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These are the user uploaded subtitles that are being translated: 1 00:00:05,600 --> 00:00:07,466 The preparation 2 00:00:07,466 --> 00:00:11,733 and preparation is also known as the dress up. 3 00:00:11,800 --> 00:00:16,900 Okay, so this will be the time when you will arrive at the first location. 4 00:00:17,000 --> 00:00:20,466 This is where you meet the couple on their wedding day. 5 00:00:20,533 --> 00:00:24,300 The first thing that needs to be done is to look for an area 6 00:00:24,366 --> 00:00:28,566 where you won't disturb the preparation of everyone. 7 00:00:28,633 --> 00:00:31,466 When you arrive at the hotel or dress up venue, 8 00:00:31,466 --> 00:00:36,566 the first thing to do here is get establishing shots of the location. 9 00:00:36,633 --> 00:00:40,633 A saying someone to go outside and get establishing shots 10 00:00:40,733 --> 00:00:43,433 with a wide angle camera lens and 11 00:00:43,433 --> 00:00:46,900 or a 7200 millimeter lens. 12 00:00:46,966 --> 00:00:50,700 Usually the assigned shooter for this part is the main shooter. 13 00:00:50,766 --> 00:00:55,033 Who does static or style videos of the dress up venue 14 00:00:55,133 --> 00:00:56,833 and then the creative shooter. 15 00:00:56,833 --> 00:01:01,100 Thus, the more cinematic light shots of the venue. 16 00:01:01,200 --> 00:01:01,500 While 17 00:01:01,500 --> 00:01:05,233 establishing shots are being made a sign another person 18 00:01:05,233 --> 00:01:09,100 to get footage of the details like the coins, 19 00:01:09,166 --> 00:01:11,866 Bible invitations 20 00:01:11,866 --> 00:01:15,266 and all objects that are essential to the wedding. 21 00:01:15,333 --> 00:01:20,633 One particular detail that needs great footage are the rings. 22 00:01:20,700 --> 00:01:23,700 The ring shot is a huge part of the wedding. 23 00:01:23,700 --> 00:01:27,666 You may get creative with the ring shots in many ways. 24 00:01:27,733 --> 00:01:30,500 You can using macro lens to get small details 25 00:01:30,500 --> 00:01:33,766 from the rings like engravings inside the ring. 26 00:01:33,800 --> 00:01:35,900 To thoroughly explain this part. 27 00:01:35,900 --> 00:01:38,133 Let me tell you more. 28 00:01:38,133 --> 00:01:41,133 So in the previous lessons of this course, 29 00:01:41,300 --> 00:01:46,233 we have a topic called the allocation of Bass that talks about 30 00:01:46,300 --> 00:01:51,400 each member should have a specific role accountability for process. 31 00:01:51,466 --> 00:01:53,866 So here I will tell you 32 00:01:53,866 --> 00:01:57,366 the usual flow of every wedding preparation 33 00:01:57,433 --> 00:02:00,733 so that you will have an idea how to allocate the task 34 00:02:00,733 --> 00:02:04,900 for your team members before we go to each member states. 35 00:02:05,000 --> 00:02:09,700 Let me tell you first, the parts of the preparations for the bright side. 36 00:02:09,766 --> 00:02:12,366 We have the bride makeup 37 00:02:12,433 --> 00:02:15,300 bride in royal Portrait 38 00:02:15,300 --> 00:02:18,300 Bride and Bridesmaids Group Shot 39 00:02:18,433 --> 00:02:21,433 Bride in Gown Portrait 40 00:02:21,533 --> 00:02:22,800 Bride in Gown. 41 00:02:22,800 --> 00:02:25,500 Family Portrait 42 00:02:25,500 --> 00:02:29,300 Bride in Gown and bridesmaids Group shot. 43 00:02:29,400 --> 00:02:31,500 And for the groom side 44 00:02:31,500 --> 00:02:34,500 groom dress up in portrait, 45 00:02:34,633 --> 00:02:38,500 groom and groomsmen group shots. 46 00:02:38,566 --> 00:02:41,566 Groom Family portrait. 47 00:02:41,666 --> 00:02:44,800 I have mentioned what are the common roles of a wedding video 48 00:02:44,800 --> 00:02:46,833 theme in the previous course? 49 00:02:46,833 --> 00:02:48,600 These are the following. 50 00:02:48,600 --> 00:02:49,766 Main shooter. 51 00:02:49,766 --> 00:02:52,700 Second reaction. Shooter. 52 00:02:52,700 --> 00:02:54,733 Creative shooter. 53 00:02:54,733 --> 00:02:59,166 This is for three camera setups only for three camera setups. 54 00:02:59,233 --> 00:03:02,233 Usually it is a second or action shooter. 55 00:03:02,266 --> 00:03:05,166 Who does the bride a portrait 56 00:03:05,166 --> 00:03:09,733 or it really just depends on whoever has the skills to do so. 57 00:03:09,833 --> 00:03:12,833 And then the creative shooter is assigned for the groom. 58 00:03:12,933 --> 00:03:16,533 I'll talk about the task of each shooter based on the past hour 59 00:03:16,533 --> 00:03:21,100 or what's already happening in the preparation part. 60 00:03:21,166 --> 00:03:23,700 Let's start off with the bride side. 61 00:03:23,700 --> 00:03:26,100 Bride makeup 62 00:03:26,100 --> 00:03:29,333 usually by the time the video team arrives 63 00:03:29,333 --> 00:03:33,766 and although the hair and makeup is already ongoing. 64 00:03:33,866 --> 00:03:37,500 While this is happening, that's when the creative shooter 65 00:03:37,733 --> 00:03:41,833 will get detailed shots of the wedding details such as the wedding 66 00:03:41,833 --> 00:03:47,233 ring, wedding invitations, flowers or bouquet groom shoes, 67 00:03:47,333 --> 00:03:52,300 bride sandals or heels, the Bible and other details 68 00:03:52,366 --> 00:03:57,266 is also a sign in getting creative, establishing shots of the venue. 69 00:03:57,333 --> 00:04:02,266 The second shooter is assigned to shoot for reactions in the room. 70 00:04:02,366 --> 00:04:04,933 Basically, the second shooter is also considered 71 00:04:04,933 --> 00:04:10,500 as the one that documents what's happening in the hotel room or dress up venue 72 00:04:10,566 --> 00:04:15,633 and also shoots for the bride's make up process. 73 00:04:15,700 --> 00:04:17,733 Then usually in our theme, 74 00:04:17,733 --> 00:04:22,100 the main shooter uses a telephoto lens like the seven 200 millimeter, 75 00:04:22,200 --> 00:04:25,033 then shoots for a long range, establishing 76 00:04:25,033 --> 00:04:28,033 static or still shots of the venue 77 00:04:28,033 --> 00:04:32,566 and thus shoot reactions in the groom's room as well. 78 00:04:32,666 --> 00:04:35,233 Writing row portrait. 79 00:04:35,233 --> 00:04:38,533 In this sport, the creative and main shooter 80 00:04:38,633 --> 00:04:41,400 usually goes to the groom through the shoot. 81 00:04:41,400 --> 00:04:42,733 Then it's just going to be 82 00:04:42,733 --> 00:04:47,200 the second shooter with his camera left for the bride portrait. 83 00:04:47,266 --> 00:04:49,466 This is just our own system. 84 00:04:49,466 --> 00:04:52,300 We shoot it for cameras, but during the preparation 85 00:04:52,300 --> 00:04:55,300 part, I do the way to portrait shot. 86 00:04:55,300 --> 00:05:00,666 And my second shooter is the one that assists with the lighting while shooting. 87 00:05:00,733 --> 00:05:03,733 Bride and Bridesmaids group shot 88 00:05:03,733 --> 00:05:06,733 most of the things nowadays, specialists, 89 00:05:06,900 --> 00:05:12,366 especially starting video teams, usually have three camera setups. 90 00:05:12,433 --> 00:05:15,233 There will only be one camera setup for this 91 00:05:15,233 --> 00:05:19,233 part of the Bride of the Bride preparations. 92 00:05:19,300 --> 00:05:22,266 Also, after taking the group shots, 93 00:05:22,266 --> 00:05:26,800 do not forget to take a video of the bride and the maid of honor 94 00:05:26,866 --> 00:05:29,866 removing the bridal gown from its mannequin. 95 00:05:30,033 --> 00:05:34,200 If not available, a fitting shot of the two is okay. 96 00:05:34,266 --> 00:05:40,000 It may not be a necessary part in all cases, but it's definitely useful 97 00:05:40,100 --> 00:05:43,900 in the editing, especially when you're connecting dots already. 98 00:05:43,966 --> 00:05:46,966 Let's look. Let's like. Let's see. 99 00:05:47,100 --> 00:05:52,000 The Maid of Honor gave a speech during the reception program. 100 00:05:52,100 --> 00:05:56,066 You can then add those shots as meals or feelers. 101 00:05:56,300 --> 00:06:01,433 This shows the intimate relationship between the bride and the maid of honor. 102 00:06:01,500 --> 00:06:03,233 This is just an idea 103 00:06:03,233 --> 00:06:07,333 for you that you might be interested in applying. 104 00:06:07,433 --> 00:06:12,200 Celebrating each other's successes and a slow dancing in the kitchen. 105 00:06:12,300 --> 00:06:12,766 Guess what? 106 00:06:12,766 --> 00:06:15,100 You guys, you have that love, 107 00:06:15,100 --> 00:06:18,833 and the rest is going to be history in the tissue to dry my tears. 108 00:06:18,833 --> 00:06:23,866 And she says, Keep your shit together. 109 00:06:23,966 --> 00:06:25,266 For this part, 110 00:06:25,266 --> 00:06:29,400 it will depend on you if you want to use a gimbal or just a tripod. 111 00:06:29,566 --> 00:06:33,533 In my case, I usually shoot this part handheld 112 00:06:33,600 --> 00:06:36,400 bride in gown portrait 113 00:06:36,400 --> 00:06:40,933 style role of the second shooter or the creative shooter for the bride. 114 00:06:41,033 --> 00:06:42,200 Bride in gown. 115 00:06:42,200 --> 00:06:45,000 Family portrait. 116 00:06:45,000 --> 00:06:48,366 Same shooter as the previous parts of the bridal preparations. 117 00:06:48,366 --> 00:06:51,233 But here's a theme for this part. 118 00:06:51,233 --> 00:06:54,033 Every if it's possible that the bride's 119 00:06:54,033 --> 00:06:58,333 parents can give an early message for the bride, the better 120 00:06:58,433 --> 00:07:03,700 so that you can use this on your as the video. 121 00:07:03,800 --> 00:07:05,966 It's going 122 00:07:05,966 --> 00:07:09,233 to be 123 00:07:09,300 --> 00:07:10,600 okay in a 124 00:07:10,600 --> 00:07:14,233 short while, so I'm happy to apply. Okay. 125 00:07:14,333 --> 00:07:19,500 It's a game of I love you. 126 00:07:19,566 --> 00:07:21,700 Okay. 127 00:07:21,700 --> 00:07:26,033 She was right in gown 128 00:07:26,100 --> 00:07:29,033 and bridesmaids group shot. 129 00:07:29,033 --> 00:07:30,333 For this part. 130 00:07:30,333 --> 00:07:32,433 The groom is expected to be done already. 131 00:07:32,433 --> 00:07:35,733 So usually in our team, 132 00:07:35,800 --> 00:07:37,566 the creative shooter is the one 133 00:07:37,566 --> 00:07:40,566 that will shoot these already. 134 00:07:40,633 --> 00:07:44,233 Because after this part, I really want the creative shooter 135 00:07:44,466 --> 00:07:48,633 to be with the bride when she writes the bridal car, going to the church 136 00:07:48,833 --> 00:07:53,366 so that we can have an inside shot of the bride in the car. 137 00:07:53,433 --> 00:07:57,366 Sometimes this is impossible to do if the wedding coordinators 138 00:07:57,366 --> 00:08:02,133 will ride with the bride, but you can always ask permission ahead of time 139 00:08:02,133 --> 00:08:07,866 so that they can vacate and reserve a seat for you, for your creative shooter. 140 00:08:07,933 --> 00:08:14,866 And now let's let us talk about their roles in the groom side. 141 00:08:14,966 --> 00:08:17,700 Groom, dress up and portrait. 142 00:08:17,700 --> 00:08:20,600 Like I said earlier, the shooters assigned 143 00:08:20,600 --> 00:08:23,600 here are the mean and the creative shooter. 144 00:08:23,700 --> 00:08:26,500 If it's possible having two creative 145 00:08:26,500 --> 00:08:30,300 shooters, one bride I want for bride 146 00:08:30,366 --> 00:08:32,800 and one for groom is much better 147 00:08:32,800 --> 00:08:35,700 so that you can shoot simultaneously 148 00:08:35,700 --> 00:08:39,000 in this way, you can save a lot of time 149 00:08:39,000 --> 00:08:44,466 because you do not need to wait for each part to be finished 150 00:08:44,533 --> 00:08:47,333 in this part, you will shoot the groom 151 00:08:47,333 --> 00:08:52,900 wearing his shoes, belt box or suit and tie. 152 00:08:52,966 --> 00:08:57,466 And once it's all set, take portrait shots of the groom. 153 00:08:57,566 --> 00:09:00,600 The main shooter will shoot static or still shots 154 00:09:00,600 --> 00:09:04,300 while the creative shooter is directing the groom what to do. 155 00:09:04,400 --> 00:09:09,466 We call this type of shots or compositions framing. 156 00:09:09,533 --> 00:09:14,400 It's basically using lines in a rooms just like the windows 157 00:09:14,400 --> 00:09:20,333 and using it like a picture frame that gives focus on the subject. 158 00:09:20,400 --> 00:09:23,400 Also, it is usually the best man 159 00:09:23,400 --> 00:09:27,400 who helps or assists the groom wearing his suit. 160 00:09:27,466 --> 00:09:29,400 It's also recommended for use 161 00:09:29,400 --> 00:09:32,800 to shoot both the group and his best man together. 162 00:09:32,833 --> 00:09:35,833 Like I said, in the bride and maid of Honor part. 163 00:09:35,833 --> 00:09:39,333 You can use this shots as feeders or barrels 164 00:09:39,600 --> 00:09:44,300 when incorporating the best speech during the during the reception program. 165 00:09:44,300 --> 00:09:49,600 When you're writing film Groom and Gums men group shots. 166 00:09:49,700 --> 00:09:53,500 This part is usually shot outside of the room, 167 00:09:53,566 --> 00:09:56,100 but really depends on the situation 168 00:09:56,100 --> 00:10:01,000 because some hotels do not allow shooting in the lobby or in public areas. 169 00:10:01,000 --> 00:10:02,666 I've no doubt 170 00:10:02,666 --> 00:10:06,900 this part will just depend on your creative shooters idea. 171 00:10:06,966 --> 00:10:09,666 But if you are to be added ed, 172 00:10:09,666 --> 00:10:13,933 it is much better if you can give your creative shooter hints or ideas 173 00:10:13,933 --> 00:10:19,866 on what to shoot, depending on what kind of video you want to produce 174 00:10:19,933 --> 00:10:23,200 in this way is also be easier for the editor 175 00:10:23,200 --> 00:10:29,200 to go through the footage and choose which one to use in the final added. 176 00:10:29,300 --> 00:10:31,966 That is, overall the parts of the wedding 177 00:10:31,966 --> 00:10:35,200 preparations in the dress up venue. 178 00:10:35,266 --> 00:10:39,666 Usually then usually when we are already done with the bridal 179 00:10:39,666 --> 00:10:45,633 portrait and group shots of the bride and bridesmaid while wearing robes. 180 00:10:45,700 --> 00:10:49,066 That is the time where the assistant start out 181 00:10:49,200 --> 00:10:54,400 or the assistant starts wrapping up and be prepared to depart from already. 182 00:10:54,400 --> 00:10:57,900 Because once the retouch and wearing of the gown 183 00:10:57,966 --> 00:11:01,366 and the taking a few shots of the bride wearing her gown 184 00:11:01,466 --> 00:11:05,866 and with her family is done, we'll go right away to the church. 185 00:11:05,966 --> 00:11:09,700 By then, the team is ready to transfer. 186 00:11:09,800 --> 00:11:14,633 After all of that, it is now time to proceed to the church for the ceremony. 187 00:11:14,633 --> 00:11:15,333 Celebration. 15799

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