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These are the user uploaded subtitles that are being translated: 1 00:00:00,030 --> 00:00:01,620 hey there's Justin Coletti of Sonic's 2 00:00:01,620 --> 00:00:04,140 coop and today in this week's episode of 3 00:00:04,140 --> 00:00:06,480 sonic scoop podcast I want to hip you to 4 00:00:06,480 --> 00:00:10,200 a tip that is super useful it is one of 5 00:00:10,200 --> 00:00:12,990 these secrets in mixing and particularly 6 00:00:12,990 --> 00:00:16,049 in setting balances in the mix that a 7 00:00:16,049 --> 00:00:18,210 lot of people don't get clear about 8 00:00:18,210 --> 00:00:20,160 early on and I want you to get clear on 9 00:00:20,160 --> 00:00:21,510 it now because if you get clear out 10 00:00:21,510 --> 00:00:24,660 you're gonna get mixed balances arguably 11 00:00:24,660 --> 00:00:26,760 the most important part of mixing you're 12 00:00:26,760 --> 00:00:28,920 gonna get them right so much quicker and 13 00:00:28,920 --> 00:00:31,289 so much earlier on and this is 14 00:00:31,289 --> 00:00:35,190 absolutely huge it is such a small but 15 00:00:35,190 --> 00:00:38,160 such a game-changing insight into the 16 00:00:38,160 --> 00:00:40,290 way that mixing and setting levels and 17 00:00:40,290 --> 00:00:42,750 balances actually works that just 18 00:00:42,750 --> 00:00:45,300 clearing this up in your mind can have a 19 00:00:45,300 --> 00:00:47,820 ripple effect into every balanced 20 00:00:47,820 --> 00:00:51,449 decision that you make this is a trick 21 00:00:51,449 --> 00:00:53,760 or a tip or a tactic or really it's an 22 00:00:53,760 --> 00:00:56,460 overall mindset then I usually don't 23 00:00:56,460 --> 00:00:58,289 share outside of my full length of 24 00:00:58,289 --> 00:01:00,090 mixing break through his course I never 25 00:01:00,090 --> 00:01:01,620 have shared it outside that course 26 00:01:01,620 --> 00:01:03,600 before but hey it's about time I'm 27 00:01:03,600 --> 00:01:05,040 feeling generous today I want to help 28 00:01:05,040 --> 00:01:06,840 you out I think is gonna be super useful 29 00:01:06,840 --> 00:01:09,000 for you if you try it let me know in the 30 00:01:09,000 --> 00:01:11,970 comments below whether it worked for you 31 00:01:11,970 --> 00:01:13,890 whether it really helped you get 32 00:01:13,890 --> 00:01:16,170 balances even faster whether it really 33 00:01:16,170 --> 00:01:18,869 clarified this part of mixing and a 34 00:01:18,869 --> 00:01:21,689 level setting for you before I get to 35 00:01:21,689 --> 00:01:23,880 this tip a super quick shout out to this 36 00:01:23,880 --> 00:01:26,009 week's sponsors gear Club check out the 37 00:01:26,009 --> 00:01:28,799 gear Club podcast at gear - Club net 38 00:01:28,799 --> 00:01:30,659 that's gear - Club net one of my 39 00:01:30,659 --> 00:01:32,340 favorite podcasts for producer and 40 00:01:32,340 --> 00:01:34,320 engineer interviews we do them here 41 00:01:34,320 --> 00:01:36,090 sometimes they do them there all the 42 00:01:36,090 --> 00:01:38,100 time they do a great job of it check 43 00:01:38,100 --> 00:01:39,750 them out gear - Club dotnet or type in 44 00:01:39,750 --> 00:01:42,200 gear club wherever you get your podcast 45 00:01:42,200 --> 00:01:45,180 also a big thanks to sound toys check 46 00:01:45,180 --> 00:01:47,130 them out at sound toys calm making some 47 00:01:47,130 --> 00:01:49,229 of my favorite mixing effects you can 48 00:01:49,229 --> 00:01:50,549 try out anything they make for free at 49 00:01:50,549 --> 00:01:52,560 sound Transcom I also have two 50 00:01:52,560 --> 00:01:54,720 full-length courses mixing break 51 00:01:54,720 --> 00:01:56,369 throughs and mastering demystified and 52 00:01:56,369 --> 00:01:58,079 this idea is pulled from the mixing 53 00:01:58,079 --> 00:01:59,399 breakthroughs course if you want more 54 00:01:59,399 --> 00:02:01,170 like this check out mixing breakthroughs 55 00:02:01,170 --> 00:02:03,869 calm or mastering demystify calm or if 56 00:02:03,869 --> 00:02:05,850 you want a free workshop from me 57 00:02:05,850 --> 00:02:09,119 check out Sonics group calm / mix habits 58 00:02:09,119 --> 00:02:12,280 where we go into the five habits of 59 00:02:12,280 --> 00:02:16,420 great mixers okay so here it is today's 60 00:02:16,420 --> 00:02:19,600 strategy today's mindset is you're never 61 00:02:19,600 --> 00:02:22,750 going to get the right phaedra setting 62 00:02:22,750 --> 00:02:23,830 right away 63 00:02:23,830 --> 00:02:25,750 you're never gonna put the fader they're 64 00:02:25,750 --> 00:02:27,670 in the right spot the first time and be 65 00:02:27,670 --> 00:02:28,300 done with it 66 00:02:28,300 --> 00:02:30,780 stop thinking that you're going to 67 00:02:30,780 --> 00:02:33,910 getting the right balance is really all 68 00:02:33,910 --> 00:02:37,270 about honing in on the right balance 69 00:02:37,270 --> 00:02:41,370 it's a little bit like tuning a guitar 70 00:02:41,370 --> 00:02:44,920 honing in on the right balance means 71 00:02:44,920 --> 00:02:47,050 that whenever you move the fader to try 72 00:02:47,050 --> 00:02:49,000 to find the right level for a new sound 73 00:02:49,000 --> 00:02:50,680 that you're bringing in or trying to 74 00:02:50,680 --> 00:02:52,660 establish the right level for there is 75 00:02:52,660 --> 00:02:54,370 this game there's this wiggle that 76 00:02:54,370 --> 00:02:56,230 happened and it's the same thing that 77 00:02:56,230 --> 00:02:58,030 happens when you turn a guitar or tune a 78 00:02:58,030 --> 00:03:00,190 piano if you've never tuned a guitar a 79 00:03:00,190 --> 00:03:01,540 turn into piano it's something like this 80 00:03:01,540 --> 00:03:04,180 you start hitting the string and you go 81 00:03:04,180 --> 00:03:07,209 up up up to the note until you think 82 00:03:07,209 --> 00:03:08,110 you've reached it but you're not a 83 00:03:08,110 --> 00:03:10,150 hundred percent sure so you go a little 84 00:03:10,150 --> 00:03:12,850 too high and now you're sure that you're 85 00:03:12,850 --> 00:03:15,400 sharp so now you go back flat again and 86 00:03:15,400 --> 00:03:18,070 now you're sure that you've flat so now 87 00:03:18,070 --> 00:03:19,810 you come right back up a little bit and 88 00:03:19,810 --> 00:03:22,720 now you're in tune and it's the same way 89 00:03:22,720 --> 00:03:24,730 with approaching a fader 90 00:03:24,730 --> 00:03:27,820 you need a reference point what is too 91 00:03:27,820 --> 00:03:30,700 loud what is too quiet and the way to 92 00:03:30,700 --> 00:03:33,220 discover that is let's say you've 93 00:03:33,220 --> 00:03:34,989 already brought in some instruments and 94 00:03:34,989 --> 00:03:38,049 now you're bringing in your bass and you 95 00:03:38,049 --> 00:03:39,190 want to find just the right place for 96 00:03:39,190 --> 00:03:41,590 your bass bring it up so that you know 97 00:03:41,590 --> 00:03:43,230 it is too loud 98 00:03:43,230 --> 00:03:45,970 you might not know immediately what the 99 00:03:45,970 --> 00:03:47,980 right spot is for it and that's normal 100 00:03:47,980 --> 00:03:50,380 but you're gonna know what too loud is 101 00:03:50,380 --> 00:03:52,600 so you bring it up until it's too loud 102 00:03:52,600 --> 00:03:54,160 and make a mental note of how high that 103 00:03:54,160 --> 00:03:57,220 fader is when it's too loud now you're 104 00:03:57,220 --> 00:03:59,320 gonna know when it's too quiet so bring 105 00:03:59,320 --> 00:04:02,579 it down to a point where it is too quiet 106 00:04:02,579 --> 00:04:04,840 again you might not know where the 107 00:04:04,840 --> 00:04:06,130 perfect place for that fader is but 108 00:04:06,130 --> 00:04:07,690 you're gonna know when it's too quiet 109 00:04:07,690 --> 00:04:10,750 so set those boundaries for yourself 110 00:04:10,750 --> 00:04:13,239 bring it up so just to the point where 111 00:04:13,239 --> 00:04:14,769 yeah that's too loud okay we've just 112 00:04:14,769 --> 00:04:17,380 gotten into too loud and then too quiet 113 00:04:17,380 --> 00:04:19,239 and now you know that the right place 114 00:04:19,239 --> 00:04:20,500 for your fader is somewhere in between 115 00:04:20,500 --> 00:04:22,539 them and you can kind of go through the 116 00:04:22,539 --> 00:04:24,880 process again bring it up you know maybe 117 00:04:24,880 --> 00:04:26,020 round where it was 118 00:04:26,020 --> 00:04:27,639 before can I push it a little louder and 119 00:04:27,639 --> 00:04:29,379 then bring it down so it's a little bit 120 00:04:29,379 --> 00:04:31,479 more quiet and you're honing in to the 121 00:04:31,479 --> 00:04:34,060 right spot it's the way you tune a 122 00:04:34,060 --> 00:04:36,580 guitar or a violin or a piano some 123 00:04:36,580 --> 00:04:37,870 people don't realize that they're doing 124 00:04:37,870 --> 00:04:39,460 because they've gotten so good at it and 125 00:04:39,460 --> 00:04:41,229 the same is true with setting your 126 00:04:41,229 --> 00:04:43,840 levels in the mix people who are really 127 00:04:43,840 --> 00:04:45,610 good at mixing really fast are doing 128 00:04:45,610 --> 00:04:47,500 this so fast without even thinking about 129 00:04:47,500 --> 00:04:50,440 or realizing they're even doing it now 130 00:04:50,440 --> 00:04:52,810 it is possible for you to not do this 131 00:04:52,810 --> 00:04:55,030 approach where you can still kind of get 132 00:04:55,030 --> 00:04:56,470 it you're starting to bring things up 133 00:04:56,470 --> 00:04:58,210 and you're bringing them up just until 134 00:04:58,210 --> 00:05:01,509 the point where maybe we're there I 135 00:05:01,509 --> 00:05:04,210 think right there okay let's stop now 136 00:05:04,210 --> 00:05:07,630 and maybe you'll get it that way but 137 00:05:07,630 --> 00:05:08,860 you're always gonna be a little more 138 00:05:08,860 --> 00:05:10,900 uncertain and probably a little slower 139 00:05:10,900 --> 00:05:12,940 then if you just bring it up and go for 140 00:05:12,940 --> 00:05:14,139 it you know what overshoot a little bit 141 00:05:14,139 --> 00:05:16,330 you know what bring it back down now 142 00:05:16,330 --> 00:05:18,099 bring it right back up and the key here 143 00:05:18,099 --> 00:05:20,349 being that you're setting parameters 144 00:05:20,349 --> 00:05:23,020 boundaries for yourself a danger line 145 00:05:23,020 --> 00:05:24,490 where you know let's not go any hotter 146 00:05:24,490 --> 00:05:26,020 than this and a danger line where you 147 00:05:26,020 --> 00:05:27,789 know let's not go any quieter than this 148 00:05:27,789 --> 00:05:29,860 and it makes it much easier to find the 149 00:05:29,860 --> 00:05:31,750 groove in the middle that's really going 150 00:05:31,750 --> 00:05:34,960 to work it is such a simple idea but 151 00:05:34,960 --> 00:05:37,479 such a big one and it can really unlock 152 00:05:37,479 --> 00:05:40,240 mixing speed and confidence in setting 153 00:05:40,240 --> 00:05:42,159 levels for yourself if you take it 154 00:05:42,159 --> 00:05:44,620 seriously this is one of my favorite 155 00:05:44,620 --> 00:05:46,990 little tips that has big results from 156 00:05:46,990 --> 00:05:48,940 the mixing breakthrough his course and 157 00:05:48,940 --> 00:05:50,740 mixing breakthroughs is really all about 158 00:05:50,740 --> 00:05:53,080 coming up with an overall strategy a 159 00:05:53,080 --> 00:05:55,690 roadmap a framework a blueprint that you 160 00:05:55,690 --> 00:05:58,270 can apply to every single mix so that 161 00:05:58,270 --> 00:06:00,699 you know how to start what to do in the 162 00:06:00,699 --> 00:06:03,039 middle and how to finally finish and 163 00:06:03,039 --> 00:06:05,560 know that you're done do you like this 164 00:06:05,560 --> 00:06:07,240 one did it work for you let us know in 165 00:06:07,240 --> 00:06:08,590 the comments down below or if you're 166 00:06:08,590 --> 00:06:10,419 listening to the audio only version you 167 00:06:10,419 --> 00:06:12,759 can email me at podcast at sonic scoop 168 00:06:12,759 --> 00:06:15,130 com if this was useful to you and you're 169 00:06:15,130 --> 00:06:16,690 watching the YouTube video remember to 170 00:06:16,690 --> 00:06:18,639 hit like and subscribe so you don't miss 171 00:06:18,639 --> 00:06:21,130 more tips like this one this has been 172 00:06:21,130 --> 00:06:23,020 Justin Coletti of sonic scoop and if you 173 00:06:23,020 --> 00:06:24,819 want more tips like this check out my 174 00:06:24,819 --> 00:06:27,909 free mixing workshop the five habits of 175 00:06:27,909 --> 00:06:30,039 truly great mixers you can get that at 176 00:06:30,039 --> 00:06:32,650 sonic scoop com / mix habits Sonics 177 00:06:32,650 --> 00:06:36,279 group com / mix habits big thanks to our 178 00:06:36,279 --> 00:06:37,960 sponsors for this episode sound toys 179 00:06:37,960 --> 00:06:39,860 making some of my favorite plugins 180 00:06:39,860 --> 00:06:41,780 known universe check Matt soundToys comm 181 00:06:41,780 --> 00:06:43,699 one of my favorite other podcasts and I 182 00:06:43,699 --> 00:06:45,800 actually do listen to gear club check 183 00:06:45,800 --> 00:06:48,379 them out gear - Club net great producer 184 00:06:48,379 --> 00:06:50,719 and engineer interviews wit and wisdom 185 00:06:50,719 --> 00:06:53,000 over there all things studio type in 186 00:06:53,000 --> 00:06:55,039 gear - club net or gear club wherever 187 00:06:55,039 --> 00:06:57,319 you get your podcast last but not least 188 00:06:57,319 --> 00:06:59,900 check out that free workshop sonic scoop 189 00:06:59,900 --> 00:07:02,810 comm slash mix habits for the five 190 00:07:02,810 --> 00:07:04,939 habits of truly great mixers thanks 191 00:07:04,939 --> 00:07:06,439 again for hanging out with me this has 192 00:07:06,439 --> 00:07:08,930 been Justin Coletti of sonic scoop see 193 00:07:08,930 --> 00:07:11,289 you next time13934

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