All language subtitles for 08-Creating Generic Ivy Variations

Okay, so we now have our first IV variation done.

So now the difficult part is basically over.

So we got like some really nice-looking IV as you can see over here.

So what we're going to do now is we are going to create another

genetic variation and then I will show you how to create a unique

variation.

So that's a really nice thing about speedtree.

You can actually hand the mice.

So for your genetic variations, it is super easy.

One thing I do need to keep in mind, is that?

Yes, we can randomize button.

This one over here, the big branches, that you can see these, if you

randomize them, they will.

Once again, not be at the front sight and they will just kind of like

go all over the place.

So I can actually show you here.

Let me just save my scene.

And basically in the randomizer you can go to for example big.

And if you go ahead and you, I believe that you actually need to go

in.

Now, in order to fight this second.

Let me just move this.

And if I scroll down, where are you are?

Here you are.

So, here you have your hand in my seat.

So you get ahead in my seat generation forces, splines, all that

stuff.

So, let's say that you to randomize degeneration.

As soon as I click that it should, as you can see randomizer, but it

doesn't really work because, of course.

Now it's trying to randomize in all the wrong locations.

So, that's basically what I want to show you.

Now, let me just quickly close.

No, I do not want to save and open it again.

Here we go, so that we are back to normal.

But this doesn't mean that we can just go out and we can do, like,

some manual editing for these navigate random.

I suggest let's go for like a shorter one.

I think.

So, this like quite a long one.

So if we just go ahead and we set this to note up here.

Actually, you know what, let's hide this stuff.

Over here because else it becomes a little bit Overkill.

Okay.

So, let's see.

So we click on Note.

Let's make this a little bit shorter.

So let's make this one shorter and this one.

Where is my start angle over here?

What if we make this one like super shorter than this one little bit

longer.

We will leave it a little bit longer that might look interesting.

Let's give this a little start angle and also get make shorter.

And I kind of like wanted to see if I can move this one.

Yes, I can.

Okay, so let's see, something like this.

So we have this one over here.

Now, if we press h to unhide D, so these bits.

Yeah, that looks quite a bit shorter.

And now if we just go ahead and go to leaves and these ones over here.

There we go.

Oh, and let's unhide the big ones.

Yeah, you know what?

That looks a little bit.

That looks quite nice.

If I go ahead and have a look.

Yeah, I think that will look different enough for us to have like

another variation.

So here, you can see how quick it is to just add a another variation

to this.

So, I'm quite happy with this.

So, let's just go ahead and let's do a file and a save as and simply

call this IV.

Genetics 02.

And just like this, you can make as many variations as you want.

Pretty much.

So, because we re using

Same textures and everything.

There isn't actually any, the only expense that you would pay for is

that you have like multiple different models that need to load in, but

that's pretty much it.

And that's not a huge expense, unless you make a very large level.

But anyway, let's go ahead and Export this.

Ivy generics hero to save.

It should still have all of our export settings.

Yes, so we can just press.

OK.

And now if we go into Maya, we have this one which we can adjust into

the art.

My selected object.

There we go.

We can hide it and now file Imports.

Know what?

I'm going to clean this up a little bit.

Because that's a little bit too overwhelming from speedtree and CDs

to, I believe that I actually imported.

So I'm going to go ahead and I'm just going to get rid of.

Of these.

Texture Maps, which is always automatically export but I don't

actually need them.

There we go.

So IV.

Generic CO2 import.

Hello.

So it has the same name so easily replaced.

That's awkward.

Let's just quickly open scene.

Let's just reopen it.

So what I did is because it has the same name as this model.

It replaces model - tends to do that sometimes.

So let's go ahead and go in here.

I've eaten actually or once / or underscore a so that now it should

not override it.

So now if I go ahead and just

Right, click assign the selected object and hide it.

Now, it should not be overweight.

And so if I go in here,

Really?

It's still overwrites.

No, wait, it does not.

Okay.

That this is a very interesting bug.

No buck.

I don't know what it is.

But this is super super unlogical.

So let me just quickly here.

Let's restart and let you see exactly what's going on.

So I think what is happening is that we are changing this name, but we

should change the ld0.

It looks like that is grouped by now.

So let's click on the parent over here, go to edit and do none group.

And then this one we can basically go ahead and delete.

And then this one.

I need to do like a lot more like a double click and call it IV,

generic underscore 01.

Okay, so now it should be its own individual model.

And let me just quickly, see.

Wait, it's probably grouping because of our layer but this should

still be fine.

So if we now go ahead and import IV.

Generic CO2, there we go.

So now that seems to work.

So this one I'm going to assign to my layer over here.

And now the second one day we go.

See.

So now we have the second one.

That was a little bit strange.

But okay.

So let's go ahead and do the same thing edit ungroup.

I did not realize that it's groups.

These things IV underscored, generic underscore CO2.

And then if I just go ahead and I rotate it 90 degrees.

I turn on my old Ivy so that I can kind like scale this down and make

it a roughly, the same scaling.

And now I can turn off the layer again.

So we got that's one also done over here.

That's fine.

Maybe like quickly reset your pivot point, so that should be fine.

So if I now create a new layer

And call this IV underscore 02.

Yeah, let's do that.

Lets just call it IV unscored 01 and 02.

That's easier.

And assign my object.

Okay, perfect.

So now that is working.

So we got that done.

I believe that we publish still need to like change iuvs in some way,

not completely sure, but that's what I feel like.

So let's go ahead and go up over here.

Two.

Looks like that.

We lost our image over here, which is oh wait, we lost it because I

removed it that that's why I lost that is no problem.

Like I can go at it.

I can just apply it.

All I need to do is I just need to quickly select these pieces.

Oops.

Okay.

So the bark is still here.

But this one we lost.

So just select these pieces, hold shift.

And then deselect.

All of this stuff, come on.

There we go.

Okay, and now what I need to do is I'm just going to quickly.

Assign favorite material.

I'm just going to quickly assign a new material to this.

And here Lambda 2.

And then, if we go into a color, you can click on this button over

here and then go to file.

And this way, you can basically apply a color, so I can go in here.

I just need to quickly navigate, so I wasn't thinking about that when

I export it, my mesh because, of course, it exports with the texture.

So it's referencing the texture.

But if I do this way, I can still go ahead and go to my IV over here C

and then I can still apply it like normal.

Although you know what?

I'm going to actually apply, probably my Alpha think that's a little

bit easier to see.

So we got that one done.

So that should be fine.

And so this one is bark.

Yeah, this should be box till I hope.

I hope that I did not mess anything up, but we'll see soon enough and

then just this like these ones and now uv2 kids.

I can go ahead and I can flip over here.

And then move them.

Into the correct position like this.

So you've he's our little bit awkward that they are flipped out.

I'm sure that's like, I like messing up.

I can keep messing around with the settings.

But luckily, it doesn't take too long to XD, fix this when everything

is in place.

So that's why I'm not going to like, try and play around with the

settings too much when I can just do this.

Which I don't know.

It's can be logically.

Cannot be logical to kind of fence.

Often.

Y'all need to do this once because you don't off the like me to go

back and forth too much after the first one so we can just export this

IV generic CO2.

And then if we going to unreal,

we can go ahead and let me just go over here to assets.

And then, if we go exports to and real IV generic show 2008 before I

do that, let me just quickly check.

I set this to uniform scale of five.

Okay, so I kind like need to know that so that I can import this and

can set this uniform scale, also 25, and now we will just always scale

everything based on this uniform scale.

So that's fine.

So let's input it.

Double check if my material did not mess up.

Looks like it did not, so that's good.

So deviled I can do is I can just go ahead and I can assign up correct

material.

So we have IV, generic 01 and we have Ivy back over here.

So save that and let's have a look.

Yeah, it's looking good.

That is feeling surprising it in all of a sudden, don't know why.

But okay.

Anyway, if that is bad that we can always just make it thicker.

Now.

The nice thing is inside of a real is that we can simply duplicate,

for example, this one and then we can go into assets and District,

click and drag this on to your static mesh to replace it.

And now you can see that.

Now, we have two different variations.

So you can imagine that if you go ahead and you do, for example, this

kind of stuff that you have this one and then you have like another

one and maybe you kind like even go for like a double like this.

Then you can very quickly create walls, that it does not so much.

Look like these are just two pieces and that's basically the power of

this.

You have a just go do this.

Here, see so it's just feels like it is all completely unique.

You can kind like see sometimes the piece come back.

But if you have two or three pieces or at three or four, this will

look very good.

But up close, it will look totally fine.

The only thing that they do not understand this here, you can see that

these ones are a lot thinner.

Then they are over here and I do not really like that.

So what I'm going to do its last thing I'm going to fix, I don't know

why they randomized like that, that's really strange.

Oh, by the way, you can actually also randomize this stuff.

So maybe it's cool to just quickly.

Do that.

Lets save us in just in case.

Let's go in here, go into all and that's again, the mice to

generation.

You see, so you can randomize generation until you get something that

you like.

I extend the click twice and now it is frozen.

Okay, so that seems to be a buck for Speed 39.0, is that if you click

on generation, two times in a row it caches but that's no problem,

because we saved.

So that's why I'm doing that.

Let's go ahead and go in here.

Zu1 randomization like that.

Okay, so that's now even more different.

So that's great.

And now, if I go into my mesh is over here.

Because they are very thin.

For some reason, we were going to go down to, I believe our radio

scale.

Wait, let me make this a bit bigger because else doesn't work here.

Mesh radio scale.

Set is like a little bit thicker now.

They do look fine.

Yeah, it's strange.

Okay.

So let's just leave it somewhere in this range.

If I have a look at this I do feel like there's quite a bit of empty

space.

So maybe I can do or play around a little bit more like my generation

here.

See now there's less empty space.

So that's what I quite like, so I'm just going to go ahead and I'm

going to save this.

And I'm going to do one more exports game.

Hopefully last one over here.

Yes.

I want to expand it and I'm just going to go ahead and I'm going to

set this up.

Oh wait, here won.

The BET.

Want to bet that this is the one I never saw it.

Sorry about that.

So what about that?

This probably fixes the UVs.

Honestly, I can't believe that I, it's because like I see these

settings, but I don't always read them because I will see them so

often, so let me just quickly, delete or actually?

Now maybe not deletes.

Let's go file import.

Let's import our IV, generic 02 over here and then it will most

likely.

Yeah, it will have replaced.

Okay, I should have deleted this one because now it is just getting

confusing, but this is the one that we need.

So let's just rotate this.

IV unscored, generic underscores.

The other two

And now I'm just curious, you see?

Okay, so that fix it.

So when you're going to export settings, just do not pass the flip

start, the flip with texture coordinate stuff.

So that's a little bit awkward.

That's it.

Took me so long to find that but yeah, it's not that big of a lost of

a loss of time, to be honest.

So it might also be nice to just know how to fix problems.

If you come across them, even though this was a problem that had an

easier fix.

But anyway, so we have this one so we can just go ahead and re-export.

This again, like this.

And then all we need to do is we need to go into a real highlight.

Click the import.

Yes.

Reset at least two fpx.

That is one that we need to do.

But then all we need to do in here is we just need to

quickly apply our leaves to the other variations and later on we can

just have like a few different color variation.

So we now have this stuff over here.

And as you can see, that is working already like a lot better.

Yeah, so now it is a lot more visible to see all of these extra

bunches.

It looks fine.

Yeah, I might not really like this specific one over here.

So if you ever have like one that you think like, no, that is too

obvious how it is here.

I think it is this one like that.

You say like no, that is too obvious.

You can always just try and like move something in front of it, like

this, to kind like height, those really specific ends.

So that is one way that you can just quickly.

Work with things.

And, for example, for this one here.

You can also just press delete if you want.

Do you like kind of like stuff like that and when you then export it

again?

So that's like fair.

If you want to do very specific.

If you're making this for a game, I would say like, yes, you want.

Of course.

We like very specific because in the game you can run around and all

that stuff and you can really look at it up close but for tutorial I'm

of course not going to spend a huge amount of time.

The only thing I'm going to do is remove those little top bits also

because they do not have a bunch in there.

Just feel a bit of

There we go.

And it's also removed this one.

Okay, that should do the trick.

Let's go at the next spot.

Andrea port.

Okay, perfect.

So now that we have done this stuff.

Yes.

I'm going to go over the unique variation in next chapter, but we

still have a little bit of time left in this one.

So let's just duplicate the IV generic and just called IV generic 02

and maybe duplicate it again and call it 0 3.

So if I have my IV 0 1 over here.

Just going to drag it down.

It would be cool.

If I quickly grabbed some of these materials.

So here we have like zero two and then 03 again.

And if I don't open them up.

And let's also just drag them over here.

What we can hopefully do is if we go into our view and just press G

over here too, heids our selections and everything.

I should be able to go in here and maybe like a matte color slightly

change the color of some of these.

You see, I can make these like a little bit lighter over here.

And that's what you thought, like that extra little bit of variation.

Indeed, these I can make like a slightly lighter.

Green color over here.

And I can see that very quickly.

You see difference between this and this, it is just like that extra

little bit.

These ones might be like a little bit too green.

So it's really knowing that it does not remember my window position.

That's something that I always have a little bit bothered about

But I just had it.

Did it.

Yeah, it's the exact same window.

He hadn't but it still cannot remember.

Here, let's tone it down a little bit.

But yeah, basically we can just play out with this until we get it to

our liking and now we can just also go into generic CO2 and I'm just

going to quickly do it like this because I'm not in the mood to move

my window.

Scan your CO2 and then click on 03.

Like that.

There we go.

And now we have like a bunch of different extra variations also, so

that's extra good.

Stoned on my lights and maybe like duplicated over here.

There we go.

Just so that we have some nice lighting.

Okay, perfect.

So we got those done in our next chapter.

What we will do is we will go ahead and we will move to our actual

tunnel scene over here.

And I want to basically show you that.

Yeah, that's looking nice.

I want to basically show you how to create unique IV.

For example IV that just like hanging all the way over here and stuff

like that.

So I V that is specifically made.

Wait, for a part of your scene and that's what we will be covering in

our next chapter.

And after that's done.

We will just go ahead and we will start like doing placements.