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nothing is more important
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safety on set
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with all the gear
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stunts people
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and everything else going on on any given set
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there are million ways to get seriously hurt
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or even killed
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while the assurance was in post production
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a camera assistant named Sarah Jones was hit by a train
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and killed while working on set in Georgia
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no film is worth the loss of human life
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so how do you stay safe
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well it starts by being very aware of the heavy camera
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and lighting gear
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that's almost every set
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don't touch gear unless it's your responsibility
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even if you're familiar with the equipment
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if you're in a position where you set up gear
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never leave anything set up in a precarious way
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you place dirt
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or in other words
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a sandbag to secure sea stands
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light stands
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cranes tripods
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or anything else heavy that might tip over
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now of course
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we'll look a lot more at C stands
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in the training series on cinematography
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but with setting them up
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you wanna put the weight on the right side of the arm
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when the grip head is facing you like this
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so the weight will tighten the tension
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you wanna place the
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arm over the highest leg of the stand
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and place dirt on that leg as well
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when you plug something in
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be aware that you've created a potentially treacherous
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tripping hazard
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run stingers
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which is film language for extension cords
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run stingers
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hidden along the edges
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of walls if possible
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if that's not possible
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tape them down
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as a matter of fact
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just tape everything down
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with a doubt
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tape it down
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here key grip
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Matt Harrison tells the extras
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the safest path to walk around the lights
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when we're coming in and out of here
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just because we've got this expensive camera right here
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and these lights set up a certain way
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um to avoid any
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knocking anything over
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always enter through that last portal there
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on the end please
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we appreciate it thanks
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on the side of the assurance
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we had torches
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actual fire torches
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and chapter 7
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we'll look at how we made them
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and the safety measures we implemented
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to make sure no one got hurt
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also we had a couple shoots at night
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in a failure
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remote location
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if our lights went out
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it would have been pitch black
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which is obviously dangerous
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so we had lights plugged into multiple circuits
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just in case a feud was blown
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or light went down for some reason
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here you can see our best boy
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Dana Mamura
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with a hat light that he brought
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and you can imagine how helpful that was
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while we were packing up at the end of the night
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another big safety issue is exhaustion
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on one of our production days
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we pushed our casting crew
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and worked a ridiculously long day
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this is very common on independent
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low budget shoots
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but it can be extremely dangerous
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if this is done multiple days in a row
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people need to be well rested
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not only to be at their creative best and all that
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but more importantly
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to travel safely to and from set
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and to work safely while there
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because working into the night was a necessity
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on our long day
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we made the day before really short and easy
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we also made call time a little later that morning
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on our big day
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and also a little bit later the following morning
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to maximize how much time people had off to rest
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Heather also prepared a first aid station of sorts
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with over the counter medications and bandages
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or whatever
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just in case somebody needed them
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I think looking back
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there might have been a few headaches
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or paper cuts
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or whatever
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here and there
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so it really helped to take care of our casting crew
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safety is so important
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even if you don't care about
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the humanity of taking care of the crew
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being safe will keep your schedule moving forward
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I mean what if we didn't have those little
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dinky first aid supplies on hand
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what if we weren't safe
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and someone had gotten hurt
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it would have hurt our production
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on every level
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for more safety information
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download the free safety app
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available for both Android and iOS
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this app was created after a successful Indie
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Gogo campaign
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by those concerned with the death of Sarah Jones
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the world wants to see your movie
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so please work
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to make your set a safe one
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