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(tense piano and strings music)
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- [Narrator] Berlin,
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a city of refinement and regret,
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and at it's heart, an
island devoted to museums
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with secrets dark and strange.
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An Egyptian queen's mysterious beauty.
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A deadly Viking misadventure.
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The magic of a wizard's hat.
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And a sacred alter bent
to the cause of evil.
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- [Crowd] Heil!
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Secrets hidden in plain sight
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inside the Berlin island museums.
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(mysterious music)
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(mysterious industrious music)
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Every morning in Berlin, Germany,
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several thousand people make a journey
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(bicycle bell ringing)
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through the center center to
cross a bridge to the past.
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The Spree River surrounds an island
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that boasts five renowned museums,
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including two that harbor
secrets of the ancient world,
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the Neues and the Pergamon.
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(bombs whistling)
(detonations rumbling)
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Both museums were nearly
destroyed in World War II.
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The Pergamon was rebuilt
just as it was before.
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But when the Neues
Museum reopened in 2009,
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its bold design didn't
hide its recent past.
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Instead, architects left
some bullet-riddled walls,
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evidence of a brutal conflict.
(machine gun chatters)
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In this gallery, there is evidence
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of another kind of warfare.
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We suspect this ancient Viking sword
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was ripped from a cold, dead hand.
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That's because Viking code
proclaimed that a warrior
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and his sword were inseparable
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in life and in death.
(metallic tapping)
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(sword swishes)
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(slow mysterious music)
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Today, the ancient Vikings are gone,
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but live on in feature films
that require stunt fighters,
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like Keller Longbow and his son Garnet.
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(dramatic drum-heavy music)
(swords clashing)
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Like real Vikings, these men know
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what they like in the sword.
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- Sharp as hell, flexible, well balanced,
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and made of good steel,
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so it will cut perfectly through flesh.
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(groaning)
(metallic clashing)
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- [Narrator] The Vikings claimed
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that their swords were indestructible.
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But there is a mystery about
them that confounds historians.
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They are often discovered
shattered into pieces.
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If they were so mighty,
why did so many break?
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That is our museum secret.
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We begin our investigation
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with a closer look at the museum's sword.
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On one side, letters spell
out the word Ulfberht.
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It is a word historians often
see on broken Viking swords.
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(sinister droning music)
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During their forays on
the coasts of Europe,
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Vikings often sailed down the Rhine
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to buy swords made in German foundries,
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including one called Ulfberht.
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This modern foundry specializes
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in recreating ancient weapons.
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Here we hope to discover
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why Ulfberht swords were prone to shatter.
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So, we asked swordsmith Jens Nettlich,
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but what he says surprises us.
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(metallic clatter)
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- An Ulfberht sword was
the Rolex, the Mercedes,
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under the Medieval time.
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(grunting)
(swords clashing)
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If you hit flesh, it's
no problem to get inside.
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It was almost impossible that it breaks.
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(monks chanting)
(swords clashing)
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- [Narrator] We asked Jens to prove
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that swords really are strong
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when made the Ulfberht way.
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- The first act is to have
different types of steel
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so you need weak, or soft, and hard metal.
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- [Narrator] The combination
can produce steel
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hard enough to take a sharp edge,
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but flexible enough to
prevent shattering on impact.
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(metallic clanging)
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The key is to create a blade
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that contains just the
right amount of carbon.
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This involves a lot of
pounding to combine the metals,
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reheating in a coal fire,
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and twisting to get the
molecular structure just right.
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There are so many steps
in work for making a sword
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that in each step of them could
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get a failure inside, somewhere.
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- [Narrator] Jens is confident
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that the way he forges steel today
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is very similar to the method
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of the Ulfberht swordsmiths.
(metallic tapping)
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- It's done.
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(sighs heavily with relief)
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- [Narrator] Because the steel
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has just the right carbon content,
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the final blade is both
sharp and shatter-resistant.
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- This was the pride and also
the soul of the real warrior.
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- [Narrator] But what about
the museum's Ulfberht sword?
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How good is this steel?
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(mysterious music)
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Not far from the museum is a lab
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for testing the chemistry
of ancient artifacts.
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Here the sword was subjected
to molecular analysis
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and an x-ray that reveals
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the physical structure of the metal.
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Conservation expert Dr Hermann
Born shares the results.
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- That contained 0.6% carbon,
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which indicates a really
good steel for a sword plate.
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(droning cello music)
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- [Narrator] But if Ulfberht
swords were so good,
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why did so many shatter?
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It turns out not all 11th
century weapons merchants
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were on the up-and-up.
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Some sold swords with the Ulfberht name
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that were really made by someone else.
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- The name Ulfberht was a quality brand
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and of course the people knew this
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and they tried to imitate it.
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(metallic clashing)
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- [Narrator] But the imitations lacked
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the strong steel created
through labor intensive effort.
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(flames hissing)
(mysterious music)
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Metal went straight from the fire
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to its final form.
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A weak knockoff can look
just like a strong sword
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made the Ulfberht way.
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At the right price and with
the famous Ulfberht brand name,
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an unsuspecting Viking
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might well buy it.
(laughing)
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To find out what the
deception would cost him,
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we will put these two
swords to a practical test.
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One is Ulfberht quality, the other is not.
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Keller will test their cutting power.
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We haven't told him which blade is which.
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(tense orchestral music)
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With this sword and a lot of effort,
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Keller inflicts some minor damage.
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Will the other sword be more effective?
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(blade swishes)
(tense drumming)
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(dramatic music)
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If you're thinking this sword
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was made the Ulfberht way...
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You're right.
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(dramatic music)
(swords clashing)
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But in combat you can't cut anything
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until you get through
your opponent's defenses.
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The first blows are likely
to be steel on steel
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and that's when a Viking will discover
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whether his sword is strong or not.
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(screaming)
(tense music)
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(sword swishes)
(blood splatters)
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Good sword or bad,
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a Viking who dies with a
sword in his hand dies happy.
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- This was the key to go, after his death,
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to Valhalla, the hall of the death.
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Dying in the battlefields
with a sword in his hand
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was the aim of each warrior.
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(mysterious music)
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- [Narrator] Up next, the
secret of Nefertiti's beauty.
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(dramatic mysterious music)
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Inside the Neues Museum
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there is one gallery that
always draws the biggest crowds.
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The gallery displays a single artifact,
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but one is enough when
it's the bust of Nefertiti.
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She was Queen of Egypt 3,000 years ago,
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in the Age of the Pharaohs.
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Today, she's a box-office superstar.
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- Normal time we have between
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2,000 and 3,000 visitors each day.
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In our first year after the
opening of the Neues Museum,
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we have more than 1 million visitors.
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- [Narrator] Some seem
only mildly interested.
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Perhaps Nefertiti was
simply on their bucket list
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but some appear to be trying to peer
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through the glass into Nefertiti's soul.
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Why is she the object of
such intense fascination?
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That is our museum secret.
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Our investigation begins a
short tram ride from the museum
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on the outskirts of Berlin.
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Here we enter a building
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filled with plaster gods and heroes.
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Some look like ancient artifacts,
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but looks can be deceiving.
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(whimsical music)
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This isn't a museum.
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It's an artist's workshop.
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We're here because the people who might
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understand Nefertiti's fascination
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could be those who strive to recreate it.
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This is where reproductions are made
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for the museum's gift shop.
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As the workshops manager
Thomas Schelper reveals,
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there have been many attempts
to perfect Nefertiti replicas
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over the years.
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(speaking in foreign language)
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- [Narrator] The 3D scan
revealed the exquisite planes
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of Nefertiti's face in every detail.
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She is clearly a superstar
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who is ready for her close-up.
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But science can't reveal the
source of her fascination.
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(speaking in foreign language)
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Hello.
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- [Narrator] Perhaps
the workshop's painter,
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Anette Schultz, knows what that secret is.
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Each day she recreates the facial features
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that are crucial to Nefertiti's look.
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(speaking in foreign language)
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- [Narrator] Anette also strives
to capture something else:
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subtle lines that reveal that Nefertiti
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was a mature woman.
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(speaking in foreign language)
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- [Narrator] Is
Nefertiti's life experience
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the true source of her fascination?
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- She was really a queen and
not only the wife of the king.
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We know that the couple
together ruled over Egypt.
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- [Narrator] Nefertiti's husband
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was the great king Akhenaten.
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He conceived a plan to enhance his power
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by decreeing that all the
gods were aspects of one God,
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a God who spoke only through him.
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- The idea of Akhenaten
was to bring together
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all these ideas into one God
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into the visible sun disk of Aten.
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- [Narrator] To promote
the new top-down religion,
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Nefertiti employed her prestige
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as a mother, as a warrior,
and as a famous beauty.
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(mysterious Egyptian music)
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She maintained her mystique
by remaining aloof.
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Those who gained an audience would find
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she had arranged herself
for maximum effect,
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anointed with special oils
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that made her skin glisten in the sun.
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Her calculated beauty
helped sell the new religion
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but, after she died, the old
one came back with a vengeance.
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- All names of Nefertiti and Akhenaten
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was completely destroyed and
was erased from all King lists.
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(mysterious music)
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- [Narrator] Nefertiti's history
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might make her more fascinating,
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but many people in this room
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probably don't know much about her.
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They are fascinated by her
likeness in the here and now,
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and Olivia Zorn thinks she might know why.
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Within Nefertiti's glass enclosure,
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the illumination has been designed
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to light up her glass eye.
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If you have a special light
on the one eye of her,
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she can go to you directly
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and if you are alone together with her,
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it's a very special feeling.
257
00:15:39,550 --> 00:15:44,550
It's a queen who has
lived so many years before
258
00:15:45,020 --> 00:15:48,330
and now she is life-like.
259
00:15:48,330 --> 00:15:51,423
this is a secret of Nefertiti.
260
00:15:53,870 --> 00:15:56,290
- [Narrator] And if you want
to take the secret home,
261
00:15:56,290 --> 00:15:58,180
she is available in the gift shop
262
00:15:59,520 --> 00:16:02,543
for 4,200 U.S. dollars.
263
00:16:03,890 --> 00:16:08,593
Even after 3,000 years, this
superstar doesn't come cheap.
264
00:16:10,712 --> 00:16:14,770
Up next, a sacred altar's secret power.
265
00:16:14,770 --> 00:16:16,519
(high-pitched choral chanting)
266
00:16:16,519 --> 00:16:19,269
(dramatic music)
267
00:16:23,590 --> 00:16:27,233
Berlin's museum island is
for those who love the past.
268
00:16:30,283 --> 00:16:32,040
But the past can be a dangerous thing
269
00:16:32,040 --> 00:16:35,603
in the hands of those who
use it in the cause of evil.
270
00:16:37,910 --> 00:16:39,390
And that is especially true
271
00:16:39,390 --> 00:16:42,250
of what lies beneath this glass roof.
272
00:16:42,250 --> 00:16:44,490
An ancient artifact so large
273
00:16:44,490 --> 00:16:47,523
that an entire building was
constructed to contain it.
274
00:16:50,060 --> 00:16:53,770
It was unearthed in 1865
by a German archeologist
275
00:16:53,770 --> 00:16:56,470
in the ruins of an ancient
Greek city called Pergamon.
276
00:16:59,970 --> 00:17:02,710
Today, it fills a hall six stories high
277
00:17:02,710 --> 00:17:04,603
with the area of a football field.
278
00:17:06,100 --> 00:17:08,453
It is known as the Pergamon Altar.
279
00:17:09,500 --> 00:17:12,340
This is certainly a monument celebrating
280
00:17:12,340 --> 00:17:15,250
the cultural ambitions
of the Pergamon kings,
281
00:17:15,250 --> 00:17:19,273
who really wanted to make
Pergamon into a second Athens.
282
00:17:23,590 --> 00:17:25,140
- [Narrator] Their ambitions are carved
283
00:17:25,140 --> 00:17:27,070
into the altar's walls
284
00:17:27,070 --> 00:17:29,220
in battle scenes of primordial giants
285
00:17:29,220 --> 00:17:31,593
defeated by the mighty gods of Olympus.
286
00:17:33,490 --> 00:17:36,770
- It's the absolute summit of achievement
287
00:17:36,770 --> 00:17:38,519
in Greek relief sculpture.
288
00:17:38,519 --> 00:17:41,269
(dramatic music)
289
00:17:42,420 --> 00:17:43,300
- [Narrator] And if we consider
290
00:17:43,300 --> 00:17:45,443
the altars original hilltop setting,
291
00:17:46,420 --> 00:17:47,670
it seems that the builders
292
00:17:47,670 --> 00:17:49,723
intended it to be a place of power.
293
00:17:51,330 --> 00:17:54,270
- There is none with such
a spectacular setting.
294
00:17:54,270 --> 00:17:56,830
The view you had from
the monumental staircase
295
00:17:56,830 --> 00:17:58,660
towards the surrounding mountains
296
00:17:58,660 --> 00:18:00,530
and especially towards the Mediterranean,
297
00:18:00,530 --> 00:18:02,970
which is roughly 30 kilometers away,
298
00:18:02,970 --> 00:18:04,150
were the part of Pergamon
299
00:18:04,150 --> 00:18:06,617
which you could see the city of Elaia.
300
00:18:06,617 --> 00:18:11,173
You could see the ships
approaching the harbor.
301
00:18:13,720 --> 00:18:17,160
- [Narrator] What is the
power of the Pergamon Altar?
302
00:18:17,160 --> 00:18:19,774
That is our museum secret.
303
00:18:19,774 --> 00:18:23,210
(regal strings music)
304
00:18:23,210 --> 00:18:26,453
We begin our investigation
by climbing the stairs.
305
00:18:28,210 --> 00:18:32,420
At the top we discover a
feeling of exhilaration.
306
00:18:32,420 --> 00:18:36,813
Looking down, one feels almost like a god.
307
00:18:36,813 --> 00:18:40,563
(imperious orchestral music)
308
00:18:44,170 --> 00:18:46,090
Shortly before World War II,
309
00:18:46,090 --> 00:18:49,123
someone else stood here
and felt the same thing.
310
00:18:51,220 --> 00:18:54,790
He was a young architect
named Albert Speer,
311
00:18:54,790 --> 00:18:57,027
a loyal follower of Adolf Hitler.
312
00:18:57,980 --> 00:19:01,690
- 1934, Albert Speer was appointed
313
00:19:01,690 --> 00:19:04,890
to the chief party architect,
314
00:19:04,890 --> 00:19:06,980
and Hitler referred to him
315
00:19:06,980 --> 00:19:10,603
as the First Architect of the Third Reich.
316
00:19:13,220 --> 00:19:14,480
- [Narrator] Hitler assigned Speer
317
00:19:14,480 --> 00:19:18,053
to build a stadium in Nuremberg
for Nazi Party rallies.
318
00:19:20,030 --> 00:19:23,510
Recalling the powerful
feeling of the Pergamon Altar,
319
00:19:23,510 --> 00:19:24,923
he made it his model.
320
00:19:26,380 --> 00:19:28,940
- He adopted at first
321
00:19:28,940 --> 00:19:32,520
the symmetrical shape of Pergamon Altar,
322
00:19:32,520 --> 00:19:37,520
and second, the combination
of staircases and colonnades,
323
00:19:38,970 --> 00:19:42,160
and returned to classical architecture
324
00:19:42,160 --> 00:19:45,770
and the use of huge stone blocks
325
00:19:45,770 --> 00:19:50,770
should give an impression
of durability and strength.
326
00:19:52,920 --> 00:19:54,200
- [Narrator] This is all that's left
327
00:19:54,200 --> 00:19:56,473
of the stadium that Albert Speer built.
328
00:19:58,240 --> 00:20:02,000
His initial design included
a frieze of giants and gods
329
00:20:02,000 --> 00:20:03,573
but he decided against it.
330
00:20:05,420 --> 00:20:09,320
- Albert Speer modified the ancient model.
331
00:20:09,320 --> 00:20:12,920
He waived the relief of gods
332
00:20:12,920 --> 00:20:17,740
and he smoothed the whole structure,
333
00:20:17,740 --> 00:20:22,740
because in Nazi Germany there
was only one god, the Fuhrer.
334
00:20:24,155 --> 00:20:26,405
- [Crowd] Heil, heil, heil!
335
00:20:28,137 --> 00:20:30,094
- [Narrator] And this was the result.
336
00:20:30,094 --> 00:20:33,340
(dramatic music)
(speaking in foreign language)
337
00:20:33,340 --> 00:20:38,070
- He created a structure of enormous scale
338
00:20:38,070 --> 00:20:43,070
to impress the people and
he accented the central part
339
00:20:44,720 --> 00:20:48,900
to express the leadership principle
340
00:20:48,900 --> 00:20:52,603
as the main principle of Nazi ideology.
341
00:20:54,990 --> 00:20:56,190
- [Narrator] At this podium,
342
00:20:56,190 --> 00:20:58,990
as he looked down on a massive crowd,
343
00:20:58,990 --> 00:21:01,360
Adolf Hitler proclaimed
that the Third Reich
344
00:21:01,360 --> 00:21:03,633
would last for a thousand years.
345
00:21:04,915 --> 00:21:08,832
(speaking in foreign language)
346
00:21:17,796 --> 00:21:20,840
- When you are here together
with 100,000 of people,
347
00:21:20,840 --> 00:21:23,190
you feel superiority.
348
00:21:23,190 --> 00:21:27,060
You are a part of a strong
and powerful nation,
349
00:21:27,060 --> 00:21:30,070
and this is the effect Speer intended
350
00:21:30,070 --> 00:21:32,990
in creating this architecture.
351
00:21:32,990 --> 00:21:33,996
- Sieg heil!
352
00:21:33,996 --> 00:21:35,579
- Heil, heil, heil!
353
00:21:40,560 --> 00:21:43,470
- [Narrator] Speer understood
the power of architecture
354
00:21:43,470 --> 00:21:46,050
but he never learned the
true power or purpose
355
00:21:46,050 --> 00:21:47,363
of the Pergamon Altar.
356
00:21:49,320 --> 00:21:51,260
Speer thought the structure in the museum
357
00:21:51,260 --> 00:21:54,320
was the entire original
altar, but it isn't.
358
00:21:57,270 --> 00:21:59,730
In reality, there was
a large raised platform
359
00:21:59,730 --> 00:22:02,333
beyond the stairs, open to the heavens.
360
00:22:04,740 --> 00:22:07,750
Speer also didn't know that,
when the altar was built,
361
00:22:07,750 --> 00:22:09,810
the hilltop complex already had
362
00:22:09,810 --> 00:22:11,510
an amphitheater for speech-making.
363
00:22:13,880 --> 00:22:15,863
So what was the altar's purpose?
364
00:22:19,050 --> 00:22:20,640
Today, historians believe
365
00:22:20,640 --> 00:22:22,060
it was built not long after
366
00:22:22,060 --> 00:22:24,560
the city was attacked
by an army of Gaulls.
367
00:22:24,560 --> 00:22:27,393
(arrows swishing)
368
00:22:28,306 --> 00:22:30,820
Though outnumbered, the
citizens of Pergamon
369
00:22:30,820 --> 00:22:32,380
rallied to defeat them.
370
00:22:33,260 --> 00:22:35,230
- Their victories, the
victories of the Pergamon kings,
371
00:22:35,230 --> 00:22:37,950
were celebrated with many votive offerings
372
00:22:37,950 --> 00:22:40,270
and this is one aspect of the altar,
373
00:22:40,270 --> 00:22:43,900
to be a monumental votive
offering to Zeus and Athena
374
00:22:43,900 --> 00:22:48,900
in thanksgiving for, yeah,
saving the city from the Gaulls.
375
00:22:49,953 --> 00:22:52,680
(whimsical harp music)
376
00:22:52,680 --> 00:22:57,680
Very lavish sacrifices were
usual on specific festivals.
377
00:22:58,000 --> 00:23:02,263
It was common to sacrifice
100 bulls at the same time.
378
00:23:06,020 --> 00:23:07,780
- [Narrator] So the altar was not designed
379
00:23:07,780 --> 00:23:10,340
as a symbol of the power of a demagogue,
380
00:23:10,340 --> 00:23:12,860
but as a place where
grateful citizens gathered
381
00:23:12,860 --> 00:23:14,723
to give thanks for their survival.
382
00:23:18,120 --> 00:23:21,703
It was not about the power
of man but of the spirits.
383
00:23:24,060 --> 00:23:26,460
Could there be a more striking contrast
384
00:23:26,460 --> 00:23:28,360
to the totalitarian spectacle
385
00:23:28,360 --> 00:23:30,373
offered up on a Nazi grandstand?
386
00:23:31,941 --> 00:23:33,990
(somber music)
(handpump squeaking)
387
00:23:33,990 --> 00:23:36,040
Next on Museum Secrets,
388
00:23:36,040 --> 00:23:39,600
why this ancient relic
was destined to explode.
389
00:23:39,600 --> 00:23:40,433
(explosion booms)
390
00:23:40,433 --> 00:23:43,183
(dramatic music)
391
00:23:47,528 --> 00:23:49,550
On Berlin's Museum Island,
392
00:23:49,550 --> 00:23:53,453
ancient artifacts often arrive
a little the worse for wear.
393
00:23:55,580 --> 00:23:57,940
They usually require careful cleaning
394
00:23:57,940 --> 00:23:59,533
and perhaps a spot of glue.
395
00:24:00,640 --> 00:24:03,300
And then there's this...
396
00:24:05,070 --> 00:24:08,260
A warehouse filled with
shards and fragments,
397
00:24:08,260 --> 00:24:11,210
all from the same place
in a Middle Eastern desert
398
00:24:11,210 --> 00:24:13,873
and all over 3,000 years old.
399
00:24:16,280 --> 00:24:18,360
You might think that
whoever excavated them
400
00:24:18,360 --> 00:24:21,123
found them like this, but they didn't.
401
00:24:22,650 --> 00:24:25,370
They were unearthed as intact artifacts,
402
00:24:25,370 --> 00:24:27,293
each weighing several tons.
403
00:24:28,880 --> 00:24:31,660
How did they end up in so many pieces?
404
00:24:31,660 --> 00:24:34,503
And is there any hope of
putting them back together?
405
00:24:35,960 --> 00:24:38,793
Those are our museum secrets.
406
00:24:42,610 --> 00:24:45,080
Our story begins in 1899
407
00:24:45,080 --> 00:24:47,973
with a wealthy young Berliner
named Max von Oppenheim.
408
00:24:50,060 --> 00:24:52,940
He moved to Cairo to
take a diplomatic post
409
00:24:52,940 --> 00:24:54,883
but was soon bored with his job.
410
00:24:57,070 --> 00:24:59,660
Like his contemporary, Lawrence of Arabia,
411
00:24:59,660 --> 00:25:02,140
Max developed a love of Arab culture
412
00:25:02,140 --> 00:25:04,993
and a dream to seek
adventure as a relic hunter.
413
00:25:06,676 --> 00:25:09,300
(tense orchestral music)
In nearby Syria,
414
00:25:09,300 --> 00:25:11,220
he embarked on a dangerous expedition
415
00:25:11,220 --> 00:25:13,297
to the headwaters of the river Khabur.
416
00:25:15,450 --> 00:25:16,810
Among the Bedouins,
417
00:25:16,810 --> 00:25:19,160
he heard astonishing tales of monoliths
418
00:25:19,160 --> 00:25:20,913
beneath the desert sands.
419
00:25:21,980 --> 00:25:23,683
Max wanted to believe.
420
00:25:24,602 --> 00:25:29,096
(mysterious music)
(tools clinking)
421
00:25:29,096 --> 00:25:31,250
And on a hill called Tell Halaf,
422
00:25:31,250 --> 00:25:34,320
his belief was rewarded.
423
00:25:34,320 --> 00:25:37,220
He unearthed a strange stone statue,
424
00:25:37,220 --> 00:25:39,543
half human and half inhuman.
425
00:25:41,160 --> 00:25:44,410
For many years, Max's
team continued to dig,
426
00:25:44,410 --> 00:25:46,970
excavating 30 complete statues
427
00:25:46,970 --> 00:25:48,340
that confirmed the existence
428
00:25:48,340 --> 00:25:51,193
of a biblical people called the Arameans.
429
00:25:53,490 --> 00:25:56,933
His new dream was to show the
Gods of Aramea to the world.
430
00:25:59,600 --> 00:26:03,360
In 1930, Max returned to
Berlin with his treasures,
431
00:26:03,360 --> 00:26:06,353
convinced that museums would
compete to display them.
432
00:26:07,770 --> 00:26:12,270
And if they had, these
fragments would not be laid out
433
00:26:12,270 --> 00:26:14,103
on a warehouse floor today.
434
00:26:16,310 --> 00:26:19,750
but with budgets stretched
by other costly exhibitions,
435
00:26:19,750 --> 00:26:22,403
every museum in town showed Max the door.
436
00:26:25,670 --> 00:26:27,380
Not one to be thwarted,
437
00:26:27,380 --> 00:26:31,063
he renovated a former iron
foundry into a private museum.
438
00:26:32,786 --> 00:26:34,910
- Here sits enthroned
439
00:26:34,910 --> 00:26:38,647
the big goddess of the Tell Halaf
440
00:26:38,647 --> 00:26:42,870
who has perserved her stony smile
441
00:26:42,870 --> 00:26:45,093
for 5,000 years.
442
00:26:46,280 --> 00:26:48,170
I would enjoy it immensely
443
00:26:49,050 --> 00:26:53,663
if once I would be able
to show you in person
444
00:26:53,663 --> 00:26:56,246
my Tell Halaf Museum in Berlin.
445
00:26:57,686 --> 00:26:59,405
(air raid sirens howling)
(dramatic music)
446
00:26:59,405 --> 00:27:00,750
(explosions booming)
447
00:27:00,750 --> 00:27:03,490
- [Narrator] But then came World War II.
448
00:27:03,490 --> 00:27:06,100
On a November night in 1943,
449
00:27:06,100 --> 00:27:08,613
an Allied bombing raid struck Berlin
450
00:27:08,613 --> 00:27:12,266
and the Tell Halaf Museum was hit.
451
00:27:12,266 --> 00:27:14,260
(detonation booms)
452
00:27:14,260 --> 00:27:17,830
Incredibly, the stone
statues survived the blast
453
00:27:17,830 --> 00:27:20,060
and when the floor
beneath them caught fire
454
00:27:20,060 --> 00:27:21,533
they withstood the inferno.
455
00:27:23,510 --> 00:27:26,050
Fire crews arrived to put out the blaze
456
00:27:26,050 --> 00:27:29,330
and as cold water made
contact with hot stone,
457
00:27:29,330 --> 00:27:31,003
the statues exploded.
458
00:27:35,640 --> 00:27:37,860
The ancient treasures of Aramea
459
00:27:37,860 --> 00:27:39,990
and the dream of a relic hunter
460
00:27:39,990 --> 00:27:41,363
were reduced to rubble.
461
00:27:43,840 --> 00:27:46,040
Before Max died in 1946,
462
00:27:46,040 --> 00:27:49,120
he wrote how wonderful it would be
463
00:27:49,120 --> 00:27:51,860
if all the fragments could be reassembled,
464
00:27:51,860 --> 00:27:54,273
but what a horrendous task that would be.
465
00:27:57,660 --> 00:28:01,650
In 2001, some of the world's
top restoration experts
466
00:28:01,650 --> 00:28:03,969
decided to attempt the impossible.
467
00:28:03,969 --> 00:28:05,610
(mysterious percussive music)
468
00:28:05,610 --> 00:28:07,630
It would be like doing a jigsaw puzzle
469
00:28:07,630 --> 00:28:10,333
without knowing if all
the pieces are in the box.
470
00:28:12,410 --> 00:28:15,233
Dr. Nadja Cholidis is one
of the project leaders.
471
00:28:16,490 --> 00:28:18,620
- When we started, we didn't exactly know
472
00:28:18,620 --> 00:28:22,780
how many fragments they
have recovered in 1944.
473
00:28:25,430 --> 00:28:29,050
Most of the pieces were in box lots
474
00:28:29,050 --> 00:28:34,050
and we had to organize pallets
to unpack the fragments.
475
00:28:34,117 --> 00:28:37,720
It was really a hard job in the first year
476
00:28:37,720 --> 00:28:39,210
getting so much pallets
477
00:28:39,210 --> 00:28:41,580
and to spread out the fragments
478
00:28:41,580 --> 00:28:44,943
and then, started with the
identification process.
479
00:28:46,920 --> 00:28:49,460
- [Narrator] Luckily, Max had
taken pictures of the puzzle
480
00:28:49,460 --> 00:28:51,053
before it went to pieces.
481
00:28:52,070 --> 00:28:55,540
And his photographs had
not gone up in flames.
482
00:28:55,540 --> 00:28:57,080
- We have the photo in one hand
483
00:28:57,080 --> 00:28:58,690
and the fragment in the other hand
484
00:28:58,690 --> 00:29:00,600
and then compare both of them
485
00:29:00,600 --> 00:29:02,707
and then you are able to say,
486
00:29:02,707 --> 00:29:06,830
"This must be a fragment of
the lion, or for the lioness."
487
00:29:06,830 --> 00:29:09,480
- [Narrator] But photos
alone were not always enough.
488
00:29:10,610 --> 00:29:12,580
Sometimes, you have fragments
489
00:29:12,580 --> 00:29:16,003
which are so hard to identify,
490
00:29:16,003 --> 00:29:18,830
because we said, "It must
belong to this sculpture,"
491
00:29:18,830 --> 00:29:20,623
and you try, and try, and try.
492
00:29:20,623 --> 00:29:23,540
(mysterious music)
493
00:29:24,590 --> 00:29:27,010
- [Narrator] When matching
pieces are identified,
494
00:29:27,010 --> 00:29:30,163
some require special fittings
to hold them in place,
495
00:29:33,460 --> 00:29:35,580
and most require careful application
496
00:29:35,580 --> 00:29:37,350
of special glue and cement
497
00:29:37,350 --> 00:29:39,783
to fuse the shards of ancient stone.
498
00:29:41,080 --> 00:29:43,330
Some fragments weigh over a ton,
499
00:29:43,330 --> 00:29:46,613
while others are as small as a fingernail.
500
00:29:46,613 --> 00:29:49,210
(whimsical harp music)
501
00:29:49,210 --> 00:29:52,023
The puzzle pieces went
together one by one,
502
00:29:53,190 --> 00:29:56,240
and after nine years
of painstaking effort,
503
00:29:56,240 --> 00:29:58,870
the restoration team
transported the statues
504
00:29:58,870 --> 00:30:00,273
to a public gallery.
505
00:30:03,880 --> 00:30:06,030
Today, the public is once again invited
506
00:30:06,030 --> 00:30:07,623
to meet the Gods of Aramea.
507
00:30:10,050 --> 00:30:13,260
Though Max von Oppenheim
didn't live to see it,
508
00:30:13,260 --> 00:30:16,822
sometimes Nadja feels his presence.
509
00:30:16,822 --> 00:30:19,183
- [Max] Where I discovered two--
510
00:30:19,183 --> 00:30:21,000
- I believe during the years here,
511
00:30:21,000 --> 00:30:23,130
there are so many
situation that I thought,
512
00:30:23,130 --> 00:30:24,861
must be Max von Oppenheim
513
00:30:24,861 --> 00:30:29,027
who look from the sky,
514
00:30:29,027 --> 00:30:30,810
"What are they doing here?"
515
00:30:30,810 --> 00:30:33,265
and help us with...
516
00:30:33,265 --> 00:30:34,790
Well, with...
517
00:30:34,790 --> 00:30:36,950
What is the, intuition,
518
00:30:36,950 --> 00:30:41,920
I was feeling was something
like this, so yes.
519
00:30:41,920 --> 00:30:43,610
But, it's not for the camera,
520
00:30:43,610 --> 00:30:46,781
it's not for television. (chuckles)
521
00:30:46,781 --> 00:30:47,960
(soft choral music)
522
00:30:47,960 --> 00:30:49,900
- [Narrator] The museum calls the exhibit
523
00:30:49,900 --> 00:30:52,760
The Rescued Gods of Tell Halaf.
524
00:30:52,760 --> 00:30:56,293
Max von Oppenheim's dream
has been rescued, too.
525
00:30:58,128 --> 00:31:01,260
Next on Museum Secrets:
526
00:31:01,260 --> 00:31:03,773
the golden hat of an ancient wizard.
527
00:31:05,212 --> 00:31:07,962
(dramatic music)
528
00:31:09,457 --> 00:31:11,800
(mysterious music)
529
00:31:11,800 --> 00:31:15,220
In Berlin's Neues Museum,
one gallery is devoted
530
00:31:15,220 --> 00:31:17,663
to a single artifact of solid gold.
531
00:31:19,090 --> 00:31:21,213
It looks a lot like a wizard's hat,
532
00:31:22,850 --> 00:31:24,833
something straight out of a fairy tale.
533
00:31:27,790 --> 00:31:29,160
On the other side of the city
534
00:31:29,160 --> 00:31:33,303
lives this man, Manfred Boyachevski.
535
00:31:34,360 --> 00:31:37,393
Manfred keeps bees, thousands of them.
536
00:31:39,160 --> 00:31:42,433
Manfred and the gold hat share
a very special connection.
537
00:31:44,260 --> 00:31:47,370
That connection is our museum secret.
538
00:31:47,370 --> 00:31:49,953
(bees buzzing)
539
00:31:51,730 --> 00:31:54,423
The hat is a masterpiece
of the goldsmith's art.
540
00:31:56,650 --> 00:31:58,880
Its complexity led historians to believe
541
00:31:58,880 --> 00:32:01,543
it was made by a craftsman
of the Middle Ages.
542
00:32:03,660 --> 00:32:05,660
But scientific dating methods prove
543
00:32:05,660 --> 00:32:07,923
that it was made 3,000 years ago,
544
00:32:08,940 --> 00:32:10,483
during the Bronze Age.
545
00:32:14,300 --> 00:32:18,050
Bronze Age humans lived at
a bare level of subsistence.
546
00:32:18,050 --> 00:32:20,190
Developing the skills and finding the time
547
00:32:20,190 --> 00:32:22,090
to create something like this
548
00:32:22,090 --> 00:32:24,013
would have been an enormous challenge.
549
00:32:25,212 --> 00:32:28,050
Why would people who were barely surviving
550
00:32:28,050 --> 00:32:30,193
create something so extravagant?
551
00:32:32,950 --> 00:32:36,173
Historians have been asking
this question for decades.
552
00:32:37,770 --> 00:32:39,870
Dr. Wilfried Menghin became determined
553
00:32:39,870 --> 00:32:41,863
to be the one to find the answer.
554
00:32:42,910 --> 00:32:47,910
- My idea was to decode the
ornament of the gold hat,
555
00:32:49,720 --> 00:32:53,650
so to see what really
does this gold hat mean.
556
00:32:53,650 --> 00:32:56,950
What is his function in old times?
557
00:32:56,950 --> 00:32:59,500
For me it was a kind of hobby,
558
00:32:59,500 --> 00:33:00,950
but it was also an obsession.
559
00:33:03,000 --> 00:33:03,910
- [Narrator] Menghin was convinced
560
00:33:03,910 --> 00:33:06,210
the repeating patterns of circles and dots
561
00:33:06,210 --> 00:33:08,053
weren't just decorations.
562
00:33:09,860 --> 00:33:12,740
They must have something
to do with numbers,
563
00:33:12,740 --> 00:33:14,523
but he couldn't figure out what.
564
00:33:15,480 --> 00:33:18,460
- I woke up in the night and was counting,
565
00:33:18,460 --> 00:33:21,100
adding up, counting, argh!
566
00:33:21,100 --> 00:33:24,200
77-5 doesn't (mumbles) nothing,
567
00:33:24,200 --> 00:33:28,233
but 365, 177, and so on and so on.
568
00:33:29,750 --> 00:33:32,493
Then at last, he had a Eureka moment.
569
00:33:35,290 --> 00:33:37,240
He counted down the number of rows
570
00:33:37,240 --> 00:33:38,980
and the rings around each symbol
571
00:33:40,310 --> 00:33:45,310
and discovered two remarkable
numbers, 365 and 354.
572
00:33:48,560 --> 00:33:49,873
- Then it was clear,
573
00:33:49,873 --> 00:33:52,143
we have the Sun year and the Moon year.
574
00:33:54,790 --> 00:33:57,220
Dr. Menghin had discovered
that the gold hat
575
00:33:57,220 --> 00:33:58,713
is a kind of calendar.
576
00:33:59,700 --> 00:34:01,640
The ornamentation accurately predicts
577
00:34:01,640 --> 00:34:05,747
the cycles of the Sun and Moon
over a period of 19 years.
578
00:34:05,747 --> 00:34:08,860
(dramatic music)
579
00:34:08,860 --> 00:34:12,300
But Dr. Menghin had only
solved part of the puzzle.
580
00:34:12,300 --> 00:34:14,370
He knew what the symbols meant,
581
00:34:14,370 --> 00:34:16,570
but why were the cycles
of the Sun and Moon
582
00:34:16,570 --> 00:34:18,950
so important to Bronze Age humans,
583
00:34:18,950 --> 00:34:21,000
that they expended such great effort
584
00:34:21,000 --> 00:34:23,127
to inscribe them on a gold hat?
585
00:34:26,038 --> 00:34:28,370
For the answer, we return
586
00:34:28,370 --> 00:34:31,470
to Manfred's Berlin rooftop and his bees,
587
00:34:31,470 --> 00:34:33,960
because Manfred uses Bronze Age methods
588
00:34:33,960 --> 00:34:36,223
to keep his bees healthy and productive.
589
00:34:37,380 --> 00:34:38,463
- You can kiss them.
590
00:34:39,531 --> 00:34:42,448
(mysterious music)
591
00:34:44,520 --> 00:34:47,230
- [Narrator] To guide his
work on any given day,
592
00:34:47,230 --> 00:34:50,233
Manfred relies on the
cycles of the Sun and Moon.
593
00:34:51,609 --> 00:34:55,359
(speaks in foreign language)
594
00:35:06,445 --> 00:35:09,428
(ethereal music)
595
00:35:09,428 --> 00:35:10,940
- [Narrator] One day in the solar cycle
596
00:35:10,940 --> 00:35:13,764
is particularly important
for honey production.
597
00:35:13,764 --> 00:35:16,055
(ethereal music)
(low-level buzzing)
598
00:35:16,055 --> 00:35:19,805
(speaks in foreign language)
599
00:35:27,356 --> 00:35:30,700
- [Narrator] Maximum
bees means maximum honey.
600
00:35:30,700 --> 00:35:32,520
In some ancient cultures,
601
00:35:32,520 --> 00:35:35,630
the summer solstice was
called the honeymoon,
602
00:35:35,630 --> 00:35:38,823
as it was the best time to
harvest honey from bees.
603
00:35:41,220 --> 00:35:44,990
Today, many farmers rely on
modern calendars of Sun and Moon
604
00:35:44,990 --> 00:35:48,700
to tell them when to
plant and when to harvest.
605
00:35:48,700 --> 00:35:52,550
(wolf howls)
(ethereal music)
606
00:35:52,550 --> 00:35:54,730
Dr. Menghin thinks a Bronze Age human
607
00:35:54,730 --> 00:35:56,970
provided the same vital information
608
00:35:56,970 --> 00:35:59,440
by observing the solar and lunar cycles
609
00:35:59,440 --> 00:36:01,603
and inscribing them onto a gold hat.
610
00:36:03,578 --> 00:36:06,890
And someone very special
in their community
611
00:36:06,890 --> 00:36:09,933
used the gold hat to
show them how to do it.
612
00:36:11,300 --> 00:36:12,893
You can say it like this.
613
00:36:12,893 --> 00:36:17,100
This is a sorcerer who tells the community
614
00:36:17,100 --> 00:36:18,860
something interesting.
615
00:36:18,860 --> 00:36:21,160
He has a secret knowledge about things
616
00:36:21,160 --> 00:36:24,440
where the normal man cannot think about,
617
00:36:24,440 --> 00:36:29,173
and so you can say these hats
have been the hats of wizards.
618
00:36:32,489 --> 00:36:34,580
(sinister music)
619
00:36:34,580 --> 00:36:37,010
Next on Museum Secrets:
620
00:36:37,010 --> 00:36:40,113
Why did Hitler hate this
masterpiece of modern art?
621
00:36:41,614 --> 00:36:45,066
(dramatic music)
622
00:36:45,066 --> 00:36:49,200
(upbeat ethereal music)
623
00:36:49,200 --> 00:36:52,410
On Museum Island, the
Neues Museum specializes
624
00:36:52,410 --> 00:36:55,123
in treasures from long ago and far away.
625
00:36:57,750 --> 00:36:59,880
Every gallery displays artifacts
626
00:36:59,880 --> 00:37:01,913
that are at least a thousand years old,
627
00:37:03,550 --> 00:37:06,363
but here there is one
exception to the rule.
628
00:37:08,109 --> 00:37:11,770
(excavator rumbling)
629
00:37:11,770 --> 00:37:14,570
Recently, less than a
kilometer from the museum,
630
00:37:14,570 --> 00:37:17,373
excavation began for a new subway station.
631
00:37:20,840 --> 00:37:23,460
One morning, construction
worker Hendrik Schultz
632
00:37:23,460 --> 00:37:26,579
noticed something unusual in the dirt.
633
00:37:26,579 --> 00:37:30,329
(speaks in foreign language)
634
00:37:36,050 --> 00:37:36,883
- [Narrator] Within days,
635
00:37:36,883 --> 00:37:39,133
the pit became an archeological site.
636
00:37:40,240 --> 00:37:43,420
The finds that emerged
were not ancient artifacts
637
00:37:43,420 --> 00:37:46,273
but important treasures of modern art.
638
00:37:49,600 --> 00:37:51,463
Today, they are in the Neues Museum.
639
00:37:53,360 --> 00:37:55,140
11 startling sculptures
640
00:37:55,140 --> 00:37:58,263
by respected European
artists of the 20th century.
641
00:38:00,030 --> 00:38:01,980
What were they doing underground
642
00:38:01,980 --> 00:38:03,850
and why are they displayed in a museum
643
00:38:03,850 --> 00:38:05,443
dedicated to ancient history?
644
00:38:08,340 --> 00:38:10,133
Those are our museum secrets.
645
00:38:14,660 --> 00:38:17,792
Our story begins in 1937,
646
00:38:17,792 --> 00:38:20,660
when the Nazis were confiscating
works of modern art,
647
00:38:20,660 --> 00:38:23,153
art that Hitler called degenerate.
648
00:38:24,800 --> 00:38:29,060
- They go to the museums and
collections all over Germany
649
00:38:29,060 --> 00:38:32,613
and took all these objects
out of the museums.
650
00:38:34,540 --> 00:38:36,440
- [Narrator] In his deranged mind,
651
00:38:36,440 --> 00:38:38,380
Hitler had decided that modern art
652
00:38:38,380 --> 00:38:40,387
was the evil work of the Jews.
653
00:38:40,387 --> 00:38:43,830
(sinister music)
654
00:38:43,830 --> 00:38:45,080
Under his direction,
655
00:38:45,080 --> 00:38:47,840
Nazi propagandists
mounted an art exhibition
656
00:38:47,840 --> 00:38:49,553
called Degenerate Art.
657
00:38:51,200 --> 00:38:53,410
Loyal Germans were expected to line up
658
00:38:53,410 --> 00:38:55,113
to view the art with derision.
659
00:38:56,460 --> 00:38:57,960
It was part of Hitler's plan
660
00:38:57,960 --> 00:39:00,703
to unify the German people through hate.
661
00:39:03,220 --> 00:39:05,650
The exhibition included
sculptures and paintings
662
00:39:05,650 --> 00:39:09,033
by artists now considered
to be modern masters.
663
00:39:11,330 --> 00:39:12,870
Though only a small handful
664
00:39:12,870 --> 00:39:14,590
were actually Jewish,
665
00:39:14,590 --> 00:39:17,023
propagandists featured their work.
666
00:39:17,900 --> 00:39:19,810
This sculpture by Otto Freundlich
667
00:39:19,810 --> 00:39:22,010
is on the cover of the
exhibition's catalog.
668
00:39:24,800 --> 00:39:27,530
- The Nazis have two aims,
669
00:39:27,530 --> 00:39:29,580
to make a propaganda exhibition
670
00:39:29,580 --> 00:39:33,770
and to sell the objects
in foreign countries
671
00:39:33,770 --> 00:39:35,463
to get foreign currency.
672
00:39:36,890 --> 00:39:41,890
After the exhibitions,
which were ended in 1942,
673
00:39:42,370 --> 00:39:45,210
a lot of objects came back to Berlin
674
00:39:45,210 --> 00:39:48,090
and there also still were a lot of objects
675
00:39:48,090 --> 00:39:51,122
which haven't been sold
in the years before.
676
00:39:51,122 --> 00:39:53,420
(pensive music)
(tram bell jingles)
677
00:39:53,420 --> 00:39:54,400
- [Narrator] But after the war,
678
00:39:54,400 --> 00:39:56,610
it seemed that no one knew or remembered
679
00:39:56,610 --> 00:39:59,263
the whereabouts of the
confiscated degenerate art.
680
00:40:01,600 --> 00:40:05,690
- It was a great question
for many art historians.
681
00:40:05,690 --> 00:40:08,563
What happened with these objects?
682
00:40:10,180 --> 00:40:12,710
- [Narrator] Recently, a
researcher discovered a clue
683
00:40:12,710 --> 00:40:15,763
in a wartime letter from the
Nazi Ministry of Propaganda.
684
00:40:17,820 --> 00:40:20,100
- In this letter it's told
685
00:40:20,100 --> 00:40:25,100
that they have to bring the
objects from the exhibition
686
00:40:25,380 --> 00:40:28,090
back to the Konigstrasse 50.
687
00:40:28,090 --> 00:40:31,160
So, this is a very important letter.
688
00:40:31,160 --> 00:40:32,530
It was something like
689
00:40:32,530 --> 00:40:35,313
an official storage in this house.
690
00:40:37,146 --> 00:40:39,980
(bombs whistling)
(detonations booming)
691
00:40:39,980 --> 00:40:42,430
- [Narrator] In 1944, allied bombs
692
00:40:42,430 --> 00:40:44,703
ignited a firestorm on Koenigstrasse.
693
00:40:46,300 --> 00:40:48,840
Untold lives were lost.
694
00:40:48,840 --> 00:40:51,323
Nearly every nearby
building was destroyed.
695
00:40:54,050 --> 00:40:56,403
Except for Berlin's City Hall.
696
00:40:58,430 --> 00:41:00,702
And that's why, 66 years later,
697
00:41:00,702 --> 00:41:03,600
11 statues lay beneath the earth
698
00:41:03,600 --> 00:41:05,023
waiting to be discovered.
699
00:41:07,289 --> 00:41:08,760
(tools scraping)
700
00:41:08,760 --> 00:41:11,703
Archeologists believe they
have found some paintings, too.
701
00:41:13,160 --> 00:41:15,073
But they have been reduced to ashes.
702
00:41:18,490 --> 00:41:21,750
Now we know how the modern
sculptures ended up underground
703
00:41:22,710 --> 00:41:24,580
but how did they end up in a museum
704
00:41:24,580 --> 00:41:26,423
dedicated to ancient history?
705
00:41:29,194 --> 00:41:31,260
For the museum's German visitors,
706
00:41:31,260 --> 00:41:33,000
a visit to the distant past
707
00:41:33,000 --> 00:41:35,163
is an escape from a nearer past
708
00:41:35,163 --> 00:41:37,033
that many would like to forget.
709
00:41:40,350 --> 00:41:41,760
Dr. Wemhoff believes
710
00:41:41,760 --> 00:41:44,363
the museum should encourage remembering.
711
00:41:45,810 --> 00:41:47,370
- [Narrator] This object was in the fire.
712
00:41:47,370 --> 00:41:51,620
It burned very strong and
that gets a very strong patina
713
00:41:51,620 --> 00:41:55,100
and so it was really signed from the war
714
00:41:55,100 --> 00:41:57,114
and signed from the history.
715
00:41:57,114 --> 00:42:00,940
So, these objects have really
716
00:42:00,940 --> 00:42:03,603
a kind of transformation made.
717
00:42:05,740 --> 00:42:07,090
They are not only art.
718
00:42:07,090 --> 00:42:09,839
They also tell us something
719
00:42:09,839 --> 00:42:13,220
about an important dark part
720
00:42:13,220 --> 00:42:14,543
of the German history.
721
00:42:18,050 --> 00:42:19,870
- [Narrator] The artworks
also provide a way
722
00:42:19,870 --> 00:42:21,833
to remember the artists who made them.
723
00:42:23,450 --> 00:42:25,920
Some disappeared during the war,
724
00:42:25,920 --> 00:42:28,220
some became refugees,
725
00:42:28,220 --> 00:42:30,069
and at least one of the Jewish artists
726
00:42:30,069 --> 00:42:32,303
died in a concentration camp.
727
00:42:34,040 --> 00:42:36,862
- You see this head,
and this head is broken.
728
00:42:36,862 --> 00:42:39,655
It's come from a very important sculpture
729
00:42:39,655 --> 00:42:41,090
from Otto Freundlich.
730
00:42:41,090 --> 00:42:45,340
and the most of his
objects were demolished
731
00:42:45,340 --> 00:42:47,250
during the Nazis time,
732
00:42:47,250 --> 00:42:51,299
and he was killed in Majdanek.
733
00:42:51,299 --> 00:42:53,360
(melancholy music)
734
00:42:53,360 --> 00:42:56,480
If you look to the picture
from Otto Freundlich,
735
00:42:56,480 --> 00:43:01,403
you can see that this could
be a self-portrait of him.
736
00:43:04,947 --> 00:43:06,960
(dramatic music)
737
00:43:06,960 --> 00:43:09,060
- [Narrator] A museum is not an island
738
00:43:09,060 --> 00:43:10,773
but a bridge to the past.
739
00:43:12,200 --> 00:43:13,920
For every mystery we reveal,
740
00:43:13,920 --> 00:43:17,430
far more must remain unspoken.
741
00:43:17,430 --> 00:43:19,960
The secrets some try to forget
742
00:43:19,960 --> 00:43:22,480
and those we long to remember,
743
00:43:22,480 --> 00:43:26,483
hidden in plain sight inside
the Berlin island museums.
744
00:43:31,583 --> 00:43:35,083
(somber mysterious music)
56971
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