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[ "Just as the Tide Was Flowing"
plays ]
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♪♪
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-♪ One morning
in the month of June ♪
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♪ Down by a rolling river ♪
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00:00:15,520 --> 00:00:17,640
♪ There a weary traveller
chanced to stray ♪
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♪ And he beheld his lover ♪
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♪ Her cheeks were red,
her eyes were brown ♪
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♪ Her hair in ringlets
hanging down ♪
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♪ She'd a lovely face
without a frown ♪
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♪ Just as the tide
was flowing ♪
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♪♪
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♪ No more did say,
but on their way ♪
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♪ They both did go together ♪
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♪ The small birds sang
and the lambs did play ♪
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♪ How pleasant was
the weather ♪
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00:00:48,360 --> 00:00:51,120
♪ They being weary
both sat down ♪
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♪ Beneath a tree
with the branches round ♪
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♪ And what was said
will never be known ♪
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♪ Just as the tide
was flowing ♪
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♪♪
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-Humphrey, thank you so much
for doing this.
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00:01:09,840 --> 00:01:11,200
-Oh, nonsense.
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00:01:11,360 --> 00:01:12,840
It's exactly what we should
be doing --
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serving the community.
25
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Besides...
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00:01:17,080 --> 00:01:18,640
Kelby volunteered.
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-One of these?
-What?
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00:01:24,280 --> 00:01:25,560
No, no, no, no.
There's too much glare.
29
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Just change the filter,
will you, please?
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-Right, Mr Witham.
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-Mr Witham, may I introduce
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Detective Inspector
Humphrey Goodman,
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00:01:34,960 --> 00:01:37,760
Detective Sergeant Williams,
and PC Hartford?
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This is Terrence Witham
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the current owner
of "The Solo Mare."
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-Very pleased to meet you.
37
00:01:42,720 --> 00:01:44,600
-And one of you will be in
the room with the painting, yes?
38
00:01:44,760 --> 00:01:46,760
-Yes.
39
00:01:46,920 --> 00:01:49,440
-I do hope it's you.
40
00:01:49,600 --> 00:01:52,520
-Actually, no.
41
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-Hi.
42
00:01:54,440 --> 00:01:56,720
-You're the finest
Shipton Abbott has to offer,
43
00:01:56,880 --> 00:01:59,400
are you?
-Yes.
44
00:02:01,720 --> 00:02:04,240
-How very reassuring.
Excuse me.
45
00:02:06,080 --> 00:02:08,200
-Ah. He's a bundle of fun.
46
00:02:08,360 --> 00:02:10,480
-He's autistic.
He's very highly strung.
47
00:02:10,640 --> 00:02:11,960
-Yeah, he should be.
48
00:02:12,120 --> 00:02:14,640
Right. Get yourself set up.
49
00:02:17,720 --> 00:02:19,080
-"The Solo Mare."
50
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It's a horse's bottom.
51
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-Yes, but the front end
52
00:02:29,200 --> 00:02:31,240
is looking at Shipton Abbott
in 1710.
53
00:02:31,400 --> 00:02:34,040
-Well, maybe they should have
moved the horse out of the way.
54
00:02:34,200 --> 00:02:37,080
-Humphrey, let me introduce you
to our hostess.
55
00:02:37,240 --> 00:02:39,440
This is Lady Louise Fitzallan.
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-Wonderful to meet you.
I've heard so much about you.
57
00:02:42,320 --> 00:02:43,680
-Oh. [ Chuckles ]
-Anne and I are on
58
00:02:43,840 --> 00:02:45,360
the Arts Committee together.
59
00:02:45,520 --> 00:02:47,600
-This is DS Williams.
-You have a beautiful home.
60
00:02:47,760 --> 00:02:51,040
-Thank you.
Augustus Craig, the artist,
61
00:02:51,200 --> 00:02:53,400
was my great-great-great
grandfather.
62
00:02:53,560 --> 00:02:55,640
-So I understand, yes.
63
00:02:55,800 --> 00:02:58,680
-I hear you lending us
a constable for the evening.
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00:02:58,840 --> 00:03:01,240
Seems it really does pay
to have friends,
65
00:03:01,400 --> 00:03:03,960
or rather, future son-in-laws,
in high places.
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00:03:04,120 --> 00:03:05,560
-Yes.
-It's been a pleasure
67
00:03:05,720 --> 00:03:07,920
meeting you both.
-And you.
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00:03:08,080 --> 00:03:09,840
-[ Chuckles ]
69
00:03:11,440 --> 00:03:14,520
-Kelby, we'll leave you to it,
then.
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00:03:14,680 --> 00:03:16,040
-Thanks. Um...
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00:03:16,200 --> 00:03:18,960
Oh, and, sir, um...
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00:03:19,120 --> 00:03:22,160
Thank you for trusting me
with this.
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-Can't think of a better man
for the job.
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00:03:24,400 --> 00:03:29,400
♪♪
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00:03:29,560 --> 00:03:34,840
♪♪
76
00:03:35,000 --> 00:03:36,960
[ Protesters shouting ]
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00:03:37,120 --> 00:03:43,840
♪♪
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00:03:44,000 --> 00:03:46,600
Um, who are they?
79
00:03:46,760 --> 00:03:49,960
-Ah, they call themselves
Edith's Army.
80
00:03:50,120 --> 00:03:52,280
-Who's Edith?
-According to them,
81
00:03:52,440 --> 00:03:55,400
the person who really painted
"The Solo Mare."
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00:03:55,560 --> 00:03:56,800
-Really?
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00:04:00,240 --> 00:04:02,360
-Okay, so that's everyone.
84
00:04:02,520 --> 00:04:05,400
Mr Witham? Uh...
85
00:04:05,560 --> 00:04:07,320
-You'll lock the door
behind us, yes?
86
00:04:07,480 --> 00:04:09,040
-Yes, sir.
-Good.
87
00:04:14,320 --> 00:04:17,760
No one is to go beyond
those ropes
88
00:04:17,920 --> 00:04:19,520
until I return in the morning,
yes?
89
00:04:19,680 --> 00:04:21,400
-Understood, sir.
90
00:04:21,560 --> 00:04:28,840
♪♪
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♪♪
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♪♪
93
00:04:44,080 --> 00:04:51,600
♪♪
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00:04:51,760 --> 00:04:54,320
[ Hisses ]
95
00:04:54,480 --> 00:04:55,720
Ahhh.
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00:04:55,880 --> 00:04:56,800
Ah.
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00:04:56,960 --> 00:05:03,000
♪♪
98
00:05:03,160 --> 00:05:05,280
Take that, Margo.
99
00:05:05,440 --> 00:05:07,000
Yeah.
100
00:05:09,400 --> 00:05:12,280
[ Makes whooshing sounds ]
101
00:05:12,440 --> 00:05:18,800
♪♪
102
00:05:18,960 --> 00:05:20,720
[ Suspenseful music plays ]
103
00:05:20,880 --> 00:05:27,040
♪♪
104
00:05:27,200 --> 00:05:33,320
♪♪
105
00:05:33,480 --> 00:05:35,120
Thanks, Mum.
106
00:05:46,240 --> 00:05:48,000
[ Bang ]
107
00:05:48,160 --> 00:05:49,800
[ Mouth full ]
Hello?
108
00:05:52,680 --> 00:05:54,000
Hello?
109
00:05:55,000 --> 00:05:56,320
Hello?
110
00:05:58,520 --> 00:05:59,560
Hello?
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00:05:59,720 --> 00:06:06,360
♪♪
112
00:06:06,520 --> 00:06:07,680
Power's gone out.
113
00:06:07,840 --> 00:06:10,560
[ Clock chiming ]
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00:06:10,720 --> 00:06:18,680
♪♪
115
00:06:18,840 --> 00:06:20,400
Hello?
116
00:06:20,560 --> 00:06:29,360
♪♪
117
00:06:29,520 --> 00:06:30,640
Hello?
118
00:06:30,800 --> 00:06:39,480
♪♪
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00:06:39,640 --> 00:06:48,120
♪♪
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00:06:48,280 --> 00:06:56,800
♪♪
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♪♪
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00:07:05,720 --> 00:07:14,440
♪♪
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00:07:14,600 --> 00:07:23,080
♪♪
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00:07:23,240 --> 00:07:24,920
[ Bang ]
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♪♪
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00:07:29,600 --> 00:07:31,880
[ Mid-tempo music plays ]
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00:07:32,040 --> 00:07:39,240
♪♪
128
00:07:39,400 --> 00:07:46,680
♪♪
129
00:07:46,840 --> 00:07:49,400
[ Snoring softly ]
130
00:07:49,560 --> 00:07:51,520
[ Knock on door ]
131
00:07:51,680 --> 00:07:53,760
You know me.
132
00:07:53,920 --> 00:07:56,760
[ Mumbles ]
133
00:07:56,920 --> 00:07:58,560
[ Knock on door ]
Ah!
134
00:07:58,720 --> 00:08:00,680
-DC Hartford? Hello?
135
00:08:04,840 --> 00:08:06,760
Is everything okay?
136
00:08:06,920 --> 00:08:09,640
-Uh, yes, Mrs Lloyd.
137
00:08:09,800 --> 00:08:11,720
-Excellent.
I wonder, would you stay around
138
00:08:11,880 --> 00:08:13,400
until Lady Louise and Mr Witham
come up?
139
00:08:13,560 --> 00:08:15,280
They're just having
breakfast downstairs.
140
00:08:15,440 --> 00:08:16,680
-Of course.
141
00:08:16,840 --> 00:08:19,040
-Shall I bring you up
a bacon sandwich?
142
00:08:19,200 --> 00:08:22,000
-Oh, yes, please.
-[ Chuckles ]
143
00:08:23,280 --> 00:08:24,520
[ Shouting indistinctly ]
144
00:08:24,680 --> 00:08:28,000
[ Horn honking ]
145
00:08:28,160 --> 00:08:36,640
♪♪
146
00:08:36,800 --> 00:08:45,480
♪♪
147
00:08:45,640 --> 00:08:47,800
-Hello.
-Hello.
148
00:08:47,960 --> 00:08:49,640
-Mwah. Need a hand?
149
00:08:49,800 --> 00:08:51,040
-No, it's the last one.
150
00:08:51,200 --> 00:08:54,760
-Mini Yorkshire puddings.
Excellent.
151
00:08:54,920 --> 00:08:57,680
-I'll save you one.
152
00:08:57,840 --> 00:09:00,280
-Thank you all very much
for coming
153
00:09:00,440 --> 00:09:03,960
to help us mark
the historic return
154
00:09:04,120 --> 00:09:07,360
of Shipton Abbott's
very own "Solo Mare."
155
00:09:07,520 --> 00:09:09,480
As acting chair
of the Arts Committee,
156
00:09:09,640 --> 00:09:12,240
I'd like to thank.
Lady Louise Fitzallan
157
00:09:12,400 --> 00:09:14,360
for inviting us into her home,
158
00:09:14,520 --> 00:09:17,320
and not to mention
agreeing to buy the painting
159
00:09:17,480 --> 00:09:19,040
on behalf of Shipton Abbott.
160
00:09:19,200 --> 00:09:21,920
[ Applause ]
161
00:09:24,880 --> 00:09:27,360
I'd also like to thank
Mr Terrence Witham,
162
00:09:27,520 --> 00:09:29,800
the current owner
of "Solo Mare,"
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00:09:29,960 --> 00:09:32,200
for agreeing to allow it
to return home,
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00:09:32,360 --> 00:09:34,800
to come back, as it were,
to its rightful place,
165
00:09:34,960 --> 00:09:37,600
to the manor house
where it was conceived.
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00:09:37,760 --> 00:09:40,240
After the unveiling,
we will all witness
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00:09:40,400 --> 00:09:43,360
this historic moment live,
as it were,
168
00:09:43,520 --> 00:09:46,320
when the deeds
of agreement are signed
169
00:09:46,480 --> 00:09:48,160
and the transaction completed.
170
00:09:48,320 --> 00:09:49,960
So without further ado,
171
00:09:50,120 --> 00:09:52,600
I would like to invite the mayor
and mayoress to step forward
172
00:09:52,760 --> 00:09:54,920
and reveal to us
173
00:09:55,080 --> 00:09:58,400
what we have all been waiting
a very long time to see.
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00:09:59,960 --> 00:10:01,720
Thank you.
175
00:10:03,560 --> 00:10:07,360
On behalf of everyone
in Shipton Abbott,
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welcome home.
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00:10:11,160 --> 00:10:13,560
[ Audience gasping ]
178
00:10:13,720 --> 00:10:20,280
♪♪
179
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-I will sue. I'll sue you.
I will sue the Arts Committee.
180
00:10:23,320 --> 00:10:25,240
I mean, there was
a police officer in this room,
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00:10:25,400 --> 00:10:26,800
for goodness' sake --
in the room!
182
00:10:26,960 --> 00:10:28,320
-There's nothing
we could have done...
183
00:10:30,560 --> 00:10:33,000
-I've checked with Mrs
Fitzallan in case
anyone could have hidden
184
00:10:33,160 --> 00:10:34,840
in the room
before it was locked.
185
00:10:35,000 --> 00:10:37,520
There are no secret compartments
or false walls
186
00:10:37,680 --> 00:10:40,240
anywhere in this room.
-This window latch is broken,
187
00:10:40,400 --> 00:10:42,040
which means it could be opened
from the outside.
188
00:10:42,200 --> 00:10:44,240
-I saw someone out that window
running across the lawn
189
00:10:44,400 --> 00:10:47,840
alone with a, uh --
an orange cap on.
190
00:10:48,000 --> 00:10:50,880
-What time?
-Midnight.
191
00:10:51,040 --> 00:10:52,760
-Would you know them
if you saw them again?
192
00:10:52,920 --> 00:10:54,600
-I'm not sure, sir. It --
193
00:10:54,760 --> 00:10:58,000
It was dark and it happened just
after the electric went off.
194
00:10:58,160 --> 00:11:00,360
-There was a power cut?
-You didn't say anything.
195
00:11:00,520 --> 00:11:02,880
-Well, it came back on again.
-But you didn't leave the room?
196
00:11:03,040 --> 00:11:04,320
-No.
197
00:11:04,480 --> 00:11:06,760
Well, not really. I --
198
00:11:06,920 --> 00:11:10,280
I-I opened the door
when the power went off.
199
00:11:10,440 --> 00:11:12,040
-You opened the door?
200
00:11:12,200 --> 00:11:14,760
-To see if anyone was
sorting out the electric.
201
00:11:14,920 --> 00:11:16,600
-But you stayed in the room?
202
00:11:20,520 --> 00:11:24,080
-I might of stepped out
for a minute.
203
00:11:24,240 --> 00:11:29,400
♪♪
204
00:11:29,560 --> 00:11:32,320
-Gallery room needs to remain
sealed until forensics get here.
205
00:11:32,480 --> 00:11:34,720
I want a list of everyone who
stayed at the house last night.
206
00:11:34,880 --> 00:11:36,640
-Can someone tell me
what's going on?
207
00:11:36,800 --> 00:11:38,840
-We'll bring you up to speed
as soon as we know more, sir.
208
00:11:39,000 --> 00:11:41,000
-I heard they came in
through the window,
209
00:11:41,160 --> 00:11:43,720
in which case, how the hell
did they get past him, hmm?
210
00:11:43,880 --> 00:11:45,440
Unless he left the room.
211
00:11:48,840 --> 00:11:50,720
You did, didn't you?
212
00:11:50,880 --> 00:11:52,320
-Sir, that's enough.
213
00:11:52,480 --> 00:11:54,440
Please go back inside
and let us do our job.
214
00:11:54,600 --> 00:11:56,880
-Ha! You haven't exactly covered
yourself in glory so far,
215
00:11:57,040 --> 00:11:59,360
have you?
I want answers.
216
00:11:59,520 --> 00:12:02,840
-Then I suggest you leave us
alone to find some.
217
00:12:03,000 --> 00:12:04,720
-Bloody amateurs.
218
00:12:07,000 --> 00:12:08,920
-This is all my fault.
219
00:12:09,080 --> 00:12:11,320
-Hey.
I think you better see this.
220
00:12:11,480 --> 00:12:13,240
-No.
221
00:12:16,960 --> 00:12:18,440
-Just under the gallery room.
222
00:12:18,600 --> 00:12:21,400
-Must have been the guy
who Kelby saw running away.
223
00:12:21,560 --> 00:12:23,160
-Yeah, but if he was here
to steal the painting,
224
00:12:23,320 --> 00:12:25,800
why risk getting caught to stop
and do graffiti?
225
00:12:25,960 --> 00:12:27,440
Well, let's get
it all taped off
226
00:12:27,600 --> 00:12:29,480
and have forensics check it
while they're here.
227
00:12:29,640 --> 00:12:32,400
-We waited all this time,
and it was here one night.
228
00:12:32,560 --> 00:12:34,200
-We'll get it back, Margo.
229
00:12:34,360 --> 00:12:36,200
You better go
and open the station.
230
00:12:36,360 --> 00:12:38,840
-Yeah.
231
00:12:39,000 --> 00:12:41,480
-What shall I do?
232
00:12:41,640 --> 00:12:43,480
-Maybe you go, too.
233
00:12:43,640 --> 00:12:50,160
♪♪
234
00:12:50,320 --> 00:12:52,360
If Kelby's right about
only being on the landing
235
00:12:52,520 --> 00:12:54,000
a couple of minutes,
that's not long enough
236
00:12:54,160 --> 00:12:55,240
to break in, get into the room,
237
00:12:55,400 --> 00:12:56,720
take the painting
from the frame,
238
00:12:56,880 --> 00:12:58,440
and get back out again.
239
00:12:58,600 --> 00:12:59,800
He must have been
out of the room longer.
240
00:12:59,960 --> 00:13:02,640
-Yes. Agreed.
-How's it going?
241
00:13:02,800 --> 00:13:04,360
-I'm a bit flummoxed,
to be honest.
242
00:13:04,520 --> 00:13:06,400
-Mum's distraught.
-It's not her fault.
243
00:13:06,560 --> 00:13:10,720
-That's not how she sees it.
She organised everything.
244
00:13:10,880 --> 00:13:12,880
You'll get it back for her,
won't you?
245
00:13:13,040 --> 00:13:15,040
[ Camera shutter clicking ]
246
00:13:15,200 --> 00:13:22,840
♪♪
247
00:13:23,000 --> 00:13:24,560
-It's gonna be all right.
248
00:13:24,720 --> 00:13:27,920
Okay. Bye.
249
00:13:28,080 --> 00:13:31,240
That was Dot Trolman.
Lost 25 sheep.
250
00:13:31,400 --> 00:13:33,560
Got out of a bottom field.
-I'll head down there.
251
00:13:33,720 --> 00:13:36,640
-Oh, Margo, um, anything back
from the scene yet?
252
00:13:36,800 --> 00:13:39,320
-Forensics have just arrived.
-Right.
253
00:13:39,480 --> 00:13:41,880
Okay, well,
while we're waiting for them,
254
00:13:42,040 --> 00:13:43,520
let's start building a picture.
255
00:13:43,680 --> 00:13:45,360
Background checks on these
to start with, please.
256
00:13:45,520 --> 00:13:46,440
Thank you.
257
00:13:48,080 --> 00:13:50,240
-[ Snorts ]
Missing a few, aren't we?
258
00:13:50,400 --> 00:13:52,120
-Uh, who?
259
00:13:52,280 --> 00:13:55,000
-Any of the Arts Committee
who organised everything.
260
00:13:55,160 --> 00:13:56,720
Caterers.
261
00:13:56,880 --> 00:13:58,560
-You want me to investigate
my future mother-in-law
262
00:13:58,720 --> 00:14:00,880
and my fiancée?
263
00:14:01,040 --> 00:14:03,840
-Depends if you want
to be thorough or not.
264
00:14:04,000 --> 00:14:06,600
-Just those people on the list.
Thank you, Margo.
265
00:14:14,280 --> 00:14:16,800
Kelby.
266
00:14:16,960 --> 00:14:20,240
You mustn't blame yourself,
you know.
267
00:14:20,400 --> 00:14:22,720
-I was the one guarding it.
268
00:14:22,880 --> 00:14:24,720
-Um...
269
00:14:24,880 --> 00:14:27,520
Well, then, we --
we find out what happened,
270
00:14:27,680 --> 00:14:30,560
we arrest whoever's responsible,
and we get the painting back.
271
00:14:30,720 --> 00:14:33,600
And we do that as a team.
We do it together. Okay?
272
00:14:33,760 --> 00:14:36,360
-Yes, sir.
-Well.
273
00:14:39,480 --> 00:14:41,080
Okay.
274
00:14:41,240 --> 00:14:44,320
So let's assume that
whoever stole "The Solo Mare"
275
00:14:44,480 --> 00:14:46,120
now intends to sell it.
276
00:14:46,280 --> 00:14:48,560
So let's think about
how they would go about that.
277
00:14:48,720 --> 00:14:50,240
-Well, they can't just
stick it on eBay.
278
00:14:50,400 --> 00:14:52,960
-Exactly.
So what does that tell us?
279
00:14:53,120 --> 00:14:54,560
Is this someone in the know?
280
00:14:54,720 --> 00:14:57,840
-Any of the Arts Committee?
-Thank you, Margo.
281
00:14:58,000 --> 00:15:00,880
And if the power being cut
was there as a diversion,
282
00:15:01,040 --> 00:15:02,360
then where is
the master fuse board?
283
00:15:02,520 --> 00:15:03,920
And who had access to that?
284
00:15:04,080 --> 00:15:05,840
And our protesters --
285
00:15:06,000 --> 00:15:08,960
surely they had the biggest
motive of all, did they not,
286
00:15:09,120 --> 00:15:10,560
if they believe that
"The Solo Mare"
287
00:15:10,720 --> 00:15:12,320
doesn't belong
to the current owner,
288
00:15:12,480 --> 00:15:14,520
or that it shouldn't be
displayed at Shipton Manor.
289
00:15:14,680 --> 00:15:15,840
So who are they?
290
00:15:16,000 --> 00:15:17,240
Can they account
for their whereabouts?
291
00:15:17,400 --> 00:15:18,640
And is Kelby's mystery man
292
00:15:18,800 --> 00:15:21,400
in the orange baseball cap
one of them?
293
00:15:21,560 --> 00:15:30,560
♪♪
294
00:15:30,720 --> 00:15:32,320
Did you know about this feud
over the painting?
295
00:15:32,480 --> 00:15:34,400
-Most of Shipton does.
296
00:15:34,560 --> 00:15:37,760
Augustus Craig had a young
stable girl called Edith Jay
297
00:15:37,920 --> 00:15:39,280
who worked on the estate,
298
00:15:39,440 --> 00:15:42,320
but then went on to be an artist
in her own right.
299
00:15:42,480 --> 00:15:46,280
The claim is that she was
Craig's secret protégé.
300
00:15:46,440 --> 00:15:49,520
Not only that,
but because of the subject,
301
00:15:49,680 --> 00:15:52,680
some believe she's the one
that painted "The Solo Mare."
302
00:15:52,840 --> 00:15:56,120
-Now, yes, but wasn't it signed
by Augustus Craig?
303
00:15:56,280 --> 00:15:59,200
-Yeah, but they still believe
she painted it.
304
00:15:59,360 --> 00:16:04,040
Both families have argued about
the provenance for generations.
305
00:16:04,200 --> 00:16:05,120
-Right.
306
00:16:08,520 --> 00:16:10,080
-Isla Jay?
307
00:16:10,240 --> 00:16:11,680
-[ Scoffs ]
308
00:16:11,840 --> 00:16:13,800
Surprise, surprise.
309
00:16:13,960 --> 00:16:20,840
♪♪
310
00:16:28,040 --> 00:16:31,040
-Looks like you're expecting
another painting, Isla.
311
00:16:31,200 --> 00:16:32,840
-Very funny.
312
00:16:33,000 --> 00:16:35,440
-You do claim that, uh,
"The Solo Mare" was painted
313
00:16:35,600 --> 00:16:36,720
by one of your ancestors.
314
00:16:36,880 --> 00:16:40,320
-I don't claim anything.
315
00:16:40,480 --> 00:16:42,000
I know it was.
316
00:16:42,160 --> 00:16:45,520
-By Edith Jay, the stable girl?
317
00:16:45,680 --> 00:16:49,920
-My great-great-great
grandmother.
318
00:16:50,080 --> 00:16:53,520
-Yes, but, now, Mr Witham
is an expert. He --
319
00:16:53,680 --> 00:16:56,800
He seems clear that it was
painted by Augustus Craig.
320
00:16:56,960 --> 00:17:00,360
-It's in his interest for it
to be painted by Craig.
321
00:17:00,520 --> 00:17:02,880
More money for him if it is.
322
00:17:05,800 --> 00:17:08,520
So, you gonna ask me?
323
00:17:08,680 --> 00:17:10,520
-Ask you what?
-If I nicked it.
324
00:17:10,680 --> 00:17:12,120
-Did you?
-No.
325
00:17:15,600 --> 00:17:17,560
But I would have done
if I could.
326
00:17:17,720 --> 00:17:23,080
♪♪
327
00:17:23,240 --> 00:17:25,640
-Uh, there are others who feel
as passionately
328
00:17:25,800 --> 00:17:27,280
about Edith as you.
329
00:17:27,440 --> 00:17:31,040
Do you think any of them
could be responsible?
330
00:17:31,200 --> 00:17:33,440
-How would I know?
Better ask them.
331
00:17:33,600 --> 00:17:36,360
-Yeah, one of them wears an
orange baseball cap, I believe.
332
00:17:36,520 --> 00:17:39,400
What was his name again?
333
00:17:39,560 --> 00:17:41,720
-No idea
who you're talking about.
334
00:17:43,880 --> 00:17:45,640
And blame who you like.
335
00:17:45,800 --> 00:17:49,160
All I know is I can't steal
something that's already mine.
336
00:17:50,920 --> 00:17:52,760
And I can prove it.
337
00:17:52,920 --> 00:17:58,880
♪♪
338
00:17:59,040 --> 00:18:05,240
♪♪
339
00:18:05,400 --> 00:18:08,080
Found in Gran's things
when she passed.
340
00:18:10,160 --> 00:18:12,080
It belonged to Edith Jay.
341
00:18:12,240 --> 00:18:19,880
♪♪
342
00:18:20,040 --> 00:18:27,880
♪♪
343
00:18:28,040 --> 00:18:30,240
-A sketch of "The Solo Mare."
344
00:18:30,400 --> 00:18:32,440
-Or a plan of how she wanted
to paint it.
345
00:18:32,600 --> 00:18:39,720
♪♪
346
00:18:39,880 --> 00:18:43,440
-I'll never live it down.
-Stop worrying.
347
00:18:43,600 --> 00:18:47,840
If anyone can figure out
what's happened, it's Humphrey.
348
00:18:48,000 --> 00:18:50,720
-I can only imagine
what your dad would say.
349
00:18:50,880 --> 00:18:53,320
When he was chair,
all he ever talked about
350
00:18:53,480 --> 00:18:56,800
was bringing
"The Solo Mare" home.
351
00:18:56,960 --> 00:18:58,760
-Hello.
-Oh.
352
00:18:58,920 --> 00:19:01,600
Humphrey, please tell me
you found it.
353
00:19:01,760 --> 00:19:03,680
-Oh, well, not quite.
354
00:19:03,840 --> 00:19:05,480
But we're making
excellent progress.
355
00:19:05,640 --> 00:19:07,080
-Really?
-Yes.
356
00:19:07,240 --> 00:19:09,480
-See, Mum? Told you.
357
00:19:09,640 --> 00:19:13,040
-Anne, so where do you stand
on the whole
358
00:19:13,200 --> 00:19:14,880
Edith Jay/Augustus
Craig debate?
359
00:19:15,040 --> 00:19:17,880
-Oh, the families have been
arguing about it for years.
360
00:19:18,040 --> 00:19:20,240
It was signed by Craig, but --
361
00:19:20,400 --> 00:19:22,920
but Martha's father
had a great deal of sympathy
362
00:19:23,080 --> 00:19:25,520
for the Jay family.
He supported looking into it
363
00:19:25,680 --> 00:19:28,760
if "The Solo Mare"
was ever found.
364
00:19:28,920 --> 00:19:31,560
But we lost him
before that happened.
365
00:19:31,720 --> 00:19:33,000
-Rosé, as requested.
366
00:19:33,160 --> 00:19:35,880
-Oh, thank you.
367
00:19:36,040 --> 00:19:37,280
-Humphrey.
-Hi.
368
00:19:37,440 --> 00:19:40,080
-Anne, oh, I heard about
the painting.
369
00:19:40,240 --> 00:19:41,920
Must have been quite a blow,
I imagine.
370
00:19:42,080 --> 00:19:43,480
-You've no idea.
371
00:19:43,640 --> 00:19:44,880
-Is there anything
I can do to help?
372
00:19:45,040 --> 00:19:46,120
-Not unless you know
who stole it.
373
00:19:46,280 --> 00:19:48,160
-Afraid not.
374
00:19:48,320 --> 00:19:50,040
-Well, I better get back.
-Oh, Marty,
375
00:19:50,200 --> 00:19:52,720
did you mention to Humph
what we were talking about?
376
00:19:52,880 --> 00:19:55,600
-Oh, no. Sorry.
377
00:19:55,760 --> 00:19:57,160
-Oh, don't worry.
Nothing too deep.
378
00:19:57,320 --> 00:19:58,680
Just thought it might be nice
for you and I
379
00:19:58,840 --> 00:20:01,040
to grab a beer sometime.
380
00:20:01,200 --> 00:20:03,520
-Beer?
-Get to know each other.
381
00:20:03,680 --> 00:20:05,880
After all, I am in partnership
with your fiancée.
382
00:20:06,040 --> 00:20:08,960
-I'm sure Humphrey's very busy.
383
00:20:09,120 --> 00:20:10,400
-Nonsense.
384
00:20:10,560 --> 00:20:12,640
-Great. What about later?
After work?
385
00:20:12,800 --> 00:20:13,920
Uh, Kitty Jay's.
386
00:20:14,080 --> 00:20:16,240
Couple of pints,
bag of crisps,
387
00:20:16,400 --> 00:20:18,040
and we can exchange
some war stories.
388
00:20:18,200 --> 00:20:20,760
-Oh, why not?
-Good man.
389
00:20:20,920 --> 00:20:22,760
Oh, at 6:30?
-I look forward to it.
390
00:20:25,600 --> 00:20:27,640
Right.
391
00:20:29,840 --> 00:20:30,880
Back on the case.
392
00:20:31,040 --> 00:20:39,040
♪♪
393
00:20:39,200 --> 00:20:41,000
[ Mobile phone buzzes ]
394
00:20:43,600 --> 00:20:45,240
Esther, hello.
395
00:20:45,400 --> 00:20:46,960
-There were nine protesters
outside the gates.
396
00:20:47,120 --> 00:20:48,880
I'm working my way
through them.
397
00:20:49,040 --> 00:20:51,360
Oh, and it seems the
only people staying at
the house last night
398
00:20:51,520 --> 00:20:53,720
were Louise Fitzallan
and Terrence Witham.
399
00:20:53,880 --> 00:20:55,520
Mr Fitzallan
is away on business,
400
00:20:55,680 --> 00:20:57,560
and there are no live-in staff.
401
00:20:57,720 --> 00:20:59,640
-Okay. Very good. Thank you.
See you back at the station.
402
00:20:59,800 --> 00:21:01,760
-Okay, see you soon.
403
00:21:06,640 --> 00:21:08,720
-Well, of course I'm aware
of the controversy
404
00:21:08,880 --> 00:21:10,520
surrounding the painting.
405
00:21:10,680 --> 00:21:13,600
My father and Howard Jay
almost came to blows over it.
406
00:21:13,760 --> 00:21:14,800
Can you imagine?
407
00:21:14,960 --> 00:21:16,440
-And Howard Jay is...?
408
00:21:16,600 --> 00:21:19,480
-Isla Jay's father.
-I see.
409
00:21:19,640 --> 00:21:21,960
-She and I have had
the occasional interaction,
410
00:21:22,120 --> 00:21:25,480
but nothing quite so heated.
-What kind of interaction?
411
00:21:25,640 --> 00:21:28,600
-Well, it usually consists
of her shouting at me in public
412
00:21:28,760 --> 00:21:29,880
and me smiling politely.
413
00:21:30,040 --> 00:21:32,120
It's all rather vulgar.
414
00:21:32,280 --> 00:21:35,080
-So when you went to your room
last night,
415
00:21:35,240 --> 00:21:37,240
you didn't see or hear anything
until this morning?
416
00:21:37,400 --> 00:21:40,440
-Nothing.
-PC Hartford said he might have
417
00:21:40,600 --> 00:21:44,480
seen someone in the grounds
last night about midnight
418
00:21:44,640 --> 00:21:47,160
wearing an orange baseball cap.
419
00:21:47,320 --> 00:21:49,520
You have any idea
who that might have been?
420
00:21:49,680 --> 00:21:53,320
-Um, no. Staff go home at 6:00,
so if there was anyone
421
00:21:53,480 --> 00:21:56,280
in the garden after that,
they were trespassing.
422
00:21:56,440 --> 00:21:57,800
-Ah.
423
00:21:57,960 --> 00:22:05,920
♪♪
424
00:22:06,080 --> 00:22:09,720
Can I ask if you saw
or heard anything last night?
425
00:22:09,880 --> 00:22:11,440
-Like what?
426
00:22:11,600 --> 00:22:14,720
-Were you aware there was
a power cut, for example?
427
00:22:14,880 --> 00:22:15,800
Around midnight?
-No.
428
00:22:15,960 --> 00:22:18,040
-You were asleep?
-Yes.
429
00:22:18,200 --> 00:22:20,080
Listen, since you're here,
maybe I can get back
430
00:22:20,240 --> 00:22:21,960
into the gallery room.
431
00:22:22,120 --> 00:22:24,640
Need to collect my things before
I go -- the display stand.
432
00:22:24,800 --> 00:22:26,800
The frame itself
is actually quite valuable.
433
00:22:26,960 --> 00:22:29,160
-You'll just need to
bear with us a while longer.
434
00:22:29,320 --> 00:22:31,560
We need to keep
the room sealed.
435
00:22:31,720 --> 00:22:34,120
Perhaps if you came back
tomorrow.
436
00:22:34,280 --> 00:22:36,360
-Don't suppose I have a choice.
437
00:22:36,520 --> 00:22:40,080
-We'll be as quick as we can.
438
00:22:40,240 --> 00:22:43,080
Can I ask --
439
00:22:43,240 --> 00:22:44,960
Were you aware of
the controversy
440
00:22:45,120 --> 00:22:46,400
surrounding "The Solo Mare"?
441
00:22:46,560 --> 00:22:48,600
-[ Chuckles ] Of course.
442
00:22:48,760 --> 00:22:51,720
The Jay family are talking
absolute nonsense.
443
00:22:51,880 --> 00:22:53,760
-And you feel that
"The Solo Mare" is
444
00:22:53,920 --> 00:22:56,040
in keeping with other works
produced by Augustus Craig?
445
00:22:56,200 --> 00:22:58,440
-Without a shadow of a doubt.
446
00:22:58,600 --> 00:23:02,440
It has his signature on it.
447
00:23:02,600 --> 00:23:03,960
-So if someone wanted to sell
448
00:23:04,120 --> 00:23:06,640
a stolen painting
of this quality,
449
00:23:06,800 --> 00:23:08,640
how do they go about it?
450
00:23:11,480 --> 00:23:14,480
-Painting of this importance,
Inspector,
451
00:23:14,640 --> 00:23:17,560
is almost always
stolen to order.
452
00:23:17,720 --> 00:23:20,120
-So they would have a buyer
already in place.
453
00:23:20,280 --> 00:23:22,520
-Oh, I can think of a dozen
private collectors
454
00:23:22,680 --> 00:23:24,440
who'd pay good money for it.
455
00:23:24,600 --> 00:23:28,440
-What was the price agreed
between you and Mrs Fitzallan?
456
00:23:30,400 --> 00:23:32,240
-500,000.
457
00:23:32,400 --> 00:23:35,120
-Gosh.
458
00:23:35,280 --> 00:23:37,920
So a buyer would pay that?
459
00:23:38,080 --> 00:23:40,080
Even if they knew
it was stolen?
460
00:23:40,240 --> 00:23:42,840
-Oh, maybe more.
461
00:23:43,000 --> 00:23:46,120
Art, Inspector, is enhanced
462
00:23:46,280 --> 00:23:49,440
by the tales that surround it.
463
00:23:49,600 --> 00:23:52,200
And a painting that was stolen
from under the nose
464
00:23:52,360 --> 00:23:57,400
of a police officer
while he was in the room --
465
00:23:57,560 --> 00:24:00,480
well, that is quite a story to
recount over dinner, isn't it?
466
00:24:00,640 --> 00:24:02,680
Hmm?
467
00:24:02,840 --> 00:24:10,200
♪♪
468
00:24:10,360 --> 00:24:17,720
♪♪
469
00:24:17,880 --> 00:24:20,080
-You've been to see
Dot Trolman yet?
470
00:24:20,240 --> 00:24:23,800
-No, I haven't got time
to go looking for missing sheep.
471
00:24:23,960 --> 00:24:27,240
I need to find this bloke
I saw last night.
472
00:24:27,400 --> 00:24:31,200
Do you know how many mug shots
were in the county database?
473
00:24:31,360 --> 00:24:33,520
-Surprise me.
474
00:24:33,680 --> 00:24:37,960
-219,411.
475
00:24:38,120 --> 00:24:39,360
-And how many of you looked at?
476
00:24:39,520 --> 00:24:41,880
-209.
477
00:24:42,040 --> 00:24:43,040
-And how many of them
are wearing
478
00:24:43,200 --> 00:24:45,400
an orange baseball cap?
479
00:24:45,560 --> 00:24:47,400
-None.
480
00:24:47,560 --> 00:24:49,040
-Chin up.
481
00:24:49,200 --> 00:24:53,200
Only another 219,202 to go.
482
00:24:55,160 --> 00:24:56,760
-Thanks.
483
00:24:59,000 --> 00:25:00,960
Nothing on any
of the protesters, sir.
484
00:25:01,120 --> 00:25:02,920
All either in bed
or can prove they were
485
00:25:03,080 --> 00:25:06,120
nowhere near the manor.
-Yes, I suspected as much.
486
00:25:06,280 --> 00:25:08,640
Margo, are forensics
at Shipton Manor?
487
00:25:08,800 --> 00:25:11,400
-Good news or bad news?
-Oh, good.
488
00:25:11,560 --> 00:25:12,680
-They got prints
from the window.
489
00:25:12,840 --> 00:25:15,320
-Great. And the bad?
490
00:25:15,480 --> 00:25:17,560
-There were around 30 people
in the room,
491
00:25:17,720 --> 00:25:19,920
so they'll need to do
exclusion prints on all of them.
492
00:25:20,080 --> 00:25:22,280
I also checked
with the power company.
493
00:25:22,440 --> 00:25:24,840
There were no disruptions
in the power supply last night.
494
00:25:25,000 --> 00:25:27,640
-Yes, all very unhelpful.
495
00:25:27,800 --> 00:25:29,160
-You're welcome.
496
00:25:32,560 --> 00:25:35,520
Oh, wait.
497
00:25:35,680 --> 00:25:38,560
I have got some good news.
-Yes?
498
00:25:38,720 --> 00:25:40,600
-The chief superintendent's
been on,
499
00:25:40,760 --> 00:25:44,600
wants you at the hub,
9:00 tomorrow morning.
500
00:25:44,760 --> 00:25:46,800
-How is that good news?
501
00:25:46,960 --> 00:25:50,160
-You can get croissants
and coffee on your way back.
502
00:25:50,320 --> 00:25:51,800
-Yes. [ Chuckles ]
503
00:25:51,960 --> 00:25:53,320
Right, um, come on.
Come on, everyone.
504
00:25:53,480 --> 00:25:56,360
What are we missing?
Gate cameras?
505
00:25:56,520 --> 00:25:59,320
-Nothing. And the manor house
has a three-mile perimeter.
506
00:25:59,480 --> 00:26:01,160
There's lots of places
they could have got in.
507
00:26:01,320 --> 00:26:02,760
-Okay, what about
this power cut?
508
00:26:02,920 --> 00:26:04,280
If it wasn't the grid,
509
00:26:04,440 --> 00:26:06,840
then it must have been
cut off in the house.
510
00:26:07,000 --> 00:26:08,760
-And only Terrence Witham
and Louise Fitzallan
511
00:26:08,920 --> 00:26:10,600
were inside the house.
512
00:26:10,760 --> 00:26:12,120
-Background checks?
513
00:26:12,280 --> 00:26:13,520
-Did Miss Fitzallan first,
514
00:26:13,680 --> 00:26:15,840
thought that'd be
the most interesting.
515
00:26:16,000 --> 00:26:19,760
Turns out the Fitzallans
aren't as loaded as I thought.
516
00:26:19,920 --> 00:26:21,360
The husband inherited
the house,
517
00:26:21,520 --> 00:26:23,160
but they struggled to afford
the running costs.
518
00:26:23,320 --> 00:26:25,960
-They can afford half a million
pounds for a painting, though.
519
00:26:26,120 --> 00:26:28,680
-What about our art dealer,
Terrence Witham?
520
00:26:28,840 --> 00:26:30,400
-Well-known for
his niche taste,
521
00:26:30,560 --> 00:26:32,120
beginning his career
specialising in works
522
00:26:32,280 --> 00:26:34,440
depicting
alternative lifestyles,
523
00:26:34,600 --> 00:26:38,640
escapologists,
circus performers, and the like,
524
00:26:38,800 --> 00:26:40,440
discovered "The Solo Mare"
525
00:26:40,600 --> 00:26:44,160
in a small-town auction
in January 2022.
526
00:26:44,320 --> 00:26:48,800
Lists his heroes as Banksy,
Mozart, and the Dalai Lama.
527
00:26:48,960 --> 00:26:50,560
-Yes, an eclectic mix.
528
00:26:50,720 --> 00:26:53,040
But, again, as he already
owned the painting,
529
00:26:53,200 --> 00:26:55,560
what possible motive
could he have to steal it?
530
00:26:55,720 --> 00:26:57,080
-So we're back to our man
in the baseball cap.
531
00:26:57,240 --> 00:26:59,400
-Yes, yes,
he definitely feels like
532
00:26:59,560 --> 00:27:03,920
he is the key
to unlock everything.
533
00:27:04,080 --> 00:27:06,080
We need to find him.
534
00:27:08,200 --> 00:27:10,320
-You were seen.
535
00:27:10,480 --> 00:27:14,560
Doesn't matter by who.
Just don't do anything else.
536
00:27:14,720 --> 00:27:15,800
The police have been here
all afternoon.
537
00:27:15,960 --> 00:27:18,280
Just wait.
538
00:27:18,440 --> 00:27:21,280
No, we had an agreement.
539
00:27:21,440 --> 00:27:30,000
♪♪
540
00:27:30,160 --> 00:27:31,720
-So football --
I'm a Chelsea man.
541
00:27:31,880 --> 00:27:33,160
What about you?
-I don't really follow football.
542
00:27:33,320 --> 00:27:35,320
Sorry.
-Rugby?
543
00:27:35,480 --> 00:27:37,760
-Gosh, I'm not sure
I know the rules, to be honest.
544
00:27:43,960 --> 00:27:45,720
-So you and Martha --
545
00:27:45,880 --> 00:27:48,480
the Caribbean, right?
546
00:27:48,640 --> 00:27:51,440
-Uh, yes.
Well, I was stationed there.
547
00:27:51,600 --> 00:27:53,280
She was travelling.
548
00:27:53,440 --> 00:27:56,040
We had met briefly a year
or so before in London.
549
00:27:56,200 --> 00:27:58,080
-A happy coincidence.
550
00:27:58,240 --> 00:28:01,880
-I still wake up
every morning and...
551
00:28:02,040 --> 00:28:03,480
well, wonder what she sees me,
really.
552
00:28:03,640 --> 00:28:05,800
[ Chuckles ]
553
00:28:05,960 --> 00:28:07,760
-Okay.
554
00:28:07,920 --> 00:28:09,920
-I guess it's just one
of life's mysteries.
555
00:28:10,080 --> 00:28:12,160
Best not to think about it
too much
556
00:28:12,320 --> 00:28:14,200
in case I jinx it.
557
00:28:14,360 --> 00:28:15,640
[ Chuckles ]
558
00:28:15,800 --> 00:28:18,000
-We could always ask her.
-Oh, I do.
559
00:28:18,160 --> 00:28:20,520
She says we're the perfect fit.
560
00:28:20,680 --> 00:28:22,720
You know, like yin and yang.
561
00:28:24,760 --> 00:28:27,840
I don't know which is which.
562
00:28:28,000 --> 00:28:29,880
I think I may be yang.
563
00:28:34,720 --> 00:28:38,080
-Perversely, I used to think
we were perfect together.
564
00:28:38,240 --> 00:28:40,320
Turns out she didn't
feel the same way.
565
00:28:40,480 --> 00:28:42,080
-Lucky for me.
566
00:28:42,240 --> 00:28:45,520
Sorry.
-Don't be. It's true.
567
00:28:49,360 --> 00:28:51,320
So I need to ask --
568
00:28:51,480 --> 00:28:54,280
does it bother you,
us working together
569
00:28:54,440 --> 00:28:56,080
-Should it?
570
00:28:56,240 --> 00:28:58,200
-Of course not.
571
00:28:58,360 --> 00:29:08,000
♪♪
572
00:29:08,160 --> 00:29:17,760
♪♪
573
00:29:17,920 --> 00:29:18,840
[ Banging ]
574
00:29:19,000 --> 00:29:21,280
-[ Gasps ]
575
00:29:21,440 --> 00:29:23,600
Ha!
-Hi.
576
00:29:23,760 --> 00:29:27,000
-[ Chuckles ] How did it go?
-It was brilliant.
577
00:29:27,160 --> 00:29:29,840
Yeah, turns out
we have loads in common.
578
00:29:30,000 --> 00:29:32,840
-You have nothing in common.
-That's not true, actually.
579
00:29:33,000 --> 00:29:36,160
We narrowed it down
to [chuckles] you
580
00:29:36,320 --> 00:29:38,720
and cheese-and-onion crisps.
581
00:29:38,880 --> 00:29:40,440
-Was a disaster?
582
00:29:40,600 --> 00:29:43,720
-[ Sighs ] Not a disaster, no,
but, uh...
583
00:29:47,680 --> 00:29:50,200
I'm not sure on what you saw
in either of us, to be honest.
584
00:29:50,360 --> 00:29:52,400
What should we do for dinner?
585
00:29:52,560 --> 00:29:54,880
-Oh, Mum's still upset
about the missing painting,
586
00:29:55,040 --> 00:29:57,680
so I said we'd eat with her,
if that's okay.
587
00:29:57,840 --> 00:29:59,560
-Yeah, of course.
588
00:30:02,640 --> 00:30:04,120
[ Sighs ]
589
00:30:07,600 --> 00:30:11,320
Archie asked me if we're
planning to start a family.
590
00:30:11,480 --> 00:30:13,760
I didn't know what to tell him.
591
00:30:13,920 --> 00:30:16,880
-So what did you say?
592
00:30:17,040 --> 00:30:19,600
-Told him we were thinking
about it.
593
00:30:19,760 --> 00:30:22,400
-And we are.
594
00:30:22,560 --> 00:30:24,320
-Are we?
595
00:30:26,240 --> 00:30:27,400
-Come on.
596
00:30:27,560 --> 00:30:28,480
Mum's waiting.
597
00:30:28,640 --> 00:30:30,400
-Okay.
598
00:30:35,400 --> 00:30:37,240
-I knew you'd still be in here.
599
00:30:37,400 --> 00:30:39,000
-I need to find him.
600
00:30:41,840 --> 00:30:44,120
-Home.
-Just give me 10 more minutes.
601
00:30:46,200 --> 00:30:48,560
-Now.
-Okay.
602
00:30:48,720 --> 00:30:51,040
-I've got a fancy-dress party
at Jamie Alvin's,
603
00:30:51,200 --> 00:30:53,000
and I'm late as it is.
604
00:30:53,160 --> 00:30:55,800
-Who you going as?
605
00:30:55,960 --> 00:30:58,440
-Kenny Everett.
606
00:30:58,600 --> 00:31:00,880
-Who's that?
-Ugh.
607
00:31:01,040 --> 00:31:02,560
Before your time.
608
00:31:02,720 --> 00:31:04,280
Come on.
609
00:31:04,440 --> 00:31:07,560
Find Mr Baseball Cap tomorrow.
610
00:31:07,720 --> 00:31:09,480
-Okay.
-[ Chuckles ]
611
00:31:09,640 --> 00:31:18,400
♪♪
612
00:31:18,560 --> 00:31:21,520
-Uh, yes,
so he was a Caucasian male,
613
00:31:21,680 --> 00:31:23,280
um...
614
00:31:23,440 --> 00:31:26,400
height-wise,
he was up around here,
615
00:31:26,560 --> 00:31:27,920
my height, uh,
616
00:31:28,080 --> 00:31:29,880
and was wearing a baseball cap.
617
00:31:30,040 --> 00:31:31,160
Have you seen him?
618
00:31:33,480 --> 00:31:35,720
Hi, there. Uh...
619
00:31:35,880 --> 00:31:37,640
Baseball cap. Orange.
620
00:31:37,800 --> 00:31:39,880
Um, about this height.
621
00:31:40,040 --> 00:31:40,920
About this height.
622
00:31:41,080 --> 00:31:42,520
He had an orange cap on.
623
00:31:42,680 --> 00:31:45,040
♪♪
624
00:31:45,200 --> 00:31:46,680
All right. Thank you.
625
00:31:46,840 --> 00:31:56,080
♪♪
626
00:31:56,240 --> 00:32:05,600
♪♪
627
00:32:05,760 --> 00:32:07,160
-Excuse me.
628
00:32:11,440 --> 00:32:13,920
-Oh!
-Oh! So sorry!
629
00:32:14,080 --> 00:32:16,800
Um, sorry.
630
00:32:19,400 --> 00:32:21,720
Oh, gosh, not again.
-Okay.
631
00:32:21,880 --> 00:32:25,080
Oh, sorry.
I think I'm just a bit nervous.
632
00:32:25,240 --> 00:32:28,360
I'm meant to meet
my new chief superintendent.
633
00:32:28,520 --> 00:32:30,400
Does nothing but moan about
how much money
634
00:32:30,560 --> 00:32:32,680
Shipton Abbott is spending.
635
00:32:32,840 --> 00:32:35,040
-Oh, you're from
one of old station houses?
636
00:32:35,200 --> 00:32:37,440
-Yes, well, old
but perfectly formed.
637
00:32:37,600 --> 00:32:40,080
-Or pretty
but not very efficient.
638
00:32:40,240 --> 00:32:42,920
-I think we're
efficient enough.
-Oh, I don't doubt it
as people.
639
00:32:43,080 --> 00:32:45,000
But we've moved on, haven't we?
640
00:32:45,160 --> 00:32:47,000
From a system
of individual outposts
641
00:32:47,160 --> 00:32:49,760
towards a more modern
and joined-up approach.
642
00:32:49,920 --> 00:32:52,040
With shared information
and technology.
643
00:32:52,200 --> 00:32:54,520
Facial recognition systems.
Biometric.
644
00:32:54,680 --> 00:32:57,160
-I just prefer
good, old-fashioned policing.
645
00:32:57,320 --> 00:33:00,440
-Running around with whistles?
-Well... [ Laughs ]
646
00:33:00,600 --> 00:33:03,360
Well, with respect, um,
that's your interpretation.
647
00:33:03,520 --> 00:33:05,080
And as an inspector
sitting behind a desk --
648
00:33:05,240 --> 00:33:07,640
-Except I'm not an inspector.
-You have two pips.
649
00:33:07,800 --> 00:33:09,840
-Pip and a crown.
650
00:33:10,000 --> 00:33:11,440
-Oh, gosh. Sorry.
651
00:33:11,600 --> 00:33:14,160
That -- That makes you a...
652
00:33:14,320 --> 00:33:16,920
chief superintendent.
653
00:33:17,080 --> 00:33:18,800
-Shall we go to my office?
654
00:33:18,960 --> 00:33:22,080
[ Walk the Moon's "Jenny"
plays ]
655
00:33:22,240 --> 00:33:24,160
-♪ You got curves
like the ocean
656
00:33:24,320 --> 00:33:25,800
♪ Gonna take it in
slow motion ♪
657
00:33:25,960 --> 00:33:28,480
♪ Got emotions
that'll make it last ♪
658
00:33:28,640 --> 00:33:30,400
♪ You got freckles
on your shoulder ♪
659
00:33:30,560 --> 00:33:32,320
♪ Ammunition like a soldier ♪
660
00:33:32,480 --> 00:33:35,120
♪ And visions, ambitions
to be the best ♪
661
00:33:35,280 --> 00:33:37,080
♪ Oh, and Jenny, why don't we ♪
662
00:33:37,240 --> 00:33:41,400
♪ Jenny, why don't we
be gettin' together? ♪
663
00:33:41,560 --> 00:33:43,560
♪ I said, Jenny, shouldn't we ♪
664
00:33:43,720 --> 00:33:47,680
♪ Jenny, shouldn't we
be gettin' together? ♪
665
00:33:47,840 --> 00:33:49,480
♪ Jenny's got a... ♪
666
00:33:49,640 --> 00:33:53,760
♪♪
667
00:33:53,920 --> 00:33:56,240
-Well, I'm guessing you'd like
an update on "The Solo Mare."
668
00:33:56,400 --> 00:33:58,480
-Do you have one?
669
00:33:58,640 --> 00:34:00,280
-We're still pursuing leads.
670
00:34:00,440 --> 00:34:02,480
-So that's a no.
671
00:34:02,640 --> 00:34:04,400
Actually, that's not why
I brought you here,
672
00:34:04,560 --> 00:34:07,160
nor was it to listen to your
views on 21st century policing,
673
00:34:07,320 --> 00:34:08,840
enlightening as that was,
674
00:34:09,000 --> 00:34:10,400
or even to tell you of
face to face
675
00:34:10,560 --> 00:34:13,640
for spending too much money.
676
00:34:13,800 --> 00:34:15,640
Did you have a look around
earlier?
677
00:34:15,800 --> 00:34:19,480
You'll find every force
in the county with a base here.
678
00:34:19,640 --> 00:34:22,600
This place is the beating heart
of the Southwest Police.
679
00:34:22,760 --> 00:34:24,480
-And what does that make us?
The kidney?
680
00:34:24,640 --> 00:34:26,920
-More like a benign growth --
fine for now,
681
00:34:27,080 --> 00:34:29,880
dangerous if left unchecked.
682
00:34:30,040 --> 00:34:32,680
Tactical Command are considering
bringing you and your team
683
00:34:32,840 --> 00:34:34,440
into this building,
684
00:34:34,600 --> 00:34:36,320
closing down
the old station house.
685
00:34:36,480 --> 00:34:39,320
-Well, that's a shame.
-For who?
686
00:34:39,480 --> 00:34:41,200
-Us, but also the community
687
00:34:41,360 --> 00:34:43,360
have been using that building
for 100 years.
688
00:34:43,520 --> 00:34:45,560
-They'll have more support here,
more resources,
689
00:34:45,720 --> 00:34:46,920
community liaison,
690
00:34:47,080 --> 00:34:49,040
be part of a bigger picture.
691
00:34:51,400 --> 00:34:53,320
[ Nathan Evans' "Wellerman"
plays ]
692
00:34:53,480 --> 00:34:55,880
-♪ There once was a ship
that put to sea ♪
693
00:34:56,040 --> 00:34:58,520
♪ The name of the ship
was the Billy O'Tea ♪
694
00:34:58,680 --> 00:35:00,960
♪ The winds blew up,
her bow dipped down ♪
695
00:35:01,120 --> 00:35:03,760
♪ Oh, blow, my bully boys, blow,
huh ♪
696
00:35:03,920 --> 00:35:06,240
♪ Soon may the Wellerman come ♪
697
00:35:06,400 --> 00:35:08,360
♪ To bring us sugar and tea
and rum ♪
698
00:35:08,520 --> 00:35:09,920
-Oi!
699
00:35:10,080 --> 00:35:12,040
-Here! You gotta pay for that!
700
00:35:12,200 --> 00:35:13,560
♪♪
701
00:35:13,720 --> 00:35:15,920
-♪ Take our leave and go ♪
702
00:35:16,080 --> 00:35:17,480
♪ Soon may the Wellerman come ♪
703
00:35:17,640 --> 00:35:19,320
♪ To bring us sugar and tea
and rum ♪
704
00:35:19,480 --> 00:35:21,400
♪ One day, when the tonguing
is done ♪
705
00:35:21,560 --> 00:35:22,840
♪ We'll take our leave and go ♪
706
00:35:23,000 --> 00:35:24,440
-Sorry, mate, sorry.
707
00:35:24,600 --> 00:35:31,000
♪♪
708
00:35:31,160 --> 00:35:33,400
-You all right?
-Yeah.
709
00:35:34,560 --> 00:35:36,200
-♪ One day, when the tonguing
is done ♪
710
00:35:36,360 --> 00:35:39,360
♪ We'll take our leave and go ♪
711
00:35:40,720 --> 00:35:42,120
-What are you doing here?
712
00:35:42,280 --> 00:35:43,840
-Gonna have it out
with my computer.
713
00:35:44,000 --> 00:35:46,640
It's got my wholesale
order on it.
714
00:35:46,800 --> 00:35:48,600
What are these?
715
00:35:48,760 --> 00:35:53,280
-We had a Turner visit in 1987.
716
00:35:53,440 --> 00:35:57,000
Your father planned it all,
went off beautifully.
717
00:35:57,160 --> 00:36:00,080
-Oh, Mum, I've told you,
718
00:36:00,240 --> 00:36:02,200
you can't keep blaming
yourself.
719
00:36:02,360 --> 00:36:04,160
You weren't even there.
720
00:36:04,320 --> 00:36:08,520
-I really just can't help
thinking that I let him down.
721
00:36:08,680 --> 00:36:10,120
Marty.
722
00:36:15,320 --> 00:36:16,520
-[ Sighs ]
723
00:36:18,520 --> 00:36:20,360
-So how is the chief super?
724
00:36:20,520 --> 00:36:23,040
-Oh, good. Spilt coffee on her.
725
00:36:23,200 --> 00:36:25,320
Then got given a lecture
on modern policing methods.
726
00:36:25,480 --> 00:36:28,240
-Oh, dear.
But this will cheer you up.
727
00:36:28,400 --> 00:36:32,120
Kelby found our mystery
baseball-cap man.
728
00:36:32,280 --> 00:36:34,880
-Where?
-At the fish market, apparently.
729
00:36:35,040 --> 00:36:36,760
Anyway, he's
processing him now.
730
00:36:36,920 --> 00:36:38,200
-Excellent!
-We have got other things
731
00:36:38,360 --> 00:36:39,920
to be doing, you know.
732
00:36:40,080 --> 00:36:42,800
We're not all sitting here
twiddling our thumbs.
733
00:36:42,960 --> 00:36:47,800
Now, I said we'll get to it,
and we will. Right?
734
00:36:47,960 --> 00:36:49,080
-What was that?
735
00:36:49,240 --> 00:36:51,880
-Seems everyone's
moaning at me today.
736
00:36:52,040 --> 00:36:55,280
That was Dot Trolman
moaning about her sheep.
737
00:36:55,440 --> 00:36:57,800
Then I had that Witham
on earlier,
738
00:36:57,960 --> 00:36:59,440
wanted to know if he can
get in the gallery yet
739
00:36:59,600 --> 00:37:00,920
to get his stuff out.
740
00:37:01,080 --> 00:37:04,000
-Um, I'd say yes.
I think we're done there.
741
00:37:04,160 --> 00:37:05,480
-Okay.
742
00:37:05,640 --> 00:37:08,040
He is in the interview room,
ready for you.
743
00:37:08,200 --> 00:37:10,760
-Thanks, Kelby.
-Yes. Great work, Kelby.
744
00:37:10,920 --> 00:37:14,240
-Sir, um, this might not
be important,
745
00:37:14,400 --> 00:37:19,160
but when I saw him first --
and I'm not sure about this --
746
00:37:19,320 --> 00:37:20,840
but he was with a woman,
747
00:37:21,000 --> 00:37:24,600
and it looked like she was
passing something to him.
748
00:37:24,760 --> 00:37:26,240
She was a little older,
749
00:37:26,400 --> 00:37:29,480
and it looked like Mrs Fitzallan
from the manor.
750
00:37:29,640 --> 00:37:38,360
♪♪
751
00:37:38,520 --> 00:37:40,840
-Aaron Cole,
752
00:37:41,000 --> 00:37:45,600
previous for criminal damage,
theft, and common assault.
753
00:37:45,760 --> 00:37:48,520
-Okay, so, uh,
754
00:37:48,680 --> 00:37:50,160
can you tell us what
you were doing in the grounds
755
00:37:50,320 --> 00:37:54,720
of Shipton Manor the night
before last around midnight?
756
00:37:54,880 --> 00:37:56,520
-You were seen.
757
00:37:56,680 --> 00:37:59,320
-On the night a painting worth
£500,000 was stolen.
758
00:37:59,480 --> 00:38:01,040
-Whoa, whoa, whoa, whoa, whoa.
You ain't pinning that on me.
759
00:38:01,200 --> 00:38:03,520
-Unless you got a really good
explanation for being there,
760
00:38:03,680 --> 00:38:05,640
it doesn't look good, does it?
761
00:38:05,800 --> 00:38:08,240
-Right now
you're our prime suspect.
762
00:38:08,400 --> 00:38:10,960
-I didn't steal anything,
I swear.
763
00:38:11,120 --> 00:38:12,560
-Well, look, if you're innocent,
you can be out of this room
764
00:38:12,720 --> 00:38:15,400
in five minutes.
765
00:38:15,560 --> 00:38:17,080
I mean, you're no stranger
to this process
766
00:38:17,240 --> 00:38:18,800
by the sound of things,
are you, Aaron?
767
00:38:18,960 --> 00:38:21,920
So you know full well that the
only way that's gonna happen
768
00:38:22,080 --> 00:38:24,360
is if you tell us the truth
and...
769
00:38:24,520 --> 00:38:27,600
if you tell us exactly
why you were there.
770
00:38:30,920 --> 00:38:36,040
If it helps, we already know
about Mrs Fitzallan.
771
00:38:36,200 --> 00:38:38,560
Do you really think
she's gonna protect you?
772
00:38:41,600 --> 00:38:43,240
-She wanted me
to nick the painting.
773
00:38:43,400 --> 00:38:45,200
-So you admit stealing it?
-No.
774
00:38:45,360 --> 00:38:47,080
I was supposed to
draw that stuff
775
00:38:47,240 --> 00:38:48,760
on the back of the house
the first night.
776
00:38:48,920 --> 00:38:50,800
Then the second night, she was
supposed to leave the window
777
00:38:50,960 --> 00:38:53,680
open and the alarm off
so I could get the painting.
778
00:38:53,840 --> 00:38:56,480
That way, people would blame
the protesters.
779
00:38:56,640 --> 00:39:00,680
But she phoned me yesterday
to call it all off.
780
00:39:00,840 --> 00:39:03,640
Arranged to meet her in town.
Told her I wanted paying anyway.
781
00:39:03,800 --> 00:39:05,480
-Wait. So the plan was for you
782
00:39:05,640 --> 00:39:07,160
to steal the painting
last night?
783
00:39:07,320 --> 00:39:09,120
-Yeah.
784
00:39:09,280 --> 00:39:11,520
But it looks like someone
beat me to it.
785
00:39:16,520 --> 00:39:19,960
-Aaron Cole was at school
with my son, James.
786
00:39:20,120 --> 00:39:22,400
I spent most of their
teenage years telling James
787
00:39:22,560 --> 00:39:25,440
to stay away from him.
788
00:39:25,600 --> 00:39:26,840
Rather ironic.
789
00:39:27,000 --> 00:39:29,800
-So you contacted him?
790
00:39:29,960 --> 00:39:33,240
-My circle of criminal
acquaintances is rather small.
791
00:39:33,400 --> 00:39:36,480
-So you admit you were paying
him to steal the painting.
792
00:39:36,640 --> 00:39:38,600
-[ Sighs ]
After what you've just said,
793
00:39:38,760 --> 00:39:40,760
it would be rather churlish
not to.
794
00:39:42,840 --> 00:39:47,160
You see, my husband isn't away
on business.
795
00:39:47,320 --> 00:39:51,120
Charles is actually
in Antigua...
796
00:39:51,280 --> 00:39:53,680
with his secretary...
797
00:39:53,840 --> 00:39:55,760
and most of our money.
798
00:39:57,720 --> 00:39:59,160
-I'm sorry.
799
00:39:59,320 --> 00:40:02,560
-Then why go through with
buying the painting?
800
00:40:02,720 --> 00:40:05,000
-Because I'm a Fitzallan.
801
00:40:05,160 --> 00:40:06,480
And the guardianship
of this house
802
00:40:06,640 --> 00:40:09,120
comes with responsibilities.
803
00:40:09,280 --> 00:40:10,640
The homecoming
of "The Solo Mare"
804
00:40:10,800 --> 00:40:12,320
brought the entire community
back together.
805
00:40:12,480 --> 00:40:13,960
How could I suddenly announce
I wasn't going to
806
00:40:14,120 --> 00:40:17,280
go through with it?
It would have been excruciating.
807
00:40:21,240 --> 00:40:23,720
Charles had arranged to borrow
the money, convinced me
808
00:40:23,880 --> 00:40:27,040
to use the manor
as security against the loan.
809
00:40:27,200 --> 00:40:29,360
-So you hoped to claim
on insurance
810
00:40:29,520 --> 00:40:31,520
to help pay back the loan.
811
00:40:31,680 --> 00:40:33,520
-And save face in the process.
812
00:40:33,680 --> 00:40:36,200
-Rather tawdry solution,
don't you think?
813
00:40:36,360 --> 00:40:39,440
-Which means that the painting
had to be stolen last night
814
00:40:39,600 --> 00:40:42,800
because until then,
you didn't actually own it.
815
00:40:42,960 --> 00:40:45,200
-Exactly.
816
00:40:45,360 --> 00:40:47,760
The only good thing
to come out of this conversation
817
00:40:47,920 --> 00:40:50,040
is that you will now see
that it wasn't in my interest
818
00:40:50,200 --> 00:40:52,480
to steal it any sooner.
819
00:40:52,640 --> 00:41:00,800
♪♪
820
00:41:00,960 --> 00:41:09,320
♪♪
821
00:41:09,480 --> 00:41:11,040
-Sir.
822
00:41:11,200 --> 00:41:12,400
-Yes. Coming.
823
00:41:12,560 --> 00:41:20,840
♪♪
824
00:41:21,000 --> 00:41:22,160
Mr Witham.
-Hmm?
825
00:41:22,320 --> 00:41:23,440
-Please let me help.
826
00:41:23,600 --> 00:41:25,120
-Yes. I'll take that.
Thank you.
827
00:41:27,440 --> 00:41:29,080
-Sorry we couldn't let you go
any sooner.
828
00:41:29,240 --> 00:41:30,880
-Yeah, whatever.
829
00:41:37,880 --> 00:41:39,240
-Aaron Cole could be lying.
830
00:41:39,400 --> 00:41:41,120
He might have stolen
the painting anyway.
831
00:41:41,280 --> 00:41:43,080
-Yes, very true.
832
00:41:43,240 --> 00:41:45,920
And nothing in this case
is quite what it seems.
833
00:41:46,080 --> 00:41:48,800
I'm starting to think we may
never find out what happened.
834
00:41:48,960 --> 00:41:58,840
♪♪
835
00:41:59,000 --> 00:42:01,880
-I suppose me taking over
his place on the Arts Committee
836
00:42:02,040 --> 00:42:06,400
was my way of holding on
to him a bit longer.
837
00:42:06,560 --> 00:42:08,160
-I know.
838
00:42:10,840 --> 00:42:13,640
-I still miss him.
839
00:42:13,800 --> 00:42:17,040
You see, but I know I shouldn't
after all this time.
840
00:42:19,480 --> 00:42:21,240
We stop mentioning it
to people.
841
00:42:21,400 --> 00:42:27,040
Well, because it starts to be
a bit awkward after a while.
842
00:42:27,200 --> 00:42:29,040
As if sympathy
as he use-by date,
843
00:42:29,200 --> 00:42:31,040
and once you pass that date,
844
00:42:31,200 --> 00:42:33,360
you're supposed to
snap out of it,
845
00:42:33,520 --> 00:42:37,040
stop harking back to the past,
move on.
846
00:42:37,200 --> 00:42:42,280
And it's difficult to move on
on your own.
847
00:42:42,440 --> 00:42:46,200
You're so used
to doing everything together.
848
00:42:46,360 --> 00:42:49,000
-I miss him, too.
-Oh, I know you do.
849
00:42:51,400 --> 00:42:53,680
You don't get your own way
as much as you used to
850
00:42:53,840 --> 00:42:54,800
when he was here.
851
00:42:54,960 --> 00:42:56,520
-True.
852
00:42:56,680 --> 00:42:58,960
Just my luck to get left
with the strict parent.
853
00:42:59,120 --> 00:43:01,800
-Mm.
854
00:43:01,960 --> 00:43:04,120
I know why you came back.
855
00:43:04,280 --> 00:43:06,160
-Oh?
856
00:43:06,320 --> 00:43:09,080
-You were worried about me
being on my own.
857
00:43:09,240 --> 00:43:11,280
Oh, I'm sure the dream
of opening your own cafe
858
00:43:11,440 --> 00:43:14,160
and being fed up with London
is all true, too.
859
00:43:14,320 --> 00:43:17,760
But that's not why
you came back.
860
00:43:17,920 --> 00:43:19,720
And you were right.
861
00:43:21,720 --> 00:43:23,840
I'm not sure I could have coped
on my own.
862
00:43:27,200 --> 00:43:29,200
But that's what you do,
isn't it,
863
00:43:29,360 --> 00:43:31,960
for people you love?
864
00:43:32,120 --> 00:43:33,800
Put your own wants
and needs to one side
865
00:43:33,960 --> 00:43:37,080
and give them what they need.
866
00:43:37,240 --> 00:43:40,000
-Never thought about it
like that.
867
00:43:40,160 --> 00:43:44,560
-All I ever wanted was for your
dad to be content and happy.
868
00:43:47,320 --> 00:43:51,120
I suppose that's what Humphrey's
doing for you, isn't it?
869
00:43:51,280 --> 00:43:55,400
Giving up everything
to come down here with you.
870
00:43:55,560 --> 00:43:58,400
-Yes, he is.
871
00:43:58,560 --> 00:44:01,760
-And he's doing that
because he loves you.
872
00:44:04,040 --> 00:44:06,840
It's a very precious thing,
you know, Marty -- love.
873
00:44:09,920 --> 00:44:13,920
You hold on to it
as tightly as you can.
874
00:44:14,080 --> 00:44:20,280
♪♪
875
00:44:20,440 --> 00:44:21,920
-Sir, I, um --
876
00:44:22,080 --> 00:44:23,720
-If our intruder came in
through the gallery window
877
00:44:23,880 --> 00:44:27,560
and is already inside the room
where the painting actually was,
878
00:44:27,720 --> 00:44:29,160
so why did the power
need to be switched off,
879
00:44:29,320 --> 00:44:32,040
and why didn't Kelby see him?
880
00:44:32,200 --> 00:44:35,400
-I don't know, but I asked
for the sale memo
881
00:44:35,560 --> 00:44:37,960
from when Witham originally
bought the painting --
882
00:44:38,120 --> 00:44:39,960
part of the auction house's
due diligence.
883
00:44:40,120 --> 00:44:41,600
-Why?
-Well, I was hoping there might
884
00:44:41,760 --> 00:44:43,760
be something in it
that might solve the debate,
885
00:44:43,920 --> 00:44:45,600
give Isla Jay
some peace of mind.
886
00:44:45,760 --> 00:44:47,640
-That was a nice thing to do.
-Mm.
887
00:44:47,800 --> 00:44:49,680
I'm not sure it helps, though.
888
00:44:49,840 --> 00:44:51,560
The only thing of note
889
00:44:51,720 --> 00:44:53,960
is that the artist
may have used the canvas before
890
00:44:54,120 --> 00:44:56,400
and over-painted,
but even that's quite common.
891
00:44:56,560 --> 00:44:59,240
-Doesn't that help?
-Might make it worse.
892
00:44:59,400 --> 00:45:02,680
If Craig painted over
Edith's painting,
893
00:45:02,840 --> 00:45:05,080
it's still an original Craig.
894
00:45:05,240 --> 00:45:07,360
-Ah. You know,
I keep coming back
895
00:45:07,520 --> 00:45:10,560
to the power being turned off.
896
00:45:10,720 --> 00:45:13,400
Common sense demands
that we look at the two people
897
00:45:13,560 --> 00:45:14,760
who were actually
inside the house
898
00:45:14,920 --> 00:45:16,280
when the painting was stolen.
899
00:45:16,440 --> 00:45:18,640
-Hmm. Louise Fitzallan
and Terrence Witham.
900
00:45:18,800 --> 00:45:20,560
-But we've discounted
them both.
901
00:45:22,760 --> 00:45:25,920
-Sheep!
-What?
902
00:45:26,080 --> 00:45:30,760
-She's been on the phone again,
threatening to go to HQ.
903
00:45:30,920 --> 00:45:33,280
-Fine. I'll go.
904
00:45:33,440 --> 00:45:35,920
But I can't see how
you can lose 25 sheep.
905
00:45:36,080 --> 00:45:38,600
It's not like they can
turn invisible, is it?
906
00:45:38,760 --> 00:45:40,880
Or maybe they're just
playing hide-and-seek.
907
00:45:41,040 --> 00:45:42,560
-[ Chuckles ]
908
00:45:48,400 --> 00:45:50,040
-Thanks, Margo.
909
00:45:53,280 --> 00:45:56,120
[ Shredder whirring ]
910
00:46:01,240 --> 00:46:02,240
-Hiding!
-[ Gasps ]
911
00:46:02,400 --> 00:46:04,800
-What?
-Hiding is the only thing
912
00:46:04,960 --> 00:46:07,360
we've never really considered.
913
00:46:07,520 --> 00:46:10,080
I'm not following.
914
00:46:10,240 --> 00:46:11,600
Sir?
915
00:46:11,760 --> 00:46:14,080
-We've always known
that it was impossible
916
00:46:14,240 --> 00:46:15,520
to climb in through the window,
steal the painting,
917
00:46:15,680 --> 00:46:17,280
and get out again
in the two minutes
918
00:46:17,440 --> 00:46:18,320
that Kelby said
he was on the landing.
919
00:46:18,480 --> 00:46:19,880
So what did we do?
920
00:46:20,040 --> 00:46:22,840
We chose not to believe him.
921
00:46:23,000 --> 00:46:25,120
But what if he was
telling the truth?
922
00:46:25,280 --> 00:46:27,920
What if it was
two minutes or less?
923
00:46:28,080 --> 00:46:31,080
-That's not possible.
-Exactly. And that's the point.
924
00:46:31,240 --> 00:46:33,600
That's why everything is not
quite what it seemed,
925
00:46:33,760 --> 00:46:35,160
because we were trying
to prove something
926
00:46:35,320 --> 00:46:37,480
that never actually happened.
927
00:46:37,640 --> 00:46:39,480
See, when Witham left
art college,
928
00:46:39,640 --> 00:46:41,080
he worked with
the art of the macabre,
929
00:46:41,240 --> 00:46:42,960
with magicians and show people.
930
00:46:43,120 --> 00:46:44,920
-And?
-And on his website,
931
00:46:45,080 --> 00:46:47,280
he listed as one of his heroes
Banksy, remember?
932
00:46:47,440 --> 00:46:48,720
-Yes.
-So?
933
00:46:48,880 --> 00:46:50,760
-So at the auction
for Banksy's famous
934
00:46:50,920 --> 00:46:53,800
"Girl with Balloon" picture,
what did he do?
935
00:46:53,960 --> 00:46:55,560
He shredded it!
936
00:46:55,720 --> 00:46:57,600
-I remember that!
-Yes!
937
00:46:57,760 --> 00:46:58,920
-I'm not sure I understand.
938
00:46:59,080 --> 00:47:00,400
-Where's that report
you had earlier?
939
00:47:00,560 --> 00:47:01,920
-Here.
940
00:47:03,760 --> 00:47:05,480
-Thank you.
941
00:47:05,640 --> 00:47:13,200
♪♪
942
00:47:13,360 --> 00:47:16,120
Oh, I think I've got it.
943
00:47:16,280 --> 00:47:19,480
-Okay.
So who stole "The Solo Mare"?
944
00:47:20,800 --> 00:47:23,080
-I did.
945
00:47:23,240 --> 00:47:31,440
♪♪
946
00:47:31,600 --> 00:47:33,360
I think when Terrence Witham
first got
947
00:47:33,520 --> 00:47:37,080
the auction house report,
he saw it exactly as you did.
948
00:47:37,240 --> 00:47:38,720
It confirmed
it was of the period
949
00:47:38,880 --> 00:47:41,440
and keeping with the work
of Augustus Craig.
950
00:47:41,600 --> 00:47:44,240
And, yes, there was a mention
of a possible over-painting
951
00:47:44,400 --> 00:47:47,800
at the bottom of the canvas,
but that's not unusual.
952
00:47:47,960 --> 00:47:50,080
As far as he was concerned,
everything checked out.
953
00:47:50,240 --> 00:47:52,960
He bought a genuine
Augustus Craig
954
00:47:53,120 --> 00:47:55,520
at a fraction
of what it was really worth.
955
00:47:56,680 --> 00:47:58,280
-[ Laughs ]
956
00:47:58,440 --> 00:47:59,880
-But at some point,
957
00:48:00,040 --> 00:48:03,680
he became curious
about what was underneath.
958
00:48:03,840 --> 00:48:05,920
The over-painting was
at the bottom of the campus
959
00:48:06,080 --> 00:48:08,200
where the signature would be.
960
00:48:08,360 --> 00:48:10,160
So I think he found
Edith Jay's signature
961
00:48:10,320 --> 00:48:12,720
beneath that of Augustus Craig.
962
00:48:15,600 --> 00:48:19,320
Thereby confirming the theory
963
00:48:19,480 --> 00:48:22,320
that Craig had signed
his protégé's painting.
964
00:48:22,480 --> 00:48:24,880
-So Witham knew
it was Edith Jay's all along.
965
00:48:25,040 --> 00:48:29,360
-And he also knew that, unlike
an Augustus Craig original,
966
00:48:29,520 --> 00:48:31,120
a painting of a horse's backside
by a stable girl
967
00:48:31,280 --> 00:48:32,920
would be worthless
in comparison.
968
00:48:33,080 --> 00:48:35,080
-And he'd already agreed the
sale with the Art Committee.
969
00:48:35,240 --> 00:48:36,920
-But more importantly,
970
00:48:37,080 --> 00:48:39,200
he knew that now the painting
was home in Shipton Abbott,
971
00:48:39,360 --> 00:48:40,840
the clamour to have it tested
972
00:48:41,000 --> 00:48:42,880
to finally prove
who the real artist was
973
00:48:43,040 --> 00:48:45,160
and end the controversy
would be irresistible.
974
00:48:45,320 --> 00:48:48,200
-And if that happened,
it would ruin his reputation.
975
00:48:48,360 --> 00:48:50,200
-And no doubt
have Louise Fitzallan
976
00:48:50,360 --> 00:48:51,440
demanding her money back.
977
00:48:51,600 --> 00:48:54,520
But the sale already
being agreed
978
00:48:54,680 --> 00:48:56,760
also gave him an opportunity.
979
00:48:56,920 --> 00:49:00,480
What better way to disguise
the theft of your own painting
980
00:49:00,640 --> 00:49:04,480
than doing it while
it's in someone else's care?
981
00:49:04,640 --> 00:49:06,640
-Ours.
982
00:49:06,800 --> 00:49:09,200
-So what if he was inspired
983
00:49:09,360 --> 00:49:12,520
by a combination
of Banksy's shredding frame
984
00:49:12,680 --> 00:49:14,680
and his early work
with magicians...
985
00:49:17,000 --> 00:49:19,400
...and he constructed a frame
986
00:49:19,560 --> 00:49:24,920
designed to hide
a painting within it?
987
00:49:25,080 --> 00:49:26,520
-Okay, so that's everyone.
988
00:49:26,680 --> 00:49:28,600
Mr Witham?
989
00:49:29,920 --> 00:49:32,280
-So on the night
of the supposed theft,
990
00:49:32,440 --> 00:49:34,040
it was simple enough for him
to make
991
00:49:34,200 --> 00:49:36,600
the last-minute adjustments
to the painting before he left.
992
00:49:36,760 --> 00:49:37,880
-You'll lock the door
behind us, yes?
993
00:49:38,040 --> 00:49:39,440
-Yes, sir.
994
00:49:42,240 --> 00:49:45,160
-No one is to go beyond
those ropes
995
00:49:45,320 --> 00:49:46,960
until I return in the morning,
yes?
996
00:49:47,120 --> 00:49:48,920
-Understood, sir.
997
00:49:49,080 --> 00:49:55,080
♪♪
998
00:49:55,240 --> 00:49:57,160
-Like any magician
worth his salt,
999
00:49:57,320 --> 00:49:59,720
he knew about the importance
of misdirection
1000
00:49:59,880 --> 00:50:01,000
and making the audience look
the other way
1001
00:50:01,160 --> 00:50:03,080
to cover
what they're really doing.
1002
00:50:06,240 --> 00:50:08,840
-[ Gasps ]
Creating the illusion
1003
00:50:09,000 --> 00:50:10,600
that the painting was stolen
when the lights went out.
1004
00:50:10,760 --> 00:50:12,720
-Exactly.
-Hello?
1005
00:50:15,520 --> 00:50:17,120
Hello?
1006
00:50:19,080 --> 00:50:21,120
Hello?
1007
00:50:21,280 --> 00:50:23,800
-Witham waited a minute or two,
1008
00:50:23,960 --> 00:50:25,400
then turned the power back on.
1009
00:50:25,560 --> 00:50:26,960
[ Bang ]
1010
00:50:27,120 --> 00:50:33,440
♪♪
1011
00:50:33,600 --> 00:50:36,760
Then, the next morning,
when the room opened up again,
1012
00:50:36,920 --> 00:50:39,040
more misdirection
as he broke the window latch.
1013
00:50:39,200 --> 00:50:44,040
♪♪
1014
00:50:44,200 --> 00:50:46,800
All that was left was to be
as surprised as everyone else
1015
00:50:46,960 --> 00:50:48,520
on the morning of
the unveiling.
1016
00:50:48,680 --> 00:50:52,000
-On behalf of all of us
in Shipton Abbott,
1017
00:50:52,160 --> 00:50:54,960
welcome home.
[ Audience gasping ]
1018
00:50:55,120 --> 00:50:56,800
-And now more
than Louise Fitzallan,
1019
00:50:56,960 --> 00:50:58,120
who had her own plan in place
1020
00:50:58,280 --> 00:51:00,160
to steal the painting
for herself.
1021
00:51:00,320 --> 00:51:01,640
-And that's why Witham was
so keen
1022
00:51:01,800 --> 00:51:03,480
to get back in the room
and collect his frame.
1023
00:51:03,640 --> 00:51:05,720
-Yes, but the person I believe
1024
00:51:05,880 --> 00:51:08,320
actually took the painting
from this house...
1025
00:51:08,480 --> 00:51:10,200
was me.
1026
00:51:13,160 --> 00:51:14,680
Mr Witham.
-Hmm.
1027
00:51:14,840 --> 00:51:15,960
Please let me help.
1028
00:51:16,120 --> 00:51:17,800
-Yes. I'll take that.
Thank you.
1029
00:51:17,960 --> 00:51:19,360
-Sorry we couldn't let you go
any sooner.
1030
00:51:19,520 --> 00:51:21,040
-Yeah.
1031
00:51:25,760 --> 00:51:27,800
-Okay, fine.
1032
00:51:27,960 --> 00:51:30,520
He left the manor house
five minutes ago.
1033
00:51:30,680 --> 00:51:32,920
-Right. Get his vehicle details
put out on APB.
1034
00:51:33,080 --> 00:51:34,520
-Sure.
1035
00:51:34,680 --> 00:51:41,400
♪♪
1036
00:51:41,560 --> 00:51:48,000
♪♪
1037
00:51:48,160 --> 00:51:50,000
[ Sheep bleating ]
1038
00:51:50,160 --> 00:51:51,520
-Step aside.
[ Horn honks ]
1039
00:51:51,680 --> 00:51:53,000
Step aside, sir.
1040
00:51:53,160 --> 00:51:54,560
[ Horn honks ]
1041
00:51:54,720 --> 00:51:56,240
All right.
1042
00:51:56,400 --> 00:51:57,760
All right, calm down.
[ Horn honks ]
1043
00:51:57,920 --> 00:51:59,560
Calm down. It's all right.
1044
00:51:59,720 --> 00:52:00,720
[ Horn honks ]
1045
00:52:00,880 --> 00:52:02,640
All right, everyone.
1046
00:52:02,800 --> 00:52:04,760
Oh.
1047
00:52:06,280 --> 00:52:08,200
-Well, come on, then!
-Yeah. calm down.
1048
00:52:08,360 --> 00:52:11,280
Shh. It's all right.
[ Line ringing ]
1049
00:52:11,440 --> 00:52:12,840
Mrs Trolman?
1050
00:52:13,000 --> 00:52:14,720
I've got your sheep.
1051
00:52:14,880 --> 00:52:17,960
Um, you're gonna need to bring
a truck, all right, and --
1052
00:52:18,120 --> 00:52:20,160
Oh, geez.
1053
00:52:21,960 --> 00:52:25,240
-Who the hell's in charge here?
-I am.
1054
00:52:25,400 --> 00:52:27,400
♪♪
1055
00:52:27,560 --> 00:52:30,280
-You.
1056
00:52:30,440 --> 00:52:33,600
-APB on black
Ford Transit Courier,
1057
00:52:33,760 --> 00:52:38,720
registration Echo November 15
Yankee Sierra Bravo,
1058
00:52:38,880 --> 00:52:43,040
driven by a Terrence Witham --
dark hair, 5'11",
1059
00:52:43,200 --> 00:52:45,040
last seen
leaving Shipton Abbott,
1060
00:52:45,200 --> 00:52:46,480
heading towards Exeter.
1061
00:52:46,640 --> 00:52:48,360
Wanted on suspicion of fraud.
1062
00:52:48,520 --> 00:52:49,960
Please apprehend.
1063
00:52:50,120 --> 00:52:52,280
[ Horns honking ]
1064
00:52:52,440 --> 00:52:55,800
♪♪
1065
00:52:55,960 --> 00:52:57,560
-Excuse me. Excuse me.
1066
00:52:57,720 --> 00:52:58,920
Excuse me.
1067
00:53:00,200 --> 00:53:02,000
Don't!
1068
00:53:02,640 --> 00:53:04,240
Oi!
1069
00:53:05,760 --> 00:53:07,880
Come back! Oi!
1070
00:53:08,040 --> 00:53:15,160
♪♪
1071
00:53:15,320 --> 00:53:17,160
Gotcha!
1072
00:53:17,320 --> 00:53:21,960
♪♪
1073
00:53:29,480 --> 00:53:32,560
-Care to show us
how this works?
1074
00:53:32,720 --> 00:53:35,480
Very well.
1075
00:53:35,640 --> 00:53:37,080
Let's see.
1076
00:53:51,680 --> 00:53:56,000
♪♪
1077
00:53:56,160 --> 00:53:59,880
-So it was in the room
the whole time.
1078
00:54:00,040 --> 00:54:01,600
It wasn't stolen on my watch.
1079
00:54:01,760 --> 00:54:04,440
-No, it wasn't.
1080
00:54:04,600 --> 00:54:08,600
-So my record on guarding
valuable paintings
1081
00:54:08,760 --> 00:54:10,920
is still 100%.
1082
00:54:11,080 --> 00:54:12,720
-Yes, well done, Kelby.
1083
00:54:12,880 --> 00:54:14,960
Take him away, will you?
1084
00:54:15,120 --> 00:54:16,520
-Yes, sir.
1085
00:54:16,680 --> 00:54:24,800
♪♪
1086
00:54:24,960 --> 00:54:26,680
-Well done, Sergeant.
1087
00:54:26,840 --> 00:54:33,840
♪♪
1088
00:54:34,000 --> 00:54:34,960
[ Mobile phone buzzes ]
1089
00:54:35,120 --> 00:54:37,560
Thank you.
-You're welcome.
1090
00:54:37,720 --> 00:54:39,680
Hmm!
1091
00:54:39,840 --> 00:54:42,880
Louise Fitzallan has offered
to buy "The Solo Mare" anyway.
1092
00:54:43,040 --> 00:54:45,840
-Really?
-At a 10th of the price.
1093
00:54:46,000 --> 00:54:48,040
-Why, if she knows it wasn't
painted by her ancestor?
1094
00:54:48,200 --> 00:54:52,480
-Who knows?
But Edith Jay was still a local.
1095
00:54:52,640 --> 00:54:55,320
So at this rate, Shipton Abbott
1096
00:54:55,480 --> 00:54:57,760
might just embrace you
as one of our own.
1097
00:54:57,920 --> 00:54:59,640
The man who saved
"The Solo Mare."
1098
00:54:59,800 --> 00:55:01,360
-Yes, well, right now,
I'd happily settle
1099
00:55:01,520 --> 00:55:03,480
for the gratitude
of my future mother-in-law.
1100
00:55:03,640 --> 00:55:05,920
-[ Chuckles ]
1101
00:55:06,080 --> 00:55:08,600
Good night, sir.
-Sergeant.
1102
00:55:13,520 --> 00:55:15,560
[ Engine starts ]
1103
00:55:17,280 --> 00:55:24,680
♪♪
1104
00:55:24,840 --> 00:55:26,840
-What do you want?
1105
00:55:27,000 --> 00:55:29,400
-We could start
with a cup of tea.
1106
00:55:29,560 --> 00:55:37,360
♪♪
1107
00:55:37,520 --> 00:55:45,160
♪♪
1108
00:55:45,320 --> 00:55:52,960
♪♪
1109
00:55:53,120 --> 00:55:55,400
-Ooh. Perfect timing.
1110
00:55:55,560 --> 00:55:57,360
-Ah.
1111
00:55:58,880 --> 00:56:01,720
Well, I've just made your mother
a very happy woman.
1112
00:56:01,880 --> 00:56:04,080
-I'm not sure if I want you
to elaborate or not.
1113
00:56:08,280 --> 00:56:10,040
-Just found her painting.
1114
00:56:12,400 --> 00:56:16,240
-I knew you would!
-Ah, yes. [ Laughs ]
1115
00:56:16,400 --> 00:56:17,880
[ Wings flap, bird squawks ]
1116
00:56:18,040 --> 00:56:20,680
Selwyn! Selwyn's back.
1117
00:56:20,840 --> 00:56:23,000
-Selwyn?
-Yes.
1118
00:56:23,160 --> 00:56:25,120
Well, he need a name,
and rather strangely,
1119
00:56:25,280 --> 00:56:27,640
I found myself
missing the commissioner.
1120
00:56:27,800 --> 00:56:29,840
This will soften the blow
a little.
1121
00:56:30,000 --> 00:56:33,480
-Eat.
-Yes. Pasta.
1122
00:56:33,640 --> 00:56:36,960
Just what a hungry man needs
after catching a art fraudster.
1123
00:56:37,120 --> 00:56:39,120
-Just what a woman needs, too,
1124
00:56:39,280 --> 00:56:44,280
to build up her strength
before she starts IVF again.
1125
00:56:44,440 --> 00:56:46,040
-What?
1126
00:56:48,360 --> 00:56:49,480
You mean...?
1127
00:56:49,640 --> 00:56:59,160
♪♪
1128
00:56:59,320 --> 00:57:08,920
♪♪
1129
00:57:09,080 --> 00:57:18,600
♪♪
1130
00:57:18,760 --> 00:57:28,440
♪♪
1131
00:57:28,600 --> 00:57:38,120
♪♪
76164
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