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1
00:00:22,147 --> 00:00:26,443
"I'LL BE
RIGHT HE-E-ERE."
2
00:00:26,443 --> 00:00:28,069
I LOVE THIS MOVIE.
3
00:00:30,155 --> 00:00:31,740
THIS WON THE OSCAR, DIDN'T IT?
GANDHI.
4
00:00:31,740 --> 00:00:33,325
SPIELBERG WAS ROBBED.
5
00:00:33,325 --> 00:00:35,410
THIS IS BEFORE
HE OUTGREW HIS
PETER PAN SYNDROME.
6
00:00:35,410 --> 00:00:36,912
BUT GANDHI?
7
00:00:36,912 --> 00:00:39,206
WHY GIVE AN OSCAR
TO A MOVIE YOU CAN'T
EVEN SIT THROUGH?
8
00:00:39,206 --> 00:00:40,958
5:00 THIS MORNING
9
00:00:40,958 --> 00:00:43,335
ALL OF THE AIRLINE'S
SCHEDULED FLIGHTS
WERE CANCELED...
10
00:00:43,335 --> 00:00:44,503
NEW DO?
11
00:00:44,503 --> 00:00:46,213
YEAH. SHE LIKES
BIG HAIR.
12
00:00:46,213 --> 00:00:47,297
IT MUST
WEIGH A LOT.
13
00:00:47,297 --> 00:00:48,757
HOW DOES SHE
WALK UPRIGHT?
14
00:00:48,757 --> 00:00:49,967
HA HA.
15
00:00:49,967 --> 00:00:51,176
WHERE ARE YOU GOING?
16
00:00:51,176 --> 00:00:52,135
HOME.
17
00:00:52,135 --> 00:00:54,053
SPEND THE NIGHT.
CAN'T.
18
00:00:54,053 --> 00:00:55,556
COME ON, YOU ALWAYS
SPEND THE NIGHT.
19
00:00:55,556 --> 00:00:57,098
NOT TONIGHT.
WHY NOT?
20
00:00:57,098 --> 00:00:58,642
I JUST DON'T THINK
IT'S A GOOD IDEA
21
00:00:58,642 --> 00:01:00,352
FOR ME TO SLEEP OVER
ANYMORE, YOU KNOW?
22
00:01:00,352 --> 00:01:01,770
NO, I DON'T KNOW.
23
00:01:01,770 --> 00:01:04,063
COME ON, YOU BEEN
SLEEPING OVER SINCE
YOU WERE 7.
24
00:01:04,063 --> 00:01:06,149
IT'S SATURDAY NIGHT.
THINGS CHANGE, DAWSON.
25
00:01:06,149 --> 00:01:07,150
EVOLVE.
26
00:01:07,150 --> 00:01:09,110
WHAT ARE YOU
TALKING ABOUT?
27
00:01:09,110 --> 00:01:11,112
SLEEPING IN THE SAME
BED WAS FINE WHEN
WE WERE KIDS,
28
00:01:11,112 --> 00:01:13,073
BUT WE'RE 15 NOW.
YEAH...
29
00:01:13,073 --> 00:01:14,742
WE START
HIGH SCHOOL MONDAY.
YEAH...
30
00:01:14,742 --> 00:01:15,951
AND I HAVE BREASTS.
31
00:01:15,951 --> 00:01:16,952
WHAT?
32
00:01:16,952 --> 00:01:18,203
AND YOU HAVE GENITALIA.
33
00:01:18,203 --> 00:01:20,039
I'VE ALWAYS HAD
GENITALIA.
34
00:01:20,039 --> 00:01:21,373
BUT THERE'S
MORE OF IT.
35
00:01:22,249 --> 00:01:23,250
HOW DO YOU KNOW?
36
00:01:23,250 --> 00:01:25,210
LONG FINGERS.
I GOT TO GO.
37
00:01:25,210 --> 00:01:27,796
NO, JO, DON'T HIT
AND RUN. COME ON.
EXPLAIN YOURSELF.
38
00:01:29,506 --> 00:01:31,842
I JUST THINK OUR
EMERGING HORMONES
39
00:01:31,842 --> 00:01:33,343
ARE DESTINED TO ALTER
OUR RELATIONSHIP
40
00:01:33,343 --> 00:01:34,929
AND I'M TRYING TO
LIMIT THE FALLOUT.
41
00:01:34,929 --> 00:01:36,388
YOUR EMERGING
HORMONES
42
00:01:36,388 --> 00:01:38,849
AREN'T DEVELOPING
A THANG FOR ME,
ARE THEY?
43
00:01:38,849 --> 00:01:40,601
A THING?
44
00:01:40,601 --> 00:01:42,895
NO, I'M NOT
GETTING A THING
FOR YOU, DAWSON.
45
00:01:42,895 --> 00:01:44,772
I'VE KNOWN YOU TOO LONG.
46
00:01:44,772 --> 00:01:47,983
I'VE SEEN YOU BURP,
BARF, PICK YOUR NOSE,
SCRATCH YOUR BUTT...
47
00:01:47,983 --> 00:01:49,818
I DON'T THINK
I'M GETTING
A THING FOR YOU.
48
00:01:49,818 --> 00:01:51,110
THEN WHAT'S
THE PROBLEM?
49
00:01:51,110 --> 00:01:53,196
WE'RE CHANGING
AND WE HAVE TO ADJUST
50
00:01:53,196 --> 00:01:55,657
OR ELSE
THE MALE-FEMALE THING
WILL GET IN THE WAY.
51
00:01:55,657 --> 00:01:58,577
WHAT IS WITH THIS
WHEN-HARRY-MET-
EIGHTIES CRAP?
52
00:01:58,577 --> 00:02:00,537
IT DOESN'T
APPLY TO US.
WE TRANSCEND IT.
53
00:02:00,537 --> 00:02:01,830
AND HOW DO WE DO THAT?
54
00:02:01,830 --> 00:02:03,540
BY GOING TO SLEEP.
55
00:02:03,540 --> 00:02:05,166
I'M TIRED.
56
00:02:05,166 --> 00:02:06,376
THAT'S AVOIDANCE.
57
00:02:06,376 --> 00:02:07,962
NO, IT'S PROOF...
58
00:02:07,962 --> 00:02:09,546
PROOF THAT WE CAN
STILL REMAIN FRIENDS
59
00:02:09,546 --> 00:02:12,299
DESPITE ANY MOUNTING
SEXUAL THEORETICS.
60
00:02:14,093 --> 00:02:15,803
I DON'T THINK IT WORKS
THAT WAY, DAWSON.
61
00:02:15,803 --> 00:02:17,972
COME ON, DON'T GET
FEMALE ON ME, JOEY.
62
00:02:17,972 --> 00:02:20,265
I DON'T WANT TO
HAVE TO START
CALLING YOU JOSEPHINE.
63
00:02:20,265 --> 00:02:23,018
OH, JOSEPHINE THIS.
64
00:02:29,608 --> 00:02:31,443
OK. I GIVE.
65
00:02:31,443 --> 00:02:32,778
GIVE.
66
00:02:33,737 --> 00:02:36,364
WE'RE FRIENDS, OK?
67
00:02:36,364 --> 00:02:39,159
NO MATTER
HOW MUCH BODY HAIR
WE ACQUIRE?
68
00:02:39,159 --> 00:02:40,452
DEAL?
69
00:02:40,452 --> 00:02:42,203
DEAL.
70
00:02:42,203 --> 00:02:45,457
AND WE DON'T EVER
TALK ABOUT THIS
AGAIN? DEAL?
71
00:02:45,457 --> 00:02:46,708
YOU GOT IT.
72
00:02:46,708 --> 00:02:50,169
COOL.
73
00:02:53,507 --> 00:02:55,592
GOOD NIGHT, JOEY.
74
00:02:55,592 --> 00:02:57,176
G'NIGHT, DAWSON.
75
00:03:18,532 --> 00:03:22,703
WHY'D YOU HAVE TO
BRING THIS UP,
ANYWAY?
76
00:04:24,347 --> 00:04:26,600
BRING IT IN HARDER.
PULL IT FLAT.
77
00:04:26,600 --> 00:04:30,270
ALL RIGHT.
THIS GOOD?
78
00:04:42,074 --> 00:04:43,366
ARRRRGHH!
AAH!
79
00:04:46,203 --> 00:04:50,582
NO, NO, NO! CUT, CUT, CUT.
IT'S 3 COUNTS YOU GOT TO WAIT!
80
00:04:50,582 --> 00:04:52,333
COME ON!
81
00:04:52,333 --> 00:04:53,752
PACEY, COME ON--
JOEY, PACE--
82
00:04:53,752 --> 00:04:57,380
WHAT WAS THAT ALL ABOUT?
83
00:04:57,380 --> 00:04:59,507
IF YOU COME UP BEFORE
SHE'S ESTABLISHED
ON THE DOCK,
84
00:04:59,507 --> 00:05:00,759
IT'S NOT SCARY.
85
00:05:00,759 --> 00:05:03,386
HE DID IT AGAIN--
HE GRABBED MY ASS.
86
00:05:03,386 --> 00:05:04,596
LIKE YOU
EVEN HAVE ONE.
87
00:05:04,596 --> 00:05:06,598
GUYS, WE ARE WAY BEHIND
SCHEDULE, ALL RIGHT?
88
00:05:06,598 --> 00:05:08,809
WE'VE GOT 2 WEEKS.
I'M NOT GOING TO
MAKE THE FESTIVAL.
89
00:05:08,809 --> 00:05:10,727
IT'S A LOAD
OF COOPERATION.
90
00:05:10,727 --> 00:05:12,520
HEY, IT'S
MERYL STREEP'S
FAULT, OK?
91
00:05:12,520 --> 00:05:13,730
I'M DOING
THE BEST I CAN.
92
00:05:13,730 --> 00:05:14,898
BITE ME.
93
00:05:25,659 --> 00:05:28,954
WELL, WELL...
MY MOUTH DROPS.
94
00:05:48,140 --> 00:05:49,308
HEY, THERE.
95
00:05:49,308 --> 00:05:51,518
HI. I'M PACEY.
NICE TO MEET YOU.
96
00:05:51,518 --> 00:05:53,061
HI. I'M DAWSON.
97
00:05:53,061 --> 00:05:55,605
YOU'RE DAWSON.
DAWSON, YEAH, I KNOW.
UM, WE MET BEFORE.
98
00:05:55,605 --> 00:05:56,857
I'M JEN.
99
00:05:56,857 --> 00:05:59,400
OH, THE GRANDDAUGHTER
FROM NEW YORK. OK.
100
00:05:59,400 --> 00:06:01,028
WOW. YOU LOOK...
DIFFERENT.
101
00:06:01,028 --> 00:06:01,945
PUBERTY.
102
00:06:01,945 --> 00:06:03,571
HI. I'M JOEY.
103
00:06:03,571 --> 00:06:05,615
I LIVE
DOWN THE CREEK,
AND WE'VE NEVER MET.
104
00:06:05,615 --> 00:06:07,284
EVER.
105
00:06:07,284 --> 00:06:09,036
SO, JENNY, ARE YOU
JUST VISITING?
106
00:06:09,036 --> 00:06:12,206
UH, YEAH,
MY GRANDFATHER'S
AORTA COLLAPSED,
107
00:06:12,206 --> 00:06:14,541
AND SO THEY HAD
TO REPLACE IT WITH
THIS PLASTIC TUBE,
108
00:06:14,541 --> 00:06:16,501
AND MY PARENTS
SENT ME TO HELP OUT
FOR A WHILE.
109
00:06:16,501 --> 00:06:18,045
SO YOU'LL BE GOING
TO SCHOOL HERE THEN?
110
00:06:18,045 --> 00:06:19,963
YEAH. UH, 10th GRADE.
111
00:06:19,963 --> 00:06:21,715
HEY, COOL. US, TOO.
112
00:06:21,715 --> 00:06:23,925
OH, GOOD. UM...
113
00:06:23,925 --> 00:06:26,261
LOOK, MY GRAMS
IS WAITING.
I SHOULD GO,
114
00:06:26,261 --> 00:06:28,347
BUT IT WAS REALLY
NICE TO MEET YOU GUYS
115
00:06:28,347 --> 00:06:30,182
AND, UM, I'LL SEE YOU
IN SCHOOL.
116
00:06:30,182 --> 00:06:32,267
IF NOT SOONER.
YEAH.
117
00:06:33,143 --> 00:06:35,229
IF NOT SOONER.
118
00:06:35,229 --> 00:06:36,730
NICE.
119
00:06:36,730 --> 00:06:37,939
NOT BAD.
120
00:06:45,446 --> 00:06:47,406
YOU THINK SHE'S A VIRGIN?
YOU WANT TO NAIL HER?
121
00:06:47,406 --> 00:06:49,368
WE JUST MET.
AND A WASTED MOMENT IT WAS.
122
00:06:49,368 --> 00:06:51,286
I MEAN, GREATER MEN
WOULD BE NAILING
RIGHT NOW.
123
00:06:51,286 --> 00:06:52,246
YOU KNOW WHAT I MEAN?
124
00:06:52,246 --> 00:06:53,872
TACT. LOOK IT UP.
125
00:06:55,040 --> 00:06:56,666
MM...
126
00:06:56,666 --> 00:06:58,417
OHH...
127
00:07:01,880 --> 00:07:03,048
OH, GOD--MOM...
128
00:07:03,048 --> 00:07:04,383
WHOOPS.
OH, HI, SON.
129
00:07:04,383 --> 00:07:06,760
YOUR MOTHER
AND I WERE--
130
00:07:06,760 --> 00:07:09,679
UM, JUST DISCUSSING
WHETHER OR NOT--
131
00:07:09,679 --> 00:07:11,848
WE NEEDED A NEW
COFFEE TABLE.
132
00:07:11,848 --> 00:07:13,016
HI, PACEY.
133
00:07:13,016 --> 00:07:15,894
HI, MR. LEERY,
MRS. LEERY.
134
00:07:15,894 --> 00:07:17,062
HI, PACEY.
135
00:07:17,062 --> 00:07:18,355
OH, DON'T LOOK
SO RED, DAWSON.
136
00:07:18,355 --> 00:07:19,898
IT COULD BE WORSE.
137
00:07:19,898 --> 00:07:23,526
YOU KNOW, MRS. LEERY,
I REALLY LOVE
THAT NEW HAIRDO.
138
00:07:23,526 --> 00:07:25,237
OH, THANK YOU,
PACEY.
139
00:07:25,237 --> 00:07:28,365
I THOUGHT YOU HAD TO
WORK TODAY.
140
00:07:28,365 --> 00:07:30,033
WE'RE RUNNING LATE.
I SHOULD GET GOING.
141
00:07:30,033 --> 00:07:33,661
OK, MR. MAN MEAT,
I'LL SEE YOU LATER.
142
00:07:33,661 --> 00:07:36,455
MOM...MOM...
143
00:07:54,099 --> 00:07:55,976
JUST THE VICTIM
I'M LOOKING FOR.
144
00:07:55,976 --> 00:07:58,228
NO, BODIE,
NOT AGAIN...
145
00:07:58,228 --> 00:07:59,980
BUT I'M BEING TESTED
ON THIS ONE.
146
00:07:59,980 --> 00:08:01,856
HERE, JUST A TASTE.
147
00:08:03,358 --> 00:08:04,484
ORGASMIC.
148
00:08:04,484 --> 00:08:05,526
WHERE'S BESS?
149
00:08:05,526 --> 00:08:07,612
IF YOU WANT TO WEAR
MY THINGS, FINE.
150
00:08:07,612 --> 00:08:09,823
THEY'RE FAIRLY USELESS
TO ME AT THIS POINT,
151
00:08:09,823 --> 00:08:12,367
BUT THAT MEANS
YOU PUT THEM BACK
WHERE YOU FOUND THEM.
152
00:08:12,367 --> 00:08:14,411
GOT IT?
GOT IT.
153
00:08:14,411 --> 00:08:17,038
I'M WAY TOO PREGNANT
TO BE DIGGING
UNDERNEATH YOUR BED.
154
00:08:17,038 --> 00:08:19,582
SO STAY OUT OF MY ROOM.
GOT IT?
155
00:08:19,582 --> 00:08:21,542
I'M GONNA
KNOCK HER SILLY,
I SWEAR IT.
156
00:08:21,542 --> 00:08:23,670
HERE, TRY THIS.
157
00:08:26,631 --> 00:08:27,632
MM...
158
00:08:27,632 --> 00:08:28,800
ORGASMIC.
159
00:08:28,800 --> 00:08:30,385
AH...
160
00:08:36,475 --> 00:08:37,600
THANK YOU.
161
00:08:37,600 --> 00:08:39,894
SO IF YOUR DAD
IS MR. MAN MEAT,
162
00:08:39,894 --> 00:08:42,856
DOES THAT MAKE YOU
MR. MAN MEAT, JR.
OR MR. MAN MEAT II?
163
00:08:42,856 --> 00:08:45,150
THEY'RE GONNA HAVE TO
DRAG THE CREEK TO FIND
YOUR BODY, PACE.
164
00:08:45,150 --> 00:08:48,820
DOES FORREST GUMP
GO IN THE COMEDY
OR DRAMA SECTION?
165
00:08:48,820 --> 00:08:50,780
HOW MANY TIMES
ARE YOU GONNA
ASK THAT?
166
00:08:50,780 --> 00:08:52,073
IT GOES IN
THE DRAMA SECTION.
167
00:08:52,073 --> 00:08:53,992
THANK YOU, DAWSON.
168
00:08:55,369 --> 00:08:57,078
CAN YOU SAY
WET BRAIN?
169
00:08:57,078 --> 00:08:59,956
I'M SORRY.
WHAT DID YOU SAY?
170
00:08:59,956 --> 00:09:02,250
DID YOU TOSS
A NEGATIVE,
171
00:09:02,250 --> 00:09:04,878
DISPARAGING REMARK MY WAY?
172
00:09:04,878 --> 00:09:06,213
BECAUSE IF YOU DID--
173
00:09:06,213 --> 00:09:07,506
AND CORRECT ME
IF I'M WRONG--
174
00:09:07,506 --> 00:09:09,799
I'D LIKE
TO REMIND YOU
WHO YOU ARE.
175
00:09:09,799 --> 00:09:11,385
I KNOW, I KNOW.
YOUR DAD OWNS THE PLACE.
176
00:09:11,385 --> 00:09:13,053
NO.
177
00:09:13,053 --> 00:09:17,391
I'M TALKING ABOUT
IN THE HUGE, ROTATING
WORLD OF LIFE.
178
00:09:17,391 --> 00:09:20,101
HEH. AND WHO AM I,
NELLIE?
179
00:09:20,101 --> 00:09:21,186
NOBODY.
180
00:09:21,186 --> 00:09:22,896
THAT'S THE POINT.
181
00:09:22,896 --> 00:09:23,897
YOU'RE NOT THERE.
182
00:09:23,897 --> 00:09:26,149
YOU DON'T
EVEN EXIST...
183
00:09:26,149 --> 00:09:27,942
BECAUSE IF YOU DID,
184
00:09:27,942 --> 00:09:29,736
I MIGHT
HAVE TO RESPOND
185
00:09:29,736 --> 00:09:31,405
TO YOUR
PATHETIC, LITTLE,
186
00:09:31,405 --> 00:09:33,281
UNDER-THE-BREATH
ONE-LINERS.
187
00:09:33,281 --> 00:09:36,326
BUT INSTEAD
I TAKE COMFORT
188
00:09:36,326 --> 00:09:37,494
KNOWING YOU'RE VAPOR.
189
00:09:37,494 --> 00:09:40,539
PFFFF...
190
00:09:40,539 --> 00:09:44,084
NONEXISTENT NOTHING.
191
00:09:46,711 --> 00:09:50,589
MY GOD, LOOK AT HER.
192
00:09:58,265 --> 00:09:59,307
SHOW SOME RESPECT, MAN.
193
00:09:59,307 --> 00:10:00,559
SHE'S SOMEBODY'S MOTHER.
194
00:10:00,559 --> 00:10:02,102
I HAVE IT
ON PRETTY GOOD AUTHORITY
195
00:10:02,102 --> 00:10:05,230
THAT MOTHERS
HAVE EXCELLENT SEX
LIVES, ALL RIGHT?
196
00:10:07,732 --> 00:10:09,067
GOOD AFTERNOON.
197
00:10:09,067 --> 00:10:10,651
CAN WE HELP YOU?
198
00:10:10,651 --> 00:10:12,487
YES, YOU CAN.
THIS IS MY FIRST
TIME HERE,
199
00:10:12,487 --> 00:10:14,155
AND I'D LIKE TO
RENT A VIDEO.
200
00:10:14,155 --> 00:10:16,032
EXCELLENT.
201
00:10:16,032 --> 00:10:19,578
YOU JUST FILL THAT OUT
AND YOU SHOOT US OVER
A CREDIT CARD.
202
00:10:20,954 --> 00:10:22,830
THANKS.
203
00:10:22,830 --> 00:10:24,499
YOU NEW IN TOWN?
204
00:10:24,499 --> 00:10:26,376
'CAUSE I HAVEN'T
SEEN YOU IN HERE BEFORE.
205
00:10:26,376 --> 00:10:27,710
YES, I AM.
206
00:10:27,710 --> 00:10:29,796
MY NAME'S TAMARA.
WHAT'S YOURS?
207
00:10:29,796 --> 00:10:31,590
PACEY.
NICE TO MEET YOU.
208
00:10:31,590 --> 00:10:34,426
WELL, THERE YOU GO,
PACEY.
209
00:10:34,426 --> 00:10:36,303
OK, THANKS.
210
00:10:36,303 --> 00:10:40,681
UM, DO YOU THINK I COULD
HELP YOU LOCATE A VIDEO
THIS AFTERNOON?
211
00:10:40,681 --> 00:10:43,642
MAYBE. I'M IN THE MOOD
FOR ROMANCE.
212
00:10:43,642 --> 00:10:46,020
UH, WE KEEP
THE NEW RELEASES AGAINST--
213
00:10:46,020 --> 00:10:49,649
OH, NO.
I'M VINTAGE ALL THE WAY.
214
00:10:50,984 --> 00:10:53,027
THE CLASSICS
ARE IN THE--
215
00:10:53,027 --> 00:10:54,446
WHERE WOULD I FIND
THE GRADUATE?
216
00:10:54,446 --> 00:10:57,865
THE GRADUATE
IS THE ONE...
217
00:10:57,865 --> 00:10:59,700
WHERE THE OLDER WOMAN,
ANNE BANCROFT,
218
00:10:59,700 --> 00:11:02,036
SEDUCES THE YOUNGER MAN,
DUSTIN HOFFMAN.
219
00:11:02,036 --> 00:11:03,746
I'LL CHECK IN--
220
00:11:03,746 --> 00:11:05,165
IT'S RIGHT THERE,
ACTUALLY.
221
00:11:05,165 --> 00:11:06,458
THANKS.
OHH...
222
00:11:06,458 --> 00:11:08,460
IS THERE
ANYTHING ELSE WE
CAN HELP YOU WITH?
223
00:11:08,460 --> 00:11:09,628
OH, NO.
THAT SHOULD DO IT.
224
00:11:09,628 --> 00:11:10,753
HOW MUCH?
225
00:11:10,753 --> 00:11:11,754
PAY WHEN YOU RETURN.
226
00:11:11,754 --> 00:11:13,256
DON'T FORGET
YOUR CREDIT CARD.
227
00:11:13,256 --> 00:11:15,133
YEAH...
RIGHT HERE.
228
00:11:15,133 --> 00:11:17,385
ENJOY THE FILM.
229
00:11:17,385 --> 00:11:19,346
I WILL.
230
00:11:19,346 --> 00:11:22,182
OH--IT WAS NICE
TO MEET YOU, PACEY.
231
00:11:22,182 --> 00:11:23,682
OH, YEAH.
232
00:11:29,397 --> 00:11:31,525
WIPE THE DROOL,
DUDE.
233
00:11:31,525 --> 00:11:33,485
DUDE, SHE WAS
FLIRTING WITH ME.
234
00:11:33,485 --> 00:11:34,693
SHE WAS LAUGHING
AT YOU.
235
00:11:34,693 --> 00:11:35,694
NO. SHE WANTED ME.
236
00:11:35,694 --> 00:11:37,780
SHE WANTED
DUSTIN HOFFMAN.
237
00:11:37,780 --> 00:11:38,948
I--
238
00:11:58,801 --> 00:11:59,886
HEY.
239
00:12:02,972 --> 00:12:05,016
HOW'S YOUR GRANDDAD?
240
00:12:05,016 --> 00:12:08,019
OH, HE'S BREATHING.
GOOD SIGN.
241
00:12:08,019 --> 00:12:10,813
IT'S JUST
MY GRANDMA THAT
PRESENTS THE CHALLENGE.
242
00:12:10,813 --> 00:12:12,566
SHE'S GOT
THIS PRAYING MENTALITY,
243
00:12:12,566 --> 00:12:15,443
WHICH IS REALLY AWKWARD,
SINCE I DON'T DO
THE WHOLE GOD THING.
244
00:12:15,443 --> 00:12:17,070
UH, WHAT YOU GOT HERE?
LET'S SEE.
245
00:12:17,070 --> 00:12:18,905
CREATURE FROM THE BLACK LAGOON,
246
00:12:18,905 --> 00:12:22,242
HUMANOIDS FROM THE DEEP,
SWAMP THING?
247
00:12:22,242 --> 00:12:23,368
IT'S RESEARCH.
248
00:12:23,368 --> 00:12:24,578
I'M MAKING A MOVIE.
249
00:12:24,578 --> 00:12:25,912
REALLY?
YEAH.
250
00:12:25,912 --> 00:12:28,747
KINDA YOUNG TO BE
SO AMBITIOUS.
15.
251
00:12:28,747 --> 00:12:30,917
SPIELBERG SHOT ON
AN 8 MILLIMETER
WHEN HE WAS 13.
252
00:12:30,917 --> 00:12:33,294
AND WHY MOVIES?
WHAT'S THE ATTRACTION
THERE?
253
00:12:33,294 --> 00:12:35,004
I REJECT REALITY.
254
00:12:35,004 --> 00:12:36,839
OH.
255
00:12:36,839 --> 00:12:37,965
HEH.
256
00:12:39,342 --> 00:12:41,760
WOULD YOU LIKE TO
SEE MY STUDIO?
257
00:12:51,062 --> 00:12:52,606
LONG SHOT HERE--
258
00:12:52,606 --> 00:12:55,650
A SPIELBERG FAN?
259
00:12:55,650 --> 00:12:57,694
PRETTY MUCH
WORSHIP THE MAN
IN A GODLIKE WAY. YEAH.
260
00:12:57,694 --> 00:12:58,861
HOW REVEALING.
261
00:12:58,861 --> 00:13:00,739
I HAVE HIS CAREER
CHRONICLED UP ON MY WALL.
262
00:13:00,739 --> 00:13:03,617
IF YOU NOTICE, EVERYTHING
IS ARRANGED IN RECEDING
BOX-OFFICE ORDER,
263
00:13:03,617 --> 00:13:05,118
STARTING WITH
THE BLOCKBUSTERS,
264
00:13:05,118 --> 00:13:08,162
JURASSIC PARK, E.T.,
JAWS, INDIANA JONES SERIES,
265
00:13:08,162 --> 00:13:11,625
AND IF YOU FOLLOW IT TO
MY CRITICALLY-ACCLAIMED
WALL...
266
00:13:11,625 --> 00:13:14,544
I HAVE SCHINDLER'S LIST
AND THE COLOR PURPLE.
267
00:13:14,544 --> 00:13:18,298
ALSO FOR HUMILITY PURPOSES--
268
00:13:18,298 --> 00:13:20,258
I ALSO KEEP HIS OTHERS--
269
00:13:20,258 --> 00:13:21,509
1941 AND ALWAYS,
270
00:13:21,509 --> 00:13:23,136
IN LIMITED
BUT ACCESSIBLE VIEW.
271
00:13:23,136 --> 00:13:26,681
ARE YOU FAMILIAR
WITH OBSESSIVE
REALITY DISORDERS?
272
00:13:26,681 --> 00:13:28,391
IT'S BEYOND THAT.
273
00:13:28,391 --> 00:13:30,935
SEE, I BELIEVE THAT
ALL THE MYSTERIES
OF THE UNIVERSE,
274
00:13:30,935 --> 00:13:32,646
ALL THE ANSWERS
TO LIFE'S QUESTIONS
275
00:13:32,646 --> 00:13:33,854
CAN BE FOUND
IN A SPIELBERG FILM.
276
00:13:33,854 --> 00:13:35,690
IT'S A THEORY
I'VE BEEN WORKING ON.
277
00:13:35,690 --> 00:13:37,525
YOU SEE, WHENEVER
I HAVE A PROBLEM,
278
00:13:37,525 --> 00:13:40,528
ALL I HAVE TO DO
IS LOOK TO THE RIGHT
SPIELBERG MOVIE,
279
00:13:40,528 --> 00:13:42,405
AND THE ANSWER'S
REVEALED.
280
00:13:42,405 --> 00:13:44,449
HAVE YOU CONSIDERED
A 12-STEP PROGRAM?
281
00:13:44,449 --> 00:13:46,409
WIT.
282
00:13:46,409 --> 00:13:47,619
WE LIKE THAT
AROUND HERE.
283
00:13:52,831 --> 00:13:55,042
VICTIM?
I DON'T DO VICTIMS.
284
00:13:55,042 --> 00:13:58,212
NO. I ACTUALLY SEE YOU
AS A VIBRANT,
YET COMPLEX HEROINE
285
00:13:58,212 --> 00:13:59,838
WHO ENDS UP
SAVING THE DAY.
286
00:13:59,838 --> 00:14:02,049
YOU ARE VERY SMOOTH.
287
00:14:02,049 --> 00:14:03,802
ACTUALLY,
IN ALL SERIOUSNESS,
288
00:14:03,802 --> 00:14:06,554
THE BOSTON FILM CRITICS
HAVE THIS PROGRAM
FOR JUNIOR FILMMAKERS.
289
00:14:06,554 --> 00:14:08,222
HEAVY COMPETITION.
290
00:14:08,222 --> 00:14:10,183
THE DEADLINE'S IN 2--
WE'RE REALLY UNDER THE GUN.
291
00:14:10,183 --> 00:14:12,101
JENNIFER!
292
00:14:12,101 --> 00:14:13,520
OH...
293
00:14:25,239 --> 00:14:26,574
I BETTER GO.
294
00:14:26,574 --> 00:14:28,451
DON'T WANT HER
TO ERUPT.
295
00:14:28,451 --> 00:14:30,036
I'LL SEE YOU
AT SCHOOL.
296
00:14:30,036 --> 00:14:32,539
BYE.
297
00:14:41,506 --> 00:14:42,674
JOEY, HEY,
WHERE YOU BEEN?
298
00:14:42,674 --> 00:14:44,467
COME ON, SIT DOWN.
299
00:14:44,467 --> 00:14:46,344
WATCH THIS.
300
00:14:49,723 --> 00:14:52,266
772-5982.
301
00:14:52,266 --> 00:14:53,976
BACK TO YOU,
BOB.
302
00:14:53,976 --> 00:14:56,145
DO YOU THINK
MY MOM'S SLEEPING
WITH HER CO-ANCHOR?
303
00:14:56,145 --> 00:14:57,230
WHERE'D
THAT COME FROM?
304
00:14:57,230 --> 00:14:58,732
WATCH.
305
00:14:58,732 --> 00:15:01,942
...982.
BACK TO YOU, BOB.
306
00:15:01,942 --> 00:15:03,737
SOMETHING ABOUT HER Bs.
307
00:15:03,737 --> 00:15:05,363
THEY'RE TOO SOFT.
308
00:15:05,363 --> 00:15:06,989
"BACK TO YOU, BOB."
309
00:15:06,989 --> 00:15:08,408
YOU'RE REACHING.
310
00:15:08,408 --> 00:15:10,910
I MEAN, WHY WOULD
YOUR MOM BE SLEEPING
WITH HER CO-ANCHOR?
311
00:15:10,910 --> 00:15:12,953
YOUR DAD'S THE PERFECT
MALE SPECIMEN.
312
00:15:12,953 --> 00:15:14,581
I DON'T KNOW,
BUT I THINK THEY ARE.
313
00:15:14,581 --> 00:15:16,207
YOU'RE JUST LOOKING
FOR CONFLICT.
314
00:15:16,207 --> 00:15:18,668
EVERYTHING'S A POTENTIAL
SCRIPT TO YOU...
315
00:15:18,668 --> 00:15:20,587
ACCEPT YOUR PERFECT
LIFE, DAWSON.
316
00:15:20,587 --> 00:15:23,464
IT'S REALITY.
317
00:15:23,464 --> 00:15:24,465
BACK TO YOU, BOB.
318
00:15:24,465 --> 00:15:27,176
CLEANUP CONTINUES--
319
00:15:27,176 --> 00:15:28,469
...982.
320
00:15:28,469 --> 00:15:29,929
BACK TO YOU, BOB.
321
00:15:59,375 --> 00:16:01,085
MORNIN', GRANDDADDY.
322
00:16:19,520 --> 00:16:21,063
WHAT ARE YOU DOING?
323
00:16:21,063 --> 00:16:24,191
I--I WAS--I WAS JUST
SAYING GOOD MORNING.
324
00:16:25,735 --> 00:16:26,986
YOUR BREAKFAST
IS READY.
325
00:16:30,364 --> 00:16:32,199
I'M GLAD
I'M HERE, GRAMS.
326
00:16:32,199 --> 00:16:34,118
YOU BETTER HURRY.
327
00:16:34,118 --> 00:16:36,913
YOU DON'T
WANT TO BE LATE
YOUR FIRST DAY.
328
00:16:43,878 --> 00:16:46,380
YOU KNOW,
I DON'T USUALLY EAT
IN THE MORNING, GRAMS.
329
00:16:46,380 --> 00:16:48,508
I--I APPRECIATE
THE FUSS AND ALL,
330
00:16:48,508 --> 00:16:50,844
BUT MY EYES BARELY
OPEN BEFORE NOON.
331
00:16:50,844 --> 00:16:53,513
JUST A COFFEE FIX
AND I'M SET.
332
00:16:53,513 --> 00:16:58,100
WELL, I'LL
REMEMBER THAT
IN THE FUTURE.
333
00:16:58,100 --> 00:16:59,936
SO TELL ME ABOUT
THIS DAWSON GUY
NEXT DOOR.
334
00:16:59,936 --> 00:17:01,437
HE LOOKS SO DIFFERENT.
335
00:17:01,437 --> 00:17:04,273
HE USED TO BE KIND OF
SHORT AND COMPACT.
336
00:17:04,273 --> 00:17:06,985
YOU STAY AWAY.
THAT BOY IS TROUBLE.
337
00:17:06,985 --> 00:17:09,779
AREN'T THEY ALL?
338
00:17:09,779 --> 00:17:11,948
WELL, WHAT ABOUT
THE GIRL WHO LIVES
DOWN THE CREEK?
339
00:17:11,948 --> 00:17:15,033
UM...JOEY,
I THINK HER NAME IS?
340
00:17:15,033 --> 00:17:16,744
THAT GIRL FROM
DOWN THE CREEK
341
00:17:16,744 --> 00:17:18,496
HAS BEEN CRAWLING IN
THE BEDROOM WINDOW
342
00:17:18,496 --> 00:17:20,122
OF THAT BOY
FROM NEXT DOOR
343
00:17:20,122 --> 00:17:23,417
FOR THE PAST
10 YEARS.
344
00:17:23,417 --> 00:17:24,836
NEITHER GOES TO CHURCH.
345
00:17:24,836 --> 00:17:27,881
I BELIEVE THEY'RE
WHAT YOU CALL
THE WRONG ELEMENT.
346
00:17:29,716 --> 00:17:31,926
RIGHT.
347
00:17:39,559 --> 00:17:40,935
SAY GRACE, DEAR.
348
00:17:42,937 --> 00:17:44,146
THAT'S OK.
YOU--YOU CAN DO IT.
349
00:17:44,146 --> 00:17:46,733
NOW, IT WOULD BE
NICE IF YOU DID IT.
350
00:17:48,108 --> 00:17:50,069
I DON'T THINK SO, GRAMS.
THANKS, THOUGH.
351
00:17:51,654 --> 00:17:52,989
IS THERE SOME REASON
352
00:17:52,989 --> 00:17:54,949
YOU DON'T WANT TO
THANK OUR LORD
THIS MORNING?
353
00:17:54,949 --> 00:17:56,409
UH...
354
00:17:56,409 --> 00:17:58,745
YOU KNOW, GRAMS,
I REALLY DIDN'T WANT
TO GET INTO THIS
355
00:17:58,745 --> 00:18:00,162
SINCE I ONLY
JUST GOT HERE
356
00:18:00,162 --> 00:18:02,164
AND I'M
KIND OF PRONE TO
HEADACHES AND ALL,
357
00:18:02,164 --> 00:18:04,834
BUT, UM, YOU KNOW,
I DON'T DO REAL WELL
358
00:18:04,834 --> 00:18:07,962
WITH THE CHURCH
AND THE BIBLE
AND THIS PRAYER STUFF.
359
00:18:07,962 --> 00:18:09,714
I BEG YOUR PARDON?
360
00:18:11,925 --> 00:18:13,551
I DON'T COVET
A RELIGIOUS GOD.
361
00:18:13,551 --> 00:18:15,094
GRAMS, I'M AN ATHEIST.
362
00:18:42,580 --> 00:18:44,916
HI. I'M NELLIE OLESEN.
363
00:18:44,916 --> 00:18:46,542
NELLIE, AS IN
LITTLE HOUSE--
364
00:18:46,542 --> 00:18:47,877
I KNOW, I KNOW.
365
00:18:47,877 --> 00:18:49,295
LITTLE HOUSE
ON THE PRAIRIE
366
00:18:49,295 --> 00:18:51,005
WAS, LIKE,
MY MOM AND DAD'S
FAVORITE SHOW,
367
00:18:51,005 --> 00:18:52,298
BUT NO
PRECONCEPTIONS, OK?
368
00:18:52,298 --> 00:18:53,967
I'M NOT
LIKE HER AT ALL.
369
00:18:53,967 --> 00:18:55,593
UH, I'M JEN.
370
00:18:55,593 --> 00:18:57,261
FROM NEW YORK.
371
00:18:57,261 --> 00:18:58,429
I KNOW.
372
00:18:58,429 --> 00:18:59,597
HOW'S
YOUR GRANDFATHER?
373
00:18:59,597 --> 00:19:00,932
HE HAS US
ALL WORRIED.
374
00:19:00,932 --> 00:19:02,516
HE'S STILL ON
THE PRAYER LIST
AT CHURCH.
375
00:19:02,516 --> 00:19:04,018
YOU PARTY?
376
00:19:04,018 --> 00:19:05,478
EXCUSE ME?
377
00:19:05,478 --> 00:19:07,229
PAR-TY.
378
00:19:08,648 --> 00:19:11,317
UH...PARTY
AS IN, DO I LIKE
TO HAVE A GOOD TIME
379
00:19:11,317 --> 00:19:13,027
OR PARTY AS IN,
DRINK AND USE DRUGS?
380
00:19:13,027 --> 00:19:15,154
IT'S SUBJECTIVE.
381
00:19:16,614 --> 00:19:19,075
I LIKE TO HAVE
A GOOD TIME...
SUBSTANCE-FREE.
382
00:19:19,075 --> 00:19:21,159
MAYBE WE SHOULD
CALL YOU NELLIE.
383
00:19:22,703 --> 00:19:24,580
SEE YA.
384
00:19:25,748 --> 00:19:26,916
HEY.
385
00:19:26,916 --> 00:19:28,208
HOW'S IT GOING?
386
00:19:28,208 --> 00:19:29,543
I COULD REALLY
USE A CIGARETTE.
387
00:19:29,543 --> 00:19:31,129
YOU SMOKE?
388
00:19:31,129 --> 00:19:33,047
OH, I QUIT.
I'M JUST A LITTLE TENSE.
389
00:19:33,047 --> 00:19:34,507
WELL, YOU'RE
HIDING IT WELL.
390
00:19:34,507 --> 00:19:35,716
I HAVE A GREAT
DENIAL SYSTEM.
391
00:19:35,716 --> 00:19:37,093
AH, IT'S
THE FIRST DAY.
392
00:19:37,093 --> 00:19:39,345
IT'LL GET EASIER.
GOOD.
393
00:19:39,345 --> 00:19:41,388
HOW'S YOUR SCHEDULE?
THEY SCREWED UP MINE.
394
00:19:41,388 --> 00:19:43,057
WHO DO YOU HAVE
FIRST PERIOD?
395
00:19:43,057 --> 00:19:44,642
UM, BRINSON, BIOLOGY.
396
00:19:44,642 --> 00:19:46,727
I WAS JUST
HEADING THAT WAY.
397
00:19:46,727 --> 00:19:48,604
WERE YOU?
398
00:20:00,033 --> 00:20:02,368
TAMARA.
399
00:20:02,368 --> 00:20:03,452
HELLO, PACEY.
400
00:20:03,452 --> 00:20:04,787
I'LL TELL YOU WHAT,
401
00:20:04,787 --> 00:20:07,206
WHY DON'T YOU
CALL ME MS. JACOBS
DURING SCHOOL HOURS?
402
00:20:08,415 --> 00:20:09,542
RIGHT. OF COURSE.
403
00:20:28,519 --> 00:20:32,106
HEY...HI.
404
00:20:32,106 --> 00:20:34,233
I WAS HOPING WE'D HAVE
A CLASS TOGETHER.
405
00:20:34,734 --> 00:20:37,277
HERE WE ARE.
406
00:20:47,413 --> 00:20:49,957
MRS. BATES.
407
00:20:49,957 --> 00:20:51,876
PSYCHO.
408
00:20:53,794 --> 00:20:55,295
YOU KNOW THE FILM?
409
00:20:55,295 --> 00:20:57,757
ANTHONY PERKINS,
JANET LEIGH,
UNIVERSAL, 1960.
410
00:20:57,757 --> 00:21:00,176
DID YOU KNOW THAT
HITCHCOCK SURPRISED
411
00:21:00,176 --> 00:21:01,844
JANET LEIGH
WITH FREEZING COLD WATER
412
00:21:01,844 --> 00:21:03,637
TO GET HER TO SCREAM
SO EFFECTIVELY?
413
00:21:03,637 --> 00:21:05,014
WHO ARE YOU?
414
00:21:05,014 --> 00:21:06,891
DAWSON LEERY.
415
00:21:06,891 --> 00:21:09,351
THEN I TAKE IT YOU'LL BE
IN MY FIFTH PERIOD FILM LAB.
416
00:21:09,351 --> 00:21:10,978
ACTUALLY,
THAT'S WHY I'M HERE.
417
00:21:10,978 --> 00:21:13,106
THERE SEEMS TO BE SOME CONFUSION
WITH MY SCHEDULE.
418
00:21:13,106 --> 00:21:15,149
I WAS DENIED ADMITTANCE
TO YOUR FILM CLASS.
419
00:21:15,149 --> 00:21:17,193
THEN YOU MUST BE
A SOPHOMORE.
420
00:21:17,193 --> 00:21:19,612
AND THAT'S NOT
A GOOD THING?
421
00:21:19,612 --> 00:21:21,239
THIS IS A VERY POPULAR
CLASS, DAWSON.
422
00:21:21,239 --> 00:21:23,157
SEATING IS LIMITED.
THERE'S A WAITING LIST.
423
00:21:23,157 --> 00:21:24,909
PRIORITY GOES
TO UPPERCLASSMEN.
424
00:21:24,909 --> 00:21:27,078
WELL, THAT'S STUPID.
425
00:21:27,078 --> 00:21:28,579
EXCUSE ME?
WHO MADE THAT RULE?
426
00:21:28,579 --> 00:21:29,997
I DID.
427
00:21:29,997 --> 00:21:32,291
OH.
428
00:21:34,376 --> 00:21:35,836
WHY ARE YOU SO ADAMANT?
429
00:21:35,836 --> 00:21:38,505
PASSION, MR. GOLD.
430
00:21:38,505 --> 00:21:39,673
PURE, MAD-DRIVEN PASSION.
431
00:21:39,673 --> 00:21:41,050
MOVIES ARE MY LIFE.
432
00:21:41,050 --> 00:21:43,677
OH, I SEE.
433
00:21:43,677 --> 00:21:45,387
I'M SORRY.
434
00:21:45,387 --> 00:21:48,141
I'M NOT COMING ACROSS
WELL AT ALL HERE.
435
00:21:48,141 --> 00:21:50,184
THE POINT IS, I'M GOING
TO BE A FILMMAKER.
436
00:21:50,184 --> 00:21:51,310
IT'S MY LIFE'S AMBITION.
437
00:21:51,310 --> 00:21:52,519
IT ALWAYS HAS BEEN.
438
00:21:52,519 --> 00:21:53,813
HOW MANY STUDENTS
439
00:21:53,813 --> 00:21:56,190
DO YOU HAVE IN THIS
CLASS THAT CAN SAY THAT?
440
00:21:56,190 --> 00:21:57,441
THIS IS A SMALL TOWN,
MR. GOLD.
441
00:21:57,441 --> 00:21:59,944
THERE'S NOT A LOT
OF OPPORTUNITY FOR ME.
442
00:21:59,944 --> 00:22:02,071
YOU HAVE THE POWER.
443
00:22:02,071 --> 00:22:03,656
YOU COULD
EASILY OVERRIDE
444
00:22:03,656 --> 00:22:06,533
THIS BIZARRE RULE THAT DENIES
STUDENTS THEIR EDUCATION.
445
00:22:06,533 --> 00:22:09,411
YOU'RE VERY CONVINCING,
DAWSON LEERY.
446
00:22:09,411 --> 00:22:12,498
BUT I'M AFRAID
THE CLASS IS MAXED OUT.
447
00:22:12,498 --> 00:22:14,458
I WISH I COULD MAKE
CASE BY CASE EXCEPTIONS,
448
00:22:14,458 --> 00:22:16,460
BUT THAT WOULD BE
UNFAIR AND PROBLEMATIC.
449
00:22:16,460 --> 00:22:19,672
I'M SORRY TO SAY NO
IS MY DEFINITIVE ANSWER.
450
00:22:19,672 --> 00:22:21,757
BUT...
451
00:22:21,757 --> 00:22:23,092
NO, PERIOD.
452
00:22:23,092 --> 00:22:24,342
IT'S A COMPLETE SENTENCE.
453
00:22:28,055 --> 00:22:30,183
HEY, JOEY. JOEY.
454
00:22:30,183 --> 00:22:32,476
UM, CAN I ASK YOU
SOMETHING KINDA UP FRONT?
455
00:22:32,476 --> 00:22:34,812
SURE.
456
00:22:34,812 --> 00:22:37,397
ARE YOU
AND DAWSON A THING?
457
00:22:37,397 --> 00:22:39,483
NO, WERE JUST FRIENDS.
458
00:22:39,483 --> 00:22:42,903
LIKE WE'RE
GOING TO BE, I HOPE.
459
00:22:42,903 --> 00:22:45,281
YOU KNOW, MY GRAMS
WARNED ME ABOUT YOU.
460
00:22:45,281 --> 00:22:46,991
SHE SAYS YOU'RE
SEVERELY TROUBLED.
461
00:22:46,991 --> 00:22:49,118
WELL, NO OFFENSE, BUT
YOUR GRAMS IS CRACKED.
462
00:22:49,118 --> 00:22:50,828
WHY DOES SHE
RAG ON YOU?
463
00:22:50,828 --> 00:22:52,121
PICK A TOPIC.
464
00:22:52,121 --> 00:22:54,040
THERE'S MY DAD,
THE IMPRISONED CONVICT,
465
00:22:54,040 --> 00:22:56,083
OR MY SISTER, IMPREGNATED
BY HER BLACK BOYFRIEND--
466
00:22:56,083 --> 00:22:57,417
YOUR FATHER'S
IN PRISON?
467
00:22:57,417 --> 00:22:59,086
CONSPIRACY TO
TRAFFIC MARIJUANA
468
00:22:59,086 --> 00:23:00,629
IN EXCESS OF
10,000 POUNDS.
469
00:23:00,629 --> 00:23:03,716
WOW, UM, SO THEN,
WHERE'S YOUR MOTHER?
470
00:23:03,716 --> 00:23:05,718
OH, SHE HAD THIS
CANCER THING.
471
00:23:05,718 --> 00:23:07,678
IT GOT HER.
472
00:23:07,678 --> 00:23:09,138
SO THEN YOU LIVE
WITH YOUR SISTER?
473
00:23:09,138 --> 00:23:12,099
AND THE BLACK
BOYFRIEND.
474
00:23:12,099 --> 00:23:13,100
HE LIKES YOU,
YOU KNOW.
475
00:23:13,100 --> 00:23:14,476
WHO, THE BLACK
BOYFRIEND?
476
00:23:14,476 --> 00:23:16,812
DAWSON.
477
00:23:16,812 --> 00:23:18,856
DON'T ABUSE
HIS FEELINGS.
478
00:23:28,032 --> 00:23:29,867
OKAY, THE BALD MAN
IS MR. HERMAN.
479
00:23:29,867 --> 00:23:31,244
HE TEACHES A TIMID
CALCULUS CLASS
480
00:23:31,244 --> 00:23:32,953
AND PACKS
A .45 MAGNUM.
481
00:23:32,953 --> 00:23:34,955
LAST YEAR OPENED FIRE--
TOOK OUT TWO STUDENTS
482
00:23:34,955 --> 00:23:36,957
AND A CUSTODIAN.PLED JUSTIFIABLE HOMICIDE.
483
00:23:36,957 --> 00:23:39,043
THEY DIDN'T HAVE
A HALL PASS.
484
00:23:39,043 --> 00:23:41,087
WOMAN IN THE FUNKY,
BLACK DRESS.
485
00:23:41,087 --> 00:23:42,380
PERIODIC DRINKER.
486
00:23:42,380 --> 00:23:44,131
BLACKS OUT AFTER TWO
GLASSES OF CHEAP WINE
487
00:23:44,131 --> 00:23:46,175
AND RUNS THROUGH TOWN WITH
HER DRESS OVER HER HEAD.
488
00:23:46,175 --> 00:23:48,094
SINGING NEIL DIAMOND SONGS.
489
00:23:48,094 --> 00:23:49,636
YOU'RE GOOD.
490
00:23:49,636 --> 00:23:52,598
I SHOULD BRING YOU IN
TO PUNCH UP MY DIALOGUE.
491
00:23:52,598 --> 00:23:55,309
UM, WE'RE SUPPOSED
TO BE WORKING, DAWSON.
492
00:23:55,309 --> 00:23:57,270
YEAH, WOULD YOU MIND
TAKING A LOOK
AT ACT THREE?
493
00:23:57,270 --> 00:23:59,021
SURE.
I'M HAVING
A CLIMAX ISSUE.
494
00:24:04,610 --> 00:24:07,280
TAMARA--
PARDON, MS. JACOBS.
495
00:24:07,280 --> 00:24:10,032
HOW WAS THE GRADUATE?
496
00:24:10,032 --> 00:24:11,367
JUST AS I REMEMBERED.
497
00:24:11,367 --> 00:24:13,994
ARE YOU LOOKING
FOR ROMANCE TONIGHT?
498
00:24:15,621 --> 00:24:17,664
WHY, YOU GOT
ANY SUGGESTIONS?
499
00:24:17,664 --> 00:24:21,001
UH, HAVE YOU EVER SEEN
THE SUMMER OF '42?
500
00:24:21,001 --> 00:24:24,422
REFRESH MY MEMORY.
501
00:24:24,422 --> 00:24:26,299
WELL, IT'S ABOUT
A BEAUTIFUL WOMAN
502
00:24:26,299 --> 00:24:29,885
WHO SEDUCES A YOUNG BOY
ON THE VERGE OF MANHOOD.
503
00:24:29,885 --> 00:24:32,430
IT'S A FAVORITE.
504
00:24:32,430 --> 00:24:35,473
I, UH, COULD RESERVE
IT FOR YOU IF YOU LIKE.
505
00:24:35,473 --> 00:24:38,476
ACTUALLY, TONIGHT
I'M GOING TO SEE
506
00:24:38,476 --> 00:24:40,187
THAT NEW FILM
PLAYING AT THE RIALTO.
507
00:24:40,187 --> 00:24:43,316
YEAH.
508
00:24:43,316 --> 00:24:44,482
IT'S GETTING
GREAT REVIEWS.
509
00:24:44,482 --> 00:24:46,610
OH, YEAH.
510
00:24:46,610 --> 00:24:50,488
WELL, UH, I GUESS
I'LL MAYBE CHECK
IT OUT THEN.
511
00:24:53,409 --> 00:24:55,493
HEY, WATCH IT!
512
00:24:59,373 --> 00:25:02,584
MAN, VIDEO WOMAN
IS MY NEW ENGLISH
TEACHER.
513
00:25:02,584 --> 00:25:04,378
OKAY, YOU, ME,
THE MOVIES TONIGHT.
514
00:25:04,378 --> 00:25:05,879
WE ARE STALKING
A FACULTY MEMBER.
515
00:25:05,879 --> 00:25:07,214
NEGATIVE.
WHAT?
516
00:25:07,214 --> 00:25:08,924
I ACTUALLY HAVE
THE POSSIBILITY
OF LOSING
517
00:25:08,924 --> 00:25:11,302
MY VIRGINITY
IN A HIGH-LEVEL
FANTASY FASHION.
518
00:25:11,302 --> 00:25:13,804
PACEY, GO HOME.
WALK YOUR DOG.
519
00:25:13,804 --> 00:25:15,889
IT'S NOT GOING TO HAPPEN
WITH THE ENGLISH TEACHER.
520
00:25:15,889 --> 00:25:18,476
NOT TONIGHT--
THAT'S NOT THE PLAN, MAN.
521
00:25:18,476 --> 00:25:21,687
I JUST WANT TO
FAMILIARIZE HER
WITH THE GAZE,
522
00:25:21,687 --> 00:25:23,689
THE SMILE, THE CHARMING
FEATURES, YOU KNOW.
523
00:25:23,689 --> 00:25:26,566
DON'T DO THIS TO YOURSELF.
LISTEN, IT IS A FACT
524
00:25:26,566 --> 00:25:28,361
THAT A LARGE PERCENTAGE
OF OLDER WOMEN ARE
525
00:25:28,361 --> 00:25:30,570
ATTRACTED TO YOUNG BOYS
ON THE VERGE OF MANHOOD. OKAY?
526
00:25:30,570 --> 00:25:31,822
IT KEEPS THEM
FEELING YOUNG.
527
00:25:31,822 --> 00:25:33,407
I READ THAT
IN COSMOPOLITAN.
528
00:25:33,407 --> 00:25:35,826
WHAT ARE YOU DOING
READING COSMOPOLITAN?
529
00:25:35,826 --> 00:25:38,120
LISTEN, I HAVE THREE MENSTRUALLY
DIVERSE SISTERS, OKAY?
530
00:25:38,120 --> 00:25:39,497
COSMO IS MY SAVIOR.
531
00:25:39,497 --> 00:25:41,248
WHAT DO YOU NEED ME FOR?
532
00:25:41,248 --> 00:25:43,876
MORAL SUPPORT, OKAY.
IT'LL BE COOL.
533
00:25:43,876 --> 00:25:46,795
YOU CAN INVITE
MISS TEEN NEW YORK.
534
00:25:49,631 --> 00:25:50,924
THAT SOUNDS GOOD.
535
00:25:50,924 --> 00:25:53,969
UNLESS SOMEBODY'S
BEATEN YOU TO IT.
536
00:25:56,222 --> 00:25:57,890
C'MON, MAN,
GET IN THERE.
537
00:25:57,890 --> 00:26:00,226
BE ASSERTIVE.
TALK TO HER,
ALL RIGHT?
538
00:26:00,226 --> 00:26:02,269
YOU KNOW, YOU SHOULD BE
THE ONE READING COSMO.
539
00:26:02,269 --> 00:26:04,562
IT'LL BUILD YOUR
FEMALE ESTEEM.
540
00:26:04,562 --> 00:26:06,440
GO ON...
541
00:26:11,195 --> 00:26:13,113
DAWSON, HEY,
HOW'S IT GOING?
542
00:26:13,113 --> 00:26:14,448
PRETTY GOOD.
543
00:26:14,448 --> 00:26:16,700
I SEE YOU'VE MET
ROGER FULLFORD.
544
00:26:16,700 --> 00:26:18,369
YEAH, NICE GUY.
545
00:26:18,369 --> 00:26:20,496
YEAH, JOCK
QUARTERBACK BY DAY,
546
00:26:20,496 --> 00:26:22,122
SCHIZOPHRENIC TRANSVESTITE BY NIGHT.
547
00:26:22,122 --> 00:26:23,457
OH, REALLY?
548
00:26:23,457 --> 00:26:25,167
HAS WHAT YOU CALL
A TORI SPELLING COMPLEX.
549
00:26:25,167 --> 00:26:27,503
HE'S PARTIAL
TO VICTORIA'S SECRET.
550
00:26:27,503 --> 00:26:28,670
JUST SO YOU KNOW.
551
00:26:28,670 --> 00:26:31,631
BUT CAN HE
RUN IN PUMPS?
552
00:26:31,631 --> 00:26:34,260
HEY, UH, PACEY IS
CREW DIRECTING A TRIP
TO THE MOVIES TONIGHT.
553
00:26:34,260 --> 00:26:36,011
NOTHING BIG,
JUST A FEW OF US.
554
00:26:36,011 --> 00:26:37,888
WOULD YOU LIKE TO COME?
555
00:26:43,852 --> 00:26:45,354
HEY, JOEY.
556
00:26:45,354 --> 00:26:47,689
I NEED A FAVOR.
UH-OH.
557
00:26:47,689 --> 00:26:49,275
I HAVE A SEMI QUASI
DATE WITH JEN TONIGHT.
558
00:26:49,275 --> 00:26:51,944
WE'RE GOING TO
THE MOVIES WITH PACEY
AND I NEED YOU COME WITH US.
559
00:26:51,944 --> 00:26:53,611
I'D RATHER GO DOWN
IN A PLANE CRASH.
560
00:26:53,611 --> 00:26:55,822
C'MON IT'S GONNA
REALLY WEIRD JUST
TWO GUYS AND JEN.
561
00:26:55,822 --> 00:26:56,823
IT WOULD EVEN IT OUT.
562
00:26:56,823 --> 00:26:58,451
WELL, SO WOULD IT BE
LIKE A DOUBLE DATE?
563
00:26:58,451 --> 00:26:59,617
SORTA, BUT NOT REALLY.
564
00:26:59,617 --> 00:27:01,370
PACEY'S ON THIS
HORMONAL MISSION--
565
00:27:01,370 --> 00:27:02,829
ARE YOU HAVING
AN ANEURYSM? NO WAY.
566
00:27:02,829 --> 00:27:05,124
IT'S JUST SO
THAT JEN WON'T
FEEL UNCOMFORTABLE.
567
00:27:05,124 --> 00:27:06,750
WELL, WE WOULDN'T
WANT THAT.
568
00:27:06,750 --> 00:27:08,377
C'MON, JOEY, PLEASE?
569
00:27:08,377 --> 00:27:10,170
PLEASE! PLEASE! PLEASE!
PLEASE! PLEASE!
570
00:27:10,170 --> 00:27:12,965
JOEY...PLEASE?
571
00:27:12,965 --> 00:27:15,468
WHATEVER.
THANK YOU!
572
00:27:15,468 --> 00:27:16,510
YOU'RE THE BEST.
I MEAN IT.
573
00:27:16,510 --> 00:27:18,262
I KNOW YOU'RE
WORRIED ABOUT
574
00:27:18,262 --> 00:27:21,265
OUR RELATIONSHIP AND EVERYTHING,
BUT I TOLD YOU NOTHING
HAS TO CHANGE.
575
00:27:21,265 --> 00:27:22,640
WE CAN TALK
ABOUT ANYTHING.
576
00:27:32,485 --> 00:27:33,944
WHERE EXACTLY
ARE YOU GOING?
577
00:27:33,944 --> 00:27:36,029
WELL, DAWSON HAS A GUN.
THOUGHT WE'D GO KNOCK OVER
578
00:27:36,029 --> 00:27:38,449
A FEW LIQUOR
STORES AND THEN GO
FOR SOME TATTOOS.
579
00:27:38,449 --> 00:27:40,409
WHY DO YOU TALK LIKE THAT, DEAR?
580
00:27:40,409 --> 00:27:42,286
I AM SIMPLY TRYING
TO ESTABLISH A RAPPORT
581
00:27:42,286 --> 00:27:43,912
WITH YOU THAT'S
BASED ON HUMOR.
582
00:27:43,912 --> 00:27:46,373
I'M COMPLETELY
HARMLESS, YOU'LL SEE.
583
00:27:46,373 --> 00:27:48,375
WELL, JUST BE
BACK BY 10:00.
584
00:27:48,375 --> 00:27:50,919
I CAN DO THAT.
THANKS FOR BEING
SO COOL ABOUT THIS.
585
00:27:50,919 --> 00:27:53,422
I THOUGHT YOU WERE
GONNA CHAIN ME TO A
CHAIR OR SOMETHING.
586
00:27:53,422 --> 00:27:54,590
NOT AT ALL.
587
00:27:54,590 --> 00:27:56,509
YOU WANT TO GO
TO THE MOVIES, GO.
588
00:27:56,509 --> 00:27:58,676
HAVE FUN, JUST
AS LONG AS YOU
589
00:27:58,676 --> 00:28:00,720
COME TO CHURCH WITH ME
ON SUNDAY MORNING.
590
00:28:00,720 --> 00:28:04,183
I KNEW THERE WAS
GOING TO BE CATCH.
591
00:28:04,183 --> 00:28:05,434
GRAMS, I'M SORRY,
592
00:28:05,434 --> 00:28:07,394
BUT YOU'RE GOING TO HAVE
TO GIVE UP ON THIS ONE.
593
00:28:07,394 --> 00:28:09,687
I'M AFRAID I INSIST.
594
00:28:11,398 --> 00:28:12,483
I'M FIRM ABOUT MY BELIEFS.
595
00:28:12,483 --> 00:28:14,276
PLEASE RESPECT THEM.
596
00:28:14,276 --> 00:28:16,570
LOOK, I KNOW WHAT
HAPPENED IN NEW YORK.
597
00:28:16,570 --> 00:28:17,904
CHURCH'D
DO YOU GOOD.
598
00:28:19,323 --> 00:28:21,367
LET ME DETERMINE THAT.
599
00:28:21,367 --> 00:28:23,827
CHURCH ISN'T THE ANSWER.
NOT FOR ME.
600
00:28:23,827 --> 00:28:26,205
BUT I PROMISE YOU,
I WILL KEEP AN OPEN MIND
601
00:28:26,205 --> 00:28:28,541
AND HONOR AND RESPECT
YOUR BELIEFS FOR AS
LONG AS I'M HERE.
602
00:28:28,541 --> 00:28:30,334
THE DECISION
HAS BEEN MADE.
603
00:28:30,334 --> 00:28:31,377
YOU WILL DO AS I SAY.
604
00:28:31,377 --> 00:28:33,253
YOU ARE UNDER MY GUARD.
605
00:28:33,253 --> 00:28:36,173
AH, YOU KNOW, I AM
TRYING REALLY HARD
606
00:28:36,173 --> 00:28:38,091
TO KEEP MY REBELLIOUS
NATURE IN CHECK.
607
00:28:40,636 --> 00:28:41,887
I'LL TELL YOU WHAT, GRAMS.
608
00:28:41,887 --> 00:28:44,306
I'LL GO TO CHURCH WHEN
YOU SAY THE WORD PENIS.
609
00:28:45,307 --> 00:28:47,226
YOU STOP THAT TALK.
610
00:28:47,226 --> 00:28:49,687
IT'S JUST A WORD, GRAMS.
611
00:28:49,687 --> 00:28:52,022
CLINICAL AND TECHNICAL--PENIS.
612
00:28:54,066 --> 00:28:55,693
GRAMS, I REALLY LOVE YOU,
613
00:28:55,693 --> 00:28:57,444
BUT YOU'RE GONNA
HAVE TO LIGHTEN UP.
614
00:28:57,444 --> 00:28:59,154
MM. I'LL SEE YOU LATER.
615
00:29:01,823 --> 00:29:02,908
...CLEAN UP IMMEDIATELY.
616
00:29:02,908 --> 00:29:04,451
ON THE NORTH ATLANTIC,
617
00:29:04,451 --> 00:29:06,579
IT HAS BEEN THE CAUSE
OF SEVERAL PREVIOUS SPILLS,
618
00:29:06,579 --> 00:29:10,123
IT STILL REMAINS ONE OF THE
COUNTRY'S LEADING OIL SUPPLIERS.
619
00:29:10,123 --> 00:29:11,625
ALL RIGHT.
620
00:29:11,625 --> 00:29:12,918
DAD, I'M OUTTA HERE.
621
00:29:12,918 --> 00:29:15,128
WHAT DO YOU THINK?
622
00:29:16,796 --> 00:29:18,591
I THOUGHT ALL
THE WAITRESSES
623
00:29:18,591 --> 00:29:20,884
COULD WEAR SCUBA GEAR.
624
00:29:20,884 --> 00:29:23,053
COMPLETELY IMPRACTICAL.
625
00:29:23,053 --> 00:29:25,180
DAD, THIS WHOLE
AQUATIC-THEMED
RESTAURANT IDEA
626
00:29:25,180 --> 00:29:27,057
GETS WORSE
ON A DAILY BASIS.
627
00:29:27,057 --> 00:29:30,269
SHIFT. YOUR MOM'S ON.
628
00:29:30,269 --> 00:29:34,314
WATCHING HER WORK
IS THE BEST FOREPLAY.
629
00:29:34,314 --> 00:29:35,482
I'M OUTTA HERE.
630
00:29:35,482 --> 00:29:38,569
HAVE FUN. PLAY SAFE.
631
00:29:38,569 --> 00:29:40,779
THE CONDOM CHAT IS PREMATURE.
632
00:29:40,779 --> 00:29:42,197
IT'S NEVER TOO EARLY.
633
00:29:42,197 --> 00:29:44,658
WHAT IS UP WITH THE SEX?
634
00:29:44,658 --> 00:29:46,118
IT'S ALL ANYBODY
THINKS ABOUT.
635
00:29:46,118 --> 00:29:47,494
SEX, SEX, SEX!
636
00:29:47,494 --> 00:29:49,496
WHAT IS THE BIG DEAL?
637
00:29:49,496 --> 00:29:51,665
SEX IS A VERY BIG PART
638
00:29:51,665 --> 00:29:53,584
OF WHO WE ARE
AS HUMAN BEINGS.
639
00:29:53,584 --> 00:29:55,961
DOES THAT MEAN WE HAVE
TO GO HUMP THE COFFEE TABLE?
640
00:29:55,961 --> 00:29:58,838
IF SEX IS SO
IMPORTANT, THEN HOW
COME SPIELBERG HAS NEVER
641
00:29:58,838 --> 00:30:02,468
HAD A SEX SCENE IN ONE
OF HIS MOVIES? HMM?
642
00:30:02,468 --> 00:30:04,303
HE KEEPS IT IN IT'S
PROPER PLACE IN FILM,
643
00:30:04,303 --> 00:30:06,096
AS SHOULD WE IN LIFE.
644
00:30:08,932 --> 00:30:10,392
I'LL BE HOME EARLY.
645
00:30:12,852 --> 00:30:14,647
BACK TO YOU, BOB.
646
00:30:23,739 --> 00:30:25,365
WHOA. HOLD ON A SEC.
647
00:30:25,365 --> 00:30:26,992
I'M IN A HURRY!
648
00:30:26,992 --> 00:30:29,745
YOUR ATTITUDE'S GOT TO GO.
649
00:30:42,299 --> 00:30:44,760
NOW, BLOT 'EM
TOGETHER LIKE THIS.
650
00:30:47,513 --> 00:30:50,766
YOU HOLD ONTO THIS,
AND EVERY HALF HOUR
TO AN HOUR
651
00:30:50,766 --> 00:30:52,892
YOU EXCUSE YOURSELF
TO GO TOUCH UP.
652
00:30:52,892 --> 00:30:54,060
GOT IT?
653
00:31:11,662 --> 00:31:13,706
SO DO YOU PLAN ON
STAYING THE WHOLE
SCHOOL YEAR?
654
00:31:13,706 --> 00:31:15,666
WELL, THAT DEPENDS
ON MY GRAMS REALLY,
655
00:31:15,666 --> 00:31:17,250
AND MY MOM AND DAD.
656
00:31:18,377 --> 00:31:19,919
HEY, JOEY, I LOVE
YOUR LIPSTICK.
657
00:31:19,919 --> 00:31:22,005
WHAT SHADE IS THAT?
WICKED RED.
658
00:31:22,005 --> 00:31:24,049
I LOVE YOUR HAIR COLOR.
WHAT NUMBER IS THAT?
659
00:31:24,049 --> 00:31:25,967
YOU'LL HAVE TO EXCUSE JOEY.
660
00:31:25,967 --> 00:31:28,721
SHE WAS BORN
IN A BARN.
THAT'S OKAY.
661
00:31:28,721 --> 00:31:29,888
JOEY, I JUST DO
HIGHLIGHTS.
662
00:31:29,888 --> 00:31:32,432
SO, UH, JEN,
YOU A VIRGIN?
663
00:31:32,432 --> 00:31:34,434
THAT'S MATURE.
664
00:31:34,434 --> 00:31:35,977
DAWSON IS A VIRGIN,
AND TWO VIRGINS
665
00:31:35,977 --> 00:31:38,146
MAKES FOR A CLUMSY
FIRST ENCOUNTER,
DON'T YOU THINK?
666
00:31:38,146 --> 00:31:39,732
YOU'RE GOING TO DIE.
667
00:31:39,732 --> 00:31:41,107
I JUST
THOUGHT I'D HELP.
668
00:31:41,107 --> 00:31:42,776
YOU KNOW,
CUT TO THE CHASE.
669
00:31:42,776 --> 00:31:44,486
NO, IT'S OKAY, DAWSON.
670
00:31:44,486 --> 00:31:46,363
YES, I AM A VIRGIN.
671
00:31:46,363 --> 00:31:47,989
HOW ABOUT YOU, JOEY?
ARE YOU A VIRGIN?
672
00:31:47,989 --> 00:31:49,616
PLEASE, YEARS AGO.
673
00:31:49,616 --> 00:31:51,827
TRUCKER NAMED BUBBA.
674
00:31:51,827 --> 00:31:53,911
WHAT IS UP WITH YOU?
675
00:32:27,780 --> 00:32:29,155
BACK IN A BIT.
676
00:33:14,910 --> 00:33:18,037
SO, JEN...YOU A SIZE QUEEN?
677
00:33:18,037 --> 00:33:20,081
EXCUSE ME?
678
00:33:20,081 --> 00:33:21,667
WELL, HOW IMPORTANT
IS THE SIZE TO YOU?
679
00:33:21,667 --> 00:33:22,793
JOEY.
680
00:33:22,793 --> 00:33:24,628
YOU KNOW,
BEING A VIRGIN,
681
00:33:24,628 --> 00:33:27,339
I GUESS I HAVEN'T
GIVEN IT MUCH THOUGHT.
HOW ABOUT YOURSELF, JO?
682
00:33:27,339 --> 00:33:28,507
I'M TORN...
683
00:33:28,507 --> 00:33:30,467
YOU AND ME,
OUTSIDE. NOW.
684
00:33:30,467 --> 00:33:31,677
WHAT DO YOU
THINK, DAWSON?
685
00:33:31,677 --> 00:33:32,678
I'M GOING TO
KILL YOU.
686
00:33:32,678 --> 00:33:33,929
I'M GOING
TO KILL YOU.
687
00:33:33,929 --> 00:33:35,472
DID YOU NOTICE
THE LONG FINGERS?
688
00:33:38,976 --> 00:33:42,938
A CONSTRUCTION
WORKER OR ONE OF THOSE GUYS...
689
00:33:42,938 --> 00:33:44,022
HEY, TAMARA.
690
00:33:44,022 --> 00:33:47,567
HI. PACEY, WHAT ARE
YOU DOING HERE?
691
00:33:47,567 --> 00:33:48,694
JUST CHECKING
OUT THE MOVIE.
692
00:33:48,694 --> 00:33:50,654
I CAME WITH SOME FRIENDS.
693
00:33:50,654 --> 00:33:52,489
OH, GOOD. I'M GLAD.
694
00:33:52,489 --> 00:33:54,240
BUT I CAN SIT HERE
WITH YOU, YOU KNOW.
695
00:33:54,240 --> 00:33:55,617
YOU WANT A MILK DUD?
696
00:33:55,617 --> 00:33:57,619
NO. BUT--
697
00:33:57,619 --> 00:33:59,204
OH, YEAH, BY THE WAY,
THE SUMMER OF '42
698
00:33:59,204 --> 00:34:01,247
IS OFFICIALLY
RESERVED IN YOUR NAME.
699
00:34:01,247 --> 00:34:03,333
OH, PACEY, LOOK, I DON'T
THINK YOU UNDERSTAND--
700
00:34:03,333 --> 00:34:04,668
NO, NO--
IT WAS NOTHING.
701
00:34:04,668 --> 00:34:06,795
I COULD EVEN COME OVER.
702
00:34:06,795 --> 00:34:08,839
WE COULD WATCH
IT TOGETHER, MAYBE...
703
00:34:08,839 --> 00:34:10,256
HI. UH, PACEY,
ARE YOU SURE
704
00:34:10,256 --> 00:34:12,384
YOU DON'T WANNA GO SIT
WITH YOUR FRIENDS?
705
00:34:12,384 --> 00:34:13,677
WHO'S THIS GUY?
706
00:34:13,677 --> 00:34:15,637
A FRIEND.
HEY, QUIET!
707
00:34:15,637 --> 00:34:17,263
SORRY.
708
00:34:17,263 --> 00:34:18,682
TAMMY, IS THIS KID
BOTHERING YOU?
709
00:34:18,682 --> 00:34:20,058
NO, BENJI.
710
00:34:20,058 --> 00:34:21,601
BENJI?
711
00:34:21,601 --> 00:34:23,770
MS. JACOBS INVITED
ME HERSELF.
712
00:34:23,770 --> 00:34:25,981
NOT EXACTLY.
LOOK, PACEY, YOU HAVE GOT
713
00:34:25,981 --> 00:34:28,107
TO UNDERSTAND, I WAS
ONLY RENTING A MOVIE.
714
00:34:28,107 --> 00:34:30,402
LOOK, WHY DON'T
I HELP YOU FIND
YOUR SEAT.
715
00:34:30,402 --> 00:34:31,361
GET YOUR HANDS OFF!
716
00:34:31,361 --> 00:34:32,946
WHAT?!
717
00:34:36,449 --> 00:34:37,701
WHAT'S YOUR PROBLEM?
718
00:34:37,701 --> 00:34:39,285
FROM THE MOMENT
LITTLE MISS HIGHLIGHTS
719
00:34:39,285 --> 00:34:41,078
SHOWED UP YOU HAVEN'T
SAID ONE WORD TO ME!
720
00:34:41,078 --> 00:34:42,789
CRAP! THAT IS PURE
CRAP AND YOU KNOW IT!
721
00:34:42,789 --> 00:34:45,291
ALL YOUR BLOOD
IS RUSHING DOWNWARD
AND YOU CAN'T EVEN
722
00:34:45,291 --> 00:34:47,335
ACKNOWLEDGE ANOTHER
HUMAN BEING IS
EVEN PRESENT!
723
00:34:47,335 --> 00:34:49,004
I LIKE HER, OKAY?!
724
00:34:49,004 --> 00:34:50,547
SUE ME, I THOUGHT
YOU WERE MY FRIEND!
725
00:34:50,547 --> 00:34:52,089
WHERE IS A LITTLE
UNDERSTANDING?
726
00:34:52,089 --> 00:34:54,467
I UNDERSTAND EVERYTHING!
I'M TIRED OF UNDERSTANDING!
727
00:34:54,467 --> 00:34:56,094
ALL I DO IS UNDERSTAND!
728
00:34:57,637 --> 00:34:58,972
JOEY!
729
00:35:00,933 --> 00:35:02,726
NOTHING PENETRATES
WITH YOU, DAWSON.
730
00:35:02,726 --> 00:35:04,227
YOU'RE SO FAR
REMOVED FROM REALITY,
731
00:35:04,227 --> 00:35:06,521
YOU CAN'T EVEN
SEE WHAT'S RIGHT
IN FRONT OF YOU.
732
00:35:06,521 --> 00:35:09,482
WHAT ARE YOU TALKING ABOUT?
YOUR LIFE.
733
00:35:09,482 --> 00:35:11,693
IT'S A FREAKING FAIRY TALE
AND YOU DON'T EVEN KNOW IT.
734
00:35:11,693 --> 00:35:13,987
YOU JUST WANT CONFLICT
735
00:35:13,987 --> 00:35:16,740
FOR THAT SCRIPT
YOU'RE WRITING.
736
00:35:16,740 --> 00:35:19,492
STOP LIVING IN THE MOVIES.
737
00:35:19,492 --> 00:35:21,118
GROW UP.
738
00:35:29,294 --> 00:35:30,629
I'LL WALK YOU
TO YOUR DOOR.
739
00:35:30,629 --> 00:35:34,215
UM, NOT WITH GRAMS
WAITING TO POUNCE.
740
00:35:34,215 --> 00:35:36,051
OH, THAT'S RIGHT.
YEAH.
741
00:35:40,764 --> 00:35:45,310
SO...
SO, UH...
742
00:35:45,310 --> 00:35:47,771
IT WAS A REALLY
REPULSIVE EVENING.
743
00:35:52,692 --> 00:35:54,611
UM, YOU KNOW WHAT?
744
00:35:54,611 --> 00:35:57,697
THIS IS ALL
MY FAULT.
745
00:35:57,697 --> 00:35:59,783
I KNOW I DON'T POSSESS
MUCH POWER IN THE UNIVERSE,
746
00:35:59,783 --> 00:36:02,494
BUT I FEEL COMPLETELY
RESPONSIBLE FOR
TONIGHT, DAWSON.
747
00:36:02,494 --> 00:36:03,787
NO, I...
748
00:36:03,787 --> 00:36:05,914
I PULLED THE PIN.
I TOSSED THE GRENADE.
749
00:36:05,914 --> 00:36:08,917
I GOT A BIG, OLD L RIGHT--
750
00:36:08,917 --> 00:36:12,211
NO, NO, YOU'RE NOT
A LOSER, DAWSON.
751
00:36:12,211 --> 00:36:15,632
YOU'RE VERY
SWEET...AND SMART.
752
00:36:15,632 --> 00:36:18,343
YOU'VE GOT A GREAT
SENSE OF HUMOR.
753
00:36:18,343 --> 00:36:20,386
YOU'RE COOL
WITHOUT BEING
754
00:36:20,386 --> 00:36:22,347
REALLY OBNOXIOUS
ABOUT IT.
755
00:36:24,641 --> 00:36:26,768
YOU'RE VERY, VERY TALENTED.
756
00:36:26,768 --> 00:36:28,812
YOU GOT CLEAR SKIN.
757
00:36:28,812 --> 00:36:29,980
BIG PLUS.
758
00:36:31,064 --> 00:36:32,691
THANK YOU.
759
00:36:32,691 --> 00:36:36,277
NO. THANK YOU.
760
00:36:36,277 --> 00:36:39,739
DAWSON, THINGS WERE NOT
SO GREAT FOR ME IN NEW YORK,
761
00:36:39,739 --> 00:36:43,576
AND, WELL, THEY'RE KINDA
SCARY RIGHT NOW, SO...
762
00:36:43,576 --> 00:36:45,495
THANK YOU.
763
00:36:50,709 --> 00:36:52,878
OH, UM...
764
00:36:52,878 --> 00:36:55,212
I SHOULD GO.
765
00:36:55,212 --> 00:36:57,174
BUT THANKS
766
00:36:57,174 --> 00:36:58,758
FOR EVERYTHING,
DAWSON.
767
00:36:58,758 --> 00:37:00,259
BUT, UM...
768
00:37:01,594 --> 00:37:04,639
I'M JUST GONNA
TO PRETEND WE
KISSED, OKAY?
769
00:37:26,161 --> 00:37:28,246
WHAT ARE THE CHANCES?
770
00:37:31,917 --> 00:37:33,793
PACEY, ARE YOU OKAY?
771
00:37:33,793 --> 00:37:34,920
I'LL LIVE.
772
00:37:34,920 --> 00:37:38,297
WAIT. TALK TO ME A SECOND.
773
00:37:38,297 --> 00:37:40,175
ABOUT WHAT? THE GRADUATE
OR THE SUMMER OF '42?
774
00:37:40,175 --> 00:37:42,719
WHICH WOULD YOU
RATHER DISCUSS?
775
00:37:42,719 --> 00:37:45,722
I'D LIKE TO CLEAR UP
THIS MISUNDERSTANDING.
776
00:37:45,722 --> 00:37:49,350
I UNDERSTAND YOU
PERFECTLY WELL,
MS. JACOBS.
777
00:37:51,103 --> 00:37:53,438
I'M SO SORRY.
YOU SHOULD BE
778
00:37:53,438 --> 00:37:55,190
BECAUSE YOU'RE A LIAR.
779
00:37:55,190 --> 00:37:57,692
HOW CAN YOU SAY YOU WERE
JUST RENTING A MOVIE?
780
00:37:57,692 --> 00:37:58,651
BECAUSE IT'S THE TRUTH.
781
00:37:58,651 --> 00:38:00,486
IT'S A CROCK.
782
00:38:00,486 --> 00:38:03,281
THE TRUTH IS YOU'RE A WELL PUT
TOGETHER, KNOCKOUT OF A WOMAN
783
00:38:03,281 --> 00:38:05,617
WHO'S FEELING A LITTLE
INSECURE ABOUT HITTING 40.
784
00:38:05,617 --> 00:38:09,328
SO WHEN A YOUNG,
VIRILE BOY SUCH AS
MYSELF FLIRTS WITH YOU,
785
00:38:09,328 --> 00:38:10,914
YOU ENJOY IT. YOU ENTICE IT.
786
00:38:10,914 --> 00:38:12,582
YOU FANTASIZE ABOUT
WHAT IT WOULD BE LIKE
787
00:38:12,582 --> 00:38:15,501
TO BE WITH THAT
YOUNG BOY ON THE
VERGE OF MANHOOD,
788
00:38:15,501 --> 00:38:19,256
'CAUSE IT HELPS YOU
STAY FEELING ATTRACTIVE.
789
00:38:19,256 --> 00:38:22,217
MAKES THE AGING PROCESS
A LITTLE MORE BEARABLE.
790
00:38:22,217 --> 00:38:24,803
WELL, LET ME TELL
YOU SOMETHING.
791
00:38:24,803 --> 00:38:26,471
YOU BLEW IT, LADY.
792
00:38:26,471 --> 00:38:29,808
'CAUSE I'M THE BEST
SEX YOU'LL NEVER HAVE.
793
00:38:34,437 --> 00:38:37,356
YOU'RE WRONG ABOUT
ONE THING, PACEY.
794
00:38:39,151 --> 00:38:41,736
YOU'RE NOT A BOY.
795
00:38:48,618 --> 00:38:50,162
GOD...
796
00:38:50,162 --> 00:38:52,705
I'M SORRY.
797
00:38:52,705 --> 00:38:55,083
OH, GOD...
798
00:39:01,131 --> 00:39:03,758
I'LL SEE YOU IN
SCHOOL, MS. JACOBS.
799
00:39:26,489 --> 00:39:29,117
WHOA.
800
00:39:29,117 --> 00:39:31,828
WHAT ARE YOU
DOING IN THERE?
801
00:39:31,828 --> 00:39:33,496
HANGING WITH THE CLOTHES.
802
00:39:36,082 --> 00:39:38,375
WHAT HAPPENED
TONIGHT, JOEY?
803
00:39:38,375 --> 00:39:40,377
I WIGGED OUT.
804
00:39:41,671 --> 00:39:44,507
WHAT IS GOING
ON BETWEEN US?
805
00:39:44,507 --> 00:39:46,885
I HAVE NO IDEA.
806
00:39:48,511 --> 00:39:50,388
I KNOW I HAVE THIS
INCREDIBLY PERFECT LIFE
807
00:39:50,388 --> 00:39:52,265
AND I COMPLETELY
UNDER APPRECIATE IT.
808
00:39:52,265 --> 00:39:53,558
YEAH, YOU DO.
809
00:39:53,558 --> 00:39:56,353
I'M SORRY I WAS SUCH
AN INSENSITIVE MALE.
810
00:39:56,353 --> 00:39:58,271
THOUGHT I WAS ABOVE IT.
811
00:40:00,481 --> 00:40:02,400
I DON'T WANNA LOSE YOU, JOEY.
812
00:40:03,985 --> 00:40:06,154
WHAT WE HAVE IS THE ONLY
THING THAT MAKES SENSE TO ME.
813
00:40:12,577 --> 00:40:15,330
WHEN I SAW YOU AT
THE MOVIE THEATER
WITH THAT LIPSTICK ON,
814
00:40:15,330 --> 00:40:18,250
I REMEMBER THINKING
HOW PRETTY YOU LOOKED.
815
00:40:18,250 --> 00:40:21,378
I MEAN,
I IGNORED IT.
816
00:40:21,378 --> 00:40:23,504
BUT I THOUGHT IT.
817
00:40:23,504 --> 00:40:24,923
YEAH?
818
00:40:24,923 --> 00:40:26,841
BUT THAT
WAS IT, JO.
819
00:40:29,261 --> 00:40:31,554
IT DIDN'T GO ANY
FURTHER THAN THAT.
820
00:40:32,805 --> 00:40:36,768
WHEN I...SAW YOU GOING
FOR JEN'S HAND, I...
821
00:40:38,103 --> 00:40:39,854
I MEAN, IT'S NOT LIKE
822
00:40:39,854 --> 00:40:43,024
I WANTED TO BE THE
ONE HOLDING YOUR HAND, I...
823
00:40:43,024 --> 00:40:45,693
I JUST DIDN'T
824
00:40:45,693 --> 00:40:48,154
WANT HER HOLDING IT.
825
00:40:48,154 --> 00:40:50,489
SO WHERE DOES THAT LEAVE US?
826
00:40:54,660 --> 00:40:58,248
IT'S ALL SO COMPLICATED.
827
00:40:58,248 --> 00:41:00,083
WE'RE GROWING UP,
DAWSON, THAT'S ALL.
828
00:41:00,083 --> 00:41:02,919
I MEAN, EVEN SPIELBERG
829
00:41:02,919 --> 00:41:04,754
OUTGREW HIS
PETER PAN SYNDROME.
830
00:41:11,010 --> 00:41:12,845
WHERE ARE YOU GOING?
831
00:41:15,098 --> 00:41:17,016
I CAN'T SLEEP OVER ANYMORE.
832
00:41:17,016 --> 00:41:19,060
AND WE CAN'T TALK TO EACH
OTHER THE WAY WE USED TO.
833
00:41:19,060 --> 00:41:21,771
THERE'S SOME THINGS
WE JUST CAN'T SAY.
834
00:41:21,771 --> 00:41:22,855
NO, THAT'S JUST NOT TRUE.
835
00:41:22,855 --> 00:41:24,649
JOEY, I CAN TELL
YOU ANYTHING.
YEAH?
836
00:41:24,649 --> 00:41:26,776
HOW OFTEN DO YOU
WALK YOUR DOG, HUH?
837
00:41:26,776 --> 00:41:28,320
WHAT?
838
00:41:28,320 --> 00:41:29,862
YOU KNOW WHAT I MEAN.
WHAT TIME OF DAY?
839
00:41:29,862 --> 00:41:31,406
HOW MANY TIMES A WEEK?
840
00:41:47,922 --> 00:41:49,590
GOOD NIGHT.
841
00:41:59,600 --> 00:42:00,977
SEE YA, DAWSON.
842
00:42:02,854 --> 00:42:04,856
SEE YA, JOEY.
843
00:42:49,775 --> 00:42:51,903
JOEY!
844
00:42:51,903 --> 00:42:55,365
USUALLY IN THE MORNING
WITH KATIE COURIC!
58445
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