All language subtitles for Procolor_C12_L8A_Render

We have all of our color done.

It's time to do the final render.

So just like any project,
we'll go down here to the deliver page.

And generally,
I like to make two different versions.

One of them is usually for YouTube
or some kind of online outlet,

which what I like to do
is switch to the YouTube

render settings preset
and then switch back to custom.

And that kind of sets
most of the settings here.

And for YouTube,
I want to switch this Kodak to H2 65.

If you have the studio version,
if you don't.

HD 64 is fine,
but H2 65 will be a little bit smaller.

File and look a little nicer.

Encoder switch to Nvidia.

If you have a and video graphics
card again, things will just go a little

bit faster.

And here where it says restrict quality
but I usually try

and do is make this about twice
the frame rate in thousands.

So if this is 24 frames
a second, we're going to do about 50,000

kilobits per second.

And what I like to do is

I press everything to ultra
HD because it just looks nicer on YouTube.

But actually, for this,
if we want it to be this wide aspect

ratio, let's just switch
to the customer resolution

and we'll do 3840 by 1600.

And here under advanced settings,

I haven't had much trouble with the colors
changing when you export video.

But if that is happening, sometimes
it can be due to the data levels.

So if you're rendering something
and the colors aren't quite matching up,

try and put this on video

or full kind of try out each of these
and see if you like it.

The one thing I will change
is this color space tag.

I'll switch this to rec seven or nine

and rec 709

and that'll just help any video players

that look at these color space tags,
not mess with our colors.

And we're also kind of forced sizing
to highest quality.

And those are pretty good
settings for YouTube.

Also make sure our audio is good.

Make sure that we are exporting audio here

and we can set our file
name and we'll call this smoked

underscore white

and we can add that to render cue.

It's going to ask us where
we want to put it, put it somewhere safe.

But for me, I'm just going to throw it
on the desktop because, you know,

it's kind of not me
and might be the worst place to put it.

So we do it for the LOLs.

Then let's also make a version
for archive.

So I'm going to switch
this format to quick time.

And Kodak probably

each hour and we could probably do an hour
x ten bit.

What this is, is a very high quality codec
and it will give you

the best image without being
just massively large in file size.

So that

if we want to make a different version

of this down the road
and we don't want to open up the project

or anything, we can have a nice high
quality version here

and we'll add a render cue
and it's going to ask us

if we're up raising this,
if we really want to do that.

And what it's saying is it's
not really going to be any better quality.

You're still taking a 1080 image
and you're stretching it out to be HD.

And actually,
we do want to do this for YouTube,

but we don't necessarily
need to do this for our archive

because we're not going to get
a lot of benefit from doing that.

And it's going to be a much bigger
file size.

So let's just do 1920

by 800.

And everything else, We'll leave the same
for our audio.

Let's switch this to linear PCM bit depth.

Let's do 24.

That's just going to give us really high
quality audio.

And again,
instead of custom name, let's say archive

and now we can add to render queue.

And now we have both of these jobs
in the render queue.

We can select them both
and hit render off.

And that's how we export our film.

Looks like we are all done.