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Hello there and welcome back in this video were going to take a look at our composite so far give herself some
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Back and see what we can do to take this to the next level
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So we have start playing here and I think it looks pretty damn good
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There's a couple things that I'm wondering if we could week to improve it
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The first days when I started zooming in here
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I think we went a little far on the chromatic aberration I really like what it was looking like in the
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What's a chromatic aberration gets more intense as it goes to the edges and I think
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This is just way too much and it's not really acceptable especially looking at the rocks next to it
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Dialect down so it's pretty subtle like these unfortunately we'll see if there's anything we can do
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To adjust at there
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And then I think the next thing I want to adjust
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Is potentially the Shadows from are secondary elements here you can see these bushes
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Have
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Impartial Shadows when I figure and I'm not really seem to match in hours and week
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Subtitled by
-♪ online-courses.club ♪-
We compress knowledge for you!
https://t.me/joinchat/ailxpXoW3JVjYzQ1
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Those are blending a little bit better and on top of all this I think it's going to be replacing this
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When your Sky is blind like this it's always worth adding some clouds are there more visual interest
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To the Shard
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So that's something we should definitely look into doing and it shouldn't be too hard
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What's go ahead and start audible tech notes quick what's the zoom in here but start off bye
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Adjusting are chromatic aberration real quick it's too intense unfortunately
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I like I was looking in the statue but you have to abide by what matches the footage
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And so what see what
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Max
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Good compared to the Earth
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I need to be pretty saddle I wanted the combination of chromatic aberration and poor
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Will allow us to get this to work
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Just tell you one it's and now I think this matches
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Fairly closely it's very subtle I doubt in the middle willing to see much of
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We turn it off and on we can turn off use centre master all out
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In the middle of Marlborough again
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We have to abide by what are seen is and we're getting a little here that's that's not too bad
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I think with match the sub and we have now got it aligned with our footage
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And Alice take a look at our Shadows we just want to match the density of a footage a Little Closer
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Just like me right now
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So what I want to do
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Make a colour correct and I'm gonna use this to adjust our alpha channel
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And I'm just gonna take a quick mask in the foreground I don't really want to touch our big patch back
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What's go ahead and Gibraltar
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And we can just
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Emma or Shadows
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You can see that just increase that I made them a little more noticeable
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What happen if we gained it up as well
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Obviously that is too much
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You need a delicate balance of both I think
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Viola more punches like a match or footage a little more
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You came up like 1 points
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4
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Something like that
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Too bad I don't really like what it's doing over there though
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Download
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Down at church
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I don't like don't like that shadow
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Weirding me out so I'm just going to ignore it
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Like how's that is looking
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Match there was just a little bit more closely now
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What's go ahead and just throw a sky in here really quick
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I went to pixels and I found another sky wait here
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Any sky that you would like just make sure that it's live in and perspective you like a relatively
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Set the scene
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And so what we have you ever Horizon line and so we can mine that up at first floor trying to drop the
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So what are we format down and reformat this to work up and let's go ahead
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Merge this over
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And we can see that the image is semi-transparent here
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And that's because this isn't coming in with an alpha but that's no big deal
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All we need to do is go to a read note and check auto Alpha
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And that will fill it in
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And the first thing I want to do
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Just read online or Horizons up
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So is the
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First step when it comes to matching perspective
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Something kind of like that
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And then I'm going to mask it off I'm going to be a little lazy here
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The mouse great here he had a very drastically different sky you could key the sky
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Play out a bit
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When I cannot do that I don't think there's any need to go
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Any more complex than we have to
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Change this to my clip
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Cool
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And now we need to colour correct this so it when's a little more nicely
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Looks like we have some
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Have you purple in there
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Just add some green and that actually went pretty far pretty quickly
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Little Greene and what's going on
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Cool and now I'm just going to Blurred this brother shape out maybe 500 also pixels
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Cool really you don't have to rodo anything
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I'm going to do
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I'm being a little lazy here but why work harder than you have to especially when this
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I kind of
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Naturally brands like it does
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I'm going to change this to be a stencil
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Just make sure
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Instead of doing that what's just roughly Trace
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Rocks here
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Are mountains
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Just make sure that no.sky
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Is overlapping them
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We are a little bit before and then we can just
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Weather this out
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50 pixels and then a 25 on top
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Call I know I've just had a little bit of more interest or Sky it's a pretty solid effect
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What's a b
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Detach saturated so we can bring that down a little
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Make sure the same matches
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That's pretty close on another transplant see your little bit so well
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And it's just just a little text you back there will go really long way
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It's up to you all look a little purple
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Those clouds go ahead and add some more green into them
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Maybe
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What stands on on
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That's looking pretty good
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Now we need to go ahead and make sure this is tracking correctly
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What carbon paste are track and lens distortion
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And I did do this on my own frame but that's not too hard
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Fix
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Scooter
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I'm also going to scale it up a little bit
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So that we have
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Insulin distortion was cropping at off
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Ms give up so that our lens distortion has plenty of cloud that she won
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And that shouldn't have affected our stencil too much
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Skillet acting as a trying to concatenate
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By keeping his own a row
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Not too big of a deal to adjust that Rollo
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Just put it above
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We can change this bbox to be to make this nice and speedy
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And we just had a little extra something something to your shirt
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Let's go ahead and fullscreen what we have here and just take a wine last look at it
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Sugar in log to make sure everything is still looking good
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Another one thing I am noticing is it seems like his little bit of a disparity between eyeshadow here
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Indirect lighting here
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It's probably worth fixing
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We can add a little more blue here me with some kind of food it off as it's going up so that kind of matching bag
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Here
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Bring go ahead and take a look at this really quick
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We have our overall colour correct and keep this off to the side in case we need to go back to it
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Do that sometimes I'm not sure about it change I'm making and that's just in case I screwed up I got back up
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What's go ahead and introduce some more
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In there
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Love Actually
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We introduce the
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What Siri have is that helping us all
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Just making it worse
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A little bit of both
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Go ahead find out
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I'm really trying to focus on the bottom right portion of a shadow here because that's the area weird
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You need to get dial then we could potentially mix
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Subtitled by
-♪ online-courses.club ♪-
We compress knowledge for you!
https://t.me/joinchat/ailxpXoW3JVjYzQ1
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In with original
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And let's go ahead and compare the original see what exactly we have here will zoom out a little bit and go back out
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Srgb
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Let's just see if you've improved this for made it worse
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So what I'm going to do is I think I'm just gonna key mix between these two
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Just threw that here
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Can I change your club to you to noclip
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What's just draw on mask at the top
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Where are Red is
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It's just kind of movie go between these
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See what exactly
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That looks like
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This is what are original looks like
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Update
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And I also think I want to keep more of this warm colour
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Over here
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I think that was feeling finance mainly just in this shadout area we could Kia
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But I think just doing a scheme x is fine
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This is where we wore our
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Go ahead and fullscreen and just
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Undo redo
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And I think something like this is working the reason I can next between blue and this
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Hair colour is this is kind of reflecting the sky
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Colour a little bit more with this interior bounces more coming from
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This work that's why I put the colours
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Like I did
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I think we'll go with this little
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Lucia flights go to log you again to see if that works
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Yeah I think that just sits little more nicely with her for grand it's still sitting here are some good word so I think
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That Was a Good Change
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So that we have that implemented I think you're ready to render this out
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So we can go ahead
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Again it's always get a render to an image sequence
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And we can go into a render folder
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And call base rbl
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Speak
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4 VO2 I did Rhonda the earlier
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Make sure we keep our
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Free numbers in there
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Alright it out 2
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Output srgb
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Because that's the view that were using right here
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And this is going to make her render match this perfectly
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I'm gonna go ahead and hit Rhonda
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And we can go out and take a look at the final result in the next video
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Thank you very much for listening and I'll catch you in the next one
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