All language subtitles for The.Six.Million.Dollar.Man.S03E04.The.Song.and.Dance.Spy.1080p.BluRay.FLAC2.0.H.264-BTN_track5_[eng]

[Man 1] It looks good
at NASA One.

[Man 2] Roger.
BCS arm switch is on.

[Man 1] Okay, Victor.

[Man 2] Landing rocket
arm switch is on.

Here comes the throttle.
Circuit breakers in.

- [Steve] We have separation.
- [Man 2] Roger.

[Man 3] Inboards and outboards
are on.

I'm coming forward
with the side stick.

- [Man 1] All looks good.
- [Man 2] Uh, roger.

[Steve] I've got a blow out,
damper three!

- [Man 2] Get your pitch to 0.
- [Steve] Pitch is out!

[Steve] I can't hold altitude!

[Man 2] Correction,
Alpha Hold is off.

Turn selectors... Emergency!

[Steve] Flight Com,
I can't hold it!

She's breaking up!
She's breaking...

[explosion]

[Rudy] Steve Austin,
astronaut,

a man barely alive.

[Oscar] Gentlemen,
we can rebuild him.

We have the technology.

We have the capability to make
the world's first bionic man.

Steve Austin will be that man.

Better than he was before.

Better, stronger, faster.

[whirring]

[theme music]

[pop music playing]

[backup singers]
♪ Ahh ♪

♪ I love you, baby ♪

♪ And if it's quite all right
I need you, baby ♪

♪ To warm the lonely night ♪

♪ I love you, baby ♪

♪ Trust in me when I say ♪

♪ Oh, pretty baby ♪

♪ Don't bring me down, I pray
Oh, pretty baby ♪

♪ Now that
I've found you, stay ♪

♪ And let me love you, baby ♪

♪ Let me love you ♪

♪ You're just too good
To be true ♪

♪ Can't take my eyes off you ♪

♪ You'd be like heaven
To touch ♪

♪ I wanna hold you so much ♪

♪ At long last
Love has arrived ♪

♪ I thank God I'm alive ♪

♪ You're just too good
To be true ♪

♪ You're just
Too good to be true ♪

♪ You're just too good
To be true ♪

♪ Can't take my eyes off you ♪

[cheering]

[John]
Thank you! Thank you!

Thank you!

Thank you very much!

Thank you,
thank you, thank you. Girls.

Thanks so much!

I loved
every minute of it.

- Hey, he's pretty good, huh?
- Good.

- Very good.
- Come on. Let's say hello.

- I'll, um--I'll wait here. You go ahead.
- I'll be right back.

[John] I'm glad you liked it.
It wasn't one of our best shows.

Excuse me. Excuse me.

I'm with the Atlas
Collection Agency.

Our records show that you're
six months behind payments

for your
sound equipment.

- Delinquent?
- That's right.

And I have a warrant here
authorizing repossession.

Oh, no.

I'm sorry. Okay, boys, pick it up
and put it in the truck.

Wait a minute, sir.
Please, you gotta--

What's happening?
What's going on here?

This dude says that we didn't pay
for our sound equipment.

What?

Repossessing the sound equipment.

- You're crazy, man.
- No, no, he's not.

Look, I went and blew the money
in Las Vegas gambling.

- You what?
- Oh, no.

Yeah, I did. But, sir,
you gotta give me a break.

Please don't take the equipment.
It's my living, you know?

I just have to have that equipment.

- I'll make it up. Please.
- Look, I'm sorry. I'm just doing my job.

- Okay, fellas.
- Oh, mister--Please, mister. Please.

Please don't wrinkle my jacket.

Well, if you let me wrinkle your jacket,
I'll let you wrinkle my hair.

[all laughing]

- [Steve] Hi, John.
- [John] How you doing?

- [Steve] Great. Hey.
- [John] It's really good to see you.

- [Steve] Hi, John.
- [John] Really good to see you.

Hey, gang, I want you
to meet a chum of mine.

He's a super astronaut.
Pool shark, right? Football hero.

And I'd trust him with my life.
This is Steve Austin.

- Hi.
- Hi, Steve.

That's Linda. That's Louise.
That's Laura.

Hi.

And this is my PR man,
Lee Michaels.

- Hi, Lee.
- Hi there.

We have you going?

That's what we majored in
in college.

We used to put each other on.

- How was I? Not bad, huh?
- Well, he was pretty convincing.

You were doing
the best you could.

Being convincing
just isn't your thing, John.

- [John] Come on, I--
- [Lee] John.

- [Lee] The press is waiting.
- [John] Can you ask 'em to wait?

We got a lot of catch--I haven't seen--
How many years?

I haven't seen him in years.

John, John, you can't keep
the press waiting, you know.

- Oh, yeah.
- How about tomorrow?

- Tomorrow. What are we doing tomorrow?
- We'll be here tomorrow.

We'll be here tomorrow.
Can you come by here tomorrow?

Sure.

- I'll see you here tomorrow?
- You got it.

- Okay. Okay. Deal.
- Bye, y'all.

- Okay, Steve, see you.
- Bye. Take care.

Hey. Take one
of John's cassettes.

Oh, yeah. One of my cassettes.
You'll love it.

I'm magnificent,
if I do say so myself.

Can you afford it?
Thanks, guys.

- Bye-bye. Take care.
- Bye.

See you, Steve.

Oh, he's the same funny guy
I used to know.

- You sure you don't wanna meet him?
- No, thanks, Steve.

How long have you
known him anyway?

Well, we were roommates in college.
He's a great guy. Close friend.

John Perry is also
a courier for an espionage ring.

[dramatic music]

What?

You heard me.

[chattering]

[chattering]

Hey, John!

[fans groan]

[chattering continues]

I can't believe it.
I just can't believe it.

Steve, for the past year, master tapes
of top secret information

have been stolen and duplicated
by an espionage ring.

- Well, who are they?
- I don't know.

Say, where is
my car anyway?

- It's right over there.
- Oh, I see.

Well, wouldn't you know it.
It's parked right in front of me.

It's locked.
Brake is on.

Well, now you know
that's no problem.

Huh?

Okay.

[whooshing]

[metal creaking]

[upbeat music]

I keep forgetting.

Yep.

Say, Oscar,
what proof do you have

that John is tied
to this espionage ring?

The stolen tapes
were sold globally.

Transactions always took place
in cities where John Perry was playing.

Yeah, but I said "proof."

- I've got proof in my office.
- Yeah, but--

Now, this espionage ring,
you say they sell the tapes.

That's right.

Well, you see John couldn't possibly
be involved. He doesn't need the money.

I mean, he makes a fortune with records,
concerts, personal appearances.

Money isn't always
the motive, Steve.

Sometimes it's blackmail,
mistaken loyalties, things like that.

Next week, John Perry and his group
have been booked for a concert

in the Philippine islands. Manila.
I want you to go with him.

Wait a minute, Oscar.
John's one of my oldest friends.

That's why I'm giving you
the assignment, pal.

No one will suspect you.

Yeah, but couldn't you
send somebody else?

No. Steve,
stop by my office.

I've got all the proof there
that you'll need.

I'll think about it.

[dramatic music]

[John] He's a super astronaut,
pool shark, football hero,

and I'd trust him
with my life.

[DJ on radio] And now here's a hit
that's climbing the charts

and breaking everybody's hearts.

John Perry's latest single recording,
"A Song For You."

♪ I've been so many places
In my life and times ♪

♪ I sung a lot of songs
I've made some bad rhymes ♪

♪ I acted out my life
In stages ♪

♪ Ten thousand people watching ♪

♪ We're alone now ♪

♪ And I'm singing
This song for you ♪

♪ I know your image of me ♪

♪ Is what I hope to be ♪

♪ And I treated you unkindly ♪

♪ But, darling, can't you see ♪

♪ There is no one more-- ♪

[song stops]

[Oscar] Steve, I understand
how you feel, but, um...

You're asking me
to betray a friend, Oscar.

- I'm asking you to help catch a spy.
- According to you.

All right.

Let me show you
something.

Here is John Perry,
backstage in Miami.

Take it.

Taking a cassette
from a Mr. Kimbrough.

I repeat: taking a cassette,
not giving one away.

How can you be sure
he's taking it?

Because the agent that took the picture
witnessed the transaction.

And here again.

In New York,
John Perry backstage,

taking a cassette
from a Mr. Kimbrough.

And again, in Los Angeles,
two months later.

Another drop.

Oscar, how do you know
these were drops?

Because the secret information
that was taken from these tapes

turned up in European capitals in less
than a week after these transactions.

And as I told you earlier, John Perry
was playing in these cities at the time.

And here...

is another drop.

Just yesterday.

John Perry is slated to appear in
Manila next week.

Think he'll be taking
the information to Manila?

I know he will.

Only this time, he's gonna
take a phony cassette.

We finally discovered how our friend,
Mr. Kimbrough, was stealing our secrets.

So we slipped him
a doctored tape.

Look, Oscar, so far all you've shown me
are some pictures of John,

and some guy who--

Steals government secrets.

Mr. Kimbrough has a record of espionage
both here in the United States and Europe

for the past ten years.

What do you need me for, Oscar? Looks like
you've got the case all wrapped up.

Unfortunately, they found out that we've
been watching Kimbrough.

Steve, Perry doesn't
know this yet,

and he won't
for quite some time,

but Kimbrough
was found dead this morning.

Steve, you're the only one
that can hang around Perry

without making them suspicious.

Now, here's the plan.

We had an electronic beeper spun
into the tape before it was stolen.

That way we'll always be
within listening range.

I want you to be there
when that tape is delivered.

I've arranged
a cover for you.

[sighs]

It's gonna be ugly, Steve.
The way it's starting out...

Your friend Perry might get hurt.
Whatever happens, one way or the other,

if you're there...

I could protect John...
while spying on him.

[dramatic music]

Sally, get me a scrambler line
to General McHugh in Guam.

[John] Burt, play it down one more time.
Just the last three chords.

D-flat to B minor.
Okay. Okay, I got it.

Hey, I'm sorry
I kept you waiting.

- I'm sorry, girls.
- Oh, no problem.

Okay, we can get into it now.

Turn it on and we'll kick
right into, uh--

Hey! I ordered those pizzas over
two hours ago. Where you been?

You.

Yes, you. You.

Well, sir, we had a lot of deliveries
to make. I'm sorry.

Yeah, well,
where's the pizza?

To tell you the truth, I couldn't remember
whether you said "light on the cheese

and heavy on the anchovies" or
"heavy on the cheese

and light on the anchovies."

See what I mean?
You see what I mean?

Surrounded by incompetence.

Hey, Steve. Glad you could stop by.
How you doing?

- Well, it isn't entirely a social visit.
- Oh.

I came by to twist
your arm a little bit.

Okay, twist.

I understand you're booked
to play Manila.

Right. Right, right.

Well, would you believe eight generals
descended upon me this morning?

They wanted to see if I could get you
to play a service base along the way.

- Well, where?
- In Guam.

Guam.

John.

They did throw in
a little bribe

that I could go along
as liaison officer if I persuaded you.

Well, in that case,
we would love to play Guam.

We would love to play Guam.
Wouldn't we, girls?

[women] Yeah. Sure.

John. John, wait a minute.

You promised Manila you'd get there
a week early to plug the concert.

Yeah, well, tell 'em
we'll be a few days late.

- Hey, let's go get the pizzas.
- Right.

Lunch, everybody.

- Oh! Thanks.
- [man] Hey!

Now, let me just ask you,
was that "heavy on the cheese

and light on the anchovies"?

No, that was "light on the cheese
and heavy on the anchovies."

[John] I got it.

John!

What do I tell Manila?

Tell 'em it was "light on the cheese
and heavy on the anchovies."

One-hour lunch.
We'll be back.

[dramatic music]

[horn honks]

Why don't you look in my ear?
There's a cannon in there.

Greetings, Mr. Damon.

May I recommend
the butterfly chair.

Uh, Mr. Buckner,

I just received a disturbing phone call
from the States.

John Perry will not
be here as agreed.

Why?

He's stopping off to entertain
at a military base.

That's very patriotic
of Mr. Perry.

This could affect
our delivery date.

Day of our delivery
is the day of the concert.

There's
another complication.

Colonel Austin is making the trip
with him, and Austin's an OSI agent.

Why is that a complication?

Makes getting the tape
more difficult.

Not necessarily.

What is
the colonel's name again?

Austin.

And what is the military base
that Mr. Perry is playing?

Andersen Air Force Base,
on Guam.

[sighs]

Then that will be as far
as Colonel Austin will go.

[sighs]
isn't it lovely?

[dramatic music]

[airplane engines whirring]

[chattering, laughing]

[Crawford] Colonel Austin.

[Man] Look out.

I'm Crawford,
with intelligence, Colonel.

Oh, they told me
you were aboard.

I'd like to go over
the arrival procedure with you.

Well, there's no change.

When the luggage
is transferred,

the ground crew
will monitor the cassette.

You'll take over again when
we reach the base.

Yes, sir.

- How's the signal coming in?
- The beep is constant and clear.

Good.

Hey. What are you
looking for? A customer?

- Yeah. Be my guest.
- Oh, great.

You know,
nobody ever tells me things.

Yeah? Like what?

Like that you're the Colonel Austin
who walked on the moon.

I saw that whole scene on TV.

You did?

I've only one knock, Colonel.

What's that?

Your golf swing.
Bad follow-through.

Well, my helmet fogged up.

[laughing]

Can I tell you something?

Another knock.

No. A compliment.

You know, this friendship
you got going with John,

it's--it's really,
really nice.

[Pilot] Ladies and gentlemen, please
fasten your seat belts for final approach.

On behalf of the US Air Force, welcome
to Andersen Air Force Base.

- Think we should wake him?
- No, let him dream.

- Better buckle up though.
- Okay.

[upbeat music]

Okay, the staff cars
are over behind that hangar.

[John] Okay. Let's go, gang.
Let's go load up.

Oh. Oh, what about
our luggage?

- Oh, they'll pick up the luggage later.
- Oh, okay.

Okay, let's go, gang.

I guess that's it, huh?

[John] I guess he said somewhere around
there we can get the staff cars.

This is gonna be
a hot concert.

It's gonna be
a hot one.

Any other
instructions, sir?

Just keep your eye on the luggage
while it's being transferred.

Right.

Got the magic.

Take the big one first, fellas.

Hey, John, wait up.

Look out! Steve!

[objects clattering]

[beeping]

Hey, that was terrific.

What?

The put-on with the crate.
It was terrific.

Boy.

And you know what?
Here's the coup de grâce.

This is really clever.

I mean, you had 'em paint
1,450 pounds on there.

That's super! You had 'em do that, right?

- Well, I guess you're onto me.
- Yeah. Good.

You wanna know something?
I'm impressed. I really am.

This is the best trick you have
ever pulled on me. Best ever.

- I had you going, huh?
- You really had me going. Really.

- Come on. The car's waiting.
- Yeah, okay. Listen.

What did you have 'em put
in here, cotton candy?

Come on, John.

Super trick.

Ow!

How did he do that?

I know it's a put-on.
But how did he do it?

Let's see. He came in...

Steve, are you sure you can't get the name
of that man that drove the forklift truck?

Yeah, he jumped in a car
and drove away.

Well, it sounds like
your old friend John Perry

isn't such a good friend
after all, huh?

Look, we got no proof John had anything
to do with it at all.

He was just
as surprised as I was.

Yes, I know that old ploy.
"Trust me now, huh?"

And then the next time it happens,
he's in the clear?

Oscar.

Steve, I'm leaving for Manila tonight.
I'll see you there.

Okay, Oscar.

[knocking]

Steve?

Steve?

[water running]

[Steve] Hey.

You, uh,
wanna borrow a dime?

Oh. Hey, Steve,

I was--I was setting you up
for a gag.

I was gonna take
your Air Force ID card

and tell the MP
you were an impostor.

Come on, John, you can
do better than that.

Yeah, I guess I can.

You know, instead of taking
your Air Force ID,

I can take this one
from the OSI.

You never told me
you were an agent, Steve.

Yeah, well,
you never asked me.

Hey, let's level
with each other, okay?

Why'd you come along
on this trip?

Was it the OSI? Whatever that is.
They put you up to it?

John, I came
because of our friendship.

Now, you believe me,
don't you?

Yeah, of course I believe you.

Hey, get dressed
and we'll go have dinner, okay?

- You got it.
- See you in a few minutes.

Oh, listen. Then you'll
tell me the truth, right?

The truth about what?

Come on, Steve. The crate.
The way you juggled that crate.

Now, I know it was
some kind of trick.

Come on, buddy. You can trust me.
How'd you do it?

Later, John.

[John] Okay, but if you
don't tell me soon,

I'm gonna have
to sock it to you.

I'll see you at dinner.

- Listen, don't say I didn't warn you.
- Hey, get out of here.

[crowd cheering]

[John] Thank you.

Thank you very much.

Thank you.

Thank you very much.

Thank you. Thank you.

Thank you very much.

Hey, folks.

Hey, we've got
a little surprise for you.

We have a celebrity with us
that I'd like to introduce now.

He's not a performer,

but his TV show thrilled millions
of people all over the world.

I guess you all
recognize him here on Earth.

But on the moon,
he is the one and the only,

the super astronaut,
Colonel Steve Austin.

How about a hand
for him, folks? Steve.

[cheering]

Come on.
Come on out here.

Come on. Take a bow.

Steve Austin, folks.
How about that?

[cheering continues]

All right.

Steve, I have a special treat
just in honor of you.

You don't know about this,
but you're gonna love it.

Folks, I'm really honored today.
I'm gonna do a song for you.

When Steve and I
were in school,

Steve wrote this terrific song
that, well, you--

It's really terrific.
You're gonna--

He told me if I would do this song,
it would make me a star.

So he had me do this song about--
ah, on special occasions,

like every night
for about two years.

[crowd laughing]

Well...

it never made me a star.

[crowd laughing]

But we're gonna do it
for you anyway.

And if you don't like it,

just file your complaint
with the composer.

[crowd laughing]

- Let's hit it, gang.
- [applause]

One, two, one, two, three.

♪ I'd rather have a tickle
Than a nickel ♪

♪ And I'd rather have a dollar
Than a dime ♪

- ♪ Yes, if you ain't got the money ♪
- [women vocalizing]

♪ You can't drive
A Hollywood bunny ♪

♪ But you can have yourself
A sunny, funny time ♪

♪ And you can lock your sock
And then lose the key ♪

- [crowd laughing]
- [John singing indistinctly]

♪ Chasing hippos down
The dusty road of life ♪

♪ I guess it all depends ♪

♪ Upon the way in which
You look at things ♪

♪ Like if you're standing
On your head ♪

♪ Or the other way around ♪

♪ You can sail away
In a hundred-foot boat ♪

♪ Or just hop in a tug
And hold your nose ♪

♪ As long as you still know
Your upside from your down ♪

♪ Now, some ♪

♪ Now, some folks go
To workin' on the railroad ♪

♪ Day by day ♪

♪ Others like
To earn their keep ♪

♪ By shuckin' corn
Or herdin' sheep ♪

♪ Well, others catch the fish
And some pitch hay ♪

♪ And when you hit it big
Go buy a color TV ♪

♪ But if you ever
Come lookin' for me ♪

♪ I'll be chasin' hippos
Down the dusty road of life ♪

♪ I guess it all depends ♪

♪ Upon the way in which
You look at things ♪

♪ Like if you're standing
On your head ♪

♪ Or the other way around ♪

♪ Now, you can give
The man a hand ♪

♪ Or a big ol' pocketful
Of sand ♪

♪ So long as you still know
Your upside from your down ♪

[cheering, whistling]

How about a hand
for Steve here?

[man whistling]

[phone ringing]

Hello.

Steve, it's Oscar.

- Where are you?
- Manila.

I've learned the tapes are being offered
for sale here in Manila.

- Oh, by whom?
- We don't know yet.

- Airport car's here.
- I'll be right with you.

My flight's ready, Oscar.
I'll see you in Manila, hear?

But--

[Lee]
Come on, my love.

Baby.

- [John] Ready to go?
- [Lee] Yep. Ready to go.

Let's--Come on.
Come on, honey.

- Let's go. Quick.
- Wait for me. Wait for me.

Hey.

[dramatic music]

[Steve groans]

[door closes]

[engine starts]

[dramatic music]

[Woman on PA]
Military transport Flight 77

from Andrews
Air Force Base, Guam,

now arriving at Manila
International Airport

on runway four.

- Hello, Crawford.
- Hi, Mr. Goldman.

Where's, uh, Colonel Austin?

Sir, he wasn't
on that flight.

What?

Why not?

He received orders
to stay on Guam.

Orders? What orders?
From whom?

I don't know, sir. I--I assumed
they were from you.

They weren't from me.

We were told
to proceed without him.

Who said that Colonel Austin
was to stay on Guam?

John Perry.

Where's the cassette?

It's with
their luggage, sir.

You stay with him.
I'm gonna telephone Guam.

Yes, sir.

[dramatic music]

[engine starts]

- [Steve] Oscar.
- [Oscar] Go ahead, Steve.

[Steve] My ETA for Manila is 2:00.

Have someone there
to check in my plane. Over.

You can change clothes
over at the hangar here.

- What about the tape?
- Hasn't been touched.

- Where is it?
- With Perry.

You learn anything
from the men who grabbed you?

I left that
for the Army to do.

They wouldn't say anything
about Perry anyway.

No, or couldn't.

You still defending him?

He left you on Guam. He must have
known you were kidnapped.

I want John to explain it to me.
I wanna hear it from him.

Crawford is tracking him
technologically.

When he checks in,

you'll have your moment
to find out.

[upbeat music]

[horn honking]

[beeping]

[tires screeching]

I'm sorry!

He's just stunned.

You better wait here
for the police though.

Did you see this?

Yeah, I saw the whole thing.
It's not your fault. Come on.

- Thanks for your help.
- It's okay. You okay?

[beeping]

[beeping fades]

Yeah. How much?

Two.

Here you go.
Here, just keep...

- Hi.
- Hi.

Boy, why'd you bring me
all the way out here?

John, there's
this great vase inside,

and I'd really like you
to buy it for me.

Gee, I can't
right now, Linda.

I have to go over
to the radio station.

I'm gonna do an interview, and then
they're gonna play my new cassette.

John, we can walk
to the station from here.

It's only right
around the corner. Please.

You know I can't resist
that beautiful smile.

- But let's make it quick, okay?
- Okay, great. Come on.

Come on.

[John] What is this,
a wholesale house or something?

Hello. Can I help you?

Yeah. My girlfriend
saw a vase outside.

Oh, yes. The one that she liked
is right on the desk.

Oh, yeah.

- Is that it?
- Yeah.

- Hmm.
- I'll take that case, please.

- What?
- The case. I would like to have the case.

- The case.
- What's going--

[groans]

Hey. What'd you
have to do that for?

I cut off the man
who was following Mr. Perry.

Good. Now,
get to work on these.

Linda, that was beautiful.

Hey, if I'd known you were gonna
do this, man, I would have never--

We had
to handle it that way.

There's an OSI agent
getting very close,

and our men in Guam
couldn't handle him.

If Mr. Perry is a hostage,

our chances of escape
are much better.

[John groaning]

[dramatic music]

[radio buzzes]

Crawford here.

[Oscar] Anything, Crawford?

Nothing yet, sir.

[Oscar] Where are you?

I'm in the export district
near the docks.

[chattering]

[laughing]

You're learning
how to play really well.

I'm out too.

How we doing, girls?

- Fine.
- Okay.

[Louise] You're learning
how to play really well.

I'm out too.

How long are you
keeping us here?

Shouldn't you be trying to find John
instead of just sitting there?

We're working on it.

Where's that guy with
the list of phone calls I asked for?

He's on his way.

It's probably
the piano player.

Hmm?

Well, nobody ever suspects
the piano player.

What?

I need, um--uh--

Which one of them you think's been
using John without John knowing it?

Lee Michaels told John
that you were supposed to stay in Guam.

And Michaels claims
he heard it from Linda.

I think they're both involved,

including John Perry.

You're still trying
to sell me that.

- [radio beeps]
- Yes.

Crawford calling,
Mr. Goldman.

Go ahead, Crawford.

Mr. Goldman, a strange thing just happened
here in the export district.

The beeper started going,
and then all of a sudden it stopped.

You must have gotten
out of range. Double back.

No, it isn't that, sir.

The beeping sound didn't
fade away like last time.

It just stopped abruptly.

What do you think?

Well, it could be
the secret tape's being run

in high-powered
electronic gear.

That would cause interference,
maybe block it out altogether.

Crawford, stand by.

Yes, sir.

Think I'll have
the whole area surrounded.

Well, that's a good idea,
but if they've got John, we--

Colonel,
here's a list of calls

that everybody in John Perry's group
made to numbers in Manila,

from the time they arrived in Guam
until this morning.

Where did Crawford
say he was?

Export district
near the docks.

That's what I thought.

Crawford?
Colonel Austin.

Have you seen a place called
the Manila Export Warehouse?

Just a minute, sir.

Colonel Austin? The Manila Export
Warehouse is just west of where I am now,

on Escolta Street.

Stay where you are.
I'll be right there.

I'm going
to join Crawford.

- Well, hello, Linda.
- Hi, Steve.

Oscar wants to have
a little talk with you.

Oh sorry, no time.
I'm already late for rehearsal.

Well, you're gonna be late,
about 20 years late.

Oscar will
explain it to you.

Now, Linda,
let's hear it.

Two more copies of these
and we can leave.

Yeah.

[groans]

[dramatic music]

[doorknob rattles]

[whooshing]

Take this out to the truck
and get ready.

- [John groans]
- Perhaps we better, uh, tie him first.

- Get a rope.
- Right.

Say, would somebody tell me, please,
what's going on here anyway?

You're about to take
a long trip, my friend.

[crashing]

Wow! Hey, it's good
to see you, old buddy!

Oh! I'll take care
of this big fella. Yah!

[groans]

Oh, no.

[John]
He's coming at you again.

Steve, duck!
Duck, Steve!

Ah!

Man!

Hi-yah!

Ow.

Hey, there you go.

Hey, that-a-boy, buddy.
Give it to him.

Come on.

All right!

Hey, hold it, Steve.
I'll finish him for you.

John, go sing, will ya?
Come on.

You know, I think when I gave him
that karate chop...

♪ You're just too good
To be true ♪

♪ Can't take my eyes
Off of you ♪

♪ Feel like heaven to touch ♪

♪ I wanna hold you so much ♪

♪ At long last
Love has arrived ♪

♪ And I thank God I'm alive ♪

♪ You're just too good
To be true ♪

♪ Can't take my eyes
Off of you ♪

♪ Pardon the way that I stare ♪

♪ There's nothing else
To compare ♪

♪ The sight of you
Leaves me weak ♪

♪ There are no words
Left to speak ♪

♪ But if you feel like I feel ♪

♪ Please let me know ♪

♪ That it's real ♪

♪ You're just too good
To be true ♪

♪ Can't take my eyes off you ♪

Look out!

[all gasp]

- Man!
- Thanks, John.

Well, we're even now.

Boy, I'll tell you something.
I can't get over Linda being one of them.

Well, I guess--I guess they paid
better than you did.

You know, she introduced me
to that Kimbrough guy,

and she told me
he was an arranger,

and then he'd send me tapes
all the time.

Which Linda passed on
every time you played a foreign capital.

- Yeah.
- By the way, Oscar,

don't you have
something to say?

Yes. I'd like to apologize for thinking
you actually were a courier, Mr. Perry.

He made you say that, right?

- Right.
- Right.

[chuckles] Anyway,
I accept your apology.

Thank you.

- Put her there, pal.
- A pleasure.

Excuse me, please.

Oh.

Thank you.

Um--

Now, I suppose you thought
that was a trick, right?

But that's not
the case at all.

You see, her father happened
to be a strongman in a circus.

And what happened--
Well, he was one of those--

Yeah, he lifted weights
and did all that stuff.

It's probably hereditary.

See, she's
an awfully strong girl.

Why don't you
go sing a song, huh?

- [laughs]
- Get out of here.

Let's hit it, gang.

- [piano plays]
- Go.

♪ I love you, baby ♪

♪ And if it's quite all right
I need you, baby ♪

♪ To warm the lonely night ♪

♪ I love you, baby ♪

♪ Trust in me when I say ♪

♪ Whoa, pretty baby ♪

♪ Don't bring me down
I pray ♪

♪ Oh, pretty baby ♪

♪ Now that
I've found you, stay ♪

♪ And let me love you, baby ♪

♪ Let me love you ♪

♪ You're just too good
To be true ♪

♪ Can't take my eyes off you ♪

♪ You'd be like heaven
To touch ♪

♪ I wanna hold you so much ♪

♪ At long last
Love has arrived ♪

♪ I thank God I'm alive ♪

♪ You're just too good
To be true ♪

♪ You're just
Too good to be true ♪

♪ You're just too good
To be true ♪

♪ Can't take my eyes off you ♪

[clapping]

[theme music]