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Hi, I'm Sara Classy, and I want to show you how I'm going to mix this song from start to finish.
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I've not said the tempo of N renamed the songs.
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So this is a free tutorial.
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If you are watching it on YouTube, me on YouTube, this is completely free and I want to show you my
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process from start to finish.
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I want to show you how I renamed the tracks appropriately because as you can see, I know we're named
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some of it seemed to well name, but out of it I just like copy or do you copy audio like one named.
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And I want to show you how I do the problem linking to the mics are processing and possibly the mushroom
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stage.
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If we have to set examples, I show you how I find it.
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Ten point felsted you and how my effect on how and how to get the whole thing done.
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So let's get started shall we.
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So part of me.
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So this will be largely unedited, but at the same time it's packed with quality.
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So please pardon some of my bloopers that we're going to have, if any at all.
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So let's get started.
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So listen to the song on the outside sounds, then we talk about it.
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Let's listen.
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Your new motto is no longer my motto.
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I don't know, I don't I don't want to.
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I'm not going to with my shot, but you make it.
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So I doing you know, I'll keep on driving until I die.
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And when I got you.
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Oh, no, no, no, no, no, no.
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Oh, my God.
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Your shoulder is going to make
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mistakes that I've got.
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All right, so that's pretty much the song is just a one minute cover, the original song was by Elex.
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It's an Afro Beat, Artists Lose My Mind and the name of the song.
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So this song was covered by an artist called Hakimullah, an amazing artist, by the way.
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And The Beatles are produced by an amazing producer as well, by Makes Sense.
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Now, the Beatles is on mixed, obviously.
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So this is a very common scenario.
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We get to try mixing engineer and artist brings in a beats.
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That is, maybe they buy it online or from a producer, doesn't know how to mix properly and they have
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to mix the vocals on it to sound great songs to show you.
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This starts to end process.
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Completely raw, completely unrefined, just raw process marro process on how to get this done.
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So let's start with finding the tempo before we link you to the mix, before we will rename it accordingly.
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So what typically do is I simply double click the.
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The beats are right, click the text ampoule.
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Let's try 75 to 150.
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So it's about one eight BPM, so we listen to it, if it matches the matches, then we'll stick with
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it.
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So turn on the metronome and listen.
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I might go look
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for my shot, but you make it seem like you're.
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All right, that sounds perfect if it's you know, when you play the metronome here in the beginning,
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somewhere in the middle to make sure it stays the same.
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So it's the same.
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There are many ways to find tempo by doing so because we use the top method one really good.
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With that, I'll stick with this.
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The method I just showed you, if that works, fine.
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If it doesn't work, I play around with it a little bit unless I also use the top the top keys where
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I really do use it, because this is most times correct.
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All right.
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So far it's impossible.
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One or eight point two, two point zero to two BPM.
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All right.
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That's fine.
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So.
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Less nameless, probably in the mix.
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This is the beats our enemies to.
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Beats.
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And from, I think their names, her lead vox.
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So OK, so last name is let's stick with
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real world style, so lead vox.
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They're, um.
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In true.
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So, yes, writes Cleek intro rename.
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So you're pretty well named ultraliberal.
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I think this this seems more pleasing, like it's easier to navigate the way through many punch, I
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think, mean punch.
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All right, main point, what else, what else, what else?
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Drop affects the artist, and my dad is telling me that he won't get like a drop down effects there.
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So put on your vocal on only beats or whatever.
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Sounds nice.
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So this is just kind of like a reminder to get that done.
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Drug effects we've done all the way here.
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Mean punch.
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I think we've done mean punch.
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Think don't mean punch.
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Yes, we have.
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So I think secondary punch is next.
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I want days on any secondary, but it is what it needs punch.
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All right, I think.
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I think it's on a secondary point.
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So just name point to secondary points to.
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All right, um, Harmony's.
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Your name, its I'm only one hour and one.
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This will be our M-2.
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And.
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Is that accurate?
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Well, no, that's not accurate.
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It's my bad.
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Message are one.
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This would be Hajari to all these members are here.
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Ah, and one day.
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They're.
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So.
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All right, I think the harmonies are linked already.
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One, two, three.
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Yeah, I think they are linked already, so I think I can take this off.
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Think there are links already?
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This week, your control shift.
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You can set up multiple clips on the mixer, on multiple channels, on the mix.
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Rather, they are just going to reset, select their tracks to defaults.
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Yes, so we don't need those here, so yeah, so this will be working out mostly.
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So what we do is we start with the lead vocalist who selects a region.
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Let's see here for the lead vocal, then come here.
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I mean, maximize this and make these really big.
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Which I think which means bigger.
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I think this is as big as he's going gets.
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I don't like this view.
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Well, let's let's work with it like this and see how far we can go with this view so we to salute on
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the orders of Tom this of.
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It's only paunches the intraday drop affects just the beats on the lead vocalist here.
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So let's listen.
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