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These are the user uploaded subtitles that are being translated: 1 00:00:00,208 --> 00:00:03,336 Welcome to the Complete Wedding Photography Training System, 2 00:00:03,670 --> 00:00:07,090 a proven pathway to developing successful, 3 00:00:07,090 --> 00:00:10,093 award winning wedding photographers from the ground up. 4 00:00:10,385 --> 00:00:13,972 This is the exact same system that we use to train 5 00:00:13,972 --> 00:00:17,350 our associate and master photographers at lineages of Photography. 6 00:00:17,767 --> 00:00:19,102 One of the most commercially 7 00:00:19,102 --> 00:00:23,064 successful studios in the world and winners of multiple industry awards. 8 00:00:23,356 --> 00:00:26,067 But of course, we didn't start there 9 00:00:26,067 --> 00:00:28,987 when we started shooting weddings ten years ago. 10 00:00:28,987 --> 00:00:30,488 We had to find our own way. 11 00:00:30,488 --> 00:00:33,616 We had to piece together our own education, waste money 12 00:00:33,616 --> 00:00:36,661 on unnecessary gear, and learn from, 13 00:00:36,911 --> 00:00:39,914 well, a lot of mistakes along the way. 14 00:00:39,914 --> 00:00:43,752 Now, during that time, we created a framework for our own team 15 00:00:43,752 --> 00:00:46,796 because we believed that creativity, like 16 00:00:46,796 --> 00:00:49,799 a muscle, could be trained and developed. 17 00:00:49,799 --> 00:00:52,802 It wasn't something that you were just born with. 18 00:00:52,802 --> 00:00:56,890 And from that belief, the complete wedding photography training system was born. 19 00:00:57,515 --> 00:01:00,894 This training system is that ten years of experience 20 00:01:00,935 --> 00:01:04,898 going into frameworks designed to cut down your learning curve, 21 00:01:05,231 --> 00:01:09,360 to give you everything you need today to create amazing imagery. 22 00:01:09,777 --> 00:01:10,820 Now, if you're just starting out 23 00:01:10,820 --> 00:01:14,073 in wedding photography or if you're an established professional, 24 00:01:14,616 --> 00:01:17,202 I'd ask, give me a few minutes of your time. 25 00:01:17,202 --> 00:01:19,871 In return, I'm going to show you a proven system 26 00:01:19,871 --> 00:01:22,874 to take your photography and business to the next level. 27 00:01:22,957 --> 00:01:27,128 Over three years in the making, this training system includes eight 28 00:01:27,128 --> 00:01:30,757 complete workshops and spans over 70 hours 29 00:01:31,090 --> 00:01:35,470 of highly refined and edited educational content and resources. 30 00:01:35,970 --> 00:01:38,806 This isn't your typical live broadcast event 31 00:01:38,806 --> 00:01:42,810 that has a little bit of information buried in hours of dialog. 32 00:01:43,269 --> 00:01:45,939 It covers every aspect of planning, 33 00:01:45,939 --> 00:01:48,942 shooting and producing incredible wedding imagery. 34 00:01:49,275 --> 00:01:52,904 Let's take a glance at each course, and we're going to start with photographing 35 00:01:52,904 --> 00:01:53,988 the groom. 36 00:01:53,988 --> 00:01:57,575 This is essentially the second shooters training guide because it's 37 00:01:57,575 --> 00:02:01,871 usually the second shooter photographing the groom as a lead or second shooter. 38 00:02:01,871 --> 00:02:05,917 We're going to provide you with a posing and directing framework to create 39 00:02:06,167 --> 00:02:09,295 authentic and natural men's portraits. 40 00:02:10,088 --> 00:02:15,218 I also want to show you the power of natural modification within a plane 41 00:02:15,343 --> 00:02:18,221 room, how you can create so much 42 00:02:18,221 --> 00:02:21,140 by simply adjusting what's already there. 43 00:02:21,140 --> 00:02:24,936 Now the boys often hang out in much more humble settings than the girls. 44 00:02:25,270 --> 00:02:28,606 So I want you to see how a single flash and a grid 45 00:02:28,606 --> 00:02:32,026 can control light and create incredible images anywhere. 46 00:02:32,902 --> 00:02:35,863 Finally, photographing the groom is about understanding 47 00:02:35,863 --> 00:02:38,866 how to direct and use cues and ideas 48 00:02:38,866 --> 00:02:42,912 to elicit natural and authentic reactions of the groom and groomsmen. 49 00:02:43,246 --> 00:02:44,080 Now moving on. 50 00:02:44,080 --> 00:02:48,459 Per a bride's American study, 70% of the decision 51 00:02:48,459 --> 00:02:51,879 making when it comes to your wedding services is still on the bride. 52 00:02:52,588 --> 00:02:56,175 This makes photographing the bride our next workshop critical. 53 00:02:56,843 --> 00:03:01,055 I want to show you how to create images that resonate with your audience. 54 00:03:01,597 --> 00:03:05,560 I want you to master posing for women and bridal portraits to understand 55 00:03:05,893 --> 00:03:10,857 that a systematic approach to posing can make any subject look incredible. 56 00:03:11,357 --> 00:03:14,944 Likewise, even a model can look unflattering 57 00:03:14,944 --> 00:03:19,073 in a portrait without any guidance and direction as we show here. 58 00:03:20,033 --> 00:03:20,533 Beyond 59 00:03:20,533 --> 00:03:24,579 that, I'm going to show you how to create editorial bridal party images 60 00:03:24,912 --> 00:03:27,999 that get shared and naturally market your business. 61 00:03:27,999 --> 00:03:31,294 They are images that other brides will resonate with. 62 00:03:32,295 --> 00:03:34,505 Next, we're going to teach you how to direct 63 00:03:34,505 --> 00:03:38,050 and shoot storytelling images and how to use lenses 64 00:03:38,176 --> 00:03:41,679 and angles to effect the emotion and the feeling within a photograph. 65 00:03:42,013 --> 00:03:43,097 I'm also going to show you 66 00:03:43,097 --> 00:03:47,268 how to use special effects to create beautiful, dreamy bridal portraits 67 00:03:47,268 --> 00:03:51,606 as well as how to use off camera light to create something 68 00:03:51,606 --> 00:03:55,318 in a room that literally nobody else but you can see. 69 00:03:56,319 --> 00:04:00,907 Next, we have photographing the couple, and this is all about delivering 70 00:04:00,907 --> 00:04:05,286 under pressure, time constraints, bad locations, poor lighting. 71 00:04:05,286 --> 00:04:08,831 These are just a few of the issues that you're going to face on a wedding day. 72 00:04:09,457 --> 00:04:12,376 And this course is all about making incredible 73 00:04:12,376 --> 00:04:15,379 couples portraits, no matter what situation you are in. 74 00:04:16,047 --> 00:04:19,759 We're going to focus on mastering the speed and effectiveness 75 00:04:19,759 --> 00:04:22,720 of the foundation posing framework and to learn 76 00:04:22,803 --> 00:04:26,140 how to identify and correct a pose. 77 00:04:26,432 --> 00:04:27,808 When you see something's off. 78 00:04:28,809 --> 00:04:29,685 I want you to see 79 00:04:29,685 --> 00:04:32,688 how much can be done with virtually nothing. 80 00:04:32,730 --> 00:04:36,526 So we actually start the entire session creating beautiful portraits, 81 00:04:36,943 --> 00:04:40,029 standing in front of a window and curtain, because, 82 00:04:40,488 --> 00:04:43,824 yes, there have been plenty of moments where I've been stuck 83 00:04:43,824 --> 00:04:47,078 in a plane room for 10 minutes doing a couple session. 84 00:04:48,079 --> 00:04:50,289 We're going to next focus on how to create something 85 00:04:50,289 --> 00:04:53,292 from nothing with quick and efficient lighting techniques. 86 00:04:53,709 --> 00:04:57,880 So even if you are stuck in, say, a bad, boring conference room, 87 00:04:58,339 --> 00:05:01,008 you're going to create something amazing 88 00:05:01,008 --> 00:05:03,177 similar to the previous workshops. 89 00:05:03,177 --> 00:05:05,930 We're going to work through sample images as well to teach. 90 00:05:05,930 --> 00:05:11,018 You start to finish how to complete the raw images within Lightroom and Photoshop. 91 00:05:11,435 --> 00:05:15,398 These first three workshops, they are designed to stretch and train 92 00:05:15,398 --> 00:05:19,694 your creative muscles to help you know exactly what to do 93 00:05:20,027 --> 00:05:21,487 when things aren't going your way. 94 00:05:21,487 --> 00:05:23,906 And it's going to happen frequently. 95 00:05:23,906 --> 00:05:26,909 From there, we're going to dive into photographing the ceremony. 96 00:05:27,118 --> 00:05:31,789 The ceremony, obviously, we all know is something that only happens once. 97 00:05:31,789 --> 00:05:35,293 So we're going to walk through each must have an angle and image 98 00:05:35,584 --> 00:05:38,713 from photographing the ceremony to help you. 99 00:05:38,754 --> 00:05:43,301 We will provide you with maps and guides for you as an individual 100 00:05:43,301 --> 00:05:47,305 or as a team to base your movement on during the ceremony. 101 00:05:48,139 --> 00:05:52,184 We also dedicate an entire chapter to discussing the nuances 102 00:05:52,518 --> 00:05:55,688 of popular cultural and religious ceremonies. 103 00:05:56,772 --> 00:05:59,900 The goal from this workshop is to have the confidence 104 00:05:59,900 --> 00:06:03,195 to never miss that once in a lifetime ceremony shot. 105 00:06:03,904 --> 00:06:06,657 Okay, so now you're capturing all of these 106 00:06:06,657 --> 00:06:09,660 incredible images and you want to get published. 107 00:06:09,702 --> 00:06:13,080 Now, what did you know that great detail photos 108 00:06:13,080 --> 00:06:18,502 are not only the key to getting published, they're also the key to developing 109 00:06:18,502 --> 00:06:23,799 relationships with key vendors, the wedding planner, florist venues, 110 00:06:24,341 --> 00:06:28,095 photographing the details is all about doing things right. 111 00:06:28,304 --> 00:06:33,100 So you can see ten times the marketing return from the same amount of work. 112 00:06:33,976 --> 00:06:36,937 For example, a simple couple's portrait 113 00:06:36,937 --> 00:06:40,816 that properly features the wedding venue, the dress, the details. 114 00:06:41,192 --> 00:06:45,738 It can garner millions of organic views, images 115 00:06:45,738 --> 00:06:49,867 that everyone the couple, the coordinator, the planner, the florist, the venue. 116 00:06:50,117 --> 00:06:51,702 These are images that they already want. 117 00:06:51,702 --> 00:06:53,204 They can become amazing. 118 00:06:53,204 --> 00:06:55,331 Organic marketing tools. 119 00:06:55,331 --> 00:06:58,959 I also want you to walk away knowing in any of these situations 120 00:06:58,959 --> 00:07:03,839 how to let your details in any scene, whether you're aiming for a light and airy 121 00:07:03,881 --> 00:07:08,803 outdoor look or if you're shooting for a more dark and dramatic ballroom setup. 122 00:07:09,595 --> 00:07:14,141 You will also learn simple and effective compositing tricks to get the shot 123 00:07:14,141 --> 00:07:18,479 that you need, even if there are vendors still working within your frame. 124 00:07:18,521 --> 00:07:23,025 Now, moving on, I have to admit that I haven't met a whole lot of photographers 125 00:07:23,025 --> 00:07:26,070 that love taking family and wedding party formals 126 00:07:26,946 --> 00:07:29,156 in photographing group portraits. 127 00:07:29,156 --> 00:07:31,325 I'm going to teach you to love it. Why? 128 00:07:31,325 --> 00:07:35,996 Because this is your chance to stand in front of all of the VIPs, 129 00:07:35,996 --> 00:07:37,665 the people who are getting married, 130 00:07:37,665 --> 00:07:39,834 the people who know people that are getting married, 131 00:07:39,834 --> 00:07:42,920 and to show them who you are and what you can do. 132 00:07:43,295 --> 00:07:45,089 I know it's a daunting thought. 133 00:07:45,089 --> 00:07:48,884 So first, I'm going to help you to understand how to stand in 134 00:07:48,884 --> 00:07:51,887 front of a group and command attention as a director. 135 00:07:51,887 --> 00:07:55,099 Then we're going to focus on building your skill set 136 00:07:55,099 --> 00:07:59,353 when it comes to opposing groups, to understanding the rules over 137 00:07:59,895 --> 00:08:02,147 how to overlap when it's too much, 138 00:08:02,147 --> 00:08:05,276 when you create connections to build closeness and intimacy, 139 00:08:06,110 --> 00:08:08,445 you're also going to learn how to like groups 140 00:08:08,445 --> 00:08:12,074 with both simple flashes and larger strobe setups 141 00:08:12,616 --> 00:08:16,287 so you can pick the lighting tool that best fits your style knowing 142 00:08:16,662 --> 00:08:18,289 anything will work. 143 00:08:18,289 --> 00:08:21,625 And finally, how in the heck do you photograph the reception? 144 00:08:21,625 --> 00:08:24,878 I mean, some are indoors and some are outdoors, 145 00:08:24,878 --> 00:08:27,464 some are during the day, some in the black of night. 146 00:08:27,464 --> 00:08:31,844 Sometimes the inside lighting is terrible and it's purple. 147 00:08:32,177 --> 00:08:35,139 What do you do in every one of these cases? 148 00:08:35,139 --> 00:08:37,850 Photographing the reception is the final piece 149 00:08:37,850 --> 00:08:42,229 of the training system, and it provides you with a roadmap of exactly 150 00:08:42,229 --> 00:08:45,316 how to light in virtually any situation. 151 00:08:46,066 --> 00:08:49,278 This course will give you complete lighting guides and maps 152 00:08:49,278 --> 00:08:53,073 on how to gel and light effectively in each scene 153 00:08:53,449 --> 00:08:56,535 with simple portable flashes and modifiers. 154 00:08:57,244 --> 00:09:00,706 You're going to master pen lighting and the creative power of positioning 155 00:09:00,706 --> 00:09:03,917 your lights that you can actually shoot and move creatively 156 00:09:03,917 --> 00:09:07,254 through the reception room and through the reception program. 157 00:09:08,088 --> 00:09:09,715 You're going to see how we shoot on the dance 158 00:09:09,715 --> 00:09:13,427 floor and achieve various looks and effects now as a bonus, 159 00:09:13,469 --> 00:09:16,472 because every training system has to have a bonus. 160 00:09:16,722 --> 00:09:17,765 Successful wedding days. 161 00:09:17,765 --> 00:09:22,102 They always began the same way with proper planning, communication and planning. 162 00:09:22,686 --> 00:09:27,149 This is why the first workshop in the training system is actually dedicated 163 00:09:27,149 --> 00:09:31,362 to giving you a roadmap of how to set yourself up for a successful shoot. 164 00:09:32,112 --> 00:09:35,657 We're going to provide you with role plays and examples of mood board 165 00:09:35,657 --> 00:09:38,869 reviews, email templates, timelines, guides, everything. 166 00:09:39,161 --> 00:09:42,498 It's basically everything that you need to know before going into a shoot, 167 00:09:42,706 --> 00:09:47,544 things that we all desperately need but that nobody discusses now. 168 00:09:47,544 --> 00:09:50,130 It's been ten incredible years. 169 00:09:50,130 --> 00:09:53,926 We've made a wonderful living creating images that have meaning 170 00:09:53,926 --> 00:09:56,929 and purpose, and I can't begin to describe to you 171 00:09:57,346 --> 00:10:01,433 how our lives have changed for the better in creating artwork that's meaningful 172 00:10:01,642 --> 00:10:06,355 and cherished by clients who are happy and honored to pay for our services. 173 00:10:06,647 --> 00:10:09,650 That said, this is not about our journey. 174 00:10:09,733 --> 00:10:11,276 It's about yours. 175 00:10:11,276 --> 00:10:14,279 If wedding photography is something that you're excited about, 176 00:10:14,655 --> 00:10:18,075 we would love to be part of getting you to your goals faster 177 00:10:18,075 --> 00:10:22,246 and making your journey more rewarding and every possible way. 178 00:10:23,038 --> 00:10:26,041 To learn more about the complete wedding photography training system, 179 00:10:26,375 --> 00:10:30,712 simply click the link below this video or go to ESRA Lounge dot com. 180 00:10:30,879 --> 00:10:33,215 My name is Pi. I'll see you guys in the next video. 16945

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