All language subtitles for nuk231-class07

hello and welcome back to nuke 2 3 1

nuke compositing best practices

this is Victor Perez

and in this class

we are going to continue the topic of

warflow optimization

but this time

we are going to focus on speed

so I'm going to show you

a few ways of handling the notes

in order to get a faster and more efficient overflow

okay so let's start by the note presets

the presets are values that we are going to establish

for all knobs available in one single note

so in this case

imagine that you are going to track something

that has been shoot with the iPhone 6 eyesight camera

so imagine that for one shot

probably is not going to need to be create a preset

because it's something you are going to use once

but imagine you are going to work on a show

that is all shot with the iPhone 6 eyesight camera

which is a preset that is not available in the feedback

for instance

available in the camera tracker

okay so you have the major uh

motion picture cameras available in the market

but of course

the iPhone is not one of them

okay but still

is something that you can use whatever you want

okay so what I did is I rescue from the internet

the characteristics of the camera from the iPhone

so you have it in here

the cheap size and the focal length

which is the most common values

you are going to need always for a camel trucker

so if you want to create the preset

the difference between the filmback preset

which is in here

for instance this one

that is going to set this film back size

the three set of the note

is going to establish the value for each single knob

so he's going to remember and record inside that preset

we are going to create now

every single value

so just try to change everything

that is going to be always in the characteristic

of this camera

so the first thing I'm going to put here custom

and I'm going to include the five point 97

by 4 point 71 okay

remember that the focal length for the iPhone is fixed

so we are going to put known and 4 15

okay so just with this

we have the characteristics of the focal length

and cheap size

but for instance

if you know

that you are going to work with a certain amount of

out of tracks or feature

something that

for instance

I always start considering my features at 2:50

okay so I'm going to put that in here

it doesn't mean that once you set your preset

you cannot change it

because of course

you can change everything

but at least you are going to start from a good base

okay so let's see that

I want to refine my features locations

and I want always to preview my feature

so everything you want

you're going to put it in here

so once you have all your constant values in there

we are going here

and we are going to save as preset

as you know

you have it in here

so in case I want to delete

we are going here

and I'm going to select

what's the one I want to delete

so now is clean okay

so now I'm going to save my new preset

and he's going to ask me for

this is where do you want to save your preset

this route is just in case

you have several folders of presets

for instance

all the focal lens

um cheap size

or the iPhones

or the others

for the Samsung Galaxies

or you know

any other cameras you want

you can mimic exactly the same

way of distribution of the values that you have in here

so for finery

black magic and etc

so I'm going to put in here just the root

if you want to create soup folders in here

you have to do it by using Python

okay so in this case

I don't want to go that hardcore with the programming

because I just need to get something handy

so I'm going to put in here

I sight camera

so now if I want to get those values by default

I just need to create a camera trucker

here you are

and now you will see that as soon as I select

this iPhone 6 Isaac camera

he's going to change all the values

including also the values in all the types

so is not only related to the camera itself

so is everything in the note exactly the same method

just for every single note

so if you want to create a certain effect

for instance

let me show you

um got brace

something very classic

which is creating chromatic coveration

so I'm going to create a chromatic coveration

for the red channel

so I'm going to put to the image in here

here you are

I'm going to create

a tiny variation

and imagine that you want to preserve

this chromatic evaration of the red

across the whole sequence

so instead of just setting the values of the channels

or the scale or anything else

just go here and just save the preset as

my sequence or whatever the name you want

Chroma

operation of the red okay

so you create that for the red

maybe you can create another for the blue

and then you have your combo of the node

so you have everything separate by nodes

okay and you can have as many presets as you want

okay there is no limitations

so I'm going to leave that here

okay so you have both of them

and remember that you can do this for every single note

and this is just a

storing the information in the values

something to pay attention is

if you set for instance

something like a mask

you need to be aware that

if your note is not having a mask

for instance

here is going to display a narrow

because he's going to ask you for something that is not

available in the note

so try to put in your presets

values that are always universal

that are going to work on every case scenario

so for that

of course you need a bit of testing of your presets

but is going to be better than putting something

and then displaying a narrow

um that is going to create a bit of confusion

so when you are using mask

or a request of some special channels

that probably are going to be available or not

that is better not to use it

okay so this is the note presets

okay then we have something that is slightly different

which is the note defaults

the note defaults

are the values that are going to be on the note

at the moment you are calling that particular note

okay so imagine that

for instance

something that I never understood

is why all the notes you call are

like resting

resting is like they are doing nothing

so if you apply

for instance

a checkerboard to a color correct

that you haven't changed anything

by default the color correct is doing nothing

so that's why I call this color correct to be resting

okay so the same with the blur

so if you don't change anything in the note

the blur is doing nothing

okay make sense

but in the case of the filter erot

so this erot in here

there is a value that is already changed

at the moment you are applying the note

if you see here

the size knob of the filter remote

is already applying one value

okay one pixel for the alpha

and this is not resting

so something that I like

is just to have all my notes resting

before I touch them

okay so I know that I can just create an structure

and then change whatever I need

without just having something sneaky in the middle

okay so by default

without changing anything in milk

the filter wrote is changing the appearance of my image

so can we change that

well we can

but for that

we need to use a bit of code

no worries is just Python

and of course

if you want to know more about Python

I already published a course with FX PhD

which is regarding Python scripting for new compositors

which is Python and ismology okay

so in order to do this

you don't need to get the course

but the course is going to get a more general vision of

what can you do with Python in milk

but in here

what we are going to do is just to change the default

so for that

we need to go to the dot nuke folder

and that is going to change

depending on the operative system

okay so the DOC

nuke folder is usually located in your user folder

so depending on the system

the user folder is going to be in a different location

in your hard drive

but is the folder that is allocating your documents

or your music or

well in Mac

is going to be really easy

so you go to the finder

and you go to the

folder that is having that icon of the house

and is probably having your name

in my case Victor Perez

and in here

you have dot

dot Nuke folder

the problem is

that folder is hiding

so if you want to navigate into that folder

if you are in Mac

the only way of doing that is just go

go to further

okay if you are in Windows or in Linux

you just need to reveal the hiding folders

and documents

okay so go to folder

and then in here

I'm going to write

dot nuke so go

and here we are

inside that Dot Nuke folder

for the Mac users

remember that you need to be

on your home folder

the user folder

before to perform the call of the go to folder

if you are not there

that's not gonna work

okay so once you are in here

you need to search for the document that is a

storing all the customizations you are going to apply

inside nuke

which is the menu dot p y

in case you haven't performed

any customizations to your nuke

you are not going to have this menu dot

py document

but no worries

you can create it from scratch using

text editor

remember that is plain text

you don't need to have any format

actually if you have any format

or font size

or anything else

that is not going to work

so something that is going to be helpful

is to use a

scripting editor

okay so I'm using

for format the text

wrangle choosing here

you can use commodo

or any other

software available in the market

so is makes no difference

is whatever is

making you more comfortable with

you can even use nuke

but I don't suggest

to use nuke as a script

editor for Python

because is not optimize for from doing that

the interface in nuke

for the script editor

is designed to execute the

commands okay

so I'm going to open

my menu dot p y

or I'm going to create it

and inside that

I already open it in here

I'm going to

use this formula

that I already

place in here

with this green

you just need to grate

in there nuke

dot knob default

and remember

that in Python

everything is case sensitive

so the default

default needs to be

uppercase okay

then open brackets

and inside quotes

filter erode

which is the name of the note

dot the name

of the knob

that in this case

is size okay

how do you know

the name of the knob

because that can be a bit confusing

the name of the knob

is not this

text that you have in here sometimes

most of the times

this is exactly the same as

the name of the knob

but this is what is called

the label okay

so if you want to know what's

the name of the knob

you just need

to leave your

cursor hovering

and is going to display

the name of the knob

in bolt in that

pop up window

that is telling me

now size okay

so this size

needs to be changed to be zero

so comma and then inside quotes

you need to put zero and close the brackets

okay so in here I have already that

for the blur for instance

I'm going to change and I'm going to put that

filter it out

that size and

the default value is going to be zero okay

so I'm going to save that

and now in order to make this to work

I need to save in here I'm gonna close

so let's open nuke again

and now if I call my filter erode

here you are

see the size by the fold has changed to 0

okay so that is very nice for me

because now even the filter wrote

is going to be resting by the fold okay

you can do the same for the channels

or any other filter

or whatever you want

everything is sensible to be change okay

you just need to replace the same pattern

we reproducing here okay

name of the note

name of the knob

and then the value you want by the fourth okay

another thing that I find very helpful is

I don't know you but for me

sometimes it's kind of tricky to remember that

I want to paint something for all friends

so I start painting something

and then when I move to another friend is like oh

I forgot to go here

and to change this from single to all friends

so you know

it's something that I tend to use more

painting for all frames than for just one single frame

but of course

you need to use any other value that you have in here

but if your tendency is like me

to use more like the all instead of one single

or just for pleasure of changing the values in here

you can customize also the Roto paint

in terms of the tools that you have in here

but that is not as easy as customizing one single note

so I'm going to show you in here

I put the formula in the script

but I already copied here in my menu dot p y

and it's this formula here

so you need to write not dot

not default

the name of the note

which is Rotopain

dot toolbox okay

and then we are going to start by using these clone

and then I'm using all the properties that are in here

well I'm not going to explain every single step of this

because this is more cold related than compositing

but as I mentioned before

if you want to go deeper into coding

I have that course in FXPD that you can explore um

I'm sure you are going to understand everything that is

happening here for me right now

if you want to change those values

I can tell you that

and here the 0

means that we are using the first

object available in this pull down choice

so this is 0

1 2 3 and 4

so in case you want to customize your

lifetime of the strokes

before you create the stroke

you can just change in here okay

for every single tool

that is mean to be painting on the screen

okay so 0 is for all friends um

you will notice that now I'm using those hash in here

and that is because I'm commenting the lines

commenting a line is a way of writing a line

but that line is not going to be interpreted by

nuke or the python

okay so he's just in here

but he's not being execute

if you want to put those lines to work

you just remove the sign here

okay so I'm going to remove the comments in there

and comment

so now those values are active

so again I'm going to save and remember that by default

without touching anything in nuke

the strokes are leaving just for one single frame

okay so I'm going to close again

I'm going to open

and here we are

so let's call again

the road to paint

and here you are by default

your lifetime of every tool that you have in here

is for all friends okay

so they are infinite combinations

that you can apply for all the nodes

so you can create your own defaults

based on your habits of working okay

so it's something that is going to help to avoid you

to perform task every time you call a single note

so here you are

a reminder on a sticky note

for both the Roto paint and the filter wrote

and remember that

if you want to change any other regular note

yes putting here the name of the note

and the name of the note is usually

what is brightening here

before the number of the notes

so in this case is filter wrote

okay and then

I already told you how to locate the name of the knob

and in here you put the value

okay so that is for the note the fold

then we have another thing that is quite interesting

which is where to use a task setup

versus a group or a gizmo

which means an open structure or an enclosed structure

an enclosure structure

is something that is nest inside a group or a gizmo

so imagine for instance

the default light grup

which is the note that you can find in here

and what I did is just to convert this light wrap node

which is a gizmo

and this by the fault is a gizmo

into a group

which is exactly the same thing

but remember that the gizmos need to be installed

on the computer of the person that you are going to

open your script okay

in the case of the light grap is not a problem at all

because the light grap is a default note

that is indeed in nuke

but if you're using your own gizmos

remember that you need to have the gizmos in store

or the script is not going to open correctly

okay so how do I convert a gizmo into a group

well you yes

select the gizmo

then you go to edit note group

copy gizmo to group okay

and that is going to create this replica

in this case

that is not necessary

but the difference between them

also in a practical way

is you can enter inside this group

just by pressing this s

and then you can modify

or just observe whatever is happening inside the group

so as you can see here

the like rap is a combination of a few basic notes

okay but that's why I selected the like rap

because usually

I tend to use my own setups for like graph

because depending on the lighting conditions

of the scene

you are going to need

some characteristics that you don't have in the genetic

like rap provided by nuke

so that's why I prefer to use

for certain task

like for instance a like rap

something that is quite versatile

an open structure

so an open structure is yes

but we already know a script

but in here

what I did is just to mimic

whatever is happening inside

and put in notes

okay so if you see the

the task we are performing is actually the same

just to add a tiny variation to the original like drop

what I did is just to have

two different levels of diffusion

okay so I put a big diffusion

which is corresponding with what we are going to call

the atmospherical occlusion so the big

a chunk of light contaminating the dark areas

and then we have like

the contact

uh diffusion

the small diffusion in here

which is just the regular light drop

okay so of course

I'm not caring about the results of the composition

but the methodology of getting the

the light drop

okay so what I did is just to create ah

luminance key prim

multiplying whatever I have

then stencil with the shape

then creating the diffusion okay

putting them together

and then creating a grade

just to give the same color structure

and then I was using here

an a top merch

okay so I can add

that light in there

which is more or less what is happening in here

but why should I divide this into an open structure

well because if I want to change yes

the big diffusion

I have just this note

without the need of

having another light grab

which is a lot of notes

as you can see in here

just for doing something

that I can do with a simple blur

so in this case

we are going to talk

not only about the speed of putting the notes

that is actually faster

but also the speed of nuke processing

because if you put two like

drops for doing just the atmosphereical occlusion

like in here

he's going to process all those notes

just for doing something

starting here

has been done with just one single blow

remember that the blow is something quite

fast to address

and then in here

I can also increase

maybe just the intensity of this big diffusion

or reducing that big diffusion

so I can place a grade

um increase or decrease

the intensity

based on the multiplication

remember that the light

if you want to change the intensity

you need to go with the multiplication

um this is something that is really helpful

because you are going to expand

your open structure

in whatever direction you need

that to be a spam

for instance

in here is not that

need to have the options for glow

like in the

like wrap you have

because I actually don't need this to be glowing

but if you want this to create that effect of glow

of course you can

creating another structure

for instance

like in here

you have that

you create this

and then you place that

over here using the plus

okay so I'm going to put that in this place

so with this

I'm creating also the glow that is looking a bit funky

but if you want to apply the same color to the glow

that I apply to the

like wrap inside

you can just clone this great okay

and place across the structure

remember that for cloning

I use Alt K

okay so I place it in here

so I'm having the same color for both the structure

so I can apply different methods of fusion

for that single effect

so I prefer opening structures to groups or gizmos

because he's more versatile

but sometimes

for the sake of using presets

or something that is quite close

something that you know you are not going to change

is maybe better just to have one note

dealing with everything

and group in one single task

so in here for instance

I got a luminoski

so this is the default luminoski provide by nuke

and this is a group I create myself

which is in my opinion

doing more than the original luminoski

what's the difference between those two

well let's have a look at my group

first of all

so if you open my group

you would see that you don't have all those notes

in here is just five notes

and the input and output

remember that the input is going to be

the arrow entering into the note

and the output is whatever is going to get out the note

the group I mean

so in here and using saturation

we already explained this in the previous class

so I'm not going to get much into the mats

of the luminance gear

but just to let you know it

I'm using the saturation a shuffle

just to get any of the channels

that is the right

in this case

I'm going to delete any channels

because I just want to use one

so instead of having process

across the whole stream of channels

I'm just going to keep just one

and then I'm using a great

so in this grade

I'm going to use a black point and a white point

as you have available in the luminance gear

but the difference that I'm going to have on my group

is in here I have a control for the gamma

so if you see

in your luminance key controls

you have just that line

so if you remember

we were discussing already

that we can just get

in a color correction like the

luminous gear

I can get my black and my white

okay so remember

this line is actually more or less the same as this

control we have in here

so we have a line in there

and then we have another line in in there

so the only controls I have in my gear

is the inclination of this line

but I cannot change the distribution of that line

so with my luminous gear here

I'm actually adding

a gamma control

so I can change this and this

but also this lamp

so I can go more gentle into the blacks

and then changing the

the core from be more drastic on the whites

okay so when you are using aluminum Scheer

in my opinion

this control is very

very helpful but again

I don't need to have the setup for a luminance key

because this is all related to one single task

so I don't think I want to add any kind of effect

for the luminance gear

maybe yeah I'm going to add a color correction

but it's something quite unlikely

so in case I want to change

I can always go inside the group

and then place whatever I want inside here

but usually

I'm not going to design this group to be changed

that's the difference between

designing an enclosed structure and an open structure

the open structure is designed to be changed

while the enclosed structure is designed to be assist

so you can just change whatever you have in here

so that's why you are picking those values

from the notes within the group

okay so look at the difference

from the regular luminance gear

and the luminance gear

I just create

so even using the same white and black points

I can decide where I want to be more gentle

and where I want to apply more values

to get recover on my mat

okay so he's going to give me that extra mile to work

of course instead of using a great

as I'm using here

you can use the roll of contrast

for instance

that is going to add controls for softening

on the shoulder and the knee of the

of the curve

or whatever you want

this is just an example okay

but I want just to invite you to think

what parts of your scripts are constant

which means are always the same

and what parts of your skill sets are varying

depending on the scene

so something to help you is

whatever is depending on light

he's always going to be an upper structure

because the light

I mean the qualities of the light

is different from shot to shot

even in the same sequence

but something like a technical task

can be compressed into a single note

so in my two sets

that some of you were asking on the forums

those tasks you finding here are all closed

because I'm not usually tending to open

and changing the structure of the

of the group

so everything that I need

is in the controls of the note already okay

but sometimes

I can create massive open structures

so for that

instead of just using the notes

aren't using maybe presets or

I just want to get everything in one single template

so for that

we have a nuke

the possibility of just recording templates

okay so for instance

in here that you have

those crazy lines for connecting links and clones

everything in here is just one single template

to calculate the coverage map of a certain camera

just to provide me uh

to the disalization of the camera movement

so I can get 360 degrees of a sphere

just in a latitude

longitude map

which is in other words

is like the world map

and the coverage of the planet

so is like the texture of the planet

expand in a world map

that is what is the environmental map

okay the coverage

so the camera

if I have a camera on here

for another example

I have that

the only thing I need to do

in this environmental map template

is as to connect my camera

and then go to the end

I'm going to here

and just see the result of that camera

so that just by applying the camera in there

nuke is doing for me

all the technical structures that I need

just to create that coverage map

why I did this as an opera structure

instead of just a gizmo well

is because sometimes I want to change certain values

or I want to rotate

certain options

just to get my

coverage map

in a certain area of the screen

like in here

for instance

the coverage map is

uh using side of the screen

and then the other side of the screen

so yeah is not incorrect

is just going to be difficult to handle

when I'm painting the

my painting

when I'm deciding to place the

the area in there

so that's why I use an open structuring here

so how do you create a template

well first of all

is you need to prepare your template

in order to make

that task universal

okay so is the same thing I told you with the presets

but this time

is going to be

not applying to one note

but to several notes

so in here you just need to

work with one particular case scenario

and then try that case scenario

in order to

to see if that is going to work

even when you have other case scenarios okay

so and here

what I did is

I create a no operation note

that is just

dealing with the far plane of the camera

and the rows and columns of my camera

I can also change the layout

just to have a

quick layout

so he's going to calculate

instead of four channels

he's going to calculate only one channel

which is going to be slightly faster

not a big massive change

but something helps

okay in there

underneath here

if you want

to change or

you want to supervise

whatever is going on inside the note

is also good

just to have a

a place to understand

if this is working in

in 3D okay so

having a 3D representation

of what you got

in the 2D world

okay so that's why I prefer to have these

in an open structure

then you have

also different task

because all of these is going to be based on 3D and 2D

but then you have a 2D area

of this template

and in here

what you have

is where your

digital map painting

is going to mix

with your coverage map

okay and then

at the very end

I'm creating

even the render

from the 3D world

for that digital Mac painting

so I'm converting a

digital Mac painting

into an environmental map

already match

with the camera movement

so everything in here

is kind of complex

so imagine that

for every shot I need it

I need to create this

for a scratch

or even just

to research

and copy and paste

from my other scripts

is just way better

to have the same structure

prepare for you

so how do you create that

well you can go

and select your notes

I'm going to use

just for the sake of the example

going to use those notes

and in here

whatever you you want

you are going to create the setup

I prefer to put a backdrop note

so I'm going to put

for instance uh

key so luminance

here

and then something that I like is

just to make everything clear

I'm going to use a lot the dots

okay even for the end

I'm going to put my notes there

so I know very clear

that this structure is entering into the backdrop

and is exiting the backdrop with the result

okay so even something that is going to be clear

is you putting here

for instance

input or whatever you want

and at the end use

output okay

or any other word

that is going to help you to understand what's going on

with the dots

because sometimes

for certain templates

you are going to need more than one input

okay so once you have that you select

then you go here

and then you create your template

okay so in here is exactly the same as the presets

you can create folders for that

and then in here

I can put luminance

here okay so I create that

and remember that you have to have this selected

and now every time I want to call my setup

I just going here and is going to be here you are

and is recalling your notes

and remember that those notes that you have in here

are going to be

uh set for the knobs

with every value you already put in there

so they are preset already

okay so this is very

very good for

uh repeating task okay

or something that is so complex

that is going to take you ages for one time

um another thing

another case scenario that you can use

is a template for CG

this is highly recommended not only for compositors

but also for 3D artists that want to test uh

the renders

so in here's I

I create a template that I'm going to select

I'm going to backdrop

and I'm going to call this CG

okay so once I have that

I'm going to put at the very end

my output and I'm going to select that

and create that template

that is going to be CG multipass

for instance

okay CG multipass

so here you are

what's the special thing about this

well what I'm doing is getting all my passes together

just to create the beauty

and also I'm going to place my grades

and in case you want a particular look for the CG

where you are going to use a certain percentage

of your past

so for instance

if you want

let me see uh

the reflection to be

like at 70%

you just place this 0.7 in the multiply

so you are using ah

an alchemy of all your passes that are going to define

how the final beauty must look at the end

okay so I'm going to leave this at 1

remember by the fold

this template is dressed in

so it's not changing anything

but you can even create several templates

one for one sequence

one from one element

one for whatever you want

but everything in here is to help you

to increase the speed

without doing technical steps of just pressing buttons

okay another thing that is gonna help

that I create as an example

is just to locate the pass

because remember

we are working with Read Notes

so if you have to go for every single read note

and locate the pass inside the folder

that is going to take you ages

even if you are using a template

so in order to increase the speed of that

what I did is based on a locator or something

that is going to locate

the path for your particular render

I create that

and I linked to the read notes

so it's really

really easy

so what I did in here

is just to create a path input

so I can't locate where

in what folder

are my passes located

so I select the folder

but not a particular pass

and then in here

I'm going to place the name

of the particular element that I'm using

and remember

this is based on a certain naming convention

of course if your naming convention

is changing from one element to another

then the template is not gonna work

so naming conventions are really

really helpful

even in the amount of characters you are using

to name particular render pass

but that is something related with the 3D department

so I don't want to dig much into that side

okay so what I did in here is just to create

a way of calling those read notes

no worries because we are going to explore way more

about this relinking

or dynamic relinking

in the next class

but just in here to make an introduction

I just want you to know that what I did

is just to linked

the path where

the passes located

to this path that I have in here

so I just put

the name in here

knob space the name of the note

dot the name of the knob

okay so that needs to be in square brackets

okay and then

because I was following a certain naming convention

I'm going to use the name of the element

and to call the element

is exactly the same knob space

the name of the note

that is creating the link

in this case

CG locator dot element

which is the second text that I have in here okay

so if you want to populate a no operation note

which is in here

with certain knobs

you just click in there

manage user knobs

and in here

you can add or remove

this is something we're going to see in the next class

okay but in here

you know that you can just create

dynamically

something that is going to address all your readnotes

and that is going to create

also a preset

for the way the beauty is going to be built

and then not only that

you can apply effects

or Volumetrics

or whatever you want

everything could be in beat

in this template

okay um the templates

is always an open structure

so you can change it

is the sign for that okay

the last thing I want to

to commence in here

is for certain notes

that are based on the values of other notes

so for that

we are entering in a more coding

environment

but in this particular case

because this is something we do a lot

what I did is just to give you

the formula

okay I'm not

the kind of guy that likes

just to copy and paste

without knowing what's going on

but if you read this carefully

and you have a notion or two of Python

you will understand

that what is happening in here

is just actually

very simple

what I'm doing is

I'm taking the values from this camera

and I'm going to replicate the camera

and just to freeze

that camera

in a particular frame

and connect that

to a project 3D

so what I'm doing

you are right

is creating a projector

base on a camera

so if you want to do that

and you are a

smart enough with Python

you can create

a Python call here

in the menu

so every time

you want a projector

you select your camera

and you go to the

Python call

or a hot key

if you like

but if you don't want

just to go that far

I put already

the formula

in the folder

of the files

for this class

so you can just

copy and paste

or call that formula

and apply the changes

so in here I'm going to call

the script editor

so I'm going to split

I'm going to

script editor

and in here

by default it was the last formula I call

so I'm going to delete just to show you how to do it

because of course

nothing stops you to go here and select all

copy and then paste in here

okay so here you are

but that is not the case

because I don't want you to hang around with the

sticky note in your script

so he's going to be smarter

that you have that Python script

and then you load and execute

so you select your camera

and now I'm going to use this button

which is load and execute

and I'm going to locate

my generate projector from camera dot p y

with IL ready include in the folder

so you select that

and that is going to open

and that is going to automatically create that setup

as you have it in here

okay of course

in this time

has create a weird shape of the

of the notes

because I'm not uh

caring about the distribution

of the notes in this formula okay

but what I meaning here is

you don't need to duplicate the camera

and freeze the controls

and then create the Project 3D

and the framehole for the other side

so that is something that

is going to be always at the same way

um I know that

you can create a projector in many different ways

but you are going to use more or less

always the same method

you are not going to mix them

so in this case

I just use the uh

framehold option

just because it's easier to to coding in here

but you can practically create any kind of call

based on the values of a certain selected note

or a certain target note

by using Python calls

so the combination of all these methods

that I gave you

now for template into presets

in the knowledge to presets in groups

or open structures

or create your own structures

to apply certain task

that is going to increase massively

the optimization of your time

because you are not going to lose your time

pressing buttons

but just doing your art

okay so that's all for this week

if you have any comments

questions suggestions

I don't need to tell you that

you can post in in the forums

and I will reply as fast as possible

okay so until next time

this has been Victor Perez for FX PhD

thanks for watching