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(DEBORAH CHOW ON PA)
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(CHEERS AND APPLAUSE)
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JON FAVREAU: We're in kind of a unique
situation in the Star Wars galaxy
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00:00:20,438 --> 00:00:22,815
where we're part of
something bigger,
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but we're also carving out our own
story that follows these characters.
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The first season of The
Mandalorian was really about
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00:00:33,201 --> 00:00:34,660
just these simple stories
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that were gonna be about
a bounty of the week.
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THE MANDALORIAN: I can
bring you in warm...
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Or I can bring you in cold.
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FAMUYIWA: The events of season
two started to come together
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00:00:45,546 --> 00:00:49,717
and I think for Jon and Dave,
that really started to ricochet
13
00:00:49,801 --> 00:00:52,845
in terms of where that
could go for season three.
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00:00:53,429 --> 00:00:55,199
FAVREAU: We introduced
a lot of new characters,
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or, a lot of them are legacy
characters, in the second season.
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And each one of them had
their own trajectory.
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00:01:02,271 --> 00:01:05,274
The Darksaber. It
belongs to you.
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00:01:05,358 --> 00:01:07,527
She can't take it.
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It must be won in battle.
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By seeing how those
characters interacted
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and what was going on
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00:01:15,576 --> 00:01:18,579
in the Star Wars galaxy
at that time post-war,
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there were certain things that started
to unfold in a very organic way.
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00:01:22,917 --> 00:01:26,420
Taking all the work I had
done with Mandalorians
25
00:01:26,504 --> 00:01:28,422
and bringing it together
with all the work
26
00:01:28,506 --> 00:01:30,633
Jon and things he had
imagined about Mandalorians
27
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were finding the way
between the two things.
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And along the way, we met
other fantastic storytellers
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00:01:36,931 --> 00:01:39,142
like Rick Famuyiwa, who
became a part of our team,
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00:01:39,225 --> 00:01:41,519
Noah Kloor, who became
a part of our team
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and added depth and dimension
to everything we were doing.
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FAVREAU: Kathy Kennedy, ever since,
you know, bringing Dave and I together
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00:01:47,984 --> 00:01:50,069
to collaborate on The
Mandalorian in season one,
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has helped us identify a lot of
other great filmmakers to work with.
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FILONI: So now, it's just not
one or two people's vision
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00:01:58,661 --> 00:02:01,122
of how these people come
together, it's a group of us.
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00:02:01,205 --> 00:02:03,499
And our galaxy's getting
bigger and more fuller
38
00:02:03,583 --> 00:02:04,917
than it's ever been before.
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00:02:05,001 --> 00:02:07,920
The storytelling is not just
about good story well told,
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00:02:08,004 --> 00:02:11,883
it is also about pushing the
medium of filmmaking forward.
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00:02:11,966 --> 00:02:14,135
That is thrilling.
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And every single season,
Jon ups the ante.
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CARL WEATHERS: It's just been
an absolute joy to come to work
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and really to ask
myself a question,
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which has become a part of my mantra
now, "What am I gonna learn today?"
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00:02:26,981 --> 00:02:30,818
You know, between Rick
and Jon and Dave and Bryce
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00:02:30,902 --> 00:02:34,238
and whomever else is
working on a given day,
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00:02:34,322 --> 00:02:37,950
you can learn something from
them, and I steal it all.
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I felt so good about
that, I wanna do it again.
50
00:02:39,869 --> 00:02:40,870
(LAUGHTER)
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FAMUYIWA: The founding spirit,
I think, of the first season
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00:02:44,165 --> 00:02:47,418
was the idea of these talented
directors, in their own right
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00:02:47,501 --> 00:02:51,297
coming in to the show and bringing
their points of view and vision
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00:02:51,380 --> 00:02:56,636
but still having that point of view sort
of fit under the overarching umbrella
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00:02:56,719 --> 00:03:00,973
of how Jon and Dave have seen
the world from the beginning.
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00:03:01,057 --> 00:03:04,477
And so, I think as each
season has gone on,
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there's been these new
voices that have come in.
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00:03:06,812 --> 00:03:08,439
(FAVREAU SPEAKING)
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I was a director on Spider-Man:
Into the Spider-Verse
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00:03:18,282 --> 00:03:19,742
among a couple of other things.
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I think they had the feeling that
someone who'd worked in animation
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and sort of had a background
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in dealing with the kind of
previsualization that you do
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in storyboards and in a lot
of the phases of animation
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might be a good fit for the
way this process rolls out.
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I think your look has to come all
the way around and not stay there.
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00:03:38,344 --> 00:03:40,054
CAREY JONES: So it
comes back to the front?
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00:03:40,179 --> 00:03:41,472
RAMSEY: Yeah, back to the front,
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00:03:41,555 --> 00:03:43,367
because then we'll catch
you in a nice profile.
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00:03:43,391 --> 00:03:48,813
I've been a Star Wars fan since,
really since the first movie came out.
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So hearing about the possibility of
being part of the show felt unreal.
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LEE ISAAC CHUNG: I was
editing my film Minari in 2019
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and my editor was telling me,
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"You have to watch this
show called Mandalorian."
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00:04:08,374 --> 00:04:11,711
And it became the show
that I was going to.
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I was just talking to
my agents and I said,
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"If there's anyway I
can talk to Jon Favreau,
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00:04:18,217 --> 00:04:22,930
"I'd love to just say hello to
him and then ask him for a job."
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Lo and behold, they were
able to get a hold of Jon.
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He had seen my film. He
said that he enjoyed it.
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00:04:28,644 --> 00:04:30,938
And we had a wonderful
conversation.
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And I basically told him I would love
to do this show if it's possible.
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00:04:35,693 --> 00:04:38,362
And he told me, "Okay,
we'll have you."
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00:04:38,446 --> 00:04:43,409
It just really blew my mind and got
me so excited about coming in here.
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You would barrel roll as you
are approaching the planet.
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- KATEE SACKHOFF: Okay.
- CHUNG: We'll see.
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00:04:48,247 --> 00:04:49,540
SACKHOFF: Okay. Beautiful.
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RACHEL MORRISON: When I got the call
to do Mandalorian, I delved into it.
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Obviously, I had heard
about the Volume.
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00:04:55,421 --> 00:04:58,632
And it felt like a chance to try
something that I hadn't tried before.
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Anything we can do to make it
feel like it's a shot about Baby?
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MAN: Cool.
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MORRISON: With this guy kind of
come flying at us through frame.
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I think my background in cinematography
absolutely informs my work as a director.
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I think with my heart,
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I feel with my heart,
I shoot with my heart.
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00:05:13,522 --> 00:05:17,026
Our currency is
empathy and is emotion.
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00:05:17,109 --> 00:05:20,071
And that translates
whether it's physically
99
00:05:20,154 --> 00:05:21,614
and technically through the lens
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00:05:21,697 --> 00:05:24,867
or working with an actor and
making them feel something.
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The Empire set out to punish us.
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To wipe away our memory.
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MORRISON: This experience has
been really eye-opening from me.
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Because I'm somebody who spent
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the better part of at
least a couple decades
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thinking a grounded drama had
to be a literal grounded drama.
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And then to realize,
thanks to The Mandalorian
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that you drop anything
that one can relate to
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into a world and
it's still grounded.
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And it's still relatable
and it's still emotional.
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(STRAINING)
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00:05:59,527 --> 00:06:04,865
HOWARD: There's a challenge
inherent in this series
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00:06:04,949 --> 00:06:07,785
when it comes to relationships
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00:06:07,868 --> 00:06:11,831
because our main character is
wearing a helmet the entire time.
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00:06:12,415 --> 00:06:17,628
And so, I think that so much of
what is being explored thematically
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00:06:17,711 --> 00:06:22,591
has to do with intimacy,
vulnerability and kind of the mask
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that we put over that.
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(BABBLES)
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Allowing a helmet or a mask
to be the face of a character,
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00:06:30,683 --> 00:06:34,478
that's something I really associate
with the original trilogy growing up.
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00:06:34,562 --> 00:06:36,439
You think of Darth Vader.
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00:06:36,522 --> 00:06:41,694
You think of the droids, you think
of C-3PO or you think of R2-D2.
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00:06:41,777 --> 00:06:44,488
C-3PO: Behave yourself, R2. You're
going to get us into trouble.
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00:06:44,572 --> 00:06:46,782
I really wanted to
take on the challenge.
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00:06:46,866 --> 00:06:48,576
And Dave and I
discussed this a lot.
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00:06:48,659 --> 00:06:50,369
"Can we have a show
where somebody,
127
00:06:50,453 --> 00:06:52,621
"where your lead
character's face is hidden?"
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00:06:54,415 --> 00:06:56,834
By balancing that
character out with Grogu,
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00:06:56,917 --> 00:07:00,087
you have this bifurcated lead.
130
00:07:00,171 --> 00:07:06,343
Which is a very human, vulnerable,
empathetic, soulful little child
131
00:07:06,427 --> 00:07:13,100
and then you have this character who
has lived life and done many things...
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00:07:13,184 --> 00:07:18,481
You can only imagine what challenges
and adventures this guy has faced.
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00:07:18,564 --> 00:07:22,067
It was the combination of these
characters that became the heart and soul.
134
00:07:22,151 --> 00:07:26,780
And we knew that we had to work our way
to that inevitable separation a few times.
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00:07:26,864 --> 00:07:30,284
And then this season was about
bringing them back together again.
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00:07:30,367 --> 00:07:34,747
A Mandalorian has to understand
maps and know their way around.
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That way, you'll never be lost.
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FAMUYIWA: When we
start season three,
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he's squarely faced with the
ramifications of the decision
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00:07:49,178 --> 00:07:53,641
he made in season two where
he took off his helmet
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00:07:53,724 --> 00:07:56,101
in order to help The Child.
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THE MANDALORIAN: All right, pal.
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It's time to go.
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00:07:58,646 --> 00:07:59,772
Don't be afraid.
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00:08:00,731 --> 00:08:03,859
FAMUYIWA: There are repercussions
that happen because of that.
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00:08:04,443 --> 00:08:06,654
ARMORER: You have
removed your helmet.
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What's worse, you did so
of your own free will.
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00:08:13,786 --> 00:08:15,913
You are no longer Mandalorian.
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And then the, sort of, exploration
of that opens up our world
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00:08:20,167 --> 00:08:24,672
into many different points of view
on what it means to be Mandalorian.
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00:08:24,755 --> 00:08:27,466
And what does it mean
to be The Mandalorian.
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Your cult gave up on Mandalore
long before the Purge.
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Where were you then?
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00:08:36,934 --> 00:08:41,897
Bo in many respects this
season is also The Mandalorian.
155
00:08:41,981 --> 00:08:45,484
'Cause it's so much about
her story and her journey
156
00:08:45,568 --> 00:08:49,863
and her, sort of, initial
ideas of going back
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00:08:49,947 --> 00:08:52,825
and bringing her
people back together
158
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that got derailed after
she lost the Darksaber.
159
00:08:56,662 --> 00:08:57,913
I am here to join you.
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00:08:59,582 --> 00:09:01,166
There's nothing left to join.
161
00:09:03,127 --> 00:09:05,087
What of your plans
to retake Mandalore?
162
00:09:07,089 --> 00:09:11,218
When I returned without the
Darksaber, my forces melted away.
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00:09:11,302 --> 00:09:14,555
She earned her stripes in
adventures that we've all seen.
164
00:09:14,638 --> 00:09:19,351
From nobility and she's
been part of Death Watch.
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00:09:19,435 --> 00:09:22,313
She's existed in many
different contexts.
166
00:09:22,396 --> 00:09:25,608
And she's also a character where
there's room for development.
167
00:09:25,691 --> 00:09:28,110
Not all Mandalorians
are bounty hunters.
168
00:09:29,361 --> 00:09:31,405
Some of us serve
a higher purpose.
169
00:09:31,488 --> 00:09:33,449
She believes in the Darksaber.
170
00:09:33,532 --> 00:09:35,868
But the Darksaber alone isn't
gonna make you a great leader
171
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just 'cause you hold a weapon.
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00:09:37,661 --> 00:09:41,707
She has to want to be this leader and
she has to have belief in herself.
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FAVREAU: She was a character that
had not completed her life's journey
174
00:09:45,544 --> 00:09:48,464
of where she was going to
land as far as her identity.
175
00:09:48,547 --> 00:09:51,884
And that's very rich for
opportunity for storytelling.
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00:09:51,967 --> 00:09:57,890
Without that blade, she's
a pretender to the throne.
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00:09:59,350 --> 00:10:03,395
Within this season, we are
really getting to experience
178
00:10:03,479 --> 00:10:06,440
a full journey and
a full performance
179
00:10:06,523 --> 00:10:12,655
where Katee can just absolutely bring,
not only her incredible talent and her all
180
00:10:12,738 --> 00:10:16,283
but this knowledge and
experience that she has
181
00:10:16,367 --> 00:10:19,370
because she's played this
character for over a decade.
182
00:10:19,453 --> 00:10:21,330
You succeeded where
many have failed.
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00:10:22,081 --> 00:10:24,625
I've learned from the
best, including you.
184
00:10:26,293 --> 00:10:29,254
I wish I was good at
something other than war.
185
00:10:29,338 --> 00:10:31,382
SACKHOFF: When Dave
first approached me
186
00:10:31,465 --> 00:10:33,676
to play Bo-Katan in Clone Wars,
187
00:10:33,759 --> 00:10:37,846
it was really just
taking who he had created
188
00:10:37,930 --> 00:10:42,643
and translating his vision
vocally on to the screen.
189
00:10:42,726 --> 00:10:44,728
Go on. I can handle this.
190
00:10:44,812 --> 00:10:47,940
SACKHOFF: When the idea came up
for me to play her in live-action,
191
00:10:48,023 --> 00:10:51,360
I really had to stop
and think about it.
192
00:10:51,443 --> 00:10:55,239
Because I had
absolutely zero idea
193
00:10:56,281 --> 00:10:58,992
what she looked
like not animated.
194
00:10:59,076 --> 00:11:02,913
So I really had to learn
the character all over again
195
00:11:02,996 --> 00:11:04,915
and translate that
into movement.
196
00:11:04,998 --> 00:11:08,961
In the way that she used her mouth
and the way that she walked and stood
197
00:11:09,044 --> 00:11:10,963
and really start
it all over again.
198
00:11:11,046 --> 00:11:12,965
Which was hard.
Harder than I thought.
199
00:11:13,048 --> 00:11:15,175
I was part of the royal family.
200
00:11:15,259 --> 00:11:18,387
I took the Creed and
was showered with gifts.
201
00:11:19,012 --> 00:11:22,057
But the rituals were all just
theater for our subjects.
202
00:11:23,100 --> 00:11:26,103
They loved watching the princess
recite the Mandalorian tenets
203
00:11:26,186 --> 00:11:28,272
as her father looked on proudly.
204
00:11:29,189 --> 00:11:30,983
Such a heart-warming spectacle.
205
00:11:33,152 --> 00:11:35,779
We didn't know how season
three was gonna wrap up,
206
00:11:35,863 --> 00:11:39,283
but we knew that we were gonna have
to go to Mandalore at some point.
207
00:11:39,366 --> 00:11:41,368
We knew that that's
where things were headed.
208
00:11:41,452 --> 00:11:44,371
And we knew that we
were going to begin
209
00:11:44,455 --> 00:11:47,875
to deal with what had happened
and what we had set up.
210
00:11:47,958 --> 00:11:49,585
And we also knew that
211
00:11:49,668 --> 00:11:56,133
because of the lore around
the rules and the Creed
212
00:11:56,216 --> 00:11:58,469
among the Mandalorians
with the helmet,
213
00:11:59,136 --> 00:12:01,847
that as different groups of
Mandalorians came together
214
00:12:01,930 --> 00:12:03,974
and as he revealed his face,
215
00:12:04,057 --> 00:12:07,936
we knew that we couldn't just
hit reset and start over again.
216
00:12:08,020 --> 00:12:10,189
So the decision was made.
217
00:12:10,272 --> 00:12:12,441
What was true for the
character was going to be
218
00:12:12,524 --> 00:12:16,820
that he was going to have to
receive some sort of redemption
219
00:12:16,904 --> 00:12:20,949
if he were to be reaccepted into
this culture that he held so dear.
220
00:12:21,033 --> 00:12:23,744
The Creed teaches
us of redemption.
221
00:12:24,411 --> 00:12:30,584
Redemption is no longer possible since
the destruction of our homeworld.
222
00:12:32,669 --> 00:12:35,339
But what if the mines of
Mandalore still exist?
223
00:12:35,422 --> 00:12:37,132
Mandalore was an
interesting challenge,
224
00:12:37,216 --> 00:12:39,843
in that we haven't seen a
live-action interpretation of that.
225
00:12:39,927 --> 00:12:44,431
Dave Filoni created quite a bit
of that for the animated series.
226
00:12:44,515 --> 00:12:48,227
And our job was to take that and
then translate to live action.
227
00:12:48,310 --> 00:12:50,395
(WHOOSHES)
228
00:12:50,479 --> 00:12:53,232
George Lucas had the idea that
the planet was devastated.
229
00:12:53,315 --> 00:12:56,318
So it's pretty much a virtual
desert on the surface.
230
00:12:56,401 --> 00:12:59,988
And the inhabitants of Mandalore
live in these artificial domes.
231
00:13:00,072 --> 00:13:02,658
Inside the domes is
this very lush culture.
232
00:13:02,741 --> 00:13:05,410
And it was really tricky
in terms of balancing,
233
00:13:05,494 --> 00:13:08,205
"Okay, how much destruction
versus how much aesthetic taste
234
00:13:08,288 --> 00:13:09,873
"to bring in for Mandalore?"
235
00:13:09,957 --> 00:13:14,127
We looked at the nuclear Trinity test
site where the explosion was so hot
236
00:13:14,211 --> 00:13:17,297
that it fused the sand
into a glass like material.
237
00:13:17,381 --> 00:13:20,050
And Jon said that the idea was
that the surface of Mandalore
238
00:13:20,133 --> 00:13:22,177
had undergone such a
series of nuclear blasts
239
00:13:22,261 --> 00:13:25,055
that the surface had fused
into this shiny material
240
00:13:25,138 --> 00:13:28,058
with this green color
that trinitite has.
241
00:13:28,141 --> 00:13:31,186
And we went to all sorts
of lengths to explore that,
242
00:13:31,270 --> 00:13:33,188
including buying some
radioactive trinitite
243
00:13:33,272 --> 00:13:35,023
that you have to wear
gloves to handle.
244
00:13:35,107 --> 00:13:39,278
And eventually, we settled on a
process that used a special resin
245
00:13:39,361 --> 00:13:43,365
that gave us something that really looked
like the concept art and was durable.
246
00:13:43,448 --> 00:13:46,660
You gotta do something that's
gonna last through production.
247
00:13:48,453 --> 00:13:52,791
Jon and Dave, they love the
old school way of making films.
248
00:13:52,875 --> 00:13:54,084
A lot of models.
249
00:13:55,794 --> 00:13:59,715
Andrew had given me a call and said,
"You need to sculpt a cave set."
250
00:13:59,798 --> 00:14:03,010
And then, Phil Tippett
was gonna collaborate
251
00:14:03,093 --> 00:14:09,224
and bring his team in and actually put
all the flavor on the inside of this.
252
00:14:09,308 --> 00:14:10,684
All the scenery.
253
00:14:10,767 --> 00:14:13,562
So I basically
sculpted the whole form
254
00:14:13,645 --> 00:14:16,690
and then, Phil went in
and made it beautiful.
255
00:14:17,357 --> 00:14:20,444
FAVREAU: Part of what our memory
is of Star Wars from growing up,
256
00:14:20,527 --> 00:14:23,071
is a lot of it is
Phil's aesthetic.
257
00:14:23,155 --> 00:14:28,243
Whether it was the dejarik chess board
with the stop motion chess characters
258
00:14:28,327 --> 00:14:29,411
or, the rancor,
259
00:14:29,494 --> 00:14:32,581
Phil Tippett was one of the original
collaborators with George Lucas,
260
00:14:32,664 --> 00:14:35,626
and we thought that Phil would
be great to collaborate with
261
00:14:35,709 --> 00:14:37,210
on what Mandalore
would look like.
262
00:14:37,294 --> 00:14:40,589
To create something that was
both tech and nightmarish.
263
00:14:40,672 --> 00:14:42,549
Because we wanted the
mines of Mandalore
264
00:14:42,633 --> 00:14:44,885
to look different from
anything on the show.
265
00:14:44,968 --> 00:14:46,762
And, of course, Phil
Tippett's aesthetic
266
00:14:46,845 --> 00:14:49,681
was something that we thought
we would really benefit from.
267
00:14:49,765 --> 00:14:52,976
We actually use his models
to do photogrammetry
268
00:14:53,060 --> 00:14:55,812
and help build it into the
Volume and into the CGI.
269
00:15:02,736 --> 00:15:07,199
This is obviously a huge episode for
Star Wars fans to get to see Mandalore
270
00:15:07,282 --> 00:15:10,702
and to get to see the
ruins of a city destroyed.
271
00:15:10,786 --> 00:15:11,787
Look around.
272
00:15:12,829 --> 00:15:13,956
There's nothing left.
273
00:15:16,375 --> 00:15:20,545
A great society is now a memory.
274
00:15:21,505 --> 00:15:24,633
MORRISON: You have people treading and
retreading some of the same footsteps
275
00:15:24,716 --> 00:15:26,802
and going deeper and
deeper into the underbelly.
276
00:15:26,885 --> 00:15:31,556
And how do you keep the gradience
feeling different and new?
277
00:15:31,640 --> 00:15:35,185
Do we go from a more translucent
green to a deeper green?
278
00:15:35,268 --> 00:15:38,689
And what does it feel like for Bo
to see Mandalore for the first time
279
00:15:38,772 --> 00:15:42,234
as somebody who was raised
there and saw it destroyed,
280
00:15:42,317 --> 00:15:45,112
versus The Mandalorian, who
has sort of fetishized it
281
00:15:45,195 --> 00:15:46,822
and has never actually set foot?
282
00:15:46,905 --> 00:15:49,908
And how do we see that differently
through each of their eyes?
283
00:15:49,992 --> 00:15:53,620
"These mines date back to the
age of the first Mandalore.
284
00:15:54,538 --> 00:15:57,624
"According to ancient folklore, the
mines were once a Mythosaur lair.
285
00:15:58,542 --> 00:16:01,753
"Mandalore the Great is said to
have tamed the mythical beast.
286
00:16:02,963 --> 00:16:05,716
"It is from these legends that
the skull signet was adopted
287
00:16:05,799 --> 00:16:08,260
"and became the
symbol of our planet."
288
00:16:10,554 --> 00:16:13,640
FAVREAU: The Mythosaur
originates from a graphic
289
00:16:13,724 --> 00:16:16,476
that was included in the
costume of Boba Fett.
290
00:16:16,560 --> 00:16:21,064
It was a graphic that just probably
seemed pleasing at the time.
291
00:16:21,148 --> 00:16:23,859
It was a skull of some
sort of tusked creature.
292
00:16:23,942 --> 00:16:30,657
And over the decades, it has
grown to be a particular species.
293
00:16:31,324 --> 00:16:35,829
And there's talk that the Mythosaur
was ridden by the Mand'alor
294
00:16:35,912 --> 00:16:40,250
and that it was a creature that
was evolved on that planet.
295
00:16:40,333 --> 00:16:44,212
And as you talk about ancient
Mandalorian history, it comes up.
296
00:16:44,296 --> 00:16:46,465
But it all came from
just that one visual.
297
00:16:47,132 --> 00:16:53,096
And we referenced it back in season one,
when he's learning how to ride the blurrg.
298
00:16:53,180 --> 00:16:56,433
Do you have a landspeeder or
speeder bike that I could hire?
299
00:16:56,516 --> 00:16:57,851
You are Mandalorian!
300
00:16:59,478 --> 00:17:02,898
Your ancestors rode
the great Mythosaur.
301
00:17:03,982 --> 00:17:06,818
Surely you can ride
this young foal.
302
00:17:06,902 --> 00:17:10,530
FAVREAU: I loved it there because
it felt iconic for a western.
303
00:17:10,614 --> 00:17:13,784
The riding of the horse, the
breaking of the wild mustang.
304
00:17:13,867 --> 00:17:15,035
(GROWLS)
305
00:17:15,118 --> 00:17:16,870
So that was fun to
play with there.
306
00:17:16,953 --> 00:17:19,581
But as we got deeper in
in going to Mandalore,
307
00:17:19,664 --> 00:17:23,418
you start to say, "Well,
what can we pull into this?"
308
00:17:23,502 --> 00:17:28,090
And how could we incorporate a lot
of the stories that have been told
309
00:17:28,173 --> 00:17:30,383
that aren't necessarily
canon per se
310
00:17:30,467 --> 00:17:34,221
but still acknowledging that
a lot great creative minds
311
00:17:34,304 --> 00:17:37,349
have been contributing to
Star Wars over the years?
312
00:17:37,432 --> 00:17:41,895
ARMORER: The songs of eons past
foretold of the Mythosaur rising up
313
00:17:41,978 --> 00:17:44,439
to herald a new
age of Mandalore.
314
00:17:46,483 --> 00:17:49,653
Sadly, it only
exists in legends.
315
00:17:49,736 --> 00:17:52,572
FAVREAU: If you set something
up in a movie in your first reel
316
00:17:52,656 --> 00:17:54,282
and you pay it off
on the last reel,
317
00:17:54,366 --> 00:17:57,452
that is really great
feeling of satisfaction
318
00:17:57,536 --> 00:18:02,207
that you have this delayed
gratification of something paying off.
319
00:18:02,290 --> 00:18:06,128
Well, with television, you can do
that over the course of many years.
320
00:18:06,211 --> 00:18:07,963
And I find that
extremely satisfying.
321
00:18:08,630 --> 00:18:12,551
FILONI: The Mythosaur moment
for her is this moment of faith
322
00:18:12,634 --> 00:18:16,263
where she sees something
that should be impossible.
323
00:18:16,346 --> 00:18:18,598
And she is asked
to believe in it.
324
00:18:18,682 --> 00:18:22,686
If the creature gets up out of
the water and reveals itself,
325
00:18:22,769 --> 00:18:24,437
it's just way too obvious.
326
00:18:24,521 --> 00:18:27,607
It has to be something isolated.
Something that only she sees.
327
00:18:27,691 --> 00:18:29,693
Something that she
has to make a choice.
328
00:18:29,776 --> 00:18:30,986
Do you trust your eyes?
329
00:18:31,069 --> 00:18:34,030
"Did I really see that?
How is that even possible?"
330
00:18:34,114 --> 00:18:35,824
Did you see anything alive?
331
00:18:35,907 --> 00:18:38,034
THE MANDALORIAN:
Alive? Like what?
332
00:18:39,786 --> 00:18:41,079
Nothing.
333
00:18:41,163 --> 00:18:44,583
We're a communal species.
We connect with one another.
334
00:18:44,666 --> 00:18:46,960
We're influenced by the
people we spend time with.
335
00:18:47,043 --> 00:18:50,005
And especially people that we face
challenges with and work with.
336
00:18:50,088 --> 00:18:56,803
And so, what seems to be naive to
her maybe there's something that...
337
00:18:56,887 --> 00:18:59,139
It's not just a matter
of her filling him in
338
00:18:59,222 --> 00:19:01,558
on how things really
are on Mandalore,
339
00:19:01,641 --> 00:19:06,146
but maybe his fresh perspective is
going to inform how she sees things.
340
00:19:06,813 --> 00:19:10,275
FILONI: Why are all of these things
that shouldn't be possible possible?
341
00:19:10,942 --> 00:19:15,572
Why does this Mandalorian, Din Djarin,
believe in all this hokey things
342
00:19:15,655 --> 00:19:18,742
that only Mandalorian children
were supposed to believe in?
343
00:19:18,825 --> 00:19:22,370
But as she watches him have
this faith and believe in it,
344
00:19:23,246 --> 00:19:25,165
the world around him
starts to change.
345
00:19:25,248 --> 00:19:27,042
And it starts to
change for the better.
346
00:19:27,125 --> 00:19:30,962
So she starts to change, 'cause
she thinks maybe this is the way.
347
00:19:31,046 --> 00:19:34,132
ARMORER: When you choose to
walk the Way of the Mand'alor,
348
00:19:34,216 --> 00:19:36,343
you will see many things.
349
00:19:40,388 --> 00:19:41,890
BO-KATAN: But it was real.
350
00:19:43,391 --> 00:19:44,392
This is the Way.
351
00:19:46,000 --> 00:19:52,074
Advertise your product or brand here
contact www.OpenSubtitles.org today
352
00:19:53,652 --> 00:19:56,892
CHIANG: This season, we were challenged
with creating seven distinct environments.
353
00:19:56,947 --> 00:19:59,658
Two of them were environments
we've already seen.
354
00:19:59,741 --> 00:20:03,453
One of the most fascinating ones for
me was actually revisiting Coruscant.
355
00:20:07,123 --> 00:20:09,292
OFFICER G68: A trillion
permanent residents.
356
00:20:10,335 --> 00:20:11,336
DR. PERSHING: Amazing.
357
00:20:11,419 --> 00:20:14,589
All these people working together
to make something better.
358
00:20:15,799 --> 00:20:17,467
It makes me feel
rather insignificant.
359
00:20:17,550 --> 00:20:20,262
CHUNG: So, in my episode, once
we transitioned to Coruscant,
360
00:20:20,345 --> 00:20:23,139
we start to the episode
off in the opera house.
361
00:20:23,223 --> 00:20:26,059
It's the same opera house that
you see in Revenge of the Sith.
362
00:20:26,142 --> 00:20:27,143
So I went back
363
00:20:27,227 --> 00:20:30,730
and looked at how that space was
filmed in that original movie
364
00:20:30,814 --> 00:20:32,983
and also the visual
language in that movie.
365
00:20:33,066 --> 00:20:36,111
And tried to recreate
it a little bit here.
366
00:20:36,194 --> 00:20:39,030
In Revenge of the Sith the
character is going up the steps.
367
00:20:39,114 --> 00:20:40,991
Anakin runs up the stairs.
368
00:20:41,074 --> 00:20:43,368
And in here, Pershing
goes down the stairs.
369
00:20:43,451 --> 00:20:45,996
So we tried to put the
camera in a similar spot
370
00:20:46,079 --> 00:20:47,872
to give audiences a nod that,
371
00:20:47,956 --> 00:20:50,959
"Hey, we're revisiting some places
that you may have seen in the past."
372
00:20:51,042 --> 00:20:52,311
- I'm very lucky.
- (WOMAN SIGHS)
373
00:20:52,335 --> 00:20:54,095
And we're lucky to have
you, Doctor Pershing.
374
00:20:54,170 --> 00:20:56,923
How are you finding the
city? Comfortable, I hope?
375
00:20:57,007 --> 00:21:00,635
Yes. Though anything would be
comfortable compared to the Outer Rim.
376
00:21:00,719 --> 00:21:03,680
Coruscant is one of those environments
or planets that is so rich
377
00:21:03,763 --> 00:21:05,265
and has so much history.
378
00:21:05,348 --> 00:21:08,226
When I was working with George
Lucas, designing it in 1995,
379
00:21:08,310 --> 00:21:10,395
we actually designed a
majority of the planet.
380
00:21:10,478 --> 00:21:13,356
And in the prequel films you
only see a small portion of that.
381
00:21:13,440 --> 00:21:16,901
So there's a lot of layers of design
that have always been figured out
382
00:21:16,985 --> 00:21:19,362
and we never really had an
opportunity to execute them.
383
00:21:19,446 --> 00:21:21,614
One of the really fun
ones for me was that
384
00:21:21,698 --> 00:21:25,410
Coruscant has this very unique
form language for these speeders.
385
00:21:25,493 --> 00:21:26,703
Air taxis.
386
00:21:26,786 --> 00:21:29,998
And we had seen some of them
already back in the prequels.
387
00:21:30,081 --> 00:21:33,084
I thought, "Wouldn't it be terrific
to tie the design continuity
388
00:21:33,168 --> 00:21:34,419
"to bring those designs back?"
389
00:21:34,502 --> 00:21:35,962
And we literally did that.
390
00:21:36,046 --> 00:21:38,214
It's almost exactly the
same, same color palette.
391
00:21:38,298 --> 00:21:42,177
And we just made it into our own
bespoke version for our show.
392
00:21:44,095 --> 00:21:47,140
DROID: Ah. Look at that,
here we are. Amnesty Housing.
393
00:21:48,058 --> 00:21:50,393
Please watch your step
as you exit the vehicle.
394
00:21:52,562 --> 00:21:57,359
When I came on to this job,
Jon and Dave both told me
395
00:21:57,442 --> 00:22:00,362
that I would do well if I
could figure out a genre
396
00:22:00,445 --> 00:22:03,031
that I'd like to put
this episode into.
397
00:22:03,114 --> 00:22:06,701
So, as I was reading the script, my
mind instantly went to Hitchcock.
398
00:22:07,452 --> 00:22:08,852
DR. PERSHING: You
sure we're alone?
399
00:22:10,205 --> 00:22:11,206
OFFICER G68: Yep.
400
00:22:12,207 --> 00:22:13,708
Ships are all inoperable.
401
00:22:15,001 --> 00:22:16,169
No need to guard 'em.
402
00:22:16,252 --> 00:22:18,755
CHUNG: The entire sequence
that we filmed in the train,
403
00:22:18,838 --> 00:22:22,258
we tried to film in a
Hitchcock sort of mode.
404
00:22:22,342 --> 00:22:25,053
We incorporated a lot of looks
405
00:22:25,136 --> 00:22:29,474
and the types of suspense that
he uses in the visual language.
406
00:22:29,557 --> 00:22:32,811
A lot of this show happens
with everyone wearing helmets.
407
00:22:32,894 --> 00:22:36,564
But with Omid and Katy, they had
to kind of carry this episode
408
00:22:36,648 --> 00:22:38,942
through their performance,
through their looks,
409
00:22:39,025 --> 00:22:42,862
through the way in which they
subtly react to different things.
410
00:22:42,946 --> 00:22:43,988
They were phenomenal.
411
00:22:44,072 --> 00:22:45,573
(WHISPERING) Keep
it together, Doc.
412
00:22:45,657 --> 00:22:48,118
(PANTING) You're better
at this than I am.
413
00:22:48,785 --> 00:22:50,286
Oh, you'll get the hang of it.
414
00:22:53,832 --> 00:22:56,209
WEATHERS: We are not
making typical TV.
415
00:22:56,292 --> 00:22:59,337
I've been involved throughout my
career with doing television, man.
416
00:22:59,421 --> 00:23:02,590
This is another creature.
It is so much bigger than.
417
00:23:02,674 --> 00:23:06,344
It is so much broader than.
So much more involved.
418
00:23:06,428 --> 00:23:08,805
I wasn't steeped
in Star Wars lore.
419
00:23:09,681 --> 00:23:12,350
But the material
was so damn good.
420
00:23:12,434 --> 00:23:14,769
Four years later and we're
still rocking and rolling.
421
00:23:14,853 --> 00:23:17,730
It is your favorite director.
422
00:23:17,814 --> 00:23:18,934
- WOMAN 1: Yeah!
- MAN: Yeah!
423
00:23:18,982 --> 00:23:20,501
- WOMAN 2: Yay, Carl!
- (WEATHERS LAUGHS)
424
00:23:20,525 --> 00:23:22,360
You can't say it, I'm
saying it for you.
425
00:23:22,444 --> 00:23:23,570
- (LAUGHTER)
- Um...
426
00:23:23,987 --> 00:23:27,740
Welcome back, uh, to 304.
427
00:23:27,824 --> 00:23:30,994
Carl had a very big
task this season.
428
00:23:31,077 --> 00:23:34,330
With an entire episode
with a ton of moving parts.
429
00:23:34,414 --> 00:23:37,750
I mean, we have kids
being taken by big birds
430
00:23:37,834 --> 00:23:42,881
and tons of Mandalorians
and big huge fight scenes.
431
00:23:42,964 --> 00:23:44,382
And rock climbing.
432
00:23:44,466 --> 00:23:48,595
And, you know, his episode
legitimately had everything in it.
433
00:23:48,678 --> 00:23:52,390
WEATHERS: It's fascinating to
me that the Mandalorian culture
434
00:23:52,474 --> 00:23:56,227
is something that we allude to
throughout every episode basically.
435
00:23:56,311 --> 00:24:00,231
And in the episode that I was
fortunate enough to direct,
436
00:24:00,315 --> 00:24:02,442
we open with this great
sequence of training.
437
00:24:02,525 --> 00:24:06,696
And so, we get a chance to see how
you're introduced into that culture
438
00:24:06,779 --> 00:24:09,324
with the various skill
sets that are necessary.
439
00:24:09,407 --> 00:24:12,327
And the baby plays a big
part in that opening.
440
00:24:12,410 --> 00:24:13,411
JUDGE: Ready.
441
00:24:14,537 --> 00:24:15,788
Begin!
442
00:24:15,872 --> 00:24:16,915
Whoa!
443
00:24:22,420 --> 00:24:24,047
JUDGE: Three points. Winner!
444
00:24:24,714 --> 00:24:29,302
FILONI: What puts a measure on your
story is how creative can you be.
445
00:24:29,385 --> 00:24:33,890
We try to give the audience something
that they've never seen before.
446
00:24:33,973 --> 00:24:36,059
Like in season one,
447
00:24:36,142 --> 00:24:37,769
Jon wants to make a Baby Yoda.
448
00:24:37,852 --> 00:24:41,898
I'm like, "What? Why?
Why would we do this?
449
00:24:41,981 --> 00:24:43,900
"That sounds like
not a good idea."
450
00:24:43,983 --> 00:24:47,362
But, you put that initial
fear aside and you say,
451
00:24:47,445 --> 00:24:49,280
"Okay, well, let's
really examine this."
452
00:24:49,364 --> 00:24:50,365
And I was like,
453
00:24:50,448 --> 00:24:53,052
"Jon, if you're gonna do this,
(LAUGHS) I'm gonna be there with you.
454
00:24:53,076 --> 00:24:56,204
"'Cause I know Yoda's one of
George's favorite characters
455
00:24:56,287 --> 00:24:57,872
"and we cannot mess this up."
456
00:24:58,540 --> 00:25:01,668
But I also knew Jon
a bit as a filmmaker.
457
00:25:01,751 --> 00:25:03,753
And I know he's
got a great heart
458
00:25:03,836 --> 00:25:08,091
and a great sensibility for telling
stories that are meaningful to people.
459
00:25:09,092 --> 00:25:12,971
And that maybe this little child could
turn out to be something special.
460
00:25:13,054 --> 00:25:15,407
But we didn't think it was gonna
be a puppet the whole time.
461
00:25:15,431 --> 00:25:16,599
We thought it'd be CG.
462
00:25:16,683 --> 00:25:19,644
Jon's coming off of making
Lion King and Jungle Book,
463
00:25:19,727 --> 00:25:23,856
where the CG is practically
unparalleled with its believability.
464
00:25:23,940 --> 00:25:29,028
And here it is, we got Werner Herzog
telling us, "No. Believe in the puppet."
465
00:25:29,112 --> 00:25:31,698
And well, the world did.
466
00:25:32,615 --> 00:25:34,659
I would like to see the baby.
467
00:25:35,577 --> 00:25:36,869
(SMACKS LIPS) Uh...
468
00:25:36,953 --> 00:25:38,454
It is asleep.
469
00:25:38,538 --> 00:25:40,456
We all will be quiet.
470
00:25:41,124 --> 00:25:45,503
HOWARD: The Grogu puppet
improves every single year.
471
00:25:45,587 --> 00:25:51,175
And the Legacy performers are
always tinkering and finding ways
472
00:25:51,259 --> 00:25:55,680
to honestly allow the puppet to do
as much practically as possible.
473
00:25:55,763 --> 00:25:59,934
FAVREAU: Don't underestimate
how significant
474
00:26:00,018 --> 00:26:02,312
his interpretation
of the moment is.
475
00:26:02,395 --> 00:26:03,396
MIKE MANZEL: Okay.
476
00:26:03,479 --> 00:26:06,107
FAVREAU: 'Cause he's
everybody's touchstone.
477
00:26:06,190 --> 00:26:09,319
The best direction we get is when they
treat the puppet like it's an actor.
478
00:26:09,402 --> 00:26:12,071
They tell it what to do and we're
all standing around to hear it.
479
00:26:12,155 --> 00:26:14,449
And we're reacting to
what the director wants.
480
00:26:14,532 --> 00:26:15,658
(MORRISON SPEAKING ON PA)
481
00:26:20,622 --> 00:26:22,957
There's an unspoken
chemistry to this where we...
482
00:26:23,041 --> 00:26:25,835
Just getting to know him and
watching this character develop,
483
00:26:25,918 --> 00:26:29,297
he's kind of got this personality
of his own that we all understand.
484
00:26:29,380 --> 00:26:31,591
- (EXCLAIMING)
- THE MANDALORIAN: No, Grogu.
485
00:26:31,674 --> 00:26:35,303
(LAUGHTER)
486
00:26:36,596 --> 00:26:37,639
MAN: And, cut.
487
00:26:37,722 --> 00:26:40,892
WEATHERS: How Jon integrates
Grogu into these stories
488
00:26:40,975 --> 00:26:47,106
and tells the story at times from
Grogu's point of view is so beautiful.
489
00:26:47,190 --> 00:26:49,400
It's just beautiful. It's
the only word for it.
490
00:26:50,276 --> 00:26:51,861
ARMORER: This is the Forge.
491
00:26:53,154 --> 00:26:55,698
The Forge can reveal weaknesses.
492
00:26:55,782 --> 00:26:58,409
(THUDDING)
493
00:27:06,501 --> 00:27:08,419
(CRACKLING)
494
00:27:11,339 --> 00:27:13,216
FAVREAU: We knew we had
to tell more stories
495
00:27:13,299 --> 00:27:17,178
'cause we've told flashbacks
about what happened to Grogu.
496
00:27:17,261 --> 00:27:20,682
And how Grogu escaped
the Jedi Temple.
497
00:27:20,765 --> 00:27:24,602
We've shown little glimpses
and clips of his memory.
498
00:27:24,686 --> 00:27:26,938
Most recently in The
Book of Boba Fett.
499
00:27:28,106 --> 00:27:32,610
And so, we wanted to continue to
tell that story in small chapters.
500
00:27:32,694 --> 00:27:35,154
We had to figure out,
"What's the next chapter?
501
00:27:35,238 --> 00:27:37,323
"What's the likely thing
that would've happened?"
502
00:27:37,407 --> 00:27:39,784
JEDI: Get the youngling
to Kelleran! Go!
503
00:27:39,867 --> 00:27:44,372
FILONI: What was clear was we needed
Grogu to have a type of savior companion
504
00:27:44,455 --> 00:27:46,708
that preceded Mando and
that it would be a Jedi.
505
00:27:46,791 --> 00:27:49,877
And then it becomes important
to say, "Well, who is that?"
506
00:27:49,961 --> 00:27:51,379
'Cause that'll be a big deal.
507
00:27:52,046 --> 00:27:55,133
And for me, it's always
nice when it's somebody,
508
00:27:55,216 --> 00:27:58,302
"in the family"
here at Lucasfilm.
509
00:27:58,386 --> 00:28:04,392
Someone that's been out
there representing Star Wars,
510
00:28:04,475 --> 00:28:07,186
interacting with fans,
carrying the banner.
511
00:28:07,270 --> 00:28:12,650
And Ahmed Best has been such an
important part of our Star Wars history.
512
00:28:12,734 --> 00:28:15,445
Don't worry, kid.
Everything's gonna be okay.
513
00:28:16,446 --> 00:28:19,741
I come in and see it's the baby, do
you want this to come down or stay up?
514
00:28:19,824 --> 00:28:22,511
WEATHERS: It'll never be up because
then you're not on guard anymore.
515
00:28:22,535 --> 00:28:23,578
- Right.
- WEATHERS: Right?
516
00:28:23,661 --> 00:28:26,372
It doesn't come back up until
you pick up the second one.
517
00:28:26,456 --> 00:28:29,041
- Now you're gonna take care of business.
- Got it.
518
00:28:29,125 --> 00:28:31,002
FAVREAU: He grew
up as part of it.
519
00:28:31,085 --> 00:28:32,920
Through all
different eras of it.
520
00:28:33,004 --> 00:28:36,507
HOWARD: Jon! We haven't seen each other
since I was 16-years-old on the prequels.
521
00:28:36,591 --> 00:28:39,761
'Cause I was hanging
around during the prequels.
522
00:28:39,844 --> 00:28:42,847
FAVREAU: And he also has
martial arts training.
523
00:28:45,808 --> 00:28:49,812
He introduced the character of
Kelleran Beq, a Jedi, into Star Wars.
524
00:28:49,896 --> 00:28:52,857
And we thought that this could
present a really cool opportunity
525
00:28:52,940 --> 00:28:56,068
to incorporate him
into The Mandalorian.
526
00:28:56,152 --> 00:28:57,904
- It hasn't really hit me yet.
- Yeah.
527
00:28:58,362 --> 00:29:01,157
I never thought I'd
be back, to be honest.
528
00:29:01,240 --> 00:29:04,827
Especially like
this. So, it's crazy.
529
00:29:04,911 --> 00:29:07,830
Don't worry. We're gonna meet
up with some friends of mine.
530
00:29:07,914 --> 00:29:09,791
But hold on, it's gonna
be a bumpy landing.
531
00:29:09,874 --> 00:29:12,376
(HAMMERING)
532
00:29:20,927 --> 00:29:22,863
FAVREAU: When I wrote the
character of The Armorer
533
00:29:22,887 --> 00:29:25,264
in the very first episode
of The Mandalorian,
534
00:29:25,348 --> 00:29:29,018
we were trying to fill in what
that Mandalorian lore was.
535
00:29:29,101 --> 00:29:30,645
And we made the
decision early on
536
00:29:30,728 --> 00:29:34,690
that this character would be
seen as the shamanistic figure.
537
00:29:34,774 --> 00:29:37,151
ARMORER: This was gathered
in the Great Purge.
538
00:29:38,361 --> 00:29:40,112
It is good it is
back with the tribe.
539
00:29:41,030 --> 00:29:44,075
This audition came along
that my agent said was
540
00:29:44,200 --> 00:29:47,078
probably something
to do with Star Wars.
541
00:29:47,161 --> 00:29:51,249
I knew that this character was the
leader of a group of people in hiding.
542
00:29:51,332 --> 00:29:54,418
And it said that she was Zen-like.
And that's what I had to go on.
543
00:29:54,502 --> 00:29:58,005
I do remember that
in the audition scene
544
00:29:58,089 --> 00:30:01,300
I had to say the line,
"This is the Way."
545
00:30:01,384 --> 00:30:03,219
And, of course, I had no idea.
546
00:30:03,302 --> 00:30:04,595
ARMORER: This is the Way.
547
00:30:04,679 --> 00:30:06,013
MANDALORIANS: This is the Way.
548
00:30:06,097 --> 00:30:08,641
SWALLOW: Jon said that
especially for her,
549
00:30:08,724 --> 00:30:13,187
they were really going back to a lot
of Kurosawa films and The Last Samurai.
550
00:30:13,271 --> 00:30:18,234
And just that majesty and that
stillness, that regalness.
551
00:30:18,317 --> 00:30:20,027
And that helped so much.
552
00:30:20,111 --> 00:30:22,864
FAVREAU: Emily has done
a really wonderful job
553
00:30:22,947 --> 00:30:25,575
in helping to breathe
life into this character
554
00:30:25,658 --> 00:30:27,493
and to make the character human.
555
00:30:27,577 --> 00:30:30,121
On top of the mask and
on top of the archetype.
556
00:30:30,204 --> 00:30:36,752
Our people have strayed from the Way and
it is not enough for a few to walk it.
557
00:30:38,629 --> 00:30:40,172
We must walk it together.
558
00:30:45,887 --> 00:30:47,513
RAMSEY: There's a
lot of backstory
559
00:30:47,597 --> 00:30:51,767
and there's a lot of moving
parts to the saga that seem like
560
00:30:51,851 --> 00:30:55,730
they've kind of really started to
come to fruition with this season.
561
00:30:55,813 --> 00:30:58,399
THE MANDALORIAN: Now, many of
you don't know Greef Karga.
562
00:30:58,482 --> 00:31:01,569
And those that do fought
against him when you rescued me
563
00:31:01,652 --> 00:31:04,864
from his ambush many cycles
ago on the streets of Nevarro.
564
00:31:04,947 --> 00:31:06,657
(INDISTINCT CHATTER)
565
00:31:06,741 --> 00:31:09,035
Since then, he's had
a change of heart
566
00:31:09,118 --> 00:31:13,956
and has risked his life to save mine
as well as the foundling in my charge.
567
00:31:14,040 --> 00:31:19,462
My episode centers around
Greef Karga and Nevarro.
568
00:31:19,545 --> 00:31:21,422
I won't abandon my city.
569
00:31:21,505 --> 00:31:23,549
We have to get the
public to safety.
570
00:31:23,633 --> 00:31:27,011
WEATHERS: Greef Karga at this
point is a bureaucrat really.
571
00:31:27,094 --> 00:31:29,513
But he is still a guy
who can handle himself.
572
00:31:29,597 --> 00:31:33,017
And who will step up when
necessary to do some handling.
573
00:31:33,100 --> 00:31:36,520
Don't mistake my
hospitality for weakness.
574
00:31:36,604 --> 00:31:41,025
Is that what you call gunning
down my helmsman in cold blood?
575
00:31:41,108 --> 00:31:43,527
When he let down his
guard on your planet.
576
00:31:43,611 --> 00:31:44,862
He shot first.
577
00:31:44,946 --> 00:31:48,366
RAMSEY: There's a few different genres
that I feel this episode touches on.
578
00:31:48,449 --> 00:31:50,701
Our pirates led by Gorian Shard
579
00:31:50,785 --> 00:31:54,372
are definitely beholden
to classic buccaneers.
580
00:31:54,455 --> 00:31:56,499
Right down to wardrobe details.
581
00:31:56,582 --> 00:31:58,292
So we had a lot
of fun with that.
582
00:31:58,376 --> 00:32:01,545
But once the action really gets
going and the siege is under way,
583
00:32:01,629 --> 00:32:05,591
the Mandalorians come to the
aid of the people of Nevarro.
584
00:32:05,675 --> 00:32:09,470
And it turns into kind of a pitched
battle that feels a little bit like
585
00:32:09,553 --> 00:32:11,514
something out of
Saving Private Ryan.
586
00:32:11,597 --> 00:32:17,228
It really does become like
a full on battle sequence.
587
00:32:21,357 --> 00:32:24,819
There's explosions, there's
kind of handheld cameras,
588
00:32:24,902 --> 00:32:27,947
there's all the signatures
of battlefield action.
589
00:32:28,030 --> 00:32:29,365
(EXPLOSIONS)
590
00:32:35,037 --> 00:32:36,789
MAN 1: You fall in
love with a storyboard,
591
00:32:36,872 --> 00:32:38,558
and we're never gonna
get that. Look at that.
592
00:32:38,582 --> 00:32:39,709
MAN 2: Yeah.
593
00:32:40,376 --> 00:32:42,187
- MAN 1: Three people midair at once.
- MAN 3: Wow.
594
00:32:42,211 --> 00:32:44,338
MAN 1: With the fireball.
595
00:32:45,381 --> 00:32:47,901
FAVREAU: I'll pay you the highest
compliment, it looks like CGI.
596
00:32:48,175 --> 00:32:49,927
(LAUGHTER)
597
00:32:50,011 --> 00:32:53,097
This season's been fun just playing
around with different things
598
00:32:53,180 --> 00:32:57,101
that we can do with jetpacks and
these weapons that we've been given
599
00:32:57,184 --> 00:32:58,769
and these Star Wars rules.
600
00:32:58,853 --> 00:33:02,273
We've definitely got to play with
a lot more different fun ideas.
601
00:33:02,356 --> 00:33:04,483
(WHOOSHING)
602
00:33:05,568 --> 00:33:06,610
(GROANS)
603
00:33:07,403 --> 00:33:09,196
(SHRIEKS, GROANS)
604
00:33:09,280 --> 00:33:10,448
(CHEERS)
605
00:33:16,996 --> 00:33:19,665
DASHNAW: This season there's
a lot more Mandalorians.
606
00:33:19,749 --> 00:33:24,920
We've had some times where we have 30
plus stunt people working at one time.
607
00:33:25,004 --> 00:33:26,839
And just having to
watch everything
608
00:33:26,922 --> 00:33:31,302
and make sure everyone's performing the
same way and with the same intensity,
609
00:33:31,385 --> 00:33:33,012
that's probably
the hardest thing.
610
00:33:33,095 --> 00:33:36,307
Just because of the number and
just the scale of what we're doing.
611
00:33:36,390 --> 00:33:37,475
(VOCALIZES FIRING)
612
00:33:37,558 --> 00:33:40,102
You'll get a little support
fire as he's coming.
613
00:33:40,186 --> 00:33:44,607
And you can come up, boom, boom,
and Joe will pass you for the thing.
614
00:33:44,690 --> 00:33:47,777
Pop, pop. But when she doesn't
shoot, watch. Boom, boom, boom.
615
00:33:47,860 --> 00:33:50,529
You can come over here and just
come after her like this. Boom.
616
00:33:50,613 --> 00:33:51,781
You'll come up into this.
617
00:33:51,864 --> 00:33:54,283
As long you're in the
front, lead this charge.
618
00:33:54,366 --> 00:33:56,952
HOWARD: Weapons are intrinsic
to the Mandalorian culture.
619
00:33:57,036 --> 00:34:00,081
So I think that's something
really fun to get to explore.
620
00:34:00,164 --> 00:34:02,142
JOSH ROTH: One of the
challenges for us this season
621
00:34:02,166 --> 00:34:04,085
was the amount of
Mandalorian weapons.
622
00:34:04,168 --> 00:34:05,252
The quantity of it.
623
00:34:05,336 --> 00:34:07,671
We still like to do the
same methods as season one.
624
00:34:07,755 --> 00:34:10,091
So what we normally do is
start with the artwork.
625
00:34:10,174 --> 00:34:13,677
We show the illustrations to
Jon and Dave and Rick and Doug.
626
00:34:13,761 --> 00:34:16,430
Get approval on everything. And
then once we start building.
627
00:34:16,514 --> 00:34:21,185
These are the notes we basically did for
Mando's new blaster that he's getting.
628
00:34:21,268 --> 00:34:24,063
So we extended the
barrel like you wanted.
629
00:34:24,146 --> 00:34:26,941
Made it longer, inch and a
half longer. Changed the grip
630
00:34:27,024 --> 00:34:29,819
to go back to the original
grip where the top's in center.
631
00:34:29,902 --> 00:34:34,115
But still makes it feel
Empire. A cool gun for Mando.
632
00:34:34,198 --> 00:34:35,866
Mando's blaster is iconic.
633
00:34:35,950 --> 00:34:38,285
I love that gun. We've
had it for three seasons.
634
00:34:38,369 --> 00:34:41,205
And it's a big change to go
to a new blaster for Mando.
635
00:34:41,288 --> 00:34:43,165
But I think it
works really well.
636
00:34:47,378 --> 00:34:53,175
Star Wars has always been
the blending of technology
637
00:34:53,259 --> 00:34:59,014
with the right amount of just
pure hand built craftsmanship.
638
00:34:59,098 --> 00:35:02,601
Which I think is what's really
exciting about the world.
639
00:35:02,685 --> 00:35:09,525
And so, I get geeked out as much by the
latest prop that I have to work with.
640
00:35:09,608 --> 00:35:13,320
(LAUGHS) Or droid
that's being built.
641
00:35:13,404 --> 00:35:17,992
Or a costume and how it flows.
And how it feels lived in
642
00:35:18,075 --> 00:35:20,077
as anything we're
doing on the Volume.
643
00:35:20,161 --> 00:35:22,246
FAVREAU: Could you all put
your helmets on for us?
644
00:35:22,329 --> 00:35:25,457
SHAWNA TRPCIC: Creating
60 brand new Mandalorians
645
00:35:25,541 --> 00:35:28,586
from the three different
tribes was amazing.
646
00:35:28,669 --> 00:35:30,796
We got to do a survivor look.
647
00:35:30,880 --> 00:35:34,258
We got to do the
original covert look.
648
00:35:34,341 --> 00:35:38,053
And then we got to explore
the Bo-Katan group.
649
00:35:38,137 --> 00:35:41,140
Former, I guess, Death
Watch or former Nite Owls.
650
00:35:41,223 --> 00:35:42,349
We called them the Marines.
651
00:35:42,433 --> 00:35:44,602
It was very much influenced
by the animation.
652
00:35:44,685 --> 00:35:47,605
FILONI: I designed this helmet
on a Southwest flight one day.
653
00:35:47,688 --> 00:35:49,708
- MAN: Shut up. Really?
- It was on a napkin and I...
654
00:35:49,732 --> 00:35:54,695
I wanted Bo-Katan to have
a specific style cutout.
655
00:35:54,778 --> 00:35:56,572
And so, it's based
on a barn owl.
656
00:35:57,531 --> 00:35:58,824
And it's like the beak
657
00:35:58,908 --> 00:36:00,788
- and the eyes of the barn owl.
- MAN: Oh, cool.
658
00:36:00,868 --> 00:36:03,537
TRPCIC: It was fun to
create each individual art.
659
00:36:03,621 --> 00:36:05,789
With them all wearing
basically the same armor
660
00:36:05,873 --> 00:36:08,500
but being able to
distinguish one from another.
661
00:36:08,584 --> 00:36:09,919
Basically what we did was,
662
00:36:10,002 --> 00:36:13,672
we sort of created an assembly line
in the creation of the armor itself.
663
00:36:13,756 --> 00:36:18,385
But then, we found unique ways
of, especially with the survivors,
664
00:36:18,469 --> 00:36:21,472
replacing bits of
armor with like,
665
00:36:21,555 --> 00:36:24,767
what would you find on a planet
that had been through an apocalypse?
666
00:36:24,850 --> 00:36:27,061
Wood and leathers and furs,
667
00:36:27,144 --> 00:36:29,396
anything you could put
together to protect yourself.
668
00:36:29,480 --> 00:36:33,067
But because you're from a
religion of the Mandalorians,
669
00:36:33,150 --> 00:36:35,945
you would find a way to sculpt
that into traditional shapes.
670
00:36:36,028 --> 00:36:38,030
- B2 battle droid.
- MAN: Oh, that's cool.
671
00:36:38,113 --> 00:36:42,576
Each individual Mandalorian tells a story.
And that's always what I tell my artists.
672
00:36:42,660 --> 00:36:45,537
I wanna know the story behind
the choices that we're making
673
00:36:45,621 --> 00:36:48,123
for every crack, every stitch.
674
00:36:48,207 --> 00:36:50,560
BRENDAN WAYNE: Mary, my costumer,
gets very frustrated with me
675
00:36:50,584 --> 00:36:54,088
because I like to talk about
game time preparations.
676
00:36:54,171 --> 00:36:57,091
I don't let her put my
gauntlets on or my gloves.
677
00:36:57,174 --> 00:36:58,342
That's something I do.
678
00:36:58,425 --> 00:37:01,428
It's like tying up my shoes
before a basketball game.
679
00:37:01,512 --> 00:37:02,680
That's part of my process.
680
00:37:02,763 --> 00:37:03,931
ARMORER: This is the Way.
681
00:37:04,014 --> 00:37:05,334
THE MANDALORIAN:
This is the Way.
682
00:37:05,391 --> 00:37:07,643
SWALLOW: The first few
times I wore the armor,
683
00:37:07,726 --> 00:37:10,896
I had to rely so much on
what I knew it looked like
684
00:37:10,980 --> 00:37:14,316
because it felt
incredibly awkward.
685
00:37:15,276 --> 00:37:17,528
And, um, it's funny now,
686
00:37:17,611 --> 00:37:21,865
I meet so many of the
members of the 501st
687
00:37:21,949 --> 00:37:25,661
or the Mando Mercs, or the Rebel
Legion, who do the cosplay all the time.
688
00:37:25,744 --> 00:37:29,331
They all just nod their heads and
they're like, "Yup. Yup. Yup."
689
00:37:29,415 --> 00:37:31,917
ARMORER: We each
begin as raw ore.
690
00:37:33,502 --> 00:37:36,505
We refine ourselves through
trials and adversity.
691
00:37:36,588 --> 00:37:41,427
Suit acting is very different than
acting with a face, if you will.
692
00:37:41,510 --> 00:37:46,098
You really have to be conscious
of what a head movement says.
693
00:37:46,181 --> 00:37:51,770
Every tilt, every little
thing was so loud on camera.
694
00:37:51,854 --> 00:37:56,150
And so, we had to be incredibly
specific about what we were doing.
695
00:37:56,233 --> 00:38:00,404
It was such a wonderful
time of trial and error.
696
00:38:00,487 --> 00:38:06,243
ARMORER: Bo-Katan Kryze is going off to
bring other Mandalorians in exile to us
697
00:38:06,327 --> 00:38:08,746
so that we may join
together once again.
698
00:38:12,124 --> 00:38:18,130
This is my fourth season working
with The Mandalorian family.
699
00:38:18,213 --> 00:38:22,968
For a lot of the episode, it's
the introduction of a new planet.
700
00:38:23,052 --> 00:38:29,183
It's the introduction of a new cast
of characters we've never seen before.
701
00:38:29,266 --> 00:38:32,186
You will always be welcome
in our domed paradise.
702
00:38:32,269 --> 00:38:34,039
HOWARD: I read the script
and then I was like,
703
00:38:34,063 --> 00:38:36,398
"Oh, okay, so casting,
what are you thinking?"
704
00:38:36,482 --> 00:38:43,155
And Jon's all, "Oh, yeah, we already
have three key new cast members.
705
00:38:43,238 --> 00:38:46,116
"Jack Black, Lizzo and
Christopher Lloyd."
706
00:38:46,200 --> 00:38:49,578
I was like, "(LAUGHS)
Right. Okay!"
707
00:38:54,166 --> 00:38:55,167
Bombardier.
708
00:38:55,250 --> 00:38:58,170
Jon Favreau claims that
he wrote this role for me.
709
00:38:59,588 --> 00:39:00,589
TRPCIC: I think he did.
710
00:39:00,672 --> 00:39:02,758
BLACK: I love the
name Bombardier.
711
00:39:02,841 --> 00:39:04,802
I like to think
that I'm a badass.
712
00:39:04,885 --> 00:39:07,888
That I actually could
hold my own in battle.
713
00:39:07,971 --> 00:39:09,932
There's no talk of that.
714
00:39:11,266 --> 00:39:14,395
In the script it just
says that I used to be...
715
00:39:14,478 --> 00:39:17,439
- TRPCIC: Yeah, it fits.
- BLACK: a facilities planning officer.
716
00:39:17,523 --> 00:39:18,857
(LAUGHTER)
717
00:39:18,941 --> 00:39:20,984
- Is Bombardier a dancer?
- TRPCIC: I think so.
718
00:39:21,068 --> 00:39:26,240
BLACK: Dude, his name is Bombardier.
It's got bomb in the name.
719
00:39:26,323 --> 00:39:30,411
(LAUGHS) How can he just
be a facilities planner?
720
00:39:30,494 --> 00:39:33,831
He's got a blaster.
You just don't see it.
721
00:39:33,914 --> 00:39:37,084
HOWARD: What's so fun
is that Lizzo and Jack
722
00:39:37,167 --> 00:39:41,839
have been very public about
their support for Star Wars
723
00:39:41,922 --> 00:39:44,800
and this show and
the characters.
724
00:39:44,883 --> 00:39:47,094
Oh, my (SHRIEKS) God!
725
00:39:47,177 --> 00:39:48,720
HOWARD: Amazing, right?
726
00:39:48,804 --> 00:39:51,682
- Yes, I got my Grogu hat on.
- (LAUGHTER)
727
00:39:51,765 --> 00:39:53,058
I'm a huge fan.
728
00:39:53,142 --> 00:39:54,560
(LAUGHTER)
729
00:39:54,643 --> 00:39:58,897
Their enthusiasm was
absolutely infectious.
730
00:39:58,981 --> 00:40:02,568
Who wouldn't wanna party
with Bombardier? (LAUGHS)
731
00:40:02,651 --> 00:40:04,903
Everyone wants to
party with Bombardier.
732
00:40:04,987 --> 00:40:08,031
I'm gonna have to do a quick
research study on all dancing
733
00:40:08,115 --> 00:40:12,536
that's ever taken place in any
Star Wars film or side series.
734
00:40:13,537 --> 00:40:16,582
'Cause I definitely feel like
I need to have the moves.
735
00:40:16,665 --> 00:40:17,958
(FAVREAU SPEAKING)
736
00:40:26,467 --> 00:40:29,052
(LAUGHTER)
737
00:40:34,766 --> 00:40:38,770
(VOCALIZING
MANDALORIAN THEME SONG)
738
00:40:49,406 --> 00:40:51,450
(LAUGHTER)
739
00:40:51,533 --> 00:40:54,912
Just a little taste for
the behind the scenes!
740
00:40:56,121 --> 00:41:01,793
My job working with Jack and
Lizzo was to just not break.
741
00:41:02,377 --> 00:41:05,506
Because no take is the same.
742
00:41:05,589 --> 00:41:09,635
(LAUGHS) And my goal was
just to get out of the way.
743
00:41:09,718 --> 00:41:11,929
Who wants to take
on the champion?
744
00:41:12,012 --> 00:41:16,934
HOWARD: They infused so
much energy and enthusiasm
745
00:41:17,017 --> 00:41:20,812
and passion into
every single moment.
746
00:41:20,896 --> 00:41:27,152
The moons of Paraqaat.
747
00:41:27,236 --> 00:41:28,737
The moons of Paraqaat,
748
00:41:29,738 --> 00:41:31,823
- that's a hit.
- (LAUGHS)
749
00:41:31,907 --> 00:41:36,328
It reminds us yet again that, "Oh,
my gosh, we're making Star Wars.
750
00:41:36,411 --> 00:41:38,038
"Isn't that bananas?" (LAUGHS)
751
00:41:38,121 --> 00:41:40,374
Okay, this is... I... This is...
752
00:41:40,457 --> 00:41:43,877
If you guys wanna be on time today,
get this baby out of my hands.
753
00:41:44,795 --> 00:41:49,216
- (GRUNTS)
- (CHIMING)
754
00:41:49,299 --> 00:41:50,300
(TRILLING)
755
00:41:50,384 --> 00:41:53,220
(ALL CHEERING)
756
00:41:53,303 --> 00:41:56,306
A Quadro-blast! I've
never seen such a streak!
757
00:41:56,390 --> 00:41:57,391
(SIGHS)
758
00:42:06,066 --> 00:42:09,861
On Plazir, it's kind of this
idealized city of the future.
759
00:42:09,945 --> 00:42:14,533
And as part of their working force,
they sort of lean into robots.
760
00:42:14,616 --> 00:42:19,621
The citizens voted against any
interruption in droid services.
761
00:42:19,705 --> 00:42:22,457
They can't live without it.
762
00:42:22,541 --> 00:42:24,501
We thought, "On Plazir,
wouldn't it be terrific
763
00:42:24,585 --> 00:42:27,462
"to have a cantina but
make it a droid bar?"
764
00:42:27,546 --> 00:42:28,826
BARTENDER DROID: Can I help you?
765
00:42:29,673 --> 00:42:31,758
That depends. Is
this The Resistor?
766
00:42:33,176 --> 00:42:34,261
BARTENDER DROID: This is.
767
00:42:34,344 --> 00:42:36,513
Literally, this became one
of the most fun sets for me
768
00:42:36,597 --> 00:42:38,515
because when you
look around the room,
769
00:42:38,599 --> 00:42:40,517
you're seeing droids
from all of our films,
770
00:42:40,601 --> 00:42:41,810
from all the different eras.
771
00:42:41,893 --> 00:42:44,062
All sort of in this
one environment.
772
00:42:44,146 --> 00:42:48,275
HOWARD: It's like the greatest hits
of all the droids in Star Wars.
773
00:42:48,358 --> 00:42:50,652
And that was just an
enormous amount of fun.
774
00:42:50,736 --> 00:42:53,238
And also really complicated.
775
00:42:53,322 --> 00:42:55,866
He looks a little bit like
he's giving the middle finger.
776
00:42:55,949 --> 00:42:58,702
WOMAN: Okay, tan droid, put
your left arm down, please?
777
00:42:58,785 --> 00:43:03,373
HOWARD: One of the things that's
important to depict in terms of droids
778
00:43:03,457 --> 00:43:07,085
is having the majority of
them be practical droids.
779
00:43:07,169 --> 00:43:12,424
Like actually being there and being
performed and operated by human beings.
780
00:43:12,507 --> 00:43:14,926
HENSLEY: I think it was the
most droids in one scene,
781
00:43:15,010 --> 00:43:17,429
- I could be wrong, in a Star Wars thing.
- MANZEL: Yeah.
782
00:43:17,512 --> 00:43:19,556
HENSLEY: Including like,
inside the sandcrawler.
783
00:43:19,640 --> 00:43:21,200
- It was so cool.
- Yeah, 20 puppeteers.
784
00:43:21,266 --> 00:43:22,976
- Yeah, 20...
- Scrambling around doing...
785
00:43:23,060 --> 00:43:25,228
- Mostly doing two puppets at one time.
- Yeah.
786
00:43:25,312 --> 00:43:27,773
Every person had at least
two puppets, maybe three.
787
00:43:27,856 --> 00:43:30,359
You start here with these
puppets and as the camera went by
788
00:43:30,442 --> 00:43:32,362
you jump over to two other
puppets down the line.
789
00:43:32,444 --> 00:43:34,172
- HENSLEY: It was really fun.
- MANZEL: Yeah.
790
00:43:34,196 --> 00:43:36,257
- HOWARD: Looks so good.
- WOMAN: Team Legacy, y'all.
791
00:43:36,281 --> 00:43:37,491
(CHEERS AND APPLAUSE)
792
00:43:37,574 --> 00:43:38,867
MAN: Thank you so much.
793
00:43:41,828 --> 00:43:44,706
SACKHOFF: Bryce's episode
is a lot more lighthearted
794
00:43:44,790 --> 00:43:48,293
than some of the other
episodes this season.
795
00:43:48,377 --> 00:43:51,254
But she also has
the task of this
796
00:43:51,338 --> 00:43:53,924
tremendous heaviness
at the very end of it.
797
00:43:54,007 --> 00:43:58,595
Which is where Bo-Katan
goes to get her people back.
798
00:43:58,679 --> 00:44:00,806
And try to convince them
to follow her again.
799
00:44:00,889 --> 00:44:02,891
BO-KATAN: I've come
to reclaim my fleet.
800
00:44:04,184 --> 00:44:06,895
AXE WOVES: It's no
longer your fleet, is it?
801
00:44:07,437 --> 00:44:08,897
Then I challenge you,
802
00:44:10,399 --> 00:44:11,942
one warrior to another.
803
00:44:12,025 --> 00:44:15,445
SACKHOFF: And it's this
epic fight between Bo-Katan
804
00:44:15,529 --> 00:44:18,198
and Axe Woves, played by Simon.
805
00:44:18,281 --> 00:44:19,449
Do you yield?
806
00:44:19,533 --> 00:44:21,076
- (SHOUTING)
- (WHOOSHING)
807
00:44:21,159 --> 00:44:23,078
In the first season
that he was in,
808
00:44:23,161 --> 00:44:28,750
in my episode, his character Axe
Woves was originally written to die.
809
00:44:28,834 --> 00:44:32,379
And I've gotta say this,
like, Simon is so wonderful.
810
00:44:32,462 --> 00:44:36,091
Part of the reason why we want to keep
him around is because he's so great.
811
00:44:36,174 --> 00:44:38,218
I had no idea I'd be back.
812
00:44:38,301 --> 00:44:43,014
And not only am I back but
I've come back to this arc.
813
00:44:43,098 --> 00:44:44,474
That just knocks my socks off.
814
00:44:45,058 --> 00:44:47,060
You'll never be the true
leader of our people.
815
00:44:48,270 --> 00:44:50,397
You won't even take
the Darksaber from him.
816
00:44:52,190 --> 00:44:53,984
He's the one you
should be challenging.
817
00:44:54,776 --> 00:44:57,571
Enough Mandalorian blood has
been spilled by our own hands.
818
00:44:57,654 --> 00:45:00,365
Mandalorian belief is that
819
00:45:00,449 --> 00:45:05,495
whoever possesses the
Darksaber rules Mandalore.
820
00:45:05,579 --> 00:45:10,292
And you cannot accept it as a
gift. You have to win it in battle.
821
00:45:10,375 --> 00:45:14,463
And for anyone who has
seen Clone Wars and Rebels,
822
00:45:14,546 --> 00:45:17,382
they know that Bo-Katan
accepted it one time.
823
00:45:17,466 --> 00:45:24,055
And she believes that moment led
to the Night of a Thousand Tears.
824
00:45:24,139 --> 00:45:27,100
Which was the destruction of
the planet and the people.
825
00:45:27,184 --> 00:45:30,479
ARMORER: Bo-Katan is
a cautionary tale.
826
00:45:31,146 --> 00:45:33,815
She once laid claim
to rule Mandalore
827
00:45:33,899 --> 00:45:37,694
based purely on blood and
the sword you now possess.
828
00:45:38,904 --> 00:45:40,655
FAVREAU: I think
people expected Mando.
829
00:45:40,739 --> 00:45:43,867
He had the sword, he's
gonna take the throne.
830
00:45:43,950 --> 00:45:50,499
He's gonna change from a travelling
bounty hunter to Aragorn or something.
831
00:45:51,541 --> 00:45:54,878
And you felt like, "Oh, that's seems
like where you're gonna go with it."
832
00:45:54,961 --> 00:45:59,633
But if you look at the
clues, it actually hopefully,
833
00:45:59,716 --> 00:46:01,718
makes you reach the
conclusion of where we went
834
00:46:01,802 --> 00:46:05,722
because if you notice in the
first time he uses Darksaber,
835
00:46:05,806 --> 00:46:08,600
it's heavy for him. Even
The Armorer tells him that.
836
00:46:08,683 --> 00:46:10,519
ARMORER: There. Feel it.
837
00:46:11,645 --> 00:46:14,022
You are too weak to
fight the Darksaber.
838
00:46:15,065 --> 00:46:17,734
It will win if you
fight against it.
839
00:46:19,611 --> 00:46:22,030
You cannot control it
with your strength.
840
00:46:22,113 --> 00:46:27,285
FAVREAU: But then Bo-Katan gets her hands
on the Darksaber when Din Djarin's trapped
841
00:46:27,369 --> 00:46:30,330
and she uses it
like a fencing foil.
842
00:46:30,413 --> 00:46:33,500
She coveted that
Darksaber so much
843
00:46:34,292 --> 00:46:38,880
but without even thinking gives
it back him before he wakes up.
844
00:46:38,964 --> 00:46:40,507
After she rescues him.
845
00:46:40,590 --> 00:46:44,594
And so, what many may have expected to
be a show down between the two of them,
846
00:46:44,678 --> 00:46:48,181
ends up with them both going
for something very different
847
00:46:48,265 --> 00:46:49,641
and working together.
848
00:46:49,724 --> 00:46:53,061
And ultimately, all of the different
Mandalorian groups coming together.
849
00:46:53,144 --> 00:46:54,688
BO-KATAN: Mandalorians.
850
00:46:54,771 --> 00:46:57,482
It is time to retake
our home world.
851
00:46:57,566 --> 00:47:00,986
I need volunteers
from both tribes.
852
00:47:01,486 --> 00:47:02,630
FILONI: They need each other.
853
00:47:02,654 --> 00:47:04,489
And we are learning all the time
854
00:47:04,573 --> 00:47:06,825
that we need other people
to help us in our life.
855
00:47:06,908 --> 00:47:10,787
So that's why these things
are powerful and relatable.
856
00:47:10,871 --> 00:47:12,581
For Mandalore!
857
00:47:12,664 --> 00:47:14,666
ALL: For Mandalore!
858
00:47:14,749 --> 00:47:17,711
FILONI: In Star Wars, you
want a feeling of hope,
859
00:47:17,794 --> 00:47:22,674
a feeling of adventure but more so
uplifting positivity to be happening.
860
00:47:22,757 --> 00:47:25,927
ARMORER: It is a sign that
the next age is upon us.
861
00:47:26,011 --> 00:47:29,389
FILONI: I think we need a range of
stories and experiences in Star Wars
862
00:47:29,472 --> 00:47:32,851
that go from being cute and
fun to being serious and dark.
863
00:47:32,934 --> 00:47:36,313
You knew in the old movies
when Darth Vader showed up,
864
00:47:36,396 --> 00:47:37,522
it was time to get serious.
865
00:47:37,606 --> 00:47:41,151
But you knew when it was fun when
you see the Jawas or the Ewoks.
866
00:47:41,234 --> 00:47:42,694
It was a little
more lighthearted.
867
00:47:42,777 --> 00:47:45,405
But you also knew that
those lighthearted things
868
00:47:45,488 --> 00:47:48,116
that seem fun and simple might
pay off later in a big way.
869
00:47:48,199 --> 00:47:49,367
They might be meaningful.
870
00:47:49,451 --> 00:47:52,537
The smallest lives, the
most insignificant people
871
00:47:52,621 --> 00:47:55,165
can sometimes rise up and
do the greatest things.
872
00:47:58,001 --> 00:48:00,962
If you wanna see Baby
Yoda walking around
873
00:48:01,046 --> 00:48:05,133
in a metal body like exoskeleton
power suit like Ripley in Aliens
874
00:48:05,216 --> 00:48:06,259
we've got that.
875
00:48:06,343 --> 00:48:09,304
- IG-12: Yes. Yes. Yes.
- (LIVELY CHATTER)
876
00:48:09,387 --> 00:48:11,306
FILONI: I thought it
was really fun idea.
877
00:48:11,389 --> 00:48:17,062
I never try to lose touch with the
kid that saw Star Wars that I was.
878
00:48:17,145 --> 00:48:19,147
And think, "Boy, I
would've loved that."
879
00:48:19,230 --> 00:48:21,816
(WEATHERS LAUGH)
880
00:48:21,900 --> 00:48:23,610
Go, Grogu. Go.
881
00:48:28,782 --> 00:48:30,450
MANZEL: I was
actually piloting IG,
882
00:48:30,533 --> 00:48:33,787
so I was the one who had IG
strapped to my shoulders.
883
00:48:33,870 --> 00:48:36,081
And these guys puppeteered
the Baby inside of it.
884
00:48:36,164 --> 00:48:37,874
Rick, Rick Galinson built IG.
885
00:48:37,958 --> 00:48:40,168
Amazing piece of art itself.
886
00:48:40,251 --> 00:48:41,836
Inside the cavity,
where Grogu lives,
887
00:48:41,920 --> 00:48:44,798
he has two control stations
to make him walk around.
888
00:48:44,881 --> 00:48:47,842
And when Grogu moves, these
two make the character walk.
889
00:48:47,926 --> 00:48:49,511
It actually moves Grogu.
890
00:48:49,594 --> 00:48:53,390
So these are motorized and we have
a duplicate of this chassis area
891
00:48:53,473 --> 00:48:56,518
that's a control station and when
we move these sticks like this,
892
00:48:56,601 --> 00:48:57,852
these ones follow suit.
893
00:48:57,936 --> 00:49:01,606
And looks like he's piloting the
character and not the other way around.
894
00:49:01,690 --> 00:49:05,151
Once it got on set, we kind of knew
that something special was happening.
895
00:49:05,235 --> 00:49:10,073
FILONI: There's serious stakes and
people get hurt and it's a battle.
896
00:49:10,156 --> 00:49:14,035
But here's this child,
this little Baby Yoda,
897
00:49:14,119 --> 00:49:16,663
Grogu, that because...
898
00:49:16,746 --> 00:49:20,709
If he's nothing else, he's
filled with heart and compassion.
899
00:49:20,792 --> 00:49:24,129
And he wants to save and protect.
And that's what he wants to do.
900
00:49:24,212 --> 00:49:25,505
He protects The Mandalorian,
901
00:49:25,588 --> 00:49:27,348
who doesn't seem to need
a lot of protection.
902
00:49:27,424 --> 00:49:31,136
Grogu, I'm going to need you
to be brave for me, okay?
903
00:49:31,219 --> 00:49:32,262
(BABBLING)
904
00:49:32,345 --> 00:49:33,680
We can't keep running.
905
00:49:34,556 --> 00:49:38,601
If we don't take out Moff
Gideon, this will never end.
906
00:49:40,353 --> 00:49:41,771
FAMUYIWA: With all
great villains,
907
00:49:41,855 --> 00:49:44,774
there's a guilty
level of likeability
908
00:49:44,858 --> 00:49:48,987
that we have as an audience
for these characters.
909
00:49:49,070 --> 00:49:53,241
And even though we might revile what
they're doing or their motivation,
910
00:49:53,324 --> 00:49:56,202
there's always been
a certain charisma.
911
00:49:56,286 --> 00:50:00,832
I mean, from Vader on, there was
an attraction to these characters
912
00:50:00,915 --> 00:50:05,503
and I think that is what Giancarlo
brought to the role of Moff Gideon.
913
00:50:05,587 --> 00:50:09,132
Thanks to your planet's
rich resources,
914
00:50:09,799 --> 00:50:12,886
I have constructed the next
generation Dark Trooper suit
915
00:50:13,428 --> 00:50:15,930
forged from beskar armor.
916
00:50:16,806 --> 00:50:20,852
The most impressive part
is that it has me in it.
917
00:50:21,519 --> 00:50:23,229
FAVREAU: Giancarlo's
a storyteller.
918
00:50:23,313 --> 00:50:24,898
And he thinks things through.
919
00:50:24,981 --> 00:50:27,358
He considers it, then
completely invests in it.
920
00:50:27,442 --> 00:50:29,611
And when you're working
with an actor like that,
921
00:50:29,694 --> 00:50:31,613
you're really working
with a partner.
922
00:50:31,696 --> 00:50:34,324
They're helping you. They're
asking you the right questions.
923
00:50:34,407 --> 00:50:36,034
So, it's a real collaboration.
924
00:50:36,117 --> 00:50:38,870
Did it once here, 'cause
I loved how it looks.
925
00:50:38,953 --> 00:50:40,914
But then I did once...
926
00:50:40,997 --> 00:50:44,834
In fact, I did it to retake
the homeworld of Mandalore.
927
00:50:45,502 --> 00:50:47,003
And I kind of like that too.
928
00:50:47,087 --> 00:50:48,189
- MAN: Yeah.
- So we'll play it.
929
00:50:48,213 --> 00:50:51,007
Part of what the
success of Mando is
930
00:50:51,091 --> 00:50:55,220
is that we're talking about
mythology and the hero's journey.
931
00:50:55,303 --> 00:50:58,973
Even Moff's journey
somewhat as a warlord,
932
00:50:59,057 --> 00:51:04,312
as a warden of the
galaxy with aspiration,
933
00:51:04,395 --> 00:51:06,689
even his journey is
the hero's journey.
934
00:51:06,773 --> 00:51:09,400
Because he's looking for
something he doesn't have.
935
00:51:09,484 --> 00:51:15,824
His first lines in that first season
are, "You have something I want."
936
00:51:16,741 --> 00:51:18,368
I mean, that's powerful stuff.
937
00:51:24,707 --> 00:51:28,378
FAMUYIWA: There are so many
repercussions that have happened
938
00:51:28,461 --> 00:51:30,380
because of the
fall of the Empire.
939
00:51:30,463 --> 00:51:33,883
And this figure in Giancarlo
940
00:51:33,967 --> 00:51:37,679
was kind of a reminder of
what that past Empire was.
941
00:51:37,762 --> 00:51:39,514
Long Live the Empire!
942
00:51:39,597 --> 00:51:41,349
ALL: Long Live the Empire!
943
00:51:41,432 --> 00:51:46,729
But he also in many ways is a
free agent and has his own ideas.
944
00:51:47,313 --> 00:51:52,610
Moff Gideon sems to have really focused
a little bit more on the materials.
945
00:51:52,694 --> 00:51:55,822
He had the Darksaber, that
enabled him to be stronger.
946
00:51:57,490 --> 00:51:59,993
He creates this new
Dark Trooper suit.
947
00:52:00,076 --> 00:52:03,037
What was missing that he's
trying to put together?
948
00:52:03,121 --> 00:52:05,456
Well, it's the Force,
is what was missing.
949
00:52:06,124 --> 00:52:10,044
He wants that kind of power.
Which I thought made it complete.
950
00:52:10,128 --> 00:52:13,590
You were a talented people,
but your time has passed.
951
00:52:14,674 --> 00:52:20,346
However, as you can see,
Mandalore will live on in me.
952
00:52:23,308 --> 00:52:26,144
CHIANG: We never really... One
of the challenges for Mandalore
953
00:52:26,227 --> 00:52:28,897
is we wanted to imply that
there was a hidden base
954
00:52:28,980 --> 00:52:31,524
where Moff Gideon was
conducting his experiments.
955
00:52:31,608 --> 00:52:34,027
And we thought, "What
should that environment be?"
956
00:52:34,110 --> 00:52:36,237
Because the planet itself
has been devastated.
957
00:52:36,321 --> 00:52:40,283
We thought that there might be
these pockets of natural caves
958
00:52:40,366 --> 00:52:44,829
and that's where the Empire would come
in and modify some of that architecture.
959
00:52:44,913 --> 00:52:47,290
But then build their
Empire aesthetic to it.
960
00:52:47,957 --> 00:52:51,461
We were gonna have these TIE Interceptors
and we were gonna turn them white.
961
00:52:51,544 --> 00:52:53,254
Then we thought,
"Instead of having them
962
00:52:53,338 --> 00:52:55,089
"just sit on the tarmac
of these hangars,
963
00:52:55,173 --> 00:52:57,926
"how about if we hung 'em
from the ceiling like bats?"
964
00:53:01,638 --> 00:53:04,349
It was all those very
subtle emotional cues
965
00:53:04,432 --> 00:53:06,643
that we always try to build
in to sort of reinforce,
966
00:53:06,726 --> 00:53:09,312
"This is an underground
environment, this is the Empire
967
00:53:09,395 --> 00:53:10,995
"but we're seeing a
fresh, new context."
968
00:53:11,064 --> 00:53:13,733
And so, that whole environment
is now the centerpiece
969
00:53:13,816 --> 00:53:15,526
for this giant battle
at the very end.
970
00:53:15,610 --> 00:53:19,614
FAMUYIWA: We're in our final
battle between Moff and Bo,
971
00:53:19,697 --> 00:53:26,454
which turns into the final battle between
Mando, the kid, and Bo and Moff Gideon.
972
00:53:26,537 --> 00:53:28,623
Which ultimately we've
been building to this.
973
00:53:28,706 --> 00:53:31,918
So let's do some
great work this week.
974
00:53:32,627 --> 00:53:33,920
And have some fun doing it.
975
00:53:34,003 --> 00:53:36,381
So, here we go,
marking rehearsal.
976
00:53:36,464 --> 00:53:38,174
And action.
977
00:53:42,178 --> 00:53:46,099
Rick's episode, episode eight,
there's a lot of action on that one.
978
00:53:48,685 --> 00:53:50,770
It's difficult but, man,
I love the challenge.
979
00:53:50,853 --> 00:53:52,480
That one felt pretty damn good.
980
00:53:52,563 --> 00:53:55,441
SACKHOFF: Lateef is one of
the best stunt performers
981
00:53:55,525 --> 00:53:56,859
I've ever worked
with in my life.
982
00:53:56,943 --> 00:53:58,403
He's so, so, so good.
983
00:53:58,486 --> 00:54:03,449
In this season, we had an opportunity
to actually do some stunts
984
00:54:03,533 --> 00:54:06,077
and some fights together and
I loved every minute of it.
985
00:54:06,160 --> 00:54:08,413
My biggest struggle with
Katee is telling her no.
986
00:54:08,496 --> 00:54:10,376
'Cause she wants to do
everything, which I love.
987
00:54:10,456 --> 00:54:12,417
SACKHOFF: There was this
moment where they said,
988
00:54:12,500 --> 00:54:16,838
"Okay, and then you slide across the
floor and you bring out your shield
989
00:54:16,921 --> 00:54:18,423
"and you protect Mando.
990
00:54:18,506 --> 00:54:21,217
"But you immediately come back
up and start shooting again.
991
00:54:21,301 --> 00:54:22,677
"The sparks are gonna come down.
992
00:54:22,760 --> 00:54:26,681
"But don't do that stuff, Katee,
we'll do that with Joanna."
993
00:54:27,515 --> 00:54:30,184
And I went, "It's just a
flickin' knee slide, right?
994
00:54:30,268 --> 00:54:33,896
"Like a run, knee slide, shield
up, guns, keep going, right?"
995
00:54:33,980 --> 00:54:36,441
He went, "Well, yeah." I
was like, "All right, cool."
996
00:54:36,941 --> 00:54:39,068
So I just did it.
997
00:54:39,152 --> 00:54:43,197
You could hear JJ, our stunt
coordinator, scream at the end of it.
998
00:54:43,281 --> 00:54:45,408
'Cause he screamed at
me like I was his child
999
00:54:45,491 --> 00:54:47,869
that had just done something
that was told not to do.
1000
00:54:47,952 --> 00:54:50,121
But that he was also
slightly proud of.
1001
00:54:50,204 --> 00:54:52,582
And it was this, "Katee!
1002
00:54:53,541 --> 00:54:55,710
"(GASPING) That was awesome."
1003
00:54:55,793 --> 00:54:58,546
It was so good. And I
was so proud of myself.
1004
00:54:59,297 --> 00:55:02,592
Hand over the Darksaber and I
will give you a warrior's death.
1005
00:55:02,675 --> 00:55:03,676
(BO-KATAN SCREAMING)
1006
00:55:03,760 --> 00:55:06,304
(BOTH GRUNTING)
1007
00:55:07,847 --> 00:55:10,058
I know the inference
was that always one day
1008
00:55:10,141 --> 00:55:12,268
that Moff Gideon probably
would meet his demise.
1009
00:55:12,352 --> 00:55:16,105
And that wasn't a
problem for me at all.
1010
00:55:16,189 --> 00:55:18,441
It's just when and how
1011
00:55:18,524 --> 00:55:24,072
and how tangible it is for an audience
to see what may happen to him.
1012
00:55:24,155 --> 00:55:29,160
I love this particular franchise
because it's never clearly defined
1013
00:55:29,744 --> 00:55:30,828
what really happens.
1014
00:55:30,912 --> 00:55:33,873
Even for Luke Skywalker, when he goes
over the edge, he's over the edge.
1015
00:55:33,956 --> 00:55:38,252
You don't see that
brutal demise or death.
1016
00:55:38,336 --> 00:55:42,673
And there's always a possibility that
the rise from the ashes is possible.
1017
00:55:42,757 --> 00:55:46,386
(RUMBLING)
1018
00:55:49,931 --> 00:55:54,060
FILONI: Looking at The Mandalorian, he
starts out as such a lone individual.
1019
00:55:54,143 --> 00:55:57,271
In the very description
he's the lone gunman.
1020
00:55:57,939 --> 00:56:03,069
Building him into a character
that not only accepts family
1021
00:56:03,152 --> 00:56:05,988
and having Grogu as
like a de facto son,
1022
00:56:06,072 --> 00:56:08,324
but to welcome
others into family
1023
00:56:08,408 --> 00:56:11,035
and be an arbitrator between
different groups of people
1024
00:56:11,119 --> 00:56:14,288
to bring them together is
quite a change for him.
1025
00:56:14,372 --> 00:56:16,749
FAVREAU: Din Djarin's a Mandalorian
but he's not from there.
1026
00:56:16,833 --> 00:56:19,252
He's become one because of
the way he lives his life
1027
00:56:19,335 --> 00:56:21,337
and what he values
and who he's met.
1028
00:56:21,421 --> 00:56:23,089
And who saved him.
1029
00:56:23,172 --> 00:56:28,344
And Grogu is in this family not
because that's his biological dad
1030
00:56:28,428 --> 00:56:33,641
but because they're fulfilling
those roles in each other's lives.
1031
00:56:33,724 --> 00:56:38,771
ARMORER: You are now Din
Grogu, Mandalorian apprentice.
1032
00:56:38,855 --> 00:56:41,566
FILONI: With Star Wars, most
of the time, it's about family.
1033
00:56:41,649 --> 00:56:42,984
Different types of families.
1034
00:56:43,067 --> 00:56:49,157
Not just in way that it's your
mom and dad and close relatives
1035
00:56:49,240 --> 00:56:51,409
but families that are
created out of necessity.
1036
00:56:51,492 --> 00:56:53,119
Friends that come together,
1037
00:56:53,202 --> 00:56:55,455
people that have things in
common that create a bond
1038
00:56:55,538 --> 00:56:56,831
and become like a family.
1039
00:56:56,914 --> 00:56:59,375
There are many different
interpretations of family now.
1040
00:56:59,459 --> 00:57:03,129
And I think that, that's something
that people are relating to
1041
00:57:03,212 --> 00:57:04,964
in this great galaxy.
1042
00:57:06,090 --> 00:57:08,426
FAVREAU: It's more
about what you value,
1043
00:57:08,509 --> 00:57:11,471
what you're willing to
sacrifice, what you hold dear.
1044
00:57:11,554 --> 00:57:15,099
And the role that you fill
in each other's lives.
1045
00:57:15,183 --> 00:57:17,059
I like that that's
where this landed.
1046
00:57:17,143 --> 00:57:19,187
I don't know if that was
what we set out to do
1047
00:57:19,270 --> 00:57:23,232
but storytelling isn't always about that,
it's what you discover and what comes out.
1048
00:57:24,233 --> 00:57:27,778
Resolving the season
the way we did,
1049
00:57:27,862 --> 00:57:34,327
it does fulfill one of the western
tropes of the gunfighter moves on
1050
00:57:34,410 --> 00:57:39,707
and things change, his presence has
helped things take the next step.
1051
00:57:39,790 --> 00:57:42,835
But that doesn't mean the
gunfighter belongs there.
1052
00:57:43,544 --> 00:57:44,837
Maybe they get a brief respite,
1053
00:57:44,921 --> 00:57:47,673
but you know that new adventures
are around the corner.
1054
00:57:49,675 --> 00:57:53,387
FILONI: It might feel like
the ending of one adventure
1055
00:57:53,471 --> 00:57:55,973
but it's always the
beginning of another now.
1056
00:57:59,018 --> 00:58:00,770
(WHOOSHING)
1057
00:58:01,896 --> 00:58:03,689
(DOOR HISSES)
1058
00:58:03,739 --> 00:58:08,289
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