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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,468 --> 00:00:02,236 PREVIOUSLY ON... 2 00:00:02,270 --> 00:00:04,272 TOM MOVED OUT OF THE HOUSE. 3 00:00:04,305 --> 00:00:05,773 TOM AND I ARE SEPARATING. 4 00:00:05,806 --> 00:00:06,807 NO. 5 00:00:06,840 --> 00:00:08,376 AFTER COVERING UP A MURDER, 6 00:00:08,409 --> 00:00:12,346 GABY WARNED BREE IT WAS A BAD TIME 7 00:00:12,380 --> 00:00:13,781 TO BE DATING A COP. 8 00:00:13,814 --> 00:00:15,183 GET RID OF CHUCK. BUT YOU'VE GOT TO END THIS, 9 00:00:15,216 --> 00:00:17,118 AND YOU'VE GOT TO END IT NOW. 10 00:00:17,151 --> 00:00:19,287 BREE SHOWED THE MYSTERIOUS LETTER TO PAUL, 11 00:00:19,320 --> 00:00:21,522 WHO'D SEEN ONE LIKE IT BEFORE. 12 00:00:21,555 --> 00:00:23,557 I MENTIONED THE LETTER TO THE POLICE. 13 00:00:23,591 --> 00:00:25,259 The main detective was a tall guy 14 00:00:25,293 --> 00:00:27,195 WITH A SHORT NAME LIKE, UH, PENCE. 15 00:00:27,228 --> 00:00:30,231 WAS IT VANCE? CHUCK VANCE? THAT'S IT. 16 00:00:30,264 --> 00:00:31,465 CARLOS STRUGGLED WITH REMORSE... 17 00:00:31,499 --> 00:00:33,401 I JUST WANT US TO GET BACK TO NORMAL. 18 00:00:33,434 --> 00:00:35,236 WE'RE NEVER GOING BACK TO NORMAL! 19 00:00:35,269 --> 00:00:38,139 AND DISCOVERED HE WASN'T THE ONLY ONE FEELING GUILTY. 20 00:00:38,172 --> 00:00:41,209 IT IS NICE TO BE ABLE TO TALK ABOUT THIS. 21 00:00:41,242 --> 00:00:43,211 YOU WANNA GET SOME COFFEE? 22 00:00:48,416 --> 00:00:51,185 (Mary Alice) SUSAN DELFINO AND CARLOS SOLIS 23 00:00:51,219 --> 00:00:54,355 HAD NEVER BEEN THE BEST OF FRIENDS. 24 00:00:54,388 --> 00:00:57,225 SUSAN THOUGHT CARLOS PAID TOO MUCH ATTENTION 25 00:00:57,258 --> 00:00:59,527 TO OTHER PEOPLE'S OPINIONS. 26 00:00:59,560 --> 00:01:01,229 (splash) 27 00:01:01,262 --> 00:01:05,833 AND CARLOS THOUGHT SUSAN DIDN'T PAY ATTENTION AT ALL. 28 00:01:07,401 --> 00:01:11,839 OVER THE YEARS, THEY'D NEVER HAD MUCH TO SAY TO ONE ANOTHER. 29 00:01:11,872 --> 00:01:15,876 BUT ONE NIGHT, SUSAN FOUND HERSELF TROUBLED BY THOUGHTS 30 00:01:15,909 --> 00:01:19,547 SHE COULDN'T SHARE WITH HER SPOUSE. 31 00:01:19,580 --> 00:01:21,382 WHILE TWO DOORS DOWN, 32 00:01:21,415 --> 00:01:25,553 CARLOS WAS IN THE SAME PREDICAMENT. 33 00:01:25,586 --> 00:01:29,457 AND THAT'S HOW IT CAME TO PASS 34 00:01:29,490 --> 00:01:33,827 THAT TWO PEOPLE WHO'D NEVER HAD MUCH TO SAY TO ONE ANOTHER 35 00:01:33,861 --> 00:01:37,198 SUDDENLY FOUND... 36 00:01:37,231 --> 00:01:40,468 THEY HAD A GREAT DEAL TO TALK ABOUT. 37 00:01:40,501 --> 00:01:44,772 SO I LEAVE THE OFFICE, WALK INTO THE PARKING GARAGE, 38 00:01:44,805 --> 00:01:48,209 AND... THERE HE IS. 39 00:01:48,242 --> 00:01:49,877 ALEJANDRO. 40 00:01:49,910 --> 00:01:51,279 RIGHT IN FRONT OF ME. 41 00:01:51,312 --> 00:01:53,314 I PRACTICALLY JUMP OUT OF MY SKIN. 42 00:01:53,347 --> 00:01:56,184 THEN I TURN AROUND AGAIN. 43 00:01:56,184 --> 00:01:58,319 IT'S JUST SOME GUY GETTING INTO HIS CAR. 44 00:01:58,352 --> 00:02:00,788 THIS IS NOT ME. 45 00:02:00,821 --> 00:02:03,191 I CAN'T SLEEP. I'M SEEING GHOSTS. 46 00:02:03,224 --> 00:02:05,193 (sighs) I FEEL LIKE... 47 00:02:05,226 --> 00:02:07,795 I'M WALKING AROUND WITH A NEON SIGN ON MY FOREHEAD, 48 00:02:07,828 --> 00:02:09,930 FLASHING "GUILTY, GUILTY," 49 00:02:09,963 --> 00:02:12,200 AND EVERYBODY CAN SEE IT. 50 00:02:12,200 --> 00:02:14,502 SOMETIMES I THINK I'M LOSING IT. 51 00:02:14,535 --> 00:02:16,370 ME, TOO. 52 00:02:16,404 --> 00:02:18,472 I WAS GETTING READY TO DECK THE GUY. 53 00:02:18,506 --> 00:02:20,208 CAN YOU IMAGINE? 54 00:02:20,241 --> 00:02:23,877 CAN I IMAGINE? I ASSAULTED A COP, REMEMBER? 55 00:02:23,911 --> 00:02:27,481 OH, YEAH. WHAT HAPPENED WITH THAT? 56 00:02:27,515 --> 00:02:29,850 15 HOURS OF COMMUNITY SERVICE. 57 00:02:29,883 --> 00:02:30,951 OUCH. 58 00:02:30,984 --> 00:02:32,386 AND I CAN'T TELL MIKE. 59 00:02:32,420 --> 00:02:34,955 IT'S ONE MORE THING I'M LYING TO HIM ABOUT. 60 00:02:34,988 --> 00:02:38,259 WELL, I CAN TALK TO GABY, BUT SHE'S SICK OF LISTENING. 61 00:02:38,292 --> 00:02:42,930 THAT'S WHAT THIS MAKES THIS FEEL SO... 62 00:02:45,633 --> 00:02:47,635 I KNOW. 63 00:02:49,970 --> 00:02:53,307 CAN I TELL YOU SOMETHING? 64 00:02:53,341 --> 00:02:56,944 WHEN I WENT OUT WALKING TONIGHT, 65 00:02:56,977 --> 00:02:59,447 I WAS KIND OF HOPING I'D RUN INTO YOU. 66 00:02:59,480 --> 00:03:00,848 (chuckles) 67 00:03:02,983 --> 00:03:05,253 I WAS KINDA HOPING THAT, TOO. 68 00:03:10,358 --> 00:03:14,262 YOU'RE KIDDING. YOU'VE NEVER READ "TO KILL A MOCKINGBIRD"? 69 00:03:14,295 --> 00:03:15,396 IN MY SCHOOL, IF YOU READ A BOOK, 70 00:03:15,429 --> 00:03:17,265 IT WAS MORE LIKE "TO KILL A SOPHOMORE." 71 00:03:17,298 --> 00:03:18,499 (laughs) 72 00:03:18,532 --> 00:03:22,503 WELL, YOU WOULD LOVE IT. UM, IT'S ABOUT A GUY 73 00:03:22,536 --> 00:03:27,007 WHO TRIES TO HANG ON TO HIS SENSE OF RIGHT AND WRONG 74 00:03:27,040 --> 00:03:29,443 WHEN THE SYSTEM FAILS HIM. 75 00:03:29,477 --> 00:03:30,978 GEE, I DON'T GET THAT AT ALL. 76 00:03:31,011 --> 00:03:33,013 HMM. (chuckles) 77 00:03:33,046 --> 00:03:36,950 OH. YOUR JACKET. THANK YOU. 78 00:03:36,984 --> 00:03:38,886 MM-HMM. 79 00:03:38,919 --> 00:03:40,988 YES, SUSAN AND CARLOS 80 00:03:41,021 --> 00:03:43,457 WERE STARTING TO PAY ATTENTION TO ONE ANOTHER. 81 00:03:43,491 --> 00:03:45,526 GOOD NIGHT. 82 00:03:47,027 --> 00:03:49,863 BUT WHAT THEY DIDN'T REALIZE 83 00:03:49,897 --> 00:03:54,968 WAS THAT SOMEONE ELSE WAS PAYING ATTENTION, TOO. 84 00:04:07,080 --> 00:04:10,318 WISTERIA LANE MAY LOOK FLAWLESS, 85 00:04:10,318 --> 00:04:12,453 BUT THAT'S ONLY BECAUSE ITS RESIDENTS 86 00:04:12,486 --> 00:04:17,458 ARE SO GOOD AT CONCEALING IMPERFECTIONS. 87 00:04:17,491 --> 00:04:22,496 THEY KNOW HOW TO MAKE SOMETHING OLD LOOK NEW AGAIN... 88 00:04:22,530 --> 00:04:27,801 HOW TO MAKE AN EMBARRASSING MISTAKE DISAPPEAR... 89 00:04:27,835 --> 00:04:33,073 HOW TO MAKE A POOR SHOWING LOOK LIKE A MODEST VICTORY... 90 00:04:33,106 --> 00:04:36,009 AND HOW TO MAKE A FRIEND FEEL BETTER 91 00:04:36,043 --> 00:04:39,647 AFTER SHE'S GONE THROUGH A MESSY BREAKUP. 92 00:04:39,680 --> 00:04:42,082 GABY, HOW THOUGHTFUL. 93 00:04:42,115 --> 00:04:43,517 IT'S FROM THAT NEW PLACE, SKINNY BERRY. 94 00:04:43,551 --> 00:04:45,586 TASTES LIKE A MILKSHAKE BUT ONLY 18 CALORIES. 95 00:04:47,855 --> 00:04:50,358 AND I FIGURED YOU COULD USE A LITTLE PICK-ME-UP 96 00:04:50,358 --> 00:04:52,092 AFTER YOU DUMPED CHUCK. 97 00:04:52,125 --> 00:04:54,995 YEAH, WELL, ABOUT THAT... 98 00:04:55,028 --> 00:04:57,064 MORNING, WOMEN. 99 00:04:57,097 --> 00:05:01,068 MORNING. 100 00:05:01,101 --> 00:05:02,235 OH, IS THAT-- IS THAT FROM SKINNY BERRY? 101 00:05:02,269 --> 00:05:04,972 YOU KNOW, THE FRAUD UNIT'S ALL OVER THAT PLACE, RIGHT? 102 00:05:05,005 --> 00:05:06,874 APPARENTLY THOSE THINGS ARE LIKE PURE ICE CREAM. 103 00:05:06,907 --> 00:05:10,378 HUH! GUESS YOU CAN'T TRUST ANYBODY. 104 00:05:12,079 --> 00:05:13,414 HAVE A GOOD DAY. 105 00:05:17,017 --> 00:05:18,586 ALL RIGHT, I KNOW WHAT YOU'RE GONNA SAY-- 106 00:05:18,619 --> 00:05:20,454 THREE WORDS-- FIRST WORD, "YOU'RE," 107 00:05:20,488 --> 00:05:21,455 THIRD WORD, "CRAZY," 108 00:05:21,489 --> 00:05:24,091 MIDDLE WORD--WHAT YOU KEEP DOING TO THAT GUY! 109 00:05:24,124 --> 00:05:24,958 YOU DON'T UNDERSTAND. 110 00:05:24,992 --> 00:05:26,394 DAMN RIGHT I DON'T. 111 00:05:26,427 --> 00:05:28,061 YOU SAID YOU WERE GONNA DUMP HIM. 112 00:05:28,095 --> 00:05:29,897 I WAS. 113 00:05:29,930 --> 00:05:33,467 BUT... I THINK CHUCK WROTE THE LETTER. 114 00:05:33,501 --> 00:05:36,604 THE "I KNOW WHAT YOU DID" LETTER? 115 00:05:36,637 --> 00:05:38,071 WHAT MAKES YOU THINK THAT? 116 00:05:38,105 --> 00:05:39,440 I SPOKE TO PAUL YOUNG, AND-- 117 00:05:39,473 --> 00:05:40,974 WHOA, WHOA. WHY WOULD YOU TALK TO PAUL? 118 00:05:41,008 --> 00:05:43,911 TO FIND OUT WHO ELSE KNEW ABOUT MARY ALICE'S LETTER, 119 00:05:43,944 --> 00:05:45,045 AND HE SAID THAT WHEN HE CONFESSED 120 00:05:45,078 --> 00:05:48,816 TO KILLING MARTHA HUBER, CHUCK WAS THERE. 121 00:05:48,849 --> 00:05:52,653 OKAY, BUT WHY WOULD CHUCK BLACKMAIL YOU? 122 00:05:52,686 --> 00:05:54,922 HE'S ALREADY GOT THE MILK AND THE COW. 123 00:05:54,955 --> 00:05:57,925 NO OFFENSE. JUST WHAT ELSE COULD HE WANT? 124 00:05:57,958 --> 00:05:59,059 MAYBE HE WANTS TO CONTROL ME. 125 00:05:59,092 --> 00:06:01,595 MAYBE HE WANTS MONEY. I DON'T KNOW. 126 00:06:01,629 --> 00:06:03,897 YOU'VE GOTTA START SNOOPING. 127 00:06:03,931 --> 00:06:05,666 WHAT? YEAH. GO THROUGH HIS STUFF, 128 00:06:05,699 --> 00:06:08,469 HACK INTO HIS E-MAILS, LISTEN IN ON HIS PHONE CALLS. 129 00:06:08,502 --> 00:06:09,470 I CAN'T DO THAT. 130 00:06:09,503 --> 00:06:10,971 YOU HAVE TO, BREE. 131 00:06:11,004 --> 00:06:13,874 UNTIL WE KNOW WHAT CHUCK KNOWS-- EXACTLY WHAT HE KNOWS, 132 00:06:13,907 --> 00:06:15,175 IT'S NOT JUST YOU WHO'S IN DANGER. 133 00:06:15,208 --> 00:06:17,110 IT'S ALL OF US. 134 00:06:20,881 --> 00:06:22,450 (sighs) 135 00:06:24,652 --> 00:06:25,486 HOW'S THAT PRESSURE? 136 00:06:25,519 --> 00:06:28,989 OHH, PERFECT, AND REMEMBER, FRIEDRICH, 137 00:06:29,022 --> 00:06:31,191 I'VE HIDDEN YOUR TIP SOMEWHERE ON MY BODY. 138 00:06:31,224 --> 00:06:34,061 (singsongy) IT'S UP TO YOU TO FIND IT. 139 00:06:34,094 --> 00:06:35,095 AHH. 140 00:06:35,128 --> 00:06:36,163 (doorbell rings) 141 00:06:36,196 --> 00:06:37,598 GO AWAY! 142 00:06:37,631 --> 00:06:38,999 RENEE! I NEED YOU. 143 00:06:39,032 --> 00:06:41,168 (door closes) LEE? 144 00:06:41,201 --> 00:06:42,603 I AM IN CRISIS. I AM AT MY WIT'S-- 145 00:06:42,636 --> 00:06:44,672 WELL, HELLO. (chuckles) 146 00:06:44,705 --> 00:06:46,874 LEE McDERMOTT. NICE TO MEET YOU. 147 00:06:46,907 --> 00:06:47,975 I'M FRIEDRICH. 148 00:06:48,008 --> 00:06:50,077 OOH, LIKE IN "THE SOUND OF MUSIC"? 149 00:06:51,579 --> 00:06:54,482 NOTHING? OKAY. HE PLAYS FOR YOUR TEAM. 150 00:06:54,482 --> 00:06:56,116 ANYWAY, I NEED A HUGE FAVOR. 151 00:06:56,149 --> 00:06:58,018 I DON'T DO FAVORS. YOU KNOW THAT. 152 00:06:58,051 --> 00:06:59,520 IT'S FOR JENNY. 153 00:06:59,553 --> 00:07:00,621 OH, YOUR DAUGHTER? 154 00:07:00,654 --> 00:07:02,055 YEAH. NO. 155 00:07:02,089 --> 00:07:04,658 OH, PLEASE. 156 00:07:04,692 --> 00:07:06,494 I AM DESPERATE. 157 00:07:06,494 --> 00:07:07,995 WHEN BOB AND I ADOPTED HER, 158 00:07:08,028 --> 00:07:10,498 WE AGREED THAT I WOULD TAKE CARE OF THE "TIME OF THE MONTH" TALK, 159 00:07:10,531 --> 00:07:12,666 AND BOB WOULD HANDLE ALL THINGS BRA. 160 00:07:12,700 --> 00:07:14,502 WELL, THAT BASTARD IS IN TOKYO, 161 00:07:14,535 --> 00:07:16,570 AND THE BOOBIE FAIRY HAS ARRIVED. 162 00:07:16,604 --> 00:07:18,872 THE BOOBIE FAIRY? 163 00:07:18,906 --> 00:07:21,074 SEE WHY I SHOULD NOT BE THE ONE HANDLING THIS? 164 00:07:21,108 --> 00:07:24,945 I WAS HOPING... MAYBE YOU COULD TAKE HER SHOPPING? 165 00:07:24,978 --> 00:07:27,080 OH, MAN UP. IT'S JUST A BRA. 166 00:07:27,114 --> 00:07:28,549 THEY TERRIFY ME. 167 00:07:28,582 --> 00:07:31,051 TOO MANY NUMBERS AND LETTERS AND COLORS, 168 00:07:31,084 --> 00:07:32,620 AND IT'S MY LITTLE GIRL GROWING UP, 169 00:07:32,653 --> 00:07:36,123 AND I CAN'T DEAL. 170 00:07:36,156 --> 00:07:38,191 OHH, YES. 171 00:07:38,225 --> 00:07:40,127 SO YOU'LL DO IT? 172 00:07:40,160 --> 00:07:42,663 NO, HE JUST FOUND HIS TIP. 173 00:07:42,696 --> 00:07:44,231 UGH! 174 00:07:44,264 --> 00:07:45,198 RENEE! 175 00:07:45,232 --> 00:07:48,035 FINE. I'LL TAKE HER, BUT ONLY FOR AN HOUR, 176 00:07:48,068 --> 00:07:49,102 AND NO SMALL TALK. 177 00:07:49,136 --> 00:07:50,604 OH, BLESS YOU. 178 00:07:50,638 --> 00:07:53,240 I WILL NEVER FORGET YOU FOR THIS. MWAH. 179 00:07:53,273 --> 00:07:55,976 LOOK! RICKY MARTIN! EATING A BANANA! 180 00:07:57,277 --> 00:08:00,113 JUST CHECKING. 181 00:08:04,117 --> 00:08:07,921 OH, PLEASE COME WITH US. YOU'VE BRA SHOPPED WITH PENNY. 182 00:08:07,955 --> 00:08:09,122 AND MAYBE ONE OF YOUR OLDER BOYS, 183 00:08:09,156 --> 00:08:10,591 IF I'M GUESSING RIGHT. 184 00:08:10,624 --> 00:08:11,992 I CAN'T. I HAVE PLANS. 185 00:08:12,025 --> 00:08:14,127 OH, THAT'S RIGHT. TOM'S GOT THE KIDS, 186 00:08:14,161 --> 00:08:16,229 AND YOU HAVE THIS WHOLE PLACE TO YOURSELF. 187 00:08:16,263 --> 00:08:18,131 WHAT ARE YOU GONNA DO? 188 00:08:18,165 --> 00:08:20,267 OH, SWEETIE. 189 00:08:20,300 --> 00:08:21,869 SOME MAN WHO'S NOT MARRIED TO YOU 190 00:08:21,902 --> 00:08:24,171 IS GONNA HAVE TO SEE THAT BODY SOON. DO NOT DO THIS. 191 00:08:24,204 --> 00:08:27,140 IT'S NOT FOR ME. MY SISTER'S COMING. 192 00:08:27,174 --> 00:08:29,009 LYDIA? THE DISASTER? 193 00:08:29,042 --> 00:08:30,878 YEAH. OUT OF THE BLUE, SHE CALLED 194 00:08:30,911 --> 00:08:33,581 AND SAYS SHE WANTS TO VISIT. YOU KNOW WHAT THAT MEANS. 195 00:08:33,614 --> 00:08:34,615 SHE GOT DUMPED. 196 00:08:34,648 --> 00:08:35,949 AFTER LOANING HIM A LOT OF MONEY. 197 00:08:35,983 --> 00:08:37,150 AND FINDING OUT HE'S MARRIED. 198 00:08:37,184 --> 00:08:40,954 IN TWO STATES. SO... I GOTTA GET THE WHOLE TOOLKIT READY 199 00:08:40,988 --> 00:08:44,925 SO AFTER SHE CRASH-LANDS HERE, I CAN PICK UP THE PIECES. 200 00:08:44,958 --> 00:08:47,060 (doorbell rings) UH, I'M GOING OUT THE BACK DOOR. 201 00:08:47,094 --> 00:08:49,296 I HATE TO SEE PEOPLE CRYING. 202 00:08:49,329 --> 00:08:52,065 IT REMINDS ME HOW LITTLE I ACTUALLY CARE ABOUT OTHERS. 203 00:08:52,099 --> 00:08:53,266 (ring) 204 00:08:53,300 --> 00:08:56,136 (sighs) COMING! 205 00:08:57,605 --> 00:08:59,039 OH, HI. 206 00:08:59,072 --> 00:09:00,307 LYNNIE. OHH. 207 00:09:00,340 --> 00:09:02,610 YOU LOOK... 208 00:09:02,643 --> 00:09:04,111 YOU LOOK FANTASTIC. 209 00:09:04,144 --> 00:09:06,313 YOU THOUGHT I'D BE MY USUAL BLUBBERY MESS 210 00:09:06,346 --> 00:09:08,315 OF SNOT AND TEARS, DIDN'T YOU? 211 00:09:08,348 --> 00:09:10,117 WHAT? NO. 212 00:09:10,150 --> 00:09:12,285 WELL, THAT'S NOT ME ANYMORE. 213 00:09:12,319 --> 00:09:15,055 THANKS TO RASHI, I'M A CHANGED WOMAN. 214 00:09:15,088 --> 00:09:18,358 RASHI? OH, GOD. DID YOU GET A DOG? 215 00:09:18,391 --> 00:09:21,094 NO, SILLY. I GOT ENGAGED 216 00:09:21,128 --> 00:09:24,331 TO THE GREATEST GUY IN THE WORLD. 217 00:09:26,366 --> 00:09:32,640 OH, AND, LYNETTE, I'M SO SORRY ABOUT YOU AND TOM. 218 00:09:32,673 --> 00:09:36,309 BUT DON'T WORRY. I'M HERE TO HELP. 219 00:09:39,146 --> 00:09:43,150 (sighs) 220 00:09:43,183 --> 00:09:45,218 HEY. SORRY I'M LATE. 221 00:09:45,252 --> 00:09:47,120 GROCERY STORE WAS A MADHOUSE. 222 00:09:47,154 --> 00:09:50,190 I ACTUALLY HAD TO FIGHT A WOMAN OVER THE LAST CHICKEN. 223 00:09:50,223 --> 00:09:51,992 SUSAN-- UNFORTUNATELY, SHE WAS SLAVIC-- 224 00:09:52,025 --> 00:09:55,696 A VERY STURDY PEOPLE, SO I HOPE YOU LIKE CEREAL. 225 00:09:55,729 --> 00:09:58,131 SUSAN, STOP. I JUST GOT OFF THE PHONE 226 00:09:58,165 --> 00:09:59,700 WITH THE GUY FROM THE COUNTY. 227 00:09:59,733 --> 00:10:02,235 SOMETHING ABOUT YOUR COURT-ORDERED COMMUNITY SERVICE 228 00:10:02,269 --> 00:10:03,971 FOR ASSAULTING A POLICEMAN. 229 00:10:04,004 --> 00:10:07,174 OH. THAT. 230 00:10:07,207 --> 00:10:09,609 YEAH, THAT. 231 00:10:11,979 --> 00:10:14,114 W--IT'S SO RIDICULOUS. 232 00:10:14,147 --> 00:10:17,284 I WAS... TRYING TO FIGHT A... PARKING TICKET, 233 00:10:17,317 --> 00:10:19,219 AND I KNOCKED OVER THE COP'S BIKE. 234 00:10:19,252 --> 00:10:22,355 UM, AND I MAYBE TOLD HIM HIS BABY WAS UGLY. 235 00:10:22,389 --> 00:10:25,893 HE--HE BLEW THE WHOLE THING OUT OF PROPORTION. 236 00:10:25,926 --> 00:10:27,360 WELL, YOU KNOW WHAT I'M BLOWING OUT OF PROPORTION? 237 00:10:27,394 --> 00:10:31,264 THE GUY ON THE PHONE CALLED ME "MR. SOLIS." 238 00:10:31,298 --> 00:10:34,167 RIGHT. 239 00:10:34,201 --> 00:10:37,237 BECAUSE, UM... 240 00:10:37,270 --> 00:10:41,008 CARLOS PICKED ME UP AT THE, UH, POLICE STATION, 241 00:10:41,041 --> 00:10:43,076 WHICH I KNOW SOUNDS WEIRD-- 242 00:10:43,110 --> 00:10:46,113 WHY HIM AND NOT YOU... 243 00:10:48,148 --> 00:10:51,084 I WAS JUST, UH, SO EMBARRASSED, 244 00:10:51,118 --> 00:10:53,921 I-I DIDN'T WANNA TELL YOU. 245 00:10:56,156 --> 00:10:58,391 SO THERE'S NOTHING GOING ON WITH YOU AND CARLOS? 246 00:10:58,425 --> 00:11:01,294 (chuckles) 247 00:11:01,328 --> 00:11:03,063 I SHOULDN'T BE WORRIED 248 00:11:03,096 --> 00:11:06,433 ABOUT YOUR LITTLE MOONLIGHT STROLL LAST NIGHT? 249 00:11:06,466 --> 00:11:09,336 WOW! (chuckles) 250 00:11:09,369 --> 00:11:11,371 HAVE YOU BEEN TAKING FIGHTING LESSONS 251 00:11:11,404 --> 00:11:14,174 FROM THAT SLAVIC LADY? (chuckles) 252 00:11:14,207 --> 00:11:16,176 MIKE, COME ON. 253 00:11:16,209 --> 00:11:18,211 I COULDN'T SLEEP. CARLOS COULDN'T SLEEP. 254 00:11:18,245 --> 00:11:20,914 WE RAN INTO EACH OTHER, AND WE TALKED. 255 00:11:20,948 --> 00:11:22,983 ABOUT WHAT? YOU BARELY KNOW HIM. 256 00:11:23,016 --> 00:11:24,217 THE FIRST EIGHT YEARS WE LIVED HERE, 257 00:11:24,251 --> 00:11:26,019 YOU CALLED HIM RICKY RICARDO. 258 00:11:26,053 --> 00:11:30,290 HE'S... GOING THROUGH SOMETHING, 259 00:11:30,323 --> 00:11:32,325 AND I'M HELPING HIM. 260 00:11:32,359 --> 00:11:35,462 YEAH? TELL ME. WHAT'S HE GOING THROUGH? 261 00:11:38,131 --> 00:11:40,133 IT'S PERSONAL. 262 00:11:42,135 --> 00:11:45,138 OKAY, MIKE,CARLOS AND I ARE JUST FRIENDS. 263 00:11:45,172 --> 00:11:47,174 I DON'T MIND YOU BEING FRIENDS WITH A GUY. 264 00:11:47,207 --> 00:11:49,342 IT'S ALL THE SNEAKING AROUND AND THE LYING 265 00:11:49,376 --> 00:11:53,113 I'M HAVING A HARD TIME WITH. 266 00:12:01,154 --> 00:12:04,191 SO SHE WALTZES IN TO MY ADVANCED YOGA CLASS 267 00:12:04,224 --> 00:12:06,226 EVEN THOUGH, CLEARLY, SHE'S NEVER DONE YOGA BEFORE. 268 00:12:06,259 --> 00:12:08,095 WELL, THE TEACHER OF THE BEGINNER'S CLASS 269 00:12:08,128 --> 00:12:09,897 WASN'T NEARLY AS CUTE AS YOU. 270 00:12:09,930 --> 00:12:12,099 AND THEN I, UH, GO OVER 271 00:12:12,132 --> 00:12:15,002 AND CORRECT HER COBBLER POSE, RIGHT? 272 00:12:15,035 --> 00:12:17,470 AND OUR EYES MEET. 273 00:12:17,504 --> 00:12:21,341 AND THREE WEEKS LATER, HE GIVES ME THIS. 274 00:12:21,374 --> 00:12:23,176 WOW, THAT'S SOME ROCK. 275 00:12:23,210 --> 00:12:26,013 LITERALLY, IT'S A ROCK. 276 00:12:26,046 --> 00:12:27,815 I SAW IT ON THE BEACH AFTER CLASS. 277 00:12:27,815 --> 00:12:32,319 IT CALLS OUT TO ME, AND I FEEL LIKE I MIGHT NEED IT SOMEDAY. 278 00:12:32,352 --> 00:12:36,189 AND YOU DID. ISN'T THE UNIVERSE AMAZING? 279 00:12:36,223 --> 00:12:38,158 AMAZINGLY THRIFTY. 280 00:12:38,191 --> 00:12:40,527 OKAY. 281 00:12:40,560 --> 00:12:42,229 SO THIS IS MY THIRD GLASS. (clears throat) 282 00:12:42,262 --> 00:12:44,832 I'M SAYING MEAN THINGS, BUT I'M NOT GETTING A BUZZ. 283 00:12:44,832 --> 00:12:47,300 THE WINE IS ALCOHOL-FREE. 284 00:12:47,334 --> 00:12:50,137 SO THIS NIGHT'S NOT GETTING ANY BETTER. 285 00:12:50,170 --> 00:12:51,571 EVER SINCE RASHI DID A LIVER CLEANSE ON ME, 286 00:12:51,604 --> 00:12:53,206 I HAVEN'T HAD A DROP TO DRINK. 287 00:12:53,240 --> 00:12:55,475 WOW. 288 00:12:55,508 --> 00:12:57,377 YOU GOT LYDIA TO GIVE UP WINE? 289 00:12:57,410 --> 00:12:59,312 YOU SHOULD TAKE YOUR ACT TO VEGAS. 290 00:12:59,346 --> 00:13:01,281 IT'S NOT AN ACT. 291 00:13:01,314 --> 00:13:04,384 I'M GONNA GO GRAB SOME SPICES OUT OF THE VAN. 292 00:13:04,417 --> 00:13:05,485 MMM. 293 00:13:05,518 --> 00:13:06,854 MMM. 294 00:13:10,357 --> 00:13:12,325 (door opens and closes) 295 00:13:12,359 --> 00:13:15,162 OKAY, WHO ARE YOU KIDDING? 296 00:13:15,195 --> 00:13:17,197 YOU CAN'T MARRY THAT SUNFLOWER SEED. 297 00:13:17,230 --> 00:13:19,199 I'M NOT KIDDING ANYBODY. 298 00:13:19,232 --> 00:13:21,301 I LOVE HIM. 299 00:13:21,334 --> 00:13:23,470 IN FACT, HE'S LEADING A MEDITATION SEMINAR... 300 00:13:23,503 --> 00:13:25,138 (bottle cap fizzes) 301 00:13:25,172 --> 00:13:26,373 AT KERRIGAN PARK. 302 00:13:26,406 --> 00:13:28,241 WHY DON'T YOU COME? 303 00:13:28,275 --> 00:13:30,878 IT MIGHT HELP YOU DEAL WITH YOUR MARRIAGE CRASHING. 304 00:13:32,145 --> 00:13:34,581 MY MARRIAGE DID NOT CRASH. TOM AND I ARE SEPARATED. 305 00:13:34,614 --> 00:13:37,184 EXACTLY WHY YOU SHOULD BE DOING SOME "LYNETTE WORK." 306 00:13:37,217 --> 00:13:39,186 COME ON. IT'LL BE FUN. 307 00:13:39,219 --> 00:13:42,589 SIX HOURS OF SILENCE IN A TRADITIONAL MOUNTAIN YURT. 308 00:13:42,622 --> 00:13:47,227 I PROMISE YOU, LYDIA, IF YOU DRAG ME TO A YURT, 309 00:13:47,260 --> 00:13:49,296 TWO WILL GO IN, ONE WILL COME OUT. 310 00:13:52,499 --> 00:13:56,336 (man shouts indistinctly in distance) 311 00:13:56,369 --> 00:13:58,071 (man) HEY. 312 00:13:58,105 --> 00:14:00,073 CAREFUL. THAT'S OUR TAX DOLLARS YOU'RE DRIPPING. 313 00:14:00,107 --> 00:14:02,209 SORRY. 314 00:14:02,242 --> 00:14:04,277 YOU NEED TO PACE YOURSELF. YOU'RE GONNA NEED LOTS OF PAINT 315 00:14:04,311 --> 00:14:08,148 TO COVER THAT GIGANTIC BANANA OVER THERE. 316 00:14:08,181 --> 00:14:11,584 UH... I DON'T THINK THAT'S A BANANA. 317 00:14:17,390 --> 00:14:20,360 HEY, I WORKED HARD ON THAT GRAFFITI. 318 00:14:20,393 --> 00:14:22,295 WHAT ARE YOU DOING HERE? 319 00:14:22,329 --> 00:14:25,632 "TO KILL A MOCKINGBIRD." 320 00:14:25,665 --> 00:14:27,334 I STARTED READING IT LAST NIGHT. 321 00:14:27,367 --> 00:14:29,502 IT WAS SO GOOD. I COULDN'T WAIT TO TALK TO YOU ABOUT IT. 322 00:14:29,536 --> 00:14:31,438 YEAH, WELL, I'M KINDA BEAUTIFYING THE CITY 323 00:14:31,471 --> 00:14:32,572 AT THE MOMENT. 324 00:14:32,605 --> 00:14:34,307 DON'T YOU GET A LUNCH? (chuckles) 325 00:14:34,341 --> 00:14:37,044 (chuckles) UM... 326 00:14:37,077 --> 00:14:40,213 LOOK, CARLOS, MIKE FOUND OUT WE WERE SPENDING TIME TOGETHER, 327 00:14:40,247 --> 00:14:42,515 AND HE'S A LITTLE WEIRD ABOUT IT, 328 00:14:42,549 --> 00:14:46,219 SO I DON'T THINK WE SHOULD BE HAVING ANY INTIMATE LUNCHES. 329 00:14:46,253 --> 00:14:49,422 WHY IS HE WEIRD? I MEAN, NOTHING'S GOING ON. 330 00:14:49,456 --> 00:14:53,193 NO, OF COURSE NOT, BUT SOMEHOW... 331 00:14:53,226 --> 00:14:54,327 US MEETING IN THE MIDDLE OF THE NIGHT 332 00:14:54,361 --> 00:14:59,466 AND ME LYING ABOUT IT WAS KIND OF A RED FLAG FOR HIM. 333 00:14:59,499 --> 00:15:02,235 OKAY. (chuckles) 334 00:15:02,269 --> 00:15:05,238 WELL, IF LUNCH IS TOO INTIMATE... 335 00:15:07,074 --> 00:15:09,642 HOW ABOUT... I HELP WITH THE BEAUTIFYING? 336 00:15:09,676 --> 00:15:13,313 I GUESS THERE'S NO HARM IN THAT. (chuckles) 337 00:15:13,346 --> 00:15:15,215 (man) EXCUSE ME. 338 00:15:15,248 --> 00:15:16,549 ARE YOU HERE FOR COMMUNITY SERVICE? 339 00:15:16,583 --> 00:15:19,252 NOPE, JUST TRYING TO BE A GOOD CITIZEN. 340 00:15:19,286 --> 00:15:22,122 CAN'T. NOT UNLESS YOU COMMITTED A CRIME. 341 00:15:23,323 --> 00:15:25,258 ARE YOU SERIOUS? 342 00:15:25,292 --> 00:15:27,227 YEAH. 343 00:15:32,232 --> 00:15:34,167 THERE. 344 00:15:34,201 --> 00:15:35,535 I LITTERED. 345 00:15:43,176 --> 00:15:44,311 (chuckles) 346 00:15:44,344 --> 00:15:46,313 JENNY, TRUST ME. 347 00:15:46,346 --> 00:15:48,448 YOU WANT JACKSON TO NOTICE YOU, ICE HIM OUT. 348 00:15:48,481 --> 00:15:50,583 DON'T TALK TO HIM. DON'T LOOK AT HIM. 349 00:15:50,617 --> 00:15:53,253 MAYBE HAVE SEX WITH HIS BEST FRIEND. 350 00:15:53,286 --> 00:15:56,023 I MEAN, HAVE A SODA. GOT IT? 351 00:15:56,056 --> 00:15:57,024 TOTES. 352 00:15:57,057 --> 00:15:58,225 WHAT HAPPENED TO YOU GUYS? 353 00:15:58,258 --> 00:15:59,626 YOU WERE SUPPOSED TO BE BACK TWO HOURS AGO. 354 00:15:59,659 --> 00:16:02,262 UH, WE WENT SHOPPING. HERE'S YOUR CREDIT CARD. 355 00:16:02,295 --> 00:16:04,097 OH, AND BY THE WAY, I UPPED YOUR LIMIT. 356 00:16:04,131 --> 00:16:06,333 3 GRAND? WHAT ARE YOU, A NURSE? 357 00:16:06,366 --> 00:16:08,201 SO... TELL ME ALL ABOUT YOUR DAY. 358 00:16:08,235 --> 00:16:11,304 O.M.G. I WANT TO SEE EVERYTHING YOU BOUGHT. 359 00:16:11,338 --> 00:16:14,307 DAD, YOU'RE LIKE A MILLION YEARS TOO OLD FOR "O.M.G." 360 00:16:16,343 --> 00:16:18,245 I'M GONNA TRY THE MAKEUP YOU GOT ME. 361 00:16:18,278 --> 00:16:20,247 WAIT. YOU GOT HER MAKEUP? 362 00:16:20,280 --> 00:16:21,481 SHE'S 11. 363 00:16:21,514 --> 00:16:23,050 UH, SHE WEARS A BRA NOW. 364 00:16:23,083 --> 00:16:25,185 THINK SHE'S READY FOR STRAWBERRY LIP GLOSS. 365 00:16:25,218 --> 00:16:27,587 (singsongy) TELL ME WHAT HAPPENS WITH JACKSON. 366 00:16:27,620 --> 00:16:29,356 (normal voice) I WANT ALL THE DEETS. 367 00:16:29,389 --> 00:16:32,159 "DEETS." I LOVE YOU. 368 00:16:33,660 --> 00:16:37,364 WELL, LOOK AT YOU TWO, ALL B.F.F. 369 00:16:37,397 --> 00:16:40,267 SO WHO'S THIS JACKSON? I WOULD LIKE THOSE DEETS. 370 00:16:40,300 --> 00:16:43,136 OH, SHE ASKED ME NOT TO TELL ANYONE ABOUT HIM. 371 00:16:43,170 --> 00:16:45,438 I'M NOT ANYONE. I'M HER CO-FATHER. 372 00:16:45,472 --> 00:16:47,440 WELL, DON'T TAKE IT PERSONALLY. 373 00:16:47,474 --> 00:16:49,142 THERE ARE JUST SOME THINGS GIRLS WOULD RATHER TALK ABOUT 374 00:16:49,176 --> 00:16:51,078 WITH OTHER GIRLS. 375 00:16:51,078 --> 00:16:52,245 (high-pitched voice) I COULD BE A GIRL. 376 00:16:52,279 --> 00:16:53,413 I COULD TOTALLY BE A GIRL! 377 00:16:53,446 --> 00:16:56,483 WELL, YOU GOT THE VOICE DOWN. 378 00:16:59,586 --> 00:17:02,155 (sizzling) 379 00:17:02,189 --> 00:17:04,091 (Chuck) HEY, WHERE ARE YOU? 380 00:17:04,124 --> 00:17:07,327 IN THE KITCHEN! COME JOIN ME. 381 00:17:07,360 --> 00:17:09,262 (knob clicks) 382 00:17:09,296 --> 00:17:12,332 SMELLS AMAZING. WHAT ARE YOU MAKING? 383 00:17:12,365 --> 00:17:15,368 OH, SEARED TILAPIA, BEARNAISE SABAYON, 384 00:17:15,402 --> 00:17:16,603 AND A LITTLE BOK CHOY. 385 00:17:16,636 --> 00:17:18,271 MIND GIVING ME A HAND? 386 00:17:18,305 --> 00:17:21,374 BREE, THE ONLY WORD I RECOGNIZED IN THAT SENTENCE WAS "HAND." 387 00:17:21,408 --> 00:17:24,277 COME ON. THERE'S NOTHING TO IT. THIS IS BEARNAISE SAUCE. 388 00:17:24,311 --> 00:17:28,848 IT JUST NEEDS TEN MINUTES OF CONSTANT WHISKING. 389 00:17:28,881 --> 00:17:30,417 CONSTANT. 390 00:17:31,584 --> 00:17:33,586 LOOK AT YOU. YOU'RE A NATURAL. 391 00:17:33,620 --> 00:17:37,290 I'M GONNA GO DRESS FOR DINNER. 392 00:17:37,324 --> 00:17:39,659 NOW REMEMBER, KEEP WHISKING FOR TEN MINUTES. 393 00:17:39,692 --> 00:17:44,131 IF YOUR HAND STARTS TO SPASM, IT MEANS YOU'RE DOING IT RIGHT. 394 00:17:47,434 --> 00:17:50,437 (breathing heavily) 395 00:17:59,479 --> 00:18:03,316 (exhales deeply) 396 00:18:07,154 --> 00:18:08,355 (latches click) 397 00:18:08,388 --> 00:18:10,357 (Chuck) BREE, I THINK IT'S BEEN TEN MINUTES! 398 00:18:10,390 --> 00:18:12,225 NO! NO, NOT EVEN CLOSE! 399 00:18:12,259 --> 00:18:16,329 KEEP WHISKING TILL IT'S LIGHT AND FROTHY! 400 00:18:33,913 --> 00:18:36,316 OKAY, I DON'T CARE HOW LONG IT'S BEEN, 401 00:18:36,349 --> 00:18:38,618 THAT STUFF AIN'T GETTING ANY FROTHIER. 402 00:18:41,621 --> 00:18:45,592 AND I GOT A CRAMP IN MY SHOOTING HAND. 403 00:18:45,625 --> 00:18:49,362 SO IF A CRIMINAL GETS AWAY TOMORROW, IT'LL BE YOUR FAULT. 404 00:18:49,396 --> 00:18:51,431 OH, WELL... (closes drawer) 405 00:18:51,464 --> 00:18:53,366 I'M SO SORRY. 406 00:18:53,400 --> 00:18:58,438 HERE. LET ME, UH, MASSAGE IT FOR YOU. 407 00:18:58,471 --> 00:19:01,908 AH. (exhales deeply) 408 00:19:11,951 --> 00:19:13,586 HE TOOK A PICTURE OF YOUR HAND WHILE YOU WERE SLEEPING? 409 00:19:13,620 --> 00:19:15,455 HOW CREEPY IS THAT? I KNOW. WHY WOULD HE DO SUCH A THING? 410 00:19:15,488 --> 00:19:18,925 OH, MY GOD. WHAT? 411 00:19:18,958 --> 00:19:21,394 HE MUST HAVE FOUND A HANDPRINT AT THE CRIME SCENE. 412 00:19:21,428 --> 00:19:22,662 HE PULLED YOUR PRINT OFF THE PHOTO, 413 00:19:22,695 --> 00:19:24,297 AND THEY WERE A MATCH. 414 00:19:24,331 --> 00:19:26,399 IS THAT POSSIBLE? I DON'T KNOW. 415 00:19:26,433 --> 00:19:27,900 WELL, THEN WHAT'S IN THE ENVELOPE? 416 00:19:27,934 --> 00:19:31,638 MAYBE THE CELL PHONE OR A PIECE OF THE SHOVEL HANDLE. 417 00:19:31,671 --> 00:19:34,241 WHATEVER IT IS, THAT'S WHAT HE'S GONNA USE TO NAIL US. 418 00:19:34,274 --> 00:19:35,442 WELL, WE HAVE TO GET THAT ENVELOPE, 419 00:19:35,475 --> 00:19:38,545 AND I CAN'T KEEP DISTRACTING HIM BY HAVING HIM STIR SAUCES. 420 00:19:38,578 --> 00:19:41,248 BY THE WAY, HIS BEARNAISE-- DISASTER. 421 00:19:41,281 --> 00:19:43,316 OKAY. TONIGHT WHEN HE GETS HOME, 422 00:19:43,350 --> 00:19:44,984 YOU TAKE HIM FOR A LONG WALK, 423 00:19:45,017 --> 00:19:46,553 LEAVE THE BACK DOOR OPEN, AND I'LL DO THE REST. 424 00:19:46,586 --> 00:19:48,988 GOT IT. (sighs) 425 00:19:49,021 --> 00:19:51,591 (gasps) WHAT IF THE BRIEFCASE IS LOCKED? 426 00:19:51,624 --> 00:19:54,294 I CAN PICK LOCKS. YEAH. 427 00:19:54,327 --> 00:19:57,264 I CAN ALSO DISGUISE MY VOICE, FORGE PEOPLE'S SIGNATURES, 428 00:19:57,297 --> 00:19:58,665 AND I'M A DECENT PICKPOCKET. 429 00:19:58,698 --> 00:20:01,334 ADULTERY GAVE ME SOME VALUABLE LIFE SKILLS. 430 00:20:04,404 --> 00:20:07,707 (sighs) FRACTIONS ARE SO STUPID. 431 00:20:07,740 --> 00:20:10,277 I'M NEVER GONNA NEED THIS STUFF ANYWAY. 432 00:20:10,310 --> 00:20:11,878 ARE YOU KIDDING ME? 433 00:20:11,911 --> 00:20:16,249 LET'S SAY YOU MARRY A GUY WHO'S WORTH $20 MILLION. 434 00:20:16,283 --> 00:20:18,518 YOU DIVORCE HIM, AND HE GIVES YOU HALF, 435 00:20:18,551 --> 00:20:21,321 BUT YOUR PRENUP SAYS YOU GET THREE-QUARTERS. 436 00:20:21,354 --> 00:20:24,257 THAT EXTRA $5 MILLION GETS YOU A YACHT 437 00:20:24,291 --> 00:20:28,295 BECAUSE YOU LEARNED YOUR FRACTIONS. 438 00:20:28,328 --> 00:20:29,496 TRUE STORY, BY THE WAY. 439 00:20:29,529 --> 00:20:31,898 (door opens) (Lee) HELLO? IT'S LEE! 440 00:20:31,931 --> 00:20:33,633 (door closes) HEY! COME ON UP. 441 00:20:33,666 --> 00:20:36,369 YOU KNOW, YOU'D BE A REALLY COOL MOM. 442 00:20:36,403 --> 00:20:39,272 YOU THINK SO? 443 00:20:39,306 --> 00:20:42,642 NO, I'D PROBABLY JUST LEAVE THE KID IN A NIGHTCLUB 444 00:20:42,675 --> 00:20:44,877 OR... MOROCCO. 445 00:20:44,911 --> 00:20:46,579 HEY. WHAT ARE YOU DOING HERE? 446 00:20:46,613 --> 00:20:48,315 WHAT AM I DOING HERE? I'M LOOKING FOR MY DAUGHTER, 447 00:20:48,348 --> 00:20:50,650 WHO SAID SHE'D BE HOME BY 5:00. 448 00:20:50,683 --> 00:20:53,920 I GUESS WE GOT CARRIED AWAY. TOTES. 449 00:20:53,953 --> 00:20:57,056 USE THE WHOLE WORD! HOW MUCH TIME ARE YOU SAVING? 450 00:20:57,089 --> 00:20:58,558 CALM DOWN. CAN YOU STAY OUT OF THIS? 451 00:20:58,591 --> 00:21:00,893 THIS IS BETWEEN ME AND MY DAUGHTER. 452 00:21:00,927 --> 00:21:02,962 STOP. YOU'RE EMBARRASSING ME. 453 00:21:02,995 --> 00:21:04,331 I DON'T CARE. 454 00:21:04,331 --> 00:21:06,866 YOU NEED TO COME HOME WITH ME... NOW. 455 00:21:06,899 --> 00:21:08,968 WHAT IF I SAY I'M NOT READY TO LEAVE? 456 00:21:09,001 --> 00:21:10,337 WHAT IF I SAY YOU'RE GROUNDED FOR A WEEK? 457 00:21:10,337 --> 00:21:11,237 SHOULD WE KEEP GOING? 458 00:21:11,338 --> 00:21:14,374 WHAT?! (voice breaking) YOU ARE SO UNFAIR! 459 00:21:19,011 --> 00:21:21,581 (sighs) AREN'T YOU BEING A LITTLE HARD ON HER? 460 00:21:21,614 --> 00:21:24,651 BACK OFF, RENEE. YOU'RE NOT HER MOTHER. 461 00:21:28,588 --> 00:21:33,360 MMM. MY SWEET, THAT WAS YOUR MOST DELICIOUS MEAL YET. 462 00:21:33,393 --> 00:21:34,427 WHAT WAS IN THIS? 463 00:21:34,461 --> 00:21:36,429 UH, JUST WALNUTS, HEMP CURDS, 464 00:21:36,463 --> 00:21:39,366 AND ONE VERY SPECIAL INGREDIENT. 465 00:21:39,366 --> 00:21:43,002 PLEASE DON'T SAY "LOVE," BECAUSE I'M ALREADY NAUSEOUS. 466 00:21:43,035 --> 00:21:45,372 I FIND THAT A WALK AFTER A MEAL 467 00:21:45,372 --> 00:21:48,375 HELPS ENCOURAGE MY DIGESTIVE FLOW. 468 00:21:48,375 --> 00:21:49,476 ANYBODY CARE TO JOIN ME? 469 00:21:49,509 --> 00:21:51,644 YOU GO. I'LL CLEAN UP. 470 00:21:55,982 --> 00:21:57,884 NO, LYNETTE! 471 00:21:57,917 --> 00:21:59,919 THAT'S FULL OF POISON. 472 00:21:59,952 --> 00:22:02,689 YES, DELICIOUS, CREAMY POISON, WHICH, BY THE WAY, 473 00:22:02,722 --> 00:22:05,024 YOU USED TO SUCK DOWN BY THE GALLON. 474 00:22:05,057 --> 00:22:07,727 YES, I KNOW, BUT I'VE CHANGED. 475 00:22:07,760 --> 00:22:10,530 AND I WANNA HELP YOU CHANGE, TOO. IT'S WHY I'M HERE. 476 00:22:10,563 --> 00:22:12,532 WOW. THAT'S A BIGGER LOAD OF CRAP 477 00:22:12,565 --> 00:22:14,133 THAN THE ONE WE JUST ATE. 478 00:22:14,166 --> 00:22:16,068 EXCUSE ME? 479 00:22:16,102 --> 00:22:19,439 YOU'RE NOT HERE FOR ME. YOU'RE HERE BECAUSE FOR ONCE, 480 00:22:19,472 --> 00:22:21,408 YOU'RE THE ONE IN THE HAPPY RELATIONSHIP, 481 00:22:21,408 --> 00:22:24,911 AND YOU JUST COULDN'T WAIT TO RUB MY FACE IN IT. 482 00:22:24,944 --> 00:22:26,546 HOW COULD-- 483 00:22:26,579 --> 00:22:28,147 WHY DO YOU AL--NO. 484 00:22:28,180 --> 00:22:30,517 NO, NO, NO, NO. NO. 485 00:22:30,550 --> 00:22:33,052 YOU WON'T DRAG ME DOWN TO YOUR LEVEL. 486 00:22:33,085 --> 00:22:35,455 I AM SURROUNDED BY A BEAUTIFUL BUBBLE 487 00:22:35,488 --> 00:22:37,089 OF LOVING ENERGY. 488 00:22:37,123 --> 00:22:39,025 YES, LYDIA, YOU ARE IN A BUBBLE, 489 00:22:39,058 --> 00:22:43,129 BUT ONCE THE PEBBLE COLLECTOR DUMPS YOU LIKE THEY ALL DO, 490 00:22:43,162 --> 00:22:45,565 YOU'LL GO RIGHT BACK TO BEING THE ICE CREAM-BINGING, 491 00:22:45,598 --> 00:22:50,036 WINE-SWILLING, NEUROTIC MESS YOU REALLY ARE. POP! 492 00:22:50,069 --> 00:22:53,940 YOU ARE SO MEAN. GOD, I HATE YOU. 493 00:22:53,973 --> 00:22:56,142 THERE SHE IS. WELCOME BACK. 494 00:22:56,175 --> 00:22:57,910 MY WHOLE LIFE, YOU'VE TREATED ME LIKE A SCREWUP. 495 00:22:57,944 --> 00:22:59,145 YOU ALWAYS HAD TO BE THE HAPPY ONE, 496 00:22:59,178 --> 00:23:00,980 THE SMART ONE, THE MARRIED ONE. 497 00:23:01,013 --> 00:23:04,517 WELL, GUESS WHAT? NOW YOU'RE THE SCREWUP, BITCH. 498 00:23:04,551 --> 00:23:07,520 YOU'RE ALONE AND MISERABLE, AND I LOVE IT. 499 00:23:07,554 --> 00:23:10,089 I LOVE IT, I LOVE IT, I LOVE IT, I LOVE IT! 500 00:23:10,122 --> 00:23:12,024 (Rashi) WOW. 501 00:23:12,058 --> 00:23:16,629 I JUST, UH, FORGOT MY iPod. 502 00:23:20,567 --> 00:23:23,135 WOW. 503 00:23:26,072 --> 00:23:27,674 (door closes) 504 00:23:51,197 --> 00:23:54,200 UH-OH. A CHARDONNAY FLOAT. 505 00:23:56,102 --> 00:23:57,604 DOES THAT MEAN... 506 00:23:57,637 --> 00:23:58,905 YES. 507 00:23:58,938 --> 00:24:02,241 RASHI'S GONE TO THE RETREAT ALONE, 508 00:24:02,274 --> 00:24:05,111 SO... CONGRATULATIONS. 509 00:24:05,144 --> 00:24:07,547 NOW I'M JUST AS MISERABLE AS YOU ARE. 510 00:24:07,580 --> 00:24:10,717 DID HE... DUMP YOU? 511 00:24:10,750 --> 00:24:13,119 (sets down bottle) HE SAID NOW THAT HE'S SEEN THE REAL ME, 512 00:24:13,152 --> 00:24:17,990 HE NEEDS TO MEDITATE ON WHETHER OR NOT HE CAN STILL MARRY ME. 513 00:24:18,024 --> 00:24:21,260 (voice breaking) I'M SO SCREWED, DUDE. 514 00:24:21,293 --> 00:24:23,129 OHH. 515 00:24:24,764 --> 00:24:28,200 YOU KNOW, IF HE WAS THAT QUICK TO RUN OFF, 516 00:24:28,234 --> 00:24:30,036 MAYBE HE'S NOT THE GUY. 517 00:24:30,069 --> 00:24:31,938 HE'S THE GUY. 518 00:24:31,971 --> 00:24:34,173 I'M JUST NOT THE GIRL. 519 00:24:34,206 --> 00:24:37,744 I THOUGHT I COULD PUT ALL THAT LOSER STUFF BEHIND ME 520 00:24:37,777 --> 00:24:42,281 AND ACTUALLY HAVE A FUNCTIONAL RELATIONSHIP. 521 00:24:42,314 --> 00:24:44,617 I GUESS THAT'S TOO MUCH TO ASK FOR. 522 00:24:44,651 --> 00:24:46,986 WHY DON'T YOU GO TALK TO HIM? 523 00:24:47,019 --> 00:24:48,154 I CAN'T. 524 00:24:48,187 --> 00:24:51,691 AFTER HOW I BEHAVED, 525 00:24:51,724 --> 00:24:56,195 I'VE BEEN TOLD MY ENERGY IS NO LONGER WELCOME IN THE YURT. 526 00:25:07,974 --> 00:25:09,942 WHERE IS SHE? 527 00:25:09,976 --> 00:25:11,077 WHERE IS WHO? 528 00:25:11,110 --> 00:25:13,079 JENNY. SHE'S SUPPOSED TO BE GROUNDED, 529 00:25:13,112 --> 00:25:15,582 BUT WHEN I WENT TO HER ROOM TO CHECK ON HER, SHE WAS GONE. 530 00:25:15,582 --> 00:25:18,084 WELL, SHE'S NOT HERE. I'VE BEEN OUT ALL AFTERNOON. 531 00:25:18,117 --> 00:25:19,752 I DON'T THINK I TRUST YOU. 532 00:25:21,220 --> 00:25:23,990 JENNY? ARE YOU IN HERE? 533 00:25:24,023 --> 00:25:25,692 (door closes) THIS IS ALL YOUR FAULT, YOU KNOW. 534 00:25:25,725 --> 00:25:27,126 MY FAULT? HOW IS IT MY FAULT? 535 00:25:27,159 --> 00:25:29,962 I'M SORRY. I'M NOT SPEAKING TO YOU RIGHT NOW. 536 00:25:29,996 --> 00:25:33,165 WE WERE A PERFECTLY HAPPY FAMILY BEFORE YOU GOT INVOLVED. 537 00:25:33,199 --> 00:25:35,167 GOT INVOLVED? YOU MADE ME TAKE HER SHOPPING 538 00:25:35,201 --> 00:25:37,103 'CAUSE YOU'RE SCARED OF BOOBS! 539 00:25:37,136 --> 00:25:38,037 YEAH, AND THEN YOU GLOMMED ON 540 00:25:38,070 --> 00:25:40,172 BECAUSE YOU DON'T HAVE KIDS OF YOUR OWN. 541 00:25:40,206 --> 00:25:43,075 IT'S NOT HER FAULT! 542 00:25:43,109 --> 00:25:44,110 JENNY. 543 00:25:44,143 --> 00:25:47,213 I SNUCK IN A BACK WINDOW. 544 00:25:47,246 --> 00:25:48,247 SORRY. 545 00:25:48,280 --> 00:25:50,717 WHAT'S GOING ON? WHY ARE YOU HERE? 546 00:25:50,750 --> 00:25:53,185 I LIKE IT HERE. WE DID OUR NAILS. 547 00:25:53,219 --> 00:25:55,187 MORE. 548 00:25:55,221 --> 00:25:57,356 I DON'T KNOW. 549 00:25:57,389 --> 00:26:01,027 SOMETIMES I THINK IT'D BE COOL TO HAVE A... 550 00:26:01,060 --> 00:26:02,161 MOTHER. 551 00:26:02,194 --> 00:26:04,931 (gasps) OH, MY GOD. THE "M" WORD." 552 00:26:04,964 --> 00:26:06,699 EASY. 553 00:26:06,733 --> 00:26:09,068 WHAT CAN A MOTHER DO THAT I CAN'T? 554 00:26:09,101 --> 00:26:10,937 YOU WANNA DO YOUR NAILS? 555 00:26:10,970 --> 00:26:13,005 MANI-PEDI MONDAYS START NEXT WEEK. 556 00:26:13,039 --> 00:26:14,073 YOU WANT TO TRY ON SHOES? 557 00:26:14,106 --> 00:26:15,341 I HAVE THE STILETTOS THAT CHER WORE 558 00:26:15,374 --> 00:26:17,644 TO THE "MOONSTRUCK" PREMIERE. 559 00:26:17,644 --> 00:26:21,047 YOU CAN'T GO IN THE LADIES' ROOM WITH ME. 560 00:26:21,080 --> 00:26:23,049 SO THAT'S THE PROBLEM?! 561 00:26:23,082 --> 00:26:24,751 WELL, YOU'VE GOT ME. 562 00:26:24,784 --> 00:26:28,020 I SEE WHY HAVING A DAD AND A PAPA IS SO HORRIBLE. 563 00:26:28,054 --> 00:26:30,189 JENNY, WHY DON'T YOU GO IN THE KITCHEN? 564 00:26:30,222 --> 00:26:33,025 THE LATEST "VOGUE" IS IN THERE. 565 00:26:33,059 --> 00:26:36,729 WE HAVE MAGAZINES AT OUR HOUSE, TOO! 566 00:26:36,763 --> 00:26:38,230 ARE YOU OKAY? 567 00:26:43,435 --> 00:26:46,172 THIS IS MY WORST NIGHTMARE COME TRUE. 568 00:26:46,205 --> 00:26:48,040 I'VE WORRIED ABOUT THIS MOMENT 569 00:26:48,074 --> 00:26:50,042 EVER SINCE SHE CAME INTO OUR LIVES. 570 00:26:50,076 --> 00:26:52,111 WHAT IF BOB AND I AREN'T ENOUGH? 571 00:26:55,014 --> 00:26:57,116 WHAT IF SHE DOES NEED A MOTHER? 572 00:26:57,149 --> 00:27:00,119 OH, SHUT UP. 573 00:27:00,152 --> 00:27:02,221 EXCUSE ME? 574 00:27:02,254 --> 00:27:05,124 YOU TOOK A GIRL WHO WAS BOUNCING 575 00:27:05,157 --> 00:27:07,026 FROM ONE FOSTER HOME TO ANOTHER 576 00:27:07,059 --> 00:27:10,096 AND GAVE HER TWO GREAT PARENTS WHO LOVE HER. 577 00:27:10,129 --> 00:27:11,363 BUT YOU HEARD HER. IT'S NOT ENOUGH. 578 00:27:11,397 --> 00:27:13,432 OH, PLEASE, SHE'S A KID. 579 00:27:13,465 --> 00:27:16,235 TODAY SHE WANTS A MOM. TOMORROW SHE'LL WANT A CAR. 580 00:27:16,268 --> 00:27:18,204 JENNY IS NOT LACKING FOR ANYTHING, 581 00:27:18,237 --> 00:27:21,207 AND YOU GUYS ARE DOING AN AMAZING JOB WITH HER. 582 00:27:21,240 --> 00:27:23,175 REALLY? 583 00:27:23,209 --> 00:27:24,443 YEAH, REALLY. 584 00:27:24,476 --> 00:27:26,445 SO AMAZING, THAT FOR THE FIRST TIME IN MY LIFE, 585 00:27:26,478 --> 00:27:30,783 I... ACTUALLY ENJOYED HANGING OUT WITH A KID. 586 00:27:32,151 --> 00:27:34,020 AW. THANK YOU. 587 00:27:34,053 --> 00:27:35,187 MM. (chuckles) 588 00:27:35,221 --> 00:27:37,056 AND I TAKE BACK EVERYTHING I SAID 589 00:27:37,089 --> 00:27:39,358 ABOUT YOU BEING AN INSENSITIVE BITCH. 590 00:27:39,391 --> 00:27:41,227 UH, YOU NEVER SAID THAT. 591 00:27:41,260 --> 00:27:44,731 DON'T OPEN YOUR E-MAIL. 592 00:27:46,833 --> 00:27:48,200 (melodic chimes playing) 593 00:27:48,234 --> 00:27:51,303 (Rashi exhales deeply) WE ARE THE SUN, 594 00:27:51,337 --> 00:27:55,742 THE WARMTH RADIATING FROM OUR HEARTS. 595 00:27:55,742 --> 00:28:01,247 WE ARE THE ENDLESS SEA ROLLING BENEATH THE FOREVER SKY. 596 00:28:01,280 --> 00:28:07,086 WE ARE THE LEAVES. THE WIND BLOWS US FROM TREES. 597 00:28:07,119 --> 00:28:10,122 (whispering) SORRY, SORRY. STUPID WIND. 598 00:28:10,156 --> 00:28:12,158 WE ARE THE STARS, 599 00:28:12,191 --> 00:28:14,126 GLOWING, GROWING, 600 00:28:14,160 --> 00:28:18,364 LOSING OURSELVES BUT GAINING THE UNIVERSE. 601 00:28:18,397 --> 00:28:20,199 (inhales deeply) 602 00:28:20,232 --> 00:28:21,267 MM-- 603 00:28:21,300 --> 00:28:22,334 YOU GOT A SEC? 604 00:28:22,368 --> 00:28:24,003 WHAT ARE YOU DOING HERE? 605 00:28:24,036 --> 00:28:26,305 BESIDES TRYING NOT TO LAUGH MY ASS OFF? 606 00:28:26,338 --> 00:28:27,807 I NEED TO TALK TO YOU. 607 00:28:27,840 --> 00:28:29,175 (lowered voice) WELL, NOT NOW! 608 00:28:29,208 --> 00:28:31,110 MY STUDENTS HAVE BEEN MEDITATING FOR SIX HOURS. 609 00:28:31,143 --> 00:28:33,112 THEY ARE VERY CLOSE TO FINDING THEIR BLISS. 610 00:28:33,145 --> 00:28:34,446 I'M SURE THEY CAN SPARE YOU FOR A FEW MINUTES, 611 00:28:34,480 --> 00:28:36,048 SO COME TALK TO ME, 612 00:28:36,082 --> 00:28:37,483 OR I WILL START SINGING ETHEL MERMAN 613 00:28:37,516 --> 00:28:40,252 AT THE TOP OF MY LUNGS. 614 00:28:40,286 --> 00:28:43,122 (loudly) * THERE'S NO BUSINESS LIKE SHOW BUSINESS * 615 00:28:43,155 --> 00:28:44,190 * THERE'S NO-- 616 00:28:44,223 --> 00:28:45,992 SO SORRY. 617 00:28:46,025 --> 00:28:47,293 I'LL BE RIGHT BACK. 618 00:28:47,326 --> 00:28:49,261 (whispers) COME ON. 619 00:28:52,331 --> 00:28:55,034 YOU CAN'T LEAVE LYDIA. 620 00:28:55,067 --> 00:28:57,970 I DON'T WANT TO, BUT I DIDN'T RECOGNIZE 621 00:28:58,004 --> 00:28:59,972 THAT PERSON I SAW YELLING AT YOU. 622 00:29:00,006 --> 00:29:02,008 I DID. IT'S THE PERSON I TURN HER INTO 623 00:29:02,041 --> 00:29:03,109 EVERY TIME WE GET TOGETHER. 624 00:29:03,142 --> 00:29:05,311 THE LYDIA I DIDN'T RECOGNIZE WAS THE ONE WHO BREEZED 625 00:29:05,344 --> 00:29:08,380 THROUGH MY HOUSE, HAPPY AND IN LOVE. 626 00:29:08,414 --> 00:29:10,316 YOU DON'T UNDERSTAND. IT'S TOO HARD FOR ME 627 00:29:10,349 --> 00:29:12,819 TO BE AROUND PEOPLE LIKE YOU AND LYDIA. 628 00:29:12,819 --> 00:29:16,122 THEN... EAT A ROOT OR CHANT OR WHATEVER. 629 00:29:16,155 --> 00:29:17,223 IT'S NOT GONNA HELP, OKAY? 630 00:29:17,256 --> 00:29:18,357 WHY NOT? 631 00:29:18,390 --> 00:29:20,192 BECAUSE YOU ARE EXACTLY LIKE MY FAMILY. 632 00:29:20,226 --> 00:29:22,128 (sighs) 633 00:29:22,161 --> 00:29:25,031 MY NAME IS NOT RASHI. 634 00:29:25,064 --> 00:29:29,068 IT'S HERBERT BRICKMEYER, FROM LEVITTOWN, LONG ISLAND, 635 00:29:29,101 --> 00:29:31,070 AND THAT ENERGY IN YOUR KITCHEN-- 636 00:29:31,103 --> 00:29:32,271 THAT WAS PURE BRICKMEYER, 637 00:29:32,304 --> 00:29:34,206 AND I CAN'T BE AROUND THAT AGAIN. 638 00:29:34,240 --> 00:29:36,175 OKAY. OKAY, FIRST OF ALL, 639 00:29:36,208 --> 00:29:40,146 LYDIA DOESN'T ACT LIKE THAT WHEN I'M NOT PUSHING HER BUTTONS. 640 00:29:40,179 --> 00:29:41,447 AND EVEN IF SHE DID, WORK IT OUT. 641 00:29:41,480 --> 00:29:43,983 THAT'S WHAT A RELATIONSHIP IS. 642 00:29:44,016 --> 00:29:46,118 AND YOU'RE A RELATIONSHIP EXPERT? 643 00:29:46,152 --> 00:29:49,421 I'M AN EXPERT ON SCREWING THEM UP. 644 00:29:51,223 --> 00:29:53,525 I'M GUESSING IT TOOK YOU A WHILE 645 00:29:53,559 --> 00:29:56,595 TO STOP BEING A CRAZY LONG ISLAND BRICKMEYER, 646 00:29:56,628 --> 00:30:00,867 SO GIVE LYDIA A LITTLE TIME TO FIND HER BLISS, TOO. 647 00:30:06,438 --> 00:30:08,207 I'LL THINK ABOUT IT. 648 00:30:10,509 --> 00:30:12,011 ALL THIS TALK ABOUT MY FAMILY'S 649 00:30:12,044 --> 00:30:13,612 GOT ME REALLY JONESING FOR A CIGARETTE. 650 00:30:13,645 --> 00:30:15,614 YOU WOULDN'T HAPPEN TO... 651 00:30:15,647 --> 00:30:17,349 SORRY, HERB. 652 00:30:21,587 --> 00:30:24,290 (inhales deeply) 653 00:30:29,261 --> 00:30:30,562 (door closes) 654 00:30:31,630 --> 00:30:32,598 HI. 655 00:30:32,631 --> 00:30:34,533 HI. 656 00:30:36,568 --> 00:30:38,037 (keys jangle) 657 00:30:38,070 --> 00:30:39,538 WHAT? RASHI CALLED. 658 00:30:39,571 --> 00:30:42,341 HE HAD AN EPIPHANY DURING THE RETREAT. 659 00:30:42,374 --> 00:30:46,078 HE KNOWS I'M CHANGING, AND HE'S WILLING TO BE PATIENT. 660 00:30:46,112 --> 00:30:48,047 YAY! (laughs) 661 00:30:48,080 --> 00:30:49,982 AW. 662 00:30:50,016 --> 00:30:52,051 MWAH. 663 00:30:52,084 --> 00:30:53,552 HE'S RIGHT. YOU ARE CHANGING. 664 00:30:53,585 --> 00:30:56,088 I HAVE NEVER SEEN YOU LIKE THIS BEFORE. 665 00:30:56,122 --> 00:30:57,456 REALLY? 666 00:30:57,489 --> 00:30:59,992 YEAH, REALLY, HONEY. 667 00:31:00,026 --> 00:31:02,328 I THINK... 668 00:31:02,361 --> 00:31:06,265 I THINK THAT IS WHY I HAVE BEEN SO ROTTEN TO YOU. 669 00:31:06,298 --> 00:31:08,300 I'M JEALOUS. 670 00:31:12,104 --> 00:31:14,073 WHY? 671 00:31:15,507 --> 00:31:19,345 I DON'T GET IN RELATIONSHIPS, LYDIA. I GET ON THEM. 672 00:31:19,378 --> 00:31:22,548 I MOUNT THEM AND GRAB THEM BY THE HAIR 673 00:31:22,581 --> 00:31:24,316 AND KICK THEM IN THE SIDES 674 00:31:24,350 --> 00:31:26,585 UNTIL I MAKE THEM GO WHERE I WANT. 675 00:31:26,618 --> 00:31:28,587 AND GOD HELP THE OTHER PERSON 676 00:31:28,620 --> 00:31:31,257 IF THEY HAVE A DIFFERENT IDEA THAN ME. 677 00:31:31,290 --> 00:31:35,061 IS THAT WHAT HAPPENED WITH YOU AND TOM? 678 00:31:37,196 --> 00:31:38,630 OH, YEAH. 679 00:31:38,664 --> 00:31:45,071 YOU CAN CHANGE, TOO, LYNETTE. 680 00:31:45,104 --> 00:31:47,106 I DON'T KNOW IF I CAN. 681 00:31:47,139 --> 00:31:49,408 I'M PRETTY SURE THIS IS AS GOOD AS IT GETS. 682 00:31:49,441 --> 00:31:51,143 NO, LYNETTE. 683 00:31:51,177 --> 00:31:55,214 NO, BECAUSE YOU RECOGNIZE YOUR PROBLEM NOW. 684 00:31:55,247 --> 00:31:58,117 AND A WISE MAN ONCE SAID 685 00:31:58,150 --> 00:31:59,618 THAT TO BEGIN THE JOURNEY OF CHANGE, 686 00:31:59,651 --> 00:32:03,155 WE MUST PULL ON THE BOOTS OF SELF-AWARENESS. 687 00:32:05,557 --> 00:32:08,160 AND WAS THAT WISE MAN RASHI? 688 00:32:08,194 --> 00:32:11,130 ISN'T HE ADORABLE? 689 00:32:16,635 --> 00:32:19,605 AND WHEN HE TALKS TO SCOUT AND JIM, 690 00:32:19,638 --> 00:32:22,074 YOU KNOW HE DOESN'T WANNA JUST DO THE RIGHT THING 691 00:32:22,108 --> 00:32:25,144 FOR THE COMMUNITY. HE WANTS TO DO THE RIGHT THING AS A FATHER. 692 00:32:25,177 --> 00:32:26,578 I KNOW. IT'S LIKE WHEN GREGORY PECK 693 00:32:26,612 --> 00:32:29,181 LOOKS AT THOSE KIDS, YOU CAN TELL THAT HE'S-- 694 00:32:29,215 --> 00:32:31,450 GREGORY PECK? (chuckles) 695 00:32:31,483 --> 00:32:33,619 YOU DIDN'T ACTUALLY READ THE BOOK, DID YOU? 696 00:32:33,652 --> 00:32:38,424 YEAH. I STARTED, AND THEN IT WAS ON CABLE. 697 00:32:38,457 --> 00:32:41,560 I'M SORRY. IT'S JUST TOO MANY PAGES. 698 00:32:41,593 --> 00:32:43,162 MIKE. 699 00:32:43,195 --> 00:32:44,530 WHAT? 700 00:32:46,365 --> 00:32:48,067 OH, GOD. HE'S TURNING AROUND! 701 00:32:48,100 --> 00:32:49,468 OKAY. 702 00:32:51,570 --> 00:32:54,173 UH... OKAY, COME ON. 703 00:32:59,111 --> 00:33:01,113 (panting) 704 00:33:01,147 --> 00:33:02,414 DO YOU THINK HE SAW US? 705 00:33:02,448 --> 00:33:04,483 I DON'T KNOW. 706 00:33:04,516 --> 00:33:07,353 I DON'T SEE HIS TRUCK. I THINK HE LEFT. 707 00:33:07,386 --> 00:33:09,388 OH, THANK GOD. 708 00:33:09,421 --> 00:33:12,158 WOW, THAT WAS CLOSE. 709 00:33:12,191 --> 00:33:14,060 YEAH, MY HEART'S POUNDING. 710 00:33:14,060 --> 00:33:15,594 I KNOW. I CAN FEEL IT. 711 00:33:15,627 --> 00:33:18,630 (breathing heavily) 712 00:33:21,200 --> 00:33:23,302 WHAT IS GOING ON HERE? 713 00:33:25,537 --> 00:33:26,672 NOTHING. 714 00:33:29,208 --> 00:33:31,143 ARE YOU SURE? 715 00:33:31,177 --> 00:33:34,080 YEAH. WE'RE JUST TWO FRIENDS 716 00:33:34,080 --> 00:33:36,615 WHO ARE GOING THROUGH A TOUGH TIME AND ARE TRYING TO 717 00:33:36,648 --> 00:33:39,218 HELP EACH OTHER THROUGH IT, RIGHT? 718 00:33:39,251 --> 00:33:42,088 THEN WHY ARE WE HIDING IN THE BACK OF A VAN 719 00:33:42,088 --> 00:33:43,422 FROM MY HUSBAND? 720 00:33:48,127 --> 00:33:53,365 I DON'T THINK WE SHOULD DO THIS ANYMORE. 721 00:33:53,399 --> 00:33:55,534 YEAH. 722 00:33:57,669 --> 00:33:59,238 (laughs) 723 00:33:59,271 --> 00:34:00,306 (grunts) 724 00:34:00,339 --> 00:34:02,108 MIKE! WHAT ARE YOU DOING? 725 00:34:02,141 --> 00:34:03,642 WHEN YOU'RE DONE HELPING YOUR BOYFRIEND, 726 00:34:03,675 --> 00:34:05,644 WE NEED TO TALK. 727 00:34:05,677 --> 00:34:07,246 OHH. 728 00:34:07,279 --> 00:34:08,280 YOU OKAY? 729 00:34:08,314 --> 00:34:10,649 YEAH. (groans) 730 00:34:16,722 --> 00:34:18,124 HELLO. 731 00:34:18,124 --> 00:34:20,792 HOW WAS YOUR DAY? 732 00:34:20,826 --> 00:34:22,228 IT WAS A LITTLE STRESSFUL. 733 00:34:22,261 --> 00:34:25,297 AH. MINE, TOO. 734 00:34:25,331 --> 00:34:29,168 WE NEED TO UNWIND. HOW ABOUT A NICE, LONG WALK? 735 00:34:29,201 --> 00:34:30,702 I HAVE A BETTER IDEA. 736 00:34:30,736 --> 00:34:33,205 THERE'S SOMEPLACE SPECIAL I'D LIKE TO TAKE YOU. 737 00:34:33,239 --> 00:34:35,607 OH? WHERE? 738 00:34:35,641 --> 00:34:37,209 (latches click) 739 00:34:39,645 --> 00:34:41,313 IT'S A SURPRISE. 740 00:34:41,347 --> 00:34:44,550 I DON'T REALLY LIKE SURPRISES. 741 00:34:44,583 --> 00:34:47,653 I DO. SHALL WE? 742 00:34:47,686 --> 00:34:50,189 NOW? 743 00:34:50,222 --> 00:34:52,291 UH, CAN I FRESHEN UP FIRST? 744 00:34:52,324 --> 00:34:54,593 YOU LOOK PLENTY FRESH TO ME. 745 00:34:54,626 --> 00:34:56,528 BUT I'VE BEEN IN THESE CLOTHES ALL DAY. 746 00:34:56,562 --> 00:34:58,164 I'D REALLY LIKE TO CHANGE. 747 00:34:59,365 --> 00:35:02,368 OKAY. DON'T KEEP ME WAITING. 748 00:35:06,838 --> 00:35:09,175 (cell phone rings) 749 00:35:09,208 --> 00:35:10,542 (ring, beep) 750 00:35:10,576 --> 00:35:12,578 (lowered voice) BREE, HAVE YOU LEFT YET? 751 00:35:12,611 --> 00:35:13,812 (lowered voice) NEW PLAN. HE'S TAKING ME OUT, 752 00:35:13,845 --> 00:35:15,581 AND HE'S GOT THE ENVELOPE. 753 00:35:15,614 --> 00:35:17,783 WHERE ARE YOU GOING? He won't say, 754 00:35:17,816 --> 00:35:18,884 BUT IF HE WROTE THAT LETTER, 755 00:35:18,917 --> 00:35:20,719 AND HE'S BRINGING ME SOMEWHERE WITH THE EVIDENCE... 756 00:35:20,752 --> 00:35:22,588 THIS IS WHEN HE GIVES YOU THE SHAKEDOWN! 757 00:35:22,621 --> 00:35:24,790 I'LL FOLLOW YOU. (beep) 758 00:35:27,893 --> 00:35:29,828 I THOUGHT YOU WERE GONNA CHANGE. 759 00:35:29,861 --> 00:35:31,830 I DID. 760 00:35:31,863 --> 00:35:33,765 MY ATTITUDE. I DIDN'T WANNA GO, 761 00:35:33,799 --> 00:35:36,268 BUT NOW I DO. 762 00:35:53,319 --> 00:35:54,720 UH, WHAT ABOUT THAT-- THAT TABLE IN THE CORNER? 763 00:35:54,753 --> 00:35:55,887 WE'D LIKE SOME PRIVACY. 764 00:35:55,921 --> 00:35:57,789 NO, NO, NO, NO. I HATE PRIVACY. 765 00:35:57,823 --> 00:36:00,759 I LIKE NOISE AND BUSTLE AND LOTS OF PEOPLE. 766 00:36:00,792 --> 00:36:03,962 HOW ABOUT THIS ONE IN THE MIDDLE? 767 00:36:03,995 --> 00:36:07,233 WHATEVER YOU SAY. 768 00:36:07,233 --> 00:36:10,569 (piano playing jazz, indistinct conversations) 769 00:36:12,704 --> 00:36:14,973 (sighs) 770 00:36:15,006 --> 00:36:17,643 OH, AREN'T YOU WARM IN THAT JACKET? 771 00:36:17,676 --> 00:36:20,612 ACTUALLY, A LITTLE. 772 00:36:20,646 --> 00:36:23,582 (mouths words) 773 00:36:23,615 --> 00:36:25,651 (mouths words) 774 00:36:27,653 --> 00:36:31,957 SO, UM, LET'S ORDER FIRST, AND THEN WE CAN TALK. 775 00:36:31,990 --> 00:36:33,692 MM. 776 00:36:37,663 --> 00:36:39,565 DON'T THESE APPETIZERS SOUND DELICIOUS? 777 00:36:39,598 --> 00:36:42,401 (gasps) YUM! ESCARGOT, AND I... 778 00:36:42,434 --> 00:36:44,002 I LOVE ONION SOUP. 779 00:36:44,035 --> 00:36:48,574 BUT IT'LL BE HARD TO PASS UP ON THE BEEF TARTARE. 780 00:36:48,607 --> 00:36:51,577 RUSTIC COUNTRY PATE. LOOK. 781 00:36:51,610 --> 00:36:53,345 UH, WHAT AM I LOOKING AT? 782 00:36:53,379 --> 00:36:55,581 IT JUST SAYS "RUSTIC COUNTRY PATE." (mouths words) 783 00:36:55,614 --> 00:36:58,617 MAYBE WE SHOULD LOOK ON THE LEFT SIDE OF THE MENU. 784 00:36:58,650 --> 00:37:02,388 I DEFINITELY THINK WE'LL FIND SOMETHING GOOD ON THE LEFT SIDE. 785 00:37:02,421 --> 00:37:05,891 WE DIDN'T GET A WINE LIST. WHERE'S OUR WAITER? (silverware clinks) 786 00:37:05,924 --> 00:37:08,394 (moaning) 787 00:37:08,427 --> 00:37:09,628 MM! 788 00:37:09,661 --> 00:37:10,629 (chuckles) MM. 789 00:37:10,662 --> 00:37:12,298 MWAH! 790 00:37:12,298 --> 00:37:14,533 (gasps) WOW. 791 00:37:14,566 --> 00:37:17,035 WOW. (sighs) 792 00:37:17,068 --> 00:37:18,370 I'LL BE RIGHT BACK. 793 00:37:18,404 --> 00:37:19,638 WAIT. WHERE-- WHERE ARE YOU GOING? 794 00:37:19,671 --> 00:37:20,639 TO FRESHEN UP. 795 00:37:20,672 --> 00:37:22,508 AGAIN? 796 00:37:24,376 --> 00:37:26,345 (door opens) 797 00:37:28,680 --> 00:37:30,582 WHAT DO YOU THINK'S IN THERE? 798 00:37:30,616 --> 00:37:32,918 WHAT IF IT'S A BONE? YOU OPEN IT! 799 00:37:40,659 --> 00:37:41,660 OH, NO. 800 00:37:41,693 --> 00:37:43,929 MAYBE IT'S A TOOTH? 801 00:37:47,733 --> 00:37:49,501 OHH. THE PICTURE OF MY HAND-- 802 00:37:49,535 --> 00:37:51,570 HE WAS TRYING TO FIGURE OUT MY RING SIZE. 803 00:37:51,603 --> 00:37:54,406 WELL, THIS DOESN'T NECESSARILY MEAN HE DIDN'T SEND THE LETTER. 804 00:37:54,440 --> 00:37:56,675 I THINK IT DOES. 805 00:37:56,708 --> 00:37:58,009 OKAY, WELL, THIS IS A RELIEF, RIGHT? 806 00:37:58,043 --> 00:37:59,945 I MEAN, AT LEAST HE'S NOT BLACKMAILING YOU. 807 00:37:59,978 --> 00:38:03,349 NO, IT MEANS HE WANTS TO MARRY ME. 808 00:38:03,349 --> 00:38:05,351 SO WHAT ARE YOU GONNA DO? 809 00:38:05,351 --> 00:38:07,586 I LIKE CHUCK, BUT HE'S NOT THE MAN 810 00:38:07,619 --> 00:38:10,456 I WANNA SPEND THE REST OF MY LIFE WITH. 811 00:38:10,489 --> 00:38:13,559 YOU CAN GO. I'LL DO MY BEST TO LET HIM DOWN EASY. 812 00:38:13,592 --> 00:38:17,663 SOME ROCK, AND ON A COP'S SALARY? 813 00:38:19,097 --> 00:38:20,699 BUT YOU SHOULD STILL DUMP HIM. 814 00:38:22,701 --> 00:38:24,370 (sighs) 815 00:38:28,574 --> 00:38:29,708 MIKE. 816 00:38:29,741 --> 00:38:31,977 IF YOU'RE GONNA SAY IT, SAY IT FAST. 817 00:38:32,010 --> 00:38:34,480 (door closes) THERE IS NO FAST WAY TO SAY IT, BUDDY. 818 00:38:34,513 --> 00:38:37,949 WHAT THE HELL ARE YOU DOING HERE? 819 00:38:37,983 --> 00:38:41,653 WE'RE FINALLY GONNA TELL YOU THE TRUTH. 820 00:38:50,696 --> 00:38:52,564 ABOUT A MONTH AGO, THE PROGRESSIVE DINNER-- 821 00:38:52,598 --> 00:38:54,099 YOU REMEMBER THAT NIGHT? 822 00:38:54,132 --> 00:38:56,602 (sighs) JUST GET TO THE PART THAT'S THE TRUTH. 823 00:39:00,071 --> 00:39:02,674 I KILLED GABY'S STEPFATHER. 824 00:39:04,643 --> 00:39:08,547 AND ME AND THE GIRLS HELPED COVER IT UP. 825 00:39:18,189 --> 00:39:20,158 (sighs) I'M SORRY THAT TOOK SO LONG. 826 00:39:20,191 --> 00:39:22,461 OH, THAT-- THAT--THAT'S ALL RIGHT. 827 00:39:23,695 --> 00:39:25,931 (clears throat) IT ACTUALLY GAVE ME A CHANCE 828 00:39:25,964 --> 00:39:28,600 TO HAVE A SCOTCH AND A GLASS OF RED WINE. 829 00:39:28,634 --> 00:39:30,502 CALM MY NERVES A LITTLE. 830 00:39:30,536 --> 00:39:32,671 GOD, I WISH I COULD HAVE A DRINK. 831 00:39:32,704 --> 00:39:35,441 WHY? WHAT ARE YOU NERVOUS ABOUT? 832 00:39:35,441 --> 00:39:38,944 I HAVE SOMETHING IMPORTANT TO SAY. 833 00:39:38,977 --> 00:39:41,947 HUH. UM, I-I WONDER 834 00:39:41,980 --> 00:39:43,582 IF IT'S THE SAME THING THAT I'M GONNA SAY. 835 00:39:43,615 --> 00:39:45,917 I'M PRETTY SURE IT'S NOT. 836 00:39:45,951 --> 00:39:49,588 CHUCK, YOU ARE A WONDERFUL MAN, 837 00:39:49,621 --> 00:39:52,691 AND I HAVE ENJOYED OUR TIME TOGETHER, BUT-- 838 00:39:52,724 --> 00:39:53,892 WHOA, WHOA, WHOA, WHOA, WHOA, WHOA. 839 00:39:53,925 --> 00:39:56,194 ARE YOU--ARE YOU... 840 00:39:56,227 --> 00:39:59,465 YOU'RE DUMPING ME? 841 00:40:01,767 --> 00:40:03,935 I WAS... 842 00:40:03,969 --> 00:40:05,904 I WAS ABOUT TO PROPOSE TO YOU. 843 00:40:05,937 --> 00:40:08,039 I'M SORRY IF I MISLED YOU-- 844 00:40:08,073 --> 00:40:10,709 HEY, THERE'S A FAKE APOLOGY. YOU DID MISLEAD ME. 845 00:40:10,742 --> 00:40:13,645 CHUCK, PLEASE-- YOU KNOW, IT'S LIKE YOU'RE TWO PEOPLE. 846 00:40:13,679 --> 00:40:14,980 THERE'S THE WOMAN I HAVE FUN WITH, 847 00:40:15,013 --> 00:40:17,683 WHO I REALLY... I REALLY CONNECT TO, 848 00:40:17,716 --> 00:40:19,117 AND THERE'S THIS OTHER WOMAN WHO'S-- 849 00:40:19,150 --> 00:40:22,187 WHO'S, UH, WHO'S MYSTERIOUS AND--AND WEIRD 850 00:40:22,220 --> 00:40:27,092 AND KEEPS SNEAKING OUT TO "RUN ERRANDS." 851 00:40:27,125 --> 00:40:29,060 THERE'S ANOTHER GUY, ISN'T THERE? 852 00:40:29,094 --> 00:40:31,196 NO. I ASSURE YOU, THERE'S NO ONE ELSE. 853 00:40:31,229 --> 00:40:32,731 DON'T LIE TO ME! 854 00:40:35,967 --> 00:40:38,604 WAS HE THE ONE WHO SENT YOU THAT LETTER? 855 00:40:38,637 --> 00:40:40,606 WHAT LETTER? 856 00:40:40,639 --> 00:40:42,574 THE ONE THAT YOU, UH, YOU WERE READING THE OTHER NIGHT, 857 00:40:42,608 --> 00:40:45,243 YOU GOT ALL SHOOK UP ABOUT-- WAS THAT FROM HIM? 858 00:40:45,276 --> 00:40:47,679 THERE IS NO "HIM." 859 00:40:47,713 --> 00:40:51,650 YOU KNOW, BREE, I WOULD'VE DONE ANYTHING FOR YOU. 860 00:40:51,683 --> 00:40:56,555 I PROTECT THE PEOPLE THAT I CARE ABOUT. 861 00:40:56,588 --> 00:40:58,123 I DON'T CARE ABOUT YOU NOW. 862 00:40:58,156 --> 00:41:01,993 SO IF YOU FIND YOURSELF IN TROUBLE, 863 00:41:02,027 --> 00:41:07,533 AND I'M PRETTY SURE THAT SOMEDAY YOU WILL... 864 00:41:07,566 --> 00:41:08,967 THEN DON'T COME CALLING ME. 865 00:41:11,269 --> 00:41:15,206 YOU HAVE MADE A VERY BIG MISTAKE. 866 00:41:21,112 --> 00:41:24,149 YES, THE RESIDENTS OF WISTERIA LANE 867 00:41:24,182 --> 00:41:28,554 ARE SKILLED AT THE ART OF CONCEALMENT. 868 00:41:30,188 --> 00:41:31,623 THEY KNOW HOW TO COVER 869 00:41:31,657 --> 00:41:34,593 THE EVIDENCE OF A MESSY BREAKUP... 870 00:41:37,663 --> 00:41:38,864 TO COMPENSATE 871 00:41:38,897 --> 00:41:41,733 FOR WHAT THEIR CHILDREN MIGHT BE MISSING... 872 00:41:43,334 --> 00:41:47,305 AND TO SPARE THE FEELINGS OF A LOVED ONE 873 00:41:47,338 --> 00:41:50,208 WHOSE TASTE THEY MAY NOT SHARE. 874 00:41:52,711 --> 00:41:54,012 BUT FOR SOME, 875 00:41:54,045 --> 00:41:58,850 THE ART OF CONCEALMENT COMES AT TOO GREAT A COST. 876 00:41:58,884 --> 00:42:03,755 AND SO THEY FIND THEMSELVES FORCED TO REVEAL THE TRUTH... 877 00:42:06,224 --> 00:42:12,798 EVEN AT THE RISK OF FACING AN UNCERTAIN FUTURE. 62364

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