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Downloaded from
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MAN: I don't know where
any of us would be
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00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX
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00:00:08,417 --> 00:00:09,208
without that stage.
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00:00:09,792 --> 00:00:12,834
MAN 2: Music provided an avenue
out of the legacy of slavery.
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00:00:12,917 --> 00:00:14,208
♪ (UPBEAT MUSIC PLAYS) ♪
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00:00:14,291 --> 00:00:17,875
Will the Apollo continue to be
a space of black expression?
8
00:00:18,208 --> 00:00:20,917
Or will it be a shrine
to the past?
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00:00:22,083 --> 00:00:24,750
The Apollo has always
represented truth.
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00:00:24,834 --> 00:00:26,959
TA-NEHISI COATES:
They made us into a race,
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00:00:27,333 --> 00:00:29,417
but we made ourselves
into a people.
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00:00:33,208 --> 00:00:34,625
♪ (MUSIC CONCLUDES) ♪
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00:01:08,125 --> 00:01:10,709
Audrey Hepburn:
Dearest Ralph,
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00:01:10,792 --> 00:01:13,041
As a designer,
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00:01:13,125 --> 00:01:14,709
you conjure up
16
00:01:14,792 --> 00:01:18,250
all things I most care about.
17
00:01:18,333 --> 00:01:20,375
The country.
18
00:01:20,458 --> 00:01:22,959
Misty mornings.
19
00:01:23,041 --> 00:01:25,667
Summer afternoons.
20
00:01:25,750 --> 00:01:28,083
Great open spaces.
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00:01:28,166 --> 00:01:29,458
Horses.
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00:01:29,542 --> 00:01:31,500
Corn fields.
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00:01:31,583 --> 00:01:33,750
Vegetable gardens.
24
00:01:33,834 --> 00:01:35,542
Fireplaces.
25
00:01:35,625 --> 00:01:38,500
And Jack Russell terriers.
26
00:01:40,667 --> 00:01:44,291
Your story is not
about friends.
27
00:01:44,375 --> 00:01:46,583
Or fleeting moments.
28
00:01:46,667 --> 00:01:50,500
But about values,
and things that last.
29
00:01:52,125 --> 00:01:57,291
You've not only created
a total concept of fashion,
and style,
30
00:01:57,375 --> 00:02:01,583
but by your consistency,
and integrity,
31
00:02:01,667 --> 00:02:03,583
protected it.
32
00:02:03,667 --> 00:02:05,375
Always reminding us
33
00:02:05,458 --> 00:02:08,208
of the best things in life.
34
00:02:10,500 --> 00:02:15,125
And if you say something is
"very Ralph Lauren ,"
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00:02:15,208 --> 00:02:16,834
you're immediately understood.
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00:02:20,458 --> 00:02:23,709
(upbeat orchestral music plays)
37
00:04:28,166 --> 00:04:29,792
Ralph Lauren:
Everything in this room
38
00:04:29,875 --> 00:04:33,542
is a mix of everything
that I love.
39
00:04:33,625 --> 00:04:35,583
So they're gifts of friends,
40
00:04:35,667 --> 00:04:38,542
they're gifts from people
in the company.
41
00:04:38,625 --> 00:04:41,083
They all mean something.
42
00:04:41,166 --> 00:04:44,834
And they're not just things.
43
00:04:44,917 --> 00:04:47,625
I'm inspired by everything
that I see.
44
00:04:47,709 --> 00:04:49,875
You know, I love old things.
45
00:04:49,959 --> 00:04:53,375
I love cowboy boots,
I love details.
46
00:04:53,458 --> 00:04:55,083
I love cars.
47
00:04:55,166 --> 00:04:59,125
They're sort of
the beginnings of a concept.
48
00:04:59,208 --> 00:05:03,333
Somehow it all ends up
in my clothes.
49
00:05:03,417 --> 00:05:07,291
We ought to work on something
that's a little lighter.
50
00:05:07,375 --> 00:05:09,959
This is authentic,
but maybe we need to do
51
00:05:10,041 --> 00:05:12,625
a feminine version of that.
52
00:05:12,709 --> 00:05:15,375
I never thought I was in
the fashion business.
53
00:05:15,792 --> 00:05:17,750
If someone said,
"Are you a fashion designer?"
54
00:05:17,834 --> 00:05:19,291
No, I hate fashion.
55
00:05:19,375 --> 00:05:22,000
Buffy Birrittella:
I think anti-fashion
was always something
56
00:05:22,083 --> 00:05:24,125
that Ralph was inspired by.
57
00:05:24,208 --> 00:05:26,291
So it really comes out of,
58
00:05:26,375 --> 00:05:28,500
just a gut that Ralph has.
59
00:05:28,583 --> 00:05:30,625
This amazing instinct.
60
00:05:30,709 --> 00:05:33,166
Mary Randolph Carter:
Ralph always says, "I never
went to fashion school."
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00:05:33,250 --> 00:05:35,208
He doesn't do
his own sketches.
62
00:05:35,291 --> 00:05:38,417
Not all designers do,
but many of them do.
63
00:05:38,500 --> 00:05:40,667
These are great.
I love these.
64
00:05:40,750 --> 00:05:42,417
I think he was freed.
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00:05:42,500 --> 00:05:44,000
I think it was an amazing thing
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00:05:44,083 --> 00:05:47,000
that he didn't have
that training.
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00:05:47,083 --> 00:05:50,250
Ralph:
I didn't have the training
to cut the garment,
68
00:05:50,333 --> 00:05:53,125
or do some of the things
that designers do.
69
00:05:53,208 --> 00:05:55,000
But I had the eye.
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00:05:55,083 --> 00:05:58,000
And I don't know where
it came from.
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00:05:58,083 --> 00:06:01,709
When I was growing up,
I didn't even know
what a designer was.
72
00:06:01,792 --> 00:06:04,375
But my father was an artist.
73
00:06:04,458 --> 00:06:06,000
The color
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00:06:06,083 --> 00:06:09,750
somehow comes from
my father.
75
00:06:14,583 --> 00:06:16,917
My father was a painter.
76
00:06:17,458 --> 00:06:19,417
He made paintings
77
00:06:19,500 --> 00:06:21,709
and murals in offices,
78
00:06:21,792 --> 00:06:24,375
and churches and synagogues.
79
00:06:24,458 --> 00:06:26,959
I'd watch him up
on scaffolds painting,
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00:06:27,041 --> 00:06:28,875
and I'd say,
"Wow, it's amazing."
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00:06:28,959 --> 00:06:31,417
But I didn't have his talent.
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00:06:31,500 --> 00:06:34,583
But somehow, I was given
something else.
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00:06:35,625 --> 00:06:38,959
The artistry came
in another way.
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00:06:39,291 --> 00:06:41,458
(jazzy music playing)
85
00:06:47,959 --> 00:06:49,792
Ralph had this special thing
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00:06:49,875 --> 00:06:52,000
that rose to the surface.
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00:06:55,417 --> 00:06:58,709
He had such a great creativity
and imagination.
88
00:07:00,125 --> 00:07:04,125
So I always felt
a little special about,
you know, who I was.
89
00:07:04,208 --> 00:07:07,583
Was I Eddie Fisher?
(laughs) Or was I...
90
00:07:07,667 --> 00:07:10,417
whoever the star was
at the moment.
91
00:07:19,083 --> 00:07:21,750
When I was a kid,
I'd go into a dance,
92
00:07:21,834 --> 00:07:23,417
and the girls,
93
00:07:23,500 --> 00:07:25,917
somehow I could feel
that they liked me.
94
00:07:26,000 --> 00:07:27,834
And I couldn't figure out
what it was,
95
00:07:27,917 --> 00:07:30,041
whether I was really handsome,
96
00:07:30,125 --> 00:07:32,125
or it was my imagination.
97
00:07:33,875 --> 00:07:35,542
But I enjoyed
98
00:07:35,625 --> 00:07:38,667
if someone said I was cute.
99
00:07:41,834 --> 00:07:44,166
Jerry Lauren:
He had a natural affinity
100
00:07:44,250 --> 00:07:46,125
for finding things
101
00:07:46,208 --> 00:07:49,542
and putting himself together,
102
00:07:49,625 --> 00:07:51,458
uh, that made him special.
103
00:07:51,542 --> 00:07:54,041
Like, "Where'd you--
Where'd you find that,
Ralph?"
104
00:07:56,041 --> 00:07:57,959
Maybe he'd find a local store
105
00:07:58,041 --> 00:08:01,542
that had an old army jacket,
and he'd wear that.
106
00:08:03,709 --> 00:08:05,291
But maybe he'd grab a jacket
107
00:08:05,375 --> 00:08:08,083
and then, and was stylish.
108
00:08:08,166 --> 00:08:10,291
And, and it was like, boom.
109
00:08:10,375 --> 00:08:13,709
Everybody looked around
and said, "That's great.
That's cool."
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00:08:15,375 --> 00:08:17,583
He just had style.
111
00:08:21,250 --> 00:08:25,792
Calvin Klein:
I saw Ralph when
I was a teenager.
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00:08:25,875 --> 00:08:28,750
We both grew up
in the Bronx.
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00:08:28,834 --> 00:08:31,250
I remember seeing him
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00:08:31,333 --> 00:08:34,291
because he dressed in a way
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00:08:34,375 --> 00:08:38,166
that was so different
from everyone else.
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00:08:38,250 --> 00:08:40,417
And I thought, "How cool,"
you know,
117
00:08:40,500 --> 00:08:43,375
"that he has the courage
to walk around like that."
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00:08:43,458 --> 00:08:46,959
He had a very personal look.
119
00:08:48,375 --> 00:08:49,959
Ralph:
When I was 14,
120
00:08:50,041 --> 00:08:52,000
my friend took me
up to his house.
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00:08:52,083 --> 00:08:54,792
And then he opened
his father's closet.
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00:08:54,875 --> 00:08:57,750
I saw all these shoes
123
00:08:57,834 --> 00:08:59,834
with shoe trees in them.
124
00:08:59,917 --> 00:09:02,583
And I said,
"Wow, look at that."
125
00:09:02,667 --> 00:09:05,208
I went home and looked at
my closet.
126
00:09:05,291 --> 00:09:07,208
It was shoes piled up,
127
00:09:07,291 --> 00:09:10,291
hardly can find one shoe
after the other shoe.
128
00:09:11,166 --> 00:09:13,500
I lived in a small little room
129
00:09:13,583 --> 00:09:16,125
with my two older brothers.
130
00:09:16,208 --> 00:09:18,166
I had the cot,
131
00:09:18,250 --> 00:09:20,792
and I realized that
I can't wait to
get out of here,
132
00:09:20,875 --> 00:09:24,500
so I can have my own drawers
and my own things.
133
00:09:26,959 --> 00:09:29,291
I grew up in a very humble way.
134
00:09:29,375 --> 00:09:31,709
My parents were European.
135
00:09:31,792 --> 00:09:35,417
Came to this country
when they were
16 and 17 years old.
136
00:09:35,500 --> 00:09:38,834
And they took care of us,
and, and loved us.
137
00:09:38,917 --> 00:09:42,083
I always had a nice home life
with my parents,
138
00:09:42,166 --> 00:09:44,166
and my brothers and sister.
139
00:09:45,792 --> 00:09:49,250
But you are always aspiring.
140
00:09:49,333 --> 00:09:51,291
You set your dreams.
141
00:09:51,375 --> 00:09:54,750
You're looking out
at the world a little bit.
142
00:09:54,834 --> 00:09:58,041
Learning that life
could be better.
143
00:09:59,959 --> 00:10:03,375
I could see that
there was something
144
00:10:03,458 --> 00:10:05,125
that he was creating,
145
00:10:05,208 --> 00:10:07,208
that I think later on,
146
00:10:07,291 --> 00:10:10,083
uh, he would use
in his design rooms.
147
00:10:10,166 --> 00:10:13,333
The vision was the same.
148
00:10:13,417 --> 00:10:17,750
He had this idea
about lifestyle,
149
00:10:17,834 --> 00:10:19,834
buying into
150
00:10:19,917 --> 00:10:24,500
you can live this way
through his clothes.
151
00:10:30,875 --> 00:10:33,500
(indistinct chattering)
152
00:10:36,125 --> 00:10:38,375
I just walk straight there.
153
00:10:41,000 --> 00:10:42,750
-Okay.
-Thank you.
154
00:10:42,834 --> 00:10:45,959
Here's your--
Oh, you want to see,
Ralph?
155
00:10:46,041 --> 00:10:48,458
Ralph:
You know, when models
walk into my office,
156
00:10:48,542 --> 00:10:50,583
they're 18 years old.
157
00:10:50,667 --> 00:10:52,750
No sophistication.
158
00:10:54,041 --> 00:10:56,834
-Michel Botbol:
Where are you from?
-I'm from Germany.
159
00:10:56,917 --> 00:10:59,917
Ralph:
All of sudden they become
something else.
160
00:11:00,000 --> 00:11:02,250
-Isabella, where are you from?
-Brazil.
161
00:11:02,333 --> 00:11:03,458
Take a walk.
162
00:11:03,542 --> 00:11:05,500
Ralph:
The star of your movie.
163
00:11:06,792 --> 00:11:08,792
-Hi.
-Birrittella:
The light went out.
164
00:11:14,125 --> 00:11:16,875
Birrittella:
Interesting, but I can't
use this.
165
00:11:16,959 --> 00:11:19,792
(indistinct chattering)
166
00:11:19,875 --> 00:11:21,333
-I think she's good.
-Yeah.
167
00:11:21,417 --> 00:11:22,667
-All right. Okay.
-She's good.
168
00:11:22,750 --> 00:11:24,500
Ralph:
I like very natural women.
169
00:11:24,583 --> 00:11:26,208
Not too much makeup.
170
00:11:26,291 --> 00:11:28,959
She just wears
a pair of jeans
and a T-shirt.
171
00:11:29,041 --> 00:11:32,917
Not the girl with
all the fashion
and the designer clothes.
172
00:11:33,000 --> 00:11:35,333
And I love long hair.
173
00:11:35,417 --> 00:11:37,083
Hair blowing in the wind,
convertible--
174
00:11:37,166 --> 00:11:40,208
That's what my vision is,
what my wife looks like.
175
00:11:49,583 --> 00:11:52,542
Andrew Lauren:
My mother is his muse.
176
00:11:52,625 --> 00:11:55,834
She has a great sense
of personal style.
177
00:11:55,917 --> 00:11:58,166
Uh, and simplicity.
178
00:11:59,458 --> 00:12:02,291
Dylan Lauren:
She's beautiful,
and she's very natural.
179
00:12:02,375 --> 00:12:05,333
My dad does not like
any makeup on me or her.
180
00:12:05,417 --> 00:12:08,041
He wants very natural beauty.
181
00:12:08,125 --> 00:12:10,959
She really just is
so down to earth.
182
00:12:11,041 --> 00:12:13,375
My mom is sort of
a tomboy jock
183
00:12:13,458 --> 00:12:15,625
and elegant woman.
184
00:12:18,000 --> 00:12:20,333
David Lauren:
My mom walks into a room
185
00:12:20,417 --> 00:12:23,625
and she just looks natural,
and dress is flowing,
186
00:12:23,709 --> 00:12:26,542
and he says,
"Wow. You look beautiful,"
he'll say.
187
00:12:26,625 --> 00:12:28,375
And then he'll go
into the office and say,
188
00:12:28,458 --> 00:12:30,667
"You should have seen
how Ricky walked in.
What she did."
189
00:12:30,750 --> 00:12:33,000
The way she was dressed,
that's what I'm trying to
190
00:12:33,083 --> 00:12:35,667
capture a little bit
of that spirit.
191
00:12:35,750 --> 00:12:38,250
His different characters
come to life,
192
00:12:38,333 --> 00:12:42,166
but they all have pieces
of my mom in them.
193
00:12:51,208 --> 00:12:53,667
(train rumbling)
194
00:12:55,000 --> 00:12:57,959
Ralph:
I grew up passing Ricky's door
195
00:12:58,041 --> 00:12:59,625
in the Bronx.
196
00:12:59,709 --> 00:13:03,583
But we'd never met.
197
00:13:03,667 --> 00:13:07,667
When I met Ricky,
she was 19 and a half
years old.
198
00:13:09,166 --> 00:13:10,417
There was an honesty
199
00:13:10,500 --> 00:13:13,083
and an integrity to her,
and a sweetness,
200
00:13:13,166 --> 00:13:15,583
and by accident, she happened
to have been beautiful.
201
00:13:15,667 --> 00:13:19,458
He said, "If I asked you,
would you go out with me?"
202
00:13:19,542 --> 00:13:22,834
And I said, "I don't know.
Ask and we'll see."
203
00:13:22,917 --> 00:13:26,208
But he thought I was being
very clever and coy.
I wasn't.
204
00:13:26,291 --> 00:13:29,000
I was innocent,
and I said what I felt.
205
00:13:30,458 --> 00:13:32,792
Ralph:
I was 24 years old.
206
00:13:32,875 --> 00:13:35,041
And I was not looking
to get married.
207
00:13:35,125 --> 00:13:37,750
But we fell in love,
and it was like,
208
00:13:37,834 --> 00:13:39,625
after about the fourth date,
I thought,
209
00:13:39,709 --> 00:13:41,792
this is the girl
I'm gonna marry.
210
00:13:46,875 --> 00:13:48,208
Ricky Lauren:
We were children.
211
00:13:48,291 --> 00:13:49,625
We were living there
in the Bronx.
212
00:13:49,709 --> 00:13:52,875
I was... We were still kids.
(laughs)
213
00:13:52,959 --> 00:13:56,208
We had a small apartment
with a Pullman kitchen.
214
00:13:56,291 --> 00:13:58,875
A kitchen that's in
the same room as
the living room.
215
00:13:58,959 --> 00:14:00,333
We had nothing.
216
00:14:00,417 --> 00:14:03,417
We slept on the floor
on a mattress, and--
(laughs)
217
00:14:03,500 --> 00:14:05,125
And that was the beginning.
218
00:14:05,417 --> 00:14:08,667
We had a train
above our heads.
The El.
219
00:14:08,750 --> 00:14:10,375
It was like a movie.
220
00:14:11,417 --> 00:14:13,000
When we'd hear the noise,
221
00:14:13,083 --> 00:14:14,875
I think it was
Barefoot in the Park
222
00:14:14,959 --> 00:14:17,667
when the train went by
and the whole room...
223
00:14:17,750 --> 00:14:19,500
It's sort of the young,
married couple,
224
00:14:19,583 --> 00:14:21,291
and I remember
we had a phone and...
225
00:14:21,375 --> 00:14:24,750
The phone was a
turquoise Princess.
226
00:14:24,834 --> 00:14:27,875
And I never, ever thought
I'd have a tur-- a Princ--
227
00:14:27,959 --> 00:14:30,083
turquoise Princess phone
in my house.
228
00:14:30,166 --> 00:14:32,792
But we loved the phone
'cause it was so modern.
229
00:14:36,875 --> 00:14:39,041
Ricky Lauren:
And we'd go down
to Greenwich Village,
230
00:14:39,125 --> 00:14:41,709
and there was a store
that sold furs.
231
00:14:41,792 --> 00:14:44,041
And they were patchwork furs,
very often.
232
00:14:44,125 --> 00:14:46,875
And we'd go searching around
for interesting things
233
00:14:46,959 --> 00:14:49,250
that we could decorate
the house with.
234
00:14:49,333 --> 00:14:51,083
We had a bulletin board.
235
00:14:51,166 --> 00:14:55,125
And on the bulletin board,
we would tack dream pictures.
236
00:14:55,208 --> 00:14:56,542
Things we loved.
237
00:14:56,625 --> 00:14:59,417
Like he would put
a Morgan sports car.
238
00:14:59,500 --> 00:15:02,000
Or a beautiful place.
239
00:15:03,208 --> 00:15:06,208
Anything that we'd loved
at the time.
240
00:15:06,291 --> 00:15:08,333
His father was an artist,
241
00:15:08,417 --> 00:15:11,750
and he was able to do
faux bois, which is fake wood.
242
00:15:11,834 --> 00:15:13,417
He painted it.
243
00:15:13,500 --> 00:15:17,208
So the walls of
the living room
were wood.
244
00:15:17,291 --> 00:15:19,125
But not really wood.
(laughs)
245
00:15:19,208 --> 00:15:20,750
They were painted.
246
00:15:20,834 --> 00:15:23,750
Ralph:
And we painted all
the little trim in the house,
247
00:15:23,834 --> 00:15:28,041
and they were wrought-iron.
We made 'em like gold.
248
00:15:28,125 --> 00:15:31,458
Ricky Lauren:
We stayed up all
night long gilding.
249
00:15:31,542 --> 00:15:34,417
It was ridiculous.
With those fur rugs,
250
00:15:34,500 --> 00:15:37,875
and everything else
that we had accumulated.
251
00:15:39,625 --> 00:15:43,375
We didn't have very much,
but we were happy with
what we had.
252
00:15:48,166 --> 00:15:50,208
This is nice on Vlada.
253
00:15:52,250 --> 00:15:54,083
Ralph:
You like that?
You want a bag?
254
00:15:54,166 --> 00:15:56,000
Kind of a very cool bag?
255
00:15:56,083 --> 00:15:58,291
Botbol:
The one with the studs
was cool.
256
00:16:00,417 --> 00:16:02,834
Botbol: Ralph,
doesn't have to be exact
with the ponytail,
257
00:16:02,917 --> 00:16:04,333
-but there's something chic--
-But when you see her,
258
00:16:04,417 --> 00:16:06,458
when you see her hair up...
259
00:16:06,542 --> 00:16:08,667
-...you want it more dramatic.
-Woman: Needs to be more umph.
260
00:16:08,750 --> 00:16:11,792
Ralph:
Yeah. Yeah, let me see that.
261
00:16:11,875 --> 00:16:13,583
That looks beautiful.
262
00:16:13,667 --> 00:16:16,375
The bag looks a little rugged.
263
00:16:16,458 --> 00:16:19,792
You know, I didn't know
what my story was gonna be.
264
00:16:19,875 --> 00:16:23,125
I didn't say, "I'm gonna be
this great fashion designer."
265
00:16:23,208 --> 00:16:24,667
Or whatever you want to call it.
266
00:16:25,625 --> 00:16:30,125
But even as a young man,
I had a story
267
00:16:30,208 --> 00:16:33,125
Birrittella:
He always had a sense about
268
00:16:33,208 --> 00:16:34,625
what he wanted to look like,
269
00:16:34,709 --> 00:16:37,417
how he wanted
his clothes to look.
270
00:16:37,500 --> 00:16:39,291
When he was a tie salesman,
271
00:16:39,375 --> 00:16:41,667
he and Ricky had just
gotten married.
272
00:16:41,750 --> 00:16:46,000
And he went to
a custom tailor, and...
273
00:16:46,083 --> 00:16:49,083
just told him what he wanted.
274
00:16:50,166 --> 00:16:51,959
No training whatsoever.
275
00:16:52,041 --> 00:16:56,583
And he designed his wardrobe
with this tailor.
276
00:16:57,709 --> 00:16:59,667
The Daily News Record,
277
00:16:59,750 --> 00:17:03,166
which was the menswear
daily newspaper,
278
00:17:03,250 --> 00:17:06,625
did a story on Ralph
back in 1964
279
00:17:06,709 --> 00:17:09,625
on his personal style.
280
00:17:09,709 --> 00:17:15,125
This is three years before
he started his business.
281
00:17:15,208 --> 00:17:19,166
He was just this
dashing man about town
282
00:17:19,250 --> 00:17:21,500
who, because he couldn't find
283
00:17:21,583 --> 00:17:23,834
exactly what
he wanted in the stores,
284
00:17:23,917 --> 00:17:26,208
was having his clothes
custom-made
285
00:17:26,291 --> 00:17:29,166
while he was, uh,
a salesman.
286
00:17:30,375 --> 00:17:33,625
Ralph:
I just knew what I wanted.
287
00:17:33,709 --> 00:17:35,583
I had this passion
to get something
288
00:17:35,667 --> 00:17:37,166
and no one was doing it.
289
00:17:37,250 --> 00:17:38,792
So I'm saying,
"I wanna buy a tie.
290
00:17:38,875 --> 00:17:39,875
I wanna wear
the white tie."
291
00:17:39,959 --> 00:17:41,291
Then I would
go to a tie-maker
292
00:17:41,375 --> 00:17:43,458
and have them
make ties for me.
293
00:17:43,542 --> 00:17:45,709
Why I wanted the white tie,
294
00:17:45,792 --> 00:17:48,959
maybe I saw it in old movies
and they looked great.
295
00:17:49,041 --> 00:17:52,000
Maybe it was on Fred Astaire,
and I liked the look.
296
00:17:52,083 --> 00:17:53,500
♪ It's just like ♪
297
00:17:53,583 --> 00:17:55,375
♪ Looking for a raindrop
in the ocean ♪
298
00:17:55,458 --> 00:17:57,166
Ralph: And I'd say,
"I want it, I want that."
299
00:17:57,250 --> 00:17:59,834
♪ Searching for a dew drop
in the dew ♪
300
00:17:59,917 --> 00:18:02,000
Ralph:
But I didn't know
where to buy it.
301
00:18:02,083 --> 00:18:03,917
♪ Still I've gotta find you ♪
302
00:18:04,000 --> 00:18:05,542
Ralph:
Um, I saw 'em in the movies,
303
00:18:05,625 --> 00:18:06,875
but I didn't see 'em
in the stores.
304
00:18:06,959 --> 00:18:08,583
♪ I'm gonna count ♪
305
00:18:08,667 --> 00:18:10,458
♪ The folks that we'll meet ♪
306
00:18:10,542 --> 00:18:12,583
♪ Look at each face... ♪
307
00:18:12,667 --> 00:18:15,333
Ralph:
I had ideas about newness.
308
00:18:15,417 --> 00:18:17,750
And so I started out
making these ties.
309
00:18:17,834 --> 00:18:19,583
And I made them unusual.
310
00:18:19,667 --> 00:18:21,291
My ties were handmade.
311
00:18:21,375 --> 00:18:23,000
They were special.
312
00:18:23,083 --> 00:18:26,250
My mom would sit there
with a cousin of hers.
313
00:18:26,333 --> 00:18:29,375
And they'd sew the labels
into the neck wear.
314
00:18:29,458 --> 00:18:32,625
And my dad helped Ralph
make swatch cards.
315
00:18:32,709 --> 00:18:37,083
And, uh, it was kind of like
everybody pitching in.
316
00:18:37,166 --> 00:18:40,291
The office, really,
was the tiniest little thing
317
00:18:40,375 --> 00:18:42,000
in the Empire State Building.
318
00:18:42,083 --> 00:18:44,709
And all he had was a drawer.
And in the drawer,
319
00:18:44,792 --> 00:18:48,250
he had the samples
of the ties and the fabrics.
320
00:18:48,333 --> 00:18:50,792
Ralph:
I called the brand "Polo"
321
00:18:50,875 --> 00:18:52,834
because I always loved sports.
322
00:18:52,917 --> 00:18:56,583
And, you know, I--
I thought, well,
"I couldn't call it baseball,
323
00:18:56,667 --> 00:18:58,166
or basketball," I said,
324
00:18:58,250 --> 00:19:01,834
and "Polo" sounded
sort of sporty.
325
00:19:01,917 --> 00:19:04,375
It sounds like a master plan.
It wasn't a master plan.
326
00:19:04,458 --> 00:19:05,959
Not thinking about any of it,
327
00:19:06,041 --> 00:19:07,959
I said, "This is what
I want to do.
I like these ties.
328
00:19:08,041 --> 00:19:09,959
"I'm gonna make 'em wider.
I'm gonna bring 'em
over to the store.
329
00:19:10,041 --> 00:19:11,750
I think they're
gonna like it."
330
00:19:11,834 --> 00:19:13,667
I brought it over
to Bloomingdale's.
331
00:19:13,750 --> 00:19:16,500
'Cause Bloomindale's
was the entree
into every store.
332
00:19:16,583 --> 00:19:18,458
'Cause every store
at that time
333
00:19:18,542 --> 00:19:21,458
was shopping Bloomingdale's
to see what was new.
334
00:19:21,542 --> 00:19:25,125
Who the new resource is,
what's happening.
335
00:19:25,208 --> 00:19:28,041
And I brought the ties
to Bloomingdale's.
336
00:19:28,125 --> 00:19:31,291
The buyer looked
at the tie and said,
"Ralph, it's too wide.
337
00:19:31,375 --> 00:19:33,917
"And would you make it
a little narrower?
338
00:19:34,000 --> 00:19:35,375
"And would you take
your label off?
339
00:19:35,458 --> 00:19:37,959
We want to have
our store brand."
340
00:19:38,041 --> 00:19:39,959
When our tie buyer
341
00:19:40,041 --> 00:19:42,917
asked him to take
the Ralph Lauren
label off the ties,
342
00:19:43,000 --> 00:19:48,041
he simply closed up
his sample case
and walked away.
343
00:19:48,125 --> 00:19:51,500
Ralph:
I don't know what gave me
the guts to say no.
344
00:19:51,583 --> 00:19:54,166
Not selling to a major store
345
00:19:54,250 --> 00:19:55,875
that was gonna give you
all that exposure,
346
00:19:55,959 --> 00:19:58,667
because I want 'em to be
the way I designed it, and...
347
00:19:58,750 --> 00:20:01,542
this is the brand,
and this is the name.
348
00:20:01,625 --> 00:20:03,000
Jerry Lauren:
Right then and there,
349
00:20:03,083 --> 00:20:04,583
that was gonna be
his first opportunity
350
00:20:04,667 --> 00:20:06,959
to really do some business,
or whatever,
351
00:20:07,041 --> 00:20:08,792
and he walked away.
352
00:20:08,875 --> 00:20:10,375
"Forget about it.
353
00:20:10,458 --> 00:20:11,834
"You don't have
to buy my stuff.
354
00:20:11,917 --> 00:20:13,959
I'm not gonna give you
your label."
355
00:20:15,291 --> 00:20:17,667
Ricky Lauren:
When he told me,
356
00:20:17,750 --> 00:20:19,583
it got me kind of nervous.
357
00:20:19,667 --> 00:20:21,250
But I wrote him a letter,
358
00:20:21,333 --> 00:20:23,542
and on--
in the letter, I said,
359
00:20:23,625 --> 00:20:26,000
"I'm not going to be
in your way.
360
00:20:26,083 --> 00:20:28,750
"I'm going to wish for you
the wings to fly.
361
00:20:28,834 --> 00:20:31,083
"And I'll be there with you.
362
00:20:31,166 --> 00:20:33,917
Whatever you do,
I'm there for you."
363
00:20:34,000 --> 00:20:36,000
Ralph:
I loved what she wrote.
364
00:20:36,083 --> 00:20:38,875
It was very deep-felt.
365
00:20:38,959 --> 00:20:42,375
Ricky's parents
came from Vienna.
366
00:20:42,458 --> 00:20:44,875
They left when Hitler came.
367
00:20:44,959 --> 00:20:48,291
She grew up hearing
what they lived through.
368
00:20:48,375 --> 00:20:51,667
And so, she wanted stability.
369
00:20:51,750 --> 00:20:54,959
She was saying,
"I believe in you.
370
00:20:55,041 --> 00:20:57,792
And I think
you're gonna do it."
371
00:21:00,000 --> 00:21:01,542
And I did it.
372
00:21:01,625 --> 00:21:04,417
Bloomingdale's
came back to me.
373
00:21:04,500 --> 00:21:06,875
-Narrator: The Polo tie,
by Ralph Lauren.
-(hooves clopping)
374
00:21:06,959 --> 00:21:08,792
-All linen,
in 10 smashing colors.
-(thwacks)
375
00:21:08,875 --> 00:21:11,500
$12.50 at Bloomindale's,
the Father's Day store.
376
00:21:11,583 --> 00:21:13,709
When you have
a four-inch tie,
377
00:21:13,792 --> 00:21:16,667
instead of three-inch
or two-and-a-half inch,
378
00:21:16,750 --> 00:21:19,500
it changes the way
someone looks.
379
00:21:21,291 --> 00:21:22,959
When you had a wide tie,
380
00:21:23,041 --> 00:21:27,583
the next step is you
need different shirts
and different collars.
381
00:21:27,667 --> 00:21:30,417
Now you had new ties,
new shirts,
382
00:21:30,500 --> 00:21:33,875
and you need new suits.
383
00:21:33,959 --> 00:21:36,125
That was the era of the '60s,
384
00:21:36,208 --> 00:21:39,125
the time when
the whole men's business
385
00:21:39,208 --> 00:21:41,458
really was going
through change.
386
00:21:49,375 --> 00:21:52,709
Ralph:
And I found a whole
world of, of ideas.
387
00:21:52,792 --> 00:21:55,250
The timing was interesting.
388
00:21:55,333 --> 00:21:57,750
The world was changing.
389
00:21:57,834 --> 00:22:00,375
Fashion was happening for men.
390
00:22:01,542 --> 00:22:03,250
Birrittella:
It was the early '60s
391
00:22:03,333 --> 00:22:05,125
when men wore a uniform.
392
00:22:05,208 --> 00:22:10,208
There was just very, very
prescribed ways of dressing.
393
00:22:10,291 --> 00:22:15,458
Joel Schumacher:
It was the '60s Mad Men era.
394
00:22:17,083 --> 00:22:19,166
Men's clothes
395
00:22:19,250 --> 00:22:22,917
were very-- still very,
very conservative.
396
00:22:24,208 --> 00:22:26,333
Ralph:
I knew how to do the ties.
397
00:22:26,417 --> 00:22:29,166
But I didn't stop from there.
I just kept going.
398
00:22:29,250 --> 00:22:31,125
What am I gonna wear
with the ties?
399
00:22:31,208 --> 00:22:33,250
Am I gonna make a shirt?
Gonna make a suit?
400
00:22:33,333 --> 00:22:35,959
I found the suit maker.
I met the shirt maker.
All of a sudden,
401
00:22:36,041 --> 00:22:39,625
they're buying the ties.
They're loving the ties.
"What else you make, Ralph?"
402
00:22:39,709 --> 00:22:42,208
"I have shirts."
403
00:22:42,291 --> 00:22:46,166
Birrittella:
He was doing very
flamboyant shirtings.
404
00:22:46,250 --> 00:22:49,000
And these wide lapel suits.
405
00:22:49,083 --> 00:22:51,166
And, uh, so, it was news.
406
00:22:51,250 --> 00:22:54,709
And I was a journalist,
so of course,
I wrote about him,
407
00:22:54,792 --> 00:22:56,583
because it was fantastic.
408
00:22:57,667 --> 00:23:00,834
He had done this linen
belted back suit.
409
00:23:00,917 --> 00:23:05,750
No one was doing wrinkled,
unconstructed suits.
410
00:23:05,834 --> 00:23:09,166
You can picture
guys in the '30s,
411
00:23:09,250 --> 00:23:13,458
and I immediately
thought of Gatsby.
412
00:23:15,291 --> 00:23:16,667
Bridget Foley:
He started with, you know,
413
00:23:16,750 --> 00:23:18,083
the kind of clothes
that he wanted to wear.
414
00:23:18,166 --> 00:23:20,542
The characters
he would like to be.
415
00:23:20,625 --> 00:23:22,291
He wanted to tell stories.
416
00:23:22,375 --> 00:23:24,000
And that was completely new
417
00:23:24,083 --> 00:23:26,625
and revolutionary
in the men's arena.
418
00:23:27,792 --> 00:23:31,083
He basically created
the menswear industry
419
00:23:31,166 --> 00:23:33,291
as a designer reality.
420
00:23:33,375 --> 00:23:35,375
Ralph:
When I was starting out,
421
00:23:35,458 --> 00:23:37,291
uh, the designer name
422
00:23:37,375 --> 00:23:40,542
was not, uh,
appealing to men.
423
00:23:40,625 --> 00:23:43,291
They were used to buying
in certain companies,
424
00:23:43,375 --> 00:23:45,917
certain brand stores.
425
00:23:46,000 --> 00:23:48,917
But they were not--
Designers were for the women.
426
00:23:49,000 --> 00:23:52,458
And the tailor
was for the man.
427
00:23:55,792 --> 00:23:57,375
(indistinct chattering)
428
00:23:57,458 --> 00:23:59,375
Ralph:
As long as it has
the folds in it, Jerry.
429
00:23:59,458 --> 00:24:02,500
Jerry Lauren:
Yeah. I know, I know.
430
00:24:02,583 --> 00:24:06,709
Schumacher:
What Ralph did was took
some of the great classics,
431
00:24:06,792 --> 00:24:09,834
and made them relevant.
432
00:24:10,834 --> 00:24:12,750
He made them better.
433
00:24:12,834 --> 00:24:15,667
Better fabrics, better fit.
434
00:24:16,667 --> 00:24:18,208
And Ralph's taste...
435
00:24:18,291 --> 00:24:20,417
Bob, if you wanna
take off your hat
when you're taking it off,
436
00:24:20,500 --> 00:24:22,041
take off your hat.
437
00:24:22,125 --> 00:24:25,000
Schumacher:
He has a very critical eye.
438
00:24:25,083 --> 00:24:27,458
And Buffy Birrittella
439
00:24:27,542 --> 00:24:29,458
was so attuned to him
440
00:24:29,542 --> 00:24:33,625
that she knew exactly
what he wanted.
441
00:24:33,709 --> 00:24:35,959
(indistinct chatter)
442
00:24:36,041 --> 00:24:38,125
Birrittella:
The attention to detail,
443
00:24:38,208 --> 00:24:42,625
whether it's a shirt
or a shoulder on a jacket,
444
00:24:42,709 --> 00:24:44,083
those were things that,
445
00:24:44,166 --> 00:24:48,291
you know, he trained
my eye on very,
very early on.
446
00:24:48,375 --> 00:24:50,500
For chairman of the board,
I don't know.
447
00:24:50,583 --> 00:24:52,709
Birrittella:
So, when you go out there,
448
00:24:52,792 --> 00:24:53,792
take your time.
449
00:24:53,875 --> 00:24:56,208
Walk back and forth
across the T,
450
00:24:56,291 --> 00:24:58,000
and up and down.
451
00:25:02,917 --> 00:25:06,834
One of the things
he was trying to do
was to meld
452
00:25:06,917 --> 00:25:11,542
the custom tailoring
of English Savile Row,
453
00:25:11,625 --> 00:25:14,208
with an American sensibility.
454
00:25:20,083 --> 00:25:22,542
But it was the spirit
of the clothes,
455
00:25:22,625 --> 00:25:25,667
not just the technical
details of the clothes,
456
00:25:25,750 --> 00:25:28,917
that made me see clothes
in a whole other way.
457
00:25:30,000 --> 00:25:33,500
I knew
I had to work for him.
458
00:25:33,583 --> 00:25:35,500
Ralph:
Buffy was my right arm.
459
00:25:35,583 --> 00:25:38,458
She understood the clothes.
I showed her a jacket;
she got it.
460
00:25:38,542 --> 00:25:41,000
Her eye was good.
461
00:25:41,083 --> 00:25:43,333
Birrittella:
He's very competitive.
462
00:25:43,417 --> 00:25:45,208
Very sure of himself.
463
00:25:45,291 --> 00:25:48,333
He had a real sense
about who he was,
464
00:25:48,417 --> 00:25:50,375
and what he wanted to do.
465
00:25:50,458 --> 00:25:53,709
Some would characterize it
as cockiness,
466
00:25:53,792 --> 00:25:57,083
but I saw it more
as confidence.
467
00:25:57,166 --> 00:25:59,709
He just had a real belief
468
00:25:59,792 --> 00:26:01,375
and passion
469
00:26:01,458 --> 00:26:03,291
about what he was doing.
470
00:26:03,375 --> 00:26:06,959
Ralph came to me and said,
"I need a shop."
471
00:26:08,125 --> 00:26:10,917
And in his typical calm,
understated way, he said,
472
00:26:11,000 --> 00:26:12,375
"Marvin,
if I don't have a shop,
473
00:26:12,458 --> 00:26:14,917
uh, I can't sell
to you anymore."
474
00:26:15,000 --> 00:26:17,250
Um, we gave him a shop.
475
00:26:17,333 --> 00:26:20,583
And really planned one
in the middle of our main floor.
476
00:26:20,667 --> 00:26:23,208
I mean, going into
Bloomingdale's,
477
00:26:23,291 --> 00:26:25,792
I mean, owning a store,
478
00:26:25,875 --> 00:26:27,458
within a store,
479
00:26:27,542 --> 00:26:29,417
I said, "How did Ralph
480
00:26:29,500 --> 00:26:31,500
"get on the first floor
of Bloomingdale's
481
00:26:31,583 --> 00:26:34,208
where all the bags
and the makeup
and the jewelry was?"
482
00:26:34,291 --> 00:26:36,750
But no.
Ralph was right there.
483
00:26:36,834 --> 00:26:40,250
He had front stage.
Always had.
484
00:26:40,333 --> 00:26:42,709
Ralph had the whole picture.
485
00:26:42,792 --> 00:26:45,792
Ralph:
Bloomingdale's, Marvin Traub,
particularly,
486
00:26:45,875 --> 00:26:48,000
was a believer.
487
00:26:48,667 --> 00:26:51,125
I became their guy.
488
00:26:51,208 --> 00:26:55,166
And they said,
"Keep going, Ralph.
We want more."
489
00:26:55,959 --> 00:26:57,709
But it grew too fast.
490
00:26:57,792 --> 00:27:01,208
And I didn't have the right
bankers at the time.
491
00:27:01,291 --> 00:27:03,542
Schumacher:
There was a certain point,
492
00:27:03,625 --> 00:27:04,750
in the very early days,
493
00:27:04,834 --> 00:27:07,875
where Ralph almost lost
the whole business.
494
00:27:11,750 --> 00:27:14,959
Birrittella:
In the early '70s,
495
00:27:15,041 --> 00:27:18,417
before we started licensing,
496
00:27:18,500 --> 00:27:23,083
the company had overextended
at the bank.
497
00:27:23,166 --> 00:27:26,125
The money going out
was far extending
498
00:27:26,208 --> 00:27:28,375
the money coming in.
499
00:27:28,458 --> 00:27:32,041
We couldn't even, I believe,
make our payroll .
500
00:27:34,834 --> 00:27:37,041
Ralph:
I just remember, like,
501
00:27:37,125 --> 00:27:39,875
one of the guys said,
"Ralph, you're
out of business."
502
00:27:40,917 --> 00:27:43,291
I remember I was so scared.
503
00:27:43,375 --> 00:27:46,417
I was sweating,
but it was cold.
504
00:27:47,542 --> 00:27:50,125
What I was worried about?
Telling my father.
505
00:27:50,208 --> 00:27:52,667
I thought, the one person,
506
00:27:52,750 --> 00:27:57,875
I had this vision of
telling my father
I went out of business.
507
00:27:57,959 --> 00:28:01,333
I got up in the morning;
it was raining.
508
00:28:01,417 --> 00:28:03,875
And I don't know why,
509
00:28:03,959 --> 00:28:08,250
but I put on a white jacket
and white pants.
510
00:28:09,417 --> 00:28:11,625
I hardly ever
wear a white suit.
511
00:28:11,709 --> 00:28:13,291
And I was
walking in the rain.
512
00:28:13,375 --> 00:28:15,417
And I said to myself,
513
00:28:16,166 --> 00:28:19,125
"I'm gonna make it back.
I'm not gonna let this happen."
514
00:28:19,208 --> 00:28:21,667
I went to my partner,
Larry Lockman,
515
00:28:21,750 --> 00:28:25,709
and said, "We have
to advance credit to
the Ralph Lauren company,
516
00:28:25,792 --> 00:28:27,625
"so they can buy
piece goods
517
00:28:27,709 --> 00:28:29,500
in order to ship
to Bloomingdale's."
518
00:28:29,583 --> 00:28:32,625
Something we hadn't done
for other people.
519
00:28:34,500 --> 00:28:36,458
Ralph:
I saved a little money.
520
00:28:36,542 --> 00:28:39,458
I put everything I had
back into the company.
521
00:28:40,917 --> 00:28:43,667
And I, I made it back.
522
00:28:45,792 --> 00:28:48,625
I had a voice.
I had a showcase.
523
00:28:48,709 --> 00:28:50,834
I can do this.
524
00:28:50,917 --> 00:28:53,250
Designer as a store,
525
00:28:53,333 --> 00:28:56,542
not just a designer
as a tie or a shirt.
526
00:28:56,625 --> 00:28:59,542
A designer as a,
as a, as a business.
527
00:28:59,625 --> 00:29:01,291
Ralph:
You think you have
to convince me?
528
00:29:01,375 --> 00:29:02,792
Or, I feel like--
529
00:29:02,875 --> 00:29:04,291
-Man: No--
-I'm sitting here, I'm like--
530
00:29:04,375 --> 00:29:05,959
he's gonna be
hard to convince.
531
00:29:06,041 --> 00:29:08,875
-What's, what's strange
about this?
-Man: No. Just--
532
00:29:08,959 --> 00:29:11,083
The only thing strange,
we should have been there
533
00:29:11,166 --> 00:29:13,291
-two years ago, five years ago.
-Man: Right.
534
00:29:13,375 --> 00:29:16,000
Tina Brown:
One of the biggest flaws
in so many fashion people
535
00:29:16,083 --> 00:29:18,834
is that they're brilliant,
they're clever, they have
beautiful ideas,
536
00:29:18,917 --> 00:29:20,750
but they really don't have
any business sense.
537
00:29:20,834 --> 00:29:24,166
He clearly has an extraordinary
business acumen, as well.
538
00:29:25,625 --> 00:29:28,333
Jerry Lauren:
Ralph knew exactly
what he was doing.
539
00:29:28,417 --> 00:29:30,250
He had a sixth sense
540
00:29:30,333 --> 00:29:33,250
to know what
the world needs.
541
00:29:33,333 --> 00:29:36,208
-I don't think so.
-Ralph: I'm in the business
of fashion.
542
00:29:36,291 --> 00:29:40,250
It sounds like
a frivolous thing,
and it's not important.
543
00:29:40,333 --> 00:29:45,166
But I think it's important
that people express
who they are.
544
00:29:45,250 --> 00:29:46,583
Oh, no, no, no, no.
545
00:29:46,667 --> 00:29:50,333
Anna Wintour:
Fashion has to be desirable,
and...
546
00:29:50,417 --> 00:29:54,041
give somebody some kind of
emotional reaction to it.
547
00:29:54,125 --> 00:29:56,125
And, and Ralph sees that,
and understands that,
548
00:29:56,208 --> 00:29:59,792
and he, he gives them the,
the, the whole package.
549
00:29:59,875 --> 00:30:03,291
(applauding)
550
00:30:03,375 --> 00:30:07,458
Birrittella:
He always looked at clothes
in a cinematic way.
551
00:30:07,542 --> 00:30:10,417
How they
created a character.
552
00:30:12,333 --> 00:30:13,834
What they said.
553
00:30:13,917 --> 00:30:16,917
What images
they conjured up.
554
00:30:18,375 --> 00:30:20,250
What moods.
555
00:30:20,333 --> 00:30:22,959
Thinking about the man
556
00:30:23,041 --> 00:30:25,834
as a character
in his own movie.
557
00:30:30,500 --> 00:30:32,667
Anytime I've ever
tried to find
a tweed jacket,
558
00:30:32,750 --> 00:30:35,667
or a hacking jacket,
or a specific type
of trench coat,
559
00:30:35,750 --> 00:30:37,834
you know, like,
Rick's trench coat
from Casablanca ,
560
00:30:37,917 --> 00:30:40,458
or his white dinner jacket,
double-breasted dinner jacket,
561
00:30:40,542 --> 00:30:42,000
it doesn't exist anywhere.
562
00:30:42,083 --> 00:30:44,250
And then you'll walk into
a Ralph Lauren boutique,
563
00:30:44,333 --> 00:30:46,917
and you're like,
"Oh, my God,
he's made it."
564
00:30:47,792 --> 00:30:51,250
These are Ralph Lauren pants,
and, you know,
565
00:30:51,333 --> 00:30:53,458
he has the kind of
things I like.
566
00:30:53,542 --> 00:30:57,333
Tweed jackets,
and those kind of shirts,
567
00:30:57,417 --> 00:30:59,083
and corduroy trousers.
568
00:30:59,166 --> 00:31:01,083
But, um, he doesn't dress me.
569
00:31:01,166 --> 00:31:04,709
I'm dressing myself
since I was 48.
570
00:31:07,208 --> 00:31:10,834
I've always thought of him
as more than just
a fashion designer.
571
00:31:10,917 --> 00:31:13,458
Or a business man.
I thought of him as
a cultural force.
572
00:31:13,542 --> 00:31:16,834
That he changed,
uh, the way that we all looked
573
00:31:16,917 --> 00:31:19,125
and how we should dress
and how we wanted to.
574
00:31:19,208 --> 00:31:20,667
Mr. Lauren is with us
this morning
575
00:31:20,750 --> 00:31:22,458
to talk about what's coming up
in men's clothing,
576
00:31:22,542 --> 00:31:24,542
about his own attitude
toward design,
577
00:31:24,625 --> 00:31:27,500
and what we can expect to pay
in the weeks ahead.
578
00:31:27,583 --> 00:31:29,709
I came from a rural,
working-class background,
579
00:31:29,792 --> 00:31:33,709
but I was ambitious,
and I didn't want to wear
the same suits my father wore.
580
00:31:33,792 --> 00:31:35,291
My father had one suit.
581
00:31:35,375 --> 00:31:37,041
And, you know,
he wore it for everything.
582
00:31:37,125 --> 00:31:39,000
But even the best-dressed
guys in town
583
00:31:39,083 --> 00:31:41,000
were all in old men's suits,
584
00:31:41,083 --> 00:31:42,375
and I didn't want to do that.
585
00:31:42,458 --> 00:31:43,875
But there were no
other choices for us.
586
00:31:43,959 --> 00:31:47,000
And then suddenly,
there was this guy
Ralph Lauren.
587
00:31:47,083 --> 00:31:49,291
Ralph:
There's an attitude
about clothes today
588
00:31:49,375 --> 00:31:51,208
that is much more relaxed,
589
00:31:51,291 --> 00:31:53,333
and unfashionable fashion.
590
00:31:53,417 --> 00:31:54,959
And my role,
591
00:31:55,041 --> 00:31:57,542
in terms of what
I've believed in
and what I wear,
592
00:31:57,625 --> 00:32:00,375
is that I don't really
want to look like
a fashion plate...
593
00:32:00,458 --> 00:32:02,834
I remember talking
to certain people.
594
00:32:02,917 --> 00:32:05,917
They'd say, "Ralph, I'd love
to wear what you're wearing,
but I can't.
595
00:32:06,000 --> 00:32:08,208
"I, I, I don't know.
596
00:32:08,291 --> 00:32:10,291
"It's not me.
I'm-- I like the jeans,
597
00:32:10,375 --> 00:32:12,959
and I like the cowboy boots
and the tweed jacket."
598
00:32:13,041 --> 00:32:15,792
Now every guy I know
has tweeds, and jeans,
599
00:32:15,875 --> 00:32:17,834
and cowboy boots.
600
00:32:20,667 --> 00:32:24,291
I think Western clothes
are as traditional
as a tweed jacket.
601
00:32:24,375 --> 00:32:27,208
And I love things
that are not fashion.
602
00:32:27,291 --> 00:32:31,583
I love things that have
a sense of, of aging.
603
00:32:31,667 --> 00:32:34,625
Have a background
of lifestyle behind it.
604
00:32:36,709 --> 00:32:39,458
What I feel I've given
is a certain romantic
605
00:32:39,542 --> 00:32:41,458
fantasy to the clothes.
606
00:32:41,542 --> 00:32:44,417
Wei Koh: He finds
beauty in every aspect
of American culture,
607
00:32:44,500 --> 00:32:47,166
whether it be Native American,
whether it be cowboy.
608
00:32:47,250 --> 00:32:49,625
Whether it's, the, you know,
Ivy League culture.
609
00:32:49,709 --> 00:32:53,291
And he finds
the sort of nobility,
in each of those.
610
00:32:53,375 --> 00:32:55,125
And he created
the best possible versions,
611
00:32:55,208 --> 00:32:57,375
the idealized versions
of the clothing.
612
00:33:01,333 --> 00:33:03,375
Ralph Lauren democratized
613
00:33:03,458 --> 00:33:05,792
the whole idea
of what was stylish.
614
00:33:05,875 --> 00:33:08,625
And that's the story
of America.
615
00:33:08,709 --> 00:33:10,458
He was the first one to say,
616
00:33:10,542 --> 00:33:14,000
"No, you know, I think
the guy that is the G.I.,
617
00:33:14,083 --> 00:33:16,041
"or the guy
that is the cowboy,
618
00:33:16,125 --> 00:33:17,917
"or the guy that's
the working man,
619
00:33:18,000 --> 00:33:21,250
he could be just as cool
as an aristocrat."
620
00:33:25,250 --> 00:33:27,333
Woody Allen:
The key to his success
621
00:33:27,417 --> 00:33:30,542
is an instinctive
understanding
622
00:33:30,625 --> 00:33:36,458
that his taste spoke
for millions and millions
of people.
623
00:33:38,542 --> 00:33:41,250
It wasn't trying to
figure out what they like.
624
00:33:41,333 --> 00:33:43,667
It was what he liked.
625
00:33:43,750 --> 00:33:45,458
And he was betting
626
00:33:45,542 --> 00:33:47,625
that what he liked,
they would like.
627
00:33:47,709 --> 00:33:50,917
And he was very, very right.
628
00:33:52,041 --> 00:33:54,000
Judith Thurman:
You think Ralph Lauren Polo.
629
00:33:54,083 --> 00:33:55,500
That's what you think: Polo.
630
00:33:55,583 --> 00:33:58,875
The most exclusive,
kingly sport that there is.
631
00:33:58,959 --> 00:34:00,458
That requires you
to own horses,
632
00:34:00,542 --> 00:34:02,667
to know how to ride them.
633
00:34:02,750 --> 00:34:04,542
Ralph Lauren Polo.
634
00:34:04,625 --> 00:34:07,208
Uh, it wouldn't be
Ralph Lifshitz Polo.
635
00:34:07,291 --> 00:34:09,041
That wouldn't work.
636
00:34:09,125 --> 00:34:11,458
Jerry Lauren:
A lot of people thought that
Ralph had changed his name
637
00:34:11,542 --> 00:34:14,250
'cause he wanted it
to be more WASP-y.
638
00:34:14,333 --> 00:34:16,542
Absolutely not true.
639
00:34:16,625 --> 00:34:18,750
Aha!
640
00:34:18,834 --> 00:34:20,875
I am the person
641
00:34:20,959 --> 00:34:23,125
who created the name change.
642
00:34:23,208 --> 00:34:25,333
Throughout life,
643
00:34:25,417 --> 00:34:28,375
having a name
L-i-f-s-h-i-t-z,
644
00:34:28,458 --> 00:34:30,709
Lifshitz, okay,
645
00:34:30,792 --> 00:34:33,041
was a tough thing
to live with.
646
00:34:33,125 --> 00:34:35,375
Ralph and I both went to
647
00:34:35,458 --> 00:34:38,083
the Rabbi Israel
Salanter Yeshiva,
648
00:34:38,166 --> 00:34:41,333
and Yeshiva-- even,
even though the names
were Goldberg,
649
00:34:41,417 --> 00:34:43,375
and Silverberg,
and Silverstein, and--
650
00:34:43,458 --> 00:34:45,208
and Cohen, and--
651
00:34:45,291 --> 00:34:48,917
Lifshitz, they still,
somebody's,
"Oh, hi, Shitzy."
652
00:34:49,000 --> 00:34:50,792
There was never a moment
653
00:34:50,875 --> 00:34:53,792
when I want to
escape my origins,
654
00:34:53,875 --> 00:34:57,583
but, I said, "Lenny and Ralph.
655
00:34:57,667 --> 00:34:59,166
"I want to tell you something.
656
00:34:59,250 --> 00:35:01,834
"I would like for us
to change our names.
657
00:35:01,917 --> 00:35:03,917
"If you guys would
like to do it,
658
00:35:04,000 --> 00:35:08,750
I'm ready to do it.
I don't need this shit
anymore." (laughs)
659
00:35:08,834 --> 00:35:12,166
Richard Cohen:
When I read that that always
the reference to his name,
660
00:35:12,250 --> 00:35:15,667
I didn't think there
was a smidgen of
antisemitism there.
661
00:35:15,750 --> 00:35:19,125
It was like, who was this
little Jew to tell us how
to dress us?
662
00:35:19,208 --> 00:35:21,875
And I wrote a column
to defend Ralph Lauren.
663
00:35:21,959 --> 00:35:24,458
He was coming on, you know.
He was becoming
bigger and bigger.
664
00:35:24,542 --> 00:35:26,917
And they always pointed out
that he was from the Bronx
665
00:35:27,000 --> 00:35:29,500
and his name was Lifshitz.
It's a real name.
666
00:35:29,583 --> 00:35:31,208
"Aha." Elbow jab.
667
00:35:31,291 --> 00:35:32,792
"Aha, I see.
He's just a Lifshitz."
668
00:35:32,875 --> 00:35:35,125
And I resented it.
'Cause I said,
669
00:35:35,208 --> 00:35:38,417
"No. This isn't something bad.
This is good."
670
00:35:39,041 --> 00:35:40,792
And I likened Ralph
671
00:35:40,875 --> 00:35:45,291
to the Hollywood moguls
of the '30s and the '40s.
672
00:35:45,375 --> 00:35:49,208
L.B. Mayer, who was the head
of Metro-Goldwyn-Mayer studios.
673
00:35:50,375 --> 00:35:53,166
Sam Goldwyn, another one.
674
00:35:53,250 --> 00:35:57,291
The Warner brothers,
all but one, were born
overseas.
675
00:35:57,375 --> 00:36:01,667
You can go through
the list and say,
"They were all immigrants."
676
00:36:01,750 --> 00:36:05,000
These guys had an idea
in their head.
677
00:36:05,083 --> 00:36:08,542
They were really good
when it came to
feeling the pulse
678
00:36:08,625 --> 00:36:10,166
of the American people.
679
00:36:10,250 --> 00:36:12,208
Come this way, sir.
680
00:36:13,959 --> 00:36:16,500
Cohen:
And that's the eye
of the outsider.
681
00:36:16,583 --> 00:36:18,291
That's what Ralph has.
682
00:36:20,417 --> 00:36:22,750
I thought Ralph Lauren,
like these guys,
683
00:36:22,834 --> 00:36:24,417
created a look.
684
00:36:25,875 --> 00:36:27,333
He was telling people,
685
00:36:27,417 --> 00:36:29,500
this is the great
American look.
686
00:36:29,583 --> 00:36:32,959
And how do I know it?
Because first he saw it
in the movies.
687
00:36:33,041 --> 00:36:36,458
All you need is frame now,
and you'd be a masterpiece.
688
00:36:39,458 --> 00:36:41,250
Andrew Lauren:
My dad is a product
of the movies.
689
00:36:41,333 --> 00:36:45,333
He grew up wanting
to be like the stars
on the silver screen
690
00:36:45,417 --> 00:36:47,333
He loved the style,
691
00:36:47,417 --> 00:36:49,500
the... he had heroes.
692
00:36:49,583 --> 00:36:51,834
And I think those heroes
inspired him.
693
00:36:53,750 --> 00:36:57,458
He wanted to be bigger
and better than where
he came from.
694
00:36:57,542 --> 00:37:02,417
I think he has aspirations
to not only dress the part,
695
00:37:02,500 --> 00:37:03,917
but be the man,
696
00:37:04,000 --> 00:37:06,333
and move past
his upbringing,
697
00:37:06,417 --> 00:37:08,792
and become somebody special.
698
00:37:10,959 --> 00:37:13,542
Ralph:
Movies had a great
impact on me,
699
00:37:13,625 --> 00:37:15,959
because they opened a window
700
00:37:16,041 --> 00:37:19,125
to a world that I didn't
grow up with.
701
00:37:23,333 --> 00:37:26,792
Thurman:
The idealization of the WASP-y
American dream
702
00:37:26,875 --> 00:37:28,417
is a Hollywood notion,
703
00:37:28,500 --> 00:37:29,750
is a Jewish notion,
704
00:37:29,834 --> 00:37:32,166
is a fashion business notion
in America.
705
00:37:34,166 --> 00:37:38,208
And Ralph Lauren's work
is very much about class.
706
00:37:38,291 --> 00:37:41,166
About aspiration.
707
00:37:41,250 --> 00:37:42,959
Like Hollywood,
708
00:37:43,041 --> 00:37:46,875
he sold America on a version
of the American dream.
709
00:37:48,125 --> 00:37:50,417
(big band music plays)
710
00:37:50,500 --> 00:37:54,291
Ralph:
I was always inspired
by '30s or '40s movies.
711
00:37:54,375 --> 00:37:57,750
Movies made somewhere
around the Depression.
712
00:37:57,834 --> 00:38:00,500
They always reminded me
of happy,
713
00:38:00,583 --> 00:38:02,500
make-believe glamour.
714
00:38:03,792 --> 00:38:06,291
Those movies have always
made me feel good.
715
00:38:07,667 --> 00:38:09,917
Thurman:
Could go to the movies
for 10 cents,
716
00:38:10,000 --> 00:38:13,125
and watch a comedy
set in a penthouse,
717
00:38:13,208 --> 00:38:17,959
in which the ladies
were wearing bias-cut
charmeuse evening gowns,
718
00:38:18,041 --> 00:38:21,458
and the men were in impeccable
white tie or tuxedos,
719
00:38:21,542 --> 00:38:24,458
and everybody was smoking
and drinking martinis.
720
00:38:24,542 --> 00:38:26,250
(big band music plays)
721
00:38:26,333 --> 00:38:30,208
Paul Goldberger:
This fantasy of the glamour
of a beautiful penthouse,
722
00:38:30,291 --> 00:38:32,291
and an elegant party,
723
00:38:32,375 --> 00:38:35,834
is one part of
the Ralph Lauren fantasy.
724
00:38:37,333 --> 00:38:39,917
In the Ralph Lauren
version of that,
725
00:38:40,000 --> 00:38:43,375
it's only the elegance
and the beauty.
726
00:38:44,667 --> 00:38:46,291
Nobody's drunk.
727
00:38:46,375 --> 00:38:50,166
Nobody's throwing
a martini glass
and smashing it.
728
00:38:52,792 --> 00:38:55,125
Ralph Lauren has
always understood
729
00:38:55,208 --> 00:39:00,000
that people want the world
to be comfortable.
730
00:39:00,083 --> 00:39:03,917
They don't really want
the world to be full of edge,
731
00:39:04,000 --> 00:39:06,500
and harshness and bitterness.
732
00:39:06,583 --> 00:39:09,333
They want the world
to be right.
733
00:39:09,417 --> 00:39:12,583
The brand is there
to make you smile.
734
00:39:12,667 --> 00:39:17,959
And to make you feel like,
you're, you're dressing
the part.
735
00:39:18,041 --> 00:39:22,250
Ralph Lauren
is not interested
in stirring the pot.
736
00:39:24,208 --> 00:39:27,417
He's not interested
in the nitty-gritty.
737
00:39:29,333 --> 00:39:31,375
Ken Burns:
In another era,
he would have been
738
00:39:31,458 --> 00:39:33,333
one of the great producers
in Hollywood.
739
00:39:33,417 --> 00:39:36,250
He would have been able
to conjure those dreams
740
00:39:36,333 --> 00:39:38,875
that this kid
from the Bronx saw
741
00:39:38,959 --> 00:39:42,917
at the movie houses,
and wanted to fully engage in.
742
00:39:45,083 --> 00:39:48,542
With Ralph, the proscenium
has disappeared,
743
00:39:48,625 --> 00:39:50,625
and he thinks
it is possible
744
00:39:50,709 --> 00:39:54,125
to walk through
into the screen.
745
00:39:54,208 --> 00:39:57,125
And be fully in those worlds,
746
00:39:57,208 --> 00:39:58,458
just as he was.
747
00:40:03,291 --> 00:40:06,375
Schumacher:
He has built his own world
748
00:40:06,458 --> 00:40:09,166
from a very young age.
749
00:40:09,250 --> 00:40:11,083
And in that world,
750
00:40:11,166 --> 00:40:12,333
the romance,
751
00:40:12,417 --> 00:40:14,625
the allure,
752
00:40:14,709 --> 00:40:16,291
the dream,
753
00:40:16,375 --> 00:40:18,000
is alive.
754
00:40:18,083 --> 00:40:19,875
So it's not a dream anymore.
755
00:40:20,000 --> 00:40:22,000
It's a dream manifested.
756
00:40:22,083 --> 00:40:25,667
(soft acoustic guitar
music plays)
757
00:40:40,834 --> 00:40:43,083
Ralph:
I always wanted a beach house.
758
00:40:43,166 --> 00:40:44,625
You know, and had no money.
759
00:40:44,709 --> 00:40:47,583
So Ricky and I would just
walk around the beach and say,
760
00:40:47,667 --> 00:40:49,542
"If you could have
any way you'd want to live,
761
00:40:49,625 --> 00:40:51,667
how would you want to live?"
762
00:40:53,333 --> 00:40:56,125
This is such a beautiful spot.
763
00:40:57,291 --> 00:40:59,542
I have a very hectic life.
764
00:40:59,625 --> 00:41:02,417
And, you know,
when I get away,
765
00:41:02,500 --> 00:41:03,917
I need to get away where,
766
00:41:04,000 --> 00:41:06,458
where I have a simplicity
of life.
767
00:41:06,542 --> 00:41:07,750
-Oh.
-Slide.
768
00:41:07,834 --> 00:41:10,333
Baby. Yeah.
769
00:41:10,417 --> 00:41:14,375
Ralph:
And I do feel that
my family comes first.
770
00:41:17,375 --> 00:41:20,125
Ricky Lauren:
My birthday money from
when I was a little girl
771
00:41:20,208 --> 00:41:23,583
went to starting our family.
772
00:41:24,333 --> 00:41:26,125
And I was an only child.
773
00:41:26,208 --> 00:41:30,875
So having three children
was a big deal for me.
774
00:41:30,959 --> 00:41:32,458
I was so happy.
775
00:41:32,542 --> 00:41:36,208
And it was my job
to be the mother.
776
00:41:36,834 --> 00:41:38,709
To be there to support Ralph,
777
00:41:38,792 --> 00:41:42,041
as he went forward
with his dreams.
778
00:41:42,125 --> 00:41:46,875
And it was important
for us all to be
part of his dreams.
779
00:41:48,208 --> 00:41:50,750
Living the dreams together.
780
00:41:52,917 --> 00:41:56,208
Ralph:
My children were always
part of everything.
781
00:41:59,583 --> 00:42:02,625
We weren't very social
because I never had time.
782
00:42:02,709 --> 00:42:04,333
I wanted to be
with my family.
783
00:42:04,417 --> 00:42:07,875
So on weekends,
where everyone's going
to everyone's houses,
784
00:42:07,959 --> 00:42:09,750
I remember saying
to a friend of mine, I said,
785
00:42:09,834 --> 00:42:12,083
"You know, I'd love to be
with you, but it's summer.
786
00:42:12,166 --> 00:42:14,083
I'm gonna be with my family."
787
00:42:14,583 --> 00:42:16,792
I remember walking
with Ricky one day,
788
00:42:16,875 --> 00:42:18,583
and in East Hampton
789
00:42:18,667 --> 00:42:21,166
they have parties on
the weekends, and...
790
00:42:21,250 --> 00:42:23,333
and all of a sudden
we were not invited
to anything.
791
00:42:23,417 --> 00:42:25,583
I'd see these people,
792
00:42:25,667 --> 00:42:28,041
you know, cars parked
in front of all these--
793
00:42:28,125 --> 00:42:30,417
cars going to parties,
and going to dinner parties.
794
00:42:30,500 --> 00:42:33,375
"I guess they
forgot about us, Ricky."
795
00:42:33,458 --> 00:42:35,959
You know, we, we, uh...
796
00:42:36,041 --> 00:42:38,250
Sometimes you
want to be invited,
797
00:42:38,333 --> 00:42:40,250
but you don't necessarily
want to go.
798
00:42:40,333 --> 00:42:42,208
But when they stop
inviting you, then,
799
00:42:42,291 --> 00:42:44,333
then there's a problem.
800
00:42:47,917 --> 00:42:51,333
Wintour:
Ralph, he totally believes
in the importance of family.
801
00:42:51,417 --> 00:42:53,250
It's rare to see him
out and about.
802
00:42:53,333 --> 00:42:56,417
So, Ralph, in a way,
is quite isolated.
803
00:42:56,500 --> 00:42:59,583
And he has a very
close-knit group
804
00:42:59,667 --> 00:43:01,709
with whom
he feels comfortable,
805
00:43:01,792 --> 00:43:03,375
and can be himself.
806
00:43:03,458 --> 00:43:07,000
His family and people
that have been with him
for years.
807
00:43:07,083 --> 00:43:10,333
I think he feels most at home
and most secure
808
00:43:10,417 --> 00:43:14,750
in these amazing environments
that he's created for himself.
809
00:43:14,834 --> 00:43:18,208
And maybe remaining
in that cocoon
810
00:43:18,291 --> 00:43:22,834
has kept his vision strong.
811
00:43:30,208 --> 00:43:32,583
Remember, the layering
looks good, too.
812
00:43:32,667 --> 00:43:35,125
How many--
Do we have any more
of those dresses?
813
00:43:35,208 --> 00:43:38,041
Do we have any more
dresses in this?
814
00:43:38,667 --> 00:43:40,500
Do we have more dresses?
815
00:43:42,375 --> 00:43:45,625
After I had success,
it built on more success.
816
00:43:45,709 --> 00:43:47,625
We need more of this.
Do we have more?
817
00:43:47,709 --> 00:43:50,250
And I started to believe
I can do things.
818
00:43:50,333 --> 00:43:52,291
We need more evening.
819
00:43:52,375 --> 00:43:53,834
And it kept coming.
820
00:43:53,917 --> 00:43:57,041
But I didn't think I would
ever do women's clothes.
821
00:43:57,333 --> 00:43:59,542
No, lose the color here.
822
00:44:00,208 --> 00:44:02,959
I wanna see how this
could look a little sexier.
823
00:44:03,041 --> 00:44:05,375
A little more evening.
824
00:44:05,458 --> 00:44:07,291
-Because it looks
a little young.
-Mm-hmm.
825
00:44:07,375 --> 00:44:09,667
Ralph:
Like, I love the way
we look here.
826
00:44:11,709 --> 00:44:13,458
Menswear is easier for me,
827
00:44:13,542 --> 00:44:15,917
'cause I'm a man.
I can say,
"I want those pants."
828
00:44:16,000 --> 00:44:18,458
But when I'm doing
women's clothes,
829
00:44:18,542 --> 00:44:20,250
I feel like I've stretched.
830
00:44:20,333 --> 00:44:23,125
-Yeah, I need these
more sophisticated.
-...these, these pants.
831
00:44:23,208 --> 00:44:26,125
-Employee 1: Okay.
-Employee 2: Yep.
Yep, that's cool.
832
00:44:26,208 --> 00:44:27,834
Let's see it
without your hat.
833
00:44:31,208 --> 00:44:32,500
I think you can fix this up,
834
00:44:32,583 --> 00:44:34,792
but the white skirt
bothers me a little bit.
835
00:44:34,875 --> 00:44:37,375
Employee 3:
Right. It's fresher,
right, definitely.
836
00:44:37,458 --> 00:44:38,959
-Dynamite.
-Right. Okay.
837
00:44:39,041 --> 00:44:41,083
Donna Karan:
He knows the fabric.
838
00:44:41,166 --> 00:44:43,000
He knows the silhouette.
839
00:44:43,083 --> 00:44:45,542
-She looks sophisticated.
That's what I like.
-Yes. Okay.
840
00:44:45,625 --> 00:44:47,667
Karan:
He knows what he wants to say.
841
00:44:47,750 --> 00:44:49,500
They look a little
too overpowered.
842
00:44:49,583 --> 00:44:53,125
He's shown it all
by the people who are
gonna bring it in.
843
00:44:53,208 --> 00:44:55,875
And he'll go, that,
that, that, that.
844
00:44:55,959 --> 00:44:57,875
Ralph:
That's beautiful.
Could be day or night.
845
00:44:57,959 --> 00:45:01,083
-Employee: Yeah, agreed.
-Ralph: Depends on
what we don't have.
846
00:45:01,166 --> 00:45:02,959
-The red could be good.
-Yes.
847
00:45:03,041 --> 00:45:07,041
Ralph:
This is very sophisticated.
We need... let me see that.
848
00:45:11,125 --> 00:45:13,125
That's good.
Let me see that.
849
00:45:13,208 --> 00:45:14,917
Brown:
One of the great
delights of Ralph
850
00:45:15,000 --> 00:45:17,291
is just this sense that
his woman can be
851
00:45:17,375 --> 00:45:21,667
in an absolutely drop-dead,
incredible, simple black dress.
852
00:45:21,750 --> 00:45:23,792
(indistinct chattering)
853
00:45:23,875 --> 00:45:25,375
Brown:
And at the same time,
854
00:45:25,458 --> 00:45:28,709
astride a horse wearing
a beautiful silk T-shirt,
855
00:45:28,792 --> 00:45:31,000
and a pair of well-cut jeans.
856
00:45:31,083 --> 00:45:34,041
I just think that
he loves women
in a way that...
857
00:45:34,125 --> 00:45:37,333
other fashion designers, really,
that I can think of, just don't.
858
00:45:37,417 --> 00:45:40,625
He understands women.
He respects women.
859
00:45:40,709 --> 00:45:42,625
Birrittella:
Maybe she doesn't need
the matching belt,
860
00:45:42,709 --> 00:45:44,083
-or the jacket.
-Employee: Right. Yeah.
861
00:45:44,166 --> 00:45:46,583
Brown:
He celebrates women.
862
00:45:46,667 --> 00:45:48,500
That's good.
That's perfect.
863
00:45:48,583 --> 00:45:49,959
That's a great mix.
864
00:45:50,041 --> 00:45:51,750
-Ralph: That's good.
-(employees chattering)
865
00:45:51,834 --> 00:45:53,500
Birrittella:
Women's wear really started
866
00:45:53,583 --> 00:45:56,625
because Ricky and I
were saying,
867
00:45:56,709 --> 00:45:59,250
"Gosh, those are--
Those are great men's clothes.
868
00:45:59,333 --> 00:46:03,000
Make 'em smaller,
because we wanna
wear 'em."
869
00:46:03,083 --> 00:46:05,917
Ralph:
When Ricky first
would go shopping,
870
00:46:06,000 --> 00:46:07,875
and she'd go into
a boys' store that had
871
00:46:07,959 --> 00:46:11,542
hacking jackets, and so,
I'd put the jacket on Ricky.
872
00:46:11,625 --> 00:46:13,250
I'd say, "Oh, that--
that looks great.
873
00:46:13,333 --> 00:46:14,917
I want that.
That's what I wanna do."
874
00:46:15,000 --> 00:46:18,000
Ricky Lauren:
He said, "Well,
I think my muse
875
00:46:18,083 --> 00:46:22,333
"would look wonderful
if she wore slacks
that were pleated.
876
00:46:22,417 --> 00:46:24,875
"And put her hands
in her pockets.
877
00:46:24,959 --> 00:46:26,834
"And, um, you know,
878
00:46:26,917 --> 00:46:29,250
had a great
man-tailored jacket."
879
00:46:29,333 --> 00:46:32,250
Or a beautiful silk shirt
with a bow.
880
00:46:32,333 --> 00:46:34,875
Or even a necktie.
881
00:46:35,000 --> 00:46:36,834
He was seeing me,
882
00:46:36,917 --> 00:46:40,834
and making things for me
the way he thought
I would look good.
883
00:46:40,917 --> 00:46:46,000
And he certainly knew how
to do the men's tailoring
for women.
884
00:46:47,542 --> 00:46:49,750
Birrittella:
The first things we did
885
00:46:49,834 --> 00:46:52,000
for women
when I first started
886
00:46:52,083 --> 00:46:56,333
were shirts,
but they were made
in the men's factory.
887
00:46:56,417 --> 00:46:59,125
He had an image
in his mind's eye
888
00:46:59,208 --> 00:47:01,250
of what the collar should be.
889
00:47:01,333 --> 00:47:03,000
And the stitches per inch,
890
00:47:03,083 --> 00:47:05,542
and what kind of buttons
it should be,
891
00:47:05,625 --> 00:47:08,458
and what the width
of the placket should be.
892
00:47:08,542 --> 00:47:10,625
The tailor would go back
and make something
893
00:47:10,709 --> 00:47:13,125
and come back and show Ralph,
and then we'd fix it,
894
00:47:13,208 --> 00:47:18,000
and tweak it some more,
and back and forth,
and back and forth.
895
00:47:18,083 --> 00:47:21,917
The attention to
every single detail
on the shirt
896
00:47:22,000 --> 00:47:24,208
took an entire day,
897
00:47:24,291 --> 00:47:27,875
to fit and perfect
one shirt.
898
00:47:29,709 --> 00:47:31,000
At the beginning,
899
00:47:31,083 --> 00:47:33,000
Ralph would have
the fashion show
900
00:47:33,083 --> 00:47:37,542
in his office,
which was a living room
with a fireplace.
901
00:47:37,625 --> 00:47:39,000
And we'd have folding chairs.
902
00:47:39,083 --> 00:47:42,083
And Ralph would stand
in front of the fireplace;
903
00:47:42,166 --> 00:47:43,834
he would talk about
the clothes.
904
00:47:43,917 --> 00:47:46,250
So it was very informal.
905
00:47:46,333 --> 00:47:48,291
And he had Persian rugs,
906
00:47:48,375 --> 00:47:50,166
and velvet sofas.
907
00:47:50,250 --> 00:47:54,834
And the showrooms were
what would have been
bedrooms.
908
00:47:54,917 --> 00:47:57,000
Didn't look like
anybody else's showroom,
909
00:47:57,083 --> 00:48:00,125
because it was
somebody's apartment.
910
00:48:00,208 --> 00:48:03,834
He just loved the idea
of this homey place.
911
00:48:05,250 --> 00:48:08,000
Ralph:
First small show,
I did in my offices.
912
00:48:08,083 --> 00:48:10,041
And I had never been
to a fashion show.
913
00:48:10,125 --> 00:48:11,834
After that show, I said,
914
00:48:11,917 --> 00:48:14,750
I called my staff in,
which was two people,
I think.
915
00:48:14,834 --> 00:48:17,875
And I said,
"I just want you to know
that this is it.
916
00:48:17,959 --> 00:48:20,375
I wanna quit the women's.
I want to leave on top."
917
00:48:20,458 --> 00:48:24,625
I had a good show,
and I don't think I could
go anywhere else.
918
00:48:24,709 --> 00:48:28,709
How am I gonna do skirts?
I don't know anything about
skirts and dresses.
919
00:48:28,792 --> 00:48:30,709
I didn't have enough training.
920
00:48:30,792 --> 00:48:33,542
But I found seamstresses
and sewers,
921
00:48:33,625 --> 00:48:34,875
and, on 7th Avenue,
922
00:48:34,959 --> 00:48:36,458
and had the sketch,
923
00:48:36,542 --> 00:48:37,667
the looks of the girls
924
00:48:37,750 --> 00:48:39,625
and what I thought
they should look like.
925
00:48:39,709 --> 00:48:42,417
And then we made the clothes
based on that.
926
00:48:58,625 --> 00:49:01,125
Wintour:
Back in the '70s and '80s,
927
00:49:01,208 --> 00:49:05,125
he defined how
the American woman
was changing.
928
00:49:05,208 --> 00:49:07,667
How a modern woman
was emerging.
929
00:49:07,750 --> 00:49:10,542
And what her needs were,
and what her life was.
930
00:49:14,750 --> 00:49:18,458
He saw their liberation.
He saw their freedom.
931
00:49:19,542 --> 00:49:23,208
Jessica Chastain:
Whenever you have a designer
putting a woman in a tuxedo,
932
00:49:23,291 --> 00:49:27,083
you're going against
the idea of,
933
00:49:27,166 --> 00:49:28,291
and the stereotype,
934
00:49:28,375 --> 00:49:29,875
of what a woman
is supposed to be,
935
00:49:29,959 --> 00:49:32,625
and what is she
supposed to look like.
936
00:49:32,709 --> 00:49:36,792
Kristin Clotilde Holby:
He just had this vision
of the Ralph Lauren woman.
937
00:49:36,875 --> 00:49:40,125
Fresh, American, natural,
938
00:49:40,208 --> 00:49:43,750
um, different than
what had been
going on before.
939
00:49:45,750 --> 00:49:49,166
I'd been modeling
for French designers.
940
00:49:49,250 --> 00:49:52,583
Everything was like
a caricature.
941
00:49:52,667 --> 00:49:55,166
Purple-fuchsia lipstick,
942
00:49:55,250 --> 00:49:57,166
lacquer on the eyes,
943
00:49:57,250 --> 00:49:59,250
lacquer on the hair.
944
00:49:59,333 --> 00:50:03,166
And Ralph said,
"Wash her face.
945
00:50:03,250 --> 00:50:05,500
"Brush her hair.
946
00:50:05,583 --> 00:50:07,458
No makeup."
947
00:50:07,542 --> 00:50:11,166
And I remember thinking
at the time,
948
00:50:11,250 --> 00:50:14,417
"Oh, my God.
This is something new."
949
00:50:16,250 --> 00:50:19,792
I was so stunned,
because for the first time,
950
00:50:19,875 --> 00:50:22,125
it was a picture of me.
951
00:50:22,208 --> 00:50:24,417
A picture of a woman.
952
00:50:24,500 --> 00:50:28,959
It wasn't a picture of
somebody's beauty ideal.
953
00:50:35,125 --> 00:50:37,166
Brown:
I think if Ralph
has one regret,
954
00:50:37,250 --> 00:50:40,041
it'll be that he was not
a movie director.
955
00:50:41,125 --> 00:50:44,375
I could see just how
cinematic his mind is.
956
00:50:44,458 --> 00:50:46,375
When he talks about
an ad campaign,
957
00:50:46,458 --> 00:50:49,458
it's not about just, you know,
trying to sell his clothes.
958
00:50:49,542 --> 00:50:51,375
He understands,
959
00:50:51,458 --> 00:50:52,750
almost more than
anyone I've met,
960
00:50:52,834 --> 00:50:55,291
the, the potency
of the American dream.
961
00:50:56,208 --> 00:50:59,500
(soft orchestral music plays)
962
00:51:08,959 --> 00:51:11,458
Andrew Lauren:
He had a very big
story to tell.
963
00:51:12,125 --> 00:51:14,166
How better to do it
964
00:51:14,250 --> 00:51:16,667
than to have the
New York Times
magazine come out
965
00:51:16,750 --> 00:51:18,709
and you've got
a 17-page spread
966
00:51:18,792 --> 00:51:22,125
of beautiful people.
967
00:51:22,208 --> 00:51:25,625
Beautiful life,
beautiful lifestyle.
968
00:51:25,709 --> 00:51:29,542
Something that is
aspirational but attainable.
969
00:51:30,291 --> 00:51:33,083
He was the first to do it.
970
00:51:33,166 --> 00:51:34,959
Brown:
And when the ads came in,
971
00:51:35,041 --> 00:51:36,500
it was like an event.
972
00:51:36,583 --> 00:51:38,083
People wanted to see
that campaign.
973
00:51:38,166 --> 00:51:41,583
It was as much of a,
uh, a thing in the culture,
974
00:51:41,667 --> 00:51:45,125
as, um, you know,
the release of
a new book or film.
975
00:51:45,208 --> 00:51:48,625
Goldberger:
As Polo Ralph Lauren
began to become
976
00:51:48,709 --> 00:51:50,166
a national presence,
977
00:51:51,000 --> 00:51:54,250
those ads
created an image
978
00:51:54,333 --> 00:51:57,583
that was incredibly powerful.
979
00:51:57,667 --> 00:51:59,208
Deeply alluring...
980
00:52:01,291 --> 00:52:04,834
...and different from
what other people
were doing.
981
00:52:10,583 --> 00:52:15,250
Mary Randolph Carter:
If you look at the early ads,
we would go off and shoot
982
00:52:15,333 --> 00:52:18,083
for sometimes
two weeks at a time.
983
00:52:18,166 --> 00:52:20,834
And we would pack up
all these suitcases.
984
00:52:20,917 --> 00:52:23,458
Men's clothes,
then the women's clothes,
985
00:52:23,542 --> 00:52:25,291
and the children's clothes.
986
00:52:25,375 --> 00:52:27,166
And the home collections.
987
00:52:27,250 --> 00:52:31,208
And we'd create,
you know, that world.
988
00:52:34,417 --> 00:52:37,250
(indistinct chattering,
laughing on screen)
989
00:52:37,333 --> 00:52:40,041
Birrittella:
We cast our movies.
990
00:52:40,125 --> 00:52:43,542
Most of them were not models.
991
00:52:43,625 --> 00:52:46,125
One of the men
was an architect,
992
00:52:46,208 --> 00:52:48,792
and was the husband
of the fashion editor
993
00:52:48,875 --> 00:52:50,834
of Mademoiselle
magazine.
994
00:52:50,917 --> 00:52:53,792
And Ralph thought
he had great style.
995
00:52:53,875 --> 00:52:55,500
He had this mustache.
996
00:52:55,583 --> 00:52:57,667
We had, you know,
sisters of somebody,
997
00:52:57,750 --> 00:53:01,125
and children of,
of these people.
998
00:53:01,208 --> 00:53:04,333
Ralph would find some.
Bruce would find some.
999
00:53:04,417 --> 00:53:07,542
Buffy would grab something
from her-- like a piece
of jewelry that,
1000
00:53:07,625 --> 00:53:11,458
that she really loved,
and Ralph would give us
things from his closet.
1001
00:53:11,542 --> 00:53:14,417
It wasn't the normal
way of working in
the fashion business
1002
00:53:14,500 --> 00:53:17,625
where it was storyboarded.
1003
00:53:17,709 --> 00:53:21,417
Birrittella:
One of the things that
drew Ralph to Bruce Weber,
1004
00:53:21,500 --> 00:53:25,583
Bruce's pictures
were very evocative,
1005
00:53:25,667 --> 00:53:28,000
and very real,
and very anti-fashion.
1006
00:53:28,083 --> 00:53:31,500
Ralph:
Usually you have an agency
that comes in.
1007
00:53:31,583 --> 00:53:34,959
They research,
and they give you a look.
1008
00:53:35,041 --> 00:53:37,750
I didn't need
the agency for that.
1009
00:53:37,834 --> 00:53:40,542
I knew exactly who I was
and what I wanted to say.
1010
00:53:40,625 --> 00:53:43,667
And I knew what I wanted
for advertising.
1011
00:53:44,792 --> 00:53:46,542
I needed to tell a story.
1012
00:53:46,625 --> 00:53:48,417
Tim Easton:
When I was on the set,
1013
00:53:48,500 --> 00:53:51,417
they would give me,
uh, all these stories.
1014
00:53:51,500 --> 00:53:53,333
Tim, this is your house.
1015
00:53:53,417 --> 00:53:56,458
Um, you just, uh,
inherited it from your uncle.
1016
00:53:56,542 --> 00:53:59,250
But you're trying
not to let the other
family members know yet.
1017
00:53:59,333 --> 00:54:02,000
And then Isabelle's
your wife.
1018
00:54:02,083 --> 00:54:03,917
Dress you up in
these beautiful clothes.
1019
00:54:04,000 --> 00:54:07,000
By the time
he started shooting,
1020
00:54:07,083 --> 00:54:08,834
I mean, you really
believe this.
1021
00:54:11,458 --> 00:54:14,083
Ralph:
I pick the girls.
I pick the guys.
1022
00:54:14,166 --> 00:54:16,834
I gave them the background.
1023
00:54:19,291 --> 00:54:23,125
Birrittella:
It's not even
about the clothes.
1024
00:54:23,208 --> 00:54:27,583
It really creates
a cinematic vision
1025
00:54:27,667 --> 00:54:29,000
of a life.
1026
00:54:33,417 --> 00:54:35,250
Wintour:
In working with Bruce,
1027
00:54:35,333 --> 00:54:37,667
who is such an American
photographer,
1028
00:54:37,750 --> 00:54:41,583
and so much adores
the American way of life,
1029
00:54:41,667 --> 00:54:43,375
and family, and children,
and dogs,
1030
00:54:43,458 --> 00:54:45,500
and horses.
1031
00:54:45,583 --> 00:54:48,959
Together, they created
this Ralph Lauren myth
1032
00:54:49,041 --> 00:54:51,709
that exists today.
1033
00:54:53,750 --> 00:54:57,291
Foley:
If Ralph is called out
for anything,
1034
00:54:57,375 --> 00:54:59,417
and called out
is a big phrase,
1035
00:54:59,500 --> 00:55:02,000
because it's very
hard to argue with
the man's success,
1036
00:55:02,083 --> 00:55:04,250
it is for the constancy
1037
00:55:04,333 --> 00:55:07,291
of his aspirational
point of view,
1038
00:55:07,375 --> 00:55:10,083
and his optimistic
point of view.
1039
00:55:11,250 --> 00:55:12,959
Thurman:
He's a patriot.
1040
00:55:13,041 --> 00:55:16,333
So he channels all these
dreams about America,
1041
00:55:16,417 --> 00:55:18,583
uncritically, into his work.
1042
00:55:18,667 --> 00:55:20,917
And everybody is overjoyed
to see them,
1043
00:55:21,000 --> 00:55:23,959
because they want
to believe that, too.
1044
00:55:24,041 --> 00:55:28,041
Americans are very attached
to our Utopian notions.
1045
00:55:31,166 --> 00:55:35,250
Randolph Carter:
We'd done some pictures of
just this pristine white barn.
1046
00:55:35,333 --> 00:55:37,166
And it was a misty morning.
1047
00:55:37,250 --> 00:55:38,583
And he said, "That's my ad."
1048
00:55:38,667 --> 00:55:41,041
It just said
"Ralph Lauren Country."
1049
00:55:41,125 --> 00:55:43,667
There were no models.
There was nothing.
1050
00:55:43,750 --> 00:55:46,333
And I just remember
Bruce Weber said,
1051
00:55:46,417 --> 00:55:47,917
"That's one of the bravest
things I think
1052
00:55:48,000 --> 00:55:49,917
Ralph ever did
in advertising."
1053
00:55:51,417 --> 00:55:54,417
You wanted to step
into that picture,
1054
00:55:54,500 --> 00:55:56,500
and you wanted to
live in that world,
1055
00:55:56,583 --> 00:55:59,208
and you wanted to live
in that barn.
1056
00:56:03,333 --> 00:56:05,041
Brown:
I think people have sometimes
1057
00:56:05,125 --> 00:56:07,250
sort of dismissed Ralph
as a marketer,
1058
00:56:07,333 --> 00:56:09,125
because his
advertising campaigns
1059
00:56:09,208 --> 00:56:11,750
were so extraordinarily
visionary.
1060
00:56:13,417 --> 00:56:16,500
Burns:
You are not just buying
an article of clothing.
1061
00:56:16,583 --> 00:56:18,917
You've joined a narrative.
1062
00:56:19,041 --> 00:56:22,625
And that's very different
than what fashion is.
1063
00:56:25,875 --> 00:56:28,709
Andre Leon Talley:
The ads had a language
of elegance.
1064
00:56:28,792 --> 00:56:31,417
And a timeless,
classic quality.
1065
00:56:31,500 --> 00:56:33,250
It was a lifestyle
that spoke to me
1066
00:56:33,333 --> 00:56:36,542
as a young, aspiring
black man in the South.
1067
00:56:36,625 --> 00:56:39,291
It's a classic statement
about style.
1068
00:56:41,250 --> 00:56:44,208
Ralph Lauren also
broke the codes
1069
00:56:44,291 --> 00:56:46,375
when he had Tyson Beckford
1070
00:56:46,458 --> 00:56:48,583
in those beautiful
fitted suits.
1071
00:56:50,125 --> 00:56:53,125
Tyson Beckford:
You opened the magazine
of GQ and you saw that.
1072
00:56:53,208 --> 00:56:56,166
It was just like, "Oh, my God.
What this this? Who is this?"
1073
00:56:56,250 --> 00:56:59,875
Even I said, "Who is this?"
You know?
1074
00:56:59,959 --> 00:57:02,125
Bethann Hardison:
This young man comes along,
1075
00:57:02,208 --> 00:57:05,500
and I guess it was just in,
in Ralph's eye.
1076
00:57:06,500 --> 00:57:09,834
Tyson had something
that was street,
yet elegant.
1077
00:57:09,917 --> 00:57:11,417
And he was dark,
1078
00:57:11,500 --> 00:57:14,125
and very handsome.
1079
00:57:14,208 --> 00:57:17,417
Beckford:
It was the big thing
in the black community
1080
00:57:17,500 --> 00:57:19,542
for someone of my color,
1081
00:57:19,625 --> 00:57:21,417
and my mixed race
1082
00:57:21,500 --> 00:57:23,417
to be in something like that.
1083
00:57:23,500 --> 00:57:27,125
No one had done that before
on that level.
1084
00:57:27,208 --> 00:57:31,792
Here is a black man
in a $3,000, $4,000 suit,
1085
00:57:31,875 --> 00:57:34,417
in a GQ magazine.
1086
00:57:34,500 --> 00:57:36,417
Wall Street guys
were lookin' at this,
1087
00:57:36,500 --> 00:57:38,250
and, you know, uh,
1088
00:57:38,333 --> 00:57:42,166
CEOs, businessmen,
were looking like,
"This suit is nice.
1089
00:57:42,250 --> 00:57:44,875
This is really nice.
I need to go get this."
1090
00:57:49,458 --> 00:57:51,667
Wintour:
Ralph, he has always, always,
1091
00:57:51,750 --> 00:57:54,959
at a time when it was not
so socially acceptable,
1092
00:57:55,041 --> 00:57:56,500
championed diversity.
1093
00:57:56,583 --> 00:57:59,417
He was one of the first
to use African-Americans
1094
00:57:59,500 --> 00:58:03,417
in a very meaningful way
in his advertising campaigns,
1095
00:58:03,500 --> 00:58:05,709
and in his runway shows.
1096
00:58:06,583 --> 00:58:09,917
It wasn't a token person.
1097
00:58:10,000 --> 00:58:12,750
You know,
"Let's just check that box."
1098
00:58:12,834 --> 00:58:17,375
He would use them in
remarkably strong images.
1099
00:58:17,458 --> 00:58:20,792
And they would become
the face of Ralph Lauren.
1100
00:58:20,875 --> 00:58:23,333
And not many other people
were doing it at the time
1101
00:58:23,417 --> 00:58:25,959
that Ralph stood up
and did it.
1102
00:58:26,625 --> 00:58:27,917
It was a big deal.
1103
00:58:28,000 --> 00:58:31,208
It was a big deal to have
two people of color be in
1104
00:58:31,291 --> 00:58:32,959
a nationwide,
1105
00:58:33,041 --> 00:58:35,709
or worldwide ad campaign.
1106
00:58:37,291 --> 00:58:40,458
Goldberger:
When you can create
a point of intersection
1107
00:58:40,542 --> 00:58:42,625
between enough popularity
1108
00:58:42,709 --> 00:58:45,208
to make a very large
and successful business,
1109
00:58:45,291 --> 00:58:47,208
and enough creativity
1110
00:58:47,291 --> 00:58:49,542
to make it feel interesting,
1111
00:58:49,625 --> 00:58:52,542
then, then you're
kind of onto something.
1112
00:58:56,333 --> 00:59:01,792
(upbeat orchestral music plays)
1113
00:59:16,959 --> 00:59:19,375
Birrittella:
Ralph has been inspired
by so many things
1114
00:59:19,458 --> 00:59:23,500
that he hasn't been
confined to one look.
1115
00:59:25,625 --> 00:59:28,417
Ralph:
I'm taking things
from different worlds.
1116
00:59:29,458 --> 00:59:32,583
And there are certain things
that I love.
1117
00:59:34,041 --> 00:59:35,625
Military.
1118
00:59:36,458 --> 00:59:37,792
Safari.
1119
00:59:40,583 --> 00:59:42,583
Western.
1120
00:59:42,667 --> 00:59:44,333
English riding.
1121
00:59:46,291 --> 00:59:48,709
They're all romantic stories.
1122
00:59:50,917 --> 00:59:53,500
When I'm working
on the collection,
1123
00:59:53,583 --> 00:59:56,875
I'm thinking of characters
and people,
1124
00:59:56,959 --> 00:59:59,417
and movies and books, and...
1125
00:59:59,500 --> 01:00:03,041
They're all part
of what goes in
and then comes out.
1126
01:00:03,125 --> 01:00:06,750
And things that
I never knew I had,
1127
01:00:06,834 --> 01:00:09,583
things that I never knew
I carried with me,
1128
01:00:09,667 --> 01:00:12,125
are revealed
as I start to work.
1129
01:00:12,625 --> 01:00:14,417
My childhood,
1130
01:00:14,500 --> 01:00:17,291
growing up and my dreams
of future, and...
1131
01:00:17,375 --> 01:00:21,667
everything I've experienced,
everything that I've seen.
1132
01:00:21,750 --> 01:00:26,542
The creative process to him
is, is like breathing.
1133
01:00:26,625 --> 01:00:31,041
There's walls full of clothes
and sketches.
1134
01:00:31,125 --> 01:00:33,959
The inspiration
can come from anywhere.
1135
01:00:34,041 --> 01:00:37,959
From an old book,
from a painting
he might have seen.
1136
01:00:38,041 --> 01:00:44,125
Something in a magazine
that sparked his imagination.
1137
01:00:44,208 --> 01:00:46,792
Ralph:
The movie Aviator
was coming out.
1138
01:00:46,875 --> 01:00:48,875
And I said,
"That's what I want to do."
1139
01:00:48,959 --> 01:00:52,667
And I just started to work
on my next season's collection.
1140
01:00:54,208 --> 01:00:58,375
I had to take that and build
a whole world around it.
1141
01:01:00,166 --> 01:01:02,458
Talley:
If he's got The Aviator mood,
1142
01:01:02,542 --> 01:01:04,125
he's in a room
and there's Amelia Earhart,
1143
01:01:04,208 --> 01:01:06,458
and there might even be
Katharine Hepburn.
1144
01:01:06,542 --> 01:01:08,458
So you had done
all the research
1145
01:01:08,542 --> 01:01:10,875
of The Aviator looks.
1146
01:01:11,000 --> 01:01:14,166
All of that, it's all
in the mood boards.
1147
01:01:14,250 --> 01:01:17,500
These are rooms--
They are mood rooms.
1148
01:01:17,583 --> 01:01:19,583
David Lauren:
He's gathering information,
1149
01:01:19,667 --> 01:01:22,417
and it's very
kind of free form.
1150
01:01:22,500 --> 01:01:26,959
And the characters,
they're coming to him
as he's working.
1151
01:01:27,041 --> 01:01:29,750
It's like an artist
who keeps adding a layer,
1152
01:01:29,834 --> 01:01:31,917
keeps adding a new color.
1153
01:01:33,542 --> 01:01:36,041
Ralph:
It's like building
a statue out of clay.
1154
01:01:36,125 --> 01:01:37,917
It's like you take these
pieces of clay,
1155
01:01:38,000 --> 01:01:40,542
and you throw it on
and then you start
to mold it.
1156
01:01:40,625 --> 01:01:43,291
Randolph Carter:
Everything is about a story.
1157
01:01:44,333 --> 01:01:46,625
It's never about a blouse,
or a pair of pants.
1158
01:01:46,709 --> 01:01:49,709
Birrittella:
He's from the same hometown
as Antonio Banderas.
1159
01:01:49,792 --> 01:01:53,250
Randolph Carter:
He had a vision of the Riviera .
1160
01:01:54,625 --> 01:01:57,000
Gerald and Sara Murphy,
1161
01:01:57,083 --> 01:01:58,375
Picasso,
1162
01:01:58,458 --> 01:02:02,917
the whole expat American thing
back in the '30s.
1163
01:02:03,000 --> 01:02:05,625
Ralph:
Hemingway had an effect.
1164
01:02:06,834 --> 01:02:09,041
It's just something
that spurred you on.
1165
01:02:09,125 --> 01:02:10,875
So sometimes that's
a whole collection,
1166
01:02:10,959 --> 01:02:13,500
sometimes it's a little
piece of something.
1167
01:02:20,250 --> 01:02:22,542
Randolph Carter:
It just takes
one spark like that.
1168
01:02:22,625 --> 01:02:27,500
A picture, a little
raggy piece of denim,
and he's off.
1169
01:02:29,709 --> 01:02:32,083
Birrittella:
It's never a literal thing.
1170
01:02:32,166 --> 01:02:36,792
It gives you a sense about
the color, the texture.
1171
01:02:37,417 --> 01:02:39,458
The mood of the clothes.
1172
01:02:40,834 --> 01:02:42,750
Ralph:
It's about wearability.
1173
01:02:42,834 --> 01:02:44,834
It's about understatement.
1174
01:02:44,917 --> 01:02:46,583
I believe in timelessness
1175
01:02:46,667 --> 01:02:48,083
that doesn't go out
with the trend,
1176
01:02:48,166 --> 01:02:49,542
that doesn't go out with age.
1177
01:02:52,208 --> 01:02:56,917
Goldberger:
What he does is take things
from the world,
1178
01:02:57,000 --> 01:03:00,375
and embrace and synthesize
influences.
1179
01:03:04,500 --> 01:03:07,125
He is not somebody who created
1180
01:03:07,208 --> 01:03:12,208
an entirely original way
of seeing and doing things.
1181
01:03:12,291 --> 01:03:16,208
Ralph Lauren is not
where you turn
for the cutting edge.
1182
01:03:16,291 --> 01:03:18,375
That, he leaves
to other people.
1183
01:03:19,166 --> 01:03:23,583
You do not need to
have an intellectual
view of fashion
1184
01:03:23,667 --> 01:03:25,625
to like Ralph Lauren's work.
1185
01:03:25,709 --> 01:03:28,834
It, it's, it--
you viscerally respond to it.
1186
01:03:31,583 --> 01:03:34,375
Ralph:
Not everything works.
1187
01:03:34,458 --> 01:03:37,458
When you've gotta
pull from your toes,
1188
01:03:37,542 --> 01:03:40,667
through your throat
to get this thing happen.
1189
01:03:40,750 --> 01:03:43,959
You sort of have to have
an editor's eye and say,
1190
01:03:44,041 --> 01:03:46,792
"I don't think this is good.
Put it away."
1191
01:03:46,875 --> 01:03:49,166
I always get nervous
when you go on vacation.
1192
01:03:49,250 --> 01:03:52,792
-Where am I going? Back--
-After, after you've signed off
on everything and then--
1193
01:03:52,875 --> 01:03:56,083
Maybe Buffy'll get a phone call.
"You know, I'm rethinking."
1194
01:03:56,166 --> 01:03:58,750
Birrittella:
We started one collection.
1195
01:03:58,834 --> 01:04:02,041
We were halfway through it.
1196
01:04:03,000 --> 01:04:04,625
Bought sample yardage,
1197
01:04:04,709 --> 01:04:08,500
we had walls full of clothes,
and sketches,
1198
01:04:08,583 --> 01:04:12,583
and Ralph came back
from, from the holidays,
1199
01:04:12,667 --> 01:04:14,166
and said, "It's wrong."
1200
01:04:14,250 --> 01:04:16,333
Ralph:
And said, "Wait a minute.
1201
01:04:16,417 --> 01:04:17,875
I can make it
more sophisticated,
1202
01:04:17,959 --> 01:04:19,834
because I don't want
to look like yesterday.
1203
01:04:19,917 --> 01:04:22,500
The next meeting,
everything came off the walls.
1204
01:04:22,583 --> 01:04:25,208
And he said,
"I think I want
to do something...
1205
01:04:25,917 --> 01:04:29,083
"cleaner, sleeker,
more contemporary.
1206
01:04:29,166 --> 01:04:32,625
I think I want to do
something beautiful
with gray flannel."
1207
01:04:33,250 --> 01:04:36,625
We went and we, we,
ordered all... (laughs)
1208
01:04:36,709 --> 01:04:38,125
all new piece goods.
1209
01:04:38,208 --> 01:04:42,333
Cream, cream cashmere,
light gray cashmere.
1210
01:04:42,417 --> 01:04:44,458
Beautiful mauves and pinks.
1211
01:04:48,458 --> 01:04:50,458
And it was a scramble.
1212
01:04:50,542 --> 01:04:52,959
But we believe
in his instincts.
1213
01:04:53,792 --> 01:04:56,375
And everyone gets on board.
1214
01:05:02,250 --> 01:05:04,041
Brown:
He has created a team.
1215
01:05:04,125 --> 01:05:06,000
He sets a template.
He has a DNA.
1216
01:05:06,083 --> 01:05:09,917
Everybody understands,
absolutely, what Ralph
really wants.
1217
01:05:10,000 --> 01:05:14,458
He's had many of
the same people
working for him for years.
1218
01:05:16,625 --> 01:05:20,166
I don't do anything alone.
I work with a team of people.
1219
01:05:21,834 --> 01:05:23,667
My company's like a repertory.
1220
01:05:23,750 --> 01:05:25,500
It's like a family.
1221
01:05:26,750 --> 01:05:29,125
They're good,
and they understand.
1222
01:05:29,208 --> 01:05:31,542
It's a team
that's been developed
1223
01:05:31,625 --> 01:05:33,333
with my message.
1224
01:05:33,417 --> 01:05:35,583
You can't do this alone.
1225
01:05:35,667 --> 01:05:37,583
The contrast here.
1226
01:05:37,667 --> 01:05:39,792
-Randolph Carter:
Yeah, the contrast.
-I think that's, that's--
1227
01:05:39,875 --> 01:05:42,750
Randolph Carter:
One of the things that
Ralph has always loved
1228
01:05:42,834 --> 01:05:45,250
is contradiction.
1229
01:05:45,333 --> 01:05:48,583
There's an amazing picture
of Naomi Campbell,
1230
01:05:48,667 --> 01:05:50,709
wearing like this slinky,
1231
01:05:50,792 --> 01:05:53,000
beautiful, gold,
glistening dress.
1232
01:05:53,083 --> 01:05:55,417
And Ralph throws
a safari jacket
1233
01:05:55,500 --> 01:05:57,458
over her shoulders.
1234
01:06:03,709 --> 01:06:05,792
Foley:
All high-end designers
are trying to deal with,
1235
01:06:05,875 --> 01:06:09,291
how do you adapt luxury
to the increasingly
casual lifestyle?
1236
01:06:09,375 --> 01:06:12,667
But Ralph sort of forged
a lifestyle concept
1237
01:06:12,750 --> 01:06:16,458
before it was thing.
He did a lot of things
before they were things.
1238
01:06:16,542 --> 01:06:17,834
And that's one of them.
1239
01:06:25,250 --> 01:06:30,000
Ralph's whole immersion
into performance wear
1240
01:06:30,083 --> 01:06:32,583
and athletic wear
was a huge thing.
1241
01:06:32,667 --> 01:06:36,125
And it really grew
out of his belief in
1242
01:06:36,208 --> 01:06:38,667
the lifestyle concept.
1243
01:06:38,750 --> 01:06:41,125
Now we have so many people
are jumping to do yoga pants.
1244
01:06:41,208 --> 01:06:42,709
Ralph Lauren got into it
a long time ago.
1245
01:06:42,792 --> 01:06:45,041
He saw that it
wasn't antithetical
1246
01:06:45,125 --> 01:06:48,125
to who he is as a designer
or of his message.
1247
01:06:49,625 --> 01:06:51,417
This isn't a change.
1248
01:06:51,500 --> 01:06:53,333
It's an expansion.
It's an evolution.
1249
01:06:53,417 --> 01:06:55,417
An extension of casual.
1250
01:06:56,959 --> 01:06:58,500
Koh:
And it's funny today
1251
01:06:58,583 --> 01:07:00,125
that all the young guys
are talking about wearing,
1252
01:07:00,208 --> 01:07:02,458
you know, track pants,
with like, suit jackets.
1253
01:07:02,542 --> 01:07:04,834
And they're like,
"This is what's happening
right now.
1254
01:07:04,917 --> 01:07:06,500
"It's all about adaptability,
1255
01:07:06,583 --> 01:07:08,083
"and about expressing
the relationship
1256
01:07:08,166 --> 01:07:10,291
with the urban environment."
I'm like, "Guys.
1257
01:07:10,375 --> 01:07:12,834
Ralph Lauren was doing that
35 years ago." You know?
1258
01:07:12,917 --> 01:07:15,500
Wintour:
If you look back
at his history,
1259
01:07:15,583 --> 01:07:19,500
you see so much of what
designers are thinking about
today.
1260
01:07:19,583 --> 01:07:23,333
Taking these
very simple items,
1261
01:07:23,417 --> 01:07:25,208
that you see kids
wearing on the street,
1262
01:07:25,291 --> 01:07:28,166
whether it's a jogging pant
or a parka or a T-shirt.
1263
01:07:28,250 --> 01:07:29,917
And making them fashion.
1264
01:07:30,000 --> 01:07:32,834
And Ralph was the first
to do that.
1265
01:07:32,917 --> 01:07:34,041
And to understand that.
1266
01:07:34,125 --> 01:07:37,458
And in a way,
to see how street style,
1267
01:07:37,542 --> 01:07:40,458
it would become
the world's uniform.
1268
01:07:41,250 --> 01:07:43,208
Ralph:
I had the timing.
1269
01:07:43,291 --> 01:07:45,291
Timing when the mood is there.
1270
01:07:45,375 --> 01:07:48,625
Who are you?
What's happening
in the world?
1271
01:07:48,709 --> 01:07:51,417
But you have to have
a strong vision,
1272
01:07:51,500 --> 01:07:53,667
and staying power.
1273
01:07:54,667 --> 01:07:57,792
Klein:
For every good designer,
1274
01:07:57,875 --> 01:08:00,834
the clothes are an extension
of the person.
1275
01:08:01,709 --> 01:08:04,625
It has to come from within him.
1276
01:08:04,709 --> 01:08:07,041
And it clearly does.
1277
01:08:07,125 --> 01:08:09,250
And his idea was,
1278
01:08:09,333 --> 01:08:12,208
it wasn't just
a collection of clothes.
1279
01:08:12,291 --> 01:08:15,083
It was this complete lifestyle.
1280
01:08:15,166 --> 01:08:17,375
And it was all consistent
1281
01:08:17,458 --> 01:08:19,834
with this dream that he has.
1282
01:08:21,291 --> 01:08:23,875
Karan:
He really put
the world together.
1283
01:08:23,959 --> 01:08:26,625
Children, furniture,
men's, women's.
1284
01:08:26,709 --> 01:08:29,792
The pillows, the sheets,
the blankets.
1285
01:08:30,166 --> 01:08:33,125
The duffel bag.
1286
01:08:33,208 --> 01:08:36,125
Margaret Russell:
Ralph Lauren was the very
first fashion designer
1287
01:08:36,208 --> 01:08:38,709
to design a full
home collection.
1288
01:08:42,500 --> 01:08:45,333
Martha Stewart:
He took lifestyle
and made it...
1289
01:08:45,417 --> 01:08:48,083
haute style.
He made-- He just made,
1290
01:08:48,166 --> 01:08:50,959
took simple,
everyday beautiful things,
1291
01:08:51,041 --> 01:08:54,041
and made everybody covet them.
1292
01:08:54,125 --> 01:08:56,625
You can buy a whole
Ralph Lauren room.
1293
01:08:56,709 --> 01:08:58,959
Every single thing.
The hardware.
1294
01:08:59,041 --> 01:09:02,208
I've bought some
of his hardware.
It was just fabulous.
1295
01:09:02,291 --> 01:09:06,166
Givhan:
You can just sort of live
this Ralph Lauren life.
1296
01:09:06,250 --> 01:09:09,291
And it's now become
the standard
1297
01:09:09,375 --> 01:09:11,375
in the industry.
I mean, I don't know
1298
01:09:11,458 --> 01:09:14,750
any brand that aspires
to just be a clothing brand.
1299
01:09:14,834 --> 01:09:16,792
Everybody aspires to be
a lifestyle brand.
1300
01:09:16,875 --> 01:09:19,041
I think Ralph Lauren
legitimately
1301
01:09:19,125 --> 01:09:20,500
offers up a lifestyle.
1302
01:09:20,583 --> 01:09:22,959
I think of a lot of
other brands basically
1303
01:09:23,041 --> 01:09:24,625
just offer up a lot of stuff.
1304
01:09:24,709 --> 01:09:27,458
And this, this window
right here is not gonna
go up to the...
1305
01:09:27,542 --> 01:09:29,333
ceiling. It's gonna
have like an area...
1306
01:09:29,417 --> 01:09:31,917
Everything that I have done
1307
01:09:32,000 --> 01:09:35,000
has been from my vision
of what I would like.
1308
01:09:35,083 --> 01:09:38,000
What do I like for my kids?
What do I like for my wife?
1309
01:09:38,083 --> 01:09:39,291
What do I like for my house?
1310
01:09:39,375 --> 01:09:41,375
It was no one telling me,
"This is new.
1311
01:09:41,458 --> 01:09:43,709
There was no one saying,
"Do it." I did it.
1312
01:09:43,792 --> 01:09:46,375
Andrew Lauren:
All of sudden, he's like,
"I gotta do homework."
1313
01:09:46,458 --> 01:09:47,917
"'Cause I gotta, I gotta
put stuff in my house.
1314
01:09:48,000 --> 01:09:49,542
I need napkins."
1315
01:09:54,041 --> 01:09:55,917
Every place is a set.
1316
01:09:56,000 --> 01:09:57,959
It's my parents' movie.
1317
01:10:05,417 --> 01:10:08,458
The house in Bedford,
it's an estate.
1318
01:10:10,917 --> 01:10:13,458
It feels like
you're in England.
1319
01:10:15,166 --> 01:10:19,166
And then they found
a beautiful place in Colorado.
1320
01:10:24,583 --> 01:10:27,166
The beach house in Montauk.
1321
01:10:30,291 --> 01:10:32,333
And an apartment in New York.
1322
01:10:36,709 --> 01:10:38,250
And then, Jamaica.
1323
01:10:44,125 --> 01:10:48,333
Ralph:
The beach, western, English.
1324
01:10:48,417 --> 01:10:50,792
They conjure up houses.
1325
01:10:50,875 --> 01:10:52,875
They conjure up furniture.
1326
01:10:52,959 --> 01:10:55,375
I've taken cowboy boots,
1327
01:10:55,458 --> 01:10:56,917
and I made them into chairs
1328
01:10:57,000 --> 01:10:58,250
on my ranch.
1329
01:10:58,333 --> 01:11:01,917
David Lauren:
These homes,
they're fuel for him.
1330
01:11:02,000 --> 01:11:04,291
In these homes,
he finds inspiration.
1331
01:11:05,542 --> 01:11:07,875
Dylan Lauren:
My dad can dream up
1332
01:11:07,959 --> 01:11:09,583
these lifestyles,
1333
01:11:09,667 --> 01:11:11,917
and create an aesthetic
in his surroundings.
1334
01:11:12,000 --> 01:11:14,125
It's, it's an emotional thing.
1335
01:11:14,208 --> 01:11:16,792
If I come out West
and I have a dream about
1336
01:11:16,875 --> 01:11:18,959
what these cabins
are gonna look like.
1337
01:11:19,041 --> 01:11:21,041
Well, if I'm gonna
make a cabin,
1338
01:11:21,125 --> 01:11:23,083
I want it to have
a squeaky door.
1339
01:11:23,166 --> 01:11:25,625
Randolph Carter:
He feels like things
get better with age.
1340
01:11:25,709 --> 01:11:28,750
So he brings things
from the past into the future.
1341
01:11:28,834 --> 01:11:30,625
You could open
a cupboard and find
1342
01:11:30,709 --> 01:11:32,583
an amazing
stereo system inside.
1343
01:11:32,667 --> 01:11:36,041
But the old paint's
still there.
1344
01:11:37,500 --> 01:11:39,250
He's timeless.
1345
01:11:39,333 --> 01:11:41,875
But he's definitely
1346
01:11:41,959 --> 01:11:43,333
living in the now.
1347
01:11:45,375 --> 01:11:46,834
With Ralph Lauren,
1348
01:11:46,917 --> 01:11:50,083
while the mythology
does indeed
1349
01:11:50,166 --> 01:11:52,667
kind of meld into the reality,
1350
01:11:52,750 --> 01:11:55,458
it's because the mythology
comes from the reality.
1351
01:12:00,041 --> 01:12:04,875
Most of us will never be
on a thousand-acre
Colorado ranch.
1352
01:12:04,959 --> 01:12:07,709
But you can
experience all of it
1353
01:12:07,792 --> 01:12:09,583
through Ralph Lauren.
1354
01:12:10,792 --> 01:12:13,709
(upbeat orchestral music plays)
1355
01:12:18,083 --> 01:12:20,041
Look at those trees.
1356
01:12:25,750 --> 01:12:29,375
Sheila Metzner:
Just looking at his life,
and his work,
1357
01:12:29,458 --> 01:12:31,583
they're one.
1358
01:12:31,667 --> 01:12:33,834
It's completely
1359
01:12:33,917 --> 01:12:35,291
autobiographical.
1360
01:12:35,375 --> 01:12:38,250
He's completely
sharing his interests,
1361
01:12:38,333 --> 01:12:39,709
and his life,
1362
01:12:39,792 --> 01:12:41,583
and it's positive.
1363
01:12:42,667 --> 01:12:46,834
Does art imitate life?
1364
01:12:46,917 --> 01:12:49,333
Or does life imitate art?
1365
01:12:49,417 --> 01:12:53,000
With Ralph,
there's no separation.
1366
01:12:53,083 --> 01:12:54,917
(indistinct chattering)
1367
01:12:55,000 --> 01:12:57,500
Ralph:
I'm that guy in the movie.
1368
01:12:57,583 --> 01:13:00,667
And my wife is the girl
in the movie.
1369
01:13:00,750 --> 01:13:03,291
It starts out with a fantasy.
A dream.
1370
01:13:03,375 --> 01:13:06,917
And it ends up
as part of your life.
1371
01:13:10,959 --> 01:13:14,208
When you're out West,
you think about the trees
and the colors,
1372
01:13:14,291 --> 01:13:16,583
architecture, and the plains.
1373
01:13:16,667 --> 01:13:19,542
They're inspiring to me.
1374
01:13:19,625 --> 01:13:21,125
David Lauren:
When he's in Colorado,
1375
01:13:21,208 --> 01:13:25,625
and he's coming down from
a long year of hard work,
1376
01:13:25,709 --> 01:13:28,667
he gets out there,
and he just sits down,
1377
01:13:28,750 --> 01:13:30,417
and he looks at the mountains.
1378
01:13:32,125 --> 01:13:34,166
He has a quietness about him.
1379
01:13:34,250 --> 01:13:36,625
but it's almost because
he's absorbing everything
1380
01:13:36,709 --> 01:13:38,375
and he's listening a lot.
1381
01:13:39,250 --> 01:13:43,000
You know, my dad's like
a real, down-to-earth
family guy.
1382
01:13:43,834 --> 01:13:47,083
-Okay.
-All right, so here's
the question...
1383
01:13:47,166 --> 01:13:49,458
You know, when we're together,
we're watching movies,
1384
01:13:49,542 --> 01:13:52,458
we're, you know, hanging out,
having hamburgers and hotdogs.
1385
01:13:52,542 --> 01:13:54,417
-David Lauren:
No, this is fun.
-Whoo!
1386
01:13:54,500 --> 01:13:58,041
Andrew Lauren:
We have a very
tight-knit family
1387
01:13:58,125 --> 01:14:01,166
that stayed together
and played together.
1388
01:14:01,250 --> 01:14:03,125
Dylan Lauren:
Nice shot!
1389
01:14:03,208 --> 01:14:06,834
-He's sizing up the competition.
-David Lauren:
My dad is loose and easy.
1390
01:14:06,917 --> 01:14:08,750
And he's funny.
1391
01:14:08,834 --> 01:14:11,125
He puts on a pair
of sunglasses,
1392
01:14:11,208 --> 01:14:15,542
he gets in a car,
and a character
starts to emerge.
1393
01:14:17,083 --> 01:14:21,083
(Frank Sinatra singing
"I've Got the World
on a String")
1394
01:14:21,166 --> 01:14:26,458
♪ I've got the world
on a string ♪
1395
01:14:26,542 --> 01:14:30,208
♪ Sittin' on a rainbow ♪
1396
01:14:31,417 --> 01:14:33,125
Andrew Lauren:
And, you know,
he'll be dressed
1397
01:14:33,208 --> 01:14:35,375
according to the car,
and the color.
1398
01:14:35,458 --> 01:14:37,750
And the look,
and the lifestyle.
1399
01:14:37,834 --> 01:14:40,125
♪ What a world ♪
1400
01:14:40,208 --> 01:14:42,542
♪ What a life, I'm in love ♪
1401
01:14:44,750 --> 01:14:47,458
Andrew Lauren:
We'd go for a long drive
and then we'd come home.
1402
01:14:47,542 --> 01:14:49,750
And he would squeeze
the orange juice.
1403
01:14:49,834 --> 01:14:51,458
My mom would make
the pancakes.
1404
01:14:51,542 --> 01:14:53,959
And then, uh,
we'd put on Sinatra.
1405
01:14:54,041 --> 01:14:56,125
He'd start singing
with a wooden spoon.
1406
01:14:56,208 --> 01:14:58,792
♪ Can't you see I'm in love ♪
1407
01:14:58,875 --> 01:15:01,250
Andrew Lauren:
You know, for a few seconds,
you think,
1408
01:15:01,333 --> 01:15:03,458
"Ol' Blue Eyes" is in the room.
1409
01:15:03,542 --> 01:15:05,458
♪ As long as
I hold the string ♪
1410
01:15:05,542 --> 01:15:07,792
Dylan Lauren:
Whenever he puts on
his white tuxedo,
1411
01:15:07,875 --> 01:15:09,166
his dinner jacket,
1412
01:15:09,250 --> 01:15:11,667
he is Frank Sinatra.
He's Cary Grant.
1413
01:15:11,750 --> 01:15:13,834
And he gets out there,
and he, you know,
1414
01:15:13,917 --> 01:15:15,291
he has these moves.
1415
01:15:15,375 --> 01:15:18,166
And when we dance,
he's spinning me around,
1416
01:15:18,250 --> 01:15:19,750
like we're Fred and Ginger.
1417
01:15:19,834 --> 01:15:22,000
♪ Sittin' on a rainbow ♪
1418
01:15:22,083 --> 01:15:23,709
Dylan Lauren:
He really knows
how to work it
1419
01:15:23,792 --> 01:15:25,208
and become the personality.
1420
01:15:25,291 --> 01:15:27,250
♪ What a world,
what a life ♪
1421
01:15:27,333 --> 01:15:29,458
My name is Bond.
1422
01:15:30,291 --> 01:15:32,333
James Bond!
Aah. Aah!
1423
01:15:32,417 --> 01:15:35,750
-(laughs)
-♪ I got the world
on a string ♪
1424
01:15:35,834 --> 01:15:37,333
♪ Sittin' on a rainbow ♪
1425
01:15:37,417 --> 01:15:39,458
Dylan Lauren:
He is very playful
1426
01:15:39,542 --> 01:15:42,208
when he's in a crowd
that he is close to.
1427
01:15:42,291 --> 01:15:44,417
♪ What a world ♪
1428
01:15:45,500 --> 01:15:49,500
♪ Man, this is the life ♪
1429
01:15:49,583 --> 01:15:51,250
♪ Hey now ♪
1430
01:15:51,917 --> 01:15:56,959
♪ I'm so in love ♪
1431
01:16:04,792 --> 01:16:06,458
(engine revving)
1432
01:16:11,291 --> 01:16:13,125
Brown:
Ralph always, I think,
1433
01:16:13,208 --> 01:16:15,542
identified with Steve McQueen.
1434
01:16:15,625 --> 01:16:18,583
That was The Wild Bunch
part of Ralph.
1435
01:16:19,125 --> 01:16:20,709
But I think his real,
kind of,
1436
01:16:20,792 --> 01:16:22,917
soul hero was always
Cary Grant.
1437
01:16:23,000 --> 01:16:26,041
Diane von Furstenberg:
Ralph Lauren always
wanted to be Paul Newman.
1438
01:16:26,125 --> 01:16:28,417
And always wanted
to be a cowboy.
1439
01:16:28,500 --> 01:16:31,250
Karl Lagerfeld:
He looks good as a cowboy.
1440
01:16:31,333 --> 01:16:32,750
I like, for him.
1441
01:16:32,834 --> 01:16:35,333
I would be ridiculous.
He's not.
1442
01:16:38,417 --> 01:16:41,166
Allen:
Ralph gets to play
Ralph Lauren.
1443
01:16:42,917 --> 01:16:45,583
And Ralph is exactly
what he wants to play.
1444
01:16:45,667 --> 01:16:47,583
He's good-looking.
He's a hero.
1445
01:16:47,667 --> 01:16:50,959
He can wear
any of that stuff.
1446
01:16:51,041 --> 01:16:52,542
The evening clothes,
1447
01:16:52,625 --> 01:16:54,583
or the cowboy clothes.
1448
01:16:54,667 --> 01:16:56,500
And he looks great.
1449
01:16:56,583 --> 01:16:58,250
Stewart:
He's a handsome man.
1450
01:16:58,333 --> 01:17:00,250
He photographs very well.
1451
01:17:00,333 --> 01:17:03,000
He's it.
He's Ralph Lauren.
1452
01:17:03,083 --> 01:17:05,667
And he's the face
of the brand.
1453
01:17:05,750 --> 01:17:08,000
Andrew Lauren:
Looking back at those pictures,
1454
01:17:08,083 --> 01:17:11,875
you know, you can see
the origins of this brand.
1455
01:17:12,625 --> 01:17:13,750
In some ways ,
1456
01:17:13,834 --> 01:17:16,083
the brand is iconic
for those great images
1457
01:17:16,166 --> 01:17:19,000
that are ingrained
in people's heads.
1458
01:17:20,375 --> 01:17:22,875
Emmanuelle Alt:
He has a very strong DNA.
1459
01:17:22,959 --> 01:17:25,041
And this is like, the gift.
1460
01:17:25,125 --> 01:17:28,083
The absolute gift for a brand.
Definitely.
1461
01:17:28,166 --> 01:17:31,458
Burns:
Public figure who's
in his own ads,
1462
01:17:31,542 --> 01:17:33,709
who lives his own lifestyle.
1463
01:17:33,792 --> 01:17:36,375
is also a very shy person.
1464
01:17:36,458 --> 01:17:38,000
And so it's important
1465
01:17:38,083 --> 01:17:40,667
to make a distinction
between the mythology
1466
01:17:40,750 --> 01:17:44,375
that he has spent
his entire life creating
for others,
1467
01:17:44,458 --> 01:17:47,291
because he wished
to have that for himself.
1468
01:17:47,375 --> 01:17:48,959
And the real person.
1469
01:17:49,041 --> 01:17:52,375
But there's not
that much daylight
1470
01:17:52,458 --> 01:17:54,125
uh, between them.
1471
01:17:55,250 --> 01:17:57,792
(horns honking)
1472
01:17:58,834 --> 01:18:00,667
-Do you like the belt?
-Klein: Designers,
1473
01:18:00,750 --> 01:18:03,125
when we
were all coming up,
1474
01:18:03,208 --> 01:18:05,333
just thought about
collections.
1475
01:18:05,417 --> 01:18:07,417
Fashion.
1476
01:18:07,500 --> 01:18:09,834
Ralph was thinking
about his brand.
1477
01:18:09,917 --> 01:18:13,083
No one else
thought about that.
1478
01:18:13,166 --> 01:18:15,458
He just separated himself
1479
01:18:15,542 --> 01:18:19,500
and his company from
the fashion business.
1480
01:18:19,583 --> 01:18:22,166
Because he was creating
his own world.
1481
01:18:22,250 --> 01:18:25,250
I think the thing
that had to be so
frustrating for him
1482
01:18:25,333 --> 01:18:28,458
was to create
the lifestyle fantasy,
1483
01:18:28,542 --> 01:18:30,500
and then walk into
a department store,
1484
01:18:30,583 --> 01:18:33,291
and see that it was
in this terrible,
1485
01:18:33,375 --> 01:18:35,583
awfully lit environment,
1486
01:18:35,667 --> 01:18:38,500
styled on a mannequin
in the wrong way,
1487
01:18:38,583 --> 01:18:39,875
and poof!
1488
01:18:39,959 --> 01:18:41,542
There went the dream
and the fantasy
1489
01:18:41,625 --> 01:18:44,041
that he was trying to bring
into people's lives.
1490
01:18:44,125 --> 01:18:46,542
I felt that there was
a need to create
1491
01:18:46,625 --> 01:18:49,542
and do what I
believed would Ralph--
was Ralph Lauren.
1492
01:18:49,625 --> 01:18:53,208
And Polo, in, in, in
a much larger scale.
1493
01:18:53,291 --> 01:18:56,208
And I saw this building
on 72nd Street
1494
01:18:56,291 --> 01:18:59,125
that has this
mansion-like feeling.
1495
01:18:59,208 --> 01:19:01,583
And I said,
"This is what I want."
1496
01:19:03,041 --> 01:19:07,000
(upbeat piano music plays)
1497
01:19:16,417 --> 01:19:21,083
Randolph Carter:
The mansion was like
a big, Hollywood set.
1498
01:19:21,166 --> 01:19:23,166
He could create the world
1499
01:19:23,250 --> 01:19:25,542
exactly the way
he wanted to.
1500
01:19:25,625 --> 01:19:27,500
So when people walked in,
1501
01:19:27,583 --> 01:19:31,458
it wasn't about buying.
It was about an experience.
1502
01:19:31,542 --> 01:19:35,375
Traub: Opening day,
he took us through a store...
1503
01:19:35,458 --> 01:19:39,250
with a grand staircase,
Oriental carpet.
1504
01:19:39,333 --> 01:19:42,125
A huge portrait of
an English gentleman
1505
01:19:42,208 --> 01:19:43,750
right on the landing.
1506
01:19:43,834 --> 01:19:45,083
He pointed to it and said,
1507
01:19:45,166 --> 01:19:48,166
"That's Grandpa Lifshitz."
1508
01:19:48,250 --> 01:19:51,041
I thought the store
was terrific.
1509
01:19:51,125 --> 01:19:52,834
And I said,
"How is it doing?"
1510
01:19:52,917 --> 01:19:55,625
He said,
"I think it's doing fine."
1511
01:19:57,291 --> 01:19:59,625
Klein:
He was the first designer
1512
01:19:59,709 --> 01:20:02,125
to open up retail stores.
1513
01:20:02,208 --> 01:20:06,458
He met with a lot of resistance
from department stores.
1514
01:20:06,542 --> 01:20:10,542
Because those people
thought he would be
in competition.
1515
01:20:12,125 --> 01:20:14,333
He knew, and he told them,
1516
01:20:14,417 --> 01:20:17,959
"Your business will grow
because of my
free-standing stores."
1517
01:20:18,041 --> 01:20:20,458
And he was absolutely right.
1518
01:20:20,542 --> 01:20:22,208
Foley:
Rhinelander changed
1519
01:20:22,291 --> 01:20:26,083
the structure of fashion
to a tremendous degree.
1520
01:20:26,166 --> 01:20:29,583
Because up until Ralph Lauren
opened that Rhinelander store,
1521
01:20:29,667 --> 01:20:32,709
designer-vertical retail
was not a thing.
1522
01:20:32,792 --> 01:20:35,291
And Ralph Lauren
had the audacity,
1523
01:20:35,375 --> 01:20:38,750
and it was audacious,
to open this amazing store
1524
01:20:38,834 --> 01:20:41,750
on Madison Avenue,
a few blocks from
Bloomingdale's.
1525
01:20:41,834 --> 01:20:43,250
That was shocking.
1526
01:20:43,333 --> 01:20:45,208
So, a lot of people
would say in the press,
they'd say,
1527
01:20:45,291 --> 01:20:47,834
"Well, was Bloomingdale's
gonna drop Ralph Lauren?
Is..."
1528
01:20:47,917 --> 01:20:49,792
Well, Bloomingdale's
didn't drop Ralph Lauren.
1529
01:20:49,875 --> 01:20:52,458
They increased their order.
They doubled their order.
1530
01:20:53,750 --> 01:20:55,667
Givhan:
I don't think you
can overstate
1531
01:20:55,750 --> 01:20:57,000
the impact that he had
1532
01:20:57,083 --> 01:21:00,959
on the way that designers
retailed their brand.
1533
01:21:01,750 --> 01:21:05,125
It's sort of performance art
in which you can participate.
1534
01:21:05,959 --> 01:21:08,000
It's a stage set,
1535
01:21:08,083 --> 01:21:10,709
in which everything
is for sale.
1536
01:21:10,792 --> 01:21:13,709
Cohen:
The store not only
had the clothes,
1537
01:21:13,792 --> 01:21:16,166
but saddles.
You know, riding crops,
1538
01:21:16,250 --> 01:21:19,333
I mean, I don't know what to do
with a riding crop or a saddle.
1539
01:21:19,417 --> 01:21:21,542
I want, you know,
I want a pair of socks.
1540
01:21:21,625 --> 01:21:24,458
But it made me feel good.
It meant, "This is my store.
1541
01:21:24,542 --> 01:21:26,125
"My kind of people come here.
1542
01:21:26,208 --> 01:21:27,792
Equestrians."
You know, right?
1543
01:21:27,875 --> 01:21:30,625
Talley:
Oh, I might like
to look like that.
1544
01:21:30,709 --> 01:21:31,917
I might want to have
that tweed.
1545
01:21:32,000 --> 01:21:33,375
I may want to have
that riding boot.
1546
01:21:33,458 --> 01:21:34,667
I might want to have
that horse.
1547
01:21:34,750 --> 01:21:35,875
Well, I don't have a stable,
1548
01:21:35,959 --> 01:21:37,625
but I'll go get the bit,
the riding boots,
1549
01:21:37,709 --> 01:21:41,208
and I'll look really snappy.
It's jaunty.
1550
01:21:41,291 --> 01:21:44,709
You always have something
in a Ralph Lauren look,
1551
01:21:44,792 --> 01:21:47,875
that pivots what you feel
about yourself.
1552
01:21:47,959 --> 01:21:50,125
Which can give you confidence.
1553
01:21:51,125 --> 01:21:53,750
Even a Polo shirt
is aspirational.
1554
01:21:53,834 --> 01:21:55,166
Rainbow colors.
1555
01:21:55,250 --> 01:21:58,625
Who would not want
to aspire to that dream?
1556
01:21:58,709 --> 01:22:01,750
Jason Wu:
I moved to America;
I wanted the Polo shirt.
1557
01:22:01,834 --> 01:22:05,542
And that as an immigrant
for me was what America was.
1558
01:22:07,000 --> 01:22:09,291
By buying a shirt,
1559
01:22:09,375 --> 01:22:12,625
you can all of a sudden
be part of that club.
1560
01:22:14,667 --> 01:22:17,625
Kanye West:
I needed a way
to set myself apart.
1561
01:22:17,709 --> 01:22:20,542
What would be my magician's,
uh, cloak?
1562
01:22:20,625 --> 01:22:24,083
And it was the Polo shirt.
(laughs)
1563
01:22:24,166 --> 01:22:26,458
It said that I could, like,
1564
01:22:26,542 --> 01:22:29,417
travel from the South Side
of Chicago
1565
01:22:29,500 --> 01:22:32,250
to the beaches of Montauk.
1566
01:22:32,333 --> 01:22:35,500
Robin:
The longing that he taps into
1567
01:22:35,583 --> 01:22:37,250
is about belonging.
1568
01:22:37,333 --> 01:22:40,333
It's about feeling
that you have
1569
01:22:40,417 --> 01:22:44,208
not just attained some
kind of personal success,
1570
01:22:44,291 --> 01:22:46,083
but social success,
1571
01:22:46,166 --> 01:22:47,834
uh, cultural success.
1572
01:22:47,917 --> 01:22:51,834
Burns: And so then,
it isn't just him speaking
1573
01:22:51,917 --> 01:22:54,375
to the people
who already have it.
1574
01:22:54,458 --> 01:22:57,792
It's speaking to people
who want to have it.
1575
01:22:57,875 --> 01:22:59,458
And that's his story, too.
1576
01:22:59,542 --> 01:23:00,750
People know his story.
1577
01:23:00,834 --> 01:23:02,083
They know that
this is not a guy
1578
01:23:02,166 --> 01:23:03,959
who was born wealthy.
1579
01:23:04,041 --> 01:23:05,959
Um, you know,
he's self-made.
1580
01:23:06,041 --> 01:23:08,875
But because his narrative
1581
01:23:08,959 --> 01:23:12,125
has been so rooted
in this very WASP-y look,
1582
01:23:12,208 --> 01:23:13,750
there's been this sense that
1583
01:23:13,834 --> 01:23:17,625
everyone in that world
has also looked very WASP-y,
1584
01:23:17,875 --> 01:23:20,166
And that hasn't
really been the case.
1585
01:23:20,250 --> 01:23:22,417
Wool hat, with the horsey.
1586
01:23:22,500 --> 01:23:25,250
This is actually the retro,
reissue stuff.
1587
01:23:25,291 --> 01:23:28,333
It was a little cold outside.
1588
01:23:28,417 --> 01:23:29,917
Always Lo socks.
1589
01:23:30,000 --> 01:23:33,125
And then, you're not gonna
catch me without my Polo
drawers on.
1590
01:23:33,208 --> 01:23:37,667
Givhan:
These guys brought this
really rich, interesting
1591
01:23:37,750 --> 01:23:40,250
context to the brand
that wasn't there.
1592
01:23:40,333 --> 01:23:43,667
We took their style,
and we've made it our own.
1593
01:23:43,750 --> 01:23:48,667
The Lo Lifes were formed
in 1988 in Brooklyn.
1594
01:23:48,750 --> 01:23:50,750
Not too many people
say "Polo."
1595
01:23:50,834 --> 01:23:52,917
It's always referred to
as "Lo."
1596
01:23:53,000 --> 01:23:55,542
We were always into
hip-hop culture.
1597
01:23:55,625 --> 01:23:57,291
And the fashion of graffiti,
1598
01:23:57,375 --> 01:23:59,667
break dancing, DJing,
and everything.
1599
01:23:59,750 --> 01:24:03,667
And Polo became
an obsession for us.
1600
01:24:04,250 --> 01:24:07,625
They look like
mannequins from the store,
1601
01:24:07,709 --> 01:24:09,458
how much stuff they had on.
1602
01:24:09,542 --> 01:24:12,125
And I knew how much
this stuff cost.
1603
01:24:12,208 --> 01:24:14,542
These guys were wearing
like $400 jackets,
1604
01:24:14,625 --> 01:24:16,709
with $300 boots.
1605
01:24:16,792 --> 01:24:18,000
Howl:
Like everybody else,
1606
01:24:18,083 --> 01:24:20,166
we wanted the finer things
in life.
1607
01:24:20,250 --> 01:24:23,166
But a lot of people felt
the clothes weren't made
1608
01:24:23,250 --> 01:24:24,709
for us in the ghetto.
1609
01:24:24,792 --> 01:24:27,041
We were, we were poor,
you know?
1610
01:24:27,125 --> 01:24:29,917
And I didn't have no other way
of really getting the clothes.
1611
01:24:30,000 --> 01:24:31,417
I'm gonna take it.
1612
01:24:31,500 --> 01:24:34,291
♪ We don't have to buy shit,
take what I want ♪
1613
01:24:34,375 --> 01:24:36,583
♪ Everything is my shit ♪
1614
01:24:38,625 --> 01:24:42,125
Howl:
You go on boosting missions
with a couple of guys,
1615
01:24:42,208 --> 01:24:45,125
who can walk in the store
and come out with anything.
1616
01:24:45,208 --> 01:24:46,834
Down the leg, down the back,
1617
01:24:46,917 --> 01:24:49,500
in the shirt, in the shirt,
in the sleeve.
1618
01:24:49,583 --> 01:24:51,750
And when we would come back
to our neighborhoods
1619
01:24:51,834 --> 01:24:54,500
wearing these clothes,
you look like somebody.
1620
01:24:54,583 --> 01:24:56,583
You felt like somebody.
1621
01:24:56,667 --> 01:24:59,125
Beckford:
It was a way of saying
that you made it.
1622
01:24:59,208 --> 01:25:00,500
Y ou were successful.
1623
01:25:00,583 --> 01:25:04,208
Because it was so regal.
It was so royal. It was...
1624
01:25:04,291 --> 01:25:07,250
You know, it was the,
the top of the top.
1625
01:25:07,333 --> 01:25:09,417
♪ Polo Legend like
Manolo went over the limit ♪
1626
01:25:09,500 --> 01:25:11,125
♪ The loco livin', twistin' ♪
1627
01:25:11,208 --> 01:25:14,250
Givhan:
When rap and hip-hop
embraced Ralph Lauren,
1628
01:25:14,333 --> 01:25:17,250
they were essentially
saying that we're gonna
take this,
1629
01:25:17,333 --> 01:25:20,291
this symbol of what it means
to be a success in America.
1630
01:25:20,375 --> 01:25:22,959
We're gonna turn it
on its head a little bit,
1631
01:25:23,041 --> 01:25:27,250
and we're gonna sort of
wear it on our own terms.
1632
01:25:27,333 --> 01:25:30,250
Howl:
Ralph Lifshitz came
from the Bronx.
1633
01:25:30,333 --> 01:25:32,625
He pursued the American dream.
1634
01:25:32,709 --> 01:25:34,208
It's what we did.
1635
01:25:35,166 --> 01:25:37,458
This was our way
of seeing America
1636
01:25:37,542 --> 01:25:40,166
further than
the last stop on the train.
1637
01:25:44,417 --> 01:25:46,291
-Ralph: I like this.
-Man: Black. Yeah.
1638
01:25:46,375 --> 01:25:47,792
I still like this.
1639
01:25:47,875 --> 01:25:49,834
Beyond the glamour of fashion,
1640
01:25:49,917 --> 01:25:53,375
there is the reality
of making a product,
1641
01:25:53,458 --> 01:25:56,375
selling it to the stores,
getting it delivered on time.
1642
01:25:56,458 --> 01:25:59,000
And then next year.
What are you gonna do
next season?
1643
01:25:59,083 --> 01:26:02,125
That's what I was looking for.
The offbeat thing
that doesn't...
1644
01:26:02,208 --> 01:26:05,959
Doing one collection is painful.
1645
01:26:06,041 --> 01:26:08,583
It's painful. It's not easy.
1646
01:26:08,667 --> 01:26:10,625
And my days are distracted.
1647
01:26:10,709 --> 01:26:12,709
I'm not just sitting there,
1648
01:26:12,792 --> 01:26:14,166
designing a dress.
1649
01:26:14,250 --> 01:26:16,625
I'm running from an ad meeting
1650
01:26:16,709 --> 01:26:18,667
to a, to a board meeting,
1651
01:26:18,750 --> 01:26:20,291
to another meeting.
1652
01:26:22,417 --> 01:26:24,083
David Lauren:
When you're in this industry,
1653
01:26:24,166 --> 01:26:26,166
you do have to keep
pushing forward.
1654
01:26:26,250 --> 01:26:28,792
You gotta get out there
and you're gonna be better
every season.
1655
01:26:28,875 --> 01:26:31,667
And he wants to
get better with age.
1656
01:26:31,750 --> 01:26:33,458
So he works harder.
1657
01:26:33,542 --> 01:26:35,291
This seems like
a fashion image.
1658
01:26:35,375 --> 01:26:37,792
Building this company,
I believed that there's...
1659
01:26:37,875 --> 01:26:39,583
One person can't do it all.
1660
01:26:40,083 --> 01:26:42,250
From the financial end of it,
1661
01:26:42,333 --> 01:26:44,000
to the artistic end of it.
1662
01:26:44,083 --> 01:26:46,166
It's, it's a team.
1663
01:26:46,250 --> 01:26:47,917
One person can't be
the great artist,
1664
01:26:48,000 --> 01:26:49,792
and the great genius,
financial genius,
1665
01:26:49,875 --> 01:26:51,583
and the Wall Street genius,
and the...
1666
01:26:51,667 --> 01:26:54,375
I, I might be the only guy.
But... (laughs)
1667
01:26:54,458 --> 01:26:57,166
(laughter in background)
1668
01:26:57,250 --> 01:26:59,208
What's in a brand name?
1669
01:26:59,291 --> 01:27:01,250
A Ralph Lauren Polo brand?
1670
01:27:01,333 --> 01:27:04,625
About $767,000,000.
1671
01:27:04,709 --> 01:27:08,000
That's how much was raised
in yesterday's initial
public offering
1672
01:27:08,083 --> 01:27:11,750
of stock in
Polo Ralph Lauren
Corporation.
1673
01:27:11,834 --> 01:27:14,709
Stewart:
Going public just
made him more famous.
1674
01:27:14,792 --> 01:27:16,750
Ring that bell on
the New York Stock Exchange.
1675
01:27:16,834 --> 01:27:18,709
It's a very exciting day.
1676
01:27:18,792 --> 01:27:20,250
And then your
stock is traded,
1677
01:27:20,333 --> 01:27:22,709
and then you have to deal
with your shareholders.
1678
01:27:22,792 --> 01:27:24,709
Year after year after year.
1679
01:27:24,792 --> 01:27:28,125
And you're under a tremendous
amount of more scrutiny
1680
01:27:28,208 --> 01:27:29,959
than you were before.
1681
01:27:30,041 --> 01:27:31,875
Traub:
He had a great concern
1682
01:27:31,959 --> 01:27:34,291
that something would
go out of the business
1683
01:27:34,375 --> 01:27:36,208
when it became public.
1684
01:27:36,291 --> 01:27:38,542
And even though
he clearly knew
1685
01:27:38,625 --> 01:27:39,750
he could make a lot of money,
1686
01:27:39,834 --> 01:27:42,166
the decision
weighed on his mind
1687
01:27:42,250 --> 01:27:44,834
whether it was a good
or bad decision.
1688
01:27:44,917 --> 01:27:46,959
Vanessa Friedman:
Going public is very
complicated
1689
01:27:47,041 --> 01:27:49,083
for any fashion company.
1690
01:27:49,166 --> 01:27:51,709
It places an undue burden on,
1691
01:27:51,792 --> 01:27:55,083
you know, a creative business
which is always gonna show
1692
01:27:55,166 --> 01:27:56,583
kind of ebbs and flows
1693
01:27:56,667 --> 01:27:59,458
in terms of how people
respond to new products.
1694
01:27:59,542 --> 01:28:02,041
-So that's like the star.
-So you got, so you have,
Ralph, you have got this...
1695
01:28:02,125 --> 01:28:04,417
Ralph:
You may not totally be free
1696
01:28:04,500 --> 01:28:06,583
to express what you want.
1697
01:28:06,667 --> 01:28:09,166
-This is what I want.
-And yet shareholders
1698
01:28:09,250 --> 01:28:12,166
invest in your business
because they believe in you,
1699
01:28:12,250 --> 01:28:13,834
and they want to see growth.
1700
01:28:14,792 --> 01:28:17,125
I don't know all of you,
1701
01:28:17,208 --> 01:28:18,667
but I would like to know...
1702
01:28:18,750 --> 01:28:20,291
But as you get bigger,
1703
01:28:20,375 --> 01:28:22,792
it's harder to control
the sales.
1704
01:28:22,875 --> 01:28:24,959
It's hard to control
the design,
1705
01:28:25,041 --> 01:28:28,959
and it's harder and harder
to control the company.
1706
01:28:29,041 --> 01:28:31,083
You have to choose
1707
01:28:31,166 --> 01:28:33,250
some sophisticated people
financially,
1708
01:28:33,333 --> 01:28:35,250
to help you grow.
1709
01:28:36,250 --> 01:28:38,333
Sometimes it works.
1710
01:28:40,125 --> 01:28:42,208
And sometimes it doesn't.
1711
01:28:43,625 --> 01:28:46,125
Wintour:
A lot of people have
come and gone
1712
01:28:46,208 --> 01:28:48,375
quite quickly over there,
because
1713
01:28:48,458 --> 01:28:51,125
they have tried
to introduce, um,
1714
01:28:51,208 --> 01:28:54,291
a new way of thinking,
and that's...
1715
01:28:54,375 --> 01:28:57,208
That's not possible for Ralph.
1716
01:28:57,291 --> 01:29:00,333
Ralph believes in
what he has created.
1717
01:29:00,417 --> 01:29:02,417
He believes in the Ralph Lauren
1718
01:29:02,500 --> 01:29:05,583
way of doing business.
And it's worked.
1719
01:29:05,667 --> 01:29:08,125
And he's, he's not
gonna move off that--
1720
01:29:08,208 --> 01:29:09,709
He's not getting
off that train.
1721
01:29:09,792 --> 01:29:11,792
Ralph:
I decided to go public
1722
01:29:11,875 --> 01:29:15,041
because I wanted to have
a bigger business.
1723
01:29:15,125 --> 01:29:17,291
The whole world was there,
1724
01:29:17,375 --> 01:29:19,333
and I felt like I had
something to say
1725
01:29:19,417 --> 01:29:20,625
that was international.
1726
01:29:21,750 --> 01:29:24,583
(upbeat jazz music plays)
1727
01:29:28,792 --> 01:29:31,333
Talley:
The first store that
he opened in Paris
1728
01:29:31,417 --> 01:29:33,125
was the talk of the town.
1729
01:29:33,208 --> 01:29:35,792
And now, there's
a Ralph Lauren store
everywhere.
1730
01:29:37,875 --> 01:29:40,000
In Milan.
There are stores in London.
1731
01:29:40,083 --> 01:29:42,834
There are stores everywhere.
1732
01:29:42,917 --> 01:29:46,417
Russell:
He has created this idea
1733
01:29:46,500 --> 01:29:47,583
of American style,
1734
01:29:47,667 --> 01:29:50,041
and what that means
around the world.
1735
01:29:50,125 --> 01:29:53,166
Alt:
I really love the fact
that he celebrates
1736
01:29:53,250 --> 01:29:55,083
his country.
1737
01:29:55,166 --> 01:29:57,208
It's very relative to what
1738
01:29:57,291 --> 01:29:59,375
his vision of America.
1739
01:29:59,458 --> 01:30:01,750
And, uh,
it's very exotic for us,
1740
01:30:01,834 --> 01:30:03,792
maybe, the French people.
1741
01:30:03,875 --> 01:30:06,792
Wu:
The fact that Ralph Lauren's
international name
1742
01:30:06,875 --> 01:30:10,333
is as important as the French
and the Italians
1743
01:30:10,417 --> 01:30:12,542
is very significant
for American fashion.
1744
01:30:12,625 --> 01:30:15,000
Wintour:
When you talk to
young designers,
1745
01:30:15,083 --> 01:30:17,375
and you ask them
which designers
they most admire,
1746
01:30:17,458 --> 01:30:19,333
and who they
might like to meet,
1747
01:30:19,417 --> 01:30:21,875
there's two names
that come back
again and again.
1748
01:30:21,959 --> 01:30:24,458
It doesn't matter what corner
of the globe that you're in.
1749
01:30:24,542 --> 01:30:27,959
It's Karl Lagerfeld,
and it's Ralph Lauren.
1750
01:30:28,041 --> 01:30:31,417
For me, it's
the American designer
1751
01:30:31,500 --> 01:30:34,375
who represents America
and American fashion best
1752
01:30:34,458 --> 01:30:36,041
for the rest of the world.
1753
01:30:37,792 --> 01:30:40,583
David Lauren:
When you went to Japan,
1754
01:30:40,667 --> 01:30:43,417
crowds were assembling
to take his picture.
1755
01:30:43,500 --> 01:30:46,041
He's seen as an ambassador
of American culture,
1756
01:30:46,125 --> 01:30:49,250
and he reminds people
of what's great about
our country.
1757
01:30:49,333 --> 01:30:51,709
That's their slice of America.
1758
01:30:51,792 --> 01:30:53,750
Having that T-shirt
1759
01:30:53,834 --> 01:30:57,333
is their ownership
of United States.
1760
01:30:57,875 --> 01:31:01,583
I think if we have
anything close to
a national designer,
1761
01:31:01,667 --> 01:31:03,500
it's Ralph Lauren.
1762
01:31:06,041 --> 01:31:08,959
Hillary Rodham Clinton:
When the Star-Spangled Banner
1763
01:31:09,041 --> 01:31:11,542
was tattering to shreds,
1764
01:31:11,625 --> 01:31:15,458
I reached out to Ralph,
and next thing I knew,
1765
01:31:15,542 --> 01:31:17,750
he was pledging $13 million
1766
01:31:17,834 --> 01:31:21,083
to repair our
Star-Spangled Banner.
1767
01:31:22,875 --> 01:31:26,291
It was literally the flag
that was flying
1768
01:31:26,375 --> 01:31:30,250
when, um, our National Anthem
was written.
1769
01:31:30,333 --> 01:31:32,041
And it's because he got it.
1770
01:31:32,125 --> 01:31:35,625
He understands icons,
because he is one.
1771
01:31:35,709 --> 01:31:38,959
Friedman:
You couldn't grow up in America
in the '80s onwards
1772
01:31:39,041 --> 01:31:41,250
and not know the name
of Ralph Lauren.
1773
01:31:41,333 --> 01:31:43,917
He is the classic American,
1774
01:31:44,000 --> 01:31:47,000
mythological, entrepreneurial
success story.
1775
01:31:47,083 --> 01:31:48,959
You know, in any industry.
1776
01:31:49,041 --> 01:31:50,542
Diane Sawyer:
The official uniform
1777
01:31:50,625 --> 01:31:53,667
of the US Olympic team
has been unveiled.
1778
01:31:53,750 --> 01:31:56,125
Announcer (over PA):
Ralph Lauren will
throw out tonight's
1779
01:31:56,208 --> 01:31:57,834
ceremonial first pitch.
1780
01:31:57,917 --> 01:32:01,458
Ralph:
Being able to pitch
at Yankee Stadium
1781
01:32:01,542 --> 01:32:03,583
was unbelievable.
1782
01:32:05,041 --> 01:32:08,417
-(crowd cheering)
-Announcer (over PA):
Thank you, Ralph.
1783
01:32:11,709 --> 01:32:14,500
It is a key to our city.
1784
01:32:14,583 --> 01:32:17,041
Reporter:
Ralph Lauren will become
the first American designer
1785
01:32:17,125 --> 01:32:19,000
to be knighted by the queen.
1786
01:32:19,083 --> 01:32:22,583
Birrittella:
I think Ralph has won
every design award out there.
1787
01:32:23,375 --> 01:32:25,208
-(camera shutter clicking)
-Thank you very, very much.
1788
01:32:25,291 --> 01:32:28,667
Birrittella:
But it was the Lifetime
Achievement Award
1789
01:32:28,750 --> 01:32:31,250
that Audrey Hepburn
gave to Ralph
1790
01:32:31,333 --> 01:32:33,166
that was the high.
1791
01:32:33,250 --> 01:32:36,500
The high of--
The high of the highs.
1792
01:32:36,583 --> 01:32:39,417
Tonight,
we salute Ralph Lauren,
1793
01:32:39,500 --> 01:32:42,125
for his contributions
to American style,
1794
01:32:42,208 --> 01:32:44,166
design, and culture.
1795
01:32:44,250 --> 01:32:48,500
And to the way
he has added beauty,
1796
01:32:48,583 --> 01:32:50,500
comfort,
1797
01:32:50,583 --> 01:32:52,208
and dreams
1798
01:32:52,291 --> 01:32:53,542
to our lives.
1799
01:32:53,625 --> 01:32:56,458
(applause)
1800
01:33:00,291 --> 01:33:01,959
I think this looks very good.
1801
01:33:03,125 --> 01:33:05,709
Birrittella:
Ralph knows what he's achieved.
1802
01:33:05,792 --> 01:33:09,417
But he still comes from
that place of hunger.
1803
01:33:09,500 --> 01:33:12,625
He still wants to create
and excel.
1804
01:33:13,208 --> 01:33:15,166
He doesn't look at
the past success
1805
01:33:15,250 --> 01:33:17,208
and say, "Okay. I'm done."
1806
01:33:17,291 --> 01:33:19,041
Burns:
He's never satisfied .
1807
01:33:19,125 --> 01:33:20,542
He's restless.
1808
01:33:20,625 --> 01:33:23,125
And there's always
the next season.
1809
01:33:23,208 --> 01:33:25,583
There's always
the next collection.
1810
01:33:25,667 --> 01:33:28,250
There is nothing
to be rested on.
1811
01:33:28,333 --> 01:33:30,166
And the awards
and the accolades
1812
01:33:30,250 --> 01:33:33,667
are not as important
as the thing you're
working on now.
1813
01:33:34,583 --> 01:33:38,000
I don't like the belt.
That's, that--
I, I really don't like.
1814
01:33:38,083 --> 01:33:39,750
-You don't like the belt.
-No.
1815
01:33:39,834 --> 01:33:41,917
I don't like these
sneakers as much.
1816
01:33:42,583 --> 01:33:46,250
Something is not sharp enough.
I don't know what it is.
I don't know.
1817
01:33:46,333 --> 01:33:48,959
Foley:
He has been able to stay
1818
01:33:49,041 --> 01:33:51,709
very, very true
to his aesthetic,
1819
01:33:51,792 --> 01:33:53,083
while progressing
that aesthetic.
1820
01:33:53,166 --> 01:33:55,083
Which is one of
the hardest things to do,
1821
01:33:55,166 --> 01:33:57,041
if not the hardest thing
to do in fashion.
1822
01:33:57,125 --> 01:33:58,542
Okay.
1823
01:33:58,625 --> 01:34:01,333
Wintour:
He remains within
his own framework.
1824
01:34:01,417 --> 01:34:04,125
But Ralph is still in there,
1825
01:34:04,208 --> 01:34:05,792
pushing himself.
1826
01:34:05,875 --> 01:34:09,583
Always questioning,
he's always looking,
he's always thinking.
1827
01:34:09,667 --> 01:34:12,333
And I think that he's been
concerned sometimes
1828
01:34:12,417 --> 01:34:15,083
that he's not been hot enough.
1829
01:34:15,166 --> 01:34:17,583
But he says very clearly,
1830
01:34:17,667 --> 01:34:19,667
"I don't want to be too hot.
1831
01:34:19,750 --> 01:34:21,667
"And I don't want to be
too cold.
1832
01:34:21,750 --> 01:34:23,625
"I just want to exist.
1833
01:34:23,709 --> 01:34:27,291
I want to be like Nike,
or I want to be like
Coca-Cola."
1834
01:34:27,375 --> 01:34:29,250
And I think he's achieved that.
1835
01:34:33,083 --> 01:34:36,250
Goldberger:
Ralph Lauren has become
so established in the culture,
1836
01:34:36,333 --> 01:34:39,375
that it could be
the object of irony.
1837
01:34:40,792 --> 01:34:42,667
But that doesn't mean
1838
01:34:42,750 --> 01:34:46,291
it was created with
ironic intent by him.
1839
01:34:46,709 --> 01:34:51,291
Ralph Lauren does not have
an ironic bone in his body.
1840
01:34:51,375 --> 01:34:53,875
He really believes
all this stuff.
1841
01:34:53,959 --> 01:34:58,417
He really believes how
beautiful the world can be,
1842
01:34:58,500 --> 01:35:01,542
if we would only let it be so.
1843
01:35:01,625 --> 01:35:04,792
The thing about
Ralph Lauren's world
1844
01:35:04,875 --> 01:35:09,792
is that it's so
benignly aspirational.
1845
01:35:09,875 --> 01:35:14,333
He has really built
his entire empire on this idea,
1846
01:35:14,417 --> 01:35:18,250
anyone can enter the fantasy
American dream.
1847
01:35:25,291 --> 01:35:28,625
And I don't think
the American dream
ever goes away.
1848
01:35:31,917 --> 01:35:33,542
(Tony Bennett singing
"Stranger in Paradise")
1849
01:35:33,625 --> 01:35:36,250
♪ Take my hand ♪
1850
01:35:36,333 --> 01:35:40,417
♪ I'm a stranger in paradise ♪
1851
01:35:40,500 --> 01:35:43,875
Givhan:
But I do think that it
evolves and it shifts.
1852
01:35:43,959 --> 01:35:47,417
And our understanding of it
changes over time.
1853
01:35:47,500 --> 01:35:51,667
And I don't know that
his understanding of it,
1854
01:35:51,750 --> 01:35:53,458
I don't know that
that's changing.
1855
01:35:53,542 --> 01:35:56,792
And I think it's a problem
for a brand,
1856
01:35:56,875 --> 01:36:01,333
that I think is so much
more than just any
old fashion brand.
1857
01:36:01,417 --> 01:36:04,083
♪ That's a danger... ♪
1858
01:36:04,166 --> 01:36:07,083
Friedman:
His real adherence to
1859
01:36:07,166 --> 01:36:08,875
these narratives of America
1860
01:36:08,959 --> 01:36:12,291
that are core to his brand
1861
01:36:12,375 --> 01:36:14,625
can get a little stale,
1862
01:36:14,709 --> 01:36:17,125
particularly at a time
when I think a lot of people
1863
01:36:17,208 --> 01:36:20,417
who have not felt included
in a lot of these narratives,
1864
01:36:20,500 --> 01:36:22,250
are suddenly finding a voice,
1865
01:36:22,333 --> 01:36:24,875
and demanding that you
kind of rewrite
1866
01:36:24,959 --> 01:36:28,458
how we have thought about
all these stories.
1867
01:36:28,542 --> 01:36:33,166
And, you know,
this is not a brand
that rewrites.
1868
01:36:37,083 --> 01:36:40,083
Ralph:
The question is,
how do you move forward?
1869
01:36:41,750 --> 01:36:43,959
How do you develop newness?
1870
01:36:44,041 --> 01:36:47,625
And how do you stay
Ralph Lauren and
not lose your identity?
1871
01:36:47,709 --> 01:36:50,291
(indistinct chattering)
1872
01:36:50,375 --> 01:36:52,583
But I stayed true to myself.
1873
01:36:52,667 --> 01:36:56,625
And some of the criticism
was very painful.
1874
01:36:56,709 --> 01:36:59,041
It's like, "My God.
Maybe I'm not good.
1875
01:36:59,125 --> 01:37:00,875
Maybe I think I'm good,
but I'm not."
1876
01:37:01,458 --> 01:37:03,417
Look how nice that looks.
1877
01:37:04,542 --> 01:37:06,792
I've gone by my gut.
1878
01:37:06,875 --> 01:37:09,375
Not everything is genius.
1879
01:37:09,458 --> 01:37:12,291
And, yes, I would love
everyone to love it.
1880
01:37:12,375 --> 01:37:15,917
But I'm a big boy,
and I've lived through
critics...
1881
01:37:16,709 --> 01:37:19,083
from day one.
1882
01:37:19,166 --> 01:37:22,542
And I think that if I
listen to the critics,
1883
01:37:22,625 --> 01:37:24,125
I would have quit.
1884
01:37:24,208 --> 01:37:26,125
Let's put that on there.
1885
01:37:27,000 --> 01:37:29,375
This is my 50th year.
1886
01:37:30,542 --> 01:37:31,875
So think of this.
1887
01:37:31,959 --> 01:37:35,583
Fifty years, back and forth,
on the runway,
1888
01:37:35,667 --> 01:37:38,917
saying, "Oh, my God.
What am I gonna do
next year?"
1889
01:37:39,250 --> 01:37:42,583
We're searching for
what's been done,
or what's not been done.
1890
01:37:42,667 --> 01:37:44,500
Birrittella:
These are the pictures.
1891
01:37:44,583 --> 01:37:48,166
Ralph:
You're rolling the dice
again and again and again.
1892
01:37:48,250 --> 01:37:52,166
This collection is just
a culmination of everything
1893
01:37:52,250 --> 01:37:54,583
that you've always believed in.
1894
01:37:54,667 --> 01:37:57,041
Ralph:
This is not about every year.
1895
01:37:57,125 --> 01:37:58,458
This is just now.
1896
01:37:58,542 --> 01:38:00,792
And I wanted
this collection to be
1897
01:38:00,875 --> 01:38:02,834
like it was my last.
1898
01:38:09,792 --> 01:38:11,667
People say, "Ralph,
1899
01:38:11,750 --> 01:38:14,667
you don't worry about
your shows anymore.
You don't care about--"
1900
01:38:14,750 --> 01:38:18,125
I say, "Are you kidding?
I'm more nervous today
than I've ever been."
1901
01:38:54,041 --> 01:38:57,375
(indistinct chattering)
1902
01:39:13,834 --> 01:39:17,291
Friedman:
I was completely,
like, boggled by it.
1903
01:39:17,375 --> 01:39:19,291
I mean, I like, my eyes
were falling out of my head
1904
01:39:19,375 --> 01:39:22,291
because everywhere I turned
there was some, you know,
extraordinary person.
1905
01:39:25,542 --> 01:39:28,667
Anne Hathaway, Oprah Winfrey,
1906
01:39:28,750 --> 01:39:31,875
Robert De Niro,
Steven Spielberg.
1907
01:39:31,959 --> 01:39:35,250
You know, every American
designer practically.
1908
01:39:35,333 --> 01:39:38,166
And everyone was there
just to be happy for Ralph
1909
01:39:38,250 --> 01:39:39,583
and be proud of Ralph.
1910
01:39:39,875 --> 01:39:43,417
I honestly, like,
I thought it was wonderful.
1911
01:39:53,709 --> 01:39:56,041
Ralph:
You're never sure
that you got it right.
1912
01:39:56,125 --> 01:39:59,208
You think you got it right.
You feel it in your gut.
1913
01:40:02,375 --> 01:40:04,917
But I'm nervous
until the last moment.
1914
01:40:10,750 --> 01:40:14,625
(upbeat orchestral music plays)
1915
01:40:40,750 --> 01:40:44,417
Givhan:
Ralph Lauren's place in
fashion history is secure.
1916
01:40:45,667 --> 01:40:50,500
He represents something
that is more than just
a bunch of clothes.
1917
01:40:56,917 --> 01:40:59,917
Friedman:
It was a very big tent
embrace of everybody.
1918
01:41:00,000 --> 01:41:02,750
You know, colors, ages, sizes.
1919
01:41:02,834 --> 01:41:05,792
Like, everyone can be
a part of my world.
1920
01:41:10,542 --> 01:41:14,583
He took fantasies
of what America should be
1921
01:41:14,667 --> 01:41:17,625
and made entire worlds
out of them,
1922
01:41:17,709 --> 01:41:19,792
over half a century.
1923
01:41:33,166 --> 01:41:36,166
(applause)
1924
01:41:42,333 --> 01:41:45,000
(applause continues)
1925
01:41:54,875 --> 01:41:56,750
Wintour:
I think sometimes
1926
01:41:56,834 --> 01:41:59,375
he can't quite believe
that it's happened.
1927
01:42:02,333 --> 01:42:04,000
Sometimes,
1928
01:42:04,083 --> 01:42:06,083
he's still that little boy,
1929
01:42:06,166 --> 01:42:09,458
not quite believing that,
you know, "I am Ralph Lauren."
1930
01:42:11,000 --> 01:42:13,375
(applause)
1931
01:42:16,917 --> 01:42:18,542
Hardison:
That hug.
1932
01:42:19,834 --> 01:42:22,125
That to me said,
no matter who's in that room,
1933
01:42:22,208 --> 01:42:24,792
no matter who's shiny,
who's successful,
1934
01:42:24,875 --> 01:42:27,834
you always go back
to someone who really
knows who you were,
1935
01:42:27,917 --> 01:42:31,041
and who you came from,
and where you came from.
1936
01:42:33,417 --> 01:42:35,458
Chastain:
At the very end of the show,
1937
01:42:35,542 --> 01:42:37,875
he always goes to his family.
1938
01:42:39,208 --> 01:42:41,959
And I think that's so touching.
1939
01:42:42,041 --> 01:42:45,625
Because you know where
the priority lies there.
1940
01:42:45,709 --> 01:42:47,458
You have to have a full life
1941
01:42:47,542 --> 01:42:51,166
to be able to create.
You can't create
from emptiness.
1942
01:42:51,250 --> 01:42:54,375
And I think Ralph
has a very full,
1943
01:42:54,458 --> 01:42:57,166
beautiful, loving life.
1944
01:42:57,250 --> 01:42:59,000
Ralph:
When I saw
the children playing
1945
01:42:59,083 --> 01:43:01,083
and people from all over,
1946
01:43:01,166 --> 01:43:03,917
and the mixes of lives
and worlds...
1947
01:43:04,917 --> 01:43:06,166
I mean, I was emotional.
1948
01:43:06,250 --> 01:43:09,709
It was everything that
I believed in about life.
1949
01:43:14,000 --> 01:43:15,792
Fifty years.
1950
01:43:20,333 --> 01:43:22,250
(birds chirping)
1951
01:43:23,166 --> 01:43:25,750
(soft orchestral music plays)
1952
01:43:30,208 --> 01:43:32,250
Ralph:
I'm very excited about my work.
1953
01:43:32,333 --> 01:43:34,709
I feel vital and creative.
1954
01:43:34,792 --> 01:43:37,834
And I'm looking forward
to the future.
1955
01:43:37,917 --> 01:43:40,667
I care about what I do
and I love what I do.
1956
01:43:42,250 --> 01:43:44,583
You have to keep working.
1957
01:43:46,208 --> 01:43:48,875
I'm living the life
I dreamt about living.
1958
01:43:48,959 --> 01:43:52,667
And I enjoy
creating my own world.
1959
01:43:56,250 --> 01:43:58,125
But as you get older,
1960
01:43:58,208 --> 01:44:01,333
you don't need all the things
you thought you needed.
1961
01:44:01,417 --> 01:44:03,583
You need the good things.
1962
01:44:04,792 --> 01:44:06,125
Warmth.
1963
01:44:06,208 --> 01:44:08,166
The smell of
the country mornings.
1964
01:44:08,250 --> 01:44:10,417
And the way the fences look.
1965
01:44:10,500 --> 01:44:12,333
The color of the barn.
1966
01:44:12,417 --> 01:44:14,667
And life is wonderful.
1967
01:44:18,500 --> 01:44:20,583
When I built my house
in Bedford,
1968
01:44:20,667 --> 01:44:24,500
my mother said,
"What do you need this for?"
1969
01:44:24,583 --> 01:44:27,417
I said, "Mom, I want this
so I can have that little house
1970
01:44:27,500 --> 01:44:31,500
"down the hill with
a little red barn.
1971
01:44:32,500 --> 01:44:34,500
That's for my soul."
1972
01:44:36,041 --> 01:44:38,709
(birds chirping)
1973
01:44:42,208 --> 01:44:45,917
Sometimes you have
to fulfill your dreams
1974
01:44:46,000 --> 01:44:48,709
to know what your
real dream is about.
1975
01:44:52,125 --> 01:44:55,125
The real dream is family,
1976
01:44:55,208 --> 01:44:57,000
children,
1977
01:44:57,083 --> 01:44:59,208
having peace.
1978
01:45:18,208 --> 01:45:21,375
(upbeat orchestral music
playing)
143878
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