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00:00:01,001 --> 00:00:03,479
Now, ABC, back in 1974,
had the guts
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00:00:03,480 --> 00:00:05,439
to mount a show like Countdown,
3
00:00:05,440 --> 00:00:07,639
and probably they were the only ones
that could do it.
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00:00:07,640 --> 00:00:09,319
I've had some fantastic times.
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00:00:09,320 --> 00:00:12,479
Some great teams I've worked with
down at the ABC.
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00:00:12,480 --> 00:00:15,759
And that side does sadden me,
you know?
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♪ Countdown
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♪ Countdown. ♪
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ANNOUNCER: Welcome
to Classic Countdown, 1987.
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00:00:28,560 --> 00:00:32,279
PAUL: 1987 was a year
of firsts and lasts.
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00:00:32,280 --> 00:00:33,759
The new system will allow users
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00:00:33,760 --> 00:00:36,199
to make telephone calls
from just about anywhere.
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00:00:36,200 --> 00:00:38,799
And that's a proposition
that's proving very attractive
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00:00:38,800 --> 00:00:40,319
to Australian businessmen.
15
00:00:40,320 --> 00:00:42,719
It was the year
the first mobile phone call
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00:00:42,720 --> 00:00:44,199
was made in Australia.
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00:00:44,200 --> 00:00:46,359
And the last time
Queensland Premier
18
00:00:46,360 --> 00:00:48,879
Joh Bjelke-Petersen
would run for PM.
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We believe, and we know,
and I'm sure that we'll have
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a massive win at the elections
on Saturday night.
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00:00:55,520 --> 00:00:58,159
It was the first time Bon Jovi
toured Australia.
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(SCREAMING)
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They are so unreal! They're
the best band in the world!
24
00:01:03,920 --> 00:01:06,800
And the last time mullets
were officially fashionable.
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00:01:09,280 --> 00:01:11,119
It was the first year MTV
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00:01:11,120 --> 00:01:13,319
broadcast into
Australian households.
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00:01:13,320 --> 00:01:14,999
Big Australian bands
here in the US?
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Well, I guess, of course,
Midnight Oil and INXS.
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But one that's pretty new, and
we're really starting to hear
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a lot about
is Hunters and Collectors.
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So there you go.
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00:01:22,360 --> 00:01:24,519
And sadly, the last year Countdown
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would be beamed
out of ABC Studio 31.
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Even the very best programs
like Countdown
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00:01:30,880 --> 00:01:32,599
won't last forever.
36
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It means big disappointment
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because Countdown,
like, we do it every Sunday.
38
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We watch Countdown,
39
00:01:38,480 --> 00:01:41,079
and, you know,
we enjoy ourselves watching it.
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00:01:41,080 --> 00:01:42,919
It's part of our Sunday night
entertainment.
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00:01:42,920 --> 00:01:47,239
The producers tried a makeover
with edgy Cold War graphics
42
00:01:47,240 --> 00:01:51,039
and a rebrand as CDPTV,
43
00:01:51,040 --> 00:01:52,959
the P standing for pirate.
44
00:01:52,960 --> 00:01:56,039
But the reign of Countdown
would come to an end.
45
00:01:56,040 --> 00:02:01,039
563 episodes and hundreds
of interviews and performances.
46
00:02:01,040 --> 00:02:05,039
It was time to kick back
and enjoy the end of the ride.
47
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♪ It's the final Countdown. ♪
48
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♪ The principal
thinks he's a hero
49
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♪ He thinks he's all man and more
50
00:02:20,560 --> 00:02:23,919
♪ He ain't seen Jimmy Wilson
51
00:02:23,920 --> 00:02:27,319
♪ And he's only in form four
52
00:02:27,320 --> 00:02:29,999
♪ The sign says
geography lesson,
53
00:02:30,000 --> 00:02:34,079
♪ Map of Australia on the wall
54
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♪ I only look at Tasmania
55
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♪ The one place I adore
56
00:02:40,200 --> 00:02:41,719
♪ Ah-hah Ah-hah
57
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♪ Ah-hah Ah-hah
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♪ Ah-hah Ah-hah
59
00:02:45,280 --> 00:02:46,879
♪ Oh!
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00:02:46,880 --> 00:02:50,079
♪ We're all going to nude school
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♪ A nude school, that's for me
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♪ We're all happy at nude school
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♪ A nude school is where I'll be
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♪ Ah-hah Ah-hah
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♪ Ah-hah Ah-hah
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00:03:03,160 --> 00:03:04,879
♪ Ah-hah Ah-hah
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00:03:04,880 --> 00:03:06,559
♪ Oh!
68
00:03:06,560 --> 00:03:09,799
♪ Jenny thinks she's Madonna
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♪ But Penthouse changed all that
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♪ She ain't that hairy
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♪ Her legs aren't that fat
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♪ And Julie's got a tattoo
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♪ She keeps it really well hid
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♪ She says she'll show me
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♪ I'd die if she did
76
00:03:32,520 --> 00:03:34,199
♪ Ah-hah Ah-hah
77
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♪ Ah-hah Ah-hah
78
00:03:35,760 --> 00:03:37,519
♪ Ah-hah Ah-hah
79
00:03:37,520 --> 00:03:39,199
♪ Oh!
80
00:03:39,200 --> 00:03:42,119
♪ We're all going to nude school
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♪ A nude school, that's for me
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♪ We're all happy at nude school
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♪ A nude school is where I'll be
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♪ Ah-hah Ah-hah
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♪ Ah-hah Ah-hah
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♪ Ah-hah Ah-hah
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♪ Oh!
88
00:04:42,600 --> 00:04:45,759
♪ We're all going to nude school
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♪ A nude school, that's for me
90
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♪ We're all happy at nude school
91
00:04:52,360 --> 00:04:55,279
♪ A nude school is where I'll be
92
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♪ We're all going to nude school
93
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♪ A nude school, that's for me
94
00:05:01,800 --> 00:05:05,119
♪ We're all happy at nude school
95
00:05:05,120 --> 00:05:07,239
♪ A nude school is where I'll be
96
00:05:07,240 --> 00:05:11,799
♪ Yeah, yeah, yeah,
we're all going to nude school
97
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♪ We're all going to nude school
98
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♪ We're all going to nude school
99
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♪ A nude school's where I'll be. ♪
100
00:05:24,600 --> 00:05:27,519
Hi, this is Patsy Kensit
from Eighth Wonder in London.
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00:05:27,520 --> 00:05:30,320
Hello to all the viewers
of Countdown.
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PAUL: In 1987, the new
post-apocalyptic Countdown set
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was designed to get the audience
on their feet.
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♪ Put your arms in the air
and let them hear you say. ♪
105
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♪ You've got power
106
00:05:43,960 --> 00:05:45,839
It was also the perfect stage
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for some of Australia's brightest new
dance pop acts.
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00:05:48,360 --> 00:05:52,040
♪ But we got more important things
for now
109
00:05:53,880 --> 00:05:57,200
♪ Like you should be here
rolling with me
110
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♪ Turn it on
111
00:06:01,520 --> 00:06:03,639
♪ Turn it on
because I'm lonely. ♪
112
00:06:03,640 --> 00:06:05,519
♪ When you're lonely
in the field
113
00:06:05,520 --> 00:06:07,639
♪ And you place down your shield
114
00:06:07,640 --> 00:06:11,759
♪ I can make you feel better
with a shake of my hand
115
00:06:11,760 --> 00:06:13,559
♪ I'm the burning bush
116
00:06:13,560 --> 00:06:15,799
♪ On the burning, burning mountain
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♪ And I'll wait for you there
with a hand in the air. ♪
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The all-singing,
all-dancing Chantoozies
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were definitely the new queens
of the night clubs.
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♪ Voodoo veau
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♪ Do-do, do-do-do
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♪ Marie, Marie, da voodoo veau
123
00:06:31,360 --> 00:06:33,639
♪ Do-do, do-do-do
124
00:06:33,640 --> 00:06:36,080
♪ Marie, Marie, da voodoo veau
125
00:06:49,320 --> 00:06:52,719
♪ I'm going to tell you a story
126
00:06:52,720 --> 00:06:55,320
♪ Strange as it might seem
127
00:06:56,480 --> 00:06:59,799
♪ Of zombie and voodoo dreaming
128
00:06:59,800 --> 00:07:03,919
♪ And the Witch Queen
of New Orleans
129
00:07:03,920 --> 00:07:07,479
♪ She lived in a world of magic
130
00:07:07,480 --> 00:07:11,119
♪ Possessed by
the devil's school
131
00:07:11,120 --> 00:07:14,879
♪ From a shack near
the swamplands of mud and brick
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♪ Marie stirred
her witches' brew
133
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♪ Marie, Marie, da voodoo veau
134
00:07:21,280 --> 00:07:23,719
♪ She put a spell on you
135
00:07:23,720 --> 00:07:25,999
♪ Marie, Marie, da voodoo veau
136
00:07:26,000 --> 00:07:28,319
♪ She put a spell on you
137
00:07:28,320 --> 00:07:31,399
♪ Marie, Marie, da voodoo veau
138
00:07:31,400 --> 00:07:34,759
♪ She's the Witch Queen
139
00:07:34,760 --> 00:07:37,680
♪ Of New Orleans
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♪ Dime or a nickel
anyone could buy
141
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♪ Voodoo of any kind
142
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♪ She had potions and lotions,
herbs and tanna leaves
143
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♪ Guaranteed to blow your mind
144
00:07:58,360 --> 00:08:02,279
♪ Early one morning
into murky swamp dew
145
00:08:02,280 --> 00:08:05,839
♪ Vanished Marie with hate
in her eyes
146
00:08:05,840 --> 00:08:09,839
♪ Though she'll never return,
all the Cajuns knew
147
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♪ A Witch Queen never dies
148
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♪ Marie, Marie, da voodoo veau
149
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♪ She put a spell on you
150
00:08:18,600 --> 00:08:20,719
♪ Marie, Marie, da voodoo veau
151
00:08:20,720 --> 00:08:23,239
♪ She put a spell on you
152
00:08:23,240 --> 00:08:26,079
♪ Marie, Marie, da voodoo veau
153
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♪ She's the Witch Queen
154
00:08:29,560 --> 00:08:32,040
♪ Of New Orleans
155
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♪ Marie, Marie, da voodoo veau
156
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♪ She put a spell on you
157
00:08:54,480 --> 00:08:56,599
♪ Marie, Marie, da voodoo veau
158
00:08:56,600 --> 00:08:59,119
♪ She put a spell on you
159
00:08:59,120 --> 00:09:01,959
♪ Marie, Marie, da voodoo veau
160
00:09:01,960 --> 00:09:05,439
♪ She's the Witch Queen
161
00:09:05,440 --> 00:09:07,800
♪ Of New Orleans
162
00:09:14,200 --> 00:09:17,559
♪ I'm gonna tell you a story
163
00:09:17,560 --> 00:09:21,319
♪ Strange as it might seem
164
00:09:21,320 --> 00:09:24,719
♪ A zombie and voodoo dreaming
165
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♪ And the Witch Queen
of New Orleans
166
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♪ Marie, Marie, da voodoo veau
167
00:09:31,240 --> 00:09:33,959
♪ She put a spell on you
168
00:09:33,960 --> 00:09:36,079
♪ Marie, Marie, da voodoo veau
169
00:09:36,080 --> 00:09:38,599
♪ She put a spell on you
170
00:09:38,600 --> 00:09:41,439
♪ Marie, Marie, da voodoo veau
171
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♪ She's the Witch Queen
172
00:09:44,920 --> 00:09:47,400
♪ Of New Orleans
173
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♪ Marie, Marie, da voodoo veau
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♪ She put a spell on you
175
00:09:54,800 --> 00:09:57,039
♪ Marie, Marie, da voodoo veau
176
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♪ She put a spell on you. ♪
177
00:10:19,680 --> 00:10:22,999
PAUL: With Countdown winding up,
some our great Oz rockers
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00:10:23,000 --> 00:10:25,439
were taking their last lap
of the studio.
179
00:10:25,440 --> 00:10:29,839
♪ You just don't seem to know what
you do to me
180
00:10:29,840 --> 00:10:33,679
♪ And I can't think
of something to say
181
00:10:33,680 --> 00:10:37,719
♪ No, it don't seem right
just to hold you tight
182
00:10:37,720 --> 00:10:40,720
♪ When I move,
you just dart away
183
00:10:42,280 --> 00:10:45,120
♪ Things aren't the way
they used to be
184
00:10:46,680 --> 00:10:50,959
♪ Somebody stole my right
to be free. ♪
185
00:10:50,960 --> 00:10:54,279
♪ I hope this is not happening
186
00:10:54,280 --> 00:10:56,519
♪ To me
187
00:10:56,520 --> 00:11:01,359
♪ I wake up
and find that I'm dreaming
188
00:11:01,360 --> 00:11:05,039
♪ Seeing is believing
189
00:11:05,040 --> 00:11:08,399
♪ Nightmares, they'll come true
190
00:11:08,400 --> 00:11:12,839
♪ And I'll wake up
and find that I'm dreaming
191
00:11:12,840 --> 00:11:16,999
♪ Seeing is believing
192
00:11:17,000 --> 00:11:20,160
♪ Nightmares
they'll come true. ♪
193
00:11:22,080 --> 00:11:25,959
♪ Dreary old home
and city cracks
194
00:11:25,960 --> 00:11:28,199
♪ It's the bottom of the world
195
00:11:28,200 --> 00:11:30,839
♪ And that's that
196
00:11:30,840 --> 00:11:36,040
♪ There's a table
hard as the day is long
197
00:11:37,200 --> 00:11:39,560
♪ It's on. ♪
198
00:11:42,800 --> 00:11:46,599
But the lads most likely to
take Oz rock into the '90s,
199
00:11:46,600 --> 00:11:48,120
Noiseworks.
200
00:12:11,160 --> 00:12:13,520
♪ Oh-woh-woh-oh
201
00:12:16,080 --> 00:12:18,480
♪ Oh-oh-oh
202
00:12:21,320 --> 00:12:24,759
♪ You never expect it to be
203
00:12:24,760 --> 00:12:27,280
♪ In your wildest dreams
204
00:12:29,600 --> 00:12:33,799
♪ So take a step backwards
for a little while
205
00:12:33,800 --> 00:12:36,040
♪ You'll find it there
206
00:12:38,240 --> 00:12:41,839
♪ It's something
that I can't explain
207
00:12:41,840 --> 00:12:44,839
♪ So I remain
208
00:12:44,840 --> 00:12:46,479
♪ Trapped this size
209
00:12:46,480 --> 00:12:48,519
♪ Still holding strong
210
00:12:48,520 --> 00:12:50,920
♪ Still holding on to you
211
00:12:52,600 --> 00:12:55,439
♪ To you
212
00:12:55,440 --> 00:12:58,159
♪ Take me back to you
213
00:12:58,160 --> 00:13:00,440
♪ It's been a long time
214
00:13:01,600 --> 00:13:04,559
♪ Although every night
215
00:13:04,560 --> 00:13:06,359
♪ I think of you
216
00:13:06,360 --> 00:13:08,720
♪ It's such a lonely life
217
00:13:13,200 --> 00:13:16,079
♪ I watched you wave goodbye
218
00:13:16,080 --> 00:13:18,240
♪ As you drove away
219
00:13:20,400 --> 00:13:23,279
♪ I didn't know that it would be
220
00:13:23,280 --> 00:13:26,840
♪ Your last time with me
221
00:13:27,880 --> 00:13:31,359
♪ You said life
ain't worth living
222
00:13:31,360 --> 00:13:33,719
♪ If nobody cared
223
00:13:33,720 --> 00:13:36,719
♪ You said that all the time
224
00:13:36,720 --> 00:13:39,479
♪ Oh, I take a step back
225
00:13:39,480 --> 00:13:41,839
♪ And see your staring eyes
226
00:13:41,840 --> 00:13:44,760
♪ I see you on the day you die
227
00:13:46,680 --> 00:13:49,119
♪ Take me back to you
228
00:13:49,120 --> 00:13:52,439
♪ It's been a long time
229
00:13:52,440 --> 00:13:55,799
♪ Although every night
230
00:13:55,800 --> 00:13:57,599
♪ I think of you
231
00:13:57,600 --> 00:14:00,999
♪ It's such a lonely life
232
00:14:01,000 --> 00:14:03,279
♪ Yeah
233
00:14:03,280 --> 00:14:05,720
♪ And take me back to you
234
00:14:07,680 --> 00:14:10,320
♪ Take me back to you
235
00:14:18,520 --> 00:14:21,280
♪ Oh-woh-woh-oh-oh
236
00:14:29,320 --> 00:14:32,039
♪ Take me back to you
237
00:14:32,040 --> 00:14:35,239
♪ It's been a long time
238
00:14:35,240 --> 00:14:38,519
♪ Although every night
239
00:14:38,520 --> 00:14:40,399
♪ I think of you
240
00:14:40,400 --> 00:14:42,760
♪ It's such a lonely life
241
00:14:44,160 --> 00:14:46,239
♪ Oh-oh-oh-oh
242
00:14:46,240 --> 00:14:48,720
♪ Take me back to you
243
00:14:50,560 --> 00:14:53,720
♪ Take me back to you. ♪
244
00:14:56,440 --> 00:14:59,200
(CHEERING)
245
00:15:01,400 --> 00:15:04,679
ELECTRONIC VOICE:
This is CDPTV.
246
00:15:04,680 --> 00:15:07,799
Next, we have a great band
from Sydney live in the studio.
247
00:15:07,800 --> 00:15:10,639
They're called Lime Spiders
with My Favourite Room.
248
00:15:10,640 --> 00:15:11,880
Take it away, boys.
249
00:15:13,880 --> 00:15:16,159
PAUL: In the late '80s,
a punk attitude
250
00:15:16,160 --> 00:15:18,959
had become melded
with the '60s revival.
251
00:15:18,960 --> 00:15:22,999
♪ Just come on up
to my favourite room
252
00:15:23,000 --> 00:15:26,399
♪ Just climb the stairs,
get away from the gloom
253
00:15:26,400 --> 00:15:29,879
♪ You'll see things
you've never seen before
254
00:15:29,880 --> 00:15:32,839
♪ All you got to do is
knock upon my door
255
00:15:32,840 --> 00:15:37,159
♪ When I think about her,
and I think about me, yeah
256
00:15:37,160 --> 00:15:39,959
Bands like The Stems
were bringing back
257
00:15:39,960 --> 00:15:41,359
black jeans and guitars.
258
00:15:41,360 --> 00:15:44,039
♪ Sad, sad girl,
such a sad, sad girl
259
00:15:44,040 --> 00:15:45,679
♪ Sad, sad girl
260
00:15:45,680 --> 00:15:48,279
♪ You sure don't want
to go out with me
261
00:15:48,280 --> 00:15:51,240
♪ No, she don't want
to be my girl. ♪
262
00:16:00,080 --> 00:16:03,279
And no-one did it better
than the Hoodoo Gurus.
263
00:16:03,280 --> 00:16:06,480
♪ And another thing
I been wondering lately
264
00:16:08,000 --> 00:16:11,840
♪ Oh, baby,
tell me where have you been?
265
00:16:14,360 --> 00:16:17,960
♪ Now the stage is set,
where's my Juliet, baby?
266
00:16:19,400 --> 00:16:23,200
♪ Or it is maybe
my midsummer night's dream?
267
00:16:24,720 --> 00:16:27,479
♪ What's my scene?
268
00:16:27,480 --> 00:16:30,559
♪ What's my scene?
269
00:16:30,560 --> 00:16:33,079
♪ What's my scene?
270
00:16:33,080 --> 00:16:35,080
♪ Tell me, what's my scene?
271
00:16:45,960 --> 00:16:50,559
♪ Like a talent scout always
checking out new blood
272
00:16:50,560 --> 00:16:55,280
♪ Oh, I'd do good
if you tell me your game
273
00:16:57,400 --> 00:17:02,199
♪ Playing solitaire doesn't get me
where you would
274
00:17:02,200 --> 00:17:04,679
♪ And, honey, you could
275
00:17:04,680 --> 00:17:08,039
♪ Play any rules that you name
276
00:17:08,040 --> 00:17:10,639
♪ What's my scene?
277
00:17:10,640 --> 00:17:13,639
♪ What's my scene?
278
00:17:13,640 --> 00:17:16,439
♪ What's my scene?
279
00:17:16,440 --> 00:17:17,879
♪ Tell me, I got to know
280
00:17:17,880 --> 00:17:20,639
♪ What's my, what's my
281
00:17:20,640 --> 00:17:23,359
♪ What's my, what's my scene?
282
00:17:23,360 --> 00:17:26,519
♪ What's my, what's my
283
00:17:26,520 --> 00:17:29,119
♪ What's my, what's my scene?
284
00:17:29,120 --> 00:17:32,239
♪ They say, they say
285
00:17:32,240 --> 00:17:34,959
♪ Making love,
you can make it pay
286
00:17:34,960 --> 00:17:38,319
♪ They say, yeah, they say
287
00:17:38,320 --> 00:17:41,479
♪ But we know there's
a better way
288
00:17:41,480 --> 00:17:43,480
♪ Any day
289
00:18:08,440 --> 00:18:10,119
♪ And another thing
290
00:18:10,120 --> 00:18:13,279
♪ I've been wondering lately
291
00:18:13,280 --> 00:18:15,999
♪ Am I crazy
292
00:18:16,000 --> 00:18:17,920
♪ To believe in ideals?
293
00:18:20,160 --> 00:18:21,759
♪ I'm a betting man
294
00:18:21,760 --> 00:18:24,679
♪ But it's getting damn lonely
295
00:18:24,680 --> 00:18:27,079
♪ Oh, honey, if only
296
00:18:27,080 --> 00:18:30,679
♪ I was sure what I feel
297
00:18:30,680 --> 00:18:33,559
♪ What's my scene?
298
00:18:33,560 --> 00:18:36,359
♪ What's my scene?
299
00:18:36,360 --> 00:18:39,199
♪ What's my scene?
300
00:18:39,200 --> 00:18:40,719
♪ Tell me, I got to know
301
00:18:40,720 --> 00:18:43,519
♪ What's my, what's my
302
00:18:43,520 --> 00:18:46,119
♪ What's my, what's my scene?
303
00:18:46,120 --> 00:18:49,359
♪ What's my, what's my
304
00:18:49,360 --> 00:18:51,799
♪ What's my, what's my
305
00:18:51,800 --> 00:18:53,759
♪ What's my scene?
306
00:18:53,760 --> 00:18:56,879
♪ I want to know
307
00:18:56,880 --> 00:18:58,880
♪ I can't see
308
00:19:00,360 --> 00:19:03,360
♪ I'm caught in someone somewhere
else's scene
309
00:19:05,920 --> 00:19:09,120
♪ Oh, where, oh, where,
oh, where can my scene be? ♪
310
00:19:44,480 --> 00:19:46,359
PAUL: It may have been
the final year of the show,
311
00:19:46,360 --> 00:19:48,520
but Molly kept
supporting new talent.
312
00:19:51,160 --> 00:19:53,239
♪ This love affair
313
00:19:53,240 --> 00:19:54,799
♪ This love affair
314
00:19:54,800 --> 00:19:56,560
♪ I used to care
315
00:19:57,960 --> 00:19:59,839
♪ Was once so good
316
00:19:59,840 --> 00:20:01,239
♪ So good
317
00:20:01,240 --> 00:20:03,319
♪ Now I wish you would
318
00:20:03,320 --> 00:20:05,680
♪ Do you want to leave me? ♪
319
00:20:07,440 --> 00:20:13,559
♪ Well, I'm a little tired hanging
on to anything
320
00:20:13,560 --> 00:20:17,039
♪ All the strange things
are happening
321
00:20:17,040 --> 00:20:21,039
♪ What am I supposed to do?
322
00:20:21,040 --> 00:20:25,080
♪ Just stop the whole wide world
from turning blue, yeah
323
00:20:26,840 --> 00:20:28,799
♪ Bad
324
00:20:28,800 --> 00:20:30,919
♪ Gin
325
00:20:30,920 --> 00:20:32,959
♪ Bad
326
00:20:32,960 --> 00:20:34,639
♪ Gin. ♪
327
00:20:34,640 --> 00:20:38,839
Our clubs and bars spawned eclectic,
talented new artists,
328
00:20:38,840 --> 00:20:41,799
and the quality of many
was hard to miss.
329
00:20:41,800 --> 00:20:43,960
♪ Last night,
or the night before
330
00:20:45,800 --> 00:20:48,280
♪ 25 fathers at my door
331
00:20:50,320 --> 00:20:52,760
♪ And I got up and let them in
332
00:20:54,520 --> 00:20:57,200
♪ But I missed them all
with a rolling pin
333
00:20:58,600 --> 00:21:00,759
♪ Alright
334
00:21:00,760 --> 00:21:02,760
♪ Get down
335
00:21:04,640 --> 00:21:07,560
♪ Like I came down
from his throne
336
00:21:08,960 --> 00:21:12,359
♪ I can't let it get me down
337
00:21:12,360 --> 00:21:15,679
♪ Hey, hey, hey, hey, hey
338
00:21:15,680 --> 00:21:18,359
♪ Change my smile into a frown
339
00:21:18,360 --> 00:21:20,480
♪ Whoa
340
00:21:21,680 --> 00:21:23,999
♪ I can't let it take me down
341
00:21:24,000 --> 00:21:25,839
♪ Take you down
342
00:21:25,840 --> 00:21:28,479
♪ Change my smile into a frown
343
00:21:28,480 --> 00:21:30,359
♪ A frown
344
00:21:30,360 --> 00:21:32,879
♪ I can't let it take me down
345
00:21:32,880 --> 00:21:34,999
♪ Turn me upside down
346
00:21:35,000 --> 00:21:37,600
♪ Change my smile into a frown
347
00:21:41,720 --> 00:21:44,120
♪ Things that I want to say
are so sad
348
00:21:46,000 --> 00:21:48,480
♪ And being bad
like I know you ought to
349
00:21:50,640 --> 00:21:52,920
♪ Now it's time to love again
350
00:21:54,880 --> 00:21:57,719
♪ I'm playing the part
of a family man
351
00:21:57,720 --> 00:22:00,279
♪ Hey, hey, hey, hey
352
00:22:00,280 --> 00:22:03,120
♪ They took
everything I own back
353
00:22:04,520 --> 00:22:07,680
♪ Like I came down on this only
354
00:22:08,840 --> 00:22:12,519
♪ I can't let it get me down
355
00:22:12,520 --> 00:22:15,439
♪ Yeah, yeah, hey, hey, hey, hey
356
00:22:15,440 --> 00:22:18,559
♪ Change my smile into a frown
357
00:22:18,560 --> 00:22:20,440
♪ Whoa
358
00:22:21,840 --> 00:22:24,119
♪ I can't let it get me down
359
00:22:24,120 --> 00:22:26,199
♪ Let it get me down
360
00:22:26,200 --> 00:22:28,519
♪ Change that smile into a frown
361
00:22:28,520 --> 00:22:30,839
♪ Oh, oh
362
00:22:30,840 --> 00:22:33,039
♪ I can't let it get me down
363
00:22:33,040 --> 00:22:35,079
♪ Let it get me down
364
00:22:35,080 --> 00:22:37,639
♪ Change my smile into a frown
365
00:22:37,640 --> 00:22:39,680
♪ Whoo-ooo
366
00:22:44,120 --> 00:22:46,520
♪ Na-na-na, oh-oh
367
00:22:48,480 --> 00:22:51,000
♪ Na-na-na, oh-oh
368
00:22:52,880 --> 00:22:55,359
♪ Na-na-na
369
00:22:55,360 --> 00:22:57,520
♪ Oh, yeah
370
00:22:59,480 --> 00:23:02,960
♪ Oh, I-I-I-I-I-I
371
00:23:04,600 --> 00:23:06,760
♪ All is fair in love and war
372
00:23:08,640 --> 00:23:11,520
♪ What do you think
we're here for?
373
00:23:12,960 --> 00:23:17,439
♪ So come out the righteous one
374
00:23:17,440 --> 00:23:20,239
♪ And there's no problem
there at all
375
00:23:20,240 --> 00:23:23,319
♪ Hey, hey, hey
376
00:23:23,320 --> 00:23:25,240
♪ It'll happen again
377
00:23:26,600 --> 00:23:30,040
♪ But you bust your way in again
378
00:23:31,240 --> 00:23:33,839
♪ I can't let it get me down
379
00:23:33,840 --> 00:23:35,999
♪ I can't let it get me down
380
00:23:36,000 --> 00:23:37,839
♪ Change my smile into a frown
381
00:23:37,840 --> 00:23:40,480
♪ That smile can turn around
382
00:23:42,120 --> 00:23:44,279
♪ Can't let it get me down
383
00:23:44,280 --> 00:23:46,519
♪ Let me get it down
384
00:23:46,520 --> 00:23:48,759
♪ Change my smile into a frown
385
00:23:48,760 --> 00:23:50,999
♪ Oh!
386
00:23:51,000 --> 00:23:53,279
♪ I can't let it get me down
387
00:23:53,280 --> 00:23:55,279
♪ Cannot let it get me down
388
00:23:55,280 --> 00:23:57,559
♪ Change that smile into a frown
389
00:23:57,560 --> 00:23:59,679
♪ Oh, hah
390
00:23:59,680 --> 00:24:04,240
♪ Those robbers will never
ever get it again
391
00:24:06,400 --> 00:24:08,759
♪ Change my smile
392
00:24:08,760 --> 00:24:10,959
♪ I can't let it get me down
393
00:24:10,960 --> 00:24:13,000
♪ Stop it now,
just stop it now. ♪
394
00:24:28,600 --> 00:24:33,039
♪ Hello. ♪
395
00:24:33,040 --> 00:24:36,199
1987, what a wonderful year
so far. This is Paul.
396
00:24:36,200 --> 00:24:39,239
Hi, everybody. What do you think
of my new threads?
397
00:24:39,240 --> 00:24:41,199
♪ There she comes
398
00:24:41,200 --> 00:24:43,079
PAUL: Countdown bore witness
to the blooming
399
00:24:43,080 --> 00:24:45,039
of some of our finest songwriters.
400
00:24:45,040 --> 00:24:47,839
Mick Thomas and Dave Steel
from Weddings, Parties, Anything
401
00:24:47,840 --> 00:24:49,599
stepped up to the plate.
402
00:24:49,600 --> 00:24:51,640
♪ Shotgun wedding
403
00:24:53,080 --> 00:24:55,080
♪ Shotgun town
404
00:24:56,640 --> 00:24:58,640
♪ A shotgun wedding
405
00:25:00,360 --> 00:25:03,360
♪ A shotgun town. ♪
406
00:25:04,760 --> 00:25:09,200
♪ You've got a river of rainbows,
the sun in your eyes
407
00:25:10,960 --> 00:25:12,639
♪ Burning through
408
00:25:12,640 --> 00:25:15,439
Iva Davies just
kept getting better.
409
00:25:15,440 --> 00:25:18,799
♪ Could be I'm losing my head
410
00:25:18,800 --> 00:25:21,639
♪ Over you
411
00:25:21,640 --> 00:25:25,519
♪ Well, you've got
to be crazy, baby
412
00:25:25,520 --> 00:25:27,960
♪ To want a guy like me
413
00:25:30,160 --> 00:25:32,880
♪ Yeah, you've got to be
out of your mind
414
00:25:34,880 --> 00:25:36,719
♪ Crazy. ♪
415
00:25:36,720 --> 00:25:40,960
And, of course, there was our
national treasure, Paul Kelly.
416
00:25:48,000 --> 00:25:51,239
♪ High on the hill looking
over the bridge
417
00:25:51,240 --> 00:25:53,720
♪ To the MCG
418
00:25:55,280 --> 00:25:57,199
♪ A way up on high
419
00:25:57,200 --> 00:26:02,319
♪ The clock on the silo
says 11 degrees
420
00:26:02,320 --> 00:26:04,600
♪ I remember
421
00:26:06,080 --> 00:26:08,840
♪ I remember
422
00:26:10,760 --> 00:26:14,079
♪ I'm breathing today,
the month of May
423
00:26:14,080 --> 00:26:17,479
♪ All the burning leaves
424
00:26:17,480 --> 00:26:19,959
♪ I'm not hearing a sound
425
00:26:19,960 --> 00:26:22,039
♪ My feet don't even
426
00:26:22,040 --> 00:26:25,239
♪ Touch the ground
427
00:26:25,240 --> 00:26:27,280
♪ I remember
428
00:26:29,120 --> 00:26:31,320
♪ I remember
429
00:26:33,040 --> 00:26:35,280
♪ I go leaps and bounds
430
00:26:36,680 --> 00:26:38,960
♪ I go leaps and bounds
431
00:26:41,080 --> 00:26:44,319
♪ Down past the river
432
00:26:44,320 --> 00:26:47,839
♪ And across the playing fields
433
00:26:47,840 --> 00:26:49,719
♪ See the big fish
434
00:26:49,720 --> 00:26:52,199
♪ The fields all empty
435
00:26:52,200 --> 00:26:55,879
♪ Only for the burning leaves
436
00:26:55,880 --> 00:26:58,080
♪ I remember
437
00:26:59,680 --> 00:27:01,680
♪ I remember
438
00:27:03,560 --> 00:27:06,000
♪ I go leaps and bounds
439
00:27:07,320 --> 00:27:10,040
♪ I go leaps and bounds
440
00:27:27,120 --> 00:27:28,679
♪ I'm high on the hill
441
00:27:28,680 --> 00:27:30,479
♪ Looking over the bridge
442
00:27:30,480 --> 00:27:32,920
♪ To the MCG
443
00:27:34,920 --> 00:27:36,599
♪ I'm stumbling
444
00:27:36,600 --> 00:27:38,479
♪ My feet don't even
445
00:27:38,480 --> 00:27:41,799
♪ Touch the ground
446
00:27:41,800 --> 00:27:43,840
♪ I remember
447
00:27:45,800 --> 00:27:48,000
♪ I remember
448
00:27:49,600 --> 00:27:52,040
♪ I remember
449
00:27:53,320 --> 00:27:55,560
♪ I remember
450
00:27:56,960 --> 00:28:00,759
♪ I go leaps and bounds
451
00:28:00,760 --> 00:28:02,960
♪ I go leaps and bounds
452
00:28:04,680 --> 00:28:07,080
♪ I go leaps and bounds
453
00:28:08,400 --> 00:28:11,120
♪ I go leaps and bounds
454
00:28:16,240 --> 00:28:18,360
♪ I remember
455
00:28:20,040 --> 00:28:22,560
♪ I remember
456
00:28:23,960 --> 00:28:26,520
♪ I remember
457
00:28:32,760 --> 00:28:35,840
♪ The way the camera
follows us in slo-mo. ♪
458
00:28:49,440 --> 00:28:52,639
This is CDPTV.
459
00:28:52,640 --> 00:28:54,479
Hi. This is Frank Beard.
460
00:28:54,480 --> 00:28:55,879
This is Billy Gibbons.
461
00:28:55,880 --> 00:28:57,879
And that's Dusty Hill of ZZ Top.
462
00:28:57,880 --> 00:29:00,120
And we'll be seeing you in
a couple of weeks Down Under.
463
00:29:02,120 --> 00:29:04,159
PAUL: We're celebrating
the Australians,
464
00:29:04,160 --> 00:29:06,519
but it can't be forgotten
that Countdown staged
465
00:29:06,520 --> 00:29:09,719
some great international acts
over the years.
466
00:29:09,720 --> 00:29:12,199
♪ Down the charge of dusty roads
467
00:29:12,200 --> 00:29:15,239
The good old US of A gave us
rock'n'roll.
468
00:29:15,240 --> 00:29:17,359
♪ The fear inside daily grows
469
00:29:17,360 --> 00:29:19,560
♪ From my head down to my shoes
470
00:29:20,840 --> 00:29:22,920
♪ I got the shotgun blues. ♪
471
00:29:24,560 --> 00:29:28,679
♪ You got me tied down
with battleship chains
472
00:29:28,680 --> 00:29:32,159
♪ 50 foot long
and a two ton anchor
473
00:29:32,160 --> 00:29:35,759
♪ Tied down
with battleship chains
474
00:29:35,760 --> 00:29:38,480
♪ 50-foot-long
and a two-ton anchor. ♪
475
00:29:39,480 --> 00:29:42,199
♪ Because if I can't give you
a good reason
476
00:29:42,200 --> 00:29:45,599
And the Brits sent us
their finest pop stars,
477
00:29:45,600 --> 00:29:47,639
from household names
like Paul Young...
478
00:29:47,640 --> 00:29:49,559
♪ But I'd cry
if I stood for treason
479
00:29:49,560 --> 00:29:52,839
♪ So why does this man have
to be strong?
480
00:29:52,840 --> 00:29:54,279
♪ But I think that there's
481
00:29:54,280 --> 00:29:56,799
♪ A fame we share
482
00:29:56,800 --> 00:30:02,319
♪ It's so real, why does
a man have to be strong? ♪
483
00:30:02,320 --> 00:30:05,560
To an exciting new talent with
quite literally a breakout hit.
484
00:30:21,600 --> 00:30:23,920
♪ Breakout
485
00:30:31,000 --> 00:30:33,720
♪ When explanations
make no sense
486
00:30:34,880 --> 00:30:37,640
♪ When every answer's wrong
487
00:30:39,160 --> 00:30:42,160
♪ You're fighting
with lost confidence
488
00:30:43,240 --> 00:30:46,280
♪ All expectations gone
489
00:30:47,480 --> 00:30:49,839
♪ The time has come
490
00:30:49,840 --> 00:30:51,719
♪ To make or break
491
00:30:51,720 --> 00:30:55,839
♪ Move on, don't hesitate
492
00:30:55,840 --> 00:30:57,799
♪ Breakout
493
00:30:57,800 --> 00:31:01,999
♪ Don't stop to ask
494
00:31:02,000 --> 00:31:05,959
♪ Now you've found a break
to make it last
495
00:31:05,960 --> 00:31:08,199
♪ You've got to find a way
496
00:31:08,200 --> 00:31:11,520
♪ Say what you want to say, breakout
497
00:31:19,360 --> 00:31:22,680
♪ When situations never change
498
00:31:23,720 --> 00:31:26,960
♪ Tomorrow looks unsure
499
00:31:28,400 --> 00:31:32,119
♪ Don't leave
your destiny to chance
500
00:31:32,120 --> 00:31:34,640
♪ What are you waiting for?
501
00:31:36,240 --> 00:31:40,399
♪ The time has come
to make or break
502
00:31:40,400 --> 00:31:42,439
♪ Breakout
503
00:31:42,440 --> 00:31:45,400
♪ Don't stop to ask
504
00:31:46,920 --> 00:31:50,759
♪ Now you've found a break
to make it last
505
00:31:50,760 --> 00:31:52,879
♪ You've got to find a way
506
00:31:52,880 --> 00:31:55,359
♪ Say what you want to say
507
00:31:55,360 --> 00:31:57,440
♪ Breakout
508
00:31:59,560 --> 00:32:01,760
♪ Don't stop to ask
509
00:32:03,520 --> 00:32:06,360
♪ Now you've found
a break to make it last
510
00:32:07,600 --> 00:32:09,879
♪ You've got to find a way
511
00:32:09,880 --> 00:32:12,079
♪ Say what you want to say
512
00:32:12,080 --> 00:32:14,120
♪ Breakout
513
00:32:18,120 --> 00:32:20,759
♪ Some people
514
00:32:20,760 --> 00:32:22,840
♪ Stop at nothing
515
00:32:25,280 --> 00:32:27,079
♪ If you're
516
00:32:27,080 --> 00:32:28,959
♪ Searching
517
00:32:28,960 --> 00:32:31,000
♪ For something
518
00:32:33,760 --> 00:32:35,839
♪ Lay down the law,
shout out for more
519
00:32:35,840 --> 00:32:38,079
♪ Breakout and shout
day in and day out
520
00:32:38,080 --> 00:32:40,200
♪ Breakout
521
00:32:46,520 --> 00:32:48,359
♪ Breakout
522
00:32:48,360 --> 00:32:52,279
♪ Don't stop to ask
523
00:32:52,280 --> 00:32:56,319
♪ Now you've found
a break to make it last
524
00:32:56,320 --> 00:32:58,639
♪ You've got to find a way
525
00:32:58,640 --> 00:33:01,560
♪ Say what you want to say, breakout
526
00:33:05,560 --> 00:33:09,439
♪ Don't stop to ask
527
00:33:09,440 --> 00:33:13,239
♪ Now you've found
a break to make it last
528
00:33:13,240 --> 00:33:17,559
♪ You've got to find a way,
say what you want to say
529
00:33:17,560 --> 00:33:20,320
♪ Breakout
530
00:33:22,280 --> 00:33:26,399
♪ Don't stop to ask
531
00:33:26,400 --> 00:33:30,759
♪ Now you've found
a break to make it last
532
00:33:30,760 --> 00:33:33,839
♪ You've got to find a way
533
00:33:33,840 --> 00:33:36,279
♪ To say breakout. ♪
534
00:33:36,280 --> 00:33:37,800
(CHEERS)
535
00:33:43,120 --> 00:33:44,959
Hello, this is Johnny Marr
from The Smiths.
536
00:33:44,960 --> 00:33:46,399
You're watching Countdown.
537
00:33:46,400 --> 00:33:49,439
PAUL: Countdown never hid
from the issues of the day.
538
00:33:49,440 --> 00:33:52,479
And in 1987,
the AIDS virus was an issue
539
00:33:52,480 --> 00:33:54,919
many artists spoke out about.
540
00:33:54,920 --> 00:33:57,159
If you are weak, physically,
541
00:33:57,160 --> 00:33:59,999
you've got more chance
of catching it, you know?
542
00:34:00,000 --> 00:34:02,279
And there are, you know,
a lot of people who take drugs
543
00:34:02,280 --> 00:34:04,039
that have caught it
from using, you know,
544
00:34:04,040 --> 00:34:05,679
needles and things like that.
545
00:34:05,680 --> 00:34:09,319
So, you know, the whole sort
of decadence thing is a risk.
546
00:34:09,320 --> 00:34:11,079
And you just have to be careful.
547
00:34:11,080 --> 00:34:12,399
(CHEERS)
548
00:34:12,400 --> 00:34:15,119
One Aussie band, Redgum,
wrote what could be described
549
00:34:15,120 --> 00:34:17,599
as a community service announcement
in song,
550
00:34:17,600 --> 00:34:19,119
promoting safe sex.
551
00:34:19,120 --> 00:34:22,800
♪ Remember that prevention
is better than a cure
552
00:34:34,440 --> 00:34:37,839
♪ You want to get around,
want to stay up late
553
00:34:37,840 --> 00:34:41,519
♪ You want to make love,
you just can't wait
554
00:34:41,520 --> 00:34:44,879
♪ You want to get it on
like the birds and the bees
555
00:34:44,880 --> 00:34:48,400
♪ Here's a little secret
stop you catching a disease
556
00:34:50,000 --> 00:34:53,239
♪ It's a shower and a raincoat
my bald-headed friend
557
00:34:53,240 --> 00:34:56,919
♪ It's putting on the breaks before
you hit the bend
558
00:34:56,920 --> 00:34:59,759
♪ It's taking time to think
when your blood's running hot
559
00:34:59,760 --> 00:35:01,799
♪ Because if you're looking down
a barrel
560
00:35:01,800 --> 00:35:03,919
♪ You're going to get shot
561
00:35:03,920 --> 00:35:05,519
♪ Shoot, shoot
562
00:35:05,520 --> 00:35:08,999
♪ Oh, roll it on, Robby
563
00:35:09,000 --> 00:35:12,519
♪ Oh, slip it on, Sam
564
00:35:12,520 --> 00:35:15,599
♪ You want to play it safe,
play it all for sure
565
00:35:15,600 --> 00:35:19,680
♪ Remember that prevention
is better than a cure
566
00:35:24,640 --> 00:35:27,799
♪ The coloured lights flashing
on a disco floor
567
00:35:27,800 --> 00:35:31,359
♪ Girl of my dreams
waltzes through the door
568
00:35:31,360 --> 00:35:34,599
♪ I walked up to her,
asked her for a dance
569
00:35:34,600 --> 00:35:38,319
♪ The way she moved her body,
I knew I had a chance
570
00:35:38,320 --> 00:35:40,079
♪ She's alright
571
00:35:40,080 --> 00:35:43,279
♪ I had to play it safe
so I went to the machine
572
00:35:43,280 --> 00:35:46,479
♪ But I drank all my money
and my pockets are clean
573
00:35:46,480 --> 00:35:49,679
♪ I explained the situation,
asked her for a loan,
574
00:35:49,680 --> 00:35:53,799
♪ She said, "Don't worry, baby,
I always bring my own."
575
00:35:53,800 --> 00:35:55,519
♪ Girls just want to have fun
576
00:35:55,520 --> 00:35:58,959
♪ Oh, roll it on, Robby
577
00:35:58,960 --> 00:36:02,119
♪ Oh, slip it on, Sam
578
00:36:02,120 --> 00:36:05,559
♪ You want to play it safe,
play it up for sure
579
00:36:05,560 --> 00:36:10,000
♪ Remember that prevention
is better than a cure
580
00:36:38,040 --> 00:36:41,999
♪ Me and Suzy at the party,
fooling around
581
00:36:42,000 --> 00:36:45,279
♪ Getting kind of heavy,
then the lights went down
582
00:36:45,280 --> 00:36:46,879
♪ Said, "Suzy can you feel it?"
583
00:36:46,880 --> 00:36:48,399
♪ She said, "I feel it too."
584
00:36:48,400 --> 00:36:50,359
♪ "But if you haven't
got protection
585
00:36:50,360 --> 00:36:52,239
♪ "You know what you can do."
586
00:36:52,240 --> 00:36:54,039
♪ Back off
587
00:36:54,040 --> 00:36:57,359
♪ Oh, roll it on, Robby
588
00:36:57,360 --> 00:37:00,799
♪ Oh, slip it on, Sam
589
00:37:00,800 --> 00:37:03,919
♪ You want to play it safe,
you want to be secure
590
00:37:03,920 --> 00:37:07,960
♪ Remember that prevention
is better than a cure
591
00:37:11,360 --> 00:37:14,479
♪ Oh, roll it on, Robby
592
00:37:14,480 --> 00:37:17,839
♪ Oh, slip it on, Sam
593
00:37:17,840 --> 00:37:21,599
♪ You want to play it safe,
you want to be sure
594
00:37:21,600 --> 00:37:23,799
♪ Remember that, your bit
595
00:37:23,800 --> 00:37:25,960
AUDIENCE:
Is better than a cure!
596
00:37:28,440 --> 00:37:30,120
♪ One size fits all. ♪
597
00:37:46,160 --> 00:37:47,639
I read a review in RAM -
598
00:37:47,640 --> 00:37:50,439
they try sometimes to be the Rambo
of rock'n'roll, I think -
599
00:37:50,440 --> 00:37:54,079
of a Wa Wa Nee album,
and I just feel that...
600
00:37:54,080 --> 00:37:57,039
It's a self-titled album,
and it's a shocking review.
601
00:37:57,040 --> 00:37:58,479
It's very, very negative.
602
00:37:58,480 --> 00:38:00,679
I don't see the point
that they cannot see
603
00:38:00,680 --> 00:38:02,799
that every album in Australia
doesn't have to be like
604
00:38:02,800 --> 00:38:05,079
a Jimmy Barnes, or Hoodoo Guru,
or Midnight Oil.
605
00:38:05,080 --> 00:38:06,679
It's a very negative thing.
606
00:38:06,680 --> 00:38:08,879
Like Countdown, I guess you can
turn Countdown off sometimes.
607
00:38:08,880 --> 00:38:11,559
And with this particular issue,
and particularly this review,
608
00:38:11,560 --> 00:38:14,039
you can always turn this
into something like,
609
00:38:14,040 --> 00:38:15,679
well, expensive toilet paper.
610
00:38:15,680 --> 00:38:18,039
OK. For all you people who tuned
into Countdown last week,
611
00:38:18,040 --> 00:38:20,759
and were a little perturbed,
especially the anti-litter people,
612
00:38:20,760 --> 00:38:24,079
about me actually ripping up a RAM
and spreading it all over the place,
613
00:38:24,080 --> 00:38:27,199
believe me, after the shoot,
I picked up every piece of RAM.
614
00:38:27,200 --> 00:38:29,599
And I also picked up a couple
of lolly papers as well.
615
00:38:29,600 --> 00:38:30,839
So do not worry about it.
616
00:38:30,840 --> 00:38:32,199
Well, let's have a look
617
00:38:32,200 --> 00:38:33,839
at a couple
of our favourite superstars
618
00:38:33,840 --> 00:38:36,239
who appear to be having problems
over the last week or so.
619
00:38:36,240 --> 00:38:37,759
The first is Boy George.
620
00:38:37,760 --> 00:38:39,239
Apparently, here in Australia,
621
00:38:39,240 --> 00:38:42,639
it would appear that radio
are completely ignoring this song,
622
00:38:42,640 --> 00:38:44,399
Everything I Earn,
the old Bread song.
623
00:38:44,400 --> 00:38:45,839
Well, I'll tell you what.
624
00:38:45,840 --> 00:38:48,839
The Culture Club fans
and Boy George fans are angry.
625
00:38:48,840 --> 00:38:51,439
And they're about to put
their anger into action.
626
00:38:51,440 --> 00:38:53,799
I believe around the country
over the next week or so,
627
00:38:53,800 --> 00:38:55,799
they're going to take on
the radio stations.
628
00:38:55,800 --> 00:38:58,519
Well, for starters,
we're protesting against the fact
629
00:38:58,520 --> 00:39:01,519
that they're not playing
George's single on the radio,
630
00:39:01,520 --> 00:39:03,359
which is very hypocritical
for starters.
631
00:39:03,360 --> 00:39:06,559
EON FM is playing it,
8:00 each night,
632
00:39:06,560 --> 00:39:09,639
because it's top eight,
number one in the top eight.
633
00:39:09,640 --> 00:39:13,039
Now if they're prepared
to play it at 8:00, right,
634
00:39:13,040 --> 00:39:15,079
why not play it
during the day as well?
635
00:39:15,080 --> 00:39:17,999
Sgt Pepper's not only musically
changed the face of the world,
636
00:39:18,000 --> 00:39:20,639
but it also socially changed
the face of the world.
637
00:39:20,640 --> 00:39:22,239
Well, of course,
it's the '80s today.
638
00:39:22,240 --> 00:39:25,119
It's out, as I say, tomorrow.
There's a special copy here.
639
00:39:25,120 --> 00:39:28,399
You get the cut-outs. You can make
yourself into a Sgt Pepper.
640
00:39:28,400 --> 00:39:30,319
And you also get
a very limited version.
641
00:39:30,320 --> 00:39:32,239
And I say limited,
of a red vinyl.
642
00:39:32,240 --> 00:39:35,039
So all those Beatle freaks,
I'm sure they'll be out tomorrow.
643
00:39:35,040 --> 00:39:36,519
Alright. Now, listen, Kylie.
644
00:39:36,520 --> 00:39:38,959
Congratulations on the single.
This is the 12-inch.
645
00:39:38,960 --> 00:39:41,159
And it's a graded 12-inch,
I might add.
646
00:39:41,160 --> 00:39:44,759
Were you very nervous about going
into the recording arena?
647
00:39:44,760 --> 00:39:46,399
I did it months and months ago.
648
00:39:46,400 --> 00:39:48,479
But it's different,
but I had a good time.
649
00:39:48,480 --> 00:39:50,879
Yeah? Did you have any help
from your sister, who is...
650
00:39:50,880 --> 00:39:52,720
I had a bit of help.
Yeah?
651
00:39:55,880 --> 00:39:58,319
♪ Come on, take in the sunshine
652
00:39:58,320 --> 00:39:59,999
♪ I want to be free
653
00:40:00,000 --> 00:40:01,679
PAUL: Countdown was always
for the people,
654
00:40:01,680 --> 00:40:04,799
and the entire country
felt part of the show.
655
00:40:04,800 --> 00:40:07,479
♪ We want a kick
that we're used to. ♪
656
00:40:07,480 --> 00:40:10,079
♪ Eyes on the target
657
00:40:10,080 --> 00:40:12,839
Countdown '87 regulars,
The Cockroaches,
658
00:40:12,840 --> 00:40:15,879
had an energy
that was infectious.
659
00:40:15,880 --> 00:40:18,759
♪ Just hear the crowd sigh
660
00:40:18,760 --> 00:40:21,719
Four years later, two of them would
have even greater success
661
00:40:21,720 --> 00:40:25,359
in one of Australia's biggest
ever exports, The Wiggles.
662
00:40:25,360 --> 00:40:27,919
♪ Hey, let's go,
let's go, let's go
663
00:40:27,920 --> 00:40:30,719
♪ Hey, let's go, let's go,
let's go
664
00:40:30,720 --> 00:40:32,839
♪ Hey, let's go, let's go
665
00:40:32,840 --> 00:40:35,119
♪ Because she's the one,
she's the one, she's the one
666
00:40:35,120 --> 00:40:37,239
♪ She's the one,
she's the one, she's the one
667
00:40:37,240 --> 00:40:38,959
♪ She's the... ♪
668
00:40:38,960 --> 00:40:40,759
♪ Don't you get the feeling
669
00:40:40,760 --> 00:40:44,399
♪ That you've done this kind
of thing before?
670
00:40:44,400 --> 00:40:45,999
Then you had the Mentals,
671
00:40:46,000 --> 00:40:49,199
who kept on delivering
one catchy tune after the next.
672
00:40:49,200 --> 00:40:51,680
♪ And now you're
going back for more
673
00:40:54,880 --> 00:40:57,239
♪ Come with me
674
00:40:57,240 --> 00:40:59,600
♪ Get out of the mess you're in
675
00:41:02,760 --> 00:41:04,639
♪ You take your life
in your hand
676
00:41:04,640 --> 00:41:07,960
♪ Every time you fool
around with him
677
00:41:09,960 --> 00:41:12,600
♪ He's just no good for you
678
00:41:14,160 --> 00:41:16,680
♪ Why are you going back?
679
00:41:19,680 --> 00:41:21,599
♪ You deserve
680
00:41:21,600 --> 00:41:24,200
♪ A whole lot better than that
681
00:41:27,800 --> 00:41:29,679
♪ Your memory must be short
682
00:41:29,680 --> 00:41:32,440
♪ Or you find it
very easy to forgive
683
00:41:35,640 --> 00:41:37,519
♪ You must be a little bit crazy
684
00:41:37,520 --> 00:41:40,440
♪ If you think that's how
you ought to live
685
00:41:42,960 --> 00:41:46,719
♪ He's just no good for you
686
00:41:46,720 --> 00:41:49,120
♪ Why are you going back?
687
00:41:51,720 --> 00:41:54,039
♪ You deserve
688
00:41:54,040 --> 00:41:56,640
♪ A whole lot better than that
689
00:42:01,000 --> 00:42:04,199
♪ Stop and think
690
00:42:04,200 --> 00:42:06,480
♪ While you've got the chance
691
00:42:09,120 --> 00:42:11,199
♪ Stop and think
692
00:42:11,200 --> 00:42:13,799
♪ Or you'll be over your head
693
00:42:13,800 --> 00:42:16,320
♪ In a doomed romance
694
00:42:31,160 --> 00:42:33,880
♪ He's just no good for you
695
00:42:35,160 --> 00:42:38,080
♪ Why are you going back?
696
00:42:40,360 --> 00:42:42,319
♪ You deserve
697
00:42:42,320 --> 00:42:44,960
♪ A whole lot better than that
698
00:42:48,720 --> 00:42:50,639
♪ Don't you get the feeling that
699
00:42:50,640 --> 00:42:53,440
♪ You've done
this kind of thing before?
700
00:42:55,520 --> 00:42:58,719
♪ You've been kicked
in the teeth
701
00:42:58,720 --> 00:43:03,639
♪ And now you're going back
for more, and more, and more
702
00:43:03,640 --> 00:43:07,559
♪ He's just no good for you
703
00:43:07,560 --> 00:43:10,920
♪ Why are you going back?
704
00:43:13,000 --> 00:43:14,839
♪ You deserve
705
00:43:14,840 --> 00:43:17,720
♪ A whole lot better than that
706
00:43:19,360 --> 00:43:23,039
♪ Oh, he's just no good for you
707
00:43:23,040 --> 00:43:25,159
♪ He's just no good
708
00:43:25,160 --> 00:43:27,199
♪ Why are you going back?
709
00:43:27,200 --> 00:43:28,879
♪ He's just no good
710
00:43:28,880 --> 00:43:33,720
♪ You deserve
a whole lot better than that
711
00:43:36,240 --> 00:43:39,119
♪ Oh, he's just no good for you
712
00:43:39,120 --> 00:43:40,919
♪ He's just no good
713
00:43:40,920 --> 00:43:43,479
♪ Why are you going back?
714
00:43:43,480 --> 00:43:45,199
♪ He's just no good
715
00:43:45,200 --> 00:43:47,479
♪ You deserve
716
00:43:47,480 --> 00:43:50,280
♪ A whole lot better
than that. ♪
717
00:44:09,440 --> 00:44:11,439
MOLLY: What do you think
of Red Symon's new song?
718
00:44:11,440 --> 00:44:13,039
It's very sobering.
719
00:44:13,040 --> 00:44:14,559
I thought it was very arresting.
720
00:44:14,560 --> 00:44:16,679
PAUL: Red Symons,
who performed with Skyhooks
721
00:44:16,680 --> 00:44:20,119
in the first song on the
first colour show in 1975,
722
00:44:20,120 --> 00:44:23,320
was still getting on camera
in 1987.
723
00:44:24,320 --> 00:44:26,599
It's an absolute disgrace,
an absolute disgrace!
724
00:44:26,600 --> 00:44:28,719
This shouldn't be on.
What was it?
725
00:44:28,720 --> 00:44:30,279
It was you, Red.
726
00:44:30,280 --> 00:44:32,999
Many other Aussie favourite musicians
from the early days
727
00:44:33,000 --> 00:44:35,479
had continued
to perform on the show.
728
00:44:35,480 --> 00:44:37,279
It was brilliant that
the final year
729
00:44:37,280 --> 00:44:39,239
saw performances by Ross Wilson...
730
00:44:39,240 --> 00:44:41,159
♪ Boom, baby, boom
731
00:44:41,160 --> 00:44:43,440
♪ Ah, boom, baby, boom
732
00:44:46,520 --> 00:44:48,559
♪ Boom, baby, boom
733
00:44:48,560 --> 00:44:50,720
♪ Ah, boom, baby, boom. ♪
734
00:44:53,520 --> 00:44:57,319
♪ Down, down, down in my heart
735
00:44:57,320 --> 00:45:00,079
James Ford and the Models...
736
00:45:00,080 --> 00:45:03,399
♪ And when the morning comes
737
00:45:03,400 --> 00:45:05,520
♪ I'll be around
738
00:45:07,400 --> 00:45:10,919
♪ But if you say the word
739
00:45:10,920 --> 00:45:13,360
♪ I would always stay
740
00:45:16,480 --> 00:45:20,880
♪ And you hold on
to what you got. ♪
741
00:45:23,320 --> 00:45:26,639
And Joe Camilleri, whose
new band, The Black Sorrows,
742
00:45:26,640 --> 00:45:29,240
was about to enjoy
a wave of success.
743
00:45:41,560 --> 00:45:44,239
♪ Backwater bride
744
00:45:44,240 --> 00:45:46,399
♪ White leather hide
745
00:45:46,400 --> 00:45:48,960
♪ Head soaked in mud and gin
746
00:45:51,640 --> 00:45:54,359
♪ Cold rusted moon
747
00:45:54,360 --> 00:45:56,879
♪ Hellfire lagoon
748
00:45:56,880 --> 00:45:59,480
♪ Set for a masterpiece of sin
749
00:46:01,800 --> 00:46:04,719
♪ Daughters of glory
750
00:46:04,720 --> 00:46:06,919
♪ Outlaw lands
751
00:46:06,920 --> 00:46:12,119
♪ Sweet surrender
with a rifle in your hands
752
00:46:12,120 --> 00:46:14,679
♪ Sons of sorrow
753
00:46:14,680 --> 00:46:17,039
♪ Weep and wail
754
00:46:17,040 --> 00:46:21,440
♪ Six ways from Sunday
with the devil on your trail
755
00:46:25,480 --> 00:46:28,159
♪ Freight whistle blows
756
00:46:28,160 --> 00:46:30,799
♪ Red diamond rose
757
00:46:30,800 --> 00:46:33,000
♪ Sapphire and altar stone
758
00:46:35,480 --> 00:46:38,199
♪ Snake poison eyes
759
00:46:38,200 --> 00:46:40,799
♪ Low vermin lies
760
00:46:40,800 --> 00:46:42,920
♪ All down on flesh and bone
761
00:46:45,680 --> 00:46:48,479
♪ Daughters of glory
762
00:46:48,480 --> 00:46:50,919
♪ Outlaw lands
763
00:46:50,920 --> 00:46:55,879
♪ Sweet surrender
with a rifle in your hands
764
00:46:55,880 --> 00:46:58,439
♪ Sons of sorrow
765
00:46:58,440 --> 00:47:00,799
♪ Weep and wail
766
00:47:00,800 --> 00:47:04,640
♪ Six ways from Sunday
with the devil on your trail
767
00:47:16,000 --> 00:47:18,320
♪ Really want to rock, boy
768
00:47:43,520 --> 00:47:46,159
♪ Backwater bride
769
00:47:46,160 --> 00:47:47,959
♪ White leather hide
770
00:47:47,960 --> 00:47:50,760
♪ Head soaked in mud and gin
771
00:47:53,280 --> 00:47:55,919
♪ Snake poison eyes
772
00:47:55,920 --> 00:47:58,439
♪ Low vermin lies
773
00:47:58,440 --> 00:48:00,960
♪ Set for a masterpiece of sin
774
00:48:03,480 --> 00:48:06,279
♪ Daughters of glory
775
00:48:06,280 --> 00:48:08,719
♪ Outlaw lands
776
00:48:08,720 --> 00:48:13,639
♪ Sweet surrender
with a rifle in your hands
777
00:48:13,640 --> 00:48:16,239
♪ Sons of sorrow
778
00:48:16,240 --> 00:48:18,599
♪ Weep and wail
779
00:48:18,600 --> 00:48:22,560
♪ Six ways from Sunday
with the devil on your trail
780
00:48:23,800 --> 00:48:26,039
♪ Daughters of glory
781
00:48:26,040 --> 00:48:28,799
♪ Outlaw lands
782
00:48:28,800 --> 00:48:33,439
♪ Sweet surrender
with a rifle in your hands
783
00:48:33,440 --> 00:48:36,039
♪ Sons of sorrow
784
00:48:36,040 --> 00:48:38,319
♪ Weep and wail
785
00:48:38,320 --> 00:48:41,360
♪ Six ways from Sunday
with the devil
786
00:48:42,840 --> 00:48:45,040
♪ On your trail
787
00:48:47,760 --> 00:48:49,840
♪ On your trail
788
00:48:52,800 --> 00:48:55,479
♪ Ready to rock, boys
789
00:48:55,480 --> 00:48:57,759
♪ Let them rock, boys
790
00:48:57,760 --> 00:49:00,040
♪ Let them rock, boys
791
00:49:05,880 --> 00:49:08,320
♪ Get it right, boys
792
00:49:10,360 --> 00:49:12,760
♪ Ooh. ♪
793
00:49:27,880 --> 00:49:29,479
Countdown!
794
00:49:29,480 --> 00:49:31,399
♪ Take, take, take, take
795
00:49:31,400 --> 00:49:33,519
♪ Ta-ta-ta-ta-take
796
00:49:33,520 --> 00:49:36,079
♪ Taking chances, bold advances
797
00:49:36,080 --> 00:49:37,919
PAUL: Whenever we were short
of a video clip
798
00:49:37,920 --> 00:49:39,439
or live performance,
799
00:49:39,440 --> 00:49:41,879
Countdown let its dancers fill in.
800
00:49:41,880 --> 00:49:45,479
They were unleashed when Mel and Kim
made it to number one.
801
00:49:45,480 --> 00:49:48,919
♪ Get out of here,
we just don't have the time
802
00:49:48,920 --> 00:49:50,839
♪ Take, take, take, take
803
00:49:50,840 --> 00:49:52,799
♪ Ta-ta-ta-ta-ta-ta-take. ♪
804
00:49:52,800 --> 00:49:55,919
♪ Boom, boom, boom,
let's go back to my room
805
00:49:55,920 --> 00:49:59,359
♪ So we can do it all night,
and you can make me feel right
806
00:49:59,360 --> 00:50:01,399
But before they had
a chance to sit down,
807
00:50:01,400 --> 00:50:05,199
Paul Lekakis also reached
number one with Boom Boom.
808
00:50:05,200 --> 00:50:07,240
♪ And you can
make me feel right. ♪
809
00:50:13,760 --> 00:50:17,239
(ALL SINGING)
810
00:50:17,240 --> 00:50:20,079
Dave Dobbyn,
from the Footrot Flats movie,
811
00:50:20,080 --> 00:50:22,119
was a big local favourite.
812
00:50:22,120 --> 00:50:25,879
♪ Howdy, angel
813
00:50:25,880 --> 00:50:29,040
♪ Where did you hide your wings?
814
00:50:31,560 --> 00:50:35,199
♪ Her love shines over my horizon
815
00:50:35,200 --> 00:50:37,239
♪ She's a slice of heaven
816
00:50:37,240 --> 00:50:38,879
♪ Slice of heaven. ♪
817
00:50:38,880 --> 00:50:42,839
And a cover of the old song
He's Going to Step on You Again
818
00:50:42,840 --> 00:50:44,359
made it all the way to the top.
819
00:50:44,360 --> 00:50:47,959
♪ You can change your desire. ♪
820
00:50:47,960 --> 00:50:51,879
No, not that one, although it did
make the top 40.
821
00:50:51,880 --> 00:50:54,239
♪ Going to stamp out your fire
822
00:50:54,240 --> 00:50:56,639
♪ He can change your desire
823
00:50:56,640 --> 00:50:58,679
Yes, The Party Boys.
824
00:50:58,680 --> 00:51:00,399
♪ Make you forget you're a man
825
00:51:00,400 --> 00:51:01,759
♪ You're a man
826
00:51:01,760 --> 00:51:04,800
♪ You're the man. ♪
827
00:51:07,080 --> 00:51:11,159
So, 1987.
This was the final Countdown.
828
00:51:11,160 --> 00:51:12,559
And as Molly would often do
829
00:51:12,560 --> 00:51:15,519
when a song had been at number one
for a long stint,
830
00:51:15,520 --> 00:51:17,039
we're going to go out
with a song
831
00:51:17,040 --> 00:51:19,359
that didn't technically
top the charts,
832
00:51:19,360 --> 00:51:22,640
but it is a number one song
in the hearts of many music fans.
833
00:51:31,080 --> 00:51:34,439
♪ There is freedom within
834
00:51:34,440 --> 00:51:36,839
♪ There is freedom without
835
00:51:36,840 --> 00:51:39,760
♪ Try to catch the deluge
in a paper cup
836
00:51:43,440 --> 00:51:46,239
♪ There's a battle ahead
837
00:51:46,240 --> 00:51:48,359
♪ Many battles are lost
838
00:51:48,360 --> 00:51:50,559
♪ But you'll never see
the end of the road
839
00:51:50,560 --> 00:51:52,920
♪ While you're traveling with me
840
00:51:54,640 --> 00:51:56,719
♪ Hey now, hey now
841
00:51:56,720 --> 00:51:59,759
♪ Don't dream it's over
842
00:51:59,760 --> 00:52:02,759
♪ Hey now, hey now
843
00:52:02,760 --> 00:52:05,959
♪ When the world comes in
844
00:52:05,960 --> 00:52:09,079
♪ They come, they come
845
00:52:09,080 --> 00:52:12,439
♪ To build a wall between us
846
00:52:12,440 --> 00:52:14,800
♪ We know they won't win
847
00:52:18,880 --> 00:52:21,879
♪ Now I'm towing my car
848
00:52:21,880 --> 00:52:24,079
♪ There's a hole in the roof
849
00:52:24,080 --> 00:52:27,920
♪ My possessions are causing me
suspicion, but there's no proof
850
00:52:30,640 --> 00:52:33,679
♪ In the paper today
851
00:52:33,680 --> 00:52:35,919
♪ Tales of war and of waste
852
00:52:35,920 --> 00:52:39,880
♪ But you turn right over
to the TV page
853
00:52:41,640 --> 00:52:44,279
♪ Hey now, hey now
854
00:52:44,280 --> 00:52:46,959
♪ Don't dream it's over
855
00:52:46,960 --> 00:52:50,039
♪ Hey now, hey now
856
00:52:50,040 --> 00:52:53,039
♪ When the world comes in
857
00:52:53,040 --> 00:52:56,359
♪ They come, they come
858
00:52:56,360 --> 00:52:59,439
♪ To build a wall between us
859
00:52:59,440 --> 00:53:02,280
♪ We know they won't win
860
00:53:43,000 --> 00:53:45,719
♪ Now I'm walking again
861
00:53:45,720 --> 00:53:48,199
♪ To the beat of a drum
862
00:53:48,200 --> 00:53:51,720
♪ And I'm counting the steps
to the door of your heart
863
00:53:54,520 --> 00:53:57,559
♪ Only shadows ahead
864
00:53:57,560 --> 00:53:59,679
♪ Barely clearing the roof
865
00:53:59,680 --> 00:54:03,600
♪ Get to know the feeling
of liberation and release
866
00:54:04,880 --> 00:54:07,919
♪ Hey now, hey now
867
00:54:07,920 --> 00:54:11,119
♪ Don't dream it's over
868
00:54:11,120 --> 00:54:13,919
♪ Hey now, hey now
869
00:54:13,920 --> 00:54:16,679
♪ When the world comes in
870
00:54:16,680 --> 00:54:19,799
♪ They come, they come
871
00:54:19,800 --> 00:54:23,239
♪ To build a wall between us
872
00:54:23,240 --> 00:54:26,480
♪ We know they won't win, yeah
873
00:54:32,040 --> 00:54:35,440
♪ Don't let them win, no
874
00:54:39,240 --> 00:54:42,079
♪ Hey now, hey now
875
00:54:42,080 --> 00:54:45,079
♪ Hey, no, no
876
00:54:45,080 --> 00:54:48,559
♪ Hey now, hey now
877
00:54:48,560 --> 00:54:51,399
♪ Don't ever let them win
878
00:54:51,400 --> 00:54:54,439
♪ No, no
879
00:54:54,440 --> 00:54:56,720
♪ Don't let them win
880
00:55:01,240 --> 00:55:03,119
♪ Don't let them win
881
00:55:03,120 --> 00:55:04,799
♪ Hey now, hey now. ♪
882
00:55:04,800 --> 00:55:06,279
(CHEERS)
883
00:55:06,280 --> 00:55:09,239
I have three complaints
to make in my life.
884
00:55:09,240 --> 00:55:11,159
And this is a statement.
885
00:55:11,160 --> 00:55:14,039
The first was a favourite
rock'n'roll group of mine
886
00:55:14,040 --> 00:55:16,639
and for the right
and wrong reasons,
887
00:55:16,640 --> 00:55:18,319
never appeared on our show.
888
00:55:18,320 --> 00:55:19,879
It was Midnight Oil.
889
00:55:19,880 --> 00:55:23,319
And I think they're terrific.
(CHEERING)
890
00:55:23,320 --> 00:55:25,359
Thank you.
891
00:55:25,360 --> 00:55:30,319
And the second was that the press
and the public
892
00:55:30,320 --> 00:55:33,879
kept saying about,
"Will you take your hat off?"
893
00:55:33,880 --> 00:55:36,279
(CHEERING)
894
00:55:36,280 --> 00:55:41,039
The third was my mate here
wants the hat, right?
895
00:55:41,040 --> 00:55:43,560
MAN: Yeah!
So thanks to...
896
00:55:46,480 --> 00:55:48,879
this shaver...
897
00:55:48,880 --> 00:55:51,919
and thanks to my hairdresser,
898
00:55:51,920 --> 00:55:55,199
and I never ever thought I'd give
a credit to a hairdresser,
899
00:55:55,200 --> 00:55:56,760
for taking this off.
900
00:55:58,320 --> 00:56:00,199
John, you can have the hat.
901
00:56:00,200 --> 00:56:03,120
Peter, I hope you don't mind me
doing an impersonation of you.
902
00:56:07,080 --> 00:56:10,079
Thank you, Australia,
good night!
903
00:56:10,080 --> 00:56:11,999
PAUL: Visit the Classic Countdown
website
904
00:56:12,000 --> 00:56:13,479
for more pictures, interviews
905
00:56:13,480 --> 00:56:14,879
and behind the scenes information.
61145
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