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All right.
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In this lecture we're going to be talking about how to refine our character designs.
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So how do we take an idea of a character and slowly draw that and refine it until we come to our final
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character design.
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Well we've kind of already done it in this course with a few projects and you've kind of seen this process
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but we're just gonna do a review of it.
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So you know exactly what it is.
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And also we're going to be using this throughout the rest of this course to design and draw our characters.
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So there's kind of three parts to refining your character.
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Now you could whittle this down to two or you can make it even more than three you can make it four
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or five.
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It just depends on how many rough versions you want to do.
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But if you remember a rough is basically just the under drawing that we draw for our character design
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it's what we use as a guide and to really help us understand where the design is going so that then
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when we go in with our darker pencil it's kind of a it's a good base to work off of.
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So we have our rough number one the first rough that we do.
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We're going to focus on fundamentals.
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So we're focusing on things like line shape form pose perspective all that good stuff we're trying to
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make sure that all of that looks good.
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And we have a really good structure for our character design because if that doesn't look good like
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I said that's the foundation and if it doesn't look good.
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Your character design will fall apart.
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We're also focusing on designs or focusing on things like composition we're focusing on things like
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how do the shapes look together.
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Stuff like that that we're going to focus on staying light and loose so drawing your rough your first
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rough is all about seeing lights.
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You don't want to push too hard and you want to stay nice and loose it can look really bad sometimes.
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Sometimes your first draft will look terrible and it won't look very good but that's what the whole
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refining process is about is refining it to a very good looking drawing.
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So let me kind of just show you an example.
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So come over here into this other layer that I have or this other canvas and just go ahead and scrub
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brush and we could just do our first rough for character which just shapes we could just kind of do
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circles like that or maybe we'll kind of shape that out to kind of an egg shape maybe add some ovals
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four legs maybe some arms right.
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So it's super super rough super messy.
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It can be incredibly messy and that's the whole purpose of the rough is to really just loosen up because
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if you're too uptight you're not going to come out with very good ideas or you might be too scared to
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put some marks down on the paper.
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You just want to stay loose and keep it rough because also another thing is that when you do it this
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way you don't feel bad if you redraw.
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So like if I want to change something by this character maybe make their head a little bit smaller
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and bring it down more.
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I don't feel bad about redrawing that because it was so easy to draw the first time right.
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Or maybe we're doing a character like this.
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There's this head just kind of sketch out where his neck might be his ear
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nose
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right.
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And so I'm just plain basically what shapes right now.
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Shapes and form.
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It just kind of making sure that I'm getting that all right.
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And it's just messy.
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That's that's really what the Ruff is all about staying messy making sure that you're starting to get
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those shapes those forms in correctly and just keeping it very light and very loose.
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All right next.
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So after the rough.
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Now we're going to go ahead and move on to the rough drawing number two.
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Now typically I like to stay on the same drawing from a rough drawing number two.
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And that's why I'll draw really lightly for my first rough so my draw something like the cylinder for
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the head and the jaw line and the neck and stuff like that and I'll rough that stuff into my first phase
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and then in my second phase of the rough that will be considered my rough too if you wanted to you could
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just move on to another piece of paper and redraw what you have for your first rough.
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But I'd like to just draw on top of it.
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So I just draw lightly for the rough one and then the rough two I just push a little bit harder and
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typically I'll use a blue or colored pencil for my first two roughs.
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So that way it stands out from my final drawing.
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So when it comes to the rough number two we want to focus on the design.
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So we still want to focus on the design like we did in rough number one.
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We want to focus on the composition the shapes the shape language stuff like that but we can also start
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focusing more on things like the design of the costume the design of the hair stuff like that.
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We also want to focus on things like detail.
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So that's going to be textures hair so I guess would fall into that.
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The little details on the costume Sew buttons stuff like that.
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Facial expressions the size of the eyes all that good stuff.
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All that is going to be in the rough phase number two and we want to start tightening up our drawing
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so we don't want to as loose as we had it before so like this one is very loose.
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We'd want to start going in there and tightening these lines up and just making them a little bit more
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purposeful.
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And then we want to be more methodical so the first part we're being methodical but we're just being
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very light and loose we're just trying all kinds of different things and experimenting in the rough
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phase number two we want to be more methodical think about where we want eyes to be placed what's the
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form of those eyes what's the form of the lips what kind of character are they why are they wearing
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this costume stuff like that we just want to be more methodical than we might be in the rough phase
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number one.
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So after we have that all done then we can go ahead and move on to our final drawing.
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So a final drawing is going to look very similar to the rough number two but we're going to finalize
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all those lines so we're going to refine slash changed the details.
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So there's something about the eye for example that you did in your rough number two then you can go
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ahead and change it at this point with your darker pencil.
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So we could just go ahead and let's say change the shape of the eye or the length of the eyelash or
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we could change the placement of part of the costume or we could slightly change the shape of the hairstyle
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or add more detail and stuff like that.
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So we're going to change things like that in this phase.
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We're going to be using a darker pencil like I said or if you're working in something like Photoshop
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digitally then you're going to be adding a new layer on top of this and you're gonna want to draw your
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final drawing on a new layer.
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And then we also want to finalize the story.
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So throughout this entire process we want to be thinking about the story and we want to slowly build
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that story up as we go through these different drawing phases.
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And once we get to the final that's where we need to finalize that story.
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So the costume the facial expression all of every aspect of the character needs to be finalized and
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all of it needs to help tell the story of that character.
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And then lastly we want to really clean up and tighten the lines so we don't just want really loose
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lines like we have here we want to make sure that they're nice and cleaned up in tight lines and then
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that will basically bring us to the end of our drawing.
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So this is the very simple step by step process we want to use in order to draw characters.
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Now I know that that's kind of oversimplifying it and obviously there's a lot more that we're going
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to learn about and each one of these steps.
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But for now I just want you to keep in mind that we basically want to start out really rough and then
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refine that rough.
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And then finally come in with a darker pencil and darken and all that detail finalize everything and
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finish up the story of that character.
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All right.
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That brings us to the end of this lecture.
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If you have any questions about this go ahead and post it to the Q and A section of the course and either
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me or my teacher assistant will answer it.
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Thanks for watching and I'll see you guys in the next lecture.
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