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00:01:35,444 --> 00:01:37,614
BREATHE DEEPLY.
4
00:01:38,740 --> 00:01:41,743
RELAX YOUR SHOULDERS.
5
00:01:41,827 --> 00:01:43,995
COME. STANDING UP.
6
00:01:47,791 --> 00:01:50,418
- LEGS TOGETHER.
-
( phone ringing )
7
00:01:52,128 --> 00:01:53,630
RAISE YOUR ELBOWS,
BEND THE KNEES,
8
00:01:53,714 --> 00:01:55,591
LEGS THREE FEET APART.
9
00:01:55,674 --> 00:01:59,135
- Woman:
Joe, it's Lucy.
- LONG WAIST. LENGTHEN.
10
00:01:59,218 --> 00:02:01,555
Pick up the phone.
11
00:02:01,638 --> 00:02:04,056
Joe, I'd love to talk to you
before I go.
12
00:02:04,140 --> 00:02:05,893
GO WHERE?
13
00:02:05,975 --> 00:02:08,144
It's a damn nuisance
you're not here, big brother.
14
00:02:08,227 --> 00:02:10,313
- INHALE.
-
Please, baby, call me.
15
00:02:10,396 --> 00:02:12,941
- COME ALL THE WAY OUT.
-
It's the black sheep here.
16
00:02:13,024 --> 00:02:14,776
LEGS TOGETHER.
ARMS BY YOUR SIDE.
17
00:02:14,860 --> 00:02:17,236
-
I love you madly.
- ( answering machine beeps )
18
00:02:19,865 --> 00:02:21,365
LIFT THE ELBOWS,
BEND THE KNEES,
19
00:02:21,449 --> 00:02:25,662
LEGS WIDE APART.
ARMS OVER HEAD.
20
00:02:25,746 --> 00:02:27,539
RIGHT FOOT IN,
LEFT FOOT OUT.
21
00:02:27,623 --> 00:02:30,499
( women speaking in Spanish )
22
00:02:31,793 --> 00:02:33,587
KEEP BREATHING.
23
00:02:34,462 --> 00:02:36,840
KEEP BREATHING.
24
00:02:36,924 --> 00:02:38,926
INHALE ALL THE WAY UP.
25
00:02:39,008 --> 00:02:40,218
OTHER SIDE.
26
00:02:40,301 --> 00:02:41,678
( women speaking loudly )
27
00:02:43,429 --> 00:02:46,767
ARCH YOUR MIDDLE BACK.
LIFT FROM THE WAIST.
28
00:02:46,850 --> 00:02:48,685
INHALE LIGHTLY TOGETHER.
29
00:02:48,769 --> 00:02:50,519
AMERICA, COULD YOU JUST--?
30
00:02:50,604 --> 00:02:52,648
SORRY.
31
00:02:52,731 --> 00:02:54,900
THANK YOU, AMERICA.
32
00:02:54,983 --> 00:02:56,735
Instructor:
LONG ARMS.
33
00:02:56,818 --> 00:02:59,320
-
DOWNWARD DOG.
-
( phone ringing )
34
00:02:59,403 --> 00:03:04,701
- GOOD BOY, OTIS.
- BREATHE DEEPLY.
35
00:03:04,785 --> 00:03:08,371
Woman:
Hi, Dr. Harmon calling
for Sally Therrian.
36
00:03:08,454 --> 00:03:11,207
Please call the office
at your earliest convenience.
37
00:03:11,290 --> 00:03:13,334
The doctor is available
until 6:00 p.m. this evening,
38
00:03:13,417 --> 00:03:16,420
and then tomorrow
from 9:00 a.m. until--
39
00:03:16,504 --> 00:03:17,631
HELLO.
40
00:03:17,714 --> 00:03:19,340
YEAH, YEAH, YEAH,
I'M HERE.
41
00:03:20,508 --> 00:03:22,385
AND...?
42
00:03:23,804 --> 00:03:27,515
SO, I'M OKAY?
THAT'S GOOD.
43
00:03:27,599 --> 00:03:30,101
NO, I FEEL FINE.
44
00:03:30,184 --> 00:03:33,605
ALL RIGHT.
THANK YOU VERY MUCH.
45
00:03:33,689 --> 00:03:36,357
THAT'S IT.
KEEP BREATHING.
46
00:03:36,440 --> 00:03:38,317
BUTTOCKS AWAY
FROM THE WALL.
47
00:03:41,822 --> 00:03:44,032
NO LUCK.
48
00:03:44,115 --> 00:03:47,619
OH, WELL,
WE'LL HAVE TO TRY AGAIN.
49
00:03:47,703 --> 00:03:49,871
SOUND LIKE A PLAN?
50
00:03:49,955 --> 00:03:52,040
COME DOWN.
51
00:03:54,042 --> 00:03:56,127
COME ONTO YOUR BACKS.
52
00:03:57,671 --> 00:04:00,799
FINAL TWIST.
53
00:04:00,882 --> 00:04:03,259
OPEN YOUR ARMS...
54
00:04:03,342 --> 00:04:06,304
HAPPY ANNIVERSARY,
BABY.
55
00:04:06,387 --> 00:04:08,306
HAPPY ANNIVERSARY.
56
00:04:08,389 --> 00:04:10,976
CHANGE SIDES.
57
00:04:14,520 --> 00:04:16,439
( speaking in Spanish )
58
00:04:20,359 --> 00:04:23,947
( singing )
♪♪ ADIOS, MADRE DEL CIELO... ♪♪
59
00:04:24,031 --> 00:04:27,283
♪♪ MADRE DEL SALVADOR... ♪♪
60
00:04:27,366 --> 00:04:30,871
♪♪ ADIOS, ADIOS, ADIOS... ♪♪
61
00:04:45,844 --> 00:04:47,261
WHAT?
62
00:04:55,394 --> 00:04:58,023
YOU DIDN'T KISS ANYONE
ELSE'S KNEES, DID YOU?
63
00:04:59,900 --> 00:05:01,985
DID YOU?
64
00:05:05,781 --> 00:05:07,824
I MISSED THAT.
65
00:05:08,992 --> 00:05:11,953
I MISSED
ALL OF YOU.
66
00:05:12,037 --> 00:05:14,372
WE'RE OKAY,
AREN'T WE?
67
00:05:14,455 --> 00:05:17,834
- WE'RE GREAT.
- I MEAN, YOU'RE REALLY BACK?
68
00:05:18,794 --> 00:05:20,837
FOR GOOD.
69
00:05:55,997 --> 00:05:59,751
-
( phone ringing )
- OH, SHIT.
70
00:05:59,835 --> 00:06:03,337
- DON'T GET IT.
- I HAVE TO. IT MAY BE CLAIR.
71
00:06:03,421 --> 00:06:05,339
THEY'RE THREATENING
NOT TO COME.
72
00:06:05,423 --> 00:06:08,217
- WHAT?
- THEY CAN'T FIND A SITTER.
73
00:06:08,300 --> 00:06:10,678
( Joe huffs,
ringing continues )
74
00:06:10,762 --> 00:06:11,847
I JUST--
75
00:06:15,641 --> 00:06:17,435
HELLO?
76
00:06:20,147 --> 00:06:21,940
EXCUSE ME?
77
00:06:23,191 --> 00:06:26,778
HOLD ON.
NO, NO, NO, JUST--
78
00:06:26,862 --> 00:06:28,737
HOLD ON A SECOND.
79
00:06:32,159 --> 00:06:35,453
IT'S, UH...
SKYE DAVIDSON,
80
00:06:35,536 --> 00:06:38,039
SHE NEEDS DIRECTIONS
TO THE HOUSE.
81
00:06:39,707 --> 00:06:41,793
YOU INVITED
SKYE-FUCKING-DAVIDSON
82
00:06:41,877 --> 00:06:44,796
TO OUR ANNIVERSARY PARTY?
83
00:06:44,880 --> 00:06:46,589
I'M SORRY,
I MEANT TO TELL YOU.
84
00:06:46,672 --> 00:06:49,176
IT'S THE ONLY CHANCE
I HAD TO MEET HER.
85
00:06:49,258 --> 00:06:52,261
YOU INVITED SKYE DAVIDSON
TO OUR ANNIVERSARY PARTY,
86
00:06:52,344 --> 00:06:54,305
I DIDN'T EVEN
INVITE MY MOTHER.
87
00:06:55,598 --> 00:06:57,516
SALLY, I'M SORRY,
88
00:06:57,600 --> 00:07:00,603
SHE GOES ON LOCATION
TOMORROW.
89
00:07:00,686 --> 00:07:03,397
- I CAN'T KEEP HER ON HOLD.
- OH, NO, OF COURSE NOT.
90
00:07:03,481 --> 00:07:05,733
IT'S SKYE-FUCKING-DAVIDSON,
FOR FUCK'S SAKE.
91
00:07:05,817 --> 00:07:07,735
YOU WANT ME
TO UNINVITE HER?
92
00:07:07,819 --> 00:07:09,737
NO. NO, NO, NO.
93
00:07:09,821 --> 00:07:11,948
I MEAN, HOW OLD IS SHE?
TWENTY-FUCKING-TWO?
94
00:07:12,032 --> 00:07:14,366
SHE'S A STINKING,
FUCKING ACTRESS,
FOR FUCK'S SAKE.
95
00:07:21,041 --> 00:07:23,877
Joe:
SKYE, HELLO.
96
00:07:23,960 --> 00:07:25,879
( Joe laughs )
97
00:07:25,962 --> 00:07:27,839
YEAH, IT'S OUR SIXTH,
ACTUALLY.
98
00:07:29,423 --> 00:07:32,676
OH, YOU READ
THE NOVEL AGAIN?
99
00:07:32,760 --> 00:07:36,388
NO, THE END OF CHAPTER SIX
IS JUST NOT FILMIC.
100
00:07:36,472 --> 00:07:39,391
NO. WE DID TRY IT
IN AN EARLIER DRAFT,
101
00:07:39,475 --> 00:07:41,269
BUT IT'S JUST NOT FILMIC.
102
00:07:42,896 --> 00:07:45,148
YUP, OF COURSE WE CAN
LOOK AT IT AGAIN, YEAH.
103
00:07:46,732 --> 00:07:49,652
OKAY, IF YOU'RE COMING
FROM LAUREL
104
00:07:49,735 --> 00:07:52,404
YOU GO WEST ON SUNSET,
105
00:07:52,488 --> 00:07:54,615
AND THEN PAST
WILL ROGERS STATE PARK.
106
00:07:54,698 --> 00:07:57,202
GO UP ABOUT THREE-QUARTERS
OF A MILE,
107
00:07:57,285 --> 00:08:00,163
AND IT'S A BIG WHITE THING
ON THE LEFT.
108
00:08:04,708 --> 00:08:08,379
UM, WELL... NO.
109
00:08:08,462 --> 00:08:10,798
I'M SURE THEY ARE
WELL BEHAVED, I'M SURE.
110
00:08:10,882 --> 00:08:12,800
BUT IT'S JUST THAT ALL OUR
FRIENDS HAVE GOT DOGS
111
00:08:12,884 --> 00:08:15,761
AND IF THEY ALL BROUGHT THEM
112
00:08:15,844 --> 00:08:18,514
THEN WE'D BE OUTNUMBERED,
SO WE'VE PUT A BAN ON IT.
113
00:08:18,597 --> 00:08:20,474
SORRY.
114
00:08:23,937 --> 00:08:29,192
I'M REALLY LOOKING FORWARD
TO MEETING YOU, TOO, SKYE.
115
00:08:29,276 --> 00:08:32,736
AND I'M THRILLED YOU'RE WILLING
TO MAKE THIS LEAP WITH ME.
116
00:08:36,116 --> 00:08:38,034
I'M ETERNALLY
GRATEFUL, ACTUALLY.
117
00:08:38,118 --> 00:08:39,577
I'M GOING
TO THROW UP.
118
00:08:39,660 --> 00:08:42,496
I CAN'T IMAGINE
ANYONE ELSE PLAYING JENNA.
119
00:08:43,999 --> 00:08:47,043
REALLY?
120
00:08:47,127 --> 00:08:49,254
Woman:
I WANTED TO BE HERE
EARLY FOR SALLY.
121
00:08:49,337 --> 00:08:50,922
Man:
YOU WERE
SCREAMING AT ME.
122
00:08:51,006 --> 00:08:53,591
SO WHAT IF I WAS SCREAMING?
YOU'RE ALWAYS SCREAMING AT ME.
123
00:08:53,674 --> 00:08:55,884
- HEY!
- HI, THERE.
124
00:08:55,969 --> 00:08:58,221
- YOU'RE EARLY.
- WE'RE SO EARLY, SORRY.
125
00:08:58,305 --> 00:09:00,015
YOU HAVE TO SIGN
YOUR TAXES ANYWAY.
126
00:09:00,098 --> 00:09:02,100
OF COURSE, WE DO!
127
00:09:02,183 --> 00:09:04,060
Joe:
YOU CAN NEVER BE
TOO EARLY OR TOO THIN.
128
00:09:04,144 --> 00:09:06,229
HOW ARE YOU?
129
00:09:06,313 --> 00:09:09,065
- I'LL TAKE THAT, SHALL I?
- HAPPY ANNIVERSARY, BUDDY.
130
00:09:09,149 --> 00:09:10,774
SIX MONTHS AGO,
WHO WOULD HAVE THUNK IT?
131
00:09:10,858 --> 00:09:12,401
WELL, NOT ME,
TO BE HONEST.
132
00:09:12,484 --> 00:09:14,279
DON'T YOU FUCK UP AGAIN.
IT'S GOT A RIPPLE EFFECT.
133
00:09:14,362 --> 00:09:16,530
SALLY SUFFERS,
WE ALL SUFFER.
134
00:09:16,614 --> 00:09:18,449
- WE HAVE A GIFT.
- OH, YEAH.
135
00:09:18,532 --> 00:09:20,743
- WOULD YOU LIKE CHAMPAGNE?
- LOVELY.
136
00:09:20,826 --> 00:09:24,039
- WE CLOSED.
- FANTASTIC. COME OUTSIDE.
137
00:09:32,880 --> 00:09:35,342
THE HOUSE LOOKS BEAUTIFUL.
138
00:09:35,424 --> 00:09:38,636
THOSE WATER LILLIES,
THEY'RE... BEAUTIFUL.
139
00:09:42,182 --> 00:09:44,351
JOE OFFICIALLY OWNS
NUMBER FOUR CHEYNE WALK,
140
00:09:44,433 --> 00:09:47,020
CHELSEA, LONDON, ENGLAND.
NO SMALL DOING.
141
00:09:47,103 --> 00:09:50,190
- YOU'RE A GENIUS. I LOVE YOU.
- WELL, YES, I SUPPOSE I AM.
142
00:09:50,273 --> 00:09:51,649
THAT'S QUITE A GIFT.
143
00:09:51,732 --> 00:09:53,484
I'M NOT SURE IT'S
IN YOUR BEST INTEREST.
144
00:09:53,567 --> 00:09:54,735
I ADORE HIM.
145
00:09:54,818 --> 00:09:56,528
THE REALTOR WILL BE HERE
IN THE MORNING.
146
00:09:56,612 --> 00:09:59,032
THIS HOUSE HAS TO GO ON
THE MARKET TO INSURE
THE LONDON FLAT.
147
00:09:59,115 --> 00:10:01,034
- I KNOW. DON'T SPOIL IT.
- WHAT YOU EARN HAS TO DOUBLE
148
00:10:01,117 --> 00:10:03,452
- TO COVER EXPENSES IN LONDON.
- WE'VE BEEN OVER THIS.
149
00:10:03,535 --> 00:10:05,454
WE ONLY MADE HALF
YOUR QUOTE THIS YEAR.
150
00:10:05,537 --> 00:10:07,539
YOU'RE A TOWER
OF SUPPORT, JERRY.
151
00:10:07,623 --> 00:10:10,542
I'M SORRY. I WORRY
BECAUSE YOU DON'T.
152
00:10:10,626 --> 00:10:12,795
BESIDES,
I'M FEELING GUILTY.
153
00:10:12,878 --> 00:10:15,673
I WOULD HAVE LIKED IT
IF YOU'D WAITED
154
00:10:15,756 --> 00:10:17,675
UNTIL YOU TWO
WERE A LITTLE MORE
ON SOLID GROUND.
155
00:10:17,758 --> 00:10:19,468
WE COULDN'T BE
ON MORE SOLID GROUND.
156
00:10:19,551 --> 00:10:21,595
WHATEVER YOU SAY.
157
00:10:21,679 --> 00:10:23,597
LISTEN, I LOVE YOU.
158
00:10:23,681 --> 00:10:27,060
( Joe yells )
OTIS, NO BARKING!
159
00:10:27,143 --> 00:10:30,188
JOE'S HUGE IN EUROPE.
HE'S LIKE A ROCK STAR
IN LONDON.
160
00:10:30,271 --> 00:10:32,232
- HIS NOVELS SELL MILLIONS.
- NOT MILLIONS.
161
00:10:32,315 --> 00:10:35,110
- HE'S DIRECTING NOW.
- THEY'RE PAYING HIM SCALE.
162
00:10:35,193 --> 00:10:38,279
HE GETS HUGE ADVANCES
ON HIS NOVELS.
163
00:10:38,363 --> 00:10:40,572
HE'S GOING BACK TO THAT.
YOU KNOW HOW MUCH HE
HATES IT HERE.
164
00:10:40,656 --> 00:10:43,118
THERE'S STILL TIME
TO UNDO ALL OF THIS.
165
00:10:44,244 --> 00:10:46,121
WE'RE GOING TO BE FINE.
166
00:10:47,247 --> 00:10:49,374
I LOVE GIFTS.
167
00:10:49,457 --> 00:10:51,792
- WHAT DID YOU GET US?
- YOU CAN EXCHANGE IT.
168
00:10:51,875 --> 00:10:53,794
OH.
169
00:10:53,877 --> 00:10:56,297
WELL, GOOD.
170
00:10:56,381 --> 00:10:59,007
CONGRATULATIONS
ON THE DEAL!
171
00:10:59,092 --> 00:11:01,219
HOW EXCITING!
172
00:11:01,302 --> 00:11:04,555
IS SALLY
DOING "SALLY"?
173
00:11:04,638 --> 00:11:06,807
I MEAN, IT'S SALLY,
ISN'T IT?
174
00:11:06,890 --> 00:11:09,060
THE CHARACTER
THAT'S BASED ON SALLY?
175
00:11:09,144 --> 00:11:11,104
THE CHARACTER
THAT'S BASED ON SALLY
IN THE BOOK?
176
00:11:11,187 --> 00:11:13,106
THE NOVEL.
177
00:11:13,189 --> 00:11:15,108
NO, SKYE DAVIDSON'S
PLAYING THE LEAD.
178
00:11:15,191 --> 00:11:18,610
OH, MY GOD!
I'M A HUGE
SKYE DAVIDSON FAN.
179
00:11:18,694 --> 00:11:21,156
- SHE'S VERY BEAUTIFUL.
- YEAH, SHE IS.
180
00:11:21,239 --> 00:11:24,700
BUT I'M RIGHT, YES?
IT'S BASED ON SALLY?
181
00:11:24,783 --> 00:11:27,162
- IT'S A NOVEL.
- OH.
182
00:11:27,245 --> 00:11:30,165
WELL, UH--
183
00:11:30,248 --> 00:11:32,167
- LET'S DROP IT.
- YEAH.
184
00:11:33,834 --> 00:11:36,129
- DID YOU INVITE THEM?
- THE ROSES?
185
00:11:36,212 --> 00:11:38,339
- AND OF COURSE THEY SAID YES.
- THAT WAS THE PLAN...
186
00:11:38,423 --> 00:11:40,341
AND YOU'RE THRILLED
THAT THEY'RE COMING.
187
00:11:40,425 --> 00:11:41,800
- WHATEVER YOU SAY.
- DID YOU TELL JOE TO BEHAVE?
188
00:11:41,884 --> 00:11:43,136
YES!
189
00:11:43,219 --> 00:11:44,553
- DID HE PROMISE?
- SCOUT'S HONOR.
190
00:11:44,636 --> 00:11:47,223
OH, HERE.
BEFORE I FORGET,
191
00:11:47,307 --> 00:11:50,143
PUT THIS ON YOUR BOOKSHELF.
192
00:11:51,810 --> 00:11:54,062
YOU ARE OUT
OF YOUR MIND.
193
00:11:54,147 --> 00:11:56,232
YOU JUST DO WHAT
I'M TELLING YOU,
ALL RIGHT?
194
00:11:56,316 --> 00:11:59,152
HOW MUCH BOWING AND SCRAPING
DO YOU EXPECT US TO DO?
195
00:11:59,235 --> 00:12:01,154
IT BEATS A LAWSUIT.
196
00:12:01,237 --> 00:12:03,947
IS YOUR SCRIPT
MUCH LIKE THE NOVEL?
197
00:12:05,450 --> 00:12:07,701
JERRY SAYS
IT'S VERY GOOD.
198
00:12:07,785 --> 00:12:10,413
BUT YOU KNOW,
YOU READ THE NOVEL
199
00:12:10,497 --> 00:12:12,457
AND THEN YOU SEE THE MOVIE,
MOST OF THE TIME YOU'RE LIKE,
200
00:12:12,540 --> 00:12:15,418
"WHAT'S THIS?"
YOU KNOW?
201
00:12:15,502 --> 00:12:18,171
I SOMETIMES FEEL WE'RE
BETTER OFF NOT READING
THE NOVEL AT ALL
202
00:12:18,254 --> 00:12:19,547
BECAUSE WE COME AWAY
WITH THESE EXPECTATIONS
203
00:12:19,630 --> 00:12:23,675
AND THEN, OF COURSE,
WE KNOW HOW IT'S GOING--
204
00:12:23,759 --> 00:12:26,346
- DON'T YOU FIND?
- DON'T I FIND WHAT?
205
00:12:26,429 --> 00:12:28,806
-
( doorbell rings )
- YOU KNOW JERRY.
206
00:12:28,889 --> 00:12:30,599
- HI, HOW ARE YOU?
- NICE TO SEE YOU.
207
00:12:30,682 --> 00:12:32,768
HAPPY ANNIVERSARY.
208
00:12:34,437 --> 00:12:36,564
- HEY.
- YOU, I KNOW.
209
00:12:36,647 --> 00:12:38,358
YES, I KNOW.
I'VE HEARD.
210
00:12:38,441 --> 00:12:40,984
JACK? JACK?
211
00:12:41,068 --> 00:12:42,945
JACK, YOU PROMISED.
212
00:12:45,406 --> 00:12:48,742
- DON'T GET SHY.
- OH, JACK--
213
00:12:50,161 --> 00:12:52,871
♪♪ I RECKON I LOVE ♪♪
214
00:12:52,955 --> 00:12:55,874
♪♪ HAPPY ANNIVERSARY ♪♪
215
00:12:55,958 --> 00:12:58,710
♪♪ TO SALLY AND JOE ♪♪
216
00:12:58,794 --> 00:13:01,381
♪♪ WE'RE GLAD YOU CAME HOME ♪♪
217
00:13:01,464 --> 00:13:03,632
♪♪ DON'T SPLIT UP AGAIN ♪♪
218
00:13:03,715 --> 00:13:05,843
♪♪ 'CAUSE WE LIKE THE FOOD. ♪♪
219
00:13:09,597 --> 00:13:11,516
Joe:
OH, JACK, DID YOU
WRITE THAT YOURSELF?
220
00:13:11,599 --> 00:13:13,642
- ABSOLUTELY!
- ANY HELP AT ALL?
221
00:13:13,725 --> 00:13:15,936
- ABSOLUTELY NOT.
- IT HAS YOUR RING.
222
00:13:16,019 --> 00:13:17,855
YOU'VE MET
MY WIFE, JUDY.
223
00:13:17,938 --> 00:13:19,857
WE'VE MET BEFORE.
224
00:13:19,940 --> 00:13:21,984
HEY, CONGRATULATIONS,
BY THE WAY, MAN.
225
00:13:22,067 --> 00:13:24,195
- REALLY WARRANTED.
- Woman:
HE THOUGHT SO.
226
00:13:24,279 --> 00:13:26,197
- WHAT? WHAT?
- THE ACADEMY AWARD YOU WON.
227
00:13:26,281 --> 00:13:29,200
ALTHOUGH WE NEVER WATCH,
'CAUSE SALLY ALWAYS GETS ROBBED.
228
00:13:29,284 --> 00:13:31,369
ENOUGH ABOUT ME.
229
00:13:31,452 --> 00:13:33,454
EVIE HAS A LITTLE
SOMETHING FOR YOU.
230
00:13:33,538 --> 00:13:35,664
Joe:
ANOTHER PRESENT.
231
00:13:35,747 --> 00:13:37,666
- YES, YOU DO.
- I DON'T THINK SO.
232
00:13:37,749 --> 00:13:40,295
OH, SINCE WHEN
ARE YOU SO SHY?
233
00:13:40,378 --> 00:13:43,171
NEVER, HONEY.
234
00:13:43,256 --> 00:13:47,385
OH, HONEY, WE HAVE
ALL SORTS OF SURPRISES.
235
00:13:47,468 --> 00:13:49,387
-
WHERE IS AMERICA?
- SHE'S IN THE KITCHEN.
236
00:13:49,470 --> 00:13:52,806
- WANT ME TO TAKE YOU?
- I'LL FIND HER MYSELF.
237
00:13:55,476 --> 00:13:57,686
HEY, WHO'D LIKE
TO GO FIND OTIS?
238
00:13:57,769 --> 00:13:58,770
ME!
239
00:13:58,854 --> 00:13:59,980
- I GUESS.
- "I GUESS." HMM.
240
00:14:02,733 --> 00:14:05,861
HE'S THE BEST DOG
IN THE WORLD.
241
00:14:05,944 --> 00:14:08,113
THEY'RE COMING TONIGHT.
NOT MY IDEA.
242
00:14:08,196 --> 00:14:10,115
YEAH, IT'S JERRY'S
WORST IDEA.
243
00:14:10,198 --> 00:14:12,117
- ONE OF MY BETTER IDEAS.
- WHAT? WHAT?
244
00:14:12,200 --> 00:14:15,120
THE NEIGHBORS FROM HELL.
THE KIND THAT LAY IN WAIT.
245
00:14:15,203 --> 00:14:17,205
I'D RATHER MOVE, ACTUALLY.
246
00:14:17,290 --> 00:14:19,375
WOULDN'T I?
247
00:14:19,459 --> 00:14:21,793
YES, YOU WOULD.
248
00:14:21,877 --> 00:14:24,672
OKAY, YOU TWO,
THE LAST ONE TO FIND OTIS
249
00:14:24,755 --> 00:14:26,965
IS A SMELLY OLD BUM.
COME ON.
250
00:14:30,470 --> 00:14:32,095
( music plays within )
251
00:14:33,764 --> 00:14:36,517
♪♪ COME ON, JOIN THE PARTY ♪♪
252
00:14:36,601 --> 00:14:39,604
-
♪♪ HAVE A HEARTY GLASS OF RUM ♪♪
- ( doorbell rings )
253
00:14:39,687 --> 00:14:42,898
♪♪ DON'T EVER THINK
ABOUT TOMORROW ♪♪
254
00:14:42,981 --> 00:14:46,193
♪♪ FOR TOMORROW
MAY NEVER COME... ♪♪
255
00:14:46,277 --> 00:14:48,488
OH.
256
00:14:49,821 --> 00:14:52,283
- HEY.
- HELLO, YOU TWO.
257
00:14:53,618 --> 00:14:56,203
EVIE, JACK...
258
00:14:56,287 --> 00:14:58,331
THESE ARE THE PEOPLE
WHO LIVE NEXT DOOR.
259
00:14:58,414 --> 00:15:00,458
- SAY HELLO.
- HI.
260
00:15:00,541 --> 00:15:01,792
HI.
261
00:15:01,875 --> 00:15:05,170
JACK, COULD YOU CLOSE
THE DOOR, PLEASE?
262
00:15:05,253 --> 00:15:08,549
BECAUSE IF WE LEAVE IT OPEN,
DO YOU KNOW WHAT WILL HAPPEN?
263
00:15:08,633 --> 00:15:12,345
OTIS WILL RUN OUTSIDE
AND GO INTO THEIR BACK YARD
264
00:15:12,428 --> 00:15:15,889
AND HE'LL BARK AND BARK,
265
00:15:15,973 --> 00:15:19,768
AND THEN EAT THEIR PIT BULL
FOR HIS DINNER.
266
00:15:19,851 --> 00:15:21,979
- IS IT A PIT BULL?
- I THOUGHT THIS WAS A PARTY.
267
00:15:22,062 --> 00:15:24,022
ARE WE GONNA TALK
ABOUT THE DOG THING?
268
00:15:24,106 --> 00:15:26,024
- RYAN, PLEASE. DON'T START.
- WHAT?
269
00:15:26,108 --> 00:15:29,487
NO, NO, NO, YOU'RE RIGHT.
HE'S RIGHT.
270
00:15:29,570 --> 00:15:32,407
- HELLO.
- HI.
271
00:15:35,784 --> 00:15:38,036
DOG TALK IS BANNED.
272
00:15:38,120 --> 00:15:41,915
CANINE CONVERSATIONS
ARE COMPLETELY DISCOURAGED.
273
00:15:43,208 --> 00:15:45,293
CAN I GET YOU
A DRINK, OR SOMETHING?
274
00:15:45,378 --> 00:15:48,046
NOT FOR ME,
THANKS.
275
00:15:48,130 --> 00:15:50,173
SOMETHING SOFT?
276
00:15:50,257 --> 00:15:52,926
YOU SURE YOU WOULDN'T LIKE
SOMETHING SOFT, RYAN?
277
00:15:53,010 --> 00:15:55,220
YEAH, I'M SURE.
278
00:15:57,097 --> 00:15:59,600
OKAY, LET'S GET THEM
A DRINK, SHALL WE?
279
00:15:59,684 --> 00:16:01,602
I DIDN'T START ANYTHING.
DON'T ACT LIKE I DID.
280
00:16:01,686 --> 00:16:03,604
- OKAY, I'M SORRY.
-
MONICA AND RYAN?
281
00:16:03,688 --> 00:16:06,231
- SALLY?
- HI.
282
00:16:06,314 --> 00:16:08,526
- AND YOU MET JOE?
- YEAH.
283
00:16:09,901 --> 00:16:13,406
WELL, SO GLAD
YOU DECIDED TO COME.
284
00:16:13,489 --> 00:16:15,366
WE COULD
HARDLY SAY NO.
285
00:16:15,450 --> 00:16:17,618
- OH?
- MMM.
286
00:16:19,828 --> 00:16:22,457
- OH, THANK YOU.
- I'LL TAKE THAT FROM YOU.
287
00:16:24,667 --> 00:16:28,170
THIS WAS SO UNNECESSARY.
COME ON IN.
288
00:16:28,253 --> 00:16:30,631
I HOPE YOU NOTICE
OTIS ISN'T BARKING AS MUCH.
289
00:16:30,715 --> 00:16:33,509
WE KEEP HIM IN AT NIGHT.
290
00:16:33,593 --> 00:16:37,846
WELL, AT 4:30 TODAY HE BARKED
FOR A SOLID 15 MINUTES.
291
00:16:37,929 --> 00:16:41,058
- I HAVE IT ON TAPE.
- OH, KEEPING A RECORD, ARE YOU?
292
00:16:41,141 --> 00:16:43,728
YEAH. IT'S VERY DISTRACTING
WHEN YOU'RE TRYING TO WORK.
293
00:16:43,811 --> 00:16:46,271
- RYAN...
- I'M SURE YOU UNDERSTAND.
294
00:16:46,354 --> 00:16:49,191
WE LIVE IN A CANYON
AND THE NEIGHBORHOOD
IS FULL OF DOGS.
295
00:16:49,274 --> 00:16:52,319
- IT'S NOT ALWAYS OTIS.
- I KNOW. TODAY IT WAS OTIS.
296
00:16:52,403 --> 00:16:53,987
SO YOU SHOULD KEEP HIM
OUT OF OUR YARD
297
00:16:54,071 --> 00:16:56,323
BECAUSE SHEILA WILL
DEFEND HERSELF.
298
00:16:56,407 --> 00:16:59,034
- RYAN!
- COME. SIT.
299
00:16:59,117 --> 00:17:01,953
- ARE YOU WORKING ON A NEW BOOK?
- YEAH, ACTUALLY.
300
00:17:02,037 --> 00:17:05,332
HE ALWAYS HAS TWO
OR THREE GOING.
301
00:17:05,416 --> 00:17:08,376
REALLY? JOE CAN'T MANAGE
MORE THAN ONE AT A TIME,
302
00:17:08,461 --> 00:17:10,463
- WITH HUGE GAPS IN BETWEEN.
- ( doorbell rings )
303
00:17:10,546 --> 00:17:14,509
- YOU GUYS LOSE SOMETHING?
-
THERE'S OUR SNOOKUMS NOW.
304
00:17:14,592 --> 00:17:17,678
WELL, I HAVEN'T WON A BOOKER,
EITHER, OR A WHITBREAD.
305
00:17:17,762 --> 00:17:20,473
- GATE WAS OPEN.
- NOT YET. THE GATE WAS OPEN?
306
00:17:20,556 --> 00:17:23,476
IT'S SORTED OUT.
HOW ARE YOU DOING?
307
00:17:23,559 --> 00:17:25,894
I THINK RYAN NEEDS
A NEW PUBLISHER.
308
00:17:25,977 --> 00:17:27,522
HE'S OUTGROWN
HIS PUBLISHER.
309
00:17:27,605 --> 00:17:29,524
THEY'RE NOT DOING
THEIR JOB.
310
00:17:29,607 --> 00:17:33,276
- HORS D'OEUVRE, OR SOMETHING?
- YES! GREAT.
311
00:17:33,360 --> 00:17:35,112
THE HOUSE
IS BEAUTIFUL.
312
00:17:35,195 --> 00:17:38,115
THANK YOU. I UNDERSTAND
YOU'RE AN INTERIOR DECORATOR.
313
00:17:38,198 --> 00:17:41,910
- I SO WISH I'D KNOWN.
- WHOEVER DID THIS IS AMAZING.
314
00:17:41,993 --> 00:17:44,287
I DID IT.
OTE, BOY.
315
00:17:48,543 --> 00:17:51,462
WHERE CAN I
PUT THESE?
316
00:17:51,546 --> 00:17:53,338
OH, NOT THERE.
317
00:17:53,421 --> 00:17:55,006
OH, GOD,
WHAT A FUCKING DAY.
318
00:17:55,090 --> 00:17:56,925
I ONLY JUST GOT
A FUCKING SITTER.
319
00:17:57,008 --> 00:17:58,969
I DON'T KNOW HER
FROM FUCKING ADAM.
320
00:17:59,052 --> 00:18:01,597
SHE COULD BE A SERIAL KILLER.
WE'LL HAVE TO CALL EVERY
10 MINUTES.
321
00:18:01,681 --> 00:18:03,599
YOU HAVE TO LET ME
GIVE OUT THE NUMBER.
322
00:18:03,683 --> 00:18:05,601
SHE ALREADY HAS.
323
00:18:05,685 --> 00:18:08,145
THAT'S OKAY, RIGHT?
324
00:18:08,228 --> 00:18:11,106
OF COURSE,
IT'S OKAY.
325
00:18:11,189 --> 00:18:13,358
- CLAIR'S A HOVERING MOTHER.
- NO, I'M NOT.
326
00:18:13,441 --> 00:18:16,153
MONICA AND RYAN,
THIS IS CLAIR AND MAC.
327
00:18:18,363 --> 00:18:21,241
- NICE.
- OH, AND FOR US, TRULY.
328
00:18:21,324 --> 00:18:23,201
- REALLY?
- OH, YOU'LL NEVER KNOW.
329
00:18:24,704 --> 00:18:27,122
I HAVE A 4:30 A.M. CALL.
330
00:18:27,205 --> 00:18:29,834
SO, WE'LL HAVE TO LEAVE
A LITTLE EARLY.
331
00:18:29,917 --> 00:18:33,420
- WHY DIDN'T YOU BRING HIM?
- WHAT?
332
00:18:33,504 --> 00:18:36,006
- WHAT?
- WHY DIDN'T YOU BRING HIM?
333
00:18:37,508 --> 00:18:40,385
BECAUSE HE'S ALLERGIC...
334
00:18:40,468 --> 00:18:42,470
- TO OTIS, TO DANDER.
- OH.
335
00:18:42,555 --> 00:18:45,182
- DIDN'T I SAY?
- WELL, PROBABLY.
336
00:18:45,265 --> 00:18:46,975
THEY CAN TELL
FROM THE EYELASHES.
337
00:18:47,058 --> 00:18:49,854
HE HAS EYELASHES
YAY LONG.
338
00:18:49,937 --> 00:18:52,607
MUST BE A FOOT LONG,
HIS EYELASHES.
339
00:18:55,526 --> 00:18:58,863
I GUESS THE OLDER YOU ARE
WHEN YOU HAVE A BABY,
340
00:18:58,946 --> 00:19:01,072
THE MORE LIKELY
THAT STUFF IS TO CROP UP.
341
00:19:01,156 --> 00:19:03,241
OR SO THEY TELL ME.
342
00:19:03,325 --> 00:19:05,661
NOT SOON ENOUGH,
OF COURSE.
343
00:19:05,745 --> 00:19:07,788
HOW ARE YOU, SAL?
344
00:19:10,290 --> 00:19:12,668
HOW ARE YOU?
345
00:19:12,752 --> 00:19:15,295
YOU LOOK FANTASTIC.
346
00:19:15,378 --> 00:19:18,340
GOD, HAVING A BABY
CHANGES EVERYTHING--
347
00:19:18,423 --> 00:19:20,593
YOUR WHOLE PERSPECTIVE,
DOESN'T IT?
348
00:19:20,676 --> 00:19:22,595
DOESN'T IT, MAC?
349
00:19:22,678 --> 00:19:25,556
YOU CAN'T BE THE CENTER
OF YOUR OWN WORLD ANYMORE.
350
00:19:26,933 --> 00:19:28,768
IT'S AN OBJECT LESSON
IN GRACE.
351
00:19:32,772 --> 00:19:35,608
AH! THERE HE IS.
LOOK WHO'S HERE.
352
00:19:35,691 --> 00:19:38,443
EXCUSE ME.
CAL CALLS.
353
00:19:38,526 --> 00:19:42,657
HEY, HOW ARE YOU DOING, JER?
HEY, JUDY.
354
00:19:42,740 --> 00:19:45,408
WELL, WELL, WELL,
LOOK WHO'S ON TIME FOR A CHANGE.
355
00:19:45,492 --> 00:19:47,410
MY LEADING MAN.
356
00:19:47,494 --> 00:19:50,288
YOU HAVE YOUR STUDIO
START PAYING ME MY PRICE,
357
00:19:50,372 --> 00:19:52,290
AND I'LL START
BEING ON TIME.
358
00:19:52,374 --> 00:19:54,669
- IS THAT WHAT IT TAKES?
- YEAH.
359
00:19:54,752 --> 00:19:57,295
I DON'T BELIEVE IT,
YOU DIDN'T.
360
00:19:57,379 --> 00:20:00,048
YOU FUCKING DIDN'T.
THIS IS THEIR ANNIVERSARY.
361
00:20:00,131 --> 00:20:03,260
IS NOTHING SACRED?
YOU BRING DAILIES TO A PARTY?
362
00:20:03,343 --> 00:20:06,639
HOW WAS I
IN THE FUCKING THINGS?
363
00:20:06,722 --> 00:20:10,308
I'M WORKING.
YOU WERE SO FUNNY
IN THE KITCHEN SCENE.
364
00:20:10,392 --> 00:20:13,938
TAKE THREE?
WHERE THE SILVERWARE
ACCIDENT HAPPENED?
365
00:20:14,021 --> 00:20:16,439
- YOU GOT TO USE TAKE THREE.
- NOTHING YOU DO IS AN ACCIDENT.
366
00:20:16,523 --> 00:20:18,943
- ( Sally whispering )
- OKAY.
367
00:20:19,026 --> 00:20:21,111
- I'LL BE RIGHT BACK.
- GREAT.
368
00:20:22,570 --> 00:20:24,657
THANKS, SALLY.
369
00:20:31,579 --> 00:20:34,332
ANYWAY--
370
00:20:34,416 --> 00:20:37,377
I DIDN'T PLAN IT.
I SET UP THE POSSIBILITY
FOR IT HAPPENING.
371
00:20:37,460 --> 00:20:41,298
YOU'RE THE GUY WHO PLANS
SHOTS UP MY FUCKING NOSE.
372
00:20:41,381 --> 00:20:44,760
THESE ARE NOT THE WINDOWS
OF THE SOUL-- THESE ARE.
373
00:20:44,844 --> 00:20:47,137
( chattering )
374
00:20:53,476 --> 00:20:55,353
HI.
375
00:20:57,230 --> 00:20:59,274
HELLO, HOW ARE YOU?
376
00:20:59,357 --> 00:21:01,736
- I'M THE HIRED HELP.
- FUCK YOU.
377
00:21:01,819 --> 00:21:03,738
I NEVER PUT MYSELF
IN HARM'S WAY.
378
00:21:03,821 --> 00:21:06,531
- NOT ANYMORE.
- NOT ANYMORE.
379
00:21:06,614 --> 00:21:09,326
HAPPY ANNIVERSARY.
380
00:21:09,409 --> 00:21:11,078
Man:
WE ALL VOWED IF WE GET
381
00:21:11,161 --> 00:21:14,081
DICKED AROUND FOR AN HOUR,
WE'D STEAL SOMETHING.
382
00:21:14,164 --> 00:21:17,167
IF THEY GIVE US THE JOB,
WE GIVE THEM BACK.
383
00:21:17,250 --> 00:21:19,461
HEY, I'M REALLY GLAD
YOU GUYS CAME.
384
00:21:19,544 --> 00:21:21,672
SURE YOU DON'T WANT
SOMETHING TO DRINK?
385
00:21:21,756 --> 00:21:25,051
OH MY GOD, AMERICA JUST TOLD ME
THE NEIGHBORS ARE COMING!
386
00:21:25,133 --> 00:21:28,178
- AND HERE THEY ARE.
- OH!
387
00:21:28,261 --> 00:21:32,058
SHE WAS JUST SAYING
HOW HAPPY YOU WERE
388
00:21:32,140 --> 00:21:35,560
TO FINALLY,
FINALLY HAVE THEM OVER.
389
00:21:35,643 --> 00:21:38,563
BECAUSE YOU TWO ARE SO...
SO INTROSPECTIVE...
390
00:21:38,646 --> 00:21:42,068
AND SHY...
391
00:21:42,150 --> 00:21:44,277
YOU SHOULD HAVE DONE IT
AGES AGO, BASICALLY.
392
00:21:44,361 --> 00:21:47,238
WELCOME.
I'M SOPHIA GOLD.
393
00:21:47,322 --> 00:21:49,240
WOULD YOU LIKE TO MEET
MY HUSBAND, CAL?
394
00:21:49,324 --> 00:21:51,618
- CAL GOLD?
- THE VERY ONE.
395
00:21:51,702 --> 00:21:54,621
- YES, I'D BE THRILLED.
- WELL, THEN HE'LL BE THRILLED.
396
00:21:54,705 --> 00:21:56,581
( softly )
...HE WON'T.
397
00:22:04,882 --> 00:22:07,718
- WILL YOU COME HELP ME?
- YEAH.
398
00:22:07,802 --> 00:22:10,096
HEY, IS THAT FOR US?
399
00:22:10,178 --> 00:22:12,472
YOUR MOTHER ALWAYS SAID
YOU WERE A CLEVER CHILD.
400
00:22:12,555 --> 00:22:14,557
- CAN I OPEN IT?
- AI-YI-YI!
401
00:22:14,641 --> 00:22:16,518
- PLEASE?
- WELL GO ON THEN.
402
00:22:16,601 --> 00:22:18,478
YOU'RE FUCKING
IMPOSSIBLE.
403
00:22:23,650 --> 00:22:25,527
OH, GINA--
404
00:22:28,405 --> 00:22:30,490
IT'S BEAUTIFUL.
REALLY, REALLY.
405
00:22:30,573 --> 00:22:32,868
I'M GLAD
YOU LIKE IT.
406
00:22:32,952 --> 00:22:34,995
I LOVE YOU, GINA TAYLOR.
407
00:22:37,081 --> 00:22:40,291
LOOK AT THIS LITTLE FACE.
IT'S SO SWEET.
408
00:22:40,375 --> 00:22:42,878
- IT REMINDS ME OF MOROCCO.
- WITH THAT DONKEY.
409
00:22:44,712 --> 00:22:46,589
OH, THAT WAS SO FUNNY.
410
00:22:52,930 --> 00:22:54,807
DON'T MOVE.
411
00:22:56,100 --> 00:22:58,393
( conversing )
412
00:23:01,354 --> 00:23:04,817
-
IF YOU NEED ANY WORK DONE--
-
YEAH, I'LL GIVE YOU MY CARD.
413
00:23:04,900 --> 00:23:06,777
Cal:
OH, YEAH.
414
00:23:15,161 --> 00:23:17,121
YOU GOT
STARBUCK FINDER?
415
00:23:17,204 --> 00:23:19,039
STARBUCK FINDER?
ABSOLUTELY.
416
00:23:19,123 --> 00:23:21,416
( cell phone ringing )
417
00:23:25,045 --> 00:23:27,422
HELLO. YES, FRANK.
418
00:23:27,505 --> 00:23:29,549
YES, HE CAN CALL ME
ON MONDAY.
419
00:23:30,717 --> 00:23:33,220
NO, I'M OKAY, OKAY?
420
00:23:35,597 --> 00:23:37,474
THANK YOU.
421
00:23:38,641 --> 00:23:40,560
I DON'T WANT IT.
422
00:23:40,643 --> 00:23:43,605
YOU LOOK SO WELL, CLAIR.
A WRAITH.
423
00:23:43,688 --> 00:23:46,441
YOU THINK SO?
424
00:23:48,651 --> 00:23:50,946
I'VE BEEN WORKING OUT A LOT
SINCE THE BABY,
425
00:23:51,030 --> 00:23:53,908
AND I'VE BEEN WORKING,
WHICH TAKES ITS TOLL.
426
00:23:53,991 --> 00:23:56,409
OH.
427
00:23:56,493 --> 00:23:59,038
I'M GLAD THAT'S
ALL OVER FOR ME.
428
00:23:59,121 --> 00:24:01,207
YOU DON'T MISS IT?
429
00:24:02,665 --> 00:24:06,170
- NEVER.
- REALLY?
430
00:24:06,253 --> 00:24:08,505
- NOT EVEN FOR A SECOND.
- REALLY?
431
00:24:08,588 --> 00:24:10,465
CAL CAN HAVE
ALL THAT.
432
00:24:14,053 --> 00:24:16,013
WHERE'S YOUNG JONAH?
433
00:24:16,096 --> 00:24:18,224
WITH A SITTER.
434
00:24:18,306 --> 00:24:20,893
HE'S WITH A SITTER.
WITH A SENSATIONAL SITTER.
435
00:24:20,976 --> 00:24:23,979
WE REALLY LOVE HER.
SHE'S LIKE A SECOND MOM.
436
00:24:24,063 --> 00:24:27,274
JONAH'S REALLY
COMFORTABLE WITH HER.
437
00:24:27,357 --> 00:24:29,776
SHE'S AMAZING
WITH KIDS.
438
00:24:29,860 --> 00:24:31,778
- GREAT.
- OH, OW!
439
00:24:31,862 --> 00:24:33,780
OH, GOD!
WHAT IS IT?
440
00:24:33,864 --> 00:24:36,033
WHAT'S WRONG?
441
00:24:36,116 --> 00:24:38,244
MY BEEPER.
442
00:24:38,326 --> 00:24:40,246
IT'S SO THE SITTER
CAN ALWAYS REACH ME,
443
00:24:40,328 --> 00:24:43,748
BECAUSE I'M NOT USED
TO LEAVING HIM ALONE YET.
444
00:24:43,831 --> 00:24:45,667
YOU SHOULD HAVE
JUST BROUGHT HIM.
445
00:24:45,750 --> 00:24:49,587
NO, HE'S ALLERGIC TO DANDER,
TO OTIS.
446
00:24:52,715 --> 00:24:54,509
DO YOU HAVE ANY PICTURES?
447
00:24:56,262 --> 00:24:58,889
PICTURES.
I DON'T HAVE
ANY PICTURES NOW.
448
00:24:58,973 --> 00:25:02,059
THEY'RE IN MY TOTE,
AND MY TOTE IS IN MY TRAILER.
449
00:25:02,142 --> 00:25:05,020
I DON'T HAVE ANY PICTURES--
BUT HE'S MAC.
450
00:25:05,104 --> 00:25:07,189
HE IS MAC
ALL OVER AGAIN.
451
00:25:07,273 --> 00:25:10,067
IMAGINE MAC
TWO AND A HALF FEET TALL,
452
00:25:10,150 --> 00:25:13,736
THAT'S JONAH.
453
00:25:13,820 --> 00:25:16,531
THEY PROBABLY DIDN'T EVEN
NEED ME FOR THIS BIRTH.
454
00:25:17,740 --> 00:25:19,659
YOU'RE SO FUNNY.
455
00:25:19,742 --> 00:25:23,080
- NO, I'M NOT.
- YES, YOU ARE.
456
00:25:23,163 --> 00:25:24,747
YOU THINK SO?
457
00:25:24,831 --> 00:25:26,250
YOU KNOW WHAT
I CAN'T THINK?
458
00:25:26,333 --> 00:25:29,877
I CAN'T THINK HOW
YOU GAVE IT ALL UP.
459
00:25:33,048 --> 00:25:34,674
ARE YOU OKAY, CLAIR?
460
00:25:34,757 --> 00:25:37,552
I'M FINE.
DON'T WORRY ABOUT ME.
461
00:25:37,635 --> 00:25:40,014
YOU WORRY ABOUT--
462
00:25:40,097 --> 00:25:42,099
-
I'M OKAY.
- OKAY.
463
00:25:43,516 --> 00:25:46,312
OH, GOD!
THE DOG.
464
00:25:49,940 --> 00:25:52,151
YEAH, I KNOW
IT SOUNDS HYSTERICAL,
465
00:25:52,234 --> 00:25:54,987
BUT OTIS RUBBED UP AGAINST ME
AND I'D LIKE TO CHANGE
466
00:25:55,070 --> 00:25:56,989
INTO SOMETHING OF YOURS.
YOU DON'T UNDERSTAND.
467
00:25:57,072 --> 00:25:58,991
HE'S SO ALLERGIC,
IT'S TERRIFYING.
468
00:25:59,074 --> 00:26:00,993
BORROW WHATEVER
YOU LIKE.
469
00:26:01,076 --> 00:26:02,995
I'LL CHANGE BACK,
RIGHT BEFORE WE LEAVE.
470
00:26:03,078 --> 00:26:05,080
WHATEVER YOU LIKE.
471
00:26:05,164 --> 00:26:08,000
I'M AFRAID IT'S ALL
GOING TO BE TOO BIG
FOR YOU.
472
00:26:10,085 --> 00:26:12,004
Sally:
ARE YOU
ALL RIGHT, CLAIR?
473
00:26:12,087 --> 00:26:14,839
I'M FINE.
I'M JUST A LITTLE STRESSED,
474
00:26:14,922 --> 00:26:17,550
AND I'VE BEEN TAKING PILLS
TO GET MY WEIGHT DOWN
SINCE THE BABY.
475
00:26:17,634 --> 00:26:21,096
I'D SAY
IT WAS DOWN.
476
00:26:21,180 --> 00:26:24,557
THE DOCTOR SAID THEY MIGHT
MAKE ME A LITTLE JUMPY.
477
00:26:24,641 --> 00:26:26,851
I'VE GOT A GHASTLY HEADACHE,
ACTUALLY.
478
00:26:26,934 --> 00:26:28,853
DO YOU WANT
A TYLENOL?
479
00:26:28,936 --> 00:26:31,190
I'D LOVE A XANAX.
YOU KNOW WHAT, SALLY?
480
00:26:31,273 --> 00:26:33,150
PLEASE DON'T TELL SOPHIA
I'M NOT BREAST-FEEDING.
481
00:26:33,233 --> 00:26:34,859
WHY WOULD SHE CARE?
482
00:26:34,942 --> 00:26:36,569
YOU KNOW SOPHIA,
483
00:26:36,653 --> 00:26:38,571
SHE'S SO DAMN JUDGMENTAL
AND PERFECT
484
00:26:38,655 --> 00:26:40,615
AND FUCKING SERENE,
SO DON'T TELL HER.
485
00:26:40,698 --> 00:26:43,327
BECAUSE I CAN FEEL MAC
COMPARING AND--
486
00:26:44,995 --> 00:26:46,913
JUST DON'T
FUCKING TELL HER.
487
00:26:46,997 --> 00:26:48,915
YOU'VE GOT TO LAY OFF
THE PILLS.
488
00:26:48,999 --> 00:26:51,584
- DON'T TELL HER.
- IT'S NOT GONNA COME UP.
489
00:26:51,668 --> 00:26:53,836
( doorbell rings )
490
00:26:53,920 --> 00:26:56,131
HEY, HOW ARE YOU?
491
00:26:56,215 --> 00:26:58,133
- YOU KNOW HOW I AM.
- DID SHE CALL?
492
00:26:58,217 --> 00:27:00,885
SHE'LL NEVER CALL AGAIN.
SHE CALLED ME LAST WEEK
493
00:27:00,968 --> 00:27:03,222
TO TELL ME THAT
SHE'LL NEVER CALL AGAIN.
494
00:27:03,305 --> 00:27:05,640
- WHERE'S SALLY?
-
HERE I AM!
495
00:27:05,723 --> 00:27:07,850
PANES, MY LOVE.
496
00:27:07,934 --> 00:27:10,728
GOOD, YOU BROUGHT YOUR VIOLIN.
I WANT YOU TO PLAY.
497
00:27:10,812 --> 00:27:13,148
ACTUALLY, IT'S A MACHINE GUN.
I THOUGHT I'D KILL MYSELF.
498
00:27:14,482 --> 00:27:16,110
- ARE YOU LOVESICK?
- SUICIDAL.
499
00:27:16,193 --> 00:27:18,695
- IT'S MUCH LESS CO-DEPENDENT.
- WILL CHAMPAGNE HELP?
500
00:27:18,778 --> 00:27:21,323
- NOT ENOUGH.
- PANES IS HERE, EVERYBODY.
501
00:27:21,407 --> 00:27:23,283
- OH, GREAT.
- All: PANES!
502
00:27:25,827 --> 00:27:27,495
...PANES.
503
00:27:28,205 --> 00:27:30,665
HELLO.
504
00:27:30,748 --> 00:27:33,501
- SKYE!
- HI.
505
00:27:33,584 --> 00:27:37,588
YOU'RE JOE.
I RECOGNIZE YOU
FROM THE BOOK JACKET.
506
00:27:37,672 --> 00:27:39,507
HOW DO YOU DO?
507
00:27:40,717 --> 00:27:42,719
I LOVE THAT.
508
00:27:42,802 --> 00:27:46,181
I'M SO HAPPY
TO BE INVITED
509
00:27:46,265 --> 00:27:49,268
AND I APOLOGIZE
FOR INVADING,
510
00:27:49,351 --> 00:27:51,894
BUT I'M REALLY HAPPY
THAT YOU ASKED ME TO.
511
00:27:51,978 --> 00:27:53,397
I'M JUST REALLY TOUCHED,
512
00:27:53,480 --> 00:27:55,773
BECAUSE I KNOW HOW PRIVATE
YOU AND SALLY ARE.
513
00:27:55,857 --> 00:27:58,235
OH, WELL, YES.
IT'S JUST US...
514
00:27:58,318 --> 00:28:00,404
AND A FEW HUNDRED
OF OUR CLOSEST FRIENDS.
515
00:28:02,448 --> 00:28:04,241
WHEN I READ
YOUR WORK,
516
00:28:04,324 --> 00:28:06,243
I FELT AS IF
YOU KNEW ME.
517
00:28:07,577 --> 00:28:09,954
I MEAN, WOMEN MUST
TELL YOU THAT.
518
00:28:10,037 --> 00:28:12,166
THIS ONE IN PARTICULAR
REALLY...
519
00:28:12,249 --> 00:28:14,000
REALLY SPEAKS TO ME.
520
00:28:14,084 --> 00:28:16,420
I
AM
JENNA.
521
00:28:16,503 --> 00:28:18,921
GOD, WOMEN MUST
TELL YOU THAT ALL THE TIME.
522
00:28:20,466 --> 00:28:23,093
AND THE SCRIPT--
IT'S WONDERFUL.
523
00:28:24,886 --> 00:28:28,348
IT'S WONDERFUL...
AND LEAN AND VISUAL.
524
00:28:30,850 --> 00:28:32,894
I'M SO HAPPY YOU LIKE IT
525
00:28:32,977 --> 00:28:36,564
AND I'M SO RELIEVED
YOU SAID YES.
526
00:28:36,647 --> 00:28:40,568
AND I'M SO... WHAT?
527
00:28:40,651 --> 00:28:41,652
YES, ACTUALLY, I AM.
528
00:28:41,736 --> 00:28:44,697
I'M THRILLED
TO FINALLY MEET YOU.
529
00:28:46,325 --> 00:28:49,619
WELL, YOU'RE GOING TO BE
A REMARKABLE DIRECTOR.
530
00:28:49,702 --> 00:28:51,704
A BRILLIANT DIRECTOR.
531
00:29:01,756 --> 00:29:03,841
I THINK
YOU'RE MY FIRST GODDESS.
532
00:29:11,475 --> 00:29:13,393
I CAN'T BELIEVE THAT BITCH
IS IN MY HOUSE!
533
00:29:13,477 --> 00:29:14,936
YOU DON'T KNOW
SHE'S A BITCH.
534
00:29:15,019 --> 00:29:16,771
ARE YOU BLIND?
SHE WAS ALL OVER HIM.
535
00:29:16,854 --> 00:29:18,898
-
IT COULD BE WORSE.
- HOW?
536
00:29:18,981 --> 00:29:21,859
SHE COULD BE PLAYING
THE PART IN JOE'S MOVIE
THAT SHOULD BE YOURS--
537
00:29:21,943 --> 00:29:25,280
- AND FUCK YOU.
- YOU SEE? THAT'S WORSE.
538
00:29:25,364 --> 00:29:28,283
I WANTED TONIGHT TO BE
JUST THE PEOPLE WE LOVE.
539
00:29:28,367 --> 00:29:29,826
LIKE YOUR
BUSINESS MANAGERS?
540
00:29:29,909 --> 00:29:31,869
THEY'RE NOT JUST
OUR BUSINESS MANAGERS, PANES.
541
00:29:31,953 --> 00:29:33,663
OKAY, FORGIVE ME.
YOUR NEIGHBORS ARE HERE--
542
00:29:33,746 --> 00:29:36,166
EXACTLY!
IT'S ALL RUINED.
543
00:29:36,250 --> 00:29:38,168
IT'S NOT ALL RUINED.
IT'S ONE OF YOUR PARTIES.
544
00:29:38,252 --> 00:29:40,254
I DON'T WANT IT TO BE
JUST ONE OF OUR PARTIES.
545
00:29:40,337 --> 00:29:42,548
"AND HOW ARE YOU DOING, PANES?"
LOUSY, THANK YOU.
546
00:29:42,630 --> 00:29:44,550
- I'M FALLING APART.
- LIKE THE LAST TIME. AH--
547
00:29:44,632 --> 00:29:47,635
IT'S NOT LIKE THE LAST TIME.
SHE WAS THE REST OF MY LIFE.
548
00:29:47,718 --> 00:29:50,305
- LIKE THE LAST TIME.
- I WASN'T FINISHED.
549
00:29:50,389 --> 00:29:52,266
- OKAY.
- "WE CAN'T STAND...
550
00:29:52,349 --> 00:29:55,101
SEEING YOU LIKE THIS, PANES.
I HATE YOU BEING ALONE,
551
00:29:55,185 --> 00:29:57,103
SO WHY DON'T YOU COME STAY
WITH US FOR A WHILE"?
552
00:29:57,187 --> 00:29:59,689
I'D LOVE TO. THANKS.
553
00:29:59,772 --> 00:30:02,149
IT'S OUR ANNIVERSARY, PANES.
554
00:30:02,234 --> 00:30:04,902
- I DIDN'T HEAR ME SAY TONIGHT.
- WE'RE FEELING OUR WAY BACK!
555
00:30:04,986 --> 00:30:06,904
"...OTHERWISE WE'D INSIST
ON YOU BEING HERE."
556
00:30:06,988 --> 00:30:10,492
- YOU KNOW THAT'S TRUE.
- OH, I'M INTERRUPTING.
557
00:30:10,576 --> 00:30:12,494
- COME ON IN.
- I'LL BE RIGHT OUT.
558
00:30:12,578 --> 00:30:14,454
I'M IN THE SAME ROOM
WITH SALLY NASH.
559
00:30:16,831 --> 00:30:20,294
OH, MY GOD.
YOU ARE MY ICON.
560
00:30:20,377 --> 00:30:23,671
I'VE BEEN WATCHING YOUR MOVIES
SINCE I WAS A LITTLE GIRL.
561
00:30:23,754 --> 00:30:27,342
FOUR YEARS AGO, I FOLLOWED YOU
ALL AROUND THE BEVERLY CENTER
562
00:30:27,426 --> 00:30:31,346
FOR HALF A DAY, WORKING UP
THE COURAGE TO INTRODUCE MYSELF.
563
00:30:31,430 --> 00:30:34,391
I DON'T THINK I EVER SPENT HALF
A DAY IN THE BEVERLY CENTER.
564
00:30:34,474 --> 00:30:36,809
OH, GOD. WHATEVER.
DO YOU REMEMBER?
565
00:30:36,893 --> 00:30:39,646
I'VE SEEN
ALL YOUR MOVIES,
566
00:30:39,729 --> 00:30:42,899
AND WHEN I WAS IN REHAB--
THE SECOND TIME--
567
00:30:42,982 --> 00:30:45,860
THEY WOULDN'T EVEN LET US
WATCH YOUR DRUG ADDICT MOVIE
568
00:30:45,943 --> 00:30:48,112
BECAUSE THEY SAID
YOU WERE TOO REAL.
569
00:30:48,195 --> 00:30:51,032
- HUH.
-
I WORSHIP YOU.
570
00:30:51,115 --> 00:30:53,243
AND I COULD NOT
BE MORE FLATTERED
BECAUSE I KNOW
571
00:30:53,327 --> 00:30:55,745
THAT THE PART I AM PLAYING
IN JOE'S MOVIE IS BASED ON YOU
572
00:30:55,828 --> 00:30:58,457
AS A YOUNG WOMAN.
I'M JUST OVERWHELMED.
573
00:30:58,540 --> 00:31:01,376
AND I REALLY WANT
TO DO IT JUSTICE.
574
00:31:01,460 --> 00:31:03,794
I'M HOPING MAYBE WE CAN
SPEND SOME TIME TOGETHER.
575
00:31:08,342 --> 00:31:11,010
I'M GUSHING.
IT'S MY WORST QUALITY.
576
00:31:11,093 --> 00:31:13,012
NOT AT ALL.
577
00:31:13,095 --> 00:31:15,390
GOD, I'M REALLY SO RUDE.
I'M SORRY.
578
00:31:15,474 --> 00:31:18,268
- I'M SKYE DAVIDSON.
- LEVI PANES.
579
00:31:18,352 --> 00:31:20,728
GOD, DID ANYONE EVER TELL YOU
YOU LOOK LIKE PETER SELLERS?
580
00:31:20,811 --> 00:31:23,731
- NO, NEVER.
- EVERY DAY.
581
00:31:23,814 --> 00:31:25,983
WOULD YOU EXCUSE US, SKYE?
IT'S TIME FOR SALLY'S MEDS.
582
00:31:26,067 --> 00:31:28,736
SURE.
583
00:31:28,819 --> 00:31:31,365
IT WAS REALLY NICE
MEETING YOU... AGAIN.
584
00:31:33,575 --> 00:31:35,661
SHE REMEMBERS ME.
585
00:31:38,788 --> 00:31:40,957
Clair:
YOUR WARDROBE IS INCREDIBLE.
586
00:31:42,626 --> 00:31:45,420
IT TOOK FOREVER TO DECIDE.
587
00:31:45,504 --> 00:31:48,340
AND THANK YOU,
I FOUND DR. X.
588
00:31:48,423 --> 00:31:50,300
YOU SAVED MY LIFE.
589
00:31:55,221 --> 00:31:57,139
OH, SHIT.
590
00:31:57,223 --> 00:31:59,141
I'D CUT OFF HER RED WINE
IF I WERE YOU.
591
00:31:59,225 --> 00:32:02,019
OH SHIT,
IT'S MY GALLIANO.
592
00:32:24,543 --> 00:32:27,169
NO COMO CARNE.
GRACIAS.
593
00:32:27,253 --> 00:32:29,005
( speaking Spanish )
594
00:32:30,798 --> 00:32:32,883
NO, GRACIAS.
595
00:32:44,438 --> 00:32:46,606
DIRECTING SUITS YOU.
596
00:32:46,690 --> 00:32:49,859
I'M NOT SO SURE.
ASK ME AGAIN IN THREE MONTHS.
597
00:32:49,942 --> 00:32:52,529
IT MUST BE NICE
HAVING SO MANY PEOPLE
598
00:32:52,612 --> 00:32:54,280
KISS YOUR ASS
ALL OF A SUDDEN.
599
00:32:54,364 --> 00:32:55,906
OW!
600
00:32:55,990 --> 00:32:58,493
GINA, YOU OBVIOUSLY
NEED TO GET FUCKED.
601
00:32:58,577 --> 00:33:01,829
I JUST DID.
YOU JEALOUS?
602
00:33:01,912 --> 00:33:03,831
AND WHEN DOES HE
GRADUATE HIGH SCHOOL?
603
00:33:03,914 --> 00:33:06,000
VERY JEALOUS.
604
00:33:09,211 --> 00:33:12,840
I SAW LUCY WHEN I WAS
PASSING THROUGH LONDON.
605
00:33:12,923 --> 00:33:15,092
SHE SEEMS LIKE
SHE'S DOING OKAY.
606
00:33:16,886 --> 00:33:18,805
IT'S HARD TO TELL
WITH HER, THOUGH.
607
00:33:18,888 --> 00:33:22,434
I WAS SUPPOSED TO CALL HER.
SHE CALLED TODAY.
608
00:33:22,517 --> 00:33:23,976
SHE'S GOING OFF
ON SOME TRIP SOMEWHERE.
609
00:33:24,060 --> 00:33:29,023
OH, GINA, MY GRANDDAD'S FLAT
IN LONDON HAS BEEN SOLD.
610
00:33:29,106 --> 00:33:31,067
OH, NO.
611
00:33:31,150 --> 00:33:33,235
- THE ONE ON CHEYNE WALK?
-
YEAH.
612
00:33:33,319 --> 00:33:35,237
OH, I'M SO SORRY.
613
00:33:36,363 --> 00:33:40,284
LUCY IS GONNA HAVE
A MELTDOWN.
614
00:33:40,367 --> 00:33:42,161
I SHOULD HAVE BOUGHT IT.
615
00:33:42,244 --> 00:33:44,914
BUT WE CAN'T AFFORD IT.
AND THIS FILM IS TAKING UP
616
00:33:44,997 --> 00:33:47,041
A YEAR OF MY LIFE
AND I'M GETTING
PAID NOTHING.
617
00:33:47,124 --> 00:33:49,586
- YOU'RE COMPLAINING?
- YES. YES, I AM.
618
00:33:49,669 --> 00:33:52,296
ESPECIALLY BECAUSE,
DO YOU KNOW HOW MUCH
SKYE IS GETTING PAID?
619
00:33:52,379 --> 00:33:53,840
NO.
620
00:33:53,923 --> 00:33:55,299
FOUR MILLION!
621
00:33:55,382 --> 00:33:57,301
SHE GIVES
A MEAN BLOW JOB.
622
00:33:57,384 --> 00:33:59,471
- NO HANDS, INCREDIBLE PROPS.
- YOU REALLY NEED TO GET FUCKED.
623
00:34:06,645 --> 00:34:09,689
HOW ARE YOU
REALLY DOING, PANES?
624
00:34:09,773 --> 00:34:12,900
WHY DON'T YOU GO
FUCK YOURSELF?
625
00:34:12,983 --> 00:34:15,529
NO, REALLY.
FOR REAL, REALLY.
626
00:34:17,071 --> 00:34:18,989
I'M WORRIED
ABOUT YOUR GALLIANO.
627
00:34:19,073 --> 00:34:21,200
- YOU'RE A SHIT.
- HEY!
628
00:34:21,283 --> 00:34:23,745
YOU HURT, YOU KNOW.
YOU'RE STRONGER THAN YOU THINK.
629
00:34:27,541 --> 00:34:29,668
HOW'S YOUR MOVIE?
630
00:34:29,751 --> 00:34:33,003
- I DON'T WANT TO TALK ABOUT IT.
- WHY NOT?
631
00:34:33,087 --> 00:34:35,465
I NEVER LIKE TO TALK
ABOUT MY WORK.
632
00:34:35,549 --> 00:34:37,258
WELL, THAT'S
SOMETHING NEW.
633
00:34:37,341 --> 00:34:39,886
NO, IT'S NOT
SOMETHING NEW.
634
00:34:39,969 --> 00:34:43,139
- SOMETHING'S WRONG.
- NO, NOTHING'S WRONG.
635
00:34:45,099 --> 00:34:47,477
MAC'S A GREAT DIRECTOR,
AND, YOU KNOW,
636
00:34:47,561 --> 00:34:51,147
WHAT CAN ANYONE SAY ABOUT CAL
THAT HASN'T BEEN SAID?
637
00:34:51,230 --> 00:34:53,023
IT'S GREAT
WORKING WITH FRIENDS--
638
00:34:53,107 --> 00:34:56,026
BLAH, BLAH, BLAH.
639
00:34:56,110 --> 00:34:57,654
I'M HAPPY FOR YOU.
640
00:34:57,737 --> 00:34:59,823
THANK YOU.
641
00:35:01,949 --> 00:35:03,451
SO HOW ARE YOU DOING?
642
00:35:05,077 --> 00:35:07,914
YOU KNOW--
643
00:35:07,997 --> 00:35:10,332
NO REGRETS,
644
00:35:10,416 --> 00:35:12,334
NO SECOND THOUGHTS.
645
00:35:13,712 --> 00:35:15,797
AM I A MONSTER?
646
00:35:15,881 --> 00:35:18,174
YOU'RE MY BEST FRIEND.
647
00:35:19,967 --> 00:35:21,343
IS THAT AN ANSWER?
648
00:35:21,427 --> 00:35:22,804
YES, YOU'RE A MONSTER.
649
00:35:28,100 --> 00:35:29,603
THANK YOU, PANES.
650
00:35:29,686 --> 00:35:31,605
YOU DON'T HAVE
TO THANK ME.
651
00:35:53,752 --> 00:35:56,713
- OTIE.
- GOOD BOY.
652
00:35:56,796 --> 00:35:58,882
I WISH YOU WERE A MAN.
653
00:36:00,132 --> 00:36:02,802
- AND IT'S A MAC.
- MM-HMM.
654
00:36:02,886 --> 00:36:05,304
YOU CAN'T GET A LICK
OF SOFTWARE FOR IT.
655
00:36:05,387 --> 00:36:08,057
THAT'S SUCH IBM
PROPAGANDA BULLSHIT.
656
00:36:08,140 --> 00:36:10,017
I CAN'T BELIEVE
YOU'RE A MOUTHPIECE.
657
00:36:14,521 --> 00:36:16,942
GO. GO.
658
00:36:25,241 --> 00:36:27,117
- GO AWAY.
- ( Otis whimpers )
659
00:36:33,082 --> 00:36:35,001
LET ME.
660
00:36:35,084 --> 00:36:37,837
- THANK YOU.
- I'M JEFFERY.
661
00:36:37,921 --> 00:36:39,255
MONICA.
662
00:36:39,338 --> 00:36:41,131
AND YOU KNOW
OUR FRIENDS HOW?
663
00:36:41,215 --> 00:36:43,133
WE LIVE NEXT DOOR.
664
00:36:43,217 --> 00:36:45,302
- OH, YOU'RE THEM!
- EXCUSE ME?
665
00:36:46,805 --> 00:36:49,766
WE'VE HEARD A LOT
ABOUT YOU.
666
00:36:49,849 --> 00:36:51,267
- YOU HAVE?
-
WHERE'S THE CHAMPAGNE?
667
00:36:51,350 --> 00:36:53,227
IT'S RIGHT IN HERE.
668
00:36:58,817 --> 00:37:00,567
IT'S A LITTLE
CLOSE IN THERE.
669
00:37:00,652 --> 00:37:02,737
YEAH.
670
00:37:07,909 --> 00:37:10,662
YOUR EAMES TABLE
IS INCREDIBLE.
671
00:37:10,745 --> 00:37:12,162
AND THE AXIOM DAY BED.
672
00:37:12,246 --> 00:37:14,373
I JUST PUT THAT
IN A CLIENT'S HOME,
673
00:37:14,456 --> 00:37:16,333
BUT IN CHERRY-- RED.
674
00:37:20,254 --> 00:37:22,882
YOU'RE AN INTERIOR
DECORATOR, RIGHT?
675
00:37:22,966 --> 00:37:25,551
SALLY DID ALL THIS
BY HERSELF?
676
00:37:25,635 --> 00:37:27,177
YEAH, IN FITS
AND STARTS,
677
00:37:27,261 --> 00:37:29,681
AND LATER, OF COURSE,
SHE HAD TO ACCOMMODATE ME,
678
00:37:29,764 --> 00:37:31,140
SO THINGS SHIFTED
A LITTLE--
679
00:37:31,223 --> 00:37:33,977
BECAME A LITTLE MORE...
ECLECTIC.
680
00:37:34,060 --> 00:37:35,561
AND IT'S STILL
CHANGING.
681
00:37:35,645 --> 00:37:39,649
IT SAYS SOMETHING
ABOUT THE TWO OF YOU, MAYBE.
682
00:37:39,733 --> 00:37:42,068
THAT WE'RE IN A CONSTANT
STATE OF FLUX.
683
00:37:44,611 --> 00:37:46,740
I SEE YOU'VE MOVED UP
FROM THE SOFT STUFF.
684
00:37:46,823 --> 00:37:49,199
OH. YEAH.
685
00:37:49,283 --> 00:37:52,662
YOU KNOW, RYAN'S BEEN
SOBER FOR EIGHT YEARS.
686
00:37:52,746 --> 00:37:56,457
SO, IT'S DIFFICULT IF I--
IT'S BETTER IF I DON'T.
687
00:37:58,710 --> 00:38:01,755
I'M A LITTLE NERVOUS, SO--
A LITTLE OUT OF MY ELEMENT.
688
00:38:01,838 --> 00:38:05,174
- NO, YOU'RE NOT.
- YES, IN FACT, I AM,
689
00:38:05,257 --> 00:38:07,468
A LITTLE ON
THE OUTSIDE, YEAH.
690
00:38:07,551 --> 00:38:09,804
AND THERE'S BEEN
ALL OF THIS FRICTION.
691
00:38:12,473 --> 00:38:14,183
THESE MISUNDERSTANDINGS
HAVE A WAY OF ESCALATING.
692
00:38:14,266 --> 00:38:17,062
VERY WELL PUT.
693
00:38:17,144 --> 00:38:19,064
I THINK A LOT OF THIS
COULD HAVE BEEN AVOIDED
694
00:38:19,146 --> 00:38:20,857
IF SALLY HAD MADE
MORE OF AN EFFORT.
695
00:38:20,940 --> 00:38:23,068
WHAT?
696
00:38:23,150 --> 00:38:25,569
BUT YOU'RE
VERY PRIVATE PEOPLE.
697
00:38:25,652 --> 00:38:29,448
UM, THERE'S SORT OF,
A KIND OF ELITISM--
698
00:38:29,531 --> 00:38:31,450
ELITISM?
699
00:38:31,533 --> 00:38:33,410
WRONG WORD, MAYBE?
700
00:38:34,996 --> 00:38:37,082
DELETE THAT.
701
00:38:38,415 --> 00:38:40,542
AND, YOU KNOW...
702
00:38:40,626 --> 00:38:42,879
- THE DOG BARKS INCESSANTLY.
- HE REALLY DOES NOT.
703
00:38:42,962 --> 00:38:44,881
AND RYAN WORKS AT HOME.
704
00:38:44,964 --> 00:38:46,883
AND YOUR PHONE CALLS
ARE NASTY AND ABUSIVE.
705
00:38:46,966 --> 00:38:48,550
I'VE COME THIS CLOSE
TO SUING YOU FOR HARASSMENT.
706
00:38:48,634 --> 00:38:50,302
THE ONLY REASON
YOU ARE HERE
707
00:38:50,386 --> 00:38:52,429
IS BECAUSE
WE'RE SUPPOSED TO BE
SUCKING UP TO YOU!
708
00:38:53,555 --> 00:38:55,432
OH SHIT, I'M SORRY.
709
00:38:57,226 --> 00:38:59,269
THAT'S WHAT RYAN THOUGHT.
710
00:39:01,064 --> 00:39:03,024
I WAS A LITTLE MORE
GENEROUS, ACTUALLY.
711
00:39:03,108 --> 00:39:06,276
SHIT, I'M SO SORRY.
I'M SO SORRY.
712
00:39:06,360 --> 00:39:08,237
JUST DELETE ALL OF THAT,
ALL RIGHT?
713
00:39:09,446 --> 00:39:11,323
I'M A TOTAL FUCKING MANIAC.
714
00:39:12,449 --> 00:39:14,326
SORRY. SORRY.
715
00:39:16,328 --> 00:39:18,247
I WAS TALKING
ON MY BEHALF.
716
00:39:18,330 --> 00:39:20,249
THIS NEEDN'T RUB OFF
ON MY WIFE.
717
00:39:20,332 --> 00:39:23,795
SORRY. SHIT.
IT'S JUST--
718
00:39:23,878 --> 00:39:25,880
I'M WORSE THAN OTIS--
AT LEAST HE DOESN'T BITE.
719
00:39:28,925 --> 00:39:31,301
I REALLY LOVE MY DOG.
720
00:39:31,385 --> 00:39:34,139
AND HE DOESN'T BARK
ALL THE TIME.
721
00:39:34,221 --> 00:39:36,348
WE LIVE IN A CANYON.
WE HEAR DOGS BARKING AT NIGHT
722
00:39:36,432 --> 00:39:38,308
AND IT'S NOT OTIS.
723
00:39:40,061 --> 00:39:42,147
PLEASE DON'T TELL SALLY.
724
00:39:43,439 --> 00:39:45,482
ALL RIGHT.
725
00:39:45,566 --> 00:39:48,194
- EASY, TIGER.
- ALL RIGHT.
726
00:39:48,277 --> 00:39:50,155
ALL RIGHT.
727
00:39:51,697 --> 00:39:55,201
PLEASE DON'T TELL RYAN
I'VE BEEN DRINKING.
728
00:39:56,535 --> 00:39:58,412
SCOUT'S HONOR.
729
00:39:59,789 --> 00:40:01,875
OH, UM...
730
00:40:11,009 --> 00:40:13,427
WOULD YOU SIGN IT FOR ME?
731
00:40:15,596 --> 00:40:17,473
I KNOW
I BROUGHT A PEN.
732
00:40:22,854 --> 00:40:25,064
OH, HERE.
733
00:40:25,148 --> 00:40:27,316
I KNOW THIS
IS INAPPROPRIATE.
734
00:40:27,399 --> 00:40:29,485
WE'RE WAY PAST
INAPPROPRIATE.
735
00:40:37,994 --> 00:40:40,163
I'LL TREASURE THIS.
736
00:40:42,040 --> 00:40:44,500
- I WILL.
- I HAVE TO LEAVE YOU, NOW.
737
00:40:47,212 --> 00:40:49,671
OOPS. SORRY.
738
00:40:50,840 --> 00:40:52,967
SALLY!
739
00:40:53,051 --> 00:40:55,719
- PANES.
-
"FROM JEWISH FOLK POETRY."
740
00:40:55,802 --> 00:40:58,890
- GOOD.
- SONG CYCLE.
741
00:40:58,973 --> 00:41:01,308
- Mac:
WHAT?
- Sally:
TRUST HIM.
742
00:41:01,391 --> 00:41:03,810
IT'S SHOSTAKOVICH, MAC.
EVER HEAR OF HIM?
743
00:41:03,895 --> 00:41:06,688
-
SANDY.
- "THE WIND-UP BIRD CHRONICLE."
744
00:41:06,772 --> 00:41:08,732
Sally:
GOOD.
745
00:41:08,815 --> 00:41:10,985
-
RYAN?
- I DIDN'T KNOW YOU HAD THIS.
746
00:41:12,070 --> 00:41:14,530
OH, YEAH.
IT'S AMAZING.
747
00:41:14,613 --> 00:41:17,616
YOU THINK YOU COULD
MAYBE SIGN IT FOR US?
748
00:41:17,699 --> 00:41:20,452
YEAH! ABSOLUTELY.
HERE. HERE.
749
00:41:22,288 --> 00:41:25,166
YOU ALWAYS WONDER
WHERE YOUR BOOKS END UP.
750
00:41:27,085 --> 00:41:30,255
- HEY, WHY DON'T WE USE THIS?
- GOOD IDEA.
751
00:41:30,337 --> 00:41:32,298
NOT A CHANCE IN HELL
ANYONE WILL GET IT.
752
00:41:33,382 --> 00:41:36,718
ONE AT A TIME!
HOLD IT DOWN.
753
00:41:36,802 --> 00:41:38,512
- CAL, YOU'RE LAST.
- WHY?
754
00:41:38,595 --> 00:41:39,846
JUST BECAUSE.
THAT'S SHOW BUSINESS.
755
00:41:39,931 --> 00:41:41,266
- THE KATZENJAMMER KIDS.
- VERY GOOD.
756
00:41:41,348 --> 00:41:45,228
- WHAT'S THAT?
- THE FUNNIES.
757
00:41:45,311 --> 00:41:48,564
IT'S MY MOTHER'S
FAVORITE CHARADES CLUE.
NO ONE EVER GETS IT.
758
00:41:48,647 --> 00:41:50,524
- WITH A "Z."
- OKAY, I VOTE FOR THAT.
759
00:41:56,114 --> 00:41:57,364
( glass clatters )
760
00:41:57,447 --> 00:41:58,490
( guests groan )
761
00:42:01,286 --> 00:42:04,080
- AMERICA!
-
LET'S PLAY. LET'S PLAY.
762
00:42:04,163 --> 00:42:08,500
- WHO'S TIMING?
- I AM.
763
00:42:08,584 --> 00:42:10,794
- Joe: WHO'S GOING TO GO FIRST?
- Sally: PLEASE BE OUR GUEST.
764
00:42:10,877 --> 00:42:12,796
NO, YOU.
765
00:42:12,879 --> 00:42:15,133
ALL RIGHT.
PANESIE IN.
766
00:42:16,592 --> 00:42:19,971
( clapping, chattering )
767
00:42:20,054 --> 00:42:22,806
AND GO!
768
00:42:22,889 --> 00:42:24,641
- WHAT THE HELL IS THAT?
-
STOMACH. LAUGHING.
769
00:42:24,725 --> 00:42:27,728
- WHAT IS IT, PANES?
- TWO WORDS?
770
00:42:27,811 --> 00:42:29,688
FUNNIES.
IT IS FUNNIES.
771
00:42:33,067 --> 00:42:35,444
- THE KATZENJAMMER KIDS!
- YES!
772
00:42:35,527 --> 00:42:38,948
Jerry: OH, WAIT.
NO, THIS CAN'T GO THIS WAY.
773
00:42:39,032 --> 00:42:41,700
THE HUSBAND'S
ON THE OTHER FUCKING TEAM!
774
00:42:41,783 --> 00:42:43,744
YOUR WIFE IS ON OUR TEAM.
SO WHAT'S THE PROBLEM?
775
00:42:43,827 --> 00:42:47,873
- CAN WE SWITCH?
- TAKE IT EASY, JER.
776
00:42:49,000 --> 00:42:50,917
GO, JERRY,
IT'S YOUR BIRTHDAY.
777
00:42:51,002 --> 00:42:53,129
WE NEED TO
ESTABLISH RULES.
778
00:42:53,212 --> 00:42:55,505
- NO PROBLEM.
- WE'RE WITH YOU.
779
00:42:55,589 --> 00:42:57,507
- AND GO.
- FUCK YOU.
780
00:42:57,591 --> 00:43:00,011
- AND FUCK YOU.
- AND GO.
781
00:43:00,094 --> 00:43:02,263
- HEY, WOULD YOU?
- IT'S 15 SECONDS.
782
00:43:02,347 --> 00:43:05,016
I DON'T THINK SO!
783
00:43:05,099 --> 00:43:06,976
( guests moan, laugh )
784
00:43:08,102 --> 00:43:10,812
ARE YOU ALWAYS
THIS MUCH FUN?
785
00:43:10,896 --> 00:43:14,317
HEY, WE ONLY GOT 15 SECONDS,
BUT IF YOU NEED MORE,
786
00:43:14,400 --> 00:43:16,319
- JUST GO AHEAD AND PAD IT.
- OKAY, I'M ON IT.
787
00:43:16,402 --> 00:43:19,113
-
MIME IS MONEY.
- I'M READY.
788
00:43:19,197 --> 00:43:22,367
AND... GO!
789
00:43:22,449 --> 00:43:24,701
SONG!
790
00:43:24,785 --> 00:43:27,413
- MOTORCYCLE SONG.
- SPINNING SONG.
791
00:43:27,496 --> 00:43:29,415
- SONG CYCLE.
- SONG CYCLE.
792
00:43:29,498 --> 00:43:32,501
- Gina:
WHAT'S A SONG CYCLE?
- FOUR WORDS.
793
00:43:32,584 --> 00:43:33,919
SECOND WORD.
794
00:43:34,003 --> 00:43:35,380
BEARD.
795
00:43:35,462 --> 00:43:38,341
OH, BEARD.
"LA BARBA."
796
00:43:38,424 --> 00:43:41,135
- WIZENED.
- COME ON, PEOPLE! ALL RIGHT.
797
00:43:41,219 --> 00:43:44,430
- FIRST SYLLABLE.
- Jerry:
SHUT UP!
798
00:43:44,513 --> 00:43:46,640
- ( everyone laughing )
- SHUT UP! BE QUIET.
799
00:43:46,723 --> 00:43:50,186
- FIRST SYLLABLE.
- ONE SYLLABLE!
800
00:43:50,269 --> 00:43:52,438
SOUNDS LIKE... FUCK!
801
00:43:52,521 --> 00:43:55,024
SCHMUCK!
802
00:43:55,108 --> 00:43:56,483
WHAT? FOLK?
803
00:43:56,566 --> 00:43:58,236
"FOLK" DOESN'T SOUND
LIKE "FUCK."
804
00:43:58,319 --> 00:43:59,903
- 30 SECONDS.
- LISTEN, MAN...
805
00:43:59,986 --> 00:44:01,406
FUCKING STOP...
806
00:44:01,488 --> 00:44:03,324
YOU CAN DO IT.
COME ON.
807
00:44:03,408 --> 00:44:05,784
PLEASE TELL HIM TO STOP
FUCKING YELLING AT ME.
808
00:44:07,036 --> 00:44:08,829
SECOND WORD!
809
00:44:08,912 --> 00:44:10,081
PENIS!
810
00:44:10,164 --> 00:44:11,790
MASOCHIST.
811
00:44:13,334 --> 00:44:15,253
WHAT IS THAT?
812
00:44:15,336 --> 00:44:18,797
BEARD? WRITING?
PENIS? CUTTING?
813
00:44:18,880 --> 00:44:21,092
"FROM JEWISH
FOLK POETRY!"
814
00:44:21,175 --> 00:44:24,429
YES!
815
00:44:24,511 --> 00:44:26,222
-
YOU GOT IT, BABY.
-
THAT'S THE MOST RACIST--
816
00:44:26,305 --> 00:44:29,142
A YARMULKE, A BIG NOSE,
A CIRCUMCISION.
817
00:44:30,767 --> 00:44:34,313
- "FROM JEWISH FOLK POETRY."
-
WHO'S NEXT?
818
00:44:34,397 --> 00:44:36,982
- Cal:
WHY DIDN'T I GUESS THAT?
- Skye:
IT'S A SONG CYCLE.
819
00:44:37,066 --> 00:44:38,942
AND...
820
00:44:39,025 --> 00:44:40,445
THAT IS TIME.
821
00:44:40,527 --> 00:44:43,197
ARE YOU ON THE FOURTH WORD,
OR THE FOURTH SYLLABLE?
822
00:44:43,281 --> 00:44:45,283
- FOURTH WORD.
- JUDY, IT'S TIME. FUCKING TIME!
823
00:44:45,366 --> 00:44:48,161
JAWOHL!
WHAT ARE YOU,
A FUCKING NAZI, JERRY?
824
00:44:48,244 --> 00:44:50,496
IT'S FUCKING TIME, BABY!
825
00:44:50,579 --> 00:44:52,789
YOUR HAMSTRING.
YOUR LEG.
826
00:44:52,873 --> 00:44:54,125
NOBODY KNOWS
WHAT YOU'RE DOING.
827
00:44:54,208 --> 00:44:56,169
YOUR KNEE?
YOUR ANKLE? WHAT?
828
00:44:56,252 --> 00:44:58,087
JUST GO TO THE SECOND
SYLLABLE!
829
00:44:58,171 --> 00:44:59,796
GO TO THE
SECOND
SYLLABLE!
830
00:44:59,880 --> 00:45:02,632
WOULD YOU JUST MOVE ON
TO THE FUCKING SECOND SYLLABLE,
831
00:45:02,716 --> 00:45:06,553
- YOU STUPID CUNT?!
- ( gasping )
832
00:45:06,636 --> 00:45:08,473
THAT IS SO
OUT OF HAND.
833
00:45:08,555 --> 00:45:10,599
TIME!
834
00:45:14,353 --> 00:45:16,230
Mac:
THAT'S ANOTHER BUCK 20!
835
00:45:20,817 --> 00:45:24,821
SHIT. IT'S ONE OF CAL'S.
OBSCURE SHAKESPEARE, FOLKS.
836
00:45:24,905 --> 00:45:27,366
-
COME ON.
-
YOU'RE A MONSTER.
837
00:45:27,450 --> 00:45:29,868
-
10 WORDS?
- 20?
838
00:45:31,454 --> 00:45:34,540
29 WORDS...?
839
00:45:34,623 --> 00:45:36,666
IT'S SO SIMPLE.
840
00:45:36,750 --> 00:45:38,752
GIVE THEM
THE KEY WORD.
841
00:45:41,130 --> 00:45:43,006
FIRST WORD. GREAT.
842
00:45:44,925 --> 00:45:46,927
-
( everyone shouting )
-
TIME!
843
00:45:48,179 --> 00:45:51,723
NO WAY! GOD!
WHAT WAS THAT?
844
00:45:51,807 --> 00:45:53,934
I HAVE NO FUCKING IDEA
WHAT IT IS.
845
00:45:54,017 --> 00:45:56,728
- WHAT THE FUCK WAS THAT?
- RYAN'S NOVEL.
846
00:45:56,812 --> 00:46:00,023
- RYAN'S NOVEL?
- RYAN'S NOVEL, JERRY.
847
00:46:00,106 --> 00:46:02,025
WHO THE FUCK
IS RYAN?
848
00:46:02,108 --> 00:46:04,861
DINNER.
GET UP, GUYS.
849
00:46:04,945 --> 00:46:07,072
I'M SORRY
I CALLED YOU A CUNT.
850
00:46:07,156 --> 00:46:08,990
I'M INVITED TO A HOUSE
OF CHEATERS.
851
00:46:09,074 --> 00:46:10,992
CHEATERS. CHEATERS.
CHEATERS.
852
00:46:11,076 --> 00:46:12,953
WAIT HERE
FOR THE LEFTOVERS.
853
00:46:15,164 --> 00:46:17,999
-
I JUST NEED TO GET DRUNKER.
-
THAT'S NOT RIGHT.
854
00:46:18,083 --> 00:46:19,960
-
THANKS FOR NOTHING.
-
FORK.
855
00:46:21,254 --> 00:46:24,714
- HEY, ASTRID.
- HEY. WHO WON?
856
00:46:24,798 --> 00:46:27,176
- A TRIUMPH.
- AS USUAL.
857
00:46:27,260 --> 00:46:30,095
WHEN DID YOU
GET HERE?
858
00:46:30,179 --> 00:46:32,764
- JUST 10, 15 MINUTES AGO.
- WHY DIDN'T YOU COME IN?
859
00:46:32,848 --> 00:46:35,184
- I DIDN'T FEEL LIKE IT.
- WHAT A CUTE LITTLE DOG.
860
00:46:35,268 --> 00:46:36,977
CAREFUL, SHE HAS
JEALOUSY ISSUES.
861
00:46:52,243 --> 00:46:55,371
BUT THAT'S NOT
WHAT I HEARD, CAL.
862
00:46:55,454 --> 00:46:57,956
THAT'S REVOLTING,
ASTRID.
863
00:46:58,039 --> 00:47:00,125
WHAT I HEARD...
864
00:47:01,335 --> 00:47:04,213
IS THERE
SPACE HERE?
865
00:47:04,297 --> 00:47:06,172
GREAT.
866
00:47:09,385 --> 00:47:12,263
CAN I GET YOU
ANYTHING ELSE?
867
00:47:12,346 --> 00:47:15,015
-
FOOD? NO? YOU'RE OKAY?
- NO. I'M OKAY. THANKS.
868
00:47:17,767 --> 00:47:19,645
THAT WAS MY CLUE,
YOU KNOW?
869
00:47:21,688 --> 00:47:24,107
THE SHOSTAKOVICH THING?
870
00:47:24,190 --> 00:47:27,278
- REALLY?
- HOW DID YOU KNOW
ABOUT THAT?
871
00:47:27,361 --> 00:47:29,738
( with mock Indian accent )
NOT MANY PEOPLE KNOW
ABOUT SHOSTAKOVICH.
872
00:47:29,821 --> 00:47:32,949
YES, HE WAS
A FANTASTIC COMPOSER.
873
00:47:33,033 --> 00:47:35,328
AND HE HAD TERRIBLE DYSENTERY,
BUT STILL,
874
00:47:35,411 --> 00:47:37,120
HE'S NOT THAT FAMOUS
ALL THE TIME.
875
00:47:37,203 --> 00:47:39,122
WHICH SYMPHONY
DO YOU LIKE THE MOST?
876
00:47:39,205 --> 00:47:40,541
HAVE YOU EVER HEARD
THE ONE THAT GOES
877
00:47:40,625 --> 00:47:42,959
BOOMDIDDY-BOOMDIDDY,
BOOMDIDDY BOOM?
878
00:47:43,043 --> 00:47:44,836
BOOMDIDDY
BOOMDIDDY BOOM.
879
00:47:46,963 --> 00:47:48,757
( piano playing,
bell rattling )
880
00:48:00,936 --> 00:48:04,022
( clapping )
881
00:48:06,651 --> 00:48:08,486
PART OF OUR GIFT, HONEY.
882
00:48:09,861 --> 00:48:11,780
Cal:
A TOAST TO SALLY AND JOE.
883
00:48:13,907 --> 00:48:17,786
"AH, LOVE, LET US BE TRUE
TO ONE ANOTHER,
884
00:48:17,869 --> 00:48:19,413
FOR THE WORLD,
885
00:48:19,497 --> 00:48:23,875
WHICH SEEMS TO LIE BEFORE US
LIKE A LAND OF DREAMS,
886
00:48:23,959 --> 00:48:27,630
SO VARIOUS,
SO BEAUTIFUL, SO NEW,
887
00:48:27,713 --> 00:48:31,342
HATH REALLY NEITHER JOY,
888
00:48:31,425 --> 00:48:33,344
NOR LIGHT, NOR LOVE,
889
00:48:33,427 --> 00:48:36,347
NOR CERTITUDE,
NOR PEACE,
890
00:48:36,430 --> 00:48:39,725
NOR HELP FOR PAIN.
891
00:48:39,808 --> 00:48:43,144
AND WE ARE HERE
AS ON A DARKLING PLAIN
892
00:48:43,228 --> 00:48:48,484
SWEPT WITH CONFUSED ALARUMS
OF STRUGGLE AND FLIGHT
893
00:48:48,567 --> 00:48:52,738
WHERE IGNORANT ARMIES
CLASH BY NIGHT."
894
00:48:54,657 --> 00:48:56,701
SALLY AND JOE.
895
00:49:02,456 --> 00:49:04,709
MY DAUGHTER EVIE AND I
HAVE PUT TOGETHER
896
00:49:04,791 --> 00:49:08,294
A LITTLE BALLETIC LOVE POEM
IN THEIR HONOR.
897
00:49:10,381 --> 00:49:13,467
"THE BALLAD
OF SALLY AND JOE."
898
00:49:13,551 --> 00:49:15,260
LADIES AND GENTLEMEN.
899
00:49:15,344 --> 00:49:17,929
- OKAY?
- YEAH, I'M READY.
900
00:49:18,013 --> 00:49:19,180
WAIT HERE.
901
00:50:48,646 --> 00:50:50,523
BRAVA! BRAVA!
902
00:50:53,942 --> 00:50:56,027
( guitar playing )
903
00:51:04,829 --> 00:51:08,331
♪♪ HAVE YOU EVER SEEN LOVE
LIKE THIS? ♪♪
904
00:51:08,414 --> 00:51:11,084
♪♪ EVER WITNESSED
MARITAL BLISS? ♪♪
905
00:51:11,167 --> 00:51:14,379
♪♪ THERE IT IS
RIGHT IN FRONT OF YOU ♪♪
906
00:51:14,463 --> 00:51:18,967
♪♪ DON'T YOU KNOW
YOU COULD HAVE IT TOO? ♪♪
907
00:51:19,050 --> 00:51:21,846
♪♪ SALLY, SALLY AND JOE ♪♪
908
00:51:21,928 --> 00:51:27,726
♪♪ GOING SIX YEARS STRONG ♪♪
909
00:51:27,810 --> 00:51:31,187
♪♪ WHAT'S THE SECRET
TO YOUR SUCCESS? ♪♪
910
00:51:31,271 --> 00:51:34,190
♪♪ DOES IT HAPPEN
WHEN YOU UNDRESS? ♪♪
911
00:51:34,274 --> 00:51:37,235
♪♪ GET IT ON
IN A MAJOR WAY ♪♪
912
00:51:37,318 --> 00:51:40,989
♪♪ MAKING BABIES
THE NATURAL WAY ♪♪
913
00:51:41,072 --> 00:51:44,910
-
♪♪ MAKE ONE, MAKE ONE... ♪♪
-
♪♪ SALLY AND JOE ♪♪
914
00:51:44,993 --> 00:51:46,745
♪♪ DO IT, DO IT, DO IT ♪♪
915
00:51:49,498 --> 00:51:52,417
♪♪ SALLY AND JOE ♪♪
916
00:51:55,461 --> 00:52:01,426
♪♪ FEELS SO GOOD,
CAN'T BE WRONG ♪♪
917
00:52:01,510 --> 00:52:04,262
-
♪♪ WEAR A THONG ♪♪
- ( laughter )
918
00:52:04,345 --> 00:52:06,807
♪♪ LIGHT UP A BONG ♪♪
919
00:52:06,891 --> 00:52:09,017
♪♪ BANG A GONG ♪♪
920
00:52:09,100 --> 00:52:11,019
♪♪ DO WHATEVER IT TAKES ♪♪
921
00:52:11,102 --> 00:52:14,439
-
♪♪ GET IT ON ♪♪
- ♪♪ LOVE IS REAL. ♪♪
922
00:52:14,523 --> 00:52:16,734
HAPPY ANNIVERSARY.
923
00:52:16,817 --> 00:52:18,026
WE LOVE YOU.
924
00:52:19,277 --> 00:52:22,405
...TWO FOR THE PRICE
OF ONE.
925
00:52:22,488 --> 00:52:25,534
AND HAVING LIVED
WITH AN ACTRESS NOW
FOR SIX YEARS,
926
00:52:25,618 --> 00:52:27,661
I'M SURE YOU'LL FIND
DIRECTING THEM
A PIECE OF CAKE.
927
00:52:31,206 --> 00:52:33,542
SO, GOD BLESS
BOTH OF YOU,
928
00:52:33,626 --> 00:52:37,086
AND HOPEFULLY,
CLAIR AND I WILL BE
929
00:52:37,170 --> 00:52:39,380
A SHINING EXAMPLE
TO YOU
930
00:52:39,464 --> 00:52:42,508
FOR MANY YEARS
TO COME.
931
00:52:42,593 --> 00:52:44,678
GOD BLESS.
932
00:52:46,639 --> 00:52:51,100
♪♪ WE ALL KNOW
HOW VERY DRAINING ♪♪
933
00:52:51,184 --> 00:52:54,437
♪♪ IT IS WHEN SALLY
IS COMPLAINING ♪♪
934
00:52:56,690 --> 00:53:02,111
♪♪ WHEN HER MOOD
IS GRAY OR BLACK ♪♪
935
00:53:02,195 --> 00:53:04,657
♪♪ I'M SO HAPPY
THAT JOE IS BACK. ♪♪
936
00:53:04,740 --> 00:53:08,451
YAY.
937
00:53:08,534 --> 00:53:12,581
♪♪ I'M SO HAPPY
THAT WHAT YOU STARTED ♪♪
938
00:53:12,665 --> 00:53:18,211
♪♪ WON'T END WITH TWO MORE
BROKENHEARTED ♪♪
939
00:53:18,294 --> 00:53:23,634
♪♪ I'M GLAD WHAT'S BUSTED
COULD BE FIXED ♪♪
940
00:53:23,717 --> 00:53:27,680
♪♪ IN TIME TO CELEBRATE
YOUR SIXTH ♪♪
941
00:53:27,763 --> 00:53:32,893
♪♪ AND IF YOU'RE GOOD,
YOU'LL MAKE TO THE 25 ♪♪
942
00:53:32,977 --> 00:53:36,772
♪♪ AND IF YOU'RE LUCKY,
YOU'LL MAKE IT TO THE GOLD ♪♪
943
00:53:36,855 --> 00:53:41,401
♪♪ AND IF YOUR LOVE IS TRUE ♪♪
944
00:53:41,484 --> 00:53:45,321
♪♪ YOU'LL STILL BE TOGETHER
WHEN YOU'RE TERRIBLY OLD ♪♪
945
00:53:45,405 --> 00:53:49,367
♪♪ STILL BE TOGETHER WHEN
YOU'RE SPINDLY AND CREAKY ♪♪
946
00:53:49,450 --> 00:53:51,577
♪♪ AND CRINKLED AND SENILE ♪♪
947
00:53:51,662 --> 00:53:56,667
♪♪ WITH BLADDERS SO LEAKY
AND OLD. ♪♪
948
00:54:14,893 --> 00:54:16,895
I GOT YOU.
949
00:54:38,667 --> 00:54:40,585
TO ONLY HAPPY TIMES,
950
00:54:40,669 --> 00:54:42,628
AND TO LOTS AND LOTS
OF MONEY.
951
00:54:44,380 --> 00:54:46,549
- CHEERS.
- LOTS OF GOOD MONEY.
952
00:54:47,508 --> 00:54:49,427
WE LOVE YOU GUYS.
953
00:54:49,510 --> 00:54:51,512
SALLY, THIS IS
JUST FOR YOU.
954
00:54:51,596 --> 00:54:54,223
JOE, YOU CAN JUST
GO LIKE THIS.
955
00:54:54,307 --> 00:54:57,560
- UM, SO CAN YOU.
- OKAY.
956
00:55:01,147 --> 00:55:04,068
MEN JUST...
957
00:55:04,150 --> 00:55:06,152
ARE JUST
A LOT OF WORK.
958
00:55:06,235 --> 00:55:08,947
AND IT'S REALLY HARD.
AND...
959
00:55:10,156 --> 00:55:13,493
YOU FIGURE OUT THE GAME,
960
00:55:13,576 --> 00:55:15,913
AND YOU PLAY THE GAME,
961
00:55:17,288 --> 00:55:19,374
AND YOU BE STRONG.
962
00:55:23,128 --> 00:55:25,089
AND DON'T PUT UP
WITH ANY SHIT.
963
00:55:25,171 --> 00:55:27,091
HERE'S TO
MAKING IT WORK!
964
00:55:27,173 --> 00:55:28,884
- SIX YEARS.
- HERE'S TO THE SHIT.
965
00:55:28,967 --> 00:55:30,886
SIX MINUTES.
966
00:55:30,969 --> 00:55:32,721
SIX HOURS.
967
00:55:32,805 --> 00:55:36,016
SIX EONS.
968
00:55:36,100 --> 00:55:38,643
Gina:
THIS WOULD BE
MY PHONE BILL.
969
00:55:38,727 --> 00:55:42,397
OKAY, FOR THE BETTER PART
OF THE LAST YEAR
970
00:55:42,480 --> 00:55:44,690
I HAVE RECEIVED COUNTLESS,
971
00:55:44,775 --> 00:55:48,236
ALL-HOUR, HEARTBROKEN,
972
00:55:48,319 --> 00:55:52,116
"I WILL NEVER GET OVER IT,"
TRANSATLANTIC PHONE CALLS
973
00:55:52,198 --> 00:55:54,450
FROM MY VERY DEVASTATED,
974
00:55:54,534 --> 00:55:57,537
VERY CHERISHED
BEST FRIEND, JOE.
975
00:55:57,620 --> 00:55:59,832
BUT IN TYPICAL
JOE FASHION,
976
00:55:59,915 --> 00:56:02,542
HE WOULD CALL ME
AT THE PRECISE MOMENT
977
00:56:02,625 --> 00:56:04,502
WHEN I WASN'T HOME
AND LEAVE THESE
978
00:56:04,585 --> 00:56:06,839
EXCRUCIATING MESSAGES
ON MY MACHINE.
979
00:56:06,922 --> 00:56:09,298
AND WHEN I GOT HOME,
I WOULD CALL HIM BACK RIGHT AWAY
980
00:56:09,382 --> 00:56:12,094
AND WE HAD
SOME OF THE MOST...
981
00:56:13,762 --> 00:56:16,556
PAINFUL CONVERSATIONS
I'VE EVER HAD WITH ANYONE.
982
00:56:18,683 --> 00:56:21,227
YOU KNOW, HE FELT LIKE
HE WOULD NEVER BE ABLE
TO LOVE AGAIN.
983
00:56:21,310 --> 00:56:23,563
HE COULDN'T BEAR TO BE
WITHOUT SALLY,
984
00:56:23,646 --> 00:56:26,399
NOT TO MENTION OTIS,
AND AMERICA.
985
00:56:26,482 --> 00:56:30,195
HE WASN'T EATING,
AND HE COULD HARDLY SLEEP,
986
00:56:30,278 --> 00:56:32,655
AND HE COULD BARELY WRITE,
AND NEEDLESS TO SAY,
987
00:56:32,738 --> 00:56:34,867
NO CONVERSATION WAS
UNDER TWO HOURS.
988
00:56:34,950 --> 00:56:38,536
AND I DIDN'T HAVE THE HEART
AFTER THE FIRST HOUR,
989
00:56:38,619 --> 00:56:41,874
TO SAY, "HEY, DO YOU THINK
MAYBE YOU COULD CALL ME BACK?
990
00:56:41,957 --> 00:56:43,917
I'M CALLING LONDON,
FOR CRYING OUT LOUD."
991
00:56:44,001 --> 00:56:48,088
BECAUSE I KNEW THAT,
SHOULD MY LIFE UNRAVEL,
992
00:56:48,172 --> 00:56:50,548
THAT YOU WOULD BE THERE
FOR ME.
993
00:56:53,051 --> 00:56:55,888
BUT IN CASE MY LIFE
DOESN'T UNRAVEL,
994
00:56:55,971 --> 00:56:57,931
I'M JUST GOING TO LEAVE
MY PHONE BILL OVER HERE
995
00:56:58,015 --> 00:57:00,809
IN CASE YOU WANT
TO PAY ME BACK.
996
00:57:04,104 --> 00:57:07,648
I MEAN, WHEN I KNEW JOE
AS A YOUNG MAN
997
00:57:07,732 --> 00:57:12,112
HE WAS VERY LOVELY,
DELIGHTFUL.
998
00:57:12,196 --> 00:57:14,239
BUT WITH YOU...
999
00:57:17,533 --> 00:57:19,619
UNDER YOUR GAZE,
HE'S MAGNIFICENT.
1000
00:57:22,164 --> 00:57:24,332
AND IT'S THAT QUALITY
THAT LETS ME KNOW
1001
00:57:24,415 --> 00:57:26,709
THAT YOU WILL BE
A MAGNIFICENT MOTHER.
1002
00:57:26,792 --> 00:57:29,629
AND I TRULY WISH THAT
FOR YOU.
1003
00:57:33,424 --> 00:57:36,302
JUST WANTED TO, UH...
1004
00:57:36,385 --> 00:57:38,931
TO GIVE OUR VERSION
OF A TOAST.
1005
00:57:40,849 --> 00:57:43,852
WE'RE NOT EXACTLY
TALENTED, AND, UH--
1006
00:57:45,229 --> 00:57:48,773
- YOU'RE THE WRITER.
- YEAH, RIGHT.
1007
00:57:48,857 --> 00:57:52,318
WE JUST WANTED TO SAY
HOW PLEASED WE ARE
1008
00:57:52,401 --> 00:57:56,656
AND HOW VERY HAPPY
WE GOT A CHANCE
TO COME HERE--
1009
00:57:59,243 --> 00:58:02,411
- Monica:
TO BE A PART OF THIS.
- Ryan:
RIGHT.
1010
00:58:02,495 --> 00:58:04,164
AND I HOPE
YOU LIKE THE GIFT.
1011
00:58:04,248 --> 00:58:07,750
IT'S NOT EXACTLY...
1012
00:58:07,833 --> 00:58:09,377
ROMANTIC...
1013
00:58:09,460 --> 00:58:13,506
BUT WE THOUGHT
THE DOG COLLAR...
1014
00:58:13,589 --> 00:58:17,052
MIGHT BE
REALLY HELPFUL...
1015
00:58:17,135 --> 00:58:20,596
IN SILENCING OTIS...
1016
00:58:20,680 --> 00:58:23,849
AT THOSE DIFFICULT TIMES.
YOU KNOW, WHATEVER...
1017
00:58:23,934 --> 00:58:26,644
IT'LL MAKE--
MAYBE WE CAN...
1018
00:58:28,521 --> 00:58:32,567
EASE WHAT'S HAPPENED
BETWEEN US.
1019
00:58:32,650 --> 00:58:34,569
THANKS.
1020
00:58:34,652 --> 00:58:36,737
CONGRATULATIONS.
1021
00:58:44,495 --> 00:58:46,747
FOR UNDERSTANDABLE REASONS,
1022
00:58:46,831 --> 00:58:50,376
I DID NOT RECEIVE...
1023
00:58:50,459 --> 00:58:52,296
ANY OF THOSE PHONE CALLS.
1024
00:58:54,172 --> 00:58:56,549
AND AS I AM...
1025
00:58:56,632 --> 00:58:59,385
APPRECIATIVE ON ONE LEVEL...
1026
00:59:03,056 --> 00:59:05,683
I ACTUALLY HAVE
MIXED EMOTIONS ABOUT IT,
1027
00:59:05,766 --> 00:59:08,644
BEING WHAT JOE AND I
HAVE BEEN THROUGH,
1028
00:59:08,728 --> 00:59:11,689
BOTH AT OXFORD
AND HERE IN THE STATES.
1029
00:59:20,448 --> 00:59:23,285
I'M HAPPY FOR JOE,
THAT HE HEEDED MY ADVICE
1030
00:59:23,368 --> 00:59:27,496
THAT HE SHOULD GO FIND
A NICE, STABLE
1031
00:59:27,580 --> 00:59:31,293
AMERICAN ACTRESS
TO SETTLE DOWN WITH.
1032
00:59:31,376 --> 00:59:33,170
WOW.
1033
00:59:33,253 --> 00:59:37,174
TO THE SUCCESS OF HIS BOOK--
HIS BEAUTIFUL BOOK.
1034
00:59:37,257 --> 00:59:39,592
AND I LEARNED TONIGHT--
1035
00:59:39,675 --> 00:59:41,719
THE GREEN LIGHT
ON YOUR FILM PRODUCTION.
1036
00:59:41,802 --> 00:59:44,555
THAT'S WONDERFUL.
CONGRATULATIONS.
1037
00:59:45,640 --> 00:59:47,725
AND TO SALLY--
1038
00:59:49,311 --> 00:59:53,731
WHO COULD ASK
FOR A MORE INSPIRED MUSE?
1039
00:59:53,814 --> 00:59:57,235
AND I'M SURE THAT
YOU'RE GOING TO...
1040
00:59:57,319 --> 00:59:59,487
TRANSCEND JOE'S FIRST ATTEMPT
1041
00:59:59,570 --> 01:00:03,367
AT AN ADAPTED SCREENPLAY,
1042
01:00:03,449 --> 01:00:05,994
AND BE THE MOST PERFECT,
1043
01:00:06,078 --> 01:00:10,207
MOST RADIANT JENNA.
CONGRATULATIONS.
1044
01:00:12,417 --> 01:00:14,294
HEAR, HEAR.
1045
01:00:17,922 --> 01:00:20,342
( softly )
HE DOESN'T KNOW.
1046
01:00:30,893 --> 01:00:34,106
I REALLY WASN'T PREPARED
TO SAY ANYTHING,
1047
01:00:34,189 --> 01:00:37,525
BUT I'M VERY HONORED
1048
01:00:37,608 --> 01:00:40,237
TO BE A PART OF TONIGHT,
1049
01:00:40,320 --> 01:00:45,367
AND IN THE SAME ROOM
WITH MY FAVORITE LIVING ACTRESS,
1050
01:00:45,450 --> 01:00:48,577
AND MY FAVORITE
NOVELIST.
1051
01:00:48,661 --> 01:00:52,249
AND THIS ROOM IS
SO FILLED WITH LOVE.
1052
01:00:53,874 --> 01:00:55,668
AND I BROUGHT
A GIFT OF LOVE.
1053
01:00:55,751 --> 01:00:59,214
I BROUGHT A GIFT
THAT IS LOVE.
1054
01:01:02,092 --> 01:01:03,592
HAPPY ANNIVERSARY.
1055
01:01:03,676 --> 01:01:05,761
THANK YOU.
1056
01:01:10,641 --> 01:01:12,601
I THINK
THERE'S 16 THERE.
1057
01:01:12,685 --> 01:01:15,355
WHAT IS IT?
1058
01:01:15,439 --> 01:01:17,648
OH, WOW, DOLPHINS.
THAT'S GREAT.
1059
01:01:17,732 --> 01:01:20,609
- DOLPHINS?
- IT'S ECSTASY.
1060
01:01:22,362 --> 01:01:24,448
THANKS, SKYE.
1061
01:01:24,530 --> 01:01:27,533
IT'S AN AMAZING PRESENT.
WHAT A SWEETHEART YOU ARE.
1062
01:01:27,616 --> 01:01:29,618
WHAT A SWEETHEART
YOU ARE.
1063
01:01:29,702 --> 01:01:31,704
Astrid:
IT'S LATE.
1064
01:01:31,787 --> 01:01:34,874
YOU SLEEPY, BABY?
1065
01:01:34,957 --> 01:01:37,169
I THINK
WE'RE GONNA HIT IT.
1066
01:01:39,044 --> 01:01:40,422
HEY, EVERYBODY,
1067
01:01:40,505 --> 01:01:42,132
I THINK WE SHOULD ALL
TAKE IT TONIGHT, ALL RIGHT?
1068
01:01:42,215 --> 01:01:45,009
AND EVERYONE
WHO'S STAYING STAYS.
1069
01:01:45,093 --> 01:01:46,428
- I'M GOING TO GO.
- YOU'RE NOT COMING.
1070
01:01:46,511 --> 01:01:50,055
- JEFFERY, STAY.
- IT'S NOT MY SCENE.
1071
01:01:50,140 --> 01:01:53,017
BUT NO DRIVING.
THAT'S THE RULE.
OKAY, EVERYBODY?
1072
01:01:53,101 --> 01:01:55,228
SALLY MAE,
YOU'RE GONNA LOVE IT.
1073
01:01:55,312 --> 01:01:56,687
IT'S GONNA BE FANTASTIC.
1074
01:01:56,771 --> 01:02:00,317
I'M A LITTLE WORRY ABOUT
MY BRAIN AND MY SPINE.
1075
01:02:00,400 --> 01:02:04,028
- YOU'RE GONNA BE SO OKAY.
- SOPHIA'S GONNA DO IT.
1076
01:02:04,112 --> 01:02:06,364
PANES IS DOING IT.
TRUST ME. IT'LL BE GREAT.
1077
01:02:06,448 --> 01:02:09,493
- ARE YOU GOING?
- YEAH. WANNA COME?
1078
01:02:09,575 --> 01:02:11,076
- SHE'S STAYING WITH ME.
- SHE WANTS TO COME WITH ME.
1079
01:02:11,161 --> 01:02:13,371
GOOD NIGHT, SISSY.
SEE YA.
1080
01:02:13,455 --> 01:02:16,416
LOOK AT THESE.
LOOK EVERYBODY.
1081
01:02:16,500 --> 01:02:18,210
I HAVE A SPINE QUESTION...
1082
01:02:18,293 --> 01:02:22,588
Cal:
♪♪ AMERICA, AMERICA ♪♪
1083
01:02:22,671 --> 01:02:26,176
♪♪ THE FOOD WAS SO YUMMY ♪♪
1084
01:02:26,259 --> 01:02:28,093
♪♪ I NEED A THING ♪♪
1085
01:02:28,178 --> 01:02:30,721
♪♪ EXCUSE ME ♪♪
1086
01:02:30,805 --> 01:02:33,891
♪♪ BA-DUM, ECSTASY. ♪♪
1087
01:02:47,863 --> 01:02:50,074
- WHAT ARE YOU DOING?
- I WANT TO TRY IT.
1088
01:02:51,826 --> 01:02:53,994
HERE WE GO.
1089
01:03:42,877 --> 01:03:45,338
HEY. LOOK WHAT I'VE GOT.
WATER.
1090
01:03:48,425 --> 01:03:50,343
GIVE ME A KISS.
1091
01:03:50,427 --> 01:03:52,304
I TOLD YOU YOU'D
LIKE IT, DIDN'T I?
1092
01:03:54,013 --> 01:03:55,973
HEY, JERRY,
DRINK LOTS OF WATER.
1093
01:03:56,056 --> 01:03:59,394
- THANK YOU.
- JUDY, WATER.
1094
01:04:01,854 --> 01:04:04,524
Joe:
EVERYBODY, I'VE GOT WATER,
AND I'VE GOT CHEWING GUM.
1095
01:04:04,608 --> 01:04:08,903
-
COME TO ME IF YOU NEED EITHER.
- I LOVE IT HERE.
1096
01:04:08,986 --> 01:04:12,532
DON'T YOU
LOVE IT HERE, RYAN?
I LOVE IT HERE.
1097
01:04:17,036 --> 01:04:19,539
AND I LOVE TONIGHT.
1098
01:04:21,749 --> 01:04:24,628
AND I LOVE
THESE PEOPLE.
1099
01:04:28,423 --> 01:04:31,676
THIS FEELS
UTTERLY FANTASTIC.
1100
01:04:32,718 --> 01:04:35,597
UTTERLY FANTASTIC.
1101
01:04:35,680 --> 01:04:37,599
YOU KNOW WHAT
SALLY WAS SAYING
1102
01:04:37,682 --> 01:04:40,768
ABOUT YOUR SPINE
AND YOUR BRAIN?
1103
01:04:40,851 --> 01:04:43,896
SHE DIDN'T PULL THAT
OUT OF THIN AIR.
1104
01:04:43,979 --> 01:04:46,982
IT CAUSES
BRAIN DAMAGE.
1105
01:04:47,066 --> 01:04:49,109
BETTER DRINK
A LOT OF WATER.
1106
01:04:51,070 --> 01:04:52,364
- DO YOU WANT TO GO HOME?
- YEAH.
1107
01:04:52,447 --> 01:04:54,239
I THINK
YOU SHOULD THEN.
1108
01:04:54,324 --> 01:04:58,077
YOU SHOULD LOOK IN
ON SHEILA.
1109
01:04:58,160 --> 01:05:00,913
I'M NOT GONNA
LEAVE YOU HERE ALONE.
1110
01:05:00,996 --> 01:05:03,708
THEY'RE REALLY
NICE PEOPLE, RYAN.
1111
01:05:05,627 --> 01:05:07,878
THEY'RE LIKE US.
1112
01:05:07,962 --> 01:05:11,299
THEY'RE NOTHING
LIKE US.
1113
01:05:11,383 --> 01:05:13,343
I THINK YOU NEED
TO SPEAK FOR YOURSELF.
1114
01:05:15,387 --> 01:05:17,347
BUT I THINK YOU'RE
REALLY NICE PEOPLE.
1115
01:05:25,854 --> 01:05:28,692
WHAT THE FUCK?
1116
01:05:28,774 --> 01:05:30,901
ARE YOU MAKING AN ASS
OUT OF YOURSELF?
1117
01:05:37,409 --> 01:05:40,202
YOU'RE THE ONLY ONE, RYAN.
1118
01:05:42,706 --> 01:05:44,957
YOU KNOW WHAT?
1119
01:05:45,040 --> 01:05:47,126
YOU'RE BEAUTIFUL.
1120
01:05:50,463 --> 01:05:52,757
I LOVE YOU SO MUCH.
1121
01:05:56,093 --> 01:05:59,930
- YOU NEED--
- I DON'T NEED A DRUG.
1122
01:06:00,014 --> 01:06:02,099
YOU NEED
A GOOD REVIEW...
1123
01:06:04,226 --> 01:06:05,936
AND YOU'LL BE FINE.
1124
01:06:07,439 --> 01:06:10,650
THE WHOLE COLOR OF THE WORLD
WILL CHANGE.
1125
01:06:10,734 --> 01:06:12,777
MARK MY WORDS.
1126
01:06:25,831 --> 01:06:27,875
READY TO GO?
1127
01:06:27,958 --> 01:06:29,835
I'M GOING TO GET
MY BATHING SUIT.
1128
01:06:32,963 --> 01:06:35,592
RYAN...?
1129
01:06:35,675 --> 01:06:37,552
YOU'RE A GREAT MAN.
1130
01:06:56,862 --> 01:06:59,031
THE WATER'S GOOD.
1131
01:06:59,114 --> 01:07:02,577
YEAH, I HAVE
FIVE DIVING BATONS.
1132
01:07:02,660 --> 01:07:05,497
WHEN I COUNT TO THREE,
EVERYBODY'S GONNA DIVE IN.
1133
01:07:05,580 --> 01:07:08,458
- YOU WANT TO DIVE FOR A BATON?
-
THE ORANGE ONE IS 50 POINTS.
1134
01:07:08,541 --> 01:07:11,503
I'M PLAYING TOO.
1135
01:07:11,586 --> 01:07:14,296
ONE, TWO, THREE.
1136
01:07:22,555 --> 01:07:25,182
Mac:
SO, DO YOU HAVE A D.P.?
1137
01:07:25,265 --> 01:07:27,059
IS THAT THE CAMERAMAN?
1138
01:07:27,142 --> 01:07:28,936
YEAH.
1139
01:07:29,019 --> 01:07:31,271
YEAH, THEY GAVE ME
A LIST.
1140
01:07:33,982 --> 01:07:36,861
YOU GOT
SKYE DAVIDSON.
1141
01:07:36,944 --> 01:07:39,905
THAT'S PRETTY BIG LEAGUES
FOR A FIRST-TIMER.
1142
01:07:43,493 --> 01:07:45,453
DO YOU EVEN LIKE MOVIES?
1143
01:07:45,537 --> 01:07:48,832
NOT PARTICULARLY.
WEIRD, ISN'T IT?
1144
01:07:48,914 --> 01:07:53,085
GOD, I AM SO UP
RIGHT NOW.
1145
01:07:53,168 --> 01:07:56,421
-
ARE YOU FEELING IT YET, MAC?
- YEAH, KIND OF.
1146
01:07:56,506 --> 01:07:58,298
I HAVE TO JUMP UP
AND DOWN A BIT NOW.
1147
01:08:02,512 --> 01:08:04,972
SO HOW'S YOUR FILM GOING?
1148
01:08:05,055 --> 01:08:07,892
OH, IT'S GOING.
IT'S GOING.
1149
01:08:07,975 --> 01:08:10,562
HOW'S THE DIVA?
1150
01:08:10,645 --> 01:08:13,981
WELL, YOU KNOW,
GOOD DAYS AND BAD DAYS.
1151
01:08:14,064 --> 01:08:15,941
NO, I MEANT SALLY.
1152
01:08:16,024 --> 01:08:18,778
YEAH, I MEANT SALLY.
1153
01:08:22,574 --> 01:08:25,743
- ISN'T IT A FABULOUS PICTURE?
- YES.
1154
01:08:25,827 --> 01:08:29,288
SHE'S SUCH
A GREAT PHOTOGRAPHER.
1155
01:08:29,371 --> 01:08:31,666
- SHE REALLY GETS HIM.
- BOTH OF YOU.
1156
01:08:31,749 --> 01:08:35,252
BUT SHE REALLY GETS
TO THE HEART OF JOE,
DOESN'T SHE?
1157
01:08:35,335 --> 01:08:37,421
SHE'S A GENIUS.
1158
01:08:39,464 --> 01:08:42,176
- SO, WHERE SHOULD I PUT IT?
- I LIKED IT WHERE IT WAS.
1159
01:08:42,259 --> 01:08:44,679
NO. IT'S MORE PERSONAL
IN HERE.
1160
01:08:44,762 --> 01:08:49,559
MUCH MORE.
IT'S A NOTCH ABOVE
THE STORAGE ROOM.
1161
01:08:49,642 --> 01:08:51,977
WE SPEND SO MUCH TIME
IN HERE.
1162
01:08:52,060 --> 01:08:54,396
HOW MUCH
DO YOU HATE HER?
1163
01:08:54,479 --> 01:08:56,064
A LOT. OKAY.
1164
01:08:56,148 --> 01:08:58,400
I DON'T TRUST HER.
I NEVER HAVE.
1165
01:08:58,483 --> 01:09:01,654
YOU'RE CRAZY.
SHE TOOK OUR WEDDING PHOTOS.
1166
01:09:01,738 --> 01:09:03,907
WHO DO YOU TRUST?
1167
01:09:03,989 --> 01:09:06,618
I TRUST YOU.
1168
01:09:06,701 --> 01:09:09,453
- OH, SOPH--
- YOU'LL HATE IT IN LONDON.
1169
01:09:09,537 --> 01:09:13,040
IT'S WET AND MISERABLE.
IT'S A MEDICAL HELLHOLE.
1170
01:09:13,123 --> 01:09:14,584
IT'S SOCIALIZED,
FOR GOD'S SAKE.
1171
01:09:14,667 --> 01:09:16,586
THERE ARE BEDS IN THE CORRIDORS
AND TERRIBLE PLUMBING.
1172
01:09:16,669 --> 01:09:18,755
AND THE FOOD SUCKS.
I KNOW. I KNOW.
1173
01:09:18,838 --> 01:09:21,423
YOU ARE NOT GOING TO HAVE
YOUR BABY IN LONDON.
1174
01:09:21,506 --> 01:09:24,594
YOU'RE GOING TO HAVE YOUR BABY
AT CEDAR'S IN BEVERLY HILLS,
1175
01:09:24,677 --> 01:09:27,889
AMERICA, DELIVERED BY
DR. MILTON COHEN, PERIOD.
1176
01:09:27,972 --> 01:09:31,141
YOU'LL GET THAT
EPIDURAL RIGHT AWAY.
1177
01:09:31,225 --> 01:09:33,686
DON'T LET ANYBODY TALK YOU
INTO THAT LAMAZE BULLSHIT.
1178
01:09:33,770 --> 01:09:36,146
THERE'S NO EXCUSE
FOR PAIN LIKE THAT.
1179
01:09:36,230 --> 01:09:37,941
I'M NOT EVEN
PREGNANT YET!
1180
01:09:38,023 --> 01:09:40,400
- WELL, GOOD. THANK GOD.
- LET'S GO INTO THE KITCHEN
1181
01:09:40,484 --> 01:09:42,402
AND SPY ON
EVERYBODY.
1182
01:09:42,486 --> 01:09:44,781
LET'S!
1183
01:09:48,158 --> 01:09:50,118
WHAT DO YOU MEAN,
"THANK GOD"?
1184
01:09:50,202 --> 01:09:52,204
- YOU KNOW WHAT I MEAN.
- NO.
1185
01:09:52,287 --> 01:09:54,164
THIS WHOLE BABY THING.
ARE YOU SURE ABOUT IT?
1186
01:09:54,248 --> 01:09:56,166
IT'S NOT THE TICKING
CLOCK CRAP?
1187
01:09:56,250 --> 01:09:59,127
NO! NO, NO, NO, NO.
1188
01:09:59,211 --> 01:10:01,129
I KNOW I'VE MAINTAINED
I NEVER WANTED CHILDREN,
1189
01:10:01,213 --> 01:10:03,340
AND I NEVER DID.
BUT THIS YEAR, I REALLY--
1190
01:10:03,423 --> 01:10:05,259
I TRULY, TRULY,
REALLY FEEL READY.
1191
01:10:05,342 --> 01:10:08,262
- IT'S NOT THE CLOCK.
- I'M NOT WORRIED ABOUT YOU.
1192
01:10:08,345 --> 01:10:10,264
YOU ARE GOING TO BE
A FANTASTIC MOM.
1193
01:10:10,347 --> 01:10:13,141
JOE ON THE OTHER HAND
IS A DIFFERENT STORY.
1194
01:10:13,225 --> 01:10:15,603
JOE LOVES KIDS.
JOE NEEDS KIDS.
1195
01:10:15,687 --> 01:10:17,647
JOE THINKS
HE WANTS KIDS.
1196
01:10:17,730 --> 01:10:20,190
JOE WOULD LIKE
SOME PLAYMATES.
1197
01:10:20,274 --> 01:10:23,027
THANK YOU.
YOU KNOW I LOVE HIM.
1198
01:10:23,110 --> 01:10:25,153
HE'S A SWEETHEART.
REALLY.
1199
01:10:25,237 --> 01:10:26,990
BUT HE'S NOT GOING TO BE
A GOOD FATHER.
1200
01:10:27,072 --> 01:10:30,785
HE'S NOT GOOD
PARENTING MATERIAL.
1201
01:10:30,868 --> 01:10:32,286
LET'S GO
ON THE FLOOR.
1202
01:10:32,369 --> 01:10:36,290
I BET IT FEELS SO,
SO NICE AGAINST YOUR SKIN.
1203
01:10:36,373 --> 01:10:39,501
STOP TRYING TO CHANGE
THE SUBJECT.
1204
01:10:40,670 --> 01:10:43,130
OH!
1205
01:10:43,213 --> 01:10:45,549
THAT FEELS SO NICE.
1206
01:10:45,633 --> 01:10:47,635
HE'S JUST NARCISSISTIC,
1207
01:10:47,719 --> 01:10:51,681
AND IRRESPONSIBLE,
AND UNRELIABLE.
1208
01:10:51,764 --> 01:10:54,058
OH, AND CAL'S
THIS MASSIVE ADULT?
1209
01:10:54,141 --> 01:10:56,560
NO, BUT CAL KNOWS
WHO HE IS.
1210
01:10:56,644 --> 01:10:58,688
A BIG, STINKING,
FUCKING BABY.
1211
01:10:58,771 --> 01:11:01,816
- YES!
- BUT DID YOU NOTICE...
1212
01:11:01,899 --> 01:11:04,192
HOW HAPPY
YOUR HUSBAND WAS
1213
01:11:04,276 --> 01:11:05,903
WHEN THE DRUGS
WERE BROUGHT OUT?
1214
01:11:05,987 --> 01:11:09,364
YOU WEREN'T EXACTLY
HORRIFIED, MISSY.
1215
01:11:09,448 --> 01:11:11,868
TRUE, BUT I'M NOT
A DRUG ADDICT.
1216
01:11:11,951 --> 01:11:13,535
NEITHER IS JOE!
1217
01:11:13,618 --> 01:11:15,955
WELL, HIS SISTER IS,
BIG TIME.
1218
01:11:16,039 --> 01:11:18,582
THE NEW YORK TIMES
SAID
THAT ADDICTION IS GENETIC.
1219
01:11:18,666 --> 01:11:20,334
I'LL E-MAIL YOU
THE ARTICLE, IF YOU'D LIKE.
1220
01:11:20,417 --> 01:11:22,920
I'VE ENJOYED HAVING
THIS CONVERSATION.
1221
01:11:23,004 --> 01:11:26,214
YOU DON'T HAVE KIDS
TO SAVE A MARRIAGE.
1222
01:11:26,298 --> 01:11:30,218
SALLY, JOE HAS BEEN HOME
FOR FIVE MONTHS ONLY.
1223
01:11:30,302 --> 01:11:32,722
WE ARE FINE.
WE'RE GREAT.
1224
01:11:32,805 --> 01:11:34,974
WE'RE MOVING TO LONDON
AND WE ARE HAVING A BABY!
1225
01:11:35,058 --> 01:11:36,726
YOU WEREN'T FINE
LAST SUMMER
WHEN YOU WENT
1226
01:11:36,809 --> 01:11:39,020
SYLVIA PLATH ON ME
IN CONNECTICUT!
1227
01:11:39,103 --> 01:11:41,856
NOT NICE.
NOT KIND.
1228
01:11:41,939 --> 01:11:44,274
NOT SO HALF SO "NOT KIND"
AS YOUR HUSBAND WAS
1229
01:11:44,358 --> 01:11:46,318
IN HIS PORTRAYAL OF YOU
IN HIS NOVEL.
1230
01:11:46,401 --> 01:11:48,320
- WHY ARE YOU DOING THIS?
- HIS IMAGE OF YOU...
1231
01:11:48,403 --> 01:11:50,364
IS A POSSESSIVE,
FRAGILE NEUROTIC.
1232
01:11:50,447 --> 01:11:52,616
I AM A POSSESSIVE,
FRAGILE NEUROTIC.
1233
01:11:52,700 --> 01:11:56,203
NO, YOU ARE NOT!
YOU ARE SALLY NASH.
1234
01:11:56,286 --> 01:11:59,414
LISTEN TO ME.
YOU ARE SALLY NASH.
1235
01:11:59,498 --> 01:12:03,335
AND YOU'RE MY BEST FRIEND
FOR 20 YEARS.
1236
01:12:03,418 --> 01:12:05,670
AND I LOVE YOU
MORE THAN ANYONE.
1237
01:12:05,755 --> 01:12:07,924
AND YOU'RE NOT GOING
TO MOVE TO LONDON
1238
01:12:08,007 --> 01:12:09,299
TO HAVE THE OFFSPRING
1239
01:12:09,383 --> 01:12:12,095
OF SOME SEXUALLY
AMBIVALENT MAN-CHILD,
1240
01:12:12,177 --> 01:12:15,555
"OH, NOW I'M A NOVELIST,
NOW I'M A FUCKING DIRECTOR,"
1241
01:12:15,639 --> 01:12:18,517
ENGLISH PRICK BASTARD
JOE THERRIAN,
1242
01:12:18,600 --> 01:12:20,602
WHO'S PROBABLY
GOING TO LEAVE YOU
1243
01:12:20,685 --> 01:12:22,270
FOR SKYE DAVIDSON
ANYWAY.
1244
01:12:22,354 --> 01:12:24,689
OH, GOD!
( sobbing )
1245
01:12:35,118 --> 01:12:38,037
IT'S JUST
THAT HE IS ALWAYS
ONE STEP REMOVED.
1246
01:12:38,121 --> 01:12:40,748
HE'S ALWAYS LOOKING
OVER HIS SHOULDER.
1247
01:12:40,832 --> 01:12:42,249
HE'S ALWAYS LOOKING
FOR SOMETHING ELSE,
1248
01:12:42,332 --> 01:12:45,002
SOMETHING MORE
INTOXICATING,
1249
01:12:45,086 --> 01:12:48,213
- AND I DON'T MEAN DRUGS.
- I KNOW.
1250
01:12:48,296 --> 01:12:50,507
I LOVE HIM, SAL.
1251
01:12:50,590 --> 01:12:53,970
I DO, BUT HE'S JUST--
HE'S A CHILD.
1252
01:12:54,053 --> 01:12:55,972
HE'S NOT READY.
1253
01:12:58,515 --> 01:13:01,936
OH, GOD.
1254
01:13:02,019 --> 01:13:05,982
YOU ARE SO LUCKY
THAT YOU DON'T HAVE KIDS.
1255
01:13:08,608 --> 01:13:12,446
YOU CAN'T STICK
YOUR HEAD IN AN OVEN.
1256
01:13:12,529 --> 01:13:15,365
YOU CAN'T TAKE A HANDFUL
OF PERCODAN IF YOU WANT.
1257
01:13:15,449 --> 01:13:19,036
YOU CAN'T SLIT YOUR WRISTS,
YOU KNOW?
1258
01:13:19,120 --> 01:13:21,455
YOU CAN'T DO YOURSELF IN.
1259
01:13:21,538 --> 01:13:24,834
KIDS JUST ROB YOU
OF THAT OPTION.
1260
01:13:24,917 --> 01:13:26,710
THEY DO. TRUST ME.
1261
01:13:32,175 --> 01:13:33,717
OH, MY GOD...
1262
01:13:33,801 --> 01:13:36,012
THIS ECSTASY MUST BE
REALLY GOOD.
1263
01:13:37,387 --> 01:13:39,974
- DON'T YOU THINK?
- I DON'T KNOW.
1264
01:13:50,234 --> 01:13:53,612
♪♪ HE'S THE ONE
YOU WANT TO SEE ♪♪
1265
01:13:53,695 --> 01:13:57,407
♪♪ I KNOW HE'D LIKE
THE... COMPANY. ♪♪
1266
01:14:03,747 --> 01:14:06,250
ISN'T SKYE
AMAZING?
1267
01:14:07,334 --> 01:14:09,128
SHE HAS
NICE TITS.
1268
01:14:09,212 --> 01:14:11,588
SHE'S A CONSTANT
SURPRISE.
1269
01:14:11,671 --> 01:14:13,798
- YOU'VE ONLY JUST MET.
- YEAH, I KNOW.
1270
01:14:16,260 --> 01:14:19,804
SHE'S ONLY 27,
BUT, THE WISDOM.
1271
01:14:21,015 --> 01:14:23,475
SHE'S AN OLD SOUL.
1272
01:14:23,558 --> 01:14:25,937
SHE GOT THAT
SHOSTAKOVICH THING,
DID YOU NOTICE?
1273
01:14:26,020 --> 01:14:27,604
OH, ABSOLUTELY.
1274
01:14:27,687 --> 01:14:30,024
- AND SHE HAS NICE TITS.
- SHE DOES HAVE NICE TITS.
1275
01:14:30,107 --> 01:14:31,733
CAN'T WAIT
TO WORK WITH HER.
1276
01:14:31,816 --> 01:14:35,529
CAMERA LOVES HER.
SHE IS A GREAT ACTRESS.
1277
01:14:35,612 --> 01:14:38,282
WITH GREAT TITS.
1278
01:14:40,450 --> 01:14:42,619
I'M GOING TO GO ASK HER
IF SHE'LL LET ME TOUCH THEM.
1279
01:14:42,702 --> 01:14:45,164
- I WOULD, YES.
- HAVE YOU SEEN MAC?
1280
01:14:45,248 --> 01:14:47,959
I THINK I SAW HIM
OVER THERE.
1281
01:14:49,877 --> 01:14:52,754
-
HOW ARE YOU, CLAIR?
- I AM SO GOOD.
1282
01:15:03,765 --> 01:15:05,600
POOR MAC.
1283
01:15:05,684 --> 01:15:08,938
HE'S HAVING A BIT
OF A STRUGGLE.
1284
01:15:09,021 --> 01:15:11,565
I'M SURE SALLY
HAS TOLD YOU.
1285
01:15:11,648 --> 01:15:13,567
NO. WHAT?
1286
01:15:13,650 --> 01:15:16,695
THE MOVIE.
1287
01:15:16,778 --> 01:15:18,446
WELL, I THINK SHE'S
REALLY ENJOYING IT.
1288
01:15:18,530 --> 01:15:21,284
IS MAC OKAY?
1289
01:15:21,366 --> 01:15:24,287
I DON'T KNOW
WHAT'S GOING ON.
I DON'T CARE TO GUESS.
1290
01:15:24,369 --> 01:15:27,455
SHE, UH...
1291
01:15:27,539 --> 01:15:30,875
MAC IS REALLY UNHAPPY.
SHE'S JUST NOT THERE.
1292
01:15:30,960 --> 01:15:34,588
I DON'T KNOW WHAT THE FUCK
SHE IS PLAYING HALF THE TIME,
1293
01:15:34,671 --> 01:15:36,715
NEITHER DOES SHE.
1294
01:15:36,798 --> 01:15:40,427
LAST WEEK,
WE SHOT A SCENE,
AND SHE SOBBED
1295
01:15:40,510 --> 01:15:43,722
THROUGH EVERY TAKE.
SHE'S A GREAT SOBBER.
1296
01:15:43,805 --> 01:15:45,724
IT COMES EASY TO HER
AND THAT'S FINE,
1297
01:15:45,807 --> 01:15:47,184
IT'S ALL TERRIBLY MOVING,
AND WHATNOT,
1298
01:15:47,268 --> 01:15:52,689
BUT IT'S A
FUCKING COMEDY.
1299
01:15:52,772 --> 01:15:54,984
SOMETHING'S GONE.
1300
01:15:56,484 --> 01:15:58,820
I THINK SHE'S AFRAID,
AND THAT IS DEATH.
1301
01:16:00,405 --> 01:16:02,325
WHAT?
1302
01:16:03,575 --> 01:16:06,245
HEY--
I'M SORRY, FORGET IT.
1303
01:16:06,329 --> 01:16:08,872
I NEVER SAID ANY OF THIS.
IT'S NOT IMPORTANT.
IT'S A MOVIE.
1304
01:16:08,956 --> 01:16:11,416
LOOK, YOU GUYS ARE GOING
TO HAVE KIDS.
1305
01:16:11,499 --> 01:16:14,919
THAT'S PROBABLY
WHAT THIS IS ABOUT.
YOU KNOW?
1306
01:16:15,004 --> 01:16:17,881
YOU'RE HAVING KIDS.
THAT'S SO GREAT.
1307
01:16:17,965 --> 01:16:21,302
SHE JUST DOESN'T
WANT TO DO THIS
ANYMORE, PROBABLY.
1308
01:16:21,385 --> 01:16:24,347
GROWNUPS DON'T DO THIS
FOR A LIVING.
1309
01:16:24,429 --> 01:16:26,974
YOU GUYS
ARE GOING TO HAVE KIDS.
YOU'LL BE DIRECTING.
1310
01:16:27,058 --> 01:16:30,144
ONE ASSHOLE IN THE FAMILY
IS ENOUGH.
1311
01:16:30,227 --> 01:16:32,396
I THINK SOPHIA KNEW THAT
INTUITIVELY.
1312
01:16:32,479 --> 01:16:35,940
BUT GET THE EPIDURAL.
NONE OF THIS NATURAL
CHILDBIRTH STUFF.
1313
01:16:36,025 --> 01:16:39,444
IT'S NOT NATURAL.
1314
01:16:39,527 --> 01:16:41,446
EVERYTHING WILL BE
AS IT SHOULD BE.
1315
01:16:41,529 --> 01:16:46,534
"JACK SHALL HAVE JILL,
NAUGHT SHALL GO ILL."
1316
01:16:46,618 --> 01:16:50,289
SPEAKING OF ACTING,
THE ROLE OF "LEO"
IN YOUR FILM?
1317
01:16:50,373 --> 01:16:52,375
LEO...?
1318
01:16:52,457 --> 01:16:54,918
ANY CASTING IDEAS YET?
1319
01:16:56,337 --> 01:16:58,963
I HAPPEN TO HAVE
A SMALL WINDOW.
1320
01:17:00,840 --> 01:17:03,135
- LEO?
- LEO.
1321
01:17:04,469 --> 01:17:08,682
CAL, LEO'S 28.
1322
01:17:08,765 --> 01:17:11,143
SCRATCH OUT A TWO,
PUT IN A THREE,
AND I'M YOURS.
1323
01:17:11,227 --> 01:17:13,853
SCRATCH OUT A TWO,
PUT IN A FOUR.
1324
01:17:13,937 --> 01:17:16,481
YOU FUCKING CUNT.
1325
01:17:16,564 --> 01:17:18,608
I'M 39.
1326
01:17:18,692 --> 01:17:21,486
FIVE YEARS AGO.
I WAS AT THE PARTY.
REMEMBER?
1327
01:17:21,569 --> 01:17:23,738
OKAY, SO I'M
TOO OLD.
1328
01:17:23,822 --> 01:17:26,533
BUT YOU COULD
REWRITE THE NOVEL,
1329
01:17:26,616 --> 01:17:27,784
MAKE HIM AN OLDER
CHARACTER.
1330
01:17:27,867 --> 01:17:30,079
THEN I'D BE RIGHT.
1331
01:17:30,162 --> 01:17:33,748
WHO WANTS
ONE OF THESE YOUNG IDIOTS
WITH NO GRAVITAS?
1332
01:17:33,832 --> 01:17:37,001
- YOU NEED GRAVITAS.
- YOU'VE GOT GRAVITAS?
1333
01:17:37,086 --> 01:17:40,880
I'VE GOT GRAVITAS
UP THE WAZOO, BABY.
1334
01:17:40,964 --> 01:17:42,966
( music plays )
1335
01:17:49,181 --> 01:17:53,852
♪♪ NOW, START LOOKING
AT THE OBJECT ♪♪
1336
01:17:53,935 --> 01:17:57,440
♪♪ I WANT YOU TO KEEP
LOOKING AT THE OBJECT ♪♪
1337
01:17:59,023 --> 01:18:00,484
♪♪ START LOOKING
AT THE OBJECT ♪♪
1338
01:18:00,567 --> 01:18:02,361
( distant voices )
1339
01:18:02,445 --> 01:18:06,490
♪♪ I WANT YOU TO KEEP LOOKING
AT THE OBJECT ♪♪
1340
01:18:06,573 --> 01:18:09,118
- Cal:
Young.
- Sally:
Yes!
1341
01:18:09,201 --> 01:18:11,454
And rich and spoiled
and willful and...
1342
01:18:11,536 --> 01:18:14,038
What?
Without, without, without--
1343
01:18:14,123 --> 01:18:18,335
- Cal:
Boundaries.
- Sally:
Boundaries. Exactly.
1344
01:18:18,419 --> 01:18:22,256
- Sally:
Discipline.
- Cal:
Exactly.
1345
01:18:22,339 --> 01:18:26,135
And then there's the champagne.
Way, way too much champagne.
1346
01:18:26,218 --> 01:18:28,011
Sally:
Oh, there's no such thing.
1347
01:18:28,095 --> 01:18:30,013
Here we are, together.
1348
01:18:30,097 --> 01:18:32,599
Here we are,
together in my room.
1349
01:18:32,682 --> 01:18:36,395
- Isn't it funny?
- NO, IT'S NOT FUNNY.
1350
01:18:36,479 --> 01:18:38,938
- IT'S NOT FUNNY.
-
When I set my mind to it,
1351
01:18:39,022 --> 01:18:41,484
I always get exactly--
exactly what I want.
1352
01:18:41,566 --> 01:18:43,444
FUCK.
1353
01:18:47,323 --> 01:18:49,408
WOW.
1354
01:18:51,160 --> 01:18:53,496
WOW.
1355
01:18:53,578 --> 01:18:55,955
Clair:
MAC?
1356
01:18:56,039 --> 01:18:58,833
MAC? MAC?
1357
01:19:00,752 --> 01:19:03,004
MAC?
1358
01:19:06,591 --> 01:19:08,635
THERE YOU ARE.
1359
01:19:10,595 --> 01:19:13,349
NO MORE WORK.
NO MORE.
1360
01:19:13,432 --> 01:19:15,892
HONEY, HONEY,
DON'T YOU FEEL BREEZY?
1361
01:19:17,436 --> 01:19:19,522
I'M IN MOURNING.
1362
01:19:19,604 --> 01:19:22,233
NO, NO, NO,
YOU'LL CUT AROUND IT.
YOU ALWAYS DO.
1363
01:19:22,316 --> 01:19:25,902
-
YOU'LL FIX IT.
- NOT THIS TIME.
1364
01:19:25,985 --> 01:19:28,738
IF YOU CAN CUT AROUND ME,
YOU CAN CUT AROUND ANYONE.
1365
01:19:31,158 --> 01:19:33,618
YOU DON'T HAVE
ANY CLOTHES ON.
1366
01:19:33,701 --> 01:19:35,119
HOW NICE
FOR EVERYONE.
1367
01:19:35,204 --> 01:19:37,498
YOU'LL FIX IT.
1368
01:19:37,581 --> 01:19:39,542
YOU'LL COME UP WITH ONE
OF YOUR BRILLIANT IDEAS.
1369
01:19:39,624 --> 01:19:42,419
OR I WON'T.
1370
01:19:42,503 --> 01:19:44,547
I DON'T KNOW
HOW TO HELP HER.
1371
01:19:46,089 --> 01:19:48,049
I'M OUT OF MY DEPTH.
1372
01:19:48,132 --> 01:19:52,304
YOU'RE GOING TO COME
SWIMMING WITH ME
IN THE POOL.
1373
01:19:52,388 --> 01:19:54,681
AND IN A FEW MINUTES,
YOU WON'T EVEN REMEMBER
1374
01:19:54,764 --> 01:19:56,891
WHAT IT'S ABOUT.
1375
01:19:56,975 --> 01:19:59,603
WHAT WHAT'S ABOUT?
1376
01:20:09,572 --> 01:20:12,241
I DON'T KNOW.
I FORGOT WHAT I WAS
TALKING ABOUT.
1377
01:20:26,713 --> 01:20:28,798
ARE YOU OKAY?
1378
01:20:30,509 --> 01:20:34,471
I DON'T THINK SO.
I FEEL A BIT FUNNY.
1379
01:20:34,555 --> 01:20:37,181
LET'S GO FOR A WALK.
COME ON.
1380
01:20:38,057 --> 01:20:41,270
THERE.
1381
01:20:41,353 --> 01:20:44,607
- I'VE NEVER DONE THIS BEFORE.
- OH? IT'S SO EASY.
1382
01:20:44,689 --> 01:20:46,525
YOU JUST PUT ONE FOOT
IN FRONT OF THE OTHER.
1383
01:20:46,609 --> 01:20:48,067
THAT'S A GOOD GIRL.
1384
01:20:48,151 --> 01:20:51,614
SOMETIMES, I JUST FEEL
SO MISERABLY INVISIBLE.
1385
01:20:51,696 --> 01:20:53,740
WHAT ABOUT YOU?
1386
01:20:53,823 --> 01:20:56,117
WELL, ONE TIME
I ALMOST DID A MOVIE
1387
01:20:56,200 --> 01:20:58,912
WHERE I COULD BE
SOMEBODY INVISIBLE.
1388
01:20:58,995 --> 01:21:00,539
- REALLY? WOW.
- YEAH.
1389
01:21:00,623 --> 01:21:02,999
I WOULD LOVE
TO HAVE SEEN THAT MOVIE.
1390
01:21:16,804 --> 01:21:19,391
DRINK LOTS OF WATER.
1391
01:21:19,475 --> 01:21:21,477
AND TAKE DEEP BREATHS.
1392
01:21:21,560 --> 01:21:23,437
NICE AND SLOW.
1393
01:21:25,481 --> 01:21:27,358
THERE YOU ARE.
1394
01:21:29,067 --> 01:21:32,529
- WOULD YOU LIKE A LOLLY?
- WHAT AM I, FIVE?
1395
01:21:32,613 --> 01:21:34,698
YOU'RE NEVER TOO OLD
FOR A LOLLY.
1396
01:21:34,781 --> 01:21:37,618
- I'M HAVING ONE.
- OKAY.
1397
01:21:38,743 --> 01:21:41,037
- LEMON OR RASPBERRY?
- LEMON.
1398
01:21:41,120 --> 01:21:43,081
- LEMON IT IS.
- THANK YOU.
1399
01:21:48,545 --> 01:21:50,880
RYAN'S REALLY
ANGRY WITH ME.
1400
01:21:52,131 --> 01:21:54,635
I THINK RYAN'S REALLY
ANGRY WITH ME.
1401
01:21:54,718 --> 01:21:57,095
IT'S REALLY NOT
THE SAME THING.
1402
01:22:00,307 --> 01:22:02,809
HE WAS REALLY NICER
WHEN HE DRANK.
1403
01:22:02,892 --> 01:22:05,228
OH, I'M SORRY.
1404
01:22:05,312 --> 01:22:07,690
EIGHT YEARS THOUGH.
1405
01:22:07,772 --> 01:22:10,274
IT'S QUITE
AN ACCOMPLISHMENT.
1406
01:22:10,359 --> 01:22:12,528
- THAT'S A LOT OF THOSE--
- MEDALLIONS.
1407
01:22:12,611 --> 01:22:15,071
A LOT OF CAKES.
1408
01:22:15,154 --> 01:22:18,116
- AND HE DOESN'T SMOKE.
- MM-MM.
1409
01:22:18,199 --> 01:22:20,452
HE'S GOT TO FIND
NONSMOKERS' MEETINGS.
1410
01:22:20,536 --> 01:22:22,496
IT USED TO BE
ALMOST IMPOSSIBLE.
1411
01:22:22,579 --> 01:22:26,040
BUT IT'S GOTTEN
A LOT EASIER.
1412
01:22:26,124 --> 01:22:28,001
HOW LONG HAVE YOU
BEEN MARRIED?
1413
01:22:31,212 --> 01:22:34,383
NINE... YEARS?
1414
01:22:34,466 --> 01:22:36,843
NINE, YES.
1415
01:22:36,926 --> 01:22:40,930
YEAH, NINE YEARS.
JUST ABOUT.
1416
01:22:41,014 --> 01:22:43,182
YOU MUST HAVE BEEN
A BABY.
1417
01:22:45,352 --> 01:22:47,228
YEAH, I WAS 19.
1418
01:22:53,109 --> 01:22:55,194
I'M REALLY COLD.
1419
01:22:57,406 --> 01:22:59,282
COME HERE.
1420
01:23:06,790 --> 01:23:08,833
THIS FEELS NICE.
1421
01:23:11,462 --> 01:23:13,337
I LIKE YOU.
1422
01:23:15,549 --> 01:23:17,341
I'M SO GLAD.
1423
01:23:23,640 --> 01:23:25,392
YOU KNOW...
1424
01:23:26,810 --> 01:23:31,022
I RECOGNIZED THAT PASSAGE
IN YOUR BOOK.
1425
01:23:31,105 --> 01:23:34,485
THE BIT ABOUT US RUNNING INTO
EACH OTHER IN A MOVIE THEATER.
1426
01:23:34,568 --> 01:23:36,403
SORRY?
1427
01:23:36,487 --> 01:23:38,405
I KNOW THAT YOU CHANGED IT
TO A BOOKSTORE
1428
01:23:38,489 --> 01:23:40,783
AND THE COLOR OF MY HAIR,
BUT...
1429
01:23:40,865 --> 01:23:43,660
BUT THE MOMENT
WAS EXACTLY THE SAME.
1430
01:23:45,078 --> 01:23:48,915
THE SAME, YOU KNOW...
DYNAMIC.
1431
01:23:50,667 --> 01:23:53,796
AND ALMOST VERBATIM.
WASN'T IT?
1432
01:23:58,467 --> 01:24:00,885
FOR A WRITER,
NOTHING'S SACRED.
1433
01:24:02,220 --> 01:24:04,431
NOTHING AT ALL.
1434
01:24:04,515 --> 01:24:07,016
I JUST THINK IT'S GREAT THAT
I MADE AN IMPRESSION AT ALL.
1435
01:24:07,100 --> 01:24:09,185
YOU KNOW?
1436
01:24:23,492 --> 01:24:25,368
Sally:
OTIS!
1437
01:24:26,829 --> 01:24:28,831
OTIS!
1438
01:24:30,749 --> 01:24:34,628
OH, FUCK!
I CAN'T FIND OTIS.
1439
01:24:34,711 --> 01:24:37,296
I CAME OUT OF THE HOUSE,
THE GATE IS FUCKING WIDE OPEN!
1440
01:24:37,380 --> 01:24:39,716
- NOBODY USES THAT GATE.
- I KNOW!
1441
01:24:39,800 --> 01:24:41,802
I'M SORRY.
1442
01:24:41,885 --> 01:24:44,428
THERE'S A FUCKING SIGN
ON THE GATE.
1443
01:24:44,513 --> 01:24:46,765
- I'M SO SORRY.
- DON'T YOU READ,
1444
01:24:46,849 --> 01:24:49,810
- YOU FUCKING COW?
- STOP BEING A BITCH.
1445
01:24:49,893 --> 01:24:52,145
IT WAS A MISTAKE.
THIS IS NOT A PLOT
TO DO IN OTIS.
1446
01:24:52,228 --> 01:24:54,147
- DON'T BE SO SURE.
- LISTEN TO YOURSELF.
1447
01:24:54,230 --> 01:24:56,608
DON'T WORRY,
WE'LL FIND HIM.
WHAT'S WRONG WITH YOU?
1448
01:24:56,692 --> 01:24:59,193
SHE LEFT
THE FUCKING GATE OPEN.
1449
01:24:59,277 --> 01:25:01,613
- HE CAN'T HAVE GONE FAR.
- HE'S LIKE A GREYHOUND.
1450
01:25:01,697 --> 01:25:03,824
- HE COULD BE MILES AWAY.
- HE'LL FIND HIS WAY BACK.
1451
01:25:03,907 --> 01:25:07,326
- THERE ARE COYOTES OUT HERE!
- CALM DOWN.
1452
01:25:07,410 --> 01:25:09,370
WE WON'T FIND HIM
ANY QUICKER WITH YOU
BEING HYSTERICAL.
1453
01:25:09,453 --> 01:25:10,873
- FUCK YOU.
- OR SHITTY.
1454
01:25:10,955 --> 01:25:12,415
OTIS!
1455
01:25:13,917 --> 01:25:15,794
( Ryan whistling )
1456
01:25:25,428 --> 01:25:27,764
HOW LONG HAVE YOU WORKED
FOR THE THERRIANS?
1457
01:25:27,848 --> 01:25:31,184
FOR A LONG TIME NOW.
LONG TIME.
1458
01:25:31,267 --> 01:25:34,312
SO, YOU WERE HERE WHEN THEY
WORKED ON THE BOUNDARY FENCE?
1459
01:25:34,395 --> 01:25:37,524
OH YES, I WAS HERE.
THE WHOLE TIME.
1460
01:25:37,608 --> 01:25:41,444
- DO YOU KNOW THE CONTRACTOR?
-
Sí, I KNOW HIM VERY WELL.
1461
01:25:41,528 --> 01:25:43,780
WAS IT A CONTRACTOR?
1462
01:25:43,864 --> 01:25:46,909
IT'S THE WAY THEY
DO THINGS, YOU KNOW.
1463
01:25:46,991 --> 01:25:50,913
- TO CODE.
- ( America speaks Spanish )
1464
01:25:52,455 --> 01:25:54,498
I'M SORRY.
EXCUSE ME.
1465
01:25:54,583 --> 01:25:57,544
EXCUSE ME.
DID YOU SEE PERMITS?
1466
01:25:57,628 --> 01:26:00,631
- DID HE HAVE A LICENSE?
- YOU SHOULD TALK TO MR. JOE.
1467
01:26:00,714 --> 01:26:03,759
- Monica:
RYAN?
- WHAT?
1468
01:26:03,842 --> 01:26:05,384
LOOK, YOU'VE GOT TO COME.
1469
01:26:05,468 --> 01:26:07,804
YOU'VE GOT TO HELP ME
FIND THE DOG.
1470
01:26:07,888 --> 01:26:10,223
I LET THEIR DOG OUT.
WE'VE GOT TO FIND THE DOG.
1471
01:26:10,306 --> 01:26:13,769
- NO, YOU'RE NOT SERIOUS.
- I LEFT THE GATE OPEN
1472
01:26:13,852 --> 01:26:16,229
AND OTIS GOT OUT.
1473
01:26:16,312 --> 01:26:18,397
- HE COULD GET HIT BY A CAR.
- YEAH, GOD WILLING.
1474
01:26:18,481 --> 01:26:20,441
- WE HAVE TO FIND THE DOG.
- WHY?
1475
01:26:20,524 --> 01:26:22,068
BECAUSE
WE'RE NICE PEOPLE.
1476
01:26:22,151 --> 01:26:26,030
BECAUSE WHAT GOES AROUND
COMES AROUND.
1477
01:26:26,113 --> 01:26:28,700
BECAUSE GOD HELP YOU
IF SOMETHING HAPPENS
TO THAT DOG.
1478
01:26:28,784 --> 01:26:31,118
- EXCUSE ME?
- ALL THE UGLY PHONE CALLS.
1479
01:26:31,202 --> 01:26:33,705
WE'RE NOT THE ONLY ONES
WITH A TAPE RECORDER.
1480
01:26:36,875 --> 01:26:39,252
OKAY, THEY HAVE GONE
TOWARDS THE CANYON,
1481
01:26:39,335 --> 01:26:41,004
WE SHOULD GO
TOWARD P.C.H.
1482
01:26:41,087 --> 01:26:43,422
ALL RIGHT, ALL RIGHT.
1483
01:26:43,506 --> 01:26:45,424
HOW THE HELL
DO YOU KNOW ABOUT
ANDREI ZHDANOV?
1484
01:26:45,508 --> 01:26:47,176
OTIS!
COME ON...
1485
01:26:47,260 --> 01:26:49,470
EVERYBODY KNOWS
ABOUT THE 1948
1486
01:26:49,553 --> 01:26:52,181
MUSICAL CONFERENCE
WHERE ZHDANOV PERSECUTED
1487
01:26:52,265 --> 01:26:54,308
ALL OF THE GREAT
SOVIET COMPOSERS:
1488
01:26:54,392 --> 01:26:57,436
SHOSTAKOVICH, PROKOFIEV,
AND MIASK--
1489
01:26:57,520 --> 01:27:00,064
- MIASKOVSKY.
- MIASKOVSKY. YES.
1490
01:27:00,147 --> 01:27:02,693
I'LL TELL YOU WHO DOESN'T
KNOW ABOUT THAT-- CUTE GIRLS.
1491
01:27:02,776 --> 01:27:05,361
THEY DON'T KNOW.
TRUST ME. OTIS!
1492
01:27:05,444 --> 01:27:07,488
DO THE PETER SELLERS
THING AGAIN.
1493
01:27:07,571 --> 01:27:10,574
( mock Indian accent )
OTIS, WHERE ARE YOU
IN THIS GODFORSAKEN CANYON?
1494
01:27:10,659 --> 01:27:14,161
- MY PEOPLE ARE HUNGRY.
- ( Skye laughs )
1495
01:27:14,245 --> 01:27:16,665
- OTIS!
- OTIS.
1496
01:27:16,748 --> 01:27:18,709
NO, IT'S BECAUSE
I DID THIS MOVIE
1497
01:27:18,792 --> 01:27:21,294
I JUST FINISHED,
CALLED "BABI YAR."
1498
01:27:21,377 --> 01:27:23,880
AND I PLAY GITTEL,
THIS JEWISH MILKMAID
1499
01:27:23,964 --> 01:27:25,882
WHO GETS SHOT
IN THE HEAD.
1500
01:27:25,966 --> 01:27:28,051
AND THEY SET
THE WHOLE THING
1501
01:27:28,134 --> 01:27:30,136
TO SHOSTAKOVICH'S
13th SYMPHONY.
1502
01:27:30,219 --> 01:27:32,931
RIGHT, WITH THE POEM
BY YEVTUSHENKO.
1503
01:27:33,015 --> 01:27:35,099
EXACTLY!
1504
01:27:35,182 --> 01:27:37,560
SO I DID
A LOT OF RESEARCH,
1505
01:27:37,644 --> 01:27:40,063
AND I JUST
REALLY DUG IT.
1506
01:27:40,146 --> 01:27:43,859
SO YOU REALLY, REALLY,
REALLY LIKE SHOSTAKOVICH?
1507
01:27:43,942 --> 01:27:46,569
- YEAH.
- WOULD YOU MARRY HIM?
1508
01:27:46,653 --> 01:27:49,113
IF HE WERE ALIVE,
MAYBE.
1509
01:27:49,196 --> 01:27:51,115
HOW ABOUT
SOMEONE WHO REALLY,
REALLY, REALLY,
1510
01:27:51,198 --> 01:27:53,117
REALLY LIKES
SHOSTAKOVICH?
1511
01:27:53,200 --> 01:27:55,369
ARE YOU ASKING ME
TO MARRY YOU?
1512
01:27:55,453 --> 01:27:57,413
NO, I'M JUST SEEING
HOW DEEPLY IMPULSIVE
1513
01:27:57,496 --> 01:27:59,415
AND PERVERTED
YOU CAN BE.
1514
01:27:59,498 --> 01:28:01,584
- VERY.
- I'M WORSE.
1515
01:28:02,669 --> 01:28:05,546
SO YOU'RE REALLY 22?
1516
01:28:05,629 --> 01:28:10,343
WHO TOLD YOU THAT?
NO, I'M 25. I'M 25.
1517
01:28:10,426 --> 01:28:13,764
OTIS!
1518
01:28:13,847 --> 01:28:17,224
- Joe:
OTIS! GOOD BOY!
- Sally:
COME HERE! OH, MY GOD.
1519
01:28:17,308 --> 01:28:19,602
THIS IS A FUCKING
NIGHTMARE.
1520
01:28:19,686 --> 01:28:21,645
HE SHOULD HAVE BEEN KEPT
IN THE GUEST ROOM.
1521
01:28:21,730 --> 01:28:24,190
IT WAS DONE WHEN SOPHIA
PUT THE KIDS TO BED.
1522
01:28:24,273 --> 01:28:26,192
IT CLEARLY WAS NOT DONE,
BECAUSE HE WAS LET OUT
1523
01:28:26,275 --> 01:28:27,485
OF THE GUEST ROOM BEFORE
MONICA OPENED THE GATE.
1524
01:28:27,568 --> 01:28:28,820
OH, FUCK YOU!
1525
01:28:28,904 --> 01:28:30,404
AND FUCK MONICA,
WHILE YOU'RE AT IT,
1526
01:28:30,488 --> 01:28:33,240
BUT I GUESS THAT'S
WHAT I INTERRUPTED.
1527
01:28:33,324 --> 01:28:35,242
YOU ARE A MEDICAL MIRACLE.
YOU'RE THE ONLY PERSON
1528
01:28:35,326 --> 01:28:38,080
EVER TO TAKE ECSTASY
AND BECOME ANGRIER.
1529
01:28:38,162 --> 01:28:40,999
LET'S TALK ABOUT THAT.
YOU SEEM TO BE RATHER
AN EXPERT.
1530
01:28:41,083 --> 01:28:43,126
I DON'T REMEMBER
IN THE LAST FIVE MONTHS
OF COUNSELING,
1531
01:28:43,209 --> 01:28:46,004
YOU EVER MENTIONING
ECSTASY OR GOING TO
RAGE PARTIES.
1532
01:28:46,088 --> 01:28:48,048
RAVE
PARTIES.
1533
01:28:48,131 --> 01:28:51,634
THAT'S TYPICAL YOU WOULD THINK
IT WAS CALLED "RAGE."
1534
01:28:51,718 --> 01:28:53,636
YEAH, WHAT ELSE
DON'T I KNOW ABOUT, JOE?
1535
01:28:53,720 --> 01:28:55,638
LET'S GET REALLY
CLEAR HERE, OKAY?
1536
01:28:55,722 --> 01:28:58,349
SO I TOOK A FEW PILLS.
I WENT OUT DANCING.
1537
01:28:58,432 --> 01:29:00,351
I TRIED TO GET OVER
HOW UPSET I WAS
1538
01:29:00,434 --> 01:29:02,520
ABOUT SPLITTING UP WITH YOU.
I DIDN'T LIE TO YOU.
1539
01:29:02,603 --> 01:29:04,522
I TOLD YOU ABOUT
THE PEOPLE I SLEPT WITH.
1540
01:29:04,605 --> 01:29:06,817
I JUST DIDN'T MENTION THE FEW
OCCASIONS WHEN I TOOK DRUGS,
1541
01:29:06,900 --> 01:29:09,111
BECAUSE I KNOW HOW
FUCKING JUDGMENTAL YOU ARE,
1542
01:29:09,193 --> 01:29:11,113
AND HOW I'D NEVER HEAR
THE END OF IT!
1543
01:29:11,195 --> 01:29:13,489
I KNOW HOW LITTLE TRUST
AND FAITH YOU HAVE IN ME.
1544
01:29:13,572 --> 01:29:16,785
LOOK, SALLY,
WE'RE BACK.
1545
01:29:16,868 --> 01:29:19,412
I LOVE YOU.
1546
01:29:19,495 --> 01:29:22,040
JUST TRUST THAT,
PLEASE?
1547
01:29:22,124 --> 01:29:25,043
DON'T DO THIS.
1548
01:29:25,127 --> 01:29:28,046
OTIS, COME HERE!
COME ON, GOOD BOY.
1549
01:29:28,130 --> 01:29:31,507
I'M NOT SURE WE UNDERSTAND
THAT WORD IN THE SAME WAY.
1550
01:29:31,590 --> 01:29:33,509
- OTIS!
-
WHAT, LOVE?
1551
01:29:33,592 --> 01:29:35,511
YOU WALKED OUT OF
A FIVE YEAR MARRIAGE.
1552
01:29:35,594 --> 01:29:37,596
THAT HAS NOT THE FIRST THING
TO DO WITH LOVE.
1553
01:29:37,680 --> 01:29:39,891
IT'S ABOUT WHETHER WE CAN
LIVE TOGETHER LIKE THIS
ALL THE TIME!
1554
01:29:39,975 --> 01:29:41,893
IT'S NOT LIKE THIS
ALL THE TIME.
1555
01:29:41,977 --> 01:29:43,937
DO I WANT ANYONE ELSE?
NO.
1556
01:29:44,020 --> 01:29:47,648
DO I WANT TO BE WITH YOU
FOR THE REST OF MY NATURAL LIFE?
1557
01:29:47,731 --> 01:29:49,776
I AM REALLY TRYING.
1558
01:29:49,860 --> 01:29:52,946
- HOW HARD IS IT?
- JUST STOP THERE, PLEASE.
1559
01:29:53,029 --> 01:29:54,906
- WE'VE BEEN THROUGH THIS.
- NO, YOU'VE BEEN THROUGH IT.
1560
01:29:54,990 --> 01:29:57,159
THAT'S HOW YOU LOVE,
WHEN IT'S EASY FOR YOU
1561
01:29:57,241 --> 01:29:59,911
- AND IT'S CONVENIENT FOR YOU.
- YOU ARE TALKING BULLSHIT.
1562
01:29:59,995 --> 01:30:01,745
YOU WANT TO TALK
ABOUT BULLSHIT?
1563
01:30:01,830 --> 01:30:04,124
LUCY CALLED YOU
THREE TIMES THIS WEEK!
1564
01:30:04,207 --> 01:30:08,003
YOUR SISTER IS A FUCKING MESS.
SHE IS A FUCKING MESS!
1565
01:30:08,086 --> 01:30:10,629
SHE NEEDS YOU, AND I
TALK TO HER MORE THAN YOU DO!
1566
01:30:10,713 --> 01:30:12,715
- THAT IS NOT TRUE.
-
IT IS TRUE.
1567
01:30:12,799 --> 01:30:15,051
YOU KNOW HOW YOU LOVE PEOPLE?
YOU DEDICATE A BOOK TO SOMEONE.
1568
01:30:15,135 --> 01:30:17,470
EVERY BOOK I'VE EVER HAD
PUBLISHED, IN EVERY LANGUAGE,
1569
01:30:17,553 --> 01:30:19,555
- I HAVE DEDICATED TO LUCY.
- RIGHT.
1570
01:30:19,638 --> 01:30:22,516
AND WHEN WAS THE LAST TIME
YOU TALKED TO HER?
1571
01:30:22,600 --> 01:30:25,979
AND HOW DARE YOU CAST
SKYE DAVIDSON IN THAT PART?!
1572
01:30:26,062 --> 01:30:28,355
DO YOU HAVE ANY IDEA HOW
HUMILIATING THIS IS FOR ME?
1573
01:30:28,439 --> 01:30:29,773
I'M AN ACTRESS!
1574
01:30:29,858 --> 01:30:32,318
IT'S BASED ON OUR MARRIAGE,
FOR FUCK'S SAKE!
1575
01:30:32,401 --> 01:30:33,777
EVERYBODY KNOWS THAT!
1576
01:30:33,862 --> 01:30:36,447
- IT'S A NOVEL!
- ABOUT ME!
1577
01:30:36,530 --> 01:30:40,202
WHO THE FUCK
DO YOU THINK YOU ARE?!
1578
01:30:40,284 --> 01:30:42,996
THE PART OF JENNA
IS BASED ON EVERY WOMAN
1579
01:30:43,079 --> 01:30:46,124
I HAVE EVER LOVED
IN MY ENTIRE LIFE!
1580
01:30:46,208 --> 01:30:48,375
INCLUDING MY MOTHER!
1581
01:30:50,045 --> 01:30:52,047
AND ALSO, SALLY,
THE PART IS QUITE CLEARLY
1582
01:30:52,130 --> 01:30:54,049
FOR A WOMAN
IN HER EARLY 20's
1583
01:30:54,132 --> 01:30:57,177
- WHAT ARE YOU SAYING?
- HELLO!?
1584
01:30:57,260 --> 01:31:00,263
LAST BIRTHDAY WAS...?
1585
01:31:00,346 --> 01:31:02,681
I DON'T LOOK MY AGE, JOE.
1586
01:31:02,765 --> 01:31:04,767
I HAVE NEVER CONSIDERED YOU
FOR THIS PART
1587
01:31:04,851 --> 01:31:07,686
BECAUSE YOU ARE TOO
OLD
TO PLAY IT.
1588
01:31:07,770 --> 01:31:09,480
AND IF YOU THINK
ANY DIFFERENTLY,
1589
01:31:09,563 --> 01:31:10,814
YOU ARE OUT OF TOUCH
WITH REALITY.
1590
01:31:10,899 --> 01:31:12,441
I'M SORRY.
1591
01:31:12,525 --> 01:31:14,903
- IT'S A SHIT NOVEL ANYWAY.
-
OH, WELL, THEN.
1592
01:31:14,986 --> 01:31:18,281
I LET YOU OFF THE HOOK.
YOU ARE ONE LUCKY ACTRESS.
1593
01:31:18,364 --> 01:31:20,491
ALL YOUR NOVELS HAVE
ALWAYS BEEN POP,
1594
01:31:20,574 --> 01:31:22,493
BUT THIS ONE'S THE SHALLOWEST
OF THE BUNCH.
1595
01:31:22,576 --> 01:31:25,496
THAT'S WHAT ALL OUR FRIENDS
THINK ANYWAY.
1596
01:31:25,579 --> 01:31:28,250
IF BY SOME FUCKING MIRACLE
1597
01:31:28,332 --> 01:31:31,710
WE COULD HAVE STRIPPED
10 YEARS OFF YOUR FACE,
1598
01:31:31,794 --> 01:31:34,421
THERE IS STILL NO WAY I COULD
HAVE GOT THIS FILM MADE
1599
01:31:34,505 --> 01:31:36,465
BECAUSE MY NAME MEANS
NOTHING AS A DIRECTOR,
1600
01:31:36,549 --> 01:31:38,467
AND YOUR NAME MEANS
FUCK-ALL ANYMORE!
1601
01:31:38,551 --> 01:31:40,887
AND THE PEOPLE WHO DO
HIRE YOU ARE SCARED TO,
1602
01:31:40,971 --> 01:31:42,721
BECAUSE THEY THINK
YOU'RE PHONING IT IN!
1603
01:31:42,805 --> 01:31:44,765
THAT YOU'VE LOST EVERY--
1604
01:31:44,848 --> 01:31:46,935
OH, FUCK'S SAKE, SALLY!
1605
01:31:47,018 --> 01:31:51,522
WHO?
WHO THINKS THAT?
1606
01:31:51,605 --> 01:31:53,566
THE DIRECTOR AND CO-STAR
OF YOUR CURRENT MOVIE.
1607
01:31:53,649 --> 01:31:56,319
DON'T DISH IT
IF YOU CAN'T TAKE IT!
1608
01:32:01,448 --> 01:32:03,534
MAC SAYS THAT?
1609
01:32:04,577 --> 01:32:07,247
MAC?
1610
01:32:07,330 --> 01:32:09,582
CAL?
1611
01:32:09,665 --> 01:32:12,335
-
CAL TOO?
- CHRIST'S SAKES.
1612
01:32:12,418 --> 01:32:14,378
IS THERE ANYBODY ELSE
THAT I'M MISSING HERE?
1613
01:32:14,461 --> 01:32:16,672
THIS IS INSANITY.
COME ON, DARLING.
1614
01:32:16,755 --> 01:32:18,716
- DON'T.
- DON'T PUSH ME AWAY.
1615
01:32:30,728 --> 01:32:32,855
I HAD AN ABORTION
TWO WEEKS AGO.
1616
01:32:36,483 --> 01:32:39,862
I FOUND OUT I WAS PREGNANT
AND IT SCARED THE SHIT
OUT OF ME.
1617
01:32:41,614 --> 01:32:43,824
DON'T DO THIS, SALLY.
1618
01:32:43,907 --> 01:32:46,577
I TOLD YOU WHEN WE MET
I NEVER WANTED CHILDREN.
1619
01:32:46,660 --> 01:32:48,746
I DON'T WANT KIDS
IN MY LIFE!
1620
01:32:48,829 --> 01:32:51,415
I TOLD YOU!
WE TALKED ABOUT IT!
1621
01:32:51,498 --> 01:32:54,336
YOU WEREN'T LISTENING!
1622
01:32:54,418 --> 01:32:57,421
-
YOU CHANGED YOUR MIND, SALLY.
- NO, I WANTED YOU BACK.
1623
01:32:58,797 --> 01:33:00,133
OW!
1624
01:33:04,971 --> 01:33:07,473
JESUS CHRIST.
1625
01:33:07,556 --> 01:33:10,559
YOU THINK THIS WAS
TO HURT YOU?!
1626
01:33:10,643 --> 01:33:12,728
- IT'S NOT ABOUT YOU!
- WHAT?!
1627
01:33:12,811 --> 01:33:16,024
YOU ABORTED OUR CHILD!
THAT'S ABOUT ME!
1628
01:33:16,107 --> 01:33:19,235
EXACTLY, I'M A MONSTER.
I'M A FUCKING MONSTER.
1629
01:33:19,319 --> 01:33:20,362
NO, SALLY.
YOU'RE JUST NOT READY.
1630
01:33:20,444 --> 01:33:22,738
YOU'RE NOT READY YET.
THAT'S ALL.
1631
01:33:25,116 --> 01:33:27,327
DON'T MAKE ALLOWANCES.
I WILL NEVER...
1632
01:33:27,410 --> 01:33:30,163
I WILL NEVER BE READY.
1633
01:33:30,246 --> 01:33:32,915
THERE ARE SOME PEOPLE THAT
JUST SHOULDN'T HAVE KIDS.
1634
01:33:35,126 --> 01:33:38,712
I WOULD BE A TERRIBLE
FUCKING MOTHER, JOE.
1635
01:33:41,299 --> 01:33:45,886
I DID WANT IT FOR US,
BUT I COULDN'T DO IT.
1636
01:33:45,969 --> 01:33:49,224
I JUST-- I DON'T THINK
I CAN DO IT, JOE.
1637
01:33:49,307 --> 01:33:51,309
I DON'T THINK I CAN DO IT.
1638
01:33:51,393 --> 01:33:54,270
I WASN'T PART OF THAT
DECISION AT ALL, WAS I?
1639
01:33:54,354 --> 01:33:56,439
I WASN'T PART
OF THE PICTURE, RIGHT?
1640
01:33:56,522 --> 01:33:58,400
DID
I
EVER OCCUR TO YOU?
1641
01:34:01,485 --> 01:34:04,239
THIS IS A FUCKING DISGRACE.
1642
01:34:07,075 --> 01:34:12,247
- YOU ARE A FUCKING DISGRACE!
- I KNOW.
1643
01:34:12,330 --> 01:34:15,624
DO YOU HAVE ANY IDEA
WHAT YOU'VE DONE TO US, SALLY?
1644
01:34:15,708 --> 01:34:16,875
DO YOU?
1645
01:34:18,044 --> 01:34:19,920
-
DO YOU?!
- YES!
1646
01:34:24,550 --> 01:34:27,137
I WILL--
1647
01:34:27,220 --> 01:34:29,805
I WILL NEVER FORGIVE YOU
FOR AS LONG AS I LIVE--
1648
01:34:29,888 --> 01:34:31,890
I WILL NEVER
FORGIVE YOU FOR THIS.
1649
01:34:31,974 --> 01:34:33,976
I KNOW.
1650
01:34:36,104 --> 01:34:37,896
NO.
1651
01:34:37,980 --> 01:34:40,858
I DON'T EVEN KNOW
WHO YOU ARE ANYMORE.
1652
01:34:41,859 --> 01:34:44,237
JOE. JOE...
1653
01:34:44,320 --> 01:34:45,696
JOE...!
1654
01:35:58,727 --> 01:36:00,813
SALLY!
GET OUT OF THE WATER.
1655
01:36:00,896 --> 01:36:03,065
I'VE GOT YOU, BUDDY.
I GOT YOU, MAN.
1656
01:36:03,149 --> 01:36:06,486
GO GET SALLY!
DAMN IT!
1657
01:36:12,408 --> 01:36:14,285
HE'S IN TROUBLE HERE, GUYS.
1658
01:36:23,503 --> 01:36:26,214
FUCK.
1659
01:36:26,297 --> 01:36:28,299
THERE YOU GO.
YOU GOT IT, MAN.
1660
01:36:30,050 --> 01:36:33,429
HE'S OKAY, CLAIR.
JUST GIVE HIM SOME ROOM.
1661
01:36:33,513 --> 01:36:35,306
GIVE HIM A LITTLE
ROOM TO BREATHE.
1662
01:36:40,644 --> 01:36:42,938
OH, I MUST
REALLY BE STONED.
1663
01:36:43,021 --> 01:36:45,525
- YOU'RE OKAY, MAN.
- HONEY?
1664
01:36:45,608 --> 01:36:48,570
- I'M FINE, BABE. I'M FINE.
-
JUST GIVE HIM A MINUTE.
1665
01:36:53,866 --> 01:36:55,909
OH, SHIT.
1666
01:36:57,287 --> 01:36:59,414
I'M FINE. I'M FINE.
THANKS, BUDDY.
1667
01:36:59,497 --> 01:37:01,249
ANYTIME, SPORT.
1668
01:37:01,332 --> 01:37:03,501
YEAH.
1669
01:37:03,585 --> 01:37:05,628
YEAH. THANKS, PAL.
1670
01:37:07,963 --> 01:37:10,425
YOU'RE OKAY.
JUST BREATHE.
1671
01:37:10,508 --> 01:37:14,220
I'M FINE, BABE.
I'M JUST... WHAT?
1672
01:37:14,304 --> 01:37:17,055
JUST NEED A MINUTE.
I'M GOING TO TAKE
A LITTLE WALK.
1673
01:37:18,015 --> 01:37:20,310
JUST FORGET ABOUT IT.
1674
01:37:21,269 --> 01:37:23,186
JUST KEEP BREATHING.
1675
01:37:25,565 --> 01:37:30,193
WHAT? IT'S NOT LIKE I SAW
MY LIFE FLASH BEFORE MY EYES.
1676
01:37:30,278 --> 01:37:34,532
- PROBABLY WASN'T THAT CLOSE.
- PROBABLY WASN'T.
1677
01:37:34,616 --> 01:37:37,660
- YOU GOT YOUR LIFEGUARD PAPERS?
- THERE'S A TEST FOR THAT.
1678
01:37:37,743 --> 01:37:39,621
- FORGET IT.
- GOOD STUFF.
1679
01:37:43,916 --> 01:37:47,169
- HONEY?
- CLAIR, I'M FINE.
1680
01:37:47,253 --> 01:37:49,129
JUST NEED A MINUTE.
1681
01:37:50,632 --> 01:37:52,467
- HONEY?
- HE'S OKAY.
1682
01:37:52,550 --> 01:37:54,427
JUST GIVE ME
A MINUTE.
1683
01:37:55,595 --> 01:37:57,639
( coughing )
1684
01:38:03,269 --> 01:38:05,563
( sobbing )
1685
01:38:09,858 --> 01:38:12,861
COME ON.
COME ON, MAN.
1686
01:38:12,945 --> 01:38:15,490
BUCK UP.
1687
01:38:15,573 --> 01:38:17,367
COME ON, BUCK UP!
1688
01:38:19,327 --> 01:38:20,869
BE A MAN.
1689
01:38:20,953 --> 01:38:23,205
THIS JOB.
1690
01:38:26,292 --> 01:38:28,877
I CAN'T DO ANYTHING
FUCKING RIGHT.
1691
01:38:36,927 --> 01:38:39,681
( phone ringing )
1692
01:38:41,181 --> 01:38:44,142
( ringing )
1693
01:38:47,397 --> 01:38:51,317
( answering machine clicks on )
Hello, Joe, it's your dad.
1694
01:38:51,401 --> 01:38:53,695
Can you pick up
the phone, please?
1695
01:38:53,777 --> 01:38:55,697
I really need
to talk to you.
1696
01:38:57,781 --> 01:38:59,659
HELLO, HARRY?
1697
01:39:00,743 --> 01:39:02,828
NO, IT'S GINA.
1698
01:39:04,162 --> 01:39:06,749
GINA.
1699
01:39:06,832 --> 01:39:09,793
NO, THEY'RE NOT HERE.
THEY WENT OUT TO LOOK FOR OTIS.
1700
01:39:11,086 --> 01:39:14,297
NO, IT'S THE DOG.
1701
01:39:20,346 --> 01:39:22,473
IS EVERYTHING ALL RIGHT?
1702
01:39:27,478 --> 01:39:29,312
IT WAS NOT OVERBEARING,
BUT IT WAS--
1703
01:39:29,397 --> 01:39:31,940
I CAN'T FIND MY HUSBAND
OR MY BEEPER.
1704
01:39:32,024 --> 01:39:33,108
HAVE YOU SEEN
EITHER OF THEM?
1705
01:39:33,191 --> 01:39:35,778
NO.
1706
01:39:35,861 --> 01:39:39,281
NOT RECENTLY.
1707
01:39:39,365 --> 01:39:43,326
I DON'T THINK
SHE'S BREAST-FEEDING.
1708
01:40:14,232 --> 01:40:16,151
WHAT IS IT?
1709
01:40:17,903 --> 01:40:19,946
LET'S JUST GO BACK
TO THE BEDROOM.
1710
01:40:28,831 --> 01:40:30,708
LET'S GO BACK
TO THE BEDROOM, OKAY?
1711
01:40:41,968 --> 01:40:43,763
Sally:
IS IT OTIS?
1712
01:40:43,846 --> 01:40:46,181
WHAT HAPPENED?
1713
01:40:53,856 --> 01:40:55,858
THE SUSPENSE
IS KILLING ME.
1714
01:40:57,067 --> 01:40:59,821
- HARRY CALLED.
- AND?
1715
01:40:59,903 --> 01:41:01,404
LUCY OVERDOSED.
1716
01:41:04,867 --> 01:41:06,744
BUT SHE'S ALL RIGHT?
1717
01:41:14,334 --> 01:41:16,712
THE STUPID TART.
1718
01:41:21,091 --> 01:41:22,926
JOE, SHE LEFT A NOTE.
1719
01:41:24,512 --> 01:41:29,725
- OH, FUCK YOU.
- YOU NEED TO CALL YOUR DAD.
1720
01:41:29,809 --> 01:41:32,687
LOOK, I BOOKED YOU A FLIGHT.
AND I'VE PACKED YOU A BAG.
1721
01:41:32,770 --> 01:41:36,022
YOU JUST NEED TO GET
INTO A CAR AND GO.
1722
01:41:36,106 --> 01:41:39,317
- WOULD YOU LEAVE US ALONE?
- I LOVE HER TOO.
1723
01:41:39,401 --> 01:41:41,529
YEAH, GREAT.
THANKS FOR YOUR HELP.
1724
01:41:41,612 --> 01:41:44,699
WOULD YOU PLEASE JUST LEAVE
SALLY AND ME ALONE RIGHT NOW?
1725
01:41:44,782 --> 01:41:47,325
EVERYBODY HATES
THE MESSENGER.
1726
01:42:04,217 --> 01:42:06,094
( whispers )
I'M SORRY.
1727
01:42:15,771 --> 01:42:17,773
HI.
1728
01:42:20,275 --> 01:42:22,277
HOW'S HE DOING?
1729
01:42:23,529 --> 01:42:25,280
NOT GOOD.
1730
01:42:25,363 --> 01:42:27,742
HE'S GONNA MISS HIS FLIGHT.
1731
01:42:27,825 --> 01:42:29,451
YEAH.
1732
01:42:31,537 --> 01:42:33,413
IS HE NOT GOING?
1733
01:42:36,584 --> 01:42:38,460
I BOOKED HIM A FLIGHT.
1734
01:42:40,963 --> 01:42:43,506
HE'S NOT GOING TONIGHT.
1735
01:42:43,591 --> 01:42:46,426
I TOLD HIS FATHER THAT
HE WOULD BE ON THAT FLIGHT.
1736
01:42:46,509 --> 01:42:49,221
WELL, YOU'LL HAVE TO
TELL HIM OTHERWISE.
1737
01:42:49,304 --> 01:42:51,641
IT WAS GOOD OF YOU
TO GO THROUGH ALL THE TROUBLE,
1738
01:42:51,724 --> 01:42:53,391
BUT HE DOESN'T WANT
TO GO TONIGHT.
1739
01:42:54,727 --> 01:42:56,729
JESUS, SALLY,
I'M NOT THE ENEMY.
1740
01:42:56,812 --> 01:42:59,565
AND YOU'RE NOT THE WIFE.
1741
01:42:59,649 --> 01:43:02,192
IT'S NOT A CONTEST.
1742
01:43:02,275 --> 01:43:04,486
YEAH, YOU'RE DAMN STRAIGHT.
1743
01:43:09,115 --> 01:43:10,743
( dishes clatter )
1744
01:43:13,119 --> 01:43:14,830
SHOULD I GO BACK THERE?
1745
01:43:14,914 --> 01:43:17,667
MMM. I DON'T THINK SO.
1746
01:43:28,134 --> 01:43:30,178
SHOULD WE STAY?
1747
01:43:31,096 --> 01:43:32,389
WE CAN STAY.
1748
01:43:37,227 --> 01:43:38,520
MAYBE NOT.
1749
01:43:40,856 --> 01:43:43,525
- GREAT.
- SO MUCH FOR ECSTASY.
1750
01:43:51,116 --> 01:43:53,201
SHOULD WE GO GET
THE KIDS?
1751
01:43:54,494 --> 01:43:57,957
OH, MY GOD!
GOD-- THE SITTER.
1752
01:43:58,040 --> 01:44:01,584
YEAH, CLAIR...
1753
01:44:01,669 --> 01:44:05,171
YOU JUST ALWAYS MANAGE
TO PUT THINGS INTO PERSPECTIVE.
1754
01:44:06,799 --> 01:44:08,425
OH, MY GOD.
1755
01:44:22,397 --> 01:44:24,274
Lucy's message:
Pick up the phone.
It's a damn nuisance--
1756
01:44:24,357 --> 01:44:26,276
you're not here,
big brother.
1757
01:44:26,359 --> 01:44:29,112
Joe, I'd love to talk
to you before I go.
1758
01:44:29,195 --> 01:44:32,574
Please, baby, call me.
1759
01:44:32,658 --> 01:44:34,869
I love you madly.
1760
01:44:34,952 --> 01:44:36,411
( machine beeps )
1761
01:44:36,494 --> 01:44:38,748
Joe, It's Lucy.
Do you remember me?
1762
01:44:38,831 --> 01:44:43,168
It's the black sheep here.
Baa-aa!
1763
01:44:43,251 --> 01:44:46,964
Pick up the phone.
Come on, pick up the phone.
1764
01:44:47,048 --> 01:44:49,591
It's a damn nuisance
you're not here, big brother.
1765
01:44:49,675 --> 01:44:52,594
Joe, I'd love to talk to you
before I go.
1766
01:44:52,678 --> 01:44:55,014
I need you. Call me.
1767
01:44:55,097 --> 01:44:57,432
I love you madly.
1768
01:44:57,515 --> 01:44:59,018
( machine beeps )
1769
01:45:23,125 --> 01:45:25,168
HELLO, DAD.
1770
01:45:34,887 --> 01:45:36,764
HANG IN.
1771
01:45:39,682 --> 01:45:41,601
I'M HOME
ALL WEEKEND.
1772
01:45:41,684 --> 01:45:44,437
CALL ME...
IF YOU NEED ANYTHING.
1773
01:46:13,008 --> 01:46:15,094
PERFECT.
1774
01:46:22,392 --> 01:46:24,979
I CALL THAT
A PERFECT SKY.
1775
01:46:25,062 --> 01:46:29,482
- A PERFECT NIGHT.
- DAMN NEAR.
1776
01:46:29,566 --> 01:46:31,568
DAMN NEAR
PERFECT DRUG.
1777
01:46:34,446 --> 01:46:36,406
WE SHOULD
DO IT AGAIN.
1778
01:46:36,489 --> 01:46:38,366
JUST ONCE IN A BLUE MOON,
YOU KNOW?
1779
01:46:44,039 --> 01:46:46,876
MAYBE WE SHOULD ASK THEM
FOR THE NUMBER OF THEIR
LANDSCAPER.
1780
01:46:54,008 --> 01:46:57,343
- YOU LIKE FUCKING OUTDOORS?
- NOT AS A RULE.
1781
01:46:59,637 --> 01:47:02,390
THEY DIDN'T SIGN
THEIR GODDAMN TAX RETURNS.
1782
01:47:17,114 --> 01:47:19,200
COFFEE?
1783
01:47:20,159 --> 01:47:22,119
SURE.
1784
01:47:22,203 --> 01:47:24,205
I'LL GET IT.
1785
01:47:33,630 --> 01:47:35,715
YOU DON'T HAVE
TO DO THAT.
1786
01:47:37,300 --> 01:47:39,178
IT'S OKAY.
I DON'T MIND.
1787
01:47:45,308 --> 01:47:46,852
RELAX,
YOU'VE DONE ENOUGH.
1788
01:48:44,867 --> 01:48:47,204
( vacuum running )
1789
01:49:30,413 --> 01:49:35,210
♪♪ THERE ARE GIRLS JUST RIPE
FOR SOME KISSING ♪♪
1790
01:49:35,294 --> 01:49:39,714
♪♪ AND I MEAN
TO KISS ME A FEW ♪♪
1791
01:49:39,797 --> 01:49:45,179
♪♪ OH, THOSE GIRLS DON'T KNOW
WHAT THEY'RE MISSING ♪♪
1792
01:49:45,262 --> 01:49:50,184
♪♪ I'VE GOT A LOT
OF LIVING TO DO ♪♪
1793
01:49:50,267 --> 01:49:55,772
♪♪ AND THERE'S WINE
ALL READY FOR TASTING ♪♪
1794
01:49:55,855 --> 01:50:00,735
♪♪ AND THERE'S CADILLACS
ALL SHINY AND NEW ♪♪
1795
01:50:00,818 --> 01:50:06,158
♪♪ GOT TO MOVE
'CAUSE TIME IS A-WASTIN' ♪♪
1796
01:50:06,241 --> 01:50:11,080
♪♪ THERE'S SUCH A LOT
OF LIVING TO DO ♪♪
1797
01:50:11,163 --> 01:50:13,706
♪♪ THERE'S MUSIC TO PLAY,
PLACES TO GO ♪♪
1798
01:50:13,790 --> 01:50:16,584
♪♪ AND PEOPLE TO SEE ♪♪
1799
01:50:16,668 --> 01:50:21,090
♪♪ EVERYTHING
FOR YOU AND ME ♪♪
1800
01:50:21,173 --> 01:50:26,428
♪♪ LIFE'S A BALL
IF ONLY YOU'D KNOW IT ♪♪
1801
01:50:26,511 --> 01:50:30,515
♪♪ AND IT'S ALL WAITING
FOR YOU ♪♪
1802
01:50:30,598 --> 01:50:32,975
♪♪ YOU'RE ALIVE ♪♪
1803
01:50:33,060 --> 01:50:36,063
♪♪ SO COME ON
AND SHOW IT ♪♪
1804
01:50:36,146 --> 01:50:41,026
♪♪ THERE'S SUCH A LOT
OF LIVING TO DO ♪♪
1805
01:50:56,166 --> 01:51:00,962
♪♪ I'VE GOT A LOT
OF LIVING TO DO ♪♪
1806
01:51:15,768 --> 01:51:21,233
♪♪ MAN, THERE'S SUCH A LOT
OF LIVING TO DO ♪♪
1807
01:51:21,316 --> 01:51:23,735
♪♪ WHY, THERE'S MUSIC TO PLAY,
PLACES TO GO ♪♪
1808
01:51:23,818 --> 01:51:26,571
♪♪ AND PEOPLE TO SEE ♪♪
1809
01:51:26,654 --> 01:51:30,742
♪♪ EVERYTHING
FOR YOU AND ME ♪♪
1810
01:51:30,825 --> 01:51:36,248
♪♪ LIFE'S A BALL
IF ONLY YOU'D KNOW IT ♪♪
1811
01:51:36,331 --> 01:51:40,793
♪♪ AND IT'S ALL
JUST WAITING FOR YOU ♪♪
1812
01:51:40,877 --> 01:51:42,879
♪♪ YOU'RE ALIVE ♪♪
1813
01:51:42,962 --> 01:51:46,216
♪♪ SO COME ON AND SHOW IT ♪♪
1814
01:51:46,300 --> 01:51:48,593
♪♪ THERE'S SUCH A LOT
OF LIVING ♪♪
1815
01:51:48,676 --> 01:51:51,430
♪♪ SUCH A LOT OF LIVING ♪♪
1816
01:51:51,513 --> 01:51:59,521
♪♪ SUCH A LOT
OF LIVING TO DO. ♪♪
1817
01:52:10,240 --> 01:52:12,784
♪♪ I RECKON I LOVE ♪♪
1818
01:52:12,867 --> 01:52:15,912
♪♪ HAPPY ANNIVERSARY ♪♪
1819
01:52:15,995 --> 01:52:18,290
♪♪ TO SALLY AND JOE ♪♪
1820
01:52:18,373 --> 01:52:20,625
♪♪ WE'RE GLAD YOU CAME HOME ♪♪
1821
01:52:20,708 --> 01:52:23,002
♪♪ DON'T SPLIT UP AGAIN ♪♪
1822
01:52:23,085 --> 01:52:25,506
♪♪ 'CAUSE WE LIKE THE FOOD. ♪♪
1823
01:52:25,588 --> 01:52:28,800
( partygoers applauding )
1824
01:52:28,883 --> 01:52:30,802
Joe:
OH, JACK, DID YOU
WRITE THAT YOURSELF?
1825
01:52:30,885 --> 01:52:32,720
- Cal:
ABSOLUTELY!
- Joe:
ANY HELP AT ALL?
1826
01:52:32,804 --> 01:52:35,681
( electronica music plays )
124088
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