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1
00:00:18,786 --> 00:00:19,887
Woman: HERE HE COMES!
2
00:00:19,953 --> 00:00:21,855
OH, IT'S TURNING.
3
00:00:21,922 --> 00:00:24,258
OH, OH, ELVIS! ELVIS!
4
00:01:21,249 --> 00:01:23,417
MR. P., CAN I GET YOU
SOME SANDWICHES?
5
00:01:23,484 --> 00:01:26,720
THAT WILL BE FINE, PAULINE.
6
00:01:53,614 --> 00:01:55,583
I'M GONNA CHECK
ON LISA MARIE, HONEY.
7
00:01:55,649 --> 00:02:03,224
OKAY.
8
00:02:03,291 --> 00:02:07,361
SLEEP TIGHT, DARLING.
9
00:02:17,238 --> 00:02:18,672
Radio Announcer:
GOOD MORNING, EVERYBODY.
10
00:02:18,739 --> 00:02:21,209
IT'S WGAN RADIO
IN PORTLAND, MAINE.
11
00:02:21,275 --> 00:02:23,411
IT'S DEGREES
AND 8:05.
12
00:02:23,477 --> 00:02:26,214
TIME TO GET READY
FOR ELVIS PRESLEY.
13
00:02:26,280 --> 00:02:28,516
ELVIS WILL BE COMING
LATER TODAY
14
00:02:28,582 --> 00:02:31,018
FOR HIS CONCERT AT THE
CUMBERLAND COUNTY AUDITORIUM.
15
00:02:31,084 --> 00:02:33,287
ELVIS' SHOW IS ALMOST SOLD OUT,
16
00:02:33,354 --> 00:02:35,756
BUT WE HAVE SIX TICKETS
HERE AT WGAN
17
00:02:35,823 --> 00:02:38,592
AND WE'LL BE GIVING THEM AWAY
TO YOU, SO STAY TUNED.
18
00:02:38,659 --> 00:02:40,661
YOU JUST MIGHT BE
A LUCKY WINNER.
19
00:02:40,728 --> 00:02:43,664
COLONEL PARKER IS ALREADY OVER
AT THE SHERATON HOTEL,
20
00:02:43,731 --> 00:02:45,966
AND ELVIS' GUYS ARE SETTING UP
FOR HIS ARRIVAL.
21
00:02:46,033 --> 00:02:49,437
SO DON'T TOUCH THAT DIAL
IF YOU WANT YO KNOW EVERYTHING.
22
00:02:49,503 --> 00:02:51,672
I'LL BE TALKING TO SOME
OF THE "MEMPHIS MAFIA,"
23
00:02:51,739 --> 00:02:53,474
AS THEY'VE COME TO BE KNOWN,
24
00:02:53,541 --> 00:02:55,343
AND WE'LL HAVE
THE UP-TO-THE-MINUTE WORD
25
00:02:55,409 --> 00:02:57,878
ON WHAT'S HAPPENING
WITH ELVIS IN PORTLAND.
26
00:02:57,945 --> 00:03:00,714
ELVIS IS STILL IN GRACELAND,
HIS HOME IN MEMPHIS.
27
00:03:00,781 --> 00:03:02,983
BUT HE'LL BE ARRIVING HERE
LATER THIS AFTERNOON
28
00:03:03,050 --> 00:03:05,386
IN HIS PERSONAL JET,
THE "LISA MARIE."
29
00:03:05,453 --> 00:03:08,422
NOW, HERE'S ANOTHER ELVIS
RECORD, HIS LATEST HIT --
30
00:03:08,489 --> 00:03:09,923
"MOODY BLUE."
31
00:03:12,393 --> 00:03:14,662
* WELL, IT'S HARD
TO BE A GAMBLER *
32
00:03:14,728 --> 00:03:19,533
* BETTING ON THE NUMBER
THAT CHANGES EVERY TIME *
33
00:03:19,600 --> 00:03:22,069
* WHEN YOU THINK
YOU'RE GONNA WIN *
34
00:03:22,135 --> 00:03:24,505
* YOU THINK SHE'S GIVIN' IN *
35
00:03:24,572 --> 00:03:26,774
* A STRANGER
IS ALL YOU'LL FIND *
36
00:03:26,840 --> 00:03:30,711
* YEAH, IT'S HARD TO FIGURE OUT
WHAT SHE'S ALL ABOUT *
37
00:03:30,778 --> 00:03:34,014
* THAT SHE'S WOMAN
THROUGH AND THROUGH *
38
00:03:34,081 --> 00:03:39,920
* SHE'S A COMPLICATED LADY
SO COLOR MY BABY MOODY BLUE *
39
00:03:41,221 --> 00:03:43,791
* OH, MOODY BLUE...*
40
00:03:43,857 --> 00:03:44,892
EXCUSE ME, COLONEL,
41
00:03:44,958 --> 00:03:47,528
JOE ESPOSITO IS ON THE PHONE
FROM MEMPHIS.
42
00:03:49,330 --> 00:03:50,731
YEAH, JOE.
43
00:03:50,798 --> 00:03:54,635
Colonel, I'm at
Baptist Memorial Hospital.
44
00:03:54,702 --> 00:03:57,671
I'm afraid I've got
some terrible news.
45
00:03:57,738 --> 00:03:59,907
Elvis is dead.
46
00:03:59,973 --> 00:04:02,410
Reporter:
PANDEMONIUM HAS BROKEN OUT
47
00:04:02,476 --> 00:04:04,945
HERE ON ELVIS PRESLEY BOULEVARD
IN MEMPHIS.
48
00:04:05,012 --> 00:04:07,548
THOUSANDS OF FANS
FROM ALL OVER THE COUNTRY
49
00:04:07,615 --> 00:04:09,650
ARE CONVERGING ON GRACELAND
TRYING TO GET IN
50
00:04:09,717 --> 00:04:12,219
TO VIEW THE BODY
OF THE 42-YEAR-OLD
51
00:04:12,286 --> 00:04:14,588
KING OF ROCK AND ROLL.
52
00:04:14,655 --> 00:04:17,458
THE WORLD IS SHOCKED
BY ELVIS PRESLEY'S SUDDEN DEATH
53
00:04:17,525 --> 00:04:20,227
AFTER ATTEMPTS
TO SAVE HIS LIFE FAILED.
54
00:04:20,294 --> 00:04:22,930
THE APPARENT CAUSE, ACCORDING
TO HIS PERSONAL PHYSICIAN,
55
00:04:22,996 --> 00:04:26,534
DR. GEORGE NICHOPOLOUS,
IS A HEART ATTACK.
56
00:04:26,600 --> 00:04:28,902
THE SINGER'S FATHER,
VERNON PRESLEY,
57
00:04:28,969 --> 00:04:32,373
HAS REQUESTED THAT AN AUTOPSY
BE PERFORMED.
58
00:04:34,141 --> 00:04:35,543
EVERYONE STAY BACK!
59
00:04:35,609 --> 00:04:36,810
I WAS RAISED ON ELVIS.
60
00:04:36,877 --> 00:04:39,046
WE STARTED
WHEN I WAS 10 YEARS OLD.
61
00:04:39,112 --> 00:04:40,581
MY MOTHER AND DADDY LOVED HIM,
62
00:04:40,648 --> 00:04:43,016
AND I JUST SAY I WAS RAISED
ON HIM.
63
00:04:43,083 --> 00:04:44,585
THERE'S NOBODY ELSE LIKE HIM
64
00:04:44,652 --> 00:04:47,254
AND THERE WON'T EVER BE
ANYBODY ELSE LIKE HIM.
65
00:04:47,321 --> 00:04:49,256
Man: WHY GO
TO ALL THIS TROUBLE?
66
00:04:49,323 --> 00:04:52,560
BECAUSE WE LOVE ELVIS.
WE STILL DO.
67
00:04:52,626 --> 00:04:54,595
YOU'RE NOT GOING
TO GET IN, YOU KNOW.
68
00:04:54,662 --> 00:04:56,364
DOESN'T MAKE
ANY DIFFERENCE.
69
00:04:56,430 --> 00:04:57,931
I'M FRIENDS
WITH A FEW
70
00:04:57,998 --> 00:05:00,701
PEOPLE IN THE GROUP,
I WANT THEM TO KNOW I'M HERE.
71
00:05:00,768 --> 00:05:03,103
MAYBE THEY'LL SEE ME
ON THE STREET.
72
00:05:03,170 --> 00:05:04,772
WE LOVED HIM VERY MUCH.
73
00:05:04,838 --> 00:05:06,774
I JUST CAN'T BELIEVE
HE'S DEAD.
74
00:05:06,840 --> 00:05:09,209
IT'S TERRIBLE,
BUT I JUST THANK GOD
75
00:05:09,276 --> 00:05:11,345
THAT ELVIS DIED HERE
IN GRACELAND
76
00:05:11,412 --> 00:05:12,713
INSTEAD OF ON THE ROAD
77
00:05:12,780 --> 00:05:14,715
LIKE ANY OTHER
ROCK AND ROLL SINGER.
78
00:05:14,782 --> 00:05:17,485
WHETHER YOU'RE BLACK OR WHITE,
79
00:05:17,551 --> 00:05:20,988
WHETHER YOU'RE COUNTRY,
REDNECK, OR A FREAK,
80
00:05:21,054 --> 00:05:25,325
YOUNG OR OLD, FROM MOSCOW,
LONDON, OR MEMPHIS,
81
00:05:25,393 --> 00:05:27,327
ELVIS PRESLEY WILL STILL BE
82
00:05:27,395 --> 00:05:35,569
THE KING OF ROCK AND ROLL
TO ME.
83
00:05:35,636 --> 00:05:39,640
PLEASE WAIT UP AGAINST
THE CURB.
84
00:05:51,519 --> 00:05:53,687
Elvis: I WAS BORN
IN A SMALL COTTON TOWN
85
00:05:53,754 --> 00:05:56,123
IN THE ROLLING HILLS
OF MISSISSIPPI.
86
00:05:56,189 --> 00:05:59,860
I GUESS TUPELO WAS AS GOOD
A PLACE AS ANY TO GROW UP IN.
87
00:05:59,927 --> 00:06:03,631
AS FAR BACK AS I CAN REMEMBER,
GRANDMA LIVED NEXT DOOR.
88
00:06:03,697 --> 00:06:04,932
DADDY WAS A SHARECROPPER,
89
00:06:04,998 --> 00:06:07,367
AND MOST OF THE TIME
WE GOT BY ALRIGHT.
90
00:06:07,435 --> 00:06:09,002
BUT ONE YEAR,
HE WENT TO PRISON
91
00:06:09,069 --> 00:06:11,038
AFTER WRITING A BAD CHECK
FOR SOME FOOD.
92
00:06:11,104 --> 00:06:14,808
MAMA GOT US THROUGH BY TAKING IN
WASHING AND SEWING.
93
00:06:14,875 --> 00:06:17,945
MAMA AND I
WERE ALWAYS REAL CLOSE.
94
00:06:18,011 --> 00:06:21,348
I HAD A TWIN BROTHER, JESSE,
BUT HE DIED AT BIRTH,
95
00:06:21,415 --> 00:06:23,350
SO I WAS AN ONLY CHILD.
96
00:06:29,490 --> 00:06:31,058
WE WERE A RELIGIOUS FAMILY.
97
00:06:31,124 --> 00:06:33,427
THE FIRST SINGING I EVER DID
WAS IN CHURCH.
98
00:06:33,494 --> 00:06:36,296
GOSPEL SONGS WERE ALWAYS
A STRONG INFLUENCE ON MY MUSIC.
99
00:06:36,363 --> 00:06:42,102
*...SOME FINE MORNING
WHEN THIS LIFE IS OLD *
100
00:06:42,169 --> 00:06:45,172
* I'LL FLY AWAY *
101
00:06:45,238 --> 00:06:49,309
* I'LL FLY AWAY, OH, GLORY *
102
00:06:49,376 --> 00:06:53,581
* I'LL FLY AWAY *
103
00:06:53,647 --> 00:06:57,618
* WHEN I DIE
HALLELUJAH BY AND BY *
104
00:06:57,685 --> 00:07:01,955
* I'LL FLY AWAY *
105
00:07:10,330 --> 00:07:13,834
I GUESS I WAS KIND OF A LONER,
BUT I WASN'T MUCH DIFFERENT
106
00:07:13,901 --> 00:07:16,269
THAN THE OTHER KIDS
I GREW UP WITH.
107
00:07:16,336 --> 00:07:20,073
I'D HANG AROUND PARTS OF TUPELO
MY FOLKS NEVER EVEN KNEW ABOUT.
108
00:07:20,140 --> 00:07:22,743
IF MAMA HAD KNOWN
WHERE I WAS HALF THE TIME,
109
00:07:22,810 --> 00:07:25,212
I WOULD HAVE CAUGHT HELL FOR IT.
110
00:07:34,087 --> 00:07:36,657
THIS FRIEND OF MINE
USED TO TAKE ME ACROSS TOWN
111
00:07:36,724 --> 00:07:38,759
TO AN AREA CALLED SHAKERAG,
112
00:07:38,826 --> 00:07:41,562
AND THAT WAS WHEN
I FIRST HEARD THE BLUES.
113
00:07:41,629 --> 00:07:43,531
IT SURE WAS A LOT DIFFERENT
114
00:07:43,597 --> 00:07:48,268
THAN THE MUSIC
WE WERE SINGING IN CHURCH.
115
00:07:48,335 --> 00:07:52,472
LET'S WATCH THEM PLAY.
116
00:07:52,540 --> 00:07:57,511
*...TREATIN' ME THIS WAY *
117
00:07:59,547 --> 00:08:03,884
* BABY, GOIN' TO GARY...*
118
00:08:03,951 --> 00:08:06,386
I REALIZED THEN THAT MUSIC --
119
00:08:06,453 --> 00:08:08,956
THE BLUES, GOSPEL,
OR WHATEVER --
120
00:08:09,022 --> 00:08:16,329
IS ALL ABOUT LETTING OUT
WHAT YOU'RE FEELING INSIDE.
121
00:08:16,396 --> 00:08:21,201
* BABY,
YOU HAD NO BUSINESS *
122
00:08:21,268 --> 00:08:24,137
* TREAT ME THIS WAY *
123
00:08:30,010 --> 00:08:33,747
Gladys: FOR ELVIS'S BIRTHDAY
VERNON AND I SAVED UP
124
00:08:33,814 --> 00:08:37,551
AND GAVE HIM A CHOICE
BETWEEN A BICYCLE AND A GUITAR.
125
00:08:37,618 --> 00:08:40,821
ELVIS SURE LOVED THAT GUITAR.
126
00:08:43,256 --> 00:08:46,694
THERE SIMPLY WASN'T ENOUGH WORK
FOR VERNON IN TUPELO.
127
00:08:46,760 --> 00:08:48,862
HE TRIED EVERYTHING HE COULD,
128
00:08:48,929 --> 00:08:51,932
BUT WE JUST COULDN'T MAKE
A STEADY LIVING DOWN THERE.
129
00:08:51,999 --> 00:08:56,436
WE HATED TO ADMIT IT,
BUT WE WERE BROKE...FLAT BROKE.
130
00:08:56,503 --> 00:09:00,273
WE PACKED EVERYTHING WE COULD
INTO OUR OLD PLYMOUTH
131
00:09:00,340 --> 00:09:02,309
AND MOVED ON.
132
00:09:02,375 --> 00:09:05,012
THINGS JUST HAD TO GET BETTER.
133
00:09:13,887 --> 00:09:16,624
Elvis: THE YEARS IN MEMPHIS
WEREN'T MUCH EASIER FOR US,
134
00:09:16,690 --> 00:09:19,459
BUT AT LEAST DADDY HAD A JOB
AT A PAINT COMPANY
135
00:09:19,526 --> 00:09:21,294
AND MAMA WAS WORKING PART TIME.
136
00:09:24,998 --> 00:09:27,668
AROUND OTHER KIDS,
I FELT KIND OF DIFFERENT.
137
00:09:27,735 --> 00:09:29,637
MAYBE IT WAS THE CLOTHES I WORE,
138
00:09:29,703 --> 00:09:31,471
THAT I HAD LONG HAIR
AND SIDEBURNS
139
00:09:31,538 --> 00:09:33,473
WHEN OTHER GUYS HAD CREW CUTS,
140
00:09:33,540 --> 00:09:36,810
BUT SOMEHOW
I JUST DIDN'T FIT IN.
141
00:09:56,697 --> 00:09:59,299
I GUESS, IN A WAY,
I WAS KIND OF SHY,
142
00:09:59,366 --> 00:10:02,569
BUT I KNEW SOMETHING GOOD WAS
GOING TO HAPPEN TO ME SOMEDAY.
143
00:10:02,636 --> 00:10:03,871
I JUST DIDN'T KNOW WHAT.
144
00:10:03,937 --> 00:10:07,174
* LET ME INTRODUCE
MY NEW ROCKET 88 *
145
00:10:07,240 --> 00:10:10,644
* YES, IT'S STRAIGHT
JUST WON'T WAIT *
146
00:10:10,711 --> 00:10:13,280
* EVERYBODY LIKES
MY ROCKET 88...*
147
00:10:13,346 --> 00:10:15,148
I WORKED DIFFERENT JOBS
AFTER SCHOOL
148
00:10:15,215 --> 00:10:18,819
SO I COULD AFFORD MY FAVORITE
R&B RECORDS AND SHARP CLOTHES.
149
00:10:18,886 --> 00:10:21,054
PEOPLE ALWAYS BUGGED ME
ABOUT MY HAIR.
150
00:10:21,121 --> 00:10:23,556
LATER ON, I HAD SO MANY KIDS
USING POMADE --
151
00:10:23,623 --> 00:10:24,825
THAT GREASY KIDS' STUFF --
152
00:10:24,892 --> 00:10:27,260
I SHOULD HAVE GOT
A PIECE OF THE ACTION.
153
00:10:27,327 --> 00:10:28,829
BUT I LIKED MY HAIR LONG,
154
00:10:28,896 --> 00:10:31,231
'CAUSE THAT'S THE WAY
TRUCK DRIVERS WORE IT.
155
00:10:33,066 --> 00:10:34,935
I WENT TO HUMES HIGH IN MEMPHIS,
156
00:10:35,002 --> 00:10:37,237
WHERE I GOT MY SHARE
OF B's AND C's.
157
00:10:37,304 --> 00:10:39,639
I THOUGHT I MIGHT DO BETTER
IN MUSIC,
158
00:10:39,707 --> 00:10:41,675
BUT THE TEACHER GAVE ME A FLAT F
159
00:10:41,742 --> 00:10:44,311
AND WOULDN'T LET ME
IN THE GLEE CLUB.
160
00:10:50,350 --> 00:10:54,354
THAT WAS VERY GOOD, MANDY.
THANK YOU.
161
00:10:54,421 --> 00:10:55,823
ALRIGHT.
162
00:10:55,889 --> 00:10:59,793
OUR NEXT "CLUB DAY" PERFORMER
IS ELVIS PRESLEY.
163
00:10:59,860 --> 00:11:02,095
ELVIS? COME ON UP.
IT'S YOUR TURN.
164
00:11:02,162 --> 00:11:05,265
Elvis: I WAS REAL NERVOUS
WHEN I HAD TO GET UP THERE.
165
00:11:05,332 --> 00:11:08,969
I THOUGHT MOST OF THE KIDS IN
CLASS WERE GOING TO LAUGH AT ME
166
00:11:09,036 --> 00:11:11,204
'CAUSE THEY FIGURED
I WASN'T GOOD AT ANYTHING.
167
00:11:11,271 --> 00:11:12,539
WHEN MY TURN CAME,
168
00:11:12,605 --> 00:11:14,574
I TRIED AN OLD RHYTHM AND BLUES
SONG
169
00:11:14,641 --> 00:11:18,345
I'D BEEN PRACTICING.
170
00:11:21,048 --> 00:11:25,385
* TRAIN A-RIDE *
171
00:11:25,452 --> 00:11:31,825
* SIXTEEN COACHES LONG *
172
00:11:31,892 --> 00:11:36,063
* TRAIN A-RIDE *
173
00:11:36,129 --> 00:11:41,634
* SIXTEEN COACHES LONG *
174
00:11:41,701 --> 00:11:44,637
* WELL, THAT LONG BLACK TRAIN *
175
00:11:44,704 --> 00:11:51,011
* GOT MY BABY A-HOME *
176
00:11:51,078 --> 00:11:55,482
* TRAIN, TRAIN *
177
00:11:55,548 --> 00:12:01,721
* COMIN' DOWN, DOWN THE LINE *
178
00:12:01,789 --> 00:12:05,893
* TRAIN, TRAIN *
179
00:12:05,959 --> 00:12:11,698
* COMIN' DOWN, DOWN THE LINE *
180
00:12:11,765 --> 00:12:14,701
* WELL, THAT LONG BLACK TRAIN *
181
00:12:14,768 --> 00:12:17,170
* GOT MY BABY A-HOME *
182
00:12:27,047 --> 00:12:28,982
Elvis: EVERYTHING SEEMED
TO CHANGE FOR ME
183
00:12:29,049 --> 00:12:31,218
THAT DAY I SANG
IN FRONT OF MY CLASS.
184
00:12:31,284 --> 00:12:33,854
AND AFTER THAT,
I COULD ALWAYS COUNT ON MY MUSIC
185
00:12:33,921 --> 00:12:37,357
TO HELP ME MAKE FRIENDS...
ESPECIALLY GIRLS.
186
00:12:41,728 --> 00:12:43,096
AFTER GRADUATING HIGH SCHOOL,
187
00:12:43,163 --> 00:12:45,132
I MADE A RECORD
FOR MY MAMA'S BIRTHDAY.
188
00:12:45,198 --> 00:12:48,568
I'D KIND OF GONE THERE TO BE
HEARD BY THE OWNER, SAM.
189
00:12:48,635 --> 00:12:49,870
LATER, SAM CALLED ME BACK
190
00:12:49,937 --> 00:12:51,905
TO WORK WITH SCOTTY MOORE
AND BILL BLACK,
191
00:12:51,972 --> 00:12:54,441
TWO FINE MUSICIANS.
192
00:12:56,443 --> 00:12:58,211
AT THE TIME,
SAM PHILLIPS WAS RECORDING
193
00:12:58,278 --> 00:13:00,981
A LOT OF BLACK ARTISTS,
AND THE WORD AROUND MEMPHIS WAS
194
00:13:01,048 --> 00:13:04,184
HE WAS LOOKING FOR A
WHITE SINGER WITH A BLACK SOUND.
195
00:13:04,251 --> 00:13:06,854
WE TRIED TO CUT A RECORD
FOR SIX MONTHS
196
00:13:06,920 --> 00:13:08,788
WITH ABOUT 50 SONGS.
197
00:13:08,856 --> 00:13:10,257
NOTHING SOUNDED RIGHT.
198
00:13:10,323 --> 00:13:13,393
ALRIGHT.
HOLD IT, YOU GUYS.
199
00:13:13,460 --> 00:13:16,029
BOTTOM LINE HERE IS
THIS IS JUST NOT MAKING IT.
200
00:13:16,096 --> 00:13:18,265
NOW, IF WE CAN GET
SOMETHING THAT WILL, GREAT.
201
00:13:18,331 --> 00:13:20,033
IF NOT,
LET'S RACK IT UP.
202
00:13:20,100 --> 00:13:22,269
ELVIS, YOU CAN PULL IT
OUT OF YOURSELF.
203
00:13:22,335 --> 00:13:24,604
YOU CAN DO IT.
204
00:13:24,671 --> 00:13:26,840
ALRIGHT, SIR.
205
00:13:34,447 --> 00:13:35,883
DO YOU GUYS REMEMBER
206
00:13:35,949 --> 00:13:39,186
THAT OLD BLUES SONG
WE USED TO DO?
207
00:13:39,252 --> 00:13:41,288
Elvis:
THEN IT ALL KIND OF CLICKED.
208
00:13:41,354 --> 00:13:44,457
EVEN ON THE FIRST TAKE,
WE KNEW WE HAD SOMETHING.
209
00:13:52,065 --> 00:13:54,234
* WELL, THAT'S ALL RIGHT, MAMA *
210
00:13:54,301 --> 00:13:56,403
* THAT'S ALL RIGHT FOR YOU *
211
00:13:56,469 --> 00:14:00,340
* THAT'S ALL RIGHT, MAMA,
DO JUST ANY WAY YOU DO *
212
00:14:00,407 --> 00:14:04,311
* WELL, THAT'S ALL RIGHT,
THAT'S ALL RIGHT *
213
00:14:04,377 --> 00:14:07,714
* THAT'S ALL RIGHT NOW, MAMA *
214
00:14:07,780 --> 00:14:11,318
* ANY WAY YOU DO *
215
00:14:13,020 --> 00:14:15,555
* WELL, MAMA
SHE DONE TOLD YOU *
216
00:14:15,622 --> 00:14:17,624
* PAPA DONE TOLD ME, TOO *
217
00:14:17,690 --> 00:14:19,126
* SON, THAT GIRL YOU FOOLIN'
218
00:14:19,192 --> 00:14:21,628
* WELL, SHE AIN'T NO GOOD
FOR YOU *
219
00:14:21,694 --> 00:14:23,596
* WELL, THAT'S ALL RIGHT *
220
00:14:23,663 --> 00:14:25,365
* THAT'S ALL RIGHT *
221
00:14:25,432 --> 00:14:28,668
* THAT'S ALL RIGHT NOW, MAMA *
222
00:14:28,735 --> 00:14:33,106
* ANY WAY YOU DO *
223
00:14:33,173 --> 00:14:35,342
RED HOT BLUE
224
00:14:35,408 --> 00:14:36,977
THIS RECORD'LL
FLAT GET IT, PEOPLE.
225
00:14:37,044 --> 00:14:38,411
IT'S CALLED
"THAT'S ALL RIGHT, MAMA."
226
00:14:38,478 --> 00:14:41,114
IT'S GONNA BE
A BIG RECORD FOR A BOY.
227
00:14:41,181 --> 00:14:42,649
HIS NAME IS ELVIS PRESLEY.
228
00:14:42,715 --> 00:14:45,452
IT'S ON THE SUN RECORD LABEL
FROM HERE IN MEMPHIS.
229
00:14:45,518 --> 00:14:47,487
AND IT'S BEEN
THE MOST REQUESTED TUNE
230
00:14:47,554 --> 00:14:49,222
FOR TWO OR THREE NIGHTS.
231
00:14:49,289 --> 00:14:51,458
ELVIS, SCOTTY, BILL, AND ME
WILL ALL BE UPTOWN
232
00:14:51,524 --> 00:14:53,093
NEXT WEEK
AT THE CHISKA BASEMENT.
233
00:14:53,160 --> 00:14:55,128
I WANT YOU PEOPLE
TO COME SEE US.
234
00:14:55,195 --> 00:14:58,298
REMEMBER, PHILLIPS TOLD YOU,
"THAT'S ALL RIGHT, MAMA."
235
00:15:00,200 --> 00:15:02,102
* I'M LEAVIN' TOWN TODAY *
236
00:15:02,169 --> 00:15:05,038
SUDDENLY, IT WAS LIKE MY
WHOLE WORLD TURNED UPSIDE DOWN.
237
00:15:05,105 --> 00:15:07,807
WE PLAYED LOCAL GIGS
ALL THROUGH THE SOUTH.
238
00:15:07,874 --> 00:15:09,209
EVERYWHERE WE WENT,
239
00:15:09,276 --> 00:15:11,945
THE CROWDS GOT BIGGER
AND THE GIRLS WILDER.
240
00:15:12,745 --> 00:15:14,381
THEN ONE CRAZY DAY,
241
00:15:14,447 --> 00:15:17,284
WE WERE SOMEWHERE ON THE ROAD,
I DON'T EVEN KNOW WHERE,
242
00:15:17,350 --> 00:15:20,520
A MAN CAME BACKSTAGE
AND INTRODUCED HIMSELF --
243
00:15:20,587 --> 00:15:25,658
COLONEL TOM PARKER.
244
00:15:25,725 --> 00:15:27,594
Vernon: OUR SON WASN'T EVEN 21
245
00:15:27,660 --> 00:15:30,597
WHEN GLADYS AND I
FIRST MET COLONEL TOM PARKER.
246
00:15:30,663 --> 00:15:32,232
HE WAS ALREADY WELL-KNOWN
247
00:15:32,299 --> 00:15:35,168
FOR HAVING MANAGED HANK SNOW
AND EDDY ARNOLD.
248
00:15:35,235 --> 00:15:39,706
RIGHT FROM THE START, COLONEL
PARKER BELIEVED IN ELVIS.
249
00:15:39,772 --> 00:15:41,341
THEN IN 1956,
250
00:15:41,408 --> 00:15:45,045
THE COUNTRY GOT ITS FIRST LOOK
AT ELVIS ON NATIONAL TELEVISION.
251
00:15:45,112 --> 00:15:46,746
LADIES AND GENTLEMEN --
I'D LIKE TO PRESENT
252
00:15:46,813 --> 00:15:51,051
ONE OF RADIO'S MOST LISTENED
TO DISC JOCKEYS -- BILL RANDALL.
253
00:15:51,118 --> 00:15:52,119
WILLIAM.
254
00:15:54,687 --> 00:15:56,789
WE'D LIKE AT THIS TIME
TO INTRODUCE YOU
255
00:15:56,856 --> 00:15:59,026
TO A YOUNG FELLOW WHO,
LIKE MANY PERFORMERS,
256
00:15:59,092 --> 00:16:00,593
JOHNNIE RAY AMONG THEM,
257
00:16:00,660 --> 00:16:03,396
COME UP OUT OF NOWHERE TO BE,
OVERNIGHT, VERY BIG STARS.
258
00:16:03,463 --> 00:16:06,466
WE SAW HIM FOR THE FIRST
TIME WHILE MAKING A MOVIE SHORT.
259
00:16:06,533 --> 00:16:09,302
WE THINK TONIGHT HE'S GOING TO
MAKE TELEVISION HISTORY FOR YOU.
260
00:16:09,369 --> 00:16:12,672
WE'D LIKE YOU TO MEET HIM NOW --
ELVIS PRESLEY.
261
00:16:19,912 --> 00:16:24,984
* WELL, GET OUT OF THAT KITCHEN
AND RATTLE THOSE POTS AND PANS *
262
00:16:25,052 --> 00:16:29,422
* GET OUT OF THAT KITCHEN
AND RATTLE THOSE POTS AND PANS *
263
00:16:29,489 --> 00:16:33,526
* WELL, ROLL MY BREAKFAST
'CAUSE I'M A HUNGRY MAN *
264
00:16:33,593 --> 00:16:35,962
* I BELIEVE
YOU WAS DOIN' ME WRONG *
265
00:16:36,029 --> 00:16:38,131
* AND NOW I KNOW *
266
00:16:38,198 --> 00:16:40,200
* I BELIEVE
YOU WAS DOIN' ME WRONG *
267
00:16:40,267 --> 00:16:42,569
* AND NOW I KNOW *
268
00:16:42,635 --> 00:16:46,139
* 'CAUSE THE HARDER I WORK
THE FASTER MY MONEY GOES *
269
00:16:46,206 --> 00:16:49,242
* WELL,
LET'S SHAKE, RATTLE, AND ROLL *
270
00:16:49,309 --> 00:16:51,478
* I SAID SHAKE,
RATTLE, AND ROLL *
271
00:16:51,544 --> 00:16:53,513
* I SAID SHAKE,
RATTLE, AND ROLL *
272
00:16:53,580 --> 00:16:55,648
* I SAID SHAKE,
RATTLE, AND ROLL *
273
00:16:55,715 --> 00:16:58,985
* WELL, YOU WON'T DO RIGHT
TO SAVE YOUR DOGGONE SOUL *
274
00:16:59,052 --> 00:17:00,520
* HEY *
275
00:17:13,533 --> 00:17:15,001
* I'M LIKE
A MISSISSIPPI BULLFROG *
276
00:17:15,068 --> 00:17:17,504
* SETTIN' ON A HOLLOW STUMP *
277
00:17:17,570 --> 00:17:19,272
* I'M LIKE
A MISSISSIPPI BULLFROG *
278
00:17:19,339 --> 00:17:21,908
* SETTIN' ON A HOLLOW STUMP *
279
00:17:21,974 --> 00:17:25,512
* I'VE GOT SO MANY WOMEN
I DON'T KNOW WHICH WAY TO JUMP *
280
00:17:25,578 --> 00:17:29,048
* WELL,
I SAID FLIP, FLOP, AND FLY *
281
00:17:29,116 --> 00:17:31,184
* I DON'T CARE IF I DIE *
282
00:17:31,251 --> 00:17:33,386
* I SAID FLIP, FLOP, AND FLY *
283
00:17:33,453 --> 00:17:35,422
* I DON'T CARE IF I DIE *
284
00:17:35,488 --> 00:17:40,393
* DON'T EVER LEAVE ME
DON'T EVER SAY GOODBYE *
285
00:17:44,331 --> 00:17:48,301
THANK YOU.
THANK YOU VERY MUCH.
286
00:17:48,368 --> 00:17:50,137
Elvis: AFTER THAT FIRST TIME
ON TELEVISION,
287
00:17:50,203 --> 00:17:52,372
THINGS REALLY TOOK OFF FOR ME.
288
00:17:52,439 --> 00:17:54,407
I COULDN'T BELIEVE THE FANS
AROUND THE COUNTRY.
289
00:17:54,474 --> 00:17:56,843
WHEREVER WE WENT,
PEOPLE WANTED TO GET TO US.
290
00:17:56,909 --> 00:17:58,378
THEY DIDN'T TRY
TO HURT ME,
291
00:17:58,445 --> 00:18:02,315
THEY JUST WANTED TO TAKE HOME
PART OF ME AS A SOUVENIR.
292
00:18:02,382 --> 00:18:06,052
* YOU MAKE ME SO LONELY, BABY *
293
00:18:06,119 --> 00:18:08,788
* YOU MAKE ME SO LONELY...*
294
00:18:08,855 --> 00:18:11,891
PEOPLE ASKED WHY I MOVED AROUND
SO MUCH ON STAGE.
295
00:18:11,958 --> 00:18:13,860
WELL, IT JUST CAME NATURAL
TO ME,
296
00:18:13,926 --> 00:18:15,695
THE WAY I FELT ROCK AND ROLL.
297
00:18:33,413 --> 00:18:36,516
* WELL, NOW
IF YOUR BABY LEAVES YOU *
298
00:18:36,583 --> 00:18:39,319
* YOU'VE GOT A TALE TO TELL *
299
00:18:39,386 --> 00:18:42,522
* WELL, JUST TAKE A WALK
DOWN LONELY STREET *
300
00:18:42,589 --> 00:18:44,891
* TO HEARTBREAK HOTEL *
301
00:18:44,957 --> 00:18:48,361
* YOU'RE GETTIN' SO LONELY,
BABY *
302
00:18:48,428 --> 00:18:50,730
* YOU'RE REALLY LONELY *
303
00:18:50,797 --> 00:18:55,802
* YOU'LL BE SO LONELY
YOU COULD DIE *
304
00:18:55,868 --> 00:18:57,504
* WELL *
305
00:18:59,506 --> 00:19:00,873
WELL,
I THINK ELVIS PRESLEY
306
00:19:00,940 --> 00:19:02,609
HAS A NICE STYLE
AND SINGS OKAY,
307
00:19:02,675 --> 00:19:04,444
BUT WHEN HE GETS
ON THE STAGE,
308
00:19:04,511 --> 00:19:06,078
HE STARTS TO DRIVE
THOSE GIRLS NUTS
309
00:19:06,145 --> 00:19:08,915
BY SHAKING AND JUMPING
AND LAYING ALL OVER THE STAGE.
310
00:19:08,981 --> 00:19:10,250
YOU KNOW WHAT I MEAN?
311
00:19:10,317 --> 00:19:11,984
RIGHT. AND YOU THINK
THAT'S BAD?
312
00:19:12,051 --> 00:19:13,453
WELL, IT'S KIND OF CRAZY.
313
00:19:13,520 --> 00:19:15,688
NO, IT DEPENDS ON HOW
YOU LOOK AT IT.
314
00:19:15,755 --> 00:19:18,525
IF YOU WANT TO THINK IT'S
NASTY OR SEXY YOU COULD,
315
00:19:18,591 --> 00:19:20,327
BUT TO ME, IT'S JUST --
316
00:19:20,393 --> 00:19:22,429
THE TWO THINGS ARE NOT
NECESSARILY THE SAME.
317
00:19:22,495 --> 00:19:25,465
YEAH, WELL, IT'S JUST
SO LIMBER AND LOOSE.
318
00:19:25,532 --> 00:19:26,666
IT'S REALLY MARVELOUS.
319
00:19:26,733 --> 00:19:28,301
WELL, HE JUST
FEELS THE RHYTHM.
320
00:19:28,368 --> 00:19:29,536
DIGS IT THE MOST.
321
00:19:29,602 --> 00:19:31,571
YOU DON'T SEE
ANYTHING WRONG WITH IT?
322
00:19:31,638 --> 00:19:36,042
NO.
323
00:19:38,811 --> 00:19:39,746
YOU JUST STAND THERE.
324
00:19:39,812 --> 00:19:43,516
NOW, EVERYBODY STAND
IN LINE AND I --
325
00:19:43,583 --> 00:19:45,718
HEY, WHAT ARE
THE RITZ BROTHERS DOING HERE?
326
00:19:45,785 --> 00:19:48,355
I WAS -- HEY, YOUNG MAN,
IF YOU WANT AN AUTOGRAPH,
327
00:19:48,421 --> 00:19:50,189
WOULD YOU STAND
IN THE BACK THERE?
328
00:19:50,257 --> 00:19:51,824
I DON'T CARE
WHO YOU ARE.
329
00:19:51,891 --> 00:19:54,160
I-I-I'M ELVIS PRESLEY.
330
00:19:54,227 --> 00:19:55,295
ELVIS PRESLEY!
331
00:20:11,711 --> 00:20:15,181
GIVE ME THE GOOD OLD
RUDY VALLEE DAYS.
332
00:20:15,248 --> 00:20:17,350
ELVIS, SING YOUR HIT SONG.
333
00:20:17,417 --> 00:20:19,919
* YOU AIN'T NOTHIN'
BUT A HOUND DOG *
334
00:20:19,986 --> 00:20:21,754
* CRYIN' ALL THE TIME *
335
00:20:21,821 --> 00:20:24,657
* YOU AIN'T NOTHIN'
BUT A HOUND DOG *
336
00:20:24,724 --> 00:20:26,959
* CRYIN' ALL THE TIME *
337
00:20:27,026 --> 00:20:28,795
* WELL, YOU AIN'T NEVER
CAUGHT A RABBIT *
338
00:20:28,861 --> 00:20:31,631
* AND YOU AIN'T NO FRIEND
OF MINE *
339
00:20:31,698 --> 00:20:34,267
* WELL, THEY SAID
YOU WAS HIGH-CLASS *
340
00:20:34,334 --> 00:20:36,202
* WELL, THAT WAS JUST A LINE *
341
00:20:36,269 --> 00:20:39,038
Elvis: I HAD NO IDEA
THIS PERFORMANCE OF "HOUND DOG"
342
00:20:39,105 --> 00:20:40,473
WAS GONNA CAUSE SUCH A ROW.
343
00:20:40,540 --> 00:20:43,075
THE CRITICS JUMPED ALL OVER ME
FOR IT.
344
00:20:43,142 --> 00:20:46,946
I STILL CAN'T FIGURE OUT
WHAT GOT THEM SO RILED.
345
00:20:47,013 --> 00:20:52,952
* YOU AIN'T NOTHIN'
BUT A HOUND DOG *
346
00:20:53,019 --> 00:20:56,956
* CRYIN' ALL THE TIME *
347
00:20:57,023 --> 00:21:01,728
* YOU AIN'T NOTHIN'
BUT A HOUND DOG *
348
00:21:01,794 --> 00:21:05,732
* CRYIN' ALL THE TIME *
349
00:21:05,798 --> 00:21:09,636
* WELL, YOU AIN'T NEVER
CAUGHT A RABBIT *
350
00:21:09,702 --> 00:21:14,474
* YOU AIN'T NO FRIEND OF MINE *
351
00:21:14,541 --> 00:21:18,745
* YOU AIN'T NOTHIN'
BUT A HOUND DOG *
352
00:21:18,811 --> 00:21:22,782
* CRYIN' ALL THE TIME *
353
00:21:22,849 --> 00:21:27,454
* YOU AIN'T NOTHIN'
BUT A HOUND DOG *
354
00:21:27,520 --> 00:21:31,391
* CRYIN' ALL THE TIME *
355
00:21:31,458 --> 00:21:34,727
* WELL, YOU AIN'T NEVER
CAUGHT A RABBIT *
356
00:21:34,794 --> 00:21:39,732
* YOU AIN'T NO FRIEND OF MINE *
357
00:21:41,200 --> 00:21:43,002
THERE IS NO ROOM
IN THIS CITY
358
00:21:43,069 --> 00:21:46,038
FOR THE VULGAR PERFORMANCES
OF ELVIS PRESLEY.
359
00:21:46,105 --> 00:21:48,040
IT'S SHOCKING.
360
00:21:48,107 --> 00:21:52,479
I WATCHED HIM GYRATE HIS LEGS
AND SWIVEL HIS HIPS,
361
00:21:52,545 --> 00:21:53,813
AND OUR
PARENT-TEACHERS GROUP
362
00:21:53,880 --> 00:21:57,684
FEELS HE SHOULD NOT
BE ON TELEVISION.
363
00:21:57,750 --> 00:22:01,153
WE'VE SET UP
A 20-MAN COMMITTEE
364
00:22:01,220 --> 00:22:03,322
TO DO AWAY WITH THIS VULGAR,
365
00:22:03,390 --> 00:22:07,093
ANIMALISTIC, NIGGER,
ROCK AND ROLL BOP.
366
00:22:07,159 --> 00:22:10,730
OUR COMMITTEE WILL CHECK
WITH THE RESTAURANT OWNERS
367
00:22:10,797 --> 00:22:12,264
AND THE CAFES
368
00:22:12,331 --> 00:22:17,036
TO SEE WHAT PRESLEY RECORDS
IS ON THEIR MACHINES,
369
00:22:17,103 --> 00:22:20,773
AND THEN ASK THEM
TO DO AWAY WITH THEM.
370
00:22:20,840 --> 00:22:22,809
Elvis: PEOPLE STARTED
CALLING ME A SEX MANIAC,
371
00:22:22,875 --> 00:22:24,711
SAYING I WAS LEWD AND OBSCENE.
372
00:22:24,777 --> 00:22:27,747
IT GOT TO BE RIDICULOUS
WHEN THE POLICE FILMED MY SHOWS.
373
00:22:27,814 --> 00:22:30,116
I THOUGHT THE BAD PUBLICITY
WOULD HURT MY CAREER,
374
00:22:30,182 --> 00:22:33,386
SO I TOOK A SHOT
AT TELLING MY SIDE OF THE STORY.
375
00:22:34,787 --> 00:22:37,123
Woman: HELLO?
HY GARDNER CALLING.
376
00:22:37,189 --> 00:22:40,493
I HAVE ELVIS PRESLEY
ON THE PHONE.
377
00:22:40,560 --> 00:22:42,361
HELLO, ELVIS?
378
00:22:42,429 --> 00:22:43,763
LESS THAN TWO YEARS AGO,
379
00:22:43,830 --> 00:22:46,399
YOU WERE EARNING $14
A WEEK AS A MOVIE USHER,
380
00:22:46,466 --> 00:22:47,667
AND THEN $35 A WEEK
381
00:22:47,734 --> 00:22:49,669
FOR DRIVING A TRUCK
IN MEMPHIS.
382
00:22:49,736 --> 00:22:51,337
TODAY, YOU'RE THE MOST
CONTROVERSIAL NAME
383
00:22:51,404 --> 00:22:52,772
IN SHOW BUSINESS.
384
00:22:52,839 --> 00:22:54,841
HAS THIS SUDDEN NOTORIETY
AFFECTED YOUR SLEEP,
385
00:22:54,907 --> 00:22:58,010
YOUR APPETITE,
OR THE SIZE OF YOUR HEAD?
386
00:22:58,077 --> 00:23:00,312
NOT THE SIZE OF MY HEAD.
387
00:23:00,379 --> 00:23:02,214
IT'S AFFECTING MY SLEEP.
388
00:23:02,281 --> 00:23:03,783
HOW MUCH SLEEP
DO YOU GET?
389
00:23:03,850 --> 00:23:06,218
I AVERAGE ABOUT FOUR
OR FIVE HOURS A NIGHT.
390
00:23:06,285 --> 00:23:07,887
IS THAT ENOUGH?
391
00:23:07,954 --> 00:23:11,624
NO, BUT I'M USED TO IT AND I
CAN'T SLEEP ANY LONGER.
392
00:23:11,691 --> 00:23:14,060
WHAT DO YOU KEEP
IN MIND MOSTLY?
393
00:23:14,126 --> 00:23:16,696
I MEAN, SOME OF THE SONGS
YOU'RE GOING TO DO,
394
00:23:16,763 --> 00:23:18,931
OR SOME OF YOUR PLANS
OR WHAT?
395
00:23:18,998 --> 00:23:21,501
WHAT GOES THROUGH
YOUR MIND?
396
00:23:21,568 --> 00:23:23,536
WELL, EVERYTHING HAS HAPPENED
TO ME SO FAST
397
00:23:23,603 --> 00:23:25,538
IN THE LAST YEAR AND A HALF
398
00:23:25,605 --> 00:23:28,641
TILL...I'M ALL MIXED UP,
YOU KNOW?
399
00:23:28,708 --> 00:23:31,043
I CAN'T KEEP UP WITH EVERYTHING
THAT'S HAPPENING.
400
00:23:31,110 --> 00:23:33,245
YOUR STYLE OF GYRATING
WHILE YOU SING
401
00:23:33,312 --> 00:23:34,614
HAS BEEN BITTERLY CRITICIZED
402
00:23:34,681 --> 00:23:37,684
EVEN BY USUALLY MILD
AND GENTLE TV CRITICS.
403
00:23:37,750 --> 00:23:40,487
DO YOU BEAR ANY ANIMOSITY
TOWARDS THESE CRITICS?
404
00:23:40,553 --> 00:23:42,121
WELL, NOT REALLY.
405
00:23:42,188 --> 00:23:44,957
THOSE PEOPLE HAVE A JOB
TO DO AND THEY DO IT.
406
00:23:45,024 --> 00:23:46,726
DO YOU THINK
YOU'VE LEARNED ANYTHING
407
00:23:46,793 --> 00:23:48,360
FROM THE CRITICISM
LEVELED AT YOU?
408
00:23:48,427 --> 00:23:49,996
NO, I HAVEN'T...
409
00:23:50,062 --> 00:23:52,565
BECAUSE I DON'T FEEL
I'M DOING ANYTHING WRONG.
410
00:23:52,632 --> 00:23:55,802
* YOU AIN'T NOTHIN'
BUT A HOUND DOG *
411
00:23:55,868 --> 00:23:58,605
* CRYIN' ALL THE TIME *
412
00:23:58,671 --> 00:24:00,907
ROCK AND ROLL HAS GOT TO GO...
413
00:24:00,973 --> 00:24:02,241
AND GO IT DOES.
414
00:24:02,308 --> 00:24:04,977
AT KWK, WE'RE ALL THROUGH
PLAYING ROCK AND ROLL RECORDS.
415
00:24:05,044 --> 00:24:08,114
THIS WEEK IS RECORD-BREAKING
WEEK HERE AT KWK.
416
00:24:08,180 --> 00:24:09,516
AND AFTER THIS WEEK,
417
00:24:09,582 --> 00:24:12,151
NO MORE ROCK AND ROLL
WILL BE PLAYED ON THE AIR.
418
00:24:12,218 --> 00:24:17,790
THE OBSCENITY AND VULGARITY
OF THE ROCK AND ROLL MUSIC
419
00:24:17,857 --> 00:24:22,729
IS OBVIOUSLY A MEANS BY WHICH
THE WHITE MAN AND HIS CHILDREN
420
00:24:22,795 --> 00:24:25,598
CAN BE DRIVEN TO THE LEVEL
WITH A NIGGER.
421
00:24:25,665 --> 00:24:27,634
IT IS OBVIOUSLY NIGGER MUSIC.
422
00:24:27,700 --> 00:24:29,468
IT IS OUR FEELING HERE
IN JERSEY CITY
423
00:24:29,536 --> 00:24:32,872
THAT THIS ROCK AND ROLL RHYTHM
IS FILLED WITH DYNAMITE,
424
00:24:32,939 --> 00:24:35,207
AND WE DON'T WANT THE DYNAMITE
TO GO OFF
425
00:24:35,274 --> 00:24:37,977
IN THE ROOSEVELT STADIUM
IN JERSEY CITY.
426
00:24:38,044 --> 00:24:44,483
AFTER, UH...WE, UH...
HEARD ABOUT THE INCIDENTS
427
00:24:44,551 --> 00:24:46,285
THROUGHOUT THE COUNTRY
428
00:24:46,352 --> 00:24:49,021
AND THE COMING OF THIS CONCERT
TO JERSEY CITY,
429
00:24:49,088 --> 00:24:51,758
I ASKED OUR COMMISSIONER
OF PUBLIC SAFETY,
430
00:24:51,824 --> 00:24:54,093
LAWRENCE WHIPPLE,
TO LOOK INTO THE MATTER,
431
00:24:54,160 --> 00:24:57,864
AND HE DID MAKE A SURVEY
OF THE SITUATION.
432
00:24:57,930 --> 00:25:00,600
MY DEPARTMENT MADE A VERY
THOROUGH INVESTIGATION
433
00:25:00,667 --> 00:25:03,035
OF THESE
SO-CALLED PROGRAMS.
434
00:25:03,102 --> 00:25:05,137
WE HAD TELEPHONE
CONVERSATIONS
435
00:25:05,204 --> 00:25:08,174
AND CORRESPONDENCE
WITH VARIOUS MUNICIPALITIES.
436
00:25:08,240 --> 00:25:11,010
INCLUDED AMONG THESE BEING
HARTFORD, CONNECTICUT,
437
00:25:11,077 --> 00:25:13,813
ORANGE, NEW JERSEY,
ASBURY PARK,
438
00:25:13,880 --> 00:25:15,782
AND THE CITY OF HOBOKEN.
439
00:25:15,848 --> 00:25:17,750
WE FIND THAT THESE PROGRAMS
440
00:25:17,817 --> 00:25:19,786
ARE NOT FOR THE GOOD
OF THE COMMUNITY,
441
00:25:19,852 --> 00:25:21,954
AND THAT'S WHY
I ORDERED THEM BANNED.
442
00:25:22,021 --> 00:25:24,456
I DON'T SEE
THAT ANY TYPE OF A MUSIC
443
00:25:24,523 --> 00:25:26,458
WOULD HAVE ANY BAD INFLUENCE
ON PEOPLE
444
00:25:26,525 --> 00:25:28,527
WHEN IT'S ONLY A MUSIC.
445
00:25:28,595 --> 00:25:30,162
I MEAN,
I CAN'T FIGURE IT OUT.
446
00:25:30,229 --> 00:25:32,999
IN A LOT OF THE PAPERS,
THEY SAY ROCK AND ROLL
447
00:25:33,065 --> 00:25:34,834
IS A BIG INFLUENCE
ON JUVENILE DELINQUENCY.
448
00:25:34,901 --> 00:25:36,368
I DON'T THINK THAT IT IS.
449
00:25:36,435 --> 00:25:40,907
WHAT ABOUT THE RUMOR THAT
YOU ONCE SHOT YOUR MOTHER?
450
00:25:40,973 --> 00:25:42,942
WELL, I THINK THAT ONE
TAKES THE CAKE.
451
00:25:43,009 --> 00:25:44,844
WHERE DOES THAT ONE
COME FROM?
452
00:25:44,911 --> 00:25:47,647
I HAVE NO IDEA.
I-I CAN'T IMAGINE.
453
00:25:47,714 --> 00:25:49,916
THERE'S ANOTHER ONE, YOU MAY NOT
HAVE HEARD BEFORE.
454
00:25:49,982 --> 00:25:51,383
SEVERAL NEWSPAPER STORIES
HINTED
455
00:25:51,450 --> 00:25:52,885
THAT YOU SMOKED MARIJUANA
456
00:25:52,952 --> 00:25:56,455
IN ORDER TO WORK YOURSELF
INTO A FRENZY WHILE SINGING.
457
00:25:56,522 --> 00:25:57,990
WELL, I DON'T KNOW.
458
00:25:59,792 --> 00:26:01,493
Elvis: ALL THE ATTENTION
I'D BEEN GETTING
459
00:26:01,560 --> 00:26:03,796
GOT THE STUDIOS
INTERESTED IN ME.
460
00:26:05,464 --> 00:26:08,434
MY FIRST FILM WAS GOING TO BE
CALLED "THE RENO BROTHERS,"
461
00:26:08,500 --> 00:26:10,670
I HAD A HIT SONG OUT
AT THE TIME,
462
00:26:10,737 --> 00:26:13,005
SO THEY RENAMED IT
"LOVE ME TENDER."
463
00:26:23,650 --> 00:26:25,584
THE COLONEL PUT TOGETHER
A HUGE PREMIERE
464
00:26:25,652 --> 00:26:26,919
IN NEW YORK CITY,
465
00:26:26,986 --> 00:26:28,320
BUT WHEN THE MOVIE OPENED,
466
00:26:28,387 --> 00:26:31,090
SOME FILM CRITICS TOOK
POTSHOTS AT MY ACTING.
467
00:26:31,157 --> 00:26:33,893
STILL, THE PICTURE DID
REAL WELL AT THE BOX OFFICE,
468
00:26:33,960 --> 00:26:35,695
THANKS TO THE FANS.
469
00:26:35,762 --> 00:26:41,701
WE WANT ELVIS!
WE WANT ELVIS!
470
00:26:53,946 --> 00:26:56,415
IN THE FILM, RICHARD EGAN
PLAYED MY BROTHER.
471
00:26:56,482 --> 00:26:59,551
AND BECAUSE WE WERE
BOTH IN LOVE WITH DEBRA PAGET,
472
00:26:59,618 --> 00:27:01,253
WE ENDED UP IN A SHOOTOUT.
473
00:27:01,320 --> 00:27:04,657
THERE'S NOTHING ELSE
BETWEEN US, I SWEAR IT.
474
00:27:04,724 --> 00:27:06,726
WELL, GO ON,
TAKE HIM NOW,
475
00:27:06,793 --> 00:27:09,628
OR I'LL TAKE HIM MYSELF.
476
00:27:15,768 --> 00:27:17,269
VINCE?
477
00:27:17,336 --> 00:27:20,306
COME ON, LET'S GET THE MONEY AND
GET OUT OF HERE.
478
00:27:22,074 --> 00:27:28,647
GET AWAY FROM HIM.
LEAVE HIM ALONE!
479
00:27:37,023 --> 00:27:40,693
DON'T MOVE.
JUST LIE STILL.
480
00:27:40,760 --> 00:27:44,731
CATHY,
WHERE'S VINCE?
481
00:27:44,797 --> 00:27:47,466
I GOT TO TALK TO HIM.
482
00:27:47,533 --> 00:27:49,301
RIGHT HERE, CLINT.
483
00:27:49,368 --> 00:27:51,838
VINCE, I DIDN'T MEAN IT.
484
00:27:51,904 --> 00:27:53,472
I KNOW YOU DIDN'T, CLINT.
485
00:27:53,539 --> 00:27:55,541
YOU DON'T HAVE
TO TELL ME.
486
00:27:55,607 --> 00:28:01,814
EVERYTHING'S GONNA BE
ALRIGHT.
487
00:28:01,881 --> 00:28:05,417
EVERYTHING'S GONNA BE
ALRIGHT.
488
00:28:07,019 --> 00:28:09,388
Elvis: I SAW THE FILM
FOR THE FIRST TIME
489
00:28:09,455 --> 00:28:10,957
WITH MY FOLKS IN MEMPHIS.
490
00:28:11,023 --> 00:28:12,124
AFTER THE PICTURE ENDED,
491
00:28:12,191 --> 00:28:14,761
I REMEMBER HAVING
TO CALM MAMA DOWN.
492
00:28:14,827 --> 00:28:16,863
AT FIRST, I DIDN'T REALIZE
WHAT WAS WRONG.
493
00:28:16,929 --> 00:28:18,931
SHE WAS UPSET AND CRYING.
494
00:28:18,998 --> 00:28:20,566
FINALLY, SHE SAID
SHE JUST COULDN'T STAND
495
00:28:20,632 --> 00:28:24,771
TO WATCH ME GETTING KILLED
UP THERE ON THE SCREEN.
496
00:28:24,837 --> 00:28:28,440
* ...THAT I LOVE YOU *
497
00:28:28,507 --> 00:28:30,810
* AND I ALWAYS WILL *
498
00:28:37,483 --> 00:28:41,888
Gladys: IN 1957,
ELVIS BOUGHT US GRACELAND,
499
00:28:41,954 --> 00:28:45,691
A BEAUTIFUL HOUSE AND FARM
OUTSIDE MEMPHIS.
500
00:28:45,758 --> 00:28:51,030
WE FELT LIKE WE WERE LIVING
WAY OUT IN THE COUNTRY.
501
00:28:51,097 --> 00:28:55,734
* MERRY, MERRY CHRISTMAS, BABY *
502
00:28:55,802 --> 00:28:59,171
* SURE DID TREAT ME NICE *
503
00:28:59,238 --> 00:29:02,909
ELVIS INSISTED VERNON AND ME
AND HIS GRANDMAMA
504
00:29:02,975 --> 00:29:05,044
MOVE IN AND LIVE WITH HIM.
505
00:29:05,111 --> 00:29:09,281
BY THEN, ELVIS ALREADY HAD
SIX OR SEVEN CADILLACS.
506
00:29:09,348 --> 00:29:12,885
HE USED TO SAY
IF HE EVER WENT BROKE,
507
00:29:12,952 --> 00:29:15,221
HE COULD ALWAYS OPEN
A USED CAR LOT.
508
00:29:18,925 --> 00:29:24,296
* GIVE ME DIAMOND RINGS
FOR CHRISTMAS *
509
00:29:24,363 --> 00:29:29,802
* AND I'M LIVIN' IN PARADISE *
510
00:29:29,869 --> 00:29:31,804
Elvis:
THOSE WERE GOOD TIMES FOR US.
511
00:29:31,871 --> 00:29:34,640
ALMOST EVERYTHING
WAS GOING RIGHT FOR ME.
512
00:29:34,706 --> 00:29:36,142
I LIKED HAVING PEOPLE AROUND,
513
00:29:36,208 --> 00:29:39,011
BUT I STARTED TO FEEL,
EVEN WITH MY OLD FRIENDS,
514
00:29:39,078 --> 00:29:41,247
THINGS WERE A LITTLE DIFFERENT.
515
00:29:48,120 --> 00:29:53,625
* WELL, I'M FEELIN'
MIGHTY FINE *
516
00:29:53,692 --> 00:29:57,329
* GOT GOOD MUSIC ON MY RADIO *
517
00:30:02,368 --> 00:30:07,974
* WELL, I WANT
TO KISS YOU, BABY *
518
00:30:08,040 --> 00:30:13,012
* WHILE YOU STANDIN'
'NEATH THE MISTLETOE *
519
00:30:13,079 --> 00:30:16,048
* TAKE IT ON, BABY, TAKE IT ON *
520
00:30:16,115 --> 00:30:18,450
* YO, YO, HO *
521
00:30:25,858 --> 00:30:27,059
HEY, YOU GUYS,
522
00:30:27,126 --> 00:30:28,794
THERE'S THAT
ROCK AND ROLL COWBOY
523
00:30:28,861 --> 00:30:29,862
I TOLD YOU ABOUT.
524
00:30:29,929 --> 00:30:32,331
DO YOU WANT HIM
TO SING?
525
00:30:32,398 --> 00:30:36,202
I HOPE WE DO WELL IN THE CITY
AS WE DID IN THE SMALL TOWNS.
526
00:30:36,268 --> 00:30:38,670
CITY'S JUST LIKE A SMALL
TOWN, ONLY TALLER.
527
00:30:38,737 --> 00:30:40,439
HEY YOU, SIDEBURNS,
528
00:30:40,506 --> 00:30:43,275
I GOT A CHICK DOWN THERE
WANTS TO HEAR YOU SING.
529
00:30:43,342 --> 00:30:45,111
WHY DON'T YOU COME AROUND
THE THEATER
530
00:30:45,177 --> 00:30:47,413
TOMORROW AFTERNOON?
HE'LL BE ON THE STAGE.
531
00:30:47,479 --> 00:30:49,848
I TOLD MY GIRL
I'D GET YOU TO SING.
532
00:30:49,916 --> 00:30:52,484
A MAN CAN'T GO BACK
ON HIS WORD, CAN HE, FELLA?
533
00:30:52,551 --> 00:30:55,621
LOOK, MAYBE YOU DIDN'T
UNDERSTAND ME, FELLA.
534
00:30:55,687 --> 00:30:57,990
BUT MR. RIVERS DOESN'T SING
IN JUKE JOINTS,
535
00:30:58,057 --> 00:31:01,327
SO WHY DON'T YOU RUN ON BACK
AND DRINK YOUR MALTED?
536
00:31:01,393 --> 00:31:03,029
Man: SAY,
WHAT'S THE TROUBLE?
537
00:31:03,095 --> 00:31:04,730
THESE SHOWPEOPLE
STARTING SOMETHING?
538
00:31:04,796 --> 00:31:06,165
THERE'S NO TROUBLE, SIR.
539
00:31:06,232 --> 00:31:08,634
MIND IF I SING
A LITTLE SONG FOR THEM?
540
00:31:08,700 --> 00:31:09,902
NO, HE DON'T MIND.
541
00:31:09,969 --> 00:31:11,037
DO YOU, FRANK.
542
00:31:11,103 --> 00:31:17,443
NO, NO, I DON'T MIND.
543
00:31:17,509 --> 00:31:23,482
* I GOT A WOMAN
MEAN AS SHE CAN BE *
544
00:31:23,549 --> 00:31:29,055
* I GOT A WOMAN
MEAN AS SHE CAN BE *
545
00:31:29,121 --> 00:31:35,227
* SOMETIMES I THINK
SHE'S ALMOST MEAN AS ME *
546
00:31:35,294 --> 00:31:38,164
* A BLACK CAT UP
AND DIED OF FRIGHT *
547
00:31:38,230 --> 00:31:40,967
* 'CAUSE SHE CROSSED HIS PATH
LAST NIGHT *
548
00:31:41,033 --> 00:31:44,270
* I GOT A WOMAN
MEAN AS SHE CAN BE *
549
00:31:44,336 --> 00:31:47,539
IN THE MOVIES, I WAS CAST AS A
ROCK AND ROLL REBEL,
550
00:31:47,606 --> 00:31:48,941
AND I GUESS THOSE PICTURES
551
00:31:49,008 --> 00:31:51,277
HELPED BUILD MY IMAGE
AS A TOUGH GUY.
552
00:31:58,150 --> 00:31:59,885
WELL, YOU AIN'T BAD,
SIDEBURNS.
553
00:31:59,952 --> 00:32:01,453
WHAT DO YOU DO
FOR A LIVING?
554
00:32:01,520 --> 00:32:03,956
I'M WITH MY OLD MAN
IN AUTO ACCESSORIES, WHY?
555
00:32:04,023 --> 00:32:06,392
WELL, I USUALLY GET PAID
FOR SINGING AS A RULE.
556
00:32:06,458 --> 00:32:09,228
I FIGURE YOU OUGHT TO
DO WHATEVER YOU DO FOR ME.
557
00:32:09,295 --> 00:32:12,298
HOW ABOUT PUTTING A NEW SET
OF SEAT COVERS ON MY CAR?
558
00:32:12,364 --> 00:32:14,633
WHY, SURE, SIDEBURNS.
WHAT COLOR YOU WANT?
559
00:32:14,700 --> 00:32:17,369
I FIGURE HIS COLOR'S
YELLOW, DON'T YOU?
560
00:32:27,246 --> 00:32:29,515
GET THE POLICE. QUICKLY.
561
00:32:45,231 --> 00:32:47,599
Elvis: NOT ALL THE FIGHTS
I GOT INTO WERE STAGED.
562
00:32:47,666 --> 00:32:50,436
AROUND THAT TIME,
I GOT IN A SCRAPE WITH THE LAW
563
00:32:50,502 --> 00:32:52,671
AND HAD TO APPEAR
IN A MEMPHIS COURT.
564
00:32:52,738 --> 00:32:55,507
A GUY AT A GAS STATION
TOOK A SWING AT ME,
565
00:32:55,574 --> 00:32:57,943
I WASN'T ABOUT
TO STAND THERE AND TAKE IT,
566
00:32:58,010 --> 00:33:00,446
SO I PUNCHED HIM
AND GOT BUSTED.
567
00:33:00,512 --> 00:33:03,182
THE COURT FINDS
INSUFFICIENT EVIDENCE
568
00:33:03,249 --> 00:33:05,251
TO SUPPORT THE CHARGE.
569
00:33:05,317 --> 00:33:07,886
IT'S FUNNY --
ONCE YOU START TO MAKE IT,
570
00:33:07,953 --> 00:33:09,788
SOME PEOPLE WANT TO HASSLE YOU.
571
00:33:09,855 --> 00:33:12,491
THE JUDGE AGREED WITH ME
AND THREW THE CASE OUT,
572
00:33:12,558 --> 00:33:16,295
BUT EVERYONE WAS STILL WORRIED
ABOUT MY EFFECT ON YOUNG PEOPLE.
573
00:33:16,362 --> 00:33:18,197
NEXT TIME I WENT ON TELEVISION,
574
00:33:18,264 --> 00:33:20,666
I WAS ONLY FILMED
FROM THE WAIST UP.
575
00:33:20,732 --> 00:33:23,835
LADIES AND GENTLEMEN,
WE HAVE A BIG SHOW --
576
00:33:23,902 --> 00:33:26,572
A REAL BIG SHOW --
577
00:33:26,638 --> 00:33:29,541
WITH ELVIS PRESLEY
HEADLINING TONIGHT.
578
00:33:30,842 --> 00:33:34,813
HERE IS ELVIS PRESLEY!
579
00:33:34,880 --> 00:33:38,484
WE'D LIKE TO TELL YOU THAT,
TO ALL THE PEOPLE WATCHING,
580
00:33:38,550 --> 00:33:42,254
AND ALL YOU PEOPLE
THAT ARE HERE TONIGHT,
581
00:33:42,321 --> 00:33:43,922
THAT WE REALLY ARE THANKFUL
582
00:33:43,989 --> 00:33:48,094
FOR ALL THE SUCCESS THAT YOU
MADE US HAVE AND EVERYTHING.
583
00:33:48,160 --> 00:33:50,462
THIS IS MY BIGGEST RECORD,
584
00:33:50,529 --> 00:33:52,698
AND IT GOES
SOMETHING LIKE THIS.
585
00:33:59,571 --> 00:34:05,444
* AH, YOU KNOW I CAN BE FOUND
SITTIN' HOME ALL ALONE *
586
00:34:05,511 --> 00:34:10,616
* IF YOU CAN'T COME AROUND
AT LEAST PLEASE TELEPHONE *
587
00:34:10,682 --> 00:34:16,422
* DON'T BE CRUEL
TO A HEART THAT'S TRUE *
588
00:34:16,488 --> 00:34:19,425
* WELL, BABY,
IF I MADE YOU MAD *
589
00:34:19,491 --> 00:34:22,128
* FOR SOMETHING
I MIGHT HAVE SAID *
590
00:34:22,194 --> 00:34:27,233
* PLEASE LET'S FORGET MY PAST
THE FUTURE LOOKS BRIGHT AHEAD *
591
00:34:27,299 --> 00:34:33,038
* DON'T BE CRUEL
TO A HEART THAT'S TRUE *
592
00:34:33,105 --> 00:34:36,142
* I DON'T WANT NO OTHER LOVE *
593
00:34:36,208 --> 00:34:40,979
* BABY, IT'S JUST YOU
I'M THINKIN' OF *
594
00:34:41,046 --> 00:34:46,318
* DON'T BE CRUEL
TO A HEART THAT'S TRUE *
595
00:34:46,385 --> 00:34:50,856
* DON'T BE CRUEL
TO A HEART THAT'S TRUE *
596
00:34:50,922 --> 00:34:55,161
* WELL, I DON'T WANT
NO OTHER LOVE *
597
00:34:55,227 --> 00:35:00,766
* BABY, IT'S JUST YOU
I'M THINKIN' OF *
598
00:35:00,832 --> 00:35:04,303
Elvis: AT THE END OF THE SHOW,
MR. SULLIVAN CALLED ME BACK OUT.
599
00:35:04,370 --> 00:35:06,638
HE CAUGHT BY SURPRISE.
600
00:35:06,705 --> 00:35:08,707
ELVIS...
601
00:35:08,774 --> 00:35:10,342
LADIES AND GENTLEMEN,
602
00:35:10,409 --> 00:35:12,644
INASMUCH AS HE GOES
TO THE COAST NOW
603
00:35:12,711 --> 00:35:13,545
FOR HIS NEW PICTURE,
604
00:35:13,612 --> 00:35:15,181
THIS COULD BE
THE LAST TIME
605
00:35:15,247 --> 00:35:17,949
WE'LL RUN INTO EACH OTHER
FOR A WHILE.
606
00:35:18,016 --> 00:35:19,418
BUT, I..
WAIT A MOMENT.
607
00:35:19,485 --> 00:35:22,221
I WANTED TO SAY TO
ELVIS PRESLEY AND THE COUNTRY
608
00:35:22,288 --> 00:35:26,658
THAT THIS IS
A REAL DECENT, FINE BOY.
609
00:35:26,725 --> 00:35:28,360
AND WHEREVER
YOU GO, ELVIS...
610
00:35:32,664 --> 00:35:34,733
...THE GUYS WHO ACCOMPANY
YOU OVER THERE,
611
00:35:34,800 --> 00:35:36,768
WE WANT TO SAY
THAT WE'VE NEVER HAD
612
00:35:36,835 --> 00:35:38,837
A PLEASANTER EXPERIENCE
ON OUR SHOW
613
00:35:38,904 --> 00:35:41,907
WITH A BIG NAME
THAN WE'VE HAD WITH YOU.
614
00:35:41,973 --> 00:35:44,276
YOU'RE THOROUGHLY
ALRIGHT.
615
00:35:44,343 --> 00:35:46,278
SO NOW, LET'S HAVE
A TREMENDOUS HAND
616
00:35:46,345 --> 00:35:48,280
FOR A VERY NICE PERSON.
617
00:35:56,555 --> 00:35:59,891
AFTER MR. SULLIVAN HELPED PUT
AN END TO THE CRITICISM OF ME,
618
00:35:59,958 --> 00:36:02,494
I MADE THE FILM "LOVING YOU."
619
00:36:05,664 --> 00:36:09,034
I DON'T KNOW WHAT IT WAS
ABOUT ONE SONG IN THAT PICTURE,
620
00:36:09,100 --> 00:36:10,902
BUT PEOPLE
FROM ALL OVER THE WORLD
621
00:36:10,969 --> 00:36:12,471
SENT ME HUNDREDS OF TEDDY BEARS.
622
00:36:12,538 --> 00:36:18,810
* JUST LET ME BE
YOUR TEDDY BEAR *
623
00:36:18,877 --> 00:36:23,349
* PUT A CHAIN AROUND MY NECK
AND LEAD ME ANYWHERE *
624
00:36:23,415 --> 00:36:25,050
* OH, LET ME BE *
625
00:36:25,116 --> 00:36:26,485
* OH, LET HIM BE *
626
00:36:26,552 --> 00:36:29,688
* YOUR TEDDY BEAR *
627
00:36:29,755 --> 00:36:35,327
* I DON'T WANT TO BE YOUR TIGER
'CAUSE TIGERS PLAY TOO ROUGH *
628
00:36:35,394 --> 00:36:37,863
* I DON'T TO BE YOUR LION *
629
00:36:37,929 --> 00:36:42,167
* 'CAUSE LIONS AIN'T THE KIND
YOU LOVE ENOUGH *
630
00:36:42,234 --> 00:36:47,573
* OH, LET ME BE
YOUR TEDDY BEAR *
631
00:36:49,074 --> 00:36:53,945
* PUT A CHAIN AROUND MY NECK
AND LEAD ME ANYWHERE *
632
00:36:54,012 --> 00:36:55,046
* OH, LET ME BE *
633
00:36:55,113 --> 00:36:56,415
* OH, LET HIM BE *
634
00:36:56,482 --> 00:36:58,884
* YOUR TEDDY BEAR *
635
00:36:58,950 --> 00:37:00,786
* OH, LET ME BE *
636
00:37:00,852 --> 00:37:01,920
* OH, LET HIM BE *
637
00:37:01,987 --> 00:37:05,557
* YOUR TEDDY BEAR *
638
00:37:05,624 --> 00:37:08,294
* I JUST WANT TO BE
YOUR TEDDY BEAR *
639
00:37:08,360 --> 00:37:10,996
* OOOH *
640
00:37:11,062 --> 00:37:13,599
WHAT IS YOUR CONNECTION
WITH MR. PRESLEY?
641
00:37:13,665 --> 00:37:14,933
GROUCHO, I'M THE PRESIDENT
642
00:37:15,000 --> 00:37:17,503
OF THE SAN DIEGO
ELVIS PRESLEY FAN CLUB,
643
00:37:17,569 --> 00:37:18,804
AND THE HONORARY PRESIDENT
644
00:37:18,870 --> 00:37:21,239
OVER 100 SOUTHERN
CALIFORNIA CHAPTERS
645
00:37:21,307 --> 00:37:22,808
OF ELVIS PRESLEY FAN CLUBS.
646
00:37:22,874 --> 00:37:24,876
WELL, THAT'S QUITE
IMPRESSIVE.
647
00:37:24,943 --> 00:37:27,846
DO YOU HAVE ANY SOUVENIRS
OF ELVIS, RENEE?
648
00:37:27,913 --> 00:37:29,815
OH, I'M JUST LOADED
WITH THEM, GROUCHO.
649
00:37:29,881 --> 00:37:33,319
I CAN'T GET IN AND OUT OF MY
ROOM. I BROUGHT A FEW.
650
00:37:33,385 --> 00:37:34,720
WHAT HAVE YOU GOT THERE?
651
00:37:34,786 --> 00:37:36,788
I'VE GOT SOME ELVIS PRESLEY
TEDDY BEAR PERFUME.
652
00:37:36,855 --> 00:37:39,291
AND THIS IS
THE SEXIEST STUFF.
653
00:37:41,593 --> 00:37:44,863
AND I HAVE A GUITAR PICK,
WHICH I STOLE.
654
00:37:44,930 --> 00:37:47,299
I WANT TO TELL YOU
SOMETHING ELSE I HAVE,
655
00:37:47,366 --> 00:37:50,736
WHICH IS MY VERY GREATEST
PRIZED POSSESSION.
656
00:37:50,802 --> 00:37:53,472
AND THAT IS THE RED
AND WHITE WESTERN OUTFIT
657
00:37:53,539 --> 00:37:55,507
THAT HE WORE IN THE PICTURE
"LOVING YOU"
658
00:37:55,574 --> 00:37:57,309
WHEN HE SINGS
"TEDDY BEAR."
659
00:37:57,376 --> 00:37:59,611
AND I WOULDN'T TAKE
A MILLION DOLLARS FOR IT.
660
00:37:59,678 --> 00:38:01,580
IN FACT, IT'S INSURED.
661
00:38:01,647 --> 00:38:04,650
I ALSO FINAGLED AROUND, AND I
HAVE TWO LOCKS OF HIS HAIR.
662
00:38:04,716 --> 00:38:06,652
YOU HAVE LOCKS OF HIS HAIR?
663
00:38:06,718 --> 00:38:09,588
DO YOU HAVE ANY CREAM CHEESE
TO GO WITH IT?
664
00:38:09,655 --> 00:38:12,591
I'LL TELL YOU
WHAT WE DO, FELLAS.
665
00:38:12,658 --> 00:38:15,327
ANYBODY WANTS TO ASK
HEDDA HOPPER A QUESTION,
666
00:38:15,394 --> 00:38:17,496
IF YOU'LL JUST
RAISE YOUR HAND,
667
00:38:17,563 --> 00:38:20,732
WHEN I POINT AT YOU,
JUST GET UP
668
00:38:20,799 --> 00:38:23,669
AND REAL LOUD,
ASK A QUESTION
669
00:38:23,735 --> 00:38:25,771
AND WE'LL TRY TO ANSWER IT.
670
00:38:25,837 --> 00:38:26,838
YOU.
671
00:38:26,905 --> 00:38:29,207
HOW MUCH MONEY HAS
ELVIS PRESLEY MADE
672
00:38:29,274 --> 00:38:31,343
SINCE HIS CAREER STARTED?
673
00:38:31,410 --> 00:38:32,911
ARE YOU KIDDING?
674
00:38:32,978 --> 00:38:35,080
WHEN HE STARTED,
HE COULDN'T SPELL TENNESSEE.
675
00:38:35,146 --> 00:38:40,652
NOW HE OWNS IT.
676
00:38:40,719 --> 00:38:43,288
YOU'VE BEEN FOUND GUILTY
BY A JURY OF YOUR PEERS
677
00:38:43,355 --> 00:38:44,890
OF THE CRIME
OF MANSLAUGHTER.
678
00:38:44,956 --> 00:38:47,926
Elvis: I DIDN'T KNOW IF IT WAS
MOVIES FOLLOWING REAL LIFE
679
00:38:47,993 --> 00:38:49,160
OR THE OTHER WAY AROUND,
680
00:38:49,227 --> 00:38:50,596
BUT IN THE FILM
"JAILHOUSE ROCK,"
681
00:38:50,662 --> 00:38:52,831
I WAS STANDING
IN FRONT OF A JUDGE AGAIN.
682
00:38:52,898 --> 00:38:55,634
THIS TIME,
I GOT SENT UP THE RIVER.
683
00:38:55,701 --> 00:38:56,935
A LITTLE WHILE BACK,
684
00:38:57,002 --> 00:38:59,371
I HAD A VACATION
WITH A BUNCH OF MEN
685
00:38:59,438 --> 00:39:01,006
IN A BIG PLACE WAY OUT YONDER.
686
00:39:01,072 --> 00:39:03,642
WE ALWAYS HAD
A LOT OF FUN WITH THIS ONE --
687
00:39:03,709 --> 00:39:07,245
THE "JAILHOUSE ROCK."
688
00:39:07,312 --> 00:39:10,015
* THE WARDEN THREW A PARTY
IN THE COUNTY JAIL *
689
00:39:10,081 --> 00:39:13,084
* THE PRISON BAND WAS THERE
AND THEY BEGAN TO WAIL *
690
00:39:13,151 --> 00:39:15,887
* THE BAND WAS JUMPING
AND THE JOINT BEGAN TO SWING *
691
00:39:15,954 --> 00:39:18,524
* YOU SHOULD HAVE HEARD THOSE
KNOCKED-OUT JAILBIRDS SING *
692
00:39:18,590 --> 00:39:20,626
* LET'S ROCK *
693
00:39:20,692 --> 00:39:24,396
* EVERYBODY, LET'S ROCK *
694
00:39:24,463 --> 00:39:26,264
Elvis: CHOREOGRAPHING
THIS TITLE SONG
695
00:39:26,331 --> 00:39:27,699
WAS A LOT OF FUN.
696
00:39:27,766 --> 00:39:30,168
NO WONDER THIS WAS
MY FAVORITE PRODUCTION NUMBER.
697
00:39:30,235 --> 00:39:33,071
* SPIDER MURPHY PLAYED
THE TENOR SAXOPHONE *
698
00:39:33,138 --> 00:39:35,974
* LITTLE JOE WAS BLOWIN'
ON THE SLIDE TROMBONE *
699
00:39:36,041 --> 00:39:38,910
* THE DRUMMER BOY FROM ILLINOIS
WENT CRASH, BOOM, BANG *
700
00:39:38,977 --> 00:39:41,547
* THE WHOLE RHYTHM SECTION
WAS THE PURPLE GANG *
701
00:39:41,613 --> 00:39:43,515
* LET'S ROCK *
702
00:39:43,582 --> 00:39:47,052
* EVERYBODY, LET'S ROCK *
703
00:39:47,118 --> 00:39:50,055
* EVERYBODY
IN THE WHOLE CELL BLOCK *
704
00:39:50,121 --> 00:39:53,258
* WAS DANCIN'
TO THE JAILHOUSE ROCK *
705
00:39:53,324 --> 00:39:56,061
* NUMBER 47 SAID TO NUMBER 3, *
706
00:39:56,127 --> 00:39:58,864
* "YOU'RE THE CUTEST JAILBIRD
I EVER DID SEE *
707
00:39:58,930 --> 00:40:01,366
* "I SURE WOULD BE DELIGHTED
WITH YOUR COMPANY *
708
00:40:01,433 --> 00:40:04,335
* COME ON AND DO
THE JAILHOUSE ROCK WITH ME" *
709
00:40:04,402 --> 00:40:06,371
* LET'S ROCK *
710
00:40:06,438 --> 00:40:09,741
* EVERYBODY, LET'S ROCK *
711
00:40:09,808 --> 00:40:12,844
* EVERYBODY
IN THE WHOLE CELL BLOCK *
712
00:40:12,911 --> 00:40:15,981
* WAS DANCIN'
TO THE JAILHOUSE ROCK *
713
00:40:16,047 --> 00:40:18,884
* SHIFTY HENRY SAID TO BUGS
"FOR HEAVEN'S SAKE *
714
00:40:18,950 --> 00:40:21,453
* NO ONE IS LOOKIN', NOW'S
OUR CHANCE TO MAKE A BREAK" *
715
00:40:21,520 --> 00:40:24,389
* BUGSY TURNED TO SHIFTY
AND HE SAID, "NIX, NIX *
716
00:40:24,456 --> 00:40:27,292
* I WANNA STICK AROUND A WHILE
AND GET MY KICKS" *
717
00:40:27,358 --> 00:40:29,360
* LET'S ROCK *
718
00:40:29,427 --> 00:40:32,998
* EVERYBODY, LET'S ROCK *
719
00:40:33,064 --> 00:40:35,801
* EVERYBODY
IN THE WHOLE CELL BLOCK *
720
00:40:35,867 --> 00:40:39,070
* WAS DANCIN'
TO THE JAILHOUSE ROCK *
721
00:40:39,137 --> 00:40:41,940
* DANCIN'
TO THE JAILHOUSE ROCK *
722
00:40:42,007 --> 00:40:44,810
* DANCIN'
TO THE JAILHOUSE ROCK *
723
00:40:44,876 --> 00:40:47,646
* DANCIN'
TO THE JAILHOUSE ROCK *
724
00:40:50,882 --> 00:40:53,619
SUDDENLY, THE FANTASY LIFE
I'D BEEN CAUGHT UP IN
725
00:40:53,685 --> 00:40:55,654
ENDED WHEN UNCLE SAM CALLED.
726
00:40:55,721 --> 00:40:57,956
I THOUGHT, "WELL, THAT'S IT.
IT'S ALL OVER."
727
00:40:58,023 --> 00:41:00,726
BUT WHAT REALLY WORRIED ME
WAS MY MOTHER'S HEALTH.
728
00:41:00,792 --> 00:41:02,561
SHE'D BEEN UNDER
A LOT OF STRAIN,
729
00:41:02,628 --> 00:41:05,063
AND NOW EVERYTHING
WAS CHANGING AGAIN.
730
00:41:05,130 --> 00:41:07,465
CONGRATULATIONS.
YOU ARE NOW IN THE ARMY.
731
00:41:07,533 --> 00:41:09,067
YOU ARE ALL PRIVATES.
732
00:41:09,134 --> 00:41:12,971
THAT'S THE WAY YOU'LL BE
ADDRESSED FROM NOW ON.
733
00:41:13,038 --> 00:41:14,573
PRIVATE PRESLEY,
734
00:41:14,640 --> 00:41:16,842
YOU'LL BE IN CHARGE
OF THE GROUP.
735
00:41:18,343 --> 00:41:21,379
Gladys: AS I WATCHED ELVIS
SAY GOODBYE TO HIS FRIENDS,
736
00:41:21,446 --> 00:41:25,450
I KEPT THINKING ABOUT EVERYTHING
WE'D BEEN THROUGH AS A FAMILY.
737
00:41:25,517 --> 00:41:28,520
AND NOW, ELVIS WAS GOING AWAY.
738
00:41:28,587 --> 00:41:30,522
IT'S NOT EASY FOR A MOTHER
739
00:41:30,589 --> 00:41:33,324
TO SAY GOODBYE
TO HER ONLY CHILD...
740
00:41:33,391 --> 00:41:37,028
ESPECIALLY A SON LIKE ELVIS.
741
00:41:37,095 --> 00:41:39,765
BYE! BYE!
BYE!
742
00:41:39,831 --> 00:41:41,567
* HUP, HUP, HUP, HUP *
743
00:41:41,633 --> 00:41:48,373
* I GOT THOSE HUP, TWO, THREE,
FOUR, OCCUPATION G.I. BLUES *
744
00:41:48,439 --> 00:41:54,946
* FROM MY G.I. HAIR
TO THE HEELS OF MY G.I. SHOES *
745
00:41:55,013 --> 00:41:57,415
* AND IF I DON'T GO
STATESIDE SOON *
746
00:41:57,482 --> 00:42:01,553
* I'M GONNA BLOW MY FUSE *
747
00:42:01,620 --> 00:42:07,893
* WE'LL GET HASENPFEFFER AND
BLACK PUMPERNICKEL FOR CHOW *
748
00:42:07,959 --> 00:42:14,365
* I'D BLOW MY NEXT MONTH'S PAY
FOR A SLICE OF TEXAS COW *
749
00:42:14,432 --> 00:42:20,939
* I GOT THOSE HUP, TWO, THREE,
FOUR, OCCUPATION G.I. BLUES *
750
00:42:21,006 --> 00:42:27,212
* FROM MY G.I. HAIR
TO THE HEELS OF MY G.I. SHOES *
751
00:42:27,278 --> 00:42:30,215
* AND IF I DON'T GO
STATESIDE SOON *
752
00:42:30,281 --> 00:42:32,818
* I'M GONNA BLOW MY FUSE *
753
00:42:32,884 --> 00:42:35,654
* OCCUPATION G.I. BLUES *
754
00:42:35,721 --> 00:42:38,824
* OCCUPATION G.I. BLUES *
755
00:42:38,890 --> 00:42:42,594
* OCCUPATION G.I. BLUES *
756
00:42:42,661 --> 00:42:44,295
* AT EASE *
757
00:42:45,864 --> 00:42:48,399
I WENT THROUGH BASIC TRAINING
IN TEXAS,
758
00:42:48,466 --> 00:42:50,168
AND I HAD MY FOLKS MOVE DOWN.
759
00:42:50,235 --> 00:42:52,403
I RENTED THEM A NICE PLACE
IN KILLEEN,
760
00:42:52,470 --> 00:42:54,673
A SMALL TOWN JUST OFF THE BASE.
761
00:42:54,740 --> 00:42:56,507
IT WASN'T EXACTLY GRACELAND,
762
00:42:56,574 --> 00:43:03,882
BUT AT LEAST IT WAS OFF LIMITS
TO DRILL SERGEANTS.
763
00:43:03,949 --> 00:43:07,185
WHEN MY MOTHER'S HEALTH TOOK
A SUDDEN TURN FOR THE WORSE,
764
00:43:07,252 --> 00:43:08,854
SHE RETURNED TO MEMPHIS.
765
00:43:08,920 --> 00:43:10,656
I TOOK A PRIVATE PLANE HOME
766
00:43:10,722 --> 00:43:13,992
AS SOON AS I COULD GET
AN EMERGENCY LEAVE.
767
00:43:14,059 --> 00:43:15,694
DADDY WAS ALREADY
AT THE HOSPITAL
768
00:43:15,761 --> 00:43:17,562
TAKING CARE OF MAMA.
769
00:43:17,629 --> 00:43:20,065
Man: HOW LONG ARE YOU
GOING TO BE IN TOWN?
770
00:43:32,944 --> 00:43:35,546
Vernon: WHEN ELVIS ARRIVED
AT THE HOSPITAL,
771
00:43:35,613 --> 00:43:37,749
I HAD THE TOUGH JOB
OF TELLING HIM
772
00:43:37,816 --> 00:43:40,051
IT WAS MORE SERIOUS
THAN WE THOUGHT.
773
00:43:41,853 --> 00:43:45,290
WHEN WE WENT INTO HER ROOM,
GLADYS WAS REAL WEAK,
774
00:43:45,356 --> 00:43:47,726
BUT YOU COULD SEE
A SPARKLE IN HER EYE
775
00:43:47,793 --> 00:43:50,295
WHEN SHE SAW ELVIS WALK IN.
776
00:43:53,464 --> 00:43:54,900
Elvis: AS WE LEFT,
777
00:43:54,966 --> 00:43:58,369
I HAD THIS EMPTY FEELING
IN MY GUT.
778
00:43:58,436 --> 00:44:02,073
WHEN I FIRST SAW MAMA,
I COULDN'T HELP CRYING.
779
00:44:02,140 --> 00:44:05,977
THEN SHE CALMED ME DOWN,
JUST THE WAY SHE ALWAYS HAD.
780
00:44:06,044 --> 00:44:09,280
I LEFT THERE
PRAYING SHE'D GET BETTER,
781
00:44:09,347 --> 00:44:15,754
BUT SHE PASSED AWAY
THE VERY NEXT NIGHT.
782
00:44:15,821 --> 00:44:18,523
MY MOTHER'S DEATH
AFFECTED MY WHOLE LIFE.
783
00:44:18,589 --> 00:44:20,759
I LOVED HER SO VERY MUCH.
784
00:44:20,826 --> 00:44:22,227
ALL OF A SUDDEN,
785
00:44:22,293 --> 00:44:26,932
I FELT LIKE MY LIFE
HAD NO MEANING WITHOUT HER.
786
00:44:26,998 --> 00:44:29,567
A MONTH LATER,
WE WERE SHIPPED OFF TO NEW YORK,
787
00:44:29,634 --> 00:44:31,302
OUR POINT OF DEPARTURE
FOR GERMANY.
788
00:44:31,369 --> 00:44:34,172
I WAS RELIEVED THE REPORTERS
DIDN'T ASK ME ABOUT MY MOTHER.
789
00:44:34,239 --> 00:44:35,841
Man: ELVIS,
DID THE OTHER SOLDIERS
790
00:44:35,907 --> 00:44:38,109
GIVE YOU A ROUGH TIME
BECAUSE YOU'RE FAMOUS?
791
00:44:38,176 --> 00:44:40,478
NO, SIR.
I WAS VERY SURPRISED.
792
00:44:40,545 --> 00:44:45,416
I'VE NEVER MET A BETTER
GROUP OF BOYS IN MY LIFE.
793
00:44:45,483 --> 00:44:49,721
THEY PROBABLY WOULD HAVE
794
00:44:49,788 --> 00:44:51,790
IF IT HAD BEEN
LIKE EVERYBODY THOUGHT.
795
00:44:51,857 --> 00:44:54,692
I MEAN, EVERYBODY THOUGHT
I WOULDN'T HAVE TO WORK
796
00:44:54,760 --> 00:44:56,561
AND I WOULD BE GIVEN
SPECIAL TREATMENT
797
00:44:56,627 --> 00:44:58,029
AND THIS AND THAT.
798
00:44:58,096 --> 00:45:00,932
BUT WHEN THEY LOOKED AROUND
AND SAW I WAS ON KP,
799
00:45:00,999 --> 00:45:03,168
I WAS PULLING GUARD AND
EVERYTHING LIKE THEY WERE,
800
00:45:03,234 --> 00:45:05,470
WELL, THEY FIGURED,
"WELL, HE'S JUST LIKE US."
801
00:45:05,536 --> 00:45:08,473
ELVIS, WHAT DO YOU THINK
ABOUT GOING TO GERMANY?
802
00:45:08,539 --> 00:45:11,042
WELL, SIR, I'M KIND OF
LOOKING FORWARD TO IT.
803
00:45:11,109 --> 00:45:14,045
I MEAN, JUST BEFORE
I CAME IN THE ARMY,
804
00:45:14,112 --> 00:45:16,114
WE WERE PLANNING A TOUR
OF EUROPE,
805
00:45:16,181 --> 00:45:22,553
AND I GOT QUITE A BIT
OF MAIL FROM OVER THERE
806
00:45:22,620 --> 00:45:23,989
AND EVERYTHING,
807
00:45:24,055 --> 00:45:26,457
AND I'M KIND OF
LOOKING FORWARD TO IT, REALLY.
808
00:45:33,999 --> 00:45:36,267
Elvis: ARRIVING IN GERMANY
WAS SOMETHING ELSE.
809
00:45:36,334 --> 00:45:38,336
I'D NEVER BEEN OUT
OF THE STATES BEFORE,
810
00:45:38,403 --> 00:45:40,772
EXCEPT FOR ONE WEEKEND
WHEN I PLAYED IN CANADA.
811
00:45:40,839 --> 00:45:42,273
IT WAS SOME KIND OF SURPRISE,
812
00:45:42,340 --> 00:45:44,109
THE WELCOME
THE GERMAN FANS GAVE ME.
813
00:45:44,175 --> 00:45:45,710
I JUST COULDN'T BELIEVE IT.
814
00:45:45,777 --> 00:45:49,214
IT WAS AS WILD
AS ANYTHING BACK HOME.
815
00:46:15,073 --> 00:46:17,042
I WAS STATIONED
WITH THE THIRD ARMORED DIVISION
816
00:46:17,108 --> 00:46:18,944
ABOUT 30 MILES FROM FRANKFURT.
817
00:46:19,010 --> 00:46:20,445
COLONEL AND I DECIDED
818
00:46:20,511 --> 00:46:23,514
I WAS IN THE SERVICE
TO BE A SOLDER, NOT A SINGER.
819
00:46:23,581 --> 00:46:27,318
BUT A LOT OF OFFICERS PRESSURED
ME TO PERFORM AT ARMY BASES.
820
00:46:27,385 --> 00:46:32,223
I NEVER DID.
821
00:46:32,290 --> 00:46:34,059
SOMETIMES WE'D GO OUT
ON TANK MANEUVERS,
822
00:46:34,125 --> 00:46:36,094
AND IT WOULD GET SO COLD
AT NIGHT,
823
00:46:36,161 --> 00:46:38,129
WE'D HAVE TO POP BENNIES
TO STAY AWAKE.
824
00:46:38,196 --> 00:46:41,032
IF YOU FELL ASLEEP ON WATCH,
YOU COULD GET FROSTBITE.
825
00:46:47,705 --> 00:46:51,076
I RENTED A HOME IN BAD NAUHEIM,
A TOWN NEAR THE BASE,
826
00:46:51,142 --> 00:46:53,144
AND I SENT FOR MY DADDY
AND GRANDMA
827
00:46:53,211 --> 00:46:55,346
TO COME OVER AND LIVE WITH ME.
828
00:46:57,916 --> 00:47:00,919
WELL, HAPPY BIRTHDAY,
SON.
829
00:47:00,986 --> 00:47:04,155
I WAS IN GERMANY
A TOTAL OF 15 MONTHS.
830
00:47:04,222 --> 00:47:06,757
ON MY 25th BIRTHDAY,
JUST BEFORE HEADING HOME,
831
00:47:06,824 --> 00:47:11,362
WE HAD A SMALL PARTY.
832
00:47:11,429 --> 00:47:14,532
WHILE OVER THERE, I MET A
YOUNG GIRL, PRISCILLA BEAULIEU,
833
00:47:14,599 --> 00:47:17,502
WHOSE FATHER WAS A COLONEL
IN THE AIR FORCE.
834
00:47:17,568 --> 00:47:20,571
SHE WAS ONLY 14, BUT SHE MADE
A STRONG IMPRESSION ON ME.
835
00:47:27,445 --> 00:47:29,547
Priscilla:
I MET ELVIS ABOUT SIX WEEKS
836
00:47:29,614 --> 00:47:32,083
BEFORE HIS TOUR OF DUTY
WAS COMPLETED.
837
00:47:32,150 --> 00:47:33,919
A FRIEND OF MINE WHO KNEW HIM
838
00:47:33,985 --> 00:47:36,087
ASKED ME
IF I WANTED TO MEET HIM.
839
00:47:36,154 --> 00:47:38,556
WHAT GIRL WOULDN'T?
840
00:47:38,623 --> 00:47:43,028
ELVIS WAS REAL FRIENDLY,
BUT IT WAS ALL OVER SO SOON.
841
00:47:43,094 --> 00:47:45,063
AS I WAVED GOODBYE,
842
00:47:45,130 --> 00:47:47,565
I WONDERED
IF I'D EVER SEE HIM AGAIN.
843
00:48:00,445 --> 00:48:02,247
Elvis: AFTER LANDING
ON THE EAST COAST,
844
00:48:02,313 --> 00:48:05,783
WE TRAVELED CROSS COUNTRY
BY TRAIN.
845
00:48:05,850 --> 00:48:08,954
I'D BEEN THINKING ABOUT THIS DAY
FOR ALMOST TWO YEARS.
846
00:48:09,020 --> 00:48:10,922
NOW IT WAS FINALLY HERE.
847
00:48:10,989 --> 00:48:14,825
IT FELT GREAT
TO BE BACK HOME IN MEMPHIS.
848
00:48:22,267 --> 00:48:24,035
COLONEL PARKER
ORGANIZED A HOMECOMING.
849
00:48:24,102 --> 00:48:25,403
HE WAS BACK AT WORK
850
00:48:25,470 --> 00:48:27,838
BEFORE I COULD EVEN
GET OUT OF MY UNIFORM.
851
00:48:27,905 --> 00:48:29,074
PEOPLE USUALLY FORGET YOU
852
00:48:29,140 --> 00:48:30,708
WHEN YOU'RE OUT
OF THE PUBLIC EYE,
853
00:48:30,775 --> 00:48:33,744
BUT THE COLONEL FELT WE'D
BE ABLE TO REBUILD MY CAREER.
854
00:48:33,811 --> 00:48:36,381
I KEPT HOPING HE WAS RIGHT.
855
00:48:48,259 --> 00:48:50,895
COMING HOME TO GRACELAND
WAS KIND OF STRANGE.
856
00:48:50,962 --> 00:48:53,064
IT FELT GREAT
TO BE HOME AND ALL,
857
00:48:53,131 --> 00:48:55,733
BUT IT WAS A LOT DIFFERENT
WITHOUT MY MOTHER THERE.
858
00:48:55,800 --> 00:48:59,037
BEING HOME JUST DIDN'T FEEL
LIKE IT USED TO,
859
00:48:59,104 --> 00:49:02,773
AND IT WAS HARD NOT TO SHOW IT.
860
00:49:02,840 --> 00:49:04,976
BEFORE I EVEN HAD A CHANCE
TO UNWIND,
861
00:49:05,043 --> 00:49:06,644
I HAD TO GIVE
A PRESS CONFERENCE.
862
00:49:06,711 --> 00:49:09,214
Man: ELVIS, THERE HAVE
BEEN A LOT OF RUMORS
863
00:49:09,280 --> 00:49:10,648
ABOUT YOUR LOVE LIFE.
864
00:49:10,715 --> 00:49:14,719
DID YOU MEET ANYONE
SPECIAL IN GERMANY?
865
00:49:14,785 --> 00:49:18,923
NOT ANY SPECIAL ONE, NO.
866
00:49:18,990 --> 00:49:20,291
THERE WAS A LITTLE GIRL
867
00:49:20,358 --> 00:49:23,094
THAT I WAS SEEING
QUITE OFTEN OVER THERE.
868
00:49:23,161 --> 00:49:25,630
HER FATHER
WAS IN THE AIR FORCE,
869
00:49:25,696 --> 00:49:27,498
AND, ACTUALLY,
THEY ONLY GOT OVER THERE
870
00:49:27,565 --> 00:49:29,167
ABOUT TWO MONTHS
BEFORE I LEFT.
871
00:49:29,234 --> 00:49:30,401
I WAS SEEING HER,
872
00:49:30,468 --> 00:49:33,704
AND SHE WAS AT THE AIRPORT
WHEN I LEFT.
873
00:49:33,771 --> 00:49:37,608
AND THERE WERE SOME
PICTURES MADE OF HER.
874
00:49:37,675 --> 00:49:40,311
BUT IT WAS NO BIG ROMANCE.
875
00:49:40,378 --> 00:49:43,014
I MEAN,
THE STORIES CAME OUT,
876
00:49:43,081 --> 00:49:46,451
"THE GIRL HE LEFT BEHIND,"
AND ALL THAT.
877
00:49:46,517 --> 00:49:48,086
IT WASN'T LIKE THAT.
878
00:49:48,153 --> 00:49:49,420
I MEAN...
879
00:49:51,722 --> 00:49:52,923
I HAVE TO BE CAREFUL
880
00:49:52,990 --> 00:49:56,261
WHEN I ANSWER A QUESTION
LIKE THAT.
881
00:49:56,327 --> 00:49:58,296
ELVIS, DID YOU LIKE THE FOOD
OVER THERE...
882
00:49:58,363 --> 00:50:01,732
WHEN YOU WOULD GO OUT?
883
00:50:01,799 --> 00:50:05,236
I NEVER WENT OUT.
884
00:50:05,303 --> 00:50:07,238
YOU NEVER ATE OUT
AT THE RESTAURANTS?
885
00:50:07,305 --> 00:50:10,608
I NEVER ATE IN A RESTAURANT
THE ENTIRE TIME I WAS THERE.
886
00:50:10,675 --> 00:50:14,479
IT'S FUNNY. I EITHER ATE
IN THE MESS HALL OR AT HOME.
887
00:50:14,545 --> 00:50:15,446
ONE OF THE TWO.
888
00:50:15,513 --> 00:50:17,415
IN FACT,
I NEVER WENT ANYWHERE
889
00:50:17,482 --> 00:50:19,450
WHILE I WAS IN EUROPE,
EXCEPT TO PARIS.
890
00:50:19,517 --> 00:50:23,454
I WENT TO PARIS ON A LEAVE,
AND THAT WAS ALL.
891
00:50:23,521 --> 00:50:25,323
CAN YOU GIVE US
ANY DETAILS
892
00:50:25,390 --> 00:50:27,958
ON SOME
OF YOUR FUTURE PLANS?
893
00:50:28,025 --> 00:50:30,695
WELL, THE FIRST THING
I HAVE TO DO
894
00:50:30,761 --> 00:50:33,030
IS TO CUT SOME RECORDS.
895
00:50:33,098 --> 00:50:34,432
AND THEN AFTER THAT,
896
00:50:34,499 --> 00:50:41,906
I HAVE A TELEVISION SHOW
WITH FRANK SINATRA.
897
00:50:41,972 --> 00:50:44,809
Elvis: THEN IT WAS OFF TO MIAMI
TO TAPE THE SHOW.
898
00:50:44,875 --> 00:50:47,845
IT'S FUNNY, I WAS A LOT MORE
NERVOUS ABOUT PERFORMING AGAIN
899
00:50:47,912 --> 00:50:49,547
THAN I THOUGHT I'D BE.
900
00:50:49,614 --> 00:50:52,650
HERE'S THE STAR OF OUR SHOW,
ELVIS PRESLEY!
901
00:50:59,324 --> 00:51:03,294
* IT'S VERY NICE
TO GO TRAVELING *
902
00:51:03,361 --> 00:51:07,898
* BUT IT'S SO, SO NICE
TO COME HOME *
903
00:51:07,965 --> 00:51:11,869
* HE'S HERE IN PERSON *
904
00:51:11,936 --> 00:51:14,439
* I MAY PASS OUT *
905
00:51:14,505 --> 00:51:17,442
WHERE THE HECK
ARE HIS SIDEBURNS?
906
00:51:17,508 --> 00:51:21,246
* WELL
I'LL BE A HOUND DOG *
907
00:51:21,312 --> 00:51:25,983
* AND THAT'S THE OPENING,
FRIENDS *
908
00:51:36,161 --> 00:51:37,728
ALRIGHT,
I'LL TELL YOU WHAT WE DO.
909
00:51:37,795 --> 00:51:41,766
WE'LL DO, UH...
YOU DO WITCHCRAFT, OKAY?
910
00:51:41,832 --> 00:51:45,770
THEN I'LL DO ONE
OF THE OTHER ONES, OKAY?
911
00:51:53,678 --> 00:51:56,914
WE WORK IN THE SAME WAY,
ONLY IN DIFFERENT AREAS.
912
00:51:59,817 --> 00:52:03,821
* LOVE ME TENDER
LOVE ME SWEET *
913
00:52:03,888 --> 00:52:07,158
* NEVER LET ME GO *
914
00:52:07,225 --> 00:52:11,095
* YOU HAVE MADE
MY LIFE COMPLETE *
915
00:52:11,162 --> 00:52:13,130
* AND I LOVE YOU SO *
916
00:52:13,198 --> 00:52:16,834
* THOSE FINGERS
IN MY HAIR *
917
00:52:16,901 --> 00:52:20,538
* THAT SLY,
COME-HITHER STARE *
918
00:52:20,605 --> 00:52:23,274
* THAT STRIPS
MY CONSCIENCE BARE *
919
00:52:23,341 --> 00:52:26,043
* IT'S WITCHCRAFT *
920
00:52:26,110 --> 00:52:29,414
* LOVE ME TENDER
LOVE ME TRUE *
921
00:52:29,480 --> 00:52:33,284
* ALL MY DREAMS FULFILL *
922
00:52:33,351 --> 00:52:37,288
* FOR MY DARLING
I LOVE YOU *
923
00:52:37,355 --> 00:52:39,490
* AND I ALWAYS WILL *
924
00:52:39,557 --> 00:52:43,528
* IT'S SUCH
AN ANCIENT PITCH *
925
00:52:43,594 --> 00:52:46,764
* ONE I WOULDN'T SWITCH *
926
00:52:46,831 --> 00:52:51,736
* 'CAUSE THERE'S NO NICER
WITCH THAN WITCHCRAFT *
927
00:52:51,802 --> 00:52:58,309
* I LOVE YOU
AND I ALWAYS WILL *
928
00:52:58,376 --> 00:53:05,316
* FOR MY DARLING, I LOVE YOU *
929
00:53:06,351 --> 00:53:08,486
MAN, THAT'S PRETTY.
930
00:53:08,553 --> 00:53:10,955
* AND I ALWAYS WILL *
931
00:53:28,839 --> 00:53:30,475
Priscilla:
AFTER HE LEFT GERMANY,
932
00:53:30,541 --> 00:53:32,610
ELVIS AND I STAYED IN TOUCH.
933
00:53:32,677 --> 00:53:36,814
HE MUST HAVE RUN UP SOME
INCREDIBLE PHONE BILLS.
934
00:53:36,881 --> 00:53:38,349
WHEN I WAS 16,
935
00:53:38,416 --> 00:53:41,919
ELVIS THOUGHT IT WOULD BE GREAT
IF I CAME TO LIVE AT GRACELAND.
936
00:53:41,986 --> 00:53:43,988
HE CALLED MY PARENTS
AND ASSURED THEM
937
00:53:44,054 --> 00:53:46,391
THAT I WOULD ATTEND
A GOOD PRIVATE SCHOOL
938
00:53:46,457 --> 00:53:49,159
AS WELL AS STUDY MODELING
AND BALLET.
939
00:53:49,226 --> 00:53:51,396
MY FATHER APPROVED
WHEN IT WAS DECIDED
940
00:53:51,462 --> 00:53:53,998
THAT MR. PRESLEY
AND HIS NEW WIFE, DEE,
941
00:53:54,064 --> 00:53:59,670
WOULD BE MY GUARDIANS.
942
00:53:59,737 --> 00:54:01,939
ELVIS NEVER LIVED A NORMAL LIFE.
943
00:54:02,006 --> 00:54:06,377
HE COULDN'T EVEN GO
TO THE MOVIES LIKE MOST PEOPLE.
944
00:54:06,444 --> 00:54:08,579
ELVIS WOULD HAVE TO RENT
THE MEMPHIAN THEATER
945
00:54:08,646 --> 00:54:10,748
AFTER MIDNIGHT
WHEN IT WAS CLOSED.
946
00:54:10,815 --> 00:54:16,220
FANS WOULD SOMEHOW ALWAYS
FIND OUT ABOUT IT AND SHOW UP.
947
00:54:16,287 --> 00:54:18,823
ELVIS HAD A THING
ABOUT CADILLACS.
948
00:54:18,889 --> 00:54:19,957
OVER THE YEARS,
949
00:54:20,024 --> 00:54:22,793
HE BOUGHT MORE THAN 100 CARS
FOR FRIENDS.
950
00:54:22,860 --> 00:54:26,931
I REMEMBER, IN ONE DAY,
HE BOUGHT SEVEN OF THEM.
951
00:54:26,997 --> 00:54:28,399
HE JUST LOVED SEEING
952
00:54:28,466 --> 00:54:30,901
THE EXPRESSIONS
ON PEOPLE'S FACES
953
00:54:30,968 --> 00:54:33,338
WHEN HE'D GIVE THEM GIFTS.
954
00:54:35,606 --> 00:54:39,744
ELVIS WAS THE MOST COMFORTABLE
AT HOME.
955
00:54:39,810 --> 00:54:42,513
I'D HAVE TO SAY
THE BEST TIMES WE HAD
956
00:54:42,580 --> 00:54:48,218
WERE WHEN WE WERE TOTALLY ALONE.
957
00:54:48,285 --> 00:54:50,821
WE ALWAYS HAD
SO MUCH FUN AT CHRISTMAS.
958
00:54:50,888 --> 00:54:52,990
ELVIS WOULD HAVE
GOLDSMITH'S DEPARTMENT STORE
959
00:54:53,057 --> 00:54:56,427
OPEN UP AFTER HOURS,
AND WE'D GO CRAZY BUYING GIFTS
960
00:54:56,494 --> 00:54:59,096
FOR ALL OUR FRIENDS
AND RELATIVES.
961
00:54:59,163 --> 00:55:02,833
CHRISTMAS WAS ALWAYS
SO IMPORTANT TO ELVIS.
962
00:55:02,900 --> 00:55:05,670
THOSE WERE WONDERFUL TIMES
WE SPENT TOGETHER,
963
00:55:05,736 --> 00:55:08,773
BUT MOST OF THE YEAR,
ELVIS WAS AWAY MAKING MOVIES,
964
00:55:08,839 --> 00:55:12,410
AND IT WOULD GET AWFULLY LONELY
IN MEMPHIS WITHOUT HIM.
965
00:55:15,480 --> 00:55:16,847
Elvis: FOR THE NEXT FEW YEARS,
966
00:55:16,914 --> 00:55:18,683
I MADE ABOUT THREE PICTURES
A YEAR.
967
00:55:18,749 --> 00:55:22,553
BY THE END OF THE '60s,
I HAD RACKED UP 31 FILMS IN ALL.
968
00:55:22,620 --> 00:55:24,655
AT FIRST,
WE WORKED IN HOLLYWOOD.
969
00:55:24,722 --> 00:55:26,357
THEN WE STARTED
GOING TO LOCATIONS
970
00:55:26,424 --> 00:55:27,692
LIKE THE SEATTLE WORLD'S FAIR.
971
00:55:27,758 --> 00:55:29,560
I ALWAYS TOOK MY GUYS ALONG,
972
00:55:29,627 --> 00:55:32,262
AND MOST OF THEM
HAD SMALL PARTS IN THE PICTURES.
973
00:55:36,200 --> 00:55:38,903
Woman:
ELVIS, SMILE FOR ME!
974
00:55:42,907 --> 00:55:45,843
AFTER A WHILE, THE MOVIES
I WAS MAKING BECAME SO SIMILAR,
975
00:55:45,910 --> 00:55:50,014
IT WAS HARD TO TELL
ONE SCRIPT FROM THE NEXT.
976
00:55:50,080 --> 00:55:52,450
WE'D ALWAYS BE KIDDING AROUND
ON THE SET,
977
00:55:52,517 --> 00:55:54,985
AND COLONEL PARKER
WAS UP TO HIS OLD PRANKS AGAIN.
978
00:55:55,052 --> 00:55:57,922
HE GAVE ME AM AWARD
FOR ALL MY CHALLENGING ROLES --
979
00:55:57,988 --> 00:56:01,258
A HAM.
980
00:56:01,325 --> 00:56:03,528
* TOO MUCH MONKEY BUSINESS *
981
00:56:03,594 --> 00:56:07,798
* TOO MUCH MONKEY BUSINESS *
982
00:56:07,865 --> 00:56:11,969
* TOO MUCH MONKEY BUSINESS
FOR ME TO BE INVOLVED IN *
983
00:56:12,036 --> 00:56:13,638
* UH-HUH-HUH *
984
00:56:13,704 --> 00:56:16,006
* BLOND HAIR, GOOD-LOOKIN'
TRYIN' TO GET ME HOOKED *
985
00:56:16,073 --> 00:56:17,608
* WANT ME TO MARRY
SETTLE DOWN *
986
00:56:17,675 --> 00:56:20,277
* AND GET A HOME
AND WRITE A BOOK *
987
00:56:20,344 --> 00:56:22,747
* TOO MUCH MONKEY BUSINESS *
988
00:56:22,813 --> 00:56:26,350
* TOO MUCH MONKEY BUSINESS *
989
00:56:26,417 --> 00:56:30,387
* TOO MUCH MONKEY BUSINESS
FOR ME TO BE INVOLVED IN *
990
00:56:30,455 --> 00:56:33,057
* UH-HUH-HUH *
991
00:56:40,931 --> 00:56:42,467
* WORKIN'
IN THE FILLING STATION *
992
00:56:42,533 --> 00:56:43,768
* TOO MANY TASKS *
993
00:56:43,834 --> 00:56:45,202
* WIPE THE WINDOWS,
CHECK THE TIRES
994
00:56:45,269 --> 00:56:47,304
* CHECK THE OIL, DOLLAR GAS *
995
00:56:47,371 --> 00:56:49,840
* TOO MUCH MONKEY BUSINESS *
996
00:56:49,907 --> 00:56:53,711
* TOO MUCH MONKEY BUSINESS *
997
00:56:53,778 --> 00:56:57,515
* TOO MUCH MONKEY BUSINESS
FOR ME TO BE INVOLVED IN *
998
00:56:57,582 --> 00:56:59,884
* UH-HUH-HUH *
999
00:56:59,950 --> 00:57:02,620
* TOO MUCH MONKEY BUSINESS *
1000
00:57:02,687 --> 00:57:05,690
* TOO MUCH MONKEY BUSINESS *
1001
00:57:05,756 --> 00:57:07,692
* TOO MUCH MONKEY BUSINESS *
1002
00:57:10,628 --> 00:57:12,930
Elvis: WHILE I WAS MAKING
THOSE SILLY MOVIES,
1003
00:57:12,997 --> 00:57:14,932
THE BEATLES
WERE CONQUERING AMERICA.
1004
00:57:14,999 --> 00:57:21,872
* OH, YEAH, I TELL YOU SOMETHING
I THINK YOU'LL UNDERSTAND *
1005
00:57:21,939 --> 00:57:23,608
Man: ONE PSYCHIATRIST
RECENTLY SAID
1006
00:57:23,674 --> 00:57:25,610
YOU'RE NOTHING
BUT FOUR ELVIS PRESLEYS.
1007
00:57:25,676 --> 00:57:27,845
IT'S NOT TRUE.
1008
00:57:29,880 --> 00:57:34,251
* I WANNA HOLD YOUR HAND *
1009
00:57:34,318 --> 00:57:37,321
* I WANNA HOLD YOUR HAND *
1010
00:57:37,387 --> 00:57:41,091
* I WANNA HOLD YOUR HAND *
1011
00:57:45,863 --> 00:57:47,231
YOU KNOW,
SOMETHING VERY NICE HAPPENED,
1012
00:57:47,297 --> 00:57:50,067
AND THE BEATLES
GOT A GREAT KICK OUT OF IT.
1013
00:57:50,134 --> 00:57:51,536
WE JUST RECEIVED A WIRE
1014
00:57:51,602 --> 00:57:53,771
FROM ELVIS PRESLEY
AND COLONEL TOM PARKER
1015
00:57:53,838 --> 00:57:55,940
WISHING THEM A TREMENDOUS
SUCCESS IN OUR COUNTRY,
1016
00:57:56,006 --> 00:58:00,578
AND I THINK THAT WAS
VERY, VERY NICE.
1017
00:58:00,645 --> 00:58:05,650
Priscilla: ELVIS AND I DECIDED
TO GET MARRIED ON MAY 1, 1967.
1018
00:58:05,716 --> 00:58:08,418
WE CALLED OUR FRIENDS
AND FAMILIES TO LAS VEGAS
1019
00:58:08,485 --> 00:58:10,387
FOR THE WEDDING.
1020
00:58:10,454 --> 00:58:14,659
I COULD HARDLY BELIEVE
THAT I WAS MRS. ELVIS PRESLEY.
1021
00:58:17,762 --> 00:58:23,868
* YOU HAVE MADE
MY LIFE COMPLETE *
1022
00:58:23,934 --> 00:58:29,740
* AND I LOVE YOU SO *
1023
00:58:29,807 --> 00:58:36,547
* LOVE ME TENDER, LOVE ME TRUE *
1024
00:58:36,614 --> 00:58:43,053
* ALL MY DREAMS FULFILL *
1025
00:58:43,120 --> 00:58:49,660
* FOR MY DARLING, I LOVE YOU *
1026
00:58:49,727 --> 00:58:54,765
* AND I ALWAYS WILL *
1027
00:58:54,832 --> 00:58:57,702
MY REACTION
TO ELVIS' MARRIAGE?
1028
00:58:57,768 --> 00:58:59,436
WELL, IT'S WONDERFUL.
1029
00:58:59,503 --> 00:59:01,806
IT'S ABOUT TIME
HE SETTLED DOWN.
1030
00:59:01,872 --> 00:59:03,574
I HOPE HE'LL BE HAPPY,
YOU KNOW,
1031
00:59:03,641 --> 00:59:04,875
'CAUSE HE DESERVES IT.
1032
00:59:04,942 --> 00:59:06,343
ACTUALLY,
I'M QUITE RELIEVED.
1033
00:59:06,410 --> 00:59:09,313
IT'S BEEN NOTHING
BUT ELVIS THIS, ELVIS THAT
1034
00:59:09,379 --> 00:59:10,748
BETWEEN ME AND MY GIRL.
1035
00:59:10,815 --> 00:59:12,382
I'M TIRED OF HEARING IT,
REALLY.
1036
00:59:12,449 --> 00:59:14,051
HE LOOKS SO GOOD.
1037
00:59:14,118 --> 00:59:16,921
IT'S HARD TO BELIEVE HE'S
BEEN SINGLE ALL THESE YEARS.
1038
00:59:16,987 --> 00:59:20,024
THAT PRISCILLA MUST BE
SOME KIND OF SPECIAL LADY.
1039
00:59:20,090 --> 00:59:21,558
Priscilla: AFTER THE WEDDING,
1040
00:59:21,626 --> 00:59:23,661
WE FLEW TO PALM SPRINGS
FOR OUR HONEYMOON,
1041
00:59:23,728 --> 00:59:25,395
WHERE VERNON AND HIS WIFE, DEE,
1042
00:59:25,462 --> 00:59:29,834
JOINED MY PARENTS
AND OUR FRIENDS.
1043
00:59:29,900 --> 00:59:33,638
THE CELEBRATIONS CONTINUED
BACK AT GRACELAND.
1044
00:59:33,704 --> 00:59:35,906
* I GOT SOMETHING TO TELL YOU *
1045
00:59:35,973 --> 00:59:38,843
* THAT I THINK
YOU OUGHT TO KNOW *
1046
00:59:38,909 --> 00:59:41,345
* THAT MY EYES
ARE ON YOU, BABY *
1047
00:59:41,411 --> 00:59:43,848
* SINCE A LONG TIME AGO *
1048
00:59:43,914 --> 00:59:46,617
* NOW I'VE FINALLY
GOT THE NERVE *
1049
00:59:46,684 --> 00:59:49,019
* AND I'M GOIN'
TO MAKE MY MOVE *
1050
00:59:49,086 --> 00:59:51,255
* NOW DON'T YOU TRY
TO TURN ME OFF *
1051
00:59:51,321 --> 00:59:54,124
* 'CAUSE THIS IS GOIN' TO BE
HARD TO DO *
1052
00:59:54,191 --> 00:59:56,694
* I GOT A THING
ABOUT YOU, BABY *
1053
00:59:56,761 --> 00:59:58,896
* AIN'T NOTHING I CAN DO *
1054
00:59:58,963 --> 01:00:02,032
* I GOT A THING
ABOUT YOU, BABY *
1055
01:00:02,099 --> 01:00:08,839
* A THING ABOUT LOVING YOU *
1056
01:00:08,906 --> 01:00:13,277
* DO-DO DO DO DO
DO DO-DO *
1057
01:00:13,343 --> 01:00:15,512
* AIN'T NO TWO WAYS
ABOUT IT, BABY... *
1058
01:00:15,579 --> 01:00:18,015
Priscilla: NINE MONTHS
TO THE DAY AFTER OUR WEDDING,
1059
01:00:18,082 --> 01:00:20,685
OUR DAUGHTER, LISA MARIE,
WAS BORN.
1060
01:00:20,751 --> 01:00:23,620
ELVIS WAS TOTALLY ECSTATIC.
1061
01:00:23,688 --> 01:00:25,823
HE ALWAYS LOVED
HAVING FAMILY AROUND,
1062
01:00:25,890 --> 01:00:28,458
AND NOW HE WAS HAPPIER
THAN EVER.
1063
01:00:28,525 --> 01:00:31,228
* KNOW THAT I CAN'T LIVE
WITHOUT YOU *
1064
01:00:31,295 --> 01:00:32,797
* I THINK ABOUT YOU
ALL THE TIME *
1065
01:00:32,863 --> 01:00:35,966
* I GOT A THING
ABOUT YOU, BABY *
1066
01:00:36,033 --> 01:00:38,368
* AIN'T NOTHING I CAN DO... *
1067
01:00:38,435 --> 01:00:41,338
Priscilla: LISA MARIE
CHANGED HIS WHOLE LIFE.
1068
01:00:41,405 --> 01:00:47,878
ELVIS ADORED HER.
1069
01:00:47,945 --> 01:00:49,814
Announcer:
THIS IS ANOTHER CONVENTION
1070
01:00:49,880 --> 01:00:52,850
OF THE OFFICIAL ELVIS PRESLEY
FAN CLUB OF GREAT BRITAIN.
1071
01:00:52,917 --> 01:00:54,451
THE ONLY SNAG
1072
01:00:54,518 --> 01:00:57,822
TO CLOUD THIS NOSTALGIC
JAUNT BACK TO THE 1950s
1073
01:00:57,888 --> 01:01:00,090
IS THAT THE OBJECT
OF THEIR AFFECTIONS
1074
01:01:00,157 --> 01:01:02,426
WON'T ACTUALLY BE HERE
IN PERSON.
1075
01:01:02,492 --> 01:01:05,662
* SAVE ME
TOO GOOD TO MISS *
1076
01:01:05,730 --> 01:01:07,531
* WANT MORE OF THIS *
1077
01:01:07,597 --> 01:01:09,099
Announcer:
THE DANCING IN THE AISLES
1078
01:01:09,166 --> 01:01:12,002
RECALLS NOSTALGIC MEMORIES
OF THE '50s,
1079
01:01:12,069 --> 01:01:15,339
WHEN ELVIS INSPIRED THE YOUTH
OF THE WORLD
1080
01:01:15,405 --> 01:01:19,810
WITH HIS UNIQUE STYLE
AND SMASH RECORDS.
1081
01:01:19,877 --> 01:01:22,312
WILL YOU TELL ME WHY
YOU'RE DRESSED THIS WAY?
1082
01:01:22,379 --> 01:01:26,316
WELL, ROCK AND ROLL,
WOULDN'T IT? YOU KNOW.
1083
01:01:26,383 --> 01:01:28,552
ELVIS FIRST STARTED IT.
THAT WAS THE THING.
1084
01:01:28,618 --> 01:01:29,586
HE BROUGHT IT IN.
1085
01:01:29,653 --> 01:01:30,921
I THINK ELVIS IS GREAT.
1086
01:01:30,988 --> 01:01:32,556
Man: WHAT'S SO
GREAT ABOUT HIM?
1087
01:01:32,622 --> 01:01:34,091
OH, HE'S MARVELOUS.
1088
01:01:34,158 --> 01:01:35,926
THERE'S NOBODY
THAT CAN SING LIKE HIM.
1089
01:01:35,993 --> 01:01:40,264
I FEEL THAT IF MORE PEOPLE
IN THE WORLD
1090
01:01:40,330 --> 01:01:43,367
WOULD FOLLOW ELVIS PRESLEY'S
WAY OF LIFE,
1091
01:01:43,433 --> 01:01:45,402
THE WORLD WOULD BE
A MUCH BETTER PLACE.
1092
01:01:45,469 --> 01:01:47,271
Announcer:
MIDDLE-AGED WOMEN ARE HERE
1093
01:01:47,337 --> 01:01:50,307
TO RECALL THEIR LONG-LOST DAYS
AS TRENDY MUMS,
1094
01:01:50,374 --> 01:01:53,911
AND TEDDY BOYS OF YEARS AGO
HAVE BROUGHT THEIR CHILDREN
1095
01:01:53,978 --> 01:01:58,582
TO SHOW THEM WHAT IT WAS LIKE
WHEN DAD WAS A TEENAGE BOPPER.
1096
01:01:58,648 --> 01:02:01,718
BUT WHERE IS THIS MAN
THEY'VE COME TO WORSHIP?
1097
01:02:01,786 --> 01:02:04,421
IS HE A RELIC OF THE '50s?
1098
01:02:04,488 --> 01:02:07,091
WILL WE EVER SEE ELVIS
IN PERSON AGAIN?
1099
01:02:13,964 --> 01:02:15,199
Elvis: AFTER A WHILE,
1100
01:02:15,265 --> 01:02:17,401
I WAS GETTING TIRED
OF MAKING MOVIES.
1101
01:02:17,467 --> 01:02:20,838
THE SCRIPTS WERE SO BAD,
I'D ACTUALLY GET PHYSICALLY ILL.
1102
01:02:20,905 --> 01:02:23,273
I GUESS I CARED TOO MUCH.
1103
01:02:23,340 --> 01:02:26,743
THEN WE CAME UP WITH THE IDEA
OF DOING MY OWN TV SPECIAL.
1104
01:02:26,811 --> 01:02:28,345
IT HAD BEEN ALMOST 10 YEARS
1105
01:02:28,412 --> 01:02:30,981
SINCE I'D PERFORMED
IN FRONT OF AN AUDIENCE.
1106
01:02:31,048 --> 01:02:33,818
I STARTED GETTING EXCITED
JUST GOING TO REHEARSALS.
1107
01:02:33,884 --> 01:02:36,086
IT WAS JUST THE CHALLENGE
I NEEDED.
1108
01:02:36,153 --> 01:02:39,423
THE GUYS CLOSEST TO ME
KNEW WHAT I WAS GOING THROUGH,
1109
01:02:39,489 --> 01:02:44,328
ESPECIALLY JOE ESPOSITO.
1110
01:02:44,394 --> 01:02:47,164
Esposito: 1968
WAS A TURNING POINT FOR ELVIS.
1111
01:02:47,231 --> 01:02:49,266
HE WAS 33,
AND HIS PERSONAL LIFE
1112
01:02:49,333 --> 01:02:52,102
HAD CHANGED A LOT
WITH THE BIRTH OF LISA MARIE,
1113
01:02:52,169 --> 01:02:54,438
BUT ELVIS
WASN'T CREATIVELY SATISFIED
1114
01:02:54,504 --> 01:02:55,772
WITH WHAT HE WAS DOING.
1115
01:02:55,840 --> 01:02:57,875
THE SPECIAL
GOT HIM ALL WORKED UP AGAIN.
1116
01:02:57,942 --> 01:02:59,709
ELVIS REALLY WANTED
TO SHOW THE PUBLIC
1117
01:02:59,776 --> 01:03:01,879
HE WAS A LOT MORE
OF AN ENTERTAINER
1118
01:03:01,946 --> 01:03:03,713
THAN THEY'D BEEN SEEING
IN HIS FILMS,
1119
01:03:03,780 --> 01:03:06,683
BUT I KNEW
HE ALSO HAD HIS DOUBTS.
1120
01:03:20,064 --> 01:03:28,572
THAT'S IT, MAN.
1121
01:03:28,638 --> 01:03:30,507
WELL, SEE YOU GUYS TOMORROW.
1122
01:03:30,574 --> 01:03:32,176
Man: SO LONG, ELVIS.
1123
01:03:32,242 --> 01:03:34,111
WHENEVER.
1124
01:03:34,178 --> 01:03:37,714
Announcer: WELCOME TO NBC
AND THE "ELVIS PRESLEY SPECIAL."
1125
01:03:45,189 --> 01:03:47,457
AND HERE'S ELVIS PRESLEY.
1126
01:03:51,495 --> 01:03:52,496
THANK YOU VERY MUCH.
1127
01:03:52,562 --> 01:03:54,064
Elvis: WE OPENED THE SPECIAL
1128
01:03:54,131 --> 01:03:57,301
WITH SOME OF THE GUYS
I STARTED WITH BACK IN '54.
1129
01:03:57,367 --> 01:03:58,635
MY BOY, MY BOY.
1130
01:04:01,005 --> 01:04:03,540
IT'S BEEN A LONG TIME,
JACK, I'M TELLING YOU.
1131
01:04:04,741 --> 01:04:05,976
Jack: IT'S BEEN A WHILE.
1132
01:04:06,043 --> 01:04:07,311
A WHILE.
1133
01:04:07,377 --> 01:04:08,445
WAIT A MINUTE.
1134
01:04:08,512 --> 01:04:10,447
THERE'S SOMETHING WRONG
WITH MY LIP.
1135
01:04:13,483 --> 01:04:15,585
YOU REMEMBER THAT,
DON'T YOU?
1136
01:04:21,625 --> 01:04:25,029
I GOT NEWS FOR YOU, BABY.
I DID 29 PICTURES LIKE THAT.
1137
01:04:28,165 --> 01:04:31,368
Jack: HEY, ELVIS,
THE FINGERS.
1138
01:04:31,435 --> 01:04:33,637
YEAH. THAT'S ALL
I COULD MOVE IN FLORIDA.
1139
01:04:33,703 --> 01:04:35,039
YEAH,
THAT'S RIGHT.
1140
01:04:35,105 --> 01:04:37,474
Elvis: THE POLICE FILMED
A SHOW ONE TIME IN FLORIDA.
1141
01:04:37,541 --> 01:04:39,776
SO I COULDN'T MOVE.
I HAD TO STAND STILL.
1142
01:04:39,843 --> 01:04:42,612
THE ONLY THING I MOVED WAS
MY LITTLE FINGER, LIKE THAT.
1143
01:04:42,679 --> 01:04:45,215
* YOU AIN'T NOTHIN'
BUT A HOUND DOG *
1144
01:04:45,282 --> 01:04:46,883
* CRYIN' ALL THE TIME *
1145
01:04:46,951 --> 01:04:48,852
YOU KNOW, FOR THE WHOLE SHOW.
1146
01:04:54,258 --> 01:04:56,626
SO I TOLD THEM, I SAID,
"WELL, LOOK, MAN,
1147
01:04:56,693 --> 01:04:58,895
YOU CAN DO ANYTHING
YOU WANT TO DO..."
1148
01:05:01,098 --> 01:05:03,500
"YOU CAN DO ANYTHING
YOU WANT TO DO, BABY."
1149
01:05:05,502 --> 01:05:08,505
* WELL, IT'S ONE FOR THE MONEY,
TWO FOR THE SHOW, *
1150
01:05:08,572 --> 01:05:11,141
* THREE TO GET READY,
NOW GO, CAT, GO *
1151
01:05:11,208 --> 01:05:15,980
* BUT DON'T YOU
STEP ON MY BLUE SUEDE SHOES *
1152
01:05:16,046 --> 01:05:17,614
* WELL, YOU CAN DO ANYTHING *
1153
01:05:17,681 --> 01:05:21,485
* BUT GET OFF
OF MY BLUE SUEDE SHOES *
1154
01:05:21,551 --> 01:05:24,488
* YOU CAN KNOCK ME DOWN
AND STEP ON MY FACE *
1155
01:05:24,554 --> 01:05:26,756
* SLANDER MY NAME
ALL OVER THE PLACE *
1156
01:05:26,823 --> 01:05:29,159
* YOU CAN DO ANYTHING
THAT YOU WANT TO DO *
1157
01:05:29,226 --> 01:05:32,196
* BUT UNH-UNH, HONEY,
LAY OFF OF MY SHOES *
1158
01:05:32,262 --> 01:05:36,233
* DON'T YOU
STEP ON MY BLUE SUEDE SHOES *
1159
01:05:36,300 --> 01:05:37,767
* WELL, YOU CAN DO ANYTHING *
1160
01:05:37,834 --> 01:05:41,738
* BUT LAY OFF
OF MY BLUE SUEDE SHOES *
1161
01:05:41,805 --> 01:05:44,674
* YOU CAN BURN MY HOUSE,
STEAL MY CAR *
1162
01:05:44,741 --> 01:05:47,411
* DRINK MY LIQUOR
FROM AN OLD FRUIT JAR *
1163
01:05:47,477 --> 01:05:50,314
* DO ANYTHING
THAT YOU WANT TO DO *
1164
01:05:50,380 --> 01:05:52,816
* BUT UNH-UNH, HONEY,
LAY OFF OF MY SHOES *
1165
01:05:52,882 --> 01:05:56,920
* AND DON'T YOU
STEP ON MY BLUE SUEDE SHOES *
1166
01:05:56,987 --> 01:05:58,622
* WELL, YOU CAN DO ANYTHING *
1167
01:05:58,688 --> 01:06:01,158
* BUT LAY OFF
OF MY BLUE SUEDE SHOES *
1168
01:06:01,225 --> 01:06:03,960
ONE TIME BABY, ONE TIME!
1169
01:06:12,836 --> 01:06:14,271
* WELL, YOU CAN DO ANYTHING *
1170
01:06:14,338 --> 01:06:18,142
* BUT LAY OFF
OF MY BLUE SUEDE SHOES *
1171
01:06:27,017 --> 01:06:28,352
THE SHOW ENDED UP
1172
01:06:28,418 --> 01:06:31,388
THE MOST WATCHED
TELEVISION PROGRAM OF 1968.
1173
01:06:31,455 --> 01:06:34,558
WE ALL FELT GREAT
ABOUT THE WAY IT TURNED OUT.
1174
01:06:42,432 --> 01:06:45,802
AFTER THE SPECIAL, I WANTED
TO KEEP PERFORMING ON STAGE.
1175
01:06:45,869 --> 01:06:47,304
I HAD THE ITCH AGAIN.
1176
01:06:47,371 --> 01:06:50,507
I WAS BOOKED INTO LAS VEGAS'
BIGGEST SHOWROOM.
1177
01:06:50,574 --> 01:06:53,510
FANS CAME FROM AS FAR AWAY
AS EUROPE AND JAPAN.
1178
01:06:53,577 --> 01:06:57,314
* ...READY TO BURN
SO GET THOSE STAKES UP HIGHER *
1179
01:06:57,381 --> 01:07:01,118
* THERE'S A THOUSAND PRETTY
WOMEN WAITING OUT THERE *
1180
01:07:01,185 --> 01:07:03,887
THE COLONEL DRESSED UP
THE HOTEL LIKE A CARNIVAL.
1181
01:07:03,953 --> 01:07:05,555
THERE WERE POSTERS, TEDDY BEARS,
1182
01:07:05,622 --> 01:07:08,058
AND HOUND DOGS
ALL OVER THE PLACE.
1183
01:07:08,125 --> 01:07:09,793
* SO VIVA *
1184
01:07:09,859 --> 01:07:14,231
* VIVA LAS VEGAS *
1185
01:07:14,298 --> 01:07:16,366
"HERE'S HOPING YOU HAVE
A VERY SUCCESSFUL OPENING
1186
01:07:16,433 --> 01:07:18,935
AND THAT YOU BREAK
BOTH LEGS."
1187
01:07:19,002 --> 01:07:21,004
SIGNED "TOM JONES."
1188
01:07:21,071 --> 01:07:23,640
"BEST WISHES FOR A CONTINUING
SUCCESSFUL VEGAS SHOW.
1189
01:07:23,707 --> 01:07:26,676
"I HOPE YOU GET A RAISE
IN THE NEXT SIX MONTHS.
1190
01:07:26,743 --> 01:07:28,445
JOE ESPOSITO."
1191
01:07:28,512 --> 01:07:31,115
"DEAR ELVIS, AFTER 15 YEARS,
WE HAVE FINALLY LEARNED
1192
01:07:31,181 --> 01:07:33,016
TO UNDERSTAND
WHAT YOU SAY ON RECORD."
1193
01:07:33,083 --> 01:07:36,353
SIGNED "RCA."
1194
01:07:36,420 --> 01:07:39,556
"DEAR ELVIS, MAY YOU HAVE
THE BIGGEST OF THEM ALL."
1195
01:07:40,624 --> 01:07:42,058
WHO SIGNED THAT?
1196
01:07:42,126 --> 01:07:44,161
NO, WAIT A MINUTE, MAN.
I MISREAD IT.
1197
01:07:44,228 --> 01:07:46,196
"MAY THIS BE
THE BIGGEST OF THEM ALL."
1198
01:07:46,263 --> 01:07:47,831
I KNOW IT, MAN.
I KNOW IT...
1199
01:07:47,897 --> 01:07:50,600
"MY GOD, MY GOD,
WHY HAST THOU FORSAKEN ME?"
1200
01:07:53,670 --> 01:07:58,808
SIGNED "THE POPE."
1201
01:07:58,875 --> 01:08:01,378
HUH? WHAT DO YOU MEAN
YOU CAN'T USE THEM?
1202
01:08:01,445 --> 01:08:04,013
I GOT A TELEGRAM
FROM THE POPE.
1203
01:08:04,080 --> 01:08:07,417
IT'S A PLEASURE
TO BE ABLE TO SEE ELVIS.
1204
01:08:07,484 --> 01:08:10,487
HE HASN'T BEEN ON THE STAGE IN
10 YEARS AND EVERYONE'S WAITING.
1205
01:08:10,554 --> 01:08:12,088
IT'S LIKE A CHAMPIONSHIP FIGHT,
1206
01:08:12,156 --> 01:08:15,125
BUT I KNOW HE'S
GOING TO BE THE WINNER.
1207
01:08:22,799 --> 01:08:25,402
Elvis: AS I GOT READY
FOR THE LIGHTS TO DIM,
1208
01:08:25,469 --> 01:08:28,838
I COULDN'T FORGET WHEN
I FIRST PLAYED VEGAS IN '56.
1209
01:08:28,905 --> 01:08:31,975
A LOT OF PEOPLE
THOUGHT I'D BOMBED BACK THEN.
1210
01:08:32,041 --> 01:08:34,043
IT SHOOK ME UP, ALRIGHT,
1211
01:08:34,110 --> 01:08:36,380
BUT TONIGHT
WOULD BE A LOT DIFFERENT.
1212
01:09:09,946 --> 01:09:13,350
* WE'RE CAUGHT IN A TRAP *
1213
01:09:13,417 --> 01:09:16,586
* I CAN'T WALK OUT *
1214
01:09:16,653 --> 01:09:23,927
* BECAUSE I LOVE YOU
TOO MUCH, BABY *
1215
01:09:23,993 --> 01:09:26,095
* WHY CAN'T YOU SEE *
1216
01:09:26,162 --> 01:09:27,464
* WHOA WHOA WHOA *
1217
01:09:27,531 --> 01:09:30,734
* WHAT YOU'RE DOIN' TO ME *
1218
01:09:30,800 --> 01:09:38,041
* WHEN YOU DON'T BELIEVE
A WORD I'M SAYIN'? *
1219
01:09:38,107 --> 01:09:42,512
* WE CAN'T GO ON TOGETHER
WITH SUSPICIOUS MINDS *
1220
01:09:42,579 --> 01:09:44,248
* SUSPICIOUS MINDS *
1221
01:09:44,314 --> 01:09:51,988
* AND WE CAN'T BUILD OUR DREAMS
WITH SUSPICIOUS MINDS *
1222
01:09:52,055 --> 01:09:53,990
* WHY CAN'T YOU SEE *
1223
01:09:54,057 --> 01:09:55,259
* WHOA WHOA WHOA *
1224
01:09:55,325 --> 01:09:58,595
* WHAT YOU'RE DOIN' TO ME *
1225
01:09:58,662 --> 01:10:03,767
* WHEN YOU DON'T BELIEVE
A WORD I'M SAYIN'? *
1226
01:10:03,833 --> 01:10:08,505
* DON'T YOU KNOW
I'M CAUGHT IN A... *
1227
01:10:08,572 --> 01:10:10,240
* I CAN'T WALK OUT *
1228
01:10:10,307 --> 01:10:12,175
* WHOA WHOA WHOA *
1229
01:10:12,242 --> 01:10:19,082
* BECAUSE I LOVE YOU TOO MUCH *
1230
01:10:19,148 --> 01:10:22,118
* CAUGHT IN A TRAP *
1231
01:10:22,185 --> 01:10:24,120
* I CAN'T WALK OUT *
1232
01:10:24,187 --> 01:10:25,455
* WHOA WHOA WHOA *
1233
01:10:25,522 --> 01:10:30,427
* BECAUSE I LOVE YOU TOO MUCH *
1234
01:10:30,494 --> 01:10:35,465
* DON'T YOU KNOW
I'M CAUGHT IN A... *
1235
01:10:35,532 --> 01:10:38,335
* I CAN'T WALK... *
1236
01:11:18,107 --> 01:11:20,209
HOW ARE YOU?
1237
01:11:20,276 --> 01:11:22,912
LIKE ME TO SIT DOWN?
1238
01:11:22,979 --> 01:11:25,849
FIRST OF ALL,
I PLEAD INNOCENT OF ALL CHARGES.
1239
01:11:29,386 --> 01:11:31,788
Man: IS YOUR WIFE,
PRISCILLA, WITH YOU?
1240
01:11:31,855 --> 01:11:33,089
NO, SHE'S NOT.
1241
01:11:33,156 --> 01:11:36,826
WHY DID YOU START MAKING
PUBLIC APPEARANCES AGAIN?
1242
01:11:36,893 --> 01:11:38,462
I JUST MISSED IT.
1243
01:11:38,528 --> 01:11:40,764
I MISSED THE...
1244
01:11:40,830 --> 01:11:44,501
THE CLOSENESS OF AN AUDIENCE,
OF A LIVE AUDIENCE.
1245
01:11:44,568 --> 01:11:47,737
SO JUST AS SOON AS I GOT OUT
OF THE MOVIE CONTRACTS,
1246
01:11:47,804 --> 01:11:51,007
I STARTED TO DO
LIVE PERFORMANCES AGAIN.
1247
01:11:51,074 --> 01:11:52,676
Woman: MR. PRESLEY,
1248
01:11:52,742 --> 01:11:55,379
WHAT IS YOUR OPINION
OF WAR PROTESTERS?
1249
01:11:55,445 --> 01:11:59,182
AND WOULD YOU TODAY
REFUSE TO BE DRAFTED?
1250
01:11:59,248 --> 01:12:00,717
HONEY, I'D JUST SOON
1251
01:12:00,784 --> 01:12:03,553
TO KEEP MY OWN PERSONAL VIEWS
ABOUT THAT TO MYSELF.
1252
01:12:03,620 --> 01:12:05,922
I'M JUST AN ENTERTAINER,
AND...I'D RATHER NOT SAY.
1253
01:12:05,989 --> 01:12:07,424
DO YOU THINK
OTHER ENTERTAINERS
1254
01:12:07,491 --> 01:12:09,258
SHOULD ALSO KEEP THEIR
VIEWS TO THEMSELVES?
1255
01:12:09,325 --> 01:12:10,827
NO.
1256
01:12:10,894 --> 01:12:13,062
Man: ARE YOU SATISFIED WITH THE
IMAGE YOU'VE ESTABLISHED?
1257
01:12:13,129 --> 01:12:15,899
THE IMAGE IS ONE THING,
AND A HUMAN BEING IS ANOTHER.
1258
01:12:15,965 --> 01:12:17,934
HOW CLOSE IS THE IMAGE
TO THE MAN?
1259
01:12:18,001 --> 01:12:20,437
IT'S VERY HARD
TO LIVE UP TO AN IMAGE.
1260
01:12:20,504 --> 01:12:21,871
I PUT IT THAT WAY.
1261
01:12:21,938 --> 01:12:26,943
WHAT ABOUT YOUR IMAGE AS A SHY,
HUMBLE COUNTRY BOY?
1262
01:12:28,578 --> 01:12:30,614
I DON'T KNOW
WHAT MAKES THEM THINK THAT.
1263
01:12:30,680 --> 01:12:32,949
YOU KNOW,
THIS GOLD BELT...
1264
01:12:36,953 --> 01:12:39,623
STARTING IN 1970,
WE SPENT MOST OF OUR TIME
1265
01:12:39,689 --> 01:12:41,791
TOURING FROM ONE TOWN
TO THE NEXT.
1266
01:12:41,858 --> 01:12:46,129
IN 7 YEARS, WE DID 1,094 SHOWS
IN 130 CITIES.
1267
01:12:49,065 --> 01:12:52,836
I LOVED BEING OUT THERE AGAIN.
IT WAS LIKE BACK IN THE '50s.
1268
01:12:52,902 --> 01:12:55,572
AFTER A WHILE, THE PRESSURES OF
LIFE ON THE ROAD
1269
01:12:55,639 --> 01:12:59,676
STARTED GETTING TO ME.
1270
01:12:59,743 --> 01:13:02,345
IS THAT WHEN WE GOT CAUGHT
THAT NIGHT, CHIEF,
1271
01:13:02,412 --> 01:13:03,980
AT THE GATOR BOWL?
1272
01:13:04,047 --> 01:13:07,316
AND YOU GUYS PUT ME THROUGH
A WINDOW INTO A PADDY WAGON
1273
01:13:07,383 --> 01:13:08,752
AND TOOK ME TO THE HOSPITAL.
1274
01:13:08,818 --> 01:13:11,287
Man: DID YOU GUYS SEE
THAT ROCKET THIS MORNING?
1275
01:13:11,354 --> 01:13:13,590
DID THE LAUNCH CHAIR GO OFF?
1276
01:13:13,657 --> 01:13:16,426
Second Man: YOU COULD
SEE IT THROUGH THE SKY
1277
01:13:16,493 --> 01:13:17,961
WHEN IT DISCONNECTED
UP THERE.
1278
01:13:18,027 --> 01:13:21,330
GEEGE AND THEM SAW THE
EXPLOSION. I DIDN'T KNOW.
1279
01:13:21,397 --> 01:13:22,599
IT'S LAUNCHED
RIGHT OVER HERE.
1280
01:13:22,666 --> 01:13:24,333
I HAD "LAUNCH" AT 12:30.
1281
01:13:24,400 --> 01:13:27,370
Elvis: I WAS
BURIED IN A BEAVER.
1282
01:13:27,437 --> 01:13:30,907
HOW WAS YOUR LAUNCH?
1283
01:13:30,974 --> 01:13:32,141
JUST PICTURE IT...
1284
01:13:32,208 --> 01:13:34,578
Man: WATCH OUT, ELVIS,
THERE'S A MIKE UP THERE.
1285
01:13:34,644 --> 01:13:35,745
OH, YOU SNEAKY --
1286
01:13:35,812 --> 01:13:37,413
I KNEW THEY HAD THEM.
1287
01:13:37,481 --> 01:13:41,685
THAT'S WHY I DIDN'T
WANT TO SAY "NO."
1288
01:13:41,751 --> 01:13:44,588
NOW YOU GOT TO DO A FIVE-MINUTE
MONOLOGUE OVER THIS.
1289
01:13:44,654 --> 01:13:52,261
* WHAT A FRIEND
WE HAVE IN JESUS *
1290
01:13:52,328 --> 01:13:55,331
* WELL, I LEFT MY HOME
IN NORFOLK, VIRGINIA *
1291
01:13:55,398 --> 01:13:57,701
* CALIFORNIA ON MY MIND *
1292
01:13:57,767 --> 01:14:00,403
* STRADDLED THAT GREYHOUND
AND RODE HIM INTO RALEIGH *
1293
01:14:00,470 --> 01:14:02,706
* AND ON ACROSS CAROLINE *
1294
01:14:02,772 --> 01:14:05,374
* HAD MOTOR TROUBLE
THAT TURNED INTO A STRUGGLE *
1295
01:14:05,441 --> 01:14:07,777
* HALFWAY ACROSS ALABAM' *
1296
01:14:07,844 --> 01:14:10,480
* WELL, THE HOUND BROKE DOWN
AND LEFT US ALL STRANDED *
1297
01:14:10,547 --> 01:14:15,418
* IN DOWNTOWN BIRMINGHAM *
1298
01:14:15,485 --> 01:14:17,453
Woman:
I LOVE YOU, ELVIS.
1299
01:14:22,792 --> 01:14:25,194
ELVIS!
ELVIS!
1300
01:14:33,269 --> 01:14:34,938
YOU AIN'T GONNA COME IN?
1301
01:14:36,940 --> 01:14:40,877
TAKE-OFF TIME WILL BE
AT 8:15, FELLOWS.
1302
01:14:40,944 --> 01:14:43,312
YOU KNOW THAT GIRL
I WAS WITH LAST NIGHT?
1303
01:14:43,379 --> 01:14:44,413
THE DOG?
1304
01:14:44,480 --> 01:14:49,418
OH, MAN.
SHE GAVE GREAT HEAD.
1305
01:14:49,485 --> 01:14:51,487
HEY, JOE,
THAT CHICK LAST NIGHT
1306
01:14:51,555 --> 01:14:53,456
GAVE GREATEST HEAD...
1307
01:14:53,523 --> 01:14:55,424
REMEMBER THAT DOG
HE WAS WITH?
1308
01:14:55,491 --> 01:14:58,127
* WELL, RIGHT AWAY I BOUGHT ME
A THROUGH TRAIN TICKET
1309
01:14:58,194 --> 01:15:00,530
* RIGHT 'CROSS
THE PACIFIC... *
1310
01:15:00,597 --> 01:15:03,466
* I WAS ON THAT MIDNIGHT FLYER
OUT OF BIRMINGHAM *
1311
01:15:03,533 --> 01:15:05,769
* AND SMOKIN' INTO NEW ORLEANS *
1312
01:15:05,835 --> 01:15:08,437
* SOMEBODY HELP ME
GET OUT OF LOUISIANA *
1313
01:15:08,504 --> 01:15:10,506
* JUST HELP ME GET
TO HOUSTON TOWN *
1314
01:15:10,574 --> 01:15:13,710
* THERE ARE PEOPLE THERE
WHO CARE A LITTLE 'BOUT ME... *
1315
01:15:21,585 --> 01:15:22,919
ONE YEAR, I WAS CHOSEN
1316
01:15:22,986 --> 01:15:25,288
ONE OF THE 10 OUTSTANDING
YOUNG MEN IN AMERICA.
1317
01:15:25,354 --> 01:15:28,825
IT WAS A REAL HONOR FOR ME.
I WAS VERY MOVED.
1318
01:15:28,892 --> 01:15:31,160
SO EVERY DREAM
THAT I EVER DREAMED
1319
01:15:31,227 --> 01:15:33,897
HAS COME TRUE 100 TIMES.
1320
01:15:33,963 --> 01:15:36,099
I LEARNED VERY EARLY IN LIFE
1321
01:15:36,165 --> 01:15:39,603
THAT "WITHOUT A SONG,
THE DAY WOULD NEVER END,
1322
01:15:39,669 --> 01:15:42,672
"WITHOUT A SONG,
A MAN AIN'T GOT A FRIEND,
1323
01:15:42,739 --> 01:15:45,942
"WITHOUT A SONG,
THE WORLD WOULD NEVER BEND,
1324
01:15:46,009 --> 01:15:46,876
WITHOUT A SONG."
1325
01:15:46,943 --> 01:15:48,511
SO I KEEP SINGING A SONG.
1326
01:15:48,578 --> 01:15:51,214
* AS SURE AS YOU WERE BORN
TO BUY ME A SILK SUIT *
1327
01:15:51,280 --> 01:15:53,750
* AND PUTTIN' LUGGAGE
IN MY HAND *
1328
01:15:53,817 --> 01:15:56,019
* AND I'M UP UP HIGH
OVER ALBUQUERQUE *
1329
01:15:56,085 --> 01:15:58,321
* ON A JET
TO THE PROMISED LAND *
1330
01:15:58,387 --> 01:16:01,024
* I'M WORKIN' ON A T-BONE STEAK
A LA CARTE *
1331
01:16:01,090 --> 01:16:03,760
* FLYIN' OVER
TO THE GOLDEN STATE *
1332
01:16:03,827 --> 01:16:06,129
* THE PILOT TOLD US
IN 13 MINUTES *
1333
01:16:06,195 --> 01:16:13,102
* HE WOULD SIT US
AT THE PURPLE GATE *
1334
01:16:15,839 --> 01:16:18,041
THE SINGLE MOST EXCITING CONCERT
I EVER GAVE
1335
01:16:18,107 --> 01:16:22,145
WAS AN EVENT COLONEL PARKER
SET UP IN HAWAII IN 1973.
1336
01:16:22,211 --> 01:16:25,314
IT WAS THE FIRST
WORLDWIDE SATELLITE TELECAST
1337
01:16:25,381 --> 01:16:26,716
BY AN ENTERTAINER.
1338
01:16:26,783 --> 01:16:28,985
IT WAS SEEN IN 36 COUNTRIES.
1339
01:16:29,052 --> 01:16:31,187
OVER A BILLION PEOPLE
WERE WATCHING.
1340
01:16:46,069 --> 01:16:48,004
HOW WAS THE SOUND
IN THAT BUILDING?
1341
01:16:48,071 --> 01:16:49,706
VERY, VERY GOOD.
GOOD.
1342
01:16:49,773 --> 01:16:51,340
Man: SOUNDED LIKE
IT WAS GOOD.
1343
01:16:51,407 --> 01:16:54,010
IT REALLY DID.
1344
01:17:01,885 --> 01:17:04,688
MAN, CAN HAWAII
GET STICKY.
1345
01:17:04,754 --> 01:17:08,457
IT'S A HOT TIME
IN FLORIDA.
1346
01:17:08,524 --> 01:17:11,060
* RAINY NIGHT IN GEORGIA *
1347
01:17:19,936 --> 01:17:22,939
Elvis: IF ONLY I COULD HAVE SEEN
WHAT WAS HAPPENING TO ME,
1348
01:17:23,006 --> 01:17:24,941
I MIGHT HAVE DONE SOMETHING
ABOUT IT.
1349
01:17:25,008 --> 01:17:27,343
MY MARRIAGE WAS FALLING APART.
1350
01:17:27,410 --> 01:17:29,979
PRISCILLA AND I
WERE HARDLY EVER TOGETHER,
1351
01:17:30,046 --> 01:17:33,016
AND EVEN WHEN WE WERE,
THINGS WEREN'T THE SAME.
1352
01:17:33,082 --> 01:17:35,051
AND ONE DAY
WHILE I WAS PLAYING VEGAS,
1353
01:17:35,118 --> 01:17:37,854
PRISCILLA CAME TO TELL ME
SHE WANTED A DIVORCE.
1354
01:17:37,921 --> 01:17:40,223
AT FIRST, I WAS ANGRY AND HURT.
1355
01:17:40,289 --> 01:17:42,859
IT TOOK A LONG TIME
FOR ME TO ACCEPT IT,
1356
01:17:42,926 --> 01:17:45,094
BUT LOSING HER REALLY GOT TO ME.
1357
01:17:45,161 --> 01:17:47,296
AFTER ALL THE YEARS TOGETHER,
1358
01:17:47,363 --> 01:17:49,833
WE JUST COULDN'T MAKE THINGS
WORK OUT.
1359
01:17:49,899 --> 01:17:55,071
* MAYBE I DIDN'T TREAT YOU *
1360
01:17:55,138 --> 01:18:00,576
* QUITE AS GOOD
AS I SHOULD HAVE *
1361
01:18:00,643 --> 01:18:06,015
* MAYBE I DIDN'T LOVE YOU *
1362
01:18:06,082 --> 01:18:11,254
* QUITE AS OFTEN
AS I COULD HAVE *
1363
01:18:11,320 --> 01:18:16,760
* LITTLE THINGS
I SHOULD HAVE SAID AND DONE *
1364
01:18:16,826 --> 01:18:21,898
* I JUST NEVER TOOK THE TIME *
1365
01:18:21,965 --> 01:18:24,233
* YOU WERE ALWAYS ON MY MIND *
1366
01:18:24,300 --> 01:18:27,103
* YOU WERE ALWAYS ON MY MIND *
1367
01:18:27,170 --> 01:18:32,675
* YOU WERE ALWAYS ON MY MIND *
1368
01:18:32,742 --> 01:18:37,847
* MAYBE I DIDN'T HOLD YOU *
1369
01:18:37,914 --> 01:18:42,986
* ALL THOSE LONELY,
LONELY TIMES *
1370
01:18:43,052 --> 01:18:47,891
* AND I GUESS I NEVER TOLD YOU *
1371
01:18:47,957 --> 01:18:53,262
* I'M SO HAPPY
THAT YOU'RE MINE *
1372
01:18:53,329 --> 01:18:58,067
* IF I MADE YOU FEEL
SECOND BEST *
1373
01:18:58,134 --> 01:19:03,106
* GIRL, I'M SO SORRY
I WAS BLIND *
1374
01:19:03,172 --> 01:19:06,309
* BUT YOU WERE
ALWAYS ON MY MIND *
1375
01:19:06,375 --> 01:19:08,644
* YOU WERE ALWAYS ON MY MIND *
1376
01:19:08,711 --> 01:19:14,250
* YOU WERE ALWAYS ON MY MIND *
1377
01:19:23,226 --> 01:19:25,494
* YOU WERE ALWAYS ON MY MIND *
1378
01:19:35,571 --> 01:19:37,640
HOW ARE YOU?
1379
01:19:37,706 --> 01:19:41,710
AFTER PRISCILLA AND I SPLIT UP,
IT WAS A STRANGE TIME.
1380
01:19:41,777 --> 01:19:43,446
I WAS TURNING 40,
1381
01:19:43,512 --> 01:19:46,382
AND THE ONLY TIME
I REALLY FELT GOOD ANY MORE
1382
01:19:46,449 --> 01:19:47,884
WAS ON STAGE.
1383
01:19:47,951 --> 01:19:50,119
THE BEST THING
HAPPENING IN MY LIFE THEN
1384
01:19:50,186 --> 01:19:52,889
WAS MY NEW GIRLFRIEND,
LINDA THOMPSON.
1385
01:19:54,190 --> 01:19:55,959
Thompson:
I MET ELVIS AT A TIME
1386
01:19:56,025 --> 01:19:58,494
WHEN HE REALLY NEEDED SOMEONE
TO BE WITH.
1387
01:19:58,561 --> 01:20:01,264
LIVING WITH HIM
WAS PRETTY STRANGE.
1388
01:20:01,330 --> 01:20:05,134
I USED TO SAY IT WAS A NICE,
ABNORMAL LIFE WE WERE LEADING.
1389
01:20:05,201 --> 01:20:08,237
WE'D SLEEP DURING THE DAY,
THEN STAY UP ALL NIGHT.
1390
01:20:08,304 --> 01:20:11,240
OVER THE 4 1/2 YEARS
WE WERE TOGETHER,
1391
01:20:11,307 --> 01:20:12,541
I COULD SEE ELVIS
1392
01:20:12,608 --> 01:20:17,780
WAS SLOWLY LOSING
SOME OF HIS PASSION FOR LIFE.
1393
01:20:17,847 --> 01:20:19,949
ONE OF THE ONLY THINGS
HE ENJOYED ANYMORE
1394
01:20:20,016 --> 01:20:24,453
WAS PRACTICING KARATE
WAS HIS BODYGUARDS.
1395
01:20:37,901 --> 01:20:42,238
* EVERYBODY WAS
KUNG FU FIGHTING *
1396
01:20:42,305 --> 01:20:47,043
* THOSE CATS
WERE FAST AS LIGHTNING *
1397
01:20:47,110 --> 01:20:52,348
* IN FACT IT WAS
A LITTLE BIT FRIGHTENING *
1398
01:20:52,415 --> 01:20:57,086
* BUT THEY FOUGHT
WITH EXPERT TIMING *
1399
01:20:57,153 --> 01:20:59,355
* IT'S AN ANCIENT CHINESE ART *
1400
01:20:59,422 --> 01:21:01,991
* AND EVERYBODY
KNEW THEIR PART *
1401
01:21:02,058 --> 01:21:04,260
* FROM A FEINTING TO A SLIP *
1402
01:21:04,327 --> 01:21:06,162
* AND A KICKING FROM THE HIP *
1403
01:21:06,229 --> 01:21:10,633
* EVERYBODY WAS
KUNG FU FIGHTING *
1404
01:21:10,699 --> 01:21:15,438
* THOSE CATS
WERE FAST AS LIGHTNING *
1405
01:21:15,504 --> 01:21:20,276
* IN FACT IT WAS
A LITTLE BIT FRIGHTENING *
1406
01:21:20,343 --> 01:21:25,614
* BUT THEY FOUGHT
WITH EXPERT TIMING *
1407
01:21:25,681 --> 01:21:30,186
* THERE WAS FUNKY BILLY CHEN
AND LITTLE SAMMY CHONG *
1408
01:21:30,253 --> 01:21:33,122
* HE SAID,
"HERE COME'S THE BIG BOSS *
1409
01:21:33,189 --> 01:21:34,890
* LET'S GET IT ON" *
1410
01:21:34,958 --> 01:21:37,226
* HE TOOK A BOW
AND MAKE A STAND *
1411
01:21:37,293 --> 01:21:39,562
* STARTED SWAYING
WITH THE HAND *
1412
01:21:39,628 --> 01:21:42,031
* A CERTAIN MOTION
MADE ME SKIP *
1413
01:21:42,098 --> 01:21:44,067
* NOW WE'RE
INTO A BRAND NEW TRIP *
1414
01:21:44,133 --> 01:21:47,436
* EVERYBODY WAS
KUNG FU FIGHTING *
1415
01:21:47,503 --> 01:21:48,571
* GO *
1416
01:21:48,637 --> 01:21:50,873
* PEOPLE, PEOPLE, PEOPLE *
1417
01:21:50,940 --> 01:21:57,280
* OH-OH, OH-OH-OH *
1418
01:21:57,346 --> 01:22:00,749
HERE AT BAPTIST MEMORIAL
HOSPITAL IN MIDTOWN MEMPHIS,
1419
01:22:00,816 --> 01:22:03,819
ELVIS PRESLEY HAS APPARENTLY
CHECKED INTO A PRIVATE SUITE
1420
01:22:03,886 --> 01:22:05,354
ON THE 15th FLOOR.
1421
01:22:05,421 --> 01:22:08,691
A SIGN THAT ELVIS IS, IN FACT,
HERE IS THE ALUMINUM FOIL
1422
01:22:08,757 --> 01:22:11,760
THAT COVERS HIS WINDOWS
TO DEFLECT THE SUN.
1423
01:22:11,827 --> 01:22:13,696
A SPOKESMAN FOR BAPTIST MEMORIAL
1424
01:22:13,762 --> 01:22:16,832
SAYS PRESLEY HAS BEEN ADMITTED
FOR EXHAUSTION.
1425
01:22:16,899 --> 01:22:18,601
HOWEVER, PRIVATE SOURCES TELL ME
1426
01:22:18,667 --> 01:22:22,205
THE SINGER IS SUFFERING FROM
GLAUCOMA AND STOMACH PROBLEMS,
1427
01:22:22,271 --> 01:22:23,572
INCLUDING AN ULCER.
1428
01:22:23,639 --> 01:22:25,841
THESE PROBLEMS
HAVE APPARENTLY LED
1429
01:22:25,908 --> 01:22:27,510
TO PRESLEY'S
INCREASED DEPENDENCY
1430
01:22:27,576 --> 01:22:29,412
ON PRESCRIBED MEDICATION.
1431
01:22:29,478 --> 01:22:32,181
A FEW OF ELVIS' ENTOURAGE
ARE WITH HIM HERE,
1432
01:22:32,248 --> 01:22:34,083
INCLUDING HIS GIRLFRIEND,
1433
01:22:34,150 --> 01:22:36,552
FORMER MISS TENNESSEE
LINDA THOMPSON.
1434
01:22:36,619 --> 01:22:39,822
OUR CAMERAS SPOTTED LINDA IN
THE HOSPITAL'S GIFT SHOP TODAY.
1435
01:22:39,888 --> 01:22:42,891
SHE WAS WEARING A ROBE
THAT MATCHED THE SINGING IDOL'S.
1436
01:22:42,958 --> 01:22:44,393
ON THE 15th FLOOR,
1437
01:22:44,460 --> 01:22:47,030
WE MANAGED TO CATCH ELVIS
AND LINDA STROLLING TOGETHER
1438
01:22:47,096 --> 01:22:49,398
AT THE END OF THE HALLWAY
NEAR HIS SUITE,
1439
01:22:49,465 --> 01:22:52,168
GUARDED BY AN AROUND-THE-CLOCK
SECURITY MAN.
1440
01:22:52,235 --> 01:22:54,437
WE ASKED SOME LOCAL MEMPHIANS
HOW THEY FEEL
1441
01:22:54,503 --> 01:22:58,974
ABOUT OUR MOST FAMOUS CITIZEN'S
LEGAL AND MEDICAL PROBLEMS.
1442
01:22:59,042 --> 01:23:01,010
WELL, IF YOU DON'T MIND
ME SAYING SO,
1443
01:23:01,077 --> 01:23:03,046
I DON'T THINK ELVIS
HAS REALLY BEEN HAPPY
1444
01:23:03,112 --> 01:23:04,647
SINCE HE
AND PRISCILLA DIVORCED.
1445
01:23:04,713 --> 01:23:06,749
HE'S BEEN WORKING HIMSELF
WAY TOO HARD.
1446
01:23:06,815 --> 01:23:09,252
ALL THOSE TOURS AND PLAYING
IN VEGAS SO MUCH --
1447
01:23:09,318 --> 01:23:11,487
I THINK IT'S TAKEN
A DEFINITE TOLL ON HIM.
1448
01:23:11,554 --> 01:23:14,123
WE LOVE HIM AND WANT
TO GET CLOSE TO HIM,
1449
01:23:14,190 --> 01:23:16,592
BUT WE CAN'T BECAUSE OF ALL
OF HIS BODYGUARDS.
1450
01:23:16,659 --> 01:23:17,893
I THINK THEY'RE THE ONES
1451
01:23:17,960 --> 01:23:20,863
THAT ARE GETTING HIM IN
TROUBLE WITH THE LAWSUITS.
1452
01:23:20,929 --> 01:23:22,665
THEY'RE JUST BAD NEWS.
1453
01:23:22,731 --> 01:23:23,999
Man: SONNY OR DAVE,
1454
01:23:24,067 --> 01:23:26,702
COULD ONE OF YOU TELL US
WHY YOU DECIDED TO WRITE
1455
01:23:26,769 --> 01:23:29,172
SUCH A SENSATIONALISTIC
BOOK ABOUT ELVIS?
1456
01:23:29,238 --> 01:23:31,707
WHEN WE WROTE THIS BOOK,
1457
01:23:31,774 --> 01:23:34,910
IT WAS OUT OF BITTERNESS
AND HURT, TO START WITH.
1458
01:23:34,977 --> 01:23:38,013
WHEN WE WERE GIVEN THREE DAY''
NOTICE BY HIS FATHER
1459
01:23:38,081 --> 01:23:40,283
AND A WEEK'S PAY
AFTER 16 YEARS.
1460
01:23:40,349 --> 01:23:41,884
WE ALL HAD FAMILIES,
1461
01:23:41,950 --> 01:23:43,519
AND HE WOULDN'T TALK TO US
HIMSELF.
1462
01:23:43,586 --> 01:23:46,589
HE FLEW OUT OF TOWN,
AND HE HAD HIS FATHER DO IT.
1463
01:23:46,655 --> 01:23:48,557
Man: WHY DID ELVIS
FIRE YOU?
1464
01:23:48,624 --> 01:23:51,260
IT WAS TOLD TO US
BY HIS FATHER
1465
01:23:51,327 --> 01:23:53,129
THAT THERE WAS A CUTBACK
ON EXPENSES...
1466
01:23:53,196 --> 01:23:55,564
Elvis: IN 1977,
I STARTED TO FEEL LIKE THINGS
1467
01:23:55,631 --> 01:23:58,067
WERE SLOWLY GETTING
OUT OF CONTROL.
1468
01:23:58,134 --> 01:24:00,836
MY HEALTH
WAS A CONSTANT PROBLEM.
1469
01:24:00,903 --> 01:24:02,371
BUT WHAT REALLY SHOOK ME
1470
01:24:02,438 --> 01:24:04,607
WAS A BOOK
BY THREE OF MY BODYGUARDS.
1471
01:24:04,673 --> 01:24:07,910
IT HURT ME A LOT THAT THEY
WOULD ATTACK ME IN PUBLIC.
1472
01:24:07,976 --> 01:24:11,114
I NEVER THOUGHT FRIENDS
WHO ONCE WERE ALMOST FAMILY
1473
01:24:11,180 --> 01:24:13,516
WOULD TURN
AND TRY TO DESTROY ME.
1474
01:24:13,582 --> 01:24:15,518
...THAT IT WAS BECAUSE
OF THE LAWSUITS.
1475
01:24:15,584 --> 01:24:17,553
Man: DAVE, YOU SEEMED
TO BE IMPLYING BEFORE
1476
01:24:17,620 --> 01:24:19,588
THAT YOU WERE WRITING
THE BOOK, IN PART,
1477
01:24:19,655 --> 01:24:22,458
TO TRY AND GET ELVIS
TO CHANGE HIS WAYS.
1478
01:24:22,525 --> 01:24:23,559
YOU BET.
1479
01:24:23,626 --> 01:24:25,661
WE WANTED TO POINT OUT
TO HIM
1480
01:24:25,728 --> 01:24:26,995
WHAT HE WAS DOING,
1481
01:24:27,062 --> 01:24:29,632
NOT ONLY TO HIMSELF,
BUT TO THE PEOPLE AROUND HIM.
1482
01:24:29,698 --> 01:24:32,735
AND WE DIDN'T WANT HIM
TO BE WHAT HE WAS.
1483
01:24:32,801 --> 01:24:36,405
WE WANTED HIM TO BE WHAT WE
KNEW HE COULD BE AND HAD BEEN.
1484
01:24:36,472 --> 01:24:38,641
WE WERE TRYING TO PRESENT HIM
WITH A CHALLENGE.
1485
01:24:38,707 --> 01:24:41,477
IF HE SAW ALL THESE THINGS
ROLLED IN FRONT OF HIM
1486
01:24:41,544 --> 01:24:43,312
AND KNOW THAT THEY WERE TRUE,
1487
01:24:43,379 --> 01:24:47,550
I DON'T KNOW HOW HE MIGHT HAVE
DISMISSED THEM IN HIS MIND.
1488
01:24:47,616 --> 01:24:49,785
MAYBE IT WILL DO
SOME GOOD FOR HIM,
1489
01:24:49,852 --> 01:24:52,355
FOR THE DRUG CULTURE,
FOR PEOPLE TO REALIZE
1490
01:24:52,421 --> 01:24:54,457
NO ONE IS OUT OF REACH
OF DRUGS.
1491
01:24:54,523 --> 01:24:58,194
HERE IS A MAN THAT HAD IT
IN THE PALM OF HIS HAND,
1492
01:24:58,261 --> 01:25:01,464
AND THE DRUGS
TOOK IT AWAY FROM HIM.
1493
01:25:01,530 --> 01:25:03,566
Man: WHAT DRUGS
ARE WE TALKING ABOUT?
1494
01:25:03,632 --> 01:25:06,502
UPPERS AND DOWNERS,
SLEEPING PILLS.
1495
01:25:06,569 --> 01:25:09,272
WE'RE TALKING ABOUT THINGS
LIKE DEMEROL.
1496
01:25:09,338 --> 01:25:10,973
YOU ACTUALLY
SAW HIM...
1497
01:25:11,039 --> 01:25:12,308
YES.
1498
01:25:12,375 --> 01:25:14,743
MY COUSIN RED CHARGED IN
TO STOP IT ONE TIME.
1499
01:25:14,810 --> 01:25:17,180
HE BROKE THE GUY'S
TOE GOING THROUGH THE DOOR
1500
01:25:17,246 --> 01:25:19,615
AND TOLD HIM HE
WAS GOING TO BREAK HIM UP
1501
01:25:19,682 --> 01:25:21,850
IF HE DIDN'T QUIT
GETTING THE STUFF TO HIM.
1502
01:25:21,917 --> 01:25:24,887
ELVIS HEARD ABOUT IT,
AND HE CALLED RED AND JOE IN.
1503
01:25:24,953 --> 01:25:26,389
THEY DISCUSSED IT FOR A WHILE,
1504
01:25:26,455 --> 01:25:28,891
AND THEN FINALLY HE
LOOKED AT RED AND SAID --
1505
01:25:28,957 --> 01:25:30,426
I'LL NEVER FORGET IT --
1506
01:25:30,493 --> 01:25:32,728
HE SAID, "I NEED 'EM, MAN.
I NEED IT."
1507
01:25:32,795 --> 01:25:34,497
WE WANTED MORE
THAN ANYTHING ELSE
1508
01:25:34,563 --> 01:25:38,767
TO SEE HIM
AS HE WAS IN HIS PRIME --
1509
01:25:38,834 --> 01:25:41,604
ON THE STAGE,
JUST KNOCKING THEM DEAD.
1510
01:25:43,105 --> 01:25:45,040
Man: IF YOU LOVED HIM
SO MUCH,
1511
01:25:45,107 --> 01:25:47,676
WHY COULDN'T YOU
PROTECT HIM?
1512
01:25:47,743 --> 01:25:50,379
HOW DO YOU PROTECT A MAN
FROM HIMSELF?
1513
01:26:10,266 --> 01:26:12,134
Esposito: I WHISPERED TO ELVIS
1514
01:26:12,201 --> 01:26:14,903
TO BE CAREFUL
STEPPING OUT TO THE STAGE.
1515
01:26:14,970 --> 01:26:16,905
HE WAS OBVIOUSLY WAY OVERWEIGHT,
1516
01:26:16,972 --> 01:26:21,577
AND DESPITE HIS AGE, ONLY 42,
WE KNEW HE WAS IN BAD HEALTH.
1517
01:26:21,644 --> 01:26:23,479
THROUGH ALL THE YEARS
I KNEW HIM,
1518
01:26:23,546 --> 01:26:25,047
ELVIS HAD TAKEN GREAT CARE
1519
01:26:25,113 --> 01:26:27,283
TO ALWAYS LOOK HIS BEST
IN PUBLIC.
1520
01:26:27,350 --> 01:26:28,784
IT WAS TOUGH FOR HIM,
1521
01:26:28,851 --> 01:26:31,086
BUT NOW ELVIS ACCEPTED
HIS APPEARANCE
1522
01:26:31,153 --> 01:26:37,393
AND SO DID HIS FANS.
1523
01:26:50,573 --> 01:26:52,908
IN THIS,
ONE OF HIS LAST CONCERTS,
1524
01:26:52,975 --> 01:26:58,647
JUST SIX WEEKS BEFORE HIS DEATH,
HE STILL POURED HIS HEART OUT.
1525
01:26:58,714 --> 01:26:59,982
TO THE END,
1526
01:27:00,048 --> 01:27:03,752
ELVIS' GREATEST GIFT,
HIS INCREDIBLE VOICE,
1527
01:27:03,819 --> 01:27:08,123
NEVER FAILED HIM.
1528
01:27:08,190 --> 01:27:10,626
THANK YOU VERY MUCH.
1529
01:27:10,693 --> 01:27:13,061
DON'T LET THE LIGHTS
AND CAMERAS THROW YOU.
1530
01:27:13,128 --> 01:27:16,499
AND DON'T THROW THE LIGHTS
AND CAMERAS, IF YOU CAN HELP IT.
1531
01:27:18,000 --> 01:27:22,738
BUT THEY ARE HOT,
I'LL TELL YOU FOR SURE.
1532
01:27:22,805 --> 01:27:25,240
I'M GOING TO ACTUALLY PLAY
THE GUITAR.
1533
01:27:25,308 --> 01:27:30,479
I KNOW THREE CHORDS,
BELIEVE IT OR NOT.
1534
01:27:30,546 --> 01:27:35,384
BUT I FAKED THEM ALL
FOR A LONG TIME.
1535
01:27:35,451 --> 01:27:41,023
MY KID SPENT THE NIGHT,
YOU KNOW.
1536
01:27:41,089 --> 01:27:45,594
IF YOU THINK I'M NERVOUS,
YOU'RE RIGHT.
1537
01:27:51,734 --> 01:27:57,440
I'M GOING TO DO A SONG CALLED
"ARE YOU LONESOME TONIGHT?"
1538
01:27:57,506 --> 01:28:01,209
AND I AM, AND I WAS.
1539
01:28:01,276 --> 01:28:06,148
DAMN...
I MEAN, DARN. EXCUSE ME.
1540
01:28:06,214 --> 01:28:12,087
* ARE YOU LONESOME TONIGHT? *
1541
01:28:12,154 --> 01:28:16,492
* DO YOU MISS ME TONIGHT? *
1542
01:28:16,559 --> 01:28:25,100
* ARE YOU SORRY
WE DRIFTED APART? *
1543
01:28:25,167 --> 01:28:29,672
* DOES YOUR MEMORY STRAY *
1544
01:28:29,738 --> 01:28:34,142
* TO A BRIGHT SUMMER DAY *
1545
01:28:34,209 --> 01:28:36,979
* WHEN I KISSED YOU
AND CALLED YOU SWEETHEART? *
1546
01:28:43,251 --> 01:28:48,156
* DO THE CHAIRS IN YOUR PARLOR *
1547
01:28:48,223 --> 01:28:52,428
* SEEM EMPTY AND BARE? *
1548
01:28:52,495 --> 01:28:57,032
* DO YOU GAZE AT YOUR DOORSTEP *
1549
01:28:57,099 --> 01:29:01,370
* AND PICTURE ME THERE? *
1550
01:29:01,437 --> 01:29:05,808
* IS YOUR HEART
FILLED WITH PAIN? *
1551
01:29:05,874 --> 01:29:10,546
* SHALL I COME BACK AGAIN? *
1552
01:29:10,613 --> 01:29:18,687
* TELL ME, DEAR,
ARE YOU LONESOME TONIGHT *
1553
01:29:18,754 --> 01:29:21,557
* WHOO WHOO WHOO WHOO... *
1554
01:29:21,624 --> 01:29:27,029
I WONDER
IF YOU'RE LONESOME TONIGHT.
1555
01:29:27,095 --> 01:29:28,864
YOU KNOW, SOMEONE SAID,
1556
01:29:28,931 --> 01:29:32,935
"THE WORLD'S A STAGE,
AND EACH OF US PLAY A PART."
1557
01:29:36,839 --> 01:29:38,707
...PLUS TAX.
1558
01:29:38,774 --> 01:29:41,644
YOU READ YOUR LINES SO CLEVERLY.
1559
01:29:41,710 --> 01:29:43,712
YOU NEVER MISSED A CUE.
1560
01:29:43,779 --> 01:29:46,582
THEN HE CAME BACK TOO.
HE FORGOT THE WORDS.
1561
01:29:46,649 --> 01:29:49,117
THEY'D BEEN CHANGED, YOU FOOL.
1562
01:29:49,184 --> 01:29:54,089
YOU'RE ACTING STRANGE.
AND WHY, I'VE NEVER KNOWN.
1563
01:29:54,156 --> 01:29:56,559
WHY I OVERDID IT.
1564
01:29:56,625 --> 01:29:58,594
HONEY --
WHO AM I TALKING TO?
1565
01:29:58,661 --> 01:30:01,564
YOU LIED WHEN YOU SAID
YOU LOVED ME.
1566
01:30:01,630 --> 01:30:06,101
YOU -- AND I HAD NO CAUSE
TO DOUBT YOU.
1567
01:30:07,402 --> 01:30:11,440
I'D RATHER GO ON
HEARING YOUR LIES
1568
01:30:11,507 --> 01:30:14,477
THAN TO GO ON LIVING
WITHOUT YOU.
1569
01:30:14,543 --> 01:30:16,879
AND THE STAGE IS BARE,
1570
01:30:16,945 --> 01:30:19,948
AND I'M STANDING THERE
WITHOUT ANY HAIR.
1571
01:30:20,015 --> 01:30:21,116
UH, NO.
1572
01:30:23,919 --> 01:30:27,355
IF YOU WON'T COME BACK TO ME...
1573
01:30:27,422 --> 01:30:30,959
OH, THE HECK WITH IT.
1574
01:30:31,026 --> 01:30:35,731
* IS YOUR HEART
FILLED WITH PAIN? *
1575
01:30:35,798 --> 01:30:39,735
* SHALL I COME BACK AGAIN? *
1576
01:30:39,802 --> 01:30:41,970
* TELL ME, DEAR,
ARE YOU LONESOME TONIGHT? *
1577
01:30:59,054 --> 01:31:03,325
THANK YOU VERY MUCH.
1578
01:31:03,391 --> 01:31:04,793
LADIES AND GENTLEMEN,
1579
01:31:04,860 --> 01:31:06,895
I'D LIKE TO INTRODUCE YOU
TO MY FATHER.
1580
01:31:06,962 --> 01:31:09,732
HE'S BEEN SICK FOR A WHILE,
BUT HE'S DOING VERY WELL.
1581
01:31:09,798 --> 01:31:14,870
WOULD YOU STAND UP
BY ME, DADDY?
1582
01:31:28,784 --> 01:31:31,887
I'D LIKE YOU TO SAY HELLO
TO MY GIRLFRIEND, GINGER.
1583
01:31:31,954 --> 01:31:37,392
SIT DOWN, GINGER.
THAT'S ENOUGH FOR HER.
1584
01:31:37,459 --> 01:31:45,634
THIS NEXT SONG
IS CALLED "MY WAY."
1585
01:31:45,701 --> 01:31:51,006
* AND NOW THE END IS NEAR *
1586
01:31:51,073 --> 01:31:56,579
* AND SO I FACE
THE FINAL CURTAIN *
1587
01:31:56,645 --> 01:32:01,750
* MY FRIEND,
I'LL SAY IT CLEAR *
1588
01:32:01,817 --> 01:32:07,590
* I'LL STATE MY CASE
OF WHICH I'M CERTAIN *
1589
01:32:07,656 --> 01:32:12,761
* I'VE LIVED
A LIFE THAT'S FULL *
1590
01:32:12,828 --> 01:32:18,634
* I'VE TRAVELED EACH
AND EVERY HIGHWAY *
1591
01:32:18,701 --> 01:32:23,572
* AND MORE
MUCH MORE THAN THIS *
1592
01:32:23,639 --> 01:32:29,344
* I DID IT MY WAY *
1593
01:32:29,411 --> 01:32:32,180
* REGRETS *
1594
01:32:32,247 --> 01:32:34,750
* I'VE HAD A FEW *
1595
01:32:34,817 --> 01:32:37,620
* BUT THEN AGAIN *
1596
01:32:37,686 --> 01:32:40,455
* TOO FEW TO MENTION *
1597
01:32:40,522 --> 01:32:42,758
* I DID *
1598
01:32:42,825 --> 01:32:45,560
* WHAT I HAD TO DO *
1599
01:32:45,628 --> 01:32:47,796
* AND SAW IT THROUGH *
1600
01:32:47,863 --> 01:32:51,133
* WITHOUT EXEMPTION *
1601
01:32:51,199 --> 01:32:53,636
* I'VE PLANNED *
1602
01:32:53,702 --> 01:32:55,904
* EACH CHARTERED COURSE *
1603
01:32:55,971 --> 01:32:58,907
* EACH CAREFUL STEP *
1604
01:32:58,974 --> 01:33:02,044
* ALONG THE BYWAY *
1605
01:33:02,110 --> 01:33:06,849
* OH AND MORE,
MUCH MORE THAN THIS *
1606
01:33:06,915 --> 01:33:12,888
* I DID IT MY WAY *
1607
01:33:12,955 --> 01:33:18,193
* I'VE LOVED,
I'VE LAUGHED AND CRIED *
1608
01:33:18,260 --> 01:33:23,899
* I'VE HAD MY FILL,
MY SHARE OF LOSING *
1609
01:33:23,966 --> 01:33:28,971
* AND NOW AS TEARS SUBSIDE *
1610
01:33:29,037 --> 01:33:34,509
* I FIND IT ALL SO AMUSING *
1611
01:33:34,576 --> 01:33:39,281
* TO THINK I DID ALL THAT *
1612
01:33:39,347 --> 01:33:44,953
* AND MAY I SAY
NOT IN A SHY WAY *
1613
01:33:45,020 --> 01:33:50,425
* OH, NO
NO, NOT ME *
1614
01:33:50,492 --> 01:33:54,663
* I DID IT MY WAY *
1615
01:33:54,730 --> 01:33:58,300
* FOR WHAT IS A MAN? *
1616
01:33:58,366 --> 01:34:00,936
* WHAT HAS HE GOT? *
1617
01:34:01,003 --> 01:34:05,273
* IF NOT HIMSELF
THEN HE HAS NOT *
1618
01:34:05,340 --> 01:34:10,345
* TO SAY THE WORDS
HE TRULY FEELS *
1619
01:34:10,412 --> 01:34:15,684
* AND NOT THE WORDS
FOR ONE WHO KNEELS *
1620
01:34:15,751 --> 01:34:20,555
* THE RECORD SHOWS
I TOOK THE BLOWS *
1621
01:34:20,622 --> 01:34:25,093
* AND DID IT MY WAY *
1622
01:34:25,160 --> 01:34:31,199
* THE RECORD SHOWS
I TOOK THE BLOWS *
1623
01:34:31,266 --> 01:34:33,401
* AND DID IT *
1624
01:34:33,468 --> 01:34:35,403
* MY WAY *
1625
01:35:43,271 --> 01:35:50,979
Announcer: LADIES AND GENTLEMEN,
ELVIS HAS LEFT THE BUILDING.
1626
01:35:51,046 --> 01:35:54,817
* OH, I WISH I WAS *
1627
01:35:54,883 --> 01:35:58,053
* IN THE LAND OF COTTON *
1628
01:35:58,120 --> 01:36:03,125
* OLD TIMES THERE
ARE NOT FORGOTTEN *
1629
01:36:03,191 --> 01:36:07,695
* LOOK AWAY, LOOK AWAY *
1630
01:36:07,762 --> 01:36:16,004
* LOOK AWAY, DIXIELAND *
1631
01:36:16,071 --> 01:36:22,310
* GLORY, GLORY, HALLELUJAH *
1632
01:36:29,184 --> 01:36:36,424
* GLORY, GLORY, HALLELUJAH *
1633
01:36:36,491 --> 01:36:39,694
TAKE IT, BABY.
1634
01:36:39,761 --> 01:36:47,970
* GLORY, GLORY, HALLELUJAH *
1635
01:36:48,036 --> 01:36:50,205
* HIS TRUTH IS MARCHING ON *
1636
01:37:07,089 --> 01:37:13,828
* SO HUSH, LITTLE BABY,
DON'T YOU CRY *
1637
01:37:16,098 --> 01:37:21,069
* YOU KNOW YOUR DADDY IS *
1638
01:37:21,136 --> 01:37:27,442
* BOUND TO DIE *
1639
01:37:27,509 --> 01:37:33,048
* BUT ALL *
1640
01:37:33,115 --> 01:37:37,052
* MY TRIALS, LORD *
1641
01:37:37,119 --> 01:37:39,254
* WILL SOON BE OVER *
1642
01:37:55,137 --> 01:38:01,576
* GLORY, GLORY, HALLELUJAH *
1643
01:38:03,478 --> 01:38:10,352
* HIS TRUTH IS MARCHING ON *
1644
01:38:14,789 --> 01:38:17,025
* HIS TRUTH IS MARCHING ON *
1645
01:39:07,942 --> 01:39:10,478
* MEMORIES *
1646
01:39:10,545 --> 01:39:17,319
* PRESSED BETWEEN THE PAGES
OF MY MIND *
1647
01:39:19,087 --> 01:39:21,423
* MEMORIES *
1648
01:39:21,489 --> 01:39:28,463
* SWEETENED THROUGH THE AGES
JUST LIKE WINE *
1649
01:39:29,731 --> 01:39:32,167
* QUIET THOUGHTS
COME FLOATING DOWN *
1650
01:39:32,234 --> 01:39:34,869
* AND SETTLE SOFTLY
TO THE GROUND *
1651
01:39:34,936 --> 01:39:40,042
* LIKE GOLDEN AUTUMN LEAVES
AROUND MY FEET *
1652
01:39:40,108 --> 01:39:43,011
* I TOUCH THEM
AND THEY BURST APART *
1653
01:39:43,078 --> 01:39:50,018
* WITH SWEET MEMORIES *
1654
01:39:50,818 --> 01:39:56,491
* SWEET MEMORIES *
1655
01:39:56,558 --> 01:39:59,261
* OF HOLDING HANDS
AND RED BOUQUETS *
1656
01:39:59,327 --> 01:40:02,297
* AND TWILIGHTS TRIMMED
IN PURPLE HAZE *
1657
01:40:02,364 --> 01:40:04,832
* AND LAUGHING EYES
AND SIMPLE WAYS *
1658
01:40:04,899 --> 01:40:13,141
* AND QUIET NIGHTS
AND GENTLE DAYS WITH YOU *
1659
01:40:13,208 --> 01:40:15,610
* MEMORIES *
1660
01:40:15,677 --> 01:40:23,918
* PRESSED BETWEEN THE PAGES
OF MY MIND *
1661
01:40:23,985 --> 01:40:26,554
* MEMORIES *
1662
01:40:26,621 --> 01:40:33,361
* SWEETENED THROUGH THE AGES
JUST LIKE WINE *
1663
01:40:34,296 --> 01:40:39,234
* MEMORIES *
1664
01:40:39,301 --> 01:40:45,240
* MEMORIES *
1665
01:40:45,307 --> 01:40:48,143
* OF HOLDING HANDS
AND RED BOUQUETS *
1666
01:40:48,210 --> 01:40:51,079
* AND TWILIGHTS TRIMMED
IN PURPLE HAZE *
1667
01:40:51,146 --> 01:40:53,248
* AND LAUGHING EYES
AND SIMPLE WAYS *
1668
01:40:53,315 --> 01:41:01,223
* AND QUIET NIGHTS
AND GENTLE DAYS WITH YOU *
1669
01:41:01,289 --> 01:41:04,359
* MEMORIES *
1670
01:41:04,426 --> 01:41:12,800
* PRESSED BETWEEN THE PAGES
OF MY MIND *
1671
01:41:12,867 --> 01:41:15,002
* MEMORIES *
1672
01:41:15,069 --> 01:41:21,776
* SWEETENED THROUGH THE AGES
JUST LIKE WINE *
1673
01:41:23,211 --> 01:41:28,216
* MEMORIES *
1674
01:41:28,283 --> 01:41:30,518
* MEMORIES *
120303
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