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These are the user uploaded subtitles that are being translated: 1 00:00:01,351 --> 00:00:04,453 CAPTIONING MADE POSSIBLE BY POLYGRAM VIDEO 2 00:00:08,409 --> 00:00:09,870 Pilot: LADIES AND GENTLEMEN, 3 00:00:09,894 --> 00:00:12,994 WE'RE ABOUT TO BEGIN OUR DESCENT INTO LOS ANGELES. 4 00:00:13,063 --> 00:00:14,173 THE SOUND YOU JUST HEARD 5 00:00:14,197 --> 00:00:16,331 IS THE LANDING GEAR LOCKING INTO PLACE. 6 00:00:16,400 --> 00:00:18,667 LOS ANGELES WEATHER IS CLEAR. 7 00:00:18,736 --> 00:00:20,669 THE TEMPERATURE IS 72. 8 00:00:20,738 --> 00:00:22,170 WE EXPECT TO MAKE 9 00:00:22,239 --> 00:00:25,674 OUR 4-HOUR AND 18-MINUTE FLIGHT ON SCHEDULE. 10 00:00:25,743 --> 00:00:27,423 WE HAVE ENJOYED HAVING YOU ON BOARD 11 00:00:27,478 --> 00:00:28,622 AND LOOK FORWARD TO SEEING YOU AGAIN 12 00:00:28,646 --> 00:00:30,312 IN THE NEAR FUTURE. 13 00:00:33,083 --> 00:00:37,519 ♪ HELLO, DARKNESS, MY OLD FRIEND ♪ 14 00:00:37,588 --> 00:00:42,023 ♪ I'VE COME TO TALK WITH YOU AGAIN ♪ 15 00:00:42,092 --> 00:00:46,862 ♪ BECAUSE A VISION SOFTLY CREEPING ♪ 16 00:00:46,931 --> 00:00:51,366 ♪ LEFT ITS SEEDS WHILE I WAS SLEEPING ♪ 17 00:00:51,435 --> 00:00:53,535 ♪ AND THE VISION ♪ 18 00:00:53,604 --> 00:00:58,073 ♪ THAT WAS PLANTED IN MY BRAIN ♪ 19 00:00:58,141 --> 00:01:01,142 ♪ STILL REMAINS ♪ 20 00:01:01,211 --> 00:01:06,815 ♪ WITHIN THE SOUND OF SILENCE ♪ 21 00:01:06,884 --> 00:01:11,687 ♪ IN RESTLESS DREAMS I WALKED ALONE ♪ 22 00:01:11,755 --> 00:01:16,157 ♪ NARROW STREETS OF COBBLESTONE ♪ 23 00:01:16,226 --> 00:01:20,496 ♪ 'NEATH THE HALO OF A STREET LAMP ♪ 24 00:01:20,564 --> 00:01:25,333 ♪ I TURNED MY COLLAR TO THE COLD AND DAMP ♪ 25 00:01:25,402 --> 00:01:27,836 ♪ WHEN MY EYES WERE STABBED ♪ 26 00:01:27,905 --> 00:01:32,007 ♪ BY THE FLASH OF A NEON LIGHT ♪ 27 00:01:32,075 --> 00:01:35,511 ♪ THAT SPLIT THE NIGHT ♪ 28 00:01:35,579 --> 00:01:41,349 ♪ AND TOUCHED THE SOUND OF SILENCE ♪ 29 00:01:41,418 --> 00:01:45,754 ♪ AND IN THE NAKED LIGHT I SAW ♪ 30 00:01:45,823 --> 00:01:50,526 ♪ 10,000 PEOPLE, MAYBE MORE ♪ 31 00:01:50,594 --> 00:01:55,030 ♪ PEOPLE TALKING WITHOUT SPEAKING ♪ 32 00:01:55,098 --> 00:01:59,401 ♪ PEOPLE HEARING WITHOUT LISTENING ♪ 33 00:01:59,469 --> 00:02:02,538 ♪ PEOPLE WRITING SONGS ♪ 34 00:02:02,606 --> 00:02:06,975 ♪ THAT VOICES NEVER SHARED ♪ 35 00:02:07,044 --> 00:02:10,478 ♪ NO ONE DARED ♪ 36 00:02:10,548 --> 00:02:16,317 ♪ DISTURB THE SOUND OF SILENCE ♪ 37 00:02:16,386 --> 00:02:20,321 ♪ FOOLS, SAID I, YOU DO NOT KNOW ♪ 38 00:02:20,390 --> 00:02:24,726 ♪ SILENCE LIKE A CANCER GROWS ♪ 39 00:02:24,795 --> 00:02:29,031 ♪ HEAR MY WORDS THAT I MIGHT TEACH YOU ♪ 40 00:02:29,099 --> 00:02:33,702 ♪ TAKE MY ARMS THAT I MIGHT REACH YOU ♪ 41 00:02:33,771 --> 00:02:40,341 ♪ BUT MY WORDS LIKE SILENT RAINDROPS FELL ♪ 42 00:02:43,413 --> 00:02:51,413 ♪ AND WHISPERED THE SOUNDS OF SILENCE ♪ 43 00:03:01,364 --> 00:03:03,844 HEY, WHAT'S THE MATTER? 44 00:03:04,868 --> 00:03:07,302 THE GUESTS ARE ALL DOWNSTAIRS, BEN, 45 00:03:07,370 --> 00:03:08,937 WAITING TO SEE YOU. 46 00:03:10,373 --> 00:03:12,808 LOOK, DAD, COULD YOU EXPLAIN 47 00:03:12,876 --> 00:03:15,811 THAT I HAVE TO BE ALONE FOR A WHILE? 48 00:03:15,879 --> 00:03:18,313 THESE ARE ALL OUR GOOD FRIENDS, BEN. 49 00:03:18,381 --> 00:03:21,316 MOST OF THEM HAVE KNOWN YOU SINCE... 50 00:03:21,384 --> 00:03:23,318 WELL, PRACTICALLY SINCE YOU WERE BORN. 51 00:03:23,386 --> 00:03:24,953 WHAT IS IT, BEN? 52 00:03:26,056 --> 00:03:27,623 I'M JUST... 53 00:03:28,558 --> 00:03:30,125 WORRIED? 54 00:03:33,097 --> 00:03:36,832 WELL... ABOUT WHAT? 55 00:03:36,900 --> 00:03:39,835 I GUESS ABOUT MY FUTURE. 56 00:03:42,239 --> 00:03:44,172 WHAT ABOUT IT? 57 00:03:44,241 --> 00:03:45,807 I DON'T KNOW. 58 00:03:47,911 --> 00:03:50,012 I WANT IT TO BE... 59 00:03:51,081 --> 00:03:52,648 TO BE WHAT? 60 00:03:55,418 --> 00:03:56,985 DIFFERENT. 61 00:03:58,255 --> 00:03:59,688 IS ANYTHING WRONG? 62 00:03:59,757 --> 00:04:02,624 NO, NO. WE'RE JUST ON OUR WAY DOWNSTAIRS. 63 00:04:02,693 --> 00:04:04,126 THE CARLSONS ARE HERE. 64 00:04:04,194 --> 00:04:06,172 THEY ARE? WELL, COME ON. 65 00:04:06,196 --> 00:04:09,131 THEY CAME ALL THE WAY FROM TARZANA. 66 00:04:09,199 --> 00:04:10,632 COME ON, LET'S GET CRACKING. 67 00:04:10,701 --> 00:04:12,178 IT'S A WONDERFUL THING 68 00:04:12,202 --> 00:04:14,803 TO HAVE SO MANY DEVOTED FRIENDS. 69 00:04:17,875 --> 00:04:19,808 'RE ALL VERY PROUD OF YOU, BEN. 70 00:04:19,877 --> 00:04:20,809 THANK YOU, MRS. CARLSON. 71 00:04:20,878 --> 00:04:21,810 IS THAT THE NEW CAR OUT THERE? 72 00:04:21,879 --> 00:04:22,811 THAT LITTLE RED WOP JOB? 73 00:04:22,880 --> 00:04:24,357 THAT'S BEN'S GRADUATION PRESENT. 74 00:04:24,381 --> 00:04:25,313 YOU WON'T HAVE MUCH TROUBLE 75 00:04:25,382 --> 00:04:26,314 PICKING UP IN THAT, WILL YOU? 76 00:04:26,383 --> 00:04:27,315 SIR? 77 00:04:27,384 --> 00:04:28,862 THE GIRLS, THE CHICKS, THE TEENYBOPPERS. 78 00:04:28,886 --> 00:04:31,097 I THINK BEN'S GOTTEN BEYOND THE TEENYBOPPER STAGE, 79 00:04:31,121 --> 00:04:32,054 HAVEN'T YOU, BEN? 80 00:04:32,122 --> 00:04:33,321 YES, MA'AM. 81 00:04:33,390 --> 00:04:34,823 EXCUSE ME. 82 00:04:34,892 --> 00:04:37,826 I'D LIKE TO CHECK SOMETHING ON THE CAR FOR A MINUTE. 83 00:04:37,895 --> 00:04:41,329 HIS FATHER BOUGHT HIM AN ALFA ROMEO. 84 00:04:41,398 --> 00:04:43,331 HEY, HERE'S THE TRACK STAR. 85 00:04:43,400 --> 00:04:44,599 HOW ARE YOU, TRACK STAR? 86 00:04:44,668 --> 00:04:45,600 JUST FINE, MR. LOOMIS. 87 00:04:45,669 --> 00:04:46,835 I WANT TO GET A DRINK, 88 00:04:46,904 --> 00:04:48,581 THEN I WANT TO HEAR ALL ABOUT THAT THING THAT YOU WON, 89 00:04:48,605 --> 00:04:49,838 THAT HOPPERMAN AWARD. 90 00:04:49,907 --> 00:04:50,839 HALPINGHAM. 91 00:04:50,908 --> 00:04:51,840 HALPINGHAM. RIGHT. 92 00:04:51,909 --> 00:04:53,474 YOU WAIT RIGHT HERE. 93 00:04:56,914 --> 00:04:58,847 BEN! 94 00:05:00,250 --> 00:05:02,617 WE'RE ALL SO PROUD OF YOU. 95 00:05:02,686 --> 00:05:05,620 PROUD, PROUD, PROUD, PROUD, PROUD. 96 00:05:05,689 --> 00:05:07,667 WHAT ARE YOU GOING TO DO NOW? 97 00:05:07,691 --> 00:05:09,624 I WAS GOING TO GO UPSTAIRS FOR A MINUTE. 98 00:05:09,693 --> 00:05:11,626 I MEANT WITH YOUR FUTURE. 99 00:05:11,695 --> 00:05:12,627 YOUR LIFE. 100 00:05:12,696 --> 00:05:14,129 WELL, THAT'S A LITTLE HARD TO SAY. 101 00:05:14,198 --> 00:05:15,130 BEN. 102 00:05:15,199 --> 00:05:16,297 EXCUSE ME. 103 00:05:16,366 --> 00:05:17,933 MR. McGUIRE. 104 00:05:18,869 --> 00:05:20,802 BEN. 105 00:05:20,871 --> 00:05:22,303 MR. McGUIRE. 106 00:05:22,372 --> 00:05:24,305 COME WITH ME A MINUTE. 107 00:05:24,374 --> 00:05:26,307 I WANT TO TALK TO YOU. 108 00:05:26,376 --> 00:05:27,809 EXCUSE US, JOANNE. 109 00:05:27,878 --> 00:05:29,444 OF COURSE. 110 00:05:30,714 --> 00:05:31,813 CONGRATULATIONS! 111 00:05:31,882 --> 00:05:35,117 I LOOK AT HIM, AND I CAN'T BELIEVE IT. 112 00:05:37,387 --> 00:05:40,822 I JUST WANT TO SAY ONE WORD TO YOU. 113 00:05:40,891 --> 00:05:43,324 JUST ONE WORD. 114 00:05:43,393 --> 00:05:45,326 YES, SIR. 115 00:05:45,395 --> 00:05:46,327 ARE YOU LISTENING? 116 00:05:46,396 --> 00:05:47,829 YES, I AM. 117 00:05:47,898 --> 00:05:49,664 PLASTICS. 118 00:05:52,069 --> 00:05:54,019 EXACTLY HOW DO YOU MEAN? 119 00:05:54,088 --> 00:05:56,521 THERE'S A GREAT FUTURE IN PLASTICS. 120 00:05:56,590 --> 00:05:58,356 THINK ABOUT IT. 121 00:05:58,425 --> 00:05:59,357 WILL YOU THINK ABOUT IT? 122 00:05:59,426 --> 00:06:00,292 YES, I WILL. 123 00:06:00,360 --> 00:06:01,793 SHH! ENOUGH SAID. 124 00:06:01,861 --> 00:06:03,295 THAT'S A DEAL. 125 00:06:03,363 --> 00:06:04,796 HERE HE IS NOW. 126 00:06:04,864 --> 00:06:06,298 HERE'S BEN. 127 00:06:06,366 --> 00:06:08,566 EXCUSE ME JUST A MINUTE. 128 00:06:09,703 --> 00:06:11,303 Benjamin's Mother: LISTEN, EVERYBODY, 129 00:06:11,371 --> 00:06:12,604 I WANT YOU ALL TO BE QUIET. 130 00:06:12,673 --> 00:06:14,606 I'VE GOT BEN'S COLLEGE YEARBOOK HERE, 131 00:06:14,675 --> 00:06:16,274 AND I JUST WANT TO READ YOU 132 00:06:16,343 --> 00:06:18,109 SOME OF THE WONDERFUL THINGS ABOUT BEN. 133 00:06:18,178 --> 00:06:20,945 BE QUIET, PLEASE! 134 00:06:21,014 --> 00:06:22,614 "CAPTAIN OF THE CROSS-COUNTRY TEAM, 135 00:06:22,683 --> 00:06:24,616 "HEAD OF THE DEBATING CLUB, 136 00:06:24,685 --> 00:06:27,319 "ASSOCIATE EDITOR OF THE COLLEGE NEWSPAPER 137 00:06:27,387 --> 00:06:28,486 "IN HIS JUNIOR YEAR, 138 00:06:28,555 --> 00:06:30,622 MANAGING EDITOR IN HIS SENIOR..." 139 00:07:06,159 --> 00:07:09,594 OH, I GUESS THIS ISN'T THE BATHROOM, IS IT? 140 00:07:09,663 --> 00:07:12,864 IT'S, UH, DOWN THE HALL. 141 00:07:12,932 --> 00:07:14,366 HOW ARE YOU, BENJAMIN? 142 00:07:14,434 --> 00:07:16,368 FINE, THANK YOU, MRS. ROBINSON. 143 00:07:16,436 --> 00:07:19,937 THE BATHROOM'S DOWN AT THE END OF THE HALL. 144 00:07:20,006 --> 00:07:22,106 SUCH A PLEASANT ROOM. 145 00:07:22,175 --> 00:07:23,608 LOOK, UH... MRS. ROBINSON, 146 00:07:23,677 --> 00:07:27,612 I DON'T MEAN TO BE RUDE, BUT I'M AWFULLY... 147 00:07:27,681 --> 00:07:29,781 IS THERE AN ASHTRAY IN HERE? 148 00:07:31,017 --> 00:07:32,617 NO. 149 00:07:32,686 --> 00:07:34,163 OH, YES, I FORGOT... 150 00:07:34,187 --> 00:07:36,587 THE TRACK STAR DOESN'T SMOKE. 151 00:07:43,697 --> 00:07:45,463 IS IT A GIRL? 152 00:07:46,866 --> 00:07:48,300 IS WHAT A GIRL? 153 00:07:48,368 --> 00:07:50,802 WHATEVER IT IS THAT'S UPSETTING YOU. 154 00:07:50,870 --> 00:07:53,137 OH, NO, I'M JUST, UH... 155 00:07:53,206 --> 00:07:55,640 SORT OF DISTURBED ABOUT THINGS. 156 00:07:55,709 --> 00:07:56,852 IN GENERAL? 157 00:07:56,876 --> 00:07:58,443 THAT'S RIGHT. 158 00:08:00,647 --> 00:08:04,081 WELL... CONGRATULATIONS. 159 00:08:04,150 --> 00:08:05,717 THANK YOU. 160 00:08:08,488 --> 00:08:10,221 OH, BENJAMIN. 161 00:08:10,290 --> 00:08:12,357 I WANT TO ASK YOU SOMETHING. 162 00:08:12,426 --> 00:08:13,358 WHAT? 163 00:08:13,427 --> 00:08:14,359 WILL YOU TAKE ME HOME? 164 00:08:14,428 --> 00:08:15,360 WHAT? 165 00:08:15,429 --> 00:08:16,728 MY HUSBAND TOOK THE CAR. 166 00:08:16,797 --> 00:08:18,730 WILL YOU DRIVE ME HOME? 167 00:08:18,799 --> 00:08:21,098 HERE, YOU TAKE IT. 168 00:08:21,167 --> 00:08:24,268 YOU KNOW HOW TO WORK A FOREIGN SHIFT? 169 00:08:25,672 --> 00:08:26,938 YOU DON'T? 170 00:08:27,006 --> 00:08:28,573 NO. 171 00:08:30,510 --> 00:08:31,943 HMM. 172 00:08:32,011 --> 00:08:33,611 LET'S GO. 173 00:08:58,872 --> 00:09:00,238 THANK YOU. 174 00:09:00,306 --> 00:09:01,873 RIGHT. 175 00:09:20,159 --> 00:09:22,093 WILL YOU COME IN, PLEASE? 176 00:09:22,161 --> 00:09:23,428 WHAT? 177 00:09:23,497 --> 00:09:26,431 I'D LIKE YOU TO COME IN TILL I GET THE LIGHTS ON. 178 00:09:26,500 --> 00:09:27,599 WHAT FOR? 179 00:09:27,667 --> 00:09:28,978 BECAUSE I DON'T FEEL SAFE 180 00:09:29,002 --> 00:09:30,922 TILL I GET THE LIGHTS ON. 181 00:09:46,686 --> 00:09:48,787 WOULD YOU MIND WALKING AHEAD OF ME 182 00:09:48,855 --> 00:09:49,954 TO THE SUN PORCH? 183 00:09:50,023 --> 00:09:52,624 I FEEL FUNNY ABOUT COMING INTO A DARK HOUSE. 184 00:09:52,692 --> 00:09:54,626 BUT IT'S LIGHT IN THERE. 185 00:09:54,694 --> 00:09:56,260 PLEASE. 186 00:10:20,219 --> 00:10:22,320 WHAT DO YOU DRINK, BOURBON? 187 00:10:22,388 --> 00:10:25,323 LOOK, MRS. ROBINSON, I DROVE YOU HOME, 188 00:10:25,391 --> 00:10:26,991 I WAS GLAD TO DO IT, 189 00:10:27,060 --> 00:10:28,493 BUT I HAVE SOME THINGS ON MY MIND. 190 00:10:28,562 --> 00:10:29,828 CAN YOU UNDERSTAND THAT? 191 00:10:29,896 --> 00:10:30,829 YES. 192 00:10:30,897 --> 00:10:32,330 ALL RIGHT. 193 00:10:32,398 --> 00:10:34,332 WHAT DO YOU DRINK? 194 00:10:36,736 --> 00:10:38,714 BENJAMIN, I'M SORRY TO BE THIS WAY, 195 00:10:38,738 --> 00:10:39,949 BUT I DON'T WANT TO BE LEFT ALONE 196 00:10:39,973 --> 00:10:40,905 IN THIS HOUSE. 197 00:10:40,974 --> 00:10:41,906 WHY NOT? 198 00:10:41,975 --> 00:10:43,453 PLEASE WAIT TILL MY HUSBAND GETS HOME. 199 00:10:43,477 --> 00:10:45,443 WHEN IS HE COMING BACK? 200 00:10:45,512 --> 00:10:47,144 I DON'T KNOW. 201 00:10:48,582 --> 00:10:49,514 DRINK? 202 00:10:49,583 --> 00:10:51,148 NO. 203 00:10:52,586 --> 00:10:55,353 ARE YOU ALWAYS THIS MUCH AFRAID OF BEING ALONE? 204 00:10:55,421 --> 00:10:56,855 YES. 205 00:10:56,923 --> 00:10:58,623 WELL, WHY CAN'T YOU JUST LOCK THE DOORS 206 00:10:58,692 --> 00:10:59,858 AND GO TO BED? 207 00:10:59,926 --> 00:11:03,127 I'M VERY NEUROTIC. 208 00:11:15,191 --> 00:11:17,626 MAY I ASK YOU A QUESTION? 209 00:11:17,694 --> 00:11:20,595 WHAT DO YOU THINK OF ME? 210 00:11:20,664 --> 00:11:22,930 WHAT DO YOU MEAN? 211 00:11:22,999 --> 00:11:24,644 YOU'VE KNOWN ME NEARLY ALL YOUR LIFE. 212 00:11:24,668 --> 00:11:26,346 YOU MUST'VE FORMED SOME OPINION OF ME. 213 00:11:26,370 --> 00:11:29,070 WELL, I ALWAYS THOUGHT 214 00:11:29,139 --> 00:11:32,006 THAT YOU WERE A VERY NICE PERSON. 215 00:11:33,777 --> 00:11:35,977 DID YOU KNOW I WAS AN ALCOHOLIC? 216 00:11:38,047 --> 00:11:39,414 WHAT? 217 00:11:39,483 --> 00:11:41,215 DID YOU KNOW THAT? 218 00:11:42,753 --> 00:11:45,153 LOOK, I THINK I SHOULD BE GOING. 219 00:11:45,221 --> 00:11:46,721 SIT DOWN, BENJAMIN. 220 00:11:46,790 --> 00:11:49,524 MRS. ROBINSON, IF YOU DON'T MIND MY SAYING SO, 221 00:11:49,593 --> 00:11:51,726 THIS CONVERSATION IS GETTING A LITTLE STRANGE. 222 00:11:51,795 --> 00:11:54,228 NOW, I'M SURE MR. ROBINSON WILL BE HERE ANY MINUTE... 223 00:11:54,298 --> 00:11:55,530 NO. WHAT? 224 00:11:55,599 --> 00:11:57,277 MY HUSBAND WILL BE BACK QUITE LATE. 225 00:11:57,301 --> 00:11:59,901 HE SHOULD BE GONE FOR SEVERAL HOURS. 226 00:12:01,204 --> 00:12:02,470 OH, MY GOD. 227 00:12:02,539 --> 00:12:03,805 PARDON? 228 00:12:03,873 --> 00:12:05,139 OH, NO, MRS. ROBINSON. OH, NO. 229 00:12:05,208 --> 00:12:06,474 WHAT'S WRONG? 230 00:12:06,543 --> 00:12:07,663 MRS. ROBINSON, YOU DIDN'T... 231 00:12:07,711 --> 00:12:10,978 I MEAN, YOU DIDN'T EXPECT... WHAT? 232 00:12:11,047 --> 00:12:12,525 I MEAN, YOU DIDN'T REALLY THINK 233 00:12:12,549 --> 00:12:14,527 I'D DO SOMETHING LIKE THAT. 234 00:12:14,551 --> 00:12:15,650 LIKE WHAT? 235 00:12:15,719 --> 00:12:17,151 WHAT DO YOU THINK? 236 00:12:17,220 --> 00:12:18,653 WELL, I DON'T KNOW. 237 00:12:18,722 --> 00:12:20,988 FOR GOD'S SAKE, MRS. ROBINSON. 238 00:12:21,057 --> 00:12:23,991 HERE WE ARE. YOU GOT ME INTO YOUR HOUSE, 239 00:12:24,060 --> 00:12:26,661 YOU GIVE ME A DRINK, YOU PUT ON MUSIC, 240 00:12:26,730 --> 00:12:28,863 NOW YOU START OPENING UP YOUR PERSONAL LIFE TO ME 241 00:12:28,932 --> 00:12:30,209 AND TELLING ME YOUR HUSBAND WON'T BE HOME FOR HOURS. 242 00:12:30,233 --> 00:12:31,316 SO? 243 00:12:31,385 --> 00:12:34,669 MRS. ROBINSON, YOU'RE TRYING TO SEDUCE ME. 244 00:12:36,740 --> 00:12:38,340 AREN'T YOU? 245 00:12:38,408 --> 00:12:41,509 WELL, NO, I HADN'T THOUGHT OF IT. 246 00:12:41,578 --> 00:12:43,189 I FEEL VERY FLATTERED. 247 00:12:43,213 --> 00:12:45,012 WILL YOU FORGIVE ME FOR WHAT I JUST SAID? 248 00:12:45,081 --> 00:12:46,514 IT'S ALL RIGHT. 249 00:12:46,583 --> 00:12:47,583 IT'S NOT ALL RIGHT. 250 00:12:47,617 --> 00:12:48,761 IT'S THE WORST THING I EVER SAID TO ANYONE. 251 00:12:48,785 --> 00:12:50,184 SIT DOWN. 252 00:12:50,253 --> 00:12:53,020 PLEASE FORGIVE ME, BECAUSE I LIKE YOU. 253 00:12:53,089 --> 00:12:54,856 I DON'T THINK OF YOU THAT WAY, 254 00:12:54,924 --> 00:12:56,023 BUT I'M MIXED UP. 255 00:12:56,092 --> 00:12:57,024 IT'S ALL RIGHT. FINISH YOUR DRINK. 256 00:12:57,093 --> 00:12:59,394 IT MAKES ME SICK THAT I SAID THAT TO YOU. 257 00:12:59,463 --> 00:13:02,630 FORGET IT RIGHT NOW. FINISH YOUR DRINK. 258 00:13:02,699 --> 00:13:04,966 WHAT IS WRONG WITH ME? 259 00:13:05,034 --> 00:13:07,434 HAVE YOU EVER SEEN ELAINE'S PORTRAIT? 260 00:13:11,207 --> 00:13:12,474 WHA... HER PORTRAIT? 261 00:13:12,542 --> 00:13:13,475 YES. 262 00:13:13,543 --> 00:13:14,476 NO. 263 00:13:14,544 --> 00:13:16,021 WE HAD IT DONE LAST CHRISTMAS. 264 00:13:16,045 --> 00:13:17,523 WOULD YOU LIKE TO SEE IT? 265 00:13:17,547 --> 00:13:19,113 VERY MUCH. 266 00:13:22,118 --> 00:13:24,318 IT'S HERE IN ELAINE'S ROOM. 267 00:13:26,556 --> 00:13:28,155 HMM. 268 00:13:28,224 --> 00:13:29,657 HMM. 269 00:13:29,726 --> 00:13:31,993 ELAINE CERTAINLY IS AN ATTRACTIVE GIRL, 270 00:13:32,061 --> 00:13:33,294 ISN'T SHE? 271 00:13:35,231 --> 00:13:38,165 I DON'T REMEMBER HER AS HAVING BROWN EYES. 272 00:13:38,234 --> 00:13:39,166 BENJAMIN. 273 00:13:39,235 --> 00:13:40,167 YES. 274 00:13:40,236 --> 00:13:42,214 WILL YOU COME OVER HERE A MINUTE? 275 00:13:42,238 --> 00:13:43,549 OVER THERE? MM-HMM. 276 00:13:43,573 --> 00:13:44,806 SURE. 277 00:13:49,746 --> 00:13:51,724 WILL YOU UNZIP MY DRESS? 278 00:13:51,748 --> 00:13:54,181 I THINK I'LL GO TO BED. 279 00:13:54,250 --> 00:13:55,182 OH, WELL, GOOD NIGHT. 280 00:13:55,251 --> 00:13:57,229 WON'T YOU UNZIP MY DRESS? 281 00:13:57,253 --> 00:13:58,686 I'D RATHER NOT, MRS. ROBINSON. 282 00:13:58,755 --> 00:14:00,666 IF YOU STILL THINK I'M TRYING TO SEDUCE YOU... 283 00:14:00,690 --> 00:14:02,624 NO, I DON'T, BUT I JUST FEEL A LITTLE FUNNY. 284 00:14:02,692 --> 00:14:04,270 YOU'VE KNOWN ME ALL YOUR LIFE. 285 00:14:04,294 --> 00:14:05,226 I KNOW THAT, BUT I'M... 286 00:14:05,295 --> 00:14:08,296 COME ON, IT'S HARD FOR ME TO REACH. 287 00:14:13,202 --> 00:14:14,736 THANK YOU. 288 00:14:14,805 --> 00:14:16,304 RIGHT. 289 00:14:16,372 --> 00:14:18,807 WHAT ARE YOU SO SCARED OF? 290 00:14:18,875 --> 00:14:20,809 I'M NOT SCARED, MRS. ROBINSON. 291 00:14:20,877 --> 00:14:22,472 THEN WHY DO YOU KEEP RUNNING AWAY? 292 00:14:22,496 --> 00:14:23,645 BECAUSE YOU'RE GOING TO BED. 293 00:14:23,713 --> 00:14:25,413 I DON'T THINK I SHOULD BE UP HERE. 294 00:14:25,482 --> 00:14:28,416 HAVEN'T YOU SEEN ANYBODY IN A SLIP BEFORE? 295 00:14:28,485 --> 00:14:30,919 YES, I HAVE, BUT I JUST... 296 00:14:30,987 --> 00:14:33,421 LOOK, WHAT IF MR. ROBINSON WALKED IN RIGHT NOW? 297 00:14:33,490 --> 00:14:34,422 WHAT IF HE DID? 298 00:14:34,491 --> 00:14:36,035 IT WOULD LOOK PRETTY FUNNY, WOULDN'T IT? 299 00:14:36,059 --> 00:14:37,770 DON'T YOU THINK HE'D TRUST US TOGETHER? 300 00:14:37,794 --> 00:14:38,827 OF COURSE, HE DOES, 301 00:14:38,895 --> 00:14:40,540 BUT HE MIGHT GET THE WRONG IDEA. ANYONE MIGHT. 302 00:14:40,564 --> 00:14:42,542 I DON'T SEE WHY. I'M TWICE AS OLD AS YOU. 303 00:14:42,566 --> 00:14:43,498 HOW COULD ANYONE THINK... 304 00:14:43,567 --> 00:14:45,500 THEY WOULD, DON'T YOU SEE? 305 00:14:45,569 --> 00:14:48,002 BENJAMIN, I AM NOT TRYING TO SEDUCE YOU. 306 00:14:48,071 --> 00:14:50,404 I KNOW THAT, BUT PLEASE, MRS. ROBINSON, THIS IS DIFFIC... 307 00:14:50,473 --> 00:14:52,740 WOULD YOU LIKE ME TO SEDUCE YOU? 308 00:14:52,809 --> 00:14:53,741 WHAT? 309 00:14:53,810 --> 00:14:56,021 IS THAT WHAT YOU'RE TRYING TO TELL ME? 310 00:14:56,045 --> 00:14:57,479 I'M GOING HOME NOW. 311 00:14:57,547 --> 00:14:59,013 I APOLOGIZE FOR WHAT I SAID. 312 00:14:59,082 --> 00:15:00,181 I HOPE YOU CAN FORGET IT, 313 00:15:00,249 --> 00:15:01,883 BUT I'M GOING HOME RIGHT NOW. 314 00:15:04,187 --> 00:15:05,252 BENJAMIN. 315 00:15:05,321 --> 00:15:06,321 YES? 316 00:15:06,356 --> 00:15:08,300 WILL YOU BRING UP MY PURSE BEFORE YOU GO? 317 00:15:08,324 --> 00:15:09,791 I HAVE TO GO NOW. I'M SORRY. 318 00:15:09,860 --> 00:15:11,303 I REALLY DON'T WANT TO PUT THIS ON AGAIN. 319 00:15:11,327 --> 00:15:12,338 WON'T YOU BRING IT UP? 320 00:15:12,362 --> 00:15:13,628 WHERE IS IT? 321 00:15:13,697 --> 00:15:15,937 ON THE TABLE IN THE HALL. 322 00:15:18,702 --> 00:15:20,134 MRS. ROBINSON? 323 00:15:20,203 --> 00:15:21,636 I'M IN THE BATHROOM. 324 00:15:21,705 --> 00:15:23,137 WELL, HERE'S THE PURSE. 325 00:15:23,206 --> 00:15:25,184 COULD YOU BRING IT UP? 326 00:15:25,208 --> 00:15:27,509 WELL, I'LL HAND IT TO YOU. 327 00:15:27,577 --> 00:15:28,688 COME TO THE RAILING, AND I'LL HAND IT UP. 328 00:15:28,712 --> 00:15:30,979 BENJAMIN, I'M GETTING PRETTY TIRED 329 00:15:31,047 --> 00:15:31,980 OF ALL THE SUSPICION. 330 00:15:32,048 --> 00:15:33,626 NOW, IF YOU WON'T DO ME A SIMPLE FAVOR, 331 00:15:33,650 --> 00:15:35,650 I DON'T KNOW WHAT. 332 00:15:35,719 --> 00:15:38,653 I'M PUTTING IT ON THE TOP STEP. 333 00:15:38,722 --> 00:15:40,032 FOR GOD'S SAKE, BENJAMIN, 334 00:15:40,056 --> 00:15:41,200 WILL YOU STOP ACTING THIS WAY 335 00:15:41,224 --> 00:15:43,384 AND BRING ME THE PURSE? 336 00:15:45,228 --> 00:15:47,662 I'M PUTTING IT HERE BY THE DOOR. 337 00:15:47,731 --> 00:15:49,709 WILL YOU BRING IT IN TO ME? 338 00:15:49,733 --> 00:15:51,165 I'D RATHER NOT. 339 00:15:51,234 --> 00:15:53,668 ALL RIGHT. PUT IT IN ELAINE'S ROOM 340 00:15:53,737 --> 00:15:54,669 WHERE WE WERE. 341 00:15:54,738 --> 00:15:55,803 RIGHT. 342 00:16:06,349 --> 00:16:08,049 OH, GOD. 343 00:16:08,117 --> 00:16:09,551 OH, LET ME OUT. 344 00:16:09,619 --> 00:16:10,685 DON'T BE NERVOUS. 345 00:16:10,754 --> 00:16:11,686 GET AWAY FROM THAT DOOR. 346 00:16:11,755 --> 00:16:12,955 I WANT TO SAY SOMETHING FIRST. 347 00:16:13,006 --> 00:16:13,922 JESUS CHRIST. 348 00:16:13,990 --> 00:16:14,923 BENJAMIN, I WANT YOU TO KNOW 349 00:16:14,991 --> 00:16:16,002 THAT I'M AVAILABLE TO YOU, 350 00:16:16,026 --> 00:16:17,253 AND IF YOU WON'T SLEEP WITH ME THIS TIME... 351 00:16:17,277 --> 00:16:18,404 OH, MY CHRIST. 352 00:16:18,428 --> 00:16:19,605 IF YOU WON'T SLEEP WITH ME THIS TIME, 353 00:16:19,629 --> 00:16:21,596 I WANT YOU TO KNOW YOU CAN CALL ME UP ANYTIME, 354 00:16:21,665 --> 00:16:22,596 AND WE'LL MAKE SOME KIND OF AN ARRANGEMENT. 355 00:16:22,682 --> 00:16:23,598 OH. 356 00:16:23,667 --> 00:16:25,144 DO YOU UNDERSTAND? LET ME OUT. 357 00:16:26,703 --> 00:16:28,414 UNDERSTAND? YES, YES, LET ME OUT. 358 00:16:28,438 --> 00:16:30,237 I FIND YOU VERY ATTRACTIVE. 359 00:16:31,374 --> 00:16:33,814 OH, JESUS, THAT'S HIM! 360 00:16:43,386 --> 00:16:45,820 Mr. Robinson: IS THAT BEN'S CAR IN FRONT? 361 00:16:45,889 --> 00:16:47,321 YES, SIR. 362 00:16:47,390 --> 00:16:49,368 I DROVE MRS. ROBINSON HOME. 363 00:16:49,392 --> 00:16:52,326 SHE WANTED ME TO DRIVE HER HOME, 364 00:16:52,395 --> 00:16:54,328 SO I DROVE HER HOME. 365 00:16:54,397 --> 00:16:56,664 SWELL. I APPRECIATE IT. 366 00:16:56,733 --> 00:16:58,499 SHE'S UPSTAIRS. 367 00:16:58,568 --> 00:17:00,479 SHE WANTED ME TO WAIT DOWN HERE 368 00:17:00,503 --> 00:17:01,547 TILL YOU GOT HOME. 369 00:17:01,571 --> 00:17:04,438 STANDING GUARD OVER THE OLD CASTLE, ARE YOU? 370 00:17:04,507 --> 00:17:06,074 YES, SIR. 371 00:17:07,510 --> 00:17:09,443 HEY, CONGRATULATIONS. 372 00:17:09,512 --> 00:17:10,945 THANK YOU. 373 00:17:11,014 --> 00:17:13,447 LOOKS LIKE YOU NEED A REFILL. 374 00:17:13,516 --> 00:17:15,449 NO, I'VE GOT TO GO. 375 00:17:15,518 --> 00:17:17,118 IS ANYTHING WRONG? 376 00:17:17,186 --> 00:17:19,621 YOU LOOK A LITTLE SHAKEN UP. 377 00:17:19,689 --> 00:17:22,624 OH, NO, I'M JUST A LITTLE WORRIED ABOUT MY FUTURE. 378 00:17:22,692 --> 00:17:25,627 I'M A LITTLE UPSET ABOUT MY FUTURE. 379 00:17:25,695 --> 00:17:29,130 COME ON, LET'S HAVE A NIGHTCAP TOGETHER. 380 00:17:29,198 --> 00:17:30,632 SCOTCH? 381 00:17:30,700 --> 00:17:32,266 BOURBON. 382 00:17:34,704 --> 00:17:36,270 BEN... 383 00:17:37,707 --> 00:17:40,141 HOW OLD ARE YOU NOW? 384 00:17:40,209 --> 00:17:43,477 20. I'LL BE 21 NEXT WEEK. 385 00:17:53,723 --> 00:17:57,158 THAT'S A HELL OF A GOOD AGE TO BE. 386 00:17:57,226 --> 00:17:58,793 THANK YOU. 387 00:18:00,830 --> 00:18:03,070 THANK YOU VERY MUCH, SIR. 388 00:18:10,173 --> 00:18:14,608 I, UH... I WISH I WAS THAT AGE AGAIN. 389 00:18:14,678 --> 00:18:17,745 BECAUSE, BEN... SIR? 390 00:18:19,015 --> 00:18:21,382 YOU'LL NEVER BE YOUNG AGAIN. 391 00:18:21,450 --> 00:18:23,084 I KNOW. 392 00:18:30,694 --> 00:18:33,627 BEN, CAN I SAY SOMETHING TO YOU? 393 00:18:33,697 --> 00:18:35,096 WHAT? 394 00:18:36,532 --> 00:18:41,869 UH, HOW LONG HAVE WE KNOWN EACH OTHER NOW? 395 00:18:41,938 --> 00:18:46,640 HOW LONG HAVE YOU AND I KNOWN EACH OTHER? 396 00:18:46,710 --> 00:18:51,312 HOW LONG HAVE YOUR DAD AND I BEEN PARTNERS? 397 00:18:51,380 --> 00:18:53,014 QUITE A WHILE. 398 00:18:53,083 --> 00:18:54,193 HMM. 399 00:18:54,217 --> 00:18:55,482 HMM. 400 00:18:59,555 --> 00:19:01,923 I WATCHED YOU GROW UP, BEN. 401 00:19:01,991 --> 00:19:03,591 YES, SIR. 402 00:19:03,659 --> 00:19:06,928 IN MANY WAYS, 403 00:19:06,996 --> 00:19:09,075 I FEEL AS THOUGH YOU WERE MY OWN SON. 404 00:19:09,099 --> 00:19:10,932 THANK YOU. 405 00:19:14,670 --> 00:19:17,105 SO I HOPE YOU WON'T MIND 406 00:19:17,173 --> 00:19:20,608 MY GIVING YOU A FRIENDLY PIECE OF ADVICE. 407 00:19:22,011 --> 00:19:23,644 I'D LIKE TO HEAR IT. 408 00:19:28,017 --> 00:19:31,619 BEN... I THINK... 409 00:19:31,687 --> 00:19:34,622 I THINK YOU OUGHT TO BE TAKING IT 410 00:19:34,690 --> 00:19:36,624 A LITTLE EASIER RIGHT NOW 411 00:19:36,692 --> 00:19:37,937 THAN YOU SEEM TO BE. 412 00:19:37,961 --> 00:19:39,127 HMM. 413 00:19:39,195 --> 00:19:41,129 SOW A FEW WILD OATS. 414 00:19:41,197 --> 00:19:43,131 TAKE THINGS AS THEY COME. 415 00:19:43,199 --> 00:19:46,634 HAVE A GOOD TIME WITH THE GIRLS AND SO FORTH. 416 00:19:46,702 --> 00:19:48,803 DON'T GET UP. 417 00:19:50,206 --> 00:19:54,642 I, UH... I WAS JUST TELLING... BEN. 418 00:19:54,710 --> 00:19:55,977 BEN HERE 419 00:19:56,045 --> 00:19:59,147 THAT HE OUGHT TO SOW A FEW WILD OATS, 420 00:19:59,215 --> 00:20:00,692 HAVE A GOOD TIME WHILE HE CAN. 421 00:20:00,716 --> 00:20:02,194 YOU THINK THAT'S SOUND ADVICE? 422 00:20:02,218 --> 00:20:03,651 YES, I DO. 423 00:20:03,719 --> 00:20:05,820 I'VE GOT TO GO. 424 00:20:07,223 --> 00:20:11,659 YOU HAVE YOURSELF A FEW FLINGS THIS SUMMER. 425 00:20:11,727 --> 00:20:14,662 I BET YOU'RE QUITE A LADIES' MAN. 426 00:20:14,730 --> 00:20:15,997 OH, NO. 427 00:20:16,065 --> 00:20:17,498 WHAT? 428 00:20:17,566 --> 00:20:19,544 YOU LOOK TO ME LIKE THE KIND OF GUY 429 00:20:19,568 --> 00:20:21,502 WHO HAS TO FIGHT THEM OFF. 430 00:20:21,570 --> 00:20:24,005 DOESN'T HE LOOK TO YOU 431 00:20:24,073 --> 00:20:25,717 LIKE THE KIND OF GUY WHO HAS TO FIGHT THEM OFF? 432 00:20:25,741 --> 00:20:27,341 YES, HE DOES. 433 00:20:27,410 --> 00:20:28,843 OH, SAY, UM... 434 00:20:28,912 --> 00:20:31,846 ELAINE GETS DOWN FROM BERKELEY ON SATURDAY. 435 00:20:31,915 --> 00:20:33,181 OH, YES. 436 00:20:33,249 --> 00:20:34,682 GIVE HER A CALL. 437 00:20:34,750 --> 00:20:36,684 I WILL. 438 00:20:36,752 --> 00:20:37,985 BENJAMIN. 439 00:20:39,389 --> 00:20:40,321 BENJAMIN? 440 00:20:40,390 --> 00:20:41,322 YES. 441 00:20:41,391 --> 00:20:43,824 THANK YOU FOR TAKING ME HOME. 442 00:20:43,893 --> 00:20:45,526 I'LL SEE YOU SOON, I HOPE. 443 00:20:48,298 --> 00:20:49,230 Benjamin's Father: LADIES AND GENTLEMEN, 444 00:20:49,299 --> 00:20:50,731 YOUR ATTENTION, PLEASE. 445 00:20:50,800 --> 00:20:53,368 UH, FOR THIS AFTERNOON'S FEATURE ATTRACTION... 446 00:20:53,436 --> 00:20:55,403 HEY, OVER THERE! 447 00:20:55,472 --> 00:20:57,005 YES, I MEAN YOU. 448 00:20:57,073 --> 00:20:59,307 YOUR ATTENTION, PLEASE. 449 00:21:00,377 --> 00:21:02,877 ARE YOU READY IN THERE, FEATURE ATTRACTION? 450 00:21:02,945 --> 00:21:05,346 Benjamin: COULD I SPEAK TO YOU FOR A SECOND, DAD? 451 00:21:05,415 --> 00:21:08,549 LISTEN, I'M GOING TO ASK FOR A BIG ROUND OF APPLAUSE 452 00:21:08,618 --> 00:21:10,551 TO BRING THIS BOY OUT HERE, ALL RIGHT? 453 00:21:10,620 --> 00:21:13,421 NO, WAIT A MINUTE. LET ME AMEND THAT. 454 00:21:13,490 --> 00:21:16,057 TO BRING THIS YOUNG MAN OUT HERE, 455 00:21:16,126 --> 00:21:19,560 BECAUSE TODAY HE IS 21 YEARS OLD. 456 00:21:19,629 --> 00:21:21,962 YEAH! LET'S GO! OUR FOOD'S COLD. 457 00:21:22,032 --> 00:21:23,109 OH, NOW JUST HANG ON A MINUTE, 458 00:21:23,133 --> 00:21:24,932 I'VE GOT A FEW WORDS TO SAY. 459 00:21:25,001 --> 00:21:26,434 YOU ALWAYS DO. 460 00:21:26,503 --> 00:21:28,103 HO HO HO! LOOK WHO'S TALKING. 461 00:21:29,272 --> 00:21:30,782 Benjamin: DAD, CAN WE JUST TALK ABOUT THIS 462 00:21:30,806 --> 00:21:31,739 FOR A SECOND? 463 00:21:31,807 --> 00:21:33,452 I CAN'T HOLD THEM MUCH LONGER, BEN. 464 00:21:33,476 --> 00:21:34,409 YOU BETTER GET OUT HERE. 465 00:21:34,477 --> 00:21:36,210 I'D LIKE TO DISCUSS THIS. 466 00:21:36,279 --> 00:21:38,712 THIS BOY... I'M SORRY, THIS YOUNG MAN, 467 00:21:38,781 --> 00:21:40,681 IS SOON TO CONTINUE HIS EDUCATION 468 00:21:40,750 --> 00:21:43,717 AS A FRANK HALPINGHAM AWARD SCHOLAR, 469 00:21:43,786 --> 00:21:48,156 BUT BEFORE HE DOES... BEFORE HE DOES... 470 00:21:49,159 --> 00:21:50,636 YOU'RE DISAPPOINTING THEM, BEN. 471 00:21:50,660 --> 00:21:52,093 YOU'RE DISAPPOINTING THEM! 472 00:21:52,162 --> 00:21:53,594 Benjamin: DAD, CAN YOU LISTEN? 473 00:21:53,663 --> 00:21:55,596 I'LL GIVE YOU 10 SECONDS. 474 00:21:55,665 --> 00:21:58,599 HE IS GOING TO GIVE US A PRACTICAL DEMONSTRATION 475 00:21:58,668 --> 00:22:01,302 OF WHAT I FEEL SAFE IN SAYING 476 00:22:01,371 --> 00:22:03,804 IS A PRETTY EXCITING BIRTHDAY PRESENT. 477 00:22:03,873 --> 00:22:05,306 AND IT BETTER WORK, 478 00:22:05,375 --> 00:22:07,808 OR I'M OUT OVER 200 BUCKS. 479 00:22:07,877 --> 00:22:10,311 OK, THEN, LET'S HEAR IT NOW 480 00:22:10,380 --> 00:22:12,547 FOR BENJAMIN BRADDOCK! 481 00:22:12,615 --> 00:22:14,748 YAY! 482 00:22:14,817 --> 00:22:16,250 COME OUT, BENJY! 483 00:22:16,319 --> 00:22:17,751 COME ON, BENJY! 484 00:22:17,820 --> 00:22:20,888 LET'S HEAR IT NOW! THATTA BOY! 485 00:22:20,957 --> 00:22:23,702 WELL, FOLKS, THIS REMARKABLE YOUNG MAN 486 00:22:23,726 --> 00:22:26,160 IS GOING TO PERFORM FOR YOU 487 00:22:26,229 --> 00:22:27,161 SOME SPECTACULAR 488 00:22:27,230 --> 00:22:30,298 AND AMAZING FEATS OF DARING 489 00:22:30,366 --> 00:22:33,084 IN WATER THAT IS OVER 6 FEET DEEP! 490 00:24:25,047 --> 00:24:26,592 Mrs. Robinson on phone: HELLO. 491 00:24:26,616 --> 00:24:30,818 Benjamin: UH, I DON'T QUITE KNOW HOW TO PUT THIS. 492 00:24:30,886 --> 00:24:32,030 BENJAMIN? 493 00:24:32,054 --> 00:24:33,321 LOOK, I WAS THINKING 494 00:24:33,389 --> 00:24:36,390 ABOUT THAT TIME AFTER THE PARTY... 495 00:24:36,459 --> 00:24:37,858 WHERE ARE YOU? 496 00:24:37,927 --> 00:24:39,227 AND I WAS WONDERING 497 00:24:39,295 --> 00:24:41,395 IF I COULD BUY YOU A DRINK OR SOMETHING. 498 00:24:41,464 --> 00:24:42,896 WHERE ARE YOU? 499 00:24:42,965 --> 00:24:44,398 UH, THE TAFT HOTEL. 500 00:24:44,467 --> 00:24:46,367 DID YOU GET A ROOM? 501 00:24:46,436 --> 00:24:47,568 NO. 502 00:24:47,637 --> 00:24:51,071 NOW, I KNOW IT'S PRETTY LATE, AND IF YOU'D RATHER... 503 00:24:51,140 --> 00:24:52,573 GIVE ME AN HOUR. 504 00:24:52,642 --> 00:24:53,574 WHAT? 505 00:24:53,643 --> 00:24:54,886 I'LL BE THERE IN AN HOUR. 506 00:26:12,322 --> 00:26:13,754 WHERE'S THE PARTY? 507 00:26:13,823 --> 00:26:15,756 IT'S IN THE MAIN BALLROOM. 508 00:26:15,825 --> 00:26:17,057 OVER THERE. 509 00:26:26,402 --> 00:26:28,369 CAN I HELP YOU, SIR? 510 00:26:28,438 --> 00:26:29,704 WHAT? 511 00:26:29,772 --> 00:26:32,039 OH, NO, I'M JUST... 512 00:26:32,107 --> 00:26:34,041 ARE YOU HERE FOR AN AFFAIR, SIR? 513 00:26:36,846 --> 00:26:37,778 WHAT? 514 00:26:37,847 --> 00:26:39,480 THE SINGLEMAN PARTY, SIR? 515 00:26:39,549 --> 00:26:41,915 OH, YES. THE SINGLEMAN PARTY. 516 00:26:41,984 --> 00:26:43,917 IT'S IN THE MAIN BALLROOM. 517 00:26:43,986 --> 00:26:45,919 AHH. THANK YOU. 518 00:27:02,905 --> 00:27:03,838 HELLO. 519 00:27:03,906 --> 00:27:04,839 HELLO. 520 00:27:04,907 --> 00:27:06,874 YOU MUST BE ONE OF THE PORTERS. 521 00:27:06,942 --> 00:27:08,086 NO, ACTUALLY... 522 00:27:08,110 --> 00:27:10,344 YES. I'D LIKE YOU TO MEET MY SISTER, MISS DeWITTE. 523 00:27:10,413 --> 00:27:11,846 HOW DO YOU DO? 524 00:27:11,914 --> 00:27:13,347 HOW DO YOU DO. 525 00:27:13,416 --> 00:27:15,015 AND THAT'S MY HUSBAND MR. SINGLEMAN. 526 00:27:15,084 --> 00:27:16,284 OH, SORRY. 527 00:27:16,352 --> 00:27:17,284 THAT'S JEFFREY, OF COURSE. 528 00:27:17,353 --> 00:27:18,285 OF COURSE. 529 00:27:18,354 --> 00:27:20,120 I DIDN'T GET YOUR NAME, SIR. 530 00:27:20,189 --> 00:27:21,121 BENJAMIN BRADDOCK, SIR. 531 00:27:21,190 --> 00:27:22,122 BRADDOCK, BRADDOCK... 532 00:27:22,191 --> 00:27:23,669 YES, BUT I'M AFRAID... 533 00:27:23,693 --> 00:27:25,926 NO, I'LL FIND YOUR TABLE IN JUST A MOMENT. 534 00:27:25,995 --> 00:27:29,329 BRADDOCK. NOT BRANIFF. WE HAVE A BRANIFF. 535 00:27:29,399 --> 00:27:30,931 NO, ACTUALLY, 536 00:27:31,000 --> 00:27:32,378 I'M JUST LOOKING FOR A FRIEND. 537 00:27:32,402 --> 00:27:33,834 WELL, I DON'T UNDERSTAND. 538 00:27:33,903 --> 00:27:36,604 I'M NOT WITH YOUR PARTY. I'M SORRY. 539 00:27:36,672 --> 00:27:38,650 HEY, I DON'T GET IT. 540 00:27:38,674 --> 00:27:41,809 I'VE ENJOYED MEETING YOU, MR. BRANIFF. 541 00:28:31,026 --> 00:28:32,304 HELLO, BENJAMIN. 542 00:28:32,328 --> 00:28:33,893 OH, HELLO. 543 00:28:35,230 --> 00:28:36,663 MAY I SIT DOWN? 544 00:28:36,732 --> 00:28:37,831 OF COURSE. 545 00:28:37,899 --> 00:28:38,965 THANK YOU. 546 00:28:40,068 --> 00:28:41,501 HOW ARE YOU? 547 00:28:41,570 --> 00:28:43,319 VERY WELL, THANK YOU. 548 00:28:46,875 --> 00:28:48,809 MAY I HAVE A DRINK? 549 00:28:48,877 --> 00:28:50,444 A DRINK? OF COURSE. 550 00:28:54,015 --> 00:28:55,449 HE DIDN'T SEE ME. 551 00:28:55,517 --> 00:28:56,450 WAITER. 552 00:28:56,518 --> 00:28:58,452 I WILL HAVE A MARTINI. 553 00:28:58,520 --> 00:28:59,760 YES, MA'AM. 554 00:29:01,824 --> 00:29:04,257 YOU DON'T HAVE TO BE SO NERVOUS, YOU KNOW. 555 00:29:04,326 --> 00:29:06,760 NERVOUS? WELL, I AM A BIT NERVOUS. 556 00:29:06,829 --> 00:29:09,763 I MEAN, IT'S PRETTY HARD TO BE SUAVE WHEN YOU'RE... 557 00:29:09,832 --> 00:29:11,810 DID YOU GET US A ROOM? 558 00:29:11,834 --> 00:29:12,766 WHAT? 559 00:29:12,835 --> 00:29:14,813 HAVE YOU GOTTEN US A ROOM YET? 560 00:29:14,837 --> 00:29:16,269 I HAVEN'T, NO. 561 00:29:16,338 --> 00:29:17,771 DO YOU WANT TO? 562 00:29:17,840 --> 00:29:20,273 WELL, I DON'T... I MEAN, I COULD. 563 00:29:20,342 --> 00:29:22,275 OR WE COULD JUST TALK. 564 00:29:22,344 --> 00:29:24,277 YOU WANT ME TO GET IT? 565 00:29:24,346 --> 00:29:25,645 NO, NO, I'LL GET IT. 566 00:29:25,714 --> 00:29:28,648 DO YOU WANT TO GET IT NOW? 567 00:29:28,717 --> 00:29:29,649 NOW? 568 00:29:29,718 --> 00:29:30,650 YES. 569 00:29:30,719 --> 00:29:32,151 WELL, I DON'T KNOW. 570 00:29:32,220 --> 00:29:34,198 WHY DON'T YOU GET IT? 571 00:29:34,222 --> 00:29:36,155 WHY DON'T I GET IT? 572 00:29:36,224 --> 00:29:38,825 WELL, I WILL, THEN, IF YOU'LL EXCUSE ME. 573 00:29:54,576 --> 00:29:55,776 EXCUSE ME. 574 00:29:57,613 --> 00:29:59,045 YES, SIR? 575 00:29:59,114 --> 00:30:02,048 A ROOM. I'D LIKE A ROOM, PLEASE. 576 00:30:02,117 --> 00:30:04,095 A SINGLE ROOM OR A DOUBLE ROOM? 577 00:30:04,119 --> 00:30:06,052 A SINGLE, JUST FOR MYSELF, PLEASE. 578 00:30:06,121 --> 00:30:08,081 SIGN THE REGISTER, PLEASE. 579 00:30:12,394 --> 00:30:13,872 ANYTHING WRONG, SIR? 580 00:30:13,896 --> 00:30:15,662 WHAT? NO, NOTHING. 581 00:30:24,473 --> 00:30:27,808 DO YOU HAVE ANY LUGGAGE, MR. GLADSTONE? 582 00:30:27,876 --> 00:30:28,809 LUGGAGE? 583 00:30:28,877 --> 00:30:30,310 YES, YES, I DO. 584 00:30:30,378 --> 00:30:31,812 WHERE IS IT? 585 00:30:31,880 --> 00:30:32,813 WHAT? 586 00:30:32,881 --> 00:30:34,314 WHERE IS YOUR LUGGAGE? 587 00:30:34,382 --> 00:30:36,817 IT'S IN THE CAR. IT'S OUT THERE IN THE CAR. 588 00:30:36,885 --> 00:30:39,486 VERY GOOD, SIR. I'LL HAVE A PORTER BRING IT IN. 589 00:30:39,555 --> 00:30:40,620 OH, NO. 590 00:30:41,690 --> 00:30:42,622 I MEAN, I'D... 591 00:30:42,691 --> 00:30:44,091 I'D RATHER NOT GO TO ALL THE TROUBLE 592 00:30:44,125 --> 00:30:46,059 OF BRINGING IT ALL IN. 593 00:30:46,127 --> 00:30:48,061 I JUST HAVE A TOOTHBRUSH. 594 00:30:48,129 --> 00:30:49,607 I CAN GET IT MYSELF, IF THAT'S ALL RIGHT. 595 00:30:49,631 --> 00:30:50,564 OF COURSE. 596 00:30:50,632 --> 00:30:53,567 I'LL HAVE A PORTER SHOW YOU THE ROOM. 597 00:30:53,635 --> 00:30:56,570 OH, WELL, ACTUALLY, I'D JUST AS SOON FIND IT MYSELF. 598 00:30:56,638 --> 00:30:59,573 I JUST HAVE THE TOOTHBRUSH TO CARRY UP. 599 00:30:59,641 --> 00:31:01,508 I CAN HANDLE IT MYSELF. 600 00:31:01,577 --> 00:31:03,009 WHATEVER YOU SAY, SIR. 601 00:31:03,078 --> 00:31:04,310 THANK YOU. 602 00:31:07,716 --> 00:31:08,982 MRS. ROBINSON? 603 00:31:09,050 --> 00:31:09,983 YES? 604 00:31:10,051 --> 00:31:11,518 FOR YOU. 605 00:31:11,587 --> 00:31:12,787 THANK YOU. 606 00:31:17,860 --> 00:31:18,792 HELLO. 607 00:31:18,861 --> 00:31:19,793 MRS. ROBINSON? 608 00:31:19,862 --> 00:31:20,794 YES? 609 00:31:20,863 --> 00:31:21,795 IT'S BENJAMIN. 610 00:31:21,864 --> 00:31:23,062 YES? 611 00:31:23,131 --> 00:31:24,498 BENJAMIN BRADDOCK. 612 00:31:25,467 --> 00:31:27,033 BENJAMIN, WHERE ARE YOU? 613 00:31:28,069 --> 00:31:30,670 CAN YOU LOOK THROUGH THE GLASS? 614 00:31:33,241 --> 00:31:35,174 CAN YOU SEE ME NOW? 615 00:31:35,243 --> 00:31:36,676 YES, I CAN. 616 00:31:36,745 --> 00:31:38,778 I GOT A SINGLE ROOM. 617 00:31:38,847 --> 00:31:39,779 THAT'S FINE. 618 00:31:39,848 --> 00:31:41,280 BUT THERE'S ONE THING... 619 00:31:41,349 --> 00:31:44,283 THE DESK CLERK SEEMED TO BE A LITTLE BIT SUSPICIOUS. 620 00:31:44,352 --> 00:31:46,285 NOW, I DON'T KNOW WHAT THE POLICY... 621 00:31:46,354 --> 00:31:47,532 DO YOU WANT TO GO UP FIRST? 622 00:31:47,556 --> 00:31:49,155 YES, I THINK THAT WOULD BE GOOD. 623 00:31:49,224 --> 00:31:51,035 I'LL BE UP IN 5 MINUTES. 624 00:31:51,059 --> 00:31:51,992 GOOD-BYE, THEN. 625 00:31:52,060 --> 00:31:52,993 BENJAMIN. 626 00:31:53,061 --> 00:31:54,160 YES? 627 00:31:54,229 --> 00:31:55,840 ISN'T THERE SOMETHING YOU WANT TO TELL ME? 628 00:31:55,864 --> 00:31:57,024 TELL YOU? YES. 629 00:31:57,065 --> 00:32:00,867 WELL, I WANT YOU TO KNOW HOW MUCH I APPRECIATE THIS. 630 00:32:00,936 --> 00:32:01,868 REALLY. 631 00:32:01,937 --> 00:32:02,869 THE NUMBER. 632 00:32:02,938 --> 00:32:03,938 WHAT? 633 00:32:04,006 --> 00:32:05,617 THE ROOM NUMBER, BENJAMIN. 634 00:32:05,641 --> 00:32:06,985 I THINK YOU OUGHT TO TELL ME THAT. 635 00:32:07,009 --> 00:32:08,542 YOU'RE ABSOLUTELY RIGHT. 636 00:32:10,078 --> 00:32:12,779 IT'S 568. 637 00:32:12,848 --> 00:32:14,180 THANK YOU. 638 00:32:14,249 --> 00:32:15,348 YOU'RE WELCOME. 639 00:32:16,284 --> 00:32:17,383 WELL... 640 00:32:18,353 --> 00:32:20,954 I'LL SEE YOU LATER, MRS. ROBINSON. 641 00:32:28,564 --> 00:32:29,896 CHECK, PLEASE. 642 00:32:31,767 --> 00:32:33,533 I GOT IT. HMM? 643 00:32:33,602 --> 00:32:34,534 I SAY I GOT IT. 644 00:32:34,603 --> 00:32:35,535 SIR? 645 00:32:35,604 --> 00:32:36,781 THE TOOTHBRUSH. I GOT IT, ALL RIGHT. 646 00:32:36,805 --> 00:32:38,004 VERY GOOD, SIR. 647 00:32:38,073 --> 00:32:39,751 YES. WELL, GOOD NIGHT. 648 00:32:39,775 --> 00:32:41,340 GOOD NIGHT, SIR. 649 00:34:32,638 --> 00:34:33,870 HELLO, BENJAMIN. 650 00:34:35,407 --> 00:34:37,487 HELLO, MRS. ROBINSON. 651 00:35:01,466 --> 00:35:02,532 AHEM. 652 00:35:10,142 --> 00:35:11,674 WELL. 653 00:35:11,743 --> 00:35:12,976 WELL. 654 00:35:14,580 --> 00:35:17,847 BENJAMIN... YES. 655 00:35:17,916 --> 00:35:19,060 I'LL GET UNDRESSED NOW. 656 00:35:19,084 --> 00:35:20,016 IS THAT ALL RIGHT? 657 00:35:20,085 --> 00:35:21,518 SURE. 658 00:35:21,587 --> 00:35:22,785 SHALL I... 659 00:35:22,854 --> 00:35:25,054 I MEAN, SHOULD I JUST STAND HERE? 660 00:35:25,124 --> 00:35:26,634 I MEAN, I DON'T KNOW WHAT YOU WANT ME TO DO. 661 00:35:26,658 --> 00:35:28,024 WHY DON'T YOU WATCH? 662 00:35:28,093 --> 00:35:29,292 OH, SURE. THANK YOU. 663 00:35:29,361 --> 00:35:31,339 WILL YOU BRING ME A HANGER? 664 00:35:31,363 --> 00:35:32,295 WHAT? 665 00:35:32,364 --> 00:35:33,296 A HANGER. 666 00:35:33,365 --> 00:35:34,431 OH, YES. 667 00:35:40,405 --> 00:35:41,538 WOOD? 668 00:35:41,607 --> 00:35:42,750 WHAT? 669 00:35:42,774 --> 00:35:45,208 WOOD OR WIRE? THEY HAVE BOTH. 670 00:35:45,277 --> 00:35:47,255 EITHER ONE WOULD BE FINE. 671 00:35:47,279 --> 00:35:48,512 OK. 672 00:35:57,556 --> 00:35:58,655 THANK YOU. 673 00:36:05,130 --> 00:36:07,830 WOULD YOU HELP ME WITH THIS, PLEASE? 674 00:36:07,899 --> 00:36:08,965 CERTAINLY. 675 00:36:12,904 --> 00:36:13,836 THANK YOU. 676 00:36:13,905 --> 00:36:14,971 YOU'RE WELCOME. 677 00:36:33,692 --> 00:36:37,260 BENJAMIN, WOULD THIS BE EASIER FOR YOU IN THE DARK? 678 00:36:37,329 --> 00:36:38,569 MRS. ROBINSON, I CAN'T DO THIS. 679 00:36:38,597 --> 00:36:39,529 YOU WHAT? 680 00:36:39,598 --> 00:36:40,763 THIS IS ALL TERRIBLY WRONG. 681 00:36:40,832 --> 00:36:42,743 DO YOU FIND ME UNDESIRABLE? 682 00:36:42,767 --> 00:36:44,033 OH, NO, MRS. ROBINSON. 683 00:36:44,102 --> 00:36:45,313 I THINK YOU'RE THE MOST ATTRACTIVE 684 00:36:45,337 --> 00:36:47,270 OF ALL MY PARENTS' FRIENDS. 685 00:36:47,339 --> 00:36:48,650 I MEAN THAT. I FIND YOU DESIRABLE, 686 00:36:48,674 --> 00:36:49,674 BUT I... 687 00:36:49,741 --> 00:36:51,474 FOR GOD'S SAKE, CAN YOU IMAGINE MY PARENTS? 688 00:36:51,543 --> 00:36:52,654 CAN YOU IMAGINE WHAT THEY WOULD SAY 689 00:36:52,678 --> 00:36:54,021 IF THEY JUST SAW US HERE IN THIS ROOM RIGHT NOW? 690 00:36:54,045 --> 00:36:55,478 WHAT WOULD THEY SAY? 691 00:36:55,547 --> 00:36:58,481 I HAVE NO IDEA, MRS. ROBINSON, BUT FOR GOD'S SAKE. 692 00:36:58,550 --> 00:37:00,617 THEY BROUGHT ME UP. THEY MADE A GOOD LIFE FOR ME, 693 00:37:00,686 --> 00:37:02,519 AND I THINK THEY DESERVE BETTER THAN THIS. 694 00:37:02,588 --> 00:37:03,665 I THINK THEY DESERVE A LITTLE BETTER 695 00:37:03,689 --> 00:37:05,266 THAN JUMPING INTO BED WITH THE PARTNER'S WIFE. 696 00:37:05,290 --> 00:37:06,956 ARE YOU AFRAID OF ME? 697 00:37:07,025 --> 00:37:08,325 OH, NO, YOU'RE MISSING THE POINT. 698 00:37:08,393 --> 00:37:09,393 LOOK... 699 00:37:09,428 --> 00:37:12,229 MAYBE WE COULD DO SOMETHING ELSE TOGETHER. 700 00:37:12,297 --> 00:37:15,565 MRS. ROBINSON, WOULD YOU LIKE TO GO TO A MOVIE? 701 00:37:16,568 --> 00:37:19,269 CAN I ASK YOU A PERSONAL QUESTION? 702 00:37:19,338 --> 00:37:20,570 ASK ME ANYTHING YOU WANT. 703 00:37:20,639 --> 00:37:22,517 IS THIS YOUR FIRST TIME? 704 00:37:22,541 --> 00:37:23,951 IS THIS WHAT? IT IS, ISN'T IT? 705 00:37:23,975 --> 00:37:25,353 IT IS YOUR FIRST TIME. 706 00:37:25,377 --> 00:37:26,309 THAT'S A LAUGH, MRS. ROBINSON. 707 00:37:26,378 --> 00:37:27,310 THAT'S REALLY A LAUGH. 708 00:37:27,379 --> 00:37:29,812 YOU CAN ADMIT THAT, CAN'T YOU? 709 00:37:29,881 --> 00:37:31,080 ARE YOU KIDDING? 710 00:37:31,149 --> 00:37:32,594 IT'S NOTHING TO BE ASHAMED OF. 711 00:37:32,618 --> 00:37:33,628 ON YOUR WAIT A MINUTE. FIRST TIME... 712 00:37:33,652 --> 00:37:35,084 WHO SAID IT WAS MY FIRST TIME? 713 00:37:35,153 --> 00:37:38,087 JUST BECAUSE YOU HAPPEN TO BE INADEQUATE. 714 00:37:38,156 --> 00:37:39,222 INADEQUATE? 715 00:37:42,461 --> 00:37:45,695 WELL, I GUESS I BETTER... DON'T MOVE! 716 00:37:54,773 --> 00:37:59,175 ♪ HELLO, DARKNESS, MY OLD FRIEND ♪ 717 00:37:59,244 --> 00:38:03,546 ♪ I'VE COME TO TALK WITH YOU AGAIN ♪ 718 00:38:03,598 --> 00:38:08,251 ♪ BECAUSE A VISION SOFTLY CREEPING ♪ 719 00:38:08,320 --> 00:38:12,922 ♪ LEFT ITS SEEDS WHILE I WAS SLEEPING ♪ 720 00:38:12,991 --> 00:38:15,191 ♪ AND THE VISION ♪ 721 00:38:15,260 --> 00:38:19,496 ♪ THAT WAS PLANTED IN MY BRAIN ♪ 722 00:38:19,564 --> 00:38:22,766 ♪ STILL REMAINS ♪ 723 00:38:22,834 --> 00:38:28,705 ♪ WITHIN THE SOUND OF SILENCE ♪ 724 00:38:28,774 --> 00:38:33,410 ♪ IN RESTLESS DREAMS I WALKED ALONE ♪ 725 00:38:33,478 --> 00:38:38,047 ♪ NARROW STREETS OF COBBLESTONE ♪ 726 00:38:38,116 --> 00:38:42,419 ♪ 'NEATH THE HALO OF A STREET LAMP ♪ 727 00:38:42,487 --> 00:38:46,989 ♪ I TURNED MY COLLAR TO THE COLD AND DAMP ♪ 728 00:38:47,058 --> 00:38:49,592 ♪ WHEN MY EYES WERE STABBED ♪ 729 00:38:49,661 --> 00:38:53,596 ♪ BY THE FLASH OF A NEON LIGHT ♪ 730 00:38:53,665 --> 00:38:57,200 ♪ THAT SPLIT THE NIGHT ♪ 731 00:38:57,268 --> 00:39:02,905 ♪ AND TOUCHED THE SOUND OF SILENCE ♪ 732 00:39:02,974 --> 00:39:07,377 ♪ AND IN THE NAKED LIGHT I SAW ♪ 733 00:39:07,446 --> 00:39:11,948 ♪ 10,000 PEOPLE, MAYBE MORE ♪ 734 00:39:12,016 --> 00:39:16,453 ♪ PEOPLE TALKING WITHOUT SPEAKING ♪ 735 00:39:16,521 --> 00:39:21,090 ♪ PEOPLE HEARING WITHOUT LISTENING ♪ 736 00:39:21,159 --> 00:39:24,461 ♪ PEOPLE WRITING SONGS ♪ 737 00:39:24,529 --> 00:39:28,631 ♪ THAT VOICES NEVER SHARED ♪ 738 00:39:28,700 --> 00:39:31,901 ♪ NO ONE DARED ♪ 739 00:39:31,970 --> 00:39:37,741 ♪ DISTURB THE SOUND OF SILENCE ♪ 740 00:39:37,809 --> 00:39:42,078 ♪ FOOLS, SAID I, YOU DO NOT KNOW ♪ 741 00:39:42,146 --> 00:39:46,349 ♪ SILENCE LIKE A CANCER GROWS ♪ 742 00:39:46,418 --> 00:39:50,754 ♪ HEAR MY WORDS THAT I MIGHT TEACH YOU ♪ 743 00:39:50,822 --> 00:39:55,492 ♪ TAKE MY ARMS THAT I MIGHT REACH YOU ♪ 744 00:39:55,560 --> 00:40:01,464 ♪ BUT MY WORDS LIKE SILENT RAINDROPS FELL ♪ 745 00:40:04,669 --> 00:40:10,740 ♪ AND ECHOED IN THE WELLS OF SILENCE ♪ 746 00:40:16,498 --> 00:40:20,600 ♪ TO THE NEON GOD THEY MADE ♪ 747 00:40:20,669 --> 00:40:25,072 ♪ AND THE SIGN FLASHED OUT ITS WARNING ♪ 748 00:40:25,140 --> 00:40:29,375 ♪ IN THE WORDS THAT IT WAS FORMING ♪ 749 00:40:29,444 --> 00:40:32,946 ♪ AND THE SIGN SAID THE WORDS OF THE PROPHETS ♪ 750 00:40:33,015 --> 00:40:37,017 ♪ ARE WRITTEN ON THE SUBWAY WALLS ♪ 751 00:40:37,086 --> 00:40:40,020 ♪ AND TENEMENT HALLS ♪ 752 00:40:40,089 --> 00:40:45,258 ♪ AND WHISPERED IN THE SOUNDS ♪ 753 00:40:45,327 --> 00:40:49,129 ♪ OF SILENCE ♪ 754 00:41:07,315 --> 00:41:11,251 ♪ APRIL ♪ 755 00:41:11,319 --> 00:41:14,354 ♪ COME SHE WILL ♪ 756 00:41:14,422 --> 00:41:20,093 ♪ WHEN STREAMS ARE RIPE AND SWELLED WITH RAIN ♪ 757 00:41:20,162 --> 00:41:26,767 ♪ MAY, SHE WILL STAY ♪ 758 00:41:26,835 --> 00:41:32,472 ♪ RESTING IN MY ARMS AGAIN ♪ 759 00:41:37,012 --> 00:41:40,613 ♪ JUNE ♪ 760 00:41:40,682 --> 00:41:44,384 ♪ SHE'LL CHANGE HER TUNE ♪ 761 00:41:44,452 --> 00:41:49,522 ♪ IN RESTLESS WALKS SHE'LL PROWL THE NIGHT ♪ 762 00:41:49,591 --> 00:41:56,029 ♪ JULY, SHE WILL FLY ♪ 763 00:41:56,098 --> 00:42:01,902 ♪ AND GIVE NO WARNING TO HER FLIGHT ♪ 764 00:42:06,474 --> 00:42:10,410 ♪ AUGUST ♪ 765 00:42:10,478 --> 00:42:12,245 ♪ DIE SHE MUST ♪ 766 00:42:13,982 --> 00:42:18,718 ♪ THE AUTUMN WINDS BLOW CHILLY AND COLD ♪ 767 00:42:18,787 --> 00:42:25,591 ♪ SEPTEMBER, I REMEMBER ♪ 768 00:42:25,660 --> 00:42:32,966 ♪ A LOVE ONCE NEW HAS NOW GROWN OLD ♪ 769 00:42:43,178 --> 00:42:46,412 BEN, WHAT ARE YOU DOING? 770 00:42:48,683 --> 00:42:52,618 WELL, I WOULD SAY THAT I'M JUST DRIFTING 771 00:42:52,687 --> 00:42:53,987 HERE IN THE POOL. 772 00:42:54,056 --> 00:42:55,121 WHY? 773 00:42:56,691 --> 00:42:58,169 WELL, IT'S VERY COMFORTABLE 774 00:42:58,193 --> 00:42:59,592 JUST TO DRIFT HERE. 775 00:42:59,661 --> 00:43:02,562 HAVE YOU THOUGHT ABOUT GRADUATE SCHOOL? 776 00:43:02,630 --> 00:43:04,064 NO. 777 00:43:04,132 --> 00:43:06,066 WOULD YOU MIND TELLING ME 778 00:43:06,134 --> 00:43:08,068 WHAT THOSE 4 YEARS OF COLLEGE WERE FOR? 779 00:43:08,136 --> 00:43:09,647 WHAT WAS THE POINT OF ALL THAT HARD WORK? 780 00:43:09,671 --> 00:43:11,571 YOU GOT ME. 781 00:43:11,639 --> 00:43:13,406 NOW, LISTEN, BEN... 782 00:43:15,643 --> 00:43:19,246 LOOK. I THINK IT'S A VERY GOOD THING 783 00:43:19,314 --> 00:43:20,747 THAT A YOUNG MAN, 784 00:43:20,815 --> 00:43:23,250 AFTER HE'S DONE SOME VERY GOOD WORK, 785 00:43:23,318 --> 00:43:26,253 SHOULD HAVE A CHANCE TO RELAX AND ENJOY HIMSELF 786 00:43:26,321 --> 00:43:29,256 AND LIE AROUND AND DRINK BEER AND SO ON. 787 00:43:29,324 --> 00:43:32,092 BUT AFTER A FEW WEEKS, 788 00:43:32,160 --> 00:43:35,262 I BELIEVE THAT PERSON WOULD WANT TO TAKE SOME STOCK 789 00:43:35,330 --> 00:43:37,264 IN HIMSELF AND HIS SITUATION 790 00:43:37,332 --> 00:43:40,767 AND START TO THINK ABOUT GETTING OFF HIS ASS. 791 00:43:40,835 --> 00:43:42,903 THE ROBINSONS ARE HERE. 792 00:43:44,806 --> 00:43:46,039 HI, BEN. 793 00:43:46,108 --> 00:43:48,674 WHAT ARE YOU DOING WITH YOURSELF THESE DAYS? 794 00:43:48,743 --> 00:43:51,111 OH, NOT TOO MUCH. 795 00:43:51,179 --> 00:43:52,879 TAKING IT EASY. 796 00:43:52,947 --> 00:43:54,948 THAT'S WHAT I'D DO IF I COULD. 797 00:43:55,017 --> 00:43:56,783 NOTHING WRONG WITH THAT. 798 00:43:56,851 --> 00:43:58,285 HEY, BEN... 799 00:43:58,353 --> 00:44:00,553 ELAINE'S COMING DOWN FROM BERKELEY SOON. 800 00:44:00,622 --> 00:44:02,289 I WANT YOU TO CALL HER UP THIS TIME. 801 00:44:02,357 --> 00:44:03,390 Ben: I WILL. 802 00:44:03,458 --> 00:44:04,991 BECAUSE I JUST THINK YOU TWO 803 00:44:05,060 --> 00:44:06,893 WOULD HIT IT OFF REAL WELL TOGETHER. 804 00:44:06,962 --> 00:44:10,480 SAY HELLO TO MRS. ROBINSON, BENJAMIN. 805 00:44:13,135 --> 00:44:15,201 HELLO, MRS. ROBINSON. 806 00:44:15,270 --> 00:44:17,070 HELLO, BENJAMIN. 807 00:44:30,652 --> 00:44:31,584 OH, MY. 808 00:44:31,653 --> 00:44:32,585 HI. 809 00:44:32,654 --> 00:44:35,588 CAN I TALK TO YOU FOR A MINUTE? 810 00:44:35,657 --> 00:44:36,589 SURE. 811 00:44:36,658 --> 00:44:39,525 BENJY... DARLING, 812 00:44:39,594 --> 00:44:41,239 I'M GOING TO ASK YOU SOMETHING, 813 00:44:41,263 --> 00:44:43,141 BUT YOU... YOU DON'T HAVE TO TELL ME 814 00:44:43,165 --> 00:44:44,931 IF YOU DON'T WANT TO. 815 00:44:45,000 --> 00:44:45,932 WHAT? 816 00:44:46,001 --> 00:44:48,935 WELL, I'M GOING TO ASK YOU WHAT YOU DO 817 00:44:49,004 --> 00:44:51,438 WHEN YOU GO OFF AT NIGHT. 818 00:44:51,506 --> 00:44:53,273 WHEN I GO OFF? 819 00:44:53,342 --> 00:44:55,320 YOU DON'T HAVE TO TELL ME 820 00:44:55,344 --> 00:44:56,654 IF YOU DON'T WANT TO. 821 00:44:56,678 --> 00:44:59,612 NO, I DO. I WANT TO TELL YOU. 822 00:44:59,681 --> 00:45:01,414 I DRIVE AROUND. 823 00:45:01,483 --> 00:45:03,549 WHAT ELSE? 824 00:45:03,618 --> 00:45:04,550 NOTHING ELSE. 825 00:45:04,619 --> 00:45:05,885 YOU DON'T DRIVE AROUND 826 00:45:05,954 --> 00:45:08,654 FROM MIDNIGHT UNTIL NOON THE NEXT DAY, BENJAMIN. 827 00:45:08,723 --> 00:45:09,655 OH, NO. 828 00:45:09,724 --> 00:45:11,202 WELL, THEN, WHAT DO YOU DO? 829 00:45:11,226 --> 00:45:12,892 YOU MEET SOMEONE? 830 00:45:12,961 --> 00:45:13,893 MEET SOMEONE? 831 00:45:13,962 --> 00:45:15,862 WHY DO YOU SAY THAT? 832 00:45:15,930 --> 00:45:17,864 WELL, THIS IS YOUR BUSINESS. 833 00:45:17,932 --> 00:45:18,865 I WON'T PLAY GAMES WITH YOU. 834 00:45:18,933 --> 00:45:20,000 WAIT, WAIT. 835 00:45:20,068 --> 00:45:21,501 I DON'T MEET ANYONE, MOTHER, 836 00:45:21,569 --> 00:45:24,004 BUT WHY DO YOU SAY THAT? 837 00:45:24,072 --> 00:45:26,806 BENJAMIN, I DON'T WANT TO PRY INTO YOUR AFFAIRS, 838 00:45:26,875 --> 00:45:29,053 BUT I WOULD RATHER YOU DIDN'T SAY ANYTHING AT ALL 839 00:45:29,077 --> 00:45:30,310 THAN BE DISHONEST. 840 00:45:30,379 --> 00:45:31,311 GOOD NIGHT. 841 00:45:31,380 --> 00:45:34,014 WELL, WAIT... WAIT A MINUTE! 842 00:45:34,082 --> 00:45:36,682 WILL YOU WAIT A MINUTE, PLEASE? 843 00:45:38,653 --> 00:45:40,631 MRS. ROBINSON, DO YOU THINK 844 00:45:40,655 --> 00:45:43,089 WE COULD SAY A FEW WORDS 845 00:45:43,157 --> 00:45:45,592 TO EACH OTHER FIRST THIS TIME? 846 00:45:45,660 --> 00:45:50,262 I DON'T THINK WE HAVE MUCH TO SAY TO EACH OTHER. 847 00:45:52,667 --> 00:45:53,600 LOOK, FOR MONTHS, 848 00:45:53,668 --> 00:45:55,935 ALL WE'VE DONE IS COME UP HERE 849 00:45:56,004 --> 00:45:58,104 AND LEAP INTO BED TOGETHER. 850 00:45:58,172 --> 00:46:00,106 ARE YOU TIRED OF IT? 851 00:46:00,174 --> 00:46:01,040 I'M NOT, NO. 852 00:46:01,109 --> 00:46:02,920 BUT DO YOU THINK WE COULD LIVEN IT UP 853 00:46:02,944 --> 00:46:04,421 WITH A LITTLE CONVERSATION FOR A CHANGE? 854 00:46:04,445 --> 00:46:06,880 WHAT DO YOU WANT TO TALK ABOUT? 855 00:46:06,948 --> 00:46:08,425 ANYTHING. ANYTHING AT ALL. 856 00:46:08,449 --> 00:46:10,383 DO YOU WANT TO TELL ME 857 00:46:10,451 --> 00:46:12,886 ABOUT SOME OF YOUR COLLEGE EXPERIENCES? 858 00:46:12,954 --> 00:46:14,521 OH, MY GOD. 859 00:46:18,643 --> 00:46:20,242 THINK OF ANOTHER TOPIC. 860 00:46:29,821 --> 00:46:32,088 HOW ABOUT ART? 861 00:46:32,156 --> 00:46:33,968 ART. THAT'S A GOOD SUBJECT. 862 00:46:33,992 --> 00:46:35,424 YOU START IT OFF. 863 00:46:35,494 --> 00:46:36,926 YOU START IT OFF. 864 00:46:36,995 --> 00:46:38,761 I DON'T KNOW ANYTHING ABOUT IT. 865 00:46:38,830 --> 00:46:40,307 WELL, WHAT DO YOU WANT TO KNOW ABOUT IT? 866 00:46:40,331 --> 00:46:41,642 ARE YOU INTERESTED MORE IN MODERN ART 867 00:46:41,666 --> 00:46:43,099 OR IN CLASSICAL ART? 868 00:46:43,167 --> 00:46:44,100 NEITHER. 869 00:46:44,168 --> 00:46:45,480 YOU'RE NOT INTERESTED IN ART? 870 00:46:45,504 --> 00:46:46,435 NO. 871 00:46:46,505 --> 00:46:47,582 THEN WHY DO YOU WANT TO TALK ABOUT IT? 872 00:46:47,606 --> 00:46:48,671 I DON'T. 873 00:46:48,740 --> 00:46:50,017 NOW, LOOK, WE'RE GOING TO DO THIS THING. 874 00:46:50,041 --> 00:46:51,986 WE'RE GOING TO HAVE A CONVERSATION. 875 00:46:52,010 --> 00:46:54,443 TELL ME WHAT YOU DID TODAY. 876 00:46:54,513 --> 00:46:56,445 I GOT UP. 877 00:46:56,515 --> 00:46:57,446 OHH. 878 00:46:57,516 --> 00:46:59,949 I FIXED BREAKFAST FOR MY HUSBAND. 879 00:47:00,018 --> 00:47:01,529 THERE. THERE'S SOMETHING 880 00:47:01,553 --> 00:47:02,930 WE COULD HAVE A CONVERSATION ABOUT... 881 00:47:02,954 --> 00:47:04,220 YOUR HUSBAND. 882 00:47:04,288 --> 00:47:05,889 OH. HIM. 883 00:47:05,957 --> 00:47:07,390 I MEAN, EVERYTHING. 884 00:47:07,458 --> 00:47:09,436 I DON'T KNOW ANYTHING ABOUT HOW YOU WORK THIS. 885 00:47:09,460 --> 00:47:11,360 WHAT DO YOU SAY TO HIM 886 00:47:11,429 --> 00:47:12,440 WHEN YOU LEAVE THE HOUSE AT NIGHT? 887 00:47:12,464 --> 00:47:13,896 NOTHING. HE'S ASLEEP. 888 00:47:13,965 --> 00:47:14,897 ALWAYS? 889 00:47:14,966 --> 00:47:17,900 DOESN'T HE WAKE UP WHEN YOU COME HOME? 890 00:47:19,721 --> 00:47:20,886 WE HAVE SEPARATE BEDROOMS. 891 00:47:20,956 --> 00:47:22,555 OH, I SEE. 892 00:47:22,623 --> 00:47:24,574 SO YOU DON'T... 893 00:47:24,642 --> 00:47:27,410 I DON'T LIKE TO SEEM LIKE I'M PRYING, 894 00:47:27,479 --> 00:47:29,456 BUT I GUESS YOU DON'T SLEEP TOGETHER. 895 00:47:29,480 --> 00:47:30,914 NO, WE DON'T. 896 00:47:30,982 --> 00:47:33,399 HOW LONG HAS THIS BEEN GOING ON? 897 00:47:33,468 --> 00:47:34,901 FOR GOD'S SAKE, LET'S DROP THIS. 898 00:47:34,970 --> 00:47:36,948 WAIT A MINUTE. WHY DID YOU MARRY HIM? 899 00:47:36,972 --> 00:47:38,905 SEE IF YOU CAN GUESS. 900 00:47:38,974 --> 00:47:40,406 WELL, I CAN'T. 901 00:47:40,475 --> 00:47:42,575 THINK REAL HARD, BENJAMIN. 902 00:47:42,644 --> 00:47:45,578 I CAN'T SEE WHY YOU DID, UNLESS... 903 00:47:56,657 --> 00:47:58,090 DON'T TELL ELAINE. 904 00:47:58,159 --> 00:47:59,091 OH, NO. 905 00:47:59,160 --> 00:48:00,525 YOU HAD TO MARRY HIM 906 00:48:00,594 --> 00:48:02,072 BECAUSE YOU GOT PREGNANT. 907 00:48:02,096 --> 00:48:03,662 ARE YOU SHOCKED? 908 00:48:05,099 --> 00:48:06,709 I NEVER THOUGHT OF YOU AND MR. ROBINSON 909 00:48:06,733 --> 00:48:09,367 AS THE KIND OF PEOPLE WHO... 910 00:48:09,436 --> 00:48:10,716 ALL RIGHT NOW, LET'S GET TO BED. 911 00:48:10,771 --> 00:48:13,205 WAIT A MINUTE. WAIT A MINUTE. 912 00:48:13,274 --> 00:48:15,207 SO HOW DID IT HAPPEN? 913 00:48:15,276 --> 00:48:16,208 WHAT? 914 00:48:16,277 --> 00:48:17,709 YOU AND MR. ROBINSON. 915 00:48:17,778 --> 00:48:19,211 DO YOU FEEL LIKE 916 00:48:19,280 --> 00:48:20,757 TELLING ME WHAT WERE THE CIRCUMSTANCES? 917 00:48:20,781 --> 00:48:22,547 NOT PARTICULARLY. 918 00:48:22,616 --> 00:48:25,550 WAS HE A LAW STUDENT AT THE TIME? 919 00:48:25,619 --> 00:48:26,551 MM-HMM. 920 00:48:26,620 --> 00:48:28,615 AND YOU WERE A STUDENT ALSO? 921 00:48:28,639 --> 00:48:29,704 MM-HMM. 922 00:48:30,641 --> 00:48:32,074 AT COLLEGE? 923 00:48:32,143 --> 00:48:33,075 YES. 924 00:48:33,144 --> 00:48:36,245 WHAT WAS YOUR MAJOR? 925 00:48:40,084 --> 00:48:41,183 BENJAMIN, 926 00:48:41,252 --> 00:48:43,585 WHY ARE YOU ASKING ME ALL THESE QUESTIONS? 927 00:48:43,654 --> 00:48:45,632 BECAUSE I'M INTERESTED, MRS. ROBINSON. 928 00:48:45,656 --> 00:48:48,757 WHAT WAS YOUR MAJOR SUBJECT AT COLLEGE? 929 00:48:50,661 --> 00:48:51,593 ART. 930 00:48:51,662 --> 00:48:52,727 ART? 931 00:48:55,166 --> 00:48:56,731 BUT I THOUGHT YOU... 932 00:48:59,670 --> 00:49:00,670 HMM. 933 00:49:01,672 --> 00:49:05,040 I GUESS YOU KIND OF LOST INTEREST IN IT 934 00:49:05,109 --> 00:49:06,586 OVER THE YEARS, THEN. 935 00:49:06,610 --> 00:49:08,177 KIND OF. 936 00:49:10,614 --> 00:49:13,215 WELL, HOW DID IT HAPPEN? 937 00:49:13,284 --> 00:49:14,216 WHAT? 938 00:49:14,285 --> 00:49:15,717 YOU AND MR. ROBINSON. 939 00:49:15,786 --> 00:49:17,219 HOW DO YOU THINK? 940 00:49:17,288 --> 00:49:19,955 DID YOU TAKE YOU UP TO HIS ROOM WITH HIM? 941 00:49:20,024 --> 00:49:21,723 DID YOU GO TO A HOTEL? 942 00:49:21,792 --> 00:49:23,558 OH, BENJAMIN, WHAT DOES IT POSSIBLY MATTER? 943 00:49:23,627 --> 00:49:24,559 I'M CURIOUS. 944 00:49:24,628 --> 00:49:26,561 WE'D GO TO HIS CAR. 945 00:49:26,630 --> 00:49:27,562 OH, NO. 946 00:49:27,631 --> 00:49:30,065 IN THE CAR YOU DID IT? 947 00:49:30,134 --> 00:49:32,067 WELL, I DON'T THINK WE WERE THE FIRST. 948 00:49:32,136 --> 00:49:34,736 WHAT KIND OF CAR WAS IT? 949 00:49:36,140 --> 00:49:37,072 WHAT? 950 00:49:37,141 --> 00:49:40,075 DO YOU REMEMBER THE MAKE OF THE CAR? 951 00:49:40,144 --> 00:49:41,076 OH, MY GOD. 952 00:49:41,145 --> 00:49:42,744 REALLY, I WANT TO KNOW. 953 00:49:42,813 --> 00:49:44,246 IT WAS A FORD, BENJAMIN. 954 00:49:44,315 --> 00:49:46,915 A FORD. 955 00:49:46,984 --> 00:49:47,916 A FORD. 956 00:49:47,985 --> 00:49:50,266 GOD DAMN IT, THAT'S GREAT. 957 00:49:50,321 --> 00:49:51,419 A FORD. 958 00:49:51,488 --> 00:49:53,055 THAT'S ENOUGH. 959 00:49:56,660 --> 00:50:00,595 SO OLD ELAINE ROBINSON GOT STARTED IN A FORD. 960 00:50:00,664 --> 00:50:03,098 DON'T TALK ABOUT ELAINE. 961 00:50:03,167 --> 00:50:05,600 DON'T TALK ABOUT ELAINE? 962 00:50:05,669 --> 00:50:06,735 NO. 963 00:50:07,671 --> 00:50:08,603 WHY NOT? 964 00:50:08,672 --> 00:50:11,106 BECAUSE I DON'T WANT YOU TO. 965 00:50:11,175 --> 00:50:12,607 WELL, WHY DON'T YOU? 966 00:50:12,676 --> 00:50:14,609 I WISH YOU'D TELL ME. 967 00:50:14,678 --> 00:50:16,111 THERE'S NOTHING TO TELL. 968 00:50:16,180 --> 00:50:18,413 WELL, WHY IS SHE A BIG TABOO SUBJECT 969 00:50:18,482 --> 00:50:20,048 ALL OF A SUDDEN? 970 00:50:20,117 --> 00:50:22,984 WELL, I GUESS I'LL HAVE TO ASK HER OUT ON A DATE 971 00:50:23,053 --> 00:50:24,531 AND FIND OUT WHAT THE BIG DEAL IS. 972 00:50:24,555 --> 00:50:28,623 BENJAMIN, DON'T YOU EVER TAKE THAT GIRL OUT. 973 00:50:28,692 --> 00:50:30,124 DO YOU UNDERSTAND THAT? 974 00:50:30,193 --> 00:50:33,278 I HAVE NO INTENTION OF TAKING HER OUT. 975 00:50:35,182 --> 00:50:36,615 GOOD. 976 00:50:36,684 --> 00:50:39,117 I WAS JUST KIDDING AROUND. 977 00:50:41,855 --> 00:50:42,921 GOOD. 978 00:50:44,692 --> 00:50:46,257 WELL, WHY SHOULDN'T I? 979 00:50:50,197 --> 00:50:51,630 I HAVE MY REASONS. 980 00:50:51,699 --> 00:50:52,931 THEN LET'S HEAR THEM. 981 00:50:52,999 --> 00:50:53,932 NO. 982 00:50:54,000 --> 00:50:54,933 LET'S HEAR THEM, MRS. ROBINSON, 983 00:50:55,001 --> 00:50:56,813 BECAUSE I THINK I KNOW WHAT THEY ARE. 984 00:50:56,837 --> 00:50:59,638 I'M NOT GOOD ENOUGH FOR HER TO ASSOCIATE WITH, AM I? 985 00:50:59,707 --> 00:51:01,918 I'M NOT GOOD ENOUGH TO EVEN TALK ABOUT HER, AM I? 986 00:51:01,942 --> 00:51:02,874 LET'S DROP IT. 987 00:51:02,943 --> 00:51:04,053 WE'RE NOT DROPPING IT. 988 00:51:04,077 --> 00:51:05,522 I'M GOOD ENOUGH FOR YOU, BUT I'M NOT GOOD ENOUGH 989 00:51:05,546 --> 00:51:06,723 TO ASSOCIATE WITH YOUR DAUGHTER. 990 00:51:06,747 --> 00:51:07,679 BENJAMIN. 991 00:51:07,748 --> 00:51:09,481 ISN'T IT? 992 00:51:22,496 --> 00:51:23,862 YES. 993 00:51:23,930 --> 00:51:25,597 YOU GO TO HELL. 994 00:51:25,666 --> 00:51:27,932 YOU GO STRAIGHT TO HELL, MRS. ROBINSON. 995 00:51:28,001 --> 00:51:29,245 DO YOU THINK I'M PROUD OF MYSELF? 996 00:51:29,269 --> 00:51:30,480 DO YOU THINK I'M PROUD OF THIS? 997 00:51:30,504 --> 00:51:31,936 I WOULDN'T KNOW. 998 00:51:32,005 --> 00:51:32,937 WELL, I AM NOT. 999 00:51:33,006 --> 00:51:33,938 NO, SIR. 1000 00:51:34,007 --> 00:51:36,941 I'M NOT PROUD THAT I SPEND MY TIME 1001 00:51:37,010 --> 00:51:38,488 WITH A BROKEN-DOWN ALCOHOLIC. 1002 00:51:38,512 --> 00:51:39,611 I SEE. 1003 00:51:39,680 --> 00:51:41,880 IF YOU THINK I COME HERE 1004 00:51:41,948 --> 00:51:43,259 FOR ANY REASON BESIDES PURE BOREDOM, 1005 00:51:43,283 --> 00:51:44,215 THAN YOU'RE ALL WRONG. 1006 00:51:44,284 --> 00:51:45,617 'CAUSE, MRS. ROBINSON, 1007 00:51:45,686 --> 00:51:47,497 THIS IS THE SICKEST, MOST PERVERTED THING 1008 00:51:47,521 --> 00:51:48,798 THAT EVER HAPPENED TO ME. 1009 00:51:48,822 --> 00:51:49,932 YOU DO WHAT YOU WANT, 1010 00:51:49,956 --> 00:51:51,668 BUT I'M GETTING THE HELL OUT. 1011 00:51:51,692 --> 00:51:52,624 ARE YOU? 1012 00:51:52,693 --> 00:51:54,259 GODDAMN RIGHT, I AM. 1013 00:51:56,697 --> 00:51:58,897 THAT'S HOW YOU FEEL ABOUT ME? 1014 00:51:58,965 --> 00:52:00,565 THAT I'M A SICK AND DISGUSTING PERSON? 1015 00:52:00,634 --> 00:52:02,066 NOW, DON'T START THIS. 1016 00:52:02,135 --> 00:52:03,067 WHAT? 1017 00:52:03,136 --> 00:52:04,569 DON'T START ACTING HURT. 1018 00:52:04,638 --> 00:52:07,572 DON'T YOU EXPECT ME TO BE A LITTLE HURT? 1019 00:52:07,641 --> 00:52:09,574 MRS. ROBINSON, YOU LIE THERE AND TELL ME 1020 00:52:09,643 --> 00:52:11,621 I'M NOT GOOD ENOUGH FOR YOUR DAUGHTER. 1021 00:52:11,645 --> 00:52:13,077 DID I SAY THAT? 1022 00:52:13,146 --> 00:52:15,079 IN SO MANY WORDS. 1023 00:52:16,149 --> 00:52:18,650 BENJAMIN, I WANT TO APOLOGIZE TO YOU 1024 00:52:18,719 --> 00:52:20,084 IF THAT'S THE IMPRESSION YOU GOT. 1025 00:52:20,153 --> 00:52:21,964 WELL, 2 MINUTES AGO YOU TOLD ME 1026 00:52:21,988 --> 00:52:23,533 I WASN'T GOOD ENOUGH FOR YOUR DAUGHTER. 1027 00:52:23,557 --> 00:52:25,635 NOW YOU SAY YOU'RE SORRY I GOT THAT IMPRESSION. 1028 00:52:25,659 --> 00:52:27,091 I DIDN'T MEAN IT. 1029 00:52:27,160 --> 00:52:30,595 I DON'T THINK YOU'D BE RIGHT FOR EACH OTHER. 1030 00:52:30,664 --> 00:52:34,599 I'D NEVER SAY YOU AREN'T AS GOOD A PERSON AS SHE IS. 1031 00:52:34,668 --> 00:52:35,828 YOU WOULDN'T? 1032 00:52:37,003 --> 00:52:38,770 OF COURSE I WOULDN'T. 1033 00:52:43,510 --> 00:52:44,943 WHAT ARE YOU DOING? 1034 00:52:45,011 --> 00:52:46,445 WELL, IT'S PRETTY OBVIOUS 1035 00:52:46,513 --> 00:52:49,614 YOU DON'T WANT ME AROUND ANYMORE. 1036 00:52:50,684 --> 00:52:52,451 WELL, LOOK, UH... 1037 00:52:55,188 --> 00:52:57,622 I WAS KIND OF UPSET THERE. 1038 00:52:57,691 --> 00:53:00,224 I'M SORRY I SAID THOSE THINGS. 1039 00:53:00,293 --> 00:53:01,726 IT'S ALL RIGHT. 1040 00:53:01,795 --> 00:53:03,728 I THINK I CAN UNDERSTAND 1041 00:53:03,797 --> 00:53:06,230 WHY I'M DISGUSTING TO YOU. 1042 00:53:06,299 --> 00:53:07,699 OH, NO. 1043 00:53:08,802 --> 00:53:10,234 LOOK, I LIKE YOU. 1044 00:53:10,303 --> 00:53:12,303 I WOULDN'T KEEP COMING HERE 1045 00:53:12,372 --> 00:53:13,572 IF I DIDN'T LIKE YOU. 1046 00:53:13,640 --> 00:53:15,974 BUT IF IT'S SICKENING FOR YOU? 1047 00:53:16,042 --> 00:53:17,175 IT'S NOT. 1048 00:53:19,312 --> 00:53:22,246 I ENJOY IT. I LOOK FORWARD TO IT. 1049 00:53:22,315 --> 00:53:24,583 IT'S THE ONE THING I HAVE 1050 00:53:24,651 --> 00:53:26,250 TO LOOK FORWARD TO. 1051 00:53:26,319 --> 00:53:28,419 YOU DON'T HAVE TO SAY THAT. 1052 00:53:28,489 --> 00:53:30,021 WELL, I WOULDN'T. 1053 00:53:30,090 --> 00:53:32,591 I WOULD NEVER SAY IT IF IT WASN'T TRUE. 1054 00:53:32,659 --> 00:53:34,759 MAY I STAY, THEN? 1055 00:53:37,664 --> 00:53:40,599 YES, PLEASE. I WANT YOU TO. 1056 00:53:40,667 --> 00:53:41,766 THANK YOU. 1057 00:53:41,835 --> 00:53:45,269 WELL, DON'T THANK ME, BECAUSE I WANT YOU TO. 1058 00:53:46,673 --> 00:53:49,608 BUT YOU WON'T EVER TAKE ELAINE OUT, WILL YOU? 1059 00:53:49,676 --> 00:53:51,042 I WANT YOU TO PROMISE ME THAT. 1060 00:53:51,111 --> 00:53:53,879 LOOK, WHY THE HELL DID YOU BRING THIS UP? 1061 00:53:53,947 --> 00:53:55,658 IT NEVER OCCURRED TO ME TO TAKE HER OUT. 1062 00:53:55,682 --> 00:53:58,617 THEN GIVE ME YOUR WORD YOU WON'T! 1063 00:53:58,685 --> 00:54:00,118 THIS IS ABSURD. 1064 00:54:00,186 --> 00:54:01,853 PROMISE ME, BENJAMIN. 1065 00:54:03,123 --> 00:54:04,556 ALL RIGHT, I PROMISE. 1066 00:54:04,625 --> 00:54:06,558 FOR CHRIST'S SAKE, I PROMISE 1067 00:54:06,627 --> 00:54:09,227 I'LL NEVER TAKE OUT ELAINE ROBINSON. 1068 00:54:10,130 --> 00:54:11,696 THANK YOU. 1069 00:54:16,803 --> 00:54:19,971 BENJAMIN... LET'S NOT TALK ABOUT IT. 1070 00:54:20,874 --> 00:54:22,974 LET'S NOT TALK AT ALL. 1071 00:54:58,712 --> 00:55:00,290 ELAINE'S BACK FROM SCHOOL. 1072 00:55:00,314 --> 00:55:03,249 I THINK IT MIGHT BE A NICE GESTURE 1073 00:55:03,317 --> 00:55:05,418 IF YOU ASKED HER OUT. 1074 00:55:18,433 --> 00:55:20,299 I SUPPOSE SHE'S NOT GOOD ENOUGH FOR YOU, 1075 00:55:20,368 --> 00:55:21,400 IS THAT IT? 1076 00:55:21,469 --> 00:55:23,447 LOOK, ELAINE ROBINSON AND I DO NOT GET ALONG. 1077 00:55:23,471 --> 00:55:24,548 HOW DO YOU KNOW? 1078 00:55:24,572 --> 00:55:26,550 YOU HAVEN'T SEEN HER SINCE HIGH SCHOOL. 1079 00:55:26,574 --> 00:55:27,506 I SUPPOSE YOUR EVENINGS, 1080 00:55:27,575 --> 00:55:29,053 WHATEVER YOU DO WITH THEM, 1081 00:55:29,077 --> 00:55:30,554 ARE JUST TOO VALUABLE. 1082 00:55:30,578 --> 00:55:33,045 THAT HAS NOTHING TO DO WITH IT. 1083 00:55:33,114 --> 00:55:34,991 I GUESS I'LL JUST HAVE TO TELL MR. ROBINSON 1084 00:55:35,015 --> 00:55:37,283 THAT YOU'RE TOO BUSY EVERY EVENING 1085 00:55:37,351 --> 00:55:38,784 DOING GOD KNOWS WHAT. 1086 00:55:38,852 --> 00:55:41,287 NOW DON'T GO ON LIKE THIS. 1087 00:55:41,355 --> 00:55:42,832 IF BENJAMIN ABSOLUTELY REFUSES 1088 00:55:42,856 --> 00:55:45,291 TO TAKE HER OUT... I DO. 1089 00:55:45,359 --> 00:55:48,127 THEN I WILL SIMPLY HAVE TO INVITE 1090 00:55:48,196 --> 00:55:50,796 ALL THE ROBINSONS OVER ON THURSDAY. 1091 00:56:02,343 --> 00:56:03,353 Mr. Robinson: WELL, BRADDOCK, 1092 00:56:03,377 --> 00:56:06,312 IT'S ABOUT TIME YOU GOT AROUND TO THIS. 1093 00:56:07,715 --> 00:56:09,126 Bob Eubanks: YOUR WIFE PREDICTED YOU WOULD SAY WHAT? 1094 00:56:09,150 --> 00:56:10,082 PATTY DUVALLE. 1095 00:56:10,151 --> 00:56:11,151 Patty: OHH. 1096 00:56:14,155 --> 00:56:16,589 I DIDN'T KNOW THAT'S WHAT YOU... 1097 00:56:16,657 --> 00:56:18,090 NO POINTS. RIGHT? 1098 00:56:18,159 --> 00:56:20,392 HERE'S THE NEXT QUESTION. GENTLEMEN... 1099 00:56:20,461 --> 00:56:21,960 HELLO. 1100 00:56:22,029 --> 00:56:24,330 WHAT IS YOUR WIFE'S MOST UNUSUAL HABIT? 1101 00:56:24,398 --> 00:56:26,265 BEN, COME ON IN. 1102 00:56:26,334 --> 00:56:27,944 I'M AFRAID THE YOUNG LADY 1103 00:56:27,968 --> 00:56:30,736 ISN'T QUITE READY YET. 1104 00:56:30,804 --> 00:56:32,782 WHAT WOULD YOU SAY TO A SHORT ONE? 1105 00:56:32,806 --> 00:56:34,118 SCOTCH STILL YOUR DRINK? 1106 00:56:34,142 --> 00:56:35,307 BOURBON. 1107 00:56:35,376 --> 00:56:38,310 Eubanks: CAN YOU THINK OF SOMETHING THAT BOTHERS YOU? 1108 00:56:40,681 --> 00:56:42,114 Man: NOT SHAVING HER LEGS. 1109 00:56:46,354 --> 00:56:47,753 Woman: GOD. 1110 00:56:51,192 --> 00:56:53,792 WELL, I'LL SEE IF SHE'S READY. 1111 00:56:59,867 --> 00:57:01,367 Man: SORRY, HONEY, I... 1112 00:57:03,937 --> 00:57:05,904 LISTEN, THIS WAS NOT MY IDEA. 1113 00:57:05,973 --> 00:57:07,873 THIS WAS MY FATHER'S IDEA. 1114 00:57:07,941 --> 00:57:09,353 BENJAMIN, I THOUGHT I MADE MYSELF 1115 00:57:09,377 --> 00:57:11,054 PERFECTLY CLEAR ABOUT THIS. 1116 00:57:11,078 --> 00:57:12,856 LOOK, WE'LL GO OUT TO DINNER AND HAVE A DRINK, 1117 00:57:12,880 --> 00:57:14,057 AND I'LL BRING HER RIGHT BACK. 1118 00:57:14,081 --> 00:57:15,514 BECAUSE IT WAS EITHER THAT 1119 00:57:15,583 --> 00:57:17,583 OR A DINNER PARTY FOR THE 2 FAMILIES. 1120 00:57:17,652 --> 00:57:19,062 AND I'M AFRAID I COULDN'T QUITE HANDLE THAT, 1121 00:57:19,086 --> 00:57:21,520 IF YOU DON'T MIND. 1122 00:57:21,589 --> 00:57:22,754 LOOK, I HAVE NO INTENTION 1123 00:57:22,823 --> 00:57:25,391 OF EVER TAKING YOUR PRECIOUS DAUGHTER OUT AGAIN, 1124 00:57:25,459 --> 00:57:26,892 SO DON'T GET UPSET ABOUT IT. 1125 00:57:26,960 --> 00:57:28,294 I AM. 1126 00:57:28,362 --> 00:57:31,597 I'M EXTREMELY UPSET ABOUT IT, BENJAMIN. 1127 00:57:32,700 --> 00:57:33,799 HELLO. 1128 00:57:34,868 --> 00:57:35,908 HELLO. 1129 00:57:35,969 --> 00:57:37,447 Mr. Robinson: I WANT YOU TO KEEP YOUR WITS 1130 00:57:37,471 --> 00:57:38,404 ABOUT YOU TONIGHT. 1131 00:57:38,472 --> 00:57:41,307 YOU NEVER KNOW WHAT TRICKS BEN PICKED UP 1132 00:57:41,375 --> 00:57:43,475 BACK THERE IN THE EAST. 1133 00:57:53,187 --> 00:57:56,121 YOU'RE LIVING AT HOME NOW, IS THAT RIGHT? 1134 00:57:56,190 --> 00:57:57,423 YES. 1135 00:57:58,526 --> 00:58:00,437 DO YOU KNOW WHAT YOU'RE GOING TO DO? 1136 00:58:00,461 --> 00:58:01,527 NO. 1137 00:58:04,798 --> 00:58:07,399 ARE YOU GOING TO GRADUATE SCHOOL? 1138 00:58:07,468 --> 00:58:08,534 NO. 1139 00:58:14,141 --> 00:58:16,581 DO YOU ALWAYS DRIVE LIKE THIS? 1140 00:58:16,644 --> 00:58:17,909 YES. 1141 00:59:42,096 --> 00:59:43,328 SIT DOWN. 1142 00:59:58,446 --> 01:00:01,046 WHY DON'T YOU WATCH THE SHOW? 1143 01:00:04,117 --> 01:00:05,050 BENJAMIN, 1144 01:00:05,118 --> 01:00:07,399 DO YOU DISLIKE ME FOR SOME REASON? 1145 01:00:07,455 --> 01:00:09,421 NO. WHY SHOULD I? 1146 01:00:10,791 --> 01:00:12,358 I DON'T KNOW. 1147 01:00:20,568 --> 01:00:23,235 YOU'RE MISSING A GREAT EFFECT HERE. 1148 01:00:24,572 --> 01:00:25,838 GO, GO! 1149 01:00:25,906 --> 01:00:28,006 HOW DO YOU LIKE THAT? 1150 01:00:31,078 --> 01:00:32,644 COULD YOU DO IT? 1151 01:00:36,083 --> 01:00:37,883 GO, BABY, GO! 1152 01:00:55,269 --> 01:00:56,435 STOP! 1153 01:00:56,504 --> 01:00:57,603 HEY! 1154 01:00:57,671 --> 01:00:58,854 BOO! 1155 01:00:58,906 --> 01:01:00,506 BOO! BOO! 1156 01:01:06,947 --> 01:01:08,514 ELAINE, I'M SORRY. 1157 01:01:09,450 --> 01:01:11,049 ELAINE. 1158 01:01:11,118 --> 01:01:13,585 WOULD YOU TAKE ME HOME NOW? 1159 01:01:13,654 --> 01:01:16,555 I'M SORRY I TOOK YOU IN THERE. 1160 01:01:16,624 --> 01:01:19,184 I THINK I BETTER GO HOME, PLEASE. 1161 01:01:22,396 --> 01:01:23,495 ELAINE. 1162 01:01:23,564 --> 01:01:24,996 WHERE'S THE CAR? 1163 01:01:25,065 --> 01:01:27,666 I JUST WANT TO TELL YOU SOMETHING. 1164 01:01:30,571 --> 01:01:32,003 I WANT TO GO HOME. 1165 01:01:32,072 --> 01:01:35,006 CAN I JUST TELL YOU THIS ONE THING? 1166 01:01:35,075 --> 01:01:36,174 WHAT? 1167 01:01:36,243 --> 01:01:37,954 THIS WHOLE IDEA... THIS DATE AND EVERYTHING, 1168 01:01:37,978 --> 01:01:39,222 IT WAS MY PARENTS' IDEA. 1169 01:01:39,246 --> 01:01:41,179 THEY FORCED ME INTO IT. 1170 01:01:41,248 --> 01:01:44,182 THAT'S VERY NICE OF YOU TO TELL ME. 1171 01:01:44,251 --> 01:01:45,929 WHAT I MEAN IS, THAT'S WHY I'VE BEEN ACTING THIS WAY. 1172 01:01:45,953 --> 01:01:47,052 I'M NOT LIKE THIS. 1173 01:01:47,120 --> 01:01:49,220 I HATE MYSELF LIKE THIS. 1174 01:01:52,426 --> 01:01:55,360 LISTEN, COULD YOU JUST STOP CRYING, PLEASE? 1175 01:01:55,429 --> 01:01:56,862 NO, I COULDN'T. 1176 01:01:56,931 --> 01:01:58,363 WELL, COULD YOU TRY? 1177 01:01:58,432 --> 01:01:59,665 NO. 1178 01:02:12,847 --> 01:02:14,090 I'VE HAD THIS FEELING 1179 01:02:14,114 --> 01:02:15,592 EVER SINCE I'VE GRADUATED... 1180 01:02:15,616 --> 01:02:17,661 THIS KIND OF COMPULSION THAT I HAVE TO BE RUDE 1181 01:02:17,685 --> 01:02:21,386 ALL THE TIME, YOU KNOW WHAT I MEAN? 1182 01:02:22,289 --> 01:02:23,722 YES, I DO. 1183 01:02:23,791 --> 01:02:26,725 IT'S LIKE I WAS PLAYING SOME KIND OF GAME, 1184 01:02:26,794 --> 01:02:29,728 BUT THE RULES DON'T MAKE ANY SENSE TO ME. 1185 01:02:29,797 --> 01:02:32,731 THEY'RE BEING MADE UP BY ALL THE WRONG PEOPLE. 1186 01:02:32,800 --> 01:02:34,733 NO. I MEAN, NO ONE MAKES THEM UP. 1187 01:02:34,802 --> 01:02:37,803 THEY SEEM TO MAKE THEMSELVES UP. 1188 01:02:37,872 --> 01:02:38,987 SAY! 1189 01:02:39,056 --> 01:02:42,708 COULD I REQUEST THAT YOU TURN THAT DOWN? 1190 01:02:51,084 --> 01:02:52,618 ♪ YOU'RE IN TROUBLE ♪ 1191 01:02:52,686 --> 01:02:55,166 ♪ THEY'VE CALLED THE TEACHER THAT SHOOTS YOU DOWN ♪ 1192 01:02:56,256 --> 01:02:58,234 ♪ THEY'VE LOCKED YOU IN THE BASEMENT ♪ 1193 01:02:58,258 --> 01:02:59,725 ♪ WHAT A DRAG ♪ 1194 01:03:01,595 --> 01:03:02,861 ♪ YOUR MOM JUST MENTIONED ♪ 1195 01:03:02,930 --> 01:03:06,031 ♪ THAT YOU'D BETTER SHOP AROUND ♪ 1196 01:03:06,099 --> 01:03:10,368 ♪ OR YOU'LL FIND YOURSELF ALONG THE RAILROAD TRACKS ♪ 1197 01:03:11,605 --> 01:03:14,372 ♪ ARE YOU WORRIED AND DISTRESSED? ♪ 1198 01:03:14,441 --> 01:03:16,875 ♪ CAN'T SEEM TO GET NO REST? ♪ 1199 01:03:16,944 --> 01:03:19,878 ♪ PUT YOUR BROTHER TO THE TEST ♪ 1200 01:03:19,947 --> 01:03:23,982 ♪ JUST RIDE BY ♪ 1201 01:03:33,393 --> 01:03:35,827 WOULD YOU LIKE TO COME IN? 1202 01:03:35,896 --> 01:03:38,329 I COULD MAKE YOU SOME COFFEE. 1203 01:03:38,398 --> 01:03:41,332 NO. I WOULDN'T WANT TO WAKE ANYONE UP. 1204 01:03:41,401 --> 01:03:43,001 WE WON'T. 1205 01:03:43,070 --> 01:03:45,070 LET'S GO INSIDE. 1206 01:03:46,073 --> 01:03:47,505 WAIT A MINUTE. 1207 01:03:47,575 --> 01:03:49,007 IS ANYTHING WRONG? 1208 01:03:49,076 --> 01:03:51,843 NO. I WAS JUST THINKING. 1209 01:03:51,912 --> 01:03:53,344 IT'S STILL EARLY. 1210 01:03:53,413 --> 01:03:55,391 MAYBE WE COULD DO SOMETHING, 1211 01:03:55,415 --> 01:03:56,982 GO SOMEWHERE ELSE. 1212 01:03:58,586 --> 01:04:00,052 ALL RIGHT. 1213 01:04:07,427 --> 01:04:08,872 Elaine: WHERE ARE WE GOING? 1214 01:04:08,896 --> 01:04:10,040 Benjamin: I'M TRYING TO THINK OF... 1215 01:04:10,064 --> 01:04:12,363 WHERE THERE'S A PLACE TO HAVE A DRINK AROUND HERE. 1216 01:04:12,432 --> 01:04:15,033 ISN'T THERE ONE AT THE TAFT HOTEL? 1217 01:04:15,102 --> 01:04:16,534 WHAT IS THE MATTER? 1218 01:04:16,604 --> 01:04:20,973 NOTHING. I'M JUST WONDERING IF THEY HAVE A BAR OR NOT. 1219 01:04:21,041 --> 01:04:22,307 I MEAN, LET'S GO SEE. 1220 01:04:26,046 --> 01:04:27,212 LISTEN, ELAINE, 1221 01:04:27,281 --> 01:04:28,825 IT SEEMS TO ME THAT THERE ISN'T A BAR HERE. 1222 01:04:28,849 --> 01:04:29,860 I MEAN, AS FAR AS I KNOW. 1223 01:04:29,884 --> 01:04:30,816 OF COURSE THERE IS. 1224 01:04:30,885 --> 01:04:32,484 LOOK, THERE'S THE PALM ROOM RIGHT THERE. 1225 01:04:32,552 --> 01:04:33,696 GOOD EVENING. 1226 01:04:33,720 --> 01:04:35,654 HELLO. HOW ARE YOU, SIR? 1227 01:04:35,722 --> 01:04:37,200 GOOD EVENING, MR. GLADSTONE. 1228 01:04:37,224 --> 01:04:38,891 HELLO AGAIN. 1229 01:04:40,560 --> 01:04:41,994 HI, MR. GLADSTONE. 1230 01:04:42,062 --> 01:04:44,163 HOW ARE YOU THIS EVENING? 1231 01:04:45,065 --> 01:04:46,165 BENJAMIN? 1232 01:04:46,233 --> 01:04:48,211 LET'S GET OUT OF HERE, ELAINE. 1233 01:04:48,235 --> 01:04:49,512 LET'S GO SOMEWHERE ELSE. 1234 01:04:49,536 --> 01:04:50,468 DO THEY KNOW YOU? 1235 01:04:50,537 --> 01:04:51,469 OF COURSE NOT. 1236 01:04:51,538 --> 01:04:52,548 GOOD EVENING, SIR. 1237 01:04:52,572 --> 01:04:55,340 COME ON, ELAINE, WE'RE LEAVING. 1238 01:04:55,409 --> 01:04:57,309 MR. GLADSTONE, HOW ARE YOU? 1239 01:04:57,377 --> 01:04:58,811 BENJAMIN, WHAT'S HAPPENING? 1240 01:04:58,879 --> 01:05:00,412 I DON'T KNOW. 1241 01:05:00,480 --> 01:05:02,358 THEY MUST THINK I LOOK LIKE THIS GUY GLADSTONE. 1242 01:05:02,382 --> 01:05:03,949 HELLO, MR. BRANIFF. 1243 01:05:16,096 --> 01:05:18,030 ELAINE, I LIKE YOU. 1244 01:05:18,098 --> 01:05:20,032 I LIKE YOU SO MUCH. 1245 01:05:21,001 --> 01:05:22,767 DO YOU BELIEVE THAT? 1246 01:05:26,874 --> 01:05:27,973 DO YOU? 1247 01:05:28,042 --> 01:05:29,274 YES. 1248 01:05:30,878 --> 01:05:32,444 YOU'RE THE FIRST... 1249 01:05:33,547 --> 01:05:35,881 YOU'RE THE FIRST THING FOR SO LONG 1250 01:05:35,950 --> 01:05:38,984 THAT I'VE LIKED, THE FIRST PERSON 1251 01:05:39,053 --> 01:05:41,653 I COULD STAND TO BE WITH. 1252 01:05:43,057 --> 01:05:46,158 MY WHOLE LIFE IS SUCH A WASTE. 1253 01:05:47,061 --> 01:05:48,626 IT'S JUST NOTHING. 1254 01:05:53,067 --> 01:05:54,166 I'M SORRY. 1255 01:05:54,235 --> 01:05:56,335 I'LL TAKE YOU HOME NOW. 1256 01:05:59,406 --> 01:06:02,524 BENJAMIN, ARE YOU HAVING AN AFFAIR WITH SOMEONE? 1257 01:06:08,098 --> 01:06:09,198 I'M SORRY. 1258 01:06:09,266 --> 01:06:11,867 I'M SORRY. THAT'S NOT MY BUSINESS. 1259 01:06:13,103 --> 01:06:14,669 IT JUST HAPPENED. 1260 01:06:16,106 --> 01:06:18,540 IT'S JUST THIS THING THAT HAPPENED 1261 01:06:18,608 --> 01:06:20,608 ALONG WITH EVERYTHING ELSE. 1262 01:06:21,545 --> 01:06:23,378 CAN YOU UNDERSTAND THAT? 1263 01:06:25,048 --> 01:06:27,148 WAS SHE MARRIED OR SOMETHING? 1264 01:06:28,552 --> 01:06:29,785 YES. 1265 01:06:30,721 --> 01:06:32,321 WITH A FAMILY? 1266 01:06:32,389 --> 01:06:35,657 YES. SHE HAD A HUSBAND AND A SON. 1267 01:06:35,726 --> 01:06:37,826 DID THEY EVER FIND OUT? 1268 01:06:37,894 --> 01:06:39,328 NO. 1269 01:06:42,065 --> 01:06:44,265 AND IT'S ALL OVER NOW? 1270 01:06:47,404 --> 01:06:48,637 YES. 1271 01:06:55,746 --> 01:06:57,178 I'M GLAD. 1272 01:07:07,424 --> 01:07:09,402 Can we do something tomorrow? 1273 01:07:09,426 --> 01:07:11,025 All right. 1274 01:07:11,094 --> 01:07:12,026 During the day 1275 01:07:12,095 --> 01:07:15,029 we'll go for a drive or something. 1276 01:07:15,098 --> 01:07:16,197 OK. 1277 01:07:16,266 --> 01:07:17,744 You sure you really want to? 1278 01:07:17,768 --> 01:07:18,867 Yes. 1279 01:07:18,935 --> 01:07:20,480 Because I wouldn't want you to do it 1280 01:07:20,504 --> 01:07:22,349 unless you really wanted to. 1281 01:07:22,373 --> 01:07:23,472 I do. 1282 01:07:23,540 --> 01:07:24,639 You do? 1283 01:07:24,708 --> 01:07:26,140 BENJAMIN, I REALLY DO. 1284 01:07:26,209 --> 01:07:27,976 SHH! 1285 01:07:57,408 --> 01:07:58,857 DRIVE DOWN THE BLOCK. 1286 01:07:58,925 --> 01:08:02,555 MRS. ROBINSON, ELAINE AND I HAVE A DATE. 1287 01:08:02,579 --> 01:08:03,590 WE'RE GOING FOR A DRIVE. 1288 01:08:03,614 --> 01:08:05,831 DO EXACTLY AS I SAY. 1289 01:08:12,088 --> 01:08:13,522 IT SEEMS TO ME... 1290 01:08:13,590 --> 01:08:15,067 LISTEN TO ME VERY CAREFULLY, BENJAMIN. 1291 01:08:15,091 --> 01:08:18,026 YOU ARE NOT TO SEE ELAINE AGAIN EVER. 1292 01:08:18,094 --> 01:08:20,261 THOSE ARE MY ORDERS. IS THAT CLEAR? 1293 01:08:20,330 --> 01:08:21,340 MRS. ROBINSON, DO YOU THINK... 1294 01:08:21,364 --> 01:08:23,532 I CAN MAKE THINGS QUITE UNPLEASANT. 1295 01:08:23,600 --> 01:08:24,720 HOW? 1296 01:08:24,768 --> 01:08:27,035 IN ORDER TO KEEP ELAINE AWAY FROM YOU, 1297 01:08:27,103 --> 01:08:29,972 I'M PREPARED TO TELL HER EVERYTHING. 1298 01:08:31,608 --> 01:08:33,642 I DON'T BELIEVE YOU. 1299 01:08:33,710 --> 01:08:36,377 THEN YOU'D BETTER START BELIEVING ME. 1300 01:08:36,446 --> 01:08:38,647 I JUST DON'T BELIEVE YOU WOULD DO THAT. 1301 01:08:39,550 --> 01:08:40,949 TRY ME. 1302 01:08:46,122 --> 01:08:48,523 GOD DAMN IT. 1303 01:08:58,468 --> 01:08:59,568 ELAINE! 1304 01:08:59,636 --> 01:09:00,802 ELAINE! 1305 01:09:00,871 --> 01:09:01,970 I'M COMING UP! 1306 01:09:02,038 --> 01:09:04,238 I'M NOT DRESSED YET. 1307 01:09:04,307 --> 01:09:06,588 BENJAMIN, I SAID I WASN'T DRESSED. 1308 01:09:06,643 --> 01:09:07,787 YOU'VE GOT TO GO OVER THE BACK FENCE, 1309 01:09:07,811 --> 01:09:09,121 AND I'LL MEET YOU ON THE CORNER. 1310 01:09:09,145 --> 01:09:10,579 WHAT'S THE MATTER? 1311 01:09:10,647 --> 01:09:12,681 HURRY. PUT YOUR SHOES ON. 1312 01:09:12,749 --> 01:09:13,915 Elaine: BENJAMIN. 1313 01:09:13,984 --> 01:09:15,917 BENJAMIN, WHAT ARE YOU DOING? 1314 01:09:15,986 --> 01:09:17,919 ELAINE, I HAVE TO TELL YOU SOMETHING. 1315 01:09:17,988 --> 01:09:19,287 WHAT IS IT? 1316 01:09:19,356 --> 01:09:20,689 THAT WOMAN... 1317 01:09:20,757 --> 01:09:22,524 THAT OLDER WOMAN THAT I TOLD YOU ABOUT... 1318 01:09:22,593 --> 01:09:23,959 YOU MEAN THAT ONE? 1319 01:09:24,027 --> 01:09:26,005 YES. THE MARRIED WOMAN. THAT WASN'T JUST SOME WOMAN. 1320 01:09:26,029 --> 01:09:27,963 WHAT ARE YOU TELLING ME? 1321 01:09:28,031 --> 01:09:31,166 BENJAMIN, WOULD YOU JUST TELL ME WHAT THIS IS ABOUT? 1322 01:09:44,882 --> 01:09:45,981 OH, NO. 1323 01:09:46,049 --> 01:09:47,148 ELAINE. 1324 01:09:47,217 --> 01:09:48,717 OH, MY GOD. 1325 01:09:48,785 --> 01:09:49,818 PLEASE. 1326 01:09:49,887 --> 01:09:51,319 GET OUT OF HERE. 1327 01:09:51,388 --> 01:09:52,487 DON'T CRY. 1328 01:09:52,556 --> 01:09:54,155 GET OUT! 1329 01:09:54,224 --> 01:09:55,344 GET OUT! 1330 01:09:55,392 --> 01:09:56,691 OUT! GET OUT! 1331 01:10:02,065 --> 01:10:03,899 GOOD-BYE, BENJAMIN. 1332 01:10:20,901 --> 01:10:27,338 ♪ ARE YOU GOIN' TO SCARBOROUGH FAIRE? ♪ 1333 01:10:28,441 --> 01:10:36,441 ♪ PARSLEY, SAGE, ROSEMARY, AND THYME ♪ 1334 01:10:37,250 --> 01:10:44,522 ♪ REMEMBER ME TO ONE WHO LIVES THERE ♪ 1335 01:10:44,590 --> 01:10:52,063 ♪ SHE ONCE WAS A TRUE LOVE OF MINE ♪ 1336 01:10:54,600 --> 01:10:59,670 ♪ TELL HER TO MAKE ME A CAMBRIC SHIRT ♪ 1337 01:10:59,739 --> 01:11:02,207 ♪ IN A DEEP FOREST GREEN ♪ 1338 01:11:02,275 --> 01:11:05,877 ♪ PARSLEY, SAGE, ROSEMARY, AND THYME ♪ 1339 01:11:05,946 --> 01:11:11,049 ♪ TRACING A SPARROW ON SNOW-CRESTED GROUND ♪ 1340 01:11:11,117 --> 01:11:13,952 ♪ WITHOUT NO SEAM ♪ 1341 01:11:14,020 --> 01:11:16,221 ♪ BLANKETS AND FUR COATS ♪ 1342 01:11:16,289 --> 01:11:19,390 ♪ THERE GOES THE CHILD OF THE MOUNTAIN ♪ 1343 01:11:19,459 --> 01:11:22,827 ♪ THEN SHE'LL BE A TRUE LOVE OF MINE ♪ 1344 01:11:22,896 --> 01:11:28,166 ♪ SWEET SUMMER WIND OVER CLOUDY AND CALM ♪ 1345 01:11:28,235 --> 01:11:33,004 ♪ TELL HER TO FIND ME AN ACRE OF LAND ♪ 1346 01:11:33,073 --> 01:11:35,706 ♪ THE SPRINKLING OF LEAVES ♪ 1347 01:11:35,775 --> 01:11:39,510 ♪ PARSLEY, SAGE, ROSEMARY, AND THYME ♪ 1348 01:11:39,579 --> 01:11:44,415 ♪ WASHES THE NIGHT IN SO MANY TEARS ♪ 1349 01:11:44,484 --> 01:11:50,521 ♪ BETWEEN THE SALT WATER A SOLDIER STANDS ♪ 1350 01:11:50,590 --> 01:11:52,523 ♪ AND POLISHES A GUN ♪ 1351 01:11:52,592 --> 01:11:59,264 ♪ THEN SHE'LL BE A TRUE LOVE OF MINE ♪ 1352 01:12:01,101 --> 01:12:02,533 SAY THAT AGAIN? 1353 01:12:02,602 --> 01:12:05,803 I'M GOING TO MARRY ELAINE ROBINSON. 1354 01:12:11,111 --> 01:12:12,543 WELL, WELL, WELL! 1355 01:12:12,612 --> 01:12:13,756 WHAT'S HAPPENING? 1356 01:12:13,780 --> 01:12:18,549 BEN SAYS THAT HE AND ELAINE ARE GETTING MARRIED. 1357 01:12:18,618 --> 01:12:20,051 AAH! 1358 01:12:20,120 --> 01:12:21,530 I DON'T BELIEVE IT. 1359 01:12:21,554 --> 01:12:23,487 THAT'S WHAT HE SAYS, RIGHT? 1360 01:12:23,556 --> 01:12:25,489 I'M GOING UP TO BERKELEY TODAY. 1361 01:12:25,558 --> 01:12:29,493 OH, BEN, IT'S SO EXCITING! 1362 01:12:29,562 --> 01:12:31,495 COME ON. WE'VE GOT TO CALL THE ROBINSONS. 1363 01:12:31,564 --> 01:12:33,497 WE'VE GOT SOMETHING TO CELEBRATE. 1364 01:12:33,566 --> 01:12:35,967 NO. I THINK YOU'LL WANT TO WAIT ON THAT. 1365 01:12:36,036 --> 01:12:37,501 OH, THEY DON'T KNOW? 1366 01:12:37,570 --> 01:12:38,970 NO, THEY DON'T. 1367 01:12:39,039 --> 01:12:40,238 WHEN DID YOU DECIDE ALL THIS? 1368 01:12:40,307 --> 01:12:42,140 ABOUT AN HOUR AGO. 1369 01:12:42,208 --> 01:12:44,809 WAIT A MINUTE. YOU TALKED TO ELAINE THIS MORNING? 1370 01:12:44,877 --> 01:12:46,722 NO. SHE DOESN'T KNOW ABOUT IT. 1371 01:12:46,746 --> 01:12:48,724 SHE DOESN'T KNOW THAT YOU'RE COMING UP TO BERKELEY? 1372 01:12:48,748 --> 01:12:50,059 NO. ACTUALLY, SHE DOESN'T KNOW 1373 01:12:50,083 --> 01:12:52,183 ABOUT US GETTING MARRIED YET. 1374 01:12:52,252 --> 01:12:55,186 WELL, WHEN DID YOU TWO TALK THIS OVER? 1375 01:12:55,255 --> 01:12:56,399 WE HAVEN'T. 1376 01:12:56,423 --> 01:12:57,521 YOU HAVEN'T? 1377 01:12:57,590 --> 01:13:01,926 BEN, THIS WHOLE IDEA SOUNDS PRETTY HALF-BAKED. 1378 01:13:01,995 --> 01:13:04,106 NO, IT'S NOT. IT'S COMPLETELY BAKED. 1379 01:13:04,130 --> 01:13:05,541 IT'S A DECISION I'VE MADE. 1380 01:13:05,565 --> 01:13:07,031 WELL, WHAT MAKES YOU THINK 1381 01:13:07,100 --> 01:13:08,532 SHE WANTS TO MARRY YOU? 1382 01:13:08,601 --> 01:13:09,533 SHE DOESN'T. 1383 01:13:09,602 --> 01:13:11,080 TO BE PERFECTLY HONEST, 1384 01:13:11,104 --> 01:13:13,144 SHE DOESN'T LIKE ME. 1385 01:13:26,386 --> 01:13:32,957 ♪ ARE YOU GOIN' TO SCARBOROUGH FAIRE? ♪ 1386 01:13:34,060 --> 01:13:42,060 ♪ PARSLEY, SAGE, ROSEMARY, AND THYME ♪ 1387 01:13:42,568 --> 01:13:50,241 ♪ REMEMBER ME TO ONE WHO LIVES THERE ♪ 1388 01:13:50,310 --> 01:13:57,681 ♪ SHE ONCE WAS A TRUE LOVE OF MINE ♪ 1389 01:14:00,253 --> 01:14:05,523 ♪ TELL HER TO MAKE ME A CAMBRIC SHIRT ♪ 1390 01:14:05,591 --> 01:14:07,736 ♪ IN A DEEP FOREST GREEN ♪ 1391 01:14:07,760 --> 01:14:11,529 ♪ PARSLEY, SAGE, ROSEMARY, AND THYME ♪ 1392 01:14:11,597 --> 01:14:16,700 ♪ TRACING A SPARROW ON SNOW-CRESTED GROUND ♪ 1393 01:14:16,769 --> 01:14:18,869 ♪ WITHOUT NO SEAM ♪ 1394 01:14:18,938 --> 01:14:21,472 ♪ BLANKETS AND FUR COATS ♪ 1395 01:14:21,541 --> 01:14:24,475 ♪ THERE GOES THE CHILD OF THE MOUNTAIN ♪ 1396 01:14:24,544 --> 01:14:28,312 ♪ THEN SHE'LL BE A TRUE LOVE OF MINE ♪ 1397 01:14:28,381 --> 01:14:33,484 ♪ SWEET SUMMER WIND OVER CLOUDY AND CALM ♪ 1398 01:14:33,553 --> 01:14:38,822 ♪ TELL HER TO FIND ME AN ACRE OF LAND ♪ 1399 01:14:38,891 --> 01:14:41,325 ♪ A SPRINKLING OF LEAVES ♪ 1400 01:14:41,394 --> 01:14:45,163 ♪ PARSLEY, SAGE, ROSEMARY, AND THYME ♪ 1401 01:14:45,231 --> 01:14:49,967 ♪ WASHES THE NIGHT IN SO MANY TEARS ♪ 1402 01:14:50,036 --> 01:14:56,006 ♪ BETWEEN THE SALT WATER A SOLDIER STANDS ♪ 1403 01:14:56,076 --> 01:14:57,841 ♪ AND POLISHES A GUN ♪ 1404 01:14:57,910 --> 01:15:03,948 ♪ THEN SHE'LL BE A TRUE LOVE OF MINE ♪ 1405 01:15:07,587 --> 01:15:10,521 ♪ TELL HER TO REAP IT IN A SICKLE OF SILVER ♪ 1406 01:15:10,590 --> 01:15:15,193 ♪ WILLOWS BLAZING IN SCARLET BATTALIONS ♪ 1407 01:15:15,261 --> 01:15:18,862 ♪ PARSLEY, SAGE, ROSEMARY, AND THYME ♪ 1408 01:15:18,931 --> 01:15:24,034 ♪ GENERALS ORDER THEIR SOLDIERS TO KILL ♪ 1409 01:15:24,104 --> 01:15:26,971 ♪ AND GATHER IT ALL ♪ 1410 01:15:27,039 --> 01:15:29,807 ♪ AND TO FIGHT FOR A CAUSE ♪ 1411 01:15:29,875 --> 01:15:31,809 ♪ THEY'VE LONG AGO FORGOTTEN ♪ 1412 01:15:31,877 --> 01:15:37,982 ♪ THEN SHE'LL BE A TRUE LOVE OF MINE ♪ 1413 01:15:41,554 --> 01:15:48,493 ♪ ARE YOU GOIN' TO SCARBOROUGH FAIRE? ♪ 1414 01:15:49,596 --> 01:15:57,596 ♪ PARSLEY, SAGE, ROSEMARY, AND THYME ♪ 1415 01:15:58,238 --> 01:16:06,177 ♪ REMEMBER ME TO ONE WHO LIVES THERE ♪ 1416 01:16:06,246 --> 01:16:14,246 ♪ SHE ONCE WAS A TRUE LOVE OF MINE ♪ 1417 01:16:24,364 --> 01:16:25,796 YOU A STUDENT? 1418 01:16:25,865 --> 01:16:27,009 NOT EXACTLY. 1419 01:16:27,033 --> 01:16:28,132 WHAT'S THAT? 1420 01:16:28,201 --> 01:16:30,179 I SAID NOT EXACTLY, NO. 1421 01:16:30,203 --> 01:16:31,636 WHAT ARE YOU THEN? 1422 01:16:31,704 --> 01:16:34,138 I'M JUST SORT OF TRAVELING THROUGH. 1423 01:16:34,207 --> 01:16:37,642 I LIKE TO KNOW WHO'S LIVING IN MY HOUSE. 1424 01:16:37,710 --> 01:16:41,646 I LIKE TO KNOW WHAT MY BOYS ARE UP TO. 1425 01:16:41,714 --> 01:16:44,315 I'M NOT UP TO MUCH ACTUALLY. 1426 01:16:45,552 --> 01:16:47,117 I'M JUST VISITING. 1427 01:16:49,055 --> 01:16:52,156 I MEAN, I'VE ALWAYS WANTED TO SEE BERKELEY. 1428 01:16:54,060 --> 01:16:56,494 YOU'RE NOT ONE OF THOSE AGITATORS? 1429 01:16:56,563 --> 01:16:57,706 WHAT? 1430 01:16:57,730 --> 01:16:59,107 ONE OF THOSE OUTSIDE AGITATORS? OH, NO. 1431 01:16:59,131 --> 01:17:01,765 I HATE THAT. I WON'T STAND FOR IT. 1432 01:17:01,834 --> 01:17:03,934 I WON'T STAND FOR THAT. 1433 01:18:29,755 --> 01:18:32,115 Benjamin: EXCUSE ME. 1434 01:18:33,092 --> 01:18:34,424 PARDON ME. 1435 01:18:39,265 --> 01:18:42,365 WELL, HOW ABOUT THIS FOR A COINCIDENCE? 1436 01:18:47,606 --> 01:18:50,540 I WAS WONDERING WHERE YOU WERE HEADED. 1437 01:18:50,609 --> 01:18:52,042 I'M MEETING SOMEONE. 1438 01:18:52,111 --> 01:18:54,211 AH. WHERE? 1439 01:18:57,116 --> 01:18:59,549 WHERE ARE YOU MEETING THIS PERSON? 1440 01:18:59,618 --> 01:19:01,051 AT THE ZOO. 1441 01:19:01,120 --> 01:19:02,219 THE ZOO. 1442 01:19:02,288 --> 01:19:05,722 THEY HAVE A PRETTY GOOD ONE HERE, DO THEY? 1443 01:19:05,791 --> 01:19:08,725 I DON'T KNOW. I'VE NEVER SEEN IT. 1444 01:19:08,794 --> 01:19:11,061 OH. WELL, I HAVEN'T, EITHER. 1445 01:19:11,130 --> 01:19:14,397 I MIGHT JUST RIDE OUT THERE WITH YOU. 1446 01:19:18,971 --> 01:19:20,838 Benjamin: IS THAT HIM OVER THERE? 1447 01:19:20,906 --> 01:19:22,146 Elaine: NO. 1448 01:19:25,044 --> 01:19:26,977 WHERE DID HE SAY HE WAS GOING TO MEET YOU? 1449 01:19:27,046 --> 01:19:28,756 I THOUGHT HE SAID BY THE MONKEY HOUSE. 1450 01:19:28,780 --> 01:19:30,047 OH. 1451 01:19:30,115 --> 01:19:31,459 BENJAMIN, I WOULD LIKE TO KNOW 1452 01:19:31,483 --> 01:19:33,050 WHAT YOU'RE DOING HERE. 1453 01:19:33,118 --> 01:19:34,218 HERE? IN BERKELEY? 1454 01:19:34,286 --> 01:19:35,406 YES. 1455 01:19:35,454 --> 01:19:37,721 WELL, I HAVE THIS VERY PLEASANT ROOM, 1456 01:19:37,789 --> 01:19:39,134 AND I'VE BEEN GETTING INTO SOME CLASSES. 1457 01:19:39,158 --> 01:19:40,235 BUT YOU'RE NOT ENROLLED. 1458 01:19:40,259 --> 01:19:41,259 NO, I JUST SIT IN. 1459 01:19:41,327 --> 01:19:42,392 THEY DON'T SEEM TO MIND. 1460 01:19:42,461 --> 01:19:44,394 THEY'VE BEEN VERY CONGENIAL ABOUT IT. 1461 01:19:44,463 --> 01:19:45,606 BENJAMIN, YOU'RE... 1462 01:19:45,630 --> 01:19:48,065 I DON'T KNOW WHAT TO SAY. 1463 01:19:48,133 --> 01:19:50,567 MAYBE WE CAN GET TOGETHER SOMETIME AND TALK ABOUT IT. 1464 01:19:50,635 --> 01:19:52,269 REALLY INCREDIBLE. 1465 01:19:54,006 --> 01:19:55,372 HERE HE COMES. 1466 01:19:55,440 --> 01:19:56,440 WHAT? 1467 01:19:56,508 --> 01:19:59,159 I GOT A REAL FEELING THAT THIS IS THE FELLA. 1468 01:20:00,379 --> 01:20:01,311 ELAINE! 1469 01:20:01,380 --> 01:20:03,813 HE CERTAINLY IS A GOOD WALKER. 1470 01:20:03,883 --> 01:20:05,815 AM I LATE? I'M SORRY. 1471 01:20:05,885 --> 01:20:08,585 WE THOUGHT YOU SAID BY THE MONKEY HOUSE. 1472 01:20:08,653 --> 01:20:11,088 THIS IS BENJAMIN BRADDOCK. CARL SMITH. 1473 01:20:11,156 --> 01:20:12,901 BENJAMIN RODE HERE WITH ME ON THE BUS. 1474 01:20:12,925 --> 01:20:14,358 GLAD TO MEET YOU, BEN. 1475 01:20:14,426 --> 01:20:15,859 GREAT MEETING YOU, CARL. 1476 01:20:15,928 --> 01:20:17,493 SWELL SEEING YOU. 1477 01:20:23,068 --> 01:20:29,690 ♪ ARE YOU GOIN' TO SCARBOROUGH FAIRE? ♪ 1478 01:20:31,010 --> 01:20:39,010 ♪ PARSLEY, SAGE, ROSEMARY, AND THYME ♪ 1479 01:20:39,684 --> 01:20:47,684 ♪ REMEMBER ME TO ONE WHO LIVES THERE ♪ 1480 01:20:47,993 --> 01:20:55,365 ♪ SHE ONCE WAS A TRUE LOVE OF MINE ♪ 1481 01:21:00,872 --> 01:21:01,805 WHO IS IT? 1482 01:21:01,873 --> 01:21:04,474 I WANT TO ASK YOU A QUESTION, 1483 01:21:04,543 --> 01:21:05,475 AND THEN I'M GOING. 1484 01:21:05,544 --> 01:21:06,621 COME IN. 1485 01:21:06,645 --> 01:21:09,079 NO. I WANT TO KNOW WHY YOU'RE HERE IN BERKELEY. 1486 01:21:09,148 --> 01:21:10,847 BECAUSE... I AM. 1487 01:21:10,916 --> 01:21:12,615 IS IT BECAUSE I'M HERE? 1488 01:21:12,684 --> 01:21:14,117 WHAT DO YOU THINK? 1489 01:21:14,186 --> 01:21:15,618 I THINK IT IS. 1490 01:21:15,687 --> 01:21:17,220 I SAID I THINK IT IS. 1491 01:21:17,289 --> 01:21:18,655 ALL RIGHT, THEN. YES. 1492 01:21:18,723 --> 01:21:19,656 WELL, I WANT YOU TO LEAVE. 1493 01:21:19,724 --> 01:21:21,124 WELL, LOOK, I LOVE YOU. 1494 01:21:21,193 --> 01:21:22,993 HOW COULD YOU DO THAT, BENJAMIN? 1495 01:21:23,062 --> 01:21:24,494 DO YOU JUST HATE EVERYTHING? 1496 01:21:24,563 --> 01:21:26,163 HOW COULD YOU POSSIBLY RAPE MY MOTHER? 1497 01:21:26,231 --> 01:21:28,332 WHAT? DID YOU SAY RAPE HER? 1498 01:21:28,400 --> 01:21:29,766 I DON'T UNDERSTAND HOW ANYONE... 1499 01:21:29,835 --> 01:21:31,546 WHAT DID SHE SAY? TELL ME WHAT SHE SAID. 1500 01:21:31,570 --> 01:21:32,502 WHY? 1501 01:21:32,571 --> 01:21:33,781 BECAUSE IT ISN'T TRUE. 1502 01:21:33,805 --> 01:21:34,972 TELL ME. 1503 01:21:35,040 --> 01:21:36,751 SHE SAID THAT SHE WAS HAVING A DRINK 1504 01:21:36,775 --> 01:21:37,885 AT THE HOTEL WITH A FRIEND, 1505 01:21:37,909 --> 01:21:40,643 AND THAT YOU WAITED FOR HER IN THE PARKING LOT 1506 01:21:40,712 --> 01:21:42,690 AND TOLD HER THAT SHE WAS TOO DRUNK TO DRIVE HOME 1507 01:21:42,714 --> 01:21:44,993 AND THAT YOU WOULD GET HER A ROOM FOR THE NIGHT. 1508 01:21:45,017 --> 01:21:46,249 OH, THEN WHAT? 1509 01:21:46,318 --> 01:21:48,029 THEN YOU TOOK HER UPSTAIRS, AND YOU RAPED HER. 1510 01:21:48,053 --> 01:21:50,587 OH, NO, NO. THAT'S NOT WHAT HAPPENED. 1511 01:21:50,655 --> 01:21:53,357 WHAT HAPPENED WAS THERE WAS THIS PARTY AT MY PARENTS'. 1512 01:21:53,425 --> 01:21:54,358 I DROVE YOUR MOTHER HOME... 1513 01:21:54,426 --> 01:21:55,903 I DON'T WANT TO HEAR THIS! 1514 01:21:55,927 --> 01:21:57,272 WE WENT UPSTAIRS TO SEE YOUR PORTRAIT... 1515 01:21:57,296 --> 01:21:58,473 NO! I DON'T! 1516 01:21:58,497 --> 01:22:00,480 SHE STARTED TAKING HER CLOTHES OFF, 1517 01:22:00,549 --> 01:22:02,916 AND SUDDENLY, THERE SHE WAS WITHOUT ANY CLOTHES ON... 1518 01:22:02,984 --> 01:22:04,401 I MEAN, REALLY NAKED. 1519 01:22:04,470 --> 01:22:06,336 OH, SHUT... AAH! 1520 01:22:12,844 --> 01:22:15,278 WHAT'S GOING ON IN THERE? 1521 01:22:19,751 --> 01:22:21,118 OH, HELLO, MR. McCLEERY. 1522 01:22:21,186 --> 01:22:22,119 WHO SCREAMED? 1523 01:22:22,187 --> 01:22:23,620 IT'S ALL RIGHT, MR. McCLEERY. 1524 01:22:23,688 --> 01:22:25,400 SCREAMING IS NOT ALL RIGHT, 1525 01:22:25,424 --> 01:22:27,168 NOT IN MY HOUSE, IT ISN'T. 1526 01:22:27,192 --> 01:22:30,127 IT WAS JUST A VISITOR, BUT IT'S ALL RIGHT NOW. 1527 01:22:30,195 --> 01:22:32,629 WHAT DID YOU DO TO HER? 1528 01:22:32,697 --> 01:22:34,131 LOOK, SHE'S ALL RIGHT. 1529 01:22:34,199 --> 01:22:36,099 SHE'S UPSET, AND SHE SCREAMED, BUT IT'S OK NOW. 1530 01:22:36,168 --> 01:22:38,068 SHALL I GET THE COPS? I'LL GET THE COPS. 1531 01:22:38,137 --> 01:22:39,503 HEY, WAIT A MINUTE. 1532 01:22:39,571 --> 01:22:41,004 NOW, DAMN IT, LOOK. 1533 01:22:41,073 --> 01:22:43,740 HERE SHE IS, HAVING SOME WATER. 1534 01:22:43,808 --> 01:22:46,543 THERE'S NO NEED FOR THE COPS OR ANYTHING. 1535 01:22:46,611 --> 01:22:48,045 ALL RIGHT, BOYS, 1536 01:22:48,113 --> 01:22:50,225 YOU CAN ALL GO BACK TO YOUR ROOMS NOW. 1537 01:22:50,249 --> 01:22:51,881 GO AHEAD. 1538 01:22:51,950 --> 01:22:55,085 WE WON'T HAVE ANY MORE OF THIS AGITATION. 1539 01:22:56,055 --> 01:22:57,487 WILL WE, BRADDOCK? 1540 01:22:57,556 --> 01:22:58,721 NO, SIR. 1541 01:23:01,060 --> 01:23:03,326 I WANT YOU OUT OF HERE. 1542 01:23:03,395 --> 01:23:04,827 WHAT DO YOU MEAN? 1543 01:23:04,896 --> 01:23:06,374 YOU HEARD ME... OUT OF HERE. 1544 01:23:06,398 --> 01:23:07,398 WHAT FOR? 1545 01:23:40,599 --> 01:23:42,666 I'M SORRY I SCREAMED. 1546 01:23:47,140 --> 01:23:49,339 BENJAMIN, WHEN YOU CAME UP HERE, 1547 01:23:49,408 --> 01:23:52,143 WHAT DID YOU THINK WAS GOING TO HAPPEN BETWEEN US? 1548 01:23:52,211 --> 01:23:54,078 ELAINE, RIGHT NOW 1549 01:23:54,147 --> 01:23:55,758 I DON'T FEEL LIKE TALKING MUCH. 1550 01:23:55,782 --> 01:23:57,259 I'M SORRY ABOUT EVERYTHING, 1551 01:23:57,283 --> 01:24:00,251 BUT I THINK I'LL JUST DO THIS NOW. 1552 01:24:11,197 --> 01:24:14,131 CAN I JUST SIT HERE WHILE YOU'RE PACKING? 1553 01:24:14,200 --> 01:24:15,816 IF YOU WANT. 1554 01:24:28,564 --> 01:24:30,731 WHAT ARE YOU GOING TO DO NOW? 1555 01:24:31,634 --> 01:24:33,200 I DON'T KNOW. 1556 01:24:34,137 --> 01:24:35,569 ARE YOU GOING HOME? 1557 01:24:35,638 --> 01:24:36,715 NO. 1558 01:24:36,739 --> 01:24:38,839 WELL, WHERE ARE YOU GOING? 1559 01:24:41,744 --> 01:24:45,579 ELAINE, YOU'RE GOING TO HAVE TO STOP ASKING ME THAT. 1560 01:24:57,093 --> 01:25:00,010 I DON'T WANT YOU TO LEAVE TOMORROW. 1561 01:25:02,231 --> 01:25:04,131 I DON'T UNDERSTAND. 1562 01:25:04,200 --> 01:25:07,401 I DON'T WANT YOU TO GO ANYWHERE... 1563 01:25:09,105 --> 01:25:12,039 UNTIL YOU HAVE A DEFINITE PLAN. 1564 01:25:12,108 --> 01:25:13,540 GOOD-BYE. 1565 01:25:49,278 --> 01:25:50,677 WHAT'S HAPPENING? 1566 01:25:50,746 --> 01:25:51,678 BENJAMIN? 1567 01:25:51,747 --> 01:25:52,813 WHAT? 1568 01:25:58,821 --> 01:26:00,287 WILL YOU KISS ME? 1569 01:26:27,817 --> 01:26:29,857 WILL YOU MARRY ME? 1570 01:26:33,088 --> 01:26:34,722 YOU WON'T? 1571 01:26:34,790 --> 01:26:35,856 I DON'T KNOW. 1572 01:26:39,161 --> 01:26:40,761 BUT YOU MIGHT? 1573 01:26:41,697 --> 01:26:43,063 I MIGHT. 1574 01:26:43,131 --> 01:26:44,998 IS THAT SO? 1575 01:26:45,067 --> 01:26:46,867 YOU MIGHT MARRY ME? 1576 01:26:46,935 --> 01:26:49,135 YES. 1577 01:26:49,204 --> 01:26:50,437 WHEN? 1578 01:26:51,474 --> 01:26:53,306 I DON'T KNOW. 1579 01:26:53,376 --> 01:26:54,808 HOW ABOUT TOMORROW? 1580 01:26:54,877 --> 01:26:57,310 I DON'T MEAN TO BE PUSHY. 1581 01:26:57,380 --> 01:26:59,145 I DON'T KNOW. 1582 01:26:59,214 --> 01:27:01,548 I DON'T KNOW WHAT'S HAPPENING. 1583 01:27:02,818 --> 01:27:05,058 YOU MEAN YOU'RE CONFUSED? 1584 01:27:07,289 --> 01:27:09,590 LOOK, DON'T BE CONFUSED. 1585 01:27:09,658 --> 01:27:11,425 WE'RE GETTING MARRIED. 1586 01:27:12,961 --> 01:27:15,596 I DON'T SEE HOW WE CAN. 1587 01:27:18,200 --> 01:27:19,800 WE JUST CAN. 1588 01:27:27,175 --> 01:27:29,342 I HAVE TO GO NOW. 1589 01:27:30,479 --> 01:27:31,845 HEY, ELAINE? 1590 01:27:33,282 --> 01:27:35,602 ARE YOU SERIOUS ABOUT THIS? 1591 01:27:36,419 --> 01:27:37,851 I'LL THINK ABOUT IT. 1592 01:27:37,920 --> 01:27:39,520 YOU REALLY WILL? 1593 01:27:39,588 --> 01:27:40,954 YES. 1594 01:27:53,469 --> 01:27:55,769 GOOD GOD. 1595 01:27:57,205 --> 01:27:59,284 Benjamin: WE CAN GO GET OUR BLOOD TESTS TOMORROW. 1596 01:27:59,308 --> 01:28:00,308 Elaine: TOMORROW? 1597 01:28:00,342 --> 01:28:02,086 OR THIS AFTERNOON. IT'S A GOOD DAY FOR IT. 1598 01:28:02,110 --> 01:28:04,311 BENJAMIN, I HAVEN'T EVEN SAID I'LL MARRY YOU YET. 1599 01:28:04,379 --> 01:28:06,357 WE'LL NEED OUR BIRTH CERTIFICATES. 1600 01:28:06,381 --> 01:28:07,392 I HAPPEN TO HAVE MINE WITH ME. 1601 01:28:07,416 --> 01:28:08,649 WHERE'S YOURS? 1602 01:28:08,717 --> 01:28:11,151 I JUST DON'T THINK IT WOULD WORK. 1603 01:28:11,219 --> 01:28:12,397 WHY WOULDN'T IT? 1604 01:28:23,231 --> 01:28:24,665 WHY WOULDN'T IT? 1605 01:28:24,733 --> 01:28:27,701 I JUST DON'T THINK IT WOULD. 1606 01:28:27,770 --> 01:28:29,102 TOMORROW, THEN. 1607 01:28:29,171 --> 01:28:30,971 CAN WE GET OUR BLOOD TESTS TOMORROW MORNING? 1608 01:28:31,941 --> 01:28:33,852 WHY DON'T YOU JUST DRAG ME OFF 1609 01:28:33,876 --> 01:28:35,620 IF YOU WANT TO MARRY ME SO MUCH? 1610 01:28:35,644 --> 01:28:37,644 WHY DON'T I JUST DRAG YOU OFF? 1611 01:28:37,713 --> 01:28:39,145 ALL RIGHT, I WILL, 1612 01:28:39,214 --> 01:28:41,448 RIGHT AFTER WE GET THE BLOOD TESTS. 1613 01:28:41,517 --> 01:28:42,727 I HAVE TO SEE CARL FIRST. 1614 01:28:42,751 --> 01:28:44,485 CARL WHO? 1615 01:28:47,990 --> 01:28:49,857 CARL WHO? 1616 01:28:49,925 --> 01:28:52,092 CARL SMITH. HE'S A MEDICAL STUDENT. 1617 01:28:52,160 --> 01:28:53,572 WE'VE KNOWN HIM FOR YEARS. 1618 01:28:53,596 --> 01:28:54,728 WHO, THAT GUY AT THE ZOO? 1619 01:28:54,797 --> 01:28:55,729 YES. 1620 01:28:55,798 --> 01:28:57,230 WHY DO YOU HAVE TO SEE HIM? 1621 01:28:57,299 --> 01:28:58,610 WELL, I SAID I MIGHT MARRY HIM. 1622 01:29:00,870 --> 01:29:02,268 YOU WHAT?! 1623 01:29:02,337 --> 01:29:04,270 HOW DID HE DO IT? 1624 01:29:04,339 --> 01:29:05,939 DID HE GET DOWN ON HIS KNEES? 1625 01:29:06,008 --> 01:29:07,774 HE DIDN'T GET DOWN ON HIS KNEES, I HOPE. 1626 01:29:07,843 --> 01:29:09,109 NO, BENJAMIN. 1627 01:29:09,177 --> 01:29:11,612 WHAT DID HE SAY? I'M CURIOUS. 1628 01:29:11,680 --> 01:29:12,613 SHH. 1629 01:29:12,681 --> 01:29:15,115 HE SAID HE THOUGHT WE'D MAKE 1630 01:29:15,183 --> 01:29:16,617 A PRETTY GOOD TEAM. 1631 01:29:16,685 --> 01:29:18,485 OH, NO. HE SAID THAT? 1632 01:29:18,554 --> 01:29:19,486 SHH! 1633 01:29:19,555 --> 01:29:22,122 WHERE DID HE DO IT? 1634 01:29:23,025 --> 01:29:26,109 I'D LIKE TO KNOW WHERE IT HAPPENED. 1635 01:29:27,830 --> 01:29:31,632 IT WASN'T IN HIS CAR, WAS IT? 1636 01:29:43,045 --> 01:29:45,078 GOOD NIGHT. 1637 01:29:45,147 --> 01:29:47,981 ARE WE GETTING MARRIED TOMORROW? 1638 01:29:48,050 --> 01:29:49,182 NO. 1639 01:29:50,185 --> 01:29:52,019 THE DAY AFTER TOMORROW? 1640 01:29:53,488 --> 01:29:54,922 I DON'T KNOW. 1641 01:29:54,990 --> 01:29:58,058 MAYBE WE ARE, AND MAYBE WE'RE NOT. 1642 01:30:44,856 --> 01:30:46,089 AAH! 1643 01:30:47,292 --> 01:30:49,225 DO YOU WANT TO, UH... 1644 01:30:49,294 --> 01:30:51,895 DO YOU WANT TO TRY AND TELL ME WHY YOU DID IT? 1645 01:30:52,798 --> 01:30:53,730 MR. ROBINSON. 1646 01:30:53,799 --> 01:30:56,833 DO YOU HAVE A SPECIAL GRUDGE AGAINST ME? 1647 01:30:56,902 --> 01:30:59,368 DO YOU FEEL A PARTICULARLY STRONG RESENTMENT? 1648 01:30:59,437 --> 01:31:02,138 IS THERE SOMETHING I'VE SAID THAT'S CAUSED THIS CONTEMPT, 1649 01:31:02,207 --> 01:31:04,273 OR IS IT JUST THINGS I STAND FOR 1650 01:31:04,342 --> 01:31:05,274 THAT YOU DESPISE? 1651 01:31:05,343 --> 01:31:07,454 IT WAS NOTHING TO DO WITH YOU, SIR. 1652 01:31:07,478 --> 01:31:09,713 WELL, BEN, IT WAS QUITE A BIT TO DO WITH ME. 1653 01:31:09,781 --> 01:31:11,681 NOW, LOOK, PLEASE... 1654 01:31:11,750 --> 01:31:13,094 BEN, I THINK WE'RE 2 CIVILIZED HUMAN BEINGS. 1655 01:31:13,118 --> 01:31:14,295 DO YOU THINK IT'S NECESSARY 1656 01:31:14,319 --> 01:31:15,496 TO THREATEN EACH OTHER? 1657 01:31:15,520 --> 01:31:16,586 I'M NOT THREATENING YOU. 1658 01:31:16,654 --> 01:31:18,632 DO YOU WANT TO UNCLENCH YOUR FIST, PLEASE? 1659 01:31:18,656 --> 01:31:20,090 THANK YOU. 1660 01:31:20,158 --> 01:31:21,302 I CAN SEE IN THE DARK, YOU KNOW. 1661 01:31:21,326 --> 01:31:22,804 I'VE BEEN HERE QUITE A WHILE. 1662 01:31:22,828 --> 01:31:23,960 I'M TRYING TO TELL YOU 1663 01:31:24,029 --> 01:31:26,262 I HAVE NO PERSONAL FEELINGS ABOUT YOU, MR. ROBINSON. 1664 01:31:26,331 --> 01:31:28,064 I'M TRYING TO TELL YOU I DO NOT RESENT YOU. 1665 01:31:28,133 --> 01:31:30,600 YOU DON'T RESPECT ME TERRIBLY MUCH, EITHER. 1666 01:31:31,669 --> 01:31:32,602 NO, SIR. 1667 01:31:32,670 --> 01:31:34,270 WHAT? 1668 01:31:34,339 --> 01:31:35,750 NO, SIR... DON'T SHOUT AT ME. 1669 01:31:35,774 --> 01:31:36,706 I MAY NOT BE AS YOUNG AS YOU, 1670 01:31:36,775 --> 01:31:38,753 BUT I STILL HAVE PRETTY GOOD HEARING. 1671 01:31:38,777 --> 01:31:39,709 MR. ROBINSON... 1672 01:31:39,778 --> 01:31:42,712 HAVE THE DECENCY TO WAIT UNTIL I FINISH. 1673 01:31:42,781 --> 01:31:44,592 I DO THINK YOU SHOULD KNOW THE CONSEQUENCES 1674 01:31:44,616 --> 01:31:46,049 OF WHAT YOU'VE DONE. 1675 01:31:46,118 --> 01:31:47,628 I DO THINK YOU SHOULD KNOW 1676 01:31:47,652 --> 01:31:49,463 THAT MY WIFE AND I ARE GETTING A DIVORCE SOON. 1677 01:31:49,487 --> 01:31:51,320 BUT WHY? 1678 01:31:51,389 --> 01:31:53,139 WHY?! 1679 01:31:53,208 --> 01:31:54,640 LISTEN TO ME. 1680 01:31:54,710 --> 01:31:57,443 WHAT HAPPENED BETWEEN MRS. ROBINSON AND ME 1681 01:31:57,512 --> 01:31:58,444 WAS NOTHING. 1682 01:31:58,513 --> 01:31:59,946 IT DIDN'T MEAN ANYTHING. 1683 01:32:00,015 --> 01:32:03,616 WE MIGHT JUST AS WELL HAVE BEEN SHAKING HANDS. 1684 01:32:03,685 --> 01:32:04,918 SHAKING HANDS. 1685 01:32:04,986 --> 01:32:08,054 THAT'S NOT SAYING MUCH FOR MY WIFE, IS IT? 1686 01:32:08,123 --> 01:32:09,055 YOU MISS THE POINT. 1687 01:32:09,124 --> 01:32:10,056 I GUESS I DO. 1688 01:32:10,125 --> 01:32:11,825 THE POINT IS, I DON'T LOVE YOUR WIFE. 1689 01:32:11,893 --> 01:32:13,827 I LOVE YOUR DAUGHTER, SIR. 1690 01:32:13,895 --> 01:32:15,829 ALL RIGHT. NOW LISTEN TO THIS. 1691 01:32:15,897 --> 01:32:18,297 I DON'T KNOW WHETHER I CAN PROSECUTE, 1692 01:32:18,366 --> 01:32:19,532 BUT I THINK I CAN. 1693 01:32:19,601 --> 01:32:21,378 I THINK I CAN GET YOU BEHIND BARS 1694 01:32:21,402 --> 01:32:23,837 IF YOU EVER LOOK AT MY DAUGHTER AGAIN. 1695 01:32:23,905 --> 01:32:24,938 I'VE SEEN ELAINE, 1696 01:32:25,006 --> 01:32:26,483 AND I'VE MADE DAMN SURE YOU CAN'T GET TO HER. 1697 01:32:26,507 --> 01:32:29,142 STAY AWAY FROM ME, BEN! 1698 01:32:29,211 --> 01:32:30,688 I DON'T WANT TO MINCE WORDS WITH YOU. 1699 01:32:30,712 --> 01:32:32,190 AS FAR AS ELAINE IS CONCERNED, 1700 01:32:32,214 --> 01:32:35,281 YOU'RE TO GET HER OUT OF YOUR FILTHY MIND RIGHT NOW. 1701 01:32:35,350 --> 01:32:37,617 IS THAT PERFECTLY CLEAR TO YOU? 1702 01:32:37,686 --> 01:32:39,118 AND THAT'S ALL, BEN. 1703 01:32:39,187 --> 01:32:41,087 YOU'LL PARDON ME 1704 01:32:41,155 --> 01:32:43,289 IF I DON'T SHAKE HANDS WITH YOU. 1705 01:32:44,192 --> 01:32:46,125 I THINK YOU ARE FILTH. 1706 01:32:46,194 --> 01:32:48,494 I THINK YOU ARE SCUM! 1707 01:32:50,498 --> 01:32:52,131 YOU ARE A DEGENERATE! 1708 01:32:58,172 --> 01:32:59,372 HI. 1709 01:33:01,476 --> 01:33:04,043 MR. McCLEERY, DO YOU HAVE SOME CHANGE? 1710 01:33:04,112 --> 01:33:05,411 I NEED TO USE THE PHONE. 1711 01:33:05,480 --> 01:33:07,447 I WANT YOU OUT OF HERE. 1712 01:33:07,515 --> 01:33:09,982 LOOK, I'LL GIVE YOU $10 FOR A DIME. 1713 01:33:10,051 --> 01:33:12,017 I'LL GIVE YOU 20. 1714 01:33:12,086 --> 01:33:14,787 FOR GOD'S SAKE, WILL YOU LET ME USE THAT PHONE? 1715 01:33:14,856 --> 01:33:16,589 I'M GOING TO CALL THE POLICE... NOW. 1716 01:33:16,658 --> 01:33:19,091 COULD I MAKE ONE PHONE CALL FIRST? 1717 01:33:19,160 --> 01:33:20,727 GET OUT OF HERE! 1718 01:33:32,106 --> 01:33:33,618 Woman: ELAINE ROBINSON HAS LEFT SCHOOL. 1719 01:33:33,642 --> 01:33:38,645 HER ROOMMATE'S COMING DOWN WITH A NOTE FOR YOU. 1720 01:33:41,149 --> 01:33:43,583 Elaine: DEAR BENJAMIN, PLEASE FORGIVE ME, 1721 01:33:43,652 --> 01:33:45,451 BECAUSE I KNOW WHAT I'M DOING 1722 01:33:45,520 --> 01:33:46,886 IS THE BEST THING FOR YOU. 1723 01:33:46,954 --> 01:33:50,222 MY FATHER IS SO UPSET. YOU'VE GOT TO UNDERSTAND. 1724 01:33:50,292 --> 01:33:52,332 I LOVE YOU, BUT IT WOULD NEVER WORK OUT. 1725 01:34:02,504 --> 01:34:04,437 ♪ DEE DEE DEE-DEE DEE DEE ♪ 1726 01:34:04,506 --> 01:34:07,106 ♪ DEE-DEE DEE DEE DEE-DEE DEE ♪ 1727 01:34:09,043 --> 01:34:10,943 ♪ DEE DEE DEE-DEE DEE DEE ♪ 1728 01:34:11,012 --> 01:34:12,211 ♪ DEE-DEE DEE ♪ 1729 01:34:14,148 --> 01:34:16,048 ♪ DEE DEE DEE-DEE DEE DEE ♪ 1730 01:34:16,117 --> 01:34:19,051 ♪ DEE DEE DEE-DEE DEE-DEE DEE ♪ 1731 01:34:20,121 --> 01:34:21,854 ♪ DEE-DEE DEE DEE ♪ 1732 01:34:21,923 --> 01:34:23,589 ♪ DEE DEE-DEE ♪ 1733 01:34:29,597 --> 01:34:31,764 ♪ DOO DOO DOO-DOO DOO DOO ♪ 1734 01:34:31,833 --> 01:34:34,367 ♪ DOO-DOO DOO DOO DOO-DOO DOO ♪ 1735 01:34:36,204 --> 01:34:37,303 ♪ DOO DOO DOO-DOO ♪ 1736 01:34:37,372 --> 01:34:39,839 ♪ DOO DOO DOO-DOO DOO ♪ 1737 01:34:41,409 --> 01:34:43,309 ♪ DOO DOO DOO-DOO DOO-DOO ♪ 1738 01:34:43,378 --> 01:34:47,413 ♪ DOO-DOO DOO DOO DOO-DOO DOO ♪ 1739 01:34:47,482 --> 01:34:49,299 ♪ DOO-DOO DOO DOO ♪ 1740 01:35:00,695 --> 01:35:01,794 OW. 1741 01:35:16,711 --> 01:35:18,077 ELAINE? 1742 01:35:19,981 --> 01:35:21,714 HELLO, BENJAMIN. 1743 01:35:26,087 --> 01:35:27,387 WHERE IS SHE? 1744 01:35:27,455 --> 01:35:29,099 HELLO. GET ME THE POLICE, PLEASE. 1745 01:35:29,123 --> 01:35:30,055 WHERE'S ELAINE? 1746 01:35:30,124 --> 01:35:31,502 I'LL BE WITH YOU IN A MOMENT, BENJAMIN. 1747 01:35:31,526 --> 01:35:32,636 DO YOU HAVE A PATROL CAR 1748 01:35:32,660 --> 01:35:34,572 IN THE VICINITY OF 1200 GLENVIEW ROAD? 1749 01:35:34,596 --> 01:35:37,029 GOOD. WE HAVE A BURGLAR HERE. 1750 01:35:37,098 --> 01:35:38,676 JUST A SECOND. I'LL ASK HIM. 1751 01:35:38,700 --> 01:35:40,433 ARE YOU ARMED? 1752 01:35:41,919 --> 01:35:43,848 NO, I DON'T BELIEVE HE IS. 1753 01:35:43,872 --> 01:35:44,937 THANK YOU. 1754 01:35:45,874 --> 01:35:47,507 WHAT HAVE YOU DONE TO HER? 1755 01:35:47,575 --> 01:35:49,909 I THINK WE HAVE EVERYTHING QUITE UNDER CONTROL NOW. 1756 01:35:49,977 --> 01:35:52,044 WOULD YOU LIKE A QUICK DRINK BEFORE YOU GO? 1757 01:35:52,113 --> 01:35:53,679 YOU CAN'T STOP ME FROM SEEING HER. 1758 01:35:53,748 --> 01:35:55,481 I'LL FIND HER. 1759 01:35:55,550 --> 01:35:57,910 SORRY WE WON'T BE ABLE TO INVITE YOU TO THE WEDDING, 1760 01:35:57,952 --> 01:36:00,219 BUT THE ARRANGEMENTS HAVE BEEN SO RUSHED. 1761 01:36:01,188 --> 01:36:05,291 WHAT THE HELL HAVE YOU... 1762 01:36:06,260 --> 01:36:07,527 AW. 1763 01:36:07,595 --> 01:36:09,973 I DON'T THINK YOU'LL HAVE TIME 1764 01:36:09,997 --> 01:36:12,009 FOR THAT DRINK AFTER ALL. 1765 01:36:12,033 --> 01:36:13,466 I'LL FIND HER. 1766 01:36:13,535 --> 01:36:15,802 I DON'T THINK SO. 1767 01:36:20,308 --> 01:36:22,542 ♪ DEE DEE DEE-DEE DEE DEE ♪ 1768 01:36:22,610 --> 01:36:24,811 ♪ DEE-DEE DEE DEE DEE-DEE DEE ♪ 1769 01:36:26,481 --> 01:36:27,647 ♪ DEE DEE DEE-DEE ♪ 1770 01:36:27,715 --> 01:36:30,015 ♪ DEE DEE DEE-DEE DEE ♪ 1771 01:36:31,252 --> 01:36:33,352 ♪ DEE DEE DEE-DEE DEE DEE ♪ 1772 01:36:33,421 --> 01:36:36,071 ♪ DEE DEE DEE-DEE DEE-DEE DEE ♪ 1773 01:36:37,425 --> 01:36:39,625 ♪ DEE DEE DEE-DEE DEE DEE ♪ 1774 01:36:39,694 --> 01:36:41,694 ♪ DEE-DEE DEE ♪ 1775 01:36:41,763 --> 01:36:45,230 ♪ AND HERE'S TO YOU, MRS. ROBINSON ♪ 1776 01:36:45,299 --> 01:36:49,535 ♪ JESUS LOVES YOU MORE THAN YOU WILL KNOW ♪ 1777 01:36:49,604 --> 01:36:51,871 ♪ WHOA WHOA WHOA ♪ 1778 01:36:51,940 --> 01:36:55,240 ♪ STAND UP TALL, MRS. ROBINSON ♪ 1779 01:36:55,309 --> 01:36:59,645 ♪ GOD IN HEAVEN SMILES ON THOSE WHO PRAY ♪ 1780 01:36:59,714 --> 01:37:02,181 ♪ HEY, HEY, HEY ♪ 1781 01:37:02,249 --> 01:37:04,116 ♪ HEY, HEY, HEY ♪ 1782 01:37:19,266 --> 01:37:20,766 SAY, FELLAS. 1783 01:37:21,870 --> 01:37:24,937 DO ANY OF YOU FELLAS KNOW WHERE CARL SMITH IS? 1784 01:37:25,006 --> 01:37:26,484 HE TOOK OFF IN THE MIDDLE OF THE NIGHT 1785 01:37:26,508 --> 01:37:27,439 TO GET MARRIED. 1786 01:37:27,508 --> 01:37:30,376 PROBABLY ONE STEP AHEAD OF THE SHOTGUN. 1787 01:37:30,444 --> 01:37:32,912 WOULD YOU HAPPEN TO KNOW WHERE HE'S GETTING MARRIED? 1788 01:37:32,981 --> 01:37:34,914 I'M SUPPOSED TO BE THERE. 1789 01:37:34,983 --> 01:37:36,293 WHY DON'T YOU ASK CARTER? 1790 01:37:36,317 --> 01:37:38,818 WOULD YOU HAPPEN TO KNOW WHERE I MIGHT FIND HIM? 1791 01:37:38,887 --> 01:37:40,252 HEY, CARTER! 1792 01:37:41,288 --> 01:37:43,956 WHERE'S THE MAKE-OUT KING GETTING MARRIED? 1793 01:37:44,025 --> 01:37:45,225 SANTA BARBARA! 1794 01:37:45,292 --> 01:37:47,660 YOU DON'T HAPPEN TO KNOW EXACTLY WHERE 1795 01:37:47,729 --> 01:37:49,829 THE OLD MAKE-OUT KING IS GETTING MARRIED, DO YOU? 1796 01:37:49,898 --> 01:37:50,963 I'M SUPPOSED TO BE THERE. 1797 01:37:51,032 --> 01:37:52,832 WHERE IN SANTA BARBARA? 1798 01:37:52,901 --> 01:37:53,833 I DON'T KNOW. 1799 01:37:53,902 --> 01:37:56,335 MAYBE HIS OLD MAN'S HOUSE, 1800 01:37:56,404 --> 01:37:58,771 OR IN THE MATERNITY WARD. 1801 01:37:59,874 --> 01:38:01,619 HEY, YOU GOING TO THE WEDDING? 1802 01:38:01,643 --> 01:38:02,575 YEAH. 1803 01:38:02,644 --> 01:38:04,660 TELL HIM TO SAVE A PIECE FOR ME. 1804 01:38:11,202 --> 01:38:13,135 ♪ DEE DEE DEE-DEE DEE DEE ♪ 1805 01:38:13,204 --> 01:38:15,939 ♪ DEE-DEE DEE DEE DEE-DEE DEE ♪ 1806 01:38:17,342 --> 01:38:18,608 ♪ DEE DEE DEE-DEE ♪ 1807 01:38:18,677 --> 01:38:20,844 ♪ DEE DEE DEE-DEE DEE ♪ 1808 01:38:22,213 --> 01:38:24,053 ♪ DEE DEE DEE-DEE DEE DEE ♪ 1809 01:38:24,115 --> 01:38:27,851 ♪ DEE DEE DEE-DEE DEE-DEE DEE ♪ 1810 01:38:27,919 --> 01:38:29,352 ♪ DEE DEE DEE-DEE ♪ 1811 01:38:29,420 --> 01:38:31,220 ♪ DEE DEE-DEE ♪ 1812 01:38:34,192 --> 01:38:36,192 ♪ DEE DEE DEE-DEE DEE DEE ♪ 1813 01:38:36,278 --> 01:38:39,112 ♪ DEE DEE DEE-DEE DEE-DEE DEE ♪ 1814 01:38:40,465 --> 01:38:41,664 ♪ DEE DEE DEE-DEE ♪ 1815 01:38:41,733 --> 01:38:43,833 ♪ DEE DEE DEE-DEE DEE ♪ 1816 01:38:45,203 --> 01:38:47,103 ♪ DEE DEE DEE-DEE DEE DEE ♪ 1817 01:38:47,171 --> 01:38:50,406 ♪ DEE DEE DEE-DEE DEE-DEE DEE ♪ 1818 01:38:50,475 --> 01:38:51,975 ♪ DEE-DEE DEE ♪ 1819 01:38:52,978 --> 01:38:54,777 CAN I USE YOUR PHONE? 1820 01:38:54,846 --> 01:38:56,078 YEAH. 1821 01:39:21,907 --> 01:39:23,940 Woman: KLONDIKE 5-7036. 1822 01:39:24,009 --> 01:39:25,019 HELLO, WHO IS THIS? 1823 01:39:25,043 --> 01:39:26,876 THIS IS DR. SMITH'S ANSWERING SERVICE. 1824 01:39:26,945 --> 01:39:28,244 IS THE DOCTOR ANYWHERE? 1825 01:39:28,312 --> 01:39:30,279 I'M AFRAID THE DOCTOR CAN'T BE REACHED RIGHT NOW. 1826 01:39:30,348 --> 01:39:31,280 IF YOU'D LIKE TO LEAVE... 1827 01:39:31,349 --> 01:39:32,660 I HAVE TO KNOW WHERE HE IS. 1828 01:39:32,684 --> 01:39:35,151 WELL, THE DOCTOR IS AT HIS SON'S WEDDING, 1829 01:39:35,219 --> 01:39:36,753 BUT I'M SURE IT'S OVER BY NOW. 1830 01:39:36,821 --> 01:39:37,899 HE SHOULD BE CHECKING IN AT ANY MOMENT. 1831 01:39:37,923 --> 01:39:38,855 LISTEN TO ME. 1832 01:39:38,924 --> 01:39:41,290 I'M DR. SMITH'S BROTHER, REVEREND SMITH, 1833 01:39:41,359 --> 01:39:42,837 AND I'M SUPPOSED TO PERFORM THE CEREMONY. 1834 01:39:42,861 --> 01:39:45,061 I JUST GOT IN FROM PORTLAND, 1835 01:39:45,129 --> 01:39:46,908 AND I'VE FORGOTTEN WHAT CHURCH, YOU SEE? 1836 01:39:46,932 --> 01:39:48,865 OH. WELL, I'M NOT SURE, 1837 01:39:48,934 --> 01:39:50,310 BUT YOU MIGHT TRY THE FIRST PRESBYTERIAN. 1838 01:39:50,334 --> 01:39:51,868 THAT'S ON ALLAN STREET. 1839 01:39:51,937 --> 01:39:52,869 THANK YOU. 1840 01:39:52,938 --> 01:39:55,104 ALLAN STREET, WHERE IS IT? 1841 01:39:55,173 --> 01:39:59,943 UH, ALLAN, UH... IT'S, UH... IT'S UH... 1842 01:40:00,011 --> 01:40:04,047 IT'S 6 BLOCKS UP AND, UH, 3 OVER. 1843 01:40:05,149 --> 01:40:07,116 YOU NEED ANY GAS, FATHER? 1844 01:41:55,026 --> 01:41:56,726 OH, JESUS GOD. 1845 01:41:56,795 --> 01:41:57,894 NO. 1846 01:42:08,973 --> 01:42:10,957 ELAINE! 1847 01:42:12,077 --> 01:42:13,342 ELAINE! 1848 01:42:14,312 --> 01:42:16,129 ELAINE! 1849 01:42:17,182 --> 01:42:18,815 ELAINE! 1850 01:42:19,768 --> 01:42:22,096 WHO IS THAT GUY? WHAT'S HE DOING? 1851 01:42:22,120 --> 01:42:23,352 I'LL TAKE CARE OF HIM. 1852 01:42:23,421 --> 01:42:24,921 HE'S TOO LATE. 1853 01:42:25,857 --> 01:42:27,056 ELAINE! 1854 01:42:27,992 --> 01:42:28,925 ELAINE! 1855 01:42:28,993 --> 01:42:30,392 ELAINE! 1856 01:42:31,329 --> 01:42:32,528 ELAINE! 1857 01:42:33,464 --> 01:42:34,597 ELAINE! 1858 01:42:34,665 --> 01:42:36,933 WE'VE GOT TO STOP HIM! 1859 01:42:38,002 --> 01:42:39,135 ELAINE! 1860 01:42:39,204 --> 01:42:40,803 ELAINE! 1861 01:42:40,872 --> 01:42:42,638 ELAINE! 1862 01:42:42,707 --> 01:42:44,373 ELAINE! 1863 01:42:44,442 --> 01:42:46,342 ELAINE! 1864 01:42:48,746 --> 01:42:50,563 ELAINE! 1865 01:42:50,632 --> 01:42:51,547 ELAINE! 1866 01:42:51,616 --> 01:42:53,783 ELAINE! 1867 01:42:53,852 --> 01:42:55,017 ELAINE! 1868 01:42:55,086 --> 01:42:57,587 BEN! 1869 01:43:02,026 --> 01:43:04,693 YOU PUNK. YOU CRAZY PUNK! 1870 01:43:05,596 --> 01:43:07,163 I'LL KILL YOU. 1871 01:43:14,472 --> 01:43:15,905 AAH! 1872 01:43:20,845 --> 01:43:22,278 ELAINE! IT'S TOO LATE! 1873 01:43:22,346 --> 01:43:24,347 NOT FOR ME! 1874 01:43:25,549 --> 01:43:28,284 MOVE! MOVE! 1875 01:43:28,352 --> 01:43:30,203 DAMN YOU! 1876 01:44:26,477 --> 01:44:30,813 ♪ HELLO, DARKNESS, MY OLD FRIEND ♪ 1877 01:44:30,882 --> 01:44:35,218 ♪ I'VE COME TO TALK WITH YOU AGAIN ♪ 1878 01:44:35,286 --> 01:44:39,922 ♪ BECAUSE A VISION SOFTLY CREEPING ♪ 1879 01:44:39,991 --> 01:44:44,227 ♪ LEFT ITS SEEDS WHILE I WAS SLEEPING ♪ 1880 01:44:44,295 --> 01:44:46,462 ♪ AND THE VISION ♪ 1881 01:44:46,530 --> 01:44:50,733 ♪ THAT WAS PLANTED IN MY BRAIN ♪ 1882 01:44:50,801 --> 01:44:54,070 ♪ STILL REMAINS ♪ 1883 01:44:54,138 --> 01:44:59,342 ♪ WITHIN THE SOUND OF SILENCE ♪ 1884 01:44:59,410 --> 01:45:04,413 ♪ IN RESTLESS DREAMS I WALK ALONE ♪ 1885 01:45:04,482 --> 01:45:08,717 ♪ NARROW STREETS OF COBBLESTONE ♪ 1886 01:45:08,786 --> 01:45:13,155 ♪ 'NEATH THE HALO OF A STREET LAMP ♪ 1887 01:45:13,224 --> 01:45:17,693 ♪ I TURNED MY COLLAR TO THE COLD AND DAMP ♪ 1888 01:45:19,997 --> 01:45:23,966 ♪ BY THE FLASH OF A NEON LIGHT ♪ 1889 01:45:24,035 --> 01:45:25,801 ♪ THAT SPLIT THE NIGHT... ♪ 1890 01:45:25,870 --> 01:45:28,804 CAPTIONING MADE POSSIBLE BY POLYGRAM VIDEO 1891 01:45:28,873 --> 01:45:31,852 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 1892 01:45:31,876 --> 01:45:33,812 PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT 1893 01:45:33,836 --> 01:45:35,556 PERMISSION OF NATIONAL CAPTIONING INSTITUTE 125385