Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,100 --> 00:00:03,166
okay so now we have our skeleton of the song
2
00:00:03,200 --> 00:00:05,733
and we have a lot of the lyrics done
3
00:00:05,733 --> 00:00:08,499
we have a very Rudimental production
4
00:00:08,500 --> 00:00:11,666
and now the goal is to add to that production
5
00:00:11,733 --> 00:00:14,699
and make it become just a little bit more exquisite
6
00:00:14,700 --> 00:00:15,933
as time goes on
7
00:00:15,933 --> 00:00:18,666
and that's adding things like little bits of noise and
8
00:00:18,700 --> 00:00:21,100
uh little intricacies that will sometimes
9
00:00:21,100 --> 00:00:23,300
actually even trigger some songwriting ideas
10
00:00:23,300 --> 00:00:26,333
so the first thing I wanna change is this snare
11
00:00:26,333 --> 00:00:27,799
I really hated this snare
12
00:00:30,166 --> 00:00:31,999
here it is if you want it not good
13
00:00:32,966 --> 00:00:34,599
but I just needed to put something down
14
00:00:34,600 --> 00:00:36,200
just have something feasible there
15
00:00:36,333 --> 00:00:38,333
uh but now we're gonna find something
16
00:00:38,333 --> 00:00:44,833
I did a little think and I think I have the solution
17
00:00:45,333 --> 00:00:46,966
splice is your friend
18
00:00:48,300 --> 00:00:52,533
it's the first time I'm see these are all great samples
19
00:00:52,533 --> 00:00:58,966
the sound of Italian disco oh my God it's great
20
00:01:04,066 --> 00:01:05,666
so oh my God
21
00:01:05,666 --> 00:01:08,299
I'm not even super sure what the snare is gonna be
22
00:01:08,300 --> 00:01:11,500
I know I usually go for something dry but I don't know
23
00:01:11,500 --> 00:01:12,333
the snare in my opinion
24
00:01:12,333 --> 00:01:14,599
is the most important part of the production
25
00:01:14,600 --> 00:01:15,300
cause it makes
26
00:01:15,300 --> 00:01:19,633
it's what could make the song sound super different hmm
27
00:01:22,866 --> 00:01:23,666
oh
28
00:01:24,866 --> 00:01:27,033
oh oh
29
00:01:32,466 --> 00:01:35,466
I like that one because it's almost a d flat hmm
30
00:01:35,666 --> 00:01:36,733
it's like a little bit sharper
31
00:01:36,733 --> 00:01:40,466
it's like a d but what's that one's intriguing to me
32
00:01:40,466 --> 00:01:42,999
what was the other one I liked yeah
33
00:01:45,600 --> 00:01:48,200
alright cool I don't want it to sound like a dubstep
34
00:01:48,200 --> 00:01:52,600
thanks it's just be like low key
35
00:01:54,200 --> 00:01:56,933
um and one thing I can't stress enough
36
00:01:56,933 --> 00:01:58,966
is make your monitors really really low
37
00:01:58,966 --> 00:01:59,999
don't blast your ears
38
00:02:00,000 --> 00:02:01,100
you're gonna 1
39
00:02:01,100 --> 00:02:03,566
save your hearing and No. 2
40
00:02:03,566 --> 00:02:05,299
you can detail mix
41
00:02:05,733 --> 00:02:06,699
it's not as exciting
42
00:02:06,700 --> 00:02:08,800
but it'll be exciting when the product is done
43
00:02:08,800 --> 00:02:10,466
you can blast it for all your friends
44
00:02:12,700 --> 00:02:13,500
let's see
45
00:02:15,333 --> 00:02:17,599
the tail is a little long so let's start by
46
00:02:24,700 --> 00:02:30,100
I'm going to do maybe a little more do another one
47
00:02:32,266 --> 00:02:33,066
why
48
00:02:34,666 --> 00:02:35,466
you
49
00:02:37,266 --> 00:02:38,566
gotta go and get my
50
00:02:40,133 --> 00:02:41,833
why you gotta
51
00:02:46,666 --> 00:02:47,866
so that's where the drums would come in
52
00:02:47,866 --> 00:02:49,366
so I'm just gonna reference it there
53
00:03:08,666 --> 00:03:11,866
oh this is your best friend
54
00:03:21,933 --> 00:03:23,166
gotta go and get my
55
00:03:27,933 --> 00:03:31,799
let's do um
56
00:03:31,866 --> 00:03:33,266
I want like that little fill there
57
00:03:33,266 --> 00:03:34,733
like a stupid little fill so
58
00:03:34,733 --> 00:03:38,566
I'm gonna take off the sustain on the Transient Master
59
00:03:40,400 --> 00:03:42,366
kind of maybe even sustain a little more
60
00:03:45,100 --> 00:03:48,200
kind of cut it off at the end nice
61
00:03:56,166 --> 00:03:57,699
like this phone I'm going to
62
00:04:04,266 --> 00:04:06,166
gonna bring that volume up on this
63
00:04:06,166 --> 00:04:07,366
kick a little bit more
64
00:04:24,066 --> 00:04:26,866
get that little club before
65
00:04:29,733 --> 00:04:30,866
back off a little bit
66
00:04:38,366 --> 00:04:41,833
oh there's a whole section to do here too well
67
00:05:03,200 --> 00:05:06,166
that wrong okay get this right here
68
00:05:08,666 --> 00:05:10,366
so the drums out here
69
00:05:13,266 --> 00:05:14,999
I don't know I like that
70
00:05:25,266 --> 00:05:27,999
bring these little high hats up now
71
00:05:38,900 --> 00:05:41,266
really bring these high hats up damn they're low
72
00:05:41,266 --> 00:05:44,499
um just do a little cla action
73
00:05:44,500 --> 00:05:46,766
see a little cla never hurt anybody
74
00:06:00,900 --> 00:06:02,266
remember that white noise snare
75
00:06:02,266 --> 00:06:03,533
we're gonna bring that up to
76
00:06:03,533 --> 00:06:05,233
it's gonna act as a clap
77
00:06:07,133 --> 00:06:10,166
and it has some little delay on it too cla up
78
00:06:17,400 --> 00:06:19,366
ah see that really did something to the snare
79
00:06:19,366 --> 00:06:21,533
because here I'll solo that little white noise thing
80
00:06:21,533 --> 00:06:22,266
and this snare
81
00:06:22,266 --> 00:06:24,099
it's a pretty ordinary snare
82
00:06:24,100 --> 00:06:26,800
but like a 7:07 kind of sounding thing
83
00:06:26,800 --> 00:06:27,966
but when you put that little
84
00:06:31,966 --> 00:06:32,766
hmm
85
00:06:42,366 --> 00:06:44,133
Prince used to do this all the time too
86
00:06:44,133 --> 00:06:45,066
on his snares
87
00:06:45,066 --> 00:06:45,899
he used to like
88
00:06:45,900 --> 00:06:48,766
kind of lair a little bit of printed tape gate
89
00:06:48,766 --> 00:06:49,999
we don't have a tape machine
90
00:06:50,000 --> 00:06:53,000
but we'll kind of do something similar
91
00:06:53,000 --> 00:06:53,700
so it's kind of cool
92
00:06:53,700 --> 00:06:54,966
I do this sometimes
93
00:06:56,400 --> 00:06:57,166
take the snare
94
00:06:57,166 --> 00:06:58,466
duplicated track
95
00:06:58,600 --> 00:07:01,466
go to my favorite Valhalla reverb plug in
96
00:07:01,466 --> 00:07:01,966
you're going to see that
97
00:07:01,966 --> 00:07:04,566
I use a lot of the same plugins all the time
98
00:07:04,800 --> 00:07:06,633
just because they just work
99
00:07:06,666 --> 00:07:08,033
need to reinvent the wheel
100
00:07:10,000 --> 00:07:11,900
take this take the size down
101
00:07:20,733 --> 00:07:22,066
take some hose out
102
00:07:24,000 --> 00:07:24,800
and
103
00:07:27,500 --> 00:07:29,500
okay and now print that thing
104
00:07:33,400 --> 00:07:37,033
just cause and even delete that track
105
00:07:45,000 --> 00:07:46,333
you don't put it on every single one
106
00:07:46,333 --> 00:07:47,766
but you put it on maybe I don't know
107
00:07:47,766 --> 00:07:49,799
let's see what how it sounds on every other one
108
00:07:52,933 --> 00:07:55,466
you want me yes I do that you want me
109
00:08:05,000 --> 00:08:07,366
it's like an almost inaudible difference
110
00:08:07,366 --> 00:08:11,099
but it just like so you have dry dry dry wet
111
00:08:35,866 --> 00:08:36,366
that remind
112
00:08:36,366 --> 00:08:37,599
that's a good idea too
113
00:08:37,600 --> 00:08:40,200
okay so let's do another Princey kind of thing
114
00:08:40,200 --> 00:08:42,066
um which is to layer like
115
00:08:42,066 --> 00:08:45,599
a Lynn drum clap on the fourth one
116
00:08:45,600 --> 00:08:49,466
it just gives the drum snare a little bit of dynamicism
117
00:08:49,600 --> 00:08:51,200
um is that a word
118
00:08:51,200 --> 00:08:52,766
who knows claps
119
00:08:54,400 --> 00:08:56,500
maybe now
120
00:09:00,766 --> 00:09:02,799
something with a little bit of like pre shift on it
121
00:09:02,800 --> 00:09:03,966
so it'll be like
122
00:09:05,066 --> 00:09:09,299
hmm that's kind of dope but it might be a little hmm
123
00:09:09,866 --> 00:09:12,633
I like that hmm
124
00:09:15,900 --> 00:09:19,666
okay so we got three to choose from let's hear
125
00:09:39,000 --> 00:09:41,033
I like this one this Ester thing
126
00:09:48,733 --> 00:09:51,099
let's see if we can hmm
127
00:09:56,800 --> 00:09:59,266
oh I don't even need to do anything
128
00:09:59,266 --> 00:10:00,599
that just blends nice
129
00:10:26,566 --> 00:10:28,266
so place that there and I don't know
130
00:10:28,266 --> 00:10:30,999
just a way to keep the listener engaged the whole time
131
00:10:32,066 --> 00:10:33,666
they'll probably never even notice it
132
00:10:48,666 --> 00:10:50,499
and I got a plan for this section here
133
00:11:01,366 --> 00:11:03,366
okay so let's stay organized here
134
00:11:03,366 --> 00:11:04,499
let's get the grid going
135
00:11:13,666 --> 00:11:16,399
the little clap under the gated snare joint
136
00:11:28,200 --> 00:11:30,066
I think that clap is too long
137
00:11:34,333 --> 00:11:36,699
just a little deadness
138
00:11:42,600 --> 00:11:45,000
maybe have it happen a little quicker
139
00:12:49,500 --> 00:12:50,566
read my snare
140
00:12:59,066 --> 00:13:00,099
the bridge here right
141
00:13:01,200 --> 00:13:04,833
okay so that is good so clap should go there
142
00:13:08,466 --> 00:13:09,699
it's kind of interesting actually
143
00:13:09,700 --> 00:13:10,900
it's a collapse of the whole time
144
00:13:15,100 --> 00:13:16,700
maybe let's try this
145
00:13:17,300 --> 00:13:18,300
you want if you okay
146
00:13:18,300 --> 00:13:19,533
so if you're gonna go the route of
147
00:13:19,533 --> 00:13:20,666
putting the claps over everything
148
00:13:20,666 --> 00:13:21,499
maybe you want to like
149
00:13:21,500 --> 00:13:22,166
just make them sound
150
00:13:22,166 --> 00:13:24,299
like a little different length every time
151
00:13:35,766 --> 00:13:38,233
sometimes I'll even go into a
152
00:13:39,900 --> 00:13:41,433
pitch in time and just
153
00:13:41,800 --> 00:13:44,366
it doesn't crash the whole damn computer maybe
154
00:13:46,366 --> 00:13:50,166
just bring it down in pitch ever so slightly again
155
00:13:50,400 --> 00:13:52,800
no one's ever really ever gonna know but I'll know
156
00:13:52,966 --> 00:13:53,766
you'll know
157
00:14:31,166 --> 00:14:33,466
long time that could be cool
158
00:14:33,966 --> 00:14:35,899
let's take a little bit of break from drum land
159
00:14:35,900 --> 00:14:37,000
that could be cool
160
00:14:38,300 --> 00:14:40,800
they did that a lot in the 90s like that stagnant
161
00:14:42,100 --> 00:14:44,366
and I got that SoundOn the motif
162
00:14:44,366 --> 00:14:46,433
so let me open up a new track
163
00:14:46,600 --> 00:14:48,666
we're gonna go over to keyboard land now
164
00:14:49,666 --> 00:14:52,833
motif is No. 4
165
00:14:53,333 --> 00:14:55,766
I have it running through this nice TG two
166
00:14:57,766 --> 00:15:00,833
a little noise but who cares let's see
167
00:15:06,566 --> 00:15:10,433
hmm string ensemble looking for a string ensemble
168
00:15:18,366 --> 00:15:21,099
again just playing them separately I just do two
169
00:15:21,300 --> 00:15:23,566
so when you solo it it sounds kind of crappy
170
00:15:23,566 --> 00:15:26,566
but in the mix it'll sound it'll sound nice
171
00:15:27,166 --> 00:15:28,566
let's bring this down
172
00:15:52,266 --> 00:15:55,166
just drag them to the left a little bit
173
00:15:55,466 --> 00:15:59,266
get it to hit a little bit harder bend bend
174
00:16:06,933 --> 00:16:09,233
pew pew pew pew pew pew pew pew pew
175
00:16:25,900 --> 00:16:27,133
okay so they're kind of beefy
176
00:16:27,133 --> 00:16:30,666
so go to the EQ and kind of take some lows out of it
177
00:16:30,666 --> 00:16:31,699
really simple
178
00:16:43,600 --> 00:16:45,900
uh some plate reverb
179
00:16:54,066 --> 00:16:55,499
just like a little flavor to it
180
00:17:03,133 --> 00:17:04,233
kind of just add
181
00:17:05,800 --> 00:17:07,166
this to it
182
00:17:27,266 --> 00:17:29,133
I fell out of love with the plate reverb
183
00:17:29,133 --> 00:17:30,799
I'm going to the reverb that I know see
184
00:17:30,800 --> 00:17:33,400
I'm trying to try new things and it just never works
185
00:17:39,400 --> 00:17:40,366
so good
186
00:17:49,900 --> 00:17:51,000
see where we're at so far
187
00:18:03,600 --> 00:18:05,166
okay so the next thing to accomplish
188
00:18:05,166 --> 00:18:09,899
the chords are different in verse 2 and the chorus
189
00:18:11,333 --> 00:18:12,399
if I saw this
190
00:18:12,733 --> 00:18:13,699
no of course I don't
191
00:18:13,700 --> 00:18:16,633
I think I remember what bass setting was on though
192
00:18:16,966 --> 00:18:19,333
hmm gonna play the bass
193
00:18:19,333 --> 00:18:21,699
like I played it in the chorus but now
194
00:18:31,500 --> 00:18:32,966
that's the same base right
195
00:18:41,000 --> 00:18:46,000
that's it okay so let's build out the verse now
196
00:19:35,600 --> 00:19:38,300
guess I got to it's kind of dope okay
197
00:19:50,300 --> 00:19:52,600
guess I got to that's kind of what I did
198
00:19:59,166 --> 00:20:02,033
see what happens when I quantize it no quantize
199
00:20:07,333 --> 00:20:08,266
boom boom boom
200
00:20:14,733 --> 00:20:18,166
guess I got you did he do dude
201
00:20:19,900 --> 00:20:21,266
guess that's good
202
00:20:21,666 --> 00:20:26,466
um so now you have a song that has one verse
203
00:20:26,466 --> 00:20:28,299
one that sounds like its own thing
204
00:20:28,300 --> 00:20:30,266
in its own spacious Odyssey world
205
00:20:30,266 --> 00:20:31,166
and then you have verse two
206
00:20:31,166 --> 00:20:32,533
which sounds kind of like the chorus
207
00:20:32,533 --> 00:20:33,299
but with different chorus
208
00:20:33,300 --> 00:20:35,800
so each section is different um
209
00:20:36,466 --> 00:20:39,166
so I would want to listen to it again and again
210
00:20:39,166 --> 00:20:39,866
but then again
211
00:20:39,866 --> 00:20:41,399
this is the song that I love
212
00:20:41,400 --> 00:20:43,700
to make something like this
213
00:20:46,966 --> 00:20:49,199
so let's tighten up this base pocket
214
00:20:52,133 --> 00:20:53,666
hmm hmm
215
00:21:13,000 --> 00:21:15,266
guess I that's good for now
216
00:21:15,933 --> 00:21:18,733
just to get something excited about it bring
217
00:21:18,733 --> 00:21:21,133
you can bring it down to the bass track where it has
218
00:21:21,133 --> 00:21:22,833
like that little compressor on it
219
00:22:07,100 --> 00:22:09,433
okay so now I got to get this sound
220
00:22:12,500 --> 00:22:14,866
duplicate everything right here
221
00:22:14,866 --> 00:22:20,433
I think I have that still loaded up on the june oh
222
00:22:20,800 --> 00:22:24,266
june oh 1 0 6 going to number seven
223
00:22:29,933 --> 00:22:31,599
this is the same thing
224
00:22:47,966 --> 00:22:48,833
oh okay
225
00:23:15,666 --> 00:23:19,699
okay so I did what was the rhythm I did on that I
226
00:23:23,900 --> 00:23:25,566
and that's exactly what I'm gonna do for the verse
227
00:23:25,566 --> 00:23:28,233
so let's on this record this boom
228
00:23:31,900 --> 00:23:32,700
yes
229
00:23:52,733 --> 00:23:56,566
okay and recording each chord separately
230
00:23:56,566 --> 00:23:59,833
so you have all the freemen in the world to drag
231
00:24:00,133 --> 00:24:01,499
anything anywhere you want
232
00:24:03,266 --> 00:24:05,166
so this is the first chord right here
233
00:24:05,533 --> 00:24:06,766
I'll just keep it to the vocal
234
00:24:06,766 --> 00:24:08,266
so I can just play along with it
235
00:24:20,166 --> 00:24:21,033
this the
236
00:24:37,666 --> 00:24:40,099
there it is just loop it guess
237
00:25:10,700 --> 00:25:14,166
I'm gonna take off this little compressor on here
238
00:25:14,166 --> 00:25:15,933
cause I'm missing all the attack
239
00:25:15,933 --> 00:25:17,166
and it's kind of nice when it's punchy
240
00:25:17,166 --> 00:25:18,566
so I'm just gonna leave it on there
241
00:25:18,566 --> 00:25:20,133
just in case I change my mind later
242
00:25:20,133 --> 00:25:21,433
but I don't think I'm gonna
243
00:25:40,566 --> 00:25:43,299
so let's put this organ back in here see what
244
00:26:05,066 --> 00:26:06,066
I don't like it
245
00:26:34,733 --> 00:26:37,466
okay no two chords at the end there boom
246
00:26:37,566 --> 00:26:38,866
boom take these out
247
00:26:41,566 --> 00:26:42,366
okay
248
00:26:53,533 --> 00:26:55,033
boom right here
249
00:26:59,166 --> 00:27:02,099
so I want this section here to be the antithesis
250
00:27:02,100 --> 00:27:04,666
of what this second chorus is here so I think
251
00:27:06,900 --> 00:27:11,100
I think I can go into Omnisphere and get let me do this
252
00:27:15,900 --> 00:27:16,866
new track
253
00:27:18,200 --> 00:27:19,633
instrument track
254
00:27:23,800 --> 00:27:26,266
makes it Spectre Sonics where the hell is it
255
00:27:26,266 --> 00:27:27,066
there it is
256
00:27:29,100 --> 00:27:31,900
I'm gonna go into the pure samples
257
00:27:31,900 --> 00:27:33,833
because they make
258
00:27:35,100 --> 00:27:37,233
great okay
259
00:27:38,600 --> 00:27:39,700
this is I think
260
00:27:39,700 --> 00:27:40,700
yeah this is
261
00:27:40,733 --> 00:27:41,599
listen to this
262
00:27:41,600 --> 00:27:43,466
oh my God I use this
263
00:27:47,466 --> 00:27:51,366
said every Drake song ever but this is like the nicest
264
00:27:55,466 --> 00:27:57,166
I think a is even better
265
00:27:59,933 --> 00:28:03,966
what's CS eighty song yeah different vibe
266
00:28:08,366 --> 00:28:09,166
hmm
267
00:28:10,200 --> 00:28:11,200
these are great
268
00:28:59,133 --> 00:29:01,166
and then it's just like a release because you okay
269
00:29:01,166 --> 00:29:02,299
so you're in the air
270
00:29:22,933 --> 00:29:26,633
uh I don't know where
271
00:29:31,266 --> 00:29:35,566
okay do all those separately print
272
00:29:37,933 --> 00:29:40,199
what to do so
273
00:29:44,200 --> 00:29:46,666
now that we're lining up all the chords blah blah blah
274
00:30:08,066 --> 00:30:12,466
I'll probably add more I just want to get the base down
275
00:30:15,366 --> 00:30:17,066
you know it'd be cool putting that little
276
00:30:18,000 --> 00:30:19,566
towel chorus on there
277
00:30:31,533 --> 00:30:32,999
just like cut it off
278
00:30:44,200 --> 00:30:46,466
okay let me listen let me get my bearings here
279
00:31:05,533 --> 00:31:08,066
it would be kind of stupid if
280
00:31:08,800 --> 00:31:12,000
so you want things to like sound delightfully cheesy
281
00:31:12,133 --> 00:31:13,333
I think there's this great
282
00:31:13,333 --> 00:31:17,066
this diva plug in which I don't use all the time
283
00:31:17,066 --> 00:31:20,466
but like they have a really is it which one
284
00:32:00,766 --> 00:32:02,499
I was okay that will crazy
285
00:32:17,400 --> 00:32:19,966
can you imagine if it like just the entire times
286
00:32:19,966 --> 00:32:20,799
like this is the verse
287
00:32:20,800 --> 00:32:25,466
it's just one chord pedal d flat give me a good sound
288
00:32:28,266 --> 00:32:29,066
maybe some
289
00:32:36,066 --> 00:32:38,033
the thing go that's kind of dope
290
00:33:03,666 --> 00:33:04,799
oh almost all right
291
00:33:10,800 --> 00:33:12,400
I go up to the a flat
292
00:33:23,100 --> 00:33:24,833
guess I got to look so
293
00:33:35,533 --> 00:33:37,233
I could get like a guitar going there
294
00:33:41,200 --> 00:33:42,700
I'll probably make a fake guitar
295
00:33:42,700 --> 00:33:44,733
will do that at another time
296
00:33:44,733 --> 00:33:46,966
and then kind of layer it with a real guitar
297
00:33:47,933 --> 00:33:49,399
cause it's very hard for me
298
00:33:49,400 --> 00:33:50,933
to explain to a guitarist like
299
00:33:50,933 --> 00:33:51,766
I don't play guitar at all
300
00:33:51,766 --> 00:33:53,666
it's very hard for me to explain to a guitarist like
301
00:33:53,666 --> 00:33:54,566
what I want them to play
302
00:33:54,566 --> 00:33:55,666
because I have a piano mind
303
00:33:55,666 --> 00:33:56,199
and they're like dude
304
00:33:56,200 --> 00:33:58,666
I don't have all those notes that you have
305
00:33:58,666 --> 00:34:00,466
so it's good to get something feasible down
306
00:34:00,466 --> 00:34:01,366
that they can hear
307
00:34:16,500 --> 00:34:17,566
BA BA boom
308
00:34:24,400 --> 00:34:28,800
I want some separation between I hate many so much
309
00:34:28,800 --> 00:34:31,366
but I want some separation here's the only way to do it
310
00:34:38,066 --> 00:34:39,166
I guess I got to
311
00:34:54,666 --> 00:34:57,699
okay print that that's good for now print
312
00:35:05,700 --> 00:35:08,100
let's make this a little bit bigger
313
00:35:12,933 --> 00:35:14,266
hmm favorite
314
00:35:19,933 --> 00:35:20,899
more wider
315
00:35:29,800 --> 00:35:33,766
first base guess I got to hook so easily
316
00:35:34,066 --> 00:35:38,399
Manny makes a great distortion so we'll plug in
317
00:35:38,400 --> 00:35:43,666
this is good I think he's got a good sword base
318
00:36:00,733 --> 00:36:01,899
you put a little distortion on it
319
00:36:01,900 --> 00:36:03,566
because people are gonna listen to this on iPhone
320
00:36:03,566 --> 00:36:05,366
you want them to hear the resonance
321
00:36:05,366 --> 00:36:10,699
so kind of maybe even lo fi
322
00:36:24,800 --> 00:36:27,166
put the reverb at the last end of the chain
323
00:36:27,166 --> 00:36:31,633
but maybe put a pan man on it
324
00:36:32,066 --> 00:36:33,333
I could go like wow
325
00:36:33,333 --> 00:36:34,566
wow wow wow
326
00:36:34,566 --> 00:36:35,699
I'm trying to make it sound like
327
00:36:35,700 --> 00:36:38,266
like chariots of fire and in
328
00:36:40,000 --> 00:36:42,000
the most legal way possible
329
00:36:50,166 --> 00:36:52,466
rhythm let's put it to one bar
330
00:36:55,533 --> 00:36:56,433
half done
331
00:37:04,466 --> 00:37:06,999
with just a little bit of
332
00:37:33,166 --> 00:37:36,833
maybe that maybe that maybe that bass does belong there
333
00:37:49,800 --> 00:37:51,133
I'll definitely duplicate it
334
00:37:51,133 --> 00:37:53,266
and put a little sidechain LFO tool on it
335
00:37:53,266 --> 00:37:55,599
to make it breathe a little bit better
336
00:37:55,600 --> 00:37:58,033
put that after the um
337
00:37:59,466 --> 00:38:01,666
the reverb that I've improperly just
338
00:38:01,666 --> 00:38:03,066
put on the channel but
339
00:38:25,400 --> 00:38:27,800
I don't like that anymore now I like the
340
00:38:27,800 --> 00:38:29,166
I like this green track better
341
00:38:29,166 --> 00:38:30,766
I like the sustain in the verse
342
00:38:54,266 --> 00:38:56,366
I don't know where to go
343
00:39:14,266 --> 00:39:16,033
maybe put the base in there too
344
00:39:25,700 --> 00:39:26,866
oh my goodness
345
00:39:26,966 --> 00:39:28,599
this is gonna haunt everyone's dreams
346
00:39:28,600 --> 00:39:29,466
this melody
347
00:39:30,266 --> 00:39:31,966
so let's get the
348
00:39:31,966 --> 00:39:33,566
okay that's good
349
00:39:34,200 --> 00:39:39,666
that um one final thing to do before
350
00:39:39,666 --> 00:39:41,899
because you wanna definitely take a ear break
351
00:39:41,900 --> 00:39:42,466
you don't wanna like
352
00:39:42,466 --> 00:39:45,099
go too deep in the rabbit hole
353
00:39:45,166 --> 00:39:47,366
but definitely wanna make amends
354
00:39:47,366 --> 00:39:48,933
and then I wanna add one more layer of the hi hat
355
00:39:48,933 --> 00:39:49,766
to get a different pitch
356
00:39:49,766 --> 00:39:51,199
hi hat a little bit more airy
357
00:39:51,200 --> 00:39:53,666
and then I think that will add a lot to the pocket
358
00:40:01,566 --> 00:40:03,499
okay hi hat thingy
359
00:40:05,000 --> 00:40:06,433
last thing for now
360
00:40:09,466 --> 00:40:12,066
let's go back to ah screw
361
00:40:12,066 --> 00:40:14,466
let's go back to those drum machines um
362
00:40:16,000 --> 00:40:18,433
a 7:07 hmm
363
00:40:20,400 --> 00:40:21,266
and she
364
00:40:22,600 --> 00:40:25,066
contact Hi hat
365
00:40:26,300 --> 00:40:27,400
that's dope
366
00:40:30,466 --> 00:40:32,633
that'll be it some
367
00:40:38,400 --> 00:40:39,600
okay print that
368
00:40:41,866 --> 00:40:43,833
can't wait to see this consolidated
369
00:40:47,333 --> 00:40:49,033
and then this joint here
370
00:40:55,700 --> 00:40:57,100
you're not even really gonna hear these
371
00:40:57,100 --> 00:40:58,766
but it'll make a difference
372
00:41:01,166 --> 00:41:03,166
do do do do do
373
00:41:06,466 --> 00:41:07,266
okay
374
00:41:08,866 --> 00:41:10,266
just saw the hi hat
375
00:41:19,000 --> 00:41:21,266
so bring this top one a little lower
376
00:41:25,400 --> 00:41:27,400
take a little low out of it
377
00:41:33,366 --> 00:41:34,633
let's find my loop
378
00:41:58,966 --> 00:42:00,433
it's good for a cop just
379
00:42:14,866 --> 00:42:16,866
it's crazy that guitars are really gonna
380
00:42:16,866 --> 00:42:19,033
be the thing that kind of ties all this thing together
381
00:42:29,466 --> 00:42:30,266
let it go
382
00:42:37,066 --> 00:42:40,199
I want this hiat just a little bit more wide
383
00:42:42,133 --> 00:42:45,633
ozone ozone here okay
384
00:42:50,200 --> 00:42:51,766
uh you hit learn
385
00:42:52,266 --> 00:42:54,766
these genius Swedish people who made this
386
00:42:55,800 --> 00:42:57,900
you'll recognize the frequency and then you can
387
00:42:57,900 --> 00:43:01,200
the best place to raise it up and make the signal wider
388
00:43:03,400 --> 00:43:04,200
sick
389
00:43:15,800 --> 00:43:18,400
so now you have wide wide center
390
00:43:18,400 --> 00:43:21,266
wide center wide center along with this hat yeah
391
00:43:52,333 --> 00:43:53,366
okay and I think
392
00:43:53,366 --> 00:43:54,966
let's hear that all with the vocal right now
393
00:43:54,966 --> 00:43:58,333
I think that's a good next phase of just like
394
00:43:58,333 --> 00:43:59,533
slight detail work
395
00:43:59,533 --> 00:44:03,699
production not going out of control again
396
00:44:03,700 --> 00:44:05,933
you wanna leave some room for excitement
397
00:44:05,933 --> 00:44:08,266
but that's just like little intricacies like you know
398
00:44:08,266 --> 00:44:10,333
adding a leather layer of a hi hat that use
399
00:44:10,333 --> 00:44:13,266
this is stuff you'd never do in front of a songwriter
400
00:44:13,266 --> 00:44:15,366
you wanna when you're with a songwriter or collaborator
401
00:44:15,366 --> 00:44:17,266
you want like I
402
00:44:17,533 --> 00:44:18,199
you want to like
403
00:44:18,200 --> 00:44:21,833
move it along as fast as possible or just keep it going
404
00:44:27,466 --> 00:44:30,999
I need to do something about that siblings one second
405
00:44:34,533 --> 00:44:35,866
easy fix suit
406
00:45:16,066 --> 00:45:18,166
I just find some stupid splice like just
407
00:45:18,166 --> 00:45:19,966
just so I remember as a mental note
408
00:45:19,966 --> 00:45:20,866
just like a guitar thing
409
00:45:20,866 --> 00:45:23,099
like guitar
410
00:45:23,600 --> 00:45:25,100
what do they call it pluck
411
00:45:25,933 --> 00:45:27,399
what's it called when you like
412
00:45:27,500 --> 00:45:28,900
strum I guess
413
00:45:28,900 --> 00:45:30,600
strum a guitar guitar strum
414
00:45:31,300 --> 00:45:31,933
don't don't
415
00:45:31,933 --> 00:45:32,766
don't don't
416
00:45:32,766 --> 00:45:33,399
don't don't
417
00:45:33,400 --> 00:45:34,966
don't don't
418
00:45:34,966 --> 00:45:35,599
don't don't
419
00:45:35,600 --> 00:45:36,433
don't don't
420
00:45:36,600 --> 00:45:37,766
now I'm not gonna be able to
421
00:45:38,066 --> 00:45:39,099
this is what I'll do
422
00:45:40,333 --> 00:45:44,699
it's a little far fetched but we'll do it mono track
423
00:45:44,700 --> 00:45:46,200
if you can't play guitar
424
00:45:47,333 --> 00:45:48,799
load up auto tune
425
00:45:49,866 --> 00:45:51,166
this is a neat little trick
426
00:45:53,333 --> 00:45:57,033
um this is how I did the attention guitars originally
427
00:45:57,966 --> 00:46:00,266
d flat major turn it up all the way
428
00:46:10,333 --> 00:46:13,799
go to Guitar Rig in effects folder
429
00:46:13,800 --> 00:46:15,400
a B C d E F
430
00:46:15,400 --> 00:46:17,500
G Guitar Rig make it
431
00:46:18,800 --> 00:46:20,266
summit to stereo
432
00:46:21,466 --> 00:46:24,666
put it like Andy in a bottle
433
00:46:25,100 --> 00:46:28,233
see love that for me
434
00:46:29,366 --> 00:46:30,666
but don't don't don't
435
00:46:30,666 --> 00:46:31,266
don't don't
436
00:46:31,266 --> 00:46:31,933
don't don't
437
00:46:31,933 --> 00:46:32,533
don't don't
438
00:46:32,533 --> 00:46:33,133
don't don't
439
00:46:33,133 --> 00:46:33,766
don't don't
440
00:46:33,766 --> 00:46:34,566
don't don't
441
00:46:34,733 --> 00:46:35,866
don't don't
442
00:46:36,400 --> 00:46:37,900
guitar amps don't
443
00:46:38,766 --> 00:46:39,866
don't don't know
444
00:46:39,866 --> 00:46:41,533
so this is what the guitar would sound like
445
00:46:41,533 --> 00:46:42,799
in the first time
446
00:46:47,066 --> 00:46:49,966
so thunder thunder thunder thunder
447
00:46:53,900 --> 00:46:55,700
done done done done done done
448
00:47:14,500 --> 00:47:15,866
gonna be dumb gonna be dumb
449
00:47:17,600 --> 00:47:20,800
that's good right there so got that recorded
450
00:47:20,966 --> 00:47:22,166
keep that in
451
00:47:26,766 --> 00:47:28,699
doesn't really sound too much like a guitar
452
00:47:28,700 --> 00:47:33,300
but you kind of just bump up the camera
453
00:47:35,500 --> 00:47:37,366
a little bit
454
00:47:39,900 --> 00:47:41,600
this is
455
00:47:46,533 --> 00:47:47,333
the
456
00:47:49,466 --> 00:47:51,099
if that's the loop right there
457
00:47:51,500 --> 00:47:53,200
then go to Audio Suite
458
00:47:53,933 --> 00:47:58,966
and just make sure that thing is hard tuned so we got
459
00:48:01,566 --> 00:48:03,033
see I'm
460
00:48:04,533 --> 00:48:05,666
all over the place here
461
00:48:05,666 --> 00:48:08,766
but I'm gonna just see sharp
462
00:48:10,100 --> 00:48:11,466
a bunch of C sharps
463
00:48:20,066 --> 00:48:22,366
change them
464
00:48:23,600 --> 00:48:25,166
sound like less like a boy
465
00:48:29,800 --> 00:48:32,800
we'll bring this down here
466
00:48:34,933 --> 00:48:37,433
okay NS1
467
00:48:51,933 --> 00:48:53,033
polyphonic
468
00:48:55,200 --> 00:48:56,366
option zero
469
00:48:58,066 --> 00:49:01,166
and you guess I'm watching you hope so isn't that
470
00:49:03,166 --> 00:49:04,266
can you kiss me back
471
00:49:05,133 --> 00:49:07,466
then a guitar player will hear that and be like oh
472
00:49:08,000 --> 00:49:11,266
you can mute that I know exactly what to do but for now
473
00:49:16,466 --> 00:49:17,699
Transient Master
474
00:49:23,866 --> 00:49:26,666
never mind let's do it before
475
00:49:32,700 --> 00:49:33,500
okay
476
00:49:38,933 --> 00:49:40,666
spin it spin it spin it
477
00:49:48,600 --> 00:49:51,533
print that I think that's good for now
478
00:49:51,533 --> 00:49:54,499
and then we'll listen to the whole shish kebabin
479
00:49:54,500 --> 00:49:55,766
it's important by the way
480
00:49:55,766 --> 00:49:58,299
not to spend all day at the computer
481
00:49:58,300 --> 00:50:00,066
because some of the best ideas come when you're
482
00:50:00,066 --> 00:50:01,366
not working at Pro Tools
483
00:50:01,366 --> 00:50:02,366
I know that's like the
484
00:50:02,366 --> 00:50:03,766
not the premise of this right now
485
00:50:03,766 --> 00:50:05,633
but it's important to
486
00:50:06,000 --> 00:50:07,100
you know go outside
487
00:50:07,100 --> 00:50:08,266
put your feet on the grass
488
00:50:09,066 --> 00:50:09,966
hide and meditate
489
00:50:09,966 --> 00:50:10,899
if you meditate
490
00:51:06,466 --> 00:51:09,266
sick okay I actually love this
491
00:51:09,566 --> 00:51:10,999
it's like really really tight
492
00:51:55,000 --> 00:51:56,366
something like that
493
00:51:56,566 --> 00:51:59,166
obviously I wouldn't have those high hats um
494
00:51:59,166 --> 00:51:59,666
at the very
495
00:51:59,666 --> 00:52:00,466
very end but yeah
496
00:52:00,466 --> 00:52:00,999
that's not like
497
00:52:01,000 --> 00:52:02,566
mix perfectly or anything like that
498
00:52:02,566 --> 00:52:05,266
but there's just extra elements to get me excited
499
00:52:05,266 --> 00:52:06,466
because now I gotta
500
00:52:06,466 --> 00:52:09,266
you know write the rest of the lyrics and stuff um
501
00:52:09,300 --> 00:52:11,900
so yeah I think that's a good place to stop for now
502
00:52:11,900 --> 00:52:14,366
and then we'll add more elements at another time
503
00:52:14,600 --> 00:52:17,000
so I just spent some time enhancing my track
504
00:52:17,000 --> 00:52:17,766
adding little things
505
00:52:17,766 --> 00:52:20,399
like little hi hats that you can't really even hear
506
00:52:20,400 --> 00:52:21,300
but it makes the
507
00:52:21,300 --> 00:52:22,500
it makes all the difference
508
00:52:22,500 --> 00:52:24,666
so now it's your turn to do just that
509
00:52:24,666 --> 00:52:26,466
and the next step is going to be
510
00:52:26,500 --> 00:52:30,000
writing the lyrics and finishing the actual song um
511
00:52:30,000 --> 00:52:32,100
one thing you don't wanna do is
512
00:52:32,600 --> 00:52:34,266
get too caught up in production
513
00:52:34,266 --> 00:52:38,099
if you don't have your whole song skeleton done yet
514
00:52:38,100 --> 00:52:41,066
you don't want to then focus on thinking like
515
00:52:41,066 --> 00:52:43,899
oh I gotta then get a different kick I got it
516
00:52:43,900 --> 00:52:45,300
the snare still isn't right like
517
00:52:45,300 --> 00:52:47,966
you need to compartmentalize your thinking a little bit
518
00:52:47,966 --> 00:52:50,266
you need to finish the song skeleton
519
00:52:50,266 --> 00:52:51,333
just babble it out
520
00:52:51,333 --> 00:52:53,533
and then worry about the sounds later
521
00:52:53,533 --> 00:52:54,966
because if you worry about the sounds
522
00:52:54,966 --> 00:52:56,433
and you still don't have a pre chorus
523
00:52:56,466 --> 00:52:58,799
you just have a really good sounding beat
524
00:52:58,800 --> 00:53:00,000
with no pre chorus yet
525
00:53:00,000 --> 00:53:01,933
so make sure you do that first
526
00:53:01,933 --> 00:53:04,599
and then reward yourself by adding more stuff
527
00:53:04,900 --> 00:53:06,133
as a producer would
528
00:53:06,133 --> 00:53:07,666
it's just like a reward system
34829
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
