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throughout all of these short film courses
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I refer to the filming of the assurance
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so in this movie
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I'm gonna give you an overview of the whole productions
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that you have a frame of reference
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so this is less of a tutorial
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and more of a reference
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to help you get more
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out of all this short film training
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the main part of our production consisted of three days
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at the end of March 2,013
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the first day was a lighter day
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meaning that we didn't have much to film
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and there were less complicated shots and camera moves
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so we didn't need as much personnel on hand
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the only crew was myself as DP and director
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Daniel Mamura filling in as gaffer
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and basically the rest of the Cameron Genie department
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and Josh Savari on audio
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and that's it
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three people
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Elijah Teigs and Steven Heller
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were also there
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but their primary jobs were to film
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the behind the scenes footage
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for this training
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on this first day
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we only shot scene 7
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what I refer to as the hut scene with Eva Natty
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as we'll learn about later in this trading series
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this is a rough day
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because of some crazy weather
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that I wasn't prepared enough for
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the second day was the biggest day of production
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all cast all crew
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about 20 to 30 extras
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we started in the morning and shot into the night
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as we Learned later in this training series
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we ended up
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unable to get all that we wanted to shoot that night
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but we did get some pretty great stuff
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all of scene 9
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the council scene
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scene 13 the goodbye scene
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where taiani and cordaya part ways
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and we also shot a lot of great night stuff
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for the first part of scene ten
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the third day was more of a medium average issue day
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we started mid to late morning
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and finished before the sun went down
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most of the cast was there
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most of the crew
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we had about eight to 10 extras
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on this third shoot day
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we only got one scene scene 8
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what I refer to as the common area scene
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but this was probably the longest
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and most complex scene in the film
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there are a lot of moving pieces
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and we got some pretty great footage
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now these three days
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were what I called the main production days
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but I still had a lot more work ahead of me
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we had to reschedule the night shoot
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for which we had a lot of really amazing people
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volunteer to return to help out
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after getting much of the footage edited
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I realized the story was missing some key elements
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so Heather and I wrote a new scene
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we made one attempt to film that scene
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but the location we were going to use
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had too much noise from a nearby highway
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also the sun came out
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and it just didn't look like the insurance
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so we had to ditch that shoot
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and reshoot that pickup scene at our main location
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I also shot a lot of stuff with Steven Heller
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one of the behind the scenes producers
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I just mentioned
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he came with me and my family
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to shoot the finale at a local park
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and then we took a road trip to Eastern Washington
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where we literally pulled off the side of the road
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and stole loads of shots
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all the snow stuff
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and most of the desert footage as well
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Steven Heller and I also work together
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to film some of the special effects shots
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we used in the movie
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there were also
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seemingly countless shots
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that we shot on little family road trips
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my daughter nanny
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who plays cordaia
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would bring her costume
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and we just go out driving
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we stole shots in parks
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or whatever locations we found that would work
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finally we also had a host of voiceover shoots
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because we have a lot of editing changes
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and rewrites in post
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having an amazingly flexible
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and generous lead actress
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Aniva Jane as well as my sweet little Natty
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really saved this entire production
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they were so patient with all the rewrites
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and reshoots
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and everything else
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that I threw at them
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so now that you're familiar with what
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our production look like
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let's dig a little bit more
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into some universal production basics
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