All language subtitles for charlies angels s03e01 1080p bluray x264-rovers

Comin' out again. That's nine, Comin' out.

♪ Play one for the crowd

♪ The lovely lady at the
{able ♪

♪ >J' Doublin' down
when she's able

1" One

♪ One for the dealer J”

♪ Pour one for the house ♪

♪ >J' Raise the ante
for the winner

♪ Prayers for the losers
and the sinners

1" One

♪ One for the dealer

♪ Take it from me

♪ >J' Though he seems to be

♪ Sometimes under the weather

♪ When the town closes down

♪ He can be found

♪ >J' Pullin' the pieces together

♪ >J' Lady Love lost

♪ >J' And though the game
seems jaded

♪ >J' You knew before you faded

♪ >J' The odds were high

♪ But one's for the tears

♪ >J' One's for the tryin'

♪ Give us a smile
when you do the good-byin'

♪ One for the crowd

♪ And one

♪ One for the dealer ♪

♪ >J'

♪ J"

You've got
that look again.

Have you got something
to do for a couple of hours?

Is he coming over?
Yeah.

Well, you don't sound thrilled.
I'd really rather not.

So don't.
It's not so easy.

He doesn't want
to let go.

I'll leave
the dead bolt open.

I'll tiptoe.

We 'Ve gone over all
the available information, Charlie.

The problem is, we're not sure exactly
what we're dealing with. Here you go.

Mr. Howell,
what are we dealing with here?

The Las Vegas Police are calling
Mary Phillipe's death accidental.

Mary Phillips was a very good driver,
and when she left the casino she was sober.

Now, there's no reason for her
to hit that car at that speed.

Mr. Howell, the attendant who was run
down in your parking lot last week--

The police are calling that
a hit and run?

I'd call it a killing.
A nice kid that never hurt anybody.

So you're saying
it was deliberate.

I didn't think so
until Mary was killed.

All right. Then let's assume that
the accidents weren't accidents. Why?

At the risk
of sounding paranoid,

I'd say somebody
was trying to gaslight me.

I mean, I get phone calls and
nobody at the other end of the line.

I go up to my suite, and I notice
that my furniture is slightly moved.

Anything taken?

No.

Mr. Howell, you're in an extremely
competitive and" and lucrative business.

You no doubt have enemies.

I'm the sole owner
of the Tropicana.

No ex-partners.
I've never hurt anybody.

I've never cheated anyone.

I wouldn't even if I wanted to.
Vegas is a clean to wn.

All I want are answers,
and I want 'em fast.

I want them fast, because I don't
want any more of my people killed.

And I don't care what it
costs, Mr. Townsend.

- I love that song.
- Bos/ey!

Then I suggest,
Mr. Howell, the five of you take

Uh, Charlie, you think maybe
we could take a later flight?

Um, I think maybe
we're gonna need a cover.

Yeah, like some new clothes.

Some new shoes.

Right. I think maybe I'm going
to do something with my hair.

Maybe a perm.

Yeah.

I don't know.
No?.

Well, maybe.

Hmm.

Tell me something.
Do casino owners gamble?

You mean, do I?
Yep, that's exactly what I mean.

Well, I won this place
in a crap game.

Love a client with a sense of humor.

Come on--
Come on in.

You inherited.

What? I said,
you got this place with family money.

Look at that.

Are you gonna gamble?

Listen, I'm not trying to pry
into your personal affairs.

It's just that how you got all
this could be relevant to the case.

Miss Duncan, you're hard to convince.
I won this thing in a crap game.

Oh, come on now. Nobody gets all this
that easily. I didn't say it was easy.

It took three days
and three nights.

You're really not kidding, are you?
No, I am not.

I'm not kidding at all. All right. Then where
is the man that you got all this from?

He is nowhere.
He just walked right out that door...

and shot himself
right through the head.

Aww, no!

We'll hold our
command post here, huh?

"Command post"?
Ex-army? Tank corps.

And here are four bedrooms
interlocking.

Each of you have
a special entry to the hall,

so no one will know
you're all together.

And the four phones-- You all
have your special extensions.

Well, we ought to get busy
establishing our covers.

Well, I told the business
office that you're here as my

I'm not sure I know
exactly what that means.

Well, don't worry about it.
Neither do they.

Marty Cole is looking for a backup
girl singer for his lounge act.

Bosley said you sing, so I set up
an audition for you this afternoon.

Marty Cole. I used to listen to
his records when I was a kid.

- Tell him you played 'em in college, okay?
- Oh.

And you have an audition
with the dance captain.

Terrific.

What about my cover?
Oh, I have yours right here.

♪ ♪ Hitch, hip, kick,
ball, change, kick, ball, change.

Hitch, hip, hitch, hip, kick,
ball, change, kick, ball, change.

Hitch, hip and stop.

J" a” Excuse me,
could you point out Joan Wells?

Thank you.

Miss Wells?
Yeah.

Listen, I hate to bother you.
My name is Kelly Garrett.

I'm a friend of your
roommate, Mary Phillips.

Oh, I guess you haven't heard...
about Mary's accident.

Yeah, I heard-- yesterday
when I arrived from Dallas.

It's not bad enough
to find out Mary's dead,

then to get here and find out
the audition is to replace her.

You knew Mary in Dallas?
We studied dance together.

She'd written and suggested
I come out and try for a job.

Listen, I--
I'm kind of upset.

Can we talk more later?

Sure.
Thank you.

Guess what.
What?

You win this week's piece
of free advice. Lucky me.

It goes like this: Go back to
Dallas 'cause I've been waiting

And as far as I can see,
you're the only competition here.

Thank you very much.
Very nice. Next!

Okay, it goes like this. And step,
ball, change, step, ball, change.

Step, hip, step, hip.
Step, two, three, step, two, three.

Step, hip, step, hip.

I think I have it.

Okay, let's see it. Ready? Okay.

And step, two, three,
kick, two, three. ♪ ♪

Step, hip, step, hip. Kick, two,
three, kick, two, three and stop.

J" I
You learn quick.

I've called a rehearsal
with the other girls.

You think if I ran you through it once
with them you could make the dinner show?

Why, I think I can make a run at it.
Okay, we'll give you a chance.

Great. Thank you.
Audition's over.

Take five, girls.
We're going through the whole number.

Hey, you got some nice moves.
Thank you. Think I can cut it?

Sure. Now guess what you win.

Come on with me.

Mr. Howell,
do you-- Formality makes me nervous.

Now let's get down to first names.
Okay.

Do you have any reason not to trust any
of the people who work for you here?

Oh, no. They've all been with
me since the Roundhouse days.

What are "the Roundhouse days"?
Well, first joint I operated.

It was in a train shed on the
east side of Philadelphia.

You had a casino in a train shed?
Well, only at night.

You see, they cleaned
the engines during the day.

It was sort of
a floating crap game.

Uh-huh.
Did you show a profit?

I always show a profit.
Always?

Always.
How do you do that?

I'm blessed.
You mean, you're lucky.

No, I mean, I'm blessed.

Well, the word "blessed" usually
has a theological connotation,

When you were a kid, you never spent
much time on the street. It shows?

Well, you're suffering
from structured thinking.

You sure about that? I'm sure of
only one thing, that's winning--

and that you and I are going
to be more than just friends.

But that you already know,
don't you, Sabrina?

I might have known it
before you did.

Mm-hmm.
Mm-hmm.

♪

♪ >J' I wanna be around
to see how he does it

♪ When he breaks
your heart to bits

1” Let's see if
the puzzle fits

1" 80 fine

♪ And that's when I'll disco
ver that revenge is sweet

♪ >J' As I sit there applaudin'
from a front-row seat

♪ >J' When somebody
breaks your heart

♪ >J' Like you

♪ Broke mine

♪ >J' When somebody
breaks your heart

♪ >J' Like you

♪ Broke mine J”

I'll, uh,
see you guys at 3:30.

It sounded terrific.
How you doin'?

You tell me your name is Leslie,
and I'll drop in a dead faint.

Well, I would hate
to have you do that, Mr. Cole.

My name's Kris Munroe. I heard you
were looking for a backup singer.

You, uh-

You sing like you look?

Well, I don't know.
Do I look hungry?

Are you?

Well, let me
put it this way:

I am probably closer
to fainting than you are.

Okay, let's hear you
sing something.

Okay.

Uh, anything in particular
you'd like to hear?

Anything you want.
All righty.

♪ >J'

♪ >J' Keep on searchin'

♪ Love is what you find
Never change your mind

♪ Never give up

♪ >J' Try again

♪ >J' Take a chance and see
Love will never be

♪ >J' Hopeless' ♪

You're staring.

I'm listening.

Well, you were sort of
staring and listening.

And listening, yeah.

Who's Leslie?

My wife.

Ohh.

Oh, man, I'm sorry.
Leslie Cole, of course. I forgot.

Blond hair.

The same height.

You even have her sound.

She died a few months ago,
didn't she?

You, uh-

You really rocked me
when you walked in here.

Okay.

You'll do fine.

You mean, I got the job?

That's exactly what I mean.

I think I'm gonna faint!

Well, Dr. Cole prescribes
a very large steak.

Dr. Cole,
you got a lot of style.

♪ ♪

It's exciting for you,
isn't it?

What? I said, "It's exciting for
you, isn't it?"

All this craziness. It's not crazy.
This is all very ordered.

This is very real. I think you're
the only one who sees it that way.

I'm the only one
that has to.

The air feels rich today,
Frank.

Well, don't breathe too deeply.
A person could choke.

You gotta give Frank credit.
He's always trying to class up his act.

Well, if that's a compliment,
thank you very much.

Oh, it is, it is,
and you're welcome.

/'/77 Mark Haines.
Sabrina Duncan.

I run the casino
up the street.

Oh, what'd you do?
Come over to borrow a cup of money?

No,
just Iookin' in on the action.

You've looked.

Nice to have met you.
Yeah.

Frank, somehow you don't look
like a man without enemies.

Oh, it's just
a little competition.

Send this up
to accounting.

I've arranged for dinner
for us tonight--

10:00, my suite.

I didn't hear you ask.

I don't hear you say no.

Well, uh,

I guess somewhere between that
floating crap game in Philadelphia...

and all this glitter, there's got
to be a gentleman and a scholar.

So, um--
So, 10:00.

Yeah.

You look like a lady
with a man on her mind.

Hey. Yoo-hoo! I said,
"You look like"-- I hear ya, I hear ya.

It shows, huh?
Yeah.

Well, you gotta look at it this
way: There are worse things. Mm-hmm.

Come on.
Let's go find Kelly.

Yoo-hoo. Kelly?
Hmm? Kelly! Right.

No, that's at the beginning. It's
three turns to the left and then you go off.

Hey, wait a second.
This is my favorite machine.

Just one, okay?

Okay.

Friend of yours?
What?

That man over there.
Do you know him? No, no.

I've got some costumes to check
on, so I'll see you later. Sure.

Uh-oh, she's frowning.
Maybe she flunked her dance audition.

Oh, no. It went great.
Oh, yeah?

Tell me something. Do you know who
that man is over there? Which one?

The one in the tan suit.

Yeah, that's Mark Haines.

He runs a casino down the street.
Why? Is something the matter?

I'm not quite sure yet. Come on.
Let's go see Bosley. See how he's doing.

Hey, where'd you
get that?

What?
The whistle.

I been here six years.
I don't have a whistle.

Do you think
you really deserve one?

I think you should be carrying
luggage like the rest of us.

When you get a whistle,
you don't have to carry luggage.

Who says so?
The person who gave me the Whistle.

Yeah? Who's that?
I am not at liberty to say.

And I think that you
should hurry, hurry, hurry!

Bosley, you sly devil.
Where did you get that whistle?

From the person who told me I should do
no heavy lifting. Oh, and who was that?

Ah-ah-ah! I bet he's not at liberty to say.
And you would win that bet.

Joey January!

Hey, Joey January!
Mr. January, welcome to Las Vegas.

Very nice, but I asked for vanilla.
We're out of vanilla.

Very funny.
Get out of town.

There's been a lot of publicity
concerning your appearance

We hear you're in valved a legal battle
to maybe get out of your commitment.

The people of Las Vegas-- Have
them. My beef is with the management.

You mean, Mr. Frank
Howell, the owner of the Tropicana?

You go! if, pal-- Frank Ho
well, Mr. Bad News himself.

The truck!

Anybody hurt?

Just a lot of bruised knees. Anybody get
a chance to look at the license plate?

No. I did. And?

There wasn't one.
Wonderful.

Okay, okay.
Then What have we got?

Was the ballet really meant for
Joey January, or could it have

Well, I figure it was meant for Joey January,
only I-- I think it was meant to miss.

Wait a minute.
You lost me.

Well, I just got a call
from Joey January's lawyer,

and he's using the incident
to break the contract.

Hmm. He said it would jeopardize
him to appear down here.

Are you saying that Joey January might
have staged that little fracas himself?

Well, I'm saying he's not above
pulling a stunt like that.

Well, for what reason? I mean,
what's this trouble between you and him?

A couple years ago when Joey was
flat broke, I gave him a job--

a five-year contract--

at a wage that he was thrilled
to get at the time.

Which is considerably less than
what he's now getting elsewhere.

Yeah, well,
Joey's not too heavy into gratitude.

So that brings us to the really big
question: Is what happened here today...

connected to the deaths of Mary
Phillips and the parking-lot attendant?

I don't know about
the connection, but, uh,

it certainly accomplishes
the same thing.

What you said before-- that
someone's trying to gaslight you.

someone or several someones.

Well, that brings us
right back to "why?"

Well, that's what
I hired you for, isn't it?

Drinks are on the house.

Okay. Next move.

Kelly, this Mark Haines-— the
one that manages the casino down

Till Charlie can get us a computer checkout,
why don't you see what you can find out?

I'll call Charlie about
the readout right now.

I'd like to
know why Joan Wells

got so uptight
when she saw him.

Mm-hmm.

I think for the moment I'm gonna
spend some time with Marty.

He and Frank have been friends
for a long time.

He may be able to give us some
insight into our uptight client.

Wait a minute.
What are you talking about?

Well, I don '[ know.
Look, we've got a case with no suspects,

no motives, and a client
that is a total loner.

I don't think we're gonna get any answers until
we find out What's going on inside his head.

Why do I have the feeling
that might be scary?

♪ >J'

♪ >J'

♪ ♪

I meant to tell you,
I stepped on somebody's foot on the exit.

Yeah, I know--
the dance captain's.

Oh, well, if they fire me,
I got another offer.

Oh, yeah?
Got another offer, huh?

Yeah, a hotel down the
street-- a Mr. Haines.

Do you know him?
No, never heard of him.

Hello there, baby.

Hello, I'm,
uh, Sabrina Duncan.

Oh, things are looking up.
Right this way.

Oh, thank you.

I've been tellin' Frank,
you can't be doin' your wash at midnight.

You don't know what that means, do you?
No, I'm afraid I don't.

It means you can't spend all your
time under the car. Yeah, yeah.

Oh, I see. Well,
I'm glad you cleared me up on that.

Hello.

If it doesn't turn around,
call me, hmm?

Oh, hi.
Hi.

He means, all work and no play.
All right. Just one.

Hmm!

Ohh.

Come on.
Let's sit down.

He really can turn a phrase,
can't he?

And he's a prince in the pantry.
He cooks?

Frank, she's gettin' on
to the lingo.

No, not really. It's the apron.
It's a dead giveaway.

I didn't catch your name.
Oh, I'm Jip Baker. Make nice?

Oh, yeah.

Uh, how 'bout the night,
Frank?

Oh, all right.

Oh, no. You better take
a walk in the moonlight.

Good night.
Good night.

Who's your friend?

Well,
the floatin' crap game I told you about?

- Yeah, the train shed in Philadelphia.
- He was the night watchman.

Oh, but he liked the dice better
than the steam engines, huh?

Mm-hmm. When I moved on, he came with me.
He's, uh, family.

The only one you
ever really had?

Or will have.
017!

Now, uh, that sounds like
a pretty lonely place to live.

Living's what people do when they roll out of
bed in the morning. I don't go beyond that.

How does this work?

Well, that's how
I won the place.

Standing around the tables
for about 60 hours,

million and a half ahead.

Then I was down
to my last $10,000.

I was beat,
fired on my feet.

Didn't know whether to quit
or keep rollin' the dice,

but I called Jip over,
and he flipped a coin.

And he obviously came up
with the right decision.

And things turned my way, and 30
minutes later this place was all mine.

You really believe
a lot in that, don't ya?

Everybody's believes
in something.

Excuse me“.

Sure.

Yeah?
Frank, this is Jake.

This cutie-pie
with the computer

wants to raise
the table limit.

How much?
Three thousand.

What's he into us for?

A little over 90,000.

All right. Let him have it,
but keep in touch.

Okay, Frank.

Okay, folks.
The table limit is now $3,000 per bet.

Bets down.

Comin' out.
Comin' out, a roller.

Here we go now.

You did terrific in the dinner show.
What are you talking about?

I made three wrong turns while they
were serving the flaming Alaska.

So who cares about dancing when your
ice cream's on fire?

Yeah, great. Think fast.

Eight 3 winner.

Hey, I'll see you at the midnight
show, okay? Okay.

Trouble?

A man at one of the tables trying
to beat me with a computer.

Is that possible?
Oh, no.

Why not?
Well, eh, winning is instinct--

feeling.
Feeling.

Hmm. I've been wondering if
you ever use any of that.

Oh.
Well, stop wondering.

Oh, Kris? Kelly.
Listen, I'm on my way over to the Dunes.

Right, Haines's place.
I'm gonna check him out.

Yeah, I've got some time before I have
to get back here for the midnight show.

Scotch stinger.

Hmm. Hi.

Hello.

I guess it's all right
to sit here since I'm alone.

Na?
House rules.

How do you know?

I make the rules.
I run the house.

What?
You mean, I have to leave?

No. No,
you're all right.

But you just said--
I know, I know.

But now you're not alone.

I'm Mark Haines.

Now that you know all about
me, what about you?

Well, my name is Kelly Garrett,
and I'm from Dallas, Texas,

and I'm out here
visiting my girlfriend--

you know, kind of a drop-in,
surprise visit.

Only I got the surprise.

What'd she do?
Move back to Texas?

She passed away recently.

How? Uh, what happened?
She was in an auto accident.

You might have read about it in the newspapers.
Her name was Mary-- Mary Phillips.

Yes, I think I-- I think I
did read something about that.

We were really close.

I'm sorry.
That's-- That's too bad.

And ironic.
Ironic? Why?

About a-- a month ago,
Mary phoned me.

She was unhappy about something,
and she said she'd write

Last night my mother called and said a
letter had arrived, so she's sending it on.

Maybe I'll find out
what was bothering her.

Hmm.

Well, I gotta go.

Maybe, uh, we can get
together and talk some more?

What did she want?
What do you care?

Do you know her?
I just met her. Why?

Well, I just saw her
in Frank's place.

She was with that Phillips girl's roommate.
You sure about that?

Sure, I'm sure. They came up to the
table while I was with the professor.

They seemed pretty tight. Maybe you'd better
keep an eye on her. See what she's up to.

All right.
I'll keep an eye on her.

Hey. How's the professor
doing with the computer?

Very good.
He's up about a hundred thou.

Well, we're going for
our moonlight walk.

[Thuds 1

Go, baby, go.

He did it again!

Hey, Mr. Howell, I may not have to
work for you after all. You know why?

'Cause this place may not
be yours much longer.

I mean, smiley here may have
this joint in his pocket.

Marty, I need some good vibrations
down here. Would you get Jip for me?

Comin' out again.
Comin' out rollin'. Bets down.

Clearin' time.

Hand me that. Come on.
Let's roll the dice. Get your bets down.

Come on. Let it roll.

"Don't Pass," eh?
All right. Roll 'em.

Pass!

Pay the "Don't Pass."

Hey, don't look so grim, Mr. Howell.
Your face is cracking.

How'd you make out
with Haines?

When I mentioned Mary Phillipe's
name, he got very nervous.

Meaning, he knew her?
I don't know yet.

Roll the dice!

Pick your back numbers. Pick your odds.
Roll 'em. Nine's the point.

Looking for nines.

Six. Pa yin' a big six.

Still lookin' for nine.

Nine, winner.
Put it in there.

Hey, look at Mr. Howell.

His hair is holding its color.
His face is turning gray.

Mr. January was funnier
on television.

By the way, guess who I saw laughing
it up with our friend Mr. Haines?

None other than Mr. January,
and [hey seemed quile chummy.

Maybe we ought to have Charlie run a
computer check on Joey January too.

See you later.

- Are you sure?
- Pay the line.

Where is he now?

Okay.

Make your bets.

Frank.
Take-- Yeah, did you find him?

Frank, Jip's been hurt.

What?
He's in the hospital.

What the hell
are you talking about?

They found him
in the parking lot.

Six is the point.

Excuse me, please.
Excuse me. All right.

The point is six.

What's wrong?
Just keep the stakes where they are.

Come on.

Are you Mr. Howell?
Yes, sir.

He's been asking for you.

Don't stay long.
No.

Hey, Mp.
What the dew“ you doing here?

Picking up
some new threads.

Well, you always did
look good in white.

Frank, we really do need
to know what happened.

Hey, sport.
Now, what was it that, uh--

that hit ya?

Big truck- dark windows-

lights.

Couldn't see the driver.

Just came at me.
Just--

Hey, Mo,
don't fade on me new man.

I'm tired, Frank.

Just wanna catch
a little nod, okay?

All right. You put it away for a while,
and I'll see you in the morning. Deal?

Tell you what.

If I make it to morning,

will you show me
how to do that trick?

Now, you're evil.
You're evil, man.

Hmm! You're evil.

You been teasin' me
with that...

piece of business
for 20 years.

Okay, I'll... show it to you
in the morning.

I'll be here.

He'll be all right. Yeah.
He'll be fine, Frank.

Two dead.
Jip's halfway there.

Who the devil is doing this?
We'll find out, Frank.

It just takes time. Time-- I don't have
time. That's what's eatin' me alive.

You know, when we're workin' on a
case and we keep comin' up empty,

I always ask myself,
"Where's the profit?"

- I don't know. - Frank, uh, your
competitor from down the street, Haines--

Now,
Kelly said she saw him this

morning talking
to Joey January,

Well, Joey and I are hassling,
I mean,

and Haines is
taking advantage.

We're all angling for top acts.
Everybody does that here.

Okay. We'll call that
normal procedure.

Listen to this. When Kelly asked Haines
about the dead girl, Mary Phillips,

Haines got very uptight.
You sure?

Did Haines know
Mary Phillips?

Well, I thought saw 'em together
about a week ago in a cab.

- And I-- I meant to ask her about it, but
I never did. - Frank, Haines resents you.

I could tell that the minute that
I met him. Why does he resent you?

- I own my own place, and I've got
no one to answer to. - And he does?

Everybody in this town
has somebody to answer to.

How well did you know
Mary Phillips?

Well, when she
first got here,

we went together
for a while.

Well, then, um,

Haines's personal feelings for you
could be more than professional envy.

Maybe that's the profit.

You tryin' to tell me
that this is purely personal?

That maybe Haines or someone
is just tryin' to tear me up?

Well, until we come up with something
else, we have to consider it.

- This is crazy. Nobody can hate that much.
- Frank, people can.

And they do.

♪ >J'' ♪

J