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So within
the color page, we have a node graph
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not only for the individual clips,
but we also have a node graph
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for the entire timeline
and that can be found up here.
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You can see we have these two dots.
The first one is clip.
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The second one is timeline.
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If we switch over to timeline, we can see
that we have a fresh node graph here.
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And that's because this node graph here
basically
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sits on top of all the other node graphs
within your timeline.
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This is almost like an adjustment layer.
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So any changes that you make
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within the timeline node graph will affect
every single clip within your timeline.
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So usually what I'll do
is I'll go and grab a let's throw it over
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top of a node
here in my timeline node graph,
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and usually I'll bring the opacity down
to about 50%
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in the key panel here.
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And it just looks fuzzy like this
because I have highlight turned on and now
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basically this light will be applied
to every single clip in the timeline.
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At about half the opacity.
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So it's not as strong.
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So that's usually what I do.
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And then it just makes the process
of making select
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so much more fun because you're not
looking at bland ungraded footage.
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Doing this allows you to just add
a bit more contrast and pop to your image.
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It makes the process of making selects
a bit more fun.
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And of course, just like the clip
node graph, you can continue to add nodes
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here, make any other kind of changes
that you want in here as well,
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and they will affect every other clip
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within your timeline as well.
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So if we were to make this one super pink,
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super yellow,
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and we go look at any of our clips here,
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we can see that what we've done
within our timeline node graph
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is affecting every other clip
within our timeline as well.
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So that is the timeline node graph.
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I'll see you guys in the next lesson.
3120
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