> 01:31:58,664 HE MADE UP FOR IT BY ENDOWING HIM 1238 01:31:58,764 --> 01:32:01,266 WITH THE SPIRITUAL INHERITANCE 1239 01:32:01,366 --> 01:32:03,669 OF JEFFERSON AND BROONZY. 1240 01:32:03,769 --> 01:32:05,671 AND NOW, WITHOUT FURTHER ADO, 1241 01:32:05,771 --> 01:32:07,873 I BRING TO YOU... 1242 01:32:07,973 --> 01:32:10,173 ALBINO RED! 1243 01:32:13,862 --> 01:32:16,048 I PLAYED YOUR WEDDING. 1244 01:32:16,148 --> 01:32:17,933 YOU PLAY MINE. 1245 01:32:21,737 --> 01:32:23,689 * HEY, EVERYBODY * 1246 01:32:23,789 --> 01:32:25,290 ALL RIGHT, NOW. 1247 01:32:25,390 --> 01:32:26,458 * IT'S ALL OVER TOWN * 1248 01:32:26,558 --> 01:32:27,558 YEAH! 1249 01:32:27,657 --> 01:32:29,845 YEAH! WHOO! 1250 01:32:32,347 --> 01:32:34,299 * HEY, EVERYBODY * 1251 01:32:34,399 --> 01:32:36,569 * A-A-A-AAAH * 1252 01:32:36,669 --> 01:32:40,122 * IT'S A-A-ALL OVER TOWN * 1253 01:32:41,657 --> 01:32:46,679 * DON'T GO MESSIN' WITH THAT SUCKER, BABY * 1254 01:32:46,779 --> 01:32:50,248 * 'CAUSE I'LL HAVE TO * 1255 01:32:50,348 --> 01:32:51,950 * HAVE TO SHOOT YOU DOWN * 1256 01:32:52,050 --> 01:32:53,919 GREAT. ONE MORE CHORUS, HUH? 1257 01:32:54,019 --> 01:32:55,019 YEAH! 1258 01:32:56,588 --> 01:32:59,758 * GIVE YOU ALL MY MONEY * 1259 01:32:59,858 --> 01:33:04,947 * DON'T HOLD NOTHIN' BACK FOR ME-E-E-E * 1260 01:33:06,514 --> 01:33:08,601 * TOOK MY $50 * 1261 01:33:08,701 --> 01:33:12,470 * WENT TO BUY SOME GROCERY * 1262 01:33:12,570 --> 01:33:13,570 * HEE HEE * 1263 01:33:13,669 --> 01:33:15,473 WHAT HAPPENED AFTER THAT? 1264 01:33:15,573 --> 01:33:17,643 * THE NEXT THING I KNEW * 1265 01:33:17,743 --> 01:33:20,512 * YOU WERE SHACKED UP WITH HENRY LEE * 1266 01:33:20,612 --> 01:33:21,612 NO! 1267 01:33:21,711 --> 01:33:23,098 NOT HENRY. NO! 1268 01:34:01,837 --> 01:34:05,123 * HEY, EVERYBODY * 1269 01:34:05,223 --> 01:34:06,959 * A-A-A-AAAH * 1270 01:34:07,059 --> 01:34:12,147 * OHHHH, IT'S A-A-ALL OVER, OVER TOWN * 1271 01:35:07,435 --> 01:35:11,456 * DON'T GO MESSIN' WITH THAT SUCKER, BABY * 1272 01:35:11,556 --> 01:35:14,559 * HEY, 'CAUSE I'M BOUND TO * 1273 01:35:14,659 --> 01:35:15,894 * BOUND TO * 1274 01:35:15,994 --> 01:35:18,296 * SHOOT YOU, SHOOT YOU DOWN * 1275 01:35:18,396 --> 01:35:21,349 * DOWN, DOWN, DOWN, DOWN ** 1276 01:35:44,272 --> 01:35:45,623 MR. RODNEY? 1277 01:35:45,723 --> 01:35:47,409 FOLLOW ME. 1278 01:35:48,410 --> 01:35:50,362 WHEN DID IT START? 1279 01:35:50,462 --> 01:35:51,764 LAST NIGHT. 1280 01:35:51,864 --> 01:35:54,166 UH, BUT I'VE HAD IT PREVIOUSLY. 1281 01:35:54,266 --> 01:35:57,369 I BEGAN TO FEEL A LITTLE TWINGE 1282 01:35:57,469 --> 01:35:58,771 THE OTHER DAY. 1283 01:35:58,871 --> 01:36:02,024 GIVE US A SAMPLE IF YOU CAN. 1284 01:36:21,810 --> 01:36:25,330 SO YOU'VE HAD HEMATURIA PREVIOUSLY? 1285 01:36:25,430 --> 01:36:26,598 WHAT'S THAT? 1286 01:36:26,698 --> 01:36:29,134 THAT BLOOD IN YOUR URINE. 1287 01:36:29,234 --> 01:36:31,837 OH, YEAH. MY DOCTOR KEEPS TALKING 1288 01:36:31,937 --> 01:36:33,438 ABOUT REMOVING THE STONES. 1289 01:36:33,538 --> 01:36:34,973 SUPPOSE I SHOULD LET HIM. 1290 01:36:35,073 --> 01:36:36,574 WHEN YOU GOING HOME? 1291 01:36:36,674 --> 01:36:37,910 DAY AFTER TOMORROW. 1292 01:36:38,010 --> 01:36:42,080 STUPID OF ME TO LEAVE MY PAIN PILLS IN NEW YORK, 1293 01:36:42,180 --> 01:36:45,683 BUT IT'S BEEN A WHILE SINCE IT'S FLARED UP. 1294 01:36:45,783 --> 01:36:48,153 EMPIRIN WITH CODEINE OUGHTA DO IT. 1295 01:36:48,253 --> 01:36:50,538 MY DOCTOR WROTE FOR DILAUDID. 1296 01:36:52,740 --> 01:36:54,042 DILAUDID? 1297 01:36:57,345 --> 01:36:59,547 FOR KIDNEY STONES? 1298 01:37:04,352 --> 01:37:06,521 I'M AN ETHICAL MAN. 1299 01:37:10,758 --> 01:37:12,710 AND FORTUNATELY FOR YOU, 1300 01:37:12,810 --> 01:37:15,147 I'M A COMPASSIONATE ONE. 1301 01:37:16,346 --> 01:37:18,233 MR. PARKER, IT'S RED. 1302 01:37:29,377 --> 01:37:30,395 CHOOD, 1303 01:37:30,495 --> 01:37:32,414 WHAT ARE YOU DOING? 1304 01:37:33,781 --> 01:37:34,981 CHOOD! 1305 01:37:48,663 --> 01:37:50,863 Oh, damn... 1306 01:37:52,484 --> 01:37:54,436 AH, CHOOD. 1307 01:37:55,803 --> 01:37:57,622 NOT YOU, MAN. 1308 01:37:57,722 --> 01:37:59,307 WHY NOT ME? 1309 01:38:00,842 --> 01:38:04,796 IF YOU WANT TO PLAY LIKE BIRD, 1310 01:38:04,896 --> 01:38:07,199 YOU GOT TO SHOOT SHIT LIKE BIRD? 1311 01:38:07,299 --> 01:38:09,201 IS THAT WHAT YOU THOUGHT? 1312 01:38:09,301 --> 01:38:12,054 IS THAT WHAT THEY TOLD YOU? 1313 01:38:13,121 --> 01:38:14,772 I DON'T REMEMBER. 1314 01:38:14,872 --> 01:38:15,872 NO! 1315 01:38:18,460 --> 01:38:19,460 NO!! 1316 01:38:21,429 --> 01:38:23,565 IT DON'T HELP, MAN. 1317 01:38:24,832 --> 01:38:26,784 DON'T HELP. 1318 01:38:26,884 --> 01:38:29,387 DON'T YOU KNOW THAT? 1319 01:38:29,487 --> 01:38:31,439 I KNOW NOW. 1320 01:38:43,118 --> 01:38:45,320 IT'S NOT YOUR FAULT. 1321 01:38:47,455 --> 01:38:50,708 I--I KNOW A THOUSAND GUYS WHO FIX. 1322 01:38:50,808 --> 01:38:51,808 YEAH. 1323 01:38:56,464 --> 01:38:58,233 A THOUSAND EASY. 1324 01:39:02,670 --> 01:39:05,523 RED, WHAT HAPPENED WITH THAT WOMAN 1325 01:39:05,623 --> 01:39:09,161 THAT CAME OUT OF THAT ROOM THAT NIGHT? 1326 01:39:09,261 --> 01:39:11,129 I'VE SEEN BETTER LOOKING HEADS 1327 01:39:11,229 --> 01:39:12,397 ON A BOIL, MAN. 1328 01:39:12,497 --> 01:39:13,999 I'M NOT GOING TO TEASE YOU, RED. 1329 01:39:14,099 --> 01:39:16,001 YOU GOT SOME OF THAT, DIDN'T YOU? 1330 01:39:16,101 --> 01:39:17,602 HEY, RED. 1331 01:39:17,702 --> 01:39:21,006 * HEY, EVERYBODY * 1332 01:39:21,106 --> 01:39:22,540 * IT'S ALL OVER TOWN ** 1333 01:39:22,640 --> 01:39:24,009 HA HA HA! 1334 01:39:24,109 --> 01:39:25,843 I SOUNDED BETTER THAN THAT. 1335 01:39:25,943 --> 01:39:28,313 THEY LOVED ME. I'M GOING BACK. 1336 01:39:28,413 --> 01:39:29,413 RIGHT. 1337 01:39:29,512 --> 01:39:31,416 I NEVER HAD THIS MUCH MONEY 1338 01:39:31,516 --> 01:39:33,451 COMING BACK FROM A TOUR. 1339 01:39:33,551 --> 01:39:35,920 WE MUST HAVE $7,500 BETWEEN US. 1340 01:39:36,020 --> 01:39:37,055 $8,500. 1341 01:39:37,155 --> 01:39:39,624 WE HAD A CUT ON ADMISSIONS OVER 500. 1342 01:39:39,724 --> 01:39:41,026 WE WENT OVER FOUR TIMES. 1343 01:39:41,126 --> 01:39:43,061 HEY, THAT'S YOUR MONEY, BIRD. 1344 01:39:43,161 --> 01:39:45,630 NAW. I'M SPLITTIN' IT FIVE WAYS. 1345 01:39:45,730 --> 01:39:46,730 SHIT! 1346 01:39:46,829 --> 01:39:48,566 THAT'S WHAT I'M TALKIN' ABOUT! 1347 01:39:48,666 --> 01:39:49,666 YAY! 1348 01:39:49,765 --> 01:39:51,436 DON'T GO SIGNIFYING THAT WAY. 1349 01:39:51,536 --> 01:39:56,741 IT'S ABOUT TIME THIS BAND GOT ORGANIZED. 1350 01:39:56,841 --> 01:39:58,376 THANK YOU. 1351 01:39:58,476 --> 01:40:01,813 NOW, THAT'S NOT SO HARD, IS IT, JOHN? 1352 01:40:01,913 --> 01:40:04,482 MAN, IT'S GOOD TO BE HOME. 1353 01:40:04,582 --> 01:40:05,582 YEAH. 1354 01:40:14,442 --> 01:40:16,044 GOOD EVENING. 1355 01:40:28,990 --> 01:40:30,542 HERE YOU GO, LADIES. 1356 01:40:30,642 --> 01:40:31,642 YEAH. 1357 01:40:37,599 --> 01:40:39,734 YEAH! WHOO! 1358 01:40:50,011 --> 01:40:51,646 OH, YEAH! 1359 01:41:06,961 --> 01:41:08,946 DON'T BOTHER ME NOW, MAN. 1360 01:41:09,046 --> 01:41:10,598 I'M FLIPPED. 1361 01:41:40,628 --> 01:41:43,198 GOOD, ISN'T HE? 1362 01:42:03,318 --> 01:42:05,453 YEAH. MY MAN! 1363 01:42:07,455 --> 01:42:08,455 WHOA! 1364 01:42:09,241 --> 01:42:12,810 LET'S HEAR IT FOR THE BAND OF THE CENTURY! 1365 01:42:19,401 --> 01:42:21,503 LOOK. NICA MADE IT. 1366 01:42:23,271 --> 01:42:25,089 SHE'S A BARONESS OR SOMETHING. 1367 01:42:25,189 --> 01:42:27,959 SHE GOT A THING FOR JAZZ MUSICIANS, 1368 01:42:28,059 --> 01:42:29,961 BUT IT ISN'T SEXUAL. 1369 01:42:30,061 --> 01:42:31,763 I SHOULD HOPE NOT. 1370 01:42:31,863 --> 01:42:34,966 BILLY'S A MUSICIAN. WOULD YOU FUCK HIM? 1371 01:42:35,066 --> 01:42:36,618 HA HA HA! 1372 01:42:38,320 --> 01:42:40,705 YOU WERE AN ABSOLUTE GAS, 1373 01:42:40,805 --> 01:42:42,106 AS USUAL. 1374 01:42:42,206 --> 01:42:44,576 MY NAME'S NICA. 1375 01:42:44,676 --> 01:42:45,977 DELIGHTED. 1376 01:42:46,077 --> 01:42:47,629 HELLO, NICA. 1377 01:42:51,566 --> 01:42:54,152 WHAT DO YOU THINK ABOUT BIRD? 1378 01:42:54,252 --> 01:42:57,622 I LIVE AT THE CORNER OF 40th AND 3rd, 1379 01:42:57,722 --> 01:42:59,824 BUT, I'M ORIGINALLY FROM PHILLY. 1380 01:42:59,924 --> 01:43:01,226 YOU BEEN THERE? 1381 01:43:01,326 --> 01:43:02,460 PAYDAY. 1382 01:43:02,560 --> 01:43:04,128 * BUH-DUDDLE DEE ZEE BOP ** 1383 01:43:04,228 --> 01:43:05,228 PAYDAY. 1384 01:43:05,327 --> 01:43:06,531 SCOTCH AND MILK! 1385 01:43:06,631 --> 01:43:09,867 I'LL CATCH YOU LATER, OK, BABE? 1386 01:43:09,967 --> 01:43:11,703 SURE. I'LL SEE YOU LATER. 1387 01:43:11,803 --> 01:43:15,957 YEAH. BEST THREE WEEKS WE EVER HAD. 1388 01:43:17,925 --> 01:43:18,925 YEAH. 1389 01:43:19,377 --> 01:43:21,879 YOU NOTICE ANYTHING DIFFERENT 1390 01:43:21,979 --> 01:43:23,881 THESE LAST THREE WEEKS? 1391 01:43:23,981 --> 01:43:24,981 YEAH. 1392 01:43:25,080 --> 01:43:27,185 YOU'RE DRINKING MORE THAN EVER. 1393 01:43:27,285 --> 01:43:29,821 YEAH, BUT DO YOU KNOW WHY? 1394 01:43:29,921 --> 01:43:31,289 I CAN GUESS. 1395 01:43:31,389 --> 01:43:34,359 YOU'RE TRYING TO KICK. 1396 01:43:34,459 --> 01:43:36,027 I'M NOT TRYING. 1397 01:43:36,127 --> 01:43:38,430 I'VE BEEN ON FOR 15 YEARS. 1398 01:43:38,530 --> 01:43:42,867 NOW, IF I CAN KICK, THEN YOU CAN KICK. 1399 01:43:42,967 --> 01:43:44,302 I HEAR YOU, 1400 01:43:44,402 --> 01:43:47,489 AND I APPRECIATE WHAT YOU'RE GETTING AT. 1401 01:43:49,824 --> 01:43:51,175 RED RODNEY. 1402 01:43:51,275 --> 01:43:53,428 THE NEXT CHARLIE PARKER. 1403 01:43:55,229 --> 01:43:57,181 IT'S NOT YOUR FAULT. 1404 01:43:57,281 --> 01:43:58,866 NOBODY BLAMES YOU. 1405 01:44:01,836 --> 01:44:04,055 YOU EXPECT TO SEE 40? 1406 01:44:04,155 --> 01:44:05,155 BIRD, 1407 01:44:05,254 --> 01:44:08,092 I'M IN THE WRONG FRAME OF MIND 1408 01:44:08,192 --> 01:44:10,345 FOR QUESTIONS LIKE THAT. 1409 01:44:12,246 --> 01:44:15,450 HEY, YOU EXPECT TO SEE 40? 1410 01:44:24,859 --> 01:44:26,461 I'M DIFFERENT. 1411 01:44:48,149 --> 01:44:49,749 HI, RED. 1412 01:44:51,285 --> 01:44:52,285 SHIT. 1413 01:45:10,338 --> 01:45:12,256 HOW'S THE BOSS? 1414 01:45:12,356 --> 01:45:14,659 BETTER THAN EVER. 1415 01:45:14,759 --> 01:45:17,912 THAT AIN'T MY KIND OF MUSIC. 1416 01:45:19,914 --> 01:45:21,916 ROLL UP YOUR SLEEVES. 1417 01:45:24,486 --> 01:45:26,438 OW! YOU'LL FIND MARKS THERE. 1418 01:45:26,538 --> 01:45:28,039 THAT'S INTERNAL POSSESSION. 1419 01:45:28,139 --> 01:45:30,442 NO SUCH THING IN THIS STATE. 1420 01:45:30,542 --> 01:45:33,445 THAT YOU CAN ARGUE WITH THE MAGISTRATE. 1421 01:45:33,545 --> 01:45:36,448 MEANWHILE, I GOT TO DO MY JOB. 1422 01:45:36,548 --> 01:45:38,483 LET'S TAKE HIM IN. 1423 01:45:38,583 --> 01:45:40,952 WHY DO YOU GO THROUGH THIS EVERY TIME? 1424 01:45:41,052 --> 01:45:43,455 WHAT DO YOU MEAN? WHAT ARE YOU SUGGESTING? 1425 01:45:43,555 --> 01:45:45,056 YOU GOT SOMETHING TO SUGGEST? 1426 01:45:45,156 --> 01:45:47,058 IT WAS 50 BUCKS LAST TIME. 1427 01:45:47,158 --> 01:45:48,693 LAST TIME YOU WERE OUT OF WORK. 1428 01:45:48,793 --> 01:45:50,862 BUT NOW YOU'RE WITH THE KING OF BEBOP, 1429 01:45:50,962 --> 01:45:52,930 AND YOU JUST GOT PAID. 1430 01:45:53,030 --> 01:45:54,732 HOW DID YOU KNOW THAT? 1431 01:45:54,832 --> 01:45:57,935 HOW MANY PEOPLE ARE IN ON THIS, 1432 01:45:58,035 --> 01:45:59,421 YOU SON OF A BITCH? 1433 01:46:06,961 --> 01:46:10,081 I DIDNT EXPECT THAT OF A NICE JEWISH BOY. 1434 01:46:10,181 --> 01:46:11,516 THAT'S MORE YOUR STYLE. 1435 01:46:11,616 --> 01:46:13,451 WHAT'S HE LOOKIN' AT, BERNIE? 1436 01:46:13,551 --> 01:46:15,052 IT'S FEDERAL. 1437 01:46:15,152 --> 01:46:16,854 THAT'S AT LEAST A YEAR. 1438 01:46:16,954 --> 01:46:19,323 NOW, THERE ARE SEVERAL POSSIBILITIES. 1439 01:46:19,423 --> 01:46:21,726 YOU MIGHT WANT TO THINK ABOUT 1440 01:46:21,826 --> 01:46:24,846 A DIFFERENT HORN, MAYBE A TROMBONE. 1441 01:46:27,348 --> 01:46:28,700 THERE'S ANOTHER POSSIBILITY. 1442 01:46:28,800 --> 01:46:32,303 LIKE, MAYBE A QUINTET ISN'T THE WAY TO GO 1443 01:46:32,403 --> 01:46:33,938 RIGHT NOW. 1444 01:48:25,933 --> 01:48:26,933 OH! 1445 01:49:51,085 --> 01:49:53,705 THAT WAS LOVELY. THANK YOU VERY MUCH. 1446 01:49:53,805 --> 01:49:55,072 SMOOTH AS BUTTER 1447 01:49:55,172 --> 01:49:58,075 AND SWEET AS HER LITTLE SISTER'S ASS. 1448 01:49:58,175 --> 01:50:00,277 YOU'RE STILL THE GREATEST, MAN. 1449 01:50:00,377 --> 01:50:02,079 BEEN AWAY TOO LONG. 1450 01:50:02,179 --> 01:50:04,682 WHAT EVER HAPPENED TO THAT CHICK 1451 01:50:04,782 --> 01:50:06,884 YOU USED TO RUN WITH? 1452 01:50:06,984 --> 01:50:07,984 CHAN? 1453 01:50:08,736 --> 01:50:10,536 HA HA HA. 1454 01:50:11,022 --> 01:50:14,175 SHE'S THE MOTHER OF THREE LOVELY CHILDREN. 1455 01:50:15,977 --> 01:50:18,329 [LIP-SYNCING MARIO LANZA RECORDING] 1456 01:50:18,429 --> 01:50:20,732 * BE MY LOVE * 1457 01:50:20,832 --> 01:50:27,571 * FOR NO ONE ELSE CAN END THIS YEARNING * 1458 01:50:27,671 --> 01:50:34,812 * THIS NEED THAT YOU AND YOU ALONE CREATE * 1459 01:50:34,912 --> 01:50:37,782 * JUST FILL MY ARMS * 1460 01:50:37,882 --> 01:50:40,985 * THE WAY YOU FILL MY DREAMS * 1461 01:50:41,085 --> 01:50:42,285 DADDY! 1462 01:50:42,486 --> 01:50:43,788 HA HA HA! 1463 01:50:43,888 --> 01:50:46,590 *...THE DREAMS THAT YOU INSPIRE * 1464 01:50:46,690 --> 01:50:47,992 HA HA HA! 1465 01:50:48,092 --> 01:50:49,092 HEY, DADDY! 1466 01:50:49,191 --> 01:50:52,764 * WITH EVERY SWEET DESIRE ** 1467 01:50:52,864 --> 01:50:54,365 WE'RE A SANDWICH, DADDY. 1468 01:50:54,465 --> 01:50:56,768 YOU GOING TO EAT US UP? 1469 01:50:56,868 --> 01:50:59,370 BIRD DOESN'T EAT SWEETS, MY LOVE. 1470 01:50:59,470 --> 01:51:00,772 HA HA HA. 1471 01:51:00,872 --> 01:51:03,072 YOU KNOW... 1472 01:51:03,440 --> 01:51:05,777 I DO ANOTHER STRINGS ALBUM, 1473 01:51:05,877 --> 01:51:08,780 I'M GOIN' TO SEE IF I CAN GET 1474 01:51:08,880 --> 01:51:10,982 MARIO TO DO THE VOCAL. 1475 01:51:11,082 --> 01:51:12,082 BIRD? 1476 01:51:12,216 --> 01:51:13,216 WHAT? 1477 01:51:15,436 --> 01:51:18,005 LET'S GO SAY HELLO TO PREE. 1478 01:51:47,001 --> 01:51:49,821 IS SHE DOIN' ANY BETTER TODAY? 1479 01:51:49,921 --> 01:51:53,725 SHE WENT TO THE RADIO AND TURNED IT ON 1480 01:51:53,825 --> 01:51:55,126 ALL BY HERSELF. 1481 01:51:55,226 --> 01:51:58,029 HOW DO YOU MEAN, SHE WALKED TO THE RADIO? 1482 01:51:58,129 --> 01:52:00,087 KIM AND BAIRD HAVE HEARD THEIR TUNES ON THE AIR. 1483 01:52:00,187 --> 01:52:01,745 WHEN ARE YOU GONNA WRITE ONE FOR PREE? 1484 01:52:01,845 --> 01:52:03,234 DID SHE WALK TO THE RADIO? 1485 01:52:03,334 --> 01:52:05,269 IF SHE WALKED, I WOULD HAVE RUN TO THE STUDIO 1486 01:52:05,369 --> 01:52:07,188 AND SHOUTED IT OUT, DON'T YOU THINK? 1487 01:52:13,027 --> 01:52:14,979 IS SHE KEEPIN' HER FOOD DOWN? 1488 01:52:15,079 --> 01:52:17,982 I DIDN'T BRING YOU IN HERE TO GIVE A MEDICAL REPORT, 1489 01:52:18,082 --> 01:52:20,484 JUST TO REMIND YOU, YOU HAVE A DAUGHTER. 1490 01:52:20,584 --> 01:52:21,986 MISSY PARKER, 1491 01:52:22,086 --> 01:52:24,238 YOU'RE BEING SALTY THIS EVENING! 1492 01:52:28,642 --> 01:52:30,694 SHOULD I KISS HER? 1493 01:52:30,794 --> 01:52:32,563 SHOULD YOU KISS HER? 1494 01:52:32,663 --> 01:52:35,332 I JUST MEANT, IF I KISS HER 1495 01:52:35,432 --> 01:52:36,949 AND SHE WAKES UP BEFORE SHE NEEDS TO, 1496 01:52:37,049 --> 01:52:40,287 THAT'S MORE TROUBLE FOR YOU. 1497 01:52:41,388 --> 01:52:42,788 I KNOW. 1498 01:52:44,658 --> 01:52:46,610 NO, DON'T WAKE HER UP. 1499 01:52:46,710 --> 01:52:49,030 YOU SHOULD KISS ME. 1500 01:52:52,967 --> 01:52:56,187 I'M PACKING IN THE MAGIC VIOLINS FOR A WHILE. 1501 01:52:56,287 --> 01:52:59,223 GOIN' TO PLAY A COUPLE WEEKS IN ME-LAND. 1502 01:52:59,323 --> 01:53:01,658 MAYBE I'LL HIRE YOUR OLD BOYFRIEND 1503 01:53:01,758 --> 01:53:04,358 BILLY McNABB. 1504 01:53:04,495 --> 01:53:06,230 OH, TESTING ME, HUH? 1505 01:53:06,330 --> 01:53:08,265 I GOTTA GO SIGN SOME CONTRACTS. 1506 01:53:08,365 --> 01:53:10,451 HEY, THAT'S GREAT. 1507 01:53:12,086 --> 01:53:14,886 * BE MY LOVE * 1508 01:53:19,460 --> 01:53:24,148 NOBODY SIGNS CONTRACTS AT 7:00 AT NIGHT. 1509 01:53:24,248 --> 01:53:25,648 I KNOW! 1510 01:53:30,504 --> 01:53:34,942 I SHOULDN'T HAVE ASKED HIM TO GO IN THERE, THAT'S ALL. 1511 01:53:42,116 --> 01:53:44,318 HEY, LOOK WHO'S UPTOWN. 1512 01:53:49,723 --> 01:53:53,327 YOU KNOW WHERE I CAN GET ME SOME STUFF? 1513 01:54:26,994 --> 01:54:28,545 MR. PARKER, 1514 01:54:28,645 --> 01:54:30,948 IF YOU EVER HAVE THE URGE 1515 01:54:31,048 --> 01:54:33,951 TO STICK A NEEDLE IN YOUR ARM AGAIN, 1516 01:54:34,051 --> 01:54:37,388 TAKE YOUR HORN OUT INTO THE WOODS AND BLOW. 1517 01:54:37,488 --> 01:54:39,590 THREE MONTHS SUSPENDED SENTENCE. 1518 01:54:39,690 --> 01:54:41,125 YOUR HONOR. 1519 01:54:41,225 --> 01:54:44,128 A CONVICTION WOULD MEAN THE LOSS OF MY CABARET CARD. 1520 01:54:44,228 --> 01:54:47,131 THE WOODS WOULD BE THE ONLY PLACE I CAN PLAY. 1521 01:54:47,231 --> 01:54:49,333 AT LEAST IN THIS CITY, SIR. 1522 01:54:49,433 --> 01:54:51,368 YOU HAVE THE RIGHT TO APPEAL. 1523 01:54:51,468 --> 01:54:54,371 SIR, I HAVE A 2-YEAR-OLD DAUGHTER 1524 01:54:54,471 --> 01:54:56,974 WHO'S IN NEED OF MEDICAL ATTENTION 1525 01:54:57,074 --> 01:54:58,943 SEVERAL TIMES A WEEK. 1526 01:54:59,043 --> 01:55:00,811 WOULD IT... 1527 01:55:00,911 --> 01:55:02,179 IS IT POSSIBLE 1528 01:55:02,279 --> 01:55:05,182 THAT YOU COULD PUT ME IN JAIL 1529 01:55:05,282 --> 01:55:08,185 AND LET ME PAY MY DEBT TO SOCIETY 1530 01:55:08,285 --> 01:55:12,223 AND THEN REINSTATE MY CABARET CARD, SIR? 1531 01:55:12,323 --> 01:55:14,892 THAT'S NOT THE WAY IT WORKS, MR. PARKER. 1532 01:55:14,992 --> 01:55:16,860 BUT ALL I'M ASKING, I-- 1533 01:55:16,960 --> 01:55:18,829 THANK YOU, YOUR HONOR. 1534 01:55:18,929 --> 01:55:20,431 THANKS, BERNIE. 1535 01:55:20,531 --> 01:55:22,731 YEAH. COOL. 1536 01:55:22,899 --> 01:55:24,899 IT'S COOL. 1537 01:55:30,824 --> 01:55:33,377 THEY WON'T PAY FOR A GROUP. 1538 01:55:33,477 --> 01:55:34,477 JUST ME. 1539 01:55:34,576 --> 01:55:35,779 THAT'S ALL RIGHT. 1540 01:55:35,879 --> 01:55:37,181 THERE'S SOME DECENT CATS 1541 01:55:37,281 --> 01:55:39,433 IN L.A. THESE DAYS. 1542 01:55:40,834 --> 01:55:42,186 DON'T GO. 1543 01:55:42,286 --> 01:55:44,438 GIVE ME A BETTER IDEA. 1544 01:55:45,839 --> 01:55:47,191 DAMN IT! 1545 01:55:47,291 --> 01:55:49,526 ALL THE RECORDS YOU'VE SOLD! 1546 01:55:49,626 --> 01:55:50,626 I MADE THEM! 1547 01:55:50,725 --> 01:55:52,479 SOMEBODY ELSE DONE SOLD THEM. 1548 01:55:54,248 --> 01:55:55,248 HELL. 1549 01:55:56,883 --> 01:56:01,122 YOU COULD USE A VACATION FROM ME. 1550 01:56:02,256 --> 01:56:04,208 HOLD THIS HOME TOGETHER. 1551 01:56:04,308 --> 01:56:07,945 WE BOTH WANT TO DO THAT, RIGHT? 1552 01:56:08,045 --> 01:56:09,730 OH, BIRD. 1553 01:56:13,267 --> 01:56:16,070 YOU AND YOUR GEORGE BRENT DIALOGUE. 1554 01:56:17,004 --> 01:56:19,790 [CAR RADIO PLAYING PARKER'S MOOD] 1555 01:56:19,890 --> 01:56:21,392 GEORGE BRENT, HUH? 1556 01:56:21,492 --> 01:56:22,626 UH-HUH. 1557 01:56:22,726 --> 01:56:25,229 MAYBE HE'LL COME INTO THE CLUB ONE NIGHT. 1558 01:56:25,329 --> 01:56:27,664 I GOT A GABBY HAYES AUTOGRAPH LAST TRIP. 1559 01:56:27,764 --> 01:56:29,666 OH, DID HE GET YOURS? 1560 01:56:29,766 --> 01:56:31,502 YEAH. SURE. 1561 01:56:31,602 --> 01:56:32,602 HE SAYS, 1562 01:56:32,701 --> 01:56:34,638 "YARDBIRD, 1563 01:56:34,738 --> 01:56:37,041 "I SURE AS HELL AM PARTIAL 1564 01:56:37,141 --> 01:56:39,443 "TO THEM FLATTED FIFTHS OF YOURS. 1565 01:56:39,543 --> 01:56:41,445 "PLAY ME THAT THERE KLACTOVEEDSEDSTENE 1566 01:56:41,545 --> 01:56:44,048 "ONE MORE TIME, WILL YOU, PARTNER? 1567 01:56:44,148 --> 01:56:45,449 "I TELL YOU. 1568 01:56:45,549 --> 01:56:48,052 "NOBODY CAN IMPROVISE A DIMINISHED NINTH 1569 01:56:48,152 --> 01:56:49,453 "UP FROM THE TONIC 1570 01:56:49,553 --> 01:56:51,588 LIKE A FULL-BLOODED NEGRO." 1571 01:56:51,688 --> 01:56:53,324 HA HA HA! 1572 01:56:53,424 --> 01:56:56,027 * I'M FEELING LOW DOWN AND BLUE * 1573 01:56:56,127 --> 01:56:57,995 HEY, THAT'S MY SOLO. 1574 01:56:58,095 --> 01:57:00,764 * AND FULL OF SORROW * 1575 01:57:00,864 --> 01:57:02,766 HE WROTE WORDS TO THAT? 1576 01:57:02,866 --> 01:57:04,568 HAVEN'T YOU HEARD THAT? 1577 01:57:04,668 --> 01:57:06,370 * WHERE WILL I BE TOMORROW? * 1578 01:57:06,470 --> 01:57:07,604 IT'S CRAPPY. 1579 01:57:07,704 --> 01:57:09,406 I WANT TO HEAR IT. 1580 01:57:09,506 --> 01:57:11,175 * GOING TO KANSAS CITY * 1581 01:57:11,275 --> 01:57:12,543 * WANT TO GO, TOO? * 1582 01:57:12,643 --> 01:57:14,178 * NO, YOU CAN'T MAKE IT WITH ME * 1583 01:57:14,278 --> 01:57:16,113 * GOING TO KANSAS CITY * 1584 01:57:16,213 --> 01:57:19,116 * SORRY THAT I CAN'T TAKE YOU * 1585 01:57:19,216 --> 01:57:20,717 YEAH, HA. 1586 01:57:20,817 --> 01:57:22,854 * WHEN YOU SEE ME COMIN', RAISE YOUR WINDOW HIGH * 1587 01:57:22,954 --> 01:57:25,031 * WHEN YOU SEE ME LEAVIN', HANG YOUR HEAD AND CRY * 1588 01:57:25,131 --> 01:57:26,590 CHOODNICK COULD HAVE USED THAT ONE. 1589 01:57:26,690 --> 01:57:30,027 IT WAS A GREAT SOLO. I HATE THE IDEA-- 1590 01:57:30,127 --> 01:57:31,127 SHH! 1591 01:57:31,226 --> 01:57:33,430 COME ON. LET ME HEAR THIS. 1592 01:57:33,530 --> 01:57:36,300 * SHE'D ONLY BRING HERSELF DOWN * 1593 01:57:36,400 --> 01:57:40,800 * SO LONG, EVERYBODY * 1594 01:57:41,405 --> 01:57:43,874 * THE TIME HAS COME * 1595 01:57:43,974 --> 01:57:45,376 * AND I MUST LEAVE YOU * 1596 01:57:45,476 --> 01:57:49,746 * SO IF I DON'T SEE YOUR SMILIN' FACE AGAIN * 1597 01:57:49,846 --> 01:57:51,848 * MAKE A PROMISE YOU'LL REMEMBER * 1598 01:57:51,948 --> 01:57:54,751 * LIKE A CHRISTMAS DAY IN DECEMBER * 1599 01:57:54,851 --> 01:57:57,188 * THAT I TOLD YOU ALL THROUGH THICK AND THIN * 1600 01:57:57,288 --> 01:57:59,390 * ON UP UNTIL THE END * 1601 01:57:59,490 --> 01:58:01,492 * PARKER'S BEEN YOUR FRIEND * 1602 01:58:01,592 --> 01:58:03,994 * DON'T HANG YOUR HEAD WHEN YOU SEE * 1603 01:58:04,094 --> 01:58:07,431 * WHEN YOU SEE THOSE SIX PRETTY HORSES PULLIN' ME * 1604 01:58:07,531 --> 01:58:11,468 * PUT A $20 SILVER PIECE * 1605 01:58:11,568 --> 01:58:12,769 * ON MY WATCH CHAIN * 1606 01:58:12,869 --> 01:58:14,705 * LOOK AT THE SMILE ON MY FACE * 1607 01:58:14,805 --> 01:58:17,074 * AND SING A LITTLE SONG TO LET THE WORLD KNOW * 1608 01:58:17,174 --> 01:58:18,309 * I'M REALLY FREE * 1609 01:58:18,409 --> 01:58:20,711 * DON'T CRY FOR ME * 1610 01:58:20,811 --> 01:58:25,182 * 'CAUSE I'M GOIN' TO KANSAS CITY ** 1611 01:58:25,282 --> 01:58:27,184 GOT ANY IDEA HOW MUCH 1612 01:58:27,284 --> 01:58:29,220 A $20 SILVER PIECE 1613 01:58:29,320 --> 01:58:31,288 WOULD WEIGH? 1614 01:58:31,388 --> 01:58:33,290 I DIDN'T HEAR THAT. 1615 01:58:33,390 --> 01:58:36,427 I WAS THINKING ABOUT WHAT A GREAT SOLO IT WAS 1616 01:58:36,527 --> 01:58:39,696 AND WHAT THIS MAN HAS DONE TO IT. 1617 01:58:39,796 --> 01:58:40,831 I THINK IT'S TERRIBLE. 1618 01:58:40,931 --> 01:58:41,931 CHAN? 1619 01:58:44,185 --> 01:58:47,138 DON'T EVER LET THEM SEND ME BACK 1620 01:58:47,238 --> 01:58:49,223 TO KANSAS CITY. 1621 01:58:55,796 --> 01:58:57,114 BIRD, LOOK. 1622 01:58:57,214 --> 01:58:58,649 YOU GOT A GIG? 1623 01:58:58,749 --> 01:59:01,118 I'M GONNA GET THERE... EVENTUALLY. 1624 01:59:01,218 --> 01:59:02,519 EVENTUALLY. 1625 01:59:02,619 --> 01:59:05,389 THEY FOUND ME THIS TRIO TO PLAY WITH. 1626 01:59:05,489 --> 01:59:08,024 BUT THEY'RE MORE SCARED OF ME 1627 01:59:08,124 --> 01:59:10,527 THAN THEY'RE SCARED OF THE OWNER, 1628 01:59:10,627 --> 01:59:14,030 AND THEY'RE SHIT-SCARED OF HIM. 1629 01:59:14,130 --> 01:59:17,000 I'M GONNA GET TO THE JOB, BIRKS. 1630 01:59:17,100 --> 01:59:19,035 I ALWAYS GET TO THE JOB. 1631 01:59:19,135 --> 01:59:21,071 SO I'M A LITTLE LATE, SO WHAT? 1632 01:59:21,171 --> 01:59:24,241 SO I'LL PLAY A COUPLE EXTRA HOURS. 1633 01:59:24,341 --> 01:59:26,310 YOU HAVE YOUR TASTE. I'LL HAVE ME A TASTE. 1634 01:59:26,410 --> 01:59:28,912 THEN I'LL FIND ME A LADY AND GET TO THE JOB. 1635 01:59:29,012 --> 01:59:30,163 CHEERS. 1636 01:59:32,566 --> 01:59:34,050 OH! HA HA! 1637 01:59:34,150 --> 01:59:35,586 WHAT'S THE MATTER, BIRD? 1638 01:59:35,686 --> 01:59:37,754 [COUGHS AND CLEARS THROAT] 1639 01:59:37,854 --> 01:59:39,590 AIN'T IT A BITCH? 1640 01:59:39,690 --> 01:59:45,329 I GO TO A LIVER DOCTOR, AND I PAY HIM $50, 1641 01:59:45,429 --> 01:59:48,098 AND IT DON'T HELP ME. 1642 01:59:48,198 --> 01:59:49,933 I GO TO AN ULCER DOCTOR... 1643 01:59:50,033 --> 01:59:52,469 SAME THING, EXCEPT I PAY HIM 75. 1644 01:59:52,569 --> 01:59:56,207 BUT I GO TO SOME CAT AND PAY HIM $10 1645 01:59:56,307 --> 01:59:59,376 FOR A BAG OF SHIT AND A LITTLE PEACE... 1646 01:59:59,476 --> 02:00:02,045 AND MY ULCERS DON'T HURT, MY LIVER DON'T HURT. 1647 02:00:02,145 --> 02:00:04,748 MY HEART TROUBLE IS GONE. 1648 02:00:04,848 --> 02:00:08,969 YOU TELLIN' ME THIS IS THE MAN I'M SUPPOSED TO STAY AWAY FROM? 1649 02:00:10,404 --> 02:00:12,088 HA HA! UH-UH. 1650 02:00:12,188 --> 02:00:14,090 MR. GILLESPIE... 1651 02:00:14,190 --> 02:00:17,461 MY COMRADE-IN-ARMS... 1652 02:00:17,561 --> 02:00:21,482 THAT IS WHAT I CALL A PARADOX. 1653 02:00:55,916 --> 02:00:57,651 GIVE HER TO ME. 1654 02:01:13,384 --> 02:01:16,887 I HAVE AN IMPORTANT QUESTION THAT CAN'T WAIT. 1655 02:01:16,987 --> 02:01:18,622 IS SHE BAPTIZED? 1656 02:01:18,722 --> 02:01:19,722 No. 1657 02:01:26,780 --> 02:01:32,068 BIRKS, IT'S JUST YOU AND ME AND THE WATER. 1658 02:01:32,168 --> 02:01:33,470 YOU TELL ME THE SECRET. 1659 02:01:33,570 --> 02:01:36,473 I'M NOT HAVIN' AN EASY TIME TALKIN' TO YOU TONIGHT. 1660 02:01:36,573 --> 02:01:39,075 DON'T TALK. JUST TELL ME THE SECRET. 1661 02:01:39,175 --> 02:01:40,477 WHAT SECRET? 1662 02:01:40,577 --> 02:01:44,214 I KNOW MY OWN SECRETS, JUST LIKE YOU KNOW YOURS. 1663 02:01:44,314 --> 02:01:45,714 NO, NO. 1664 02:01:46,182 --> 02:01:48,485 WHAT YOU REALLY ASKIN' ME IS 1665 02:01:48,585 --> 02:01:51,622 HOW COME, WHEN I'M SUPPOSED TO HIT AT 9:30, 1666 02:01:51,722 --> 02:01:53,123 I HIT AT 9:30, HUH? 1667 02:01:53,223 --> 02:01:55,225 HOW COME I CAN LAND ON A CAT I LOVE 1668 02:01:55,325 --> 02:01:57,027 ALMOST AS MUCH AS I LOVE YOU, 1669 02:01:57,127 --> 02:01:59,763 AND THEN FIRE HIS ASS FOR SHOWIN' UP LATE OR STONED? 1670 02:01:59,863 --> 02:02:02,966 WHY I CAN HOLD A GROUP TOGETHER? 1671 02:02:03,066 --> 02:02:04,468 WHY I'M A LEADER? 1672 02:02:04,568 --> 02:02:06,737 YEAH, THAT'S WHAT I'M ASKIN'. 1673 02:02:06,837 --> 02:02:10,073 BECAUSE THEY DON'T EXPECT ME TO BE. 1674 02:02:10,173 --> 02:02:11,608 BECAUSE, DEEP DOWN, 1675 02:02:11,708 --> 02:02:15,346 THEY LIKE IT IF THE NIGGER TURNS OUT UNRELIABLE. 1676 02:02:15,446 --> 02:02:18,749 THAT'S THEY WAY THEY THINK IT'S SUPPOSED TO BE. 1677 02:02:18,849 --> 02:02:22,736 I WON'T GIVE THEM THE SATISFACTION OF BEING RIGHT. 1678 02:02:25,539 --> 02:02:27,090 HERE WE ARE... 1679 02:02:27,190 --> 02:02:28,190 YEAH. 1680 02:02:28,324 --> 02:02:29,493 BROTHERS. 1681 02:02:29,593 --> 02:02:33,079 I'M A REFORMER. YOU TRYIN' TO BE A MARTYR. 1682 02:02:35,949 --> 02:02:39,386 THEY ALWAYS REMEMBER THE MARTYRS LONGER. 1683 02:02:42,956 --> 02:02:46,760 THEY GONNA TALK ABOUT YOU WHEN YOU DEAD, BIRD... 1684 02:02:47,661 --> 02:02:50,514 MORE THAN THEY DO NOW. 1685 02:02:50,614 --> 02:02:54,518 THEY GONNA SHOVEL YOU UNDER LIKE THEY LOVE TO DO, 1686 02:02:54,618 --> 02:02:57,404 AND THEY GONNA TALK ABOUT YOU. 1687 02:02:58,572 --> 02:03:00,524 MY SECRET... 1688 02:03:00,624 --> 02:03:04,528 MY SECRET IS THAT IF THEY KILL ME... 1689 02:03:04,628 --> 02:03:07,781 IT WON'T BE BECAUSE I HELPED THEM. 1690 02:03:52,759 --> 02:03:54,445 LADIES AND GENTLEMEN, 1691 02:03:54,545 --> 02:03:57,448 THANK YOU VERY MUCH FOR YOUR PATIENCE. 1692 02:03:57,548 --> 02:04:00,584 ONCE AGAIN, PLEASE ACCEPT MY HEARTFELT APOLOGIES 1693 02:04:00,684 --> 02:04:02,586 FOR BEING UNAVOIDABLY DETAINED. 1694 02:04:02,686 --> 02:04:06,189 RIGHT NOW WE'RE GOING TO TAKE A SHORT BREAK. 1695 02:04:06,289 --> 02:04:08,174 WE WILL BE BACK SHORTLY. 1696 02:04:19,252 --> 02:04:20,604 REAL GOOD. 1697 02:04:20,704 --> 02:04:23,474 BIRD, YOU GOT A MESSAGE. 1698 02:04:23,574 --> 02:04:25,574 CALL HOME. 1699 02:04:29,963 --> 02:04:34,384 TELEGRAM TO MRS. CHAN PARKER... 1700 02:04:34,484 --> 02:04:37,484 151 AVENUE B... 1701 02:04:38,388 --> 02:04:40,173 NEW YORK CITY. 1702 02:04:42,676 --> 02:04:44,878 "MY DARLING... 1703 02:04:46,279 --> 02:04:49,032 "THE NEWS OF OUR DAUGHTER'S DEATH 1704 02:04:49,132 --> 02:04:52,519 "SURPRISED ME MORE THAN IT DID YOU. 1705 02:04:54,555 --> 02:04:57,240 "DO NOT FULFILL FUNERAL PROCEEDINGS 1706 02:04:57,340 --> 02:04:59,042 "UNTIL I GET THERE. 1707 02:04:59,142 --> 02:05:03,246 "I SHALL BE THE FIRST ONE TO WALK WITH YOU 1708 02:05:03,346 --> 02:05:05,498 "INTO THE CHAPEL. 1709 02:05:07,100 --> 02:05:11,287 "FORGIVE ME FOR NOT BEING... 1710 02:05:11,387 --> 02:05:12,906 "IN THE HOSPITAL WITH YOU. 1711 02:05:14,140 --> 02:05:16,126 "YOURS MOST SINCERELY, 1712 02:05:16,226 --> 02:05:18,511 "YOUR HUSBAND... 1713 02:05:20,714 --> 02:05:22,916 CHARLIE PARKER." 1714 02:05:41,334 --> 02:05:43,536 WESTERN UNION? 1715 02:05:44,738 --> 02:05:47,691 A TELEGRAM TO MRS. CHAN PARKER, 1716 02:05:47,791 --> 02:05:51,678 151 AVENUE B, NEW YORK CITY. 1717 02:05:54,948 --> 02:05:56,549 "CHAN... 1718 02:05:57,751 --> 02:06:00,954 "FOR GOD'S SAKE, HOLD ON TO YOURSELF. 1719 02:06:03,356 --> 02:06:05,308 CHARLIE PARKER." 1720 02:06:26,780 --> 02:06:28,581 WESTERN UNION? 1721 02:06:31,384 --> 02:06:36,472 TELEGRAM TO MRS. CHAN PARKER... 1722 02:06:36,572 --> 02:06:40,761 151 AVENUE B, NEW YORK CITY. 1723 02:06:44,264 --> 02:06:45,616 "CHAN..." 1724 02:06:49,002 --> 02:06:50,202 "COMMA 1725 02:06:54,007 --> 02:06:55,007 "HELP 1726 02:06:59,012 --> 02:07:00,612 "PERIOD. 1727 02:07:04,818 --> 02:07:07,020 CHARLIE PARKER." 1728 02:07:42,856 --> 02:07:45,191 TH-THIS IS A TELEGRAM... 1729 02:07:46,592 --> 02:07:49,662 TO MRS. CHAN PARKER... 1730 02:07:50,864 --> 02:07:53,864 151 AVENUE B... 1731 02:07:54,117 --> 02:07:55,917 NEW YORK. 1732 02:07:57,921 --> 02:08:00,340 "MY DAUGHTER IS DEAD. 1733 02:08:01,742 --> 02:08:03,844 "I KNOW IT. 1734 02:08:04,878 --> 02:08:07,080 I'LL BE THERE RIGHT AWAY." 1735 02:08:08,481 --> 02:08:10,683 MY NAME IS BIRD. 1736 02:08:13,887 --> 02:08:16,572 "IT'S VERY NICE OUT HERE. 1737 02:08:16,672 --> 02:08:20,443 "PEOPLE HAVE BEEN VERY... 1738 02:08:20,543 --> 02:08:23,096 "NICE TO ME OUT HERE. 1739 02:08:24,530 --> 02:08:27,100 I'LL BE THERE RIGHT AWAY." 1740 02:08:35,909 --> 02:08:38,111 "TAKE IT EASY. 1741 02:08:40,280 --> 02:08:45,718 "LET ME BE THE FIRST ONE... TO APPROACH YOU. 1742 02:08:47,520 --> 02:08:50,156 "I'M YOUR HUSBAND. 1743 02:08:51,925 --> 02:08:54,127 "SINCERELY... 1744 02:08:56,529 --> 02:08:58,731 "CHARLIE... 1745 02:09:00,133 --> 02:09:01,734 PARKER." 1746 02:09:13,563 --> 02:09:15,131 CASE NUMBER 1540-- 1747 02:09:15,231 --> 02:09:17,734 PATIENT ADMITTED TO PSYCHIATRIC PAVILION 1748 02:09:17,834 --> 02:09:19,402 AT REQUEST OF WIFE 1749 02:09:19,502 --> 02:09:22,405 FOLLOWING SUICIDE ATTEMPT BY INGESTION OF IODINE. 1750 02:09:22,505 --> 02:09:24,407 TIME--5 A.M., SEPTEMBER 1, 1954. 1751 02:09:24,507 --> 02:09:27,410 PATIENT HAS A PAST HISTORY OF NERVOUS BREAKDOWN, 1752 02:09:27,510 --> 02:09:31,414 FOR WHICH HE WAS HOSPITALIZED IN CALIFORNIA FOR EIGHT MONTHS. 1753 02:09:31,514 --> 02:09:35,018 THE WIFE SAID THIS ATTEMPT WAS RELATED TO DEPRESSION 1754 02:09:35,118 --> 02:09:38,021 OVER THE RECENT DEATH OF THEIR DAUGHTER 1755 02:09:38,121 --> 02:09:41,274 AND ALSO BY REVERSES IN "HIS CAREER." 1756 02:09:46,079 --> 02:09:48,965 YOU CAN'T SLEEP EITHER, HUH? 1757 02:09:49,065 --> 02:09:52,452 YEAH. I'M GIVING UP ALL MY BAD HABITS. 1758 02:09:53,453 --> 02:09:54,453 YEAH. 1759 02:09:55,005 --> 02:09:59,910 TELL ME, WHAT DO YOU THINK ABOUT THIS CHUMMY MORELLO? 1760 02:10:00,010 --> 02:10:04,680 HE WANTS ME TO TOUR WITH HIM AND SOME SINGER. 1761 02:10:04,780 --> 02:10:05,780 YEAH? 1762 02:10:06,382 --> 02:10:08,034 CHUMMY MORELLO. 1763 02:10:10,703 --> 02:10:12,522 VIOLET WELLES. 1764 02:10:12,622 --> 02:10:13,622 WHO? 1765 02:10:13,756 --> 02:10:15,658 SEE, YOU DON'T KNOW HER. 1766 02:10:15,758 --> 02:10:17,660 YOU'RE TOO YOUNG. 1767 02:10:17,760 --> 02:10:19,662 SHE'S PROBABLY DEAD BY NOW. 1768 02:10:19,762 --> 02:10:21,581 BUT, UH, VIOLET... 1769 02:10:25,986 --> 02:10:27,938 "THE VIBRANT VIOLET OF SONG," 1770 02:10:28,038 --> 02:10:30,823 THEY BILLED HER AT THE APOLLO. 1771 02:10:33,059 --> 02:10:35,879 THIS IS THE CHICK I WAS PLAYIN' BEHIND 1772 02:10:35,979 --> 02:10:37,881 WHEN I FOUND MY STYLE. 1773 02:10:37,981 --> 02:10:40,250 I WAS JUST BACKING HER UP. 1774 02:10:40,350 --> 02:10:42,652 I DIDN'T EVEN HAVE A REGULAR GIG. 1775 02:10:42,752 --> 02:10:46,606 I WAS JUST WASHIN' DISHES AND JAMMIN' AFTER HOURS. 1776 02:10:48,774 --> 02:10:50,360 HA HA HA! 1777 02:10:50,460 --> 02:10:52,495 COURSE, THAT'S BEFORE I BECAME THE... 1778 02:10:52,595 --> 02:10:56,366 TITANIC COMMERCIAL SUCCESS THAT YOU SEE SITTING BEFORE YOU. 1779 02:10:56,466 --> 02:10:59,702 THAT'S BEFORE I... CAPTURED THE FANCY OF... 1780 02:10:59,802 --> 02:11:02,355 THE ADORING PUBLIC. 1781 02:11:03,456 --> 02:11:04,456 YEAH. 1782 02:11:04,807 --> 02:11:06,309 BUT, UH... 1783 02:11:06,409 --> 02:11:09,579 I STARTED PLAYIN' THESE LITTLE... 1784 02:11:09,679 --> 02:11:10,981 YOU KNOW... 1785 02:11:11,081 --> 02:11:13,116 THESE FIGURES BEHIND HER, SEE? 1786 02:11:13,216 --> 02:11:16,119 AND THEY FIT WITH THE SONG... 1787 02:11:16,219 --> 02:11:20,556 BUT IT WAS, LIKE, GOIN' INSIDE THE MELODY. 1788 02:11:20,656 --> 02:11:21,858 YOU KNOW? 1789 02:11:21,958 --> 02:11:23,994 AND SHE SAYS, RIGHT ON THE STAGE... 1790 02:11:24,094 --> 02:11:26,762 SHE SAYS, "NIGGER... 1791 02:11:26,862 --> 02:11:31,251 DON'T BE PLAYIN' THAT SHIT BEHIND ME WHILE I'M SINGIN' 1792 02:11:35,455 --> 02:11:36,873 I DON'T KNOW. 1793 02:11:36,973 --> 02:11:39,275 AFTER THAT, A LITTLE LATER ON, 1794 02:11:39,375 --> 02:11:42,545 ME AND THE PIANO PLAYER, WE GOT TOGETHER. 1795 02:11:42,645 --> 02:11:44,547 WE WERE WORKIN' ON CHEROKEE. 1796 02:11:44,647 --> 02:11:49,185 THIS IS THE SONG I HAD PLAYED 10,000 TIMES, 1797 02:11:49,285 --> 02:11:51,187 AND I WAS SICK TO DEATH OF THIS SONG. 1798 02:11:51,287 --> 02:11:53,924 BUT I FOUND THIS NEW WAY 1799 02:11:54,024 --> 02:11:56,759 OF EXTENDING THE CHORD CHANGES. 1800 02:11:56,859 --> 02:11:59,362 SO IT WAS LIKE... 1801 02:11:59,462 --> 02:12:02,098 A WHOLE NEW SONG. 1802 02:12:02,198 --> 02:12:04,067 AND IT STILL FIT. 1803 02:12:04,167 --> 02:12:06,469 THIS IS WHAT I BEEN TRYIN' TO DO 1804 02:12:06,569 --> 02:12:08,738 EVER SINCE THEY GONGED ME OFF THE RENO CLUB. 1805 02:12:08,838 --> 02:12:13,209 THE BRIDGE OF CHEROKEE, THAT'S THE BRIDGE I CROSSED 1806 02:12:13,309 --> 02:12:16,196 TWO DAYS BEFORE CHRISTMAS... 1807 02:12:17,297 --> 02:12:18,297 1939. 1808 02:12:20,866 --> 02:12:24,037 WHAT A CHRISTMAS PRESENT. 1809 02:12:27,573 --> 02:12:28,791 ANYWAY... 1810 02:12:28,891 --> 02:12:30,793 THAT'S WHY YOU'RE SITTIN' THERE... 1811 02:12:30,893 --> 02:12:32,795 LISTENIN' TO ME... 1812 02:12:32,895 --> 02:12:35,798 INSTEAD OF BEIN' RED-HOT RODNEY 1813 02:12:35,898 --> 02:12:38,184 FROM GENE KRUPA'S BAND. 1814 02:12:40,853 --> 02:12:41,853 YEAH. 1815 02:12:42,372 --> 02:12:45,741 SO WHAT YOU THINK ABOUT... CHUMMY MORELLO? 1816 02:12:45,841 --> 02:12:48,844 I FIGURE A GOOD 16-WEEK TOUR... 1817 02:12:48,944 --> 02:12:51,514 I COULD PAY A LOT OF BILLS. 1818 02:12:51,614 --> 02:12:54,817 JESUS CHRIST, BIRD, WHAT ARE WE TALKIN' ABOUT? 1819 02:12:54,917 --> 02:12:55,917 YOU-- 1820 02:12:56,352 --> 02:12:59,322 I'M TALKIN' ABOUT A MUSICIAN MAKIN' A LIVING. 1821 02:12:59,422 --> 02:13:01,524 THAT'S WHAT I'M TALKIN' ABOUT. 1822 02:13:01,624 --> 02:13:04,727 LOOK, DON'T CRY FOR ME. 1823 02:13:04,827 --> 02:13:07,697 YOU CAN KICK ME IN THE ASS. 1824 02:13:07,797 --> 02:13:09,215 COME ON. 1825 02:13:10,016 --> 02:13:11,867 KICK ME IN THE ASS! 1826 02:13:11,967 --> 02:13:13,869 KICK ME IN THE ASS! 1827 02:13:13,969 --> 02:13:15,988 KICK ME IN HE ASS! 1828 02:13:21,094 --> 02:13:24,380 YOU'RE SO FUCKING DRAMATIC ALL THE TIME. 1829 02:13:24,480 --> 02:13:27,633 YOU OUGHT TO GO INTO SHOW BUSINESS. 1830 02:13:29,902 --> 02:13:31,504 VIOLET WELLES. 1831 02:13:40,380 --> 02:13:41,714 OH, MAN! 1832 02:13:52,792 --> 02:13:53,792 CHAN. 1833 02:13:56,529 --> 02:13:57,880 WHAT'S WRONG? 1834 02:13:57,980 --> 02:14:00,483 WHAT ARE THE POLICE DOIN' HERE? 1835 02:14:00,583 --> 02:14:01,884 YOU OK? 1836 02:14:01,984 --> 02:14:04,287 DURING THE NIGHT, SOMEBODY CAME IN, 1837 02:14:04,387 --> 02:14:07,490 TOOK SOME CLOTHES AND A COUPLE OF SUITCASES. 1838 02:14:07,590 --> 02:14:08,590 THE KIDS? 1839 02:14:08,689 --> 02:14:10,160 THE KIDS ARE GOOD. GOOD. 1840 02:14:10,260 --> 02:14:11,427 I WAS THINKING, 1841 02:14:11,527 --> 02:14:15,898 WHAT IF WE GOT OUT OF NEW YORK FOR A WHILE? 1842 02:14:15,998 --> 02:14:19,402 MY MOM'S GOT A HOUSE SHE CAN'T RENT. 1843 02:14:19,502 --> 02:14:22,038 IT'LL COST US CLOSE TO NOTHING, 1844 02:14:22,138 --> 02:14:24,690 AND IT'S NOT FAR FROM WESTCHESTER. 1845 02:14:40,973 --> 02:14:43,626 JUNKIES DREAM THEIR LIVES AWAY, 1846 02:14:43,726 --> 02:14:48,448 JUST THINKIN' ABOUT LIVIN' IN PLACES LIKE THIS. 1847 02:14:49,649 --> 02:14:53,186 WHAT WAS I THINKIN' ABOUT, PUDDIN'? 1848 02:14:56,038 --> 02:14:57,540 WHAT? MUSIC? 1849 02:14:57,640 --> 02:14:58,874 WHAT IS THIS? 1850 02:14:58,974 --> 02:15:01,677 [PLAYING BACH'S SHEEP MAY SAFELY GRAZE] 1851 02:15:01,777 --> 02:15:02,777 BACH? 1852 02:15:09,001 --> 02:15:10,953 SHEEP MAY SAFELY GRAZE. 1853 02:15:11,053 --> 02:15:12,053 YEAH. 1854 02:15:13,406 --> 02:15:15,691 YOU GET MY PRESCRIPTION FILLED? 1855 02:15:15,791 --> 02:15:16,791 YES. 1856 02:15:21,614 --> 02:15:22,614 AHA! 1857 02:15:22,865 --> 02:15:26,969 MORELLO SAYS HE'S GOING OUT OF TOWN FOR A MONTH. 1858 02:15:27,069 --> 02:15:28,971 AND HE WONDERS... 1859 02:15:29,071 --> 02:15:32,242 IF I MIGHT GET TOGETHER WITH HIM, 1860 02:15:32,342 --> 02:15:34,244 BRING MY AX... 1861 02:15:34,344 --> 02:15:37,230 MAYBE GO OVER A FEW TUNES... 1862 02:15:38,631 --> 02:15:39,982 A FEW IDEAS. 1863 02:15:40,082 --> 02:15:41,767 BRING MY AX. 1864 02:15:43,169 --> 02:15:46,389 SEE THAT? HE WANTS TO AUDITION ME. 1865 02:15:46,489 --> 02:15:48,658 I DON'T BELIEVE THAT. 1866 02:15:48,758 --> 02:15:52,262 HE WANTS TO SEE IF I CAN HOLD IT 1867 02:15:52,362 --> 02:15:54,864 AND STAND UP AT THE SAME TIME. 1868 02:15:54,964 --> 02:15:56,916 I COULDN'T YESTERDAY. 1869 02:15:58,050 --> 02:16:01,254 I MIGHT NOT BE ABLE TO TODAY. 1870 02:16:13,065 --> 02:16:16,018 I WANT TO GO WITH DAD. 1871 02:16:16,118 --> 02:16:18,271 GO PLAY WITH KIMMY. 1872 02:16:20,873 --> 02:16:24,944 IF YOU TOOK THE TRAIN, YOU COULD SLEEP LONGER. 1873 02:16:26,479 --> 02:16:29,432 BERNIE SAID SOMETHING ABOUT A GIG IN BOSTON. 1874 02:16:29,532 --> 02:16:33,719 THEY DON'T PAY MY AIRFARE THESE DAYS. 1875 02:16:38,724 --> 02:16:40,426 I'M RESTED. 1876 02:16:44,096 --> 02:16:45,798 GOT TO GO. 1877 02:17:27,673 --> 02:17:30,776 THE LONE-STAR REVUE! $1.00 MINIMUM. 1878 02:17:31,844 --> 02:17:34,297 SEE PAMELA AND HER PASSIONATE PYTHON 1879 02:17:34,397 --> 02:17:37,733 IN THE JUNGLE DANCE OF DESIRE. 1880 02:17:37,833 --> 02:17:39,869 GIRLS! GIRLS! GIRLS! 1881 02:17:39,969 --> 02:17:40,969 HEY! 1882 02:17:41,103 --> 02:17:42,705 ONE SHOW! 1883 02:17:42,805 --> 02:17:43,805 HEY! 1884 02:17:44,239 --> 02:17:45,808 WHAT THE HELL HAPPENED HERE? 1885 02:17:45,908 --> 02:17:48,544 ALL THESE CLUBS TURNED TO STRIP JOINTS. 1886 02:17:48,644 --> 02:17:50,280 YEAH. THINK THIS IS BAD? 1887 02:17:50,380 --> 02:17:53,015 YOU SHOULD SEE WHAT'S GOING ON AT THE PARAMOUNT. 1888 02:17:53,115 --> 02:17:55,115 PARAMOUNT? 1889 02:17:55,485 --> 02:17:58,554 THAT'S A MOVIE AND STAGE SHOW, LIKE ALWAYS. 1890 02:17:58,654 --> 02:18:01,641 NOT LIKE ALWAYS. NEVER AGAIN. 1891 02:18:06,312 --> 02:18:08,264 GIRLS! GIRLS! GIRLS! 1892 02:18:08,364 --> 02:18:11,267 COME ON AND SEE THE LOVELY SUZETTE 1893 02:18:11,367 --> 02:18:13,553 AND HER TERRE HAUTE! 1894 02:19:16,148 --> 02:19:17,867 HEY, BIRD, WHAT'S GOIN' ON? 1895 02:19:17,967 --> 02:19:21,537 WHEN DID BUSTER START PLAYIN' RHYTHM AND BLUES? 1896 02:19:21,637 --> 02:19:23,539 WHOA. AIN'T NO SUCH THING, MAN. 1897 02:19:23,639 --> 02:19:26,542 DJs DON'T LIKE TO CALL IT THAT. 1898 02:19:26,642 --> 02:19:29,979 THIS IS ROCK 'N' ROLL, THE MUSIC OF TODAY! 1899 02:19:30,079 --> 02:19:31,381 YEAH, GO! 1900 02:19:31,481 --> 02:19:32,648 DON'T FIT. 1901 02:19:32,748 --> 02:19:34,784 ALL THIS OFF OF PLAYIN' IN B-FLAT. 1902 02:19:34,884 --> 02:19:37,420 B-FLAT TONIGHT. F-SHARP TOMORROW. 1903 02:19:37,520 --> 02:19:39,188 12 NOTES IN A SCALE. 1904 02:19:39,288 --> 02:19:43,008 BUSTER'S GOT 12 SHOWS, WITHOUT REPEATING HIMSELF ONCE. 1905 02:19:44,444 --> 02:19:46,444 DON'T FIT. 1906 02:20:10,603 --> 02:20:14,707 LET'S HEAR IT FOR BUSTER FRANKLIN! 1907 02:20:29,522 --> 02:20:32,174 EVERYBODY, CLEAR THE ROOM! 1908 02:20:32,274 --> 02:20:34,460 HOLD ON, NOW! 1909 02:20:36,028 --> 02:20:37,697 WHAT'S YOUR NAME? 1910 02:20:40,600 --> 02:20:42,835 ALL RIGHT. HERE YOU GO. 1911 02:20:53,646 --> 02:20:55,848 GIVE ME THAT. 1912 02:21:09,662 --> 02:21:12,214 CHAN SAID HE WAS DRIVING DOWN. 1913 02:21:12,314 --> 02:21:14,817 COULD BE HE GOT STUCK IN-- 1914 02:21:14,917 --> 02:21:16,001 TRAFFIC. 1915 02:21:17,870 --> 02:21:18,870 SURE. 1916 02:21:27,980 --> 02:21:30,780 *** * *** *** 1917 02:21:37,289 --> 02:21:39,542 I DON'T WANT TO HURT YOU! 1918 02:21:39,642 --> 02:21:42,344 BUT I WILL! LET GO! LET GO! 1919 02:21:42,444 --> 02:21:44,379 EVERYBODY SAYS YOU FLIPPED OUT! 1920 02:21:44,479 --> 02:21:46,882 WHAT, ARE YOU A GODDAMN THIEF? 1921 02:21:46,982 --> 02:21:49,952 I JUST WANTED TO SEE IF IT COULD PLAY 1922 02:21:50,052 --> 02:21:53,155 MORE THAN ONE NOTE AT A TIME. 1923 02:21:53,255 --> 02:21:54,990 WHAT? YOU WANT MONEY? 1924 02:21:55,090 --> 02:21:56,659 NEVER MIND. 1925 02:21:56,759 --> 02:21:58,911 NEVER YOU MIND. 1926 02:22:01,013 --> 02:22:03,413 A DRAG, MAN. 1927 02:22:04,099 --> 02:22:05,568 LET HIM GO. 1928 02:22:05,668 --> 02:22:07,920 COME ON! COME ON! 1929 02:22:08,721 --> 02:22:10,272 YOU ALL RIGHT? 1930 02:22:10,372 --> 02:22:11,924 COME ON. 1931 02:22:30,743 --> 02:22:32,812 DAMNEDEST THING. 1932 02:22:34,346 --> 02:22:36,566 THE DAMNEDEST THING! 1933 02:22:36,666 --> 02:22:39,702 I COULDN'T REMEMBER WHERE I PARKED MY CAR. 1934 02:22:39,802 --> 02:22:43,573 AND MY HORN IS IN THE BACK OF THE CAR. 1935 02:22:43,673 --> 02:22:45,575 I WOULD HAVE CALLED YOU, 1936 02:22:45,675 --> 02:22:48,143 BUT I COULDN'T REMEMBER THE NUMBER. 1937 02:22:48,243 --> 02:22:49,745 STORYVILLE IN BOSTON. 1938 02:22:49,845 --> 02:22:52,214 THREE NIGHTS, STARTING TOMORROW. 1939 02:22:52,314 --> 02:22:54,216 HOUSE BAND. 1940 02:22:54,316 --> 02:22:56,085 400 BUCKS. 1941 02:22:56,185 --> 02:22:57,620 WHAT DID HE SAY? 1942 02:22:57,720 --> 02:22:59,088 WHAT DO YOU EXPECT? 1943 02:22:59,188 --> 02:23:02,391 "GIVE ME SOMEBODY HALF AS GOOD WHO SHOWS UP!" 1944 02:23:02,491 --> 02:23:04,126 I SHOWED UP. 1945 02:23:04,226 --> 02:23:05,226 YEAH. 1946 02:23:05,795 --> 02:23:07,663 YOU ALWAYS DO... 1947 02:23:07,763 --> 02:23:09,682 EVENTUALLY. 1948 02:23:12,184 --> 02:23:13,402 BERNIE. 1949 02:23:13,502 --> 02:23:14,804 THIS IS THE STUDIO 1950 02:23:14,904 --> 02:23:18,407 WHERE WE RECORDED THE METRONOME ALL-STAR DATE. 1951 02:23:18,507 --> 02:23:19,541 YOU REMEMBER? 1952 02:23:19,641 --> 02:23:20,641 YEAH. 1953 02:23:20,776 --> 02:23:23,879 THE TRUMPET SECTION WAS... 1954 02:23:23,979 --> 02:23:25,579 DIZZY... 1955 02:23:27,116 --> 02:23:28,716 MILES... 1956 02:23:29,118 --> 02:23:30,118 FATS. 1957 02:23:32,471 --> 02:23:34,089 POOR FATS. 1958 02:23:34,189 --> 02:23:37,426 YOU KNOW, HE WASN'T IN GOOD HEALTH, BERNIE. 1959 02:23:37,526 --> 02:23:40,345 HE DIED RIGHT AFTER THAT. 1960 02:23:42,882 --> 02:23:46,468 WHEN YOU DIDN'T SHOW UP, I CALLED CHAN. 1961 02:23:46,568 --> 02:23:48,704 SHE WAS WORRIED. 1962 02:23:48,804 --> 02:23:52,692 MAYBE YOU OUGHT TO GIVE HER A RING. 1963 02:23:54,493 --> 02:23:56,178 STORYVILLE, BERN? 1964 02:23:56,278 --> 02:23:57,579 STORYVILLE. 1965 02:23:57,679 --> 02:23:59,181 COPLEY SQUARE. 1966 02:23:59,281 --> 02:24:00,449 BOSTON. 1967 02:24:00,549 --> 02:24:02,051 MASSACHUSETTS. 1968 02:24:02,151 --> 02:24:03,351 EARTH! 1969 02:24:44,409 --> 02:24:45,761 Operator. 1970 02:24:45,861 --> 02:24:47,496 Operator. 1971 02:24:47,596 --> 02:24:49,014 OPERATOR. 1972 02:24:50,950 --> 02:24:53,669 THIS IS A COLLECT CALL. 1973 02:24:58,157 --> 02:24:59,174 HELLO. 1974 02:24:59,274 --> 02:25:01,376 COLLECT CALL FROM CHARLIE PARKER. 1975 02:25:01,476 --> 02:25:03,378 WILL YOU ACCEPT THE CHARGES? 1976 02:25:03,478 --> 02:25:05,114 YES, I WILL. 1977 02:25:05,214 --> 02:25:06,381 HELLO. 1978 02:25:06,481 --> 02:25:09,484 HELLO, PUDDIN'? 1979 02:25:09,584 --> 02:25:10,584 Oh! 1980 02:25:11,020 --> 02:25:13,038 PUDDIN', ARE YOU THERE? 1981 02:25:15,174 --> 02:25:16,792 ARE YOU THERE? 1982 02:25:16,892 --> 02:25:19,044 OH, MY GOD! 1983 02:25:20,179 --> 02:25:21,931 I WAS, UM... 1984 02:25:22,031 --> 02:25:25,534 I--I JUST HAD AN AWFUL DREAM. 1985 02:25:25,634 --> 02:25:29,538 I TOLD YOU, TIME AND AGAIN... 1986 02:25:29,638 --> 02:25:31,807 TO STOP INDULGING SO FREQUENTLY 1987 02:25:31,907 --> 02:25:33,809 IN OVERLY SPICED FOOD. 1988 02:25:33,909 --> 02:25:36,228 THEM SPICES WILL KILL YOU. 1989 02:25:37,396 --> 02:25:42,651 WILL YOU GET THE HELL OUT OF THERE AND COME HOME? 1990 02:25:42,751 --> 02:25:46,421 I CAN'T LET MY BOSTON AUDIENCE DOWN. 1991 02:25:46,521 --> 02:25:48,223 I CAN'T COME HOME RIGHT NOW. 1992 02:25:48,323 --> 02:25:51,343 I STILL DO HAVE AN AUDIENCE HERE. 1993 02:25:53,278 --> 02:25:56,215 YOU DIDN'T ASK ME ABOUT MORELLO. 1994 02:25:57,749 --> 02:25:59,819 THAT'S SHOP. 1995 02:26:01,020 --> 02:26:04,573 HOW LONG IS THIS BOSTON GIG? 1996 02:26:04,673 --> 02:26:07,576 I SHOULD BE HOME AROUND... 1997 02:26:07,676 --> 02:26:09,076 MONDAY. 1998 02:26:13,432 --> 02:26:17,186 YOU MIGHT AS WELL TAKE CARE OF THAT LAWN 1999 02:26:17,286 --> 02:26:18,587 IN THE MEANTIME. 2000 02:26:18,687 --> 02:26:21,456 IT'S LIKE A JUNGLE OUT THERE. 2001 02:26:21,556 --> 02:26:23,242 THE LAWN? 2002 02:26:25,644 --> 02:26:27,596 OH, YEAH! SURE! 2003 02:26:27,696 --> 02:26:29,331 AND, UM... 2004 02:26:29,431 --> 02:26:31,500 YOU REMIND ME, 2005 02:26:31,600 --> 02:26:33,468 WHEN I GET HOME... 2006 02:26:33,568 --> 02:26:36,605 I WANT TO PAINT THAT GARAGE. 2007 02:26:36,705 --> 02:26:38,007 YOU KNOW, ISN'T-- 2008 02:26:38,107 --> 02:26:40,009 IF YOU HAVE A HOME, 2009 02:26:40,109 --> 02:26:43,212 THE LEAST YOU CAN DO FOR THAT HOME 2010 02:26:43,312 --> 02:26:44,864 IS MAINTAIN IT. 2011 02:26:48,467 --> 02:26:52,972 HAVE, UM...HAVE YOU GOT ANY MEDICATION? 2012 02:26:55,074 --> 02:26:57,542 I GOT EVERYTHING. 2013 02:27:02,214 --> 02:27:05,517 I--I HATE TO HANG UP. 2014 02:27:07,286 --> 02:27:08,286 WELL... 2015 02:27:08,385 --> 02:27:10,890 YOU DIDN'T ALWAYS, YOU KNOW. 2016 02:27:12,691 --> 02:27:13,691 WHAT? 2017 02:27:14,143 --> 02:27:17,446 YOU NEED ME TO GET EVIL WITH YOU? 2018 02:27:17,546 --> 02:27:19,248 Ha ha ha ha! 2019 02:27:19,348 --> 02:27:20,348 YEAH! 2020 02:27:20,749 --> 02:27:22,549 GET EVIL. 2021 02:27:26,571 --> 02:27:28,173 GOOD-BYE. 2022 02:28:13,585 --> 02:28:18,607 I DON'T THINK SITTING UP IS THE THING JUST YET. 2023 02:28:18,707 --> 02:28:20,709 YOU FAINTED. 2024 02:28:20,809 --> 02:28:23,578 V-V-VERY UNDIGNIFIED OF ME. 2025 02:28:23,678 --> 02:28:24,746 HA HA HA! 2026 02:28:24,846 --> 02:28:26,646 NONSENSE. 2027 02:28:27,349 --> 02:28:30,719 YOU'RE ALWAYS WELCOME HERE. 2028 02:28:30,819 --> 02:28:35,124 NO MATTER WHAT CONDITION. 2029 02:28:35,224 --> 02:28:39,461 GIVE ME CHAN'S PHONE NUMBER, AND I'LL RING HER UP... 2030 02:28:39,561 --> 02:28:40,761 LATER. 2031 02:28:41,563 --> 02:28:42,563 NO. 2032 02:28:44,383 --> 02:28:45,783 PLEASE. 2033 02:28:47,386 --> 02:28:49,038 AND NO DOCTOR. 2034 02:28:49,138 --> 02:28:52,674 I'VE ALREADY PHONED THE DOCTOR. 2035 02:28:52,774 --> 02:28:56,745 WHEN WAS THE LAST TIME YOU FAINTED, MR. PARKER? 2036 02:28:56,845 --> 02:28:58,613 DON'T KNOW. 2037 02:28:58,713 --> 02:29:01,183 BEEN A WHILE, THOUGH. 2038 02:29:01,283 --> 02:29:03,785 YOU SHOULD BE IN THE HOSPITAL. 2039 02:29:03,885 --> 02:29:08,507 I DON'T EVER WANT TO GO BACK TO THE HOSPITAL AGAIN. 2040 02:29:10,775 --> 02:29:13,328 YOU DRINK A GOOD DEAL? 2041 02:29:13,428 --> 02:29:14,428 OH... 2042 02:29:15,497 --> 02:29:20,119 SOMETIMES I HAVE A LITTLE SHERRY BEFORE DINNER. 2043 02:29:23,755 --> 02:29:28,277 HE SHOULD BE IN THE EMERGENCY ROOM, NOT IN YOUR APARTMENT. 2044 02:29:28,377 --> 02:29:32,881 TELL ME IT WOULD HELP HIM, AND I'LL GET HIM THERE. 2045 02:29:32,981 --> 02:29:35,884 HE'S GOT A HISTORY OF ADVANCED CIRRHOSIS, 2046 02:29:35,984 --> 02:29:37,286 PERFORATED ULCERS. 2047 02:29:37,386 --> 02:29:40,139 I'M FAIRLY SURE HE'S BLEEDING INTERNALLY. 2048 02:29:42,541 --> 02:29:45,427 IT'S YOU I'M TRYING TO HELP, NICA. 2049 02:29:45,527 --> 02:29:48,630 I'LL PHONE YOU IF THERE'S A CHANGE. 2050 02:29:48,730 --> 02:29:50,499 THERE WON'T BE. 2051 02:29:50,599 --> 02:29:52,151 GOOD NIGHT. 2052 02:30:04,363 --> 02:30:06,048 THANK YOU VERY MUCH... 2053 02:30:06,148 --> 02:30:07,782 YOU'VE DRUNK IT ALL. 2054 02:30:07,882 --> 02:30:09,418 LADIES AND GENTLEMEN... 2055 02:30:09,518 --> 02:30:12,787 THAT'S WHAT I CALL A PRODIGIOUS THIRST. 2056 02:30:12,887 --> 02:30:14,389 PRODIGIOUS. 2057 02:30:14,489 --> 02:30:16,889 THAT'S NICE. 2058 02:31:49,134 --> 02:31:51,620 WANT TO KNOW SOMETHING? 2059 02:31:51,720 --> 02:31:54,120 WHAT'S THAT? 2060 02:31:54,456 --> 02:31:57,409 WHAT DO YOU THINK ABOUT YARDBIRD? 2061 02:32:04,616 --> 02:32:06,185 I'M NOT MAD. 2062 02:32:09,888 --> 02:32:11,240 * GONNA * 2063 02:32:11,340 --> 02:32:13,124 * SHOOT YOU DOWN * 2064 02:32:19,364 --> 02:32:21,166 THAT'S YOU, MAN. 2065 02:32:24,836 --> 02:32:27,055 HI. I'M CHAN RICHARDSON. 2066 02:33:32,036 --> 02:33:33,955 HAS MILDRED COME IN YET? 2067 02:33:34,055 --> 02:33:36,325 I CAN'T REACH HER AT HOME. 2068 02:33:36,425 --> 02:33:39,728 WHEN SHE DOES, TELL HER TO PHONE ME IMMEDIATELY. 2069 02:33:39,828 --> 02:33:44,449 AND TELL HER I NEED TO REACH CHAN RIGHT AWAY. 2070 02:33:47,185 --> 02:33:49,388 I'LL FILL YOU IN LATER. 2071 02:34:00,799 --> 02:34:01,799 BARBARA. 2072 02:34:01,898 --> 02:34:04,286 I GOT ANOTHER ONE AFTER THIS. 2073 02:34:04,386 --> 02:34:05,820 GET DOWN TO PRELIMINARY. 2074 02:34:05,920 --> 02:34:08,557 I'LL GIVE YOU THE FULL REPORT TOMORROW. 2075 02:34:08,657 --> 02:34:10,425 "CHARLES CHRISTOPHER PARKER, JR. 2076 02:34:10,525 --> 02:34:13,395 "PRELIMINARY DIAGNOSIS, HEART ATTACK. 2077 02:34:13,495 --> 02:34:15,997 "STOCKY MALE NEGRO, 2078 02:34:16,097 --> 02:34:18,883 APPROXIMATELY 65 YEARS OF AGE." 2079 02:34:20,084 --> 02:34:22,084 HE WAS 34. 2080 02:34:45,243 --> 02:34:46,795 * COME WITH ME * 2081 02:34:46,895 --> 02:34:51,049 * IF YOU WANT TO GO TO KANSAS CITY * 2082 02:35:07,231 --> 02:35:10,118 * I'M FEELING LOW-DOWN AND BLUE * 2083 02:35:10,218 --> 02:35:13,338 * MY HEART'S FULL OF SORROW * 2084 02:35:14,673 --> 02:35:18,560 * DON'T HARDLY KNOW WHAT TO DO * 2085 02:35:18,660 --> 02:35:22,631 * WHERE WILL I BE TOMORROW? * 2086 02:35:22,731 --> 02:35:24,633 * GOIN' TO KANSAS CITY * 2087 02:35:24,733 --> 02:35:25,934 * WANT TO GO, TOO? * 2088 02:35:26,034 --> 02:35:28,136 * NO, YOU CAN'T MAKE IT WITH ME * 2089 02:35:28,236 --> 02:35:29,438 * GOIN' TO KANSAS CITY * 2090 02:35:29,538 --> 02:35:32,907 * SORRY THAT I CAN'T TAKE YOU * 2091 02:35:33,007 --> 02:35:35,043 * WHEN YOU SEE ME COMIN', RAISE YOUR WINDOW HIGH * 2092 02:35:35,143 --> 02:35:37,912 * WHEN YOU SEE ME LEAVIN', BABY, HANG YOUR HEAD AND CRY * 2093 02:35:38,012 --> 02:35:42,517 * I'M AFRAID THERE'S NOTHIN' IN THIS CREAMY, DREAMY TOWN * 2094 02:35:42,617 --> 02:35:46,721 * A HONKY-TONKIN' MONKEY WOMAN CAN DO * 2095 02:35:46,821 --> 02:35:49,508 * SHE'D ONLY BRING HERSELF DOWN * 2096 02:35:50,709 --> 02:35:54,613 * SO LONG, EVERYBODY * 2097 02:35:55,714 --> 02:35:58,266 * THE TIME HAS COME, AND I MUST LEAVE YOU * 2098 02:35:58,366 --> 02:36:03,004 * SO IF I DON'T EVER SEE YOUR SMILING FACE AGAIN * 2099 02:36:03,104 --> 02:36:05,006 * MAKE A PROMISE YOU'LL REMEMBER * 2100 02:36:05,106 --> 02:36:07,008 * LIKE A CHRISTMAS DAY IN DECEMBER * 2101 02:36:07,108 --> 02:36:10,679 * THAT I TOLD YOU ALL THROUGH THICK AND THIN * 2102 02:36:10,779 --> 02:36:13,147 * ON UP UNTIL THE END * 2103 02:36:13,247 --> 02:36:15,016 * PARKER'S BEEN YOUR FRIEND * 2104 02:36:15,116 --> 02:36:17,619 * DON'T HANG YOUR HEAD WHEN YOU SEE * 2105 02:36:17,719 --> 02:36:20,321 * WHEN YOU SEE THOSE SIX PRETTY HORSES * 2106 02:36:20,421 --> 02:36:22,891 * PULLIN' ME * 2107 02:36:22,991 --> 02:36:25,960 * PUT A $20 SILVER PIECE ON MY WATCH CHAIN * 2108 02:36:26,060 --> 02:36:27,796 * LOOK AT THE SMILE ON MY FACE * 2109 02:36:27,896 --> 02:36:29,097 * AND SING A LITTLE SONG * 2110 02:36:29,197 --> 02:36:32,166 * TO LET THE WORLD KNOW I'M REALLY FREE * 2111 02:36:32,266 --> 02:36:33,835 * DON'T CRY FOR ME * 2112 02:36:33,935 --> 02:36:36,621 * 'CAUSE I'M GOIN' TO KANSAS CITY * 2113 02:37:25,003 --> 02:37:26,755 * COME WITH ME * 2114 02:37:26,855 --> 02:37:31,476 * IF YOU WANT TO GO TO KANSAS CITY ** 2115 02:37:32,811 --> 02:37:36,565 CAPTIONING MADE POSSIBLE BY WARNER BROS. 2116 02:37:36,665 --> 02:37:39,951 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 129626