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In this lecture we're gonna go more in-depth about line of action.
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So line of action is kind of the first part of our gesture.
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So what we're going to do is we're gonna have a look at a few photographs and we're gonna figure out
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what their line of action is just so you can get a good idea of what the line of action is.
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So right here you can see that we have this first photo of this man and the line of action.
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Like I've said before previously in the course it's going to start about at the top of the head or the
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neck it's gonna run right through it and it's going to go through the center of the body and it usually
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out one of the legs or in this case it will actually go through both the legs just because of the way
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we're viewing this pose.
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So I'm gonna go ahead and draw it and you want your line of action just to be a quick line.
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You don't want to be doing this sort of sort of sketchy thing you just wanted to be one quick.
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Long line so let's go ahead and do that.
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So basically start from the head.
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So it had kind of curves like this and then back like that.
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So kind of just makes a simple S curve right.
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So a curve in the legs and it curves opposite direction than back up the opposite direction through
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the head.
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And so what you want to start doing is you want to start looking at poses and trying to imagine what
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their line of action is you're gonna start your drawings of your characters with a line of action.
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That's the very first step in drawing a character design is what is their line of action.
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In some cases it might just be a straight line like that but in a lot of cases especially if you want
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your pose to be dynamic it's gonna be curved or it's going to have like an S curve either one of those.
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So let's have a look at a few more.
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All right.
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So let's have a look at this ladies line of action.
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So her line of action if it starts in the head and goes through the torso it's going to go out the leg
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that is mostly aligned with the curve of the line of action.
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So what I mean by this is the line of action because our back is arched backwards like this.
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That means that the line of action isn't going to be going through this leg right here because you can
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see there's an abrupt stop to it if we do it like that.
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Her line of action is just going to go all the way through her body like that.
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So her body then this leg right here because that's all kind of that same curve.
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Then you can start adding smaller sort of sub line of action.
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So for example there's a line of action for this leg but the main line of action is right there you
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could even add lines of action for her arm and just adding a curved line and deciding which way it's
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going to curve and you can even break that down further into even smaller line of action.
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So I can do lines that kind of curve out the opposite direction so this guy let's go to his line of
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action.
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So just kind of runs through the neck through the spine and out the leg.
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So he just kind of has a C shape line of action.
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You wanted to if you included his head you could kind of include this curve right here.
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But his is basically just a C shape a line of action.
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All right let's do a little bit of sketching.
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So go ahead.
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Switch over to the color black and let's just draw some simple gestures.
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Starting out with the line of action.
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So let's say for example let's draw somebody kind of going like this so maybe kind of a slight S curve
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like that and the type of pose we could do with that is if we draw a head like this this kind of can
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become an arm torso and this kind of becomes a leg
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right.
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And then we can have a leg coming off like this
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maybe this other arm is right there that they can see we have that very strong line of action which
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that's what we want.
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We want a really strong line of action and all of our poses.
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Let's do an example where we can see if we do a line of action just straight like this is very boring.
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There's not much to it
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right.
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That's just born.
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They're just standing there they're not doing anything.
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So we want to get these nice curving lines of action so we can do it like this at the head right there.
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The body
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foot
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and there is a person that just kind of walking go ahead and walk out that line of action just so we
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can see it a nice strong line of action.
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All right let's try one more so go ahead.
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It's kind of move these guys out of the way a little bit.
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And for last one let's see there's all kinds of line of actions we can do we can do one that's kind
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of more and that's kind of more S curve like this just somebody kind of standing there right
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and you can see that our forms and are shapes are kind of based off this line of action.
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So for example we know that the chest goes about here.
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And so since it's kind of angled like that that means that the chest is going to have that angle.
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When we get down to the pelvis area you kind of a ball for the for the waist and then for the pelvis
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we want to angle it more with the line down here.
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So kind of like that
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and we can go ahead and do this leg right here.
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So this leg will just kind of follow this curve
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right.
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So there is another strong line of action it's always okay to kind of change that line of action too.
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So I had to make a choice right here with this leg the other leg that the line of action doesn't run
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through.
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And I had to decide where I want to draw because if I won keep this line of action I had to kind of
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move it inwards towards the line of action because what would happen is if I went ahead and I drew a
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line like this
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Well now there's stronger line of action would probably actually just be too kind of curve this out
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like that.
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So you have to kind of make choices but there's nothing wrong with changing your line of action partway
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through your actual gesture drawing.
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So just keep that in mind.
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All right.
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That brings us to the end of this lecture.
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So real quick let's just review the line of action.
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It kind of just runs sort of through the middle of the body kind of where the spine is and it usually
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can run through an arm.
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It can go from the arm to the feet or can go from the head to the feet.
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But generally that's where your line of action is going to be just that center line that has that nice
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dynamic motion.
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And keep in mind that basically the only lines of action you are going to be drawing is either a curve.
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So just kind of a c curve and sometimes it can be more curved like that sometimes it's gonna be less
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curved and the other one is gonna be an S curve.
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So we get an S curve on this guy here which is less curved.
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It's almost a straight line and you could even exaggerate that more on that guy if you wanted to.
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And sometimes you get really exaggerate curves like the one on this person here and you can even get
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more exaggerated S curves than that.
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And your character designs those are gonna be the main lines of actions that you're gonna be drawing
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in your characters.
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And just remember that usually we want to avoid just straight lines of action unless you're trying to
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draw a character that standing very stiff on purpose you usually want to make it more dynamic than that.
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So try not to do just straight lines of action.
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Thanks for watching this lecture and I'll see you guys in the next one.
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